Podcasts about stravinsky

durée : 00:04:29 - Musique matin - par : Max Dozolme - Partons à la découverte de la partition que Jerry Goldsmith écrit pour ce film culte de Ridley Scott. Une bande originale qui se souvient de Debussy et Stravinsky et qui laisse même une petite place à une célèbre musique de nuit signée Mozart ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Join The Revd Steve Morris, Associate Priest of St Bride's, and St Bride's Choir for this week's reflection in words and music. This week's reflection begins in joyous mood with a setting of the Gloria by Jonathan Dove from his 'Missa brevis' – commissioned by the Cathedral Organists' Association in 2009. It is a spirited, lively dance, rhythmically reminiscent of Stravinsky. Our associate priest, Steve Morris, begins his reflection with the admission that he is from a family of people not very good at sitting still. We end with the hymn "Teach me, my God and King" – words by the great 17th century English priest and poet, George Herbert. A new episode of this online act of worship is released every Sunday morning. Information about our weekly Sunday services in St Bride's of Choral Eucharist at 11am (https://www.stbrides.com/worship-music/worship/regular-services/choral-eucharist/) and Choral Evensong at 5:30pm (https://www.stbrides.com/worship-music/worship/regular-services/choral-evensong/) can be found on the website. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. SUPPORT ST BRIDE'S ================== We are hugely grateful for people's generosity which we wholly rely on to continue our work, maintain our wonderful architectural heritage and support world-class music-making. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet

durée : 00:25:02 - Les Nuits de France Culture - par : Albane Penaranda - Une promenade autour de la fontaine Stravinsky à Paris en 1983, en compagnie du sculpteur suisse Jean Tinguely et du journaliste Pierre Descargues pour " Les après-midi de France Culture". - réalisation : Virginie Mourthé - invités : Jean Tinguely Artiste sculpteur suisse

durée : 00:04:27 - Musique matin - par : Max Dozolme - De la simple citation à la transcription, notre hymne "La Marseillaise" intéresse les compositeurs de musique classique. Petit tour d'horizon avec Schumann, Berlioz, Stravinsky, Liszt, Debussy, Satie... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

David Robertson is a rare conductor who unites avant-garde complexity with accessibility. After serving as music director of the Ensemble Intercontemporain, Pierre Boulez's storied contemporary-music ensemble, he went on to rejuvenate the St. Louis Symphony. Robertson combines a fearless approach to challenging scores with a deep empathy for audiences. Tyler and David explore Pierre Boulez's centenary and the emotional depths beneath his reputation for severity, whether Boulez is better understood as a surrealist or a serialist composer, the influence of non-Western music like gamelan on Boulez's compositions, the challenge of memorizing contemporary scores, whether Boulez's music still sounds contemporary after decades, where skeptics should start with Boulez, how conductors connect with players during a performance, the management lessons of conducting, which orchestra sections posed Robertson the greatest challenges, how he and other conductors achieve clarity of sound, what conductors should read beyond music books, what Robertson enjoys in popular music, how national audiences differ from others, how Robertson first discovered classical music, why he insists on conducting the 1911 version of Stravinsky's Petrushka rather than the 1947 revision, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded March 12th, 2025. Help keep the show ad free by donating today! Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Photo Credit: Chris Lee

No Pátio de Honra do Palácio dos Papas, um lugar de pedra, de História, de poder antigo. É aqui que, todos os verões, o Festival de Avignon tenta reinventar o teatro como se se tratasse de um levantamento. Este ano, o sopro inaugural, aquele que dá início a tudo, foi confiado à coreógrafa cabo-verdiana Marlène Monteiro Freitas, figura indomável da dança contemporânea, cuja obra não cabe em nenhuma categoria senão na da possessão poética. Na noite de sábado, 5 de Julho, o espectáculo NÔT rasgou a ordem do Pátio de Honra do Palácio dos Papas. A coreógrafa cabo-verdiana, Marlène Monteiro Freitas, abriu a 79.ª edição do Festival de Avignon. Por entre grades brancas, lençóis manchados de vermelho e corpos disformes que dançam como se estivessem possuídos, a coreógrafa trouxe o caos como gesto inaugural ao maior festival de teatro francês. “A peça teve, nestas últimas semanas, de lutar pela sua sobrevivência e talvez pela sua independência”, começa por nos contar, acrescentando que a obra “demorou bastante tempo a falar-nos. Acho que isso tem a ver com o diálogo e com a arquitectura deste espaço. Foi uma luta até ao fim". O que nos diz NÔT? Talvez nada que possa ser traduzido em palavras. Talvez tudo o que o corpo, o som e o silêncio podem dizer quando as palavras já não sabem o que dizer. O título, ambíguo, evoca a “noite” em crioulo cabo-verdiano, mas também o “not” em inglês: negação, interrupção, desobediência. Nada parece ser inocente aqui, nem gratuito. “Quando comecei a trabalhar nas Mil e Umas Noites pensei que teríamos que criar um diálogo com essa obra. A ideia da noite impôs-se", lembra. A noite como território instável, onde a imaginação e o medo se confundem: “Há ideias que nos parecem boas à noite e de manhã já não são. Há dores que aumentam, há exageros. E depois há os sonhos, que são uma espécie de trilha que não controlamos”. Entre o que se diz e o que se cala começa a dança Inspirada nas Mil e Uma Noites, NÔT não é uma adaptação é uma reescrita sem palavras. “A própria obra é uma força entre o oral e o escrito. Há uma certa mobilidade que existe no oral e que na escrita se torna mais fixa”, sublinha a coreógrafa. Essa tensão entre o fixo e fluidez marca o trabalho de Marlène Monteiro Freitas: “Estamos sempre em diálogo entre algo fixo e algo móvel”. A cenografia é composta de grelhas metálicas, camas desalinhadas, pequenas cadeiras que desenham o espaço sem nunca oferecer estabilidade. A composição visual, por vezes hipnótica, por vezes grotesca, serve de espelho ao corpo: fragmentado e, por vezes, reduzido a marioneta de si mesmo: “É um desafio muito grande fazer um espetáculo neste palco”, admite. Em cena, oito intérpretes: músicos-dançarinos-figuras grotescas que se mascaram, que se duplicam, que se deformam. Em certos momentos, todos parecem encarnar, distorcidamente uma Shéhérazade mecânica, a lendária rainha persa e narradora dos contos de As Mil e Uma Noites. O vermelho, omnipresente, insinua-se como sangue e memória. O espetáculo apresenta-se todas as noites a um público de 2.000 pessoas, muitas das quais vieram apenas “ver um espetáculo no Pátio de Honra” e Marlène Monteiro Freitas reconhece o confronto: “Com certeza que muita gente não sabe ao que vem. Talvez encontrem o nosso trabalho por acaso”. Mas é nesse acaso que reside também a força do que se cria ao vivo. O fascínio pela obra original as Mil e Uma Noites não nasce de uma tentativa de domínio, mas de espanto. “O meu contacto com a obra aconteceu muito cedo, na adolescência… Depois nunca mais pensei nela”. Ao voltar a ela, Marlène encontrou algo que ressoava com o seu próprio processo criativo: “Uma obra com várias versões, vários autores, onde nem sempre se sabe quem escreveu o quê. Uma espécie de livro estrangeiro, sempre em potência”. Essa ideia de potência, de texto que se reescreve a cada leitura, é o coração de NÔT. Há fragmentos que colidem: entre o ritmo de Stravinsky ao de Prince, gritos, ruídos, movimentos que se repetem. NÔT estreou no dia em que se assinalaram os 50 anos da independência de Cabo Verde. “Confesso que, quando me apercebi disso tudo, achei um acaso incrível. Pensei: se calhar vamos ter alguma sorte. Nos últimos dias pouco pensei nisso porque é um desafio muito grande fazer um espetáculo neste palco. A peça teve nestas últimas semanas a lutar pela sua sobrevivência e talvez pela sua independência", concluiu. Com esta estreia mundial de NÔT, o Festival de Avignon abriu-se àquilo que não se explica: à estranheza, à violência poética, à radicalidade de corpos em luta. A escolha do director do festival, Tiago Rodrigues, para abrir com NÔT não foi apenas ousada, mas foi política. Começar com o incompreensível é uma forma de dizer que o teatro, hoje, precisa menos de respostas e mais de perguntas que nos deixem inquietos.

