Podcasts about Stax Records

Welcome to an extraordinary edition of the Takin’ A Walk podcast from Buzz Knight music and the “Master of Music Mayhem,” Harry Jacobs. This comprehensive look at weekly music history explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. For listeners of this weekly music history episode note the Buzz Knight music podcast replay of "Takin A Walk" with the incredible Julian Lennon. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to an extraordinary edition of the Takin’ A Walk podcast with host Buzz Knight and the self-proclaimed “Master of Music Mayhem,” Harry Jacobs. This comprehensive music history podcast episode explores one of the most emotionally complex weeks in rock and roll history, spanning December 8th through December 14th. From tragic losses to groundbreaking debuts, this week encompasses the full spectrum of music history’s most pivotal moments. John Lennon’s Assassination: December 8, 1980 - A Day That Changed Music Forever The episode opens with perhaps the darkest day in rock music history: December 8, 1980, when John Lennon was shot and killed outside The Dakota apartment building in New York City. Buzz Knight and Harry Jacobs provide intimate personal recollections of this Beatles tragedy that shocked the world. The Beatles Reunion: Free as a Bird and the Anthology Era Moving from tragedy to reunion, the episode explores December 9, 1995, when the Beatles released “Free as a Bird”—the first new Beatles music in 24 years. Both hosts were working together at WZLX in Boston during this momentous release, bringing their firsthand perspective to this Beatles reunion moment. The track, built around a John Lennon demo with contributions from Paul McCartney, George Harrison, and Ringo Starr, represented a technological and emotional achievement in music history. Harry admits his initial underwhelm with the track, noting that while “Free as a Bird” generated enormous curiosity worldwide, it never achieved the status of Beatles classics like “Ticket to Ride,” “Help!,” or songs from Sgt. Pepper’s Lonely Hearts Club Band. The honest assessment reflects how even beloved artists can struggle to recapture past magic, and both hosts acknowledge they haven’t revisited the song since its release. This candid discussion provides valuable context for understanding fan expectations versus artistic reality in music reunion projects. The Blues Brothers Phenomenon: From Saturday Night Live to Cultural Institution December 9, 1978 marks the Saturday Night Live debut of the Blues Brothers, a moment that transformed comedy sketch into legitimate musical force. The episode provides deep insights into how Dan Aykroyd and John Belushi created this blues and R&B supergroup, enlisting Paul Shaffer, Lou Marini, Duck Dunn, and Steve Cropper, who just passed away—the latter two being legendary members of Booker T. and the MGs and key figures in the Stax Records sound that defined Memphis soul music and produced classics like “Soul Man” and “Green Onions.” Howard Shore, who served as Saturday Night Live’s musical director, recognized the potential in Aykroyd and Belushi’s blues performances and helped facilitate their transition from comedy bit to recording artists. The hosts discuss how this comedy-music crossover assembled world-class musicians around a satirical concept that became genuinely respected in the music community. The Blues Brothers represented a unique fusion of comedy and music that introduced younger audiences to blues legends and R&B classics. The conversation explores Tom “Bones” Malone, a guest on Buzz’s podcast, who joined the Blues Brothers band and played trombone with Blood, Sweat & Tears before becoming part of the SNL band. The episode details the evolution of the band from initial concept to full touring and recording entity, with Buzz noting the impressive live performances featuring the Blues Brothers’ acrobatic stage show, where the larger-than-life Belushi performed cartwheels, splits, and handstands that would later inspire Chris Farley’s physical comedy style. The Blues Brothers soundtrack, featuring “Briefcase Full of Blues” and subsequent albums, has “stood the test of time” according to both hosts. Songs like “Rubber Biscuit,” performed with Matt “Guitar” Murphy, and the memorable Aretha Franklin diner scene where Jake orders “four fried chickens and a Coke,” remain embedded in popular culture. The authentic musicianship combined with comedic brilliance created something that transcended both genres, making the Blues Brothers a permanent fixture in American music history. Otis Redding’s Legacy and Tragic Death: December 10, 1967 The episode takes a somber turn with December 10, 1967, the day Otis Redding died in a plane crash near Madison, Wisconsin, along with members of the Bar-Kays. The timing of this tragedy magnifies its impact—Redding had recorded ”(Sittin’ On) The Dock of the Bay” just three days earlier, and the song hadn’t yet been released. The track became a posthumous number-one hit, cementing Redding’s status as one of soul music’s greatest artists, though he never lived to see its success. Wings Over America: McCartney’s Epic Live Album - December 10, 1976 December 10, 1976 brought the release of Wings Over America, Paul McCartney’s triple live album documenting his 1975-1976 tour with Wings. The episode explores the rarity of triple albums in music history, particularly live albums of such scope and ambition. The hosts discuss the bootleg album called “Wings from Wings” that allegedly forced McCartney’s hand, rushing the official release to market before bootleggers could dominate sales. Harry reveals the meticulous production process behind Wings Over America, noting that McCartney collected 8,000 hours of live recordings from the tour. The legendary Beatles bassist and singer then personally mixed the album, listening to five different versions of every song before selecting the best performances. The final album was crafted to sound like a single concert experience, though it actually represented the best moments culled from the entire tour—a production approach that set standards for live albums. The episode highlights how “Maybe I’m Amazed” from this album became the definitive version for many fans, surpassing even the studio recording in emotional power and musical execution. The album also featured several Beatles songs including “Yesterday” and “Bluebird,” allowing McCartney to honor his past while showcasing his post-Beatles work with Wings. This balance between Beatles nostalgia and new material demonstrated McCartney’s artistic evolution while satisfying longtime fans. Early Genesis and Progressive Rock Evolution December 11, 1972 saw Genesis release “Foxtrot,” their fifth studio album and a landmark in progressive rock history. The episode explores this Peter Gabriel-era Genesis and the band’s evolution through various lineups. Harry recalls “Watcher of the Skies” as a standout track, while both hosts discuss later Genesis classics like “The Carpet Crawlers” from “The Lamb Lies Down on Broadway.” The conversation reveals differing perspectives on Genesis eras, with Buzz preferring the Peter Gabriel period and later Phil Collins-fronted work, while Harry admits his fandom developed more during the “Trick of the Tail” era following Gabriel’s departure. This honest exchange reflects how progressive rock bands often created distinct identities across lineup changes, appealing to different audiences in different eras. Buzz shares a memorable concert experience seeing Genesis with double drumming featuring Phil Collins and Bill Bruford (renowned for his work with Yes and King Crimson). This unique configuration represented Genesis at a transitional moment, experimenting with expanded instrumentation before settling into the trio format that would define their later commercial success. The “Trick of the Tail” tour demonstrated the band’s ability to continue without their iconic frontman, eventually leading to Collins taking over lead vocals permanently. The episode takes an unexpected turn to December 12, 1901, when Guglielmo Marconi sent the first transatlantic radio signal from Cornwall to Newfoundland. This moment in broadcasting history laid the foundation for everything that followed, including the careers of Buzz and Harry as radio professionals. Harry jokes about Buzz working for Marconi in 1901, highlighting the self-deprecating humor that characterizes their chemistry while acknowledging that without Marconi’s invention, they would never have met or built careers in radio. This historical perspective reminds listeners that music distribution, radio broadcasting, and the entire infrastructure of modern music industry traces back to pioneering moments like Marconi’s transmission. The evolution of radio technology from those first signals to contemporary podcast production represents over a century of innovation that transformed how humans experience and share music globally. The Clash’s London Calling: Punk’s Masterpiece - December 14, 1979 December 14, 1979 saw the Clash release “London Calling” in the UK, a double album that transcended punk rock limitations to incorporate reggae, rockabilly, ska, and R&B influences. The hosts recall the album’s innovative approach, including the hidden track “Train in Vain,” which became a hit despite not being listed on the original album cover—a marketing trick that created mystique and rewarded attentive listeners. Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Show #1130 Honoring Steve Cropper 01. Mar-Keys - Last Night (2:40) (45 RPM Single, Satellite Records, 1961) 02. Booker T. & The MG's - Behave Yourself (3:58) (45 RPM Single, Stax Records, 1962) 03. Booker T. & The MG's - Green Onions (2:53) (45 RPM Single, Stax Records, 1962) 04. Roy Buchanan & Steve Cropper - Green Onions (8:07) (Loading Zone, Atlantic/Polydor Records, 1977) 05. Wilson Pickett - In The Midnight Hour (2:33) (45 RPM Single, Atlantic Records, 1965) 06. Eddie Floyd - Knock On Wood (3:02) (45 RPM Single, Stax Records, 1966) 07. Sam & Dave - Soothe Me (2:30) (Double Dynamite, Stax Records, 1966) 08. Johnnie Taylor - Who's Making Love (2:50) (45 RPM Single, Stax Records, 1968) 09. Steve Cropper - Funky Broadway (4:47) (With A Little Help From My Friends, Volt Records, 1969) 10. Steve Cropper - Playin' My Thang (4:46) (Playin' My Thang, MCA Records, 1981) 11. Steve Cropper - Hold Your Fire (5:03) (Night After Night, MCA Records, 1982) 12. Otis Redding - (Sittin' On) The Dock Of The Bay (2:45) (45 RPM Single, Volt Records, 1968) 13. Otis Redding - Nobody's Fault but Mine (2:22) (The Immortal Otis Redding, Atco Records, 1968) 14. Albert King - Drowning On Dry Land (Years Gone By, Stax Records, 1969) (3:55) 15. Steve Cropper, Pop Staples & Albert King - Homer's Theme (2:11) (Jammed Together, Stax Records, 1969) 16. Booker T. & The MG's - Time Is Tight (3:22) (45 RPM Single, Stax Records, 1969) 17. Booker T. & The MG's - Time Is Tight (4:56) (Up Tight, Stax Records, 1969) 18. Steve Cropper & Felix Cavaliere - One Of Those Days (4:23) (Nudge It Up A Notch, Stax Records, 2008) 19. Steve Cropper (ft. Sharon Jones) - Messin' Up (3:04) (Dedicated, 429 Records, 2011) 20. Jimmy Barnes - I Worship The Ground You Walk On (3:57) (Soul Searchin', Liberation Music, 2016) 21. Steve Cropper - Out Of Love (3:42) (Fire It Up, Provogue Records, 2021) 22. Ann-Margret - Son Of A Preacher Man (2:12) (Born To Be Wild, Cleopatra Records, 2023) 23. Steve Cropper & The Midnight Hour - I'll Take Tomorrow (4:12) (Friendlytown, Provogue Records, 2024) 24. Steve Cropper & Felix Cavaliere - Do It Like This (2:59) (Midnight Flyer, Stax Records, 2010) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett.  Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Donald Trump says he could let the Canada-US-Mexico trade deal expire -- but our guest, the president of the Business Council of Canada, argues the agreement is crucial to American and Canadian prosperity. A new trove of thousands of photos shows the horrors of detention under the regime of Syrian dictator Bashar al-Assad. British Columbia makes a move to seize three properties from the group it says is using them for crime -- that group being the Hell's Angels. Even if you don't know his name, you know his songs -- a fellow Stax Records musician tells us about the legendary guitarist and songwriter Steve Cropper. An Arizona lineman confronts a bear that has climbed a power pole and cannot, or will not, get down -- and discovers the most effective way to convince it is by prodding it with a stick. If you've ever been told you sound like a "dying walrus" when you thought you were outdoing Celine, Sharon Marnell wants you in her musical group. It's called the Tuneless Choir. As It Happens, the Thursday edition. Radio that believes everyone deserves some tenor loving care.

