Podcasts about RCA

TCW Podcast Episode 243 - RCA Studio II   The RCA Studio II emerged from the company's faltering computer division and the vision of engineer Joseph Weisbecker, who had long dreamed of personal computing after reading "Giant Brains or Machines That Think". He developed FRED at home, a TTL-based hobby computer. A later iteration using the COSMAC microprocessor inspired his daughter Joyce, who went onto program Studio II games, and RCA's forays into coin-op experiments like the Fredotronic. With the development of the CMOS-based COSMAC chip, RCA built trainers like the MicroTutor and kits like the COSMAC ELF, but the Studio II became their entry into the console market. Innovative in concept but hampered by primitive graphics, the system faced FCC challenges delaying release. The console launched in 1977 against the Channel F and Atari VCS, it struggled to find success, though its technology lived on in Taiwan and European licensed systems. Much of its history was later uncovered by researcher Kevin Bunch, which saved the Studio II from being just a footnote in video game history.   Mechanical Televisions: https://www.youtube.com/watch?v=v5OANXk-6-w 32 Line Mechanical TCV Popeye: https://www.youtube.com/watch?v=ozpBDOBXiPs TCW 096 - Hello Big Blue: https://podcast.theycreateworlds.com/e/hello-big-blue/ TCW 026 - The Magnavox Odyssey: https://podcast.theycreateworlds.com/e/the-magnavox-odyssey/ RCA Spectra 70: https://d1yx3ys82bpsa0.cloudfront.net/brochures/rca.spectra70.1965.102646099.pdf Project Gutenberg - Giant Brains or Machines That Think: https://www.gutenberg.org/cache/epub/68991/pg68991-images.html Radio Electronics - Simon Computer: https://vintagecomputer.net/simon.cfm Think-a-Dot: https://en.wikipedia.org/wiki/Think-a-Dot RCA System 00 and FRED: https://www.retrotechnology.com/memship/cosmac_system_00.html Fredotronic: https://thehistoryofhowweplay.wordpress.com/2021/10/13/home-to-the-arcade-a-perfect-translation/ RCA MicroTutor: https://www.youtube.com/watch?v=uCXQZY8XCK8 Popular Electronics - COSNAC ELF: https://archive.org/details/197608PopularElectronics_20181123 Popular Electronics - COSMAC ELF (Condensed): https://archive.org/details/popular-electronics-cosmac-elf/page/n15/mode/2up Building a COSMAC ELF: https://www.youtube.com/watch?v=npvkHmTo_1U COSMAC VIP: https://www.youtube.com/watch?v=LDnufgeONYg (Atari Archive has examples of all games and many of the things we talk about!) Atari Archive - EP01 - The Story of RcA FRED and the Studio II: https://www.youtube.com/watch?v=o35y6W9hI-o Atari Archive - EP02 - The History of RCA's Commercial Games: https://www.youtube.com/watch?v=UXIoi1QAcoY RCA Studio II: http://videogamekraken.com/rca-studio-ii RCA Studio II Console Tour & Gameplay: https://www.youtube.com/watch?v=vJkedjfK4aQ M-1200 (RCA Studio III): https://www.youtube.com/watch?v=NstUUSIwUwY Star Wars (Studio II): https://www.youtube.com/watch?v=-FYKkCkNZOY Pinball (MPT-02 - Studio III): https://www.youtube.com/watch?v=4b3LO41z7ks     New episodes are on the 1st and 15th of every month!   TCW Email: feedback@theycreateworlds.com  Twitter: @tcwpodcast Patreon: https://www.patreon.com/theycreateworlds Alex's Video Game History Blog: http://videogamehistorian.wordpress.com Alex's book, published Dec 2019, is available at CRC Press and at major on-line retailers: http://bit.ly/TCWBOOK1     Intro Music: Josh Woodward - Airplane Mode -  Music - "Airplane Mode" by Josh Woodward. Free download: http://joshwoodward.com/song/AirplaneMode  Outro Music: RoleMusic - Bacterial Love: http://freemusicarchive.org/music/Rolemusic/Pop_Singles_Compilation_2014/01_rolemusic_-_bacterial_love    Copyright: Attribution: http://creativecommons.org/licenses/by/4.0/

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Welcome to a special live episode of Holding up the Ladder in collaboration with The Royal College of Art. feat. Gülce Tulçalı and Phoebe Davies.As part of the Royal College of Art (RCA) MA graduate students', 'Curating Contemporary Art Exhibition' and their curatorial show, Feed Back, I was invited to lead a discussion exploring remediating legacies, curatorial repair and the role of artistic practice in defining and potentially shaping new legacies. Our conversation took place in the Hanger space at the RCA, an open concrete and brick exhibition space with numerous MA students assembling their curatorial shows. So during our conversation expect to hear the hive like activity of a space in preparation.The curatorial team responsible for Feed Back were: Apoorva Subbanna, Yi Fan, Serena Gao, Francesca Inciong, Stephanie Rubio, Arina Baburskova and Indy CallandIn conversation were artists: Gülce Tulçalı & Phoebe DaviesWe talk about dystopian realities, about the body, about making, about the artist's role responding to the world around us. We talk about tenant farming and about collectivity and the commons.Gülce Tulçalı Bio Phoebe Davies BioLinksNow, The Invisible CommitteeOctavia's BroodVandana Shiva, Reclaiming The CommonsSlade Farm Organics & PodcastTitle: It's Your Job to Make the Work - A Holding Up The Ladder production in collaboration with RCA feat. Gülce Tulçalı and Phoebe Davies Hosted on Acast. See acast.com/privacy for more information.