What's the first thing that comes to mind when you think of classical music? Maybe you imagine a conductor on a podium in a fancy outfit. Maybe you remember a heart wrenching moment in your favorite movie. Or maybe it's that McDonald's commercial that's been stuck in your head since the 1980s. Whatever your access point is to classical music, there's much to explore and enjoy. On this episode, we're talking with WUOL Program Director Daniel Gilliam about his own love of the genre, and what makes classical music so relevant and vital.

Today may be my final episode for Pride Month 2025, but it is most certainly not my final episode celebrating and affirming Pride and all our glorious forebears who preceded us! Today's episode is a belated birthday tribute to British tenor Peter Pears (22 June 1910 – 03 April 1986), most celebrated for his long-standing romantic and musical partnership with Benjamin Britten. However, as with my recent episode celebrating the artistry of Pierre Bernac apart from his performances of the music of Francis Poulenc, in today's episode, there is not a note of Britten's music to be heard. There is no question that Britten was a formative figure in Pears' artistic development, but throughout their lives together, he performed a wide range of music, from Pérotin to Lutosławski as an independent and enormously versatile artist. In this episode, I offer selections by Webern, Handel, Copland, Couperin, Stravinsky, Dowland, Tippett, Mozart, Holst, Bach, Copland, Berkeley, Schubert, Walton, Schütz, Debussy, Handel, Nordheim, Schumann, and David Bedford, among others, to offer a surprising portrait of this fascinating singer. Even if you have not (yet) acquired a taste for this (sometimes) controversial singer, I urge you to give it a listen, for not only does it present Pears in all his varieties, it also highlights his musical partnerships with Joan Sutherland, Sviatoslav Richter, Murray Perahia, Dennis Brain, Viola Tunnard, George Malcolm, Martha Mödl, Gré Brouwenstijn, Imogen Holst, and Noel Mewton-Wood (as well as a few clips with with his life-partner Britten at the piano). Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Composer Steve Reich is one of the most influential musicians of modern times. In the 1960s he helped rewrite the rules of composition, using analogue tape machines to experiment with rhythm, repetition and syncopation. As the godfather of musical minimalism, his influence on Philip Glass, David Bowie, Jonny Greenwood of Radiohead, and many other composers, has been enormous. Countless dance music producers also owe a debt to pieces including It's Gonna Rain, Drumming, Different Trains and Music for 18 Musicians. His music has been performed in concert halls all around the world, and his many awards include three Grammys, a Pulitzer Prize, the Polar Prize for Music and the Premium Imperiale. Steve Reich tells John Wilson how, at the age of 14, three very different recordings awoke his interest in music: Stravinsky's The Rite of Spring, Bach's 5th Brandenburg Concerto, and a piece of bebop jazz featuring saxophonist Charlie Parker, trumpeter Miles Davis and drummer Kenny Clarke. Inspired to start a jazz quintet of his own, Reich began to study percussion before enrolling in a music history course at Cornell University. It was here he discovered the music of Pérotin, the 12th century French composer associated with the Notre Dame school of polyphony in Paris. His beautiful sustained harmonies had a profound influence on Reich's own compositions, including Four Organs (1970) and Music for 18 Musicians (1976).Steve Reich also explains the significance of two books on his music; Studies in African Music by A.M.Jones and Music in Bali by Colin McPhee, both of which led to a greater understanding of music from parts of the world where music is passed down aurally rather than through notation.Producer: Edwina Pitman Additional recording: Laura Pellicer

