Podcasts about Abbey Road

JOIN THE FRIEDLAND FAMILY FOUNDATION / PREMIUM SUBSCRIPTION: https://www.youtube.com/@TheAdamFriedlandShow/join--The Adam Friedland Show - Season 2 Episode 4 | ANTHONY FANTANOX: https://x.com/friedland_show Instagram: https://www.instagram.com/theadamfriedlandshow/?hl=en TikTok: https://www.tiktok.com/@adamfriedlandshowclips YouTube: Subscribe to @TheAdamFriedlandShow here: https://www.youtube.com/c/TheAdamFriedlandShowSubscribe to @TAFSClips here: https://www.youtube.com/@tafsclips --Check out Bluechew: https://bluechew.comCheck out Lucy: lucy.co/tafsLet’s level up your nicotine routine with Lucy. Go to Lucy.co/TAFS and use promo code (TAFS) to get 20% off your first order. Lucy has a 30-day refund policy if you change your mind.

Listeners of The Wolf know that despite the fact that The Wolf lived mere yards (or meters) from Abbey Road, he and Action Jackson aren't huge Beatles fans. While he did go through a Beatles stage in high school, it was really an education on how the band evolved and created some amazing music which is still enjoyed and studied today. However, thanks to a run of 60s rock related movies that ran on Cinemax one night in the 80s, The Wolf became very familiar with Help! as he recorded the movie on VHS and watched it over and over. It was in technicolor, unlike A Hard Day's Night, and showed the boys having fun in exotic locales like Switzerland, The Bahamas, Stonehenge and Buckingham Palace. The seven tunes on the album that were included in the movie all hold up well and are fun to sing along with while you're watching. But the album is the first step moving from being bubble gum pop stars into more respected recording artists. We review the UK version of the album as the US version is shorter with orchestrated score tunes from the movie. The whole first side of the UK album features beloved songs from the movie like the title track, Ticket To Ride, You've Got To Hide Your Love Away and The Night Before. But the second side also features some Beatles classics like Ringo singing Act Naturally, I've Just Seen A Face and the all-time classic Yesterday. It's amazing that the boys were all so young (21-24) and were maturing before our eyes as they were now able to write more robust tunes with more mature themes. Bob Dylan had introduced them to marijuana by now and they'd done their first LSD trips which would show up more on an album from later in 1965, Rubber Soul (and after). But this one has one foot in the old, teenage dream Beatles phase and one in the more mature and experimental Beatles. We can't believe it's turning 60 but we went track x track to celebrate. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In late May 1969, producer Glyn Johns turned in a draft album, culled from hours of tape recorded in January 1969 during the Get Back/Let It Be sessions. His work reflected the original concept: catching The Beatles as they really were in the studio, with off-the-cuff performances of oldies, warm-ups, false starts and blown takes. It would have made for a fine tie-in with the original cut of the Let It Be film, but ultimately, the group rejected the idea, instead moving back to their established productions values, with Abbey Road being the result. The tapes, handed off to Phil Spector, emerged in May 1970 with a new tie-in: the group's break-up. Let It Be, the album, drew the worst reviews of their career, being a neither fish-nor-fowl collection of tunes bearing Spector's worst impulses (choirs and lush orchestration) alongside vestiges of the original concept (studio chat and tossed off improvisations). In this episode, Robert and Olympiad partner Gary Wenstrup re-imagine the group's history – what if Get Back HAD been accepted and released in spring 1969, the missing link between the “White Album” and Abbey Road?   You can read Glyn's account of things here and hear the actual work here. The artwork is here and the track listing here. 

Vanessa Kramer is a daughter, a wife, a mother, an author, and one heck of a fun, funny, and sharp conversationalist. She's also my guest for Episode No. 171, which gives me great honor to say.Vanessa and her husband, Kyle, stopped by for what turned out to be a delightful chat a couple of weeks ago, and we rolled through the morning and into the afternoon, talking family, upbringing, marriage, partnership, parenthood, publishing, and so much more. We also managed to devote a little bit of time to a few of Vanessa's favorite albums, which were these:Abbey Road (1969), The BeatlesFleetwood Mac's Rumors (1977)The Black Parade (2006), My Chemical RomanceOf Monsters and Men's My Head Is an Animal (2011)folklore (2020), Taylor SwiftOf Vanessa's many wonderful attributes is the fact that she has managed to publish four books in the last three years! Those are these:Great Divide (2023)Great Desolation (2024)My Mother's Spirit (2024)Temporarily, Forever (2025)All four titles can be found on Amazon and elsewhere. Learn more about my guest at vanessakramerauthor.com and please consider following her at @vanessakramerauthor on Threads, TikTok, Instagram, and/or Facebook.Also part of Vanessa's bag is her admirable role in the seriously cool publication, KC Book Beat, a nonprofit that celebrates and promotes the Kansas City (and surrounding) literary community. Find out more about them on Instagram or at kcbookbeat.com. Many thanks to Vanessa for the time and the good energy, and many thanks to all of you that support the show.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a song by The Doors. It's called, "The Changeling," and it comes from their 1971 album, L.A. Woman, c/o Rhino Entertainment, a Warner Music Group Company.

