Podcasts about RCA

Mihai Morar îl are invitat pe CEO – ul care nu și-a negociat niciodată salariul: Virgil Șoncuțean,  omul aflat la al 3 - lea mandat în fruntea Allianz Țiriac Asigurări România.Lumea asigurărilor este departe de a fi cunoscută și apreciată la justa valoare de către români. Posibil pentru ca mulți o percep ca parte din obligațiile fiscale impuse de către stat. Însă întregul concept al asigurărilor depășește cu mult polițele obligatorii RCA sau PAD, de altfel soluții eficiente în gestionarea unor accidente deseori costisitoare. Să fii asigurat înseamnă să fii în siguranță. Liniștit. Să te poți dezvolta fără teama situațiilor neprevăzute. Pentru ca ele au fost de fapt prevăzute deja de firma de asigurare, cea care va fi lângă tine când îți va fi greu.Unul dintre liderii pieței locale de asigurări ne conduce astăzi prin bucătăria internă a unui business privat cu veleități de serviciu comunitar. Află direct de la sursă ce tipuri de asigurări îți poți face și care sunt prioritățile. Ce se întamplă cu banii plătiți și cum poate face sistemul momentelor de criză. Cu câți bani și-a susținut Allianz Țiriac clienții când aceștia au avut nevoie de ajutor și de ce nu sunt recomandate cele mai ieftine polițe de pe piață.Descoperă modul în care îți poți oferi o plasă de siguranță în viață... cu doar 40 de lei pe lună! Cum? Îți spune managerul anului în România.Virgil Șoncuțean la Fain & Simplu.Cu Mihai Morar.

Au menu de l'actualité : L'intelligence artificielle au centre d'un sommet à GenèveAu Soudan du Sud, l'ONU largue par avion de l'aide humanitaireEn RCA, une activité ancestrale : l'extraction artisanale du sable Présentation : Jérôme Bernard

After setting the stage by understanding producer Felton Jarvis's career leading up to his early collaborations with Elvis, we continue to investigate and interrogate the fan belief that he was singularly to blame for the "syrupy" overdubs that diminished the "pure" unfinished tracks. Helped along by a 1980 interview done between Felton and Jerry Flowers of RCA in which the producer talks about his career retrospectively, Justin and Bec trace Felton's journey as Elvis hires and hand-picks him to be his exclusive producer, taking Felton away from RCA and other artists so that Elvis can, as a largely autonomous artist whose only studio commitments during this decade are to send periodic deliverables to RCA, work at his own pace and create the kind of recordings that he truly wants. But was Felton truly to blame for the overindulgent strings and horns that were added to Elvis's music, or is there someone else that we've collectively overlooked? And has the narrative been all wrong and the way we even talk about "overdubs" been clouded by a widespread "rockist" misunderstanding of both Elvis and Felton, their respective jobs and tastes, and misunderstood expectations of the kind of music both fans & critics thought Elvis "should" be making?  The duo examine Elvis's live performances in relation to his studio work, touch on a few more non-Elvis records produced by Felton, and even revisit the 1981 "Guitar Man" project Felton spearheaded before his early death to see if it provides clearer insight into the producer's preferences and tastes. For Song of the Week, Bec makes a promise that "It Won't Be Long," covering the recording cut from "Double Trouble," while Justin goes prospecting because he's pretty sure "There's Gold in the Mountains" still to be dug up from "Kissin' Cousins." Some of the resources consulted for this and the last episode included, even if not quoted or mentioned in the final episode: Felton Jarvis's 1980 Interview with Jerry Flowers of RCA William Bozeman: "Felton Jarvis: The Man Behind the Music" from Elvis Express Magazine Peter Guralnick: Careless Love: The Unmaking of Elvis Presley Roben Jones: Memphis Boys: The Story of American Studios Rick Hall: The Man from Muscle Shoals: My Journey from Shame to Fame Norbert Putnam: Musical Memories, Volume 1 Ernst Jorgensen: Elvis Presley - A Life in Music Ernst Jorgensen & Peter Guralnick: "Elvis Day By Day" and "The Complete Masters" Ernst Jorgensen, Johnny Mikkelsen & Erik Rasmussen: Reconsider Baby: The Definitive Elvis Sessionography Elvis Music FAQ by Mike Eder Alanna Nash: "Revelations from the Memphis Mafia" & "The Colonel" Luther Moore: "Felton Jarvis Re-Appraised" from Elvis: The Man & His Music magazine Brian F. White's Interview with Norbert Putnam: https://www.brianfwright.com/interviews/norbert-putnam Michael Nesmith: Infinite Tuesday - An Autobiographical Riff TapeOP's Interview with Chip Young: https://tapeop.com/interviews/124/chip-young Various reviews, articles, editorials, and interviews compiled from across Elvis Australia, Elvis Information Network, Elvis-History-Blog, Elvis Monthly, Strictly Elvis, Arjan Deelan as well as Discogs, KeithFlynn.uk, Elvisconcerts.com and other resources online.

Intrigued by the premise presented by the recent Sony box sets like "Sunset Boulevard" describing Elvis's undubbed recordings as "pure," Justin decided to investigate the story behind the man who has borne most of the heavy criticism aimed at the production on Elvis's music, Felton Jarvis, who was Elvis's main producer from 1966-1977. While we've previously touched on Felton's work as a producer in our "Elvis and His Producers/Elvis as a Producer" episode, realizing we may not have given him a fair shake, on this episode Justin and Bec investigate Felton's early work at National Recording Corporation (NRC) in Atlanta, Georgia, his time at ABC-Paramount working with Tommy Roe, Fats Domino, Lloyd Price, the Muscle Shoals Rhythm Section and.... "Vince Everett"? They trace Felton's move to RCA Victor producing many successful acts and hit records in the field of country music in the mid-1960s and, naturally, his first sessions with Elvis across 1966-1968, chief among which was the How Great Thou Art project, which won Elvis his first-ever Grammy Award. Laced throughout are stories of a warm-hearted, good-natured Georgia boy - who loved Elvis Presley and dreamed so hard to one day produce his hero's music that he manifested it - from collaborators, friends and historians who have tried to relay some of Felton's story, as well as audio from Felton himself in conversation with RCA's Jerry Flowers in 1980, discussing his career in hindsight. Part 2 will even more directly interrogate the idea that Felton was, as so frequently repeated by Elvis fans over nearly 4 decades, singularly to blame for the "syrupy" overdubs that were a hallmark of Elvis's 1970s output, as Justin builds a case to convince Bec that she and everyone else - including sometimes even Justin himself - has been wrong all these years! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Skwigly presents Animation One-To-Ones featuring featuring Luzie Lilie in conversation with May Kindred-Boothby, director of the RCA short film 'The Eating of an Orange'. A director, animator and writer based in Bristol, May Kindred-Boothby has worked freelance within animation for around 9 years. Her work focuses on surreal explorations of sexuality and convention, told through a colourful and painterly hand drawn style. 'The Eating of an Orange' is her first directorial short and is currently doing the festival rounds, having recently screened as part of the prestigious Annecy festival with upcoming screenings including INBETWEENS, a celebration of contemporary queer animation taking place July 8th at Bristol's Cube Microplex in association with Bristol Animation Meetup (BAM) and the returning Encounters Film Festival. Tickets available at https://www.headfirstbristol.co.uk/whats-on/the-cube/tue-8-jul-inbetweens-131332#e131332 In a large manor house, identical figures eat the same, move the same, look the same. But everything will change for one woman when she gets given an orange by an unknown figure. She has never seen an orange. In the exploration of this new and exciting discovery, she gets transported into another realm of lichens, slugs and sensuous fluidity. But how can she balance this with the world she knows? She must make a choice: abandon her discovery, or step forwards into a new way of being. INBETWEENS will also screen 5pm August 23rd at Cardiff's Chapter Arts Centre in association with Skwigly and Cardiff Animation Fesitval. Tickets available soon at https://www.chapter.org/ See more of May Kindred-Boothby's work at www.maykindredboothby.co.uk Interview conducted and edited by Luzie Lilie Produced and presented by Ben Mitchell