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:27:07 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, de l'opéra, avec "Faust" de Gounod dirigé par Louis Langrée et mis en scène par Denis Podalydès à l'Opéra Comique, et "Histoire du soldat" de Stravinsky, sur un texte de Ramuz, dirigé par Alizé Lehon et mis en scène par Karelle Prugnaud au Théâtre du Châtelet. - réalisation : Laurence Malonda - invités : Emmanuelle Giuliani Journaliste à La Croix; Zoé Sfez Productrice de La Série musicale sur France Culture

durée : 00:11:21 - Les Midis de Culture - par : Marie Labory - Les critiques discutent de l'"Histoire du soldat", un opéra d'Igor Stravinsky composé en pleine Première Guerre mondiale sur un texte de Charles-Ferdinand Ramuz, dirigé par Alizé Lehon dans une mise en scène très circassienne de Karelle Prugnaud au Théâtre du Châtelet. - réalisation : Laurence Malonda - invités : Emmanuelle Giuliani Journaliste à La Croix; Zoé Sfez Productrice de La Série musicale sur France Culture

Tota una setmana dedicada a Serguei Di

Als der Tiroler Schlagzeuger Manu Delago um die Jahrtausendwende zum ersten Mal dieses Instrument aus Bern namens Hang in der Hand hält, gibt es dazu kaum Informationen, geschweige denn Vorbilder: Er bringt sich selbst bei, wie man diese zwei aufeinander geklebten Halbkugeln aus Stahlblech mit den kunstvoll eingehämmerten Dellen auf der Oberseite am besten spielt. Ein frühes Video von Delago geht viral, plötzlich kommen Anfragen von berühmten Musiker*innen wie Björk oder Anoushka Shankar, die mit ihm spielen wollen. In "Menschen & ihre Musik" erzählt Manu Delago, wohin ihn das Hang, oder - allgemeiner bezeichnet - die Handpans so alles geführt haben und welche Musik ihn auch abseits davon geprägt und beeinflusst hat: von Stravinsky bis zu den Red Hot Chili Peppers.

durée : 01:28:33 - Relax ! du lundi 16 juin 2025 - par : Lionel Esparza - L'année 1910 est une année qui cherche encore la modernité en musique... Bientôt, le Sacre du printemps et le Pierrot lunaire bousculeront les codes, mais pour l'heure Mahler, Massenet et Stravinsky préparent le terrain.

durée : 01:28:33 - Relax ! du lundi 16 juin 2025 - par : Lionel Esparza - L'année 1910 est une année qui cherche encore la modernité en musique... Bientôt, le Sacre du printemps et le Pierrot lunaire bousculeront les codes, mais pour l'heure Mahler, Massenet et Stravinsky préparent le terrain.

Stravinsky, Debussy, Ravel

"La consagraci

From the windswept deserts of Arrakis to the Republic of Plato and from the riot-inspiring ballet music of Stravinsky through to Mahler's Ressurrection symphony, this week Maurice and Chris tackle those pieces of text and music that reward the dertermined listener. What is it that makes something impenatrable? Why do we feel so delighted when we come to appreciate them? And why on earth am I still using the word 'spandex'?   First recorded on 12th June 2025.

durée : 01:28:04 - En pistes ! du lundi 02 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On débute cette semaine avec une archive inédite de la pianiste Catherine Collard et une version originale du Sacre du printemps de Stravinsky à 4 mains. A retrouver aussi, une nouvelle version d'Atys de Lully sous la baguette de Leonardo García-Alarcón...

durée : 01:28:04 - En pistes ! du lundi 02 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On débute cette semaine avec une archive inédite de la pianiste Catherine Collard et une version originale du Sacre du printemps de Stravinsky à 4 mains. A retrouver aussi, une nouvelle version d'Atys de Lully sous la baguette de Leonardo García-Alarcón...

Jonathan Cross chooses his favourite recording of Stravinsky's Les Noces.

The MusicaNova Orchestra presents its "Laughing with Prokofiev, Stravinsky & Haydn" concert May 18th at the Musical Instrument Museum....

Music Director Andrew Litton invites us to See the Music in this enlightening introduction to the score for George Balanchine's 1972 ballet, Divertimento from ‘Le Baiser de la Fée.' With superlative accompaniment from Solo Pianist Elaine Chelton, Litton demonstrates the many ways in which Igor Stravinsky's "homage to Tschaikovsky" took inspiration from 16 different piano pieces by the legendary composer to weave an undeniably Stravsinkyian—and danceable, in Balanchine's word—orchestral suite. (11:42):  Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Le Baiser de la Fée performed by Elaine Chelton

Under the direction of Steven Schick, Igor Stravinsky's Le Sacre du printemps (The Rite of Spring) explores profound human emotions through music. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 40587]

Under the direction of Steven Schick, Igor Stravinsky's Le Sacre du printemps (The Rite of Spring) explores profound human emotions through music. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 40587]