Steve Cropper, guitarist and member of Stax Records' Booker T and the M.G.'s, dies at 84.

AP correspondent Ben Thomas reports on the death of a Rock and Roll Hall of Fame guitarist.

Steve Cropper falleció ayer, 3 de diciembre, a los 84 años de edad. Miembro de los MG’s y guitarrista de sesión de la casa Stax Records, el estudio de Memphis desde el que ayudó a desarrollar el Soul sureño de los años 60. Instrumentista, productor y compositor; su guitarra o su firma aparecen en clásicos inmortales del género a cargo de Otis Redding, Wilson Pickett, Sam and Dave, Eddie Floyd o Rufus Thomas. Colaborador incansable en incontables discos desde los años 70, e integrante de los famosos Blues Brothers con quienes revivió la música de aquellos años dorados para el blues y el sol que Cropper vivió en primera persona.(Foto del podcast por Bill Carrier Jr.)Playlist;(sintonía) BOOKER T. and THE MG’S “Green onions”PRINCE CONLEY “I’m going home”RUFUS THOMAS “Walking the dog”DON COVAY “Sookie, Sookie”OTIS REDDING “Ole man trouble”OTIS REDDING “Rock me baby”OTIS REDDING (Sittin' on) The dock of the bay”WILSON PICKETT “In the midnight hour”WILSON PICKETT “Ninety-one and half”EDDIE FLOYD “Knock on wood”SAM and DAVE “Soul man”WENDY RENE “Give you what I got”DELANEY and BONNIE “We can loveTHE BLUES BROTHERS “Messing with the kid”BIG STAR “Femme fatale”FRANK BLACK “My life is in storeage”Escuchar audio

