Podcasts about ipads

Ever threaten to take away screen time… only to hand the iPad back 10 minutes later just so you can finish your coffee in peace?

The children of Israel were attacked by Amalek for seemingly no reason. This was their first challenge from an outside force.  They prevailed against Amalek by the faith of their leader Moses who interceded on their behalf, raising his hands to the throne of God with Aaron and Hur holding up his arms whenever he tired.  Victory did not come by any skill or strength of the people. The battle was won through God as their banner, Jehovah Nissi. Today Christ is our banner held up for us at Calvary. We are to look to Him and by faith we will overcome those who try to destroy us. VF-2513 Exodus 17 Watch, Listen and Learn 24x7 at PastorMelissaScott.com Pastor Melissa Scott teaches from Faith Center in Glendale. Call 1-800-338-3030 24x7 to leave a message for Pastor Scott. You may make reservations to attend a live service, leave a prayer request or make a commitment. Pastor Scott appreciates messages and reads them often during live broadcasts. Follow @Pastor_Scott on Twitter and visit her official Facebook page @Pastor.M.Scott. Download Pastor Scott's "Understand the Bible" app for iPhone, iPad and iPod at the Apple App Store and for Android devices in the Google Store. Pastor Scott can also be seen 24x7 on Roku and Amazon Fire on the "Understand the Bible?" channel. ©2025 Pastor Melissa Scott, Ph.D., All Rights Reserved

iPad kids...good concept! Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.

What is the iPhone Pocket? Apple is nearing a $1 billion a year deal to use Google AI with Siri. Could the OLED MacBook Pro redesign be limited to just the M6 Pro and Max models? And is Apple TV's new show, Pluribus, good? It's good enough to have brought Apple TV down for a period of time during its initial release. Introducing iPhone Pocket: a beautiful way to wear and carry iPhone. Apple nears $1 billion-a year deal to use Google AI for Siri. Report: OLED MacBook Pro redesign may be exclusive to M6 Pro and M6 Max models. The iPad Pro at 10: a decade of unrealized potential. Apple's losing its podcast legacy — why it matters, and how to save it. Forget Liquid Glass, Apple TV's new logo was shot with actual glass. Did Pluribus trigger the AppleTV+ crash? Vince Gilligan wants you to know that Pluribus was 'made by humans'. Apple original films acquires J S Mayank & David Carlyle's manuscript 'Fallen Astronaut'. Future of Apple Fitness+ 'under review'. B&H lists HomePod Mini as discontinued amid refresh rumors. Picks of the Week Andy's Pick: Club TWiT & Central Heating! Stephen's Pick: Foodnoms App Alex's Pick: The Oh Hellos Hosts: Leo Laporte, Alex Lindsay, and Andy Ihnatko Guest: Stephen Robles Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: framer.com/design promo code MACBREAK auraframes.com/ink Melissa.com/twit

TV tonight! ‘The Golden Bachelor' is back. ‘South Park' is enjoying massive ratings for this extreme season. ‘Freakier Friday' is now on Disney+. ‘Survivor' is on tonight, and Sarah and Vinnie are ready for the season to kick it up a notch. Matthew McConaughey and Michael Caine signed a voice deal with an AI company. ‘Toy Story 5' trailer is out, and the iPad is making its Pixar premier. Vinnie says living near the ocean might make you live longer. Should kids be compensated for keeping their room clean? Plus, salad pizza… enough said.

Winterland is just around the corner - what will Sarah wear? Jimmy Kimmel's band leader, and childhood best friend, has passed away at 59. Mike Tyson finally reveals why he doesn't wear socks in the ring. The atmospheric river might actually show up today, and we might be able to travel for Thanksgiving - at a cost. A video of a MUNI driver falling asleep at the wheel is going viral. TV tonight! ‘The Golden Bachelor' is back. ‘South Park' is enjoying massive ratings for this extreme season. ‘Freakier Friday' is now on Disney+. ‘Survivor' is on tonight, and Sarah and Vinnie are ready for the season to kick it up a notch. Matthew McConaughey and Michael Caine signed a voice deal with an AI company. ‘Toy Story 5' trailer is out, and the iPad is making its Pixar premier. Vinnie says living near the ocean might make you live longer. Should kids be compensated for keeping their room clean? Plus, salad pizza… enough said. It's time to Bridge The Gap! Can the reigning GenX champion pull out another win against the Millennials? There's nothing quite like dry swallowing a big pill. Can you name the most played music video ever played on MTV? Here's a hint: Bob's never even heard of it. Letting your kid drive is one of the craziest times in parenting - here are some rules to help! A writer for the BBC analyzed how the food you eat impacts how you smell. Is garlic good or bad? Do certain hobbies attract pretentious people? Taylor Swift is picking her bridesmaids! Sarah almost tells a story about the King of Prussia mall. Vinnie warns that these gifts are OFF LIMITS for the holidays. Here are our thoughts. A Police Chief in Massachusetts was “just trying to get girls off the street” after being caught in a sting. Plus, how old is that guy?

Could it be? Could Jackie's option for Listener Choice actually have won the poll? I guess everybody really wants to learn more about the challenges involved in moving from one activity to the next. So, in this episode, that's exactly what we'll review. Are there good treatment options when putting down the iPad and joining an arts and crafts activity leads to tears? How can we even pinpoint where and why the transition chain is breaking down? Put down your JABA and head on over to your phone to find out. This episode is available for 1.0 LEARNING CEU. Articles discussed this episode: Waters, M.B., Lerman, D. C., & Hovantez, A. N. (2009). Separate and combined effects of visual schedules and extinction plus differential reinforcement on problem behavior occasioned by transitions. Journal of Applied Behavior Analysis, 42, 309-313. doi: 10.1901/jaba.2009.42-309 Pálsdóttir, E.D., Magnússon, A.F., & Sveinbjörnsdóttir. (2024). An experimental analysis of task refusal: A comparison of negative reinforcement contingencies and transitions between academic tasks. Behavioral Interventions, 39, 1-11. doi: 10.1002/bin.1993 Wilson, J.D., Federico, C.A., Perrin, J., & Morris, C. (2025). Treatment of challenging behavior during physical transitions: A case study. Behavior Analysis in Practice. doi: 10.1007/s40617-025-01086-5 If you're interested in ordering CEs for listening to this episode, click here to go to the store page. You'll need to enter your name, BCBA #, and the two episode secret code words to complete the purchase. Email us at abainsidetrack@gmail.com for further assistance.

Listen to a recap of the top stories of the day from 9to5Mac. 9to5Mac Daily is available on iTunes and Apple's Podcasts app, Stitcher, TuneIn, Google Play, or through our dedicated RSS feed for Overcast and other podcast players. Sponsored by Backblaze: Never lose a file again. Use code "9to5daily" at checkout for 20% off or try for free.  New episodes of 9to5Mac Daily are recorded every weekday. Subscribe to our podcast in Apple Podcast or your favorite podcast player to guarantee new episodes are delivered as soon as they're available. Stories discussed in this episode: Apple TV execs talk 2026 content lineup, ad-supported plans, and more M5 Mac mini and Mac Studio launch timing revealed in new report Apple launches Digital ID feature in Wallet using your passport Listen & Subscribe: Apple Podcasts Overcast RSS Spotify TuneIn Google Podcasts Subscribe to support Chance directly with 9to5Mac Daily Plus and unlock: Ad-free versions of every episode Bonus content Catch up on 9to5Mac Daily episodes! Don't miss out on our other daily podcasts: Quick Charge 9to5Toys Daily Share your thoughts! Drop us a line at happyhour@9to5mac.com. You can also rate us in Apple Podcasts or recommend us in Overcast to help more people discover the show.

What is the iPhone Pocket? Apple is nearing a $1 billion a year deal to use Google AI with Siri. Could the OLED MacBook Pro redesign be limited to just the M6 Pro and Max models? And is Apple TV's new show, Pluribus, good? It's good enough to have brought Apple TV down for a period of time during its initial release. Introducing iPhone Pocket: a beautiful way to wear and carry iPhone. Apple nears $1 billion-a year deal to use Google AI for Siri. Report: OLED MacBook Pro redesign may be exclusive to M6 Pro and M6 Max models. The iPad Pro at 10: a decade of unrealized potential. Apple's losing its podcast legacy — why it matters, and how to save it. Forget Liquid Glass, Apple TV's new logo was shot with actual glass. Did Pluribus trigger the AppleTV+ crash? Vince Gilligan wants you to know that Pluribus was 'made by humans'. Apple original films acquires J S Mayank & David Carlyle's manuscript 'Fallen Astronaut'. Future of Apple Fitness+ 'under review'. B&H lists HomePod Mini as discontinued amid refresh rumors. Picks of the Week Andy's Pick: Club TWiT & Central Heating! Stephen's Pick: Foodnoms App Alex's Pick: The Oh Hellos Hosts: Leo Laporte, Alex Lindsay, and Andy Ihnatko Guest: Stephen Robles Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: framer.com/design promo code MACBREAK auraframes.com/ink Melissa.com/twit

What is the iPhone Pocket? Apple is nearing a $1 billion a year deal to use Google AI with Siri. Could the OLED MacBook Pro redesign be limited to just the M6 Pro and Max models? And is Apple TV's new show, Pluribus, good? It's good enough to have brought Apple TV down for a period of time during its initial release. Introducing iPhone Pocket: a beautiful way to wear and carry iPhone. Apple nears $1 billion-a year deal to use Google AI for Siri. Report: OLED MacBook Pro redesign may be exclusive to M6 Pro and M6 Max models. The iPad Pro at 10: a decade of unrealized potential. Apple's losing its podcast legacy — why it matters, and how to save it. Forget Liquid Glass, Apple TV's new logo was shot with actual glass. Did Pluribus trigger the AppleTV+ crash? Vince Gilligan wants you to know that Pluribus was 'made by humans'. Apple original films acquires J S Mayank & David Carlyle's manuscript 'Fallen Astronaut'. Future of Apple Fitness+ 'under review'. B&H lists HomePod Mini as discontinued amid refresh rumors. Picks of the Week Andy's Pick: Club TWiT & Central Heating! Stephen's Pick: Foodnoms App Alex's Pick: The Oh Hellos Hosts: Leo Laporte, Alex Lindsay, and Andy Ihnatko Guest: Stephen Robles Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: framer.com/design promo code MACBREAK auraframes.com/ink Melissa.com/twit

What is the iPhone Pocket? Apple is nearing a $1 billion a year deal to use Google AI with Siri. Could the OLED MacBook Pro redesign be limited to just the M6 Pro and Max models? And is Apple TV's new show, Pluribus, good? It's good enough to have brought Apple TV down for a period of time during its initial release. Introducing iPhone Pocket: a beautiful way to wear and carry iPhone. Apple nears $1 billion-a year deal to use Google AI for Siri. Report: OLED MacBook Pro redesign may be exclusive to M6 Pro and M6 Max models. The iPad Pro at 10: a decade of unrealized potential. Apple's losing its podcast legacy — why it matters, and how to save it. Forget Liquid Glass, Apple TV's new logo was shot with actual glass. Did Pluribus trigger the AppleTV+ crash? Vince Gilligan wants you to know that Pluribus was 'made by humans'. Apple original films acquires J S Mayank & David Carlyle's manuscript 'Fallen Astronaut'. Future of Apple Fitness+ 'under review'. B&H lists HomePod Mini as discontinued amid refresh rumors. Picks of the Week Andy's Pick: Club TWiT & Central Heating! Stephen's Pick: Foodnoms App Alex's Pick: The Oh Hellos Hosts: Leo Laporte, Alex Lindsay, and Andy Ihnatko Guest: Stephen Robles Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: framer.com/design promo code MACBREAK auraframes.com/ink Melissa.com/twit

In today’s #SwampWatch, Gary and Shannon break down what’s brewing in D.C. — plus, why paying with your credit card might soon get a lot more complicated. We dig into Target’s new “1–4” policy, and parenting expert Justin Worsham joins the show to talk career vs. kids, and what really happens when parents take away the iPad.See omnystudio.com/listener for privacy information.

We need to be very careful to see ourselves in the pages of Exodus because they contain lessons about mistakes before God.  Constant grumbling, complaining, and putting God on trial were things that greatly angered God and caused the children of Israel to miss the Promised Land.  How much more for us who do the same?  This is a place to reset and get an attitude adjustment as we journey through the wilderness of our life.  Exodus 17  VF-2512 Watch, Listen and Learn 24x7 at PastorMelissaScott.com Pastor Melissa Scott teaches from Faith Center in Glendale. Call 1-800-338-3030 24x7 to leave a message for Pastor Scott. You may make reservations to attend a live service, leave a prayer request or make a commitment. Pastor Scott appreciates messages and reads them often during live broadcasts. Follow @Pastor_Scott on Twitter and visit her official Facebook page @Pastor.M.Scott. Download Pastor Scott's "Understand the Bible" app for iPhone, iPad and iPod at the Apple App Store and for Android devices in the Google Store. Pastor Scott can also be seen 24x7 on Roku and Amazon Fire on the "Understand the Bible?" channel. ©2025 Pastor Melissa Scott, Ph.D., All Rights Reserved

On this episode of For Mac Eyes Only: Spurred on by a listener who asked how they might soft boycott Apple but remain a Mac user, Mike and Darren explore a world where, destroyed by the Mighty Elephanzilla, Apple no longer exists and we're forced to seek out alternatives. What hardware, operating systems, software, mobile devices, and other accessories might make life easier for a former Apple user? Mike wraps up the episode with his Essential App pick: Neo Network Utility.