Best of Paul McCartney part 4 (sans mes commentaires) P.McCartney-Rockestra theme-Back to the egg (79)-GénériqueBeatles-All my loving-With the Beatles (63)Beatles-Can't buy me love-A hard day's night §64)Beatles-Michelle-Rubber Soul (65)Beatles-Here, there and everywhere-Revolver (Super Deluxe Edition) (22-66)Beatles-For no one-Revolver (Super Deluxe Edition) (22-66)Beatles-The fool on the hill-Magical Mystery Tour (67)Beatles-Birthday-White Album (Super Deluxe Edition) (18-68)Beatles-Golden slumbers/Carry that weight/The end-Abbey Road (69)P.McCartney-Man we was lonely-McCartney (70)P.McCartney-Teddy boy-McCartney (70)P.McCartney-Bip bop/Bip bop link-Wild life (Deluxe Edition) (18-71)P.McCartney-Heart of the country-Ram (71)P.McCartney-Oh woman, oh why-B side "Another day" single (71)P.McCartney-Bluebird-Band on the run (73)P.McCartney-Warm and beautiful-At the speed of sound (76)P.McCartney-Girl's school-B side "Mull of Kintyre" single (77)P.McCartney-Ebony and ivory (feat. S.Wonder)-Tug of war (82)P.McCartney-However absurd-Press to play (86)P.McCartney-This one-Flowers in the dirt (89)P.McCartney-The world tonight-Flaming pie (97)P.McCartney-Little willow-Flaming pie (97)P.McCartney-I got stung-Run Devil run (99)P.McCartney-Maybe baby-B.O. "Maybe baby" (00)P.McCartney-About you-Driving rain (01)P.McCartney-India-Secret show (02)P.McCartney-Everybody out there-)New (13)P.McCartney-Hand in hand-Egypt Station (18)P.McCartney-Despite repeated warnings-Egypt Station (18)P.McCartney-Pretty boys-III (20)P.McCartney-Rockestra theme-Back to the egg (79)-Générique

Best of Paul McCartney part.4 Hommage à Brian Wilson

ReferencesKant. I 1781 /1787. Ist and 2nd eds. of "Critique of Pure Reason"J Mol Biol. 2020 Aug 15;433(12):166624. Guerra, DJ. 2025 Unpublished lectures in biochemical thermodynamics.Mozart, WA. 1791 Requiem in D Minor Unfinished.https://music.youtube.com/playlist?list=OLAK5uy_nSNY0VtEjG1DYcoE6gg9tibETknwAWeLY&si=RDyroCqgeGIAMBHILennon/McCartney.1969. Golden Slumbers/Carry That Weight/The End Medley. Abbey Road lp. Beatles.https://music.youtube.com/watch?v=LjOl0fG72ZE&si=erY_gDZE0q0u441t

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

 Welcome Back 2Legs Fam! It's been nearly 20 years since Paul's latter day 21st Century Masterpiece Chaos and Creation In The Backyard. Where did that time go? To accompany and promote the record Paul held an intimate gathering of fans and friends at Abbey Road, recorded in Studio 2 to demonstrate some of the creative processes that he and The Beatles used to employ there and have a bit of fun along the way. Filmed on 28 July 2005 and originally broadcast on BBC2 17 December 2005 and PBS in the USA 27th February 2006 and directed by Simon Hilton "Chaos And Creation At Abbey Road" provides such an intimate glimpse of Macca at work playing familiar tunes in a whole new arrangement ('Band On The Run', 'Lady Madonna', 'I've Got A Feeling') among several from the forthcoming album which dropped in September of that year. Did you watch this upon initial release? or when it was bundled in the CD set? Let us know in the comments below! We love deep dives back into stuff like this! We hope you do too! Peace Andy and Tom

Garry discusses his reaction to watching a young woman react to hearing The Beatles medley from Abbey Road for the first time. 