In this episode of The Bandwich Tapes, I reconnect with my longtime friend Chad Jeffers. We go back to our days at Belmont University, and it's been incredible to watch his journey unfold, from growing up in East Tennessee playing in family bands to touring the world with some of the biggest names in music.Chad shares stories from his early days performing with his dad and brother, forming the band Raney Nickel, and eventually making his way to Nashville. After double-majoring in music business and marketing at Belmont, he landed an internship with Reba McEntire's company, which gave him a behind-the-scenes education in the industry. From there, his career took off, touring with The Wilkinsons, signing with RCA as part of Pinmonkey, and later joining Carrie Underwood's band.We discuss his experiences performing everywhere from Vegas residencies to overseas military tours, and the lessons he has learned along the way about professionalism, collaboration, and being someone others want to work with. Chad also shares how his creative energy has led him into real estate, where he now helps clients with the same focus and passion he brings to the stage.He even tells us about a new online course he has developed to help entrepreneurs prepare for client meetings, drawing unexpected yet powerful parallels between stage presence and business success.To learn more about Chat, visit his website at chadjeffers.com.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

It's Time To Smile. January 15, 1941. Red net. Sponsored by: Ipana, Sal Hepatica. Eddie's opening monologue is about winter sports and skiing. Dinah Shore sings, "Number Ten, Lullaby Lane." Eddie is in charge of his own motion picture company and guest Phil Harris is going to star in his next picture. Eddie Cantor, Dinah Shore, Cookie Fairchild and His Orchestra, Phil Harris, Harry Von Zell (announcer).Love Story. August 13, 1937. Program #21. MacGregor and Sollie syndication, RCA transcription. "Devil Wind". Sponsored by: Music fill for local commercial insert.Radio Guild. April 13, 1940. Blue Network. "The Ineffable Essence Of Nothing". Sustaining. "A fantasy for radio." A truly creative experiment in radio drama, and thoroughly enjoyable. A man walks through an enchanted doorway into his own future. The script was broadcast twice previously in 1938, "the second performace in its second version.". Ian Martin, Ian MacAllaster, Ranald MacDougall (writer), Eric Dressler, Howard Smith, Harry Nevel, Lotte Stavisky, Kay Lee, Gene Hamilton (? announcer)Rogers Of The Gazette. June 10, 1953. CBS net. Sustaining. Will is planning to write a story about Lance O'Neill, Illyria's famous artist, despite the opposition of the powerful Mrs. Hannibal. No music cues. The date above is possibly the recording date, July 8, 1953 is possibly the broadcast date. See cat. #65176 for the final show with music cues. Will Rogers Jr., E. Jack Neuman (writer), Georgia Ellis, Parley Baer, Byron Kane, John Dehner, Mary McGovern, Howard McNear, Bob Lemond (announcer), Norman Macdonnell (producer, director), Walter Brown Neuman (writer).Rocky Fortune. February 16, 1954. NBC net. "One Husband Too Many". Sustaining. Fine cops and robbers with Frank in a straight non-singing role. Well-written and fine Sinatra. A case of too many husbands after Rocky is hired by a beautiful woman to kill her husband...for $5000!. Frank Sinatra, Betty Lou Gerson, Barney Phillips, Norm Sickle (writer), Andrew C. Love (director), John Stevenson, Maurice HartSuspicion_1935_e001_Double_CrossThe Shadow. September 26, 1937. Mutual net. "The Death House Rescue". Sponsored by: Blue Coal. The first show of the series with "The Shadow" as a force against crime and not just a phantom announcer. Just before an innocent man is to be executed for murder, The Shadow uses mental telepathy to get the goods on the real killers. A good show with an intelligent plot. Orson Welles, Agnes Moorehead, William Johnstone, Jeanette Nolan, Ray Collins (triples), Paul Stewart, Elia Kazan, Everett Sloane (quadruples), Paul Huber (commercial spokesman), Frank Readick (opening and closing voice), Arthur Whiteside (announcer), Edward Hale Bierstadt (writer), Elsie Thompson (organist), Clark Andrews (producer), Martin Gabel (director), Edith Meiser (story editor), Walter B. Gibson (story consultant), J. R. Poppele (sound engineer), Thomas Coffin Cooke (commercial spokesman, as "John Barclay"), Walter Gibson (writer). TOTAL TIME: 2:53:47.643SOURCES: Wikipedia and The RadioGoldindex.com

Mukharvinda Prabhu was telling us, during our program at 12 noon, about an engineering principle: that if you're trying to solve a problem and it's not easily solved, you have to go back and look at the root. It's called the RCA- root cause analysis. So, Kṛṣṇa consciousness is a root cause analysis, and the root cause of all problems, all confusions, and complexities has to do with forgetting Kṛṣṇa. And so, that's why chanting japa feels like such a relief, because most of our lives are moving from one place to another, trying to solve a problem, and as soon as we solve one problem, if we ever do, then another one comes, or maybe a multiple of the first ones, like a hydra. But when we go to the RCA and we take the advice of the śāstra, which is, "Always remember Kṛṣṇa, never forget Kṛṣṇa," and then to the very clear philosophy of Śrī Caitanya Mahāprabhu, which is, "Kṛṣṇa is fully present in his name," also, of course, the philosophy of the Śrīmad Bhāgavatam—āpannaḥ saṁsṛtiṁ ghorāṁ, Kṛṣṇa and His name are non-different—then we naturally feel happy to chant Hare Kṛṣṇa. What's more, if we're trying to find the solution to a problem and we can't find it, better chant Hare Kṛṣṇa. And if we feel that life is overwhelming us, better chant Hare Kṛṣṇa. So, thank you for being among the sumedhasah, as mentioned by Karabhajana Muni in the Śrīmad Bhāgavatam. Those who take to this chanting are extremely intelligent, because they've figured out the RCA. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #makejapagreatagain #mantrameditation #chantharekrishnaandbehappy #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

從RCA計畫開始、貫穿50年台灣半導體產業發展史的紀錄片《造山者：世紀的賭注》，讓許多不懂半導體產業的一般人，開始理解台灣如何藉由「累積」創造出全球半導體奇蹟。片中採訪了八十多位重要參與者，是「向過去致敬」的重要紀錄。同時影片最後也提醒了大家，台積電魏哲家董事長到美國白宮召開的投資記者會，宣示了產業生態的大幅轉變，身在台灣的我們，應該如何「向未來探索」？黃欽勇Facebook https://www.facebook.com/hwangchinyeong

Pachetul de măsuri fiscale va fi anunțat săptămâna viitoare. Foarte probabil TVA va fi reașezat la două praguri, anunță premierul Ilie Bolojan. Guvernul analizează extinderea bazei de contribuabili la sănătate în timp ce Bursele elevilor vor fi reconfigurate, iar sporurile vor fi reevaluate. Premierul Ilie Bolojan a anuntat principalele măsuri fiscale pe care le va lua guvernul saptamana viitoare. A fost si prima conferință de presă de la preluarea funcției. Declarațiile vin după ședința de guvern în care a precizat că prioritățile executivului sunt reducerea deficitului bugetar și îmbunătățirea colectării fondurilor europene prin PNRR. Potrivit acestuia, sistemul de cote de TVA va trece de la actualul sistem cu trei cote (două reduse, 5% și 9%, precum și generală de 19%) la unul cu numai două cote, taxarea va crește pentru bănci și sectorul jocurilor de noroc, va crește numărul de contributori la sistemul pensiilor de stat. Premierul ilie Bolojan a mai anuntat ca sporurile vor fi reevaluate și trebuie legate de performanță. Adio plafonare RCA. Ce urmează? De marti,1  iulie, dispare plafonarea tarifelor RCA, masura care fusese stabilita acum doi ani dupa falimentul companiei Euroins. Expertul in asigurari Sergiu Costache spune la RFI ca pretul asigurarii obligatorii pentru automobile  nu va creste in prima instanta ci va creste gradual pana la finalul anului cu procente cuprinse intre 5 si 15 la suta asta si in functie de impactul noilor taxe si impozite ce vor fi impuse de  noul Guvern.    Primii Exilați Științifici au ajuns în Franța «Primii Exilaţi ştiinţifici» americani au ajuns la Universitatea din Marsilia    Realizatorull Cronicii Bilingve, Virgil Tănase, a încetat din viață Virgil Tănase, scriitor şi dramaturg francez de origine română, a murit marţi la Paris, oraş în care se refugiase politic în 1977. Pe 16 iulie ar fi împlinit 80 de ani. În ultimii 12 ani l-ati ascultat și la RFI România - unde a realizat peste 300 de cronici bilingve. 

