Podcasts about The Beatles

With guests Allan Kozinn and Craig Bartock.© Richard Buskin, 2025.

Behind the Wall of Illusion- Sean MacLeodHere are a few things you will discover from this text: How the Beatles expressed a modern take on the ancient Greek god Dionysus, How the title Yellow Submarine brings together male and female symbolism, That John Lennon's first experience with LSD influenced the song ‘Help!', Why the Beatles' hair cultivated spiritual connotations, How the film Magical Mystery Tour foreshadowed John's murder.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

You're in for a shocktastic episode!We see the return of one of our games (which is basically an excuse to electric shock someone in the studio)… The Boffin Booth! Polly was put in the hot seat to be quizzed about Alison Hammond!Music royalty, Giles Martin was our first special guest this week, discussing the highly anticipated Beatles Anthology 4! He also shed light on the secret process behind how The Beatles preserved their musical magic.Catherine Tate also joined us in the Radio X studio, getting us in the Christmassy feels ahead of the opening night of the Sleeping Beauty panto at the London Palladium. After being an avid panto fan for many years she shared her excitement about being involved in the glitz and glam of panto, even if she is playing a villain!We had a mystery guest in for our feature, Who Are You….known for his work on television, on shows involving cars and stunts, can you guess who it is? Listen to find out!And if that's not enough, we answer these questions...Ever used a bidet?What's in Dom's bottom? Where do monks live?Enjoy!The Chris Moyles Show on Radio X!Weekdays 6:30am - 10am

Listen to this fun fact about The Beatles!See omnystudio.com/listener for privacy information.

The Weeknd became the highest grossing tour by a solo male artist ever, the tour earned over $1 billion! Plus, Fred tells us a fun fact about Keke's favorite band!See omnystudio.com/listener for privacy information.

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this month's Club Random Classics: Bill Maher and Bill Burr chop it up about, cancel culture, aging out of drinking, kids killing the vibe, self-driving cars, and the age-gap roast-off between the two Bills. They also get into Maher's leopard-shoe incident, the absurdity of award shows, Burr falling hard for his wife, and his thoughts on The Beatles. This episode first aired May 12, 2024. Support our Advertisers: Check out https://www.squarespace.com/CLUBRANDOM to save 10% off your first purchase of a website or domain using code CLUBRANDOM If you're hiring, you CAN find qualified candidates right away, time and time again—with ZipRecruiter. You can try it for FREE at https://⁠ZipRecruiter.com/RANDOM Try Claude for free at https://⁠claude.ai/clubrandom Check out Zyn.com/find to find ZYN at a store near you Subscribe to the Club Random YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/clubrandompodcast?sub_confirmation=1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch episodes ad-free – subscribe to Bill Maher's Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://billmaher.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to the podcast for free wherever you listen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/ClubRandom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Club Random Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://clubrandom.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit https://podcastchoices.com/adchoices ABOUT CLUB RANDOM Bill Maher rewrites the rules of podcasting the way he did in television in this series of one on one, hour long conversations with a wide variety of unexpected guests in the undisclosed location called Club Random. There's a whole big world out there that isn't about politics and Bill and his guests—from Bill Burr and Jerry Seinfeld to Jordan Peterson, Quentin Tarantino and Neil DeGrasse Tyson—talk about all of it.  For advertising opportunities please email: PodcastPartnerships@Studio71us.com ABOUT BILL MAHER Bill Maher was the host of “Politically Incorrect” (Comedy Central, ABC) from 1993-2002, and for the last fourteen years on HBO's “Real Time,” Maher's combination of unflinching honesty and big laughs have garnered him 40 Emmy nominations. Maher won his first Emmy in 2014 as executive producer for the HBO series, “VICE.” In October of 2008, this same combination was on display in Maher's uproarious and unprecedented swipe at organized religion, “Religulous.” Maher has written five bestsellers: “True Story,” “Does Anybody Have a Problem with That? Politically Incorrect's Greatest Hits,” “When You Ride Alone, You Ride with Bin Laden,” “New Rules: Polite Musings from a Timid Observer,” and most recently, “The New New Rules: A Funny Look at How Everybody But Me Has Their Head Up Their Ass.” FOLLOW CLUB RANDOM https://www.clubrandom.com https://www.facebook.com/Club-Random-101776489118185 https://twitter.com/clubrandom_ https://www.instagram.com/clubrandompodcast https://www.tiktok.com/@clubrandompodcast FOLLOW BILL MAHER https://www.billmaher.com https://twitter.com/billmaher https://www.instagram.com/billmaher Learn more about your ad choices. Visit podcastchoices.com/adchoices

This year, alongside writing his own book, Tony was gripped by that of another writer - Ian Leslie's ‘John & Paul: A Love Story in Songs'. Tony, who is a lifelong Beatles fan, has invited Ian onto Cunningcast to chat all about The Beatles. In Part 1 of this 3 Part series, Ian and Tony explore how a shared adolescent intensity, mutual trauma, and obsessive love of music forged the unique and complex relationship between John and Paul that fuelled the Beatles's extraordinary innovation. This is audible in songs such as We Can Work It Out and If I Fell, where harmonic complexity reflects their intertwined identities. They trace how the band's early experiences, especially in Hamburg, were transformative, exposing them to avant-garde influences, encouraging them to see themselves as artists, and blending silliness and Dada-like humour, which ultimately helped them discover who they were as a band. Hosted by Sir Tony Robinson | Instagram @sirtonyrobinsonProducer: Melissa FitzGerald | X @melissafitzgWithIan Leslie | www.ian-leslie.comIan Leslie is the author of acclaimed and bestselling books on human psychology and creativity which have been translated into over a dozen languages. Malcolm Gladwell describes him as “one of my favourite writers”. Ian has written for the Financial Times, the Economist, the New York Times, The Sunday Times, and the New Statesman, among others, covering everything from technology to politics to music.‘John & Paul: A Love Story in Songs' | https://ian-leslie.com/johnandpaul/ | The New York Times and Sunday Times bestseller Follow us on our socials:Instagram @cunningcastpod | X @cunningcastpod | YouTube @cunningcast | TikTok @cunningcast-------If you enjoy this podcast, please follow us and leave us a rating or review.Thank you, Love Tony x Hosted on Acast. See acast.com/privacy for more information.