I may've mentioned this before, but -- more often than not -- when I open the front door to greet a guest, it's our first time meeting one another. And the vibes in that initial moment vary. Sometimes they're neutral. Occasionally they're curious. Every now and again, the good energy is palpable, and such was the case when I met John Knell on my porch.John is a local artist, a son, a husband, a father, a fantastic conversationalist, and he joined me for Episode No. 169.We chewed the fat for a good little bit a couple of weeks ago, covering family, memories, John's mixed-media art approach to pop culture and sports, and of course, a few of his favorite albums, which were these:Abbey Road (1969), The BeatlesVan Halen's Fair Warning (1981)Achtung Baby (1991), U2Many thanks to John for the time and the solid chat. Please consider checking out his work at johnknell.com, and follow him on Instagram at @johnny_kc.And many thanks to those of you that support the podcast.Cheers.Note: I was mistaken in claiming that the U2 song, "I Still Haven't Found What I'm Looking For" was the feedback/sustain king. What I meant was, "With or Without You."copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips I poached from a Kurt Vile tune called, "Lost my Head there" from his fantastic 2015 release, B'lieve I'm Goin' Down, c/o Matador Records.

More from the Gab Four.    Jon, Lonnie, Martin and I continue our thoughts on Beatles 1969 - Abbey Road and ???    What else might the sessions of January 1969 become?     Each of us assembled significantly different album(s) from the multitudes of songs rehearsed, jammed or half-remembered by the Beatles (and captured for us on the nagras).    Tune in and see who you agree with, or who you don't!    A cameo from the Queen of all Beatles Media herself (defending her title) as some of us discuss the Beatles news!

This week on 2Legs (amidst the brand new touring rumours, and Babs dropping her duet on 'My Valentine' with Macca) we are pleased to revisit the Interview Series - where we dissect a rare and not often seen interview with Paul. On this episode we chose the 1977 Interview from an Australian TV program titled "Count Down." This recently surfaced on YouTube and to see the late 70s Wings trio ensconced in the privacy of #2 Studio at Abbey Road is pretty cool to witness. They appear bored at times (Denny especially) but Paul and Linda give some good sound bites here about what's to come. This was mainly used as a promotional tool for the then current single 'Mull of Kintyre.' The gentlemen interviewing Wings is Molly Meldrum. Orignally broadcasted on 24th December 1977. And we like Paul music post-1981, sorry not sorry! Peace Andy & Tom

We're a few days out from World Baking Day, so here's the story of a woman who's helped people find their way around the kitchen for more than a century… even though she isn't a real person. Plus: starting tomorrow in Jeffersonville, Indiana, it's Abbey Road on the River. Who Was Betty Crocker? (PBS)Abbey Road on the River You can be a helper to our show as a backer on Patreon

NOTE - THERE WILL BE A SLIGHTLY LONGER GAP BETWEEN THIS EPISODE AND THE NEXT ONE DUE TO STUFF. Don't worry though we will be back soon.   Everybody knows The Beatles, right? Sgt. Pepper, mop tops, yellow submarines, she loves you, yeah yeah yeah. Well believe it or not, me and Sex Neil had never in our lives listened to Abbey Road so we did.  Are the most decorated, most illustrious and quite possibly the most famous band in the world ever worthy of the hype bestowed upon them? Listen in & find out   Do your mates over here at the pod a big favour and rate or review the show on your provider. That would be great! You can get in touch with us to commend or contradict our opinions through the magic of email on jukeboxpod@gmail.com  Follow the show on Facebook or Instagram to see nice pics & stuff. Word to your mother.

Australian pop, rock and indie singer-songwriter Majelen reflects on her musical journey, and delves into the inspiration behind her debut album,  Stuck With You, which was recorded at Abbey Road studios.

Gab Four together again.     Jon Stone, Lonnie Pena, Martin Quibell and myself sit down to consider alternate albums that might've come out of the January 1969 sessions.     Beware, the ripples through time extend well beyond a single record.    What happens to the film?    Abbey Road?    Do all roads lead to "For You Blue?"    George Martin, Glyn Johns and others guest.     More next week!