26 06 2025 A LA GRAN 730 - Augusto Paiva, Sub Contralor de la Rca by ABC Color

Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I'm doing on Monday June 30th, 2025 at 7PM. It's Part 2 of the CBS Talent Raids on the early Television era. This webinar focuses on the rise of TV throughout the 1940s and early 1950s as the CBS Talent Raids took hold. If you missed Part 1, don't worry, when you register for Part 2 I'll email you a video of the webinar for Part 1. And if you're interested in this Part 2 webinar and can't make it live on Monday, June 30th at 7PM, don't worry I'll be emailing every person who registers a video of Part 2's webinar as soon as it's done. Here's a link to register — https://www.eventbrite.com/e/the-cbs-talent-raids-part-2-the-early-television-era-webinar-tickets-1419361692029?aff=oddtdtcreator Here's an overview of the webinar below: When David Sarnoff officially launched network television at the 1939 World's Fair in New York City, he intended to have TV sets in everyone's homes by the early 1940s. World War II interrupted his plans. Meanwhile network radio soared in popularity throughout the 1940s. By the fall of 1948, three of the four major radio networks — ABC, CBS, and NBC — were funneling their soaring radio profits into the burgeoning television side of their businesses. And because all individual U.S. citizens were taxed 77% on all income over $70k (roughly $907k today), big stars of the day like Jack Benny, Bing Crosby, and Freeman Gosden had the idea to incorporate their popular shows as businesses in order to qualify for significant breaks under capital gains tax laws. What happened when David Sarnoff and RCA, the parent company of NBC, the nation's #1 network at the time, refused to make this deal with its stars? It's time to uncover how a smart bet by CBS helped it overtake its main rival during the golden age of radio and exactly how this affected the early years of television. Join James Scully — Radio historian and producer/host of Breaking Walls, the docu-podcast on the history of U.S. network radio broadcasting for the second part of this two-part series that explores the events surrounding the CBS Talent Raids of 1948, and the many men and women who benefited from this monumental period in entertainment. In Part Two: Early Network Television, we'll focus on the rise of TV throughout the 1940s and early 1950s as the CBS Talent Raids took hold, including: • From Farnsworth to the 1939 World's Fair — Early TV History and How World War II slowed TV's oncoming growth • How NBC, CBS, and ABC Launched into TV while siphoning radio profits into their TV networks • The Dumont Network and Pro Rasslin' — Could the network have lasted longer? • Berle, Godfrey, Sullivan and The TV ratings landscape as we enter the 1950 • I Love Lucy Launches, forever altering Television viewing • How Television's explosive growth in the early 1950s changed America's way of life • TV's profits are radio's losses Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged!Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Julie Landsman, former Principal Horn of the Metropolitan Opera and teacher at University of Southern California. About Julie: Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989. A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn. She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner's “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center,  Orcas Island Chamber Music  Festival,  and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music  Festival, and the Aspen Music Festival. World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel.  In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany. Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women's Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today's generation of horn players. Landsman currently resides in Santa Barbara, California.

24 06 2025 A LA GRAN 730 - Augusto Paiva, Sub Contralor de la Rca by ABC Color

Au menu de l'actualité :

Can revolution happen in the United States? Not just someday, but in our lifetime — and not just spontaneously, but with strategy. ✊Join the fight against capitalism: https://communistusa.org/join Antonio Balmer explains what it actually takes to overthrow capitalism in the U.S. — drawing lessons from Bolshevism, cadre organization, and modern political conditions. From media strategy to building a disciplined force, this is how revolution is made.

Human Entities 2025: culture in the age of artificial intelligenceNinth editionWed 14 May 2025, 6.30pmArtist Talk: Welcome to Jankspace, babesDaniel FelsteadContent producerJankspace is the leaking residual of the stack as it metabolises meatspace into hallucinogenic sludge. It's the Uberdriver's chaotically impressive multi-display setup of knotted cables, flashing screens and beeping notifications. It's literally us and our gorgeously fucked-up, uncomputable bodies that we know aren't quite programmed right and no amount of optimization is going to fix. In this artist talk Daniel will use the concept of jankspace to explore some of the central themes of his practice, namely, the aesthetic derangement of everyday digital culture, our unhinged mediated bodies, and the idiotic delusions of transhumanism.Daniel FelsteadDaniel Felstead is an academic and content producer whose practice focuses on the relationship between the body, technology, and culture. e is the course leader of MA Fashion Media & Communication at the London College of Fashion (UAL). Daniel has spoken and exhibited internationally including Architectural Association, Berlin Critics Week, Die Angewandte, Fundació Foto Colectania, Global Art Forum, MAPS, ICA, PAF, RCA, RISD, Shedhalle, Transmediale and V&A Museum. His PhD explored speculative modes of production, complex systems and the platform in relation to participatory art. Most recently Daniel has produced a series of critically acclaimed short film commissions that explore the myths, ideologies and realities of the metaverse, AI, biotech and neural media.https://www.instagram.com/felstead.danielCreditsOrganised by CADA in partnership with Lisbon Architecture Triennale and Faculty of Fine Arts, University of LisbonProgrammed by Jared Hawkey/Sofia Oliveira with guest programmers: Andrea Pavoni, Lavínia Pereira and Olivia Bina.CADA is funded by: República Portuguesa – Cultura / Direção-Geral das ArtesSupport: Câmara Municipal de Lisboa; Universidade NOVA de Lisboa, Faculdade de Ciências e Tecnologia – NOVA LINCS; Instituto Ciências Sociais, Universidade de Lisboa; DINAMIA'CET (ISCTE-IUL) and Faculdade Belas Artes, Universidade de Lisboa, Departamentos de Design de Comunicação e Arte Multimédia.Art direction + graphic design: Emir KaryoPhotography: Renato ChorãoSound: Fernando Fadigas

In this episode of RCA Radio, host Brandon Miller sits down with Jessica Schafersman, a design and development expert at RCA®, to break down the increasingly complex world of combination products—those that blend drugs, devices, or biologics. Jessica shares insights on why these products are uniquely challenging, the regulatory expectations companies must meet, and how the FDA guidance that is intended to make the submission process streamlined. From design controls and quality system integration to the importance of human factors validation and international considerations, this episode is packed with practical advice for any company entering or expanding in the combination product space. 

