Podcasts about film scoring

What does it take to bring a story to life through music? In this episode of Filmmaker Mixer, we sit down with a composer whose work spans The Queen's Gambit, Hacks, and the indie film Breakup Season. From emotional storytelling to technical execution, we explore how music elevates every frame. We dive into the creative process behind scoring for different genres, collaborating with creatives, and adapting to genres. Whether you're directing, editing, or composing, this episode offers real insight into how music shapes narrative. Filmmakers will learn how to better collaborate with composers, approach scoring early in production, and use music to enhance tone, pacing, and emotional impact.

On this episode of The Bandwich Tapes, I sit down with Michael Bacon for a conversation that moves naturally through songwriting, teaching, film scoring, orchestration, and the long arc of a creative life.Michael reflects on the musical education that shaped him, both formal and informal. He talks about returning to Lehman as an adult to fill in gaps in theory, harmony, counterpoint, and music history, and about the profound influence of composer John Corigliano. We also dig into Michael's early life in Philadelphia, where public school music programs, orchestral experiences, folk music, and an extraordinary listening environment at home all helped form his wide musical palette.One of my favorite parts of this conversation is hearing Michael talk about range: why he is drawn to music that can be beautiful, unsettling, lyrical, loud, delicate, and emotionally direct all at once. That idea connects everything he does, from songwriting with The Bacon Brothers to his work as a film composer and orchestrator. He has no interest in staying in one narrow lane, and that comes through clearly in the way he describes both his influences and his process.We also spend time on collaboration: co-writing in Nashville, writing with his brother Kevin Bacon, adding Mayer to the band, and the trust required to make any long-running musical partnership work. By the end of the conversation, what stands out most is Michael's clarity about what sustains a creative life: deep listening, family support, musical curiosity, and the willingness to keep showing up for the work.Key TakeawaysMichael Bacon balances multiple musical identities: songwriter, film composer, educator, orchestrator, and performer.He studied at Lehman College, and his time with John Corigliano helped strengthen the technical foundation behind his creative instincts.Growing up in Philadelphia, surrounded by music at home and in public school programs, had a lasting impact on his musical language.His values range in music—beauty, tension, melody, fear, dynamics, and emotional contrast all matter to him as a composer.His songwriting process differs depending on the setting, from structured Nashville co-writes to more personal, experience-driven songs.Collaboration in The Bacon Brothers works because Michael and Kevin bring different strengths, influences, and instincts to the same songs.Writing for orchestra remains one of Michael's deepest creative joys, especially when he can bring that world into live performance.Music from the EpisodePut Your Hand Up - The Bacon BrothersAirport Bar - The Bacon BrothersPeople in the World - The Bacon BrothersAbout the PodcastThe Bandwich Tapes is a podcast hosted by me, Brad Williams, featuring thoughtful conversations with musicians, songwriters, composers, and artists about craft, creativity, collaboration, and the stories behind the music.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with composer Adam Schoenberg for a thoughtful and deeply human conversation about artistic identity, creative conviction, and the long arc of a life in music. Adam reflects on the early success of Finding Rothko, the orchestral work that helped put him on the map, and what it means to look back on a piece written in his twenties with both gratitude and perspective.We talk about the tension between writing to please others and writing from a place of honesty. Adam shares a formative story from his student years about reshaping a piece to fit institutional expectations, only to realize later that the version that truly sounded like him was the one that opened doors. It leads us into a wider conversation about tonality, contemporary classical music, and why he believes today's musical landscape is more open to different kinds of expression than it once was.Adam also opens up about mentorship, education, and the very different kinds of teachers who shaped him along the way. We discuss studying with John Corigliano, the emotional difficulty of feeling artistically out of place as a young composer, and how those experiences ultimately influenced the kind of teacher he wanted to become for his own students.One of the most moving parts of our conversation centers on Adam's recent health crisis and the way it has changed his relationship to composing, ambition, and time. He speaks candidly about depression, survival, recovery, and the vulnerability of returning to the page after a long silence. We also talk about his percussion concerto Losing Earth, his collaborative relationship with percussionist Jake Nissly, and a powerful new work on the horizon: a Concerto for Body that explores illness, healing, and the orchestra as a living system.Key TakeawaysAdam Schoenberg's breakout orchestral work, Finding Rothko, launched his career and continues to resonate with audiences nearly 20 years later.He learned early on that shaping music to satisfy gatekeepers can come at the expense of artistic truth.Studying with mentors like Robert Beaser and John Corigliano helped him refine both his craft and his confidence as a composer.Adam sees today's classical music world as more stylistically open, with greater room for composers to write in an authentic voice.His percussion concerto Losing Earth, written for Jake Nissly and the San Francisco Symphony, grew out of a highly collaborative process and a desire to create an immersive musical experience.A serious medical crisis took Adam away from composing for nearly two years and forced him to rethink identity, ambition, and what kind of work still matters to him.His upcoming Concerto for Body reflects a new creative chapter shaped by illness, survival, and the experience of coming back.Music from the EpisodeAdam Schoenberg - American Symphony - I. Fanfare - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Finding Rothko - III. Red - Kansas City Symphony (Michael Stern, Conductor)Adam Schoenberg - Losing Earth: Concerto for Percussion & Wind Ensemble - The University of Texas Wind Ensemble (Jerry Junkin, conductor) - Jake Nissly - percussionAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, composers, songwriters, and creative artists for honest conversations about craft, collaboration, career paths, and the deeper stories behind the work. It's a space for thoughtful musical dialogue, with a focus on process, perspective, and the lived experience of making art.Connect with the ShowEmail: contact@thebandwichtapes.com

https://www.skool.com/circle-of-interval-magicians/about In this episode, I explore why choosing chords can feel random when there's no clear story behind your music. I share how defining a simple “story container” — like a scene, emotion, or memory — can guide your harmonic decisions and bring clarity to your composition. When the intention is clear, harmony becomes purposeful instead of accidental.

