Podcasts about Abbey Road

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 16ú lá de mí Iúil, liomsa Lauren Ní Loingsigh. I 1993 baineadh geit as na daoine a raibh ag obair d'aerlíne mar go raibh ísliú pá de 34 milliúin punt. I 1999 d'éalaigh dhá ghardaí ón clúb eitilt de bharr go raibh tuirlingt de thuairt an oíche roimhe agus thit an t-eitleán ar a ceann. I 1976 bhí earcaíocht ag dul ar aghaidh do phlanda comhréir a raibh na milliúin euro acu. I 1999 tháinig an nuacht amach gur shroich Aerfort na Sionainne milliúin paisinéirí an tseachtain roimhe. Sin Ricky Martin le Livin' La Vida Loca – an t-amhrán is mó ar an lá seo I 1999 Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1969 agus iad ag taifead a albam Abbey Road, bhí The Beatles ag obair ar dhá amhráin George Harrison, Here Comes The Sun agus Something. Tháinig inspioráid chuig George Harrison chun scríobh Here Comes The Sun nuair a thóg sé lá as ag obair agus chaith sé an lá ag siúil timpeall gairdín ag tí Eric Clapton. I 2000 chuaigh Coldplay chuig uimhir a haon sa Bhreatain lena chéad albam darbh ainm Parachutes. Bhí amhráin ar an albam cosúil le Shiver, Yellow, Trouble agus Don't Panic agus bhuaigh siad Grammy don albam sin I 2002. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Michael Flatley I Meiriceá I 1958 agus rugadh aisteoir Will Ferrell I Meiriceá ar an lá seo I 1967 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 16th of July, with me Lauren Ní Loingsigh 1993: There was shock as air staff faced £34 million pay cuts. 1999: two members of the garda flying club had a miraculous escape last night after their aircraft crash landed and over turned. 1976: Recruitment started for a multi million syntex plant. 1999: shannon airports passenger figures topped the million mark last friday. That was Ricky Martin with Livin' La Vida Loca – the biggest song on this day in 1999 Onto music news on this day In 1969 During recordings for their Abbey Road album, The Beatles worked on two new George Harrison songs, 'Here Comes The Sun' and 'Something.' Harrison was inspired to write 'Here Comes The Sun' when taking a day off from Apple business and spending the day walking around the garden at Eric Clapton's house. 2000 Coldplay went to No.1 on the UK album chart with their debut release Parachutes. The release spawned the hit singles 'Shiver', 'Yellow', 'Trouble', and 'Don't Panic' and won the Grammy Award for Best Alternative Music Album in 2002. And finally celebrity birthdays on this day – dancer Michael Flatley was born in America in 1958 and actor Will Ferrell was born in America on this day in 1967 and this is some of the stuff has done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

Back in Black sold twice as many records as Abbey Road. It's the most successful rock record (and 2nd most successful record period). So let's dig into why. What's the magic of this band, this album, and how can it make us love music a little bit more?(Check out the ⁠first⁠⁠⁠⁠,⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠second⁠⁠⁠⁠⁠⁠⁠, ⁠third⁠⁠⁠⁠⁠⁠, ⁠⁠fourth⁠, ⁠⁠⁠⁠⁠fifth⁠⁠, ⁠⁠sixth⁠⁠, ⁠⁠seventh⁠⁠, eighth⁠⁠⁠, ninth⁠⁠⁠ podcast episodes and/or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ part one⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠two⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠three⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠four⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠five⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠six⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ seven⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ eight⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nine⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠ten⁠⁠⁠⁠⁠⁠, ⁠⁠eleven⁠⁠⁠⁠⁠,⁠⁠⁠ ⁠twelve⁠⁠⁠⁠, thirteen, or fourteen⁠⁠ of the accompanying ⁠Substack posts⁠, with music examples!)For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to hear my music? For all things links visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to this pod's blog on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to receive deeper dives on the regular

Conversamos con el multifacético artista Alejandro Terán, cercano colaborador de Soda Stereo y Gustavo Cerati, en "Sueño Stereo", "El Último Concierto", "Bocanada", "11 Episodios Sinfónicos" y "Fuerza Natural".El músico argentino, que ha grabado en más de 1000 álbumes, nos contó detalles jugosos sobre su relación con Cerati, sus locuras creativas, la libertad artística en cada uno de los proyectos en los que se embarcaron, pero sobre todo acerca de la infinita confianza que el creador de "Canción Animal" y el virtuoso artista musical mantuvieron siempre.Desde los temas que quedaron fuera del recordado "11 Episodios Sinfónicos", la posibilidad de que Gustavo tocara la guitarra en ese histórico show, la decisión de grabar "Verbo Carne" en Abbey Road, su participación en la gira de "El Último Concierto", entre otras historias, conversamos con el también integrante de Instrucción Cívica, La Portuaria y Pericos.Suscríbete a Caja Negra, el único podcast en el mundo dedicado al universo de Soda Stereo, Gustavo Cerati, Zeta Bosio y Charly Alberti:https://linktr.ee/cajanegracastSíguenos en Instagram:https://www.instagram.com/cajanegracast/También estamos en TikTok:https://www.tiktok.com/@cajanegracastEscucha nuestros más de 40 episodios en Spotify:https://open.spotify.com/show/4ypCPr3YttCLgZ18SubnF1?si=mkwRxHJpRlOv027QVoBilA&nd=1&dlsi=35993af1664f47b6Sigue a Juan Carlos Cabrera en Instagram:https://www.instagram.com/fugazvolatil/Sigue a Javier Vásquez en Instagram:https://www.instagram.com/vozvegetal/

Abbey Road 60s Drummer v1.3.1 KONTAKT FANTASTiC | 10 January 2025 | 6.32 GB ABBEY ROAD | 60s DRUMS is the first of Native Instruments’ collaborations with Abbey Road Studios […]