Primul reproș la adresa lui Nicușor Dan în coaliție. „În loc să-l desemneze pe Bolojan premier, a întărit PSD” SURSE (Adevărul) - Eșecul instituțional al Programului Național de Reducere a Abandonului Școlar (EduPedu) - Vara liberalizării noastre (Europa Liberă) - Cine sunt „unioniștii” lui George Simion din Basarabia: plătiți de oligarhii Șor și Plahotniuc, urmăriți penal sau arestați pentru cultivare de marijuana (Libertatea) Primul reproș la adresa lui Nicușor Dan în coaliție. „În loc să-l desemneze pe Bolojan premier, a întărit PSD” SURSE (Adevărul) Președintele Nicușor Dan a stârnit nemulțumire în coaliția de guvernare prin decizia de a amâna desemnarea unui prim-ministru. Mai mulți lideri PNL și USR s-au plâns în partide că strategia lui Nicușor Dan nu face altceva decât să întărească PSD, formațiune care, pe zi ce trece, pune tot mai multe condiții pentru a asigura o majoritate parlamentară, susțin surse din coaliție pentru „Adevărul”. Nicușor Dan e așteptat ca zilele viitoare să desemneze un premier, favorit fiind în continuare Ilie Bolojan. Însă președintele ia în calcul și instalarea unui premier tehnocrat, susțin sursele citate. Singura variantă exclusă e cea a rotativei guvernamentale. De fapt, îl vrea cineva pe Bolojan premier? Săptămâna decisivă (SpotMedia) Începe ceea ce ar trebui să fie săptămâna decisivă pentru desemnarea premierului și constituirea guvernului. Dacă și ea va fi pierdută în discuții sterile, nu numai că dificultățile bugetare ale României ar putea deveni fatale, dar și enervarea publicului ar ajunge la cote periculoase, care ar topi mult din încrederea în noul președinte. Dl Bolojan nu a cosmetizat dezastrul și a vorbit deschis, cu cifrele pe masă, despre inevitabilele creșteri de taxe.   Cât despre funcție, de când s-a pus problema desemnării sale ca premier, în campanie, domnia sa a tot repetat condițiile pentru a prelua funcția: autoritate, echipă și majoritate. Cu alte cuvinte, control total asupra guvernului, atât în privința deciziilor, cât și a numirilor/demiterilor.  Nimeni nu pare a vrea să-i dea această putere firească pentru un premier. În primul rând - PSD, dar oare ar vrea USR, care, ne amintim, a plecat de la guvernare pentru că i-au fost demiși de către premier doi miniștri fără voie de la partid? Ilie Bolojan nu vrea să aibă nevoie de încuviințare de la nimeni pentru a schimba un ministru. Dar oare Nicușor Dan ar vrea?  Dacă îl voia, îl desemna din prima zi, îl punea în capul mesei încărcat cu legitimitatea alegerii tandemului și îl lăsa să-și facă treaba, avertizând că a doua desemnare va fi cu mult mai greu de digerat pentru PSD, sub sabia anticipatelor, comentează jurnalista Ioana ene Dogioiu pe pagina SpotMedia. Sigur, e greu pentru un independent să joace foarte tare, dar nu asta promitea în campanie? CursDeGuvernare semnalează o alarmă nouă:  e vorba despre scăderea bruscă a gradului de ocupare – în cel mai mare ritm de după pandemie. Industria este victima principală. IT-ul pierde și el 30.000 de joburi. De fapt, citim pe pagina HotNews, doar doi din trei români din categoria 20-64 de ani au loc de muncă. Așadar, întrebarea pare să fie, taxe mai mari sau mai mulți români la muncă? Jurnalistul Dan Popa observă că atunci ând vine vorba de buget, România pare prinsă într-un joc de-a „cine strânge cureaua mai tare”: statul sau contribuabilul? Dar dacă, în loc să ne tot numărăm găurile de la curea, am încerca să adăugăm mai mulți români la masa de prânz a economiei? Până la urmă, cu cât suntem mai mulți la plată, cu atât va fi mai mică nota de plată pentru fiecare. Eșecul instituțional al Programului Național de Reducere a Abandonului Școlar (EduPedu) În runda I, peste 140 de școli nu au cheltuit niciun ban pentru reducerea abandonului școlar – raport al Ministerului Educației. Asta deși 356 de persoane din inspectoratele școlare au fost plătite cu 4,5 milioane de euro timp de 2 ani pentru a le ajuta să implementeze proiectele. Vara liberalizării noastre (Europa Liberă) Începând cu 1 iulie 2025, toți românii vor simți direct efectele unei triple liberalizări: dispar plafonarea prețurilor energiei, plafonarea prețurilor unor alimente de bază și se schimbă mecanismul de reglementare a polițelor RCA. Guvernul susține că măsurile sunt necesare pentru a reveni la o economie de piață funcțională. Pentru milioane de familii, urmează o perioadă cu cheltuieli lunare semnificativ mai mari. Cine sunt „unioniștii” lui George Simion din Basarabia: plătiți de oligarhii Șor și Plahotniuc, urmăriți penal sau arestați pentru cultivare de marijuana (Libertatea) Alianța pentru Unirea Românilor a promovat în ultimii ani mai multe persoane din Republica Moldova pentru a încerca să dezvolte rapid o filială și dincolo de Prut.  Gruparea politică condusă de George Simion a reușit să atragă în mare parte doar oameni care au avut probleme cu legea, legați de oligarhii Șor și Plahotniuc sau care sunt mai mult interesați de afaceri decât de politică.  O parte dintre membrii înscriși în prima fază au renunțat ulterior la AUR Basarabia, semnând plecări cu cântec din partid. Continuarea în Libertatea.

In this episode, Frank talks about CPQ Podcast listener feedback. We've heard from many of you that the podcast brings value in different ways—whether it's preparing for job interviews, learning about new CPQ solutions, or gaining insights from inspiring leaders and fresh ways of thinking. To help more like-minded listeners discover the CPQ Podcast, we kindly ask you to leave an online review—especially on platforms like Apple Podcasts, Spotify, or Google Podcasts. Reviews make a big difference in helping others find the show. We also share a quick update and acknowledgment about the CPQ Sales Report, including its online availability and the latest edition. Finally, please note that registration for the June/July 2025 webinars will open on June 17. If you have any questions, feel free to reach out to us at Info@NovusCPQ.com —we're happy to help!

John Peterson outlines the revolutionary processes developing in American society—and how we must prepare as communists. Recorded at the Second National Congress of the RCA on May 31–June 1 in Philadelphia. Read our 2025 US perspectives here: https://communistusa.org/where-is-america-going/ ✊Join the fight against capitalism: https://communistusa.org/join

新鮮事、新奇事、新故事《一銀陪你聊“新”事》 第一銀行打造公股銀行首創ESG Podcast頻道上線啦 由知名主持人阿Ken與多位名人來賓進行對談 邀請您一起落實永續發展 讓永續未來不再只是想像 各大收聽平台搜尋：ㄧ銀陪你聊新事 https://sofm.pse.is/7qknax -- 小福利麻辣鍋-最強麻辣火鍋加豐盛Buffet，平日698起，美味通通無限享用！ 有頂級和牛、安格斯黑牛、天使紅蝦，多款海陸食材吃到飽！ 還有炸蝦天婦羅、職人炙燒握壽司、以及哈根達斯！ 美味一次滿足，請搜尋「小福利麻辣鍋」 https://sofm.pse.is/7qr2q9 －－－－以上訊息由 SoundOn 動態廣告贊助商提供－－－－ 全球對台灣晶片的依賴愈來愈深，「矽盾」的戰略意涵何在？它是保障、還是風險？在中美科技戰與地緣政治緊張的當下，台灣的企業與政府應如何應對這場大國競逐？聯電創辦人曹興誠在紀錄片「造山者」中受訪，當年進入工研院電子研究所參與RCA技術轉移計畫，被視為台灣半導體產業的起點。從工研院到創辦聯電，成為台灣第一家民營半導體業者，初期面對技術、市場與資金等挑戰，是如何克服的？是否有一個關鍵時刻改變了聯電的命運？曹興誠在1990年代主導聯電轉型為純代工模式，這樣的決策為何能成功？當時是否遭遇內部阻力？聯電與台積電有什麼本質上的差異？回顧工研院技術商轉與聯電的成功經驗，這套模式今天還適用於其他創新產業嗎？台灣半導體能有今天的成就，政府政策扮演了什麼角色？站在企業家與公民的雙重身分上，曹興誠對下一代台灣青年與創業者有什麼期待與建議？精彩訪談內容，請鎖定@華視三國演議！ 本集來賓：#曹興誠 #矢板明夫 主持人：#汪浩 以上言論不代表本台立場 #造山者 #聯電 #半導體 #AI 電視播出時間

SUBSCRIBE TO IMPOSSIBLE WAY OF LIFE ON PATREON TO ACCESS FULL EPISODEhttps://www.patreon.com/animpossiblewayoflifeNilsson month continues and we are joined again by IWOL three timer's club member Johanna Samuels to discuss Harry Nilsson's "Ariel Ballet". This is the second of Harry's trapeze-like vocal showcase albums for RCA and, with the inclusion of "Everybody's Talkin'", the one that really made him a star. 