Jewel Williams, an engineering manager at Ørsted, shares insights about managing a diverse renewables portfolio and the distinct challenges of offshore and onshore wind. Leading operations of over 27 sites, containing wind, solar, and battery storage, Jewel showcases the skillset needed to successfully work in wind. Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us!  Welcome to Uptime Spotlight, shining Light on Wind. Energy's brightest innovators. This is the Progress Powering Tomorrow. Allen Hall: Hey, Jewel, welcome to the program.  Jewel Williams: Hey, nice to be here.  Allen Hall: Well, we have a lot to talk to you about. You're an engineering manager. In wind and uh, we know all the pressure that's involved there just from the outside. Um, we're not working in it day to day. Of course. I am really curious with all the recent changes of things that are happening on the ground, what is your day to day like right now? Jewel Williams: Yeah. Uh, well, you know, it kind of depends on the day, of course. Uh, so, you know, in addition to wind, both in the onshore and offshore, we have, um, best solar and, uh, crane support on my team. So. Kind of depends on what's, what today's challenges are, what are the impending deadlines. [00:01:00] Um, so, you know, it could be compliance, it could be dealing with legal, it could be disputing an RCA or building an RCA it, it really just depends on the day. Joel Saxum: I think we breezed over that one almost too quick when we were talking about wind engineering manager and we kind of said engineering manager, and then you went wind solar. Battery storage and then this wild card cranes, you know, when, when we speak with people in the industry, everybody's busy. That's, that's the constant email you see back and forth. Oh, sorry, I was a little bit late there. Thanks for your patience with this. We're busy with this, we're busy with that. I don't think we've talked to anybody, Alan, that has like a complete renewables portfolio as an engineering manager. And then also cranes. We're just gonna throw that in there. Um, so, so I have a net specialty. I is, is it a lot of firefighting?  Jewel Williams: It, it can be. It can be. Ideally we are shifting towards the kind of reactive to the proactive, but you're in operations and so a lot of times when work is hitting your desk, the first thing that [00:02:00] happens is a problem where failure and then the work comes to you. So in that case, like there's certainly quite a bit of, uh, firefighting and you mentioned the cranes is a bit of a wild card. I think that was one that. They weren't quite sure where to put. And we had a good team and a decent people leader, and so they were said Jewel, hey, here's a job description. We need you to hire a crane guy. And that was an interesting experience because I did not have the background to make the hire in the first place. But it's worked out really well. I've got an awesome guy to support.  Allen Hall: So how many people are on your staff At the minute?  Jewel Williams: Right now we have nine engineers.  Allen Hall: Okay. So you're doing wind, best, solar, and cranes with nine people. How many wind farms, solar farms and best sites do you have altogether?  Jewel Williams: Altogether? 24. Allen Hall: Wow.  Jewel Williams: So we have two onshore bests, uh, four solar, and the rest is winds. Uh, and then, uh, three of those are offshore wind sites.  Allen Hall: And how far scattered [00:03:00] about the country are they?  Jewel Williams: Well, they're a little bit of everywhere,

Gurdip, Bec and Justin decided to crack open a time capsule from the early 1980s and inside sat the album that has become possibly the most divisive Elvis bootleg ever released. Intended as a spoof of cash-grab compilations of "hit" Elvis movie songs by RCA in the 1970s, an infamously crass compilation bringing together some of the "worst" of Elvis's film songs at first glance seems to be going for mere shock value, but the contents of the album and the story behind its compilation do reveal in-jokes from deep within the Elvis fandom at the time. The question then becomes, did the jokes reach their intended target or did they fly over everyone's head and simply pile on more mockery and add to the problem? Justin reflects on Greil Marcus's contemporary account of the album from 1985, which frames it as part of an ironic, playful punk recontextualization amid a cultural reckoning with Elvis as an object of mass attention, but also ponders whether that read misses the forest for the trees. And what of the songs themselves? Do such songs as "US Male" and "Beach Boy Blues" deserve to be labeled as among the "greatest sh*t"? We discuss it all within! For Song of the Week, Gurdip blasts through the breezy "Carny Town" from Roustabout, while Justin meditates on "We Call on Him," the inspirational number written explicitly for Elvis released as an Easter single in 1968. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. If you'd like to support us another way, please drop a positive review on your favorite podcast platform!

Tom Trottier explains Marx's Economic theory and how we can understand the current crisis.

Épuisement, stress, sommeil, douleurs physiques … Que révèle le Baromètre Santé 2025 sur la profession comptable ?Dans cet épisode, nous recevons François Monvoisin, responsable des relations extérieures chez Malakoff Humanis.Nous décryptons ensemble les grands enseignements de notre nouveau baromètre co-réalisé avec le CEG !Au programme :Un état des lieux précis de la santé physique et mentale dans les cabinet avec plusieurs signaux d'alerte :92% ressentent du stress au travail71% ont des troubles du sommeil liés au travail51% souffrent de douleurs physiques liées aux postes de travailLe stress au travail génère des comportements addictifs pour 43% des répondants …Des solutions concrètes à mettre en place dès maintenant, pour pallier ces difficultés et améliorer le bien-être dans les cabinets.Un épisode engagé, clair et utile pour mieux comprendre les enjeux de santé dans la profession … et agir !Merci François pour cet échange passionnant.Merci également à RCA, Absoluce et France Défi qui soutiennent ce Baromètre Santé 2025.Découvrez le baromètre complet ici : https://www.experts-en-gestion.fr/Barometre_Sante_2025.pdfEt sa synthèse là : https://www.experts-en-gestion.fr/Barometre_Sante_2025_Livret.pdfDécouvrez l'accompagnement de Malakoff Humanis pour les cabinets d'expertise comptable :Sur le web : https://www.malakoffhumanis.com/experts-comptables/Par téléphone : 0320101434

On the September 17 edition of the Music History Today podcast, Keith Moon gets injured on television, RCA's first LP is released, & the only wall that matters is Pink Floyd's. Plus, it's Hank Williams's birthday.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Antonio Balmer explains the relative decline of US imperialism and the strengthening of BRICS

Joy Crookes schenkt uns diesen September ein neues musikalisches Werk. Mit "Juniper" legt die in London geborene Musikerin ihr zweites Studioalbum vor …und das hat es in sich: rau, reflektiert, radikal ehrlich. Die Tochter eines irischen Vaters und einer Mutter aus Bangladesch vereint kulturelle Tiefe mit musikalischer Reife, irgendwo zwischen Soul, R&B, Pop. Spätestens seit ihrem gefeierten Debüt "Skin" gilt sie als Stimme ihrer Generation. Jetzt geht sie noch einen Schritt weiter. (superfly.fm)

AI investment is exploding: the “Magnificent Seven” of Apple, Microsoft, Google, Amazon, Meta, Tesla, and NVIDIA, are ploughing almost 7% of US GDP into AI and data centres. That's the same scale as the US housing boom in 2006, and greater than the dot-com bubble at its peak. Today, just seven firms make up 34% of the S&P 500, the highest concentration in history. Earnings per share in these companies grew 37% last year, compared to just 6% in the rest of the index. But history warns us, RCA in the 1920s, dot-coms in the 1990s, that transformative technologies can change the world while destroying fortunes. The question now: is AI the next revolution, or the next bubble waiting to burst? Hosted on Acast. See acast.com/privacy for more information.

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11 09 2025 A LA GRAN 730 - Santiago Peña, Pdte de la Rca by ABC Color

Nick once again coming to you from Burghley Horse Trials and joined this morning by the Mirror's David Yates. First up Richard Hannon joins the show, who is hoping that Rosallion will finally land a Group One in 2025 in Sunday's Prix du Moulin at Longchamp although he faces some stiff competition. Nick and Dave touch on the latest in the Hillsin case which is scheduled for a hearing next week before Wilf Walsh of the RCA explains why David Armstrong is stepping down as Chief Exec. Breeder John little shares his delight in the success he has seen Lady of Spain go onto with Roger Varian, the latest a Group 3 success, and he discussed his why he thought the mare was perfect for sire Phoenix of Spain. Then with the Malton open day taking place this weekend we hear from Beck Edmunds and finally Kevin Walsh offers a rebuttal to Charlie Brooks's piece in the Telegraph earlier in the week, regarding the future of summer jumps racing.