Ahead of the release of their upcoming album "Breaking Into Heaven", Max catches up with Loki from Gold Coast/Yugambeh band Selve. They chat about the globe-trotting writing and recording process that culminated in an historic first, how they're going big for their launch show, and why the album is full of L-Shaped curves.Connect with Selve on Instagram and TikTok and listen to Loki Horror Picture Show, the latest taste of their upcoming album "Breaking Into Heaven", on Spotify and Apple Music. Find tickets to their launch show at HOTA at the BLEACH Festival website.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 7ú lá de mí Iúil, liomsa Lauren Ní Loingsigh. I 1989 bhí na Daonlathaithe ag iarradh dhá shuíochán sa chomh-aireacht chun idirbheartaíocht a bheith acu le Fianna Fáil. I 2000 bhí scoilt sa chomhar creidmheasa de bharr go raibh chostas 30 milliún níos mó ar plean a bhí acu do na ríomhaire. I 1972 bhí Cill Chaoi laghdaithe chuig stádas sráidbhaile portach. I 1989 bhí imní ann mar go raibh ganntanas de shagairt ann sa chontae. Sin Eminem le The Real Slim Shady – an t-amhrán is mó ar an lá seo I 2000. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1969 rinne George Harrison taifead ar a amhrán nua Here Comes The Sun le Paul McCartney agus Ringo Starr ag Abbey Road I Londain. Ní raibh John Lennon ann de bharr go raibh sé I dtimpiste carr san Alban. I 2003 tháinig sé amach go rinne Britney Spears 500 míle dollar brabús tar éis a dhíol sí a tí in LA. Cheannaigh sí an tí do 1.8 milliún dollar I 2001 agus dhíol sí é do 2.3 milliún dollar. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh drumadóir Ashton Irwin san Astráil I 1994 agus rugadh amhránaí Richard Starkey (Ringo Starr) sa Bhreatain ar an lá seo I 1940 agus seo chuid de amhrán. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 7th of July, with me Lauren Ní Loingsigh 1989: two seats in the cabinet were a absolute must for the progressive democrats in negotiations with fianna fail. 2000: credit union rift as computer plan costed £30 million extra. 1972: kilkee was being reduced to bog village status. 1989: the shortage of priests raised concern. That was Eminem with The Real Slim Shady – the biggest song on this day in 2000 Onto music news on this day In 1969 George Harrison recorded his new song 'Here Comes the Sun' with just two other Beatles, Paul McCartney and Ringo Starr at Abbey Road in London. John Lennon was absent recovering from a car crash in Scotland. 2003 It was reported that Britney Spears had made $500,000 profit after selling her 5 bedroom home in Los Angeles. The singer had paid £1.8m for the house 2 years ago and sold for £2.3m. And finally celebrity birthdays on this day – drummer Ashton Irwin was born in Australia in 1994 and musician Richard Starkey aka Ringo Starr was born in the UK on this day in 1940 and this is one of his songs I'll be back with you tomorrow with another edition of Ar An Lá Seo.

In dieser Folge dreht sich alles um die Beatles - und das aus drei ganz unterschiedlichen Perspektiven: Zu Gast ist Raoul vom Podcast Was mit Rock und Vinyl, ein echter Beatles-Ultra mit beeindruckendem Wissen, großer Leidenschaft und einer beachtlichen Sammlung. Gemeinsam mit ihm sprechen Martin (dem neugierigen Neuentdecker) und Dennis (als schon-immer-Fan) über drei Alben der Fab Four, die wir auf Vinyl mitgebracht haben: With The Beatles, The Beatles (besser bekannt als „White Album“) und Abbey Road. Was macht das Bandgefüge der Beatles so besonders? Wie wurde im Studio gearbeitet, welche Rolle spielte Produzent George Martin - und wie veränderten sich Songs und Klangbilder durch Remixes und Remaster? Wir reden über das popkulturelle Erbe der Beatles, unsere Lieblingssongs, überraschende Details und persönliche Erinnerungen. Und natürlich geht es immer wieder um die Liebe zum Vinyl: Wie klingen diese Alben heute, wie sehen sie aus, was spürt man, wenn man sie auflegt? Eine Folge für Beatles-Kenner, Vinyl-Liebhaber und alle, die Lust haben, sich neu mit dieser legendären Band zu beschäftigen. Hier könnt ihr den Podcast „Was mit Rock und Vinyl“ bei Spotify hören. Unsere Lieblingsplatten der Pilzköpfe With the Beatles The Beatles Abbey Road Soundtrack: Yesterday Unterstützt uns bitte mit einer Sterne-Bewertung sowie gerne auch einem Kommentar dazu bei Apple Podcasts (Link) oder Spotify (Link). Wir freuen uns darüber. Feedback, Wünsche oder Vorschläge zu Gästen dürft ihr uns gerne per Mail schreiben: kontakt@platten-panorama.de. Höre dir die Folge bei Apple, Google, Spotify, podcast.de, Deezer, Podimo, YouTube, Pocket Casts, Castbox oder direkt per RSS-Feed an. Zu jeder besprochenen Platte aus dem Panorama könnt ihr euch nun auch einen Song auf unserer Playlist bei Spotify anhören. Viel Spaß! Verwendet doch gerne diesen Affiliate-Link zum Onlineshop von JPC, wenn ihr eure Vinyl dort kauft. Mit der Nutzung dieses Links unterstützt ihr uns bei der Erstellung unseres Podcasts. Herzlichen Dank!

In this week's The Making of, we do a deep dive into The Beetles' iconic, influential and incredible Abbey RoadJoining Andrea today is Head tour guide at the Irish Rock ‘N' Roll Museum Experience Alan Buckley.Alan talks us through the road to Abbey Road and the ever-lasting impact this album has.Listen here.

By the time The Beatles released their twelfth and final studio album, Let It Be, the ban had already broken up.  Their official break-up was in April 1970, and this album was released in May.Much of the recording dates back over a year, and a project that Paul McCartney developed in an attempt to save the band.  The Beatles went into the studio in January 1969 to begin an album, document the development on film, and showcase the band as they return both to a simpler rock 'n' roll style and to live performance.  They started in Twickenham Film Studios, but quickly began fighting.  George Harrison left the group, only returning after they agreed to returning to Apple Studios and to bringing keyboardist Billy Preston in to assist in the process.Originally entitled "Get Back," the album was delayed multiple times as the group considered aligning with potential televised performances, and eventually postponing the release in favor of the studio album "Abbey Road."  As the demise of the group became more clear, Engineer Glyn Johns and producer Phil Spector were brought in to turn the pieces from the "Get Back" sessions into a complete album.These sessions were also the ones which included the final Beatles live performance, the "Rooftop Concert" recorded from the roof of Apple Studios on the afternoon of January 30, 1969.  This concert proceeded for 42 minutes until the police arrived and instructed the group to turn the sound down.Contemporary reviews of the album were more negative than previous Beatles albums, but those critiques have been revised upwards over time.Bruce presents this album marking the end of an era for this week's podcast.Two of UsPaul McCartney wrote most of this song which is credited to the Lennon-McCartney partnership.  The original idea was inspired by McCartney's travel adventures with Linda Eastman (to whom he was married in March 1969), but it took on more meaning as a gesture of affection to John Lennon after the group broke up.  I Me MineOne of the few non Lennon-McCartney songs on the album, this track was written by George Harrison.  It was their last new track recorded before their official break-up in April 1970.  The lyrics are a cry against the self-centeredness of mankind.  The Beatles recorded it in January 1970, by which time Lennon has privately left the group, so the three remaining members recorded it.  I've Got a FeelingThis song is actually a medley of two unfinished songs.  Paul McCartney wrote "I've Got a Feeling," and John Lennon wrote "Everybody Had a Hard Year." and the two were put together.  This was recorded during the Beatles' rooftop concert in January 1969 with Billy Preston on electric piano.Get BackThe concluding song from the album is unusual. because almost every moment of the song's development was recorded from the first riff to final mixing.  The concluding quip from John Lennon regarding hope that "we passed the audition," was taken from the Rooftop Concert and worked in by Phil Spector.  It was originally released as a single a year before in April 1969, and credited to "The Beatles with Billy Preston." ENTERTAINMENT TRACK:"Burning Bridges" (Main theme from the action comedy film Kelly's Heroes)This World War II comedy stars Clint Eastwood and Telly Savalas revolves around a gold heist as the war draws to a close.   STAFF PICKS:Question by The Moody BluesLynch brings us a song in multiple movements.  The frantic phase represents the question of why we must go to war, while the more subdued section represents love and peace.  Guitarist Justin Hayward wrote this song as a mashup of two unfinished songs which came together after observing the anxiety young US fans were experiencing regarding the draft and the Vietnam War.Proper Stranger by The Guess WhoRob features a deeper cut from the Canadian band off their "American Woman" album.  The lyrics depict the feelings of being alone in a big city where "Nobody knows my face or knows my name.  Nobody knows where I'm going or how I came.  Lost and found, no one claimed me. Alone with a million others."50,000 Miles Beneath My Brain by by Ten Years AfterWayne takes us on another deep cut.  This one is a psychedelic journey with the group that gets its name from their being founded ten years after Elvis's start.  We noticed the similarity between this song and the Rolling Stones' "Sympathy for the Devil," with which it shares a similar chord progression.Baby Hold On by The Grass RootsBruce closes the staff picks with a group that was big from 1965-1985.  The Grass Roots originated in 1965 as a project between the duo P.F. Sloan and Steve Barri.  This song went to number 35 and was included on their compilation album, "More Golden Grass," released in the fall of 1970.   INSTRUMENTAL TRACK:Genesis by Tangerine DreamWe close out this week's podcast with an early industrial track from the future jazz fusion giants. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In this episode Derek Champagne, CEO of The Artist Evolution, interviews Kavit Haria.From a young age, Kavit Haria learned to play “the world's most dificult percussion instrument”, the Tabla. Having immersed himself in learning about artist promotion, Kavit began to raise his profile and performed across the UK at venues large and small, with many artists (including Jimmy Page at the Royal Albert Hall) and recorded albums at the famed Abbey Road studios.Recognizing the demand for sharing what he learned gave rise to Kavit's first company, Insider Music Business. Within five years, from 2005 to 2010, Kavit created thirty-five different educational products online, from ebooks to video courses and audio training to membership programs, which he promoted to the growing database of 120,000 musicians and hit 7 figures in revenue.Kavit then turned to share his marketing automation strategies at business conferences in the UK and ran private workshops for small business owners in New York,Sydney and London.Since 2013, Kavit has been running Automated Business System, a flagship service to help experts and brands strategies, build, launch and market their businesses online. He has helped launch and grow 120+ businesses for clients, generating $100,000 or more in their first year online sales.Now, Kavit puts the knowledge and inspiration from his 10-years of building businesses into his new book, Don't Sleep On It! Turn Your Passion & Expertise Into A Profitable Business.Learn more at https://www.amazon.com/Dont-Sleep-Expertise-Profitable-Business/dp/1683509854

In this episode, I bring you something that's been on my heart to recreate for years. Inspired by the spontaneous, powerful moments I used to have during the Clubhouse era, I've launched a new live format called "How May I Serve You Today? Ask Me Anything." The idea is simple: I open a Zoom room, stream it live on Facebook, YouTube, and LinkedIn, and invite people to jump in for real-time, unscripted conversations. Just like the Clubhouse rooms I used to host, my intention is to hold space for deep coaching, authentic dialogue, and transformational moments in full view of a live audience. This is what I love most about coaching: witnessing the miraculous in everyday moments. Now, I get to bring that to you in podcast form. This episode features four unique conversations, each with its own flavor and insight: Conversation 1 – Ramon: Distraction as Enlightenment | Time Stamp 00:11:30 Ramon Ray, motivational keynote speaker and event host asked how to stay focused when a flurry of possibilities tugs at his attention. Together we: Clarified his personal definition of distraction as “not being focused on a single task for a meaningful amount of time.” Explored how repeated distractions can signal mis-alignment, tasks that belong in someone else's zone of excellence, not his own zone of genius. Reframed procrastination as feedback rather than failure, helping Ramon see that some tasks may simply need to be delegated or dropped. Listen for: A practical mindset shift that turns every interruption into a cue for deeper self-inquiry and better task design. Conversation 2 – Curtis: Re-awakening the Power to Dream | Time Stamp 00:37:18 Long-time listener Curtis joined to envision life after retirement. He struggled at first, so I invited him to “play make-believe.” Once he let his imagination lead, an inspiring vision unfolded: Curtis is guiding a bus tour across Europe, Abbey Road photos in London, the Isle of Wight Festival, Disneyland Paris, Normandy beaches, and more. The exercise linked childhood memories of GI Joe adventures to present-day possibilities, proving his imaginative muscles are still strong. Listen for: A repeatable prompt you can use to help clients (or yourself) move past “I don't know” and paint a vivid future. Conversation 3 – DeLyn: Launching a Grief Podcast without Perfection Paralysis | Time Stamp 01:12:21 DeLyn, an educator and grief advocate, has several episodes recorded but hasn't published due to fear and tech concerns. Together we: Identified her top blockers—perfectionism, intro/outro music, editing, and a self-imposed August 30 National Grief Awareness Day deadline. Reframed “perfect” to mean “the best I can with what I have right now,” reducing her fear score from a nine to about a three. Offered simple launch logistics (Buzzsprout hosting, minimalist artwork, optional music) and reminded her that an unpolished but heartfelt episode serves more people than silence. Listen for: Practical tips for shipping creative work even when your inner critic demands studio-level production. Conversation 4 – Mark: Releasing a Lifelong Fear of Judgment | Time Stamp 01:47:04 Mark arrived carrying a visceral fear of sending invoices to clients, a pattern that traces back to ridicule on his first day of kindergarten. Our dialogue centered on: Using The Four Agreements, especially “Don't take anything personally” and “Don't make assumptions” as daily practice. Viewing critics and trolls as mirrors that reveal hidden internal triggers, turning them into unexpected allies. Recognizing the physical release of fear (a “lightness in the chest” and tears) as evidence that old stories are dissolving. Listen for: A real-time demonstration of how a single mindset tool can lift decades-old emotional weight. Enjoy the episode, and if you'd like to join a future live session, keep an eye on my email list or hop into the stream the next time you see the “How May I Serve You Today?” banner.

In this episode of the Anglotopia podcast, host Jonathan Thomas speaks with Charles Rosenay, a seasoned Beatles tour guide and cultural ambassador for Liverpool. They explore the evolution of Beatles tourism, the significance of iconic locations like the Cavern Club, and the hidden gems of Liverpool that fans should not miss. Charles shares memorable experiences from his tours, the emotional reactions of fans, and the changing relationship between Liverpool and its Beatles heritage. The conversation also touches on the impact of the internet on tourism, the joy of sharing Beatles history, and the best times to visit Liverpool for an immersive experience. Links www.LiverpoolTours.com The Book of Top 10 Beatles Lists (Amazon Link) www.BookOfTop10BeatlesLists.com Liverpool Tours on Facebook International Beatle Week Visit Liverpool Website Takeaways Charles Rosenay has been a Beatles tour guide since 1983. Liverpool has transformed into a vibrant cultural destination. The Cavern Club is a must-visit for Beatles fans. Emotional reactions from fans often include tears of joy. Beatles Week in August is the best time to visit Liverpool. Hidden gems like the Jacaranda are essential stops. The Beatles' childhood homes are significant historical sites. Balancing myth and history is crucial in storytelling. Liverpool's character is shaped by its people and culture. The internet has changed how Beatles tourism operates. Soundbites 1. The Origin Story "I fell in love with them like millions of other people of a certain age on February 9th, 1964 when they appeared on the Ed Sullivan show. Watched it, fell 100% in love with it, realized there was more to the world than just monster movies and kindergarten and baseball." 2. Liverpool as Sacred Ground "Liverpool was that holy land, the holy grail destination for me. When I was young, I would clip every article, everything that said John Paul, George Ringo. But I would also, if it said the tall ships are sailing into Liverpool, I would cut that out." 3. The Emotional Kiss "She got off the coach, set foot in Liverpool, bowed down and kissed the ground. I said, you guys planned that, huh? She goes, 'No, my gosh. That was so spontaneous. I didn't even think I was going to do that.'" 4. The Fifth Beatle Revelation "There was that debate, if you're a Beatles fan, the debate was who was the fifth Beatle? Was it Brian Epstein? Was it Billy Preston? Was it George Martin? The fifth Beatle was Liverpool. Liverpool is a personality, it's a lifestyle, it's humor." 5. Liverpool's Transformation "Back then it was just a dingy, scaffolded, gray like slum backyard area. I remember putting my ears against the walls and just trying to dream what it would be like hearing the Beatles play through these walls. Now it's completely embraced the entire tourism industry." 6. The Cavern Club Legacy "The Beatles played there over 300 times. It was literally their residency. Life was music and you wanted to be the band that played there. If you do one place that you want to capture the rock and roll and that era and the sweat and the music, it's the Cavern Club for sure." 7. 100% Satisfaction Guarantee "I am so proud, blessed, lucky, I don't know what the word is, 100% satisfaction from the people who go on the tour. Even the best five-star posh restaurant will have its off day. I forgot what your question was, but I think I went on a little tangent there." 8. The Magic of Spontaneity "Julian Lennon is doing a signing at a toy store in London in two hours. I said, you know what? We're changing our schedule. We can be in Liverpool two or three hours later. We're all going to this event. The 30 of us were in line for him. Eight other people came besides us." 9. Seeing Through Fresh Eyes "When they get excited, 'Can you take a picture of me crossing Abbey Road?' I know it. I had that feeling in 83 and 84, 85, and year after year. It's the joy of the people going and me loving it vicariously through their eyes and emotions." 10. Beatles Week Magic "During Beatle Week, you're literally walking street to street to street, hearing nonstop Beatle music. You just pour out Beatles music and that could be a plus or a minus if you're a Beatles fan—this is it, you're in heaven." Chapters 00:00 Exploring Beatles Tourism in Liverpool 01:54 Charles Rosenay's Journey as a Beatles Ambassador 05:45 The Evolution of Beatles Tours Over Four Decades 07:50 Memorable Reactions from First-Time Visitors 09:50 The Must-See Locations on a Magical Mystery Tour 14:56 The Significance of the Cavern Club 16:52 Hidden Beatles Gems in Liverpool 19:01 Visiting Childhood Homes of the Beatles 20:35 Balancing Myth and History in Beatles Tours 23:13 The Unique Character of Liverpool Beyond the Beatles 23:25 The Heart of Liverpool: A City of Personality 27:14 Evolving Perspectives: Liverpool's Relationship with The Beatles 28:43 Beyond The Beatles: Exploring Liverpool's Culture 31:37 The Best Time to Visit: Beatle Week and More 35:15 Unexpected Moments: Surreal Experiences on Tours 39:33 Meeting Legends: Encounters with The Beatles' Family 40:30 The Evolution of Beatles Tourism: Then and Now 42:10 The Book of Top 10 Beatles Lists: A Unique Perspective 43:55 The Joy of Sharing: Passion for Beatles Tourism 47:03 anglotopia-podcast-outro.mp4 Video Version

Ever wonder what it's like to be part of rock history? Our latest LaunchLeft episode pulls back the curtain on Big Star's legacy. Rain Phoenix hosts an illuminating conversation with Jody Stephens, drummer of the legendary band Big Star. The discussion delves into Jody's early musical influences in Memphis, his experiences with Big Star, and the band's enduring legacy. Jody shares insights about recording at Ardent Studios and working with John Fry, offering a glimpse into the creation of Big Star's iconic sound.  Jody then launches Luther Russell. They discuss their collaboration in their band Those Pretty Wrongs, exploring their songwriting process and creative dynamic. Luther provides additional perspective on their partnership and his own musical journey. The episode also touches on Jody's recent induction into the Grammy Hall of Fame and Luther's latest solo album. Throughout, the conversation highlights the importance of maintaining a joyful, pressure-free approach to creativity in music. IN THIS EPISODE:  (00:00) Introducing Jody Stevens of Big Star (05:21) Jody’s early musical influences in Memphis (09:06) Rain on discovering Big Star in Costa Rica (15:22) John Fry's influence on Big Star's iconic sound (24:17) Working at Ardent Studios after Big Star (31:49) Changes in the music industry over time (47:50) Luther Russell is launched (49:17) Collaborative songwriting process for the band (56:32) Recording at Abbey Road with John Leckie (59:52) Luther Russell's new solo album Happiness for Beginners (1:02:39) Upcoming shows and future recording plans KEY TAKEAWAYS:  Music creation should be a joyful, pressure-free process. By focusing on having fun and avoiding self-imposed stress, artists can collaborate effectively long-distance and produce multiple albums together. This approach has allowed creativity to flow naturally. The music industry has changed dramatically, but there are still "gatekeepers" in new forms. While technology has democratized distribution, the sheer volume of content makes it challenging to break through. Having a passionate fanbase who will share your music remains crucial. Revisiting and performing older material can lead to unexpected new creative partnerships. What started as playing some shows together to support a documentary evolved into a fruitful songwriting collaboration and multiple albums. Being open to these opportunities can take your career in exciting new directions. RESOURCE LINKS:  LaunchLeft Podcast Smart Link JODY STEPHENS BIO: Jody Stephens (born October 4, 1952, in Memphis, Tennessee) is an American drummer best known as a founding member of the influential power pop band Big Star. Formed in 1971, Big Star’s original lineup included Alex Chilton, Chris Bell, Andy Hummel, and Stephens. The band released three albums—#1 Record (1972), Radio City (1974), and Third/Sister Lovers (recorded in 1974, released in 1978)—which, despite initial commercial struggles, later garnered critical acclaim and influenced numerous artists . In 1993, he participated in a reformation of the band alongside Chilton and members of The Posies, resulting in the 2005 album In Space.  Beyond Big Star, Stephens has collaborated with various groups. He joined the alt-country supergroup Golden Smog (with Jeff Tweedy of Wilco), contributing to albums like Weird Tales (1998) and Another Fine Day (2006) . In 2015, he formed Those Pretty Wrongs with Luther Russell, releasing their self-titled debut in 2016, followed by Zed for Zulu (2019) and Holiday Camp (2023) . Stephens has also been a longtime fixture at Ardent Studios in Memphis, where Big Star recorded their albums. He joined the Ardent staff in 1987 and has served as Vice President of Production am— and other titles, working under founder John Fry (who died in 2014 at age 69). Under his tenure, Ardent has continued to be a vital recording venue for artists across genres.  Today, Jody Stephens remains active in music, performing, recording, and contributing to the legacy of Big Star and Ardent Studios (he still works at Ardent). He is the last surviving member of Big Star’s original lineup, but still plays the music with the Big Star Quartet at shows across the world. 

The McGuigan Brothers take on Abbey Road, track by track, memory by memory and opinion by opinion. What's the best song? The worst? Could Abbey Road be even better with a track swap? And who's the true MVP of the album? It's part album autopsy, part family therapy session and all music love!billymcguigan.com/mcguiganbrotherspodcast

En ce lundi 23 juin, Marjorie Hache ouvre Pop-Rock Station avec une programmation intense mêlant classiques rock et actualité musicale. Muse dévoile "Unravelling", premier titre inédit depuis 2022, annonçant leur dixième album. L'album de la semaine est "Idols" de Yungblud, introspectif et ancré dans l'héritage des années 80-90. Côté nouveautés, The Inspector Cluzo sort "Less Is More" et Wet Leg amorce son retour avec un nouveau single attendu. Le live du jour est assuré par Architects, qui reprend "Change" de Deftones dans une session enregistrée à Abbey Road. Le long format met en lumière Car Seat Headrest avec "The Scholars", tandis que Jeff Beck et Imelda May livrent une reprise touchante de "Remember Walking in the Sand". L'émission fait également un clin d'œil au documentaire "Madness" à venir sur Arte. Un programme aussi riche qu'éclectique, entre énergie punk et envolées psychédéliques. Muse - Unravelling Eiffel - Te Revoir Duffy - Mercy The Mamas And The Papas - California Dreamin Car Seat Headrest - The Catastrophe Black Sabbath - Iron Man Biffy Clyro - Black Chandelier Yungblud- Monday Murder Pj Harvey - Down By The Water The Inspector Cluzo - Less Is More The Police - King Of Pain Wet Leg - CPR Architects- Change The Smashing Pumpkins - Tonight Tonight Machine Head - Bønescraper The Specials - A Message To You Rudy The Dead Weather - I Cut Like A Buffalo Jeff Beck & Imelda May - Walking In The Sand (Live At The Iridium) Jimi Hendrix - Hey Joe Queens Of The Stone Age - Little Sister Yeahrs - Out Of Space Golden Earring - Radar Love The Bangles - Walk Like An Egyptian Bullet For My Valentine - Knives Sharon Van Etten - Seventeen David Bowie - Station To Station Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

RATE BUSH! What are your most favorite and least-loved songs on Kate Bush's Hounds of Love? Three months before strange things catapulted Miss Bush into a new generation's consciousness, Sam had us sit down to dissect an album that most purists wouldn't dare break into separate parts. While Adam went overboard (groan) researching the second side's epic Ninth Wave song story, newbies Dan and Jim obliviously took it in like men with children in their eyes...or something. Guest rankers include keyboard guru and Abbey Road expert Brian Kehew (Moog Cookbook, The Who, Prince and more) and San Diego Music Award winner Marie Haddad from the world's greatest coverband, Baby Bushka. Hear it at WeWillRankYouPod.com, Apple, Spotify and your running shoe outlet.  ***This episode was recorded in February of 2022, a few months before Stranger Things made Kate Bush a hero to a whole new generation and eight months before we finally edited and released it.  Three years later, we received notice that we had to remove music from a dozen episodes of ours. Because we're a music podcast, we're allowed to play clips under music criticism laws so they let us keep the episodes intact. We recently noticed that this episode had disappeared though. Can't get a straight answer about why this one wasn't spared so we're re-uploading it without Kate's music. If you want to hear it in all of its original unedited glory, drop us a note on social media and we'll send it to you.  We're not making a dime on this, unless you Venmo us (ahem) at WeWillRankYouPod. In fact, we buy every single song you hear on the show. We love you, Kate. It's still a fun listen without the tunes. Enjoy.And Dream of Sheep Under Ice, art pop, art rock, Baby Bushka, The Big Sky, Kate Bush, Cloudbusting, Fairlight CMI, the Futureheads, Peter Gabriel, Marie Haddad, Hello Earth, Hounds of Love, Jig of Life, Brian Kehew, The Morning Fog, Mother Stands for Comfort, The Ninth Wave, Outkast, progressive pop, progressive rock, Running Up That Hill (A Deal with God), Donald Sutherland,  Waking the Witch, Watching You Without Me, 1985.US: http://www.WeWillRankYouPod.comHost tips: Venmo @wewillrankyoupodwewillrankyoupod@gmail.comhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPod

Giramos la antena parabólica hacia Edimburgo para charlar con Amaya López-Carromero de su nuevo disco 'The Distaff'. También hablamos de como es visitar los estudios Abbey Road, de sus conciertos junto a Dylan Carlson de Earth o de como fueron sus años 90´s. + información - https://linktr.ee/b90podcast Espacio patrocinado por: Javier CM - Próxima Estación Okinawa - AlberStorm - Rosa Rivas - estebansantosjuanesbosch - Achtungivoox - jvcliment - Jaume Solivelles - Dreifor- Javier Alcalde - jmgomez - Jorge - Chisco Fernández Sainz - Ana Isabel Miguélez Domínguez - Pablo Carrasco Santos - Iñigo Albizu - Rachael - utxi73 - Jorge Sánchez - Naïa - Dani GO - kharhan - garageinc78 - Juan Carlos Acero Linares - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - Boldano - Eduardo Mayordomo Muñoz - Barrax de Pump - PDR - Fernando - QUIROGEA - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - gritando - HugoBR - angelmedano - Vicente DC - Alvaro Gomez Marin - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - David Reig - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Bassman Mugre - SrLara - Próxima Estación Okinawa - Barullo - Francisco Javier Indignado Hin - Unai Elordui - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Raul Sánchez - Nuria Sonabé - Pere Pasqual - Juanmi - JulMorGon - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas.

Listeners of The Wolf know that despite the fact that The Wolf lived mere yards (or meters) from Abbey Road, he and Action Jackson aren't huge Beatles fans. While he did go through a Beatles stage in high school, it was really an education on how the band evolved and created some amazing music which is still enjoyed and studied today. However, thanks to a run of 60s rock related movies that ran on Cinemax one night in the 80s, The Wolf became very familiar with Help! as he recorded the movie on VHS and watched it over and over. It was in technicolor, unlike A Hard Day's Night, and showed the boys having fun in exotic locales like Switzerland, The Bahamas, Stonehenge and Buckingham Palace. The seven tunes on the album that were included in the movie all hold up well and are fun to sing along with while you're watching. But the album is the first step moving from being bubble gum pop stars into more respected recording artists. We review the UK version of the album as the US version is shorter with orchestrated score tunes from the movie. The whole first side of the UK album features beloved songs from the movie like the title track, Ticket To Ride, You've Got To Hide Your Love Away and The Night Before. But the second side also features some Beatles classics like Ringo singing Act Naturally, I've Just Seen A Face and the all-time classic Yesterday. It's amazing that the boys were all so young (21-24) and were maturing before our eyes as they were now able to write more robust tunes with more mature themes. Bob Dylan had introduced them to marijuana by now and they'd done their first LSD trips which would show up more on an album from later in 1965, Rubber Soul (and after). But this one has one foot in the old, teenage dream Beatles phase and one in the more mature and experimental Beatles. We can't believe it's turning 60 but we went track x track to celebrate. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN THE FRIEDLAND FAMILY FOUNDATION / PREMIUM SUBSCRIPTION: https://www.youtube.com/@TheAdamFriedlandShow/join--The Adam Friedland Show - Season 2 Episode 4 | ANTHONY FANTANOX: https://x.com/friedland_show Instagram: https://www.instagram.com/theadamfriedlandshow/?hl=en TikTok: https://www.tiktok.com/@adamfriedlandshowclips YouTube: Subscribe to @TheAdamFriedlandShow here: https://www.youtube.com/c/TheAdamFriedlandShowSubscribe to @TAFSClips here: https://www.youtube.com/@tafsclips --Check out Bluechew: https://bluechew.comCheck out Lucy: lucy.co/tafsLet’s level up your nicotine routine with Lucy. Go to Lucy.co/TAFS and use promo code (TAFS) to get 20% off your first order. Lucy has a 30-day refund policy if you change your mind.

Listeners of The Wolf know that despite the fact that The Wolf lived mere yards (or meters) from Abbey Road, he and Action Jackson aren't huge Beatles fans. While he did go through a Beatles stage in high school, it was really an education on how the band evolved and created some amazing music which is still enjoyed and studied today. However, thanks to a run of 60s rock related movies that ran on Cinemax one night in the 80s, The Wolf became very familiar with Help! as he recorded the movie on VHS and watched it over and over. It was in technicolor, unlike A Hard Day's Night, and showed the boys having fun in exotic locales like Switzerland, The Bahamas, Stonehenge and Buckingham Palace. The seven tunes on the album that were included in the movie all hold up well and are fun to sing along with while you're watching. But the album is the first step moving from being bubble gum pop stars into more respected recording artists. We review the UK version of the album as the US version is shorter with orchestrated score tunes from the movie. The whole first side of the UK album features beloved songs from the movie like the title track, Ticket To Ride, You've Got To Hide Your Love Away and The Night Before. But the second side also features some Beatles classics like Ringo singing Act Naturally, I've Just Seen A Face and the all-time classic Yesterday. It's amazing that the boys were all so young (21-24) and were maturing before our eyes as they were now able to write more robust tunes with more mature themes. Bob Dylan had introduced them to marijuana by now and they'd done their first LSD trips which would show up more on an album from later in 1965, Rubber Soul (and after). But this one has one foot in the old, teenage dream Beatles phase and one in the more mature and experimental Beatles. We can't believe it's turning 60 but we went track x track to celebrate. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In late May 1969, producer Glyn Johns turned in a draft album, culled from hours of tape recorded in January 1969 during the Get Back/Let It Be sessions. His work reflected the original concept: catching The Beatles as they really were in the studio, with off-the-cuff performances of oldies, warm-ups, false starts and blown takes. It would have made for a fine tie-in with the original cut of the Let It Be film, but ultimately, the group rejected the idea, instead moving back to their established productions values, with Abbey Road being the result. The tapes, handed off to Phil Spector, emerged in May 1970 with a new tie-in: the group's break-up. Let It Be, the album, drew the worst reviews of their career, being a neither fish-nor-fowl collection of tunes bearing Spector's worst impulses (choirs and lush orchestration) alongside vestiges of the original concept (studio chat and tossed off improvisations). In this episode, Robert and Olympiad partner Gary Wenstrup re-imagine the group's history – what if Get Back HAD been accepted and released in spring 1969, the missing link between the “White Album” and Abbey Road?   You can read Glyn's account of things here and hear the actual work here. The artwork is here and the track listing here. 

Vanessa Kramer is a daughter, a wife, a mother, an author, and one heck of a fun, funny, and sharp conversationalist. She's also my guest for Episode No. 171, which gives me great honor to say.Vanessa and her husband, Kyle, stopped by for what turned out to be a delightful chat a couple of weeks ago, and we rolled through the morning and into the afternoon, talking family, upbringing, marriage, partnership, parenthood, publishing, and so much more. We also managed to devote a little bit of time to a few of Vanessa's favorite albums, which were these:Abbey Road (1969), The BeatlesFleetwood Mac's Rumors (1977)The Black Parade (2006), My Chemical RomanceOf Monsters and Men's My Head Is an Animal (2011)folklore (2020), Taylor SwiftOf Vanessa's many wonderful attributes is the fact that she has managed to publish four books in the last three years! Those are these:Great Divide (2023)Great Desolation (2024)My Mother's Spirit (2024)Temporarily, Forever (2025)All four titles can be found on Amazon and elsewhere. Learn more about my guest at vanessakramerauthor.com and please consider following her at @vanessakramerauthor on Threads, TikTok, Instagram, and/or Facebook.Also part of Vanessa's bag is her admirable role in the seriously cool publication, KC Book Beat, a nonprofit that celebrates and promotes the Kansas City (and surrounding) literary community. Find out more about them on Instagram or at kcbookbeat.com. Many thanks to Vanessa for the time and the good energy, and many thanks to all of you that support the show.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a song by The Doors. It's called, "The Changeling," and it comes from their 1971 album, L.A. Woman, c/o Rhino Entertainment, a Warner Music Group Company.

ReferencesKant. I 1781 /1787. Ist and 2nd eds. of "Critique of Pure Reason"J Mol Biol. 2020 Aug 15;433(12):166624. Guerra, DJ. 2025 Unpublished lectures in biochemical thermodynamics.Mozart, WA. 1791 Requiem in D Minor Unfinished.https://music.youtube.com/playlist?list=OLAK5uy_nSNY0VtEjG1DYcoE6gg9tibETknwAWeLY&si=RDyroCqgeGIAMBHILennon/McCartney.1969. Golden Slumbers/Carry That Weight/The End Medley. Abbey Road lp. Beatles.https://music.youtube.com/watch?v=LjOl0fG72ZE&si=erY_gDZE0q0u441t

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

 Welcome Back 2Legs Fam! It's been nearly 20 years since Paul's latter day 21st Century Masterpiece Chaos and Creation In The Backyard. Where did that time go? To accompany and promote the record Paul held an intimate gathering of fans and friends at Abbey Road, recorded in Studio 2 to demonstrate some of the creative processes that he and The Beatles used to employ there and have a bit of fun along the way. Filmed on 28 July 2005 and originally broadcast on BBC2 17 December 2005 and PBS in the USA 27th February 2006 and directed by Simon Hilton "Chaos And Creation At Abbey Road" provides such an intimate glimpse of Macca at work playing familiar tunes in a whole new arrangement ('Band On The Run', 'Lady Madonna', 'I've Got A Feeling') among several from the forthcoming album which dropped in September of that year. Did you watch this upon initial release? or when it was bundled in the CD set? Let us know in the comments below! We love deep dives back into stuff like this! We hope you do too! Peace Andy and Tom

Garry discusses his reaction to watching a young woman react to hearing The Beatles medley from Abbey Road for the first time. 

I may've mentioned this before, but -- more often than not -- when I open the front door to greet a guest, it's our first time meeting one another. And the vibes in that initial moment vary. Sometimes they're neutral. Occasionally they're curious. Every now and again, the good energy is palpable, and such was the case when I met John Knell on my porch.John is a local artist, a son, a husband, a father, a fantastic conversationalist, and he joined me for Episode No. 169.We chewed the fat for a good little bit a couple of weeks ago, covering family, memories, John's mixed-media art approach to pop culture and sports, and of course, a few of his favorite albums, which were these:Abbey Road (1969), The BeatlesVan Halen's Fair Warning (1981)Achtung Baby (1991), U2Many thanks to John for the time and the solid chat. Please consider checking out his work at johnknell.com, and follow him on Instagram at @johnny_kc.And many thanks to those of you that support the podcast.Cheers.Note: I was mistaken in claiming that the U2 song, "I Still Haven't Found What I'm Looking For" was the feedback/sustain king. What I meant was, "With or Without You."copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips I poached from a Kurt Vile tune called, "Lost my Head there" from his fantastic 2015 release, B'lieve I'm Goin' Down, c/o Matador Records.

More from the Gab Four.    Jon, Lonnie, Martin and I continue our thoughts on Beatles 1969 - Abbey Road and ???    What else might the sessions of January 1969 become?     Each of us assembled significantly different album(s) from the multitudes of songs rehearsed, jammed or half-remembered by the Beatles (and captured for us on the nagras).    Tune in and see who you agree with, or who you don't!    A cameo from the Queen of all Beatles Media herself (defending her title) as some of us discuss the Beatles news!

This week on 2Legs (amidst the brand new touring rumours, and Babs dropping her duet on 'My Valentine' with Macca) we are pleased to revisit the Interview Series - where we dissect a rare and not often seen interview with Paul. On this episode we chose the 1977 Interview from an Australian TV program titled "Count Down." This recently surfaced on YouTube and to see the late 70s Wings trio ensconced in the privacy of #2 Studio at Abbey Road is pretty cool to witness. They appear bored at times (Denny especially) but Paul and Linda give some good sound bites here about what's to come. This was mainly used as a promotional tool for the then current single 'Mull of Kintyre.' The gentlemen interviewing Wings is Molly Meldrum. Orignally broadcasted on 24th December 1977. And we like Paul music post-1981, sorry not sorry! Peace Andy & Tom

We're a few days out from World Baking Day, so here's the story of a woman who's helped people find their way around the kitchen for more than a century… even though she isn't a real person. Plus: starting tomorrow in Jeffersonville, Indiana, it's Abbey Road on the River. Who Was Betty Crocker? (PBS)Abbey Road on the River You can be a helper to our show as a backer on Patreon

Australian pop, rock and indie singer-songwriter Majelen reflects on her musical journey, and delves into the inspiration behind her debut album,  Stuck With You, which was recorded at Abbey Road studios.

Gab Four together again.     Jon Stone, Lonnie Pena, Martin Quibell and myself sit down to consider alternate albums that might've come out of the January 1969 sessions.     Beware, the ripples through time extend well beyond a single record.    What happens to the film?    Abbey Road?    Do all roads lead to "For You Blue?"    George Martin, Glyn Johns and others guest.     More next week!

This is a long one! 83 minutes. This is the second podcast in which we answer questions from a our “ask us anything” post. We recorded this one before our most recent podcast — kind of like Abbey Road and Let it Be — so we were still graced by Vinay's presence. In fact, we recorded it in his studio. We still have about a half dozen questions to answer; we will cover those on an upcoming podcast. Enjoy. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sensible-med.com/subscribe

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film.Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

David Hepworth co-presented Live Aid on the BBC in 1985. He was also one of the presenters of the BBC rock music programme The Old Grey Whistle Test. David launched and edited magazines such as Smash Hits, Q, Mojo, Just Seventeen, Heat and The Word, among many others. He has won the Editor of the Year and Writer of the Year awards from the Professional Publishers Association and the Mark Boxer award from the British Society of Magazine Editors. He's written books about the recording studio Abbey Road, with a foreword by Paul McCartney, the British Invasion of the US charts called Overpaid, Over sexed and Over There, how the LP saved our lives, A Fabulous Creation and his latest book, Hope I Get Old Before I Die, why rock stars never retire, is out now, It looks at the time since Live Aid, when, according to David, live performance took over from record sales .David Hepworth is our guest in episode 489 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .But David's new book, Hope I Get Old Before I Die, here - https://www.amazon.co.uk/Books-David-Hepworth/s?rh=n%3A266239%2Cp_27%3ADavid%2BHepworth .Follow David Hepworth on Twitter/X: @davidhepworth & Instagram @dhepworth .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