In the May 2025 edition of the Coldwell Banker Commercial podcast, the team celebrates the achievements of their professionals, highlights educational opportunities, and introduces new tools like RCA for enhanced data access. We reflect on the success of Market Tales segment, while also discussing emerging trends in commercial real estate, particularly in data centers and life sciences.

當金曲歌后徐佳瑩發現在 Uber Eats 上（應該）都點得到，居然狂點一波！雖然點不到白馬和失落沙洲，但香水、辣椒或其他吃的用的都點得到～快上 Uber Eats 想要的都點點看 ⮕ https://fstry.pse.is/7nlf4p —— 以上為 KKBOX 與 Firstory Podcast 廣告 —— 曾獲2座金馬獎最佳紀錄片獎的導演蕭菊貞花5年拍攝新紀錄片「造山者－世紀的賭注」，訪問超過80名見證產業的重要人物，是台灣首部以半導體發展為主題的紀錄片。 蕭菊貞表示，這部紀錄片是她拍攝過最不安卻也最難放下的主題，過程中遭遇全球半導體競賽、美中貿易戰的科技對抗，或是AI出現的影響，讓她不斷自問：「如果5年前能預知台灣此時將面臨的所有難題，當年我敢拍這個題目嗎？」面對壓力就會想起國家有難時，仍有一群人守護國家，讓她相當感動，也認為不該輕易妥協，「因為這段歷史不能忘記，它不只是一段關於台灣半導體的故事，更是台灣這座島嶼面對生存，所走過的艱辛路徑。」 #寶島聯播網 #鄭弘儀 #寶島全世界 #蕭菊貞 #造山者 #台積電 #半導體 #川普 #RCA #魏哲家 #張忠謀 小額贊助支持本節目： https://open.firstory.me/user/clw4248xv113d01wg7s4h2xnq 留言告訴我你對這一集的想法： https://open.firstory.me/user/clw4248xv113d01wg7s4h2xnq/comments Powered by Firstory Hosting

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The sports network ESPN owes its existence to Tulsa's own George Conner. After graduating from the University of Tulsa with a marketing degree in 1964, George went to work for Skelly Oil in downtown Tulsa.When Getty Oil gained control of Skelly in 1974, George became a finance manager and was asked to study a proposed Connecticut-based Cable Television network committed to all-day, every-day sports programming. George approved the project and Getty Oil made an initial investment of $10 million which grew to $160 Million. ESPN went live on September 7, 1979. Co-founder Bill Rasmussen stated: “I still firmly believe that, without Conner as the bridge to Getty money, there would have been no ESPN.”Listen to George talk about the beginning of this new concept of a 24-hour sports network and his role in establishing ESPN on the podcast and oral history website VoicesOfOklahoma.

De 'Plural', disco con el que el armonicista brasileño Gabriel Grossicelebra 25 años en la música, 'Motion' -con los teclados de Jacob Collier-, 'Nosso amor vadio' -con la voz de Zelia Duncan-, 'Onde nascem as ondas' -con la voz de Ed Motta-, 'Paisagem' -con el clarinete de Anat Cohen- y 'Hermanos' -con la guitarra de 7 cuerdas de Yamandu Costa-. Hace 60 años que Astrud Gilberto grabó en los estudios de la RCA en California su primer LP, 'The Astrud Gilberto Album', que contiene canciones de Jobim como 'Água de beber', 'Dindi', 'Photograph', 'Dreamer' o 'Só tinha de ser com você'. También la escuchamos en 'The face I love', 'I had the craziest dream' y 'Misty roses', del disco 'Beach samba', y en 'Call me', 'It´s a lovely day' y 'Good bye sadness' de su disco con Walter Wanderley 'A certain smile, a certain sadness'.Escuchar audio

Summer is just around the corner and we have a bunch of outdoor activities happening in the neighborhood! Our featured topic takes us back to the early years of one of the most iconic companies when it comes to media recording and broadcasting, RCA! Throwback Thursday interview with Morgan Pinkstone to talk about her music projects and The Primaries!

Brent & Johnny welcome a longtime friend, Anthony Orio, to The Challenge, where they cook up 5-6 different conceptual angles for writing a song titled "Broken Lines," sent in by CLIMBer, Andrea Shihady. Anthony Orio is a singer/songwriter who was featured in ASCAP's Hot On The Row series, he's performed at The Grand Ole Opry, The Ryman Auditorium, The Bluebird Cafe, he and his band The Goodfellers have remained a top draw on Broadway at the World Famous Tootsie's Orchid Lounge and Kid Rock's and they were named "Best Band In Nashville" four consecutive years in a row by the Tennessean's Toast of Music City Awards. Anthony has succeeded as a songwriter with cuts by Grammy award-winning country music legend Ray Stevens, former RCA recording artist Andy Griggs, and Curb Records' Tim Duggar. Connect with Anthony Orio Here: Facebook: @AnthonyOrioMusic Instagram: @AnthonyOrio YouTube: @AnthonyOrio Spotify: @AnthonyOrio The C.L.I.M.B. Show is dedicated to helping singers, songwriters, indie artists and industry pros "Create Leverage In The Music Business." We want you to win! About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens, Gord Bamford and more.  He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros.  You can find Brent at SongwritingPro.com/Baxter and  SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others.  You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick is joined by ITV presenter Oli Bell to discuss the latest from around the racing world. With a view to this weekend's Classics, they are joined by Brian Meehan and Kate Harrington to discuss Rashabar and Hotazhell respectively, while Harrringtom also has news of Green Impact's next target. Also today, Wathnan's manager Richard Brown tells Nick about two potential Derby candidates, while the RCA's Kevin Walsh talks about the new Summer Jumps Championship, and Nick and Oli assess GBR's latest marketing effort as they kick off the Going is Good campaign. Plus, Luis Kimmel from GaloppDaily joins with important news from Germany, while Richard Chugg joins the show having joined his family in collecting awards at the TBA National Hunt evening at Doncaster as breedrers of The New Lion and Katsura.

Nick is joined by ITV presenter Oli Bell to discuss the latest from around the racing world. With a view to this weekend's Classics, they are joined by Brian Meehan and Kate Harrington to discuss Rashabar and Hotazhell respectively, while Harrringtom also has news of Green Impact's next target. Also today, Wathnan's manager Richard Brown tells Nick about two potential Derby candidates, while the RCA's Kevin Walsh talks about the new Summer Jumps Championship, and Nick and Oli assess GBR's latest marketing effort as they kick off the Going is Good campaign. Plus, Luis Kimmel from GaloppDaily joins with important news from Germany, while Richard Chugg joins the show having joined his family in collecting awards at the TBA National Hunt evening at Doncaster as breedrers of The New Lion and Katsura.

