Podcasts about filmmakers

"Americana" is an American crime thriller film written and directed by Tony Tost that premiered at South by Southwest in 2023 and stars Sydney Sweeney, Paul Walter Hauser, Halsey, Eric Dane, Zahn McClarnon, and Simon Rex. The film received positive reviews from critics for its story and depiction of the modern West through the lens of the Neo-noir western. Tost and Hauser were both kind enough to speak with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on August 15th by Lionsgate. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Colombian writer-director Jose Antonio Negret first made waves when his debut film TOWARDS DARKNESS premiered in competition at the Tribeca Film Festival. It starred America Ferrera, and was distributed by MGM. Negret was subsequently named by The Hollywood Reporter as one of their "Top 10 Latino Directors to Watch.' His follow-up was SECONDS APART, a supernatural thriller released by Lionsgate, which was followed by the action film TRANSIT, produced by Joel Silver and Dark Castle Entertainment. Most recently, Negret directed the car heist action/thriller OVERDRIVE starring Scott Eastwood and Ana de Armas (released by Paramount and produced by TAKEN helmer Pierre Morel).In addition to his feature film accomplishments, Negret is also a highly in-demand television director. An alumni of the Warner Brothers' Directing Workshop, Negret has directed episodes for series such as THE LINCOLN LAWYER (Netflix), HIGHTOWN (Starz), CHILLING ADVENTURES OF SABRINA (Netflix), PRODIGAL SON (Fox), NATIONAL TREASURE (Disney+), RIVERDALE (CW), MAGNUM PI (CBS), THE 100 (CW), SUPERGIRL (CW), LETHAL WEAPON (Fox), ONCE UPON A TIME (ABC), THE FLASH (CW), SCORPION (CBS), LA'S FINEST (Spectrum), MACGYVER (CBS), FOREVER (ABC), ARROW (CW), and JUST BEYOND (Disney +).Synopsis of SHAMAN - A missionary family travels to rural Ecuador to convert the indigenous population. All is going well until their son ventures into a forbidden local cave and comes back with a demonic spirit in tow. Candice (Sarah Canning) believes that an exorcism in the Catholic tradition will free her boy from the evil bonds that bind him. The local shamans know that this spirit is older than her religion and must be dealt with or the demon will take them all.TrailerGuest:IMDb InstagramHost:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:TRIBECA: Tim Blake Nelson, Andrew Liner and Vincent Grashaw for "BANG BANG"Becoming... Oscar Nominated Writer and Director Debra Granik ("Winter's Bone," "Leave No Trace," "Down to the Bone")

Set in Harlan County, Kentucky, where miners went on strike, Barbara Kopple's film "Harlan County, U.S.A." won the Oscar for Best Documentary in 1977. The documentary went on to shape a generation of filmmakers in and beyond the cinema verite tradition. She joins the program to discuss the experience of making the film.  The 21st Show is Illinois' statewide weekday public radio talk show, connecting Illinois and bringing you the news, culture, and stories that matter to the 21st state. Have thoughts on the show or one of our episodes, or want to share an idea for something we should talk about? Send us an email: talk@21stshow.org. If you'd like to have your say as we're planning conversations, join our texting group! Just send the word "TALK" to (217) 803-0730. Subscribe to our podcast and hear our latest conversations. Apple Podcasts: https://podcasts.apple.com/us/podcast/the-21st-show/id1084405213 Spotify: https://open.spotify.com/show/6PT6pb0u7xVxKng8VhsaML Find past segments, links to our social media and more at our website: 21stshow.org

Farbod Khoshtinat is an award-winning Iranian-born filmmaker, creative director, and visual effects artist whose career spans underground art, international music videos, political storytelling, and acclaimed cinema. His work has been recognized on global stages, including screenings at the United Nations, and he earned Best Visual Effects at the Asia Pacific Screen Awards for Rhino Season. Beyond cinema, he has created music videos and campaigns for artists such as Arash, Snoop Dogg, Pitbull, and T-Pain, blending art and technology in innovative ways.In this conversation, we explore his journey from Tehran's underground creative scene to global recognition, the evolution of visual storytelling, and how AI may shape the future of filmmaking.00:00:00 Introduction00:01:40 From Hichkas's music videos to artificial intelligence00:05:51 Information threats and starting a new life in Malaysia00:19:57 How did you go beyond yourself?00:26:25 Hollywood in the age of AI00:36:25 Why is the “entrepreneur artist” important?00:46:13 Intro and demo of AI tools for video production00:56:42 AI art vs. human art01:04:16 Creating new tools and current projects01:21:25 Music marketing strategy in the “long tail” era and the future of content distributionفربد خوش‌طینت فیلمساز تحسین‌شده و برنده جوایز بین‌المللیه که مسیر کاریش از هنر زیرزمینی و موزیک‌ویدیوهای جهانی تا روایت‌های سیاسی و سینمای مطرح رو در بر می‌گیره. آثارش در رویدادهای مهم دنیا به نمایش درآمده، از جمله اکران در سازمان ملل، و برای «فصل کرگدن» جایزه بهترین جلوه‌های ویژه جشنواره آسیا پاسیفیک رو گرفته.فراتر از سینما، موزیک‌ویدیو و کمپین‌هایی برای هنرمندانی مثل آرش، اسنوپ داگ، پیتبول و تی‌پین ساخته و همیشه هنر و تکنولوژی رو به شکل‌های خلاقانه در هم آمیخته.در این گفت‌وگو از مسیرش گفتیم؛ از روزهای خلاقیت زیرزمینی تهران تا شناخته‌شدن جهانی، تحول روایت تصویری، و نقشی که هوش مصنوعی می‌تونه در آینده فیلم‌سازی داشته باشه.Sponsorحامی این قسمت، لیموهاسته. یه سرویس قابل‌اعتماد برای هاست، سرور و دامنه که خیلی از استارتاپ‌ها و کسب‌وکارهای آنلاین ایرانی ازش استفاده می‌کنن. https://limoo.hostTabaghe 16اطلاعات بیشتر درباره پادکست طبقه ۱۶ و لینک پادکست‌‌های صوتی https://linktr.ee/tabaghe16#پادکست #طبقه۱۶ Hosted on Acast. See acast.com/privacy for more information.