Le 26 septembre, le Parisien a fait le portrait d'un ancien militaire de 33 ans, devenu professionnel de MMA, un sport de combat mêlant différentes techniques, légalisé en France en 2020. Grâce à cette discipline, David Sipra surnommé « Le Sergent », a pu surmonter un syndrome post-traumatique dont il souffrait notamment depuis une mission en République centrafricaine, en 2014, en pleine guerre civile.David Sipra témoigne au micro de la reporter de Code source, Barbara Gouy. Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Clara Garnier-Amouroux - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network.Annonce politique : Le sponsor est Instagram, qui fait partie de Meta Platforms Ireland Ltd. Cette annonce est en lien avec les réflexions des États membres de l'UE en faveur d'une majorité numérique commune pour accéder aux services en ligne.Consulter toutes les informations relatives à la transparence sur https://eur-lex.europa.eu/eli/reg/2024/900/oj/eng Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Parenting expert Justin Worsham joins the show to talk career vs. kids, and what really happens when parents take away the iPad.See omnystudio.com/listener for privacy information.

What is the iPhone Pocket? Apple is nearing a $1 billion a year deal to use Google AI with Siri. Could the OLED MacBook Pro redesign be limited to just the M6 Pro and Max models? And is Apple TV's new show, Pluribus, good? It's good enough to have brought Apple TV down for a period of time during its initial release. Introducing iPhone Pocket: a beautiful way to wear and carry iPhone. Apple nears $1 billion-a year deal to use Google AI for Siri. Report: OLED MacBook Pro redesign may be exclusive to M6 Pro and M6 Max models. The iPad Pro at 10: a decade of unrealized potential. Apple's losing its podcast legacy — why it matters, and how to save it. Forget Liquid Glass, Apple TV's new logo was shot with actual glass. Did Pluribus trigger the AppleTV+ crash? Vince Gilligan wants you to know that Pluribus was 'made by humans'. Apple original films acquires J S Mayank & David Carlyle's manuscript 'Fallen Astronaut'. Future of Apple Fitness+ 'under review'. B&H lists HomePod Mini as discontinued amid refresh rumors. Picks of the Week Andy's Pick: Club TWiT & Central Heating! Stephen's Pick: Foodnoms App Alex's Pick: The Oh Hellos Hosts: Leo Laporte, Alex Lindsay, and Andy Ihnatko Guest: Stephen Robles Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: framer.com/design promo code MACBREAK auraframes.com/ink Melissa.com/twit

Listen to a recap of the top stories of the day from 9to5Mac. 9to5Mac Daily is available on iTunes and Apple's Podcasts app, Stitcher, TuneIn, Google Play, or through our dedicated RSS feed for Overcast and other podcast players. Sponsored by Backblaze: Never lose a file again. Use code "9to5daily" at checkout for 20% off or try for free.  New episodes of 9to5Mac Daily are recorded every weekday. Subscribe to our podcast in Apple Podcast or your favorite podcast player to guarantee new episodes are delivered as soon as they're available. Stories discussed in this episode: iOS 27 will have three major new AI features, per report Apple just delayed the iPhone Air 2, report says Report: iPhone Air 2 is delayed until 2027 so Apple can add a second camera to it Apple launches iPhone Pocket: a limited edition designer strap accessory Listen & Subscribe: Apple Podcasts Overcast RSS Spotify TuneIn Google Podcasts Subscribe to support Chance directly with 9to5Mac Daily Plus and unlock: Ad-free versions of every episode Bonus content Catch up on 9to5Mac Daily episodes! Don't miss out on our other daily podcasts: Quick Charge 9to5Toys Daily Share your thoughts! Drop us a line at happyhour@9to5mac.com. You can also rate us in Apple Podcasts or recommend us in Overcast to help more people discover the show.

We ought to look back at all the ways the Lord has delivered us and guided us.  He has been with us every step of the way, as He was with the children of Israel in the wilderness.  He provided for them with manna from Heaven every day.  Today He has provided for us through Christ, fulfilling all our needs. Exodus 16 VF-2511 Watch, Listen and Learn 24x7 at PastorMelissaScott.com Pastor Melissa Scott teaches from Faith Center in Glendale. Call 1-800-338-3030 24x7 to leave a message for Pastor Scott. You may make reservations to attend a live service, leave a prayer request or make a commitment. Pastor Scott appreciates messages and reads them often during live broadcasts. Follow @Pastor_Scott on Twitter and visit her official Facebook page @Pastor.M.Scott. Download Pastor Scott's "Understand the Bible" app for iPhone, iPad and iPod at the Apple App Store and for Android devices in the Google Store. Pastor Scott can also be seen 24x7 on Roku and Amazon Fire on the "Understand the Bible?" channel. ©2025 Pastor Melissa Scott, Ph.D., All Rights Reserved

5 jours après les attentats du 13 novembre 2015, les policiers du RAID ont neutralisé à Saint-Denis (Seine-Saint-Denis), le terroriste djihadiste Abdelhamid Abaaoud, ainsi que deux de ses complices. C'est une femme qui a rendu possible cette opération, en donnant aux autorités l'adresse de sa cache. Depuis, elle vit sous une fausse identité pour des raisons de sécurité.Dans le documentaire « 13 novembre, le choix de Sonia », diffusé ce jeudi 13 novembre, France 2 raconte en détail son histoire. Les auteurs du documentaire, Violette Lazard et David André sont les invités de Code source aujourd'hui. Ils reviennent sur cette histoire hors du commun. Pour la sécurité de « Sonia », sa voix et son apparence ont été modifiées. Ni Carima Amarouche, la comédienne, ni les membres de l'équipe du film n'ont vu son visage ni ne connaissent son nom ou sa localisation actuelle.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Clara Garnier-Amouroux - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : CAPA/France 2.Annonce politique : Le sponsor est Instagram, qui fait partie de Meta Platforms Ireland Ltd. Cette annonce est en lien avec les réflexions des États membres de l'UE en faveur d'une majorité numérique commune pour accéder aux services en ligne.Consulter toutes les informations relatives à la transparence sur https://eur-lex.europa.eu/eli/reg/2024/900/oj/eng Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us a textWhat must it feel like to be bedridden with Ehlers Donlos Syndrome and Postural Orthostatic Tachycardia Syndrome? My guest today Chloe Bircher Thompson, a Pilates teacher living and working in England has lived with these 2 devestating disorders. Chloe's health issues date back to childhood when her parents knew something was off about her physical abilties, so they took Chloe to several doctors and they concluded nothing was amiss. But there was. This is Chloe's inspiring story about her determination to get well and though, she tried many modalities and dietary changes, it wasn't until she discovered the Pilates Method that her life began to turn around.Support the showFor the non-tech listeners! To leave a review on Apple Podcast: 1. Open the Apple Podcast app on your iPhone or iPad. 2. Search for All Things Pilates with Darien Gold and tap on the show NOT an episode. 3. Scroll down until you see Ratings & Reviews. 4. Tap Write a Review. 5. Choose how many stars you'd like to give. 6. Write a short title and review sharing your thoughts. 7. Tap Send to post it. Your feedback means so much to me. It only takes a minute and helps more Pilates lovers find the show!About Darien ~ https://www.dariengold.com, https://www.allthingspilatespodcast.comInstagram: https://www.instagram.com/darien_gold_pilates_expert, https://www.instagram.com/allthingspilatespodcastFacebook: https://www.facebook.com/dariengoldMusic credits ~ Instagram: @theotherjohnmayer About Chloe B. Thompson ~ Instagram: @cbfitnessandpilates FB: @cbfitandpilatesTIKTOK: @cbfitnessandpilates Website: www.cbfitnessandpilates.co.ukSupport the show

Chris Lynch is the Co-founder and CEO of Everyday California, a La Jolla, California-based ocean adventure and lifestyle brand offering ocean adventures along with eco-friendly gear and apparel. Under Chris' leadership, Everyday California has grown from a small kayak shop into a multilocation business employing up to 100 people in peak season. The brand's apparel is sold in nearly 200 stores, including all major California airports, and featured as the top-rated experience on Airbnb in San Diego. Chris, who holds a degree in international economics from San Diego State University, founded the company during the Great Recession after a stint studying acting in Hollywood. In this episode…Starting a business on the beach might sound like a dream, but what happens when you actually make it work? Imagine turning a pickup truck, a few old wetsuits, and a grandmother's iPad into a thriving adventure brand that captures the spirit of California. How do you build something that feels authentic, sustainable, and resilient?For Chris Lynch, the answer came from seeing opportunity where others saw risk. He believes the secret to growth lies in blending passion with practicality. During the Great Recession, Chris took a failing kayak permit and transformed it into a full-fledged ocean adventure and lifestyle brand rooted in community, sustainability, and experience. From refining the fit of board shorts for over a year to scaling from one location to multiple along the coast, he emphasizes doing things the right way — even if it takes longer. His approach proves that staying committed to quality, adaptability, and financial discipline can turn a simple idea into a lasting California icon.In this episode of Truth About Social Ads, host Jason Smith is joined by Chris Lynch, Co-founder and CEO of Everyday California, to discuss how he built and scaled an experiential adventure and lifestyle brand from the ground up. They explore the early days of launching with just a kayak permit, how Everyday California balances seasonality with e-commerce growth, and why quality and storytelling drive the success of their apparel line.

Author Glenn Fleishman takes on a variety of topics, including Apple's latest software changes, the evolution of Liquid Glass, and the expanding Take Control book series. He also addresses Apple's cross-platform consistency, iPadOS 26's multitasking success, and how public betas shape user opinion. Glenn explains how Take Control adapts to Apple's rapid updates while helping users rediscover essential features. (Part 1)  This week's MacVoices is supported by Incogni. Take your personal data back with Incogni! Use code CHUCK at the link below and get 60% off an annual plan: https:/ /incogni.com/chuck. Show Notes: Chapters: [0:00] Introduction and sponsor message[0:56] Glenn Fleischman's Take Control catalog and writing process[2:30] Apple's “Liquid Glass” redesign and system consistency[6:25] Pros and cons of the new visual style[10:25] Public betas and how early access shapes perception[16:10] iPadOS 26's new multitasking and gestures[19:30] Unified experiences across iPhone, iPad, and Mac[23:46] Windowing and interface refinements on iPad[27:59] Hidden features and usability philosophy[29:40] Revising Apple Basics books for modern OS versions[34:18] Unexpected focus-mode quirks and new discoveries Links: Glenn's Take Control Books (all 15 of them):https://www.takecontrolbooks.com/?s=glenn+fleishman&post_type=product Glenn Fleishman's Blog:https://glennf.com Guests: Glenn Fleishman is a veteran technology writer who has contributed to dozens of publications across his career, including Macworld, Fast Company, and Increment. He has also written dozens of editions of books in the Take Control series. He spent 2019 and 2020 building 100 tiny type museums full of real printing artifacts. Glenn lives in Seattle with his wife and two children. Follow him on BlueSky or Mastodon. Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Are smart glasses and AI screen readers the future of accessible tech? Steven Scott and Shaun Preece share real-world frustrations and wins with Windows, macOS, Meta Ray-Ban smart glasses, and the rise of AI-powered tools like Copilot and Be My Eyes.In this episode of Double Tap, Steven and Shaun dive into the day-to-day realities of living and working with modern assistive technology. Steven vents about painfully slow Windows performance using JAWS on a Lenovo laptop, while Shaun offers insights into indexing delays, driver issues, and quirky start menu behaviour. The conversation expands to comparing macOS and Windows accessibility, from VoiceOver struggles in macOS Tahoe to the unpredictability of Windows pop‑ups and AI Copilot integration. The hosts then debate the emerging wave of AI‑powered assistive tech. They discuss the Meta Ray‑Ban smart glasses versus specialist devices like the Ally Solo and upcoming Echo Vision, questioning whether subscription models for niche products can compete with mainstream consumer tech. Real experiences with AI tools—from reading expiry dates to drafting professional emails and even using Copilot in Notepad—highlight both the breakthroughs and the current limitations. The episode closes with a look ahead to Sight Village London, where they plan to test a portable, fully accessible content creation kit, combining iPads, Zoom PodTrak P4, and Apple's VoiceOver for video and audio recording.Relevant LinksBe My Eyes: https://www.bemyeyes.comAira: https://aira.ioSight Village London: https://www.sightandsound.co.uk/events Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Author Glenn Fleishman takes on a variety of topics, including Apple's latest software changes, the evolution of Liquid Glass, and the expanding Take Control book series. He also addresses Apple's cross-platform consistency, iPadOS 26's multitasking success, and how public betas shape user opinion. Glenn explains how Take Control adapts to Apple's rapid updates while helping users rediscover essential features. (Part 1)  This week's MacVoices is supported by Incogni. Take your personal data back with Incogni! Use code CHUCK at the link below and get 60% off an annual plan: https:/ /incogni.com/chuck. Show Notes: Chapters: [0:00] Introduction and sponsor message [0:56] Glenn Fleischman's Take Control catalog and writing process [2:30] Apple's "Liquid Glass" redesign and system consistency [6:25] Pros and cons of the new visual style [10:25] Public betas and how early access shapes perception [16:10] iPadOS 26's new multitasking and gestures [19:30] Unified experiences across iPhone, iPad, and Mac [23:46] Windowing and interface refinements on iPad [27:59] Hidden features and usability philosophy [29:40] Revising Apple Basics books for modern OS versions [34:18] Unexpected focus-mode quirks and new discoveries Links: Glenn's Take Control Books (all 15 of them): https://www.takecontrolbooks.com/?s=glenn+fleishman&post_type=product Glenn Fleishman's Blog: https://glennf.com Guests: Glenn Fleishman is a veteran technology writer who has contributed to dozens of publications across his career, including Macworld, Fast Company, and Increment. He has also written dozens of editions of books in the Take Control series. He spent 2019 and 2020 building 100 tiny type museums full of real printing artifacts. Glenn lives in Seattle with his wife and two children. Follow him on BlueSky or Mastodon. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Listen to a recap of the top stories of the day from 9to5Mac. 9to5Mac Daily is available on iTunes and Apple's Podcasts app, Stitcher, TuneIn, Google Play, or through our dedicated RSS feed for Overcast and other podcast players. Sponsored by Backblaze: Never lose a file again. Use code "9to5daily" at checkout for 20% off or try for free.  New episodes of 9to5Mac Daily are recorded every weekday. Subscribe to our podcast in Apple Podcast or your favorite podcast player to guarantee new episodes are delivered as soon as they're available. Stories discussed in this episode: Report: OLED MacBook Pro redesign may be exclusive to M6 Pro and M6 Max models This is what Apple has in store for the future of satellite connectivity on iPhone: report The future of Apple Fitness+ is 'under review' amid reorganization: report Listen & Subscribe: Apple Podcasts Overcast RSS Spotify TuneIn Google Podcasts Subscribe to support Chance directly with 9to5Mac Daily Plus and unlock: Ad-free versions of every episode Bonus content Catch up on 9to5Mac Daily episodes! Don't miss out on our other daily podcasts: Quick Charge 9to5Toys Daily Share your thoughts! Drop us a line at happyhour@9to5mac.com. You can also rate us in Apple Podcasts or recommend us in Overcast to help more people discover the show.