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In this second installment with Mike Duplissey, Doug Simcox dives deeper into Mike's remarkable rodeo journey — including his move from the IPRA to the RCA, Marilyn's NFR push with her horse Dan, and unforgettable behind-the-chutes stories. Mike opens up about the early days of Loretta Lynn's rodeos with Bruce Lehrke, his lifelong friendship with Lecile Harris, and the infamous streaking incident that nearly got him blackballed. He also shares how he and Marilyn became the faces of Ely Walker western wear, landing a long-running advertising gig that brought rodeo into mainstream catalogs and magazines. Be on the lookout for more episodes with Mike as his story continues.Presented by ParaSight System—helping vets help pets with FecalSight, FlowSight, and HemaSight diagnostics. Learn more at ParaSightSystem.com.Wandering Gypsy RV Life: https://open.spotify.com/show/746s6L4oLDcSdQPR3AcU1F?si=e729c69f873f4b2cWestern Festival de St Tite: https://www.festivalwestern.com/Mountain Cove Rodeo Reunion: https://www.facebook.com/groups/729424520834071Mike Swearingen Rodeo Reunion: https://www.facebook.com/mike.swearingen.104Here are some resources for Beyond the Chutes:Facebook:https://www.facebook.com/profile.php?id=100093822821241Official Website:https://beyondthechutes.show/Spotify: https://shorturl.at/bvK35Apple Podcasts: https://shorturl.at/jnGV4YouTube: https://tinyurl.com/bdcju8nzParaSight SystemsCoupon: BTC023 for 50% off Mail In Test Kitshttps://www.parasightsystem.com/The IRA Projecthttps://www.facebook.com/groups/681292165259783#BeyondTheChutes #MikeDuplissey #MarilynDuplissey #RodeoHistory #BarebackRiding #NFR #IPRA #RCA #LorettaLynn #DoubleLRodeo #BruceLehrke #LecileHarris #ElyWalker #WesternWear #CowboyLife #RodeoLegends #RodeoFamily #inourroots

O întâmplare despre cum s-a făcut restructurarea la una dintre cele mai bogate instituții de stat din România. „Ăsta e de neatins, că e omul lui Stănescu, iar funcția celuilalt nu poate fi desființată, că e omul lui Thuma” (HotNews) - Povestea lui Ismail, livratorul din Bangladesh bătut în București: „Am în continuare tot respectul față de români” (Europa Liberă) - George Simion promovează noua campanie a Kremlinului împotriva Moldovei (SpotMedia) Întâlnire crucială la Cotroceni între Nicușor Dan și liderii coaliției. Ilie Bolojan este hotărât să-și dea demisia din fruntea Guvernului (Adevărul) Președintele României, Nicușor Dan, i-a convocat pe liderii coaliției la Palatul Cotroceni pentru a dezamorsa tensiunile generate de amenințarea premierului Ilie Bolojan de a-și prezenta demisia. În paralel, premierul va susține o conferință de presă la ora 10.00, la Palatul Victoria.  Sursele politice precizează că tensiunile din coaliție au fost generate de refuzul unor partide de a susține reducerile și restructurările propuse de premier, în timp ce Bolojan susține că reformele sunt esențiale pentru funcționarea eficientă a administrației și pentru corectarea inechităților. Întâlnirea de la Cotroceni va fi un test pentru capacitatea coaliției de a găsi consens și de a evita o criză guvernamentală la puțin peste două luni de la investirea guvernului Bolojan.  „Nu există alternativă politică la Bolojan”, spune în exclusivitate pentru ziarul Adevărul politologul Cristian Pîrvulescu. Deși critică abordarea ultimativă a premierului Bolojan privind pachetul II de austeritate, el admite că nu există o alternativă politică la guvernul liberalului.  O întâmplare despre cum s-a făcut restructurarea la una dintre cele mai bogate instituții de stat din România. „Ăsta e de neatins, că e omul lui Stănescu, iar funcția celuilalt nu poate fi desființată, că e omul lui Thuma” (HotNews) Jurnalistul Cătălin Tolontan relatează o întâmplare despre cum s-a făcut restructurarea la una dintre cele mai bogate instituții de stat din România.  Autoritatea de Supraveghere Financiară (ASF) are un președinte care a câștigat în 2023, când funcția era ocupată de Nicu Marcu, 12.500 de euro net lunar, cu tot cu bonusuri. Peste președinții Germaniei și al Franței. ASF, instituția unde primii cinci angajați din fosta conducere au avut toți venituri de peste 11.000 de euro net/lună, a fost una dintre cele din al căror buget Guvernul a tăiat luni, în Parlament. Cum au decurs discuțiile în interior? „Ăsta e de neatins, că e omul lui Stănescu, iar funcția celuilalt nu poate fi desființată, că e omul lui Thuma”. Toată instituția primea patru bonusuri pe an, fiecare egale cu un salariu. De Crăciun, de vacanță, de performanță și de ziua instituției, sărbătorită ca debarcarea din Normandia. Totul era legal, în contractul colectiv de muncă. În aceiași ani, piața supravegheată de ASF înregistra al treilea faliment consecutiv al liderului din idustria asigurărilor RCA. Vindeu multe RCA, nu plăteau pagubele și fugeau la propriu cu banii din țară. Conform raportului oficial, până la începutul lui 2025, cele mai recente două falimente au costat statul și cetățenii 520 de milioane de euro. Avem o jumătate de milion de păgubiți, persoane fizice și firme. ASF e un exemplu... Integral pe pagina HotNews. Povestea lui Ismail, livratorul din Bangladesh bătut în București: „Am în continuare tot respectul față de români” (Europa Liberă) Venit de doar patru luni să lucreze în România, un tânăr din Bangladesh a fost lovit, în plină stradă, în București, fără motiv. Agresorul i-a cerut să plece din țară și l-a acuzat că este „invadator”.  Agresorul a fost arestat pentru 30 de zile, iar victima încă mai are nevoie de câteva zile de îngrijiri medicale. Europa Liberă a discutat cu Ismail Hossain în locuința acestuia din zona Pieței Obor din București: o cameră pe care o împarte cu alți nouă conaționali, toți cu aceeași meserie. George Simion promovează noua campanie a Kremlinului împotriva Moldovei (SpotMedia) Cu o lună înainte de alegerile parlamentare din țara vecină, s-au intensificat mesajele împotriva Maiei Sandu și a aliaților săi. Reprezentanții AUR critică ajutorul economic dat de București Chișinăului, încercând să acrediteze ideea că măsurile de austeritate ar fi provocate de sprijinirea Moldovei și Ucrainei. Articolul, pe larg, pe pagina SpotMedia.