Jon Schwartz is a dynamic filmmaker with a knack for technical precision, blending creativity with collaboration. His work reflects a deep respect for the filmmaking process, emphasizing the importance of teamwork and adaptability. His dream project is a fingerboarding,  specifically a tech deck commercial using motion control, probe lenses, and cloning techniques to create an "insane" and highly creative commercial. FILMMAKER RETREAT JOSHUA TREE '25 Thursday, September 25th – Sunday, September 28th, 2025. Limit 15 Filmmakers. This will be our 4th year and it's so special, I'd prefer to jump on the phone with you and tell you more. Every year since our first, filmmakers have come back. Pretty much says it all. SIGN UP! ONLINE FILMMAKING COURSES - DIRECT WITH CONFIDENCEEach of my online courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details. Want to level up your commercial directing game? MAGIC MIND - MY MENTAL PERFORMANCE EXILIR - SAVE w BRADY20Save hugely on Magic Mind with this link. — This link is the way.  Thanks, Jordan My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital. I've decided to donate the LIFETIME earnings every December, so the donation will grow and grow annually. Thank you. "Respect The Process" podcast is brought to you by Commercial Directing FIlm School and True Gent, aka True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.

#LandWars #ListeningToBuildChange #TraditionVersusModernization The Real Yellowstone Film: Click here Bards Nation Health Store: https://www.bardsnationhealth.com MYPillow promo code: BARDS Go to https://www.mypillow.com/bards and use the promo code BARDS or... Call 1-800-975-2939.  Founders Bible 20% discount code: BARDS >>> https://thefoundersbible.com/#ordernow Mission Darkness Faraday Bags and RF Shielding. Promo code BARDS: Click here EMPShield protect your vehicles and home. Promo code BARDS: Click here EMF Solutions to keep your home safe: https://www.emfsol.com/?aff=bards Treadlite Broadforks...best garden tool EVER. Promo code BARDS: Click here Natural Skin Products by No Knot Today: Click here Product Store, Ambitious Faith: Click here Support Pete Chambers Team: https://theremnantministrytx.org WNC Mountain Ops: https://baldguybrew.com DONATE: https://store.bardsnation.com/donate/ Mailing Address: Xpedition Cafe, LLC Attn. Scott Kesterson 591 E Central Ave, #740 Sutherlin, OR  97479

This week on The Treatment, Elvis speaks with director Matt Shakman about his newest Marvel Cinematic Universe project, The Fantastic Four: First Steps. Then, Pee-wee as Himself  director Matt Wolf stops by to discuss his Emmy-nominated HBO documentary about the late actor Paul Reubens. And on the Treat, director Eli Roth pays tribute to his late mentor.   

Buckle up, Crazy Ants! This week's episode of ITCAF is an absolute pop-culture rollercoaster that's breaking more headlines than a Marvel post-credits scene!Logan and Dustin kick things off with breaking SAG-AFTRA news! Fran Drescher is out, Sean Astin is in the race, and the union is gearing up for another showdown with the AMPTP. Streaming residuals, AI protections, health benefits; it's about to get spicy in Hollywood labor politics again.Then… award season has officially fired the starting pistol! The Oscars are rolling out digital screeners early, giving indie films a fighting chance, and we're diving into how this could shake up the Best Picture race.From there, the guys swing into the Marvel multiverse — “Fantastic Four: First Steps” blasted off to big bucks but is now crashing back to earth and struggling to reclaim MCU glory, “Freakier Friday” and “Weapons” are in hot pursuit, and Disney just announced Hulu will be fully folded into Disney+ by 2026. Oh, and Lin-Manuel Miranda's Hamilton is finally hitting theaters; time to grab those tickets!We've also got Star Wars bombshells! Matt Smith joins the galaxy far, far away, and Lucasfilm patches things up with Gina Carano in a jaw-dropping turn of events. Meanwhile, James Gunn's next Super-Family movie is officially a go, Matt Reeves' The Batman Part II finally has a start date, and Final Destination 7 is coming for us all.Plus: Paramount's massive $8 billion Skydance merger, “Wicked: For Good” teases its next act, Netflix drops “Wednesday” Season 2, Spider-Punk swings into his own movie, and Brad Pitt's “F1” is racing back into IMAX for another victory lap.It's chaos. It's Hollywood. It's the episode you cannot miss.Watch/Listen to it now, and let's get crazy!Chapters: News Tease 0:00Intro Music 1:25Show Open 1:45SAG-AFTRA News 3:15Oscars News 6:47Disney News 10:09Warner Bros News 31:07Paramount News 44:23NBC Universal News 49:15Sony News 53:23Lionsgate News 55:30Netflix News 57:38Apple TV Plus News 1:01:06Top 5 Favorite All-Time Film From Major 5 Studios 1:04:45Box Office 1:23:50IMDb Pro Top Trending 1:25:37Goodbyes 1:25:50Follow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

