Podcasts about RCA

After spending a little time mulling over the post-release feelings surrounding "The Colonel & The King," Justin and Bec give their thoughts on the newest Elvis box set from Sony Legacy, Sunset Boulevard, which encompasses recordings and rehearsals done between 1970-1975 at RCA's Studio C in Hollywood. The duo reflect on the the successes and shortcomings of this era of box sets that seems to be drawing to a close.  From Elvis in Nashville, Back in Nashville, Memphis and Sunset Boulevard mark a period where producer Ernst Jorgensen and mixer Matt Ross-Spang have seemingly reinterpreted Elvis's multi-track studio work in the 1970s through a more "rockist" lens; that is to say, one that promotes and emphasizes the perceived authenticity or purity of raw material recorded in-studio by Elvis and a core rhythm band without additional backing vocalists, strings and horns.  Despite great, modern-sounding re-mixes, these box sets have also marred by inconsistent mix decisions that contradict the claims that you're only hearing what Elvis heard in the studio - selectively leaving some overdubs, removing contributions from musicians that were physically in the studio with Elvis, and much more. It's a thought-provoking discussion about what the goals were, what value these sets have added, and whether they have helped us understand Elvis's creative process any better. For Song of the Week, Bec picks a childhood favorite, the sweet ballad "A Boy Like Me, A Girl Like You" from the Girls! Girls! Girls! soundtrack. Then, Justin uses "Good, Bad But Beautiful," an instrumental intended for Elvis to finish, to explore the fascinating circumstances of sessions, publishing, and release schedules that led to its recording at Stax in July of 1973... and Elvis's rejection of the Clive Westlake-penned song (later done by Shirley Bassey) at a late September 1973 session at his Palm Springs home, less than three weeks after having attempted to fire his manager.  This is one you won't want to skip... because there's a special Elvis Week surprise in this Song of the Week segment, courtesy of our good friends Jamie and John over at the EAP Society. 

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Lifelong Elvis collector Ian McQuillan discusses the rarest records of Elvis Presley - from Sun Records worth $10,000+, international rarities, even shares insider tips for spotting counterfeits, and explains why young collectors are driving a thriving market for the King's rarest vinyl. Topics Include: Ian McQuillan introduces himself as 55-year Elvis fan since age 2 Scottish parents in New Zealand exposed him to Elvis on record player "Big Hunk of Love" was his first memorable Elvis song obsession RCA distributed Elvis records globally, making them widely available worldwide Elvis market remains strong while other 50s rockabilly artists declined significantly Elvis cornered teenage markets in UK, Australia, New Zealand more than US Parkes, Australia hosts massive annual Elvis festival with 20,000+ attendees Elvis Week celebration started small, now draws 50,000+ fans to Memphis Elvis has bigger catalog depth than any other recording artist Sun Records represent collectible pinnacle - only five official 45/78 releases 78rpm records rarer due to shellac brittleness, 95% destroyed over time Sun 209 "That's All Right" commands $10,000-12,000 in mint condition Sam Phillips used multiple pressing plants, creating interesting variants and rarities Initial Sun pressings probably 20,000-30,000 copies, reaching 200,000 total eventually Early distribution concentrated in American South, spreading through Elvis touring Promotional Sun records exist with distinctive red stamps, worth significant premiums Jack White famously paid $300,000 for unreleased Elvis acetate recording RCA reissues sound much cleaner than original hissy Sun pressings Sam Phillips likely pressed extra inventory after selling Elvis to RCA Counterfeit Sun records identifiable by shiny vinyl, wrong dates, label gaps Pre-army Elvis albums (1954-1960) remain most collectible among LP collectors SPD promotional EPs from first album worth $1,200-4,000 in good condition Australian gold label first album worth $1,500-2,000, extremely hard to find Colored vinyl "Moody Blue" pressings command $2,000-3,000 from collectors 8-tracks, reels, cassettes now collectible after being worthless for decades Follow That Dream label produces high-quality Elvis reissues for serious fans New Elvis footage and recordings still surface regularly from private collections Young professionals in 20s-40s driving current strong collector market demand Elvis Week features conventions, tributes, candlelight vigil at Graceland annually Colonel Parker's merchandising legacy created massive collectible memorabilia market today Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Trapital Summit is on Sep 10 in LA. Join us! Get your tickets here. The major record labels are adapting for the modern era. Lately, that shift has them looking less like RCA and more like KKR. These companies have invested less in signing new artists and more in acquiring the legendary back catalog of music. With streaming driving steady royalties, the music rights of proven hits are valuable. Music companies have teamed up with private equity firms to cash in. I also break down how this changes artist deals, lowers risk-taking, and opens the door for global investors and even artists to buy in. 00:33 The Shift to Private Equity 03:45 The Back Catalog Boom 09:24 A&R Reductions 12:14 What The Future Holds This episode is presented by State Farm, the home for your small business needs. Like a good neighbor, State Farm is there. Listen in for our Chartmetric Stat of the Week. Trapital Summit is on Wednesday September 10 in LA. Join us!

Olá sejam bem vindo ao nosso quadro de entrevistas do Podcast da Mineração.Neste programa, entrevistamos Itamar Luz, engenheiro de produção, com pós-graduação em Engenharia da Confiabilidade e especialização em Planejamento Estratégico da Manutenção. Atua com foco na gestão inteligente de ativos, unindo visão analítica, controle tático e excelência operacional em ambientes industriais e de frotas. Possui sólida experiência em PCM (Planejamento e Controle da Manutenção), com forte domínio das metodologias de RCM, RCA, LCC, PDCA, FMEA e Análise de Perfis de Perda — aplicadas com precisão para elevar confiabilidade, disponibilidade e reduzir custos sistêmicos.. Conversamos sobre o que é o PCM e por que ele é tão importante nas empresas e quais os principais objetivos do PCM dentro da manutenção, Por onde começar quando se quer mudar de uma cultura reativa para uma mais planejada e muito mais. Criação de Arte: Raul CadenaPatrocinadores Oficiais do Podcast da Mineração:ÍGNEA Geologia & Meio Ambiente - https://www.igneabr.com.br/ - @igneabrMentoria - Roberta Azevedo - https://robertacavalcante.com.br/inscreva-se/ - @robertac.azevedo http://www.vptransportes.com.br/É com orgulho que anunciamos o lançamento da loja oficial do Podcast da Mineração! https://reserva.ink/podcastdamineracaoConfiram essa e outras entrevistas no canal e Lembrem-se: "Mineração pode não ser o futuro mas não existe futuro sem a mineração"