On this episode of Talking Guitars on JohnnyBeaneTV, we opened with a heartfelt tribute to the legendary Steve Cropper, whose family announced his passing today. I share the story of meeting him nearly 30 years ago at the guitar shop I worked at—an unforgettable moment with a true icon. Legendary guitarist Steve Cropper — the soulful force behind Booker T. & the MG's, Otis Redding, and the Blues Brothers — has passed away at the age of 84. His son Cameron confirmed the news to Variety on Wednesday. Cropper's influence on Memphis soul is immeasurable. As a guitarist, producer, songwriter, and engineer at Stax Records, he shaped the sound of an era. His tight, tasteful, unmistakable guitar work powered Booker T. & the MG's, while also elevating recordings by Otis Redding, Wilson Pickett, Sam & Dave, Rufus and Carla Thomas, Eddie Floyd, and more. In 1996, Mojo magazine ranked him the second-greatest guitarist of all time, just behind Jimi Hendrix, praising his metronomic timing, razor-sharp riffs, and perfectly placed licks — always serving the song, never overstaying their welcome. As a songwriter, Cropper co-wrote classics like “Green Onions,” “Time Is Tight,” and “Soul-Limbo,” along with timeless R&B hits including Otis Redding's “(Sittin' On) The Dock of the Bay”, Wilson Pickett's “In the Midnight Hour” and “634-5789,” and Eddie Floyd's “Knock On Wood.” After leaving Stax in 1970, he continued making history. Booker T. & the MG's reunited into the '90s, backing icons like Bob Dylan, John Fogerty, Neil Young, and Levon Helm. Cropper also became widely known to new generations as the guitarist for The Blues Brothers, appearing on their platinum records and in both films. In 1992, Steve Cropper was rightfully inducted into the Rock and Roll Hall of Fame as a member of Booker T. & the MG's. Then it's off to the workbench! I swap out the strap pins on my TEASE Telecaster, tighten up some screws on a Squier Tele, and Ron jumps in to show off some killer 3D-printed guitar goodies he's been crafting. And somehow… we wrap the night talking about MASSIVE burgers—PermanI Brothers, local burger joints, and the monster creations Ron hunts down. Guess we were starving! Rock, mods, memories, and monster burgers—classic JohnnyBeaneTV energy.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Deze maand overleed Bobby Whitlock. Hij is de man die samen met Clapton Derek & The Domino's oprichtte, de man die vanuit Memphis een fijne portie soul aan de rockmuziek toevoegde. Hij speelde niet alleen met Clapton, ook met George Harrison, the Rolling Stones en de soulmuzikanten van STAX Records. 

RUNDOWN   Mitch and Hotshot recap the Mariners' Ichiro celebration weekend, praising the team's tribute while questioning the odd inclusion of Tom Brady in the video montage—especially after deliberately omitting Alex Rodriguez to avoid boos. Episode 346's “area code spotlight” on Houston's, highlights a long list of famous residents and musical talent from ZZ Top and Kenny Rogers to Beyoncé and Travis Scott. Mitch and Hotshot marvel at the Mariners' blistering run—seven straight wins, 13 games over .500, and now just a game behind the Astros with 43 to play. With stars like Gino Suarez yet to heat up and pitching still not at peak form, the duo wonders just how high this team's ceiling might be. In this Mariners No-Table, Mitch, Joe Doyle, and Brady Farkas break down Seattle's 9–1 homestand, surging offense, and remarkable lineup depth even with Gino Suarez and Cal Raleigh struggling. They debate bullpen concerns—especially Andres Muñoz's command—plus looming roster decisions with Luke Raley and Victor Robles returning. Jacson Bevens joins Mitch for some key takeaways from Seattle's preseason opener, spotlighting rookie WR Tory Horton's strong debut, dynamic fullback usage, and a cleverly schemed interception that showcased Mike Macdonald's defense. They discuss the ceiling and depth of the defense, the roles of Kenneth Walker and Zach Charbonnet, and the need for top performances from CBs Riq Woolen and Devon Witherspoon. In this re-aired classic, John Tesh tells Mitch the now-famous story of how “Roundball Rock” was born, from humming the tune into his answering machine in Europe to bringing it to life in the studio. He shares behind-the-scenes details about working with NBC, the song's enduring legacy, and his surprise at how deeply it has embedded itself in basketball culture.   GUESTS   Brady Farkas | Host, Refuse to Lose Podcast (Mariners on SI) Joe Doyle | MLB Draft & Mariners Analyst, Over Slot Substack Jacson Bevens | Cigar Thoughts, Seahawks Writer John Tesh | "Roundball Rock" - NBA's Iconic Theme   TABLE OF CONTENTS   0:00 | Mariners Celebrate Ichiro Weekend, Roast Tom Brady Video Cameo, and Spotlight Houston's 346 with Musical Legends 23:30 | Mariners Surge to Within One Game of Houston Behind Deep, Dangerous Lineup 39:21 | GUEST: Mariners No-Table: Red-Hot Offense, Roster Crunch Looming, and Pennant-Race Predictions 1:09:33 | GUEST: Jacson Bevens; Seahawks Preseason Takeaways: Horton Impresses, Fullback Power, Defensive Potential, and QB Depth Questions 1:29:50 | GUEST: John Tesh Recounts Creating the Iconic NBA on NBC Theme 1:51:50 | Other Stuff Segment: Seahawks vs. Raiders preseason game recap (and missed viewing due to building furniture), Seahawks upcoming preseason game vs. Chiefs — questions on starters like Sam Darnold and WR Tory Horton, Rookie Gray Zabel's strong performance at guard in preseason, Los Angeles Chargers LT Rashaan Slater — $113M contract extension followed by ruptured patella tendon in practice, NASCAR driver Connor Zilisch's clavicle injury while celebrating race win (compared to Kendrys Morales' injury), Pittsburgh Pirates pitcher Paul Skenes' performance — ERA stats and seven-hit game, Proposal for Backstreet Boys vs. NSYNC in “The Match” golf event (and lack of interest from Mitch/Scott), Former NFL RB LaShaun Johnson sentenced for large-scale dogfighting operation, Former Miami Heat security officer Marco Thomas Perez charged with stealing/selling game-used memorabilia (including LeBron's Game 7 jersey), Houston police officer under investigation for TikTok video about writing tickets due to lack of sex, Johnstown, PA wins Little League Softball World Series — standout pitching by Reagan Bills, Tom Brady statue unveiled at Gillette Stadium (commentary on appearance), John Cena discusses hair transplant and hair loss stigma, Jen Pawol becomes first female umpire in MLB regular-season game, Jacksonville Jaguars kicker Cam Little hits 70-yard FG in preseason game, Starbucks Korea bans desktop computers, printers, and large setups in stores, Mariano Rivera tears Achilles in Yankees Old-Timers Game RIP Segment: Bobby Whitlock — Derek and the Dominos co-founder, first white artist signed to Stax Records, Jim Lovell — Apollo 13 commander, astronaut with four spaceflights Headlines: Owner of Trump Burger in Houston facing deportation, Man lights cigarette from Eternal Flame at Arc de Triomphe (Paris), Ice cream shop releases breast milk–flavored ice cream, Japanese teacher fired for working part-time at a convenience store; school apologizes to students.