Google DeepMind's Genie 3 stole the show this week with its persistent world generation, outshining OpenAI's underwhelming GPT-5 release. Join Joey and Addy as they break down how Genie 3 creates navigable AI worlds with accurate physics and memory—allowing users to paint a wall, walk away, and return to find their changes intact. Plus: ElevenLabs' music generator, Houdini 21's VFX updates, Lightcraft's new tools for indie filmmakers, and the ongoing ethics debate around Grok Imagine's controversial NSFW capabilities.---The views and opinions expressed in this podcast are the personal views of the hosts and do not necessarily reflect the views or positions of their respective employers or organizations. This show is independently produced by VP Land without the use of any outside company resources, confidential information, or affiliations.

Mark is joined by Nick and Chazzee for an extra special episode where they listen to, and talk about, some of their favourite pieces of video game music. You can find additional content by us over on the LGR website at www.lapsedgamer.com and you can get in touch with us via Twitter at https://x.com/lapsedgamer or on the infinitely less awful Bluesky at https://bsky.app/profile/lapsedgamer.bsky.social You can also see our videos over on YouTube at http://www.youtube.com/channel/UCAGtlQOKR97vqxhyXekAVwg Our streams can be seen at Twitch.tv/LapsedGamer The Lapsed Gamer Radio Team created this episode. Edited by Mark Hamer Original LGR themes, FX and music cues created and composed by Mark Hamer. Additional music used in this episode: “Valor” — Sarah Schachner (Anthem) “A Cup of Liber-tea (Main Theme)” — Wilbert Roget, II (Helldivers 2) “Halo Theme Mjolnir Mix” — Martin O'Donnell & Michael Salvatori (Halo 2) “Nilin the Memory Hunter (feat. Philharmonia Orchestra)” — Olivier Deriviere (Remember Me) “The Final Battle” — Tsukasa Saitoh (Elden Ring) “Flying Waters – Rain from the Ground” — Lorien Testard (Clair Obscur: Expedition 33) “World Map – In Lumière's Name” — Lorien Testard (Clair Obscur: Expedition 33) “Grandma (Destruction)” — Kuniyuki Takahashi (NieR:Automata) “Valse di Fantastica” — Yoko Shimomura (Final Fantasy XV) “The Fairyground” — Joe Hisaishi (Ni no Kuni) “Mummy's Tummy” — Joe Hisaishi (Ni no Kuni) “Tears” — HEALTH (Max Payne 3) “Rip & Tear” — Mick Gordon (DOOM) “Quake Theme” — Nine Inch Nails (Quake) “Sync” — Disasterpeace (FEZ) “Glitch” — Disasterpeace (FEZ) “Main Theme” — Louis.F (Balatro) “Go Straight” — Yuzo Koshiro (Streets of Rage 2) “Spin on the Bridge” — Yuzo Koshiro (Streets of Rage 2) “Crypteque” — Danny Baranowsky (Crypt of the Necrodancer) “Megalovania” — Toby Fox (Undertale) “Pac Rainbow” — Hiroshi Okubo; Hiroyuki Kawada; Junko Ozawa (PAC-MAN Championship Edition DX) “Overworld Combat” — Danny Baranowsky (Cadence of Hyrule) “The Battle of Lil' Slugger (Ch 1 Boss)” — Danny Baranowsky (Super Meat Boy) “Connected (Yours Forever) [In-Game Mix]” — Hydelic (Tetris Effect) “Children of the Omnissiah” — Guillaume David (Warhammer 40K: Mechanicus) “Uncharted Worlds” — Jack Wall (Mass Effect) “6.24” — Danger (Furi) “Appassionato” — Hidenori Shoji, Yuri Fukuda, Chihiro Aoki, Saori Yoshida (Yakuza: Like a Dragon) “Normal Battle Theme” — Yoshiaki Fujisawa (Tokyo Mirage Sessions) “Level 1 – Intensity 3” — Finn Idris, Filmmaker, and Thomas Scott (Kill Knight) “The Exalted” — Darren Korb (Hades) “God of the Dead” — Darren Korb (Hades) “The Fanatic” — Skye Lewin & Michael Salvatori (Destiny 2: Forsaken) “Wake Up, Get Up, Get Out There” — Shoji Meguro (Persona 5) “Last Surprise” — Shoji Meguro (Persona 5) “Burnin' Rubber” — Hiroshi Okubo (Ridge Racer Type 4) “Pearl Blue Soul” — Hiroshi Okubo (Ridge Racer Type 4) “Inner Animal” — Scattle (Hotline Miami) “Hydrogen” — M.O.O.N. (Hotline Miami) “Raphael's Final Act” — Borislav Slavov (Baldur's Gate 3) “The Phantom of the Bwahpera (Act 1 & Act 3)” — Grant Kirkhope (Mario + Rabbids Kingdom Battle) “Still Alive” — Jonathan Coulton (Portal) “Want You Gone” — Jonathan Coulton (Portal 2) “The Poet and His Muse” — Old Gods of Asgard (Alan Wake) A full playlist of the songs used in this episode can be found here: https://youtube.com/playlist?list=PLb8WvITv5DOFykMC6Hgo9v2xw5klg-6Y7&si=8CeD3kBR0MX2EWKo  Logos created by Mark Reay. You can stream or directly download our episodes via our Podbean homepage https://lapsedgamerradio.podbean.com If you're enjoying our content, please subscribe to and review Lapsed Gamer Radio on Apple Podcasts.