There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

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There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

31 07 2025 A LA GRAN 730 - Fiona Aquino (Camilo Benítez, Contralor Gral. de la Rca by ABC Color

26 07 2025 NTN - Arnoldo Wiens, Precandidato a Presidente de la Rca by ABC Color

Dallas Murrae pulls up to IGSSTS and sits with Squints615. He brings his DJ (Wes) and his guitarist (Dom) for the conversation. They discuss his early career and RCA contract...up to his current tour run with Kng Ego and Jo Tyler. An episode you definitely should tune into!Check out Dallas Murrae HERE..https://symphony.to/dallas-murrae/liveontour?fbclid=PAQ0xDSwLv0g1leHRuA2FlbQIxMAABp4wU9fE1F-17Bl4gtvvk6qpDmnQbRxQzhSbOEsqWdCrEhq1A5PO7N9Ksq7Xo_aem_KYdBseHpQkCH20G2_yikwABIGS&P - SHOW AND PROVE ENT FOLLOW CHAD ON YOUTUBE NOW ‪@ChadArmesTV‬ MERCH AVAILABLE AT WWW.CHADARMESTV.COM for S&P MERCHWWW.IGOTSUMSHITTOSAY.COM for PODCAST MERCH

Au menu de l'actualité :La Cour internationale de justice a rendu un avis historique sur le climatLe PAM s'apprête à suspendre ses opérations dans le nord-est du NigériaLa cheffe de la MiINUSCA vient d'effectuer une visite en Chine  Présentation : Jérôme Bernard

Hello and welcome to another episode of Ohio Mysteries Backroads. In tonight's episode we are joined by photographer Marcy as she discusses her adventure to find out more about the mysterious disappearance of her uncle, Ohio native, William Scales, who was working for the government contractor, RCA, as a missile tracker in 1958. William and a friend went out on a boat scuba diving off of San Salvador Island and were never seen again. Learn about Marcy's journey as she attempts to find out more details about her Uncle. She travels to the actual spot where her Uncle went missing many years ago. talks with some island natives who remember her Uncle and many twists and turns on the story. A photographer by trade, Marcy also brings her Uncle's original cameras and documents her adventure using the same cameras. She has created a YouTube Channel as well as a website that allows you to follow along with this fascinating story. Tune in and learn about this amazing tale! Here are the links to Marcy's story: Blog: www.outermostuncle.com  YouTube podcast: https://www.youtube.com/playlist?list=PL0e_SKjzES718aK49tEKcl-2bzIH6af2G Instagram: outermostuncleemail: outermostuncle@gmail.com Just for fun ... National Geographic article, "Cape Canaveral's 6,000 mile shooting range" :https://outermostunclecom.wordpress.com/wp-content/uploads/2025/06/national-geographic-1959-10-116-4-oct.pdf Marcy's camera review website: www.junkstorecameras.com Check out Ohio Mysteries Backwoods Facebook page!: ⁠⁠https://www.facebook.com/profile.php?id=61558042082494¬if_id=1717202186351620¬if_t=page_user_activity&ref=notif⁠⁠ Please check other podcast episodes like this at: ⁠⁠https://www.ohiomysteries.com/⁠⁠ Dan hosts a Youtube Channel called: Ohio History and Haunts where he explores historical and dark places around Ohio: ⁠⁠https://www.youtube.com/channel/UCj5x1eJjHhfyV8fomkaVzsA Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we sit down with Derik Quinn, Managing Director at Spaulding Ridge, to explore the fast-evolving landscape of CPQ, Revenue Management, and Salesforce Revenue Cloud Advanced (RCA). Derik shares insights from his two-decade journey across BigMachines, Apttus, Argano, and now Spaulding Ridge, where he leads large-scale quote-to-cash transformations in manufacturing, high-tech, and medtech. We discuss the shift toward constraint-based configuration, the excitement around Dynamic Revenue Orchestration (DRO), and why Salesforce RCA is gaining traction across industries. Derik highlights differences in adoption trends—new implementations in manufacturing versus migrations in high-tech—and the growing interest in AI for sales efficiency and revenue intelligence. With over 100 RCA consultants globally, Spaulding Ridge is driving momentum into Dreamforce and beyond. Plus, we hear about Derik's passion for endurance sports, parenting two active daughters, and how customer KPIs shape project success. If you're interested in quote-to-cash innovation, Salesforce RCA adoption, or industry-specific CPQ trends, this episode delivers expert perspectives you won't want to miss.

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Alex, Ken, and Mark discuss overused methods such as 5-Whys, they discuss the terminology with in RCA, and they expose the flawed logic and outdated techniques that can cause more harm than good.  What you will learn: ✅ Learn what real RCA should look like✅ Understand the pitfalls of surface-level analysis ✅ Discover better alternatives for uncovering true root causes ✅ Avoid costly mistakes in your problem-solving process Root cause analysis can be used across multiple industries and is essential to preventing recurring issues and improving performance.  So don't settle for "quick fixes." Learn how to dig deeper and work S.M.A.R.T.E.R.

Jon Zalar, founder of IWTG Consulting, discusses the challenges of wind turbine maintenance, emphasizing the rise in turbine failures and the importance of root cause analysis (RCA). Proactive maintenance, proper documentation, and expert consultation will help to mitigate issues and ensure turbine efficiency. Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us! Welcome to Uptime Spotlight, shining light on Wind. Energy's brightest innovators. This is the Progress Powering tomorrow. Allen Hall 2025: Jon, welcome to the program.  Jonathan Zalar: Thanks for having me,  Allen Hall 2025: Jon. Let's start with the reality facing wind farmer operators today. What's the core problem when it comes to turbine failures?  Jonathan Zalar: There's been a larger number than they probably experienced like five years ago. I think, um, you know, the volume of turbines out there and some of the bigger issues that, you know, people are seeing in the last two to three years has made owning a wind farm a little more challenging than before. Um, you know, between blade issues, bolted joint issues, shoes, and. Overall, like o operations, right? It's been tougher to keep these turbines up and running, you know, manpower's an issue, getting people out there to go fix stuff. It's, [00:01:00] it's been tough for a lot of people I've talked to.  Joel Saxum: Do you think this is a, a partial result of like, um, okay, so what we're, you know, on the podcast in the last few years, we've always been talking about, oh, there's all kinds of models coming out and there's this, this manufacturer can put out this many different variations and all these things, and now. Now we're getting to the age where that family, that group of turbines that, I guess it's kind, I'm looking at it like a class, right? That class of, that, those years of turbines are now getting to the stage where they're out of warranty and they're coming into, some people are taking, you know, ISPs taking, um, maintenance of them or an owner operator taking maintenance over from the OEM. And all of a sudden now there's these issues popping up and different things that we're, we're kind of in this. Um, like a swamp of problems with a lot of different models. So, uh, yeah, like you said, we've we're, we talked a little bit off air here about RCAs and how to fix things and looking at serial defects and stuff, but it's just like, it seems like every other week [00:02:00] someone calls Alan Ryan's like, Hey, have you heard about this thing with this model? And it's like, man,  Jonathan Zalar: another one. I think it's a combination of two things. One. Like I talked about the last time we had podcasts, there was a, you know, a pretty big push to increase rotor size, come out with new models for, for every, for all the os, right? They're competing against each other. Coming out with a new model every 18 months. And you can ask Phil, but I believe mostly the OEMs are sold out. If you go back five, six years, where. A huge expansion in the amount of wind turbines that have been placed. Right. So I think you combine those cheap factors and now, yeah, the owners have a lot on their plate, a lot more than they're  Allen Hall 2025: probably used to. And my question all is this, the complexity of the turbines. So every new model that comes out, what I'm seeing is more instrumentation, more sensors, more stuff, more variability, even in where the components originate from.  Jonathan Zalar: Right? Yeah. [00:03:00] I mean, to increase, to be able to meet that increased demand the OEMs had to get,