Send us a textTim is joined by writer and returning guest Vikki Reilly, author of The Beatles 101, to explore Ringo Starr's classic solo single It Don't Come Easy. They look at how the song captures Ringo's resilience, peace-and-love ethos and feelings around the Beatles' breakup, dig into George Harrison's vital role in its creation, and trace how it helped define Ringo's 1970s sound and ongoing legacy.Guest linksVikki on Bluesky: https://bsky.app/profile/bookyvikki.bsky.socialVikki on Instagram: https://www.instagram.com/reillyvikki/The Beatles 101 by Vikki Reilly: https://uk.bookshop.org/p/books/the-beatles-101-a-pocket-guide-in-101-moments-songs-people-and-places-vikki-reilly/1786264?ean=9781913538149&next=tRingo: A Fab Life by Tom Doyle: https://uk.bookshop.org/p/books/ringo-a-fab-life-tom-doyle/7914393?ean=9781917923132&next=tGeorge Harrison: Behind That Locked Door by Graeme Thomson: https://uk.bookshop.org/p/books/george-harrison-behind-the-locked-door-graeme-thomson/abb3023b0084bbdb?ean=9781915841872&next=tFollow My Favourite Beatles SongBluesky: https://bsky.app/profile/myfavebeatles.bsky.socialX (Twitter): https://twitter.com/myfavebeatlesFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongOriginal music by Joe KaneLogo design by Mark Cunningham

MUSICSlipknot have sold a majority stake in their catalog for $120 million in a deal with HarbourView Equity Partners. https://www.hollywoodreporter.com/music/music-industry-news/slipknot-sells-catalog-to-harbourview-1236429056/ Ariana Grande will embark on her "The Eternal Sunshine Tour" in limited cities next year, and it may be a long time until you see her on tour. That's what she told Amy Poehler recently. Shinedown have released "Searchlight," the song they performed last month at the Grand Ole Opry in Nashville. At the show, singer Brent Smith introduced it by saying, "Sometimes when you listen close enough to the universe and you're willing to receive something from it — a song can come out of thin air. We didn't find this one, it found us."Guns N' Roses, Foo Fighters and My Chemical Romance are among the more than 160 bands announced for the Welcome to Rockville festival in Daytona Beach, Florida from May 7th through the 10th. The bill also includes Bring Me the Horizon, Five Finger Death Punch, The Offspring, Breaking Benjamin, Godsmack, Staind, Alice Cooper, Coheed and Cambria, Black Label Society, Jason Bonham's Led Zeppelin Evening, Tom Morello and many, many others. https://welcometorockville.com/ Disney Plus has dropped its first trailer for the updated Beatles doc, 'Anthology', restoring and remastering ABC's 1995 special. https://societyofrock.com/beatles-anthology-series-trailer/ TVWalton Goggins posed nude for "GQ's" Men of the Year issue. https://www.gq.com/story/walton-goggins-on-rebirth-and-near-death New console plays original N64 cartridges … Retro gamers rejoice! A new console – called the Analogue 3D – plays all those Nintendo 64 cartridges you may still have. The engineers designed this thing to bring the old games to life on modern TVs. They even included a pair of tiny game cartridge cleaners, which require just a little swipe to freshen up the dust and grime on the metal pins. MOVING ON INTO MOVIE NEWS:Billy Bob Thornton is talking about an infamous pop culture moment from his past relationship with Angelina Jolie. https://people.com/billy-bob-thornton-explains-famous-blood-vial-necklaces-with-angelina-jolie-that-was-one-of-the-greatest-times-of-my-life-11851532 Liev Schreiber was hospitalized in New York on Sunday. https://www.usmagazine.com/celebrity-news/news/liev-schreiber-hospitalized-in-new-york-city-after-health-scare/?link_source=ta_thread_link&taid=691c6e0387ea5e0001e7f8ee&utm_campaign=true_anthem_usweekly&utm_medium=social&utm_source=threads.net Mary Steenburgen actually ate spaghetti with maple syrup during the filming of "Elf"There are also, she added, moments she won't ever forget — like filming the scene in which her character enjoys a plate of spaghetti made by Buddy the Elf (played by Ferrell) and topped with chocolate, candy, and maple syrup."That first scene of the dinner, that's the very first scene in the movie," Steenburgen said on Today of the scene, which begins with Buddy chugging an entire 2-liter of soda. "And I wasn't yet used to anything of the way he was dressed. And I broke up so many times during that scene. Plus, while eating spaghetti with maple syrup." "I actually did eat it. I've had worse, but it's not my dream food." AND FINALLYA new country song was just released called "Cold Beer" from the "There I Ruined It" guys. It's a mashup of 50 different country artists singing the phrase "cold beer" over and over. (Which country stars do you hear in the song?) https://www.youtube.com/watch?v=lR2pslqKNP8 AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Saúl Gallego repasa, en una trilogía especial, la historia de los cuatro de Liverpool, los Beatles.