Carlos Sandoval is a filmmaker and writer who has been a vital part of the East End community for over three decades. In this episode of Behind The Headlines, Joe and Bill welcome him to reflect on his time on the East End as he prepares to leave the area for a new stage of life. Sandoval talks about the evolution and shifts that he's seen in the East End Latinx community, being a complex combination of increased acceptance and intolerance. He shares his insights on the challenges and future outlook for the community, emphasizing the importance of storytelling and history in understanding the Latino experience.This week's panel is:Joe Shaw, Executive Editor at The Express News GroupBill Sutton, Managing Editor at The Express News GroupDenise Civiletti, Editor & Publisher at RiverheadLocalBeth Young, Editor & Publisher at the East End Beacon Carlos Sandoval, Filmmaker and Express News Group contributor ------ WLIW-FM is community media for Eastern Long Island. Donate to WLIW-FM here. Download the WLIW-FM app so you never miss a beat! for Apple devices | for Android devices

"Rebel Ridge" is a 2024 American action thriller film written, produced, directed, and edited by "Blue Ruin" and "Green Room" filmmaker Jeremy Saulnier. The film stars Aaron Pierre as Terry Richmond, a former Marine, who has the funds needed to post bail for his cousin, unjustly seized via civil forfeiture by a small town's corrupt police force. Netflix released the film to positive critical reviews, and it won Best Movie Made for Television at the 30th Critics' Choice Awards. Saulnier was kind enough to spend a few minutes speaking with us about his experience making the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix and is up for your consideration for the 77th Primetime Creative Arts Emmy Awards, where it's nominated for Outstanding Television Movie. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

We’ve all imagined holding a winning lottery ticket, but what happens next? Hear from a man known as The Lottery Lawyer, who shares the most common mistakes people make when trying to claim their winnings. Plus, a man who scored a $28 million Powerball jackpot at just 21 years old reveals what life was like after the win—the highs, the surprises, and some challenges you might not expect. This episode originally aired on October 26, 2024. Suggested episodes: Aftershocks: Life after getting struck by lightning Welcome to the Punderdome! We're entering NYC's punniest pun competition The Guts & Glory Of Getting Into The Guinness Book Of World Records What it's like to win a Nobel Prize with Andrea Ghez and Martin Chalfie GUESTS: Kurt Panouses: ‘The Lottery Lawyer & CPA’, specializing in helping lottery winners claim their prizes and manage their money Timothy Schultz: Winner of a $28 million Powerball jackpot in 1999. Filmmaker, and host of the podcast, “Lottery, Dreams and Fortune” Support the show: https://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Award-winning Hong Kong filmmaker Adam Wong 黃修平 spoke with me for #CarolynTalks about his new dramatic feature, THE WAY WE TALK 看我今天怎麼說,, about a trio of deaf young adults, Sophie, Wolf, and Alan learning to navigate a world where they face discrimination, roadblocks, and disapproval in their personal and professional lives. #TheWayWeTalk #看我今天怎麼說 stars Neo Yau 游學修, Chung Suet Ying 鍾雪瑩, and Marco Ng 吳祉昊 , and was co-written by SeeKing, 1000springs, and Ho Hong 何康 .#HongKongFilm #Interview #Podcast #Deaf #Cantonese #SignLanguageThe film is produced and distributed by @illume_films and @OneCoolFilmProduction Find me on Twitter and Instagram at: @CarrieCnh12paypal.com/paypalme/carolynhinds0525My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #KCrushVisit Authory.com/CarolynHinds to find links to all of my published film festival coverage, writing, YouTube and other podcasts So Here's What Happened!, and Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

For the Canadian premiere of his period drama RIVER RETURNS 光る川 filmmaker Masakazu Kaneko 金子雅和 spoke with me about working with his young lead actors Asuka Hanamura, Yo Aoi, Sanetoshi Ariyama, and using the traditional Japanese visual storytelling artform of Kamishibai to tell a time traveling folktale of honoring traditions and nature rather than sacrificing them for modernisation.#光る川 #CarolynTalks #JapaneseFilm #Interview #RiverReturns premiered at the 2025 Toronto Japanese Film Festival hosted by @JapaneseCanadianCulturalCentreInterpreting for the interview was conducted by by Aki Takabatake, CEO of Momo Films Inc. *Trailer credit @NipponConnectionTV Find me on Twitter and Instagram at: @CarrieCnh12paypal.com/paypalme/carolynhinds0525My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #KCrushVisit Authory.com/CarolynHinds to find links to all of my published film festival coverage, writing, YouTube and other podcasts So Here's What Happened!, and Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

In this Greatest Hits episode of Getting to Aha!, Darshan Mehta is joined by Greg Segal, a writer/director, and producer. Join them as they discuss Greg's journey from lawyer to filmmaker, the value of contemplating life choices, and his involvement in producing vertical movies for platforms like TikTok.

Filmmaker Lisa D'Apolito joins Mark Gordon Center Stage to discuss her new documentary Shari & Lamb Chop, exploring the life, career, and lasting legacy of beloved ventriloquist Shari Lewis and her iconic sock puppet sidekick.