Mihai Morar îl are invitat pe CEO – ul care nu și-a negociat niciodată salariul: Virgil Șoncuțean,  omul aflat la al 3 - lea mandat în fruntea Allianz Țiriac Asigurări România.Lumea asigurărilor este departe de a fi cunoscută și apreciată la justa valoare de către români. Posibil pentru ca mulți o percep ca parte din obligațiile fiscale impuse de către stat. Însă întregul concept al asigurărilor depășește cu mult polițele obligatorii RCA sau PAD, de altfel soluții eficiente în gestionarea unor accidente deseori costisitoare. Să fii asigurat înseamnă să fii în siguranță. Liniștit. Să te poți dezvolta fără teama situațiilor neprevăzute. Pentru ca ele au fost de fapt prevăzute deja de firma de asigurare, cea care va fi lângă tine când îți va fi greu.Unul dintre liderii pieței locale de asigurări ne conduce astăzi prin bucătăria internă a unui business privat cu veleități de serviciu comunitar. Află direct de la sursă ce tipuri de asigurări îți poți face și care sunt prioritățile. Ce se întamplă cu banii plătiți și cum poate face sistemul momentelor de criză. Cu câți bani și-a susținut Allianz Țiriac clienții când aceștia au avut nevoie de ajutor și de ce nu sunt recomandate cele mai ieftine polițe de pe piață.Descoperă modul în care îți poți oferi o plasă de siguranță în viață... cu doar 40 de lei pe lună! Cum? Îți spune managerul anului în România.Virgil Șoncuțean la Fain & Simplu.Cu Mihai Morar.

Au menu de l'actualité : L'intelligence artificielle au centre d'un sommet à GenèveAu Soudan du Sud, l'ONU largue par avion de l'aide humanitaireEn RCA, une activité ancestrale : l'extraction artisanale du sable Présentation : Jérôme Bernard

After setting the stage by understanding producer Felton Jarvis's career leading up to his early collaborations with Elvis, we continue to investigate and interrogate the fan belief that he was singularly to blame for the "syrupy" overdubs that diminished the "pure" unfinished tracks. Helped along by a 1980 interview done between Felton and Jerry Flowers of RCA in which the producer talks about his career retrospectively, Justin and Bec trace Felton's journey as Elvis hires and hand-picks him to be his exclusive producer, taking Felton away from RCA and other artists so that Elvis can, as a largely autonomous artist whose only studio commitments during this decade are to send periodic deliverables to RCA, work at his own pace and create the kind of recordings that he truly wants. But was Felton truly to blame for the overindulgent strings and horns that were added to Elvis's music, or is there someone else that we've collectively overlooked? And has the narrative been all wrong and the way we even talk about "overdubs" been clouded by a widespread "rockist" misunderstanding of both Elvis and Felton, their respective jobs and tastes, and misunderstood expectations of the kind of music both fans & critics thought Elvis "should" be making?  The duo examine Elvis's live performances in relation to his studio work, touch on a few more non-Elvis records produced by Felton, and even revisit the 1981 "Guitar Man" project Felton spearheaded before his early death to see if it provides clearer insight into the producer's preferences and tastes. For Song of the Week, Bec makes a promise that "It Won't Be Long," covering the recording cut from "Double Trouble," while Justin goes prospecting because he's pretty sure "There's Gold in the Mountains" still to be dug up from "Kissin' Cousins." Some of the resources consulted for this and the last episode included, even if not quoted or mentioned in the final episode: Felton Jarvis's 1980 Interview with Jerry Flowers of RCA William Bozeman: "Felton Jarvis: The Man Behind the Music" from Elvis Express Magazine Peter Guralnick: Careless Love: The Unmaking of Elvis Presley Roben Jones: Memphis Boys: The Story of American Studios Rick Hall: The Man from Muscle Shoals: My Journey from Shame to Fame Norbert Putnam: Musical Memories, Volume 1 Ernst Jorgensen: Elvis Presley - A Life in Music Ernst Jorgensen & Peter Guralnick: "Elvis Day By Day" and "The Complete Masters" Ernst Jorgensen, Johnny Mikkelsen & Erik Rasmussen: Reconsider Baby: The Definitive Elvis Sessionography Elvis Music FAQ by Mike Eder Alanna Nash: "Revelations from the Memphis Mafia" & "The Colonel" Luther Moore: "Felton Jarvis Re-Appraised" from Elvis: The Man & His Music magazine Brian F. White's Interview with Norbert Putnam: https://www.brianfwright.com/interviews/norbert-putnam Michael Nesmith: Infinite Tuesday - An Autobiographical Riff TapeOP's Interview with Chip Young: https://tapeop.com/interviews/124/chip-young Various reviews, articles, editorials, and interviews compiled from across Elvis Australia, Elvis Information Network, Elvis-History-Blog, Elvis Monthly, Strictly Elvis, Arjan Deelan as well as Discogs, KeithFlynn.uk, Elvisconcerts.com and other resources online.