En el programa de hoy vivimos la jornada previa al comienzo del Festival de Cine de Zaragoza con su director, José Luis Anchelergues. Saúl Gallego nos sigue contando la historia de los Beatles y conocemos lo que pasa en la música con Alberto Guardiola.

En el programa de hoy vivimos la jornada previa al comienzo del Festival de Cine de Zaragoza con su director, José Luis Anchelergues. Saúl Gallego nos sigue contando la historia de los Beatles y conocemos lo que pasa en la música con Alberto Guardiola.

En el programa de hoy vivimos la jornada previa al comienzo del Festival de Cine de Zaragoza con su director, José Luis Anchelergues. Saúl Gallego nos sigue contando la historia de los Beatles y conocemos lo que pasa en la música con Alberto Guardiola.

En el programa de hoy vivimos la jornada previa al comienzo del Festival de Cine de Zaragoza con su director, José Luis Anchelergues. Saúl Gallego nos sigue contando la historia de los Beatles y conocemos lo que pasa en la música con Alberto Guardiola.

Nov. 14-20: The Beatles reunite, Princess Di spills the tea, Michael Douglas is the fairytale president, Homer meets his mom, Robert Downey Jr. is the worst P.I., a very stoned Christmas Eve, Tom Hardy is twins, South Park is trapped in the closet, and a Christmas romance you won't see on the Hallmark Channel. All that and more from 30, 20, and 10 years ago.

In this episode of Leadership Liner Notes, Sean Gaillard reflects on the second anniversary of Now and Then, the final song by The Beatles. What began as an unfinished John Lennon demo decades ago became a testament to legacy, collaboration, and the belief that the impossible can become possible. Drawing parallels between the Beatles' creative journey and the challenges of leadership, Sean explores how sometimes the first idea does not work out, and that is okay. Like Paul McCartney's unwavering hope to finish Now and Then, leaders are called to keep faith in their vision, even when timing, tools, or acceptance are not on their side. This episode invites listeners to reflect on their own “unfinished songs” in leadership and life, the dreams and ideas that still deserve another chance. Subscribe to Sean's weekly blog at ⁠seangaillard.com⁠ and connect with him on X, Instagram, or LinkedIn to join the conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Me and author/poet Marcus Benjamin Ray Bradley discuss his new Beatles-inspired poetry book titled, "Imagining All The People: Poetry Inspired By The Characters In The Lyrics Of The Beatles". If you have ever wanted to experience a Beatles song from a different perspective, THIS is the episode or YOU! Please enjoy. Peace and love, Sam     If you want to support the show, check out our Patreon page at www.patreon.com/mccartneypodcast To get in contact with the show, drop us an email at paulmccartneypod@gmail.com Follow us on Twitter for all Macca updates by searching @mccartneypod.  Check out our YouTube page at https://www.youtube.com/channel/UCXcuhC1jm1wqhUTWhVS-r6A  If you haven't seen the blog, check it out at www.paulmccartneypod.wordpress.com where you can see loads of episodes start out life as a random blog post, before being resculpted into the quality content you are here for today!  Hosted by Sam Whiles.  

Tom Dunne's guest enjoyed success with his band Rubyhorse, touring the States in 2002 and even appearing on Conan O'Brien and David Letterman. His new memoir ‘All Roads Lead To Where You Are - From Bishopstown to The Beatles' is out now. Joe Philpott joins to discuss!

Dana and David react to Nikki Glaser's SNL performance and bring you another exciting Buzzing Around segment! Then, brothers Mike and Paul Myers drop by for a mini Wayne's World reunion and to chat about the legendary John Candy, why Canadian comics seem to succeed, and a Beatles deep dive. Buy John Candy: A Life in Comedy Hardcover by Paul Myers: https://a.co/d/cV3PWuQ (add link to Paul's book with title of book" To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

They entertained listeners for years. The Route's Dave Kane and Maureen Rich have retired, and listeners say their popular shows — "Breakfast with the Beatles" and "Road to Joy," respectively — are already missed. The way we access and listen to music is changing. It's a reminder of how valuable it can be for communities to have people like Kano and Maureen. They join us to tell some stories and to make the case for why calling in to request a song — while more time-consuming — beats having the world's catalog on your phone. Our guests: Dave Kane, retired host of "Breakfast with the Beatles" on The Route Maureen Rich, retired host/producer of "Road to Joy" on WRUR/WITH; musician, lead singer and ukulele player with TugHill Band and Tasty Parker ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

In this episode we're joined by Pete Paphides, former rock critic for the London Times and author of 2020's acclaimed memoir Broken Greek. We start with our guest's unique "'Starman' moment" – seeing the Brotherhood of Man lip-sync to the ghastly 'Save Your Kisses for Me' on Top of the Pops in 1976 – and then plunge straight into a celebration of his favourite pop group ABBA. We hear about his love of the Swedes' countless classic songs; his interviews with Björn Ulvaeus and Benny Andersson; and how the quartet was indirectly responsible for his marriage to fellow scribe Caitlin Moran. Pete talks us through his journalistic odyssey from ill-fated pubescent fanzine Pop Scene via the longer-lasting Perturbed to Jim Arundel's mentoring of him at Melody Maker. Talk of his tenures at Time Out and The Times leads to his memory of "falling back in love with music" after years of being glutted with free records. The 60th anniversary of the release of 'Uptight' takes us into clips from Amy Linden's 1995 audio interview with the musical colossus that is Stevie Wonder – and a broad discussion of the Motown legend's creative evolution from 'Uptight' to Songs in the Key of Life. After Mark quotes from a 1963 review of the Beatles' first album Please Please Me, Jasper talks us out with his thoughts on Jaan Uhelszki's 2015 interview with the extraordinary Joanna Newsom.