Steven Blier is the co-founder and artistic director of the New York Festival of Song, and has served asprogrammer/translator/pianist/arranger of more than 150 of its programs.He has been a recital collaborator with some of the great singers of our time, including Renée Fleming and Cecilia Bartoli. He has recorded on the Koch, New World, Nonesuch, Albany, and RCA labels, and he won a Grammy Award in 1990. He was also nominated for Grammy Awards in 1999 and 1989.  Most recently, he issued six new albums on NYFOS Records, including Schubert/Beatles with Theo Hoffman and Julia Bullock.Blier has been on the faculty of the Juilliard School since 1993, and has given master classes around the U.S. in song repertoire. A longtime feature writer for Opera News Magazine, he has been guest faculty/recitalist at the Wolf Trap Opera, Santa Fe Opera, the Steans Institute at the Ravinia Festival, and San Francisco Opera. He holds a BA degree from Yale University, summa cum laude, Phi Beta Kappa.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Matt KersnerIggy Pop “The Passenger” from the 1977 album "Lust for Life" released on RCA. Written by Iggy Pop and Ricky Gardiner and produced by Bewlay Bros.Personel:Iggy Pop – lead vocalsDavid Bowie – piano, backing vocalsRicky Gardiner – lead guitarCarlos Alomar – rhythm guitarTony Sales – bass, backing vocalsHunt Sales – drums, percussion, backing vocalsCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.

Au menu de l'actualité :Une personne sur quatre dans le monde n'a pas accès à l'eau potableRDC : à Goma, l'accès à l'eau potable connaît une améliorationRCA : les médias s'efforcent de lutter contre la désinformation Présentation : Jérôme Bernard

Shooter Jennings reveals the story of hundreds of unreleased recordings his father Waylon made between 1974-1984, including stunning covers now being released as "Songbird" - plus more musical stories from the lives of the Jennings family. Order the new "Songbird" LP here. Topics Include: Shooter Jennings discusses upcoming Songbird release featuring his late father Waylon's unfinished recordings Most songs were actually complete with vocals and instruments already recorded professionally Waylon privately recorded after 1974 RCA battle, keeping hundreds of tapes unlabeled Tapes digitized in 2008 but sat untouched until Shooter systematically catalogued everything recently Discovery process was emotional journey revealing Waylon's constant studio experimentation and joy Found treasure trove including Fleetwood Mac's "Songbird" cover and multiple complete albums worth Shooter mixed everything on vintage 1976 analog console maintaining authentic original sound Three planned album releases starting with Songbird, featuring different themes and flavors Tony Joe White plays harmonica, Jessi Colter sings, original band members returned Cataloging required detective work, Googling lyrics, consulting surviving band members for identification Growing up as Waylon's son meant different childhood, touring summers, recognizing fame Family record collection included Beatles, Harry Nilsson, later Waylon bought entire collections Teenage Shooter brought home Nine Inch Nails, Nirvana; parents showed concern but support Waylon's deep friendship with Buddy Holly, plane crash guilt haunted him for years Eventually found closure visiting crash site, could finally look at wreckage photos Parents advised being authentic, not copying others; mother worried about rough crowd Shooter's career shows risk-taking from country to experimental electronic and industrial music Produced diverse artists from Duff McKagan to Marilyn Manson, always seeking creative challenges Early collaboration with father on Fenixon project mixed country with industrial influences Vinyl remains important, frequent Amoeba Records visits, special Record Store Day releases planned Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Au menu de l'actualité :C'est officiel, la famine frappe GazaEn RDC, les avancées diplomatiques se heurtent à la réalité sanglante du terrainRCA : publication de la liste définitive des électeurs appelés à voter le 28 décembre Présentation : Jérôme Bernard

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Matt KersnerIggy Pop “The Passenger” from the 1977 album "Lust for Life" released on RCA. Written by Iggy Pop and Ricky Gardiner and produced by Bewlay Bros.Personel:Iggy Pop – lead vocalsDavid Bowie – piano, backing vocalsRicky Gardiner – lead guitarCarlos Alomar – rhythm guitarTony Sales – bass, backing vocalsHunt Sales – drums, percussion, backing vocalsCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Bobby WhitlockDerek and the Dominos “Keep on Growin”Derek and the Dominos “Layla and Other Assorted Love Songs”My Morning Jacket “Z”Dave Matthews BandLord HuronTim ReynoldsWilcoThe Grateful Dead “US Blues”Bob DylanWillie NelsonGaslight AnthemBruce SpringsteenSam Fender “People Watching”Brian FallonJack AntonoffBleachers “Modern Girl”David Bowie “China Girl”Lou ReedThe Velvet Underground “Heroin”Julian CasablancasInterpolJim MorrisonThe Doors “The End”Patti Smith “Because the Night”10,000 ManiacsJimmy IovineSimon and Garfunkel “Homeward Bound”Neil Young “Out on the Weekend”Souxsie and the BansheesJoy DivisionIggy Pop “Lust for Life”The KinksChuck BerryThe Troggs “Wild Thing”David Bowie “Hunky Dory”The StoogesDavid Bowie “Low”Duran Duran “Hungry Like the Wolf”The Human LeagueDeep Purple “Smoke on the Water”Iggy Pop “Success”Dog the Bounty HunterREO SpeedwagonLouie Louie “The Kingsman”Queens of the Stone AgeThe StrokesDropkick Murphys “Shipping Up to Boston”The RamonesThe Clash “Jimmy Jazz”Canned Heat “On the Road Again”The Sonics “Have Love, Will Travel”REMLumix DTEThe Lost BoysDavid HassellhoffThe Mighty Mighty BosstonesChuck Berry “Johnny B Goode”Elon MuskMichael HutchenceBatman ForeverABBAPeter Murphy “Cuts You Up”

Au menu de l'actualité : Nombre record de travailleurs humanitaires tués en 2024Un responsable de l'OMS raconte son expérience dans l'est de la RDCRCA : faire avancer la réforme du secteur de la sécurité Présentation : Jérôme Bernard

Au menu de l'actualité A Gaza, le cauchemar sans fin des personnes handicapées La violence des gangs armés en Haïti a un impact catastrophique sur la populationEn République centrafricaine, la lutte contre le choléra est une priorité des autorités Présentation : Jérôme Bernard

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After spending a little time mulling over the post-release feelings surrounding "The Colonel & The King," Justin and Bec give their thoughts on the newest Elvis box set from Sony Legacy, Sunset Boulevard, which encompasses recordings and rehearsals done between 1970-1975 at RCA's Studio C in Hollywood. The duo reflect on the the successes and shortcomings of this era of box sets that seems to be drawing to a close.  From Elvis in Nashville, Back in Nashville, Memphis and Sunset Boulevard mark a period where producer Ernst Jorgensen and mixer Matt Ross-Spang have seemingly reinterpreted Elvis's multi-track studio work in the 1970s through a more "rockist" lens; that is to say, one that promotes and emphasizes the perceived authenticity or purity of raw material recorded in-studio by Elvis and a core rhythm band without additional backing vocalists, strings and horns.  Despite great, modern-sounding re-mixes, these box sets have also marred by inconsistent mix decisions that contradict the claims that you're only hearing what Elvis heard in the studio - selectively leaving some overdubs, removing contributions from musicians that were physically in the studio with Elvis, and much more. It's a thought-provoking discussion about what the goals were, what value these sets have added, and whether they have helped us understand Elvis's creative process any better. For Song of the Week, Bec picks a childhood favorite, the sweet ballad "A Boy Like Me, A Girl Like You" from the Girls! Girls! Girls! soundtrack. Then, Justin uses "Good, Bad But Beautiful," an instrumental intended for Elvis to finish, to explore the fascinating circumstances of sessions, publishing, and release schedules that led to its recording at Stax in July of 1973... and Elvis's rejection of the Clive Westlake-penned song (later done by Shirley Bassey) at a late September 1973 session at his Palm Springs home, less than three weeks after having attempted to fire his manager.  This is one you won't want to skip... because there's a special Elvis Week surprise in this Song of the Week segment, courtesy of our good friends Jamie and John over at the EAP Society. 