Musicians recount the strange and unexpected story behind the making of your favorite albums. Isaac Hayes was a back-of-house songwriter who got thrust to the front of a struggling record label called Stax Records. The guys are live together in the room and talk about 70s funk innovations, massive amounts of confidence, and Phil's spoken word album coming in 2026.Join our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/48bqfjITTRuF2PZIOg5WOT?si=a39a106605fb4ea7Listen to Hot Buttered Soul here:https://open.spotify.com/album/71rxIr6MJYUzDG9ge6Jq3J?si=6Wxgy7__TsOyvCSNpS159AIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsJoin us on Patreon to continue the conversation and access 40+ bonus shows!https://www.patreon.com/1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: The Pogues - Rum. Sodomy, and the Lash

Send us a textMusician Bobby Whitlock best known as a member of the blues-rock band Derek and the Dominos, with Eric Clapton has passed away.Bobby Whitlock, the pianist, guitarist and songwriter who played on three of rock's most legendary albums — Layla and Other Assorted Love Songs, All Things Must Pass and Exile on Main Street — has died. He was 77.A statement provided to ABC Audio by his manager Carole Kaye reads, “With profound sadness, the family of Bobby Whitlock announces his passing at 1:20am on Aug. 10 after a brief illness. He passed in his home in Texas, surrounded by family.”Born and raised in Memphis, Whitlock played on recordings by Sam & Dave and Booker T. & the M.G.'s as a teen and was the first white artist signed to Stax Records. In 1969, he played on the album Accept No Substitute by Delaney and Bonnie Bramlett and joined their touring band, Delaney & Bonnie and Friends. Eric Clapton and George Harrison subsequently joined the band as guest “Friends,” which led to Whitlock and Clapton backing Harrison on the former Beatle‘s landmark 1970 album All Things Must Pass.While working on Harrison's album, Whitlock and Clapton formed Derek and the Dominos with fellow Friends Carl Radle and Jim Gordon. Whitlock wrote or co-wrote seven of the 14 songs on their now-iconic album Layla and Other Assorted Love Songs, including “Tell the Truth” and “Bell Bottom Blues.”

CAPTAIN BILLY'S MAGIC EIGHT BALL: ALBERT KING LIVE WIRE/BLUES POWERSo, there were three “Kings” of the blues: B.B., Freddie, and Albert. B.B. had the delicate simplicity. Less was always more with his virtuosity. He was a consummate communicator and showman, and much beloved. Freddie had the muscle and the size. A big man who stood 6'5'', he was all grit and groan. From his early days when he recorded Hideaway, up through his resurrection in the 70s by Leon Russell's Shelter label and the unbelievable propulsion of I'm Goin' Down, Freddy blew the doors off whatever venue he graced, but this energy proved too much to sustain; leading to his untimely death at age 42.My favorite was Albert. Also tall, 6'4,'' he was nicknamed “The Velvet Bulldozer”. Brandishing Lucy, his Gibson Flying V guitar - his ear was impeccable, as was his timing, guiding him through licks that have such sinuous grace, as he bends those out of tune strings into perfect harmony, as if they are taffy - but, also displays deep emotional power - a stinging embodiment of the Cross Cut Saw in action. The sound he produced was beefy, yet lyrical at the same time. His birth name was Nelson, but he copped the surname King, and claimed he was related to BB, in order to catch some of the latter's reflected glory. It was a tough road for Albert, and though he never reached the widespread recognition that his namesake garnered, his influence on the younger generations - including Eric Clapton and Stevie Ray Vaughn is undeniable. Cream's Born Under A Bad Sign was just a simulacrum - a note for note tribute.In 1968, Albert played three nights at the legendary Fillmore West in San Francisco, and this recording, produced by Stax Records, documents that immortal outing. When you hear his dissertation on Blues Power - punctuated by those gleaming licks, that's all you need to know.

A (relatively) in-depth analysis of American singer, songwriter, composer, and actor Isaac Hayes Jr. in (just over) forty five minutes - this is the longest Low-Noise episode to date, which seems rather fitting as Hayes is known for his lengthy musical compositions.As a successful in-house songwriter, session musician and producer, Hayes was one of the creative forces behind Stax Records in the 1960s. With his working partner David Porter he wrote the Sam & Dave hit Soul Man, widely considered to be one of the most influential songs of all time. Hayes also had a successful solo career - he released several successful albums such as Hot Buttered Soul (1969) and Black Moses (1971). Hayes also worked as a film composer.In 1997 Hayes was introduced to a new generation of fans when he provided the voice for the character of 'Chef' in the animated TV series South Park. The show ran until 2006.In this episode I am in discussion with Bhoke.Mathew Woodallhttps://www.facebook.com/share/1F15mx4ea3/https://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

Six String Hayride Classic Country Podcast, Episode 59, The Steve Cropper Episode. The Son of Missouri farmers falls in love with the Guitar Playing of Chet Atkins and Chuck Berry and becomes a cornerstone of STAX Records in Memphis. Steve Cropper becomes the guitarist, arranger, producer, and songwriter for American Classics like Green Onions, In The Midnight Hour, Knock on Wood, 634-5789, and Sitting On The Dock Of The Bay. Steve Cropper and future Willie Nelson Collaborator, Booker T Jones, help failed Country Fiddle Player, Jim Stewart, and his music savvy sister, Estelle Axton, build Soulsville USA, the Legendary STAX Records in Memphis. Cropper becomes a great guitarist and songwriter, collaborating with Booker T Jones, Otis Redding, Sam and Dave, Wilson Pickett, Alabama, Bob Weir, Levon Helm, Wynonna Judd, Dolly Parton, John Prine, Jeff Beck, Lucinda Williams, Neil Young, and The Blues Brothers. Cropper is a guitarist, producer, and songwriter in demand by the greats in ALL types of Music. He is Country Music's BFF and groovy next door neighbor, someone you have heard a lot and someone you should know. Chris and Jim talk about Cropper's life and work, give a good Memphis Dry Rub Recipe, and much suggested listening from Cropper's amazing body of work in Soul, Country, Rock, and Beyond. Lots of "Rawhide" and "Orange Whips" for everyone and all the usual Hayride Fun.

Bob Chiapardi discusses his role in marketing within the rock and metal music industry through his company, Concrete Marketing, which is known for promoting major bands like Metallica and Armored Saint, and has expanded into publicity, radio, and publishing with Foundations Magazine. Bob shares anecdotes about managing safety at events, including a story about Yngwie Malmsteen causing a fire alarm with pyro effects. Recently, Bob has shifted focus from marketing to producing music documentaries, including a three-part series on Steve Cropper, a legendary guitarist and producer associated with Stax Records and many classic hits.

In this week's Mixtape Rewind, we revisit our new music mix from May of 2023. Durand Jones immediately transports listeners to the golden era of soul with vocals that would sound right at home on classic Stax Records. Meanwhile, Foo Fighters return from tragedy with "Rescued," a song that not only references the loss of Taylor Hawkins but features Dave Grohl returning to the drums in a powerful musical statement. Ww discover Kesha's transformation from pop princess to vocal powerhouse on the haunting "Eat the Acid" and celebrate Florence + the Machine's darkly hypnotic "Mermaids." Even established artists like Matchbox Twenty make a welcome return after a decade-long hiatus, proving their songwriting relevance hasn't diminished.Greta Van Fleet continues their masterful 1970s rock recreation, while The Linda Lindas bring Gen Z energy to punk traditions. Megan Maroney incorporates Instagram references into country music that would otherwise feel timeless, creating a perfect snapshot of music's ongoing evolution.The mix concludes with Joy Aladokun and Noah Cahan's deceptively upbeat "We're All Gonna Die," a song that uses mortality as a lens for gaining perspective—much like how this entire collection uses musical history as a foundation for creating something entirely new. Whether you're nostalgic for classic soul, 90s alternative, 70s rock, or early 2000s pop, this mix offers something familiar yet fresh that will become part of your regular rotation.https://music.apple.com/us/playlist/new-music-may-2023/pl.u-76oNlEbCvLa5bzJhttps://open.spotify.com/playlist/2ZUHQtGPVUPqTWfsaa9a7Q?si=edb2105b7ef047c31. Lord Have Mercy - Durand Jones2. Rescued - Foo Fighters3. Common Ground - Jack Harlow4. Meeting The Master - Greta Van Fleet5. Don't Get Me Wrong - Matchbox Twenty6. Mermaids - Florence + The Machine7. Trees Grow HIgh - Teleman8. Eat The Acid - Kesha9. I'm Not Pretty - Megan Moroney10. Too Many Things - The Linda Lindas11. The Dumb Song - AJR12. We're All Gonna Die - Joy Oladokun & Noah Kahan Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