Intrigued by the premise presented by the recent Sony box sets like "Sunset Boulevard" describing Elvis's undubbed recordings as "pure," Justin decided to investigate the story behind the man who has borne most of the heavy criticism aimed at the production on Elvis's music, Felton Jarvis, who was Elvis's main producer from 1966-1977. While we've previously touched on Felton's work as a producer in our "Elvis and His Producers/Elvis as a Producer" episode, realizing we may not have given him a fair shake, on this episode Justin and Bec investigate Felton's early work at National Recording Corporation (NRC) in Atlanta, Georgia, his time at ABC-Paramount working with Tommy Roe, Fats Domino, Lloyd Price, the Muscle Shoals Rhythm Section and.... "Vince Everett"? They trace Felton's move to RCA Victor producing many successful acts and hit records in the field of country music in the mid-1960s and, naturally, his first sessions with Elvis across 1966-1968, chief among which was the How Great Thou Art project, which won Elvis his first-ever Grammy Award. Laced throughout are stories of a warm-hearted, good-natured Georgia boy - who loved Elvis Presley and dreamed so hard to one day produce his hero's music that he manifested it - from collaborators, friends and historians who have tried to relay some of Felton's story, as well as audio from Felton himself in conversation with RCA's Jerry Flowers in 1980, discussing his career in hindsight. Part 2 will even more directly interrogate the idea that Felton was, as so frequently repeated by Elvis fans over nearly 4 decades, singularly to blame for the "syrupy" overdubs that were a hallmark of Elvis's 1970s output, as Justin builds a case to convince Bec that she and everyone else - including sometimes even Justin himself - has been wrong all these years! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Susan Santiago is a dynamic force with a life as colorful and varied as her career. From navigating the high-stakes world of corporate troubleshooting at IBM in San Francisco to managing historic high-rises like the iconic Shell Building, Susan thrives on challenge and change. Her career spans the gamut, administering justice in the U.S. Attorney's Office, advocating for families in the Child Support Division, and even diving into the fast-paced arena of political campaigns. For 15 years, she lent her voice to the airwaves as a passionate radio programmer at KWMR, connecting communities from Marin to the world. Today, she channels her deep commitment to fairness as a mediator, resolving conflicts in Sonoma County's civil courts. Born with a knack for adaptation, thanks to an RCA-engineer dad who kept her childhood on the move, Susan carries that same fearless spirit into her love of competitive swimming and her relentless pursuit of justice. Whether in the pool (one of her passions), the courtroom, or the studio, she's all about making waves—with purpose, passion, and a whole lot of heart.

Skwigly presents Animation One-To-Ones featuring featuring Luzie Lilie in conversation with May Kindred-Boothby, director of the RCA short film 'The Eating of an Orange'. A director, animator and writer based in Bristol, May Kindred-Boothby has worked freelance within animation for around 9 years. Her work focuses on surreal explorations of sexuality and convention, told through a colourful and painterly hand drawn style. 'The Eating of an Orange' is her first directorial short and is currently doing the festival rounds, having recently screened as part of the prestigious Annecy festival with upcoming screenings including INBETWEENS, a celebration of contemporary queer animation taking place July 8th at Bristol's Cube Microplex in association with Bristol Animation Meetup (BAM) and the returning Encounters Film Festival. Tickets available at https://www.headfirstbristol.co.uk/whats-on/the-cube/tue-8-jul-inbetweens-131332#e131332 In a large manor house, identical figures eat the same, move the same, look the same. But everything will change for one woman when she gets given an orange by an unknown figure. She has never seen an orange. In the exploration of this new and exciting discovery, she gets transported into another realm of lichens, slugs and sensuous fluidity. But how can she balance this with the world she knows? She must make a choice: abandon her discovery, or step forwards into a new way of being. INBETWEENS will also screen 5pm August 23rd at Cardiff's Chapter Arts Centre in association with Skwigly and Cardiff Animation Fesitval. Tickets available soon at https://www.chapter.org/ See more of May Kindred-Boothby's work at www.maykindredboothby.co.uk Interview conducted and edited by Luzie Lilie Produced and presented by Ben Mitchell

In this episode of The Bandwich Tapes, I reconnect with my longtime friend Chad Jeffers. We go back to our days at Belmont University, and it's been incredible to watch his journey unfold, from growing up in East Tennessee playing in family bands to touring the world with some of the biggest names in music.Chad shares stories from his early days performing with his dad and brother, forming the band Raney Nickel, and eventually making his way to Nashville. After double-majoring in music business and marketing at Belmont, he landed an internship with Reba McEntire's company, which gave him a behind-the-scenes education in the industry. From there, his career took off, touring with The Wilkinsons, signing with RCA as part of Pinmonkey, and later joining Carrie Underwood's band.We discuss his experiences performing everywhere from Vegas residencies to overseas military tours, and the lessons he has learned along the way about professionalism, collaboration, and being someone others want to work with. Chad also shares how his creative energy has led him into real estate, where he now helps clients with the same focus and passion he brings to the stage.He even tells us about a new online course he has developed to help entrepreneurs prepare for client meetings, drawing unexpected yet powerful parallels between stage presence and business success.To learn more about Chat, visit his website at chadjeffers.com.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