The life of the Christian is comprised of times of joy and times of bitterness.  We can learn from the example of the children of Israel; they chose to murmur and complain in times of bitterness in spite of all that God had done for them.  God's purpose is to shape us, not to break us.  We ought to praise God in recognition of all the way He has led us and will continue to lead us through both the times of joy and the times of bitterness. Exodus 15 VF-2510 Watch, Listen and Learn 24x7 at PastorMelissaScott.com Pastor Melissa Scott teaches from Faith Center in Glendale. Call 1-800-338-3030 24x7 to leave a message for Pastor Scott. You may make reservations to attend a live service, leave a prayer request or make a commitment. Pastor Scott appreciates messages and reads them often during live broadcasts. Follow @Pastor_Scott on Twitter and visit her official Facebook page @Pastor.M.Scott. Download Pastor Scott's "Understand the Bible" app for iPhone, iPad and iPod at the Apple App Store and for Android devices in the Google Store. Pastor Scott can also be seen 24x7 on Roku and Amazon Fire on the "Understand the Bible?" channel. ©2025 Pastor Melissa Scott, Ph.D., All Rights Reserved

Cet automne, le Parisien a révélé l'ouverture d'une enquête par le parquet de Paris dans l'affaire Mohamed Al-Fayed. Méconnu en France, cet homme d'affaires égyptien, décédé en 2023, est accusé de viols et d'agressions sexuelles.C'est un documentaire diffusé par la BBC en 2024 qui médiatise l'affaire : face à la caméra, plusieurs femmes accusent Mohamed Al-Fayed de viols ou d'agressions sexuelles. Après la diffusion de ce documentaire, d'autres victimes prennent la parole. Au total, plus de 200 femmes affirment avoir été agressées par le milliardaire. Une majorité de ces faits ont eu lieu en Angleterre, mais d'autres se sont déroulés à Paris et notamment au Ritz, un établissement dont le milliardaire était propriétaire. Cet épisode de Code source est raconté par Nicolas Jacquard, grand reporter au service Police-Justice du Parisien.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Clémentine Spiler, Anaïs Godard et Clara Garnier-Amouroux - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : BBC News, INAAnnonce politique : Le sponsor est Instagram, qui fait partie de Meta Platforms Ireland Ltd. Cette annonce est en lien avec les réflexions des États membres de l'UE en faveur d'une majorité numérique commune pour accéder aux services en ligne.Consulter toutes les informations relatives à la transparence sur https://eur-lex.europa.eu/eli/reg/2024/900/oj/eng Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jeff returns to the show

Highland Park native, Meghan Malloy, had a brief stint as an apprentice in 1991.  She triumphantly returned in 1996, appearing in Alice in Wonderland. She later appeared in Main Stage productions, Dance Troupe, and One Acts. After graduating from Point Park College, she joined the staff and taught acting in the outreach program. Meghan led Camp Friendship and directed children's theatre shows. She currently works as an actor, an accent and dialect coach, a teaching artist, and a playwright. I hope you enjoy our conversation, so come along and have some fun . . .LINKSWebsite - MeghanMalloyCreates.comYouTube - @meghan.malloy.createsWe all have stories to tell, and they can be heard here. Welcome to Brave and Strong and True, a podcast that engages Summer Stage alumni of all ages. I'm Bob Falkenstein.Our music is composed and performed by Neil McGettigan https://neilmcgettiganandtheeleventhhour.bandcamp.com/releases. Please click on the link to visit Neil's BandCamp website to listen to songs from his album, including cut number 7, “Harry Dietzler.” Please support Neil's work by buying downloads of your favorites.Please follow Brave and Strong and True on Apple Podcasts. While you're there, please rate the show and leave a comment.  If you want to be a guest on Brave and Strong and True, please contact me at braveandstrongandtrue@gmail.com. I can record five guests simultaneously, so reach out to your friends for an online mini-reunion.You must have the latest version of the Google Chrome browser on your desktop or laptop computer. I can now record interviews with guests who have iPads or iPhones. It helps if you have an external microphone and headphones, but Apple earbuds work too; however, Bluetooth ones are not 100% reliable, so see if you can borrow wired ones.Support the showUpper Darby Summer Stage is now part of the non-profit organization known as the Upper Darby Arts and Education Foundation. Justin Heimbecker is the Executive Director of the UDAEF. If you can support Summer Stage financially, please visit udsummerstage.org to find out more. Calling all alumni. You are invited to join the newly forming Upper Darby Summer Stage Alumni Association. Please follow their journey on Facebook and let them know who you are and how you would like to participate by completing their survey. https://docs.google.com/forms/d/e/1FAIpQLSdhsawqmXCP_xvBgaAp-p_Qx7mFdEGSrXGr7tvcBByIbrRolg/viewform?fbclid=IwY2xjawLnHi9leHRuA2FlbQIxMABicmlkETFad2dYVE9vUktCck15c0ZkAR74qth55MAixuxK4-9kkdlZblik6wc0iEVKMfzX80IlXprMdAUQRAyJUn5LxA_aem_mPsQyGx6X5TFyTGxXKVd9A

Un nuevo Mac barato, llega Pluribus a Apple TV, y Gemini será el cerebro de la nueva Siri. Todo grandes noticias.Patrocinador: Did I Do te permite gestionar cada una de tus tareas recurrentes en un pequeño widget en la pantalla de tu iPhone o de tu iPad. Usando el código CUPERTINO tendrás un mes gratis de la versión Plus con la que tendrás funciones extra que son magníficas: múltiples widgets, notificaciones y recordatorios.Un rumor impactante sugiere que Apple está desarrollando un MacBook de bajo coste, con un precio aproximado de 600 dólares, enfocado en el sector educativo para competir con Chromebooks. Este portátil podría integrar un procesador de la gama A de iPhone y plantearía la posibilidad de un diseño más asequible, incluso de plástico y con colores vibrantes, lo que podría redefinir la línea de Mac y su estrategia de mercado. En el ámbito de la inteligencia artificial, comentamos la notable noticia de que Apple podría pagar mil millones de dólares anuales a Google por usar su modelo Gemini, especialmente entrenado para la inferencia en los iPhones, con el fin de potenciar las capacidades de Siri en tareas complejas, mientras continúan desarrollando sus propios modelos fundacionales.Exploramos las mejoras en el ecosistema de software y los desafíos regulatorios. Celebramos la llegada de la traducción en tiempo real a los AirPods en Europa, aunque su retraso se debió a la creación de una nueva API de enrutamiento de audio exigida por la DMA. Sin embargo, lamentamos la pérdida de la sincronización Wi-Fi automática del Apple Watch en Europa por la misma regulación, que Apple considera un riesgo para la privacidad. También comentamos las significativas mejoras en la aplicación de Podcasts, que ahora incluye capítulos automáticos y enlaces a otros podcasts, y el lanzamiento de una nueva interfaz web para la App Store. Además, abordamos la limitación de seis miembros en Familia Compartida de Apple, sugiriendo la necesidad de opciones de expansión para familias más grandes.Finalmente, compartimos otros detalles y rumores, como la posible llegada de tiendas de aplicaciones de terceros a Japón y las implicaciones que el acuerdo entre Epic y Android podría tener para Apple. Analizamos el hallazgo de "Apple Creator Studio" en el código de la beta de iOS 26.2, que podría ser un servicio de suscripción para aplicaciones profesionales. Hablamos de la suite de Affinity, ahora gratuita gracias a Canva, como una excelente alternativa a Adobe. También abordamos el rumor de que el iPhone Air de 2026 podría incorporar una doble cámara, debatiendo la configuración más lógica, y el posible aumento de los precios de los procesadores y la memoria RAM, lo que impactaría los costes de los futuros dispositivos.En cuanto a Apple TV+, destacamos el nuevo logo y el inicio del rodaje de la sexta temporada de "For All Mankind", mientras esperamos con ansias la quinta, y comentamos el nuevo documental "Planeta Prehistórico: Edad de Hielo". Tim Cook cumple 65 años y crecen los rumores sobre su sucesor en Apple – iSenaCode No estar a la altura con Siri ya tiene precio: más de 1.000 millones de dólares que Apple pagará a Google por usar Gemini iOS 26.2 updates Liquid Glass slider to customize your Lock Screen - 9to5Mac iOS 26.2's new Apple Podcasts feature makes the app very hard to resist - 9to5Mac iOS 26.2 to Allow Third-Party App Stores in Japan Ahead of Regulatory Deadline - MacRumors [Has the Fate of 'For All Mankind' Already Been Decided? [Exclusive]](https://collider.com/for-all-mankind-future-seasons-renewed-cancelled-explained/) Star City (serie de televisión) - Wikipedia, la enciclopedia libre Private Talky on X: "iPhone Air with dual camera setup. which design would you prefer? https://t.co/CetCOKvye9" / X Angel Jiménez de Luis on X: "Mi apuesta: servicio de suscripción tipo Creative Cloud con acceso a Final Cut, Logic, Pixelmator y nuevas apps creativas que se podrían lanzar en 2026." / X ‎Today for iPhone - App Store GitHub · Where software is built Motorola's Edge 70 is the blueprint for future thin phones The Verge La traducción en tiempo real de los AirPods llega por fin a Europa Gadgets Ya es oficial: WhatsApp llega al Apple Watch con todas estas funciones iOS 26.2 to Allow Third-Party App Stores in Japan Ahead of Regulatory Deadline - MacRumors Apple (AAPL) Preps Low-Cost Laptop to Rival Chromebooks and Windows PCs - Bloomberg Chipmaker TSMC Reportedly Informs Apple of Further Price Hikes - MacRumors TSMC 주요 업체에게, 5나노 이하 공정 가격인상 통보중 : 네이버 블로그 Apple's A20 Chip Could Be Massively More Expensive - MacRumors

The brands dominating search today aren't just focusing on links and keywords. They're mastering three strategic pillars that deliver sustained visibility across traditional search and AI-powered platforms.After ten years working with national and international enterprise brands (including a recent Global Search Award win for The Ordinary), we've identified the exact framework that separates market leaders from everyone else.In this episode, I reveal:• Why technical SEO performance matters more than ever — including how page load speed impacts both rankings and conversion rates (with data from Cloudflare and Walmart showing the direct business impact)• The onsite content strategy that works for both AI search and traditional SEO — including how we helped ZUGU become the top-recommended iPad case in ChatGPT and Google's AI Mode through content hierarchy and internal linking• Why offsite SEO is now about brand building, not just link building — and how digital PR on high-authority sites influences AI recommendations (with examples from our work with Aged Care Bathrooms)• How tools like WP Rocket can handle 80% of technical SEO automatically — even if you're not technicalI'll share specific examples demonstrating how Core Web Vitals, topic clusters, and digital PR work together to drive rankings across both traditional search and AI platforms.If you're ready to build an SEO strategy that works for both traditional search and AI-powered platforms, this episode provides your complete action plan.