This is a long one! 83 minutes. This is the second podcast in which we answer questions from a our “ask us anything” post. We recorded this one before our most recent podcast — kind of like Abbey Road and Let it Be — so we were still graced by Vinay's presence. In fact, we recorded it in his studio. We still have about a half dozen questions to answer; we will cover those on an upcoming podcast. Enjoy. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sensible-med.com/subscribe

Best of John Lennon 1962-1980 DELUXE EDITION (sans mes commentaires) P.McCartney-Rockestra theme-Back to the egg (79)-GénériqueBeatles-Twist and shout-Please please me (63)Beatles-You've got to hide your love away-Help! (65)Beatles-Girl-Rubber Soul (65)Beatles-Norwegian Wood-Rubber Soul (65)Beatles-I'm only sleeping-Revolver (66)Beatles-Tomorrow never knows-Revolver (66)Beatles-Lucy in the sky with Diamonds-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-A day in the life-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-Strawberry fields forever-Magical Mystery Tour (67)Beatles-I am the walrus-Magical Mystery Tour (67)Beatles-Happiness is a warm gun-White Album (68)Beatles-Sexy Sadie-White Album (68)Beatles-I want you (She's so heavy)-Abbey Road (69)Beatles-Because-Abbey Road (69)J.Lennon-Give peace a chance-"Single" (juil. 1969)J.Lennon-Working class hero-Plastic Ono Band (70)J.Lennon-Imagine-Imagine (71)J.Lennon-Jealous guy-Imagine (71)J.Lennon-New York City-Some time in New York City (72)J.Lennon-Mind games-Mind Games (73)J.Lennon-Intuition-Mind Games (73)J.Lennon-#9 dream-Walls and bridges (74)J.Lennon-You can't catch me-Rock'n'roll (75)J.Lennon-Slippin' and Sliddin'-Rock'n'roll (75)J.Lennon-Woman-Double fantasy (80)Beatles-Free as a bird-Single (95)Beatles-Real love-Single (96)Beatles-Now and then-Single (23)P.McCartney-Rockestra theme-Back to the egg (79)-Générique

Best of John Lennon (1962-1980) Beatles-Twist and shout-Please please me (63)Beatles-You've got to hide your love away-Help! (65)Beatles-Girl-Rubber Soul (65)Beatles-Norwegian Wood-Rubber Soul (65)Beatles-I'm only sleeping -Revolver (66)Beatles-Tomorrow never knows-Revolver (66)Beatles-Lucy in the sky with Diamonds-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-A day in the life-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-Strawberry fields forever-Magical Mystery Tour (67)Beatles-I am the walrus-Magical Mystery Tour (67)Beatles-Happiness is a warm gun-White Album (68)Beatles-Sexy Sadie-White Album (68)Beatles-I want you (She's so heavy)-Abbey Road (69)Beatles-Because-Abbey Road (69)J.Lennon-Give peace a chance-"Single" (juil. 1969)J.Lennon-Working class hero-Plastic Ono Band (70)J.Lennon-Imagine-Imagine (71)J.Lennon-Jealous guy-Imagine (71)J.Lennon-New York City-Some time in New York City (72)J.Lennon-Mind games-Mind Games (73)J.Lennon-Intuition-Mind Games (73)J.Lennon-#9 dream-Walls and bridges (74)J.Lennon-You can't catch me-Rock'n'roll (75)J.Lennon-Slippin' and Sliddin'-Rock'n'roll (75)J.Lennon-Woman-Double fantasy (80)Beatles-Free as a bird-Single (95)Beatles-Real love-Single (96)Beatles-Now and then-Single (23)

A l'occasion de la sortie d'Astérix & Obélix Le Combat des Chefs d'Alain Chabat et Fabrice Joubert, on reçoit le compositeur des musiques de la série : Mathieu Alvado. On parle de son métier, de comment on compose une bande originale, d'inspiration et d'orchestration. Et de comment est Alain Chabat en vrai. Et on fait le tour de nos coups de coeurs du momentProgramme : 00:00 Introduction00:19 La musique d'Astérix & Obélix Le Combat des Chefs, par Mathieu Alvado1:14:10 The Studio (Série)1:25:33 Music by John Williams (Documentaire)1:31:22 If These Walls Could Sing (Documentaire)1:37:00 Assassin's Creed Shadows (Jeu vidéo)1:51:57 Blue Prince (Jeu vidéo)2:02:24 Conclusion Invité :Mathieu Alvado, compositeurhttps://www.mathieualvado.com/Tracklist : Gérard Calvi - Astérix Le GauloisMathieu Alvado - C'est un Monde RomainMathieu Alvado - Gaulois RassemblementMathieu Alvado - Fête GauloiseHappy Hour est un podcast produit par CloneWeb.net et membre du réseau Bonus TracksHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film.Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