It's Time To Smile. January 15, 1941. Red net. Sponsored by: Ipana, Sal Hepatica. Eddie's opening monologue is about winter sports and skiing. Dinah Shore sings, "Number Ten, Lullaby Lane." Eddie is in charge of his own motion picture company and guest Phil Harris is going to star in his next picture. Eddie Cantor, Dinah Shore, Cookie Fairchild and His Orchestra, Phil Harris, Harry Von Zell (announcer).Love Story. August 13, 1937. Program #21. MacGregor and Sollie syndication, RCA transcription. "Devil Wind". Sponsored by: Music fill for local commercial insert.Radio Guild. April 13, 1940. Blue Network. "The Ineffable Essence Of Nothing". Sustaining. "A fantasy for radio." A truly creative experiment in radio drama, and thoroughly enjoyable. A man walks through an enchanted doorway into his own future. The script was broadcast twice previously in 1938, "the second performace in its second version.". Ian Martin, Ian MacAllaster, Ranald MacDougall (writer), Eric Dressler, Howard Smith, Harry Nevel, Lotte Stavisky, Kay Lee, Gene Hamilton (? announcer)Rogers Of The Gazette. June 10, 1953. CBS net. Sustaining. Will is planning to write a story about Lance O'Neill, Illyria's famous artist, despite the opposition of the powerful Mrs. Hannibal. No music cues. The date above is possibly the recording date, July 8, 1953 is possibly the broadcast date. See cat. #65176 for the final show with music cues. Will Rogers Jr., E. Jack Neuman (writer), Georgia Ellis, Parley Baer, Byron Kane, John Dehner, Mary McGovern, Howard McNear, Bob Lemond (announcer), Norman Macdonnell (producer, director), Walter Brown Neuman (writer).Rocky Fortune. February 16, 1954. NBC net. "One Husband Too Many". Sustaining. Fine cops and robbers with Frank in a straight non-singing role. Well-written and fine Sinatra. A case of too many husbands after Rocky is hired by a beautiful woman to kill her husband...for $5000!. Frank Sinatra, Betty Lou Gerson, Barney Phillips, Norm Sickle (writer), Andrew C. Love (director), John Stevenson, Maurice HartSuspicion_1935_e001_Double_CrossThe Shadow. September 26, 1937. Mutual net. "The Death House Rescue". Sponsored by: Blue Coal. The first show of the series with "The Shadow" as a force against crime and not just a phantom announcer. Just before an innocent man is to be executed for murder, The Shadow uses mental telepathy to get the goods on the real killers. A good show with an intelligent plot. Orson Welles, Agnes Moorehead, William Johnstone, Jeanette Nolan, Ray Collins (triples), Paul Stewart, Elia Kazan, Everett Sloane (quadruples), Paul Huber (commercial spokesman), Frank Readick (opening and closing voice), Arthur Whiteside (announcer), Edward Hale Bierstadt (writer), Elsie Thompson (organist), Clark Andrews (producer), Martin Gabel (director), Edith Meiser (story editor), Walter B. Gibson (story consultant), J. R. Poppele (sound engineer), Thomas Coffin Cooke (commercial spokesman, as "John Barclay"), Walter Gibson (writer). TOTAL TIME: 2:53:47.643SOURCES: Wikipedia and The RadioGoldindex.com

Mukharvinda Prabhu was telling us, during our program at 12 noon, about an engineering principle: that if you're trying to solve a problem and it's not easily solved, you have to go back and look at the root. It's called the RCA- root cause analysis. So, Kṛṣṇa consciousness is a root cause analysis, and the root cause of all problems, all confusions, and complexities has to do with forgetting Kṛṣṇa. And so, that's why chanting japa feels like such a relief, because most of our lives are moving from one place to another, trying to solve a problem, and as soon as we solve one problem, if we ever do, then another one comes, or maybe a multiple of the first ones, like a hydra. But when we go to the RCA and we take the advice of the śāstra, which is, "Always remember Kṛṣṇa, never forget Kṛṣṇa," and then to the very clear philosophy of Śrī Caitanya Mahāprabhu, which is, "Kṛṣṇa is fully present in his name," also, of course, the philosophy of the Śrīmad Bhāgavatam—āpannaḥ saṁsṛtiṁ ghorāṁ, Kṛṣṇa and His name are non-different—then we naturally feel happy to chant Hare Kṛṣṇa. What's more, if we're trying to find the solution to a problem and we can't find it, better chant Hare Kṛṣṇa. And if we feel that life is overwhelming us, better chant Hare Kṛṣṇa. So, thank you for being among the sumedhasah, as mentioned by Karabhajana Muni in the Śrīmad Bhāgavatam. Those who take to this chanting are extremely intelligent, because they've figured out the RCA. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #makejapagreatagain #mantrameditation #chantharekrishnaandbehappy #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

從RCA計畫開始、貫穿50年台灣半導體產業發展史的紀錄片《造山者：世紀的賭注》，讓許多不懂半導體產業的一般人，開始理解台灣如何藉由「累積」創造出全球半導體奇蹟。片中採訪了八十多位重要參與者，是「向過去致敬」的重要紀錄。同時影片最後也提醒了大家，台積電魏哲家董事長到美國白宮召開的投資記者會，宣示了產業生態的大幅轉變，身在台灣的我們，應該如何「向未來探索」？黃欽勇Facebook https://www.facebook.com/hwangchinyeong

Pachetul de măsuri fiscale va fi anunțat săptămâna viitoare. Foarte probabil TVA va fi reașezat la două praguri, anunță premierul Ilie Bolojan. Guvernul analizează extinderea bazei de contribuabili la sănătate în timp ce Bursele elevilor vor fi reconfigurate, iar sporurile vor fi reevaluate. Premierul Ilie Bolojan a anuntat principalele măsuri fiscale pe care le va lua guvernul saptamana viitoare. A fost si prima conferință de presă de la preluarea funcției. Declarațiile vin după ședința de guvern în care a precizat că prioritățile executivului sunt reducerea deficitului bugetar și îmbunătățirea colectării fondurilor europene prin PNRR. Potrivit acestuia, sistemul de cote de TVA va trece de la actualul sistem cu trei cote (două reduse, 5% și 9%, precum și generală de 19%) la unul cu numai două cote, taxarea va crește pentru bănci și sectorul jocurilor de noroc, va crește numărul de contributori la sistemul pensiilor de stat. Premierul ilie Bolojan a mai anuntat ca sporurile vor fi reevaluate și trebuie legate de performanță. Adio plafonare RCA. Ce urmează? De marti,1  iulie, dispare plafonarea tarifelor RCA, masura care fusese stabilita acum doi ani dupa falimentul companiei Euroins. Expertul in asigurari Sergiu Costache spune la RFI ca pretul asigurarii obligatorii pentru automobile  nu va creste in prima instanta ci va creste gradual pana la finalul anului cu procente cuprinse intre 5 si 15 la suta asta si in functie de impactul noilor taxe si impozite ce vor fi impuse de  noul Guvern.    Primii Exilați Științifici au ajuns în Franța «Primii Exilaţi ştiinţifici» americani au ajuns la Universitatea din Marsilia    Realizatorull Cronicii Bilingve, Virgil Tănase, a încetat din viață Virgil Tănase, scriitor şi dramaturg francez de origine română, a murit marţi la Paris, oraş în care se refugiase politic în 1977. Pe 16 iulie ar fi împlinit 80 de ani. În ultimii 12 ani l-ati ascultat și la RFI România - unde a realizat peste 300 de cronici bilingve. 

Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I'm doing on Monday June 30th, 2025 at 7PM. It's Part 2 of the CBS Talent Raids on the early Television era. This webinar focuses on the rise of TV throughout the 1940s and early 1950s as the CBS Talent Raids took hold. If you missed Part 1, don't worry, when you register for Part 2 I'll email you a video of the webinar for Part 1. And if you're interested in this Part 2 webinar and can't make it live on Monday, June 30th at 7PM, don't worry I'll be emailing every person who registers a video of Part 2's webinar as soon as it's done. Here's a link to register — https://www.eventbrite.com/e/the-cbs-talent-raids-part-2-the-early-television-era-webinar-tickets-1419361692029?aff=oddtdtcreator Here's an overview of the webinar below: When David Sarnoff officially launched network television at the 1939 World's Fair in New York City, he intended to have TV sets in everyone's homes by the early 1940s. World War II interrupted his plans. Meanwhile network radio soared in popularity throughout the 1940s. By the fall of 1948, three of the four major radio networks — ABC, CBS, and NBC — were funneling their soaring radio profits into the burgeoning television side of their businesses. And because all individual U.S. citizens were taxed 77% on all income over $70k (roughly $907k today), big stars of the day like Jack Benny, Bing Crosby, and Freeman Gosden had the idea to incorporate their popular shows as businesses in order to qualify for significant breaks under capital gains tax laws. What happened when David Sarnoff and RCA, the parent company of NBC, the nation's #1 network at the time, refused to make this deal with its stars? It's time to uncover how a smart bet by CBS helped it overtake its main rival during the golden age of radio and exactly how this affected the early years of television. Join James Scully — Radio historian and producer/host of Breaking Walls, the docu-podcast on the history of U.S. network radio broadcasting for the second part of this two-part series that explores the events surrounding the CBS Talent Raids of 1948, and the many men and women who benefited from this monumental period in entertainment. In Part Two: Early Network Television, we'll focus on the rise of TV throughout the 1940s and early 1950s as the CBS Talent Raids took hold, including: • From Farnsworth to the 1939 World's Fair — Early TV History and How World War II slowed TV's oncoming growth • How NBC, CBS, and ABC Launched into TV while siphoning radio profits into their TV networks • The Dumont Network and Pro Rasslin' — Could the network have lasted longer? • Berle, Godfrey, Sullivan and The TV ratings landscape as we enter the 1950 • I Love Lucy Launches, forever altering Television viewing • How Television's explosive growth in the early 1950s changed America's way of life • TV's profits are radio's losses Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged!Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Julie Landsman, former Principal Horn of the Metropolitan Opera and teacher at University of Southern California. About Julie: Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989. A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn. She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner's “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center,  Orcas Island Chamber Music  Festival,  and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music  Festival, and the Aspen Music Festival. World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel.  In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany. Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women's Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today's generation of horn players. Landsman currently resides in Santa Barbara, California.

Au menu de l'actualité :

Can revolution happen in the United States? Not just someday, but in our lifetime — and not just spontaneously, but with strategy. ✊Join the fight against capitalism: https://communistusa.org/join Antonio Balmer explains what it actually takes to overthrow capitalism in the U.S. — drawing lessons from Bolshevism, cadre organization, and modern political conditions. From media strategy to building a disciplined force, this is how revolution is made.

In this episode of RCA Radio, host Brandon Miller sits down with Jessica Schafersman, a design and development expert at RCA®, to break down the increasingly complex world of combination products—those that blend drugs, devices, or biologics. Jessica shares insights on why these products are uniquely challenging, the regulatory expectations companies must meet, and how the FDA guidance that is intended to make the submission process streamlined. From design controls and quality system integration to the importance of human factors validation and international considerations, this episode is packed with practical advice for any company entering or expanding in the combination product space. 

In this episode, Frank talks about CPQ Podcast listener feedback. We've heard from many of you that the podcast brings value in different ways—whether it's preparing for job interviews, learning about new CPQ solutions, or gaining insights from inspiring leaders and fresh ways of thinking. To help more like-minded listeners discover the CPQ Podcast, we kindly ask you to leave an online review—especially on platforms like Apple Podcasts, Spotify, or Google Podcasts. Reviews make a big difference in helping others find the show. We also share a quick update and acknowledgment about the CPQ Sales Report, including its online availability and the latest edition. Finally, please note that registration for the June/July 2025 webinars will open on June 17. If you have any questions, feel free to reach out to us at Info@NovusCPQ.com —we're happy to help!

John Peterson outlines the revolutionary processes developing in American society—and how we must prepare as communists. Recorded at the Second National Congress of the RCA on May 31–June 1 in Philadelphia. Read our 2025 US perspectives here: https://communistusa.org/where-is-america-going/ ✊Join the fight against capitalism: https://communistusa.org/join

新鮮事、新奇事、新故事《一銀陪你聊“新”事》 第一銀行打造公股銀行首創ESG Podcast頻道上線啦 由知名主持人阿Ken與多位名人來賓進行對談 邀請您一起落實永續發展 讓永續未來不再只是想像 各大收聽平台搜尋：ㄧ銀陪你聊新事 https://sofm.pse.is/7qknax -- 小福利麻辣鍋-最強麻辣火鍋加豐盛Buffet，平日698起，美味通通無限享用！ 有頂級和牛、安格斯黑牛、天使紅蝦，多款海陸食材吃到飽！ 還有炸蝦天婦羅、職人炙燒握壽司、以及哈根達斯！ 美味一次滿足，請搜尋「小福利麻辣鍋」 https://sofm.pse.is/7qr2q9 －－－－以上訊息由 SoundOn 動態廣告贊助商提供－－－－ 全球對台灣晶片的依賴愈來愈深，「矽盾」的戰略意涵何在？它是保障、還是風險？在中美科技戰與地緣政治緊張的當下，台灣的企業與政府應如何應對這場大國競逐？聯電創辦人曹興誠在紀錄片「造山者」中受訪，當年進入工研院電子研究所參與RCA技術轉移計畫，被視為台灣半導體產業的起點。從工研院到創辦聯電，成為台灣第一家民營半導體業者，初期面對技術、市場與資金等挑戰，是如何克服的？是否有一個關鍵時刻改變了聯電的命運？曹興誠在1990年代主導聯電轉型為純代工模式，這樣的決策為何能成功？當時是否遭遇內部阻力？聯電與台積電有什麼本質上的差異？回顧工研院技術商轉與聯電的成功經驗，這套模式今天還適用於其他創新產業嗎？台灣半導體能有今天的成就，政府政策扮演了什麼角色？站在企業家與公民的雙重身分上，曹興誠對下一代台灣青年與創業者有什麼期待與建議？精彩訪談內容，請鎖定@華視三國演議！ 本集來賓：#曹興誠 #矢板明夫 主持人：#汪浩 以上言論不代表本台立場 #造山者 #聯電 #半導體 #AI 電視播出時間

SUBSCRIBE TO IMPOSSIBLE WAY OF LIFE ON PATREON TO ACCESS FULL EPISODEhttps://www.patreon.com/animpossiblewayoflifeNilsson month continues and we are joined again by IWOL three timer's club member Johanna Samuels to discuss Harry Nilsson's "Ariel Ballet". This is the second of Harry's trapeze-like vocal showcase albums for RCA and, with the inclusion of "Everybody's Talkin'", the one that really made him a star. 