In this episode of the CPQ Podcast, we sit down with Philip Cunningham—CPQ veteran and co-founder of Shiftlogic—to explore his journey from the early BigMachines days through Oracle, SteelBrick, Salesforce, and now to leading one of Europe's fastest-growing Salesforce Revenue Cloud consultancies. Philip shares how his experiences at global CPQ leaders shaped his vision for Shiftlogic, a bootstrapped firm that reached Summit Partner Status in under three years and is now delivering high-impact Revenue Cloud Advanced solutions across industries like manufacturing, automotive, high tech, and financial services. With a deep focus on Europe—including the UK, DACH, France, and the Nordics—Shiftlogic is thriving without outside investors, and Philip explains why that matters. We discuss: Why demand for Salesforce CPQ and Revenue Cloud Advanced is growing fast in 2025 How Shiftlogic's company culture fuels feedback-driven growth and high performance Their plans to launch proprietary AI agents in response to growing customer demand What it takes to scale a specialized consultancy across diverse industries How Philip balances entrepreneurship with audiobooks and cycling If you're interested in Salesforce Revenue Cloud, CPQ innovation, or building founder-led consultancies in Europe—this episode is for you. Shiftlogic contact information: 

Foundations of Amateur Radio Around the world are thousands of associations, groups of people, clubs if you like, that represent radio amateurs. Some of those associations are anointed with a special status, that of "member society" or "peak body", which allows them to represent their country with their own governments and on the international stage to the ITU, the International Telecommunications Union, through a global organisation, the IARU, the International Amateur Radio Union. Some of these are known across our whole community, the ARRL in the USA, the RSGB in the UK, and the WIA in Australia. Some much less so, the CRAC, the Chinese Radio Amateurs Club, or the ARSI, the Amateur Radio Society of India, for example. In an attempt to get a deeper understanding of what distinguishes these organisations, I visited a dozen member society websites. Cultural sensibilities and aesthetics aside, the variety and sense of priority is both pleasing and astounding. Starting close to home, the WIA, the Wireless Institute of Australia, shows news as the most important and the top story is a radio contact between the International Space Station and a school, held about two weeks ago. The ERAU, the Estonian Radio Amateurs Association, features an article about the 2025 General Meeting outlining who was there, what was discussed and thanking the participants for their contributions. When I visited, the ARRL, the American Radio Relay League, top news item, was the renewed defence of the 902-928 MHz Amateur Radio Band, from a few days ago. The most important issue for the ARRL is that you read the latest edition of QST magazine, but only if you're a member. The RSGB, the Radio Society of Great Britain, has an odd landing page that links to the main site, which features much of the same content. The latest news is "Mental Health Awareness Week" and encourages us to celebrate kindness in our community. The DARC, the German Amateur Radio Club, has a page full of announcements and the top one was an article about current solar activity including a coronal hole and various solar flares. The ERASD, the Egyptian Radio Amateurs Society for Development, uses qsl.net as its main website. It features many images with text, presumably in Arabic, that unfortunately I was not able to translate. Curiously the landing page features some English text that welcomes all interested to join. I confess that I love the juxtaposition between a Yaesu FT-2000 transceiver and the images of Tutankhamun and the pyramids. The RAC, the Radio Amateurs of Canada, use their homepage to promote its purpose, and features many pictures of their bi-monthly magazine, which you can only read if you're a member, which is where many of the homepage links seem to go. The RCA, the Radio Club of Argentina, is promoting the 2024-2025 Railway Marathon, including links to descriptions of what constitutes a Railway Activation, how to reserve your station, and upcoming and past activations. There's also a reminder to renew your license. The ARSI, the Amateur Radio Society of India, has a very sparse landing page showing their mission and not much else. Clicking around gives you lots of information about the history, activities, awards and the like. Unfortunately, I wasn't able to find out how to become licensed in India. There's hardly any images. In contrast, the URA, the Union of Radio Amateurs of Andorra, lands you on a page with contact details and not much else. Clicking through the site gives you lots of pictures of happy people and maps, lots of maps. The KARL, the Korean Amateur Radio League, features an announcement with a link to the 24th Amateur Radio Direction Finding, from a week ago, but it requires a login to actually read it. The JARL, the Japan Amateur Radio League, features an announcement to a form you can complete to join the "List of stations from which you do not wish to receive QSL cards." The NZART, the New Zealand Association of Radio Transmitters, features a big button to latest news and clicking on it shows the "Jock White Field Day", which was held several months ago. I wasn't able to see the CRAC, the Chinese Radio Amateurs Club, since the page didn't load for me. The "Wayback machine", also known as archive.org, from a capture a few days ago, showed a news item announcing the intent to organise the 1st Class C Amateur Radio Technical "something", I say "something" because I cannot actually load the article and see what it has to say. The event was scheduled for a month ago, the announcement was from several months ago. Content aside, finding sites was interesting too, mind you, there's plenty of member associations that don't have any web presence at all. Is that by choice, or necessity? The IARU list of member societies conflicts with the list of national organisations shown on Wikipedia. The IARU has about 160 entries, I say about, since the list isn't really formatted as much as it's congealed. Let's just say, perhaps a table for tabular data might be a novel approach. Wikipedia is slightly better formatted, it lists 93 national organisations. As it happens, both include a link to the national organisation for China, which is either the Chinese Radio Sports Association, with apparently two different acronyms, either CRSAOA, or CRSA, or if you believe the IARU as a source, it's the one I mentioned earlier, the CRAC. I don't know which one is right, but at least we can assume that the IARU page was updated formally, rather than edited by someone on the internet. Regardless of which one is the "real" Chinese national amateur radio organisation, none of the websites loaded for me. Let's move on. It's interesting that several non-English sites like Korea, Japan and Germany feature a button that allows their site to be translated into English. What's even more interesting is that the English version of the site is not in any way the same content. In many cases it appears to be information relevant to English visitors rather than a translation. One notable exception is Estonia, which allows a visitor to read their site in Estonian or English right out of the box. Unsurprisingly, the ARRL website has no buttons for Spanish, even though that represents about 13 percent of the USA population, let alone any other language. I'd encourage you to visit a few and see what you can learn about the other members of our community around the world. My visits leave me with questions. What do these organisations stand for? What do they do? Are they there for amateurs, for aspirant members, the general public, for regulators, for their members, for fund raising and advertising, or international visitors and tourism? It seems to me that looking at just a few of these organisations reveals a great many things about how they understand their own role and how they deliver service and just how much money they have to play with to make that happen. I'll leave you to ponder how effective they might be and what your role is in that endeavour. I'm Onno VK6FLAB

Hosts Jim DeRogatis and Greg Kot talk with author Cary Baker about the musical tradition of street performance, also known as busking. The hosts also review the solo album from TV On The Radio lead singer Tunde Adebimpe and hear feedback from listeners on recent episodes.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Arvella Gray, "John Henry," I Blueskvarter Chicago 1964, Volume Two, Jefferson, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tunde Adebimpe, "Magnetic," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Ate The Moon," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Pinstack," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Drop," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Blue," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Somebody New," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "ILY," Thee Black Boltz, Sub Pop, 2025Tracy Chapman, "Stand By Me (Live At The Late Show With David Letterman)," Greatest Hits, Elektra, 2015Moondog, "Nocturne Suite Part 1," On The Streets of New York, Mississippi, 2019Cortelia Clark, "Bye, Bye, Love," Blues in the Street, RCA, 1966George Coleman, "Innocent Little Doggy," Bongo Joe, Arhoolie, 1969Fantastic Negrito, "Nobody Makes Money," Fantastic Negrito EP, Blackball Universe, 2014Violent Femmes, "Blister In The Sun," Violent Femmes, Slash, 1983Ted Hawkins, "Strange Conversation," The Next Hundred Years, Geffen, 1994Mary Lou Lord, "St. Swithin's Day," Real, Deep Music, 1993Lucinda Williams, "Ramblin' On My Mind," Ramblin' on My Mind, Folkways, 1979Dom Flemons, "Charmin Betsy," Black Cowboys, Smithsonian Folkways, 2018Emmylou Harris, "Crescent City," Cowgirl's Prayer, Asylum, 1993Stan Rogers, "Barrett's Privateers," Fogarty's Cove, Barn Swallow, 1977Tsunami, "In A Name," Deep End, Simple Machines, 1992See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this webinar, the CardioNerds collaborated with the Cardiogenic Shock Working Group (CSWG) to discuss LV unloading and the updated AMI guidelines, which upgraded transvalvular flow pumps to a Class 2A recommendation in AMI shock. Dr. Rachel Goodman and Dr. Gurleen Kaur from CardioNerds were joined by Dr. Navin Kapur (Tufts Medical Center), Dr. Shashank Sinha (INOVA Fairfax Hospital), and Dr. Rachna Kataria (Brown University) from the CSWG. Together, they explore a case of an older woman who presented with inferior STEMI and was found to have complete occlusion of an anomalous single coronary artery originating from the right coronary cusp and supplying the entire left ventricle. She was treated with DES to the anomalous RCA. Her course was complicated by AMI shock with re-occlusion of the DES, which was treated with thrombectomy and balloon angioplasty. An IABP was placed. After transfer to a tertiary care center, a pulmonary artery catheter revealed a CI of 0.96. With worsening shock, rising lactate, and end organ dysfunction, the team proceeded with VA-ECMO and Impella CP for LV unloading. Her lactate subsequently normalized. Produced by CardioNerds in collaboration with the Cardiogenic Shock Working Group. CardioNerds Cardiac Critical Care PageCardioNerds Episode PageCardioNerds AcademyCardionerds Healy Honor Roll CardioNerds Journal ClubSubscribe to The Heartbeat Newsletter!Check out CardioNerds SWAG!Become a CardioNerds Patron!