"My Mother's Wedding" is a comedy-drama film directed by Kristin Scott Thomas from a screenplay she co-wrote with John Micklethwait. It stars Scott Thomas alongside Scarlett Johansson, Sienna Miller, Emily Beecham, Freida Pinto, and Thibault de Montalembert. It tells the story of three sisters who return to their family home to attend the wedding of their twice-widowed mother. Scott Thomas was kind enough to spend a few minutes speaking with us about her experience making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on August 8th from Vertical. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Vronsky is a Canadian historian, true crime author, and filmmaker specializing in serial killers and criminal history. He has extensively interviewed serial killer Richard Cottingham, also known as the "Torso Killer," and has worked on uncovering Cottingham's previously unknown crimes, contributing to cold-case investigations and appearing in related documentaries like Netflix's Crime Scene: The Times Square Killer.https://linktr.ee/Unforbiddentruthhttps://www.petervronsky.org/Become a supporter of this podcast: https://www.spreaker.com/podcast/unforbidden-truth--4724561/support.

DIMENSIONS: The Interrogation, 8min., USA Directed by Robert James Harden Jr. During an interrogation for the murder of his mother, a man pleads for his release in fear of his life. Two special detectives grill him in order to solve their case. In the shadows of these men's dimension, the answers to all their mysteries live. https://instagram.com/dimensions_revealed https://www.wildsound.ca/videos/audience-feedback-dimensions Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Filmmaker and performer Owen Kline joins us to talk about Joseph Cates' psychosexual exploitation film Who Killed Teddy Bear, ahead of the new restoration's theatrical run at Film Forum in New York. We got into Cates' TV career, Sal Mineo's performance, ventriliquism, and a lot more. See Teddy Bear at Film Forum, August 8-14 on a new 35mm print of the never-before-seen director's cut: https://filmforum.org/film/who-killed-teddy-bear Join us on patreon for $5/mo an extra episode every week: patreon.com/extended_clip Subscribe to my blog: vintageviolence.substack.com/clipped

From 1999- more from Michael Schumacher, talking about his book "Francis Ford Coppola: a Filmmaker's Life." Earlier this year, Coppola became the 50th person to receive the Life Achievement Award from the American Film Institute.

Steve welcomes filmmaker, paranormalist and founder of the Heritage Hunters Society, Michael La Chiana to discuss Electronic Voice Phenomena. Find Michael on the web: https://www.facebook.com/HeritageHuntersSociety and https://www.youtube.com/@heritagehunterBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

The Strange Case of the VANISHING FILMMAKER in the WoodsBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Guest: Stephen Z. Berkley (Stevie), Filmmaker of “Life With Ghosts.”Full Notes: Life With Ghosts with Stephen Berkley Episode 147Stephen Z. Berkley, aka, Stevie has spent thirty years in media wearing multiple hats—everywhere from writing marketing materials to negotiating legal agreements. His most recent enterprise is Life With Ghosts, his first fully self-produced feature film, alongside a podcast, TEDx Talk, and courses it has inspired. Life With Ghosts is the culmination of a seven-year investigation into the nature of love, loss and after-death communication offering insight and hope to those wonder about what comes next. FULL BIO + SHOW NOTESJoin our Science + Spirituality CircleHost or Attend a Science + Spirituality SalonBuy the books: ⁠⁠WTF Just Happened?! SeriesFollow Stephen Berkley: Website | Instagram | YouTube Forever Family Foundation WebsiteLink to the Parents Only Grief Retreat⁠⁠⁠Buy me a coffee⁠⁠⁠⁠ |⁠⁠ ⁠⁠WTF Just Happened Books⁠⁠ | ⁠⁠⁠⁠Science + Spirituality Salons⁠⁠ |⁠⁠⁠⁠Newsletter ⁠⁠⁠ |Patreon 

When a mute young man seeks to escape into the wilderness, he quickly realizes he's not suited to survive on his own. To adapt, the young man begins to embody a feline, finding solace in a blind man's home, someone also seeking connection and comfort. Together, the pair forge an unconventional path towards tenderness and intimacy, where the mute young man begins to forget his human identity altogether. Kam Fai Leung's 'Save My Soul' is a unique commentary on the war of loneliness and the feeling that one must change to receive love. Leung joins the VIFF Podcast to talk plot, production, and the Hong Kong indie film scene. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

In this episode, the hosts interview Wayne Byrne, the author of 'You Can't Kill the Boogeyman,' a book about the Halloween movie franchise. Wayne discusses the inspiration behind choosing Halloween as the subject, his personal connection to the films, and the extensive research involved. He highlights the unique contributions of various filmmakers and artists in the franchise, the impact of Halloween on his life, and the evolving cultural significance of the movies. The conversation also touches on Wayne's upcoming projects and his experiences within the film industry. 00:00 Introduction and Guest Announcement 00:21 Discussing the Book Release 01:26 Wayne Byrne's Writing Journey 03:54 Early Memories of Halloween 05:56 The Influence of Halloween on Wayne's Career 07:42 Research and Interviews for the Book 09:27 Synthesizers and Film Music Evolution 12:15 Halloween Franchise and Filmmaking Insights 23:58 Balancing Affection and Analysis 31:12 Rediscovering the Halloween Movies 32:30 Zombie Movies and Filmmaking Challenges 33:12 Revisiting and Appreciating Horror Films 34:13 Insights from Filmmakers and Cinematographers 35:22 Rob Zombie's Halloween: A Dark Masterpiece 37:45 The Evolution and Nostalgia of the Halloween Franchise 41:04 Personal Reflections on Horror and Filmmaking 47:06 Upcoming Projects and Future Plans 52:26 Concluding Thoughts and Final Remarks Learn more about your ad choices. Visit megaphone.fm/adchoices