David Hepworth co-presented Live Aid on the BBC in 1985. He was also one of the presenters of the BBC rock music programme The Old Grey Whistle Test. David launched and edited magazines such as Smash Hits, Q, Mojo, Just Seventeen, Heat and The Word, among many others. He has won the Editor of the Year and Writer of the Year awards from the Professional Publishers Association and the Mark Boxer award from the British Society of Magazine Editors. He's written books about the recording studio Abbey Road, with a foreword by Paul McCartney, the British Invasion of the US charts called Overpaid, Over sexed and Over There, how the LP saved our lives, A Fabulous Creation and his latest book, Hope I Get Old Before I Die, why rock stars never retire, is out now, It looks at the time since Live Aid, when, according to David, live performance took over from record sales .David Hepworth is our guest in episode 489 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .But David's new book, Hope I Get Old Before I Die, here - https://www.amazon.co.uk/Books-David-Hepworth/s?rh=n%3A266239%2Cp_27%3ADavid%2BHepworth .Follow David Hepworth on Twitter/X: @davidhepworth & Instagram @dhepworth .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

For today's episode, you will hear my conversation with Anja Huwe of Xmal Deutschland fame, who joins me to discuss the Xmal Deutschland's 40-year anniversary compilation entitled The Gift: The 4AD Years, containing their 2 LPs released on 4AD back in the '80s, and additional tracks from other releases and EPs.✨ MORE ABOUT XMAL DEUTSCHLAND ✨Xmal Deutschland is a German post-punk group founded in the eighties, known for making an extraordinary impact on the British music scene with their first two albums Fetsich and Tocsin. This month on May 9th, the band is releasing limited-edition 3xLP / 2xCD containing 2025 Abbey Road remasters of both records.✨ KEEP UP TO DATE WITH XMAL DEUTSCHLAND ✨Web:⁠ http://www.xmaldeutschland.com⁠Instagram: ⁠instagram.com/xmaldeutschland_official/⁠Facebook: ⁠facebook.com/officialxmaldeutschland/⁠Bandcamp: ⁠https://xmaldeutschlandshop.bandcamp.com⁠Spotify: ⁠open.spotify.com/artist/5bQ4kqxuAV7tBI7dSs3sB1⁠Apple Music: ⁠music.apple.com/us/artist/xmal-deutschland/251645837⁠✨ CONNECT WITH IZZY ✨Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠⁠⁠⁠⁠

Episode 184: Some Of The Goodies From 1969 May 1, 2025 Hello and welcome!  It's another Tales Vinyl Tells, an excursion into the great album cuts of our vinyl records of the 60s & 70s.  Today we're tuned into some of the 1969 releases that rocked and changed the consciousness of the world. Tommy, the Who's Rock Opera came out in 69. So did the Stones' Let It Bleed, Santana's first,  The Stooges debuted with Iggy Pop and the first two Zeppelin LPs came out in that year. So did Abbey Road.  And “The Band” LP, with Cripple Creek and The night they drove old dixie down.  Yeh!  It was a great musical year, 1969.   I'm Brian Hallgren.  I've been doing this podcast since December 2019 and the radio program since January of 2022.  And here's today's episode, #184, exposing some of the Tales Vinyl Tells. Welcome to the camp. I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners is very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a patron yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, Player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

ReferencesNature 2024. volume 635, pages 1010–1018.Lennon/McCartney, Harrison. 1969. "Abbey Road" full albumhttps://open.spotify.com/album/0ETFjACtuP2ADo6LFhL6HN?si=ElKe_TGhRgC2lFl3z5x8XwTelleman, GP. 1716.Viola Concerto in G Majorhttps://open.spotify.com/album/78pwJLqLPAffK6bLd7wnH8?si=RhuIZhKrQqqg7Y7tMTskSg

As our beloved US quickly descends into cruel authoritarian idiocy, the UBP crew reunited IRL to wax fab on new RSD purchases, old Reckless Records purchases, and then attend an IMAX screening of the new Magnolia Films doc One To One: John & Yoko. Within the fortified safety of their top secret Meigs Field Beatle Bunker Bag, T.J., Tony and Producer Casey hunkered down to opine freely about anything (¿

Our recent Abbey Road episode inspired us to revisit this 2007 gem that everyone who was in high school back then absolutely LOVED and probably remembers with fondness. We do an exhaustive review of every single song in this movie, and there's a lot, so buckle up and get ready to discover if this movie holds up AT ALL.You can contact the show at agoodpodcast@gmail.com and find us @HowStarWarsIsIt on all platforms, but since all platforms are kind of evil now, you should probably just email us. That's the best way to get a hold of us! You can also follow Mike @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media, but once again, just email us. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!