Our third Parisian revolution is another explosive night in the theatre, this time in the world of dance. David talks to Dominic Dromgoole about Stravinsky's The Rite of Spring, which provoked absolute outrage when it premiered in 1913. Is that what its impresario Diaghilev wanted? How did Nijinsky cope? Did the response foreshadow the trauma to come in 1914? And how did the set designer Roerich end up playing a part in American presidential history? Dominic Dromgoole's Astonish Me! First Nights that Changed the World is available wherever you get your books https://profilebooks.com/work/astonish-me/ Out this weekend: a new bonus episode on PPF+ exploring the far-reaching impact of Marinetti's Futurist Manifesto (1909), from pre-WWI Europe to Silicon Valley. Sign up now to get this and all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus Next time: PPF Live: Churchill – The Politician With Nine Lives Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's Parisian revolution is a theatrical performance that produced a riot. David talks to theatre director Dominic Dromgoole about Alfred Jarry's Ubu Roi (1896), which only ran for a couple of nights but left an indelible mark on the culture of the age and has resonated ever since. Why did a play effectively written by children provoke such a storm among the adults? What made it it blow the mind of W. B. Yeats who was in the audience? How can something so bad be so liberating? Next time: Stravinsky's The Rite of Spring Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:15:59 - Les Midis de Culture - par : Marie Labory - Les critiques discutent du "Rossignol", un album enregistré lors de la mise en scène du célèbre opéra de Stravinsky en 2023 au Théâtre des Champs-Elysées par Olivier Py, avec Sabine Devieilhe, Cyrille Dubois, les chœurs de l'ensemble Aedes et l'orchestre Les Siècles. - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Zoé Sfez Productrice de La Série musicale sur France Culture

durée : 00:26:58 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, deux disques de musique classique : "Le Rossignol" de Stravinsky sous la direction de François-Xavier Roth, avec Sabine Devieilhe dans le rôle-titre et “Bach : Concertos pour piano” par Beatrice Rana - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Zoé Sfez Productrice de La Série musicale sur France Culture

SynopsisCarlos Salzedo, the most influential harpist of the 20th century, was born in Arcachon, France, on today's date in 1885. Salzedo transformed the harp into a virtuoso instrument, developing new techniques showcased in his own compositions and that others like Stravinsky, Schoenberg, and Britten adopted in theirs.In 1921, Salzedo and Edgard Varese co-founded the International Composers Guild, promoting works by progressive composers like Bartok and Honegger. Salzedo's compositions for harp include both transcriptions as well as original works like Scintillation, probably his most famous piece, and Four Preludes to the Afternoon of a Telephone, based on the phone numbers of four of his students. He taught at the Curtis Institute and the Juilliard School, and offered summer courses in Camden, Maine. Hundreds of Salzedo pupils filled harp positions with major orchestras around the world. Salzedo himself entered the Paris Conservatory at 9 and won the premiere prize in harp and piano when he was 16. He came to America in 1909 at the invitation of Arturo Toscanini, who wanted him as harpist at the Metropolitan Opera, and — curious to note — Salzedo died in the summer of 1961, at 76, while adjudicating Metropolitan Opera regional auditions in Maine.Music Played in Today's ProgramCarlos Salzedo (1885-1961): Scintillation; Carlos Sazledo, harp; Mercury LP MG-80003