"Sketch" had its world premiere at the 2024 Toronto International Film Festival (TIFF), where it received positive reviews for its premise, visual effects, and performances from the cast. It tells the story of a widowed father (Tony Hale) of two who is struggling to help his children Jack (Kue Lawrence) and Amber (Bianca Belle) come to terms with the death of their mother; however, one day the sketch book in which Amber has been drawing visual representations of her grief accidentally gets dropped in a magical pool, resulting in the neighborhood becoming terrorized by strange monsters made of crayon wax and chalk dust. Director/writer Seth Worley, along with stars Tony Hale, D'Arcy Carden, Bia Belle, and Kalon Kox, were all kind enough to spend some time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Angel Studios. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

I had Marc Sternberg on today, and it was a very interesting podcast, a little different than what I normally do. Marc contacted me, wanting to interview me for the documentary he's working on titled "Cowgirls: The Women of Western Art."Marc had seen a show that was about cowgirl art at Western Spirit: Scottsdale's Museum of the West, and he was wondering why an exhibit focusing on women was separated from everything else. He just didn't understand why it had to be an entirely separate exhibit. That experience led him down this rabbit hole of women in Western art and he jumped in head first as any inquisitive creative person does when they get that nugget of information that really makes them invested in something new.  Marc goes "Well, I think maybe I should do a documentary on it." So he's working on this film now and he's interviewing some of the top women in the Western art space.Like I said, it's a little different because he wanted to interview me and I wanted to interview him. So we just kind of interviewed each other. You get this great talk about the film and what he's doing and what he's hoping to accomplish. Then I flip it on it's side and let him interview me on questions that he has that are pertinent to his documentary.So it's an interesting podcast that covers a lot of ground. Not only cowgirl art, but women artists in general. But I had a great time, very fun and, you know, I think if you are interested in this dialog, you will find it fascinating.Watch the trailer for "Cowgirls: The Women of Western Art" here:https://vimeo.com/1100188514

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On May 29, 1997, Jeff Buckley drowned in Wolf River, Memphis, Tennessee, just as he was preparing to record the follow-up to his critically acclaimed debut album, Grace. He was only 30 years old. In the time since his tragic death, his legacy has only grown, and the music remains a unique testament to his singular voice and songwriting talent. Director Amy Berg (West of Memphis, Janis: Little Girl Blue), talks to us about her moving and emotional new documentary It's Never Over, Jeff Buckley, which has its theatrical debut this week. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends    

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Three S3conds, 16min., USA Directed by Diana Shield Arlo, a 17 year old boy struggles to open up and express himself to his counselor. He is haunted by his past actions due to his inability to control his rage and anger issues. https://www.instagram.com/galacticbutterflyfilms Get to know the filmmaker: What motivated you to make this film? My husband and I enjoy going on walks, driving long distances and we noticed people's lack of patience at a Stop sign or red light. We talked about three seconds waiting for an individual to cross the road. This is all it takes to cease all movement from a vehicle. So we noticed a growing trend of people not coming to a complete stop or taking a red light. And it happens across a lot of major cities. But one day two young men were crossing and the driver clipped one of them. They both began shouting at the driver of the vehicle who did not stop. Luckily the young man was not hurt, his backpack was struck with the vehicle. From the idea to the finished product, how long did it take for you to make this film? I would say about three months. However once we got our DP, everything moved quickly. How would you describe your film in two words!? Intense, provoking. What was the biggest obstacle you faced in completing this film? Nothing, we were lucky enough to have it completed. We had great support and were surrounded by talented individuals. What were your initial reactions when watching the audience talking about your film in the feedback video? They said wonderful things about the film and the message got across clearly. I appreciate the feedback with sound, pacing, cinematography and acting. These were all elements we concentrated on and worked extensively. It makes one feel heard and seen. Stories are important and impactful, I want people to leave thinking about the story, I want it to resonate. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Send us a textWhat defines the greatest films of our still-young century? When The New York Times published their reader-selected Top 100 Films of the 21st Century, we couldn't resist diving into this cultural touchstone that had over 200,000 cinephiles weighing in on what matters most in modern cinema.With Bong Joon-ho's "Parasite" claiming the top spot and Christopher Nolan dominating with five entries (including both "Interstellar" and "The Dark Knight" in the top 10), the list reveals fascinating patterns about what resonates with today's audiences. We explore the international appeal of the selections, from "Spirited Away" at #8 to "In the Mood for Love" at #12, while questioning the noticeable absence of Black filmmakers like Spike Lee and the limited representation of female directors.The conversation takes unexpected turns as we debate which films deserve higher placement (could "Portrait of a Lady on Fire" crack the top 10?), which should be removed entirely (does "Everything Everywhere All at Once" belong at #13?), and what crucial omissions we'd add to create a more representative canon. From questioning the recency bias that elevates new releases like "Oppenheimer" and "Dune Part Two" to lamenting the underrepresentation of horror and comedy, we offer our unfiltered takes on what this list gets right and wrong.Whether you're a casual moviegoer or a dedicated cinephile, this episode provides both a roadmap for essential viewing and a framework for thinking critically about what makes a film truly stand the test of time. Join us for this passionate celebration and critique of the films that have defined our century so far – and let us know which rankings you'd fight to change!Support the show