Rabbit was sucked into a United Airlines jet engine and forced to make an emergency landing 75 minutes into flight, Headline of the Week contender: Tourists heartbroken after discovering iconic Abbey Road is 'just a road', First base umpire dropped after taking a line drive foul ball to the back of the head

Send us a textThis Easter, Jackalope Tales unseals the crypt of rock 'n' roll resurrection with an episode steeped in scandal, smoke, and sizzling fajitas. Charles and Lisa dig deep into the enduring myths that Jim Morrison faked his death to escape the fame machine—and ended up flipping burgers as a line cook at a Chili's in Austin. Meanwhile, they explore the infamous “Paul Is Dead” conspiracy, complete with backward messages, barefoot Abbey Road strolls, and the quiet horror of being replaced by a bass-playing doppelgänger.  From blurry photos outside karaoke bars to whispery EVP recordings of Morrison mumbling “baby back ribs,” this is an unholy mashup of Beatlemania, Lizard King lore, and deep-fried delusion. Resurrection never tasted so weird.Support the showBecome a J-Lope and follow us on social media. You can find us on Facebook, Instagram, Twitter, TikTok, and check out our YouTube page for more exclusive content!Produced by: Charles MooneyExecutive Producers: Charles Mooney and Lisa UmbargerOriginal Music by: Charles Mooney and Lisa UmbargerKazoo Solo by: Courtney Mooney

– I had a secret power—a newfound ally.I was a preadolescent boy lost in a, heretofore, unknown love spell magnified by the magical thinking of childhood.David Lusk is a retired consulting arborist/psychologist/writer living in Winston-Salem, North Carolina. He has previously written several articles for the Winston-Salem Journal and the trade publication, Tree Care Industry Magazine. He lives in a beech tree woodland with his wife Amy, their three adopted rescue shelter dogs, Jessie Girl, Captain Spaghetti Jack, Abbey Road and Maple Tree the cat. He is currently attempting to learn Japanese Sumi ink painting while under the constant, playful supervision of Jessie, Jack and Abbey. Often, he retreats to the Pamlico Sound with the idea of learning to sail but happy to paint or play guitar in view of a marina full of boats and the occasional visit from a bald eagle he named Churchill.

Geboren wurde Ian Fisher in Missouri, doch zuhause ist er auf den Bühnen der Welt – legt zumindest die stolze Zahl von über tausend bereits absolvierten Konzerten in Europa, Afrika und Nordamerika nahe. Da wundert es wenig, dass Fisher, dessen Musik der Rolling Stone einmal als "halb Americana, halb Abbey-Road-würdigen Pop" bezeichnete, "natürlich" gerade mitten in einer Tour durch Deutschland, Österreich und die Schweiz steckt. Vorgestern spielte er im Berliner Prachtwerk, und bevor es morgen weiter nach München geht, besucht er uns heute im studioeins. Just vor ein paar Wochen hat er nämlich ein neues Album veröffentlicht, eines mit einem besonderen Hintergrund: Auf "Go Gentle" verarbeitet er den Tod seiner Mutter, die 2023 an einem langjährigen Krebsleiden verstarb. Dabei, so ist ihm wichtig zu betonen, ist es trotz aller komplizierten Gefühle, die Trauer so mit sich bringt, kein schwermütiges, düsteres Album geworden – auch, wenn es an berührenden Momenten nicht arm ist. Dabei hilft ihm eine tröstende Perspektive auf die (für uns alle früher oder später) unausweichlichen Geschehnisse: "Statt eines Abschieds für immer, betrachte ich es eher als eine neue, andere Form ihrer Existenz – sie werden zu einem Teil von uns und wir nehmen sie mit uns auf Reisen", sagt er über diejenigen, die nicht mehr hier sind. Und so wird auch seine Mutter in gewisser Weise heute Abend dabei sein – zum Beispiel in den Songs, die Ian Fisher für uns auf der kleinen Bühne spielt, nachdem er im Interview mehr von sich erzählt hat.

