Podcasts about Abbey Road

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 31ú lá de mí Dheireadh Fómhair, liomsa Lauren Ní Loingsigh. I 1986 tháinig sé amach go raibh Samantha Nolan ar ais lena chlann I mBaile Átha Cliath tar éis obráid a shábháil a shaol. I 2003 tháinig sé amach go raibh RTÉ chun thaispeáin a lán sacar príomhroinn tar éis a rinne siad margadh chun thaispeáin cluichí gach Sathairn do trí shraith. I 1970 bhí méadú den cháin bhóthair sa bhuiséid nua. Bhí an méadú ann do fheithicil príobháideach, cáin ar só agus cáin do chomhlachtaí. Sin na rudaí a tháinig an aire airgeadas amach leis sa Dáil. I 2003 bhí bagairt ann go mbeadh ardú de na praghas de thí nua timpeall an tír ach tháinig Comhairleoir timpeall an chontae amach nach mbeidís chun é seo a dhéanamh. Tháinig siad amach ag moladh tobhach nua. Sin Fatman Scoop le Be Faithful – an t-amhrán is mó ar an lá seo I 2003. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 2005 dhíol siad culaith a chaith John Lennon ar an chlúdaigh den albam Abbey Road, I gceant do 118 míle dollar I Los Vegas. Dhíol siad Austin Princess a thiomáin John Lennon sa scannán faisnéise Imagine, do 150 míle dollar. Chuaigh cuid den airgead go dtí Amnesty International. I 2007 chabhraigh Leona Lewis leis an íoslódáil ar líne sa Bhreatain mar íoslódáil timpeall 1.7 milliúin daoine amhráin éagsúla I seachtain amháin. Dhíol Leona Lewis níos mó ná 106 míle íoslódáil de a amhrán Bleeding Love. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh giotáraí Johnny Marr sa Bhreatain I 1963 agus rugadh amhránaí Vanilla Ice I Meiriceá ar an lá seo I 1967 agus seo chuid de amhrán. Agus sin é I gcóir Ar An Lá Seo – go raibh míle maith agaibh as éisteacht do bhliain ar fad agus is féidir libh dul ar clare.fm chun éisteacht siar ar aon dóibh. Welcome back to another edition of Ar An Lá Seo on the 31st of October, with me Lauren Ní Loingsigh 1986: Little Samantha Nolan was back in the arms of her family in Dublin after an operation that has probably saved her life. 2003: A feast of live premiership football was being promised by RTE after it secured a deal to screen Saturday afternoon matches for the next 3 seasons. 1970: Car owners were hit in the budget after An increase in the cost of road tax on private vehicles, wholesale tax on luxuries and direct taxation of companies were the features of the supplementary budget brought into Dáil Eireann by the new minister of finance. 2003: The threat of massive hikes in the price of new housing across the country was removed by Clare County Councilors when they rejected the draft scheme proposing a range of new levies at their adjourned October meeting. That was Fatman Scoop with Be Faithful – the biggest song on this day in 2003 Onto music news on this day In 2005 The white suit worn by John Lennon on the cover of the Beatles' Abbey Road album sold for $118,000 (£66,385) at an auction in Las Vegas. And an Austin Princess hearse driven by the late star in the documentary Imagine sold for $150,000 (£84,388). A portion of the proceeds from the sale of the items went to Amnesty International. 2007 22-year-old X Factor winner singer Leona Lewis helped boost UK online music downloads to a record 1.7 million in one week making it the biggest week ever for download sales. Lewis sold more than 106,000 downloads of her track ‘Bleeding Love.' And finally celebrity birthdays on this day – guitarist Johnny Marr was born in the UK in 1963 and singer Vanilla Ice was born in America on this day in 1967 and this is one of his songs. And that ends our amazing Ar An Lá Seo over the last year – thank you so much for listening and to listen back to any of them you can head on over to our website clare.fm.