In this episode of RCA Radio, host Brandon Miller is joined by RCA experts Anita Michael and Arie Anahory for a deep dive into the evolving world of compounding pharmacies. Together, they explore the critical role compounders play in personalized medicine, their differences from traditional pharmaceutical manufacturers, and the increasing regulatory scrutiny they face—especially 503B outsourcing facilities.The discussion covers:The origins and types of compounding pharmacies (503A vs. 503B)Regulatory challenges post-New England Compounding Center crisisKey compliance hurdles including aseptic processing and FDA inspectionsPractical advice for both new and established compounders to stay compliantWhether you're entering the compounding space or navigating the latest compliance expectations, this episode offers timely insights and actionable guidance.

On this week's show we take a look back at the transition from black and white to color and compare it to the transition to HDTV. We also read your emails and take a look at the week's news. News: Roku's smart home strategy is making its streaming devices harder to ignore Sonos Strikes a Surprising Deal with Yamaha Masimo to Sell Consumer Audio Business to HARMAN International Other: Robert's Forever Home Theater Has the Best Universal Remote Got Better? - Remote 3 Google AI Reimagines Wizard of Oz for the Las Vegas Sphere!

This episode was originally released on 9/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 83, we focus the radio industry of the 1930s and 40s—especially on the career of David Sarnoff, as RCA's network, NBC begins to lose its grip on the top spot in the broadcasting industry while they introduce Television. We'll also focus on the introduction of new talent to the industry, and the CBS talent raids of 1948-1949. Highlights: • David Sarnoff announces the birth of TV at The 1939 World's Fair 
• Edwin Howard Armstrong Invents FM 
• Television Experiments in the 1920s and 1930s 
• Sarnoff and Armstrong's Crumbling Friendship • How World War II Stopped Television's Commercial Expansion
 • William S. Paley's Plan to make CBS the #1 Network 
• The Rise of Arthur Godfrey 
• Sarnoff's Court Battles 
• The Death of Edwin Howard Armstrong
 • The CBS Talent Raids of 1948-49
 • Dean Martin and Jerry Lewis 
• The Simple Art of Macabre 
The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • The General: David Sarnoff & The Rise of the Communications Industry - by Kenneth Bilby • The Encyclopedia of Old-Time Radio - by John Dunning • Empire: William S. Paley & The Making of CBS - by Lewis J. 
 • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling • The Network - by Scott Wooley • As well as an article on Martin & Lewis from the August 2018 issue of SPERDVAC's Radiogram, by Michael Hayde

 Selected Music featured in today's Episode was: • Mr. Lucky, by Si Zentner • Begin the Beguine, by Artie Shaw and His Orchestra • Seance on a Wet Afternoon, arranged by John Barry

For this episode we're joined – all the way from L.A. – by special guest Bob Merlis. The former head of publicity at Warner-Reprise Records in Burbank talks us through his musical odyssey from his Brooklyn childhood to his continuing PR work for the likes of ZZ Top and Carlene Carter. We hear about Bob's start at Record World in late '60s New York and the early '70s pieces he wrote for that trade publication and for Warners' short-lived Words & Music. Our guest then talks about his brief stints at RCA and Albert Grossman's Bearsville Records before touching on key acts and moments in the nearly three decades he spent in Burbank: Little Feat's Lowell George, Jerry Wexler producing Etta James and Warners president Joe Smith roasting the infamous Morris Levy. Clips from Dave Zimmer's 1988 audio interview with Neil Young prompt discussion of that quintessential Reprise artist (and his comrades in CSNY). After Mark quotes from pieces about Elektra Records dropping the MC5 and free-improv guitarist Derek Bailey, Jasper talks us out with reflections on the musical passions of footballer Rio Ferdinand and Houston rapper Chamillionaire. Many thanks to special guest Bob Merlis. For info on Bob's PR work, visit https://mfhpr.com/m-f-h-at-20. Pieces discussed: R&B is B(l)ack and Involved, Jerry Wexler Crosses Tracks for Tony Joe, Todd Rundgren Warps Time, Lowell George Talks About Little Feat, Little Feat Keeps On Truckin', Little Feat: How To Construct a "Critics' Band", Neil Young audio, Elektra Records Kicks Out MC5, Derek Bailey: Themes on Improvisation, The Record Doctor: Rio Ferdinand and Chamillionaire: Change.

Au menu de l'actualité :

Au menu de l'actualité :

Repasando algunas de sus producciones históricas volvemos a los cimientos de Panart, la etiqueta pionera que con carácter independiente, sentó las bases de la industria discográfica nacional. En 1944, con una producción discográfica regular, el ingeniero de sonido Ramón Sabat marcó un antes y un después en el panorama de producción, edición y difusión de la música en la isla. Hasta la aparición de Panart, todo lo atractivo y apetecible que acontecía artística y musicalmente lo registraban emporios norteamericanos. Entre ellos los de mayor presencia Columbia y Victor, esta última fusionada ya en los primeros años 40 con la Radio Corporation of América (RCA). Aún latente la segunda guerra mundial, Sabat comenzó a instalarse en la habanera calle San Miguel no.410. Con el equipamiento técnico mínimo e indispensable, listo para comenzar a grabar y prensar sus producciones, echaba a andar una maquinaria de difusión exitosa que, en un país esencialmente musical, trazó un camino señero para otros emprendedores de la época. Nacía entonces la industria fonográfica independiente cubana. Hacia 1960 la representaban poco más de 30 sellos con unos volúmenes de producción estable y con una presencia importante en el extranjero. La política cultural en función del control absoluto y la estatalización de los medios de difusión, entronizada por el régimen militar instaurado en 1959 (a través de las llamadas "intervenciones") comenzó a poner punto final al flujo de promoción musical sustentado por una eficiente maquinaria de producción, edición y difusión de música popular cubana que funcionaba maravillosamente dentro y fuera de la Isla. El 30 de mayo de 1961 la Panart fue "nacionalizada". Ramón Sabat, su fundador, forzado al exilio murió en los Estados Unidos el 15 de marzo de 1986 completamente olvidado. Los históricos estudios que fundó hace más de ocho décadas en La Habana los ocupa EGREM. Las memorias de la industria discográfica nacional que, en la frontera de los años 50 a los 60, gozaba de maravillosa salud, nos sirve de pretexto para reverenciar el arte del pianista Frank Emilio Flynn. Así retomamos las ediciones del sello independiente "Tropicana". El productor radial Adolfo Seeman quien desempeñaba sus labores en la emisora habanera CMOX con un perfil dedicado al jazz, propició en dos álbumes el debut discografico del llamado "Quinteto de Música Moderna". Junto a Frank Emilio: Papito Hernández en contrabajo, Tata Güines en las tumbadoras, Guillermo Barreto alternando drums y pilas, y Gustavo Tamayo en güiro. Producciones "Tropicana" afianzando en el mercado discografico independiente, la categoría del jazz cubano. Seguimos repasando la banda sonora de los primeros años 60. El argentino Luis Aguilé, precedido por sus grabaciones para la etiqueta Odeon, a la par de conquistar un público netamente adolescente, encontró en Cuba una fenomenal plaza que impulsó su carrera. Aparte de la mega influencia de ídolos norteamericanos como Elvis, Paul Anka o Neil Sedaka, también por esas fechas las grabaciones de "Los Cinco Latinos" y las del mexicano Manolo Muñoz fueron conformando un sedimento estético y sonoro donde estrellas nacientes como el rockero de Palma Soriano: Luisito Bravo se dieron a conocer. Seguimos conectados con la industria del disco independiente cubano. Hacia 1961, en pleno auge el formato de los combos, las grabaciones de Luisito Bravo con los arreglos y acompañamientos del imprescindible Eddy Gaytán, producidas por la etiqueta Velvet, esbozaban la categoría del pop rock cubano, abriendo un camino que muy pronto seguirían otros exponentes. Algunos de los abuelos del pop rock cubano se apoyaron en estilos como el twist, el wawá, el gogó, el yeyé y el shake. Sobrevivieron en un ambiente sonoro marcado por la estatalización del sistema de difusión donde sus canciones no tenían mucho qué hacer. Luisito Bravo, Lita del Real, Raul Gómez con Los Bucaneros, Danny Puga y Luisa María Güell despiden el programa.