This Day in Legal History:  MLK AssassinatedOn April 4, 1968, civil rights leader Dr. Martin Luther King Jr. was assassinated while standing on the balcony of the Lorraine Motel in Memphis, Tennessee. King had traveled to Memphis to support striking sanitation workers, emphasizing his ongoing commitment to economic justice alongside racial equality. His death sent shockwaves through the United States, triggering riots in more than 100 cities and accelerating the passage of key civil rights legislation.King was a central figure in the American civil rights movement, having led campaigns against segregation, voter suppression, and economic inequality. His advocacy relied heavily on nonviolent protest and legal strategies that tested the limits of constitutional protections and federal civil rights enforcement. The assassination drew intense public scrutiny to the federal government's role in protecting civil rights activists.James Earl Ray, an escaped convict, was arrested and charged with King's murder. He pleaded guilty in 1969, avoiding a trial, but later recanted and sought to withdraw the plea. Controversy surrounding the investigation and conviction has persisted for decades, with some—including members of King's own family—questioning whether Ray acted alone or was part of a larger conspiracy.King's assassination directly influenced the U.S. Congress to pass the Civil Rights Act of 1968, also known as the Fair Housing Act, which prohibited housing discrimination based on race, religion, or national origin. The legislation had faced significant resistance before King's death but was passed just days afterward. His assassination also galvanized greater federal attention to civil rights enforcement under the Equal Protection Clause of the Fourteenth Amendment.A group of 12 Republican-led states, including Texas, Florida, and Missouri, has asked 20 major U.S. law firms to provide documentation on their diversity, equity, and inclusion (DEI) initiatives. The request, led by Texas Attorney General Ken Paxton, seeks to determine whether the firms' practices comply with federal and state anti-discrimination laws. In a letter sent Thursday, the states referenced recent concerns raised by the U.S. Equal Employment Opportunity Commission (EEOC), which had previously asked the same firms for similar information.Paxton cited potential violations of Title VII of the Civil Rights Act, alleging that some law firms may use hiring policies that prioritize race, sex, or other protected characteristics. He also pointed to possible state-level violations, including those related to deceptive trade practices. The letter specifically called out programs such as diversity fellowships and hiring goals aimed at increasing representation from historically marginalized groups.The states argue they have authority to investigate and enforce laws that prohibit employment discrimination, including policies that may inadvertently or intentionally favor individuals based on race or other traits. Firms named include top legal players like Kirkland & Ellis, Ropes & Gray, and Skadden, Arps.GOP-Led States Want 20 Law Firms to Disclose Their DEI PracticesRepublicans are considering a significant shift in tax policy by potentially introducing a new top tax bracket for individuals earning $1 million or more annually. The proposed rate, currently under discussion, would range from 39% to 40%, marking a departure from the party's longstanding resistance to tax increases. This idea is part of a broader effort to offset the cost of a multi-trillion dollar tax package being developed by Trump administration allies and Republican lawmakers.Also on the table is a return to the 39.6% top income tax rate previously enacted during the Obama administration, replacing the current 37% rate for high earners. The GOP aims to pass the new tax legislation within months, renewing provisions from the 2017 Tax Cuts and Jobs Act while incorporating new deductions and reforms to appeal to middle- and working-class voters.Treasury Secretary Scott Bessent has emphasized the urgency of making Trump's earlier tax cuts permanent and stabilizing markets following recent tariff announcements. The evolving plan reflects a broader ideological shift within the Republican Party toward more populist economic messaging.To help pay for the new tax measures, the proposal also includes eliminating the carried interest loophole used by hedge fund and private equity managers and expanding deductions such as those for car loan interest and tipped wages. Trump's campaign promises — including removing taxes on overtime pay and Social Security benefits — are being considered for inclusion as well.Republicans Debate Hiking Top Tax Rate to 40% For Millionaires - BloombergOver 300 law professors from top institutions, along with legal advocacy groups across the political spectrum, have filed court briefs supporting Perkins Coie in its lawsuit against an executive order issued by Trump. The order, signed on March 6, penalizes the law firm for its work with Hillary Clinton and its internal diversity policies by restricting its access to federal buildings, officials, and contracts. Professors from Yale, Harvard, and Stanford argued the order is unconstitutional and undermines the independence of the legal profession.Their brief warned that targeting a firm for political reasons threatens any lawyer or firm that chooses to oppose the president in court, calling the order a dangerous precedent. Advocacy groups such as the ACLU and the Cato Institute echoed that concern, labeling Trump's action an attack on the legal system and a threat to Americans' right to legal representation.The White House responded by defending the order as a lawful measure to align federal partnerships with the administration's policies, criticizing the lawsuit as an attempt to preserve "government perks." Meanwhile, the Justice Department has requested that a Washington federal judge dismiss the lawsuit. Other firms named in similar orders — Jenner & Block and WilmerHale — have also filed suits, while some, like Skadden Arps and Paul Weiss, have made agreements with the White House to avoid sanctions.Law professors, legal groups back Perkins Coie in lawsuit over Trump order | ReutersThis week's closing music comes from one of the most innovative and influential composers of the 20th century: Igor Stravinsky. Known for revolutionary works like The Rite of Spring and The Firebird, Stravinsky continually reinvented his style throughout his long career. Born in 1882 near St. Petersburg, Russia, and passing away on April 6, 1971, in New York City, Stravinsky's life spanned continents, world wars, and artistic upheavals. While he is best remembered for his large-scale ballets and orchestral works, he also composed for smaller forms, including a fascinating piece titled simply Tango.Composed in 1940, Tango marks Stravinsky's first original composition written entirely in the United States after his move from Europe. At the time, he was living in Hollywood and adapting to a new cultural and musical environment. The piece is short, dark, and rhythmically sharp—more brooding than danceable—and carries the flavor of the tango tradition filtered through Stravinsky's idiosyncratic, angular style. It was originally written for piano, though Stravinsky later orchestrated it.Tango reflects Stravinsky's interest in blending traditional forms with modernist dissonance and unpredictability. It's a brief but compelling listen that offers a very different side of a composer often associated with thunderous orchestras and ballet scandals. Its rhythmic complexity and stark character echo the uncertainties of the time it was written, just as World War II was escalating. The piece serves as a reminder that even in exile, Stravinsky continued to experiment, innovate, and absorb new influences. As we remember his death on April 6, Tango is a fitting close—wry, lean, and unmistakably Stravinsky.Without further ado, Igor Stravinsky's Tango — enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Zapata presenta la segunda parte del "Repertorio de Vituperios Musicales" de Nicolas Slonimsky, donde se recopilan algunas de las críticas más duras y sarcásticas a grandes compositores y sus obras. Se mencionan casos como la "Novena Sinfonía" de Beethoven, que fue recibida con incomprensión en su estreno, y las críticas al "La consagración de la primavera" de Stravinsky, entre otras.Escuchar audio

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller In a bumper double-feature episode (or something like that), Mark and I compare the Empire featuring Peter Banks version of Something's Coming with the Yes studio version and we also indulge in a little bit of speculation about the forthcoming Yes album - and who doesn't enjoy these kinds of guessing games? Well if you don't, feel free to use the fast forward button.  Anyway, it was a lot of fun listening to some very early Yes and what Peter Banks did when he revisited it himself in 1979. Videos of the 2 songs are available below of course. How similar are the 2 versions of Something's Coming? Does Peter Banks play it the same way he did with Yes? What do we have in-store from Yes' forthcoming new album? Let us know if you agree with us! https://youtu.be/OQl1xTU0y_0?si=36PV9sMZkP5OGYLS https://youtu.be/axDZyUvAXEs?si=8AkCMhR9RUutcdw1 Mark Lang's copy of the new CTTE! After we spoke about a forthcoming Washington DC exhibition that includes Roger Dean's Yessongs artwork, YMP listener Craig Tiren went along to see it. Here he is, suitable attired! I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

What's up, dudes? “Gremlins” is a classic holiday horror, made better by Jerry Goldsmith's score and the killer hits of Michael Sembello and Peter Gabriel. Kevin Williams from ‘Tis the Soundtrack joins me to really dig into a couple of cues from the “Gremlins” score and dish about music theory of it all as well.We first get into the mega madness with the Sembello track. Played during the bar scene, the uptempo dance song set the stage for the “Maniac”-like antics of the dancing green creature. The film also features a track by Quarterflash and Darlene Love's epically classic “Christmas.”Goldsmith's penchant for atonality shines forth in the frantic cue ‘No Santa Claus.' The Stravinsky-esque eighths are composed of dueling tritones E-Bb and D-Ab and immediately transition to alternating bars of 5/8 and 7/8. Subsequently, all this segues quite nicely into held sonorities overlaid with “Silent Night” as Kate begins her tale of holiday woe. Talk about harmonization!Altered mystic chord? Check. Catchy mogwai theme? Got it. Synthesizer? Yes, but only if there's 7 different types! So grab your Roland Jupiter-6, join the orchestra, and play along to this episode all about the “Gremlins” score and soundtrack!‘Tis the SoundtrackYouTube: @TisTheSoundtrackIG:  @tisthesoundtrackNicolas Delage solving the mystery of Gizmo's voice!Be sure to check out the brilliant publication of Goldsmith's work by Chris Siddall, which made this analysis possible. Give us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week, Mark and I return to one of our favourite pastimes - listening to Yes tracks through time. We each chose 3 different live recordings of Awaken to listen to and then discuss. So it's time to put your Roger Dean thinking caps on and see if you would have chosen the same versions as us. Which versions did we choose? Why did we chose those ones? Who does it best? Let us know if you agree with us! Going for the One Chris Squire - photo by Jeremy North Jon Davison https://youtu.be/u3TEdCrMIHU?si=9q2DabCKqwCmZIlS https://youtu.be/YLk5FfR464Y?si=DW5TMPSMhauNKjDw https://youtu.be/mk6s7uesdqo?si=2XAq7YzMwjJMdBsO https://youtu.be/da-kOOzfVII?si=yDy6HilqEz2JPRMW https://youtu.be/Lc4og6PSMms?si=VIOrryEAhFPD66HB&t=4014 I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