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Lifelong Elvis collector Ian McQuillan discusses the rarest records of Elvis Presley - from Sun Records worth $10,000+, international rarities, even shares insider tips for spotting counterfeits, and explains why young collectors are driving a thriving market for the King's rarest vinyl. Topics Include: Ian McQuillan introduces himself as 55-year Elvis fan since age 2 Scottish parents in New Zealand exposed him to Elvis on record player "Big Hunk of Love" was his first memorable Elvis song obsession RCA distributed Elvis records globally, making them widely available worldwide Elvis market remains strong while other 50s rockabilly artists declined significantly Elvis cornered teenage markets in UK, Australia, New Zealand more than US Parkes, Australia hosts massive annual Elvis festival with 20,000+ attendees Elvis Week celebration started small, now draws 50,000+ fans to Memphis Elvis has bigger catalog depth than any other recording artist Sun Records represent collectible pinnacle - only five official 45/78 releases 78rpm records rarer due to shellac brittleness, 95% destroyed over time Sun 209 "That's All Right" commands $10,000-12,000 in mint condition Sam Phillips used multiple pressing plants, creating interesting variants and rarities Initial Sun pressings probably 20,000-30,000 copies, reaching 200,000 total eventually Early distribution concentrated in American South, spreading through Elvis touring Promotional Sun records exist with distinctive red stamps, worth significant premiums Jack White famously paid $300,000 for unreleased Elvis acetate recording RCA reissues sound much cleaner than original hissy Sun pressings Sam Phillips likely pressed extra inventory after selling Elvis to RCA Counterfeit Sun records identifiable by shiny vinyl, wrong dates, label gaps Pre-army Elvis albums (1954-1960) remain most collectible among LP collectors SPD promotional EPs from first album worth $1,200-4,000 in good condition Australian gold label first album worth $1,500-2,000, extremely hard to find Colored vinyl "Moody Blue" pressings command $2,000-3,000 from collectors 8-tracks, reels, cassettes now collectible after being worthless for decades Follow That Dream label produces high-quality Elvis reissues for serious fans New Elvis footage and recordings still surface regularly from private collections Young professionals in 20s-40s driving current strong collector market demand Elvis Week features conventions, tributes, candlelight vigil at Graceland annually Colonel Parker's merchandising legacy created massive collectible memorabilia market today Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

En Centrafrique, l'axe fluvial Bangui-Brazzaville est jugé économiquement vital par de nombreux Centrafricains, notamment les commerçants. Pays enclavé au cœur de l'Afrique, la République centrafricaine n'a pas d'ouverture sur la mer. Elle dépend en grande partie des pays limitrophes. Aujourd'hui, la navigation sur l'Oubangui compense les réseaux routiers peu denses dont la plupart sont dégradés. Les ports de Bangui reçoivent chaque semaine des embarcations et le commerce bat son plein entre les deux pays. De notre correspondant à Bangui, Ici, au port de Ngou État, une dizaine de bateaux et baleinières sont amarrés. Commerçants et voyageurs occupent tout le quai et la berge. Le navire blanc et bleu - Bangui n'est pas loin - d'environ 40 mètres de long transporte près de 10 000 tonnes de marchandises et une cinquantaine de personnes à destination de Brazzaville. « Pour aller là-bas, tu peux acheter des bidons de miel, des cabris, les fûts d'huile de palme, des sacs de maïs ou encore d'arachides. Souvent, j'achète également des poissons que je mets dans des paniers. Par exemple, ici, tu peux acheter le bidon d'huile de palme à 9 000 FCFA, mais une fois là-bas, tu peux revendre à 30 000 FCFA », explique Fiston Ngbassoumbi, un commerçant centrafricain. 30 000 FCFA, l'équivalent de 45 euros, soit 100% de bénéfice. En bateau, le trajet coûte 25 000 FCFA par personne et varie entre 5 000 et 10 000 FCFA pour les baleinières. Les marchandises sont taxées en fonction des kilogrammes. Après avoir écoulé leurs articles au Congo, les mêmes commerçants importent les produits congolais en Centrafrique. « Pour le chemin du retour, tu vas acheter des boîtes de sardines et des balles de vêtements de friperie pour les garçons. Ici ça coûte cher. Mais là-bas, c'est moins cher », témoigne encore Fiston Ngbassoumbi. Chaussures pour femmes, ou encore appareils électriques sont moins chers à Brazzaville. « Si tu paies un appareil là-bas à 200 000 FCFA, quand tu arrives ici, tu peux le revendre à 500 000 FCFA. Ça dépend de la qualité des appareils », met-il en avant. À lire aussiRCA/RDC: Bangui et Zongo et les échanges commerciaux de ces villes jumelles [3/3] Des trajets ponctués d'épreuves Tout près de la terre ferme, trois grandes baleinières en prévenance du Congo viennent d'accoster. Le voyage a duré une semaine, compte tenu de l'état de navigabilité de la rivière et des embarcations. Maurice fait la navette entre le Congo-Brazzaville, le Congo-Kinshasa et la RCA depuis plus de dix ans. « Pour être libre de tout mouvement, il faut avoir une carte d'identité et remplir toutes les formalités. Moi, j'exporte du bois de chauffe, du manioc, des cabris, des moutons et des poulets. En retour, j'achète des produits pour revendre ici. Il s'agit d'huile raffinée, de savon, de cubes magie ou encore des cartons de sucre », détaille le commerçant. Mais la navigation sur la rivière Oubangui est loin d'être un long fleuve tranquille. En saison sèche, des tronçons sont difficilement praticables pour les gros chargements. Maurice évoque les principales difficultés qu'il rencontre. « Les difficultés n'en finissent jamais. Dans les baleinières, on côtoie des animaux et des marchandises au mépris des règles d'hygiène et de sécurité. Les embarcations font des surcharges sans gilets et bouées de sauvetage. C'est vraiment la souffrance », se plaint-il. Les travaux du corridor 13 reliant notamment le Congo-Brazzaville à la Centrafrique, financés par la Banque africaine de développement, se poursuivent. Le transport fluvial demeure pour l'instant le moyen de transport le plus usité entre ces deux pays. À lire aussiQuand la rivière Oubangui charrie le commerce informel [2/5]

