Study of music emphasizing cultural, social, material, cognitive, biological, and other dimensions
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4 episodes with ethnomusicologist
3 episodes with ethnomusicologist
2 episodes with ethnomusicologist
2 episodes with ethnomusicologist
2 episodes with ethnomusicologist
2 episodes with ethnomusicologist
2 episodes with ethnomusicologist
2 episodes with ethnomusicologist
2 episodes with ethnomusicologist
Series 3, Episode 6 of Artery features Adèle Commins and Daithí Kearney with Kayla Rush Musicologist Dr Adèle Commins is Head of Department of Creative Arts, Media and Music at Dundalk Institute of Technology. Her PhD from Maynooth University focused on the music of Irish-born composer Sir Charles Villiers Stanford. Her recordings include contributions to an album of Irish piano accordion music released by Comhaltas in 2014 and vocal soloist on an album by Irish composer Sr Marie Dunne in 2015. She also contributes music in two local churches. Her recent research includes critically documenting the music of Co. Louth céilí bands from the mid-twentieth century. Her compositions featured in the seminal publications Tunes from the Women (2023) and some have been recorded by Cork-based Ceolta Sí (2020). Ethnomusicologist and geographer Dr Daithí Kearney is co-director of the Creative Arts Research Centre at Dundalk Institute of Technology, where he lectures in music, theatre and tourism. His PhD from University College Cork examined the geographies of Irish traditional music. An All-Ireland champion musician, he has toured and recorded as a musician, singer and dancer with a number of groups including Siamsa Tíre, The National Folk Theatre of Ireland, and performed for President Obama in The White House. He recorded the critically acclaimed album Midleton Rare with accordion player John Cronin in 2012 and continues to tour regularly. He wrote and produced the musical To Stay or Leave (2005, 2015) and his compositions have been recorded by groups including Nuada (2004) and Ceolta Sí (2020). As a composer, he has received commissions funded by the Department of Culture, Heritage and the Gaeltachts and Cork County Council. Both Commins and Kearney have published extensively on music including contributions to the Companion to Irish Traditional Music and the Encyclopaedia of Music in Ireland . In 2017 they released an album A Louth Lilt, featuring their own compositions, and produced the documentary The Road to Speyfest in 2016. International tours including North and South America, France, Scotland, Norway and England. They have composed and arranged a number of pieces for the Oriel Traditional Orchestra, of which they are musical directors. In 2024, they were commissioned by Louth County Council to compose the score for a music theatre production Brigid, Lady of Light for the 1500 celebrations of St Brigid in Co. Louth. Dr Kayla Rush is an assistant lecturer in music at Dundalk Institute of Technology. An anthropologist of art, music, and performance, her current research examines private, fee-paying rock music schools in global perspective. She previously held a Marie Sklodowska-Curie Individual Fellowship, supporting ethnographic research with Rock Jam, a private music education organisation in Ireland. Her work has appeared in Borderlands, Liminalities, Feminist Anthropology, Journal of Popular Music Education, and IASPM Journal, among others. She is the author of The Cracked Art World: Conflict, Austerity, and Community Arts in Northern Ireland (Berghahn, 2022). She is also a recognized teacher and practitioner of creative ethnography, with a particular interest in ethnographic science fiction. Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.
Ethnomusicology is the study of music in a cultural context. Black Feminist Ethnomusicologist and Assistant Professor at the University at Albany, Kyra Gaunt, gives us a glimpse into her life including her first memories of music growing up in Maryland. Kathleen Beaudoin reports
3/20/25: Dr. Jonathan Bayuk: funding slashed for CDC, NIH, & Medicaid. DHG and Recorder Exec Editor Dan Crowley: covering local sports & the impact here of fed cuts, & also, editorial page civility – or not. Michael Klare on wars -- Israel v Hamas, Russia v Ukraine. Ruth Griggs w/ percussionist & ethnomusicologist Julian Gerstin.
Dr. Daithí Kearney is an Ethnomusicologist, geographer and performer. He is a lecturer in music, theatre and tourism and co-director of the Creative Arts Research Centre at Dundalk Institute of Technology. His research is primarily focused on Irish traditional music but extends to include performance studies, community music and music tourism. Daithí has toured regularly as a musician, singer and dancer with a number of groups including Siamsa Tíre, The National Folk Theatre of Ireland. In 2012 he released an album with Cork accordion player John Cronin entitled Midleton Rare, which is related to a wider research project on the music and musicians of the Sliabh Luachra region. In 2017 he released an album of new compositions with Dr Adèle Commins entitled A Louth Lilt. Their compositions also feature on the 2020 recording by Ceolta Sí entitled Oidhreacht Eochaille and are regularly performed by the award-winning Oriel Traditional Orchestra, of which they are both musical directors. Dr. Kevin Burns is Head of Department (Acting) Dept of Hospitality Management at Dundalk Institute of Technology. Kevin is skilled in Hospitality Industry, Tourism Management, Social Media, and Training with a Doctor of Hospitality and Tourism Management focused on Tourist Behaviour from The Hong Kong Polytechnic University. Daithí and Kevin chat with Susanne Rogers about what we mean by the night time economy, who it's for, who it impacts and what we would like to see coming in the future, particularly outside the major cities and towns. Report of the Night-Time Economy Taskforce
Get ready for a special episode of Speaking of Travel with the ultimate music Renaissance man, Şahan Arzruni, whose talents span far beyond the piano keys.Şahan isn't just a world-renowned Armenian concert pianist; he's also an ethnomusicologist, composer, producer, writer, and philanthropist. He's dazzled audiences worldwide, from sharing the stage with the legendary Victor Borge as his comedic counterpart to writing a music textbook as a teen in Istanbul. His boundless talent and infectious passion for music have touched countless lives.In this episode, Şahan reveals the inspiration behind his latest project—recording piano works by Armenian women composers. He delves into the rich history and emotions that fuel these compositions, offering listeners a glimpse into a musical world that often goes unnoticed.Şahan also shares his deep love for Armenia and Artsakh, where he spends time mentoring young musicians and performing unforgettable recitals. His stories from the road, combined with his dedication to nurturing the next generation of artists, make for an episode you won't want to miss. Whether on stage, in the classroom, or behind the mic, Şahan Arzruni's passion for music is nothing short of inspiring.Tune in for an extraordinary journey through music, culture, and creativity.Only on Speaking of Travel. Thanks for listening to Speaking of Travel! Visit speakingoftravel.net for travel tips, travel stories, and ways you can become a more savvy traveler.
Matthew Machin-Autenrieth, an Ethnomusicologist from the University of Aberdeen, joins Alan to discuss the world famous dance from Spain. They discuss the origins of the musical genre, the different components of the songs, the regional and national politics that have shaped how flamenco is seen over the world and how it has been used as a form of protest by groups such as Flo6x8. Matthew also gives some tips on how to get into flamenco. If you enjoy what we produce then please give us a review on your preferred podcast platform and consider donating to our buy me a coffee fund to help the podcast be more sustainable. https://www.buymeacoffee.com/thesobremey
Roy L Hales/Cortes Currents - Michael Keith has been a professional musician for over 35 years, and lately people have been asking him to share some of his expertise on the radio. He finally launched ‘Six Strings And Beyond' on Tuesday June 18th. “The idea of the programs based on guitar, which is my area of expertise: guitar, guitarists, and guitar like instruments from around the world. So, plucked string instruments a number of which I've studied privately over the years. I'm an amateur Ethnomusicologist,” he explained. Cortes Currents: What's the format: interviews? recordings? your expertise? Michael Keith: “All of the above, I'm wide open. Cortes Community Radio (CKTZ 89.5 FM) would like to have local people as much as possible, so I'm certainly open to that, but mostly just sharing anecdotes about my experiences as a guitar player. discovering and being inspired by people ta lot of people (if they tune in) probably haven't heard of. I've done such an extensive amount of listening and following of off the radar guitarists and other instrumentalists over the last 40 years or so. I also plan on bringing different instruments with me, having a little talk about them and playing a little bit live in the studio myself, just for the fun of it. Randy Bachman has done that on a CBC show where he'd have guitar player guests, and then they would jam a tune live on the air and I think that's a cool idea.” Cortes Currents: How is the show coming so far? Michael Keith: “I've done two and they both went smoothly. So now we're starting to advertise it a bit. It's Tuesday afternoons on CKTZ 89.5 FM, at 3:30 to 5 PM.
Jennifer Cattermole is an associate professor in the music programme at the University of Otago specialising in Māori and Moriori instruments.