In early 1970, Booker T Jones was on sabbatical in California having grown disillusioned with confines of Stax Records and Memphis, when he heard the Beatles' latest effort, Abbey Road. So moved was he by the Beatles' genius and daring, that he sat down and drafted his own Memphis-style tribute to the group. The album, released later that same year, is titled McLemore Avenue, after the street where Stax's studio and headquarters were located. This week on BSC, we have Memphis' very own Booker T and The MG's tribute band, The Maitre D's, performing McLemore Avenue from start to finish in a performance captured on the cutting room floor of Studio A at the Stax Museum of American Soul Music.

We're rounding out the end of M-arch, where the M stands for music, with one more album! And it's a doozey! Abbey Road by The Beatles. Heard of it?? We break no new ground in this episode but have a lot of fun discussing this juggernaut of an album and playing smash or pass with the tracks.You can contact the show at agoodpodcast@gmail.com and find us @HowStarWarsIsIt on all platforms, but since all platforms are kind of evil now, you should probably just email us. That's the best way to get a hold of us! You can also follow Mike @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media, but once again, just email us. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!

In this special episode of Dreamspace: A Dark Crystal Podcast, hosts Phil and Sydnni are joined by music journalist and self-described “film music evangelist” Tim Greiving. Dive deep into the story behind the surprise release of 2025 on The Dark Crystal: Expanded Motion Picture Soundtrack, a project that was years in the making. Tim shares the surprising origins of how the project began and along the way, Tim reflects on his passion for film scores, collaborations with the Jim Henson Company, and the twists and turns that nearly kept this definitive soundtrack from ever seeing the light of day. Also Tim reveals more details about the Jen and Kira's love theme song that was hinted from the liner notes.  Shownotes Tim Greiving https://timgreiving.com/ The Dark Crystal: Expanded Limited Edition (3 CD Set) https://lalalandrecords.com/the-dark-crystal-expanded-limited-edition-3-cd-set/ John Williams: A Composers Life - September 2025 by Tim Greiving https://www.amazon.com/John-Williams-Composers-Tim-Greiving/dp/0197620884/ Contact Email – darkcrystalpodcast@gmail.com Facebook – www.facebook.com/thedarkcrystalpodcast Instagram – www.instagram.com/darkcrystalpodcast

In the magic factories of R&R I'll talk about that handful of recording studios that captured those magical moments on tape for all time. That unique time from the late 50's thru the early 70's that has never been duplicated. The night Pink Floyd first met the Beatles recording Sgt .Pepper and what they witnessed to amaze and inspire them to experiment in the studio. The night the Four Seasons barely escaped with their lives recording their next #1 hit. Why did John Lennon want to be tied from a rope, hanging from the ceiling while recording at Abbey Road studio ? How did Led Zeppelin come up with "Stairway to Heaven" and what was the devil connection between that song and the Mr. Ed TV show theme ?...And if you ever wondered why we can't quite understand what the Kingsmen were singing on "Louie, Louie" or why the musicians in the studio were stunned and amazed by what happened with Phil Spector recording his masterpiece with Tina Turner...Well. I guess you'll just have to listen ...Enjoy !! 

Hosts: TJ, Brett, & Krissy This week on the show: Segment One (0:00:00): (0:02:57) Spring thaw mean doggie cleanup for Brett. And with a quick temperature rise come flood prepping. (0:12:52) Krissy got nothin;. (0:13:13) TJ spends a wonderful evening with his lady love attending a Black Jacket Symphony concert covering the classic Beatles album, Abbey Road and show amazement at the choices for the greatest hits set list. Segment Two (0:41:56): (0:44:26) FGS brings us another massage parlor of ill repute from the greatest name possible. (0:53:40) HOT TAKES kicks off by covering the apparently controversial passing of legendary actor Gene Hackman. Conspiracy theories abound! (1:14:53) Razzie winners are announced and we go through our picks. Segment Three (1:32:46): (1:34:43) It's Mad Libs Time in KRISSY'S KRAZY KORNER!R (1:58:29) PICKS O' THE WEEK Safe home, Mr. Hackman! It's THE QUAD M SHOW!