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Wherein Eric and John pay tribute to our beloved, dearly departed Prince of Darkness, Ozzy Osbourne.Click on the links below for all the music listening/video breaks in this episode:Listening Break #1: Earth "Blue Suede Shoes" (by Carl Perkins) early demo (1969)- ⁠https://youtu.be/IYxkYHqOjLY?si=YNkxQ-5fIrOehY31&t=576Listening Break #2: "You Said It All (Live)" from Ozzy Osbourne Live EP (1980)- https://youtu.be/49GY60BkQB4?si=oW3JQvte6cyopvpFListening break #3: "Crazy Train (Live 1981)" from Tribute (1987)- https://www.youtube.com/watch?v=Eq4x9Ek66esVideo break #1: "Bark at the Moon" from Bark at the Moon (1983)- ⁠https://www.youtube.com/watch?v=LplPi2CxNHIVideo break #2: excerpt from Decline of the Western Civilization Part II: The Metal Years (1988)- https://www.youtube.com/watch?v=ojQUYq21G-oListening break #4: "Patient Number 9" from Patient Number 9 (2022)- ⁠https://www.youtube.com/watch?v=CkiniZBRt3sPlease do consider joining us at our Patreon page! Not only will you gain access to exclusive content, but you'll also get that sense of pure joy that can only come from supporting the world's wackiest, most insightful heavy metal podcast. Link below:⁠⁠⁠⁠⁠⁠⁠⁠ http://patreon.com/HeavyMetal101⁠⁠⁠⁠⁠⁠⁠⁠Visit us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠(you can leave us a voicemail if you're so inclined!)Contact us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠heavymetal101podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Social media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/HeavyMetal101Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/heavy_101⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heavymetal101podcast/⁠⁠⁠⁠⁠⁠⁠⁠New episodes of Heavy Metal 101 are always released monthly on the 3rd Monday of each month!Underscore credits:“Crazy Train” arranged and performed by Eric SchwartzI Want To Hold Your Hand [8 Bit Tribute to The Beatles] - 8 Bit Universe8 Bit UniverseFree Rock Metal Music (For Videos) - "Cherry Metal" by Arthur Vyncke

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean discuss the weekend box office numbers, the Pope’s A-List guests at the Vatican, and why Dennis DeYoung slams the Rock & Roll Hall of Fame. They also talk about the 35th anniversary of “Home Alone,” a […]

The HBO Original documentary ONE TO ONE: JOHN & YOKO, directed by Academy Award® winner Kevin Macdonald (HBO's "One Day in September"), debuts FRIDAY, NOVEMBER 14 (8:00-9:45p.m. ET/PT) on HBO and will be available to stream on HBO Max. The film screened to critical acclaim at multiple film festivals including Venice, Telluride, and Sundance.A rare and revelatory inside look at John Lennon and Yoko Ono's first year in New York City in the early 1970s, ONE TO ONE: JOHN & YOKO delivers an immersive, cinematic experience that brings to life a chapter of explosive creativity and political activism in their lives.By 1971, John and Yoko had just arrived in the United States. They lived in a tiny apartment in Greenwich Village and watched hours of American television. The film integrates a riotous mélange of television to conjure the era through what the two would have been seeing on the screen - the Vietnam War, "The Price is Right," President Richard Nixon, Coca-Cola ads, Walter Cronkite, and "The Waltons." As they experience a year of love and transformation in the U.S., the couple begins to change their approach to protest. This ultimately led to the "One to One" benefit concert, which they organized after seeing Geraldo Rivera's exposé on child neglect and abuse at the Willowbrook State School.On August 30, 1972, John performed at the "One to One" benefit concert at Madison Square Garden - his only full-length show after leaving The Beatles. Footage of this electrifying performance from John and Yoko along with The Elephant's Memory Band had been restored for the documentary and is interwoven throughout the film along with other never-before-seen material.Featuring music newly remixed and produced by Sean Ono Lennon, the documentary takes that legendary musical event and uses it as the starting point to explore 18 defining months in the lives of John and Yoko. Filmed in a meticulously faithful reproduction of the duo's New York City apartment, ONE TO ONE: JOHN & YOKO offers a bold new take on a seminal time in the lives of two iconic artists and how their work continues to resonate today.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The HBO Original documentary ONE TO ONE: JOHN & YOKO, directed by Academy Award® winner Kevin Macdonald (HBO's "One Day in September"), debuts FRIDAY, NOVEMBER 14 (8:00-9:45p.m. ET/PT) on HBO and will be available to stream on HBO Max. The film screened to critical acclaim at multiple film festivals including Venice, Telluride, and Sundance.A rare and revelatory inside look at John Lennon and Yoko Ono's first year in New York City in the early 1970s, ONE TO ONE: JOHN & YOKO delivers an immersive, cinematic experience that brings to life a chapter of explosive creativity and political activism in their lives.By 1971, John and Yoko had just arrived in the United States. They lived in a tiny apartment in Greenwich Village and watched hours of American television. The film integrates a riotous mélange of television to conjure the era through what the two would have been seeing on the screen - the Vietnam War, "The Price is Right," President Richard Nixon, Coca-Cola ads, Walter Cronkite, and "The Waltons." As they experience a year of love and transformation in the U.S., the couple begins to change their approach to protest. This ultimately led to the "One to One" benefit concert, which they organized after seeing Geraldo Rivera's exposé on child neglect and abuse at the Willowbrook State School.On August 30, 1972, John performed at the "One to One" benefit concert at Madison Square Garden - his only full-length show after leaving The Beatles. Footage of this electrifying performance from John and Yoko along with The Elephant's Memory Band had been restored for the documentary and is interwoven throughout the film along with other never-before-seen material.Featuring music newly remixed and produced by Sean Ono Lennon, the documentary takes that legendary musical event and uses it as the starting point to explore 18 defining months in the lives of John and Yoko. Filmed in a meticulously faithful reproduction of the duo's New York City apartment, ONE TO ONE: JOHN & YOKO offers a bold new take on a seminal time in the lives of two iconic artists and how their work continues to resonate today.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Regresamos a The Beatles para profundizar en el lado country & western de su repertorio. Ricardo Portman nos cuenta la historia al detalle de las canciones de los Fab Four más influenciadas por este género norteamericano. Escucharemos I Don’t Want To Spoil The Party, You’ve Got to Hide Your Love Away, Act Naturally, I’ve Just Seen a Face, What Goes On, Rocky Raccoon, Don’t Pass Me By, Two Of Us + Bonus tracks. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú) Onda Wantuki (Madrid) semanal