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Ghislaine Maxwell has repeatedly claimed that she ceased all association with Jeffrey Epstein sometime in the early 2000s, often citing vague timelines that conveniently place her exit just before the most public aspects of his legal downfall. She's maintained that their romantic relationship had ended and that any remaining contact was minimal or purely logistical. However, this narrative has come under heavy scrutiny, particularly given the abundance of evidence showing that Maxwell continued to travel with Epstein, appear in photos with him, and remain deeply entangled in his financial and social networks well after their supposed split. Flight logs, emails, and witness testimonies have all contradicted her version of events.Maxwell's timeline appears crafted more to shield herself legally than to provide an honest account of her involvement. It strains credibility to believe that someone so central to Epstein's operations simply faded into the background while his trafficking ring continued in full force. Survivors have testified that Maxwell remained an active participant in the grooming and abuse well into the mid-2000s, and multiple documents place her at Epstein properties years after she claims to have cut ties. Her insistence that she was unaware of the crimes or had distanced herself by the time they escalated doesn't align with the documented reality—and it looks increasingly like a calculated attempt to rewrite her own role in the narrative.to contact me:bobbycapucci@protonmail.comSource:https://www.dailymail.co.uk/news/article-8643317/Filmmaker-spotted-Jeffrey-Epstein-Ghislaine-Maxwell-dining-Palm-Beach-late-2016.htmlBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Thom Powers, a renowned documentary programmer for the Toronto International Film Festival (TIFF), former artistic director of DocNYC, and host of the “Pure Nonfiction” podcast, delves into his journey from filmmaker to influential festival curator. Thom shares behind-the-scenes details about programming films like “The Bibi Files,” directed by Alexis Bloom, and Rebecca Huntt's “Beba,” highlighting the unique power of documentaries to engage audiences. Thom emphasizes the importance of community within the filmmaking ecosystem, explores the nuanced selection process at major film festivals, and candidly reflects on the future challenges and opportunities facing documentary distribution today. Thom also reveals his all-time favorite documentary, the 1989 Oscar-winning “Hotel Terminus: The Life and Times of Klaus Barbie,” directed by Marcel Ophuls. This conversation is a true masterclass for filmmakers eager to understand how documentaries find their audience and why curators like Powers are pivotal in shaping the documentary landscape.Listen on Spotify, Apple Podcasts, iHeart, and at pastpresentfeature.comWhat Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

Filmmaker and myth-weaver Ben Stewart joins us to explore story as an ancient technology that shapes culture, belief, and our sense of reality. We question illusions of power and reclaim the truth that each of us holds more influence than we've been taught, inviting you to trust what your soul is called to and own your right to believe.Connect with Ben:The Soul of FilmmakingInstagramConnect with Cal:InstagramTikTokFacebookYouTubeWebsiteSponsors:BERSKI: Use code UNLEARN for the best holistic, nutrient-dense meat sticks in the gameCheck out all of the amazing discounts from our Sponsors

Doc director Arthur Jones (Feels Good Man, Antisocial Network) is a '90s indie rock guy, just like George, so they tackle these two parallel docs. Our first in-person episode in a few years (most recent was Rodney Ascher in 2021), Arthur and Giorgio Angelini were in-person in March 2020 to discuss Feels Good Man.PAVEMENTS (Alex Ross Perry, 2024) is a hybrid docufiction about the UR-slacker band from Stockton that took the indie world by storm. Perry combines standard music doc tropes with a meta-biopic, meta-musical theater show, and meta-faux-museum exhibit, to meta-success. George and Arthur go deep on living through the irony-poisoned '90s, Malkmus as Fauntleroy, Stockton as the birthplace of Universal Basic Income in America, and Don DeLillo's White Noise.KIM'S VIDEO (David Redmon, Ashley Sabin, 2023) Korean immigrant Yong-man Kim starts a chain of video stores in New York, including a lot of bootlegs and underground film and music. The times catch up as they inevitably do with media retail, and the stores all close. Who will house this one-of-a-kind collection of VHS and DVDs? How do they end up in Salemi, Sicily, and what will be their fate? Director Redmon takes an investigative approach that is surprisingly gonzo and, like the best docs, does not end up where you think it will.Both docs are currently available to stream on MUBI.Arthur Jones is best known for making documentary films but enjoys working across a variety of disciplines.He directed the award-winning documentary film Feels Good Man (2020) and co-directed The Antisocial Network, Netflix (2024). Both of these movies are deeply researched true stories that explore how the internet has made us all a little crazier. Each is visually inventive and filled with unique motion graphics.In addition to working as a director, he freelances as a graphic designer, illustrator, editor and animator. He completed design and motion work for the upcoming doc features Go Deep (Amazon Prime, HyperObject Industries) and Have You Seen Me Lately (HBO Documentary, Ringer Films) and edited Joe Mande's comedy special CHILL (Hulu).Arthur has guest lectured at colleges and universities on a variety of subjects, including the history of conspiracy theories, internet memetics, online extremism and non-fiction filmmaking. He write essays, illustrate articles and record podcasts at the substack Brainworms U.S.A.Michael Stubbs HBO doc Stockton On My MindStephen Malkmus SiriusXM guest DJ mixKarina Longworth 2012 story on Kim's Video from The Village VoiceAudio edited by Arthur Jones.Sup Doc on social mediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