Listen to JCO's Art of Oncology article, "Reflection" by Dr. Jamie Riches, who is an Assistant Professor at Columbia University and Director of the Hematology Oncology Hospitalist Service. The article is followed by an interview with Riches and host Dr. Mikkael Sekeres. Dr Riches shares a deeply personal narrative, reflecting on the profound personal and professional impact of losing her young family member to cancer, illuminating the intimate intersection of grief, loss, and healing. TRANSCRIPT Narrator: Reflection, by Jaime C. Riches, DO If I stand this way, with my shoulders back, my chin lifted, if I hold my breath for a moment, my skin fits my bones just right. Each subtle motion is an effort to make my clavicle more prominent, to manifest my ribs. I feel so ignorant about beauty. I was at the side of her hospital bed as she uncovered herself and asked me to look away. Her eyes, glassy and hollow, met mine. "I'm so ugly right now." It's an interesting piece of practicing medicine, to be an observer of bodies, their look, their feel, and their function. Which lines are strength and which are fatigue…which ones are scars and how they have healed. My words were soft and aching, "You are beautiful" I said, knowing that her skin fits her bones too tight. They are almost all that's left. My 38-year-old cousin's oncologist is my colleague, my friend. When she was diagnosed, he reminded me that there were excellent treatments available. I reminded him that none of them would allow her to see her children start kindergarten. Redefining excellence, I thought, sounded like a cancer center's marketing strategy that just missed the mark. As I looked away, a piece of me splintered. It isn't the same when it's someone you know, when it's someone you love. Maybe I feel shame for underappreciating my own fertile marrow, my fat and muscle, and my own existence. Maybe it's guilt for dedicating my whole life to work that can't save her, for being the one to look her mother in the eye and say she can't be saved. Maybe, just sadness. This lonely world, that only exists right at the bedside, is like a magically devastating song and I am humming the rhythmic asynchrony of being a doctor, and just being. "From where do we yearn?," I wonder. It's from within these little spaces we look to fill the absence of something beautiful. The moments that we're longing to be a part of. We are all mothers—the seven of us now in her room, aunts and cousins united by a last name—by the successes and losses we previously thought unimaginable. We've known the brittle anticipation of a new life, the longing, the joy of spending time, and the sense of simply existing in these spaces. We are the daughters and sisters of firefighters. We are women who know the low bellow of the bagpipes, women who own "funeral clothes." We've tried to disinherit the same shades of blue, and all of our distance has brought us right here, where they're making her comfortable. She knows that her time has been spent. Her eyes are the color of her favorite flower, a yellow rose, and her once sterile room appears almost sunlight by the garden of bouquets. Her mother is sitting by her side, gently moving her fingers across what would be a hairline, the way you would touch a newborn in those moments when you're just realizing you didn't know you could love someone so much. There's a song running through my head, "Golden Slumbers" (The Beatles, Abbey Road, 1969). Even playing in my memory, it gives me chills, starting right beneath my jaw and circulating through my limbs. Once, there was a way To get back homeward Once, there was a way To get back home Sleep, pretty darling, do not cry And I will sing a lullaby Nothing illustrates the frailty of existence like a mother preparing for her inevitable goodbye. Once you see it, you can be certain that biology is imperfect. We're convinced that we're grieving throughout the whole of motherhood, as our babies become grown people of their own, as they live their lives. But it isn't grief. We're simply living a life that is singular, in a series of moments that are final. "Golden Slumbers" doesn't actually seem to end. It just subtly transforms into the next track as if they were one, and before the chills are fully absorbed, you're struck by something totally new…triumphant trumpets. When her breath stopped, it wasn't held. I don't think she realized the bravery it took to leave this world with such grace, to be unlonely. I've been witness to so many punctuated pulseless yawns, but not this one. I wish I knew by which of these wounds am I softened and by which I am hardened, but I don't. They heal, with secondary intention, naturally and slowly, from the inside out. Mikkael Sekeres: Welcome back to JCO's Cancer Stories: The Art of Oncology. This ASCO podcast features intimate narratives and perspectives from authors exploring their experiences in oncology. I'm your host, Mikkael Sekeres. I'm Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. Today, I am so thrilled to be joined by Jamie Riches, who is Assistant Professor at Columbia University and Director of the Hematology Oncology Hospitalist Service. We'll be discussing her absolutely gorgeous article, "Reflection." At the time of this recording, our guest has no disclosures. Jamie, I want to thank you so much for contributing your essay to the Journal of Clinical Oncology, and welcome you to discuss your article. Jamie Riches: Thank you so much for having me. Mikkael Sekeres: I have to say, I was so moved by this and just loved the writing. I don't drop the 'G word', gorgeous, very often when describing pieces, but this was truly moving and truly lovely. Jamie Riches: Thank you. Thank you so much. It was a really deeply personal story to me. Mikkael Sekeres: So I wonder if you can tell us a little bit about yourself. Where are you from, and walk us through your career? For example, where did you do your training? Jamie Riches: Well, I am from Brooklyn, New York, and I did my training at an osteopathic medical school in Harlem called Touro, and my residency training at what used to be called St. Luke's-Roosevelt, and now is Mount Sinai West after many of the New York City mergers. I did a chief resident year at Memorial Sloan Kettering and started my oncology hospitalist career there for many years and have been at Columbia now for three years. Mikkael Sekeres: Wonderful. Isn't it interesting how the institutions of our youth are no longer, and that seems to happen at a faster and faster pace? Jamie Riches: I know. I feel the need to reference the old name sometimes when I'm discussing it. Mikkael Sekeres: Can you tell us a little bit about your own story as a writer? How long have you been writing reflective or narrative pieces? Jamie Riches: I have probably always been a jotter. I think that's for as long as I can remember, and I've enjoyed that process. And I think once I was an undergrad, I studied chemistry, I majored in chemistry, but I really filled up a bunch of elective time with writing classes and learning what I could about the processes of writing. And I guess almost 10 years ago now, I enrolled in the graduate certificate program in Narrative Medicine at Columbia. And that program helped me explore a little bit in terms of form and function and in terms of really relating my writing to my own personal experience as a physician. Mikkael Sekeres: And if I'm not mistaken, the field of narrative medicine was really in part born at Columbia, wasn't it? Jamie Riches: It was. Yeah. Rita Charon was the founder of the practice as a field, yeah. Mikkael Sekeres: And what was it that that experience- what did the formal training teach you that you couldn't have figured out on your own by the iterative process of reading and writing? Jamie Riches: I think there's something to having a group of people critiquing you that really allows you to become better in any field, in any practice. And I think there's something to having a, you know, a relatively safe space to explore different ways of doing something. For example, writing poetry, which I really hadn't done much of before and have done a bit of since. I think having a space where there are both educated critics and experts being able to look at your work and say, "This is working and this isn't," was really helpful for me. Mikkael Sekeres: You know, I've heard with writing, the notion that your first critics should be people you trust and feel as if you're in a safe space with because you're so vulnerable with writing. Even exposing it to relative strangers in a formal course can be, I don't want to use the word damaging, but I guess damaging, or at least get you out of a safe space that you need for writing. Do you have an inner circle that you trust for your writing? Jamie Riches: I do. I do. Mikkael Sekeres: If you feel comfortable doing so, can you tell us what prompted you to write this piece? Jamie Riches: This piece just sort of came out. This piece is real, and it's a real experience, and the processing of this experience has happened on so many different planes for me, and writing is really one of them. And once I sat down and said, "Let me write some of this down," it just kind of poured out. Mikkael Sekeres: Sometimes we write to process. I once heard somebody say that writing is the only time in life when you get a free redo, right, or a do over. We say something or we post something on social, and it's out there in the universe. But with writing, it's very personal, and we can look at a paragraph or a sentence and say, "Gee, that just doesn't feel right," and rework it if it's not communicating exactly what I was hoping it would. The other aspect of writing, of course, is that it allows us to ruminate on something that's just occurred and to try to make sense of it. Do you think that was some basis for writing this? Jamie Riches: I think so. And I think maybe just relating one really specific experience into the greater realm of the work that we do every day, and how that experience both stood on its own, but also is woven into so many other patient encounters and encounters with families. And that's a form of processing, I think, for sure. Mikkael Sekeres: Can you tell us in your own words about the main character in this piece and what was going on? Because you write it in a lovely way that allows the reader to discover what's transpiring gradually, but if you could tell us in your own words, who is this person? Jamie Riches: Yeah. So the person that I'm talking to in some parts of the story and talking about in much of the story is my cousin, Patrice, who was diagnosed with bladder cancer at 38 years old and who has had interactions with the medical field as a patient but is not a physician, is not a medical professional, and so had a lot of questions and a lot of trust and reliance on those of us in the family who had some medical knowledge and experience. And so I wound up being pretty intimately involved in her care as a family member, and that was really a fine line in a lot of ways because my friends and colleagues were the care team, and I was the family member. And many of us have been in that position in many different ways, but it's always a fine line. And she was young, and she was very positive throughout really the course of her illness. She had twins who were two years old at the time of her diagnosis. And I think, I'm a little bit speechless now, as you can see, I think she just was so incredibly graceful, and I think I used this word in the story, throughout the entirety of her illness, which included multiple lengthy hospitalizations where she had spent time away from her children. And I still don't know how she did it with the patience and the thoughtfulness and the love for everyone else that she did. Mikkael Sekeres: You really honor her in this piece and paint such a beautiful portrait of her. In the essay, you write, "It's an interesting piece of practicing medicine to be an observer of bodies, their look, their feel, their function. Which lines are strength and which are fatigue, which ones are scars and how they've healed." It's a beautiful couple of sentences. In this case, you aren't really playing the role of doctor, are you? Can you talk a little bit more about when that line's blurred between being a family member and and the practice of medicine when people are relying on you to help out with their medical care? Jamie Riches: Yeah, I think most of us know this gray area fairly well, and the gravity of the situation really dictates how blurry the line is. And it's true, I wasn't the doctor in this situation, and I had as much information about the scans and the clinical picture and the day to day trajectory and the lab results and the toxicity profiles and the data from the studies that the regimens were approved based on. And that made it impossible to step out of the doctor role or mentality, and I also wasn't making the formal recommendations by any means, but I think it's hard to sort of exempt yourself from that space once you're in it. Mikkael Sekeres: Yeah. I think we also sometimes don't realize how even the smallest contribution we have in advising somebody about their medical care becomes very, very meaningful and how much those words can have an effect on somebody. I recall my uncle was diagnosed with acute leukemia, so that's right in my bailiwick, of course. And I remember talking with him about transplant and being as neutral as humanly possible about whether he should proceed with the transplant given the characteristics of his leukemia. And months later, after he had gone through the transplant, he said, "You know, I went through this even though you really advised me not to." So as neutral and trying not to sway someone and giving advice as we are, people hear us differently. Did you find that also with your cousin? Jamie Riches: I did. I phoned into one of her oncologist appointments, and her oncologist, who I have to say is wonderful and who I have the utmost respect and really love for, who took great care in taking care of her, went through in detail everything they could about her disease and about treatment options and really explained everything, and took a minute and said, "Okay, do you have any questions?" And my cousin said, "No, whatever Jamie thinks." So I said, "Okay, well, we'll chat a little bit later." But that made me realize, which I think I just hadn't before, how much having an opinion matters. Mikkael Sekeres: Yeah, and that it's a gift to people when they can cede some of that decision making or some of that knowledge to somebody else and feel as if they don't have to take it on themselves. Jamie Riches: Yeah. Mikkael Sekeres: I want to read one other quote from your piece. I could just reread the whole piece, I enjoyed it so much and keep quoting it. You write, "We've known the brittle anticipation of a new life, the longing, the joy of spending time, the sense of simply existing in these spaces. We are the daughters and sisters of firefighters. We are women who know the low bellow of the bagpipes. Women who own funeral clothes." There's a lot that swims beneath the surface, I think, in that quote, that family members get together at births and deaths, that these become the occasions for the family to get together, that we put on uniforms for them, and that they happen frequently enough that we actually own the uniform to be part of them. Is that what defines us as families? Is that what we've come to? Or how about us as physicians? We own uniforms as physicians also. Are the gatherings, the only gatherings we have with our colleagues at tumor boards when we discuss successes and failures of our patients? Jamie Riches: That's a great question and a great reading, and thank you for these questions. I think every family is different, obviously, and I won't speak for the masses here, but there is a bit of a structure to the events that you're expected to attend and that you're expected to not be absent for, to sort of show up for. And those events are sort- you're right, you know, births and funerals and weddings, and they have a bit of a code to them. And as physicians, it's interesting to think about things like tumor board as the gathering spaces, because although as colleagues we're not families, we are the closest thing to going through some of these moments together. And I think these moments at the bedside, and I use that term so often because I work in the hospital, and I am literally often sitting in a hospital bed holding someone's hand, talking to them. Those are the moments that we feel. We feel them in our bodies. I can feel it right here, and I'm touching my chest when I say that. I don't get that same visceral feeling from looking at most scans, looking at most lab reports, or even having academic conversations with people. And I think that you're right, things like tumor board or even other academic conferences really are the gathering spaces for physicians, but that makes me question if those are the spaces that matter most. Mikkael Sekeres: I think that's a great point also to end our time together. It has been such a true, true pleasure to have Jamie Riches on our JCO Cancer Stories podcast to talk about her gorgeous piece, "Reflection." Dr. Riches is Assistant Professor at Columbia University and Director of the Hematology Oncology Hospitalist Service. Thank you so much again for submitting your piece to us. Jamie Riches: Thank you so much. Mikkael Sekeres: And thank you to our listeners for choosing JCO Cancer Stories: The Art of Oncology. If you've enjoyed this episode, consider sharing it with a friend or colleague or leave us a review. Your feedback and support helps us continue to have these important conversations. If you're looking for more episodes and context, follow our show on Apple, Spotify, or wherever you listen and explore more from ASCO at asco.org/podcasts. Until next time, this has been Mikkael Sekeres. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement. Show notes: Like, share and subscribe so you never miss an episode and leave a rating or review. Guest Bio: Dr Jamie Riches is an Assistant Professor at Columbia University and Director of the Hematology Oncology Hospitalist Service.