Lonnie and I discuss the many aspects of fandom and the Beatles with Director/Producer/Author Simon Weitzman.    His new film: A Love Letter to the Beatles is available on Amazon, and will be streaming in other places very soon!    #madeonzencastr   A Love Letter to the Beatles: Official Trailer:  https://bit.ly/4o7Jhcn DVD:  https://bit.ly/ALLTTBdvd  Fandango: https://bit.ly/ALLTTB  Prime Video US: https://amzn.to/4o7egWc  Prime Video UK: https://amzn.to/4nEpYYt  

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Christopher Atkins joined me to talk about Rye Playland, his high school baseball career; modeling; meeting Claudia Black and running into her 40 later; modeling with Brooke Shields, Phoebe Cates, and Lisanne Frank; showing his swing in Blue Lagoon, Randall Kleiser making him sleep with a Brooke Shields poster over his bed for a week before meeting her; swimming with a professional naked baby; William Daniels; being beaten at The Golden Globes by Timothy Hutton; Child Bride of Short Creek about FLDS; Night of 100 Star; hanging out with Paul Newman, Gene Kelly, Mickey Rooney, and Princess Grace; I Love Liberty; The Pirate Movie; Kristy McNichol and its long cult status; her chewing gun; possible reunion; his hit "How Can I Live Without Her"; appearing on American Bandstand; doing Rock 'n' Roll Summer (1985) with Dick Clark; doing a parody of Nastassja Kinski's snake poster; doing Carson with guest host Joan Rivers; getting treated like the Beatles; A Night in Heaven; Perfect Match; Dallas; having Larry Hagman help you move into your dressing room; doing Circus of the Stars and putting your head in a lions mouth; Beaks; doing two movies as a love interest for Joe Pesci's real life girlfriend; twice doing the Jerry Lewis Telethon; Smoke 'n' Lightning; playing a crew member from Blue Lagoon who died of AIDS in It's My Party; his film Amy; how he got into writing and how he wants to make his own film

Které skladby zůstávají v lidové slovesnosti? Bubeník a hitmaker legendární Lucie se s novými projekty obrací k zasutým písním na památku Michala Ambrože z Jasné páky. „Když se dostal z nemocnice a postavil se na nohy, žil ještě 6 let nebo kolik. Udělali jsme jednu společnou desku, která se jmenuje Srdeční příběh,“ připomíná muzikant David Koller repertoár, se kterým vystoupí v příštím roce. S kým spolupracuje na nových kusech? A jak vzpomíná na skládání písní před revolucí?Všechny díly podcastu Host Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Které skladby zůstávají v lidové slovesnosti? Bubeník a hitmaker legendární Lucie se s novými projekty obrací k zasutým písním na památku Michala Ambrože z Jasné páky. „Když se dostal z nemocnice a postavil se na nohy, žil ještě 6 let nebo kolik. Udělali jsme jednu společnou desku, která se jmenuje Srdeční příběh,“ připomíná muzikant David Koller repertoár, se kterým vystoupí v příštím roce. S kým spolupracuje na nových kusech? A jak vzpomíná na skládání písní před revolucí?

AT LAST, the guys are back from their fall hiatus, in which they frantically earned as much money as possible to fund the next 12 months of profit-less Beatles podcasting. However, they're still recording new episodes for the winter season. With that in mind, this week we dig back into the archives to present one of our favorite episodes that we're kind of surprised we haven't already re-run.... our 2023 Deep Dish into all things LIVERPOOL DRAG! -------- Originally released November 11, 2023 What happens when you take the energy of Beatlemania and mix it with a helping of questionably written and performed Beatles-inspired songs? You get Liverpool Drag. Not the Beatles, but an unincredible simulation! This week, Tony & T.J. examine the early 60's phenomenon of Beatle-inspired cash-in records. Are they good? Awful? Somewhere in between? The answer is, "yes". Along the way, the Drag Duo ask:

With all the Wings-related merchandise coming out in the past week -- a book, an audio collection, and an upcoming film -- we thought we'd join the fun and give you two ranked lists: 1) Best/Worst Wings Album Covers 2) Best/Worst Wings Albums  We had a lot of fun revisiting the Wings catalog and hope you will too! Buy your new Wings items here! Wings: The Story of a Band on the Run - Audible Audiobook – Unabridged https://amzn.to/43e2Nfz (paid link)   WINGS deluxe triple vinyl  https://amzn.to/4hGzjNp (paid link) WINGS triple vinyl with extras https://amzn.to/3JIQEZl (paid link) WINGS single vinyl https://amzn.to/3LGvcEU (paid link)   Paul McCartney Wings: The Story of a Band on the Run book https://amzn.to/4hHclFT (paid link)   Audible membership offer - Just $0.99/month for the first 3 months https://amzn.to/47xkVUl (paid link)   (As an Amazon Associate, we earn from qualifying purchases.)   Feel free to email or record a message about this episode to ivegotabeatlespodcast@outlook.com and we'll include you in our "Please Mr. Postman" segment. Try using Vocaroo for an audio message! Also, please comment on, like, and rate us wherever you listen to your podcasts. You can now watch us on YouTube! Complete episodes can be found at https://ivegotabeatlespodcast.podbean.com. Email: ivegotabeatlespodcast@outlook.com X: @ivegotabeatles Facebook: I've Got A Beatles Podcast Check out our non-Beatles video venture: "Song Album Career!"

I greet you in Jesus' precious name! It is Saturday morning, 15th November 2025, and this is your friend, Angus Buchan, with a thought for today. We start in the Gospel of John 6:15:”Therefore when Jesus perceived that they were about to come and take Him by force to make Him king, He departed again to the mountain by Himself alone.” The most humble person who has ever lived! He said if you want to be the best or the greatest, you must become the least. They wanted to make Him king. He knew it was not His time. He withdrew to the mountains by Himself. Oh folks, we need to be more like Jesus. There are too many of us clamouring to become famous and popular. I looked up John Lennon. He was the leader of probably the most famous rock and roll band in the world at the time, The Beatles. He made a statement and he did apologise afterwards. He said that they were more popular than Jesus, but at the age of 40, he was gunned down and he died.Elvis Presley - I've been to Graceland in Memphis Tennessee, I went with my good friend Tommy. We went to that beautiful house to go and have a look. It was one of the saddest places I've ever been. They said he was such a generous man. Elvis Presley was regarded as the most popular man in the world. They called him “The King of Rock and Roll,” but he could never sleep. He used to play the piano into the early hours of the morning and he would sing hymns they said. His kitchen was open 24 hours a day. He was thronged with friends, well I don't know if they were friends or hangers-on, so much so that his wife and his little daughter eventually left him, and then at the age of 42 years old, in the newspapers, the headlines, “The king is dead.”I want to say to you today, don't seek after the popularity of men, of society, of this world, rather seek after the King of Kings and the Lord of Lords, the Alpha and the Omega, the Beginning and the End, a Friend who sticks closer than a brother, Jesus Christ. Rather be like Him, and you will live a long time and you will live a peaceful life because when you follow Jesus, He gives you life eternal! Jesus bless you and have a wonderful and quiet day,Goodbye.

Ryan is a pop-rock artist whose music blends emotional honesty with classic rock inspiration. Raised in a musical household, he started performing as the drummer in a band with his sibling, touring the UK as a teen with the Euphoria. Influenced by legends such as Queen, the Beatles and Led Zeppelin, he later fused that vintage energy with the edge of Muse, Green Day, Panic! At the Disco and My Chemical Romance. After struggling during the pandemic and entering rehab in 2021, songwriting became his lifeline. Now sober and thriving, Ryan is one semester away from graduating USC's Thornton School of Music and has grown a following of over 500,000 on TikTok with original songs and viral covers. With performances at venues like the Viper Room, Whisky a Go Go and the Moroccan, he continues to share music borne from personal struggle. For Ryan, "The Voice" is the next step to push himself and bring his story to a larger stage.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

While Noam Dworman is away, Dan Naturman and Periel Aschenbrand are joined by The Atlantic's Helen Lewis. They discuss The Riyadh Comedy Festival, Lewis's book, The Genius Myth and The Beatles. Then Sheba Mason drops by to talk about her play about her late father, The Jackie Mason Musical.