"I am so thrilled to be where I am," says Gary Wenstrup, a former advertising sales executive who reinvented himself as a music historian and educator.  “It was not easy, but to do the things I love to do is a blessing,” In this conversation, Wenstrup shares his journey from the fast-paced world of advertising to teaching courses on legendary artists like The Beatles and Simon & Garfunkel. He emphasizes the importance of starting your reinvention early and keeping an open mind, even when the path feels uncertain. “You have to go very, very wide even if it's stupid or silly, whatever's in your head,” he advises. With practical tips like creating a ‘selfie list' of skills and interests, Wenstruop illustrates how curiosity and exploration can guide you toward a fulfilling next chapter. Tune in to hear how he turned his passion into purpose—and why taking the leap is always worth it.   About Gary Wenstrup: After a rewarding career in advertising sales, Gary Wenstrup retired and developed courses on the Beatles, Simon & Garfunkel and Motown Records for the Continuing Education Department of College of DuPage. Gary has lectured at over 100 libraries across the country. Gary is also a reoccurring guest on the popular podcast “Something About The Beatles.”   Connect with Gary: Facebook Instagram LinkedIn   Time Stamps: 02:32 - Gary Wenstrup's background in advertising and corporate 07:45 - What is a "Selfie List"? 09:47 - How he coped with the false starts 14:49 - Gary started presenting at libraries to grow his lectures 17:47 - Why it's not always important to monetize your passions 20:05 - Scaling as a lecturer 21:29 - "Prepare early" 23:15 - Wenstrup's essential tips for reinvention   Connect with Lesley Jane Seymour: Website Instagram LinkedIn Substack If you found this episode insightful, please follow the podcast and leave a review on Apple Podcasts. For more resources and community support, join me on Substack. Until next time, keep reinventing!  

In our interview with Christopher Lennertz, the award-winning composer shares insights about his work on the soundtracks for the video games "Quantum of Solace" and "From Russia With Love." He delves into his creative process, recounts his experiences at Abbey Road and Air Studios, and shares a memorable moment of enjoying Mexican food and Margaritas with the legendary Vic Flick!

Andrew Raiher reveals his extensive background in singing, including operatic training, which he pursued to gain access to music college. He shares a humorous anecdote about his audition and performs a brief excerpt from a John Ireland poem set to music. He contrasts his experience with Paris Chong's son, who is not interested in performing. Andrew discusses the differences in musical opportunities and culture between the UK and the US, attributing the abundance of UK musicians to the cold weather and lack of other activities. He and Paris also reminisce about their shared experiences living near Abbey Road and their memories of a local market and "page three" culture.Show Clip from The Paris Chong Show with Andrew Raiherhttps://youtu.be/3_V3JaQ60Mwhttps://www.theparischongshow.com

Ian Fisher is a singer/songwriter from a small town in Missouri. When it comes to the stories and songs of Ian, think Americana-meets-Abbey-Road. Ian shares about growing up in Missouri, moving to Europe for school, his songwriting process, and some memorable moments and places. Ian's new record, "Go Gentle" comes out February 7th.Support and follow Ian here:ianfishersongs.comSubscribe, rate, and review the show!Support this podcast at — https://redcircle.com/porch-talk/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Williams is the only artist to record Beatles songs at Abbey Road studios in London, other than the band itself.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Emergency responders had been directed to a two-car collision on Abbey Road in Sandbach. When they saw that the injuries sustained by the victims were clearly not caused by a crash, the paramedics soon realised it was far from a standard traffic accident. Not long after the incident, on that cold January morning, a man approached an officer from the Cheshire Police. He made a startling confession as he gestured towards the road. The man said, “I shot them up there”...*** LISTENER CAUTION IS ADVISED *** This episode was researched and written by Eileen Macfarlane.Edited by Joel Porter at Dot Dot Dot Productions.Script editing, additional writing, illustrations and production direction by Rosanna FittonNarration, additional audio editing, script editing, and production direction by Benjamin Fitton.To get early ad-free access, including Season 1, sign up for They Walk Among PLUS, available from Patreon or Apple Podcasts.More information and episode references can be found on our website https://theywalkamonguspodcast.comMUSIC: Rag Doll by Wicked Cinema Handmaids Escape by CJ Oliver The Last Straw by CJ Oliver Race Against Time by Moments Things Gone Wrong by Moments Onward by Chelsea McGough Stasis Interrupted by Dresden the Flamingo Templar by Wicked Cinema SOCIAL MEDIA: https://linktr.ee/TheyWalkAmongUsSupport this show http://supporter.acast.com/theywalkamongus. Hosted on Acast. See acast.com/privacy for more information.