durée : 00:55:43 - Samedi fiction - Le grand-père de l'autrice Célia Houdart fut au début du XXe siècle l'un des directeurs artistiques de l'Aeolian Company, une firme américaine de pianos mécaniques. C'est lui qui a inspiré ce journal intime fictif à la fois poétique et musical dans lequel on croise Ravel, Stravinsky et Diaghilev.

durée : 00:55:43 - Samedi fiction - Le grand-père de l'autrice Célia Houdart fut au début du XXe siècle l'un des directeurs artistiques de l'Aeolian Company, une firme américaine de pianos mécaniques. C'est lui qui a inspiré ce journal intime fictif à la fois poétique et musical dans lequel on croise Ravel, Stravinsky et Diaghilev.

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week Mark and I enjoyed discovering the many delights of the Blu-ray version of the Steven Wilson remix set of Tales from Topographic Oceans. It's packed full of obscure and unusual versions of the songs on the album - a delight for all Yes nerds fans everywhere. Do you have a copy of the Blu-ray version? If not, you might want to find one as explained in our chat in a few minutes' time. What is included on the Blu-ray? Does it sound good? Is it worth choosing Blu-ray as an audio format over DVD-A or others? Let us know if you agree with us! I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

durée : 00:03:20 - Le Regard culturel - par : François Angelier - En un coffret de 16 CD, le producteur Stéphane Lerouge offre un parcours complet des musiques de films de Lalo Schifrin et donne à entendre l'univers sonore d'un des plus grands musiciens contemporains, entre Stravinsky et Dizzy Gillespie.

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week Mark and I consider 6 songs that were performed live really well by lineups of Yes that didn't record them. With the revolving door policy of the band over the decades, there was a lot to choose from so see if we came up with anything you would have chosen yourself. Of course, as usual, we'd love to hear from you some of your own suggestions, so please do add those to the show notes for this week over at yesmusicpodcast.com What have we chosen? How do songs from different lineups sound live? Who plays it better? Let us know if you agree with us! https://www.youtube.com/watch?v=ZYmwWFZKvws&list=OLAK5uy_nA59t0pjOsq711jv_OyQItqDKPpmaoAxg&index=10 https://www.youtube.com/watch?v=RRwNpqhOq6k https://www.youtube.com/watch?v=mJB4TMjbm6I&list=PLSqnnTXhaZv9bgVjU-XzlOROySSQPZAzs&index=1 https://youtu.be/v8Qzf2Q2S2Y?si=Xn_leRHRKgvoJjnt https://youtu.be/dFg1CZyo8G4?si=-EbIDGdSPzYNxUc1 https://youtu.be/Vjo9vJxOs1A?si=meCi2-lUpymwOuEj I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week I'm feeding back on my trip to Trading Boundaries to see what Dave Watkinson has put on display alongside the permanent Roger Dean exhibition there. I made a video of Dave showing me around and we both enthuse about all the amazing items. I then had a chance to chat with Mark about what he noticed on the video - of course it's embedded into the show notes below. What was on display? Where and what is Trading Boundaries? What has Paul Graf sent to Kevin? Let us know if you agree with us! https://youtu.be/Wp6WaMAD7Co?si=6_rtQZZkaa66aG2h I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

George Antheil, pianiste avant-gardiste, provoque en 1923 une émeute à Paris avec un concert révolutionnaire, immortalisé dans un film de Marcel L'Herbier. Ensuite, la bataille d'Hernani (1830) voit Victor Hugo briser les codes du théâtre classique, déclenchant une révolte entre romantiques et conservateurs. Le poète Théophile Gautier, avec son célèbre gilet rouge, devient un symbole de cette révolution culturelle. Puis, Le Sacre du Printemps (1913) d' Igor Stravinsky , avec sa musique dissonante et sa chorégraphie audacieuse, bouleverse le public parisien, séduisantes huées et bagarres. Entre musique, littérature et danse, ces scandales illustrent comment l'art bouscule les traditions et suscitent des passions et des débats en marquant durablement l'histoire culturelle. Réalisation Axelle Thiry. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