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 16ú lá de mí Dheireadh Fómhair, liomsa Lauren Ní Loingsigh. I 1981 dhiúltaigh na n-oifigeach príosúin I Luimneach chun na bpríosúnach a ligeadh amach de a cillín do fhóillíocht go dtí go mbeadh a éileamh do choinníollacha oibre feabhsaithe ón Roinn Dlí agus Cirt. I 1998 fuair an Gobharnóir an Bhainc Cheannais litir ag rá go raibh dhá chomhlacht Éireannach bainteach le sciúradh airgid. I 1996 bhí Teampall Doire ag imirt I gcoinne Kilruane. D'imir siad go hiontach do nach mór an cluiche ar fad ach thit siad ag an deireadh agus bhí an scór cothrom. I 2011 bhí Comhairle Baile Teampall Mór chun rud nua a dhéanamh chun siopadóireacht a dhéanamh níos fearr sa bhaile. Bhí deacracht ann faoi na thicéad páirceála agus bhí siad chun labhairt faoi sin I gcruinniú idir Comhairle Baile Teampall Mór agus na daoine a raibh siopaí acu sa bhaile. Bhí siad ag iarradh páirceáil saor in aisce timpeall an Nollaig. Sin Billie le Girlfriend – an t-amhrán is mó ar an lá seo I 1998. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1965 thaifead The Beatles 'Day Tripper' ag Abbey Road I Londain I trí téic agus tar éis é sin chuir siad leis ag déanamh gutha bhreise agus chríochnaigh siad an t-amhrán roimh dheireadh an lae. I 1969 chuaigh Bobbie Gentry chuig uimhir a haon sa Bhreatain le hamhrán I'll Never Fall In Love Again agus bhí sé a t-aon uimhir a haon sa Bhreatain. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí John Mayer I Meiriceá I 1977 agus rugadh aisteoir Caterina Scorsone I gCeanada ar an lá seo I 1981 agus seo chuid de na rudaí a rinne sí. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 16th of October, with me Lauren Ní Loingsigh 1981: Prison Offciers at limerick prson have refused to unlock prisoners for recreation until their demands for improved conditions are met by the department of justice. 1998: The Governor of the Central Bank recieved a letter yesterday morning which alleged that 2 Irish companies were involved in Money Laundering. 1996 - TEMPLEDERRY hung on by the skin of their teeth for their first North Tipperary junior hurling 'B' title in twelve years in a wholly competitive final. Having outclassed opponents Kilruane for two-thirds of the game, the Templederry challenge suddenly fell apart, allowing the MacDonaghs to push them to the very limit in a thrilling climax to this wholehearted tie.  2011 - A NEW drive to boost shopping in Templemore was to be set up , ahead of a meeting between local business people and the Town Council. It was the thorny issue of parking charges that would be discussed. The Templemore Traders and Business Association were looking for free parking in the run-up to Christmas.  That was Billie with Girlfriend – the biggest song on this day in 1998 Onto music news on this day In 1965 The Beatles recorded 'Day Tripper' at Abbey Road studio's London in three takes, they then added vocals and other overdubs, completing the song before the end of the day. 1969 Bobbie Gentry was at No.1 on the UK singles chart with the Burt Bacharach and Hal David song 'I'll Never Fall In Love Again,' the singers only UK No.1. And finally celebrity birthdays on this day – singer John Mayer was born in America in 1977 and actress Caterina Scorsone was born in Canada on this day in 1981 and this is some of the stuff she has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

Ayer, 26 de octubre, cumplió años Milton Nascimento. Lo celebramos escuchando todas las canciones de 'Minas' el disco que publicó hace 50 años: 'Minas', 'Fe cega faca amolada', 'Beijo partido', 'Saudade dos avioes da Panair', 'Gran circo', 'Ponta de areia', 'Trastevere', 'Idolatrada', 'Leila (Venha ser feliz)', 'Paula e Bebeto' y 'Simples'. Y el bonus track de la edición remasterizada del disco en los estudios Abbey Road de Londres en 1995: 'Norwegian wood' de Lennon y McCartney. Para despedir, una grabación de 'Vera Cruz' con Milton acompañado por Herbie Hancock, Pat Metheny, Ron Carter y Jack DeJohnette.Escuchar audio

Les classiques du jour : - Lou Reed "Perfect Day" - Pearl Jam "Animal" - M83 "Midnight City" Les nouveautés du jour : - Mumford & Sons, Hozier "Rubber Band Man" - Black Pistol Fire "Low Twang" Le journal de la musique : - Depeche Mode au cinéma avec un film-concert événement - Orelsan annonce un nouvel album aux collaborations prestigieuses - Miley Cyrus signe la chanson du prochain volet d'Avatar. L'album de la semaine : Lily Allen "West End Girl" Le live du jour : Gossip "Heavy Cross" (Live from Abbey Road, 2009) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Abbey Road Studios in London, England was the world's first purpose-built recording studio. Opened way back in 1931, this building and the people inside have been at the cutting edge of recording technology for over 90s years. Abbey Road Studios is most famous for being where The Beatles recorded almost all of their music, but it also drove innovation with stereo recording, multitracks, editing, and the shift from analog to digital recording.  In addition to all of those amazing Beatles records – which we'll get to – some other stuff recorded at Abbey Road includes Dark Side of the Moon and albums from Kanye West, Lady Gaga, Oasis, the Hollies, Radiohead, and the Zombies. Music scores for Star Wars, Indiana Jones, and Marvel movies, and video game soundtracks for Halo, Call of Duty, and World of Warcraft. They even recorded some of Winston Churchill's famous speeches during World War II to help keep morale high.  From classical roots to rock rebellion, Abbey Road's always been ahead of the game, rewriting rules along the way. So kick back, feel the beat, and join us as we explore the studio that turned sound into a revolution. Let's roll! Episode Playlist Check out our episode playlist ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠h⁠ere⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Get In Touch Check us out⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abbey Road Studios in London, England was the world's first purpose-built recording studio. Opened way back in 1931, this building and the people inside have been at the cutting edge of recording technology for over 90s years. Abbey Road Studios is most famous for being where The Beatles recorded almost all of their music, but it also drove innovation with stereo recording, multitracks, editing, and the shift from analog to digital recording.  In addition to all of those amazing Beatles records – which we'll get to – some other stuff recorded at Abbey Road includes Dark Side of the Moon and albums from Kanye West, Lady Gaga, Oasis, the Hollies, Radiohead, and the Zombies. Music scores for Star Wars, Indiana Jones, and Marvel movies, and video game soundtracks for Halo, Call of Duty, and World of Warcraft. They even recorded some of Winston Churchill's famous speeches during World War II to help keep morale high.  From classical roots to rock rebellion, Abbey Road's always been ahead of the game, rewriting rules along the way. So kick back, feel the beat, and join us as we explore the studio that turned sound into a revolution. Let's roll! Episode Playlist Check out our episode playlist ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Get In Touch Check us out⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Zombies formed before the Stones and had huge hits with She's Not There and Time Of The Season. Their baroque masterpiece Odessey and Oracle now gets ranked beside Revolver and Pet Sounds. Colin Blunstone has a solo tour in 2026 and looks back here in his wood-panelled den at the first shows he played, the people he met and being No 1 in America aged 19. This too … … when your career starts at 16 “and you think it's over at 21” … seeing the Beatles at Luton Odeon and the Stones at Studio 51 Leicester Square “sitting on stools playing acoustic R&B” … winning the talent contest that got them a record deal and a worldwide hit with “the third song Rod ever wrote” … playing Murray the K's Christmas Show when No 1 in America with “all our heroes” - the Shirelles, Patti LaBelle and Ben E King … his father's warning when he wanted to go to Art School … the misspelling of Odessey And Oracle and its rushed recording at Abbey Road – “in mono when everyone wanted stereo!” … “only Kenny Everett and Penny Valentine liked it”: the album's afterlife, “now ranked alongside Revolver and Pet Sounds” … how he still hits “my suicidal top notes” and the old trick of pointing the mic at the audience if you don't want to sing them … life in an insurance office when the Zombies split and “the three writers had made all the money” … and Al Kooper, Denny Laine, Russ Ballard, Rod Argent and the time Mike Hurst inexplicably relaunched him as ‘Neil MacArthur'. Order tickets for the Believe In Miracles Tour here: https://www.colinblunstone.net/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Zombies formed before the Stones and had huge hits with She's Not There and Time Of The Season. Their baroque masterpiece Odessey and Oracle now gets ranked beside Revolver and Pet Sounds. Colin Blunstone has a solo tour in 2026 and looks back here in his wood-panelled den at the first shows he played, the people he met and being No 1 in America aged 19. This too … … when your career starts at 16 “and you think it's over at 21” … seeing the Beatles at Luton Odeon and the Stones at Studio 51 Leicester Square “sitting on stools playing acoustic R&B” … winning the talent contest that got them a record deal and a worldwide hit with “the third song Rod ever wrote” … playing Murray the K's Christmas Show when No 1 in America with “all our heroes” - the Shirelles, Patti LaBelle and Ben E King … his father's warning when he wanted to go to Art School … the misspelling of Odessey And Oracle and its rushed recording at Abbey Road – “in mono when everyone wanted stereo!” … “only Kenny Everett and Penny Valentine liked it”: the album's afterlife, “now ranked alongside Revolver and Pet Sounds” … how he still hits “my suicidal top notes” and the old trick of pointing the mic at the audience if you don't want to sing them … life in an insurance office when the Zombies split and “the three writers had made all the money” … and Al Kooper, Denny Laine, Russ Ballard, Rod Argent and the time Mike Hurst inexplicably relaunched him as ‘Neil MacArthur'. Order tickets for the Believe In Miracles Tour here: https://www.colinblunstone.net/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Zombies formed before the Stones and had huge hits with She's Not There and Time Of The Season. Their baroque masterpiece Odessey and Oracle now gets ranked beside Revolver and Pet Sounds. Colin Blunstone has a solo tour in 2026 and looks back here in his wood-panelled den at the first shows he played, the people he met and being No 1 in America aged 19. This too … … when your career starts at 16 “and you think it's over at 21” … seeing the Beatles at Luton Odeon and the Stones at Studio 51 Leicester Square “sitting on stools playing acoustic R&B” … winning the talent contest that got them a record deal and a worldwide hit with “the third song Rod ever wrote” … playing Murray the K's Christmas Show when No 1 in America with “all our heroes” - the Shirelles, Patti LaBelle and Ben E King … his father's warning when he wanted to go to Art School … the misspelling of Odessey And Oracle and its rushed recording at Abbey Road – “in mono when everyone wanted stereo!” … “only Kenny Everett and Penny Valentine liked it”: the album's afterlife, “now ranked alongside Revolver and Pet Sounds” … how he still hits “my suicidal top notes” and the old trick of pointing the mic at the audience if you don't want to sing them … life in an insurance office when the Zombies split and “the three writers had made all the money” … and Al Kooper, Denny Laine, Russ Ballard, Rod Argent and the time Mike Hurst inexplicably relaunched him as ‘Neil MacArthur'. Order tickets for the Believe In Miracles Tour here: https://www.colinblunstone.net/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Digital Content Editor, Barbara Friedman, shared her top three stories trending online. Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