In this episode of Why Distance Learning, hosts Seth Fleischauer, Tami Moehring, and Allyson Mitchell welcome Cassie Bride, Director of School Programs, and Lauren Yockel, School Programs Education Specialist at the Museum of Fine Arts, Boston (MFA). Together, they explore how one of the nation's most renowned cultural institutions is transforming museum education through live virtual programming—making world-class art accessible to students anywhere.Museums have long been seen as places you must visit in person to truly experience their magic. But how can educators bring the depth, texture, and storytelling of art to students who may never set foot in a gallery? Traditional outreach—slideshows, static images, or “loan boxes”—often fails to capture the atmosphere, intimacy, and discovery of the real museum experience.Cassie and Lauren share how the MFA Boston reimagined its approach by taking students inside the galleries through interactive live video sessions. Using simple technology—an iPad on a mobile tripod—they bring artworks, curators, and educators directly to classrooms. Students not only see art up close but also hear the sounds of visitors and experience the living energy of the museum.They discuss how this approach:Deepens students' curiosity and contextual understanding of art.Extends the museum's mission by reaching beyond geography and accessibility barriers.Creates hybrid experiences where virtual and in-person visits enrich one another.Builds relationships—teachers and students often recognize Lauren as a “celebrity” when they visit in person!Strengthens collaboration with Boston Public Schools, ensuring alignment between curriculum, distance learning, and professional development.For educators and cultural organizations, the MFA's model offers a powerful lesson: distance learning doesn't replace the field trip—it multiplies it. Start small. Use simple, mobile setups. Focus on creating authentic connections rather than high-tech production. Whether you're teaching art, science, or history, virtual access can spark awe, equity, and engagement in ways that complement, not compete with, in-person learning.Episode Links:Museum of Fine Arts, Boston – Distance Learning ProgramsHost Links:Discover more virtual learning opportunities and resources at CILC.org with Tami Moehring and Allyson Mitchell.Seth Fleischauer's Banyan Global Learning provides meaningful global learning experiences that prepare students across the globe for success in an interconnected world.

The MacVoices Live! focuses on TikTok's new data-sharing policy, Elon Musk's full shift from Twitter to X, and Microsoft Teams' controversial employee-location feature. Chuck Joiner, Marty Jencius, Web Bixby, Jim Rea, Brian Flanigan-Arthurs, Eric Bolden, and David Ginsburg also explore Tinder's facial-verification system, Meta's layoffs and AI focus, and Amazon's large workforce cuts. An information and analysis-packed episode on a wide variety of subjects.  Today's MacVoices is supported by MacPaw and their new Cloud Cleanup feature. Get Tidy Today! Try 7 days free and use my code MACVOICES20 for 20% off at http://CLNMY.COM/MACVOICES Show Notes: Chapters: [0:00] Opening and TikTok's Data-Sharing Controversy[2:14] X Retires the Twitter Domain[6:53] Microsoft Teams Adds Employee Location Tracking[11:09] Sponsor: CleanMyMac and Cloud Cleanup[12:45] Tinder's Facial-Verification Rollout[16:08] Meta Layoffs and AI Strategy Shift[20:52] Amazon Workforce Reductions[21:52] App Store Humor: Dave's Hot Chicken[23:34] Closing Thoughts and Panel Sign-Offs Links: TikTok Won't Say If It's Giving ICE Your Datahttps://www.forbes.com/sites/emilybaker-white/2025/10/21/tiktok-wont-say-if-its-giving-ice-your-data/ Twitter domain is being 'retired,' says X, in a quiet announcementhttps://9to5mac.com/2025/10/27/twitter-com-domain-is-being-retired-says-x-action-required-by-nov-10/ Microsoft Teams Will Soon Tell Your Boss When You're Not in the Officehttps://lifehacker.com/tech/microsoft-teams-will-let-your-boss-know-when-youre-not-in-the-office Tinder Launches Mandatory Facial Verification to Weed Out Bots and Scammershttps://www.wired.com/story/tinder-launches-mandatory-facial-verification-to-weed-out-bots-and-scammers/ Meta AI layoffs today: 600 jobs are already being cut from Alexandr Wang's superintelligence labhttps://www.fastcompany.com/91427041/meta-ai-layoffs-today-600-jobs-are-already-being-cut-from-alexandr-wang-superintelligence-lab Sora Has Lost Its App Store Crown to … Dave's Hot Chickenhttps://www.wired.com/story/sora-app-store-daves-hot-chicken/ Guests: Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn, but prefers Bluesky. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud. Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession ‘firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. This is also co-host of The Vision ProFiles podcast. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Guy Serle, best known for being one of the co-hosts of the MyMac Podcast, sincerely apologizes for anything he has done or caused to have happened while in possession of dangerous podcasting equipment. He should know better but being a blonde from Florida means he's probably incapable of understanding the damage he has wrought. Guy is also the author of the novel, The Maltese Cube. You can follow his exploits on Twitter, catch him on Mac to the Future on Facebook, at @Macparrot@mastodon.social, and find everything at VertShark.com. Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

The MacVoices Live! focuses on TikTok's new data-sharing policy, Elon Musk's full shift from Twitter to X, and Microsoft Teams' controversial employee-location feature. Chuck Joiner, Marty Jencius, Web Bixby, Jim Rea, Brian Flanigan-Arthurs, Eric Bolden, and David Ginsburg also explore Tinder's facial-verification system, Meta's layoffs and AI focus, and Amazon's large workforce cuts. An information and analysis-packed episode on a wide variety of subjects.  Today's MacVoices is supported by MacPaw and their new Cloud Cleanup feature. Get Tidy Today! Try 7 days free and use my code MACVOICES20 for 20% off at http://CLNMY.COM/MACVOICES Show Notes: Chapters: [0:00] Opening and TikTok's Data-Sharing Controversy [2:14] X Retires the Twitter Domain [6:53] Microsoft Teams Adds Employee Location Tracking [11:09] Sponsor: CleanMyMac and Cloud Cleanup [12:45] Tinder's Facial-Verification Rollout [16:08] Meta Layoffs and AI Strategy Shift [20:52] Amazon Workforce Reductions [21:52] App Store Humor: Dave's Hot Chicken [23:34] Closing Thoughts and Panel Sign-Offs Links: TikTok Won't Say If It's Giving ICE Your Data https://www.forbes.com/sites/emilybaker-white/2025/10/21/tiktok-wont-say-if-its-giving-ice-your-data/ Twitter domain is being 'retired,' says X, in a quiet announcement https://9to5mac.com/2025/10/27/twitter-com-domain-is-being-retired-says-x-action-required-by-nov-10/ Microsoft Teams Will Soon Tell Your Boss When You're Not in the Office https://lifehacker.com/tech/microsoft-teams-will-let-your-boss-know-when-youre-not-in-the-office Tinder Launches Mandatory Facial Verification to Weed Out Bots and Scammers https://www.wired.com/story/tinder-launches-mandatory-facial-verification-to-weed-out-bots-and-scammers/ Meta AI layoffs today: 600 jobs are already being cut from Alexandr Wang's superintelligence lab https://www.fastcompany.com/91427041/meta-ai-layoffs-today-600-jobs-are-already-being-cut-from-alexandr-wang-superintelligence-lab Sora Has Lost Its App Store Crown to … Dave's Hot Chicken https://www.wired.com/story/sora-app-store-daves-hot-chicken/ Guests: Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn, but prefers Bluesky. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud. Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession 'firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. This is also co-host of The Vision ProFiles podcast. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Guy Serle, best known for being one of the co-hosts of the MyMac Podcast, sincerely apologizes for anything he has done or caused to have happened while in possession of dangerous podcasting equipment. He should know better but being a blonde from Florida means he's probably incapable of understanding the damage he has wrought. Guy is also the author of the novel, The Maltese Cube. You can follow his exploits on Twitter, catch him on Mac to the Future on Facebook, at @Macparrot@mastodon.social, and find everything at VertShark.com. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

I’ve never been great at journaling.I’d start strong, buy the nice notebook, write for a few days – then stop. But through The Life Shift Podcast, I learned how powerful reflection can be when it’s real, not forced. So I created something I’d actually use. It’s called The Life Shift Journal.A 12-week guided reflection with one simple prompt each day – designed to help you slow down, pay attention, and see how you’re changing along the way. The rhythm repeats every four weeks – awareness, letting go, connection, becoming – three full cycles that help you notice how your answers evolve with you. You can find all the versions here:

En este episodio repasamos todas las novedades del ecosistema Apple de las últimas semanas: desde las mejoras de iOS 26.1 y la beta 26.2 con traducción en los AirPods, hasta la llegada oficial de WhatsApp al Apple Watch. Hablamos también del futuro iPhone 18 Pro, los iPad y MacBook con pantallas OLED, y los planes de Apple para un hogar inteligente con IA en 2026. Además, analizamos la confirmación de Tim Cook sobre el nuevo Siri con inteligencia artificial personalizada, que promete transformar la experiencia del usuario. Cerramos con dos apps para Mac perfectas para monitores dobles: - Aerial: https://aerialscreensaver.github.io - Multi Monitor Wallpaper: https://dsh.re/71cb8 Además de las noticias y la opinión acerca de las novedades de la semana, también responderemos a las preguntas de nuestros oyentes. Tendremos durante toda la semana activo en Twitter el hashtag #podcastapple para que nos preguntéis lo que queráis, nos hagáis sugerencias o lo que se os pase por la cabeza. Dudas, tutoriales, opinión y review de aplicaciones, cualquier cosa tiene cabida en esta sección que ocupará la parte final de nuestro podcast y que queremos que nos ayudéis a hacer todas las semanas. Os recordamos que que si queréis formar parte de una de las comunidades más grandes de Apple en español, entréis a nuestra comunidad de Telegram (enlace) donde podréis opinar, preguntar dudas, comentar las noticias, etc. Y aquí no cobramos por entrar, ni te tratamos mejor si pagas. Os recomendamos que os suscribáis en iTunes en iVoox o en Spotify para que los episodios se descarguen de forma automática en cuanto estén disponibles. También puedes escucharlo en Cuonda, tú eliges.