For our 50th episode (

Show #1097 All Pretty Pretty 01. Hollywood Fats Band - All Pretty Women (3:05) (Rock This House, PBR International, 1979) 02. Dayna Kurtz - That's a Pretty Good Love (2:56) (Lulu and the Broadsides, Kismet Records, 2022) 03. Joseph Veloz - Pretty Is as Pretty Does (3:48) (Joseph and the Velozians, Big O Records, 2021) 04. Dave Thomas - Pretty In Pink (3:21) (Road To The Blues, Blonde On Blonde Direct, 2022) 05. Gary Cain - Pretty (3:26) (Outside The Lines, self-release, 2024) 06. The BB King Blues Band - Hey There Pretty Woman (4:09) (The Soul Of The King, Ruf Records, 2019) 07. The Nighthawks - Pretty Girls and Cadillacs (3:23) (Backtrack, Varrick Records, 1988) 08. Val Starr & The Blues Rocket - Pretty Girl Blues (3:38) (Healing Kind of Blues, Sandwich Factory Records, 2022) 09. David Barrett & John Garcia - Pretty Girls Everywhere (5:45) (Serious Fun, self-release,2003) 10. Ben Racine Band - Too Busy Being Pretty (5:22) (Live à Montréal, self-release, 2019) 11. Sugaray Rayford - Pretty Fine Mama (4:50) (Dangerous, Delta Groove Records, 2013) 12. Tomcats - Pretty Baby (4:29) (Tomcats, Rivera Records, 1984) 13. Kim Wilson - Pretty Baby (3:35) (That's Life, Antone's Records, 1994) 14. Rick Vito - Pretty Women (3:46) (Mojo On My Side, Delta Groove Records, 2015) 15. John Mayall's Bluesbreakers - Oh Pretty Woman (3:37) (Crusade, Decca Records, 1967) 16. Albert King - Oh Pretty Woman (2:47) (45 RPM Single, Stax Records, 1966) 17. Spencer Davis Group - Oh Pretty Woman [1966] (3:19) (Eight Gigs A Week-The Steve Winwood Years, Chronicles Records, 1996) 18. The Underdogs Blues Band - Oh Pretty Woman (3:28) (The Underdogs Blues Band, Zodiac Records, 1968) 19. Jacksons Garden - Pretty Woman [1968] (2:33) (How Do I Get into Jacksons Garden?, Frost Records, 2002) 20. Los Buenos - Oh Pretty Woman (3:07) (45 RPM Single, Acción Records, 1969) 21. Moohah (AC Williams) - Candy (2:34) (78 RPM Shellac, Starmaker Records, 1954) 22. Blues Karloff - Oh Pretty Woman (4:13) (Ready For Jugement Day, Blues Boulevard Records, 2014) 23. Al Corté - Pretty Woman (4:01) (Seasoned Soul, self-release, 2015) 24. Moohah (AC Williams) - All Shook Out (2:51) (78 RPM Shellac, Starmaker Records, 1954) 25. Steve Cropper - Oh Pretty Woman (3:37) (With A Little Help From My Friends, Volt Records, 1969) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

In early 1970, Booker T Jones was on sabbatical in California having grown disillusioned with confines of Stax Records and Memphis, when he heard the Beatles' latest effort, Abbey Road. So moved was he by the Beatles' genius and daring, that he sat down and drafted his own Memphis-style tribute to the group. The album, released later that same year, is titled McLemore Avenue, after the street where Stax's studio and headquarters were located. This week on BSC, we have Memphis' very own Booker T and The MG's tribute band, The Maitre D's, performing McLemore Avenue from start to finish in a performance captured on the cutting room floor of Studio A at the Stax Museum of American Soul Music.

For our last series of the season, we have the story of the rise and fall, the rebirth and eventual demise of the legendary Memphis R&B, soul and funk label, Stax Records. This month we're talking about the groundbreaking album that helped kickstart what came to be known as the “Memphis sound” - the first official release on the Stax Record Label, 1962's “Green Onions” by Booker T. & the M.G.s.

En esta entrega de Cloud Jazz estrenamos 'Never Too Late, nuevo álbum del guitarrista Lowell Hopper. En la panorámica a recientes lanzamientos discográficos en el entorno del Smooth Jazz nos hacemos eco de los álbumes de Paul Taylor, Ryan La Valette, Johnny Britt, Kim Scott y Vladimir Cetkar. En el bloque central hacemos un repaso por la discografía de The Memphis Horns, prestigiosa sección de metales que aportó su sonido en muchas grabaciones del sello Stax Records y que también funcionó como banda independiente.

A inicios de la década del 60, en el corazón de Memphis, Tennessee, se gestó una revolución musical. Desde un cine convertido en estudio de grabación emplazado en el 926 de East McLemore, Stax Records emergió como un vibrante centro donde se forjó el "Sonido de Memphis", una mezcla única de gospel, blues y rock 'n' roll que rompió barreras raciales y transformó la industria musical.

Stax Records and Special Guest Rob BowmanStax Records, founded in 1957 by Jim Stewart and Estelle Axton in Memphis, Tennessee, played a pivotal role in developing soul and R&B music. Originally called Satellite Records, it was rebranded in 1961, merging the founders' last names. Known for its deep, emotive sound, Stax produced timeless hits through iconic artists like Otis Redding, Isaac Hayes, Booker T. & the MG's, and Sam & Dave. The label's house band, Booker T. & the MG's, contributed immensely to its distinctive grooves. Stax also stood out for its progressive integration of black and white artists and staff, which was rare. After a split with Atlantic Records in 1968 and financial troubles, Stax ceased operations in 1975. Despite its short lifespan, Stax's influence endures. Rob Bowman, a renowned Stax historian, continues to highlight its enduring legacy in shaping soul, R&B, and pop music history. Rob Bowman's book Soulsville, U.S.A.The Story of Stax Records offers an in-depth look at the label's history, detailing its origins, rise, and eventual decline. The book also provides comprehensive biographies of the promoters, producers, and performers who contributed to the label's legacy. In addition to the book, there's an HBO Original four-part documentary series titled STAX: SOULSVILLE U.S.A. -the series delves into the rich history of Stax Records. It premiered on May 20, 2024, and is available for streaming on HBO Max.