Ethnomusicologist and percussionist Johnny Frias joins Rebecca to speak about one of the lesser known Afro-Cuban folkloric practices, the tonada trinitaria, from the central Cuban city of Trinidad. We then delve into the rumba percussion style that has become dominant in recent decades, guarapachangueo, created by a group of brothers from the outskirts of Havana known as Los Chinitos.Songs played:Una corona al General Maceo, Conjunto Folclórico de TrinidadPlegarias, Grupo Abbilona (Los Chinitos)Caridad, Pancho QuintoEl conflictivo, Humo + La Liga RumberaLearn more about guarapachangueo in Rebecca's book: Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba Support the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions
Ethnomusicologist and prolific scholar Peter Manuel joins Rebecca to speak about the many centuries of musical exchange between Cuba and Spain, which birthed genres like the Cuban punto and contributed to the evolution of flamenco in Andalucía. Author and editor of numerous books on Caribbean and Indian popular music, including an important anthology of Cuban musicology, Manuel's newest book is Flamenco Music: History, Forms, Culture. Songs played:Fandango, Antonio SolerControversia, Justo Vega & Adolfo AlfonsoCorazón Tu Eres Mi Amigo, Luis GómezGuajira, Pepe MarchenaJuro Que, RosalíaMe Voy Contigo, Remedios AmayaSupport the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions
After Tunisian independence in 1956, librarians confronted new questions about national culture, cultural development, and ongoing cultural decolonization after political independence. The Bibliothèque Nationale de Tunisie took on new missions in national bibliography and in the cataloguing of Tunisian and African publications; librarians organized their profession and struggled over its leadership; and scholars and students at Tunisia's schools for information sciences conducted research in book history and in the sociology of literature. Their projects joined with similar efforts by librarians, book historians, and bibliographers across Africa to work through the history of colonization by France and the new needs of national independence in newly-independent nation-states. These Maghribi and African library histories show how decolonization reshaped book history in the twentieth century, as well as how librarians contributed to the invention of new ideas and practices of decolonization and development through books. In this episode, Alexander Baert Young, Ph.D. candidate in history at Johns Hopkins University and 2023 AIMS/CEMAT fellow, presents research he conducted in Tunisia during April-May 2023 at the Bibliothèque Nationale de Tunisie, the Archives Nationales de Tunisie, the Institut de Presse et des Sciences de l'Information, the Institut Supérieur de Documentation, the Fondation Temimi pour la Recherche Scientifique et l'Information, the CEMAT library, and Tunis' used book sellers. Alexander Baert Young is a historian whose work connects African history, French history, and book history. As a PhD candidate in history at Johns Hopkins University, he is researching and writing his dissertation on African print culture in French and the twentieth-century "book revolution." In Tunis during April-May 2023, with support from AIMS and CEMAT, he conducted primary source research at the Bibliothèque Nationale de Tunisie, the Archives Nationales de Tunisie, the Institut de Presse et des Sciences de l'Information, the Institut Supérieur de Documentation, the Fondation Temimi pour la Recherche Scientifique et l'Information, the CEMAT library, and Tunis' many used book sellers. This research in Tunisia will contribute to a multi-site project that aims to tell the connected stories of African publishers, librarians, bibliographers, cultural development experts, and media theorists in French-language contexts across Tunisia, Morocco, Cameroon, Senegal, and France. These "book people" theorized and practiced print culture as a battleground in post-independence struggles for "cultural decolonization" and "cultural development," and their stories can inform today's conversations about new media and decolonization. This episode was recorded via Zoom on the 23rd of August, 2023 by the Centre d'Études Maghrébines à Tunis (CEMAT) To see related slides, please visite our website: www.themaghribpodcast.com We thank Dr. Tamara Turner, Ethnomusicologist and Research Fellow at the Max Planck Institute for Human Development, Center for the History of Emotions, for her interpretation of Sidna Ali, from the diwan repertoir. Posted by Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).
Ethnomusicologist and event producer Lani Milstein joins Rebecca to talk about Santiago de Cuba's quintessential musical practice: conga, an Afro-Cuban percussion and song genre linked to the city's famed Carnival celebrations. It involves mass participation by people parading along with the mobile percussion ensemble and continues to be a major symbol of santiaguero identity. Songs played:Abre, Conga de Los HoyosVa a llover, Conga de San AgustínAñoranza por la conga, Sur CaribeLa mujer del pelotero, Baby Lores, Insurrecto & Clan 537Desi Arnaz performing "Babalu" - at around 0:50, he starts dancing the side-to-side conga step commonly seen in comparsa parades https://www.youtube.com/watch?v=rAV3bOJaQuYSur Caribe video for "Añoranza por la conga" - you'll see footage of people arollando with the congahttps://www.youtube.com/watch?v=XC6Vjr0i9swSupport the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions
This episode of The Write Time features Don P. Hooper, a writer and filmmaker of Jamaican heritage (and a programmer in a former life). His short story “Got Me a Jet Pack” is part of the New York Times bestselling anthology Black Boy Joy. His directing work has been featured in the Martha's Vineyard African American Film Festival, the NY TV Film Festival (award winner), the New York City Horror Film Festival, the New Jersey Horror Con and Film Festival (award winner), and more. He does voice-over in video games and documentaries. True True is his debut novel.Don is interviewed by Abimbola Cole Kai-Lewis who is an Ethnomusicologist and educator with the New York City Department of Education and an adjunct assistant professor at York College–City University of New York.
This episode of The Write Time features Don P. Hooper, a writer and filmmaker of Jamaican heritage (and a programmer in a former life). His short story “Got Me a Jet Pack” is part of the New York Times bestselling anthology Black Boy Joy. His directing work has been featured in the Martha's Vineyard African American Film Festival, the NY TV Film Festival (award winner), the New York City Horror Film Festival, the New Jersey Horror Con and Film Festival (award winner), and more. He does voice-over in video games and documentaries. True True is his debut novel. Don is interviewed by Abimbola Cole Kai-Lewis who is an Ethnomusicologist and educator with the New York City Department of Education and an adjunct assistant professor at York College–City University of New York.
It's hard to sum up how important Verna Gillis has been for music lovers. First of all, she is an ethnomusicologist who recorded traditional music around the world including in Kashmir, Afghanistan, Iran, Haiti, the Dominican Republic, Peru, Surinam, Ghana, and the United States. This episode will bring you along on some of these journeys. 25 of these recordings are available through Smithsonian Folkways and Lyrichord, and I'm very grateful to Smithsonian Folkways for allowing us to use some of these tracks for this specific episode. The albums that this music comes from are linked here in the show notes, where you'll find the video version, transcript, and photo gallery from Verna's career: https://www.leahroseman.com/episodes/verna-gillis In 1979 Verna opened Soundscape, the first multi-cultural performance space in New York City, which put on hundreds of performances over 5 years. You'll also hear Verna reminisce about her work on career development with phenomenal international musicians including Youssou N'dour from Senegal, Salif Keita from Mali, and Carlinhos Brown from Brazil. As a producer, Verna was twice nominated for a GRAMMY award for two of the albums she produced with Roswell Rudd. She's also a writer and spoken word performer. We've included in this episode one of her recent spoken word videos with British musician Jennifer Maidman. There's so much more in this episode, and I hope a wide audience will be inspired by Verna Gillis' reflections on her remarkable life in music. --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message
Regular Ibizology listeners will, by now, be very familiar with the Ibizology intro/outro music. This haunting music was recorded in the 1950's in Ibiza by the American ethnomusicologist, Alan Lomax. My guest in this episode of Ibizology is the editor of Alan's Spanish collection of folkloric music. She has developed a deep understanding of Ibiza's traditional music and how it fits into the family of folk music around the world.
What is the Role of Music in Haitian Culture? Ethnomusicologist Dr. Rebecca Dirksen provides some answers. Don't forget to check out her book to get a fuller treatment of what she disccusses briefly here in Konesans: "After the Dance, the Drums Are Heavy. Carnival, Politics, and Musical Engagement in Haiti." --- Send in a voice message: https://podcasters.spotify.com/pod/show/negmawonpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/negmawonpodcast/support
(Airdate 11/18/22) A Guggenheim Fellow and a member of the American Academy of Arts and Sciences, Guthrie P. Ramsey, Jr. is a prize-winning music historian, pianist, composer. He is Professor Emeritus of Music at the University of Pennsylvania. Dr. Ramseys' prescient theoretical and critical interventions have bridged Black cultural studies and musicology. His latest book is Who Hears Here? On Black Music, Pasts and Present.
The conversation expands to consider how the combination of vocal sound, timbre and rhythmic placement can take music to a level beyond lyrics. Ethnomusicologist, Loren Kajikawa also shares whether his thoughts have evolved since his academic article — D'Angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption was published a decade ago, and touches on the influence of the late producer, J Dilla in D'Angelo's Voodoo technology. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/peace-and-lovecast/message
In this broadcast, Todd Lawrence and I discuss the scholarship and work Of John Wesley Work III and the newly launched Award named in His honor. The AFS African American Folklore Section is proud to issue the first call for submissions for the new John Wesley Work III Award, which the section has launched to honor and spotlight applied folklorists, ethnographers, and ethnomusicologists who actively focus on the research, documentation, recording, and highlighting of African American culture through performance, written word, and music in their scholarly works. Our Featured Guest is Fisk Alumni George 'Geo' Cooper, a pianist, composer, and music educator. While at Fisk, he was a member of the world-renowned Fisk Jubilee Singers. The prize is named for John Wesley Work III, a composer, ethnomusicologist, educator, and choral director devoted to documenting the progression of Black musical expression. His notable collections of traditional and emerging African American music include Negro Folk Songs and the Archive of American Folk Song in the Library of Congress/Fisk University Mississippi Delta Collection (AFC 1941/002). The Stovall Plantation recordings for the Library of Congress where the world is introduced to blues legend McKinley Morganfield, aka Muddy Waters. In honor of Work, this award is offered to celebrate and encourage African American traditional cultural expression and galvanize folklorists, ethnographers, and ethnomusicologists of color to participate in the documentation of African American folklife. --- Send in a voice message: https://anchor.fm/africanamericanfolklorist/message Support this podcast: https://anchor.fm/africanamericanfolklorist/support
Music Time in Africa is VOA's longest running English language program. Since 1965, this award-winning program has featured pan African music that spans all genres and generations. Ethnomusicologist and Host Heather Maxwell keeps you up to date on what's happening in African music with exclusive interviews, cultural information, and of course, great music -- including rare recordings from the Leo Sarkisian Library of African Music.
Music Time in Africa is VOA's longest running English language program. Since 1965, this award-winning program has featured pan African music that spans all genres and generations. Ethnomusicologist and Host Heather Maxwell keeps you up to date on what's happening in African music with exclusive interviews, cultural information, and of course, great music -- including rare recordings from the Leo Sarkisian Library of African Music.
Ethnomusicologist, pianist, and researcher Jaremdi Wati Longchar started researching the fascinating musical traditions of her ancestral Ao tribe of Nagaland as a post-graduate student at Goldsmiths, London right before the Pandemic set the world into a spin. In this long-form conversation, we address the series of challenges these traditions have endured over the generations, the shortcomings of western academic documentation, and the constant code-switching gender unwittingly seems to push her to adhere to amidst the dualities of the life of a global Naga academic. This episode is brought to you by: www.holisticpianoacademy.com New FREE mini-course 'The Songwriter Mindset': Enroll Here (Get a 25% discount on all courses as a podcast listener here) Music by: www.everynowheremusic.com Text: www.tlwrites.com Produced by T.L. Mazumdar Recorded on a Zoom L8 mixer kindly sponsored by: https://www.sound-service.eu Connect with T.L: DEBUT SOLO PIANO ALBUM Artist Website: www.everynowheremusic.com Coaching: www.holisticpianoacademy.com Instagram: https://www.instagram.com/everynowheremusic/ Spotify: https://spoti.fi/39S0dP5 Facebook: https://www.facebook.com/tlmusician Twitter: https://twitter.com/tlmazumdar Connect with Jaremdi: Twitter: https://twitter.com/JaremdiWL Instagram: https://www.instagram.com/jaremdi/
Part 1 of WorldBeat with guest Javoen Byrd . A new generation of black American activism has emerged in the last ten years as movements like Black Lives Matter broke into the public discourse. These causes have brought wider attention to such issues of police corruption and discrimination in housing. But beyond the political realm, many black Americans are also digging into their history and finding a new sense of pride in their heritage, and one area of growing enthusiasm is in reclaiming spiritual practices from the Continent. Some of these folks felt particularly drawn to the community and healing aspects of such beliefs as the COVID-19 pandemic threw the whole world into the meat grinder. Porsche Little, a Brooklyn-based artist, diviner, and aborisha told Vox that she has received a huge increase in requests for divinations and readings throughout the pandemic. Beyond the personal fulfillment of these explorations, could embracing African spiritual practices hold value in the liberation struggles of black Americans? How does this rising enthusiasm for these beliefs intersect with the explosion of anti-racist activism in black communities of the past decade? Ethnomusicologist and the founder of The Hawk Foundation for Research and Education in African & African American Culture Javoen Byrd sits down with George on this episode of WorldBeat. Part 1 details Javoen's early forays into music, his love of the drum, and how he came to be an initiated Isese practitioner as well as the history of African spiritual practices in slave resistance, the Haitian revolution, and how the stigma against such traditions carries forward into today both among African-Americans and populations still on the African continent. The Hawk Foundation for Research and Education in African & African American Culture: https://www.hfeducation.org/ Intro/outro music by Batata K1ng https://www.batatak1ng.com/home Part of the Ungagged podcast network http://leftungagged.org/
I met Tom Garcia at Juilliard as a tuba major. Then we formed the Porter/Garcia Flute and Guitar Duo and the rest is history. Born in Brazil, he's an expert in all things Villa Lobos and even makes his own period Latin American guitars. He is Professor of Ethnomusicology and Musicology at Miami University in Oxford, Ohio.
Dr Yukihiro Doi says that there is a similarity between playing Japanese ancient court music (Gagaku) on stage and cooking Japanese octopus ball dumplings (Takoyaki) in front of customers. - 雅楽演奏家、民族音楽学者、そしてたこ焼きビジネスの立ち上げ――。ユニークな経歴の土井幸宏さんへのインタビューです。
Stephanie Biggs is an Ethnomusicologist who calls herself a world traveller! Listen to this episode of ACross Culture where Stephanie and Jessie talk about travelling, experiences in Tanzania and the construction of whiteness there, Stephanie's work & ministry, perceptions of worship norms and more (including song contests!). ---
Ethnomusicologist, Dr. Kayleen Justus, discusses her life in steelpan, the benefits of teaching the rote method vs. sheet music, and the current state of steelpan in the U.S. and abroad. --- Support this podcast: https://anchor.fm/strike-up/support
Ethnomusicologist and expert tabla player, Mohanish Jaju, talks to us about the tabla and Northern Indian musical traditions. For more information about Mohanish, the tabla, or the traditions we discussed in the episode, check out our website Rootsmusicpod.com.
I've known Dan a long time now, we first met in Galway when I brought him salmon fishing. Fishing, not catching it must be said, but we've become firm friends over the years. Dan is a banjo player and ethnomusicologist, a protegé of Professor Mick Moloney, a music writer for the Irish Echo and also picks his way through the oft murky maze of organising some of New York's most famous Irish music sessions!! We have a great conversation about the session scene in NY, Dan's interest in Jamaican mento music and the role of the banjo in that tradition.www.danieltneely.com/
I've known Dan a long time now, we first met in Galway when I brought him salmon fishing. Fishing, not catching it must be said, but we've become firm friends over the years. Dan is a banjo player and ethnomusicologist, a protegé of Professor Mick Moloney, a music writer for the Irish Echo and also picks his way through the oft murky maze of organising some of New York's most famous Irish music sessions!! We have a great conversation about the session scene in NY, Dan's interest in Jamaican mento music and the role of the banjo in that tradition.www.danieltneely.com/
I've known Dan a long time now, we first met in Galway when I brought him salmon fishing. Fishing, not catching it must be said, but we've become firm friends over the years. Dan is a banjo player and ethnomusicologist, a protegé of Professor Mick Moloney, a music writer for the Irish Echo and also picks his way through the oft murky maze of organising some of New York's most famous Irish music sessions!! We have a great conversation about the session scene in NY, Dan's interest in Jamaican mento music and the role of the banjo in that tradition. www.danieltneely.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
I've known Dan a long time now, we first met in Galway when I brought him salmon fishing. Fishing, not catching it must be said, but we've become firm friends over the years. Dan is a banjo player and ethnomusicologist, a protegé of Professor Mick Moloney, a music writer for the Irish Echo and also picks his way through the oft murky maze of organising some of New York's most famous Irish music sessions!! We have a great conversation about the session scene in NY, Dan's interest in Jamaican mento music and the role of the banjo in that tradition. www.danieltneely.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Polina Dessiatnichenko (https://polinadessi.com) is a Ukrainian-Canadian ethnomusicologist and player of the 11-stringed tar, an archetypally Caucasian musical instruments typically used to accompany Azerbaijani mugham. In this unique edition of the Caspian Podcast Polina explains with demonstrations various musical motifs with which tar players build up the structure of that Unesco-listed form of very traditional yet partly improvised music. Polina also explains a little about the linkages between mugham and ghazal poetry and reveals that learning these art forms is an all-encompassing spiritual endeavour rather like becoming the devotee of a guru.
Flash Gordon Parks is an Ethnomusicologist, you say what is that?! He studies how music effects culture. He is from Houston and is keeping the music alive that is native to Houstonians but also using that as a platform to educate and teach others. Listen to this podcast to learn how he started his joinery and how you can be part of the continuous journey he is creating in Houston, TX!
In this podcast Amir and Aileen speak about protest music and the initial origins of it, as well as how social media has contributed to the development of protest music. And finally the future of protest music, in regards to if it will continue to grow. Aileen is a Ethnomusicologist, Global Irish musics specialist, and Popular Music scholar with research interests in ethnicity, identity, nationalism and cosmopolitanism in the traditional and popular music's of Ireland, UK, North America, and Australia. She has a PhD in Ethnomusicology, from the University of Chicago. She has won various awards such as the HERA travel award in 2015 and the Fulbright Alumnus award in 2018 Twitter - @aileen_dillane Amir Najib is a Student journalist from Coventry University currently interning at Irish Tech News, his main interests are in sports, entertainment and cryptocurrency. He hopes to one day work in the journalism industry where he is doing multimedia on the subjects he enjoys. Twitter - @4mirN9
Alexandre Tannous is a musician, educator, composer and ethnomusicologist.He is also the principle founder of the Resident Mind Collective. He holds a Bachelor of Music, with a double major of Music Theory and Composition and Master of Arts Degree in Music Education from Columbia University Teachers College.To find out more and listen to some of his meditations, please visitsoundmeditation.comAlexandre Tannous – ResonantMind CollectiveThe Evolve Network is now live at evolvenetwork.tvDue to extreme censorship and shadow banning, we have created a platform challenging the mainstream paradigm,to create a space to share vision and views, to create long term sustainable health solutions.To express without censorship and restriction. To allow freedom of speech and interest in ideas that will allow humanity to Evolve…Become part of the solution.We hope you've enjoyed the first half of this podcast - if you'd like to listen to the rest, please visit the Evolve Network. Watch in full hereI'd love to know your thoughts and experiences - join the conversation on my Facebook page - https://www.facebook.com/theevolvenetworkpeteevansInstagram @theevolvenetworkhttps://www.instagram.com/theevolvenetwork/Follow Pete Evans accounts here https://linktr.ee/peteevans
We talked to Ghazi Faisal Al-Mulaifi, Ph.D. in ethnomusicology, on his research interests that include Kuwaiti pearl diving music, the music of the Indian Ocean civilizations trade routes, and global jazz. A Venice Biennale artist, composer, Khaleeji-jazz musician, and ensemble leader, Ghazi's current musical efforts include performing with his ensemble "Boom.Diwan" where he and traditional Kuwaiti pearl diving musicians merge Kuwaiti bahri (sea) rhythms with global jazz traditions for the purpose of creating new Kuwaiti music and engaging in a global musical dialog. Created & Hosted by Mikey Muhanna, afikra Edited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About the afikra conversation series:Our long-form interview series, hosted on Zoom, featuring academics and arts and media experts who are helping document and/or shape the history and culture of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community still walks away with newfound curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into headfirst. Following the interview there is a moderated town-hall-style Q&A with questions coming from the live virtual audience on Zoom. Join the live audience: https://www.afikra.com/rsvp Follow afikra:Youtube: https://www.youtube.com/c/afikra/Patreon: https://patreon.com/afikraInstagram: https://www.instagram.com/afikra_/Facebook: https://www.facebook.com/afikra.official/Twitter: https://twitter.com/afikraWebsite: afikra.comAbout afikra:afikra is a grassroots movement that has evolved into a global community dedicated to exploring the history and culture of the Arab world. Starting in 2014 in NYC, our mission has always been two-pronged: cultivate curiosity and to build community. We've hosted intimate salon-style events all over the world that feature in-depth presentations on topics related to the Arab world, given by members of our community. What makes afikra different is that our programs and platform is designed to engage our community to ask their own questions, and provide an open community of peers who support each other as we all look for the answers together. Our vision is to build a global community of curious minds who are interested in promoting intellectualism and deepening our communal knowledge of the Arab region.
Karen Boswall is a filmmaker, ethnomusicologist, and visual anthropologist. Her audio-visual output includes individually authored and collaborative productions carried out in Nicaragua (1984), the United Kingdom (1986), Iraq (1993), Cuba (1995), Mozambique (1997-2018), Jordan (2014), Nepal (2016), and Brazil (2019).Between 1990 and 2007, she lived and worked in Mozambique as a musician, journalist, and documentary filmmaker. Her award-winning films and radio documentaries produced in this context explore the spiritual, cultural, and environmental worlds of individuals and communities through their music and dance practices. Boswall has taught Visual Anthropology and Film and Television at the University of Kent (2008–2009), Canterbury Christ Church University (2010–2014), Manchester Metropolitan University (2015-2016), and the University of Sussex (2017-2019). She conducted her doctoral research on collaborative music research and film production in Mozambique, and she continues to use collaborative and decolonial audio-visual methodologies to support those working to improve their access to basic human rights in Mozambique, especially women and girls. We are delighted to have Karen speaking to her experience as a filmmaker and artist documenting the world from an anthropological perspective. We are curious to know how Karen deals with the complex question of representation of the individuals and communities whose lives her films bring to a two dimensional form. How does she approach her own positionality? And what place does theory take in her visual work? Karen reflects on the way she engages the communities she works with and on her approach to co-create and enable groups to have a direct voice. How to distinguish between authorship and facilitation? At the end, we ask Karen to give advice to those who might be considering visual anthropology as a career path and to tell our listeners about her own success drivers that accompanied her throughout her interesting journey. Mentioned in Podcast:MacDougall, David (2019). The Looking Machine: Essays on Cinema, Anthropology and Documentary Filmmaking. Manchester University Press.Social media:Website : https://www.karenboswall.com/
Ghazi Al Mulaifi | Kuwait City, Kuwait & Brooklyn, USA | Ethnomusicologist & Musician
You are now listening to Ritmos Negros! In this 2nd episode of Season 2, we dive even deeper into the Quisqueya Island connecting Haiti and the Dominican Republic. Today, we have an AMAZING guest who is both the International Ambassador of Dominican Arts and an ethnomusicologist of Afro-Caribbean music/dance, among other titles. Introducing Edwin Ferreras!! We explore the complexities of Black identity in the Caribbean and three African-rooted musical genres called Atabales/Palos, Rara in Haiti, and Gaga in the DR. Enjoy! More about Edwin - https://www.areitoarts.com/ https://www.instagram.com/edwinmferreras/
Episode 105: Jedba, Jinns, and Hāl: Bodily Modalities of Mental-Emotional Health and 'Musico-thérapie' in Algeria In this podcast, Dr. Tamara Turner illustrates the inextricable relationship between mental-emotional health, sound, and consciousness through a spectrum of 'psychological' states that are locally mapped in Algeria as bodily modalities: jedba, hāl, and bori. These three bodily modalities constitute a wide and fluctuating spectrum of musically-cultivated, ritual trance dancing seen in various contexts from weddings and festivals to 'Sufi' hadrat, particularly among the Dīwān of Sīdī Bilāl tarīqa. Drawing from in-depth ethnographic fieldwork on Morocco and Algeria, Dr. Turner shows how notions of 'music' exceed social, symbolic, and aesthetic valence because sound and music are thought about medicinally as vibrating agents in ongoing health maintenance. A cultural anthropologist, Dr. Tamara Turner is a researcher at the Center for the History of Emotions at the Max Planck Institute for Human Development in Berlin. Her research is at the intersection of psychological anthropology, musical and performance practice, and affect studies. She specializes in North African Sufism, anthropology of religion and medicine, and the links between cultural notions of affect, consciousness, and mental-emotional health. Her doctoral thesis was the first research to thoroughly document the musical repertoire, practice, and history of Algerian dīwān, a nocturnal trance ritual of the Bilaliyya Sufi Order that emerged out of the trans-Saharan slave trade. As a musician as well as a scholar, she studied with ritual musicians and experts, attending and documenting dīwān rituals across Algeria from the Mediterranean coast to the Saharan Desert. Analytically, Dr. Turner's work investigates the critical role of emotions and affects in rituals in general, particularly as they pertain to varieties of altered states of 'consciousness,' social and trans-personal pain and suffering, and memory. In 2017, her doctoral thesis won an Elsevier Outstanding Thesis prize. Her research in Algeria and Morocco has previously been funded by various grants from King's College London, the British Forum for Ethnomusicology, the Centre d'Études Maghrébines en Algérie, and the West African Research Association. This episode is part of “Health and Humanities in the Maghrib” a lecture series by the American Institute for Maghrib Studies (AIMS), organized by the Centre d'Études Maghrébines à Tunis (CEMAT) and the Centre d'Études Maghrébines en Algérie (CEMA), in close collaboration with the Tangier American Legation Institute for Moroccan Studies (TALIM). It was recorded on the 1st of October 2020 between Berlin, Oran, and Tunis. Dr. Robert P. Parks, CEMA Director, moderated the lecture and debate. To see related slides please visit our web site: www.themaghribpodcast.com We thank Dr. Tamara Turner, Ethnomusicologist and Research Fellow at the Max Planck Institute for Human Development, Center for the History of Emotions, for her interpretation of Sidna Ali, from the diwan repertoir. Realization and editing: Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).
Ethnomusicologist and multi-instrumentalist Sally Schaefer joins us for a lively conversation about studying music outside of the American canon, the role of music in culture, as well as lighter fare and her craft.
Ep. 142: Joe Kinzer, ethnographer, archivist, and ethnomusicologist Let's Talk Off The Podium with Tigran Arakelyan. From Joe Kinzer's website: I am an ethnographer, archivist, and ethnomusicologist specializing in issues of identity and religious expression in Asian musical contexts. I am the Senior Curatorial Assistant in the Archive of World Music at Harvard’s Eda Kuhn Loeb Music Library, as well as an Affiliate Faculty member at Antioch University. My work focuses on musicians, audiences, and asking ethnographic questions about objects, such as musical instruments and sound recordings, and how the contrapuntality of agency between these forces works to inform cultural formation. In my book project, Arab Lutes and Global Routes in the Music of Muslim Malaysia (Routledge, forthcoming), I use the circuitous migration of Arab lutes to Southeast Asia as a lens to explore how centuries of conflicting Hindu-Buddhist and Islamic influences from India and the Middle East have transformed and continue to complicate Malay cultural politics in 21st century musical practices. I teach courses in humanities research methods using the lenses of global pop, world music, and sound studies. I have had the privelege of teaching courses at Northern Illinois University, University of Washington, and Antioch University. Some of these courses included Introduction to Music and Culture Studies, American Popular Song, and Humanities Research Methods through Music and Sound. I received a Ph.D. in ethnomusicology from the University of Washington and a master’s degree in music from Northern Illinois University. My work has received generous support from a Fulbright-Hays Fellowship, the U.S. Department of Education’s Foreign Language and Area Studies (FLAS) program, and the Social Sciences Research Council of Canada. I play the oud and guitar and currently perform with Boston College’s Astaza! Arab Music Ensemble. I live in Boston with my wife and daughter. © Let's Talk Off The Podium, 2020
Ep #90 with Jacob Edgar, ethnomusicologist. Jacob Edgar has traveled the world for decades in search of great music for Putumayo Records. He is one of the leading proponents of World Fusion music and infuses his love of culture with his wide-ranging taste in music. He started Cumbancha Records to further promote the great artists he has discovered. This episode showcases 7 of the artists he works with. He lives in northern Vermont and says that “Vermont is the Motown of World Music.” I couldn't agree more. He also hosts 2 travelog shows for National Geographic and Lindblad. On Facebook: https://www.facebook.com/109866072979... On YouTube: https://youtu.be/iMOR4cESSF4 Podcast: A Worldsoul Records production derrikjordan.com
On this episode of Showcase; Uighur Cultural Genocide in China 00:40 Rachel Harris, Ethnomusicologist and Uighur Specialist 01:20 This Place We Call World 07:22 The Edgar Wallace 'Krimi' 11:53 Oliver Schwehm, Film Director 17:15 Osman Hamdi Bey Digital Exhibition 23:21 #EdgarWallace #Uighurs #OsmanHamdiBey
Reports show that Uighurs face political indoctrination, forced sterilization, and torture in China's internment camps. But the targeting is not limited to the Turkic Muslim minority group. Rachel Harris, Ethnomusicologist and Uighur Specialist 00:42 #Uighurs #CulturalGenocide #China
Did Benny the Butcher and Hit-Boy just drop the album of the year for 2020? In this episode, I enlist the assistance of my brotha Langston Collin Wilkins (@southsidesupervillain), a Folklorist and Ethnomusicologist based in Seattle, Wa, to break down Griselda's new release. For everything NinosCorner, visit: NinosCorner.com For NinosCorner Sports, visit: NinosCornerSports.com For NinosCorner Merchandise, visit: NinosCornerMerch.com Check us out on Facebook, Twitter, and Instagram: @NinosCorner Purchase NinosCorner's 3 Books HERE --- Send in a voice message: https://anchor.fm/ninoscorner/message
A multi-instrumentalist, singer, songwriter, performer and a scholar of ethnomusicology, whose songs make for a cerebral experience. That’s Lochan Rijal.His unconventional approach to music includes exploration of Nepali music and experimentation with new sounds to bring about an innovative approach to sound production that fuses different musical styles. Known for his reverence for Nepali local music, Rijal is the first Nepali to complete a PhD programme in Ethnomusicology from the Department of Music, Kathmandu University and the University of Massachusetts.Currently working as the Associate Professor and Head of Kathmandu University Department of Music, Lochan Rijal spent years travelling across Nepal studying diverse local musical traditions and instrument-making techniques. live at https://www.facebook.com/thedeepeshshow https://www.youtube.com/thedeepeshshow http://www.twitter.com/thedeepeshshow Podcasts www.thedeepeshshow.com #LochanRijal #TheDeepeshShow #NepaliPodcast #aeglobal #evemoo #giftmandu #liveinterview #Singer
Ethnomusicologist, musician, teacher and author Rob Baker joins Jessie to chat about his experience in West Africa. 00:40 - Rob's introduction 01:06 - What is Ethnomusicology? 03:45 - What Rob did in West Africa 05:04 - "Music is a universal language" (not!) 07:48 - On making assumptions and reclaiming music 16:32 - Letting your "spirits mingle" 18:00 - Being a white guy in Africa 22:32 - Goals in the community and songwriting 24:27 - Worship using indigenous music 26:29 - Rob's books 32:39 - Book recommendation Rob recommends the book 'The Book Smugglers of Timbuktu' by Charlie English. --- Send in a voice message: https://podcasters.spotify.com/pod/show/acrossculture/message
This week we talk with Lynne Stillings about what Ethnomusicology is, children's rights, cultural appropriation in music, and what her dream music program would look like.Bonus Tracks after the interview - “Alternate Tonality - II. Whorlweave” by Jeryl Johnston. Helpful links from Peire Wilson:TikTok reaches major licensing deals - https://www.billboard.com/articles/business/9422985/tiktok-nmpa-global-partnership-agreement-music-publishersDiversity initiatives remain at the forefront - https://www.billboard.com/articles/business/9421649/warner-music-group-external-board-directors-social-justice-fundIndustry associations urge continuation of benefits -https://variety.com/2020/music/news/music-organizations-letter-congress-coronavirus-relief-benefits-1234711900/TikTok launches Creator Fund - https://techcrunch.com/2020/07/23/tiktok-creator-fund-200-million-us/
The first episode of the Pilipinx-American Stories Podcast Personal Narrative Series! The Personal Narrative Series is a portion of the podcast where we interview guests on their personal history, in order to better understand their processes and motivation to do what they do. For this week's edition to the Personal Narrative Series, we have Bernard Ellorin, an ethnomusicologist, performer, and teacher of the Philippine arts. We get down and ask Bernard how he was brought up, and what led him to pursue the path that he is on. And also why he continues to do it to this day. One of the biggest factors of his musical journey is to help audiences understand the reason why Philippine music sounds the way it sounds. His performances alongside Samahan Filipino Performing Arts and Pakaragurin Kulintang Ensemble act as a storytelling platform for audiences to better understand this aspect of the culture. Shout out to Bernard for getting down with us for this week's episode! Make sure to follow Samahan Filipino Performing Arts and Pakaragurin Kulintang Ensemble: Samahan: FB: https://www.facebook.com/SamahanPerformingArts/ IG: https://www.instagram.com/samahandance/ PKE: FB: https://www.facebook.com/pakaraguian/ IG: https://www.instagram.com/pakaraguian_kulintang_ensemble/
Kris is honored to welcome her guest, Ethnomusicologist, University Professor, Blues Scholar and former curator at the RocknRoll Hall of Fame, Dr. Bruce Conforth, whose painstakingly researched biography "Up Jumped the Devil: The Real Life of Robert Johnson" seeks to separate the man from the myth. Up Jumped the Devil: The Real Life of Robert Johnson us available of Chicago Review Press We love to hear from you and yes, we take requests! Please subscribe, rate, comment, then tell a friend! Special thanks to Bruce, Sam Ofman at CRP, Marcus Osborne, and Will Roth. --About the Podcast: ‘TEXT PROSE AND ROCK N ROLL'- is the only podcast dedicated to the written account of musicians. From artist memoirs to band bios, and anything in between. You'll hear first accounts from those who lived the lifestyle; a Book Club that rocks - literally. It was Created, Hosted & Executive Produced by Kris Kosach. It was Produced & Edited by Charlene Goto of Go-To Productions. For more on the show, visit the website. Or follow us on Instagram and Facebook @TextproserocknrollFollow Kris on Social Media: @KrisKosachFollow Producer Char on Social Media: @ProducerChar
We’re goin’ deep on all the great music and artists from STAX records in Memphis, Tennessee. Ethnomusicologist and author Rob Bowman is a fellow STAX fan and has unparalleled knowledge on the incredible soul music created on E. McLemore Avenue.… The post STAX with Rob Bowman – Rockin’ And Rollin’ And Whatnot ep26 appeared first on TRAMPS LIKE US.
On the Swannanoa Gathering with Finn Magill, on ethnomusicology, on the difference between Irish and Celtic, on her time in Cork and finding lock-down inspiration in Quarantunes. Hailing from North Carolina and now residing in North Michigan, Hannah Harris is a wonderful fiddle player and ethnomusicologist. Hannah recently recorded her first album which hopefully will be released in the coming weeks. In this episode Hannah plays: Alice's Reel / Maudabawn Chapel Citi na gCumman The Blarney Castle Hotel Set (If someone knows the names please send them in thanks) John Brosnan's Reel / Martin Wynne's No 2 Sunday's Well To keep up to date and follow Hannah go here: https://www.facebook.com/hannahharrisceol To follow Hannah on Instragram go here: https://www.instagram.com/hannahharrisceol/ As always the episode is free to download or stream from our website or any podcast app: Our website: https://blarneypilgrims.fireside.fm/46 Apple Podcasts: https://apple.co/2KlfSuH Google Podcasts: http://bit.ly/3cPTkis Stitcher: https://bit.ly/2XVl68c Spotify: https://spoti.fi/2KoNQhL Right that's it, enjoy! Darren & Dom ... Well, it's a tough time, so we hope you can hang in there with us, and we'll do the same for you. So if you liked this episode and think you got some worth from it, then please pledge at any level over at www.patreon.com/blarneypilgrims. If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub. www.patreon.com/blarneypilgrims www.blarneypilgrims.com www.facebook.com/BlarneyPilgrimsPodcast https://www.instagram.com/blarneypilgrimspodcast/
Episode 82: The Monopoly of Criminal Justice and the Formulation of State-Society Relations in Morocco In this podcast, Fatim-Zohra El Malki seeks to retrace the socio-legal history of Morocco’s criminal justice system and its impact on the formulation of state-society relations. El Malki argues that Morocco’s Penal Code (PC) can serve as a useful object of analysis for tracing how the Moroccan state used the criminal system to deepen and consolidate its power following independence. Through the historicization of the criminal system, El Malki aims to center the legal processes that contributed to the territorial construction and consolidation of what is now the Kingdom of Morocco. Rather than focusing on the trajectory of the codes and legal systems, this presentation is an attempt to understand the mechanisms of violence and repression embedded in the legal system across time, of which the penal code is only a fragment. This discussion unravels an enduring paradox: how the makhzen’s deepening authority and territorial expansion created a strong central state at the expense of the progressive alienation of the citizen from the central power. In relation to criminal justice, the makhzen’s monopoly over judicial power placed a chokehold on the sphere of checks and balances between the citizen and the central authority. The PC constitutes a space for the legal expression of political violence perpetrated by the state against society, bearing in mind that the violence of the law is not inevitably illegitimate nor unethical. The unbalanced interplay of power dynamics, which lead to the overwhelming monopoly of violence by the state is what constitutes the core of the argument that places the PC at the center of this space. El Malki argues that reforming the system today would mean transferring the discursive monopoly of violence outside this scope, therefore shaking the safeguarded equilibrium of power that the modern Moroccan state holds. Fatim-Zohra El Malki is a DPhil student at the University of Oxford. Her research project revolves around the making of the criminal justice system in Morocco, with a particular focus on the Penal Code. Fatim-Zohra El Malki holds master’s degrees in Arab Studies from Georgetown University’s Edmund A. Walsh School of Foreign Service (2016) and in Security Studies from Queen's University of Belfast (2013). This podcast is part of the Contemporary Thought series and was recorded on 21 June 2019. at the Centre d'Études Maghrébines à Tunis (CEMAT). We thank Dr. Tamara Turner, Ethnomusicologist and Research Fellow at the Max Planck Institute for Human Development, Center for the History of Emotions, for her interpretation of Natiro/ Ya Joro, from the Hausa repertoire of diwan. Posted by Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).
Sometimes people just blow your mind with their depth of musical knowledge. Professor and author Rob Bowman did that to me this week on the show. This guy operates on a completely different plane, folks. His musical knowledge is matched only by his passion for it. He's been hired to write for the Stones, Dylan, Rush, and so many others. We talk about his latest book The Flyer Vault, and also Zeppelin's first time in Canada, which Beatles song has eight different hooks, the importance of musical experimentation in live contexts, and the unusual way Keef recorded the demo for Jumpin' Jack Flash. Unreal. Bowman's playlist: The Rolling Stones - Jumpin' Jack Flash Bob Dylan - Trying To Get To Heaven Patti Smith - Horses Public Enemy - Fight the Power James Brown - Cold Sweat
Episode 75: The Husyanid Dynasty and Spatial Control and Judicial Control of the Enslaved Blacks of Tunis In this podcast, Dr. Ismael Montana, Associate Professor of History at Northern Illinois University, discusses the impact of the Husaynid dynasty (1705-1957) on the enslaved Sudanic communities of Tunis. Montana does so by looking at the Stambali, a ritual of musical possession based on the fusion of the Hausa Bori cult and popular Islam, performed primarily by the Sudanic communities of Tunis. He argues that the Husaynid dynasty actively sought to transform Sudanic communities into on of several corporatist communities in the Tunisian Beylic, by means of spatial control. In the early eighteenth century, the Husaynid Beys promoted the sainthood of Sidi Saad al-Abid, a former slave from Borno, in order to serve as a rallying figure for the freed and enslaved Sudanic communities that had been settled in Tunis as a result of the trans-Saharan slave trade. The Sufi brotherhood that formed around this saint was given a judicial-administrative apparatus, designed to self-regulate the community, and structure it within the state's religio-political scheme. Montana maintains that while the Sudani community entered the Husaynid political system via the Stambali, the processes by which that group was integrated relied on its specific religious culture, which continued to set them apart from the rest of Tunisian society. Ismael Montana's research interests include the social and economic history of slavery, culture, and citizenship in Northwest Africa and the western Mediterranean basin from the 18th century to the present. He is currently the Vice-President of West Africa Research Association (WARA). This podcast was recorded at the CEMAT Director’s Conference on “Narratives of Legitimacy and the Maghrebi State: Power, Law and Comparison” held on 21 June 2019 in Sidi Bou Said, Tunisia. We thank Dr. Tamara Turner, Ethnomusicologist and Research Fellow at the Max Planck Institute for Human Development, Center for the History of Emotions, for her interpretation of Natiro/ Ya Joro, from the Hausa repertoire of diwan. Edited and posted by Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).
Tarim Talks to Mukaddas Mijit; Filmmaker, dancer and ethnomusicologist in Toulouse, France, hosted by Babur Ilchi In this episode, we speak to Mukaddas Mijit, a multi-talented ethnomusicologist showcasing the stories of Uyghurs through a variety of art forms including film and dance. We explore her journey, and the struggles and motivations behind her most significant projects, including bringing the Dolan Muqam to perform at the most prestigious theatres in France. She also reveals her unique creative and filmmaking process. You can find out more about Mukaddas by visiting her website and YouTube channel (link below) and contact her through her website. Links: YouTube channel - https://www.youtube.com/user/MukaddasMM Mukaddas Mijit’s website - https://mukaddasmijit.wixsite.com/mukaddas-mijit Favourite song - Adamlar ulug by Sanawar Tursun (https://www.youtube.com/watch?v=EQ4W9T9jxWQ&list=PL4678F18731B46B39&index=2&t=0s) Recommended book – Siddhartha by Hermann Hesse The Tarim Network Follow the Tarim Network on our social media to stay up to date on our latest projects! Instagram: @thetarimnetwork Facebook: The Tarim Network Website: https://www.thetarimnetwork.com/ تارىم رادىئوسى: فىرانسىيە تۇلۇزدىن مۇقەددەس مىجىت - فىلىم ئىشلىگۈچى، ئۇسسۇلچى، مىللىيچە مۇزىكا تەتقىقاتچىسى رىياسەتچى: بابۇر ئىلچى بۇ قىسىمىمىزدا،بىز ئۇيغۇرلارنىڭ مەدەنىيىتىنى كىنو-فىلىم، ئۇسسۇل قاتارلىق سەنئەت شەكىللىرى ئارقىلىق دۇنياغا تونۇشتۇرىۋاتقان، كۆپ قىرلىق تالانقا ئىگە مىللىيچە مۇزىكا تەتقىقاتچىسى مۇقەددەس مىجىت بىلەن سۆھبەت ئېلىپ بارىمىز. ئۇنىڭ دولان مۇقاملىرىغا ئوخشاش ئۇيغۇر سەنئىتىنى دۇنيا سەھنىلىرىگە ئېلىپ چىقىپ تونۇتۇشنى تاللاش سەپىرىنىڭ جەريانى ۋە ئۇنىڭ ئارقىسىدىكى رىغبەتلەندۈرگۈچ كۈچ ھەم ئۇ ئۇچرىغان ھەرخىل توسالغۇلار ھەققىدە توختىلىمىز. پروگراممىمىزدا يەنە مۇقەددەس ئۆزگىچە ئالاھىدىلىككە ئىگە بولغان فىلىم ئىشلەش جەريانىنى بىز بىلەن ئورتاقلىشىدۇ. مۇقەددەس مىجىتكە دائىر ئۇچۇرلارنى، ئۇنىڭ ئەسەرلىرىنى تۆۋەندىكى ئۇلىنىشتىن تاپالايسىز. يۇتۇب قانىلى: https://www.youtube.com/user/MukaddasMM مۇقەددەس مىجىتنىڭ تور بەت ئادرىسى: https://mukaddasmijit.wixsite.com/mukaddas-mijit ئەڭ ياخشى كۆرىدىغان ناخشىسى: سەنۇبەر تۇرسۇننىڭ "ئادەملەر ئۇلۇغ". تۆۋەندىكى ئۇلىنىشتىن كۆرۈڭ: https://www.youtube.com/watch?v=EQ4W9T9jxWQ&list=PL4678F18731B46B39&index=2&t=0s تەۋسىيە قىلىدىغان كىتابى: "سىددارتا" - ھىرمېن ھەس ئەڭ يېڭى مەزمۇنلاردىن خەۋەردار بولۇشنى خالىسىڭىز،"تارىم تورى" غا ئەگىشىشنى ئۇنۇتماڭ! تۆۋەندىكى مىدىئالار ئارقىلىق قانىلىمىزغا مۇشتەرى بولالايسىز.
Holly Hobbs joins the show to talk about ethnomusicology, comparing music and cultural studies in Ireland & New Orleans, plus starting the Hip Hop Archive at Tulane’s Amistad Research Center. We also get into Sound Diplomacy & The New Orleans Music Economy study currently underway.
Ethnomusicologist, Irish traditional musician and lecturer at the Irish World Academy of Music and Dance, University of Limerick, Dr Aileen Dillane talks about her research project FestiVersities: European Music Festivals, Public Spaces, and Cultural Diversities. This research is supported through Humanities in the European Research Area (HERA), European Commission.
On Friday, November 16. 2018, singer, songwriter, bandleader, and self-described "reluctant ethnomusicologist" Alsarah joined Professor Adrien K. Wing, Director of the UI Center for Human Rights and Associate Dean for International and Comparative Law Programs, for a conversation about the relationship between identity and creativity. This conversation was presented as part of the UI Creative Matters series, which seeks to demonstrate that creativity is not only at the core of all research and discovery, but also central to our human experience. To learn more about the series, visit https://creativematters.research.uiowa.edu/.
What is music, anyway? Does a Beethoven sonata elicit the same emotions if played for someone who's never heard western music? Do any other animals experience music? Is singing related to crying? To laughing? These are the sorts of questions an ethnomusicologist thinks about. I learned a lot from Steve, and suspect you will, too. Steve's site. Find me on Instagram or Twitter. Please consider supporting this podcast on Patreon. This Amazon affiliate link kicks a few bucks back my way.
Ethnomusicologist, professor, and writer Gillian Turnbull is my guest on the show this week. Gillian is a fascinating woman with a powerful social voice, and she provides some great commentary with lots of laughs. Tune in to hear about her boozy encounter with Jim Cuddy, her theory as to why Billy Joel doesn't get as much respect as Springsteen, her love for Rush, and her affinity for Neko Case's scatological emphasis - the lady drops an F-bomb with style. Turnbull's playlist: Blue Rodeo - Cynthia Ian Tyson - Elko Blues Billy Joel - Scenes From An Italian Restaurant Bikini Kill - Rebel Girl Courtney Barnett - Pedestrian at Best Neko Case - Where Did I Leave That Fire Jason Isbell - Elephant NQ Arbuckle - Hospitals Rush - Working Man Jim White & Aimee Mann - Static on the Radio Beyoncé & Dixie Chicks - Daddy Lessons
It's Midday on Music and today explore music as a window into Muslim Culture, and the creative work of Muslim women, who are being celebrated in a series at the Creative Alliance in Baltimore this season called Nisa'a Women. My guests this afternoon are Sudanese singer Alsarah and her band The Nubatones. The group is in town as the second installment in the Nisa'a Women series. They are conducting workshops at local schools, they'll be at a community potluck for refugee and immigrant communities and they will give a concert at the Creative Alliance tomorrow night. Later on, a discussion about the growing popularity of Contemporary African music. Despite Hip Hop and Afrobeats artists dominating music charts around the world, they were not well represented at this year's Grammy awards. Stephanie Shonekan ,University of Missouri Associate Professor of Black Studies and Ethnomusicologist, joins us on the telephone to discuss who wins awards, who doesn't and why.
Nandini Banerjee is an Ethnomusicology PhD student at Columbia University. As someone who studies music in society, she has developed a keen ability to ask questions about the world around her. Listen to the episode below or subscribe on iTunes. Our 3 Key Conversation Topics: The importance of staying curious and asking good questions in order to better understand ourselves and our society What to do if you can't afford to follow your passion now How our favorite musicians have created such large fanbases Resources: Music therapy Alive Inside documentary Columbia’s ethnomusicology program Wanna connect with Nandini? Instagram: @Nandini Want more from me? Join our squad & Subscribe on iTunes Instagram: @Hiwote_G Music: Karan Dhadialla
Professor Dr. Joshua Duchan, a Music History Professor from Wayne State University in Detroit, Michigan, called in to discuss his upcoming book, entitled, "Billy Joel: America's Piano Man", which is due to be released in June of 2017. An Ethnomusicologist who specializes in American popular music, Dr. Duchan is already a widely published author. You can find additional biographical information on Dr. Duchan through the Wayne State University website at: https://wayne.edu/people/ev1450/
Welcome to Episode 8 of Get Up in the Cool, Old Time Music with Cameron DeWhitt and Friends. This week I’m proud to present my interview and jam with Ethnomusicologist, Fiddler, Banjo player, and BFF Jake Blount. This week’s theme is African American Fiddling! Jake has access to private recordings Mike Seeger made of prominent black fiddlers; so he learned these rare tunes and now you can hear them! That’s right, this is another Get Up in the Cool exclusive! Rise Again by Jake Blount and Emma Joy: https://jakeandemma.bandcamp.com/ Durang's Hornpipe by Moose Whisperers: https://www.youtube.com/watch?v=ExgpKGmcjDo Support the show on Patreon: https://www.patreon.com/getupinthecool Recorded at Black Creek Fiddlers Reunion 2016
Episode 18 Interview with Keith Howard This interview is with Professor Keith Howard, SOAS Professor and Ethnomusicologist. In this interview we talk about his interest in Korea, the music, his travels and how he came in contact Korean traditional music and the group SamulNori. He also takes us a step further about the genre samulnori, Read more..
Bill Carbone is an ethnomusicologist, musician, and a writer. He teaches at Wesleyan University and Southern Connecticut State University where he teaches “Music of the World's People. ” As a musician(drummer, writer, singer), Bill has worked with with renowned bands and artists like Max Creek, Zac Deputy, Melvin Sparks, Toussaint and the China Band, and the Z3. As a writer, Bill has been published in Wax Poetics, Modern Drummer, jazz.com, and in a long-running New Haven Advocate column. Find Bill Carbone here: http://www.billcarbone.com Bill on FB: https://www.facebook.com/billcarbone What is the “Chitlin Circuit” https://en.wikipedia.org/wiki/Chitlin%27_circuit Film: The Girls in the Band http://thegirlsintheband.com/synopsis/ Very clever and funny Mike Judge film that we refer to several times: Idiocracy http://www.imdb.com/title/tt0387808/ The 100 People Project http://www.100people.org/statistics_detailed_statistics.php http://www.100people.org/wp/the-100-people-project-an-introduction/ Some of the “Avant-garde” jazz musicians that we talked about: Anthony Braxton: https://en.wikipedia.org/wiki/Anthony_Braxton Pheeroan akLaff: https://en.wikipedia.org/wiki/Pheeroan_akLaff Sun Ra: https://en.wikipedia.org/wiki/Sun_Ra Art Ensemble of Chicago: https://en.wikipedia.org/wiki/Art_Ensemble_of_Chicago Music played on this podcast: Opening theme: Composed by Matt Oestreicher, used as an opening and closing theme of the film "We Cause Scenes." Performed by: Marissa Licata, Ervin Dede, and Egil Rostad at SST Studios in Weehawken, NJ.
In this episode: Kentucky-native and Fulbright scholar Tanner Jones loves banjo, bourbon and Korean traditional sounds. In this conversation, Jones discusses his ongoing research and passion for Korean traditional music on Jeju-do. This episode's Shamanic ritual chanting is graciously provided by musicians ???, ???, ??? and ??? of Jeju's Chilmeoridang-kut Society.
Oxford Maqam members, Ethnomusicologist and Qanoun player Martin Stokes and vocalist Yara Salahiddeen give us a taste of the music they will perform in the SOAS Concert series, and talk to Karen Boswall about the passions and inspirations behind the music of Oxford Maqam. 1. Ew'a Tekallimny Baba Gayy Waraaya performed by Aziza Helmi El Masreyyah 2. Ali, Abd Al-Bari Dawr 3. Mawwal Maskeen W Hali Addam performed by Maqam 4. Muwwashah Qad Harakaat performed by Maqam 5. El Tohfageyyah performed by Maqam
Juliane Jones, a singer-songwriter who just received a Ph.D. in ethnomusicology, is our guest on Program #38 of the Middle Chamber Books and Music Podcast. Juliane talks about her specialization in Chinese operatic music, and how she has integrated Chinese lyrics into songs on her new CD, "The Space Between the Telephone Lines." We also hear several tracks from the CD. About Juliane Jones, from her website: [caption id="attachment_10061" align="alignleft" width="300"] Juliane Jones is a Ph.D. ethnomusicologist and a singer/songwriter whose new CD, "The Space Between the Telephone Lines," was just released.[/caption] Singer-songwriter and ethnomusicologist Juliane Jones finds harmony in what seems like self-identity dissonance. “I occupy a middle space – my world is about intersections,” the New York-based songstress explains. Juliane's father is Welsh, and her mother is from LA. She has lived internationally in five different places and speaks fluent Chinese and French. She is an ethnomusicologist by profession and an actively gigging musician. Evocatively, Juliane titles her kaleidoscopic, singer-songwriter, English-Chinese hybrid album The Space Between The Telephone Lines. Juliane's expansive artistry melds genres and inward/outward travelogues. It's an exquisitely curated showing of diverse identities, spanning the genres of indie, alternative, folk, pop, electronic music, and rock, as it incorporates her experiences from studying music in China and France. Her writing evokes the astute and playful lyrics of Serge Gainsbourg, and the vivid narratives in the French Chanson genre with elements of Canto-pop music, inspired particularly by the Chinese artist Faye Wong. Juliane has been building her artist profile through gigging in NYC's vibrant singer-songwriter scene and expanding her outreach through gigs nationally and internationally, most notably with intimate gigs in Shanghai. In addition, she's received exposure through having tracks played on Fairchild Radio and TV broadcast in Canada. A foundational moment in her life's work timeline occurred while in college in the East Asian Studies Department at the University of Chicago. She was studying the great Italian composer Giacomo Puccini and became inspired by the fact that he integrated Eastern music within one of his operas. It was a revelatory moment: Previously she was a prodigiously talented singer-songwriter with a separate intuitive gift for linguistics and understanding different cultures. This light bulb moment helped her discover the harmony in the space between these worlds. “Ethnomusicology and songwriting are similar in a lot of ways. Ethnography is really about description, observation, and interpretation. Songwriting is similar, but in writing songs the author can blend fact with fiction—it's more flexible,” she says. The Space Between The Telephone Lines uses pop conventions to explore intriguing, contrasting dialogues in music styles, cultures, and love. “The progress and innovations in pop have made it the perfect medium to explore different cultures and genres to create a fresh artistic vocabulary,” Juliane reveals. The album standout, “When You Sleep,” blends elegantly essential classical motifs with sweet folk pop. The accompanying video presents a charmingly quaint snapshot of new love. “That's about when you get to that point in a relationship when you are so crazy-mad-in-love that you start second-guessing what you have,” Juliane says. The sublime, pastoral pop of “Rhythm & Blues” dissects long distance relationships in a playfully conceptual video and lyric scheme, referencing the Chinese myth of the red string of fate that connects destined lovers. Throughout the album Juliane innovatively explores an East-West cultural exchange. She sings portions of songs in Chinese, boldly challenging herself to keep thematic and melodic continuity within Western pop conventions. Further enriching the East-West artistic dialogue, Juliane covers a song by beloved Canto-pop artist Faye Wong who previously ignited her own cultural exchange with a gorgeous version of the Cranberries “Dreams.” The album was tracked in Nashville and produced by Juliane and Doug Beiden. Reflecting on the profound journey to arrive at The Space Between The Telephone Lines, Juliane says: “For me, answering big questions about music, culture, and life has always been a part of my songwriting. I'm always looking for new ways of understanding music, and I've always been interested in how writing music can be linked to individual biography and social history. I'm forever fascinated with that moment of creation, it always seems magical.” Subscribe in a reader Subscribe to the RSS feed for Middle Chamber Books and Music Podcasts. Subscribe to these podcasts in the Apple iTunes Music Store
Juliane Jones, a singer-songwriter who just received a Ph.D. in ethnomusicology, is our guest on Program #38 of the Middle Chamber Books and Music Podcast. Juliane talks about her specialization in Chinese operatic music, and [Read more...]
Klezmer Podcast 112- Judith Cohen. The interview guest on this episode is Judith Cohen, an Ethnomusicologist from Canada. Judith specializes in Judeo-Spanish (Ladino) music. We hear the track Ester Mi Bien from her album Canciones De Sefarad. Run time: 16:50.
Scholar, Ethnomusicologist and Social Activist Alisha Lola Jones drop in to chat about the 2012 Genius Conference for Men, scheduled to be held at THEARC in D. C. next month. She willbe joined by David Hughey, a featured performer in the recent Broadway revival of Porgy and Bess. Together, they will unpack the idea of the "Genius" that lie deep within each of us, especially the African American Male.
World Percussionist and Ethnomusicologist, Bertram Lehmann, joins me to explore the music of Legendary Brazilian singer and composer, Caetano Veloso.
World Percussionist and Ethnomusicologist, Bertram Lehmann, joins me to explore the music of Legendary Brazilian singer and composer, Caetano Veloso.
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