AAAAY!!!! It's another COBRORIGINS ep! This week LC and Bakko wouldn't be doin' our job if they didn't talk about the recent revelation of the Beatles circle jerk, Ozzy letting us know that just because it's his final tour, that doesn't mean he's never going to tour again. Bakko and LC offer their own "Man on the street" reviews of Grand Rocktember and a Collective Soul concert. And they play music they randomly picked via five knuckle shuffle from their own CD collections from the letters A-C. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Paul dives into the essential "Basic Eight" beginner open chords every guitarist needs to know. Whether you're just starting out or want to refine your chord technique, this episode gives you a clear roadmap for learning the key shapes, practicing them efficiently, and putting them to use in real songs. Plus, you'll get valuable tips to overcome common challenges and ideas for songs to play with your new skills!Key Topics CoveredBeginner Guitar Academy News:Upcoming "Sip and Strum" live Zoom workshop: Learn to play "Zombie" by The Cranberries (Sunday, Nov 16th, 8 pm). Includes chord and lead parts, plus ideas to spice up the arrangement for all skill levels.The Basic Eight Chords Explained:Five essential major chords:A MajorC MajorD MajorE MajorG MajorThree vital minor chords:A MinorD MinorE MinorPaul Andrews guides you through finger placement, common problems (like muting and reaching), and practical workarounds.The 3F Chord Method:Flat Thumb: Keep thumb on the back of the neck, pointing up for strength and support.Fingertips: Press strings with the very tip of your finger for clarity.Fret: Place fingers close to the fret wire to minimise buzzing.Chord Challenges and Pro Tips:How to avoid muted or buzzing stringsProper hand and thumb positioningStretching routines for tricky chords (check out the Quick Tips section at Beginner Guitar Academy for more!)How to Practice Chords – The 3S System:Shape: Drill finger placement until you have muscle memorySound: Pick through each string to ensure clarity, troubleshoot any buzzes or mutesSpeed: Practice chord changes with shortcuts and minimal movement. Use a timer or a metronome to track progress!Songs to Play With The Basic Eight Chords:"Hey Joe" by Jimi Hendrix (Great for major chord practice: cycles C-G-D-A-E)"Espresso" by Sabrina Carpenter (D Minor, E Minor, A chord progressions)"Never Met a Girl Like You Before" by Edwyn Collins (Requires capo at fret 3, uses A minor, D minor, and E minor)Bonus: Episode 173 of the podcast covers "10 Easy Songs to Learn on Guitar" for even more practice inspiration!Resources MentionedEpisode PDF: Download a visual chord sheet for these eight essential chords here.Community & Workshops:Upcoming Sip & Strum event details in the Beginner Guitar Academy community.Song section features curated songs using these chords.Campfire songs and additional workshops are available for members.YouTube Channel: For visual learning, check out the video version on www.Beginnerguitaracademy.tvEpisode TakeawayWith these eight chords under your belt, you'll unlock hundreds of songs across all styles, from classic rock to modern pop, including hits from the Beatles, Green Day, Bob Dylan, Bob Marley, and more. Use the chord sheet PDF, practice with the 3F and 3S methods, and challenge yourself to build speed and fluidity!If you enjoyed the episode, please leave a review on Apple Podcasts or Spotify to help more beginners discover the...

Snoozing San Fran train conductor joyride, new Epstein emails mention Trump, Being Eddie Murphy on Netflix, drunk driver gets stuck in Ulta, Marshawn Kneeland's suicide, Maz joins us as the NCAA punishes MSU, and Jim's Picks: Top 10 Songs the Beatles covered. Check out our YouTube...Subscribe...And turn on notifications! We're about to pass Guru Jugat. Howard Stern talked about Doug Podell on his show yesterday. RIP Cleto Escobedo. Jimmy Kimmel cried hard over his friend. Merch is on its way! Go to CallHallFirst.com/game to win tickets to the Michigan vs Ohio State game. Being Eddie on Netflix is out now. Check it out. The worst story of the year, the suicide of Dallas Cowboy Marshawn Kneeland, takes a turn for the worse... San Francisco train operator falls asleep at the wheel? Then gives the perfect excuse. That's the only excuse we'd expect. Crazy video of a drunk lady driving through Ulta in Royal Oak. Some people are saying they'll be temporarily closed. Szott Ford brings you a new Bonerline. Lesbian Tish Hyman argues in front of Californians about dudes (aka trans men and women) in locker rooms. Somehow, the black lesbian woman gets shot down by everyone. Trans people are the most important. We get Tom Mazawey on the phone to talk some Detroit Lions. Aidan Hutchinson hurt his elbow holding his phone too much like Maz. Jamo had his "sex" hat blurred. Detroit Lions vs Philadelphia Eagles predictions. Scott Boras waxes poetic about Tarik Skubal. MSU has to vacate football wins for cheating. Dave Landau's show, Normal World, is officially over today. More Island Boys news, as Flyysoulja breaks his silence and is 6 days sober. Jennifer Aniston is looking hot as hell on the cover of Elle magazine. Timothy Chalamet is catching heat for saying something about women and children. Drew feels bad for James Charles. His following is dwindling. Donald Trump is in hot water for the newest Jeffrey Epstein email drop. Meghan Markle is quite possibly the worst actor ever. But make sure to watch her Christmas Special on Netflix December 3. Jim's Picks: Top 10 Songs the Beatles cover. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Susie is in the throes of Beatlemania, and she found out who Sarah's favorite Beatle is, and it's hilar (especially the reasoning). We learn about people who cannot see visual images or pictures in their mind, what conditions often correlate with the condition, and the pros and cons to having it. We hear why Susie thinks she has an auditory version of it and we discuss people who have something called "blindsight," where their eyes and brain can see things, but they aren't conscious of it, so they are ostensibly blind, but behave as if they aren't. Sarah describes a documentary about a school principal who hypnotized his students and three of them wound up dead. We discuss a nanny who was hired for a wealthy family and moved into their guest house, but when she was fired she refused to leave and invoked "squatter's rights." We debate the virtues of these strange laws that allow people to take over other people's residences.Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:Want to feel safer in online dating? Download Hily from the App Store or Google Play or check out https://hily.comCancel your unwanted subscriptions and reach your financial goals faster at https://rocketmoney.com/braincandy today.Get 65% off the yearly pass with code braincandy69 at https://beducate.me/braincandy69See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A New Friend: Huge news for the Jimandthemalos, Violent J was nice enough to give a very special message to all the Filth Pigs out there and let them know to get ready for the Tots TURNT Toy Drive. THE DUKE! Also Jim and Them promo on Juggalo Championship Wrestling! Feldmas & Goonies Lego: Feldmas came early with a hot new Christmas song that goes by the name of "Vampires Ballad". Also a huge Goonies Lego set has been released and they don't get Corey to market it!? Live Instagram: We look back on the halcyon days of September 2025 when Corey Feldman did an IG live listen of his 22 For 4 Beatles inspired EP. COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, POST COREYWEEN FUGUE STATE!, FELDMAS!, FELDSGIVING!, REAL ONES!, COREYWEEN HANG!, PO BOX!, STICKERS!, COREYWEEN 2.2 BOX SET!, CANDY!, COASTERS!, SUNGLASSES!, JARED LETO JOKER GIRLFRIEND!, HORROR!, TOTS TURNT!, SNEAK PEEK!, TOY SHOPPING SPREE!, FIRE DEPARTMENT!, VIOLENT J THE DUKE!, ICP!, INSANE CLOWN POSSE!, NOT A CAMEO!, JESSE VENTURA!, ALIVE?!, DEAD?!, WRESTLER!, TOO FAR!, JURASSIC PARK!, CHRISTMAS MUSIC!, VAMPIRES BALLAD!, ADRIEN SKYE!, JOLLY!, FESTIVE!, PUPPETS!, MARIAH CAREY!, JEFF!, HOME SCHOOLED!, COKE HOURS!, CHORDS!, AEAEAEA!, RETRO ROCK!, I'M A MESS!, LOVE!, MEDLEY!, EMBARRASSED!, PISSING!, BUDDHA!, BUDAPISS!, KARAOKE!, DRUMS!, AIR DRUMS!, PISS PROTESTORS!, PHYSICAL COPIES!, SALES!, EP RELEASES!, DANCING WITH THE STARS!, NEW SONG!, PACT!  You can find the videos from this episode at our Discord RIGHT HERE!