Trapital Summit is on Sep 10 in LA. Join us! Get your tickets here. The major record labels are adapting for the modern era. Lately, that shift has them looking less like RCA and more like KKR. These companies have invested less in signing new artists and more in acquiring the legendary back catalog of music. With streaming driving steady royalties, the music rights of proven hits are valuable. Music companies have teamed up with private equity firms to cash in. I also break down how this changes artist deals, lowers risk-taking, and opens the door for global investors and even artists to buy in. 00:33 The Shift to Private Equity 03:45 The Back Catalog Boom 09:24 A&R Reductions 12:14 What The Future Holds This episode is presented by State Farm, the home for your small business needs. Like a good neighbor, State Farm is there. Listen in for our Chartmetric Stat of the Week. Trapital Summit is on Wednesday September 10 in LA. Join us!

There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

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There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dallas Murrae pulls up to IGSSTS and sits with Squints615. He brings his DJ (Wes) and his guitarist (Dom) for the conversation. They discuss his early career and RCA contract...up to his current tour run with Kng Ego and Jo Tyler. An episode you definitely should tune into!Check out Dallas Murrae HERE..https://symphony.to/dallas-murrae/liveontour?fbclid=PAQ0xDSwLv0g1leHRuA2FlbQIxMAABp4wU9fE1F-17Bl4gtvvk6qpDmnQbRxQzhSbOEsqWdCrEhq1A5PO7N9Ksq7Xo_aem_KYdBseHpQkCH20G2_yikwABIGS&P - SHOW AND PROVE ENT FOLLOW CHAD ON YOUTUBE NOW ‪@ChadArmesTV‬ MERCH AVAILABLE AT WWW.CHADARMESTV.COM for S&P MERCHWWW.IGOTSUMSHITTOSAY.COM for PODCAST MERCH

Au menu de l'actualité :La Cour internationale de justice a rendu un avis historique sur le climatLe PAM s'apprête à suspendre ses opérations dans le nord-est du NigériaLa cheffe de la MiINUSCA vient d'effectuer une visite en Chine  Présentation : Jérôme Bernard

Hello and welcome to another episode of Ohio Mysteries Backroads. In tonight's episode we are joined by photographer Marcy as she discusses her adventure to find out more about the mysterious disappearance of her uncle, Ohio native, William Scales, who was working for the government contractor, RCA, as a missile tracker in 1958. William and a friend went out on a boat scuba diving off of San Salvador Island and were never seen again. Learn about Marcy's journey as she attempts to find out more details about her Uncle. She travels to the actual spot where her Uncle went missing many years ago. talks with some island natives who remember her Uncle and many twists and turns on the story. A photographer by trade, Marcy also brings her Uncle's original cameras and documents her adventure using the same cameras. She has created a YouTube Channel as well as a website that allows you to follow along with this fascinating story. Tune in and learn about this amazing tale! Here are the links to Marcy's story: Blog: www.outermostuncle.com  YouTube podcast: https://www.youtube.com/playlist?list=PL0e_SKjzES718aK49tEKcl-2bzIH6af2G Instagram: outermostuncleemail: outermostuncle@gmail.com Just for fun ... National Geographic article, "Cape Canaveral's 6,000 mile shooting range" :https://outermostunclecom.wordpress.com/wp-content/uploads/2025/06/national-geographic-1959-10-116-4-oct.pdf Marcy's camera review website: www.junkstorecameras.com Check out Ohio Mysteries Backwoods Facebook page!: ⁠⁠https://www.facebook.com/profile.php?id=61558042082494¬if_id=1717202186351620¬if_t=page_user_activity&ref=notif⁠⁠ Please check other podcast episodes like this at: ⁠⁠https://www.ohiomysteries.com/⁠⁠ Dan hosts a Youtube Channel called: Ohio History and Haunts where he explores historical and dark places around Ohio: ⁠⁠https://www.youtube.com/channel/UCj5x1eJjHhfyV8fomkaVzsA Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we sit down with Derik Quinn, Managing Director at Spaulding Ridge, to explore the fast-evolving landscape of CPQ, Revenue Management, and Salesforce Revenue Cloud Advanced (RCA). Derik shares insights from his two-decade journey across BigMachines, Apttus, Argano, and now Spaulding Ridge, where he leads large-scale quote-to-cash transformations in manufacturing, high-tech, and medtech. We discuss the shift toward constraint-based configuration, the excitement around Dynamic Revenue Orchestration (DRO), and why Salesforce RCA is gaining traction across industries. Derik highlights differences in adoption trends—new implementations in manufacturing versus migrations in high-tech—and the growing interest in AI for sales efficiency and revenue intelligence. With over 100 RCA consultants globally, Spaulding Ridge is driving momentum into Dreamforce and beyond. Plus, we hear about Derik's passion for endurance sports, parenting two active daughters, and how customer KPIs shape project success. If you're interested in quote-to-cash innovation, Salesforce RCA adoption, or industry-specific CPQ trends, this episode delivers expert perspectives you won't want to miss.

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Alex, Ken, and Mark discuss overused methods such as 5-Whys, they discuss the terminology with in RCA, and they expose the flawed logic and outdated techniques that can cause more harm than good.  What you will learn: ✅ Learn what real RCA should look like✅ Understand the pitfalls of surface-level analysis ✅ Discover better alternatives for uncovering true root causes ✅ Avoid costly mistakes in your problem-solving process Root cause analysis can be used across multiple industries and is essential to preventing recurring issues and improving performance.  So don't settle for "quick fixes." Learn how to dig deeper and work S.M.A.R.T.E.R.

Jon Zalar, founder of IWTG Consulting, discusses the challenges of wind turbine maintenance, emphasizing the rise in turbine failures and the importance of root cause analysis (RCA). Proactive maintenance, proper documentation, and expert consultation will help to mitigate issues and ensure turbine efficiency. Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us! Welcome to Uptime Spotlight, shining light on Wind. Energy's brightest innovators. This is the Progress Powering tomorrow. Allen Hall 2025: Jon, welcome to the program.  Jonathan Zalar: Thanks for having me,  Allen Hall 2025: Jon. Let's start with the reality facing wind farmer operators today. What's the core problem when it comes to turbine failures?  Jonathan Zalar: There's been a larger number than they probably experienced like five years ago. I think, um, you know, the volume of turbines out there and some of the bigger issues that, you know, people are seeing in the last two to three years has made owning a wind farm a little more challenging than before. Um, you know, between blade issues, bolted joint issues, shoes, and. Overall, like o operations, right? It's been tougher to keep these turbines up and running, you know, manpower's an issue, getting people out there to go fix stuff. It's, [00:01:00] it's been tough for a lot of people I've talked to.  Joel Saxum: Do you think this is a, a partial result of like, um, okay, so what we're, you know, on the podcast in the last few years, we've always been talking about, oh, there's all kinds of models coming out and there's this, this manufacturer can put out this many different variations and all these things, and now. Now we're getting to the age where that family, that group of turbines that, I guess it's kind, I'm looking at it like a class, right? That class of, that, those years of turbines are now getting to the stage where they're out of warranty and they're coming into, some people are taking, you know, ISPs taking, um, maintenance of them or an owner operator taking maintenance over from the OEM. And all of a sudden now there's these issues popping up and different things that we're, we're kind of in this. Um, like a swamp of problems with a lot of different models. So, uh, yeah, like you said, we've we're, we talked a little bit off air here about RCAs and how to fix things and looking at serial defects and stuff, but it's just like, it seems like every other week [00:02:00] someone calls Alan Ryan's like, Hey, have you heard about this thing with this model? And it's like, man,  Jonathan Zalar: another one. I think it's a combination of two things. One. Like I talked about the last time we had podcasts, there was a, you know, a pretty big push to increase rotor size, come out with new models for, for every, for all the os, right? They're competing against each other. Coming out with a new model every 18 months. And you can ask Phil, but I believe mostly the OEMs are sold out. If you go back five, six years, where. A huge expansion in the amount of wind turbines that have been placed. Right. So I think you combine those cheap factors and now, yeah, the owners have a lot on their plate, a lot more than they're  Allen Hall 2025: probably used to. And my question all is this, the complexity of the turbines. So every new model that comes out, what I'm seeing is more instrumentation, more sensors, more stuff, more variability, even in where the components originate from.  Jonathan Zalar: Right? Yeah. [00:03:00] I mean, to increase, to be able to meet that increased demand the OEMs had to get,

Mihai Morar îl are invitat pe CEO – ul care nu și-a negociat niciodată salariul: Virgil Șoncuțean,  omul aflat la al 3 - lea mandat în fruntea Allianz Țiriac Asigurări România.Lumea asigurărilor este departe de a fi cunoscută și apreciată la justa valoare de către români. Posibil pentru ca mulți o percep ca parte din obligațiile fiscale impuse de către stat. Însă întregul concept al asigurărilor depășește cu mult polițele obligatorii RCA sau PAD, de altfel soluții eficiente în gestionarea unor accidente deseori costisitoare. Să fii asigurat înseamnă să fii în siguranță. Liniștit. Să te poți dezvolta fără teama situațiilor neprevăzute. Pentru ca ele au fost de fapt prevăzute deja de firma de asigurare, cea care va fi lângă tine când îți va fi greu.Unul dintre liderii pieței locale de asigurări ne conduce astăzi prin bucătăria internă a unui business privat cu veleități de serviciu comunitar. Află direct de la sursă ce tipuri de asigurări îți poți face și care sunt prioritățile. Ce se întamplă cu banii plătiți și cum poate face sistemul momentelor de criză. Cu câți bani și-a susținut Allianz Țiriac clienții când aceștia au avut nevoie de ajutor și de ce nu sunt recomandate cele mai ieftine polițe de pe piață.Descoperă modul în care îți poți oferi o plasă de siguranță în viață... cu doar 40 de lei pe lună! Cum? Îți spune managerul anului în România.Virgil Șoncuțean la Fain & Simplu.Cu Mihai Morar.

Au menu de l'actualité : L'intelligence artificielle au centre d'un sommet à GenèveAu Soudan du Sud, l'ONU largue par avion de l'aide humanitaireEn RCA, une activité ancestrale : l'extraction artisanale du sable Présentation : Jérôme Bernard

After setting the stage by understanding producer Felton Jarvis's career leading up to his early collaborations with Elvis, we continue to investigate and interrogate the fan belief that he was singularly to blame for the "syrupy" overdubs that diminished the "pure" unfinished tracks. Helped along by a 1980 interview done between Felton and Jerry Flowers of RCA in which the producer talks about his career retrospectively, Justin and Bec trace Felton's journey as Elvis hires and hand-picks him to be his exclusive producer, taking Felton away from RCA and other artists so that Elvis can, as a largely autonomous artist whose only studio commitments during this decade are to send periodic deliverables to RCA, work at his own pace and create the kind of recordings that he truly wants. But was Felton truly to blame for the overindulgent strings and horns that were added to Elvis's music, or is there someone else that we've collectively overlooked? And has the narrative been all wrong and the way we even talk about "overdubs" been clouded by a widespread "rockist" misunderstanding of both Elvis and Felton, their respective jobs and tastes, and misunderstood expectations of the kind of music both fans & critics thought Elvis "should" be making?  The duo examine Elvis's live performances in relation to his studio work, touch on a few more non-Elvis records produced by Felton, and even revisit the 1981 "Guitar Man" project Felton spearheaded before his early death to see if it provides clearer insight into the producer's preferences and tastes. For Song of the Week, Bec makes a promise that "It Won't Be Long," covering the recording cut from "Double Trouble," while Justin goes prospecting because he's pretty sure "There's Gold in the Mountains" still to be dug up from "Kissin' Cousins." Some of the resources consulted for this and the last episode included, even if not quoted or mentioned in the final episode: Felton Jarvis's 1980 Interview with Jerry Flowers of RCA William Bozeman: "Felton Jarvis: The Man Behind the Music" from Elvis Express Magazine Peter Guralnick: Careless Love: The Unmaking of Elvis Presley Roben Jones: Memphis Boys: The Story of American Studios Rick Hall: The Man from Muscle Shoals: My Journey from Shame to Fame Norbert Putnam: Musical Memories, Volume 1 Ernst Jorgensen: Elvis Presley - A Life in Music Ernst Jorgensen & Peter Guralnick: "Elvis Day By Day" and "The Complete Masters" Ernst Jorgensen, Johnny Mikkelsen & Erik Rasmussen: Reconsider Baby: The Definitive Elvis Sessionography Elvis Music FAQ by Mike Eder Alanna Nash: "Revelations from the Memphis Mafia" & "The Colonel" Luther Moore: "Felton Jarvis Re-Appraised" from Elvis: The Man & His Music magazine Brian F. White's Interview with Norbert Putnam: https://www.brianfwright.com/interviews/norbert-putnam Michael Nesmith: Infinite Tuesday - An Autobiographical Riff TapeOP's Interview with Chip Young: https://tapeop.com/interviews/124/chip-young Various reviews, articles, editorials, and interviews compiled from across Elvis Australia, Elvis Information Network, Elvis-History-Blog, Elvis Monthly, Strictly Elvis, Arjan Deelan as well as Discogs, KeithFlynn.uk, Elvisconcerts.com and other resources online.