For today's episode, you will hear my conversation with Anja Huwe of Xmal Deutschland fame, who joins me to discuss the Xmal Deutschland's 40-year anniversary compilation entitled The Gift: The 4AD Years, containing their 2 LPs released on 4AD back in the '80s, and additional tracks from other releases and EPs.✨ MORE ABOUT XMAL DEUTSCHLAND ✨Xmal Deutschland is a German post-punk group founded in the eighties, known for making an extraordinary impact on the British music scene with their first two albums Fetsich and Tocsin. This month on May 9th, the band is releasing limited-edition 3xLP / 2xCD containing 2025 Abbey Road remasters of both records.✨ KEEP UP TO DATE WITH XMAL DEUTSCHLAND ✨Web:⁠ http://www.xmaldeutschland.com⁠Instagram: ⁠instagram.com/xmaldeutschland_official/⁠Facebook: ⁠facebook.com/officialxmaldeutschland/⁠Bandcamp: ⁠https://xmaldeutschlandshop.bandcamp.com⁠Spotify: ⁠open.spotify.com/artist/5bQ4kqxuAV7tBI7dSs3sB1⁠Apple Music: ⁠music.apple.com/us/artist/xmal-deutschland/251645837⁠✨ CONNECT WITH IZZY ✨Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠⁠⁠⁠⁠

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Derek Shulman was at the heart of two great transformations – Simon Dupree & the Big Sound switching to psychedelia, and then sensing the prog-rock trade winds and becoming Gentle Giant. One minute he was singing Kites, the next Pantagruel's Nativity (Gentle Giant's rebooted ‘Playing The Fool: The Complete Live Experience' is just out). After which he was a record label president signing Bon Jovi, Slipknot and Nickelback and rebooting AC/DC and Bad Company. It's a phenomenal story and involves …   … three pieces of advice for any band today. … playing the ‘64 circuit in his R&B band the Roadrunners. … the fictitious character he invented as Simon Dupree. … when Dudley Moore was their session pianist. … memories of Marc Bolan (“flat on his back playing guitar”), Tony Iommi, Tony Visconti, Don Arden, Gerry Bron and “the English mob”. … what they borrowed from Traffic in the Great Psychedelic Scare of 1967.  … auditioning for George Martin and the lab-coated sound engineers at Abbey Road. … being phoned on a ship returning from Sweden to be told ‘Kites' was Top Twenty and doing Top Of The Pops with Status Quo and the Kinks. … “cars and bags of jewels”: the advantage of being “the darlings of the Isle of Wight Mafia” (which included the Krays). … watching Bowie recording The Man Who Sold The World at Trident. … Elton John's advice that helped form Gentle Giant. … the catastrophic US tour with Black Sabbath (on their “chemical romance”) where the audience threw cherry-bombs onstage: “you learnt how to work a crowd!” … George Underwood's cover for the first Gentle Giant album. … what he saw in Slipknot and why he signed them. You can order GENTLE GIANT – PLAYING THE FOOL: THE COMPLETE LIVE EXPERIENCE here: https://gentlegiantuk.lnk.to/PTFFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

ReferencesNature 2024. volume 635, pages 1010–1018.Lennon/McCartney, Harrison. 1969. "Abbey Road" full albumhttps://open.spotify.com/album/0ETFjACtuP2ADo6LFhL6HN?si=ElKe_TGhRgC2lFl3z5x8XwTelleman, GP. 1716.Viola Concerto in G Majorhttps://open.spotify.com/album/78pwJLqLPAffK6bLd7wnH8?si=RhuIZhKrQqqg7Y7tMTskSg

As our beloved US quickly descends into cruel authoritarian idiocy, the UBP crew reunited IRL to wax fab on new RSD purchases, old Reckless Records purchases, and then attend an IMAX screening of the new Magnolia Films doc One To One: John & Yoko. Within the fortified safety of their top secret Meigs Field Beatle Bunker Bag, T.J., Tony and Producer Casey hunkered down to opine freely about anything (¿

Our recent Abbey Road episode inspired us to revisit this 2007 gem that everyone who was in high school back then absolutely LOVED and probably remembers with fondness. We do an exhaustive review of every single song in this movie, and there's a lot, so buckle up and get ready to discover if this movie holds up AT ALL.You can contact the show at agoodpodcast@gmail.com and find us @HowStarWarsIsIt on all platforms, but since all platforms are kind of evil now, you should probably just email us. That's the best way to get a hold of us! You can also follow Mike @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media, but once again, just email us. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!

Rabbit was sucked into a United Airlines jet engine and forced to make an emergency landing 75 minutes into flight, Headline of the Week contender: Tourists heartbroken after discovering iconic Abbey Road is 'just a road', First base umpire dropped after taking a line drive foul ball to the back of the head

Send us a textThis Easter, Jackalope Tales unseals the crypt of rock 'n' roll resurrection with an episode steeped in scandal, smoke, and sizzling fajitas. Charles and Lisa dig deep into the enduring myths that Jim Morrison faked his death to escape the fame machine—and ended up flipping burgers as a line cook at a Chili's in Austin. Meanwhile, they explore the infamous “Paul Is Dead” conspiracy, complete with backward messages, barefoot Abbey Road strolls, and the quiet horror of being replaced by a bass-playing doppelgänger.  From blurry photos outside karaoke bars to whispery EVP recordings of Morrison mumbling “baby back ribs,” this is an unholy mashup of Beatlemania, Lizard King lore, and deep-fried delusion. Resurrection never tasted so weird.Support the showBecome a J-Lope and follow us on social media. You can find us on Facebook, Instagram, Twitter, TikTok, and check out our YouTube page for more exclusive content!Produced by: Charles MooneyExecutive Producers: Charles Mooney and Lisa UmbargerOriginal Music by: Charles Mooney and Lisa UmbargerKazoo Solo by: Courtney Mooney

– I had a secret power—a newfound ally.I was a preadolescent boy lost in a, heretofore, unknown love spell magnified by the magical thinking of childhood.David Lusk is a retired consulting arborist/psychologist/writer living in Winston-Salem, North Carolina. He has previously written several articles for the Winston-Salem Journal and the trade publication, Tree Care Industry Magazine. He lives in a beech tree woodland with his wife Amy, their three adopted rescue shelter dogs, Jessie Girl, Captain Spaghetti Jack, Abbey Road and Maple Tree the cat. He is currently attempting to learn Japanese Sumi ink painting while under the constant, playful supervision of Jessie, Jack and Abbey. Often, he retreats to the Pamlico Sound with the idea of learning to sail but happy to paint or play guitar in view of a marina full of boats and the occasional visit from a bald eagle he named Churchill.

We're rounding out the end of M-arch, where the M stands for music, with one more album! And it's a doozey! Abbey Road by The Beatles. Heard of it?? We break no new ground in this episode but have a lot of fun discussing this juggernaut of an album and playing smash or pass with the tracks.You can contact the show at agoodpodcast@gmail.com and find us @HowStarWarsIsIt on all platforms, but since all platforms are kind of evil now, you should probably just email us. That's the best way to get a hold of us! You can also follow Mike @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media, but once again, just email us. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!