You might have spotted the world's best sumo wrestlers riding around on Lime bikes and posing for pictures on Abbey Road - that's because for the first time in 34 years, the thunderous spectacle of Grand Sumo is back in London.At the Royal Albert Hall, toilets and seats have been reinforced to take 200kg, spectators in the front row have been warned they could be crushed, and they're getting through 70kg of rice per day!As other sports are determined to ‘go global' in this age of commercialisation and constant reinvention, sumo has remained remarkably unchanged: a sport rooted in discipline, respect, and spiritual symbolism.From its uncompromising code of conduct to its deep connection with culture, we explore why sumo's return is more than just an event — it's a statement.That's with nine-time British Heavyweight Sumo Champion, Mandeep Singh Kundi, and Head of Programming at the Royal Albert Hall, Dave Gamble.Plus Gabby & Mark reflect on what *could be* the last October international break for a while, and how Man United can take advantage of Liverpool's second-choice goalkeeper at Anfield this Sunday.

Originally released March 16, 2021Sometimes, all it takes to write a signature song is...quitting your band. During a sabbatical from the tense White Album sessions of 1968, a trip on Peter Sellers' boat gave Ringo the inspiration for "Octopus's Garden." With a little help from his friends, George in particular, he was able to put together something that's incredibly charming and fun, and the last example of the band all pulling together to support their beloved drummer; it's a stellar performance all around, and a sonic gem, along with the rest of Abbey Road. As childlike and saccharine as it may be though, is it possible this is a much deeper song, where Ringo's really seeking out some shelter from the storm around him? Could this be his "Help"?We're joined this week by Liz Stokes and Jonathan Pearce, 1/2 of the New Zealand-based rock band The Beths. Their latest album Jump Rope Gazers, out now on Carpark Records, was in our top 3 albums of 2020, a literal constant quarantine companion. It's linked in our Linktree above. Over the last few years, their blend of propulsive, sing-along choruses, four-part vocal arrangements, and wry, introspective lyrics has earned them fans around the world, as well as opening slots for indie rock titans like The Breeders, Pixies, Weezer, and Death Cab for Cutie. We chatted on Mardi Gras day about all sorts of things, from very different Beatle-fan perspectives, and, in a podcast first, Jonathan admits that he maybe got his ranking wrong on this one.What do you think about "Octopus' Garden" at #178? Too high? Too low? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠find us now on Bluesky!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, some of our new Revolver-themed merch, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

Desde Medellín, Juan José Moreno de El Diestro nos sumerge en la arquitectura conceptual de "Mientras Viva Siempre Te Recuerdo", un álbum de 17 canciones que es un viaje metamoderno por la memoria. Un proyecto que bebe de Abbey Road de The Beatles en su estructura, del cine de Lynch y Jodorowsky en su narrativa, y que transforma la nostalgia en un álbum de fotos musical donde cada canción es una instantánea sin rostro. Hablamos de la delgada línea entre música culta y popular, de samples de Charly García, de la obsesión por la forma y el fondo, y de cómo un disco puede ser un monólogo interno que todos podemos hacer nuestro. https://open.spotify.com/intl-es/album/69iQFSh61qX7ExxOL1Yshfhttps://www.youtube.com/watch?v=I0qkDodfJWohttps://www.instagram.com/el.diestro/https://www.tiktok.com/@el.diestrooo

Sometimes you just gotta vent for a minute. Or, well, a minute and 12 seconds. ("Orwell." Ha.) Perhaps you know the original. The parody was dreamed up (i.e., waking-nightmared up) by Spaff, and all the music and vocals were performed by Robert Lund. Both of whom, by the time you read this, will probably have been deported to Uganda. Hopefully the capital has an Abbey Road.

Dans cet épisode, Mathieu Alterman passe en revue quelques grands classiques de la musique qui ont été dénigré par les critiques à leur sortie, avant d'être par la suite reconnus comme des chefs-d'œuvre. De l'album du Velvet Underground produit par Andy Warhol, à Abbey Road des Beatles ou encore le premier album de Led Zeppelin, l'animateur montre comment les jugements hâtifs des médias peuvent se tromper sur des œuvres devenues par la suite des références incontournables. Il partage également ses trois albums préférés qui ont été vilipendés à leur sortie, comme I Got Dem Ol' Kozmic Blues Again Mama de Janis Joplin ou encore l'album Ram de Paul McCartney. Une réflexion passionnante sur la subjectivité des critiques et la réévaluation des classiques de la musique.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

EPISODE 136: Phil Manzanera is one of the UK's best-known musicians and record producers, having shot to prominence in the early ‘70's as the lead guitarist with Roxy Music. He is acknowledged as one of the world's leading guitarists and is in much demand both as a performer and record producer. Now in his fifth decade as a professional musician, in addition to his work with Roxy Music, he has worked with many music luminaries, including Steve Winwood, David Gilmour, John Cale, Godley and Creme, Nico (Velvet Underground) and John Wetton (King Crimson, Asia). He has co-written material with many artists, including Brian Eno, Tim Finn, Robert Wyatt and David Gilmour. Manzanera co-wrote Pink Floyd's single “One Slip,” from their 1988 MOMENTARY LAPSE OF REASON album. Manzanera has also produced seminal albums for Spanish-speaking artists Draco Rosa, Enrique Bunbury, Héoes del Silencio Aterciopelados, Paralamas and Fito Paez.  manzanera.com Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

LEXINGTON, Ky. (October 3, 2025) – When University of Kentucky alum Brian Cury, founder of EarthCam, placed the company's first webcam above Times Square for the 1996 New Year's Eve celebration, he thought it was a fad that soon would pass. Today, though, webcams are part of the culture. We watch eagles in their nests, bears in the wilderness, buildings under construction and scenes from cities around the world. This type of innocent voyeurism has “great appeal,” Cury said. Cury's EarthCam, founded in 1996 and headquartered in Upper Saddle River, New Jersey, has cameras all over the planet, including looking down from the torch of the Statue of Liberty, outside Chicago's Wrigley Field and the crosswalk made famous by the Beatles on northwest London's Abbey Road.  “A lot of people actually have used our cameras as a destination,” Cury said. “They've traveled to London and made sure they walked in front of the (Abbey Road) camera and got a video clip of themselves. “Paul McCartney actually did it. He got in front of one of our cameras and waved.” Cury was one of 20 UK graduates inducted into the university's Hall of Distinguished Alumni in September. On this episode of “Behind the Blue,” Cury discusses EarthCam's beginnings, changes in technology that have helped and challenged the company's mission and how EarthCam has expanded its business offerings into areas like ensuring safety on building construction sites.  “Behind the Blue” is available via a variety of podcast providers, including iTunes and Spotify. Become a subscriber to receive new episodes of “Behind the Blue” each week. UK's latest medical breakthroughs, research, artists and writers will be featured, along with the most important news impacting the university. “Behind the Blue” is a joint production of the University of Kentucky and UK HealthCare. Transcripts for most episodes are now embedded in the audio file and can be accessed in many podcast apps during playback. Transcripts for older episodes remain available on the show's blog page.  To discover how the University of Kentucky is advancing our Commonwealth, click here.

Album de la semaine: "Brainwshed" (George Harrison-2002) G.Harrison-Any road (acoustic)/Any road-east TV showBrainwashed (02)R.Starr-Call me-Goodnight Vienna (74)J.Lennon-Mother-)Plastic Ono Band (70)P.McCartney-Band on the run-Wings (Deluxe) (25-73)Beatles-Do you want to know a secret-Please please me (63)G.Harrison-P2 Vatican blues (last saturday night)-Brainwashed (02)P.McCartney-Nineteen hundred and eighty five-Wings (Deluxe) (25-73)Beatles-Please Mr Postman-With the Beatles (63)Beatles-I'm a loser-For sale (654)J.Lennon-What you got-Walls and bridges (74)G.Harrison-The rising sun-Brainwashed (02)P.McCartney-Listen to what the man said-Wings (Deluxe) (25-75)P.McCartney-Let'em in -Wings (Deluxe) (25-76)Beatles-I'll be back-A hard day's night (64)Beatles-The night before-Help! (65)G.Harrison-Stuck inside a cloud-Brainwashed (02)Barbra Streisand-My valentine (cover) (feat. P.McCartney)-The secret of life: partners, volume 2 (25)R.Starr-Grow old with me (written by J.Lennon)-What's my name (19)R.Starr-Gonna need someone-Crooked boy (24)G.Harrison-Run so far-Brainwashed (02)J.Lennon-Watching the wheels-Double fantasy (80)Beatles-And your bird can sing-Revolver (66)Beatles-Rain (take 5-actual speed)/Rain-Revolver (Super Deluxe Edition) (22-66)P.McCartney-Arrow through me-Wings (Deluxe) (25-79)G.Harrison-Rockin' chair in Hawaii-Brainwashed (02)Beatles-I want you (she's so heavy) (2019 mix)-Abbey Road (69)Beatles-Strawberry fields forever-Magical Mystery Tour (67)R.Starr-Never let me go-Look up (25)