There is an old joke which goes “Audio without video is radio. Video without audio is surveillance.”. While it may be true, it also underscores the key role which audio plays in our experience when we are watching a show or an event. Audio is every bit as complex as video, but for many editors – whose key focus is the picture – audio can be a bit of a chore. This is where ESION from Acclaim Audio comes into play, using AI to enhance and streamline audio work, enabling the editor to deliver the best looking story, which also sounds great. And ESION is now available as an Extension in Media Composer.Our guests for this episode: Wayne Lappi, Acclaim Audio CEOWayne Lappi is the CEO of Acclaim Audio, his third successful company. He began his career as a programmer before advancing into senior leadership roles across the tech industry. He co-founded Acclaim Audio with a mission to bring AI-powered audio tools to video editors—empowering them to achieve professional-quality sound without the complexity of traditional mixing. With the ESION AI product line, Acclaim Audio has eliminated the guesswork, enabling video editors to stay focused on their video while the audio takes care of itself.Troy Stone, Acclaim Audio CTOTroy Stone is the CTO of Acclaim Audio. He holds dual degrees in Music and Film Scoring and built on that foundation to become a multi-Emmy Award-winning audio mixer. Drawing on his extensive experience, he co-founded Acclaim Audio to “teach the computer” the skills of a top-tier mixer. The result is the ESION AI product suite, where professional-quality audio can be achieved with the push of a button.More ResourcesFor more on this topic, check outMedia Composer Extensions– There are hundreds of partner extensions in the works, get the latest updatesAcclaim Audio – Find out more about ESION Avid Content Core – Discover more about Avid's award-winning Content Data Platform for media productionVideo Post Production – Media Composer is assisting editors with AI-powered workflows Contact UsQuestions? Comments? Cool ideas? Get in touch:makingthemedia@avid.com. Follow Avid at @avid.CreditsHosts: Craig Wilson and Ray ThompsonProduction team: Owen Lynch and Wim van den BroeckTheme Music: Greg “Stryke” Chin

On this episode of The Bandwich Tapes, I sit down with Elizabeth Ziman of Elizabeth & the Catapult, and at the time of this conversation, she's about to release her new album. Now that the record is officially out in the world, we get to talk about everything that went into bringing it to life.We begin right at that moment, standing on the edge of a release. Elizabeth describes the feeling of finally letting go of a project after years of writing, recording, and refining, comparing it to sending something deeply personal out into the world and hoping it finds its place.From there, we dig into how this album differs from her past work. What started as scattered home recordings across multiple cities eventually became a deeply collaborative project, bringing together friends, choir members, and longtime collaborators. It's a record shaped not just by sound, but by movement, transition, and a desire to reconnect after a period of isolation.We also spend time talking about something that really resonates: the balance between perfectionism and letting go. Elizabeth shares how some songs took years to finish, while others were written and recorded quickly, and how learning to trust both processes has been a major part of her growth as an artist.There's also a fascinating conversation about the realities of being an independent artist today, the tension between creating meaningful work and navigating the demands of social media, promotion, and constant visibility. Elizabeth speaks candidly about that push and pull, and how she tries to stay grounded in what actually matters: the music and the connection it creates.One of my favorite moments in this episode is going full circle, talking about seeing her live back in 2009 at Eddie's Attic in Atlanta. That moment becomes a springboard into reflecting on a nearly 20-year career, and how her perspective on music has shifted from “this is hard” to “I get to do this.”We also explore her background, from classical piano and Manhattan School of Music competitions to Berklee, where she found her artistic voice and began collaborating with musicians like Esperanza Spalding. Along the way, we talk about film scoring, directing a women's choir, and the many creative paths that continue to shape her work.This is a conversation about evolution, perspective, and learning to hold both discipline and freedom at once.Key TakeawaysElizabeth Ziman's new album is now out, marking a deeply collaborative and expansive creative chapter.The project began as home recordings across multiple cities before evolving into a full studio production.Balancing perfectionism with spontaneity has become central to her songwriting process.The modern music landscape presents both opportunities and challenges, especially around visibility and promotion.Nearly 20 years into her career, her perspective has shifted toward gratitude and creative freedom.Her background in classical piano and Berklee continues to influence her work today.Collaborating across disciplines—film scoring, choir directing, and teaching—feeds her creativity.Music from the EpisodeResponsible Friend - Elizabeth and the Catapult50/50 - Elizabeth and the CatapultBored of Myself - Elizabeth and the CatapultI Love You Still - Elizabeth and the CatapultAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, songwriters, and creative artists for thoughtful conversations about their craft, their journey, and the experiences that shape the music we hear.Connect with the ShowEmail: contact@thebandwichtapes.com

About the EpisodeOn this episode of The Bandwich Tapes, I sit down with keyboardist, arranger, bandleader, and all-around musical Swiss Army knife Jeff Babko. Jeff is one of those musicians whose career quietly spans an incredible range of musical worlds, from television and touring to studio work and bandleading, and our conversation ends up feeling like a masterclass in how to build a life in music while staying curious and grounded.We start in the present, where Jeff has recently stepped into a larger leadership role on Jimmy Kimmel Live! following the passing of longtime music director Cleto Escobedo. Jeff reflects on what that responsibility means to him and how leading a band in that environment requires both musical preparation and a deep sense of trust and respect for the musicians around you.From there we rewind to an important musical turning point. Jeff tells the story of seeing James Taylor live in college, backed by a band that included Don Grolnick, Jimmy Johnson, Mike Landau, and Carlos Vega. For Jeff, that moment crystallized what “grown-up musicianship” could look like—players serving the music with taste, humility, and deep craft.We also talk about Jeff's time at the University of Miami's Frost School of Music and the lifelong community that came out of those years. That theme of musical community carries into his long-running collaboration with Steve Martin and Martin Short, where Jeff has learned firsthand how musical timing and comedic timing often work the same way. Playing for comedians, it turns out, requires the same instincts as great improvisation.Toward the end of the conversation, we zoom out to bigger questions: legacy, awards, AI, and what actually lasts in a musical life. Jeff shares a perspective I really love: the most meaningful musical moments often aren't the ones captured online. They're the warm-up before a taping, the look between bandmates, or the feeling of someone in the audience connecting with the music in real time.Key TakeawaysVersatility is a career advantage — Jeff's work spans television, touring, arranging, and bandleading.Leadership grows from trust and preparation — especially in environments like Jimmy Kimmel Live!.Seeing great musicians early can shape a path — Jeff's experience watching James Taylor's band left a lasting impression.Musical communities matter — relationships formed in school and early careers often last decades.Comedy and music share timing instincts — playing for comedians requires the same listening and responsiveness as improvisation.Humility sustains a career — serving the music and the band keeps the work meaningful.The most powerful musical moments are human ones — often unseen and impossible to capture online.Music from the EpisodeHead Trauma - Mondo Trio (Jeff Babko, Jeff Coffin, & Vinnie Colauita)International Client - Jeff BabkoFranklin - Jeff BabkoNostalgia is For Suckas - Jeff BabkoAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