Rockshow episode 211 The Story of Stax RecordsStax Records was a pioneering American record label based in Memphis, Tennessee, that played a crucial role in the development of soul, R&B, and funk music. Founded in 1957 by Jim Stewart and his sister Estelle Axton, the label became synonymous with the gritty, raw, and deeply emotional sound that defined Southern soul.Stax was home to legendary artists such as Otis Redding, Booker T. & the M.G.'s, Sam & Dave, Wilson Pickett (through a deal with Atlantic), Isaac Hayes, and The Staple Singers. Unlike Motown, which had a polished and orchestrated style, Stax music was known for its raw energy, tight horn sections, and a heavy gospel influence.One of Stax's most defining characteristics was its integrated roster of musicians, producers, and executives during a time of deep racial segregation in the South. The studio band, Booker T. & the M.G.'s, featured both Black and white musicians, which was groundbreaking in the 1960s.The label thrived throughout the 1960s but faced difficulties after the tragic death of Otis Redding in 1967 and the loss of its distribution deal with Atlantic Records in 1968. It experienced a resurgence in the early 1970s, largely due to Isaac Hayes' massive success with Hot Buttered Soul and Shaft. However, financial struggles led to Stax's bankruptcy in 1975.In later years, Stax was revived as a brand, and its legacy continues through reissues and the Stax Museum of American Soul Music in Memphis. Its impact on music remains profound, influencing countless artists across multiple genres.https://staxrecords.com/https://youtube.com/@staxrecords?si=bPBfHvzs7kxHrb5Dhttps://staxmuseum.org/#StaxRecords #SoulMusic #MemphisSoul #OtisRedding #IsaacHayes #BookerTandTheMGs #SouthernSoul #RNB #ClassicSoul #SamAndDave #TheStapleSingers #SoulLegends #Funk #VintageVinyl #MusicHistory #StaxMuseum #RespectYourRoots

Get ready to feel the music as Amanda and Chris dive into the rich, powerful, and timeless world of Soul!This week, they'll be swapping songs from legendary soul artists and introducing some rising stars in the genre.From classic Motown grooves, Stax Records classics, to modern soul vibes, this episode is all about heart, emotion, and music that moves you.Swapped Songs:Whatcha See is Whatcha Get by The Dramatics Think by the Blues Brothers and Aretha FranklinDon't You Know by Durand Jones & The Indications You've Really Gotta Ahold on Me by Smokey RobinsonWhat the World Needs Now by Jackie DeshannonIf You Wanna Be Happy by Jimmy Soul

We're on a mission...to cram as much Blues Brothers history and content into this episode as possible! The guys are taking on the music and movies of Elwood and Jake Blues (along with Buster, Mighty Mack and Cab) this week. Besides discussing the two films and numerous albums, we're talking about the real life band behind the brothers and looking at the way they were shaped, both inspirationally and literally, by the music coming out of Stax Records in the 1960s. And hey there's a quiz question in this one!

OK Jazz turns 10 years old today! And to celebrate, we're heading to one of the most musical cities on Earth and my favorite ever record label, STAX! From 1957-1975 Stax Records in Memphis, Tennessee produced some of the greatest music of the 20th century; on this special edition of the podcast, join me as we look past the big hits to explore some of the deeper cuts from one of the great catalogs of music ever recorded. We're going to Soulsville, USA!!!

One half of the legendary duo, Sam and Dave, Sam Moore has died. He was the high voice on their well- known hits: “Soul Man” and “Hold on I'm Coming,” which was used by Barack Obama in his presidential campaign. He also did campaign work for Bob Dole and Donald Trump. Sam was inducted into the Rock and Roll Hall of fame in 1992. He had many admirers including Bruce Springsteen. Sam and Dave were the number two recording stars for Stax Records, behind Otis Redding. They also recorded “You Don't Know Like I Know,” and “I Thank You.” “Soul Man” charted again in the late 1970s when the “Blues Brothers,” John Belushi and Dan Aykroyd, recorded it. Rest in peace Sam.

The perfect pop star needs to have many attributes, rock solid songs, eye catching style, photogenic glamour and of course the type of personality that jumps off the page. Very few contenders manage to tick all of these boxes but when they do they make an impression on society that leaves an indelible mark. Alison Clarkson's alter ego Betty Boo had all these qualities in spades. Her music was magnetic, her style iconic and her personality projected confidence and rebellion, so much so that when the pop Svengali Chris Herbert decided to form the all conquering Spice Girls his brief was to find 5 Betty Boos. However Betty Boo was not the manufactured pop star you might expect, rather she was a determined young woman who studied audio production, wrote her own songs and fell in love with Hip-Hop at precisely the right time. After a period in the limelight Betty stepped back into the studio and continued to create music with the likes of Blur, Girls Aloud, Hear-say, Danni Minogue and Sophie Ellis-Bextor. Now back with a bang Betty Boo has a new album 'Rip up the rulebook' and her sound has matured but retains that dash of rebellious optimism that we all fell in love with back in the day.It really is a pleasure to welcome the one and only Betty Boo to What Goes Around.Before that Eamon gets infuriated about Stax Records and then finds refuge at a DONK Rave.Betty in Maccie D's with the PE!https://youtu.be/8PSbg7ynGqM?si=Ff5Q93SUO5jpeuOY Hosted on Acast. See acast.com/privacy for more information.

Matt continues his journey through Memphis with more tales from the St Jude tournament, Beale Street, BBQ and Sun Studio...and of course more legendary Memphis artists! Track list: 00:00 - Intro (Marc Cohn - Walking in Memphis) 00:54 - Carl Perkins - Blue Suede Shoes 18:32 - Jerry Lee Lewis - Whole Lotta Shakin' Going On 34:10 - Million Dollar Quartet - Brown Eyed Handsome Man (version 2) 40:06 - Otis Redding - Try A Little Tenderness 54:13 - U2 (ft BB King) - When Love Comes to Town 66:35 - Outro (The Bar-Kays - Soul Finger) Reach Us:  @ReasonsAre  @ChrisMaierBC  @olinernotes  olinernotes@gmail.com Web Site: https://ourlinernotes.libsyn.com/ Check out our merch store: https://teespring.com/stores/ourlinernotes   

Featuring the legend of Stax Records, Carla Thomas; modern indie jazz wizard Spencer Zahn; 90s fusion pioneers Fat Mama; drumming visionary Ian Chang; Mike McGinnis and his stunning large ensemble; new releases from masters Bill Evans and Sun Ra; and another cut from Victoria Reed's upcoming release, Gli Amanti.