Terry Ryan Talks Beatles and Paul McCartney! His mom also makes a quick guest apperence Why Rememberance Day is EXTRA Important for Terry Ryan You can now watch episodes of Tales with TR on YouTube! Head over to https://www.youtube.com/@THPN to watch the latest episode Check out TerryRyan.ca Welcome to Tales with TR: A Hockey Podcast presented by The Hockey Podcast Network. Join former Montreal Canadiens' first-round draft pick & Shoresy star Terry Ryan, as he talks about the sport of Hockey, brings on various guests, and shares tales of his life and professional hockey career. Why Rememberance Day is EXTRA Important for Terry Ryan Host: Terry Ryan @terryryan20 Network: @hockeypodnet Editor: Isha Jahromi - "The City Life Project" on Youtube Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“And we got a new Beatles song. I can't believe we're talking about the Beatles…. But John Lennon recorded a really corrupted vocal before he tragically died, and it was just kind of there because of some stem separation tech that is only possible because of machine learning. They were able to clean up the vocals, fully on board with the John Lennon estate and the remaining Beatles members, and there's a few others, but this is interesting. It's just, it's a new way of engaging with audio that people, fans are showing that they really like.” – Drew ThurlowThis episode's guest is a former professional musician turned music executive and strategist. He served as Senior Vice President of A&R at Sony Music and has held leadership roles at both Pandora and Warner Music. As a graduate of Brown University with a master's in Technology and Leadership, he blends creative insight with business acumen. His writing has appeared in Billboard, and he remains a sought-after voice on the intersection of music, tech, and innovation. His first book, “Machine Music: How AI is Transforming Music's Next Act,” will be published in 2026.His name is Drew Thurlow, and he's also a fellow jury member for the International Sound Awards, which is how we met. As someone on the forefront of music and technology, he has a lot of great advice for sound creatives wanting to make their mark – both now and into the future.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(0:00:00) - Evolution of Music Industry and TasteOur conversation starts off with Drew's early memories of sound and his start as a musician. “I was one of those kids,” he recalls, “who just didn't have idle time without a guitar in my hands, and I didn't think too much about it. I wasn't super self-reflective about it, I just kind of like followed my instincts and continued to do that.” He tells us more about his career journey as a music executive and explains how much the business has changed since he first started out. “There's the whole influencer thing wrapped up in it,” he says, “and the way people, especially Gen Z and younger millennials, fall in love with personalities and artists is different. It's not necessarily bad, it's just different.”(0:12:36) - AI Impact on Music IndustryAs the first half of our discussion wraps up, we turn to the question of whether AI might replace human artists, and Drew offers some surprising statistics. “From our best, really good estimates by places like Deezer and Spotify,” he says, “AI-generated music, even though it's a measurable percentage of all the songs on [digital service providers], is a third of a percent of the royalty pool, and I just want to reiterate that it is a rounding error. Nobody wants this music.” He shares his thoughts on where AI is heading and some of the ways it might help transform the music industry. “On the business side,” he tells us, “there's a lot of evidence that these fans want to engage with music in cool and interesting ways, and these AI tech tools allow them

¿Existen realmente los Illuminati que eligen qué música y a qué artistas escuchamos?En este episodio #PARANORMAL junto a Barbie Muriel revelamos los secretos de la elite en la música urbana.Acompáñame a descubrir cómo funciona el sistema que exprime a los artistas, el porqué de sus repentinos cambios de imagen y cómo los conciertos masivos no son solo entretenimiento, sino rituales que consumen tu energía.Analizaremos la simbología oculta en los videos de Raw Alejandro, el significado de su álbum Saturno, el caso de los The Beatles en su Proyecto Liverpool, las extrañas coincidencias en los conciertos de Taylor Swift, Kanye West, Travis Scott y la elite secreta detrás de Shakira y Bad Bunny.¿Cómo proteger tu energía de estas entidades y artistas en conciertos? Aquí te lo comentamos.