The Circle of Interval Magicians: https://www.skool.com/circle-of-interval-magicians/about In this episode, Frank explores an often overlooked aspect of film scoring: timing. Many directors prefer the actor's performance to land the emotional moment first, with the music entering just after to support the impact. But there are also situations where the score needs to guide the scene by arriving slightly earlier. Understanding when to lead and when to step back is an essential storytelling skill for composers working with film, animation, and other visual media.

On this episode of The Bandwich Tapes, I sit down with guitarist and composer Bob Lanzetti, best known as one of the founding members of Snarky Puppy. I've admired Bob's playing for a long time, so getting the chance to talk with him felt especially meaningful. We begin with something many musicians quietly carry with them: the fear of hand issues and how that concern evolves over the course of a career. Bob reflects honestly on how he thinks about it now compared to earlier years.From there, we rewind to the beginning—growing up around his dad's guitar, discovering The Beatles, and the simple invitation that changed everything: “Learn this song and you can sit in with my band.” That moment set Bob firmly on the path toward becoming a guitarist. He traces his journey through early mentors, jazz studies, and eventually to the University of North Texas, where he found a musical community that would change his life—and where Snarky Puppy first came together.We spend time talking about the musical ecosystem around North Texas as well, especially the gospel and R&B scenes that shaped Bob's ear in ways the classroom couldn't. Bob shares how Snarky Puppy actually learns and rehearses music—often through oral tradition, demos, and Logic sessions—and how the band's three-guitar setup works without stepping on each other's sonic space. Along the way, he reflects on something younger musicians often overlook: the importance of restraint, listening, and self-balancing within a band.One of my favorite parts of the conversation centers on Bob's Nosferatu project, where he composed and performed an original score for the classic silent film during the COVID years. That project opened the door to exploring 20th-century classical textures, string writing, layered guitars, and production techniques. We wrap up by talking about the wide range of influences that shape Bob's music—from Charlie Christian and Jim Hall to Sonic Youth and Derek Bailey—and what's ahead in 2026, including GroundUP Festival, touring with Snarky Puppy alongside the Metropole Orchestra, his trio work, and the growing role of producing in his creative life.Key TakeawaysMusicians confront physical concerns over time — long careers require resilience and perspective.Early invitations can shape a life path — a simple opportunity to sit in with a band set Bob on the guitar journey.Community matters — the University of North Texas and the surrounding Dallas scene were foundational for Snarky Puppy.Listening and restraint define great band playing — especially in complex ensemble settings like a three-guitar lineup.Musical learning often happens by ear — oral tradition and demos play a huge role in how bands develop material.Creative side projects expand the palette — Bob's Nosferatu score opened the door to new textures and production ideas.Producing can become another creative outlet — shaping the sound of recordings scratches the same itch as performing.Music from the EpisodeB - Bob LanzettiAnonymous - Bob LanzettiThe Seven Deadly Sins (from Nosferatu) - Bob LanzettiJenny is a Donkey - Bob LanzettiAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Circle of Interval Magicians: https://www.skool.com/circle-of-interval-magicians/about In this episode, Frank explores how pedal tones can do more than create tension. A sustained note can gently reset the listener's ear, allowing bold harmonic transitions to feel natural and fresh. By holding a single tone long enough, the listener's memory of the previous harmony begins to fade, creating space for new musical ideas to arrive smoothly. This technique can be especially powerful in storytelling music, helping guide the audience through harmonic changes without confusion.

https://www.skool.com/circle-of-interval-magicians/about/ In this episode, Frank explores why repetition itself is not the enemy in composition—flat repetition is. He shares how layering simple polyrhythms like three against two can transform a static loop into a living, breathing groove. Drawing inspiration from composers like Philip Glass and John Adams, he explains how patterns in conversation create motion, tension, and energy without adding more harmony or density. A practical and inspiring look at how shifting relationships, not adding content, can unlock new life in your music.

https://www.skool.com/circle-of-interval-magicians/about In this episode, Frank shares his approach to starting a composition not with notes or chords, but with energy. He walks through his creative chain from story to feeling, from feeling to tempo, from tempo to texture, and only then to harmony and palette. You will explore how emotional temperature shapes musical decisions, how contrasting registers create tension, and how Interval Magic can help you think in terms of energy instead of just scales. A practical and inspiring perspective for composers who want their music to feel inevitable rather than constructed.

Download the free guide “5 Spells Every Composer Needs” here: https://musicintervaltheory.academy/spells/ In this episode, Frank explores how simple observation can unlock powerful musical ideas. By watching everyday movements—like birds hopping or leaves shifting in the wind—composers can discover natural rhythm, contour, and character. These real-life gestures translate directly into intervals, orchestration choices, and storytelling in music. Instead of forcing clever ideas, we can let authentic movement guide our composition process and bring our patterns to life.

