Podcasts about mclemore avenue

In early 1970, Booker T Jones was on sabbatical in California having grown disillusioned with confines of Stax Records and Memphis, when he heard the Beatles' latest effort, Abbey Road. So moved was he by the Beatles' genius and daring, that he sat down and drafted his own Memphis-style tribute to the group. The album, released later that same year, is titled McLemore Avenue, after the street where Stax's studio and headquarters were located. This week on BSC, we have Memphis' very own Booker T and The MG's tribute band, The Maitre D's, performing McLemore Avenue from start to finish in a performance captured on the cutting room floor of Studio A at the Stax Museum of American Soul Music.

In this episode I cover the first of 2 recording sessions Elvis did at the Stax recording studio in Memphis.Samples of all the songs recorded at the sessions are included along with outtakes,studio chatter and fun moments for your enjoyment.In the Summer of 1973 Elvis endured a demanding schedule with a two-Week tour beginning in Mobile, Alabama, on June 20th, and finally ending on July 3rd in Atlanta Georgia after which he flew home to Graceland.Awaiting him was a letter from his record company,  RCA, setting out expectations in no uncertain terms.The Company was concerned at the lack of commitment their No 1 recording artist was showing them. In a most unusual move, RCA vice president George Parkhill wrote directly to the star: "We are planning a recording session in the middle of July," he informed Elvis, at the same time demanding more control over the recording process.; he was allowed to choose the studio he wanted, as long as he showed up when RCA dictated.Elvis’s producer Felton Jarvis was required to fill out paperwork exactly as  requested, and was expected to produce a total of twenty-four masters of songs not previously recorded by Elvis. He was instructed  to produce a new pop album of ten songs, new single records (four sides), and ten cuts for a new religious album.Tired from being on the road, depressed by divorce proceedings, and expecting his daughter Lisa Marie for a month-long visit, Elvis could not have faced the prospect of a string of recording sessions with much enthusiasmThe most practical arrangement was to stay in Memphis, and Marty Lacker, his long time friend and ex Memphis Mafia member, suggested making the 10 minute drive to the Stax studio on McLemore Avenue.You can contact me on email atelvistheultimatefanchannel@gmail.com

We’re goin’ deep on all the great music and artists from STAX records in Memphis, Tennessee. Ethnomusicologist and author Rob Bowman is a fellow STAX fan and has unparalleled knowledge on the incredible soul music created on E. McLemore Avenue.… The post STAX with Rob Bowman – Rockin’ And Rollin’ And Whatnot ep26 appeared first on TRAMPS LIKE US.

In early 1970, Booker T Jones was on sabbatical in California having grown disillusioned with confines of Stax Records and Memphis, when he heard the Beatles’ latest effort, Abbey Road. So moved was he by the Beatles’ genius and daring, that he sat down and drafted his own Memphis-style tribute to the group. The album, released later that same year, is titled McLemore Avenue, after the street where Stax’s studio and headquarters were located. This week on BSC, we have Memphis’ very own Booker T and The MG’s tribute band, The Maitre D’s, performing McLemore Avenue from start to finish in a performance captured on the cutting room floor of Studio A at the Stax Museum of American Soul Music.

Born in Mississippi, Deanie arrived at the Stax studio on McLemore Avenue in 1963 becoming one of Stax Records’ first artists. Deanie went on to perform practically every role, from singer, to composer, to liner notes writer, photographer, editor, publicist, press correspondent, documentalist, and most notably, the Soulsville Foundation’s first President and CEO, a nonprofit organization that helped build the Stax Museum of American Soul Music.

Born in Mississippi, Deanie arrived at the Stax studio on McLemore Avenue in 1963 becoming one of Stax Records’ first artists. Deanie went on to perform practically every role, from singer, to composer, to liner notes writer, photographer, editor, publicist, press correspondent, documentalist, and most notably, the Soulsville Foundation’s first President and CEO, a nonprofit organization that helped build the Stax Museum of American Soul Music