TEA TIME, 9min., USA Directed by B.T. Goldman A detective interrogates a strange elderly Englishman about a missing person in his neighborhood. https://www.instagram.com/cybereggproductions/ https://www.instagram.com/b.t.goldman/ Get to know the filmmaker: What motivated you to make this film? I hadn't directed a project of my own in over a year, and I was at a wrap party for a short film that I was an extra in (SPRINKLES, directed by the Andrew Korzenik, written by Riley Stockard, and produced by Sky Mattioli, all great talents). I tend to be off in my own world a bit at parties, and the image of a wild, tuxedo-laden man forcing tea on a guest at a table in an empty room came into my head. It was kind of out of nowhere, and seemed like a really simple, filmable idea for an unsettling story. It was an eerie, but also amusing to me since I grew up with an English father (who naturally was cast as the Englishman in this film). From the idea to the finished product, how long did it take for you to make this film? I initially had the idea around September 2023, we filmed in February 2024, and I had the final edit in December 2024, so it was a total of about 15 months from conception to completion. How would you describe your film in two words!? Uncomfortably funny. What was the biggest obstacle you faced in completing this film? It was probably the audio editing. It really felt like everything came together fairly easily, everyone who worked on the film is a close friend or relative. Eric Alcaraz, our incredible cinematographer, is well educated in audio engineering and really saved me with that when I was editing. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Please note that the ideas expressed in this lecture do not necessarily represent the views of L'Abri Fellowship.For more resources, visit the L'Abri Ideas Library at labriideaslibrary.org. The library contains over two thousand lectures and discussions that explore questions about the reality and relevance of Christianity. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit englishlabri.substack.com

Peter McDowell joins Rick Kogan to talk about his film, ‘Jimmy in Saigon’. Peter dives in on the true meaning of the film and his family’s reaction to the idea of making a film about his late brother. Screening for the film is Friday, August 22nd at 7pm and Sunday, August 24th at 6pm at […]

In this episode of the Que Bola podcast, I had the pleasure of sitting down with the talented filmmaker and music video director, Mr. Michael Garcia. We kicked off the conversation with a light-hearted exchange about the podcast setup, particularly the absence of headphones, which Michael appreciated as it allowed for a more personal connection during our chat. Michael shared his philosophy on creativity, emphasizing the importance of not taking oneself too seriously as an artist. He believes that maintaining a sense of fun and chaos is essential to preserving one's edge in the creative field. We delved into his early days as a filmmaker, discussing the struggles of starting out broke and hustling to find clients. Michael recounted how his passion for film was ignited by childhood memories, such as watching Michael Jackson's "Thriller" and experiencing the cinematic magic of "Purple Rain." As we explored his journey, Michael revealed the lengths he went to in order to create his projects, including a clever yet risky strategy of buying and returning cameras to complete his work. He recounted his early experiences shooting music videos for local artists, often losing money in the process but driven by a blind belief in his potential to succeed. We discussed the significance of the relationships and experiences he gained through filmmaking, highlighting how the memories made during projects often outweigh the final product itself. Michael shared stories of his travels to various countries for shoots, emphasizing the unique experiences and friendships he formed along the way. Transitioning into the technical aspects of filmmaking, Michael explained how he initially got his start as a production assistant, learning from industry veterans while honing his craft. He recounted a pivotal moment when he was offered the chance to direct a music video for Kodak Black, which unexpectedly skyrocketed his career. The success of that video opened doors to numerous opportunities, leading to collaborations with major artists and record labels. We also touched on the evolving landscape of music videos and the impact of platforms like TikTok on the industry. Michael expressed his thoughts on the importance of making artists look cool and the challenges of adapting to new trends in content consumption. As our conversation progressed, we explored the differences between directing music videos, documentaries, and feature films. Michael emphasized the importance of storytelling and character development in film, contrasting it with the more visual and stylistic approach of music videos. Throughout the episode, Michael's passion for filmmaking and storytelling shone through, as he shared insights into the creative process, the business side of the industry, and the ever-changing dynamics of content creation. This episode is a must-listen for aspiring filmmakers, music video directors, and anyone interested in the art of storytelling through visual media.

Jacob Friefeld, of the University of Illinois - Springfield, joins Ben Jones on this edition of History 605 to discuss the life and work of Oscar Micheaux.

On this week's hyphenate halftime Randy and Arron discuss last week's conversation with Filmmaker/ artists Alicia J Rose and her latest project Menopunks.

This week, Aaron and Leyla enter the Coast Zone to accommodate unforseen events in their lives and watch The Hunger Games! Join us for a discussion of the YA sledgehammer, brooding 25-year-old teenagers, and God's most indecipherable camerawork.  Jen Wang, 'The Prince and the Dressmaker' - https://www.barnesandnoble.com/w/the-prince-and-the-dressmaker-jen-wang/1125855916 --- Our theme song is "Obsolete" by Keshco, from the album "Filmmaker's Reference Kit Volume 2." Our other projects: Aaron's TTRPGs Aaron's TTRPG Reviews aavoigt.com

Is John Goodman the devil? Is the studio system good, actually? Is it better to be the director of a bomb than it is to be the director of a film that doesn't exist? Filmmaker (and part of a DGA-sanctioned directing duo) Chris Weitz joins us to talk about Barton Fink, possibly the greatest film ever made about the “art vs. commerce” divide inherent to the movie business. It's not easy to make a picture, folks. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices