Podcasts about Abbey Road

Originally released March 16, 2021Sometimes, all it takes to write a signature song is...quitting your band. During a sabbatical from the tense White Album sessions of 1968, a trip on Peter Sellers' boat gave Ringo the inspiration for "Octopus's Garden." With a little help from his friends, George in particular, he was able to put together something that's incredibly charming and fun, and the last example of the band all pulling together to support their beloved drummer; it's a stellar performance all around, and a sonic gem, along with the rest of Abbey Road. As childlike and saccharine as it may be though, is it possible this is a much deeper song, where Ringo's really seeking out some shelter from the storm around him? Could this be his "Help"?We're joined this week by Liz Stokes and Jonathan Pearce, 1/2 of the New Zealand-based rock band The Beths. Their latest album Jump Rope Gazers, out now on Carpark Records, was in our top 3 albums of 2020, a literal constant quarantine companion. It's linked in our Linktree above. Over the last few years, their blend of propulsive, sing-along choruses, four-part vocal arrangements, and wry, introspective lyrics has earned them fans around the world, as well as opening slots for indie rock titans like The Breeders, Pixies, Weezer, and Death Cab for Cutie. We chatted on Mardi Gras day about all sorts of things, from very different Beatle-fan perspectives, and, in a podcast first, Jonathan admits that he maybe got his ranking wrong on this one.What do you think about "Octopus' Garden" at #178? Too high? Too low? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠find us now on Bluesky!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, some of our new Revolver-themed merch, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

EPISODE 136: Phil Manzanera is one of the UK's best-known musicians and record producers, having shot to prominence in the early ‘70's as the lead guitarist with Roxy Music. He is acknowledged as one of the world's leading guitarists and is in much demand both as a performer and record producer. Now in his fifth decade as a professional musician, in addition to his work with Roxy Music, he has worked with many music luminaries, including Steve Winwood, David Gilmour, John Cale, Godley and Creme, Nico (Velvet Underground) and John Wetton (King Crimson, Asia). He has co-written material with many artists, including Brian Eno, Tim Finn, Robert Wyatt and David Gilmour. Manzanera co-wrote Pink Floyd's single “One Slip,” from their 1988 MOMENTARY LAPSE OF REASON album. Manzanera has also produced seminal albums for Spanish-speaking artists Draco Rosa, Enrique Bunbury, Héoes del Silencio Aterciopelados, Paralamas and Fito Paez.  manzanera.com Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

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The Bowers & Wilkins 801 isn't just another loudspeaker—it's the one Abbey Road Studios trusted when the music actually mattered. For 45 years, the 801 has been part of legendary recordings that shaped how we hear music, and now it's back in the spotlight with the 801 Abbey Road Limited Edition. Andy Kerr, Director of Marketing and Communications at Bowers & Wilkins, joins eCoustics CEO and Founder, Brian Mitchell to dig into how this speaker became the reference at the world's most famous studio, why Abbey Road didn't exactly choose it by accident, and what makes this anniversary edition more than just a fancy finish.Thank you to Denon, SVS and Shure for their support of our programming!www.svsound.comwww.denon.comwww.shure.comCredits:• Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comDon't forget to check our website for daily updates on the latest electronics, news, recommendations, and deals on high-end audio, loudspeakers, earphones, TVs, and more.www.ecoustics.com#abbeyroadstudios #bowersandwilkins #studiomonitors #signatureseries #B&W801 #ecoustics #hifi #audiophile #hometheater #avtech #musicindustry #projectors #recordingstudios 

In this episode of My Music, I sit down with singer-songwriter Alan Dreezer to explore his journey through music, influence, and resilience.From supporting Brother Beyond and recording at Abbey Road, to making a limousine entrance that left headliners in a Ford Sierra staring in disbelief, Alan shares the unforgettable highs of his career. We also dive into the deep challenges, including personal tragedy, and how the unshakable pull of songwriting brought him back stronger than ever.Alan talks openly about the influence of George Michael, Spandau Ballet, and 80s icons, the importance of really listening to music in today's fast-paced world, and how nostalgia for record shops and vinyl still fuels his passion. He also reveals how one track called Unknown unexpectedly became a game-changer through a sync deal years after its release.This is a conversation about creativity, loss, resilience, and rediscovering joy through music — plus a reminder of why we should slow down and actually listen.

On the September 26 edition of the Music History Today Podcast, On today's show, a famous musical premieres, a musical film premieres, & the Empress of the Blues passes awayFor more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Artist Song Time Album Year The Beatles Mean Mr. Mustard 1:06 Abbey Road 1969 The Beatles Polythene Pam 1:13 Abbey Road 1969 The Beatles She Came In Through The Bathroom Window 1:54 Abbey Road 1969 Creedence Clearwater Revival Down On The Corner 2:32 Willy and the Poor Boys 1969 Fleetwood Mac Oh Well 2:43 Then […]

Album de la semaine: "III" (Paul McC artney 2020) P.McCartney-Long tailed winter bird-III (20)J.Lennon-Crippled inside-Imagine (71)G.Harrison-Beware of darkness-All things must pass (50th anniversary)(21-70)R.Starr-Six'o'clock (written by P.McCartney)-Ringo (73)Beatles-Fixing a hole-Sgt Pepper's Lonely Hearts Club Band (67)P.McCartney-Find my way-III (20)Beatles-Good morning, good morning-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-Sgt Pepper's Lonely Hearts Club Band (reprise)-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-A day in the life-Sgt Pepper's Lonely Hearts Club Band (67)Traveling Wilburys-Dirty world-Traveling Wilburys-Vol.1 (88)Traveling Wilburys-You took my breath away-Traveling Wilburys-Vol.3 (90)P.McCartney-Pretty boys-III (20)R.StarP.McCartney-Long tailed winter bird III (20)J.Lennon-Crippled inside-Imagine (71)G.Harrison-Beware of darkness All things must pass (50th anniversary)(21-70)R.Starr-Six'o'clock (written by P.McCartney) Ringo (73)Beatles-Fixing a hole Sgt Pepper's Lonely Hearts Club Band (67)P.McCartney-Find my way III (20)Beatles-Good morning, good morning Sgt Pepper's Lonely Hearts Club Band (67)Beatles-Sgt Pepper's Lonely Hearts Club Band (reprise) Sgt Pepper's Lonely Hearts Club Band (67)Beatles-A day in the life Sgt Pepper's Lonely Hearts Club Band (67)Traveling Wilburys-Dirty world Traveling Wilburys-Vol.1 (88)Traveling Wilburys-You took my breath away Traveling Wilburys-Vol.3 (90)P.McCartney-Pretty boys III (20)R.Starr-What goes around Time takes time (92)Beatles-Cry baby cry White album (68)J.Lennon-Mind games (Evolution documentary) Mind games (The ultimate collection (24-73)R.Starr-You never know B.O. "Curly Sue" (94)P.McCartney-Women and wives III (20)Peter Frampton-While my guitar gently weeps (cover) Now (03)G.Harrison-Soft touch-George Harrison (79)R.Starr-Memphis in your mind Ringorama (03)P.McCartney-The kiss of Venus III (20)P.McCartney-Seize the day III (20)J.Lennon-Bless you Walls and bridges (74)Beatles-The Ballad of John and Yoko Single (69)Beatles-Old Brown shoe B side "Old Brown shore" single (69)P.McCartney-Winter bird/When winter comes/Winter sun III (20)G.Harrison-Between the Devil and the deep blue sea Brainwashed (02)Beatles-Here comes the sun Abbey Road (69)Beatles-Octopus's garden Album bleu (73)R.Starr-Choose love Choose love (05)P.McCartney-Rockestra theme Back to the egg (79)-GénériqueP.McCartney-Summer of '59 B side "Jenny Wren" single (05)What goes around-Time takes time (92) (Bonus)

Písničkář, textař a herec Tomáš Klus si ve 2. díle nové série podcastu povídal s klavíristkou a zpěvačkou Ráchel Skleničkovou. Jaké byly začátky nadané hudebnice, co si odnesla ze stáže ve Finsku? Jaká byla spolupráce s Mekym Žbirkou na písničce Čistý svět a co ji překvapilo při jejím nahrávání v ikonickém studiu Abbey Road v Londýně? Nebudou chybět ani vzpomínky na jejich společná vystoupení na koncertech Světlušky. Tihle dva jsou rozhodně naladění na stejnou notu a z jejich povídání je to znát.Všechny díly podcastu POTMĚ můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Adam: You may have heard me talking here a couple of weeks ago about the Quarrelmen Beatles miniseries I'm doing. It's my birthday so I'm birthing it everywhere you get your podcasts plus I'm putting the first episode here too to tempt you into subscribing. You're not gonna be able to resist after hearing this episode that we did at none other than Abbey Road Studios when my band Stones n Roses was on tour there back in 2021. I told the other We Will Rank You hosts I'd have all the Beatles albums ranked within a year. Four years later, I've only recorded about half of them but here they come!  You're not going to see any more episodes here until the one where all four OG hosts ranked- Well I'm not telling you which one. You'll have to wait and see and if you want to hear Jim and I rank an album in Liverpool, you'll just have to figure out how to spell Quarrelmen and go subscribe, won't you? WON'T you? We're on Facebook, Instagram and Threads too so do the thing. Breaking up the band to start a solo career? Nah but, for now, here's the Fab Four…. THE QUARRELMEN PODCAST #1Please Please Me ranked at Abbey RoadWhat's your most loved and least favorite song on the first Beatles album?! One, two, three, FAH! The Quarrelmen Beatles podcast miniseries kicks off with England's own Richard Merrett (Airhead/the Wilsons) and his young sons Frank and George Merrett ranking Please Please Me in the most famous studio in the world.  Recorded back in 2021 at the end of the last Stones n' Roses UK tour, the California band recorded a version of "Revolution 9" with 1960s microphones used by "the boys" and Beatles Anthology, Rock Band and Love engineer Chris Bolster with Joe Wyatt (now Giles Martin's assistant). After a quick photoshoot of the band walking across THE street, singer Adam Gimbel welcomed the Merretts into the cozy Gatehouse studio to record the very first episode of the Quarrelmen. He had no idea it would be four busy, crazy years before the world would hear it. The kids are now senior citizens. The results are, quite simply, the most endearing Beatles podcast episode ever immortalized at Abbey Road....or anywhere else. Decades of fandom and childlike wonder collide with memories and a ranking of least and most favorites on the 1963 classic debut. Listen at QuarrelmenPod.com, Apple, Spotify and...a place.Follow us and weigh in with your favorites on Facebook, Instagram & Threads @quarrelmenpod.SPOILERS/FILE UNDER:Abbey Road, Airhead, Arthur Alexander, Anna (Go to Him), Ask Me Why, Baby It's You, Burt Bacharach, the Beatles, Chris Bolster, Boys, Cavern Club, Chains, coffee, the Cookies, debut, Do You Want to Know a Secret, EMI, England, Adam Gimbel, harmonica, George Harrison, I Saw Her Standing There, Isley Brothers, Carol King, John Lennon, Liverpool, London, Love Me Do, George Martin, Paul McCartney, Frank Merrett, George Merrett, Richard Merrett, Misery, Nirvana, Roy Orbison, piano, Please Please Me, Pretty Green, P.S. I Love You, Revolution 9, Ride, sha la la la la, The Shirelles, Ringo Starr, Stones n Roses, A Taste of Honey, There's a Place, Twist and Shout, Andy White, the Wilsons, Joe Wyatt, zoos, 1963.US: http://www.QuarrelmenPod.comhttp://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/QuarrelmenPodhttp://www.instagram.com/QuarrelmenPodhttps://www.threads.net/@QuarrelmenPodhttp://www.StonesnRoses.comhttp://www.AbbeyRoad.com

In Episode #245 of the XS Noize Podcast, host Mark Millar is joined by Neil Hannon — the brilliant mind behind The Divine Comedy — for a revealing conversation about his stunning new album, Rainy Sunday Afternoon, out this September on Divine Comedy Records. His 13th studio album and perhaps his finest to date, Rainy Sunday Afternoon, was recorded at Abbey Road and finds Hannon blending lush orchestral arrangements with sharp lyrical insight. Written as a response to personal reflection and global unrest, the record explores themes of memory, mortality, and melancholy — all delivered with his trademark wit and elegance. The Divine Comedy's 13th album, balancing grief and absurdity, and why songwriting still feels like emotional alchemy. The album's lead single Achilles, inspired by a 1915 WWI poem, is a moving meditation on bravery and loss. Elsewhere, Hannon reflects on writing songs for the hit film Wonka and revisiting his past through the remastered Divine Comedy back catalogue. In this episode, Neil discusses the emotional and philosophical ideas behind the new record, the creative freedom of writing for film, and why music — now more than ever — needs both sadness and silliness. He also teases the upcoming UK tour and shares reflections on a career spent crafting one of Britain's most unique and literate songbooks. Whether you've followed The Divine Comedy since Casanova, or are discovering Neil's genius for the first time, this is a rich, witty, and deeply human episode not to be missed. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Beringer, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

Please join us in welcoming DU/ER as a new sponsor to the podcast. Visit www.shopduer.com/fork and receive 15% off your first purchase!       Chris and Will Preisch discuss Will's return to Portland and his new restaurant, 82 Acres. They explore the farm-to-table philosophy, the challenges of parenting, and Will's culinary journey from his early days in the restaurant business to his current role.   The discussion also touches on the evolving Portland food scene, the importance of community and collaboration, and Will's upcoming Portland Food Adventures trip to Portugal, where he hopes to gain new culinary insights and enjoy cooking with Chef Vitor de Oliveira at Quinta Sao Luiz and in Porto..   https://www.portlandfoodadventures.com/portugal-with-kopke-2026     Right at the Fork is supported by:    DU/ER: www.shopduer.com/fork Zupan's Markets: www.zupans.com  RingSide SteakHouse: www.RingSideSteakhouse.com  Portland Food Adventures: www.PortlandFoodAdventures.com 

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.In preparation for this episode, I sat in on a recording session at the famous Abbey Road studios. Composer Jamie Poulsen and I then met for coffee and a chat a few days later.The recording session was principally for Jamie's Piano Concerto (a few clips of which you can hear alongside our conversation), performed by members of the Royal Philharmonic Orchestra and pianist Robert Thies. On hand for Production was my past guest Danae Xanthe Vlasse and it was a delight to experience the magic of recording once more.Jamie and I also discussed his wide-ranging piano and composing credits, as well as his work (that sounds like a lot of fun) with the NOLA Jazz Band.I hope you enjoy listening in on my chat with Jamie and I'm grateful to him for sending me a sneak preview of his Piano Concerto to feature alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Man kan ikke lave en podcast The Beatles i Danmark uden at tage livtag med "Birthe og og Beatles". Den fantastiske udstilling på Ragnarock i Roskilde der handler om unge Birthe Skrydstrup.  Birthe fra Sønderjylland havde været optaget af The Beatles i flere år inden hun lavede drømmen om til virkelighed ved at rykke til London som au pair.  Udstillingen viser både Birthes liv før London odysseen, og i særdeleshed de mange ting hun fik med hjem fra området omkring Abbey Road og 7 Cavendish Avenue, hvor Paul McCartney holdt til. Episoden her er en live optagelse fra den 3. september 2025 i Roskilde. Vi havde besøg på scenen af Rasmus Rosenørn og Emilie Arleth Vork der kunne løfte sløret for udstillingens tilblivelse og give publikum en masser detaljer om overvejelser og anekdoter på vejen mod "Birthe og Beatles" som den står i dag. Vi fik også besøg af Gunner Gamborg der kastede lys på Beatlernes tilgængelighed i slut-60´erne og Søren Mathiesen der satte os ind i værdien på nogle af de udstillede effekter. Og så spillede Poul Vincent en flot og herlig melodika - for der er også lagt et par sange ind i episoden. 1968 var et år der ændrede The Beatles som band, og måske kastede dem mod opløsning. Det skal vi blive klogere på i dette efterår. Nikolaj Muldkjær har indvilliget i at være trofast rejsefølgesvend i 1968 landskabet. Nikolaj som du kender fra en del andre  episoder i "Elsker the beatles"- podcasten har taget sin tropehjelm på for at begive sig ind i en jungle, der rummer en masser spændende facetter. Nikolaj Muldkjær kender du også fra "Sangskatten" og flere fine soloudgivelser.    https://museumragnarock.dk/birthe-og-beatles/ https://www.facebook.com/nikolajmuldkjaermusik   buymeacoffee.com/elskerthebeatles      

Sam Fender is a singer and songwriter from the town of North Shields in England. He won the Brit Award for Best Rock/Alternative Act twice. His most recent album is called People Watching, and just like his first two albums, it went to #1 on the UK album charts. To help produce the album, Sam enlisted Adam Granduciel, the singer and frontman of the band The War on Drugs. For this episode, I talked to Sam, and his bandmate Joe Atkinson, about the title track from People Watching, and the long journey that it took to get made, from Sam's kitchen, to the Hollywood Hills, to Abbey Road.

THIS SPECIAL EPISODE introduces “SUNDAY SLIDE”, my new single. It's been called “A fun, upbeat, you-gotta-move song!” and it continues my recent run of instrumental tracks. I'm pleased to say that "Sunday Slide" features three incredible Guest Artists: Laurence Juber (Wings with Paul McCartney) plays guitarPaul Hanson (Bela Fleck) plays the bassoonEamon McLoughlin (Grand Ole Opry band) plays the violinCheck out in particular the Rideout at the end as they trade fabulous solos - Abbey Road style!CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Hosts Jim DeRogatis and Greg Kot talk with journalist and environmentalist Bill McKibben about solar power and music, as well as the upcoming activism event “Sun Day.” They also share some of their favorite songs about the sun.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "Here Comes The Sun," Abbey Road, Apple, 1969The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Nina Simone, "Here Comes The Sun," Here Comes the Sun, RCA Victor, 1971Bill Withers, "Ain't No Sunshine," Just As I Am, Sussex, 1971The Vaselines, "Jesus Wants Me for a Sunbeam," Dying for It EP, 53rd & 3rd, 1988The Polyphonic Spree, "It's the Sun," The Beginning Stages of..., Hollywood, 2000Yes, "Heart of the Sunrise," Fragile, Atlantic, 1971Eleanor Friedberger, "Stare at the Sun," Personal Record, Merge, 2013Pink Floyd, "Set the Controls for the Heart of the Sun," A Saucerful of Secrets, Columbia, 1968Boney M., "Sunny," Take the Heat off Me, Atlantic, 1976Swirlies, "Sunn," They Spent Their Wild Youthful Days In The Glittering World Of The Salons, Taang!, 1996Captain Beefheart and His Magic Band, "Sun Zoom Spark," Clear Spot, Reprise, 1972The Kinks, "Waterloo Sunset," Something Else By The Kinks, Pye, 1967Pedro The Lion, "Indian Summer," Control, Jade Tree, 2002Common and Pete Rock, "When The Sun Shines Again," The Auditorium Vol. 1, Loma Vista, 2024Stevie Wonder, "You Are the Sunshine of My Life," Talking Book, Motown, 1972The Jimi Hendrix Experience, "Hey Joe," Are You Experienced?, Reprise, 1967See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How can you not love the Divine Comedy whose inspirations include Tom Lehrer and “Landfill Indie”? And Neil Hannon wrote music for Wonka, Father Ted and the IT Crowd. There's a new album, Rainy Sunday Afternoon, and a tour in October and all bases are covered in this conversation from Kildare, these among them … … seeing U2 at Croke Park “and feeling as though I'd won the Wonka Golden Ticket”. … favourite bands of the ‘80s and ‘90s - Pixies, Sugarcubes, Sonic Youth and Ride.… the miserably cancelled Father Ted musical and how he's recycled the songs he wrote for it. … a research trip to an Indie Disco with Stuart Murdoch of Belle and Sebastian. … how it feels to record at Abbey Road. … his teenage band inventing new words to R.E.M songs in an Enniskillen youth club. … how new songs begin. … supporting Carter USM and Suede, “the moment I first felt like a pop star”. … Mar-A-Lago, a childhood trip to London and further melancholia on his new album Rainy Sunday Afternoon.… rocks on the street in Derry en route to Primary School during the Troubles. … Hepworth and Ellen appearing on a Duckworth Lewis album - “nudging and nurdling!” … his first stab at “witty pseudo-intellectual lyrics”. … “never leave your tour bus, be rehearsed before you start rehearsals” and other ways touring saves money. … and the five songs he always plays.Divine Comedy tickets here: https://thedivinecomedy.com/livePre-order Rainy Sunday here: https://lnk.to/RainySundayFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Barry and Abigail discuss Navy Blues by Sloan and sample three Canadian beers: Labatt Blue from Labatt Brewing Company, Moosehead Canadian Lager from Moosehead Breweries Limited, and Life in the Clouds from Collective Arts Brewing.The delightful can art of Life in the Clouds was designed by Joe Boyd.Navy Blues was entered into our Jukebox long ago by Paul Zawacki during our episode Bonus: A Dozen Updates (The Procession Reunion Special). He described Sloan as the Canadian Beatles, comparing One Chord to Another to the White Album (we have officially gone zero episodes without mentioning the White Album!) and Navy Blues to Abbey Road.In preparation for this episode, Abigail listened through Abbey Road, Sgt. Pepper's Lonely Hearts Club Band, and Love by The Beatles.Revolver is one of Barry's favorite Beatles albums. He compared the throat clear at the beginning of She Says What She Means to George Harrison's counting on Taxman, the opening track of Revolver.Barry then compared C'mon C'mon to Good Day Sunshine, also off Revolver.…He then compared Iggy & Angus to The Tra La La Song (One Banana, Two Banana) by The Banana Splits.…Then, collectively, they compared Sinking Ships to Uncle Albert / Admiral Halsey by Paul McCartney and Linda McCartney.Barry "complained" about the sirens in Money City Maniacs, which reminded Abigail of the sounds of cars whizzing by underlying Lonely Boy by The Black Keys.Abigail had confusion over Seems So Heavy, which by title alone seems to be a rip-off of/tribute to I Want You (She's So Heavy) by The Beatles. Later, she would compare the opening couple of notes of Suppose They Close the Door to the opening couple of notes of I Want You (She's So Heavy).Abigail shared that one of the best meals she ever ate was in Halifax, Nova Scotia, Canada, from where Sloan originated. She ate sea-cuterie at Waterfront Warehouse.Barry compared the piano in Chester the Molester to the piano in Ob-La-Di, Ob-La-Da by The Beatles.We briefly discussed James Taylor's eponymous debut album, which was released on The Beatles' Apple Records (the first non-British artist on the label), was recorded at Trident Studios concurrently with the White Album, and features Paul McCartney and George Harrison on bass guitar and backing vocals, respectively! But Barry had part of the story backward - Something in the Way She Moves inspired the opening line of Harrison's Something, not the other way around. (Coincidentally, Taylor has said he had meant for the song to be called “I Feel Fine,” but that title had already been taken by The Beatles!) We played a little bit of the version of Carolina In My Mind that appears on this debut album - the version with members of The Beatles included. Later, Abigail mentioned that she kept hearing How Sweet It Is (To Be Loved by You) by James Taylor in I Wanna Thank You.Our word association around “ways to get even” from Suppose They Close the Door led us to 50 Ways to Leave Your Lover by Paul Simon and 50 Ways to Say Goodbye by Train. We should have also added Ways to Hang On by The Stick Arounds!Our next Jukebox episode will be 2014 Forest Hills Drive by J. Cole, submitted to our Virtual Jukebox by Alinor Mezinord.Up next… Teenage Dream by Katy PerryJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

How can you not love the Divine Comedy whose inspirations include Tom Lehrer and “Landfill Indie”? And Neil Hannon wrote music for Wonka, Father Ted and the IT Crowd. There's a new album, Rainy Sunday Afternoon, and a tour in October and all bases are covered in this conversation from Kildare, these among them … … seeing U2 at Croke Park “and feeling as though I'd won the Wonka Golden Ticket”. … favourite bands of the ‘80s and ‘90s - Pixies, Sugarcubes, Sonic Youth and Ride.… the miserably cancelled Father Ted musical and how he's recycled the songs he wrote for it. … a research trip to an Indie Disco with Stuart Murdoch of Belle and Sebastian. … how it feels to record at Abbey Road. … his teenage band inventing new words to R.E.M songs in an Enniskillen youth club. … how new songs begin. … supporting Carter USM and Suede, “the moment I first felt like a pop star”. … Mar-A-Lago, a childhood trip to London and further melancholia on his new album Rainy Sunday Afternoon.… rocks on the street in Derry en route to Primary School during the Troubles. … Hepworth and Ellen appearing on a Duckworth Lewis album - “nudging and nurdling!” … his first stab at “witty pseudo-intellectual lyrics”. … “never leave your tour bus, be rehearsed before you start rehearsals” and other ways touring saves money. … and the five songs he always plays.Divine Comedy tickets here: https://thedivinecomedy.com/livePre-order Rainy Sunday here: https://lnk.to/RainySundayFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

How can you not love the Divine Comedy whose inspirations include Tom Lehrer and “Landfill Indie”? And Neil Hannon wrote music for Wonka, Father Ted and the IT Crowd. There's a new album, Rainy Sunday Afternoon, and a tour in October and all bases are covered in this conversation from Kildare, these among them … … seeing U2 at Croke Park “and feeling as though I'd won the Wonka Golden Ticket”. … favourite bands of the ‘80s and ‘90s - Pixies, Sugarcubes, Sonic Youth and Ride.… the miserably cancelled Father Ted musical and how he's recycled the songs he wrote for it. … a research trip to an Indie Disco with Stuart Murdoch of Belle and Sebastian. … how it feels to record at Abbey Road. … his teenage band inventing new words to R.E.M songs in an Enniskillen youth club. … how new songs begin. … supporting Carter USM and Suede, “the moment I first felt like a pop star”. … Mar-A-Lago, a childhood trip to London and further melancholia on his new album Rainy Sunday Afternoon.… rocks on the street in Derry en route to Primary School during the Troubles. … Hepworth and Ellen appearing on a Duckworth Lewis album - “nudging and nurdling!” … his first stab at “witty pseudo-intellectual lyrics”. … “never leave your tour bus, be rehearsed before you start rehearsals” and other ways touring saves money. … and the five songs he always plays.Divine Comedy tickets here: https://thedivinecomedy.com/livePre-order Rainy Sunday here: https://lnk.to/RainySundayFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week's episode comes live from Retromessa 2025 in Norway, where we were joined on stage by legendary video game composer Richard Jacques. From creating music on a ZX Spectrum at age 11 to scoring iconic titles like Sonic R, Jet Set Radio, Headhunter, and Mass Effect, Richard shares his incredible journey through Sega's golden years, live orchestras at Abbey Road, and the unexpected afterlife of a song that became a meme.  Richard's website: https://www.richardjacques.com/home Contents: 00:00 - The Week's Retro News Stories  54:42 - Richard Jacques Interview Please visit our amazing sponsors and help to support the show: Liverpool Gaming Market: https://www.liverpoolgamingmarket.com/ Bitmap Books - https://www.bitmapbooks.com Check out PCBWay at https://pcbway.com for all your PCB needs Take your business to the next level today and enjoy 3 months of Shopify for £1/month: https://shopify.co.uk/retrohour We need your help to ensure the future of the podcast, if you'd like to help us with running costs, equipment and hosting, please consider supporting us on Patreon: https://theretrohour.com/support/ https://www.patreon.com/retrohour Get your Retro Hour merchandise: https://bit.ly/33OWBKd Join our Discord channel: https://discord.gg/GQw8qp8 Website: http://theretrohour.com Facebook: https://www.facebook.com/theretrohour/ X: https://twitter.com/retrohouruk Instagram: https://www.instagram.com/retrohouruk/ Bluesky: https://bsky.app/profile/theretrohour.com Twitch: https://www.twitch.tv/theretrohour Show notes Sega Laserdisc Emulation Has Just Taken a Major Leap Forward: https://tinyurl.com/yc3t492v The Settlers II Finally Settles on Amiga 29 Years Late: https://tinyurl.com/y5xjjyvh Modder Builds Windows 98 Handheld Using Original Hardware: https://tinyurl.com/2v7j2y37 Happy 30th Birthday to Internet Explorer: https://tinyurl.com/452j77md Parenting Like It's 1999: https://tinyurl.com/2etae5m7

Tawinee's Actual Factuals Rockies, Abbey Road and Big Bird by STAR 102.5/Des Moines

Hosts Jim DeRogatis and Greg Kot welcome singer-songwriter Valerie June to the Goose Island Salt Shed Pub for a live interview and performance. The hosts also review the new album from hip hop veterans, Clipse.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Valerie June, "Astral Plane," The Order of Time, Concord, 2017The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Clipse, "Ace Trumpets," Let God Sort Em Out, Roc Nation, 2025Clipse, "The Birds Don't Sing," Let God Sort Em Out, Roc Nation, 2025Clipse, "All Things Considered," Let God Sort Em Out, Roc Nation, 2025Clipse, "So Be It," Let God Sort Em Out, Roc Nation, 2025Valerie June, "All I Really Wanna Do (Live on Sound Opinions)," Owls, Omens and Oracles, Concord, 2025Valerie June, "Joy Joy!," Owls, Omens and Oracles, Concord, 2025Valerie June, "The Life I Used To Live (Live on Sound Opinions)," unreleased, NA, 2025Valerie June, "Love Me Any Old Way (Live on Sound Opinions)," Owls, Omens and Oracles, Concord, 2025The Beatles, "Here Comes The Sun," Abbey Road, Apple, 1969See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul Weller has just covered it on his new album. Morrissey played it to Noel Gallagher who took the idea and ran with it. What explains the enduring appeal of a record that stalled at number 22 all those years ago? Actor/musician Brian Protheroe doesn't know but he's certainly grateful that it's being reissued once again. His story takes us back to:…the days when young musicians hitch-hiked to London…the way the sun shone on the day “Sgt Pepper” came out…when Soho was a village and an out of work actor could afford to live in Covent Garden…when being dumped by a girl could inspire that actor to diarise his daily routine…when the jazzman who played the solo on the record couldn't remember it for “TOTP”…how it feels to take your grandson to Abbey Road to watch your album being remastered.Pre-order the Chrysalis Red reissue of the first Brian Protheroe album: https://brianprotheroe.lnk.to/PNBFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Weller has just covered it on his new album. Morrissey played it to Noel Gallagher who took the idea and ran with it. What explains the enduring appeal of a record that stalled at number 22 all those years ago? Actor/musician Brian Protheroe doesn't know but he's certainly grateful that it's being reissued once again. His story takes us back to:…the days when young musicians hitch-hiked to London…the way the sun shone on the day “Sgt Pepper” came out…when Soho was a village and an out of work actor could afford to live in Covent Garden…when being dumped by a girl could inspire that actor to diarise his daily routine…when the jazzman who played the solo on the record couldn't remember it for “TOTP”…how it feels to take your grandson to Abbey Road to watch your album being remastered.Pre-order the Chrysalis Red reissue of the first Brian Protheroe album: https://brianprotheroe.lnk.to/PNBFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Weller has just covered it on his new album. Morrissey played it to Noel Gallagher who took the idea and ran with it. What explains the enduring appeal of a record that stalled at number 22 all those years ago? Actor/musician Brian Protheroe doesn't know but he's certainly grateful that it's being reissued once again. His story takes us back to:…the days when young musicians hitch-hiked to London…the way the sun shone on the day “Sgt Pepper” came out…when Soho was a village and an out of work actor could afford to live in Covent Garden…when being dumped by a girl could inspire that actor to diarise his daily routine…when the jazzman who played the solo on the record couldn't remember it for “TOTP”…how it feels to take your grandson to Abbey Road to watch your album being remastered.Pre-order the Chrysalis Red reissue of the first Brian Protheroe album: https://brianprotheroe.lnk.to/PNBFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

If you are one of the people feeling that things are not going to be all right, this one's for you. Coda #46 comes from Bill McKibben, veteran climate change activist and founder of multiple campaigns and organisations – check out Strength&Solidarity Ep. 57.  He told us how hard it can be to stay optimistic, when the odds against success seem high.  The Beatles' Here Comes the Sun is one of his go-to tracks for regaining his footing, so perhaps it's no surprise that he is currently organising people to “rise up” for Sun Day, a day of action “for a sun-powered planet” next month, 21 September, We've started releasing the Coda as a separate show, not just part of the main Strength&Solidarity podcast. You will find both of them in our feed here, or on our Substack page, with transcripts, and related links. If you subscribe at https://substack.com/@strengthsolidarity, you will receive the “host's note” accompanying each show.  Contact us at pod@strengthandsolidarity.orgQuick LinksBio: Bill McKibben: https://billmckibben.com/Sun Day:  Day of action, 21 September 2025   :https://www.sunday.earth/Wikipedia:  The Beatle's Abbey Road: https://en.wikipedia.org/wiki/Abbey_RoadWikipediaL  Nina Simone's O-o-h Child: https://en.wikipedia.org/wiki/O-o-h_Child

(***TIMESTAMPS in description below) ~ Carl Barney is a libertarian philanthropist and former owner of a network of for-profit colleges across the United States. A vocal advocate of Ayn Rand's Objectivism, he has donated millions to promote individual rights, free-market principles, and philosophical education through institutions like the Ayn Rand Institute and the Prometheus Foundation. PATREON: https://www.patreon.com/JulianDorey CARL's LINKS - IG: https://www.instagram.com/thecarlbarney/?hl=en - WEBSITE: carlbarney.com - BOOK: https://www.amazon.com/Happiness-Experiment-Revolutionary-Way-Increase/dp/B0DQ9MTKKD FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey ****TIMESTAMPS**** 00:00 – Abbey Road, Ghosts, XPrize, De-Aging, 120 Years, Sleep, Post-WWII England 11:11 – Siblings, Struggle, Dream at 17, Backpacking, Kindness, India, Sri Lanka 17:42 – Family Distance, Travel Wisdom, Curiosity, Bulgaria, Turkey 1959, India 1960, Education 30:31 – Churchill, Australia, Outback Job, America 1964, Energy, Self-Discovery, Late Calling 40:02 – Age 23–39, Soul, Passion Money, Life Design, Sky Not Falling, Wealth ≠ Joy 52:18 – Accidental Wealth, Zen, Education, Gratitude, Ayn Rand, Values, Purpose 59:02 – Management, Career Schools, No Fluff, 1985, $1M Debt, 100 Campuses, Factory Floor 01:09:15 – Higher Ed Crisis, Socialism, Political Drift, Foreign Influence 01:19:16 – Populism, Disenfranchised, Student Debt, Government Mistakes, AI Professors 01:35:20 – AI Brains, “Playing God?”, Human AI, Global Tuition, 24/7 Learning 01:46:23 – Online U, No Fluff, Avatar Debates, Critical Thinking, Reason, Objectivity, Truth 01:56:02 – Non-Profit Model, Gov Pressure, Self-Funded, Happiness 02:06:29 – Baseline Joy, Steve Jobs, Engine Failure, PreQuest, Legacy Gifts 02:16:11 – Near Death, System Issues, Habits, Read. Think. PLAN. 02:26:17 – Elon Musk, Idealism vs Reality CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 323 - Carl Barney Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

The indie-pop band that everyone needs in their life is back. Bright Nights is Allo Darlin's new album, and UK people can catch them on tour this October. Tickets here: https://www.allodarlin.com/tour Want AD FREE episodes? Become a member for £4 per month: https://www.patreon.com/101parttimejobs Get yourself some top class Shure microphone gear: https://shu.re/3YhV7p2 DistroKid makes music distribution fun and easy with unlimited uploads and artists keeping the ENTIRETY of their revenue. Get 30% off the first year of their service by signing up at https://distrokid.com/vip/101pod Learn more about your ad choices. Visit megaphone.fm/adchoices

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 16ú lá de mí Iúil, liomsa Lauren Ní Loingsigh. I 1993 baineadh geit as na daoine a raibh ag obair d'aerlíne mar go raibh ísliú pá de 34 milliúin punt. I 1999 d'éalaigh dhá ghardaí ón clúb eitilt de bharr go raibh tuirlingt de thuairt an oíche roimhe agus thit an t-eitleán ar a ceann. I 1976 bhí earcaíocht ag dul ar aghaidh do phlanda comhréir a raibh na milliúin euro acu. I 1999 tháinig an nuacht amach gur shroich Aerfort na Sionainne milliúin paisinéirí an tseachtain roimhe. Sin Ricky Martin le Livin' La Vida Loca – an t-amhrán is mó ar an lá seo I 1999 Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1969 agus iad ag taifead a albam Abbey Road, bhí The Beatles ag obair ar dhá amhráin George Harrison, Here Comes The Sun agus Something. Tháinig inspioráid chuig George Harrison chun scríobh Here Comes The Sun nuair a thóg sé lá as ag obair agus chaith sé an lá ag siúil timpeall gairdín ag tí Eric Clapton. I 2000 chuaigh Coldplay chuig uimhir a haon sa Bhreatain lena chéad albam darbh ainm Parachutes. Bhí amhráin ar an albam cosúil le Shiver, Yellow, Trouble agus Don't Panic agus bhuaigh siad Grammy don albam sin I 2002. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Michael Flatley I Meiriceá I 1958 agus rugadh aisteoir Will Ferrell I Meiriceá ar an lá seo I 1967 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 16th of July, with me Lauren Ní Loingsigh 1993: There was shock as air staff faced £34 million pay cuts. 1999: two members of the garda flying club had a miraculous escape last night after their aircraft crash landed and over turned. 1976: Recruitment started for a multi million syntex plant. 1999: shannon airports passenger figures topped the million mark last friday. That was Ricky Martin with Livin' La Vida Loca – the biggest song on this day in 1999 Onto music news on this day In 1969 During recordings for their Abbey Road album, The Beatles worked on two new George Harrison songs, 'Here Comes The Sun' and 'Something.' Harrison was inspired to write 'Here Comes The Sun' when taking a day off from Apple business and spending the day walking around the garden at Eric Clapton's house. 2000 Coldplay went to No.1 on the UK album chart with their debut release Parachutes. The release spawned the hit singles 'Shiver', 'Yellow', 'Trouble', and 'Don't Panic' and won the Grammy Award for Best Alternative Music Album in 2002. And finally celebrity birthdays on this day – dancer Michael Flatley was born in America in 1958 and actor Will Ferrell was born in America on this day in 1967 and this is some of the stuff has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

Back in Black sold twice as many records as Abbey Road. It's the most successful rock record (and 2nd most successful record period). So let's dig into why. What's the magic of this band, this album, and how can it make us love music a little bit more?(Check out the ⁠first⁠⁠⁠⁠,⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠second⁠⁠⁠⁠⁠⁠⁠, ⁠third⁠⁠⁠⁠⁠⁠, ⁠⁠fourth⁠, ⁠⁠⁠⁠⁠fifth⁠⁠, ⁠⁠sixth⁠⁠, ⁠⁠seventh⁠⁠, eighth⁠⁠⁠, ninth⁠⁠⁠ podcast episodes and/or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ part one⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠two⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠three⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠four⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠five⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠six⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ seven⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ eight⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nine⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠ten⁠⁠⁠⁠⁠⁠, ⁠⁠eleven⁠⁠⁠⁠⁠,⁠⁠⁠ ⁠twelve⁠⁠⁠⁠, thirteen, or fourteen⁠⁠ of the accompanying ⁠Substack posts⁠, with music examples!)For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to hear my music? For all things links visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to this pod's blog on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to receive deeper dives on the regular

Conversamos con el multifacético artista Alejandro Terán, cercano colaborador de Soda Stereo y Gustavo Cerati, en "Sueño Stereo", "El Último Concierto", "Bocanada", "11 Episodios Sinfónicos" y "Fuerza Natural".El músico argentino, que ha grabado en más de 1000 álbumes, nos contó detalles jugosos sobre su relación con Cerati, sus locuras creativas, la libertad artística en cada uno de los proyectos en los que se embarcaron, pero sobre todo acerca de la infinita confianza que el creador de "Canción Animal" y el virtuoso artista musical mantuvieron siempre.Desde los temas que quedaron fuera del recordado "11 Episodios Sinfónicos", la posibilidad de que Gustavo tocara la guitarra en ese histórico show, la decisión de grabar "Verbo Carne" en Abbey Road, su participación en la gira de "El Último Concierto", entre otras historias, conversamos con el también integrante de Instrucción Cívica, La Portuaria y Pericos.Suscríbete a Caja Negra, el único podcast en el mundo dedicado al universo de Soda Stereo, Gustavo Cerati, Zeta Bosio y Charly Alberti:https://linktr.ee/cajanegracastSíguenos en Instagram:https://www.instagram.com/cajanegracast/También estamos en TikTok:https://www.tiktok.com/@cajanegracastEscucha nuestros más de 40 episodios en Spotify:https://open.spotify.com/show/4ypCPr3YttCLgZ18SubnF1?si=mkwRxHJpRlOv027QVoBilA&nd=1&dlsi=35993af1664f47b6Sigue a Juan Carlos Cabrera en Instagram:https://www.instagram.com/fugazvolatil/Sigue a Javier Vásquez en Instagram:https://www.instagram.com/vozvegetal/

Ahead of the release of their upcoming album "Breaking Into Heaven", Max catches up with Loki from Gold Coast/Yugambeh band Selve. They chat about the globe-trotting writing and recording process that culminated in an historic first, how they're going big for their launch show, and why the album is full of L-Shaped curves.Connect with Selve on Instagram and TikTok and listen to Loki Horror Picture Show, the latest taste of their upcoming album "Breaking Into Heaven", on Spotify and Apple Music. Find tickets to their launch show at HOTA at the BLEACH Festival website.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 7ú lá de mí Iúil, liomsa Lauren Ní Loingsigh. I 1989 bhí na Daonlathaithe ag iarradh dhá shuíochán sa chomh-aireacht chun idirbheartaíocht a bheith acu le Fianna Fáil. I 2000 bhí scoilt sa chomhar creidmheasa de bharr go raibh chostas 30 milliún níos mó ar plean a bhí acu do na ríomhaire. I 1972 bhí Cill Chaoi laghdaithe chuig stádas sráidbhaile portach. I 1989 bhí imní ann mar go raibh ganntanas de shagairt ann sa chontae. Sin Eminem le The Real Slim Shady – an t-amhrán is mó ar an lá seo I 2000. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1969 rinne George Harrison taifead ar a amhrán nua Here Comes The Sun le Paul McCartney agus Ringo Starr ag Abbey Road I Londain. Ní raibh John Lennon ann de bharr go raibh sé I dtimpiste carr san Alban. I 2003 tháinig sé amach go rinne Britney Spears 500 míle dollar brabús tar éis a dhíol sí a tí in LA. Cheannaigh sí an tí do 1.8 milliún dollar I 2001 agus dhíol sí é do 2.3 milliún dollar. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh drumadóir Ashton Irwin san Astráil I 1994 agus rugadh amhránaí Richard Starkey (Ringo Starr) sa Bhreatain ar an lá seo I 1940 agus seo chuid de amhrán. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 7th of July, with me Lauren Ní Loingsigh 1989: two seats in the cabinet were a absolute must for the progressive democrats in negotiations with fianna fail. 2000: credit union rift as computer plan costed £30 million extra. 1972: kilkee was being reduced to bog village status. 1989: the shortage of priests raised concern. That was Eminem with The Real Slim Shady – the biggest song on this day in 2000 Onto music news on this day In 1969 George Harrison recorded his new song 'Here Comes the Sun' with just two other Beatles, Paul McCartney and Ringo Starr at Abbey Road in London. John Lennon was absent recovering from a car crash in Scotland. 2003 It was reported that Britney Spears had made $500,000 profit after selling her 5 bedroom home in Los Angeles. The singer had paid £1.8m for the house 2 years ago and sold for £2.3m. And finally celebrity birthdays on this day – drummer Ashton Irwin was born in Australia in 1994 and musician Richard Starkey aka Ringo Starr was born in the UK on this day in 1940 and this is one of his songs I'll be back with you tomorrow with another edition of Ar An Lá Seo.

By the time The Beatles released their twelfth and final studio album, Let It Be, the ban had already broken up.  Their official break-up was in April 1970, and this album was released in May.Much of the recording dates back over a year, and a project that Paul McCartney developed in an attempt to save the band.  The Beatles went into the studio in January 1969 to begin an album, document the development on film, and showcase the band as they return both to a simpler rock 'n' roll style and to live performance.  They started in Twickenham Film Studios, but quickly began fighting.  George Harrison left the group, only returning after they agreed to returning to Apple Studios and to bringing keyboardist Billy Preston in to assist in the process.Originally entitled "Get Back," the album was delayed multiple times as the group considered aligning with potential televised performances, and eventually postponing the release in favor of the studio album "Abbey Road."  As the demise of the group became more clear, Engineer Glyn Johns and producer Phil Spector were brought in to turn the pieces from the "Get Back" sessions into a complete album.These sessions were also the ones which included the final Beatles live performance, the "Rooftop Concert" recorded from the roof of Apple Studios on the afternoon of January 30, 1969.  This concert proceeded for 42 minutes until the police arrived and instructed the group to turn the sound down.Contemporary reviews of the album were more negative than previous Beatles albums, but those critiques have been revised upwards over time.Bruce presents this album marking the end of an era for this week's podcast.Two of UsPaul McCartney wrote most of this song which is credited to the Lennon-McCartney partnership.  The original idea was inspired by McCartney's travel adventures with Linda Eastman (to whom he was married in March 1969), but it took on more meaning as a gesture of affection to John Lennon after the group broke up.  I Me MineOne of the few non Lennon-McCartney songs on the album, this track was written by George Harrison.  It was their last new track recorded before their official break-up in April 1970.  The lyrics are a cry against the self-centeredness of mankind.  The Beatles recorded it in January 1970, by which time Lennon has privately left the group, so the three remaining members recorded it.  I've Got a FeelingThis song is actually a medley of two unfinished songs.  Paul McCartney wrote "I've Got a Feeling," and John Lennon wrote "Everybody Had a Hard Year." and the two were put together.  This was recorded during the Beatles' rooftop concert in January 1969 with Billy Preston on electric piano.Get BackThe concluding song from the album is unusual. because almost every moment of the song's development was recorded from the first riff to final mixing.  The concluding quip from John Lennon regarding hope that "we passed the audition," was taken from the Rooftop Concert and worked in by Phil Spector.  It was originally released as a single a year before in April 1969, and credited to "The Beatles with Billy Preston." ENTERTAINMENT TRACK:"Burning Bridges" (Main theme from the action comedy film Kelly's Heroes)This World War II comedy stars Clint Eastwood and Telly Savalas revolves around a gold heist as the war draws to a close.   STAFF PICKS:Question by The Moody BluesLynch brings us a song in multiple movements.  The frantic phase represents the question of why we must go to war, while the more subdued section represents love and peace.  Guitarist Justin Hayward wrote this song as a mashup of two unfinished songs which came together after observing the anxiety young US fans were experiencing regarding the draft and the Vietnam War.Proper Stranger by The Guess WhoRob features a deeper cut from the Canadian band off their "American Woman" album.  The lyrics depict the feelings of being alone in a big city where "Nobody knows my face or knows my name.  Nobody knows where I'm going or how I came.  Lost and found, no one claimed me. Alone with a million others."50,000 Miles Beneath My Brain by by Ten Years AfterWayne takes us on another deep cut.  This one is a psychedelic journey with the group that gets its name from their being founded ten years after Elvis's start.  We noticed the similarity between this song and the Rolling Stones' "Sympathy for the Devil," with which it shares a similar chord progression.Baby Hold On by The Grass RootsBruce closes the staff picks with a group that was big from 1965-1985.  The Grass Roots originated in 1965 as a project between the duo P.F. Sloan and Steve Barri.  This song went to number 35 and was included on their compilation album, "More Golden Grass," released in the fall of 1970.   INSTRUMENTAL TRACK:Genesis by Tangerine DreamWe close out this week's podcast with an early industrial track from the future jazz fusion giants. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In this episode Derek Champagne, CEO of The Artist Evolution, interviews Kavit Haria.From a young age, Kavit Haria learned to play “the world's most dificult percussion instrument”, the Tabla. Having immersed himself in learning about artist promotion, Kavit began to raise his profile and performed across the UK at venues large and small, with many artists (including Jimmy Page at the Royal Albert Hall) and recorded albums at the famed Abbey Road studios.Recognizing the demand for sharing what he learned gave rise to Kavit's first company, Insider Music Business. Within five years, from 2005 to 2010, Kavit created thirty-five different educational products online, from ebooks to video courses and audio training to membership programs, which he promoted to the growing database of 120,000 musicians and hit 7 figures in revenue.Kavit then turned to share his marketing automation strategies at business conferences in the UK and ran private workshops for small business owners in New York,Sydney and London.Since 2013, Kavit has been running Automated Business System, a flagship service to help experts and brands strategies, build, launch and market their businesses online. He has helped launch and grow 120+ businesses for clients, generating $100,000 or more in their first year online sales.Now, Kavit puts the knowledge and inspiration from his 10-years of building businesses into his new book, Don't Sleep On It! Turn Your Passion & Expertise Into A Profitable Business.Learn more at https://www.amazon.com/Dont-Sleep-Expertise-Profitable-Business/dp/1683509854

In this episode, I bring you something that's been on my heart to recreate for years. Inspired by the spontaneous, powerful moments I used to have during the Clubhouse era, I've launched a new live format called "How May I Serve You Today? Ask Me Anything." The idea is simple: I open a Zoom room, stream it live on Facebook, YouTube, and LinkedIn, and invite people to jump in for real-time, unscripted conversations. Just like the Clubhouse rooms I used to host, my intention is to hold space for deep coaching, authentic dialogue, and transformational moments in full view of a live audience. This is what I love most about coaching: witnessing the miraculous in everyday moments. Now, I get to bring that to you in podcast form. This episode features four unique conversations, each with its own flavor and insight: Conversation 1 – Ramon: Distraction as Enlightenment | Time Stamp 00:11:30 Ramon Ray, motivational keynote speaker and event host asked how to stay focused when a flurry of possibilities tugs at his attention. Together we: Clarified his personal definition of distraction as “not being focused on a single task for a meaningful amount of time.” Explored how repeated distractions can signal mis-alignment, tasks that belong in someone else's zone of excellence, not his own zone of genius. Reframed procrastination as feedback rather than failure, helping Ramon see that some tasks may simply need to be delegated or dropped. Listen for: A practical mindset shift that turns every interruption into a cue for deeper self-inquiry and better task design. Conversation 2 – Curtis: Re-awakening the Power to Dream | Time Stamp 00:37:18 Long-time listener Curtis joined to envision life after retirement. He struggled at first, so I invited him to “play make-believe.” Once he let his imagination lead, an inspiring vision unfolded: Curtis is guiding a bus tour across Europe, Abbey Road photos in London, the Isle of Wight Festival, Disneyland Paris, Normandy beaches, and more. The exercise linked childhood memories of GI Joe adventures to present-day possibilities, proving his imaginative muscles are still strong. Listen for: A repeatable prompt you can use to help clients (or yourself) move past “I don't know” and paint a vivid future. Conversation 3 – DeLyn: Launching a Grief Podcast without Perfection Paralysis | Time Stamp 01:12:21 DeLyn, an educator and grief advocate, has several episodes recorded but hasn't published due to fear and tech concerns. Together we: Identified her top blockers—perfectionism, intro/outro music, editing, and a self-imposed August 30 National Grief Awareness Day deadline. Reframed “perfect” to mean “the best I can with what I have right now,” reducing her fear score from a nine to about a three. Offered simple launch logistics (Buzzsprout hosting, minimalist artwork, optional music) and reminded her that an unpolished but heartfelt episode serves more people than silence. Listen for: Practical tips for shipping creative work even when your inner critic demands studio-level production. Conversation 4 – Mark: Releasing a Lifelong Fear of Judgment | Time Stamp 01:47:04 Mark arrived carrying a visceral fear of sending invoices to clients, a pattern that traces back to ridicule on his first day of kindergarten. Our dialogue centered on: Using The Four Agreements, especially “Don't take anything personally” and “Don't make assumptions” as daily practice. Viewing critics and trolls as mirrors that reveal hidden internal triggers, turning them into unexpected allies. Recognizing the physical release of fear (a “lightness in the chest” and tears) as evidence that old stories are dissolving. Listen for: A real-time demonstration of how a single mindset tool can lift decades-old emotional weight. Enjoy the episode, and if you'd like to join a future live session, keep an eye on my email list or hop into the stream the next time you see the “How May I Serve You Today?” banner.

Ever wonder what it's like to be part of rock history? Our latest LaunchLeft episode pulls back the curtain on Big Star's legacy. Rain Phoenix hosts an illuminating conversation with Jody Stephens, drummer of the legendary band Big Star. The discussion delves into Jody's early musical influences in Memphis, his experiences with Big Star, and the band's enduring legacy. Jody shares insights about recording at Ardent Studios and working with John Fry, offering a glimpse into the creation of Big Star's iconic sound.  Jody then launches Luther Russell. They discuss their collaboration in their band Those Pretty Wrongs, exploring their songwriting process and creative dynamic. Luther provides additional perspective on their partnership and his own musical journey. The episode also touches on Jody's recent induction into the Grammy Hall of Fame and Luther's latest solo album. Throughout, the conversation highlights the importance of maintaining a joyful, pressure-free approach to creativity in music. IN THIS EPISODE:  (00:00) Introducing Jody Stevens of Big Star (05:21) Jody’s early musical influences in Memphis (09:06) Rain on discovering Big Star in Costa Rica (15:22) John Fry's influence on Big Star's iconic sound (24:17) Working at Ardent Studios after Big Star (31:49) Changes in the music industry over time (47:50) Luther Russell is launched (49:17) Collaborative songwriting process for the band (56:32) Recording at Abbey Road with John Leckie (59:52) Luther Russell's new solo album Happiness for Beginners (1:02:39) Upcoming shows and future recording plans KEY TAKEAWAYS:  Music creation should be a joyful, pressure-free process. By focusing on having fun and avoiding self-imposed stress, artists can collaborate effectively long-distance and produce multiple albums together. This approach has allowed creativity to flow naturally. The music industry has changed dramatically, but there are still "gatekeepers" in new forms. While technology has democratized distribution, the sheer volume of content makes it challenging to break through. Having a passionate fanbase who will share your music remains crucial. Revisiting and performing older material can lead to unexpected new creative partnerships. What started as playing some shows together to support a documentary evolved into a fruitful songwriting collaboration and multiple albums. Being open to these opportunities can take your career in exciting new directions. RESOURCE LINKS:  LaunchLeft Podcast Smart Link JODY STEPHENS BIO: Jody Stephens (born October 4, 1952, in Memphis, Tennessee) is an American drummer best known as a founding member of the influential power pop band Big Star. Formed in 1971, Big Star’s original lineup included Alex Chilton, Chris Bell, Andy Hummel, and Stephens. The band released three albums—#1 Record (1972), Radio City (1974), and Third/Sister Lovers (recorded in 1974, released in 1978)—which, despite initial commercial struggles, later garnered critical acclaim and influenced numerous artists . In 1993, he participated in a reformation of the band alongside Chilton and members of The Posies, resulting in the 2005 album In Space.  Beyond Big Star, Stephens has collaborated with various groups. He joined the alt-country supergroup Golden Smog (with Jeff Tweedy of Wilco), contributing to albums like Weird Tales (1998) and Another Fine Day (2006) . In 2015, he formed Those Pretty Wrongs with Luther Russell, releasing their self-titled debut in 2016, followed by Zed for Zulu (2019) and Holiday Camp (2023) . Stephens has also been a longtime fixture at Ardent Studios in Memphis, where Big Star recorded their albums. He joined the Ardent staff in 1987 and has served as Vice President of Production am— and other titles, working under founder John Fry (who died in 2014 at age 69). Under his tenure, Ardent has continued to be a vital recording venue for artists across genres.  Today, Jody Stephens remains active in music, performing, recording, and contributing to the legacy of Big Star and Ardent Studios (he still works at Ardent). He is the last surviving member of Big Star’s original lineup, but still plays the music with the Big Star Quartet at shows across the world. 

The McGuigan Brothers take on Abbey Road, track by track, memory by memory and opinion by opinion. What's the best song? The worst? Could Abbey Road be even better with a track swap? And who's the true MVP of the album? It's part album autopsy, part family therapy session and all music love!billymcguigan.com/mcguiganbrotherspodcast

RATE BUSH! What are your most favorite and least-loved songs on Kate Bush's Hounds of Love? Three months before strange things catapulted Miss Bush into a new generation's consciousness, Sam had us sit down to dissect an album that most purists wouldn't dare break into separate parts. While Adam went overboard (groan) researching the second side's epic Ninth Wave song story, newbies Dan and Jim obliviously took it in like men with children in their eyes...or something. Guest rankers include keyboard guru and Abbey Road expert Brian Kehew (Moog Cookbook, The Who, Prince and more) and San Diego Music Award winner Marie Haddad from the world's greatest coverband, Baby Bushka. Hear it at WeWillRankYouPod.com, Apple, Spotify and your running shoe outlet.  ***This episode was recorded in February of 2022, a few months before Stranger Things made Kate Bush a hero to a whole new generation and eight months before we finally edited and released it.  Three years later, we received notice that we had to remove music from a dozen episodes of ours. Because we're a music podcast, we're allowed to play clips under music criticism laws so they let us keep the episodes intact. We recently noticed that this episode had disappeared though. Can't get a straight answer about why this one wasn't spared so we're re-uploading it without Kate's music. If you want to hear it in all of its original unedited glory, drop us a note on social media and we'll send it to you.  We're not making a dime on this, unless you Venmo us (ahem) at WeWillRankYouPod. In fact, we buy every single song you hear on the show. We love you, Kate. It's still a fun listen without the tunes. Enjoy.And Dream of Sheep Under Ice, art pop, art rock, Baby Bushka, The Big Sky, Kate Bush, Cloudbusting, Fairlight CMI, the Futureheads, Peter Gabriel, Marie Haddad, Hello Earth, Hounds of Love, Jig of Life, Brian Kehew, The Morning Fog, Mother Stands for Comfort, The Ninth Wave, Outkast, progressive pop, progressive rock, Running Up That Hill (A Deal with God), Donald Sutherland,  Waking the Witch, Watching You Without Me, 1985.US: http://www.WeWillRankYouPod.comHost tips: Venmo @wewillrankyoupodwewillrankyoupod@gmail.comhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPod

Listeners of The Wolf know that despite the fact that The Wolf lived mere yards (or meters) from Abbey Road, he and Action Jackson aren't huge Beatles fans. While he did go through a Beatles stage in high school, it was really an education on how the band evolved and created some amazing music which is still enjoyed and studied today. However, thanks to a run of 60s rock related movies that ran on Cinemax one night in the 80s, The Wolf became very familiar with Help! as he recorded the movie on VHS and watched it over and over. It was in technicolor, unlike A Hard Day's Night, and showed the boys having fun in exotic locales like Switzerland, The Bahamas, Stonehenge and Buckingham Palace. The seven tunes on the album that were included in the movie all hold up well and are fun to sing along with while you're watching. But the album is the first step moving from being bubble gum pop stars into more respected recording artists. We review the UK version of the album as the US version is shorter with orchestrated score tunes from the movie. The whole first side of the UK album features beloved songs from the movie like the title track, Ticket To Ride, You've Got To Hide Your Love Away and The Night Before. But the second side also features some Beatles classics like Ringo singing Act Naturally, I've Just Seen A Face and the all-time classic Yesterday. It's amazing that the boys were all so young (21-24) and were maturing before our eyes as they were now able to write more robust tunes with more mature themes. Bob Dylan had introduced them to marijuana by now and they'd done their first LSD trips which would show up more on an album from later in 1965, Rubber Soul (and after). But this one has one foot in the old, teenage dream Beatles phase and one in the more mature and experimental Beatles. We can't believe it's turning 60 but we went track x track to celebrate. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN THE FRIEDLAND FAMILY FOUNDATION / PREMIUM SUBSCRIPTION: https://www.youtube.com/@TheAdamFriedlandShow/join--The Adam Friedland Show - Season 2 Episode 4 | ANTHONY FANTANOX: https://x.com/friedland_show Instagram: https://www.instagram.com/theadamfriedlandshow/?hl=en TikTok: https://www.tiktok.com/@adamfriedlandshowclips YouTube: Subscribe to @TheAdamFriedlandShow here: https://www.youtube.com/c/TheAdamFriedlandShowSubscribe to @TAFSClips here: https://www.youtube.com/@tafsclips --Check out Bluechew: https://bluechew.comCheck out Lucy: lucy.co/tafsLet’s level up your nicotine routine with Lucy. Go to Lucy.co/TAFS and use promo code (TAFS) to get 20% off your first order. Lucy has a 30-day refund policy if you change your mind.

Listeners of The Wolf know that despite the fact that The Wolf lived mere yards (or meters) from Abbey Road, he and Action Jackson aren't huge Beatles fans. While he did go through a Beatles stage in high school, it was really an education on how the band evolved and created some amazing music which is still enjoyed and studied today. However, thanks to a run of 60s rock related movies that ran on Cinemax one night in the 80s, The Wolf became very familiar with Help! as he recorded the movie on VHS and watched it over and over. It was in technicolor, unlike A Hard Day's Night, and showed the boys having fun in exotic locales like Switzerland, The Bahamas, Stonehenge and Buckingham Palace. The seven tunes on the album that were included in the movie all hold up well and are fun to sing along with while you're watching. But the album is the first step moving from being bubble gum pop stars into more respected recording artists. We review the UK version of the album as the US version is shorter with orchestrated score tunes from the movie. The whole first side of the UK album features beloved songs from the movie like the title track, Ticket To Ride, You've Got To Hide Your Love Away and The Night Before. But the second side also features some Beatles classics like Ringo singing Act Naturally, I've Just Seen A Face and the all-time classic Yesterday. It's amazing that the boys were all so young (21-24) and were maturing before our eyes as they were now able to write more robust tunes with more mature themes. Bob Dylan had introduced them to marijuana by now and they'd done their first LSD trips which would show up more on an album from later in 1965, Rubber Soul (and after). But this one has one foot in the old, teenage dream Beatles phase and one in the more mature and experimental Beatles. We can't believe it's turning 60 but we went track x track to celebrate. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In late May 1969, producer Glyn Johns turned in a draft album, culled from hours of tape recorded in January 1969 during the Get Back/Let It Be sessions. His work reflected the original concept: catching The Beatles as they really were in the studio, with off-the-cuff performances of oldies, warm-ups, false starts and blown takes. It would have made for a fine tie-in with the original cut of the Let It Be film, but ultimately, the group rejected the idea, instead moving back to their established productions values, with Abbey Road being the result. The tapes, handed off to Phil Spector, emerged in May 1970 with a new tie-in: the group's break-up. Let It Be, the album, drew the worst reviews of their career, being a neither fish-nor-fowl collection of tunes bearing Spector's worst impulses (choirs and lush orchestration) alongside vestiges of the original concept (studio chat and tossed off improvisations). In this episode, Robert and Olympiad partner Gary Wenstrup re-imagine the group's history – what if Get Back HAD been accepted and released in spring 1969, the missing link between the “White Album” and Abbey Road?   You can read Glyn's account of things here and hear the actual work here. The artwork is here and the track listing here. 

Vanessa Kramer is a daughter, a wife, a mother, an author, and one heck of a fun, funny, and sharp conversationalist. She's also my guest for Episode No. 171, which gives me great honor to say.Vanessa and her husband, Kyle, stopped by for what turned out to be a delightful chat a couple of weeks ago, and we rolled through the morning and into the afternoon, talking family, upbringing, marriage, partnership, parenthood, publishing, and so much more. We also managed to devote a little bit of time to a few of Vanessa's favorite albums, which were these:Abbey Road (1969), The BeatlesFleetwood Mac's Rumors (1977)The Black Parade (2006), My Chemical RomanceOf Monsters and Men's My Head Is an Animal (2011)folklore (2020), Taylor SwiftOf Vanessa's many wonderful attributes is the fact that she has managed to publish four books in the last three years! Those are these:Great Divide (2023)Great Desolation (2024)My Mother's Spirit (2024)Temporarily, Forever (2025)All four titles can be found on Amazon and elsewhere. Learn more about my guest at vanessakramerauthor.com and please consider following her at @vanessakramerauthor on Threads, TikTok, Instagram, and/or Facebook.Also part of Vanessa's bag is her admirable role in the seriously cool publication, KC Book Beat, a nonprofit that celebrates and promotes the Kansas City (and surrounding) literary community. Find out more about them on Instagram or at kcbookbeat.com. Many thanks to Vanessa for the time and the good energy, and many thanks to all of you that support the show.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a song by The Doors. It's called, "The Changeling," and it comes from their 1971 album, L.A. Woman, c/o Rhino Entertainment, a Warner Music Group Company.

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Garry discusses his reaction to watching a young woman react to hearing The Beatles medley from Abbey Road for the first time. 

This is a long one! 83 minutes. This is the second podcast in which we answer questions from a our “ask us anything” post. We recorded this one before our most recent podcast — kind of like Abbey Road and Let it Be — so we were still graced by Vinay's presence. In fact, we recorded it in his studio. We still have about a half dozen questions to answer; we will cover those on an upcoming podcast. Enjoy. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sensible-med.com/subscribe

Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film.Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.