Musicians like Emmylou Harris, Rosanne Cash, Guy Clark and others changed the scope of country music forever. Hosts Jim DeRogatis and Greg Kot talk with author Geoffrey Himes about the artists of the movement he calls “in-law country.” They also hear from some listeners.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Emmylou Harris, "Born to Run," Cimarron, Warner Bros. Nashville, 1981The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981Rosanne Cash, "My Baby Thinks He's A Train," Seven Year Ache, Columbia, 1981The Flying Burrito Brothers, "Six Days on the Road," Last of the Red Hot Burritos, A&M, 1972Emmylou Harris, "Luxury Liner," Luxury Liner, Warner Bros. Nashville, 1976The Byrds, "You Ain't Goin' Nowhere," Sweetheart of the Rodeo, Columbia, 1968The Byrds, "Time Between," Younger Than Yesterday, Columbia, 1967Emmylou Harris, "If I Could Only Win Your Love," Pieces of the Sky, Reprise, 1975Rodney Crowell, "I Couldn't Leave You If I Tried," Diamonds & Dirt, Columbia, 1988Emmylou Harris, "Two More Bottles of Wine," Quarter Moon in a Ten Cent Town, Warner Bros. Nashville, 1978Emmylou Harris, "Pancho and Lefty," Luxury Liner, Warner Bros. Nashville, 1976Emmylou Harris, "Till I Gain Control Again," Elite Hotel, Reprise, 1975Ricky Skaggs, "Heartbroke," Highways & Heartaches, Epic, 1982Guy Clark, "L.A. Freeway," Old No. 1, RCA, 1975Liquid Mike, "Drinking and Driving," Paul Bunyan's Slingshot, Temporal, 2024TAE & The Neighborly, "We Can Be," Self Help, smooth bean, 2024David Grisman and Jerry Garcia, "Whiskey In the Jar," Shady Grove, Acoustic Disc, 1996Graham Nash, "Chicago / We Can Change the World," Songs for Beginners, Atlantic, 1971Bnny, "Good Stuff," One Million Love Songs, Fire Talk, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Discover the untold story of rodeo legend Sid McFarland—55 years of bullfighting, clowning, and cowboy grit in this unforgettable Beyond the Chutes Rodeo podcast episode.In this heartfelt episode of Beyond the Chutes, host Doug Simcox sits down at the Kickback Ranch in Raymer, Alabama, with legendary rodeo clown and bullfighter Sid McFarland. A city-raised kid turned rodeo lifer, Sid shares his incredible 55-year journey through the world of rodeo—from his first RCA rodeo in 1969 to his emotional final performance at the Cody Night Rodeo in 2024.Sid opens up about how a chance trip to a local rodeo as a teen sparked a life-defining passion, how mentors like Buddy Martin and Junior Meek shaped his path, and how the rodeo became both his career and his community. From working seven nights a week in Cody, Wyoming, to clowning alongside his son Trent, Sid's reflections offer wisdom, humor, and heart. He shares the deeper meaning behind his signature clown makeup, stories from the road, and the lessons he passed on to the next generation—including his most important: “It doesn't matter if there are 10 people or 10,000—give them the full show.”This episode is a celebration of family, grit, laughter, and the friendships forged in the dirt of rodeo arenas across America.

David "Ghosty" Wills, host of "We Say Yeah: A Cliff Richard Podcast" and the Vintage Rock and Pop Shop joins Justin this week to explore how the "rockabilly revival" era, which technically spanned a near 20-year period between roughly 1970-1990 but culminated around 1981-83, led to the release of two compilations of Elvis material that RCA felt best captured his image as a rebellious rock and roll icon. From the 50s nostalgia of the 1970s to the success of acts like The Stray Cats, Robert Gordon, Dave Edmunds and Shakin' Stevens, Justin picks Ghosty's brain for his memories of becoming a young Elvis fan during this fascinating period of revitalization for classic rock and roll. For Song of the Week, Ghosty brings a thought-provoking finale to the main topic by looking for insights in The Stray Cats's 1992 recording "Elvis on Velvet;" a psychobilly takedown of the media's intense (and weird) fascinations with Elvis. Meanwhile, Justin heads back to the '50s myself to hear how Elvis transformed the country standard "Have I Told You Lately That I Love You" into a jaunty, bopping tune on the 1957 "Loving You" album. Be sure to check out "We Say Yeah!" on all major podcast platforms! As mentioned early in the episode, you can also hear Ghosty interviewed about his work as a voice actor on the podcast "4Kids Flashback." If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Welcome back listeners! Did you miss us? We missed you! We're back with Strength in Recovery Season 4. Jaye sits down with Jill R., our Alumni Coordinator from RCA Danvers, to talk through her recovery journey, the importance of staying connected, and more! You won't want to miss this - tune in now! *The views and opinions expressed by the guests of this podcast are their own and not necessarily those of RCA. These interviews are personal testimonials of recovery and should not be considered medical or treatment advice.

One crisis is layered upon another: Constitutional crisis, recession fears, and tariff chaos. Trump's pro-worker charade won't stand the test of events. The RCA is the only party arguing for consistent, class-independent politics. Our forces are growing, and so is the urgent need for our message. ✊ Join the fight against capitalism: https://communistusa.org/join

This week, hosts Jim DeRogatis and Greg Kot pay tribute to the late, great David Johansen of the New York Dolls and solo career fame, covering as much of his remarkable body of work as they could fit into one episode. They also revisit their interview with David Johansen from 2001.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:New York Dolls, "Trash," New York Dolls, Mercury, 1973The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967New York Dolls, "Personality Crisis," New York Dolls, Mercury, 1973New York Dolls, "Jet Boy," New York Dolls, Mercury, 1973New York Dolls, "Bad Girl (Blue Rock Studios Demo)," Lipstick Killers – The Mercer Street Sessions 1972, ROIR, 1982New York Dolls, "Pills," New York Dolls, Mercury, 1973New York Dolls, "Frankenstein," New York Dolls, Mercury, 1973New York Dolls, "Looking For a Kiss," New York Dolls, Mercury, 1973New York Dolls, "Bad Girl," New York Dolls, Mercury, 1973New York Dolls, "Bad Detective," Too Much Too Soon, Mercury, 1974New York Dolls, "Human Being," Too Much Too Soon, Mercury, 1974David Johansen, "Frenchette (Live)," Live It Up, Blue Sky, 1982Buster Poindexter, "Hot Hot Hot," Buster Poindexter, RCA, 1987David Johansen, "James Alley Blues," David Johansen and the Harry Smiths, Chesky, 2000Buster Poindexter, "Downtown Dream," Buster's Spanish Rocketship, PolyGram, 1997New York Dolls, "Babylon," Too Much Too Soon, Mercury, 1974David Johansen, "Heart of Gold," Here Comes the Night, Blue Sky, 1981New York Dolls, "Lonely Planet Boy," New York Dolls, Mercury, 1973Men at Work, "Who Can it Be Now?," Business as Usual, Columbia, 1981See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.