Husky voice, Friday night whiskey, and a mountain of cheese from the book launch. In this episode I lift the lid on what really happens inside a print judging room. The rotation of five from a pool of seven. Silent scoring so no one nudges anyone else. How a challenge works, what the chair actually does, and why we start with impact, dive through craft, then finish on impact again to see what survives. Layout over composition, light as the whole game, and a final re-rank that flattens time drift so the right image actually wins. If you enjoy a peek behind the curtain, you will like this one. You can grab a signed copy of the new Mastering Portrait Photography at masteringportraitphotography.com and yes, I will scribble in it. If you already have the book, a quick Amazon review helps more than you know. Fancy sharpening your craft in person? Check the workshops page for new dates and come play with light at the studio.  The book: https://masteringportraitphotography.com/resource/signed-copy-mastering-portrait-photography-new-edition/ Workshops: https://masteringportraitphotography.com/workshops-and-mentoring/   Transcript [00:00:00]  Hey, one and all. How are you doing? Now? I'll be honest, I still have the remnants of a cold, and if you can hear that in my voice, I do apologize, I suppose you could call it slightly bluesy, but you can definitely hear that I'm ever so slightly husky. It's Friday night, it's eight 30, and I was, I've been waiting a week to record this podcast, hoping my voice would clear it hasn't, and so I've taken the opportunity having a glass of whiskey and just cracking on. So if you like the sound of a slightly bluesy voice, that's great. If you don't, I'm really sorry, but whichever, which way I'm Paul. And this is the Mastering Portrait Photography podcast. So it's been a busy month or two. You can always tell when it's busy [00:01:00] 'cause the podcasts. Get, don't really get delivered in quite the pace I would like. However, it really has been a busy couple of weeks the past few. Let me, I'm gonna draw your attention to it. The past couple of weeks, we've, there's a ton of stuff going on around us for a moment. I was up in Preston. I've been up in Preston twice over the past couple of weeks. The first one was working as a qualifications judge for the BIPP, the British Institute Professional photographers. Um. Which I love judging. I love judging. It's exhausting, but I love it. And that was qualifications, panels. Then last week was the launch. Of the updated edition of Mastering Portrait Photography, the book, which is where it all started, where Sarah Plata and I published this book that seems to have been incredibly popular. 50,000 copies translated from English into four other languages. Chinese, Korean, German. And Italian, do not ask me, do not ask me the logic on why the book is in those [00:02:00] particular languages. To be fair, we only found out about the Chinese and Korean when we were trying to get some marketing material together to talk about the new book Nobody had told us. I'm not even sure the publisher knew, to be honest. Uh, but we have found copies. We have a Chinese copy here in the studio. I'm still trying to get a Korean version. So if you are listening to this. Podcast in Korea. Please tell me how to get hold of a version in Korean because we'd love to complete the set. There's, in fact, there's two Italian versions. We knew about that. There's a German version we knew about that hardback version. It's great. It's really beautiful. Very I, like I, I don't live in Germany and I don't like to stereotyping entire nation, but the quality of the book is incredible. It's absolutely rock solid, properly engineered. Love it. We have a Chinese version here but the Korean version still alludes us. However, this week the new version, mastering portrait photography is out. And as you know, I, Sarah interviewed me for the podcast last week to talk about it. Well, it's out. We've had our launch party, uh, we invited everybody who [00:03:00] has featured in the book who, everybody, every picture in the book that we asked the person in it to come to the studio for a soiree. And it was brilliant. I've never seen so much cheese in all my life, and by I don't mean my speech, I mean actual cheese. We had a pile of it, still eating it. So it's been a week and I'm still eating the cheese. I dunno quite how, well, quite by how much we vacated, but probably by several kilos. Which I'm enjoying thoroughly. I've put on so much weight this week, it's unreal, but I'm enjoying the cheese. And then on Sunday we had an open day where we had set the studio out with some pictures from the book and some notes of the different people. Who featured and what I might do, actually, I'd, I wonder if I can do a visual podcast. I might do a visual podcast where I talk about those images, at some point on the website, on masteringportraitportraitphotography.com. I will do the story and the BTS and the production of every single image that's in the book, but it's gonna take me some [00:04:00] time. There's nearly 200 images in there. Um, and every one of them, bar one is a new image or is, is. It is, it is a new image in the book, and it has been taken in the 10 years or the decades subsequent to the first book, all bar one. Feel free to email me. Email me the image you think it might be. You'll probably guess it, but it's it's definitely in there. Um, and so it's been really busy. And then at the beginning of this week, I spent two days up in Preston again, judging again, but this time it was for the British Institute of Professional Photographers print Masters competition. Ah, what, what a joy. Six other judges and me, a chair of judges. Print handlers, the organizers. Ah, I mean, I've seen so many incredible images over those 48 hours, and in this podcast I want to talk a bit about how we do it, why we do it, what it feels like to do it, [00:05:00] because I'm not sure everybody understands that it's it, it's not stressful, but we do as judges, feel the pressure. We know that we are representing, on the one hand, the association as the arbiters of the quality of the curators of these competitions, but also we feel the pressure of the authors because we are there too. We also enter competitions and we really, really hope the judges pay attention, really investigate and interrogate the images that we've entered. And when, when you enter competitions, that heightens the pressure to do a good job for the authors who you are judging. So in this podcast, I'm gonna talk through some of the aspects of that. Forgive me if it sounds like I'm answering questions. It's because I wrote myself some questions. I wrote some [00:06:00] questions down to, how I structures the podcast usually, uh, the podcast rambles along, but this one I actually set out with a structure to it, so forgive me if it sounds like I'm answering questions. It's 'cause I'm answering my own questions. What does it feel like? How do you do it? Et cetera, et cetera. Anyway, I hope it's useful. Enjoy. And it gives you an insight into what it's like to be a competition judge. Okay. As you walk into the judging room. For me at least, it's mostly a sense of excitement. There's a degree of apprehension. There's a degree of tension, but mostly there's an adrenaline rush. Knowing that we're about to sit and view, assess, score these incredible images from photographers all over the world, and let's remember that every photographer when they enter a print competition, which is what I'm talking about primarily here. Every photographer [00:07:00] believes that print that category that year, could win. Nobody enters an image thinking that it doesn't stand a chance. Now you might do that modest thing of, I don't know, you know? Oh no, I don't. I I just chance my arm. No one enters a print they don't think has a chance of doing well. That just doesn't happen. It's too expensive. It takes too much time. And as judges. We are acutely aware of that. So when you walk into the room, lots of things are going in your on, in your heads. Primarily, you know, you are there to do a job. You are there to perform a task. You are going to put your analytical head on and assess a few hundred images over the next 48 hours. But as you walk in, there's a whole series of things. You, you are gonna assess the room. You see that your fellow judges, you're gonna see the print handlers. You're going to see the chair, you're gonna see the people [00:08:00] from whichever association it is who are organizing it, who or who have organized it. You'll see stacks of prints ready to be assessed. There's a whole series of things that happen. A lot of hugging. It's really lovely. This year the panel of judges, uh, had some people in it I haven't seen for quite a few years, and it was beyond lovely to see them. So there's all of that, but you, there's this underlying tension you are about to do. One of the things you love doing more than anything else in as part of your job. So there's the excitement of it and the joy of it, but there's always this gentle underlying tone of gravitas of just how serious it is. What we are doing. So there will be plenty of laughter, plenty of joy, but you never really take your eye off the task in hand. And that's how it feels as you go to take your seats on the judging [00:09:00] panel. So the most important thing, I think, anyway, and I was chair of qualifications and awards for the BIPP for a number of years, is that the whole room, everybody there is acting as a team. If you are not gonna pull as a team, it doesn't work. So there has to be safety, there has to be structure. There has to be a process and all of these things come together to provide a framework in which you assess and create the necessary scores and results for the association, for the photographers, for the contestants. So you take your seats, and typically in a room, there are gonna be five judges at any one time assessing an image. It's typically five. I've seen it done other ways, but a panel of judges is typically five. The reason we have five is at no point do all of the judges agree. [00:10:00] We'll go through this later in more detail, but the idea is that you have enough judges that you can have contention, you can have. Disagreements, but as a panel of judges, you'll come up with a score. So you'll have five judges sitting assessing an image at any one time. To the side of the room, there'll be two more judges typically. Usually we have a pool of seven, five judges working, two judges sitting out every 10 prints or 10 minutes or whatever the chair decides. They'll we'll rotate along one, so we'll all move along one seat and one of the spare judges will come in and sit on the end and one of the existing judges will step off. And we do that all day, just rotating along so that everybody judges, broadly speaking, the same number of images. Now, of course there is a degree of specialism in the room. If a panel has been well selected, there'll be specialists in each of the categories, but you can't have, let's say there's 15 categories. You [00:11:00] can't have five specialist judges per category. That's simply impractical. Um, you know, having, what's that, 75 judges in a room, just so that you can get through the 15 categories is. A logistics task, a cost. Even just having a room that big, full of judges doesn't work. So every judge is expected to be reasonably multi-talented, even if you don't shoot, for instance, landscapes. You have to have a working knowledge of what's required of a great landscape. Because our job as a panel isn't that each of us will spot all of the same characteristics in an image, all of the same defects, all of the same qualities. Each judge has been picked to bring their own. Sort of viewpoint, if you like, to the image. Some judges are super technical, some judges, it's all about the atmosphere. Some judges, it's all about the printing and there's every bit of image production is [00:12:00] covered by each of the individual specialisms of the judges. And so while there is a degree of specialism, there will be a landscape. Specialist in the room or someone who works in landscape, there will be plenty of portrait photographers, wedding photographers, commercial photographers. The idea is from those seven, we can cover all of those bases. So we have seven judges all at fellowship level, all highly skilled, all experienced. And then there's the chair. Now the chair's role is not to affect the actual score. The chair's role is to make sure the judges have considered everything that they should be considering. That's the Chair's job, is to make sure the judges stay fresh, keep an eye on the scores, keep an eye on the throughput. Make sure that every image and every author are given a. The time and consideration that they are due. What do I mean by that? Well, I just mean the photographers spent a lot of time and effort and [00:13:00] finance putting this print in front of us, and so it's really important that we as judges give it due consideration. The chair, that's their role is to make sure that's what really happens. So the process is pretty simple, really. We will take our seats as a panel of judges and when we are settled. The chair will ask for the print, one of the print handlers. There's normally a couple of print handlers in the room, one to put the image on, one to take the image off. The print handler will take the first image or the next image off the pile and place it in front of us on the light box. They will then check the print to make sure there's no visible or obvious dust marks, um, or anything, and give with an air blower or with the back of a a handling glove, or very gently take any dust spots away. They will then step back. Now, the way the judges are set, there are five seats in a gentle arc, usually around the light [00:14:00] box. The outer two judges, judges one and five will step into the light box and examine or interrogate the print carefully. They will take as much time as they need to ascertain what they believe the score for that image should be. They will then take their seats. The next two judges in, so let's say Judge two and four, they will step in to interrogate the print and do exactly the same thing. When they're ready, they'll step back and sit down. And then the middle judge, the final judge in seat three, they will step up and interrogate the print. And the reason we do it that way is that everybody gets to see the print thoroughly. Everybody gets to spend enough time. Examining the print. And at that point, when we all sit down, we all enter our scores onto whatever the system is we're using either using iPads or keypads. There's all sorts of ways of doing it, but what's really important is we do all of this in total silence and we don't really do it because we need to be able to [00:15:00] concentrate. Though that has happened, sort of distracting noises can play havoc. Um, we really do it so that we are not influencing any other judge. So there's no, oh, this is rubbish, or, oh, this is amazing. Or any of this stuff, because the idea is that each judge will come to their own independent score. We enter them, and then there's a process as to what happens next. So that's the process. If at some point a single judge when the image appears, says, I can't judge this for whatever reason, usually it's because they've seen the image before. I mean, there's one this week where I hadn't directly influenced the image. But the author had shown me how they'd done it, so they'd stepped me through the Photoshopping, the construction, the shooting, everything about the image. I knew the image really well, and so when the image appeared on the light box, I knew while I could judge it, it wasn't fair to the author or to the other [00:16:00] competitors that I should. So I raised my hand, checked in with the chair, chair, asked me what I wanted. I said, I need to step off this. I'm too familiar with the work for me to give this a cold read, an objective read. So I if, if possible, if there's another judge, could they just step in and score this one image for me? And that means it's fair for all of the contestants. So that's that bit of process when we come to our score. Let's assume the score's fine. Let's assume, I dunno, it gets an 82, which is usually a merit or a bronze, whatever the system is. The chair will log that, she'll say that image scored 82, which is the average of all five of us. She'll then check in with the scores and the panel of judges. He or she rather, uh, they, so they will look at us and go, are you all happy with that result? That's really important. Are you all happy? Would that result? Because that's the opportunity as judges for one of us, if we're not comfortable that the image is scored where we think it probably should. And [00:17:00] remember with five of you, if the score isn't what you think, you could be the one who's not got your eye in or you haven't spotted something, it might well be you, but it's your job as a judge to make sure if there's any doubt in your mind about the scoring of an image that. You ask for it to be assessed again, for there to be discussion for the team to do its job because it might be that the other members of the panel haven't seen something that you have or you haven't seen something that they have, that both of those can be true. So it's really important that you have a process and you have a strict process. And this is how it works. So the chair will say you are happy. One of the judges may say. No, I'm not happy or may say I would like to challenge that or may simply say, I think this warrants a discussion. I'm gonna start it off. And then there's a process for doing that. [00:18:00] So the judge who raises the challenge will start the dialogue and they'll start in whichever direction it is that they think the scoring is not quite right. They will start the dialogue that way. So let's say the score, the judge who's raising a challenge says the score feels a little low. What happens then is raise a challenge and that judge will discuss the image or talk to the image in a way that is positive and trying to raise the score. And they're gonna do that by drawing attention to the qualities that they feel the image has, that maybe they're worried the other judges haven't seen when they're done, the next judge depends, depending on the chair and how you do it. The next judge will take their turn and he goes all the way around with every judge having their say. And then it comes back to the originating judge who has the right of a rebuttal, which simply means to answer back. So depending on how the [00:19:00] dialogue has gone it may be that you say thank you to all of the judges. I'm glad you saw my point. It would be great if we could give this the score that I think this deserves. Similarly, you occasionally, and I did do one of these where I raised a challenge, um, where I felt an image hadn't scored, or the judges hadn't seen something that maybe I had seen in the image, and then very quickly realized that four judges had seen a defect that I hadn't. And so my challenge, it was not, it's never a waste of a challenge. It's never ever a waste because it's really important that every image is given the consideration it deserves. But at the end of the challenge that I raised, the scoring stayed exactly the same. I stayed, I said thank you to all of the judges for showing me some stuff that I hadn't noticed. And then we moved on. More often than not, the scores move as the judges say, oh, do you know what, you're right, there is something in this. Or, no, you're right. We've overinflated this because we saw things, but we missed these technical defects. It's those kinds of conversations. So that's a, a chair, that's a, a judge's [00:20:00] challenge. Yeah, this process also kicks in if there's a very wide score difference between the judge's scores, same process, but this time there's no rebuttal. Every judge simply gives their view starting with the highest judge and then working anywhere on the panel. Um, and then there's a rare one, which does happen which is a chair's challenge, and the chair has the right in, at least in the competitions that I judge, the chair has the right to say to the panel of judges. Could you just give this another consideration? I think there might be things you've missed or that feels like you're getting a little bit steady in your scoring. 'cause they, the chair of course, has got a log of all the scores and can see whether, you know, you're settling into like a 78, 79 or one judge is constantly outta kilter. The chair can see everything and so your job as the chair is to just, okay guys, listen, I think this image that you've just assessed. Possibly there's some things one way or the [00:21:00] other that you might need to take into consideration. It doesn't feel like you have. I'd like you to discuss this image and then just do a rescore. So those are the, those are the mechanisms. So in the room you've got five judges plus two judges who are there ready to step in when required either on the rotation or when someone recuses themself and steps out. Usually two print handlers and then usually there's at least one person or maybe more from the association, just doing things like making sure things are outta their boxes, that the scores are recorded on the back of the prints, they go back into boxes, there's no damage because these prints are worth quite a lot of money. And so, there's usually quite a few people in the room, but it's all done in silence and it's all done to this beautiful process of making sure it's organized, it's clear it's transparent, and we're working as one team to assess each image and give it the score that it deserves. so when the print arrives on the box. It has impact. Now, whether you like it or not, [00:22:00] whether you understand it or not, whether you can define it or not, the print has an impact. You're gonna see it, you're gonna react to it. How do you react to it? Is it visceral? Does your heart rate climb? Do you. Do you explore it? Do you want to explore it? Does it tell a clear story? And now is when you are judging a competition, typically the association or the organization who are running the competition will have a clear set of criteria. I mean, broadly speaking, things like lighting, posing layout or composition storytelling. Graphic design, print quality, if it's a print competition. These are the kinds of things that, um, we look for. And they're listed out in the competition guides that the entrant, the author will have known those when they submitted their print. And the judges know them when we're assessing them, so they're kind of coherent. Whatever it is that the, the entrance were told, that's what we're judging [00:23:00] to the most important. Is the emotional connection or the impact? It's typically called visual impact or just impact. What's really important about that is that it's very obvious, I think, to break images down into these constructed elements like complimentary colors or tonal range or centers of interest, but they don't really do anything except create. Your emotional reaction to the picture. Now, we do use language around these to assess the image, but what we're actually looking for is emotional impact. Pictures tell stories. Stories invoke emotions. It's the emotions we're really looking for. But the trick when you are judging is you start with the initial impact. Then you go in and you in real tiny detail, look at the image. Explore it, interrogate it, [00:24:00] enjoy it, maybe don't enjoy it. And you look at it in all of the different categories or different areas, criteria that you are, that the judges that the organization have set out. And then really, although it never gets listed twice, it should do, impact should also be listed as the last thing you look at as well. Because here's the process. You look at the image. There's an impact. You then in detail investigate, interrogate, enjoy the image. And then at the very end you ask yourself, what impact does it still have? And that's really important because the difference between those two gives you an idea of how much or how well the image is scoring in all of the other areas. If an image has massive impact when you, let's put 'em on the light box, and then you explore it and you [00:25:00] enjoy it, and you look at it under the light, and then at the end of it you're still feeling the same thing you did when it came on the light box, that's a pretty good indicator that all the criteria were met. If on the other hand, as you've explored the image, you've realized. There are errors in the production, or you can see Photoshopping problems or blown highlights or blocked blacks, or things are blurred where they should be sharp or you name it. It's these kinds of things. You know, the printing has got banding in the sky, which is a defect. You see dust spots from a camera sensor. These gradually whittle away your impact score because you go back to the end and you ask, what impact does the image now have? And I've heard judges use terms like at the end of the process, I thought that was gonna be amazing when it first arrived on the light box. I just loved the look of it from a distance, but when I stepped in, there were just too many things that [00:26:00] weren't quite right. And at the end of it, I just felt some would, sometimes I've heard the word disappointed you. So that's certainly how I feel. When an image has this beautiful impact and the hair stand up on the back of your neck and you just think, I cannot wait to step in and explore this image in detail. 