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The Bowers & Wilkins 801 isn't just another loudspeaker—it's the one Abbey Road Studios trusted when the music actually mattered. For 45 years, the 801 has been part of legendary recordings that shaped how we hear music, and now it's back in the spotlight with the 801 Abbey Road Limited Edition. Andy Kerr, Director of Marketing and Communications at Bowers & Wilkins, joins eCoustics CEO and Founder, Brian Mitchell to dig into how this speaker became the reference at the world's most famous studio, why Abbey Road didn't exactly choose it by accident, and what makes this anniversary edition more than just a fancy finish.Thank you to Denon, SVS and Shure for their support of our programming!www.svsound.comwww.denon.comwww.shure.comCredits:• Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comDon't forget to check our website for daily updates on the latest electronics, news, recommendations, and deals on high-end audio, loudspeakers, earphones, TVs, and more.www.ecoustics.com#abbeyroadstudios #bowersandwilkins #studiomonitors #signatureseries #B&W801 #ecoustics #hifi #audiophile #hometheater #avtech #musicindustry #projectors #recordingstudios 

In this episode of My Music, I sit down with singer-songwriter Alan Dreezer to explore his journey through music, influence, and resilience.From supporting Brother Beyond and recording at Abbey Road, to making a limousine entrance that left headliners in a Ford Sierra staring in disbelief, Alan shares the unforgettable highs of his career. We also dive into the deep challenges, including personal tragedy, and how the unshakable pull of songwriting brought him back stronger than ever.Alan talks openly about the influence of George Michael, Spandau Ballet, and 80s icons, the importance of really listening to music in today's fast-paced world, and how nostalgia for record shops and vinyl still fuels his passion. He also reveals how one track called Unknown unexpectedly became a game-changer through a sync deal years after its release.This is a conversation about creativity, loss, resilience, and rediscovering joy through music — plus a reminder of why we should slow down and actually listen.

On the September 26 edition of the Music History Today Podcast, On today's show, a famous musical premieres, a musical film premieres, & the Empress of the Blues passes awayFor more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Artist Song Time Album Year The Beatles Mean Mr. Mustard 1:06 Abbey Road 1969 The Beatles Polythene Pam 1:13 Abbey Road 1969 The Beatles She Came In Through The Bathroom Window 1:54 Abbey Road 1969 Creedence Clearwater Revival Down On The Corner 2:32 Willy and the Poor Boys 1969 Fleetwood Mac Oh Well 2:43 Then […]

Písničkář, textař a herec Tomáš Klus si ve 2. díle nové série podcastu povídal s klavíristkou a zpěvačkou Ráchel Skleničkovou. Jaké byly začátky nadané hudebnice, co si odnesla ze stáže ve Finsku? Jaká byla spolupráce s Mekym Žbirkou na písničce Čistý svět a co ji překvapilo při jejím nahrávání v ikonickém studiu Abbey Road v Londýně? Nebudou chybět ani vzpomínky na jejich společná vystoupení na koncertech Světlušky. Tihle dva jsou rozhodně naladění na stejnou notu a z jejich povídání je to znát.Všechny díly podcastu POTMĚ můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Adam: You may have heard me talking here a couple of weeks ago about the Quarrelmen Beatles miniseries I'm doing. It's my birthday so I'm birthing it everywhere you get your podcasts plus I'm putting the first episode here too to tempt you into subscribing. You're not gonna be able to resist after hearing this episode that we did at none other than Abbey Road Studios when my band Stones n Roses was on tour there back in 2021. I told the other We Will Rank You hosts I'd have all the Beatles albums ranked within a year. Four years later, I've only recorded about half of them but here they come!  You're not going to see any more episodes here until the one where all four OG hosts ranked- Well I'm not telling you which one. You'll have to wait and see and if you want to hear Jim and I rank an album in Liverpool, you'll just have to figure out how to spell Quarrelmen and go subscribe, won't you? WON'T you? We're on Facebook, Instagram and Threads too so do the thing. Breaking up the band to start a solo career? Nah but, for now, here's the Fab Four…. THE QUARRELMEN PODCAST #1Please Please Me ranked at Abbey RoadWhat's your most loved and least favorite song on the first Beatles album?! One, two, three, FAH! The Quarrelmen Beatles podcast miniseries kicks off with England's own Richard Merrett (Airhead/the Wilsons) and his young sons Frank and George Merrett ranking Please Please Me in the most famous studio in the world.  Recorded back in 2021 at the end of the last Stones n' Roses UK tour, the California band recorded a version of "Revolution 9" with 1960s microphones used by "the boys" and Beatles Anthology, Rock Band and Love engineer Chris Bolster with Joe Wyatt (now Giles Martin's assistant). After a quick photoshoot of the band walking across THE street, singer Adam Gimbel welcomed the Merretts into the cozy Gatehouse studio to record the very first episode of the Quarrelmen. He had no idea it would be four busy, crazy years before the world would hear it. The kids are now senior citizens. The results are, quite simply, the most endearing Beatles podcast episode ever immortalized at Abbey Road....or anywhere else. Decades of fandom and childlike wonder collide with memories and a ranking of least and most favorites on the 1963 classic debut. Listen at QuarrelmenPod.com, Apple, Spotify and...a place.Follow us and weigh in with your favorites on Facebook, Instagram & Threads @quarrelmenpod.SPOILERS/FILE UNDER:Abbey Road, Airhead, Arthur Alexander, Anna (Go to Him), Ask Me Why, Baby It's You, Burt Bacharach, the Beatles, Chris Bolster, Boys, Cavern Club, Chains, coffee, the Cookies, debut, Do You Want to Know a Secret, EMI, England, Adam Gimbel, harmonica, George Harrison, I Saw Her Standing There, Isley Brothers, Carol King, John Lennon, Liverpool, London, Love Me Do, George Martin, Paul McCartney, Frank Merrett, George Merrett, Richard Merrett, Misery, Nirvana, Roy Orbison, piano, Please Please Me, Pretty Green, P.S. I Love You, Revolution 9, Ride, sha la la la la, The Shirelles, Ringo Starr, Stones n Roses, A Taste of Honey, There's a Place, Twist and Shout, Andy White, the Wilsons, Joe Wyatt, zoos, 1963.US: http://www.QuarrelmenPod.comhttp://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/QuarrelmenPodhttp://www.instagram.com/QuarrelmenPodhttps://www.threads.net/@QuarrelmenPodhttp://www.StonesnRoses.comhttp://www.AbbeyRoad.com

In Episode #245 of the XS Noize Podcast, host Mark Millar is joined by Neil Hannon — the brilliant mind behind The Divine Comedy — for a revealing conversation about his stunning new album, Rainy Sunday Afternoon, out this September on Divine Comedy Records. His 13th studio album and perhaps his finest to date, Rainy Sunday Afternoon, was recorded at Abbey Road and finds Hannon blending lush orchestral arrangements with sharp lyrical insight. Written as a response to personal reflection and global unrest, the record explores themes of memory, mortality, and melancholy — all delivered with his trademark wit and elegance. The Divine Comedy's 13th album, balancing grief and absurdity, and why songwriting still feels like emotional alchemy. The album's lead single Achilles, inspired by a 1915 WWI poem, is a moving meditation on bravery and loss. Elsewhere, Hannon reflects on writing songs for the hit film Wonka and revisiting his past through the remastered Divine Comedy back catalogue. In this episode, Neil discusses the emotional and philosophical ideas behind the new record, the creative freedom of writing for film, and why music — now more than ever — needs both sadness and silliness. He also teases the upcoming UK tour and shares reflections on a career spent crafting one of Britain's most unique and literate songbooks. Whether you've followed The Divine Comedy since Casanova, or are discovering Neil's genius for the first time, this is a rich, witty, and deeply human episode not to be missed. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Beringer, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

Please join us in welcoming DU/ER as a new sponsor to the podcast. Visit www.shopduer.com/fork and receive 15% off your first purchase!       Chris and Will Preisch discuss Will's return to Portland and his new restaurant, 82 Acres. They explore the farm-to-table philosophy, the challenges of parenting, and Will's culinary journey from his early days in the restaurant business to his current role.   The discussion also touches on the evolving Portland food scene, the importance of community and collaboration, and Will's upcoming Portland Food Adventures trip to Portugal, where he hopes to gain new culinary insights and enjoy cooking with Chef Vitor de Oliveira at Quinta Sao Luiz and in Porto..   https://www.portlandfoodadventures.com/portugal-with-kopke-2026     Right at the Fork is supported by:    DU/ER: www.shopduer.com/fork Zupan's Markets: www.zupans.com  RingSide SteakHouse: www.RingSideSteakhouse.com  Portland Food Adventures: www.PortlandFoodAdventures.com 

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.In preparation for this episode, I sat in on a recording session at the famous Abbey Road studios. Composer Jamie Poulsen and I then met for coffee and a chat a few days later.The recording session was principally for Jamie's Piano Concerto (a few clips of which you can hear alongside our conversation), performed by members of the Royal Philharmonic Orchestra and pianist Robert Thies. On hand for Production was my past guest Danae Xanthe Vlasse and it was a delight to experience the magic of recording once more.Jamie and I also discussed his wide-ranging piano and composing credits, as well as his work (that sounds like a lot of fun) with the NOLA Jazz Band.I hope you enjoy listening in on my chat with Jamie and I'm grateful to him for sending me a sneak preview of his Piano Concerto to feature alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Sam Fender is a singer and songwriter from the town of North Shields in England. He won the Brit Award for Best Rock/Alternative Act twice. His most recent album is called People Watching, and just like his first two albums, it went to #1 on the UK album charts. To help produce the album, Sam enlisted Adam Granduciel, the singer and frontman of the band The War on Drugs. For this episode, I talked to Sam, and his bandmate Joe Atkinson, about the title track from People Watching, and the long journey that it took to get made, from Sam's kitchen, to the Hollywood Hills, to Abbey Road.