MDJ Script/ Top Stories for February 7th Publish Date:  February 7th    Commercial: From the BG AD Group Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Friday, February 7th and Happy Birthday to Garth Brooks ***02.07.25 - BIRTHDAY – GARTH BROOKS*** I’m Dan Ratcliffe and here are the stories Cobb is talking about, presented by Credit Union of Georgia.  Man Accused of Hit and Run While Fleeing Police in Stolen Mercedes Marietta Man to Appear on "The Price Is Right" in Honor of Grandmother Cobb Inmate Accused of Possessing a Shank Plus, Leah McGrath from Ingles Markets on budgeting All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!  BREAK: CU of GA (06.26.24 CU OF GA FREE CHECKING_REV_FINAL) STORY 1: Man Accused of Hit and Run While Fleeing Police in Stolen Mercedes Jeremiah Michael Mathurin, 24, of Auburn, was arrested after a hit-and-run incident on Jan. 30 in Marietta while fleeing police in a stolen 2020 Mercedes. Driving at 70-80 mph in a 35 mph zone, Mathurin ran a red light, collided with another vehicle, and fled on foot. Both vehicles were heavily damaged, and a Glock 19 was found in the Mercedes. Mathurin faces multiple charges, including theft, fleeing police, hit-and-run, and firearm possession during a crime. He was arrested that night and released on Feb. 1 on a $20,000 bond. STORY 2: Marietta Man to Appear on "The Price Is Right" in Honor of Grandmother Marietta resident Parker Branton, 30, fulfilled a lifelong dream on Thursday as he competed on “The Price Is Right,” honoring his late grandmother Judy, who inspired his love for the show. Growing up, Parker and his siblings watched the game show daily with Judy, who dreamed of attending a live taping. In fall 2024, Parker and his brother Sam traveled to California to fulfill that dream. Parker was selected to “come on down” during his first taping, an unforgettable moment he attributes to luck and his grandmother’s spirit. His episode aired Thursday at 11 a.m. on CBS and Paramount+. STORY 3: Cobb Inmate Accused of Possessing a Shank Emmanuel Torres Hernandez, 20, of Marietta, is accused of possessing a homemade weapon at the Cobb County Adult Detention Center on Jan. 27. The three-inch sharpened weapon was discovered in an air vent in his cell, wrapped in a sticker bearing his name and ID number. Hernandez faces charges for possessing prohibited items and remains in custody without bond. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We’ll be right back  Break: DRAKE (Drake Realty (Cobb County) STORY 4: Cobb School Counselors Recognized for Outstanding Student Support Six Cobb schools earned top honors during National School Counseling Week for their exceptional programs, showcasing the theme “School Counseling: Helping Students Thrive.” Big Shanty Intermediate, Kemp Elementary, Hightower Trail Middle, Smitha Middle, Harrison High, and Walton High implemented innovative initiatives to boost student success. Highlights include Big Shanty’s 50% drop in discipline referrals through self-regulation lessons, Kemp’s 32% reduction via Morning Meetings, and Harrison’s 77% increase in passing rates for 9th-grade Hispanic students. These schools exemplify how strong counseling programs foster academic achievement, emotional growth, and positive school climates. STORY 5: OUT AND ABOUT: 5 Things to Do This Weekend in Cobb County — Feb. 7- 9 - Atlanta Ballet's "The Rite of Spring": Experience the world premiere this Friday-Sunday at Cobb Energy Centre. Choreographed by Claudia Schreier, it features Stravinsky’s iconic score and Russian folklore-inspired dances. Tickets: $28-$150. - GMDT’s Dancing with the Stars: This Saturday at The Strand Theatre, local celebrities perform to support GMDT’s 2025-2026 season. The show starts at 7 p.m., tickets start at $60. - "GHOST: The Musical": Catch the final weekend of this romantic thriller at Marietta Theatre Company, Friday-Sunday. Tickets: $28-$52, showtime at 8 p.m. - Big Game Bash: Watch the Super Bowl on a 32-foot screen at Live! at the Battery Atlanta this Sunday. Pre-game fun includes a DJ and giveaways. General admission: $10 (21+ only). - A Victorian Wedding Exhibit: Visit the William Root House Friday-Sunday to see a display of 1860s wedding artifacts. Admission: $6-$9. Open 10 a.m.-4 p.m. Break: And now here is Leah McGrath from Ingles Markets on budgeting *** INGLES ASK LEAH 3 BUDGETING*** We’ll have closing comments after this. Break: Ingles Markets 8 Signoff-   Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com www.cuofga.org www.drakerealty.com #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations See omnystudio.com/listener for privacy information.

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller After an important update on last week's episode, Mark and I choose 3 interesting cover versions each. They all feature Yes men past or present. If you'd like to listen to the songs before listening to us banging on about them, they are all embedded below with the original versions as well. Which covers did we choose? Who is represented from Yes? How do they stand up against the originals? Let us know if you agree with us! Some of the many compilations that include Yes men covers https://youtu.be/ALiJaBQ83gg?si=cnEh18SYgrbdiXPg https://youtu.be/0c1NJPCN6nA?si=ChCaVy6lJX2FMeGc https://youtu.be/NmT-Bl4u5Rw?si=myNnkCI_jEQ_857v https://youtu.be/H7xDdVc5VE0?si=bCWNfYS99cxdnQYl https://youtu.be/gWohKffPORI?si=T72RuRsrewHowc9K https://youtu.be/EBUFtoC2oj4?si=liKz0qiGSzwTOFQK https://youtu.be/MQ-SIBrWIj0?si=8_HDZPmX_cpUhMwU https://youtu.be/t4QK8RxCAwo?si=KeUKS7tJxgNhhzT2 https://youtu.be/fiYK8rgv4lg?si=iHg2rjVQ4I2nNeTQ https://youtu.be/uu7haLxD2WM?si=JTcb4EMxwLLI0c-b https://youtu.be/fX_FYa2T9Cg?si=vpWMgErEDw8vcWuX https://youtu.be/gNMGrkCNLVk?si=U7KU-yZ5JLoW3_z5 I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