Explore the Circle of Interval Magicians: https://www.skool.com/circle-of-interval-magicians/about/ In this episode, Frank explores the double-edged nature of pattern education. While learning common musical patterns is essential, relying on them without reshaping leads to generic results. Composers are encouraged to mutate patterns through changes in rhythm, orchestration, articulation, harmony, and emotional intent. Patterns are public property—but personal creative decisions transform them into original music.

Download the free guide “5 Spells Every Composer Needs” and learn interval-based composition techniques that create motion and emotional growth: https://musicintervaltheory.academy/spells/ In this episode, Frank explores how music can feel alive even when harmony remains static. Using examples like Bolero, he explains how motion comes from shaping intensity through dynamics, register shifts, density, and interval tension. Instead of adding more chords to fix boredom, composers can design the energy arc and let emotional growth unfold within a single harmonic space.

To read the complete transcript and watch the podcast video, visit the ⁠⁠⁠⁠⁠⁠⁠episode blog⁠⁠⁠⁠⁠⁠.⁠In this episode of the Successful Musicians Podcast, Jason Tonioli sits down with film and television composer Spencer Creaghan, whose work spans horror, sci-fi, orchestral metal, children's programming, and epic symphonic projects.From scoring series like Slasher and Astrid & Lilly Save the World to creating a full symphonic work inspired by Brandon Sanderson's Mistborn, Spencer shares how heavy metal, film scores, and a love of storytelling shaped his career.This conversation dives deep into collaboration, ego, finishing creative work, and what it really takes to build a sustainable career in film and television composition.What You'll Learn- Why removing pride improves creative collaboration- How heavy metal influenced Spencer's orchestral film scoring style- Why relationships matter more than transactional networking- How to approach directors with creativity and flexibility- Why artists should not fear AI replacing composers- The importance of creating deadlines to finish passion projects- How to manage perfectionism and avoid overthinking- Why loving film is essential to a career in scoring- How to develop your voice without forcing uniqueness- Practical strategies for staying productive under deadlinesTopics Covered in This Episode- Discovering film scoring through symphonic metal- Studying music at York University and building filmmaker relationships- Scoring projects from day one of college- Long-term collaboration with directors- Working on horror, sci-fi, and children's television- Blending orchestral, Celtic, and metal influences- Writing music as an unseen character in a film- The creative process from concept meetings to final score- Collaborating with live musicians around the world- Spencer's upcoming Mistborn symphony projectWho This Episode Is For- Aspiring film and television composers- Musicians wanting to break into media scoring- Creative professionals struggling to finish projects- Artists navigating collaboration and creative ego- Composers balancing artistic voice with client needs- Musicians curious about orchestral metal fusion- Students considering music school for film scoring- Producers and directors wanting better composer relationships- Creators worried about AI in the music industry- Anyone building a long-term creative careerConnect with Spencer CreaghanWebsiteLinkedInInstagramIMDbSpotifyApple MusicConnect with Jason TonioliWebsite FacebookYouTube InstagramSpotifyPandoraAmazon MusicApple Music

Download the free guide “5 Spells Every Composer Needs” and start using interval-based techniques that create flow and motion in your music: https://musicintervaltheory.academy/spells/ In this episode, Frank explores why leaving patterns exposed can make music feel mechanical and predictable. He shares practical techniques to hide loops, blur transitions, and create seamless motion between sections. You'll learn how to stretch ideas across bar lines, use fills and countermelodies as camouflage, write transitions backward, and dissolve the grid so listeners feel story instead of structure.

Download the free guide “5 Spells Every Composer Needs” and start using interval-based composition techniques in your own music: https://musicintervaltheory.academy/spells/ In this episode, Frank explores the overlooked concept of interval resolution and explains why single intervals—not just chords—are the true carriers of musical energy. By focusing on how intervals like the minor second resolve and move, composers can create tension, release, and forward motion without relying on heavy harmonic changes. Thinking horizontally instead of vertically opens up new expressive possibilities and leads to more alive, breathing music.

Download the free guide “5 Spells Every Composer Needs.” Spells are interval-based composition techniques that work like magic. In this guide, Frank explains 5 of his most-used spells with examples so you can implement them in your own music. https://musicintervaltheory.academy/spells/ In this episode of The Music Interval Theory Podcast, Frank shares some hard-earned wisdom about mistakes, decision-making, and the hidden costs of creativity. Drawing from over two decades of experience, he talks about how knowing which mistakes are reversible—and which ones aren't—can shape not only your music, but your whole career. Learn how to navigate tough calls, take smart risks, and keep moving forward in your musical journey.

Download the free guide “5 Spells Every Composer Needs.” Spells are interval-based composition techniques that work like magic. In this guide, Frank explains 5 of his most-used spells with examples so you can implement them in your own music. https://musicintervaltheory.academy/spells/ In this episode of The Music Interval Theory Podcast, Frank unpacks the real role of orchestration—not as decoration, but as storytelling. He explains how register, density, and energy placement in your sketch already hint at your orchestration, and how understanding your instrumental vocabulary early in the process can bring your ideas to life. Whether you're writing for film, games, or the concert hall, this episode will help you think differently about how and when orchestration begins.

Download the free guide “5 Spells Every Composer Needs.” Spells are interval-based composition techniques that work like magic. In this guide, Frank explains 5 of his most-used spells with examples so you can implement them in your own music. https://musicintervaltheory.academy/spells In this episode, Frank unpacks a powerful idea: you can't “use up” a composition technique. Instead of constantly reaching for new tricks, learn how to stretch one technique through contrast and transformation. From orchestration shifts to role reversals and rhythmic flips, the secret lies in development—not novelty. This shift in mindset helps your music stay focused, engaging, and full of life.