Note from My Backstage Pass producer and host Billy Hubbard - After hearing the sad news of the passing of our legendary producer/engineer friend Jim Gaines on November 9th 2024, I wanted to re-release this episode of our conversation from May 2023 in Jim's honor.In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphis's Stax Records to Carlos Santana's eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. Podcast host Lee Zimmerman recently authored the book "Thirty Years Behind The Glass" about Jim Gaines. Podcast producer and host Billy Hubbard is an Americana Singer/Songwriter and former Regional Director of A&R for a company that published a Grammy winning song. Billy is also a signed artist with Spectra Music Group and co-founder of the iconic venue "The Station" in East TN. Billy's album was released by Spectra Records in Oct 2023. Learn more about Billy at http://www.BillyHubbard.comHost Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. Lee is a former promotions representative for ABC and Capital Records and director of communications for various CBS affiliated television stations. Support the showIf you'd like to support My Backstage Pass you can make a donation to Billy & Lee's coffee fund at this link https://www.buymeacoffee.com/MyBackstagePassMy Backstage Pass is sponsored by The Alternate Root Magazine! Please subscribe to their newsletter, read the latest music reviews and check out their weekly Top Ten songs at this link http://www.thealternateroot.com

Join host Rob Fredette on HODGEPOD as he welcomes back Gene Popa, the author of a new book exploring a fascinating period in The Beatles' history. In this episode, Rob and Gene dive into the transformative years of The Beatles, from the end of their touring in 1966 to the iconic Summer of Love. The name of Gene's book is " The Color of Your Dreams" and can be purchased at Amazon, Barnes & Noble, through his publisher baremannermedia.com as both hard cover and paperback. Gene shares insights from his book, shedding light on lesser-known events and personal transformations of the band members during this pivotal time. Discover how The Beatles evolved musically and personally, moving away from their mop-top image and embracing new artistic expressions. Learn about the significant roles of Brian Epstein and George Martin, often considered the "fifth Beatles," in shaping the band's trajectory. Explore the challenges and triumphs The Beatles faced, including the infamous 1966 tour and their time in Memphis. Gene also reveals intriguing stories about potential collaborations and missed opportunities, such as the possibility of recording at Stax Records. Delve into the evolution of The Beatles' sound, the internal dynamics within the band, and the cultural impact they left on music history. Whether you're a die-hard Beatles fan or new to their legacy, this episode offers a captivating look at a transformative era that redefined The Beatles and left an indelible mark on the world. Don't miss this engaging conversation and uncover the untold stories behind one of the greatest bands of all time. Thank you for listening. :) HODGEPOD can be heard on APPLE,SPOTIFY, AUDACY, TUNEIN AND PODBEAN APP.  Please give a listen, follow and share. Email hodgepodallin@yaoo.com. RECORDED NOVEMBER 7 2024

Join host Rob Fredette on HODGEPOD as he welcomes back Gene Popa, the author of a new book exploring a fascinating period in The Beatles' history. In this episode, Rob and Gene dive into the transformative years of The Beatles, from the end of their touring in 1966 to the iconic Summer of Love. The name of Gene's book is " The Color of Your Dreams" and can be purchased at Amazon, Barnes & Noble, through his publisher baremannermedia.com as both hard cover and paperback. Gene shares insights from his book, shedding light on lesser-known events and personal transformations of the band members during this pivotal time. Discover how The Beatles evolved musically and personally, moving away from their mop-top image and embracing new artistic expressions. Learn about the significant roles of Brian Epstein and George Martin, often considered the "fifth Beatles," in shaping the band's trajectory. Explore the challenges and triumphs The Beatles faced, including the infamous 1966 tour and their time in Memphis. Gene also reveals intriguing stories about potential collaborations and missed opportunities, such as the possibility of recording at Stax Records. Delve into the evolution of The Beatles' sound, the internal dynamics within the band, and the cultural impact they left on music history. Whether you're a die-hard Beatles fan or new to their legacy, this episode offers a captivating look at a transformative era that redefined The Beatles and left an indelible mark on the world. Don't miss this engaging conversation and uncover the untold stories behind one of the greatest bands of all time. Thank you for listening. :) HODGEPOD can be heard on APPLE,SPOTIFY, AUDACY, TUNEIN AND PODBEAN APP.  Please give a listen, follow and share. Email hodgepodallin@yaoo.com. RECORDED NOVEMBER 7 2024

On this episode, we take a journey through the rich history of Stax Records, the iconic label that defined Southern Soul music, and I play some of my favorite Stax tracks from their earliest years-- 1959 to 1963. Stax produced some of the most unforgettable songs in music history. Join us as I spin up some of my personal favorites, featuring legends like Booker T. and the MGs, Otis Redding, Rufus Thomas, The Mar-Keys and Carla Thomas. Learn about the unique sound of Stax, the community that fostered it, and the incredible music that continues to resonate today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Six String Hayride - Classic Country Music and Beyond, the Midwest's Finest Award Winning Music Podcast is completing our Decades in Country Music Series with Six String Hayride Podcast Episode 46, The 2000's: Johnny, June, and The Great Beyond. Johnny and June pass away in 2003 as Johnny's American Recording album series is cementing his musical legacy and bringing his music to a new generation. Merle Haggard, Waylon Jennings, Chet Atkins, Loretta Lynn and Chuck Berry are among the Musical Masters who leave us, ending an era that started with The Carter Family in 1927. The future of Country Music is filled with brilliant options in every town. Clubs like Carol's Pub and Fitzgeralds in the Chicago area and musicians like The Waco Brothers, Dean Schlabowske, Jo Walston, and Chicago's Cowboy Crooner, Andrew Sa are just a hint at what Country Music is doing in the present. Look around your town and find the next groovy thing to listen to, invite your friends over for a listening party (I recommend anything from SUN Records, STAX Records, or this here podcast), find an unsuspecting youngster and tell them about Johnny, June, Willie, and Loretta, get a George Jones Flat Top Haircut, and keep spreading the good word of our unbroken circle.https://www.patreon.com/user?u=81625843

Featuring a couple of NYC legends from the compilation “With Love”: Kimbra and Ian Chang; Buenos Aires/CDMX super diva Barbie Williams; new and old music from Erik Deutsch (with Theo Bleckmann and Art Lande among others); jazz drumming legend of the northwest Chris Lee; a fresh release from a vintage cat…the one and only Charlie Parker; beautiful stuff from the “Saltburn” soundtrack courtesy of Anthony Willis; and straight outta Memphis and Stax Records—the Van-Dells.