Nous sommes le 31 mars 1913 à Vienne. C'est dans la grande salle de la « Musikverein » (l'Association de musique) où, depuis 1870, toute la bonne société de l'Empire austro-hongrois vient applaudir la crème de la crème, qu'est organisé ce que l'histoire va retenir sous le nom de « Skandalkonzert ». On y joue les œuvres de Schönberg, Berg et Webern, trois compositeurs dont la musique atonale va malmener les oreilles du public. A tel point que quelques paires de gifles vont se perdre au sein de l'honorable assemblée qui ne va pas se priver de faire voler les chaises. C'est une véritable émeute qui force la police à intervenir ! Deux mois plus tard, la scène se répète : nous sommes à Paris, au théâtre des Champs-Elysées. Dès le début de la représentation du « Sacre du printemps », l'œuvre de Stravinsky, créée ce soir-là, c'est une éruption qui jaillit de la salle. Deux camps se forment : celles et ceux qui soutiennent la musique dissonante, rugueuse, révolutionnaire et les autres qui pensent qu'on se paie leur tête. Ici aussi, le public huppé oublie ses bonnes manières : on s'injurie, on se frappe … les musiciens ne s'entendent plus jouer. Alors que racontent ces deux mémorables soirées ? Ni plus ni moins que l'invention de la musique moderne. Une musique qui cherche à se désengluer des siècles passés. C'est le cas, à la même époque, pour la peinture, la littérature, la philosophie… Dans l'Europe entière, on propose de nouvelles formes, de nouveaux concepts, mais l'abstraction étonne, détonne. Le public n'est pas mûr. Toutefois, la modernité finira par s'imposer … pour le ravissement des unes et des uns et la rage des autres. « Il faut être absolument moderne » avait écrit Arthur Rimbaud, une quarantaine d'années plus tôt dans « Une saison en enfer » : a-t-il été entendu ? Entrons dans ce monde d'énigmes, de contradictions, d'inventions, ce moment de révolution... Avec nous : Cyril Azouvi. « L'invention de la musique moderne – Vienne, Paris, 1913 » ; Perrin. Sujets traités: Musique, moderne, Paris, Vienne, Schönberg, Berg, Webern, compositeur, Stravinsky, Sacre du printemps, Arthur Rimbaud, Jean Cocteau , révolution Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller I received an interesting email from a listener this week. She asked if anyone was aware of the connections between a song by the Italian prog group PFM and Yes' Gates of Delirium. I'll explain more when I go through the email with Mark a little later on. Many thanks to the Patrons who gave their feedback on the topic and before you listen to Mark and my take, you may want to listen to the music involved. I've embedded the PFM and the Yes songs in the show notes below so head on over to yesmusicpodcast.com and see what you think - then please do add your thoughts to the comments section. Did Yes copy the PFM song in Gates? Who are PFM anyway? Are there any connections between the bands? Let us know if you agree with us! https://youtu.be/E8MPNOqYpWs?si=SpWPEmu1XM9TCGLd https://youtu.be/Uek1mexDB3I?si=rdJFdXoONa_wJGM- https://youtu.be/T1aTSdg8cNM?si=02_uvvuRH10wDmJv https://youtu.be/9HfTHzma3ZI?si=CkthMiO6RvfnugoG I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

Hear the Dance host Silas Farley is joined by Associate Artistic Director Wendy Whelan and former Soloists Repertory Director Jean-Pierre Frohlich and Repetiteur Diana White for a conversation about Jerome Robbins' The Cage. From its "empowering" choreography to the manners in which the relationship between the Mother and the Novice mimic that of senior and newer members of the company, they describe the unique qualities of this ballet beloved by dancers and audiences alike. (59:01 Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto in D for String Orchestra, "Basler" (1946) by Igor Stravinsky Performed by New York City Ballet Orchestra Reading List: 1. Somewhere: The Life of Jerome Robbins by Amanda Vaill 2. Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir by Jerome Robbins, Edited by Amanda Vaill 3. Jerome Robbins: A Life in Dance by Wendy Lesser 4. Stravinsky: A Creative Spring: Russia and France, 1882-1934 by Stephen Walsh 5. Stravinsky: The Second Exile, France and America, 1934-1971 by Stephen Walsh 6. The Stravinsky Festival of the New York City Ballet by Nancy Goldner

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark was back this week and we welcomed YMP listener and Patron Jon Pickles onto the show to talk about the time he was a 'tea boy' at Trident Studios in London. You'll need to listen to the interview to hear all about it but Trident was the world-renowned studio where, amongst unnumbered highlights of rock music, Yes recorded overdubs for their first album, Queen recorded their first two albums and The Beatles recorded Let It Be and other seminal songs. Listen out for stories about Rick Wakeman, Bill Bruford, Trevor Horn and many more! A screenshot from the video below showing Trident Studios - note the control room above and the Bechstein Grand piano used by Rick Wakeman, Paul McCartney etc. What did Jon have to do as a 'tea boy'? Who did he meet and work with? What was it like being in Soho in those days? Let us know if you agree with us! Yes fans outside Trident Studios during Dave Watkinson's Yes 50th Anniversary Convention in 2018 https://youtu.be/c3OHmZ-5HQM?si=HcYFzRfl0b-wynRr https://youtu.be/rBX2n5HqQeg?si=YgquYin7Bvr22HRH I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Unfortunately, Mark was unwell this week so we wish him a speedy recovery. I'm sure he will be back with us next week. I did manage to speak to the Yes expert Henry Potts, however, about his recent blog post. Called 'What does 2025 hold for Yes fans?' it contains, in Henry's usual style, a huge amount of detail about all sorts of live and recorded Yes and Yes-related activity that may or may not see the light of day in 2025. As I say later on, if only half of what we talk about actually appears, it will indeed be a great year for Yes and associated artists. Many thanks to Henry who was as cheerful and generous as always, despite only having 24hrs notice of the recording. Henry's site is a veritable cornucopia of Yes and Yes-related information and is one of the longest-lived sources of Yes information on the internet, having been active since 1998! http://www.bondegezou.co.uk/wnyesm.htm What is Yes likely to do in 2025? What has already been announced? What are past Yes members up to this year? Let us know if you agree with us! What does 2025 have in store for Yes fans? I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.