Download the free guide "5 Spells Every Composer Needs." These spells are interval-based composition techniques that work like magic. In this guide, I explain 5 of my most-used spells with examples so that you can implement them in your compositions as well. https://musicintervaltheory.academy/spells/ In this episode, Frank breaks down why the minor second doesn't belong in heroic music — but absolutely rules in boss battles. He shows how a simple octave shift and interval displacement can turn a regular progression into a threatening force, giving your music immediate intensity and emotional impact. Learn the difference between music that celebrates and music that challenges.

Download the free guide "5 Spells Every Composer Needs." These spells are interval-based composition techniques that work like magic. In this guide, I explain 5 of my most-used spells with examples so that you can implement them in your compositions as well. https://musicintervaltheory.academy/spells/ Frank explains why orchestration has always functioned as the original EQ and transient shaper, even before plugins existed. He shows how register, doublings, and voicing shape your music's clarity and emotional power. If your orchestral writing needs tons of EQ and processing, the real fix isn't in the mix. It's in the arrangement.

Download the free guide "5 Spells Every Composer Needs." These spells are interval-based composition techniques that work like magic. In this guide, I explain 5 of my most-used spells with examples so that you can implement them in your compositions as well. https://musicintervaltheory.academy/spells/ Frank breaks down the real meaning of dissonance and why it's not chaos — it's a choice. Learn how understanding overtone alignment and harmonic resistance gives you full control over emotional tension in your music, so you can use dissonance with intention, not by accident.

Download the free guide "5 Spells Every Composer Needs." These spells are interval-based composition techniques that work like magic. In this guide, I explain 5 of my most-used spells with examples so that you can implement them in your compositions as well. https://musicintervaltheory.academy/spells/ In this episode, Frank explores the true power of the minor second — not just as a small half-step, but as a source of stored energy and emotional tension. Discover why it's so much more than a dissonance to fix, and how using it with intention can transform your compositions.

Download the free guide “5 Spells Every Composer Needs.” These spells are interval-based composition techniques that work like magic. In this guide, Frank explains five of his most-used spells with examples so you can implement them in your compositions right away. https://musicintervaltheory.academy/spells/ In this episode of The Music Interval Theory Podcast, Frank challenges the traditional view of the 12 musical intervals and introduces a fresh, practical approach for composers. By grouping intervals into just six core personalities — plus one wildcard tritone — you'll learn how to simplify your composing process and gain deeper control over tension, emotion, and movement in your music. This mindset shift helps you connect theory with real-world composing in a fun, intuitive way.

Explore the Circle of Interval Magicians. You find the Circle quickly by googling "Circle of Interval Magicians," or by following the link in the show notes. https://www.skool.com/circle-of-interval-magicians/about?ref=bfbebbc3d8d04a84806842a78f42963a Frank shares a surprising insight from the world of Hollywood scoring: most modern film scores are written in C concert with no key signature. Why? Because emotion demands constant modulation, and session players prefer clarity over tradition. By dropping the key signature, composers can let their harmony follow the picture more freely. Frank explains how this shift changed his own workflow and offers encouragement for composers looking to break free from rigid key thinking.

Download the free guide “5 Spells Every Composer Needs.” These are powerful interval-based composition techniques, and yes—counterpoint is part of the magic. https://musicintervaltheory.academy/spells/ In this episode, Frank reframes counterpoint as a vibrant conversation between musical lines rather than a rigid academic exercise. You'll learn how counterpoint can bring clarity and energy to your music, especially when applied to full sections in orchestration. From emotional exchange to structural storytelling, this episode is a fresh take on a classic technique—with some interval theory magic sprinkled in.

Download the free guide "5 Spells Every Composer Needs." Spells are interval-based composition techniques that work like magic. In this guide, Frank explains 5 of his most-used spells with examples so you can implement them in your compositions too. https://musicintervaltheory.academy/spells In this episode, Frank dives into the technique of Scaling—an interval-based approach that instantly adds emotional depth and that “Disney sparkle” to your music. He explains how using a simple formula from a major triad and an anchor note can unlock rich harmonic textures. With easy step-by-step guidance, you'll see how to use Scaling to create wide, expressive harmonies that still feel grounded and intentional.

Download the free guide "5 Spells Every Composer Needs." Spells are interval-based composition techniques that work like magic. In this guide, Frank explains 5 of his most-used spells with examples, so you can start using them in your own compositions: https://musicintervaltheory.academy/spells In this episode of The Music Interval Theory Podcast, Frank explores the idea that the patterns and habits in your music aren't mistakes. They're your musical fingerprints. He shares how years of trying to “correct” his tendencies actually led to less authentic music, and how embracing those repeating ideas brought his compositions to life. If you've ever felt self-conscious about sounding too much like yourself… this one's for you.

Download the free guide “5 Spells Every Composer Needs.” Spells are interval-based composition techniques that work like magic. In this guide, Frank explains 5 of his most-used spells with examples, so you can implement them in your own compositions: https://musicintervaltheory.academy/spells In this episode of The Music Interval Theory Podcast, Frank shares how recording his composing process inside Sibelius helped him spot creative blocks, speed up his workflow, and become more self-aware as a composer. Inspired by how athletes analyze game footage, this simple practice can help any composer improve—even if you never publish a single video. It's a behind-the-scenes strategy with surprising power!

Download the free guide "5 Spells Every Composer Needs." Spells are interval-based composition techniques that work like magic. In this guide, I explain five of my most-used spells with examples so that you can implement them in your compositions as well. https://musicintervaltheory.academy/spells In this episode of The Music Interval Theory Podcast, Frank opens up about the power of unfinished work. From half-orchestrated ideas to 8-bar sketches, these "tiny reps at the gym" are actually the foundation of musical growth. He shares a raw, personal sketch from years ago and discusses how sharing imperfect work with fellow composers builds confidence, sharpens instincts, and keeps the creative momentum alive. If you've ever felt like your half-finished cues don't count, this one's for you.

You find the Circle quickly by googling "Circle of Interval Magicians," or by following the link in the show notes.

Download the free guide “5 Spells Every Composer Needs.” Spells are interval-based composition techniques that work like magic. In this guide, I explain 5 of my most-used spells with examples so that you can implement them in your compositions as well. Link: https://musicintervaltheory.academy/spells In this episode, Frank explores how to create dark and mysterious music by doing less. Learn how slowing down your harmonic rhythm, thinning out textures, and using soft low instruments can evoke deep emotion and tension. Plus, discover how small intervals in the lower register can add fragility and danger without crowding your mix — perfect for underscore and cinematic moods.

In this episode, I sit down with Dame Evelyn Glennie to talk about what listening really means and why it matters far beyond music. We start with the origins of the Evelyn Glennie Foundation and how her work evolved organically from teaching, performing, and asking people better questions so they can hear themselves more clearly. Evelyn shares how her own experiences shaped a broader philosophy of listening that encompasses sound, the written word, and the ways we communicate through email, texts, and social media. We also dig into how technology has changed our patience and attention, and why listening belongs at the center of education, wellbeing, empathy, and community.From there, we move into the performer's mindset and Evelyn's lifelong curiosity about sound. She explains why she starts new repertoire from the inside out, how the body becomes an essential listening partner over time, and why recordings are only frozen snapshots rather than definitive answers. I ask her about formative training, the balance of learning by ear and reading music, and how her early environments built a deep listening culture that still guides her today. Evelyn offers a powerful reminder that every performance is a world premiere for someone, and that familiar instruments can become brand new when we hear them in a different context.We also go down memory lane through landmark repertoire and collaborations. Evelyn talks about discovering and recording Paul Smadbeck's Rhythm Song, revisiting it years later, and even developing a creative version for marimba and strings. She reflects on the Bartók Sonata for Two Pianos and Percussion, including the intensity of working at a young age with Sir Georg Solti and the lessons that stayed with her. We then explore her long pursuit of John Corigliano's Conjurer, how the concerto's concept came together, and what it takes to tour a major work night after night, adapting to different instruments and acoustics. Finally, we discuss her experience performing Philip Glass's Double Timpani Concerto with Jonathan Haas, the logistics behind that project, and why she loves the energy of shared soloist roles.To close, Evelyn shares what she is creating right now, including writing for television and film, new books, wide-ranging collaborations, duo projects, and continued foundation work that invites people to slow down, listen deeply, and rethink what connection feels like. This conversation is a masterclass in curiosity, artistry, and attention, and I'm grateful to share it with you.To learn more about Evelyn and the Evelyn Glennie Foundation, visit her website. Music from the Episode:Joseph Schwantner - Velocities for Solo MarimbaPaul Smadbeck - Rhythm SongBéla Bartók - Sonata for Two Pianos and PercussionJohn Corigliano - Conjurer: Concerto for Percussionist and String OrchestraThank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Download the free guide "5 Spells Every Composer Needs." Spells are interval-based composition techniques that work like magic. In this guide, Frank explains five of his most-used spells with examples so that you can implement them in your compositions as well. Link: https://musicintervaltheory.academy/spells Summary: In this episode of The Music Interval Theory Podcast, Frank shares a crucial yet often overlooked first step in his scoring process: locking in the tempo and bar count before composing. By doing this, he avoids the stress of music slipping out of sync with the scene and creates a solid structure for emotional storytelling. Whether you're scoring your first short film or your tenth game soundtrack, this simple tip could be a game-changer.

Grab the five spells every composer needs and take your writing to the next level: https://musicintervaltheory.academy/spells/ This episode shows how a simple motor or pulse can bring a stalled cue back to life and create forward motion without changing your harmony. Even the smallest repeating rhythm can act like an engine that keeps your music breathing and moving.

In this episode, Frank dives into one of the most overlooked superpowers in a film composer's toolbox: the reappearing theme. A simple motif, placed with intention, can shape the emotional arc of an entire story while making the composer's job smoother and more focused. Frank explains how a recurring theme acts as a guidepost for the listener, creates cohesion across scenes, and reduces the need to generate endless new material under tight deadlines. Using examples from classic scores like Indiana Jones and modern masterpieces like Up, he breaks down how great composers shape and reshape a single idea to carry an entire film. You'll learn why repetition is not lazy, how a returning motif helps the audience stay anchored, and how Interval Magic allows your themes to adapt without losing their identity. Frank also shares insights from the Circle of Interval Magicians, where small motifs become powerful storytelling tools. If you've ever wondered how to make your themes more flexible, more emotional, and more memorable, this episode shows you how to put that into practice right away. Ready to go deeper? Join the Circle of Interval Magicians and explore Interval Magic with a community of composers who are growing their craft one motif at a time: https://www.skool.com/circle-of-interval-magicians/about?ref=bfbebbc3d8d04a84806842a78f42963a

Award-nominated composer Andrew McCrorie-Shand joins Francesca de Valence to share a songwriting journey shaped by curiosity, cinematic vision, and emotional depth. From hit TV themes like Teletubbies to reflective solo work, Andy's decades-spanning career reveals the power of imagination and storytelling in music.About Andrew: Andy is a multi-instrumentalist, arranger, producer and composer. As a teen he was greatly influenced by the American rock musician, composer and filmmaker Frank Zappa and British rock musician Keith Emerson. In 1974 Andy joined the progressive rock band Druid, with whom he co-composed and recorded 2 albums for EMI: Toward the Sun (1975) and Fluid Druid (1976). He went on to play with Curved Air, which included a pre-Police Stewart Copeland on drums.Contact Andrew: WebsiteSong Credit: “Streetlights" - Written by Andrew McCrorie-Shand. Performed by Andrew McCrorie-Shand.Ready to deep dive into songwriting? Join our 10-week online intensive course to write 10 new songs with lessons, personalised mentorship and practical tools to refine your craft. Learn more at iheartsongwritingclub.com/songwritingcourses.Find out more and contact us at I Heart Songwriting Club & Francesca de Valence.Get your creativity, confidence, and songwriting output flowing. Join The Club and receive the support and structure to write 10 songs in 10 weeks and get feedback from a private peer community. Just getting started on your songwriting journey and need more hands-on support? Establish a firm foundation and develop your musical and lyric skills with our Beginner Songwriting Courses. Don't struggle to write your next album - write an album a year with ease! Watch our Free Songwriting Masterclass. Get songwriting insights from I Heart Songwriting Club: Instagram / Facebook / YouTubeBe inspired by Francesca on socials: YouTube / Facebook / InstagramTheme song: “Put One Foot In Front Of The Other One” music and lyrics by Francesca de Valence If you love this episode, please subscribe, leave a review and tell everyone you know about The Magic of Songwriting.

Join us for something wild today, folks – Ben, Kirk, Mike, and Marshall each took the same short-film clip (generously provided by Josiah Barrett) and scored music to it with no direction besides the 2-minute silent film itself. And wow did we come up with some interesting (and beautiful) results!Join us as we talk about emotion, transition sections, scale modes, and a whole lot of film scoring fun.Got any questions you want answered in an upcoming episode? Email us at podcast@all-ambient.com.The⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ all:ambient Discord server⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is now live! Come join the community & conversation with a bunch of like-minded artists & creators. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join us here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – you'll need to create a Discord account if you've never done so – and welcome to the all:ambient family!the all:ambient podcast is an inside look at the incredible artists in ambient music, digging into creative processes, hearing untold stories, and following the rabbit trail to wherever that conversation may lead.Don't forget to leave a review and text a friend or fellow musician about the podcast. We really appreciate it!

Today I chat with Columbian composer Juan Cortés Arango as he shares his creative process behind The Head Season 3 and his innovative approach to extended techniques. In this episode we discuss *Juan's transition from cello performance to composition due to tendinitis *Creating organic sounds that feel electronic using extended techniques *Working with prepared piano, unusual woodwinds, and unconventional string techniques *The philosophy behind choosing acoustic instruments over synthesizers *His collaboration process and the importance of documentation in composition *How the music industry is evolving and what it means for composers. About our Guest: Juan Cortés Arango is a versatile Colombian composer based in Los Angeles. Juan's portfolio includes such notable works as Mala Fortuna, Anywhere With You, and Above the Yangtze River. As an additional composer, Juan worked on Pablo Larrain's Golden Globe-nominated Neruda, as well as Judd Apatow's HBO docuseries George Carlin's American Dream, and Amazon Studios' Life Itself, starring Oscar Isaac and Olivia Wilde. Through his close relationship with Richard Ludlow's Hexany Audio, Juan also orchestrates for a wide variety of video games, virtual reality, and interactive media projects, including Honor of Kings and Arknights. He also co-founded Salon de Paprika, a boutique film production house. Both ventures have developed a global clientele since their founding. He is currently building an orchestration collective. Juan graduated from Berklee College of Music in 2014 with a double major in Film Scoring and Electronic Production & Design.

Have you ever wondered what it really takes to produce a classic hit? Or what goes through a producer's mind when they're building a song from the ground up—or tearing it down to start again? Here to help us understand that process is Stephen Lipson. Stephen is the legendary producer and creative mastermind behind iconic tracks from Frankie Goes to Hollywood, Grace Jones, Annie Lennox, Simple Minds and many more including collaborations on film music such as  Batman: The Dark Knight Rises, The Lion King and Top Gun: Maverick.  From behind-the-scenes studio secrets to philosophical reflections on the role of music and technology, this conversation is a deep dive into the life of a modern music craftsman.

Dr. Joe sits down with veteran music editor Tom Kramer to discuss the craft of film music, the behind-the-scenes process on projects like The Queen's Gambit, and how streaming, COVID-19, and mentorship are reshaping the film industry!

Text us about this show.Alex Drossart and Sam Farrell have their hands in a lot of musical doings and they're having a blast! Both are members of Hang Ten, a popular laid back pop band, and they are instrumental in operating their studio they've dubbed The Hangar. Add to that their resumés that include playing alongside names like Butch Vig, Duke Erikson, Steve Porcaro, Freedy Johnston, and Wayne Newton. They've accomplished so much in their careers and, yet, they're just two guys just wanting to enjoy creating music whether that be their own or helping out other artists. It's a fun discussion with a couple guys who like to keep things fresh and interesting, so kick back and enjoy!"Oh Well Whatever" written and performed by Hang Ten℗ 2024 Hang Ten. Used with permission of Sam Farrell"Untrue & Not Enough" written and performed by Matty Day℗ 2023 Matty Day. Used with permission of Matty Day."Slow Down" written and performed by Hang Ten℗ 2022 Hang Ten. Used with permission of Alex DrossartSupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

This week, we're going in the exact opposite direction as last week talking about one of the most quietly revolutionary figures in modern music: Arvo Pärt. That's right, we're pivoting HARD from death metal to neoclassical music. Strap in! We go deep on his early works, his religious conversion, and his shift into the sparse, meditative style known as tintinnabuli. Along the way we discuss how his music achieves emotional intensity through restraint, why he basically disappeared for several years, and how his minimalist compositions have become unlikely mainstays in film and television. Expect talk about Soviet censorship, spiritual longing, and just how hard it is to make music that seems this simple. If you've ever cried to Spiegel im Spiegel, you'll understand. Highlights: 00:00 Introduction and Greetings 01:13 Discussing Radio Show Introductions 02:39 Highbrow Conversations and Wine 03:19 Introducing Arvo Pärt 03:30 Arvo Pärt's Pronunciation and Popularity 05:44 Arvo Pärt's Musical Journey 15:02 Arvo Pärt's Life and Struggles 34:12 Arvo Pärt's Film Scoring and Return to Music 35:30 Tintinnabuli Technique and Influence 44:56 Exploring the Melancholy Beauty of Arvo Pärt's Music 46:04 The Story Behind 'Für Alina' 46:55 The Technique of Tintinnabuli 51:38 Arvo Pärt's Religious Influence 01:03:37 Pärt's Impact on Modern Cinema 01:24:48 Pärt's Music in Palliative Care 01:29:35 Conclusion and Final Thoughts