In the May 2025 edition of the Coldwell Banker Commercial podcast, the team celebrates the achievements of their professionals, highlights educational opportunities, and introduces new tools like RCA for enhanced data access. We reflect on the success of Market Tales segment, while also discussing emerging trends in commercial real estate, particularly in data centers and life sciences.

當金曲歌后徐佳瑩發現在 Uber Eats 上（應該）都點得到，居然狂點一波！雖然點不到白馬和失落沙洲，但香水、辣椒或其他吃的用的都點得到～快上 Uber Eats 想要的都點點看 ⮕ https://fstry.pse.is/7nlf4p —— 以上為 KKBOX 與 Firstory Podcast 廣告 —— 曾獲2座金馬獎最佳紀錄片獎的導演蕭菊貞花5年拍攝新紀錄片「造山者－世紀的賭注」，訪問超過80名見證產業的重要人物，是台灣首部以半導體發展為主題的紀錄片。 蕭菊貞表示，這部紀錄片是她拍攝過最不安卻也最難放下的主題，過程中遭遇全球半導體競賽、美中貿易戰的科技對抗，或是AI出現的影響，讓她不斷自問：「如果5年前能預知台灣此時將面臨的所有難題，當年我敢拍這個題目嗎？」面對壓力就會想起國家有難時，仍有一群人守護國家，讓她相當感動，也認為不該輕易妥協，「因為這段歷史不能忘記，它不只是一段關於台灣半導體的故事，更是台灣這座島嶼面對生存，所走過的艱辛路徑。」 #寶島聯播網 #鄭弘儀 #寶島全世界 #蕭菊貞 #造山者 #台積電 #半導體 #川普 #RCA #魏哲家 #張忠謀 小額贊助支持本節目： https://open.firstory.me/user/clw4248xv113d01wg7s4h2xnq 留言告訴我你對這一集的想法： https://open.firstory.me/user/clw4248xv113d01wg7s4h2xnq/comments Powered by Firstory Hosting

The sports network ESPN owes its existence to Tulsa's own George Conner. After graduating from the University of Tulsa with a marketing degree in 1964, George went to work for Skelly Oil in downtown Tulsa.When Getty Oil gained control of Skelly in 1974, George became a finance manager and was asked to study a proposed Connecticut-based Cable Television network committed to all-day, every-day sports programming. George approved the project and Getty Oil made an initial investment of $10 million which grew to $160 Million. ESPN went live on September 7, 1979. Co-founder Bill Rasmussen stated: “I still firmly believe that, without Conner as the bridge to Getty money, there would have been no ESPN.”Listen to George talk about the beginning of this new concept of a 24-hour sports network and his role in establishing ESPN on the podcast and oral history website VoicesOfOklahoma.

Brent & Johnny welcome a longtime friend, Anthony Orio, to The Challenge, where they cook up 5-6 different conceptual angles for writing a song titled "Broken Lines," sent in by CLIMBer, Andrea Shihady. Anthony Orio is a singer/songwriter who was featured in ASCAP's Hot On The Row series, he's performed at The Grand Ole Opry, The Ryman Auditorium, The Bluebird Cafe, he and his band The Goodfellers have remained a top draw on Broadway at the World Famous Tootsie's Orchid Lounge and Kid Rock's and they were named "Best Band In Nashville" four consecutive years in a row by the Tennessean's Toast of Music City Awards. Anthony has succeeded as a songwriter with cuts by Grammy award-winning country music legend Ray Stevens, former RCA recording artist Andy Griggs, and Curb Records' Tim Duggar. Connect with Anthony Orio Here: Facebook: @AnthonyOrioMusic Instagram: @AnthonyOrio YouTube: @AnthonyOrio Spotify: @AnthonyOrio The C.L.I.M.B. Show is dedicated to helping singers, songwriters, indie artists and industry pros "Create Leverage In The Music Business." We want you to win! About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens, Gord Bamford and more.  He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros.  You can find Brent at SongwritingPro.com/Baxter and  SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others.  You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick is joined by ITV presenter Oli Bell to discuss the latest from around the racing world. With a view to this weekend's Classics, they are joined by Brian Meehan and Kate Harrington to discuss Rashabar and Hotazhell respectively, while Harrringtom also has news of Green Impact's next target. Also today, Wathnan's manager Richard Brown tells Nick about two potential Derby candidates, while the RCA's Kevin Walsh talks about the new Summer Jumps Championship, and Nick and Oli assess GBR's latest marketing effort as they kick off the Going is Good campaign. Plus, Luis Kimmel from GaloppDaily joins with important news from Germany, while Richard Chugg joins the show having joined his family in collecting awards at the TBA National Hunt evening at Doncaster as breedrers of The New Lion and Katsura.

Nick is joined by ITV presenter Oli Bell to discuss the latest from around the racing world. With a view to this weekend's Classics, they are joined by Brian Meehan and Kate Harrington to discuss Rashabar and Hotazhell respectively, while Harrringtom also has news of Green Impact's next target. Also today, Wathnan's manager Richard Brown tells Nick about two potential Derby candidates, while the RCA's Kevin Walsh talks about the new Summer Jumps Championship, and Nick and Oli assess GBR's latest marketing effort as they kick off the Going is Good campaign. Plus, Luis Kimmel from GaloppDaily joins with important news from Germany, while Richard Chugg joins the show having joined his family in collecting awards at the TBA National Hunt evening at Doncaster as breedrers of The New Lion and Katsura.