THIS SPECIAL EPISODE introduces “SUNDAY SLIDE”, my new single. It's been called “A fun, upbeat, you-gotta-move song!” and it continues my recent run of instrumental tracks. I'm pleased to say that "Sunday Slide" features three incredible Guest Artists: Laurence Juber (Wings with Paul McCartney) plays guitarPaul Hanson (Bela Fleck) plays the bassoonEamon McLoughlin (Grand Ole Opry band) plays the violinCheck out in particular the Rideout at the end as they trade fabulous solos - Abbey Road style!CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Hosts Jim DeRogatis and Greg Kot talk with journalist and environmentalist Bill McKibben about solar power and music, as well as the upcoming activism event “Sun Day.” They also share some of their favorite songs about the sun.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "Here Comes The Sun," Abbey Road, Apple, 1969The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Nina Simone, "Here Comes The Sun," Here Comes the Sun, RCA Victor, 1971Bill Withers, "Ain't No Sunshine," Just As I Am, Sussex, 1971The Vaselines, "Jesus Wants Me for a Sunbeam," Dying for It EP, 53rd & 3rd, 1988The Polyphonic Spree, "It's the Sun," The Beginning Stages of..., Hollywood, 2000Yes, "Heart of the Sunrise," Fragile, Atlantic, 1971Eleanor Friedberger, "Stare at the Sun," Personal Record, Merge, 2013Pink Floyd, "Set the Controls for the Heart of the Sun," A Saucerful of Secrets, Columbia, 1968Boney M., "Sunny," Take the Heat off Me, Atlantic, 1976Swirlies, "Sunn," They Spent Their Wild Youthful Days In The Glittering World Of The Salons, Taang!, 1996Captain Beefheart and His Magic Band, "Sun Zoom Spark," Clear Spot, Reprise, 1972The Kinks, "Waterloo Sunset," Something Else By The Kinks, Pye, 1967Pedro The Lion, "Indian Summer," Control, Jade Tree, 2002Common and Pete Rock, "When The Sun Shines Again," The Auditorium Vol. 1, Loma Vista, 2024Stevie Wonder, "You Are the Sunshine of My Life," Talking Book, Motown, 1972The Jimi Hendrix Experience, "Hey Joe," Are You Experienced?, Reprise, 1967See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How can you not love the Divine Comedy whose inspirations include Tom Lehrer and “Landfill Indie”? And Neil Hannon wrote music for Wonka, Father Ted and the IT Crowd. There's a new album, Rainy Sunday Afternoon, and a tour in October and all bases are covered in this conversation from Kildare, these among them … … seeing U2 at Croke Park “and feeling as though I'd won the Wonka Golden Ticket”. … favourite bands of the ‘80s and ‘90s - Pixies, Sugarcubes, Sonic Youth and Ride.… the miserably cancelled Father Ted musical and how he's recycled the songs he wrote for it. … a research trip to an Indie Disco with Stuart Murdoch of Belle and Sebastian. … how it feels to record at Abbey Road. … his teenage band inventing new words to R.E.M songs in an Enniskillen youth club. … how new songs begin. … supporting Carter USM and Suede, “the moment I first felt like a pop star”. … Mar-A-Lago, a childhood trip to London and further melancholia on his new album Rainy Sunday Afternoon.… rocks on the street in Derry en route to Primary School during the Troubles. … Hepworth and Ellen appearing on a Duckworth Lewis album - “nudging and nurdling!” … his first stab at “witty pseudo-intellectual lyrics”. … “never leave your tour bus, be rehearsed before you start rehearsals” and other ways touring saves money. … and the five songs he always plays.Divine Comedy tickets here: https://thedivinecomedy.com/livePre-order Rainy Sunday here: https://lnk.to/RainySundayFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Barry and Abigail discuss Navy Blues by Sloan and sample three Canadian beers: Labatt Blue from Labatt Brewing Company, Moosehead Canadian Lager from Moosehead Breweries Limited, and Life in the Clouds from Collective Arts Brewing.The delightful can art of Life in the Clouds was designed by Joe Boyd.Navy Blues was entered into our Jukebox long ago by Paul Zawacki during our episode Bonus: A Dozen Updates (The Procession Reunion Special). He described Sloan as the Canadian Beatles, comparing One Chord to Another to the White Album (we have officially gone zero episodes without mentioning the White Album!) and Navy Blues to Abbey Road.In preparation for this episode, Abigail listened through Abbey Road, Sgt. Pepper's Lonely Hearts Club Band, and Love by The Beatles.Revolver is one of Barry's favorite Beatles albums. He compared the throat clear at the beginning of She Says What She Means to George Harrison's counting on Taxman, the opening track of Revolver.Barry then compared C'mon C'mon to Good Day Sunshine, also off Revolver.…He then compared Iggy & Angus to The Tra La La Song (One Banana, Two Banana) by The Banana Splits.…Then, collectively, they compared Sinking Ships to Uncle Albert / Admiral Halsey by Paul McCartney and Linda McCartney.Barry "complained" about the sirens in Money City Maniacs, which reminded Abigail of the sounds of cars whizzing by underlying Lonely Boy by The Black Keys.Abigail had confusion over Seems So Heavy, which by title alone seems to be a rip-off of/tribute to I Want You (She's So Heavy) by The Beatles. Later, she would compare the opening couple of notes of Suppose They Close the Door to the opening couple of notes of I Want You (She's So Heavy).Abigail shared that one of the best meals she ever ate was in Halifax, Nova Scotia, Canada, from where Sloan originated. She ate sea-cuterie at Waterfront Warehouse.Barry compared the piano in Chester the Molester to the piano in Ob-La-Di, Ob-La-Da by The Beatles.We briefly discussed James Taylor's eponymous debut album, which was released on The Beatles' Apple Records (the first non-British artist on the label), was recorded at Trident Studios concurrently with the White Album, and features Paul McCartney and George Harrison on bass guitar and backing vocals, respectively! But Barry had part of the story backward - Something in the Way She Moves inspired the opening line of Harrison's Something, not the other way around. (Coincidentally, Taylor has said he had meant for the song to be called “I Feel Fine,” but that title had already been taken by The Beatles!) We played a little bit of the version of Carolina In My Mind that appears on this debut album - the version with members of The Beatles included. Later, Abigail mentioned that she kept hearing How Sweet It Is (To Be Loved by You) by James Taylor in I Wanna Thank You.Our word association around “ways to get even” from Suppose They Close the Door led us to 50 Ways to Leave Your Lover by Paul Simon and 50 Ways to Say Goodbye by Train. We should have also added Ways to Hang On by The Stick Arounds!Our next Jukebox episode will be 2014 Forest Hills Drive by J. Cole, submitted to our Virtual Jukebox by Alinor Mezinord.Up next… Teenage Dream by Katy PerryJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

How can you not love the Divine Comedy whose inspirations include Tom Lehrer and “Landfill Indie”? And Neil Hannon wrote music for Wonka, Father Ted and the IT Crowd. There's a new album, Rainy Sunday Afternoon, and a tour in October and all bases are covered in this conversation from Kildare, these among them … … seeing U2 at Croke Park “and feeling as though I'd won the Wonka Golden Ticket”. … favourite bands of the ‘80s and ‘90s - Pixies, Sugarcubes, Sonic Youth and Ride.… the miserably cancelled Father Ted musical and how he's recycled the songs he wrote for it. … a research trip to an Indie Disco with Stuart Murdoch of Belle and Sebastian. … how it feels to record at Abbey Road. … his teenage band inventing new words to R.E.M songs in an Enniskillen youth club. … how new songs begin. … supporting Carter USM and Suede, “the moment I first felt like a pop star”. … Mar-A-Lago, a childhood trip to London and further melancholia on his new album Rainy Sunday Afternoon.… rocks on the street in Derry en route to Primary School during the Troubles. … Hepworth and Ellen appearing on a Duckworth Lewis album - “nudging and nurdling!” … his first stab at “witty pseudo-intellectual lyrics”. … “never leave your tour bus, be rehearsed before you start rehearsals” and other ways touring saves money. … and the five songs he always plays.Divine Comedy tickets here: https://thedivinecomedy.com/livePre-order Rainy Sunday here: https://lnk.to/RainySundayFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