Intrigued by the premise presented by the recent Sony box sets like "Sunset Boulevard" describing Elvis's undubbed recordings as "pure," Justin decided to investigate the story behind the man who has borne most of the heavy criticism aimed at the production on Elvis's music, Felton Jarvis, who was Elvis's main producer from 1966-1977. While we've previously touched on Felton's work as a producer in our "Elvis and His Producers/Elvis as a Producer" episode, realizing we may not have given him a fair shake, on this episode Justin and Bec investigate Felton's early work at National Recording Corporation (NRC) in Atlanta, Georgia, his time at ABC-Paramount working with Tommy Roe, Fats Domino, Lloyd Price, the Muscle Shoals Rhythm Section and.... "Vince Everett"? They trace Felton's move to RCA Victor producing many successful acts and hit records in the field of country music in the mid-1960s and, naturally, his first sessions with Elvis across 1966-1968, chief among which was the How Great Thou Art project, which won Elvis his first-ever Grammy Award. Laced throughout are stories of a warm-hearted, good-natured Georgia boy - who loved Elvis Presley and dreamed so hard to one day produce his hero's music that he manifested it - from collaborators, friends and historians who have tried to relay some of Felton's story, as well as audio from Felton himself in conversation with RCA's Jerry Flowers in 1980, discussing his career in hindsight. Part 2 will even more directly interrogate the idea that Felton was, as so frequently repeated by Elvis fans over nearly 4 decades, singularly to blame for the "syrupy" overdubs that were a hallmark of Elvis's 1970s output, as Justin builds a case to convince Bec that she and everyone else - including sometimes even Justin himself - has been wrong all these years! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Susan Santiago is a dynamic force with a life as colorful and varied as her career. From navigating the high-stakes world of corporate troubleshooting at IBM in San Francisco to managing historic high-rises like the iconic Shell Building, Susan thrives on challenge and change. Her career spans the gamut, administering justice in the U.S. Attorney's Office, advocating for families in the Child Support Division, and even diving into the fast-paced arena of political campaigns. For 15 years, she lent her voice to the airwaves as a passionate radio programmer at KWMR, connecting communities from Marin to the world. Today, she channels her deep commitment to fairness as a mediator, resolving conflicts in Sonoma County's civil courts. Born with a knack for adaptation, thanks to an RCA-engineer dad who kept her childhood on the move, Susan carries that same fearless spirit into her love of competitive swimming and her relentless pursuit of justice. Whether in the pool (one of her passions), the courtroom, or the studio, she's all about making waves—with purpose, passion, and a whole lot of heart.

Mukharvinda Prabhu was telling us, during our program at 12 noon, about an engineering principle: that if you're trying to solve a problem and it's not easily solved, you have to go back and look at the root. It's called the RCA- root cause analysis. So, Kṛṣṇa consciousness is a root cause analysis, and the root cause of all problems, all confusions, and complexities has to do with forgetting Kṛṣṇa. And so, that's why chanting japa feels like such a relief, because most of our lives are moving from one place to another, trying to solve a problem, and as soon as we solve one problem, if we ever do, then another one comes, or maybe a multiple of the first ones, like a hydra. But when we go to the RCA and we take the advice of the śāstra, which is, "Always remember Kṛṣṇa, never forget Kṛṣṇa," and then to the very clear philosophy of Śrī Caitanya Mahāprabhu, which is, "Kṛṣṇa is fully present in his name," also, of course, the philosophy of the Śrīmad Bhāgavatam—āpannaḥ saṁsṛtiṁ ghorāṁ, Kṛṣṇa and His name are non-different—then we naturally feel happy to chant Hare Kṛṣṇa. What's more, if we're trying to find the solution to a problem and we can't find it, better chant Hare Kṛṣṇa. And if we feel that life is overwhelming us, better chant Hare Kṛṣṇa. So, thank you for being among the sumedhasah, as mentioned by Karabhajana Muni in the Śrīmad Bhāgavatam. Those who take to this chanting are extremely intelligent, because they've figured out the RCA. ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #makejapagreatagain #mantrameditation #chantharekrishnaandbehappy #spiritualawakening #soul #spiritualexperience #spiritualpurposeoflife #spiritualgrowthlessons #secretsofspirituality #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I'm doing on Monday June 30th, 2025 at 7PM. It's Part 2 of the CBS Talent Raids on the early Television era. This webinar focuses on the rise of TV throughout the 1940s and early 1950s as the CBS Talent Raids took hold. If you missed Part 1, don't worry, when you register for Part 2 I'll email you a video of the webinar for Part 1. And if you're interested in this Part 2 webinar and can't make it live on Monday, June 30th at 7PM, don't worry I'll be emailing every person who registers a video of Part 2's webinar as soon as it's done. Here's a link to register — https://www.eventbrite.com/e/the-cbs-talent-raids-part-2-the-early-television-era-webinar-tickets-1419361692029?aff=oddtdtcreator Here's an overview of the webinar below: When David Sarnoff officially launched network television at the 1939 World's Fair in New York City, he intended to have TV sets in everyone's homes by the early 1940s. World War II interrupted his plans. Meanwhile network radio soared in popularity throughout the 1940s. By the fall of 1948, three of the four major radio networks — ABC, CBS, and NBC — were funneling their soaring radio profits into the burgeoning television side of their businesses. And because all individual U.S. citizens were taxed 77% on all income over $70k (roughly $907k today), big stars of the day like Jack Benny, Bing Crosby, and Freeman Gosden had the idea to incorporate their popular shows as businesses in order to qualify for significant breaks under capital gains tax laws. What happened when David Sarnoff and RCA, the parent company of NBC, the nation's #1 network at the time, refused to make this deal with its stars? It's time to uncover how a smart bet by CBS helped it overtake its main rival during the golden age of radio and exactly how this affected the early years of television. Join James Scully — Radio historian and producer/host of Breaking Walls, the docu-podcast on the history of U.S. network radio broadcasting for the second part of this two-part series that explores the events surrounding the CBS Talent Raids of 1948, and the many men and women who benefited from this monumental period in entertainment. In Part Two: Early Network Television, we'll focus on the rise of TV throughout the 1940s and early 1950s as the CBS Talent Raids took hold, including: • From Farnsworth to the 1939 World's Fair — Early TV History and How World War II slowed TV's oncoming growth • How NBC, CBS, and ABC Launched into TV while siphoning radio profits into their TV networks • The Dumont Network and Pro Rasslin' — Could the network have lasted longer? • Berle, Godfrey, Sullivan and The TV ratings landscape as we enter the 1950 • I Love Lucy Launches, forever altering Television viewing • How Television's explosive growth in the early 1950s changed America's way of life • TV's profits are radio's losses Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged!Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!

Can revolution happen in the United States? Not just someday, but in our lifetime — and not just spontaneously, but with strategy. ✊Join the fight against capitalism: https://communistusa.org/join Antonio Balmer explains what it actually takes to overthrow capitalism in the U.S. — drawing lessons from Bolshevism, cadre organization, and modern political conditions. From media strategy to building a disciplined force, this is how revolution is made.