'cause I tell you one thing, most authors don't own a light box. When you see a print on a beautiful light box, the, there's something about the quality. The way the print ESS is you actually get to see what a print should look like. So when you step in, you are really excited to see it. And if at the end of that process you're slightly disappointed because you found defects in the printing or problems with the focusing or Photoshop or whatever it is. You really are genuinely disappointed. So that's how you approach it. You approach it from this standpoint of a very emotional, a very emotional connection with the image to start with, and then you break [00:27:00] it down into its elements, whatever those elements are for the competition. And then at the end, you ask yourself really, does it still have the impact? I thought it would because if it does, well, in that case, it's done really, really well. one of the things that's really interesting about judging images is we, we draw out, we write out all of these criteria and. Every image has them really. I mean, well, I say that of course every image doesn't have them. If you are, if you're thinking about landscape or a picture of a shampoo bottle, it doesn't have posing, for instance, if that's one of your criteria. But typically there's a standard set of criteria and every image has them layout, color uh, photographic technique, et cetera. So if we look at let's say composition, let's talk about composition. Personally, I like to use the term layout rather than composition because it [00:28:00] feels a little bit more like a verb. You lay the image out, you have all of the bits, you lay them out. I like that because when we are teaching photography when we say to someone, right, what are all of the bits that you have in front of you? How are you gonna lay them out? It feels a lot more, to me, at least more logical than saying, how are you gonna compose the image? Because it allows. I think it allows the photographer to think in terms of each individual component rather than just the whole frame. So we are looking for how the image is constructed. Remember that every photographer really should think about an image. As telling a story, what's the story that you want somebody else? Somebody that you've never met. In this case a judge, but it could be a client or it could just be somebody where your work is being exhibited on a wall. What do you want them to look at? What do you want them to see? Where do you want that eye to go? And there are lots of tricks to [00:29:00] this, and one of them is layout or composition. So we've got through the initial impact, boom. And the excitement. And then you start to think, is the image balanced? I like to think of an image having a center of gravity. Some photographers will use center of interest, which is a slightly different thing, but I think an image has a center of gravity. The component parts of the image create balance. So you can have things right down in the edges of the frame, but you need something to balance it like a seesaw. You can't just. Throw in, throw parts of the puzzle around the frame. So you are looking for where do they land? And of course, as photographers, we talk about thirds, golden ratios, golden spirals, all of these terms. But what we are really looking for is does the image have a natural flow? Does it feel like everything's where it should be? Does your eye go to the bit that the author probably wanted you to look at? Have they been effective in their [00:30:00] storytelling? And by storytelling, I don't necessarily mean storytelling as in photojournalism or narrative rich photography. What I mean is what did they want you to see, and then did you go and see it? Separation? Is the background blurred? And let's say the, the subject is sharp. That's a typical device for making sure you look at the subject. Is the color of the background muted in a way that draws your attention? Again to whatever it is in the foreground. So layouts one of those tools. So we work our way around it and try and figure out does the positioning of all of the elements of the image does their positioning add or distract from the story? We think that author was trying to tell. Let's remember that it's not the judge's job to understand the story. It's the author's job to tell the story in a way that the judges can get it. Too often, you know, when I, when I've judged [00:31:00] a competition, someone will come and find me afterwards and say, did you understand what that was about? I was trying to say this, and it's like, well, I didn't see that, but that's not my fault. You know, it's, it's down to you to lead me pictorially to. Whatever it is you're trying to show. Same with all judges, all viewers, clients. It doesn't really matter. It's the author's job, not the judges. So at the end of that, you then move on to whatever's the next criteria. So you know, you assess these things bit by bit, and by the way, every judge will do it in a slightly different order. There'll be written down in an order. But each judge would approach it in a different manner. For me, typically it's about emotional connection more than anything else, it's about the emotion. I love that genuine, authentic connection of a person in the image. To me, the viewer. I will always go there if, if it's a portrait or a wedding or fashion image, if there's a person in it or a dog, I suppose, [00:32:00] then I will look for that authenticity, that, that visceral, it feels like they're looking at me or I'm having a dialogue with them. That's my particular hot button, but every judge has their room and that's how you approach it. So when it comes to a photograph in the end, you don't really have anything other than light when you think about it, right? That's, you pick up a camera, it's got a sensor, it's got film, it's got a lens on the front, and a shutter stopping light coming, or it goes through the lens, but the, the shutter stops it hitting a sensor. And at some point you commit light to be recorded. And it's the light that describes the image. There's nothing else. It's not something you can touch or hear, it's just light. And of course light is everything. I think, I think the term pho photography or photograph is a mix of a couple of words, and it's a relatively recent idea. I think [00:33:00] it was Victorian and it's, isn't it light and art photographic or photograph, um. So that's what it is. It's capturing light and creating a reaction from it. So the quality of light is possibly the most important thing. There is too much of it, and you're gonna have blown highlights, nasty white patches on your prints, too little of it. You're gonna have no detail in the shadows and a lot of noise or grain, whether it's film or whether it's off your sensor. And then there's the shape of the light. The color of the light, and it doesn't really matter whether it's portrait, wedding, landscape, product, avant garde, it's light that defines things. It's light that can break an image. So with portraiture, for instance, we tend to talk about. Sculpting or dimensionality of light. We tend to talk about the shape of the subject. We talk about flattering light. We talk about hard and soft light, and all of these things [00:34:00] mean something. This isn't the podcast to talk about those in detail, but that's what we're looking for. We are looking for has the light created a sense of shape, a sense of wonder, a sense of narrative. Does the lighting draw your eye towards the subject? And when you get to the subject, is it clear that the lighting is effective and by effective, usually as a portrait photographer anyway. I mean flattering. But you might be doing something with light that's counterintuitive, that's making the subject not flattered. That's maybe it's for a thriller style thing, or maybe it's dark and moody. Harsh, as long as in tune with the story as we are seeing it, then the lighting is assessed in that vein. So we've seen some incredible beauty shots over the past couple of days where the lighting sculpted the face. It had damaged ality, but it was soft. There were no hard shadows, there were no [00:35:00] blown highlights. The skin, it was clear that the texture of the skin, the light, it caught the texture. So we knew exactly what that would be. It had. Captured the shape. So the way the gens or shadows ripple around a body or a face tell you its shape. They haven't destroyed the shape. It's it's catch shape, but it hasn't unnecessarily sculpted scars or birthmarks or spots, you know? And that's how lighting works. So you look for this quality, you look for control, you look for the author, knowing what they're doing. With landscapes, typically it's, it is very rare, in my opinion, for a landscape. To get a good score if it isn't shot at one end of the day or the other. Why? Well, typically, at those points of the day, the light from the sun is almost horizontal. It rakes across the frame, and you get a certain quality to the way the shadows are thrown. The way the [00:36:00] light, sculpts hills, buildings, clouds, leaves, trees, the way it skips off water, whether it's at the beginning of the day or the end of the day. It's quite unusual though we do see them for an amazing photograph of escape to be taken at midday. But you can see how it could be if you have the sun directly overhead, because that has a quality all of its own. And you know, if when an author has gone to the effort of being in the right place to shoot vertical shadows with a direct overhead son, well maybe that's so deliberate that the, the judges will completely appreciate that and understand the story. So it's looking for these things and working out. Has the lighting been effective in telling the story? We think the author was trying to tell? Lighting is at the heart of it. So when we've been through every criteria, whatever they are, lighting, composition, color, narrative, et cetera, et cetera, et cetera, [00:37:00] we've assessed every image, hundreds of them. We've had challenges, we've had conversations. We have a big pile of prints that have made it over the line. To whatever is your particular association scoring, whether it's merit or bronze or whatever. The puzzle isn't quite complete at that stage because there is of course, a slight problem and that problem is time. So if you imagine judging a section of images might take a couple of hours to do 70 prints, 60, 70 prints might take longer than that. In fact, it might take the best part of an afternoon. During that time. There's every chance the scores will wander. And the most obvious time is if a category spans something like a lunch break. We try to make sure categories don't do that. We try to complete categories before going for a break. We always try to be continuous, but [00:38:00] you've still got fatigue. You've got the judges rotating. So all of these things are going on. It sometimes it depends what images come up in what order could conceivably affect the scoring. For instance there's an image that came up this year where I think probably I was the judge that felt the strongest about it. There was something about this particular image that needed talking about, and so when it came up and it was scores that I raised a challenge and my heart rate, the minute the print hit the stand, my heart rate climbed through the roof. It was. Something about it that just connected with me. And then when I explored the image on the lights, on the light box, to me, there was very little that was technically holding it back. There were a couple of bits, but nothing that I felt warranted a lower score. And so I raised a [00:39:00] challenge. I said my point, I went through it in detail. I asked the other judges to consider it. From my viewpoint, they gave their views as to why they hadn't. But each of them understood where I was coming from and unlike the challenge I talked about earlier where no one changed their mind on this one, they did on this one. They also saw things that I saw when we went through it. But at the end of the process, the image was got a higher score, which is great, but. I didn't feel that I could judge the next image fairly because whatever came in, my heart rate was still battering along after seeing this one particular image. And that happens sometimes. It's not common, but I felt I needed to step off the panel before the next image came up. Which I did in work, working with the chair and the team. I stepped off for a couple of prints before stepping back on [00:40:00] just to let my eye settle and let myself get back into the right zone. But during the day, the zone changes. The way you change your perception of the images, as the images come through is so imperceptible, imperceivable, imperceptible. One of those two words is so tiny that you don't notice if there's a slight drift. And so there's every opportunity for an image to score a couple of points lower or a couple of points higher than it possibly could have done. If it had been seen at another point in the day. Maybe it had been, maybe if the image was seen after a series of not so strong images, maybe it would get a higher score. Or of course, the other way round. Maybe after seeing a series of really, really powerful, impactful images that came up, maybe it scored be slightly diminished. Both of those can be true. And so it's really important that we redress that any possible imbalance and every competition I've ever done has a final round. And the [00:41:00] way this is done is that we take the highest scoring images, top five, top 10, depending on the competition, and we line them up. And all of the judges now, not just the judges who are the five on the panel, all seven judges. Get an opportunity to bring each image back onto a light box if they wish, if they haven't seen them already. Because remember, some of those images may not have been assessed by the, well. It cannot have been assessed by all seven of the judges, so there's always gonna be at least two judges who haven't seen that image or seeing it for the first time as a judge. So we bring them back, we look at them, and then we rank them using one of numerous voting mechanisms where we all vote on what we think are the best images and gradually whittle it down until we're left with a ranked order for that category. We have a winner, a second, a third, a fourth, sometimes all the way down to 10 in order, depending on the competition. And that's the fairest way of doing it, because it means, okay, during the judging, [00:42:00] that image got, I dunno, 87. But when we now baseline it against a couple of images that got 90 something, when we now look at it, we realize that that image probably should have got a 90 as well. We're not gonna rescore it, the score stands, but what we are gonna do is put it up into there and vote on it as to whether it actually, even though it got slightly lower, score, is the winning image for the category. And every competition does something similar just to redress any fluctuations to, to flatten out time. It takes time outta the equation because now for that category, all seven judges are judging the winner at the same time, and that's really important. We do that for all the categories, and then at the end of that process, we bring back all of the category winners and we vote on which one of those. Wins the competition. Now, not every competition has an overall winner, but for the one we've just done for the print masters, for the BIPP print masters, there is an overall winner. And so we set them all out [00:43:00] and we vote collectively as a winner on the winner. And then, oh, we rank them 1, 2, 3, 4, or whatever. Um, really we're only picking a winner, but we also have to have some safety nets because what happens if for instance. Somebody unearths a problem with an image. And this has happened, sadly, this has happened a couple of times in my career where a photographer has entered an image that's not compliant with the rules but hasn't declared it. And it's always heartbreaking when it does happen, but we have to have a backup. So we always rank one, two, and three. So that's some backups, and that's the process. That's how we finish everything off. We have finished, we've got all the categories judged, the category winners judged, and then the overall one, two, and three sorted as well. at the end of the process? I can't speak for every judge. I can speak for me, I feel, I think three things. Exhaustion. It's really hard to spend 48 hours or longer [00:44:00] assessing images one by one, by one by one, and making sure that you are present and paying attention to every detail of every image. And you're not doing an author or an image a disservice. You pay each image or you give each image, you pay each image the due attention it deserves. I feel exhilaration. There's something energizing about assessing images like this. I know it's hard to explain, but there's something in the process of being alongside some of the best photographers that you've ever met, some photographers that you admire more than any others, not just as photographers, but as human beings. The nicest people, the smartest people, the most experienced people, the most eloquent people. There's something in that. So there's this [00:45:00] exhilaration. You are exhausted, but there's an exhilaration to it. And then finally, and I don't know if every photographer feels this or every judge feels this, I do. Which is massively insecure, I think. Can't think of the right words for it. There must be one. But I come away, much like when you've been out on the beers and you worry about all the things you've said, it's the same process. There was that image I didn't give enough credit for. There was this image I was too generous on. There were the things I said in a challenge when it gets a little bit argumentative or challenging. 'cause the clues in the title, you know, maybe I pushed too hard, maybe I didn't push hard enough. There are images you've seen that you wished you'd taken and you feel like. I'm not good enough. There's an insecurity to it too, and those are the three things I think as you leave the room, it's truly [00:46:00] energizing. Paradoxically, it's truly exhausting, but it's also a little bit of a head mush in that you do tend to come, or I do tend to come away a little bit insecure about. All the things that have gone on over the two days prior, and I've done this a long time. I've been judging for, I dunno, 15, 16, 17 years. And I've got used to those feelings. I've got used to coming away worrying. I'm used to the sense of being an underachiever, I suppose, and it's a wonderful , set of emotions that I bring home. And every time I judge. I feel better for it. I feel more creative. I feel more driven. I feel more determined. I feel like my eyes have been opened to genres [00:47:00] of photography, for types of imagery, for styles of posing or studio work that I've never necessarily considered, and I absolutely adore it every single second. So at the end of that, I really hope I've described or created a picture of what it's like to be a judge for this one. I haven't tried to explain the things we saw that as photographers as authors, you should think about when you are entering. I'm gonna do that in a separate podcast. I've done so many of those, but this one was specifically like, what does it feel like to be a judge? Why do we do it? I mean, we do it for a million reasons. Mostly we do it because people helped us and it's our turn to help them. But every photographer has a different reason for doing it. It's the most joyful process. It's the most inspiring process and I hope you've got a little bit of that from the podcast. So [00:48:00] on that happy note, I'm gonna wrap up and I'm gonna go and finish my glass of whiskey which I'm quite excited about if I'm honest. 'cause I did, it's been sitting here beside me for an hour and I haven't drunk any of it. I do hope you're all doing well. I know winter is sort of clattering towards us and the evenings are getting darker, at least for my listeners in the north and the hemisphere. Don't forget. If you want more information on portrait photography or our workshops we've announced all of the upcoming dates or the next set of upcoming dates. Please head across to mastering portrait photography.com and go to the workshop section. I love our workshops and we've met so many. Just lovely people who've come to our studio. And we've loved being alongside them, talking with them, hopefully giving a bit of inspiration, certainly taking a little bit of inspiration, if I'm honest, because everyone turns up with ideas and conversations. Uh, we would love to see you there. The workshops are all are all there on the website and the workshop section. You can also, if you wish, buy a signed copy of the book from mastering portrait photography.com. Again, just go to the [00:49:00] shop and you'll see it there on the top. Amazon has them for sale too. It is great. Amazon typically sells them for less than we do, but we have a fixed price. We have to buy them from the wholesaler at a particular price, whereas Amazon can buy many, many more than we can, so they get a better deal if I'm honest. However, if you want my paw print in there, then you can order it from us and it's supports a photographer and it's really lovely to hear from you. When you do, uh, one thing, I'd love to ask anyone who has bought the updated edition of the book, if you are an Amazon customer. Please could you go on to amazon.com and leave us a review? It's really powerful when you do that, as long as it's a good review. If it's a rubbish review, just email me and tell me what I could have done differently, and I'll email you back and tell you, tell you why I didn't. But if it's a half decent review, a nice review. Please head over to Amazon. Look for mastering portrait photography, the new version of the book, and leave us a review. It's really important particularly in the first couple of [00:50:00] weeks that it's been on sale. Uh, it would be really, really helpful if you did that. And on that happy note, I wish you all well. I've grabbed my glass of whiskey and I'm gonna wrap up and whatever else you do. Until next time, be kind to yourself. Take care.   