How can you not love the Divine Comedy whose inspirations include Tom Lehrer and “Landfill Indie”? And Neil Hannon wrote music for Wonka, Father Ted and the IT Crowd. There's a new album, Rainy Sunday Afternoon, and a tour in October and all bases are covered in this conversation from Kildare, these among them … … seeing U2 at Croke Park “and feeling as though I'd won the Wonka Golden Ticket”. … favourite bands of the ‘80s and ‘90s - Pixies, Sugarcubes, Sonic Youth and Ride.… the miserably cancelled Father Ted musical and how he's recycled the songs he wrote for it. … a research trip to an Indie Disco with Stuart Murdoch of Belle and Sebastian. … how it feels to record at Abbey Road. … his teenage band inventing new words to R.E.M songs in an Enniskillen youth club. … how new songs begin. … supporting Carter USM and Suede, “the moment I first felt like a pop star”. … Mar-A-Lago, a childhood trip to London and further melancholia on his new album Rainy Sunday Afternoon.… rocks on the street in Derry en route to Primary School during the Troubles. … Hepworth and Ellen appearing on a Duckworth Lewis album - “nudging and nurdling!” … his first stab at “witty pseudo-intellectual lyrics”. … “never leave your tour bus, be rehearsed before you start rehearsals” and other ways touring saves money. … and the five songs he always plays.Divine Comedy tickets here: https://thedivinecomedy.com/livePre-order Rainy Sunday here: https://lnk.to/RainySundayFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week's episode comes live from Retromessa 2025 in Norway, where we were joined on stage by legendary video game composer Richard Jacques. From creating music on a ZX Spectrum at age 11 to scoring iconic titles like Sonic R, Jet Set Radio, Headhunter, and Mass Effect, Richard shares his incredible journey through Sega's golden years, live orchestras at Abbey Road, and the unexpected afterlife of a song that became a meme.  Richard's website: https://www.richardjacques.com/home Contents: 00:00 - The Week's Retro News Stories  54:42 - Richard Jacques Interview Please visit our amazing sponsors and help to support the show: Liverpool Gaming Market: https://www.liverpoolgamingmarket.com/ Bitmap Books - https://www.bitmapbooks.com Check out PCBWay at https://pcbway.com for all your PCB needs Take your business to the next level today and enjoy 3 months of Shopify for £1/month: https://shopify.co.uk/retrohour We need your help to ensure the future of the podcast, if you'd like to help us with running costs, equipment and hosting, please consider supporting us on Patreon: https://theretrohour.com/support/ https://www.patreon.com/retrohour Get your Retro Hour merchandise: https://bit.ly/33OWBKd Join our Discord channel: https://discord.gg/GQw8qp8 Website: http://theretrohour.com Facebook: https://www.facebook.com/theretrohour/ X: https://twitter.com/retrohouruk Instagram: https://www.instagram.com/retrohouruk/ Bluesky: https://bsky.app/profile/theretrohour.com Twitch: https://www.twitch.tv/theretrohour Show notes Sega Laserdisc Emulation Has Just Taken a Major Leap Forward: https://tinyurl.com/yc3t492v The Settlers II Finally Settles on Amiga 29 Years Late: https://tinyurl.com/y5xjjyvh Modder Builds Windows 98 Handheld Using Original Hardware: https://tinyurl.com/2v7j2y37 Happy 30th Birthday to Internet Explorer: https://tinyurl.com/452j77md Parenting Like It's 1999: https://tinyurl.com/2etae5m7

Tawinee's Actual Factuals Rockies, Abbey Road and Big Bird by STAR 102.5/Des Moines

Hosts Jim DeRogatis and Greg Kot welcome singer-songwriter Valerie June to the Goose Island Salt Shed Pub for a live interview and performance. The hosts also review the new album from hip hop veterans, Clipse.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Valerie June, "Astral Plane," The Order of Time, Concord, 2017The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Clipse, "Ace Trumpets," Let God Sort Em Out, Roc Nation, 2025Clipse, "The Birds Don't Sing," Let God Sort Em Out, Roc Nation, 2025Clipse, "All Things Considered," Let God Sort Em Out, Roc Nation, 2025Clipse, "So Be It," Let God Sort Em Out, Roc Nation, 2025Valerie June, "All I Really Wanna Do (Live on Sound Opinions)," Owls, Omens and Oracles, Concord, 2025Valerie June, "Joy Joy!," Owls, Omens and Oracles, Concord, 2025Valerie June, "The Life I Used To Live (Live on Sound Opinions)," unreleased, NA, 2025Valerie June, "Love Me Any Old Way (Live on Sound Opinions)," Owls, Omens and Oracles, Concord, 2025The Beatles, "Here Comes The Sun," Abbey Road, Apple, 1969See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul Weller has just covered it on his new album. Morrissey played it to Noel Gallagher who took the idea and ran with it. What explains the enduring appeal of a record that stalled at number 22 all those years ago? Actor/musician Brian Protheroe doesn't know but he's certainly grateful that it's being reissued once again. His story takes us back to:…the days when young musicians hitch-hiked to London…the way the sun shone on the day “Sgt Pepper” came out…when Soho was a village and an out of work actor could afford to live in Covent Garden…when being dumped by a girl could inspire that actor to diarise his daily routine…when the jazzman who played the solo on the record couldn't remember it for “TOTP”…how it feels to take your grandson to Abbey Road to watch your album being remastered.Pre-order the Chrysalis Red reissue of the first Brian Protheroe album: https://brianprotheroe.lnk.to/PNBFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Weller has just covered it on his new album. Morrissey played it to Noel Gallagher who took the idea and ran with it. What explains the enduring appeal of a record that stalled at number 22 all those years ago? Actor/musician Brian Protheroe doesn't know but he's certainly grateful that it's being reissued once again. His story takes us back to:…the days when young musicians hitch-hiked to London…the way the sun shone on the day “Sgt Pepper” came out…when Soho was a village and an out of work actor could afford to live in Covent Garden…when being dumped by a girl could inspire that actor to diarise his daily routine…when the jazzman who played the solo on the record couldn't remember it for “TOTP”…how it feels to take your grandson to Abbey Road to watch your album being remastered.Pre-order the Chrysalis Red reissue of the first Brian Protheroe album: https://brianprotheroe.lnk.to/PNBFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Weller has just covered it on his new album. Morrissey played it to Noel Gallagher who took the idea and ran with it. What explains the enduring appeal of a record that stalled at number 22 all those years ago? Actor/musician Brian Protheroe doesn't know but he's certainly grateful that it's being reissued once again. His story takes us back to:…the days when young musicians hitch-hiked to London…the way the sun shone on the day “Sgt Pepper” came out…when Soho was a village and an out of work actor could afford to live in Covent Garden…when being dumped by a girl could inspire that actor to diarise his daily routine…when the jazzman who played the solo on the record couldn't remember it for “TOTP”…how it feels to take your grandson to Abbey Road to watch your album being remastered.Pre-order the Chrysalis Red reissue of the first Brian Protheroe album: https://brianprotheroe.lnk.to/PNBFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

If you are one of the people feeling that things are not going to be all right, this one's for you. Coda #46 comes from Bill McKibben, veteran climate change activist and founder of multiple campaigns and organisations – check out Strength&Solidarity Ep. 57.  He told us how hard it can be to stay optimistic, when the odds against success seem high.  The Beatles' Here Comes the Sun is one of his go-to tracks for regaining his footing, so perhaps it's no surprise that he is currently organising people to “rise up” for Sun Day, a day of action “for a sun-powered planet” next month, 21 September, We've started releasing the Coda as a separate show, not just part of the main Strength&Solidarity podcast. You will find both of them in our feed here, or on our Substack page, with transcripts, and related links. If you subscribe at https://substack.com/@strengthsolidarity, you will receive the “host's note” accompanying each show.  Contact us at pod@strengthandsolidarity.orgQuick LinksBio: Bill McKibben: https://billmckibben.com/Sun Day:  Day of action, 21 September 2025   :https://www.sunday.earth/Wikipedia:  The Beatle's Abbey Road: https://en.wikipedia.org/wiki/Abbey_RoadWikipediaL  Nina Simone's O-o-h Child: https://en.wikipedia.org/wiki/O-o-h_Child

(***TIMESTAMPS in description below) ~ Carl Barney is a libertarian philanthropist and former owner of a network of for-profit colleges across the United States. A vocal advocate of Ayn Rand's Objectivism, he has donated millions to promote individual rights, free-market principles, and philosophical education through institutions like the Ayn Rand Institute and the Prometheus Foundation. PATREON: https://www.patreon.com/JulianDorey CARL's LINKS - IG: https://www.instagram.com/thecarlbarney/?hl=en - WEBSITE: carlbarney.com - BOOK: https://www.amazon.com/Happiness-Experiment-Revolutionary-Way-Increase/dp/B0DQ9MTKKD FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey ****TIMESTAMPS**** 00:00 – Abbey Road, Ghosts, XPrize, De-Aging, 120 Years, Sleep, Post-WWII England 11:11 – Siblings, Struggle, Dream at 17, Backpacking, Kindness, India, Sri Lanka 17:42 – Family Distance, Travel Wisdom, Curiosity, Bulgaria, Turkey 1959, India 1960, Education 30:31 – Churchill, Australia, Outback Job, America 1964, Energy, Self-Discovery, Late Calling 40:02 – Age 23–39, Soul, Passion Money, Life Design, Sky Not Falling, Wealth ≠ Joy 52:18 – Accidental Wealth, Zen, Education, Gratitude, Ayn Rand, Values, Purpose 59:02 – Management, Career Schools, No Fluff, 1985, $1M Debt, 100 Campuses, Factory Floor 01:09:15 – Higher Ed Crisis, Socialism, Political Drift, Foreign Influence 01:19:16 – Populism, Disenfranchised, Student Debt, Government Mistakes, AI Professors 01:35:20 – AI Brains, “Playing God?”, Human AI, Global Tuition, 24/7 Learning 01:46:23 – Online U, No Fluff, Avatar Debates, Critical Thinking, Reason, Objectivity, Truth 01:56:02 – Non-Profit Model, Gov Pressure, Self-Funded, Happiness 02:06:29 – Baseline Joy, Steve Jobs, Engine Failure, PreQuest, Legacy Gifts 02:16:11 – Near Death, System Issues, Habits, Read. Think. PLAN. 02:26:17 – Elon Musk, Idealism vs Reality CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 323 - Carl Barney Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