Hosts Jim DeRogatis and Greg Kot talk with author Cary Baker about the musical tradition of street performance, also known as busking. The hosts also review the solo album from TV On The Radio lead singer Tunde Adebimpe and hear feedback from listeners on recent episodes.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Arvella Gray, "John Henry," I Blueskvarter Chicago 1964, Volume Two, Jefferson, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tunde Adebimpe, "Magnetic," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Ate The Moon," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Pinstack," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Drop," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Blue," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Somebody New," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "ILY," Thee Black Boltz, Sub Pop, 2025Tracy Chapman, "Stand By Me (Live At The Late Show With David Letterman)," Greatest Hits, Elektra, 2015Moondog, "Nocturne Suite Part 1," On The Streets of New York, Mississippi, 2019Cortelia Clark, "Bye, Bye, Love," Blues in the Street, RCA, 1966George Coleman, "Innocent Little Doggy," Bongo Joe, Arhoolie, 1969Fantastic Negrito, "Nobody Makes Money," Fantastic Negrito EP, Blackball Universe, 2014Violent Femmes, "Blister In The Sun," Violent Femmes, Slash, 1983Ted Hawkins, "Strange Conversation," The Next Hundred Years, Geffen, 1994Mary Lou Lord, "St. Swithin's Day," Real, Deep Music, 1993Lucinda Williams, "Ramblin' On My Mind," Ramblin' on My Mind, Folkways, 1979Dom Flemons, "Charmin Betsy," Black Cowboys, Smithsonian Folkways, 2018Emmylou Harris, "Crescent City," Cowgirl's Prayer, Asylum, 1993Stan Rogers, "Barrett's Privateers," Fogarty's Cove, Barn Swallow, 1977Tsunami, "In A Name," Deep End, Simple Machines, 1992See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this webinar, the CardioNerds collaborated with the Cardiogenic Shock Working Group (CSWG) to discuss LV unloading and the updated AMI guidelines, which upgraded transvalvular flow pumps to a Class 2A recommendation in AMI shock. Dr. Rachel Goodman and Dr. Gurleen Kaur from CardioNerds were joined by Dr. Navin Kapur (Tufts Medical Center), Dr. Shashank Sinha (INOVA Fairfax Hospital), and Dr. Rachna Kataria (Brown University) from the CSWG. Together, they explore a case of an older woman who presented with inferior STEMI and was found to have complete occlusion of an anomalous single coronary artery originating from the right coronary cusp and supplying the entire left ventricle. She was treated with DES to the anomalous RCA. Her course was complicated by AMI shock with re-occlusion of the DES, which was treated with thrombectomy and balloon angioplasty. An IABP was placed. After transfer to a tertiary care center, a pulmonary artery catheter revealed a CI of 0.96. With worsening shock, rising lactate, and end organ dysfunction, the team proceeded with VA-ECMO and Impella CP for LV unloading. Her lactate subsequently normalized. Produced by CardioNerds in collaboration with the Cardiogenic Shock Working Group. CardioNerds Cardiac Critical Care PageCardioNerds Episode PageCardioNerds AcademyCardionerds Healy Honor Roll CardioNerds Journal ClubSubscribe to The Heartbeat Newsletter!Check out CardioNerds SWAG!Become a CardioNerds Patron!

On this week's show we take a look back at the transition from black and white to color and compare it to the transition to HDTV. We also read your emails and take a look at the week's news. News: Roku's smart home strategy is making its streaming devices harder to ignore Sonos Strikes a Surprising Deal with Yamaha Masimo to Sell Consumer Audio Business to HARMAN International Other: Robert's Forever Home Theater Has the Best Universal Remote Got Better? - Remote 3 Google AI Reimagines Wizard of Oz for the Las Vegas Sphere!

This episode was originally released on 9/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 83, we focus the radio industry of the 1930s and 40s—especially on the career of David Sarnoff, as RCA's network, NBC begins to lose its grip on the top spot in the broadcasting industry while they introduce Television. We'll also focus on the introduction of new talent to the industry, and the CBS talent raids of 1948-1949. Highlights: • David Sarnoff announces the birth of TV at The 1939 World's Fair 
• Edwin Howard Armstrong Invents FM 
• Television Experiments in the 1920s and 1930s 
• Sarnoff and Armstrong's Crumbling Friendship • How World War II Stopped Television's Commercial Expansion
 • William S. Paley's Plan to make CBS the #1 Network 
• The Rise of Arthur Godfrey 
• Sarnoff's Court Battles 
• The Death of Edwin Howard Armstrong
 • The CBS Talent Raids of 1948-49
 • Dean Martin and Jerry Lewis 
• The Simple Art of Macabre 
The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • The General: David Sarnoff & The Rise of the Communications Industry - by Kenneth Bilby • The Encyclopedia of Old-Time Radio - by John Dunning • Empire: William S. Paley & The Making of CBS - by Lewis J. 
 • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling • The Network - by Scott Wooley • As well as an article on Martin & Lewis from the August 2018 issue of SPERDVAC's Radiogram, by Michael Hayde

 Selected Music featured in today's Episode was: • Mr. Lucky, by Si Zentner • Begin the Beguine, by Artie Shaw and His Orchestra • Seance on a Wet Afternoon, arranged by John Barry

Musicians like Emmylou Harris, Rosanne Cash, Guy Clark and others changed the scope of country music forever. Hosts Jim DeRogatis and Greg Kot talk with author Geoffrey Himes about the artists of the movement he calls “in-law country.” They also hear from some listeners.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Emmylou Harris, "Born to Run," Cimarron, Warner Bros. Nashville, 1981The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981Rosanne Cash, "My Baby Thinks He's A Train," Seven Year Ache, Columbia, 1981The Flying Burrito Brothers, "Six Days on the Road," Last of the Red Hot Burritos, A&M, 1972Emmylou Harris, "Luxury Liner," Luxury Liner, Warner Bros. Nashville, 1976The Byrds, "You Ain't Goin' Nowhere," Sweetheart of the Rodeo, Columbia, 1968The Byrds, "Time Between," Younger Than Yesterday, Columbia, 1967Emmylou Harris, "If I Could Only Win Your Love," Pieces of the Sky, Reprise, 1975Rodney Crowell, "I Couldn't Leave You If I Tried," Diamonds & Dirt, Columbia, 1988Emmylou Harris, "Two More Bottles of Wine," Quarter Moon in a Ten Cent Town, Warner Bros. Nashville, 1978Emmylou Harris, "Pancho and Lefty," Luxury Liner, Warner Bros. Nashville, 1976Emmylou Harris, "Till I Gain Control Again," Elite Hotel, Reprise, 1975Ricky Skaggs, "Heartbroke," Highways & Heartaches, Epic, 1982Guy Clark, "L.A. Freeway," Old No. 1, RCA, 1975Liquid Mike, "Drinking and Driving," Paul Bunyan's Slingshot, Temporal, 2024TAE & The Neighborly, "We Can Be," Self Help, smooth bean, 2024David Grisman and Jerry Garcia, "Whiskey In the Jar," Shady Grove, Acoustic Disc, 1996Graham Nash, "Chicago / We Can Change the World," Songs for Beginners, Atlantic, 1971Bnny, "Good Stuff," One Million Love Songs, Fire Talk, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.