The latest In Touch With iOS with Dave he is joined by Jill McKinley, Jeff Gamet, Guy Serle, Eric Bolden, Marty Jencius.  We unpack Apple's latest OS updates, new Vision Pro features, and the Ultra 3 Watch—with laughs about turkey vultures, DACs, and not testing fall detection by jumping off cliffs. Plus: Apple's record-breaking quarter, new App Store web app, and Apple TV rebranding.Jeff reviews the Audioengine HXL DAC, calling it "tiny but mighty" for audiophiles, while Marty praises Apple's new App Store web interface for making app discovery easier across all devices. The show notes are at InTouchwithiOS.com  Direct Link to Audio  Links to our Show Give us a review on Apple Podcasts! CLICK HERE we would really appreciate it! Click this link Buy me a Coffee to support the show we would really appreciate it. intouchwithios.com/coffee  Another way to support the show is to become a Patreon member patreon.com/intouchwithios Website: In Touch With iOS YouTube Channel In Touch with iOS Magazine on Flipboard Facebook Page BlueSky Mastodon X Instagram Threads Summary In Episode 394, Dave and the panel dive deep into Apple's fall updates with laughter, insights, and the occasional turkey vulture reference. The crew explores the rollout of iOS 26.1, iPadOS 26.1, macOS 26.1, watchOS, tvOS, and visionOS 26.1, covering both the new features and the "why is my audio weird?" moments. Dave shares his Vision Pro M5 experience with the new dual knit band that may be the best $100 head strap you didn't need—but bought anyway. Marty highlights VisionOS improvements, including Logitech Muse stylus support and developer fixes. Jill and Eric praise the Vision Pro stability and clarity, while Guy laments Apple's confusing numbering scheme. The conversation shifts to iOS 26.1, with battery life improvements, manual workout logging, and AI-powered updates leading the list. Jeff warns about audio glitches, while Jill celebrates working out manually (on her Watch, that is). The crew debates iPadOS's new multitasking—and how everyone accidentally triggers Slide Over now. There's lively discussion on HomePod performance, tvOS tweaks, and watchOS bugs, including Eric's hilarious tip: turn off Bluetooth so the update doesn't take seven hours. Jill debuts her Apple Watch Ultra 3, promising not to test fall detection by "throwing herself off a mountain"—a running joke that quickly derails into chaos ("Don't go hiking with Jill!"). Later, Jeff reviews the Audioengine HXL DAC, calling it "tiny but mighty" for audiophiles, while Marty praises Apple's new App Store web interface for making app discovery easier across all devices. Finally, the crew cheers Apple's Q4 financial performance, with record-breaking $102.5 billion revenue, strong Mac sales, and unstoppable Services growth. As Dave puts it—"Apple's doomed… to keep making money." Topics and Links In Touch With Vision Pro this week.  Apple Releases visionOS 26.1 With Vision Pro App for iPad visionOS 26.2 Beta 1 Release Notes Apple Releases First watchOS 26.2, tvOS 26.2 and visionOS 26.2 Betas Dave received his Apple Vision Pro Dual Knit Band Beta this week. All OS 26.1 was released to the public. iOS 26.2 Beta was released this week.  iOS 18.7.2 now available for iPhone, here's what's new  Apple Releases iOS 26.1 With Liquid Glass Toggle, Slide to Stop Alarm, New Apple Intelligence Languages and More Apple releases iOS 26.1, macOS 26.1, other updates with Liquid Glass controls and more Apple Releases iPadOS 26.1 With Slide Over Multitasking Apple Releases tvOS 26.1 Apple Releases watchOS 26.1 With Bug Fixes Apple Releases HomePod Software 26.1 With Performance Improvements iOS 26.2 Beta 1 was released this week Apple Seeds First Betas of iOS 26.2 and iPadOS 26.2 to Developers Everything New in iOS 26.2 Beta  In Touch With Mac this week Apple Releases macOS Tahoe 26.1 With New Liquid Glass Setting and More First macOS Tahoe 26.2 Beta Now Available to Developers Other Topics Jeff gives his review of the Audioengine HXL Portable Balanced Headphone Amplifier & DAC Jill has her new Apple Watch Ultra 3 and gives her first impressions Apple Launches App Store for the Web App Store on the Web News Charts: Apple caps off high-flying fiscal year with Q4 record Apple's fiscal 2025 in charts – Six Colors Apple TV+ to Apple TV Rebrand Now Official, Here's the New Intro Apple One Gets New Colorful Logo Following Apple TV Rebrand [Updated] Announcements Macstock 9 has wrapped for 2025. Attendees will receive a link for the session recordings when  they're ready in 30-45 days. If you missed Macstock we missed you! Why not purchase a digital pass to relive all the amazing presentations? Click the link below to purchase the digital pass. Macstock X has already been announced July 10,11,12, 2026 hopeful you all can join us.  Macstock IX Digital Pass Our Host Dave Ginsburg is an IT professional supporting Mac, iOS and Windows users and shares his wealth of knowledge of iPhone, iPad, Apple Watch, Apple TV and related technologies. Visit the YouTube channel https://youtube.com/intouchwithios follow him on Mastodon @daveg65, , BlueSky @daveg65  and the show @intouchwithios   Our Regular Contributors Jeff Gamet is a podcaster, technology blogger, artist, and author. Previously, he was The Mac Observer's managing editor, and Smile's TextExpander Evangelist. You can find him on Mastadon @jgamet Pixelfed @jgamet@pixelfed.social and Bluesky @jgamet.bsky.social‬ Podcasts The Context Machine Podcast  Retro Rewatch Retro Rewatch His YouTube channel https://youtube.com/jgamet Marty Jencius, Ph.D., is a professor of counselor education at Kent State University, where he researches, writes, and trains about using technology in teaching and mental health practice. His podcasts include Vision Pro Files, The Tech Savvy Professor and Circular Firing Squad Podcast. Find him at jencius@mastodon.social  https://thepodtalk.net  Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him by email at eabolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast.   Jill McKinley works in enterprise software, server administration, and IT A lifelong tech enthusiast, she started her career with Windows but is now an avid Apple fan. Beyond technology, she shares her insights on nature, faith, and personal growth through her podcasts—Buzz Blossom & Squeak, Start with Small Steps, and The Bible in Small Steps. Watch her content on YouTube at @startwithsmallsteps and follow her on X @schmern. Find all her work at http://jillfromthenorthwoods.com  Chuck Joiner is the host of MacVoices and hosts video podcasts with influential members of the Apple community. Make sure to visit macvoices.com and subscribe to his podcast. You can follow him on Twitter @chuckjoiner and join his MacVoices Facebook group. Guy Serle is one of the hosts of the new The Gmen Show along with GazMaz and email GMenshow@icloud.com  @MacParrot and @VertShark on X  Vertshark on YouTube, Google Voice +1 Area code  703-828-4677