On this episode, we take a journey through the rich history of Stax Records, the iconic label that defined Southern Soul music, and I play some of my favorite Stax tracks from their earliest years, 1959 to 1963. Stax produced some of the most unforgettable songs in music history. Join us as I spin up some of my personal favorites, featuring legends like Booker T. and the MGs, Otis Redding, Rufus Thomas, The Mar-Keys and Carla Thomas. Learn about the unique sound of Stax, the community that fostered it, and the incredible music that continues to resonate today. Take advantage of our discount code lovethatsong and save 15% off t-shirts & merch from your favorite bands at OldGlory.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Memphis-based soul label Stax Records is home to The Staples Singers, Otis Redding and many soul hitmakers. David Porter, writer of the hit songs “Soul Man” and “Hold On I'm Comin',” joins this episode to share the story portrayed in the Emmy-nominated documentary, 'Stax: Soulsville U.S.A.' Porter talks about how Stax was first a country label and switched to soul music after allowing him and other youth from the neighborhood to audition. He talks about how music unified both Black and white musicians at the label, in a town that was segregated at the time. He also discusses the trials and tribulations of getting acquired by larger labels, how the deaths of both Dr. Martin Luther King Jr. and Otis Redding impacted the label, and the successes and legacy of Stax.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

Josh Joplin joins us to discuss "Be What You Are” from the Staple Singers (1973).  Plenty of other discussion including the new album from Josh called “Figure Drawing” and baptism, Quakers, the soul charts of 1974, Bill Withers, Stax Records, Gladys Knight, “I'll Take You There” and a song that Ben thinks sounds like it, “You can't wash the Bert out” and what happens when you have to do some of your own lyrical transcribing.  Check out Josh Joplin at: https://www.joshjoplin.com/Check out The Staple Singers at: https://staxrecords.com/artist/the-staple-singers/Billboard Soul Singles from April 1973:  https://open.spotify.com/playlist/42h63MT0gkNDxUUhzBUCi9?si=73459ed98f0b4c1eCheck out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

John Heath of EAP Society joins Justin for an extensive (but still HIGHLY abbreviated!) discussion about the history of the music industry in Memphis before and during Elvis' career, from early blues recordings made by Ralph Peer to Sam Phillips' Sun Records, from indie labels inspired by Sun's success to the monumental Stax Records, how Chips Moman's American Sound came together, and up through Elvis's Jungle Room recordings as the city's music industry wound down in the late 70s. It's all explored through a playlist of about two dozen tracks compiled by John, linked below. If you've been exploring the 2024 Sony box set release "Memphis," you will find this a great supplemental discussion. There are no specific songs of the week this week, just a ton of amazing music history to delve into. https://open.spotify.com/playlist/0a1G2qR6gFfQT13UzrBTLg?si=09505e6244c44da8&fbclid=IwY2xjawEdLxBleHRuA2FlbQIxMAABHTrNyBF-6SkoS9goKzglqEqOstRBysdp99mM1miKBy5StaEBDUZ1HVJJjw_aem_hAjH3ZILor4p4CAcxsoarw&nd=1&dlsi=f85c2bdb288d4a43 You can also find the final track intended for this playlist, which is not on Spotify, on YouTube at this link (current as of release): https://www.youtube.com/watch?v=Ipqz1oIt4TA If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Let's go to Memphis in the meantime, baby!   Our featured interview is with Rob Bowman, the Toronto based academic scholar and Grammy Award-winning professor of ethnomusicology. Notably, Rob is a recognized authority on Stax Records, and has produced numerous Stax box sets in addition to writing an exhaustively researched book, Soulsville USA: The Story of Stax Records. He is also an executive producer and main source for Jamila Wignot's fantastic four part HBO Max documentary series, STAX: Soulsville, U.S.A.   We also speak with Eric Friedl and Zac Ives from contemporary Memphis record store, Goner Records, who tell us about their store, their label, and their annual fall festival, Gonerfest.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.    Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.  

We talk the Stax Records doc, can Summer Jam be fixed, Spotify raising rates, teachers leaving the job, and the security guard at Cannes. Check us on Social Media and spread the word! The post Congratulations Ivy! first appeared on The Poplife Podcast.

You might know Rachel Platten for the wildly successful "Fight Song," but she's in the middle of a renaissance that's bringing her artistry into a new era. PART ONE:Paul and Scott  give their unfiltered responses to the new-ish 4-part Stax Records documentary streaming on Max.PART TWO:Our in-depth conversation with Rachel Platten.ABOUT RACHEL PLATTEN:Emmy Award-winning singer, songwriter, musician, and children's book author Rachel Platten is best known for “Fight Song,” an anthemic power ballad that became an international Top Ten hit in 2015, was certified six times Platinum, has been streamed over a billion times, and was even adopted as Hillary Clinton's campaign theme song in 2016. Rachel's music career began with a self-released album in 2003, followed by a move to New York City's Greenwich Village. She found success licensing songs for films and television before releasing her album Be Here in 2009. The single “1000 Ships” hit number 23 on Billboard's Adult Top 40 chart. Her third full-length album, Wildfire, was released on Columbia Records and featured the successful singles “Fight Song,” “Stand by You,” and “Better Place.” The follow-up album, Waves, featured the single “Broken Glass.” Rachel issued the non-LP single "You Belong" in 2018, signaling a sonic shift away from her prior major label releases. Exploring new creative territory by embracing her struggles with mental health, Rachel has released recent songs such as “Girls,” “Mercy,” and “Bad Thoughts.” Poised to reassert herself as an artist focused on unflinching honesty and authenticity, she will release the album I Am Rachel Platten later this year. 

The small Memphis label Stax Records created soul hits by Otis Redding, Sam & Dave, Wilson Pickett, Rufus and Carla Thomas, and others. It's the subject of a new documentary on MAX. We're featuring interviews with musicians who were a big part of the Stax sound: Guitarist, songwriter, and producer Steve Cropper tells us about becoming part of the house rhythm section, and going on to help write hits for Otis Redding and Wilson Pickett. Keyboardist Booker T. Jones remembers being pulled out of class in high school to go play music at Stax. And Issac Hayes tells us about writing the classic hit "Soul Man."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Maz's lie exposed, Antonio Brown declares bankruptcy, Dr. Britany Spears self-diagnosed nerve damage, the Bidens are hung, Southern Charm Kathryn Dennis' cop cam, and Jim's Picks: Best Songs with Mistakes Left in Them. Antonio Brown filed for bankruptcy claiming he's $3 million in debt. How can it be so little? The guy never pays anyone. And how the hell is someone who has "A Whole Lotta Money" claiming bankruptcy?  Drew dug deep to reminisce about all of AB's "scandals."  Former Bachelor Colton Underwood is having a baby with his husband. Who's carrying it? What name will the baby take? Frank Biden has nudes online. Gross. Some people are saying all the Biden men are hung. Ashley Biden finally admits the famous diary is hers and she showered with Sleepy Joe. The saga continues. Joy Mode brings you the Bonerline. Use promo code DREW. Call or text 209-66-Boner to communicate with the show. Another disastrous cop cam. Some woman, with huge tubes, doesn't want to be arrested. Some people are saying all women should be put in this situation prior to a man dating her to know how she'd react. Kathryn Dennis of Southern Charm fame recently got pulled over for a DUI. She checks all the cop cam boxes. Tom Mazawey joins the show to talk about the brutal Detroit Tigers, Charles Barkley calling out Caitlin Clark haters, ESPN's love of Bronny James, and Maz misses Kevin Spacey really really badly. He also gets busted with a Mandela Effect type lie. Jim's Picks-Top 10 Songs with Mistakes Left in Them. Marc has been digging the new documentary on MAX about Stax Records. Ben Affleck may be the most unhappy man in America being with J Lo. BUT...He smiled for the first time in years while hanging out with his kid. Christina Aguilera, why you look different? Britney Spears has self-diagnosed nerve damage and it's all her dad's fault. The viral angry tiny Bagel Boss guy is back. He kicks harder than Righteous Rick. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).