The indie-pop band that everyone needs in their life is back. Bright Nights is Allo Darlin's new album, and UK people can catch them on tour this October. Tickets here: https://www.allodarlin.com/tour Want AD FREE episodes? Become a member for £4 per month: https://www.patreon.com/101parttimejobs Get yourself some top class Shure microphone gear: https://shu.re/3YhV7p2 DistroKid makes music distribution fun and easy with unlimited uploads and artists keeping the ENTIRETY of their revenue. Get 30% off the first year of their service by signing up at https://distrokid.com/vip/101pod Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Derek Champagne, CEO of The Artist Evolution, interviews Kavit Haria.From a young age, Kavit Haria learned to play “the world's most dificult percussion instrument”, the Tabla. Having immersed himself in learning about artist promotion, Kavit began to raise his profile and performed across the UK at venues large and small, with many artists (including Jimmy Page at the Royal Albert Hall) and recorded albums at the famed Abbey Road studios.Recognizing the demand for sharing what he learned gave rise to Kavit's first company, Insider Music Business. Within five years, from 2005 to 2010, Kavit created thirty-five different educational products online, from ebooks to video courses and audio training to membership programs, which he promoted to the growing database of 120,000 musicians and hit 7 figures in revenue.Kavit then turned to share his marketing automation strategies at business conferences in the UK and ran private workshops for small business owners in New York,Sydney and London.Since 2013, Kavit has been running Automated Business System, a flagship service to help experts and brands strategies, build, launch and market their businesses online. He has helped launch and grow 120+ businesses for clients, generating $100,000 or more in their first year online sales.Now, Kavit puts the knowledge and inspiration from his 10-years of building businesses into his new book, Don't Sleep On It! Turn Your Passion & Expertise Into A Profitable Business.Learn more at https://www.amazon.com/Dont-Sleep-Expertise-Profitable-Business/dp/1683509854

In this episode, I bring you something that's been on my heart to recreate for years. Inspired by the spontaneous, powerful moments I used to have during the Clubhouse era, I've launched a new live format called "How May I Serve You Today? Ask Me Anything." The idea is simple: I open a Zoom room, stream it live on Facebook, YouTube, and LinkedIn, and invite people to jump in for real-time, unscripted conversations. Just like the Clubhouse rooms I used to host, my intention is to hold space for deep coaching, authentic dialogue, and transformational moments in full view of a live audience. This is what I love most about coaching: witnessing the miraculous in everyday moments. Now, I get to bring that to you in podcast form. This episode features four unique conversations, each with its own flavor and insight: Conversation 1 – Ramon: Distraction as Enlightenment | Time Stamp 00:11:30 Ramon Ray, motivational keynote speaker and event host asked how to stay focused when a flurry of possibilities tugs at his attention. Together we: Clarified his personal definition of distraction as “not being focused on a single task for a meaningful amount of time.” Explored how repeated distractions can signal mis-alignment, tasks that belong in someone else's zone of excellence, not his own zone of genius. Reframed procrastination as feedback rather than failure, helping Ramon see that some tasks may simply need to be delegated or dropped. Listen for: A practical mindset shift that turns every interruption into a cue for deeper self-inquiry and better task design. Conversation 2 – Curtis: Re-awakening the Power to Dream | Time Stamp 00:37:18 Long-time listener Curtis joined to envision life after retirement. He struggled at first, so I invited him to “play make-believe.” Once he let his imagination lead, an inspiring vision unfolded: Curtis is guiding a bus tour across Europe, Abbey Road photos in London, the Isle of Wight Festival, Disneyland Paris, Normandy beaches, and more. The exercise linked childhood memories of GI Joe adventures to present-day possibilities, proving his imaginative muscles are still strong. Listen for: A repeatable prompt you can use to help clients (or yourself) move past “I don't know” and paint a vivid future. Conversation 3 – DeLyn: Launching a Grief Podcast without Perfection Paralysis | Time Stamp 01:12:21 DeLyn, an educator and grief advocate, has several episodes recorded but hasn't published due to fear and tech concerns. Together we: Identified her top blockers—perfectionism, intro/outro music, editing, and a self-imposed August 30 National Grief Awareness Day deadline. Reframed “perfect” to mean “the best I can with what I have right now,” reducing her fear score from a nine to about a three. Offered simple launch logistics (Buzzsprout hosting, minimalist artwork, optional music) and reminded her that an unpolished but heartfelt episode serves more people than silence. Listen for: Practical tips for shipping creative work even when your inner critic demands studio-level production. Conversation 4 – Mark: Releasing a Lifelong Fear of Judgment | Time Stamp 01:47:04 Mark arrived carrying a visceral fear of sending invoices to clients, a pattern that traces back to ridicule on his first day of kindergarten. Our dialogue centered on: Using The Four Agreements, especially “Don't take anything personally” and “Don't make assumptions” as daily practice. Viewing critics and trolls as mirrors that reveal hidden internal triggers, turning them into unexpected allies. Recognizing the physical release of fear (a “lightness in the chest” and tears) as evidence that old stories are dissolving. Listen for: A real-time demonstration of how a single mindset tool can lift decades-old emotional weight. Enjoy the episode, and if you'd like to join a future live session, keep an eye on my email list or hop into the stream the next time you see the “How May I Serve You Today?” banner.

Ever wonder what it's like to be part of rock history? Our latest LaunchLeft episode pulls back the curtain on Big Star's legacy. Rain Phoenix hosts an illuminating conversation with Jody Stephens, drummer of the legendary band Big Star. The discussion delves into Jody's early musical influences in Memphis, his experiences with Big Star, and the band's enduring legacy. Jody shares insights about recording at Ardent Studios and working with John Fry, offering a glimpse into the creation of Big Star's iconic sound.  Jody then launches Luther Russell. They discuss their collaboration in their band Those Pretty Wrongs, exploring their songwriting process and creative dynamic. Luther provides additional perspective on their partnership and his own musical journey. The episode also touches on Jody's recent induction into the Grammy Hall of Fame and Luther's latest solo album. Throughout, the conversation highlights the importance of maintaining a joyful, pressure-free approach to creativity in music. IN THIS EPISODE:  (00:00) Introducing Jody Stevens of Big Star (05:21) Jody’s early musical influences in Memphis (09:06) Rain on discovering Big Star in Costa Rica (15:22) John Fry's influence on Big Star's iconic sound (24:17) Working at Ardent Studios after Big Star (31:49) Changes in the music industry over time (47:50) Luther Russell is launched (49:17) Collaborative songwriting process for the band (56:32) Recording at Abbey Road with John Leckie (59:52) Luther Russell's new solo album Happiness for Beginners (1:02:39) Upcoming shows and future recording plans KEY TAKEAWAYS:  Music creation should be a joyful, pressure-free process. By focusing on having fun and avoiding self-imposed stress, artists can collaborate effectively long-distance and produce multiple albums together. This approach has allowed creativity to flow naturally. The music industry has changed dramatically, but there are still "gatekeepers" in new forms. While technology has democratized distribution, the sheer volume of content makes it challenging to break through. Having a passionate fanbase who will share your music remains crucial. Revisiting and performing older material can lead to unexpected new creative partnerships. What started as playing some shows together to support a documentary evolved into a fruitful songwriting collaboration and multiple albums. Being open to these opportunities can take your career in exciting new directions. RESOURCE LINKS:  LaunchLeft Podcast Smart Link JODY STEPHENS BIO: Jody Stephens (born October 4, 1952, in Memphis, Tennessee) is an American drummer best known as a founding member of the influential power pop band Big Star. Formed in 1971, Big Star’s original lineup included Alex Chilton, Chris Bell, Andy Hummel, and Stephens. The band released three albums—#1 Record (1972), Radio City (1974), and Third/Sister Lovers (recorded in 1974, released in 1978)—which, despite initial commercial struggles, later garnered critical acclaim and influenced numerous artists . In 1993, he participated in a reformation of the band alongside Chilton and members of The Posies, resulting in the 2005 album In Space.  Beyond Big Star, Stephens has collaborated with various groups. He joined the alt-country supergroup Golden Smog (with Jeff Tweedy of Wilco), contributing to albums like Weird Tales (1998) and Another Fine Day (2006) . In 2015, he formed Those Pretty Wrongs with Luther Russell, releasing their self-titled debut in 2016, followed by Zed for Zulu (2019) and Holiday Camp (2023) . Stephens has also been a longtime fixture at Ardent Studios in Memphis, where Big Star recorded their albums. He joined the Ardent staff in 1987 and has served as Vice President of Production am— and other titles, working under founder John Fry (who died in 2014 at age 69). Under his tenure, Ardent has continued to be a vital recording venue for artists across genres.  Today, Jody Stephens remains active in music, performing, recording, and contributing to the legacy of Big Star and Ardent Studios (he still works at Ardent). He is the last surviving member of Big Star’s original lineup, but still plays the music with the Big Star Quartet at shows across the world. 

JOIN THE FRIEDLAND FAMILY FOUNDATION / PREMIUM SUBSCRIPTION: https://www.youtube.com/@TheAdamFriedlandShow/join--The Adam Friedland Show - Season 2 Episode 4 | ANTHONY FANTANOX: https://x.com/friedland_show Instagram: https://www.instagram.com/theadamfriedlandshow/?hl=en TikTok: https://www.tiktok.com/@adamfriedlandshowclips YouTube: Subscribe to @TheAdamFriedlandShow here: https://www.youtube.com/c/TheAdamFriedlandShowSubscribe to @TAFSClips here: https://www.youtube.com/@tafsclips --Check out Bluechew: https://bluechew.comCheck out Lucy: lucy.co/tafsLet’s level up your nicotine routine with Lucy. Go to Lucy.co/TAFS and use promo code (TAFS) to get 20% off your first order. Lucy has a 30-day refund policy if you change your mind.

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.