This month, iPhones continued to go strong and are still going through November. There was also a good sale on iPads and Airpods at Best Buy with another round of coupons. We went on two different weeklong trips, one that included Hermitage Bay in Antigua and another at Chicago Seminars followed by Miami.To join the mailing list, there is a link on the website churninglife.com.

In the week we've had the iOS 26.1 update, it's time to look forward to iOS 26.2, plus the review is in for the M5 Apple Vision Pro, and it's claimed that Apple is replacing Siri with Google Gemini. As if, on the AppleInsider Podcast.Contact your hosts:@williamgallagher_ on Threads@WGallagher on TwitterWilliam's 58keys on YouTubeWilliam Gallagher on email@hillithreads on Threads@Hillitech on TwitterWes on BlueskyWes Hilliard on emailSponsored by:Claude by Anthropic: Get 50% off your first three months of Claude Pro at Claude.ai/appleinsiderNordStellar: go to nordstellar.com/appleinsider by December 10, 2025, and use coupon code blackfriday20 to get a 20% discountUdacity: For 40% off your order, head to Udacity.com/APPLEINSIDER and use code APPLEINSIDERLinks from the Show:New in iOS 26.2: Liquid Glass, News, Podcasts, and Sleep Score changesApple may pay $1B per year to use Google Gemini in SiriApple Vision Pro with M5 review: a chip can't fix developer relationsExpect more Apple Immersive Video thanks to streamlined production processM5 Apple Vision Pro vs. Samsung Galaxy XR: Processing power vs. AIApple Creator Studio referenced in iOS 26.2 beta 1, but meaning is unclearApple slices its logo for new Apple One brandingApple TV's rebrand introduces a new logo and a signature soundForget Liquid Glass, Apple TV's new logo was shot with actual glass Support the show:Support the show on Patreon or Apple Podcasts to get ad-free episodes every week, access to our private Discord channel, and early release of the show! We would also appreciate a 5-star rating and review in Apple PodcastsMore AppleInsider podcastsTune in to our HomeKit Insider podcast covering the latest news, products, apps and everything HomeKit related. Subscribe in Apple Podcasts, Overcast, or just search for HomeKit Insider wherever you get your podcasts.Subscribe and listen to our AppleInsider Daily podcast for the latest Apple news Monday through Friday. You can find it on Apple Podcasts, Overcast, or anywhere you listen to podcasts.Those interested in sponsoring the show can reach out to us at: advertising@appleinsider.com (00:00) - Intro (00:53) - iOS 26.1 (04:56) - iOS 26.2 (17:46) - Siri and Google Gemini (38:43) - M5 Apple Vision Pro (54:20) - Apple Vision Pro versus Samsung Galaxy XR (58:24) - Apple Creator Studio (01:08:36) - Apple TV ★ Support this podcast on Patreon ★

Listen to a recap of the top stories of the day from 9to5Mac. 9to5Mac Daily is available on iTunes and Apple's Podcasts app, Stitcher, TuneIn, Google Play, or through our dedicated RSS feed for Overcast and other podcast players. Sponsored by Backblaze: Never lose a file again. Use code "9to5daily" at checkout for 20% off or try for free.  New episodes of 9to5Mac Daily are recorded every weekday. Subscribe to our podcast in Apple Podcast or your favorite podcast player to guarantee new episodes are delivered as soon as they're available. Stories discussed in this episode: macOS Tahoe 26.1 adds new tools for Spotlight's clipboard feature Apple releases macOS Tahoe 26.1, here's everything new iOS 26.2 will remove a key iPhone and Apple Watch feature in EU, per report Cheaper MacBook powered by iPhone chip coming in 2026, per new report Listen & Subscribe: Apple Podcasts Overcast RSS Spotify TuneIn Google Podcasts Subscribe to support Chance directly with 9to5Mac Daily Plus and unlock: Ad-free versions of every episode Bonus content Catch up on 9to5Mac Daily episodes! Don't miss out on our other daily podcasts: Quick Charge 9to5Toys Daily Share your thoughts! Drop us a line at happyhour@9to5mac.com. You can also rate us in Apple Podcasts or recommend us in Overcast to help more people discover the show.

The Exodus passages show that God keeps His word, even to His own hurt.  This display of God's faithfulness should inspire you to be vigilant to live and walk by faith, knowing that He is more than able to deliver you from whatever back-against-the-wall, Red-Sea moment you're facing if you turn to Him. VF-2509 Watch, Listen and Learn 24x7 at PastorMelissaScott.com Pastor Melissa Scott teaches from Faith Center in Glendale. Call 1-800-338-3030 24x7 to leave a message for Pastor Scott. You may make reservations to attend a live service, leave a prayer request or make a commitment. Pastor Scott appreciates messages and reads them often during live broadcasts. Follow @Pastor_Scott on Twitter and visit her official Facebook page @Pastor.M.Scott. Download Pastor Scott's "Understand the Bible" app for iPhone, iPad and iPod at the Apple App Store and for Android devices in the Google Store. Pastor Scott can also be seen 24x7 on Roku and Amazon Fire on the "Understand the Bible?" channel. ©2025 Pastor Melissa Scott, Ph.D., All Rights Reserved

Dix ans après les attentats du 13-novembre qui ont frappé Paris et Saint-Denis, les rescapés continuent de se reconstruire. Arthur Dénouveaux est l'un d'entre eux. Ce survivant du Bataclan qui a été président de l'association de victimes Life for Paris raconte dans cet épisode de Code Source son chemin vers la reconstruction.Au micro de Barbara Gouy, il revient sur cette soirée du 13 novembre 2015, mais aussi sur son rapport au statut de victime et à la mémoire des attentats. Son livre « Vivre après le Bataclan » vient de paraître aux éditions du Cerf.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Clémentine Spiler et Anaïs Godard - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network - Archives : FR2, TF1, Euronews, Public Sénat. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Pre-show: Casey dropped his 17 Pro

Benjamin and Chance discuss all the new features in iOS 26.2, including some fancy Podcast AI updates and a puzzling decision to remove Apple Watch Wi-Fi syncing in the EU. Also, Apple launches a browsable App Store on the web, and is set to pay $1bn annually to Google to use Gemini models as the underpinning of new Siri.  And in Happy Hour Plus, the pair react to the new Apple TV intro, and get hyped for the premiere of Vince Gilligan's new series, Pluribus. Sponsored by Hydrow: Skip the gym, not the workout. Use code HAPPYHOUR to get $100 off any Hydrow rower. Sponsored by Square: Get up to $200 off Square hardware when you sign up at square.com/go/happyhour. Sponsored by NordStellar: Protect your business today at nordstellar.com/happyhour and use code blackfriday20 to save 20%. Hosts Chance Miller @chancemiller.me on Bluesky @chancehmiller@mastodon.social @ChanceHMiller on Instagram @ChanceHMiller on Threads Benjamin Mayo @bzamayo on Twitter @bzamayo@mastodon.social @bzamayo on Threads Subscribe, Rate, and Review Apple Podcasts Overcast Spotify 9to5Mac Happy Hour Plus Subscribe to 9to5Mac Happy Hour Plus! Support Benjamin and Chance directly with Happy Hour Plus! 9to5Mac Happy Hour Plus includes:  Ad-free versions of every episode  Pre- and post-show content Bonus episodes Join for $5 per month or $50 a year at 9to5mac.com/join.  Feedback Submit #Ask9to5Mac questions on Twitter, Mastodon, or Threads Email us feedback and questions to happyhour@9to5mac.com Links Apple releases iOS 26.1 for iPhone with these changes iOS 26.1: Here are Apple's official release notes Everything new in iOS 26.2 beta 1 AirPods Live Translation feature coming to the EU next month iOS 26.2 will remove a key iPhone and Apple Watch feature in EU, per report iOS 26.2 includes three helpful upgrades to Apple Podcasts app iOS 26.2's Apple News app has a new and improved design iOS 26.2 brings a small but great Apple Music upgrade watchOS 26.2 makes a big change to Sleep Score, here's what's different Apple launches rich new web interface for the App Store Apple's new Siri will secretly use Google Gemini models behind the scenes Apple nears $1 billion Google deal for custom Gemini model to power Siri Apple reports Q4 2025 earnings, here are the numbers [charts] Apple says holiday quarter will be biggest ever in company history

Learn about the top iOS apps that help organize tedious household tasks on schedule while turning family coordination into something fair and fun. Plus, Life360's advanced tracking features give parents convenient insight into their kids' whereabouts and driving habits! Life360 app features for family and pet tracking, privacy tips Sweepy app helps divide, gamify, and organize home chores Maple Family Organizer streamlines family calendars, projects, and emails Under My Roof app for tracking home inventory and moving logistics Fridge Buddy app manages pantry and fridge supplies, tracks expiration dates News: Rumors on upcoming pro creative apps for iPad surfaced in code Shortcuts Corner: AssistiveTouch troubleshooting and shortcut trigger options Mikah's App Cap: CleanMyPhone is a free and paid photo cleaner apps for decluttering Rosemary's App Cap: Slider Photo Cleaner is a free swipe-to-delete photo tool Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

Listen to a recap of the top stories of the day from 9to5Mac. 9to5Mac Daily is available on iTunes and Apple's Podcasts app, Stitcher, TuneIn, Google Play, or through our dedicated RSS feed for Overcast and other podcast players. Sponsored by Backblaze: Never lose a file again. Use code "9to5daily" at checkout for 20% off or try for free.  New episodes of 9to5Mac Daily are recorded every weekday. Subscribe to our podcast in Apple Podcast or your favorite podcast player to guarantee new episodes are delivered as soon as they're available. Stories discussed in this episode: Second-gen iPhone Air may get two cameras Apple nears $1 billion Google deal for custom Gemini model to power Siri iOS 26.2 brings a small but great Apple Music upgrade Listen & Subscribe: Apple Podcasts Overcast RSS Spotify TuneIn Google Podcasts Subscribe to support Chance directly with 9to5Mac Daily Plus and unlock: Ad-free versions of every episode Bonus content Catch up on 9to5Mac Daily episodes! Don't miss out on our other daily podcasts: Quick Charge 9to5Toys Daily Share your thoughts! Drop us a line at happyhour@9to5mac.com. You can also rate us in Apple Podcasts or recommend us in Overcast to help more people discover the show.

iOS 26.1 & macOS 26.1 are out now, with updates to Liquid Glass. Apple had big results in its Q4 2025. More rumors are emerging about Apple's entry into the low-cost laptop market. And Apple finally launches the App Store for the web! Apple releases iOS 26.1, macOS 26.1, other updates with Liquid Glass controls and more. iOS 26's Shortcuts app adds 25+ new actions, here's everything new. Charts: Apple caps off high-flying fiscal year with Q4 record. Apple results: Holiday dunks and questions dodged. Apple preps low-cost laptop to rival Chromebooks and Windows PCs. Hello, Robot: Sandwich launches "immersive commercial" Use the Apple Vision Pro app on iPhone and iPad. Apple launches App Store for the web. Apple debuts new Apple TV intro with music by Finneas following "Vibrant" rebrand. Apple's Eddy Cue, Zack Van Amburg and Jamie Erlicht talk 'F1' and Emmys success, upcoming slate, and launching a platform. OpenAI acquires Software Applications Incorporated, maker of Sky. Introducing WhatsApp for Apple Watch. Canva's new free Affinity app wants to sink the Adobe flagships. Tim Cook just turned 65, renewing speculation about his successor. Apple slices its logo for new Apple One branding. How Tim Cook evaded disaster at Apple this year. Picks of the Week Andy's Pick: Logoer Leo's Pick: Iconfactory Tapestry Alex's Pick: Shutter Encoder Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: zocdoc.com/macbreak 1password.com/macbreak threatlocker.com/twit framer.com/design promo code MACBREAK