Send me a text and please visit www.livefrommydrumroom.com My guest is four time Grammy Award winning drummer, composer and educator, Antonio Sanchez. Antonio is probably best known for his long association with The Pat Metheny Group, but his list of credits is truly staggering. In 2014, Antonio scored the music for the Academy Award winning film “Birdman” which earned him nominations for the Golden Globe Award for Best Original Score, and BAFTA Award for Best Film Music. He won the Critics' Choice Movie Award for Best Score, and Satellite Award for Best Original Score. He's released more than a dozen recordings as a leader or co-leader. One of his latest projects is Apple TV's “The Studio” which he scored entirely. So come along for the ride and please subscribe! And please visit my website! https://livefrommydrumroom.com.  For more on Antonio, please visit: https://www.antoniosanchez.net/Live From My Drum Room Hoodies are now available!Made of a soft 52% cotton 48% polyester blend. Sizes: MD, LG & XL = $50 USD (including shipping) *Size 2XL = $55 USD (including shipping) * Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL = $25 (including shipping) * Venmo only. US Orders only.  100% of the proceeds from Live From My Drum Room merchandise goes toward a Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ * Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Very important! Email or Text: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt and or hoodie to help support this endeavor! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Dive into the world of film scoring and production with Simon Franglen, acclaimed composer known for his work on Titanic and Avatar, in this milestone 100th episode!

“I can go back to when I was sixteen, and I was at a movie theater and I was watching a really great scene in a movie where the violinist was, like, moving his bows, you know, the camera was like panning around him. And I got to the end of that scene, and, like, he lifts his bow up, and I started clapping in the theater. And I realized that that film had just totally taken me out of the movie theater and put me in, like, a concert hall. And I was like, ooh, I want to do that. I want to basically use sound to bring people to another world, and I pretty much at sixteen decided I wanted to be a film composer.” – Sherene Strausberg This episode's guest is an Emmy-nominated art director and a unique creative, combining her experience in film, music, and sound engineering with graphic design and illustration. She creates animated videos for her clients at the company she founded almost ten years ago, 87th Street Creative. She knew at the age of sixteen that she wanted to be a film composer, and, after ten years of pursuing that while also working as a broadcast engineer at National Public Radio, she changed careers, first to graphic design and then to motion design. Motion graphics returned her to her true passion of how sound and moving images together can immerse the viewer and listener. Combining this with her desire to work with clients who believe in sustainability and social justice, 87th Street Creative has worked with nonprofits and businesses that help make the world a better place.Her name is Sherene Strausberg, and our conversation covers a range of topics, from how sound enhances visuals to the role sound plays in helping her clients promote their brands. Whether you're an ad creative, have a company that's looking for an innovative way to reach your clients, or you're just interested in the power of sound, we could all learn a thing or two from her experiences. As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available and what the newest audio chats will be about. If you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. (0:00:00) - From Film Scoring to AnimationOur discussion starts off with a look back at a pivotal memory in Sherene's life, the moment when, as a teenager, she realized she wanted to work in sound. “I was watching a really great scene in a movie,” she recalls, “where the violinist was, like, moving his bows. You know, the camera was panning around him. And I got to the end of that scene and like he lifts his bow up and I started clapping in the theater and I realized that that film had just totally taken me out of the movie theater.” She shares her journey from the Indiana School of Music, where she studied music and played piano, to working in Hollywood as a film composer. “What you learn in school,” she says, “is a very small piece of the puzzle, and learning how to manage client relationships, how to find work, how to manage projects and manage the funds and fees and all the financial sides of it, I mean, none of that I got out of

In this episode of Working Class Audio, Matt discusses Julie Kahryns extensive experience in the music industry as a producer, sound designer, composer, and educator. With a background spanning from criminal justice to a full-time music career, Julie has worked on a wide range of projects, including crafting unique audio samples for top software companies such as Ableton, Output, Cherry Audio, Splice, and Bandlab, as well as supervising music for films, and composing original scores.In This Episode, We Discuss:Career Shift From JusticeRoles: Producer, Composer, DesignerTeaching at Berklee NYCEarly Music InfluencesMentor Tony Conniff's GuidanceLearning Logic ProIncome From SamplesFilm Music SupervisionBalancing Creativity and BusinessParenthood's Career ImpactBuilding Artist ConfidenceCollaborative Mixing WorkIncome DiversificationInfluences: Brian Eno, Laurie AndersonFilm Scoring TechniquesMatt's Rant: Your HealthLinks and Show Notes:Julie's Site (iamsnowangel.com)Credits:Guest: Julie KathrynHost: Matt BoudreauEngineer: Matt BoudreauProducer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff Truesdell

In this episode of Working Class Audio, Matt discusses Julie Kahryns extensive experience in the music industry as a producer, sound designer, composer, and educator. With a background spanning from criminal justice to a full-time music career, Julie has worked on a wide range of projects, including crafting unique audio samples for top software companies such as Ableton, Output, Cherry Audio, Splice, and Bandlab, as well as supervising music for films, and composing original scores. In This Episode, We Discuss: Career Shift From Justice Roles: Producer, Composer, Designer Teaching at Berklee NYC Early Music Influences Mentor Tony Kniff's Guidance Learning Logic Pro Income From Samples Film Music Supervision Balancing Creativity and Business Parenthood's Career Impact Building Artist Confidence Collaborative Mixing Work Income Diversification Influences: Brian Eno, Laurie Anderson Film Scoring Techniques Matt's Rant: Your Health Links and Show Notes: Julie's Site (iamsnowangel.com) Credits: Guest: Julie Kathryn Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell