Podcasts about Abbey Road

Placeret i fornemme og passende rammer, kaster Peter, Ask og Niels sig ud på en farefuld musikalsk opdagelsesrejse. Abbey Road side 2 er på menuen, og der er voldsomt mange ting at tage stilling til. Hvad enten du nyder solen, kigger på den blå himmel, barberer dig i mørket, pakker dig ind i plastic, eller måske kravler ind af vinduer, så er der noget at glæde sig til. For der venter intertekstuel musikanalyse, tekst-undersøgelse, referencer til klassisk musik og fælles latter- og jubelbrøl ledsaget af flygel og guitar. Toppermost formatet strækkes til det yderste, for der er mange sange at tage stilling til på denne legendariske pladeside. Og hey; Hvad kunne The Beatles være blevet til hvis nu...? Peter Grønborg er faglig leder i Udviklingsafdelingen på Det Kgl. Teater. Og så er han musiker on the side med egne udgivelser bag sig.For Peter er The Beatles selve DNAet al musik og en passion, der har fulgt ham, så længe han kan huske. Ask Hasselbalch er filminstruktør, kendt for blandt andet Antboy-filmene, Skammerens Datter II samt TV 2's julekalender Kometernes Jul.  Han har været fan af The Beatles igennem hele livet og har en stor passion for bandets musik og historie.   https://hakon-holm.dk/shop/elsker-the-beatles/    

My guest this week is Stephen Egerton. If you don't know Stephen, you should. He's the guitar player in the Descendents and legendary band ALL, and a good friend of mine. His new solo record, I Think You're Overthinking This, was recorded at Abbey Road. Yes that one. We talk about making it and singing his own songs for the first time. Make sure you guys follow Stephen, and check out I Think You're Overthinking This. Get the vinyl at stephenegerton.com. It's also on Bandcamp and everywhere you stream. And check out mxpx.com. We've got tour dates. We're at Warped Tour Orlando November 14 and 15. Good Things Festival in Melbourne, Sydney and Brisbane December 4, 5 and 6. New record, Living in the Chaos, is on the way. mxpx.com. --------------------- Questions or comments? Leave a voicemail: 1-360-830-6660 Subscribe on YouTube: https://www.youtube.com/channel/UCi1BJ27GDAFodXuDqgYia5g Follow @mikeherreraTD everywhere https://linktr.ee/Mikeherrerapodcast If you like the podcast, subscribe, rate and review on Apple. Produced and edited by Bob McKnight @Producer_Bob Additional production by Christine Hall @wreckedworks

The two-man conversational canoe paddles the rock and roll tideway, stopping off this week at …… Van Morrison's set-opener is Kidney Stew Blues by Eddie ‘Cleanhead' Vinson. Do people have to play their big hits?… what's the key ingredient in success?... “all great albums automatically have great sleeves. Bar one!”… does Beyonce have a horsefly named after her? Is there a Jerry Garcia wood roach? A Sting tree-frog?… U2's new album cover is an Abbey Road pastiche. So … is this their swansong?… “dress for the job you want, not the job you have”… Elvis, Stones, psychedelia, Be Bop Deluxe, power pop, punk, Pete Doherty: rock stars in ‘statement' ties… the many ways Songs In The Key Of Life was a masterpiece… plus “fibrous weaves, over-stuffed loons”, the Plimsouls, the Roaring Boys, Josh Rouse and birthday guest James Ewen.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The two-man conversational canoe paddles the rock and roll tideway, stopping off this week at …… Van Morrison's set-opener is Kidney Stew Blues by Eddie ‘Cleanhead' Vinson. Do people have to play their big hits?… what's the key ingredient in success?... “all great albums automatically have great sleeves. Bar one!”… does Beyonce have a horsefly named after her? Is there a Jerry Garcia wood roach? A Sting tree-frog?… U2's new album cover is an Abbey Road pastiche. So … is this their swansong?… “dress for the job you want, not the job you have”… Elvis, Stones, psychedelia, Be Bop Deluxe, power pop, punk, Pete Doherty: rock stars in ‘statement' ties… the many ways Songs In The Key Of Life was a masterpiece… plus “fibrous weaves, over-stuffed loons”, the Plimsouls, the Roaring Boys, Josh Rouse and birthday guest James Ewen.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The two-man conversational canoe paddles the rock and roll tideway, stopping off this week at …… Van Morrison's set-opener is Kidney Stew Blues by Eddie ‘Cleanhead' Vinson. Do people have to play their big hits?… what's the key ingredient in success?... “all great albums automatically have great sleeves. Bar one!”… does Beyonce have a horsefly named after her? Is there a Jerry Garcia wood roach? A Sting tree-frog?… U2's new album cover is an Abbey Road pastiche. So … is this their swansong?… “dress for the job you want, not the job you have”… Elvis, Stones, psychedelia, Be Bop Deluxe, power pop, punk, Pete Doherty: rock stars in ‘statement' ties… the many ways Songs In The Key Of Life was a masterpiece… plus “fibrous weaves, over-stuffed loons”, the Plimsouls, the Roaring Boys, Josh Rouse and birthday guest James Ewen.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

You're locked into BFF.fm, and this one's a big one. Episode three hundred and forty-nine of Hangover Sessions, live from the Oakland barn. Today is billed as the finale, with a question mark, because if 13+ years of doing this has taught me anything, it's never say never.Today's guest is the magnificent Megan Slankard: San Francisco singer-songwriter, in for four original songs recorded live in the barn.We're also doing our own twist on desert island discs, built entirely around Megan's favourite albums, some that made her who she is before she ever picked up a guitar!And there's plenty of chitter chatter to get through, because Megan was in London not long ago recording at Abbey Road Studios. Yes, that Abbey Road. She's got stories.So get the kettle on, or something stronger if that's more your Sunday morning. This is Hangover Sessions, episode 349, and we're not wasting a second of it.

This is the Music History Today podcast for September 26. On today's show, a famous musical premieres, a musical film premieres, & the Empress of the Blues passes away.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history18:22 Music award ceremonies that were held on this date in music history19:11 Albums released on this date in music history 25:55 Singles released on this date in music history 29:43 Birthdays of music artists on this date in music history 38:50 Artists who died on this date in music history 43:26 What's on tomorrow's episode

En 'Del 40 al 1 Coca Cola': 'Hate that I made you love me' es el Número 1 de LOS40. Alejandro Sanz, invitado sorpresa en el concierto de Shakira. Todo sobre los MTV VMAs 2026. En LOS40 Classic: 'Abbey Road', el disco de The Beatles que pudo llamarse de otra manera. 50 años del germen de U2: cuatro adolescentes que apenas sabían tocar se reunieron en una cocina de Dublín.

Today's episode is about a song that might make you wonder who—or what—is watching you. But despite what the title might suggest, George Orwell and Big Brother don't really have anything to do with it. Alan Parsons was no stranger to a recording studio by the mid-1970s. He had worked on the Beatles' Abbey Road and Let It Be, and served as an engineer on Pink Floyd's The Dark Side of the Moon. Then, while sitting in the canteen at Abbey Road Studios one day, Parsons met songwriter and session pianist Eric Woolfson, who offered to manage his career. The partnership eventually turned into something more: the Alan Parsons Project. Their first album, Tales of Mystery and Imagination, arrived in 1976, and was followed by a string of concept albums. I, Robot gave them “I Wouldn't Want to Be Like You” and “Don't Let It Show”; Pyramid turned its attention to the pyramids of Giza; Eve explored the problems women faced in a male-dominated world; and The Turn of a Friendly Card ventured into the world of gambling and gamblers. Along the way, the Alan Parsons Project became increasingly successful, even though it wasn't really a conventional “band” at all. Then, in 1982, came both an album and a single called “Eye in the Sky.” The title certainly sounds Orwellian, but Parsons and Woolfson denied that connection. Woolfson did, however, remember the surveillance cameras he had seen watching gamblers from above during trips to Las Vegas. And the song itself? That “eye in the sky” turns out to have a much more personal reason for keeping watch. Parsons apparently didn't think they had a particularly big hit on their hands—in fact, he bet guitarist Ian Bairnson one British pound that the song would flop. Somebody probably should have collected on that bet: “Eye in the Sky” became the Alan Parsons Project's only American Top 10 hit, reaching #3 on the Billboard Hot 100. So where did that title really come from? Who—or what—is the “eye”? What does an NBA dynasty have to do with all of this? And how did a song about betrayal eventually get transformed into one about compassion and support? Let's take a look at “Eye in the Sky” by the Alan Parsons Project.

¡Salida la edición 498 de Semana Mochilera! Un viaje impecable entre historia, debate, destinos fascinantes y la enorme voz de Gal Costa como gran protagonista. Así fue el recorrido de hoy: 1. Las Noticias de Siempre (Efemérides) Un repaso por los acontecimientos clave que nos marcaron: la fundación de Cruz del Eje, el legado federal de Artigas, el nacimiento de Mariano Moreno, la Batalla de Tucumán, el recuerdo de la Ley Palacios contra la trata de personas, el caso Ayotzinapa y la Ley del Olvido. 2. Noticias, Altos en el Camino & Mega Hits Morder la realidad: Debates sobre libertad de prensa en EE. UU., los 70 años con el FMI, el panorama en Bolivia y un análisis profundo sobre la Ley Penal Juvenil y el amparo a las infancias. Altos en el camino: La fuerza de Sting junto a Stevie Wonder, Alberto Podestá con "Yira, Yira" y Bruce Springsteen retratando la decadencia industrial en "My Hometown". Mega Hit: La genialidad absoluta en el tramo final de Abbey Road de The Beatles. ️ 3. Pueblos y Ciudades Oxapampa (Perú): La fascinante fusión entre la tradición austro-alemana y la cultura yanesha. El Peñón (Catamarca): Un viaje directo a la memoria viva de la Puna argentina. ️ 4. Músicos: Homenaje Central a Gal Costa Espacio de honor para repasar la versatilidad vocal prodigiosa de la gran figura del programa: desde su tono intimista hasta sus agudos más potentes en clásicos como "Corcovado", "Acuarela do Brasil", "Sua estupidez" (con Roberto Carlos), "Eu sei que vou te amar" y "Lanterna dos afogados" junto a Herbert Vianna. 5. Cierre Cierre a puro ritmo y belleza con Chango Spasiuk, acompañado por La Sole y Pedro Capó interpretando "Piel Canela". Escuchá el programa completo o reviví tus momentos favoritos en el enlace de la bio. #SemanaMochilera #GalCosta #Radio #Efemérides #Actualidad #Viajes #MusicaDelMundo

John is joined by Giles Martin to talk about how he recorded and produced the album ‘Rubber Soul: New Special Edition'. Giles Martin is a British composer, producer and arranger. Assisting his father, Beatles producer Sir George Martin, in the studio from an early age, Giles has been closely involved with the Beatles' catalogue, producing the 50th anniversary remix and deluxe editions of ‘Revolver', ‘Sgt. Pepper' and ‘Let It Be', among many others. ‘Rubber Soul: New Special Edition', featuring new stereo and Dolby Atmos mixes, alongside previously unreleased session recordings and home demos, is released on 2nd October 2026. Sitting down in Giles' studio at Abbey Road and digging into the original four track recordings as well as his updated mixes, Giles gives a unique insight into the studio recording processes of the greatest band in the world and their working relationship with his father George. He reveals George's production secrets and lifts the lid on the meticulous process, as well as the joys and pressures, of re-mixing this new edition of ‘Rubber Soul'. Tracks discussed: Drive My Car, Norwegian Wood (This Bird Has Flown), In My Life LISTEN to ‘Rubber Soul: New Special Edition' TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes  to get 20% off Tape It Pro. Try the new Tape It Denoiser  currently 50% off! IMAGINE PLUGINS BY SOUNDBETTER Build and sell your own plugins. Get your FREE Vocal Effect plugin here MUSIVERSAL Skip the waitlist and get your discount HERE LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective EPISODE GEAR MENTIONS ATC Speakers Pultec EQ Nagra Tape Recorder Fairchild Compressor Neumann U47 Neumann U48 Logic Pro Avid Pro Tools OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, slide into our DMs, send us an email or even a letter. We'd love to hear!  Learn more about your ad choices. Visit megaphone.fm/adchoices

El debate sobre los grandes enigmas históricos y las teorías alternativas ha protagonizado los micrófonos de Herrera en COPE. Durante la emisión, Alberto Herrera ha recordado la conocida hipótesis que sostiene que Paul McCartney habría fallecido en 1966 tras un accidente de tráfico y habría sido reemplazado por un doble entrenado, señalando detalles populares como su aparición descalzo en la portada del disco Abbey Road.Ante esta introducción, Javier Sierra ha compartido la historia que más le fascina dentro del ámbito del misterio. El divulgador ha señalado: "A mí la conspiración que me tiene siempre en jaque, porque la veo verosímil y porque implicaría muchas cosas, tiene que ver con unos personajes que yo conocí hace algunos años en Turín, en Italia, los hermanos Judica Cordiglia".Según ha relatado Javier Sierra, estos dos radioaficionados italianos lograron interceptar en 1957 las señales espaciales soviéticas desde el norte de Italia. "Descubrieron que los ...

Side 1 på Abbey Road er indbydende når man sætter den på pladespilleren. Mørkegrønt, saftigt æble der drejer rundt på den kulsorte vinylskive. Den er også dejlig at tale om. I denne episode af "Toppermost" dykker Ask, Peter og jeg, Niels Harild, ned i sangene en for en. Der er mange gode betragtninger undervejs og spørgsmålene står i kø: Hvem handler "Come Together" om? Var der ingen der turde fortælle Frank Sinatra at George havde skrevet "Something"? Må man lave sange om seriemordere? Burde John have sunget "Oh Darling"? Hvorfor skal Ringo altid ned under vandet? Er det i orden at afbryde en sang med The Beatles? Lyt med – selskabet er godt: Ask Hasselbalch  er filminstruktør og står bl.a. bag Antboy-filmene, Skammerens Datter II og TV 2's Kometernes Jul.  Og så er han Beatles fan helt ind i knoglerne. Musikken har fulgt ham, så længe han kan huske og selv efter et helt liv med Beatles opdager han stadig nye detaljer, historier og øjeblikke i sangene, der får fascinationen til at blusse op på ny.   Peter Grønborg er også med og det er altid dejligt - også fordi han har medbragt guitar. Peter Grønborg er faglig leder i Udviklingsafdelingen på Det Kgl. Teater. Og så er han musiker on the side med egne udgivelser bag sig. For Peter er The Beatles selve DNAet al musik og en passion, der har fulgt ham, så længe han kan huske. God fornøjelse med lytning. https://hakon-holm.dk/shop/elsker-the-beatles/

L'INTÉGRALE - #LeDriveRTL2 (15/09/26) Les classiques du jour : - Catherine Ringer "Andy" (live #LeDriveRTL2) - Les Rita Mitsouko "Marcia Baila" - Les Rita Mitsouko "Le Petit Train" Les nouveautés du jour : - The War On Drugs "Who's that" - Hoshi "A ta santé consentement" Le journal de la musique : - Le monde de la musique rend hommage à Catherine Ringer - The Warning annonce une tournée mondiale avec deux dates françaises - Lynyrd Skynyrd célébrera ses 60 ans de carrière avec un concert au Zénith de Paris La question de l'auditeur : Pourquoi la photo d'"Abbey Road" des Beatles est-elle devenue si célèbre ? Le live du jour : Catherine Ringer "C'est comme ça" (Live Octobre Rose 2019) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

319: Beatles Olympiad Abbey Road   The Beatles' Olympiad series of shows is nearing its end point, with Gary Wenstrup and myself assessing their final group project for Olympic honors. Where will the bronze, silver and gold land among the 17 tracks? You'll have to tune in to find out (and discover some unexpected developments). The post 319: Beatles Olympiad Abbey Road appeared first on Something About The Beatles.

Muzyka, której warto słuchać i albumy warte uznania.

Actor Singer Songwriter Greg Evigan talks about BJ and the Bear, working with a chimpanzee, turning DOWN Knight Rider (which launched the career of 'The Hoff' David Hasselhoff), My Two Dads, working with Paul Reiser and William Shatner, Grease, Jesus Christ Superstar, competing in Network Battle of the Stars, writing a song for Meghan Trainor, his interactions with Mr T John Travolta Mickey Rooney Chuck Yeager Buddy Hackett Norman Lear Howard Cosell Claude Akins, and recording an album at Abbey Road studios backed by the London Philharmonic Orchestra! For everything Greg Evigan, please visit https://www.evigan.com/ TORONTO LEGENDS is hosted by Andrew Applebaum at andrew.applebaum@gmail.com All episodes available at https://www.torontolegends.ca/episodes/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hola! ¿Cómo estás? Esperamos que muy bien.Es el séptimo episodio de la séptima temporada y tenemos un montón de cosas para decir.Hay noticias porque:- Se filtró el cruce de Abbey Road en las biopics de Sam Mendes- Tuvimos un nuevo adelanto de Rubber Soul 2026- Empezaron las filmaciones de Hamburg Days, la serie sobre los Early Beatles- Sean Ono Lennon fue papá!Y sumado a todo eso tenemos un disco solista. Hablamos sobre TREINTA Y TRES Y UN TERCIO, el disco de George que lo trajo en un forma un poco más pop, un poco menos religiosa y un poco más exitosa que Dark Horse y Extra Texture.Que lo disfrutes!*ruido de mate*

Abbey Road med The Beatles fra 1969 er endelig på "Toppermost" plakaten. I første del af tre dykker vi ned i albummets forhistorie. Vi taler om et band der på bagkant af januar måneds "Get Back sessions" er fragmenteret med splid om bandets fremtid, ægteskaber, filmindindspilning, senge happenings og elektroniske eventyr som forstyrrende faktorer. Og så er der jo lige en Digestive kiks der bliver "lånt"... Derudover kommer værten i klart mindretal omkring "Old Brown Shoe", vi drøfter "The Ballad Of John And Yoko" og griner af "You Know My Name" der blev færdiggjort i 1969.  Og hvad betyder det at have en ny mixerpult? Episoden er lavet i godt selskab med to herlige mennesker; Ask Hasselbalch er filminstruktør, kendt for blandt andet Antboy-filmene, Skammerens Datter II samt TV 2's julekalender Kometernes Jul. Ask har været fan af Beatles, så længe han kan huske, og fascinationen er kun vokset med årene. Sangene har fulgt ham gennem livet, og han bliver stadig ved med at opdage nye detaljer, historier og små øjeblikke i musikken, som får ham til at forelske sig i bandet på ny. Peter Grønborg er faglig leder i Udviklingsafdelingen på Det Kgl. Teater. Og så er han musiker – bl.a. i The Fab Five der spiller Beatles live. For Peter er The Beatles selve DNAet i al musik og en passion, der har fulgt ham, så længe han kan huske. https://hakon-holm.dk/shop/elsker-the-beatles/  

On 9/11, jazz pianist Rick Delarada watched the towers fall from his rooftop and wrote a poem that became Jazz for Peace — 25 years and over 850 concerts later, it's funded hundreds of nonprofits worldwide. Rick joins Hugo to talk about turning grief into mission, performing in conflict zones from Rwanda to Pakistan, recording with the London Symphony Orchestra at Abbey Road, and what it really takes to fund world peace one concert at a time.Become a supporter of this podcast: https://www.spreaker.com/podcast/sol-meets-heart--3691166/support.

When we started the Ugly American Werewolf in London Rock Podcast in 2020, we were are still living with the near term effects of Covid. The Wolf lived just off Abbey Road in London and Action Jackson was at his family home near the Atlantic coast. To stay sane we decided to give each other homework - an album to review and then next week they'd discuss it. Because that's what they did as college roommates in the 90s with hard rock music tastes that tended to lean toward the generation before their own. Quickly we decided the best way toward continued mental fitness was to stay busy doing something we loved - talking about and sharing our love and (sometimes questionable) knowledge about rock music. With our 300th episode, we'd like to reflect a bit and thank all the people who supported us, who gave us advice, who came on the show and most of all to those who listened. We've engaged with like-minded people around the world and have even had the chance to interview and share war stories with some of our childhood heroes. And we're proud of the work we've done, playing our own part in preserving and promoting the rock music we love. Those two college students also once slept on a sidewalk in front of a record store in the winter to get tickets to see Rush on the Roll The Bones Tour. It's the only time our hosts ever camped out for tickets and it was until recently the only time they ever saw Rush together. So for our 300th, with the help of Geddy Lee, Alex Lifeson and the superhero on the drums Anika Nilles (and you too Loren Gold) are going to Chicago for night 3 of Rush's 4 night stand at the United Center. It was a bit of a full circle moment to be in Chicago with our families to celebrate a band we thought we'd never see again. We used to be the teenagers asking the old guys when their first tour was, now we bring our kids and tell our own stories. The Rush Family is a brilliant community of good folks that had been away from each other for too long and though the concert was great, it was more of a celebration and communion for the Rush faithful. Yes we'll actually be critical of things like sound and the setlist - this isn't a complete love-in. We have a responsibility to tell it as we saw and heard it. But given our history with the band and our milestone for the show, we treat it as something we're thankful for happening. Rush is back and it's a celebration of Neil, a celebration of the music and an amazing night we never would have dreamed of on that sidewalk 35 years ago. Catch the witness! Catch the wit! Catch the spirit! Catch the spit! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uglyamericanwerewolf@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Con David Gómez Peris | Como última parada de este verano, nos adentramos en el Londres de los viajeros, los compositores y los iconos culturales. Una ciudad donde la historia se respira en cada rincón, desde las abadías góticas hasta los estudios de Abbey Road, y donde la música se convierte en el mejor mapa para recorrer sus parques, mercados y palacios. En este episodio exploramos, entre otras joyas, la melancolía de Dowland, la grandiosidad de Zadok the Priest y la pervivencia de las melodías tradicionales inglesas. Bienvenidos a Solo Billete de Ida, el programa de Clásica FM para viajar con la música como guía.

When we started the Ugly American Werewolf in London Rock Podcast in 2020, we were are still living with the near term effects of Covid. The Wolf lived just off Abbey Road in London and Action Jackson was at his family home near the Atlantic coast. To stay sane we decided to give each other homework - an album to review and then next week they'd discuss it. Because that's what they did as college roommates in the 90s with hard rock music tastes that tended to lean toward the generation before their own. Quickly we decided the best way toward continued mental fitness was to stay busy doing something we loved - talking about and sharing our love and (sometimes questionable) knowledge about rock music. With our 300th episode, we'd like to reflect a bit and thank all the people who supported us, who gave us advice, who came on the show and most of all to those who listened. We've engaged with like-minded people around the world and have even had the chance to interview and share war stories with some of our childhood heroes. And we're proud of the work we've done, playing our own part in preserving and promoting the rock music we love. Those two college students also once slept on a sidewalk in front of a record store in the winter to get tickets to see Rush on the Roll The Bones Tour. It's the only time our hosts ever camped out for tickets and it was until recently the only time they ever saw Rush together. So for our 300th, with the help of Geddy Lee, Alex Lifeson and the superhero on the drums Anika Nilles (and you too Loren Gold) are going to Chicago for night 3 of Rush's 4 night stand at the United Center. It was a bit of a full circle moment to be in Chicago with our families to celebrate a band we thought we'd never see again. We used to be the teenagers asking the old guys when their first tour was, now we bring our kids and tell our own stories. The Rush Family is a brilliant community of good folks that had been away from each other for too long and though the concert was great, it was more of a celebration and communion for the Rush faithful. Yes we'll actually be critical of things like sound and the setlist - this isn't a complete love-in. We have a responsibility to tell it as we saw and heard it. But given our history with the band and our milestone for the show, we treat it as something we're thankful for happening. Rush is back and it's a celebration of Neil, a celebration of the music and an amazing night we never would have dreamed of on that sidewalk 35 years ago. Catch the witness! Catch the wit! Catch the spirit! Catch the spit! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uglyamericanwerewolf@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of The Other Side of the Bell, featuring trumpet performer, band leader and recording artist James Davison, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "James Davison Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- James Davison had a misconception that trumpeters should only have one mouthpiece, that any professional should be able to do everything with only one, and if you used more you were "cheating." It was Chris Deacon in fact who finally asked him one day, in a moment of struggle, " Why don't you just try a slightly narrower mouthpiece?" From there, a whole new world opened up. Jim was already well on a path to building a career in music, having become enraptured by the trumpet and cornet as a child, playing Dixieland jazz with his father and learning to play by ear, and then studying at the Guildhall School of Music and Drama and the Royal Academy of Music. But sometimes, we just need a little kick, a new perspective from an outside source, to shift our understanding and mindset. Since that crossroads, Jim has gone on to become a regular player in the British music scene, from musicals and big bands to studio sessions film soundtracks. Earlier this year, Jim released his long-awaited trumpet & bass collaboration with Misha Mullov-Abbado, "Moon Beans," a mix of original compositions and collaborative arrangements. And he features on Callum Au's ambitious new recording of original music, "Sing Seven Seas." "If you sing down the horn and you make people smile, and there's a connection for the audience with your playing, then I think that's the only thing that really matters." - James Davison In fact, Callum Au is also this month's feature interview on The Trombone Corner podcast, so after you've heard Jim's story, head over to the Corner and hear from Callum as well! About James Davison: James Davison is a freelance Trumpet and Flugelhorn player in high-demand in London's Classical and Jazz scenes.  Having graduated from the Guildhall School of Music and Drama (2014) and the Royal Academy of Music (2016), James is often found playing in Big Bands such as the BBC Big Band, Ronnie Scott's Jazz Orchestra, the Callum Au Big Band, the Kings Place Jazz Orchestra, the Scottish National Jazz Orchestra, the Danish Radio Big Band, Pete Long's Echoes of Ellington, the Jakob Helling Concert Big Band and the Patchwork Jazz Orchestra.  James also works regularly in London's iconic recording studios, including Abbey Road, Angel Studios and Air Studios, for Pop, TV and Film sessions.  As well as being a side-man in bands such as the Mark Nightingale & Alan Barnes Sextet and the Misha Mullov-Abbado Group, James is also a bandleader in his own right co-leading groups with both the saxophone and clarinetist Duncan Hemstock, as well as the Grammy-nominated arranger and trombone player Callum Au in their band "Quintet-a-tete", alongside his own quartet.  James' classical and orchestral career highlights include performances with the London Symphony Orchestra, the BBC Concert Orchestra, the Royal Philharmonic Orchestra, the Philharmonia, the Halle, English National Opera, John Wilson's Sinfonia of London and he is also a member of the world renowned brass ensemble London Brass, which he joined in 2024.  Episode Links: Moon Beans, the album https://mishamullov-abbado.bandcamp.com/album/moon-beans  Sing Seven Seas, Callum Au https://callumaumusic.com/s7s/  Swipe Right! from Sing Seven Seas by Callum Au https://www.youtube.com/watch?v=ZycetABQze0  The London Brass https://www.londonbrass.net/styled/page-5/  Instagram https://www.instagram.com/jimjimdavison/  Bob Reeves Brass Events and Appearances: Joy Brass, September 17-24, Tokyo Japan http://joybrass.com email to sign up: tp@joybrass.co.jp Virtuosity Music, October 9-10, Boston, MA Greg Black Mouthpieces, November 6-7, Mount Holly, NC NCMEA Conference, November 8-9, Winston-Salem, NC Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Guido Baroncelli & James Davison Audio Engineer - Ted Cragg

On this episode of The Movie Podcast, Daniel and Shahbaz are joined by returning friend of the show Will Forte and Lana Condor to discuss the eagerly anticipated COYOTE VS. ACME. Following their conversation, Academy Award-winning composer Steven Price joins us to discuss his score for the film, including how a last-minute inspiration led him to the London Voices choir to record a new rendition of the 1812 Overture at Abbey Road, complete with Road Runner-inspired “meep meeps”! After decades of being blown to bits by bombs, demolished by dynamite, mangled by magnets, battered by boulders, trampled by trains, tricked by tunnels, sprung by springs, steamrolled by steamrollers, maligned by misfires, bedeviled by bungees, rattled by rockets, backstabbed by bat suits, rocked by rocket skates, upended by unicycles, quaked by quake pills, rubberized by rogue bands, and hurled headlong off every cliff in the Southwest, Wile E. Coyote (Genius) finally fights back. Teaming up with billboard accident lawyer Kevin Avery (Will Forte), he takes on slick corporate counsel Buddy Crane (John Cena) and ACME, Inc., the profit-obsessed conglomerate behind every one of the Coyote's chaotic catastrophes. Coyote vs. Acme finally releases into theatres August 28, 2026. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1960s, the Beatles were defined by the success of the Lennon-McCartney songwriting partnership. But in the digital era, we discovered that the Fab Four's most popular song wasn't written by John or Paul. In fact, it had never been a chart hit—it wasn't even released as a single.Today on Hit Parade: Chris Molanphy shines a light on “Here Comes the Sun,” the George Harrison deep cut from Abbey Road that, in the streaming era, has emerged as the most enduring—and most popular—Beatles song of all time.For more about “stealth hits,” listen to Hit Parade's episode on B-sides that improbably become classics and read Chris's Slate column about the surprising dominance of this holiday song.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Joel Meyer. Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In the 1960s, the Beatles were defined by the success of the Lennon-McCartney songwriting partnership. But in the digital era, we discovered that the Fab Four's most popular song wasn't written by John or Paul. In fact, it had never been a chart hit—it wasn't even released as a single.Today on Hit Parade: Chris Molanphy shines a light on “Here Comes the Sun,” the George Harrison deep cut from Abbey Road that, in the streaming era, has emerged as the most enduring—and most popular—Beatles song of all time.For more about “stealth hits,” listen to Hit Parade's episode on B-sides that improbably become classics and read Chris's Slate column about the surprising dominance of this holiday song.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Joel Meyer. Hosted on Acast. See acast.com/privacy for more information.

In the 1960s, the Beatles were defined by the success of the Lennon-McCartney songwriting partnership. But in the digital era, we discovered that the Fab Four's most popular song wasn't written by John or Paul. In fact, it had never been a chart hit—it wasn't even released as a single.Today on Hit Parade: Chris Molanphy shines a light on “Here Comes the Sun,” the George Harrison deep cut from Abbey Road that, in the streaming era, has emerged as the most enduring—and most popular—Beatles song of all time.For more about “stealth hits,” listen to Hit Parade's episode on B-sides that improbably become classics and read Chris's Slate column about the surprising dominance of this holiday song.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Joel Meyer. Hosted on Acast. See acast.com/privacy for more information.

Lincoln Grounds joins Julian Rodgers to discuss guerrilla recording techniques, exploring how a focus on authentic performances, unconventional spaces and adaptability can matter more than technology and complex setups when creating compelling recordings.Chapters00:00 - Introduction01:09 - Definition Of Guerilla Recording05:59 - Not Over-Indulging In Tech11:14 - Getting A Good Performance Quickly16:18 - Recording Bands In Their Own Element19:50 - Working With Spill30:18 - Headphones And Clicks Where Needed33:10 - Post Production Techniques#BozDigital #ProTools #FabFilter #NoiseWorks #iZotope #WavesLincoln Grounds BiogLincoln Grounds is a composer, producer, recording engineer and owner of Maverick Music. His work spans production music for TV, film and advertising, alongside live performance and recording projects with artists including Sister Sledge, Cockney Rebel and Kid Creole. He has worked in a wide variety of recording environments, from improvised setups to world-renowned studios including Abbey Road and Blackbird Studio in Nashville.https://x.com/lincolngroundsJulian Rodgers BiogJulian Rodgers is a freelance writer and audio engineer with a background in live sound. After many years working in education introducing new users to Pro Tools, he now lives by the sea in West Cornwall, where he plays keyboards in a couple of bands. He also plays bass and guitar equally badly, and remains an enthusiastic collector of microphones and opinions about all things audio.https://www.linkedin.com/in/julian-rodgers-04621926Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Charlie, Ted, and Rony open on Higgsfield's $400 million raise at a $5.4 billion valuation, and the uncomfortable gap between its strong revenue and a wave of user complaints about its terms of service (Charlie discloses he's a Higgsfield creative partner). From there: Snap's $2,195 Specs launch on September 16th, and Evan Spiegel's candid admission that he doesn't expect them to sell well, which Rony compares to Jensen Huang's decade-plus of staying the course before Nvidia's breakout. The group also digs into Epic Games quietly offloading Sketchfab and ArtStation to the much smaller KitBash, and a wide-ranging debate on AI filmmaking sparked by a Chatham House Rules event with Google and the American Film Institute, including Rony's memorable comparison of AI-native filmmakers to Skrillex versus the full-orchestra, Abbey-Road approach of traditional Hollywood.Barmak Heshmat, founder and CEO of Brelyon, joins to make the case for immersive displays that skip the headset entirely. A former head of optics at the AR company Meta (not Facebook) and MIT computational imaging researcher, Barmak explains Brelyon's curved monitor, which uses monocular depth to create what he calls "a window to the virtual world" you look through rather than wear. The conversation covers why enterprise, not consumer, is where the technology is scaling first, a published study with Toyota on video pass-through windshields that could eliminate car glass entirely, and Barmak's longer-term vision for light field displays as the natural evolution beyond stereoscopic 3D.Key Moments: [03:35] Higgsfield's $400M raise and the backlash over its terms of service [07:35] Snap's $2,195 Specs and the Jensen Huang long-game comparison [11:35] Epic Games sheds Sketchfab and ArtStation to KitBash [17:35] Inside a Chatham House Rules AI filmmaking summit with Google and AFI [21:35] The Skrillex vs. Beatles theory of AI-native filmmaking [28:35] Barmak Heshmat joins to tell us about building the Brelyon's headset-less display [33:35] How monocular depth creates a "window to the virtual world" [46:35] A published study with Toyota on video pass-through windshields [53:35] The future: light field displays and headsets as an accessory Hosted on Acast. See acast.com/privacy for more information.

Colleen has a Capriotti's unboxing moment. Why have a pumpkin spice donut flavored pretzel when you can have an actual donut? Mann Theatres is bringing a big (but not the biggest) IMAX screen to Minnesota, Jason has an update on the Roxanne letter, and Colleen moved her kid back to college and she has some tips for parents (and some couch moving tips). Jason shares an error that he made with his couch -- don't go cheap on it! RIP Hayden Panettiere and "Spider-Man: Brand New Day" still dominates box office. AITA: For calling out my co-worker's stinky lunch? Plus, The Beatles biopic films on Abbey Road and Netflix shuts downs Tyra Banks's "ANTM" documentary complaints.SCREEN QUEENS: Colleen's hot take on "Double Lives of Suburban Wives," Jason and Holly continue to hate-watch "Project Runway," and Jason completed Netflix's "Little House on the Prairie" reboot. All the news from this weekend's D23 convention -- Jason unpacks the biggest headlines! Plus, the bears are preparing for Fat Bear Week at Katmai National Park and you can watch the live stream. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today I'm chatting with Amanda Lee Falkenberg, an internationally acclaimed Australian composer, pianist and creator of The Moons Symphony — a groundbreaking orchestral work recorded with the London Symphony Orchestra under Marin Alsop, with choral forces recorded separately at Abbey Road Studios.Amanda's work bridges science, music and storytelling, developed in close collaboration with NASA planetary scientists and astronomers. She's also the founder of Lunar (Learning under New Artistic Regimes), an immersive educational platform blending planetary science, music and art to spark curiosity in learners of all ages.In this conversation we trace the whole journey: from stumbling across an article on the "ten weirdest moons," through a cold email to a NASA scientist that led to a presentation at JPL, to the pandemic-era twist that finally brought the LSO, Marin Alsop and Abbey Road into alignment. We talk about why she built Lunar as a course rather than a one-off concert, what she's learned from planetary scientists about resilience and the long game, and how a childhood love of John Williams became the unlikely throughline for a project rooted entirely in science fact.Key TakeawaysA cold email can change everything. Amanda's project only reached NASA because she sent an unsolicited message into what she calls "the black hole email" — with no expectation of a reply.Passion projects don't need permission to start. She began researching and composing years before she had a scientist, an orchestra, or a plan for education — the vision came first.Interdisciplinary learning resonates because real life isn't siloed. Music, science and storytelling aren't separate subjects to her — they're one experience, and that's exactly why Lunar works across age groups from teenagers to retirees.Resilience is the throughline of both music and science careers. Amanda draws a direct parallel between the decades-long timelines of NASA missions and the "10,000 hours" of a musician's path — both require staying in it for the long game.Setbacks can create the conditions for a breakthrough. Covid cancelled her original recording dates — and then, months later, cleared Marin Alsop's schedule enough to make the recording finally happen.You don't need a background in either subject to benefit. Lunar is designed so that participants need no prior knowledge of music or science — just curiosity.Chapters:00:02 - Exploring the Moon Symphony with Amanda Lee Falkenberg01:54 - The Journey of the Moon Symphony12:48 - Interdisciplinary Education: Bridging Science and Art15:15 - The Journey of the Lunar Program24:21 - The Journey to Collaborate with NASA29:21 - The Impact of COVID on the Project34:31 - The Journey of Passion Projects39:55 - The Long Game: Resilience in Music and Sciencehttps://www.moons-symphony.com/https://www.moons-symphony.com/gateway-to-lunar▶️ YouTube

Blockbuster Blake Stubbs joins Bob Sirott to talk about the continued success of “Spider-Man: Brand New Day” at the box office and the death of Hayden Panettiere. He also shares details about the recreation of the Abbey Road cover for the Beatles biopics.

Kid and El Pres are back in the studio, and Kid isn't exactly arriving with a clear head. A relationship he thought had long-term potential has suddenly gone quiet, leaving him trying to reconcile the comfort of believing he'd found somebody to grow old with against the reality of barely communicating at all. Beneath all the usual Goin' Deep stupidity is something considerably more sincere: the realization that the podcast has always been a place where jokes cover heavier things that don't necessarily get discussed anywhere else. Kid returns from a vintage baseball weekend where the Independents got their asses kicked, the roster looked increasingly aware of its collective age and the team captain missed the festivities after getting sick. The baseball may have been rough, but the friends weekend and general distraction were exactly what Kid needed. That leads into the other major distraction of the week: Foo Fighters in Detroit. Kid and El Pres put the show among the best concerts they've attended, with Kid comparing it against an Eagles show that still holds the championship belt in his personal concert rankings. Queen of the Stone Age gets plenty of love too, along with a tease about an old Josh Homme story involving somebody connected to the show. Then artificial intelligence takes over the studio. Kid starts demonstrating how easily old photographs can now be animated, altered and completely reinvented. An innocent old Goin' Deep studio photo slowly mutates until the original Red Eye looks like he's spent the last decade secretly training for an action movie. That sends the guys into the larger question of whether AI has made fantasy so instantly available that younger people simply aren't impressed by the things that once felt forbidden or exciting. That becomes part of a bigger generational argument. Are younger audiences really less interested in sex scenes? Did growing up with unlimited access to everything fundamentally change what feels provocative? And what happened to the traditional rock star, who once existed in a world without somebody filming every stupid decision from six feet away? El Pres is meanwhile approaching retirement and beginning to imagine life without worrying quite so much about what everybody thinks. Travel enters the picture, including Paris, London, Liverpool, Abbey Road and Ireland, while Kid argues that making those memories with his son could be worth more than anything sitting around the house. There are detours through Buc-ee's chaos, social-media personalities who may or may not resemble AI, old morality films that aged spectacularly badly, Detroit Tigers anxiety, the Dodgers tempting fate, and the strange experience of podcast listeners recognizing Kid away from the microphone and knowing considerably more about his life than expected. And finally, civilization arrives at the question philosophers were apparently too frightened to ask: Why do bangs look like a warning sign? Grok is summoned. Grok is instructed to become less polite. Grok eventually concludes that bangs represent a daily declaration of war against the forehead. That seems scientific enough for this show. Listen in Go Deep

Let's get one thing out of the way first. Despite sharing its name with one of the most iconic titles in  music history, Alex Otey's "Abbey Road" isn't chasing any Beatles comparisons here. This is very much its own thing, a lively, groove forward seven song album that leans entirely on Otey's own considerable talents rather than any borrowed nostalgia, and it's all the better for it. “Abbey Road Impressions” is a killer album from start to finish and we're thrilled for you to get into it ASAP!

Send us Fan MailClub NewsGaffer On The BBCFixture ShuffleMustapha GoneTwo Signings Coming InChat With Lucas DansonEllie ClearyCambridge United PreviewView From The Home EndScout ReportRef WatchPreviousTeam SelectionPredictions Including XG!Up the tics!MP3 DownloadContact PWU PodcastTweet us @PWUPodcast or @WorthingtonBazemail barryworthington@hotmail.comCatch us at the gameEditor & Producer - Barry Worthington©Progress With Unity Podcast

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We look at the new home for London’s Museum of Youth Culture, a Chicago collective who embeds cultural venues into neighbourhoods and traffic solutions for The Beatles’ Abbey Road crossing.See omnystudio.com/listener for privacy information.

Academy Award®-winning composer Michael Giacchino returns to Dolby Creator Talks for his fifth appearance, this time to discuss his latest score for “Spider-Man: Brand New Day.” In this conversation, Giacchino explores how he approached Peter Parker's new emotional reality: One where the character is alone, isolated, and carrying difficult memories no one else shares, by reshaping familiar musical themes, excavating pieces out of the melody, and introducing a dark, synth palette beneath the orchestra. He also reflects on his working relationship with director Destin Daniel Cretton, recording an 85-piece orchestra at Abbey Road, and finding the right balance between the spectacle befitting a Spider-Man movie, and the loneliness at the heart of this new chapter for the beloved superhero."For me, musically, it was... 'do we abandon the theme that we had for three movies and just go with something brand new? So it felt like he's in a wholly new place?' That was my first thought. But the more I tried to do that, I kept thinking, 'well, no, maybe it's not so much about inventing anything new, but it's about taking away from what we already have.' So if I have a full melody written out, what notes can I pull out of that melody, that would represent the pieces of his life that have now gone away?"—Michael Giacchino, Composer, “Spider-Man: Brand New Day”Be sure to check out “Spider-Man: Brand New Day,” now playing in theaters in Dolby Vision® and Dolby Atmos® where available.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Aside from the Rabbi's Sons discussed in Part 1 of this miniseries, the 1960's saw the first music groups in Ohr Chadash, Pirchei and the London School of Jewish Song. From Israel came Chaim Banet and Jo Amar, the latter a pioneer of Morroccan Jewish music. No less important than the performers, the production, composition and arrangements were handled by architects of Jewish music Suki & Ding, Sheya Mendlowitz, Yisroel Lamm and later Moshe Laufer, Mona Rosenblum and Yossi Green. The 1970's saw the new sounds of Diaspora Yeshiva Band and Dudu Fisher, bringing Jewish music to ever wider audiences. Abie Rottenberg commenced his illustrious career this decade with Dveykus and the soon to be crowned king of Jewish music Mordechai Ben David burst on to the scene as well. Capitalizing on their earlier involvement with Pirchei-JEP, Rivie Schwebel and Ali Scharf collaborated once again with a series of albums of Schwebel, Scharf & Levine. Check out the story of Yerachmiel Begun and the Miami Boys Choir on this popular episode of Jewish History Soundbites: https://jsoundbites.podbean.com/e/great-american-jewish-cities-14-miami/  Subscribe to Jewish History Soundbites Podcast on: PodBean: https://jsoundbites.podbean.com/ or your favorite podcast platform Follow us on LinkedIn, Twitter or Instagram at @Jsoundbites For sponsorship opportunities about your favorite topics of Jewish history or feedback contact Yehuda at: yehuda@yehudageberer.com

In this episode, Dave and Chris take a two-for-one deep dive into George Harrison's “Here Comes the Sun” and its lesser-known companion (or sequel?) “Here Comes the Moon.” We explore the songs' origins, lyrics, inspiration, unique musical elements (Moog synthesizer!), Ringo's problems playing the meter changes, and a surprise uncredited co-writer for "Here Comes the Moon." As usual, we mention notable covers — from the Concert for Bangladesh and SNL to versions by Nina Simone, Yusuf/Cat Stevens, Peter Tosh and more — and speculate as to why "Here Comes The Sun" is the most-streamed Beatles song while "Here Comes The Moon" is a hidden gem. Check out the links below to buy the items mentioned in the episode: Abbey Road (anniversary lp)  https://amzn.to/4ykBw9a  Let It Roll (vinyl)  https://amzn.to/4gy0Ge4  George Harrison (vinyl)  https://amzn.to/44WRSHq  our Amazon Storefront  https://a.co/d/02mzfR62    (As an Amazon Associate we earn from qualifying purchases)      Cover Songs mentioned in the episode:    Here Comes the Sun (official video)  https://www.youtube.com/watch?v=KQetemT1sWc  Take 9  https://www.youtube.com/watch?v=oIt8GN2sr4I  Lost guitar solo  https://www.youtube.com/watch?v=mMXDOWRUR7M  Concert for Bangladesh  https://www.youtube.com/watch?v=v5G26sTxMlo&list=RDv5G26sTxMlo&start_radio=1  Paul Simon & George Harrison on SNL November 20,1976  https://www.youtube.com/watch?v=KEgBMTMUanU&list=RDKEgBMTMUanU&start_radio=1  Live in Japan  https://www.youtube.com/watch?v=Q54DO0B2atc&list=RDQ54DO0B2atc&start_radio=1  Richie Havens 1971  https://www.youtube.com/watch?v=P_Kq-2Xs8NY&list=RDP_Kq-2Xs8NY&start_radio=1  Nina Simone 1971  https://www.youtube.com/watch?v=T9gMsdNQSUM&list=RDT9gMsdNQSUM&start_radio=1  Sergio Mendes 1975  https://www.youtube.com/watch?v=dq8qEnTGtWg&list=RDdq8qEnTGtWg&start_radio=1  The Runaways 1980  https://www.youtube.com/watch?v=yubiSnR9Zkk&list=RDyubiSnR9Zkk&start_radio=1  Womack & Womack 1985  https://www.youtube.com/watch?v=f5twzxHZVHE&list=RDf5twzxHZVHE&start_radio=1  Voodoo Glow Skulls 1994  https://www.youtube.com/watch?v=vIPjTtPCls8&list=RDvIPjTtPCls8&start_radio=1  Lou Rawls 1998  https://www.youtube.com/watch?v=jd_YDU1NzFo  Nick Cave 2002 - from I am Sam  https://www.youtube.com/watch?v=uT9YgfdgUVI&list=RDuT9YgfdgUVI&start_radio=1  Travis 2002  https://www.youtube.com/watch?v=Za0ib4r0d5g&list=RDZa0ib4r0d5g&start_radio=1  Joe Brown concert for George 2003  https://www.youtube.com/watch?v=cTwWpkLEHCA&list=RDcTwWpkLEHCA&start_radio=1  John Entwistle 2003 Songs From The Material World (Tribute To George Harrison)  https://www.youtube.com/watch?v=F3e8MotBOoE&t=6s  GeorgeFest version - Perry Ferrell -  https://www.youtube.com/watch?v=ilQuPQF5zSM&list=RDilQuPQF5zSM&start_radio=1  Yo Yo Ma & James Taylor 2021  https://www.youtube.com/watch?v=qgO7BqAeeYk&list=RDqgO7BqAeeYk&start_radio=1  Jon Bon Jovi - 2021  https://www.youtube.com/watch?v=L5b5A8Tr9P0&list=RDL5b5A8Tr9P0&start_radio=1  Yusuf/Cat Stevens 2023  https://www.youtube.com/watch?v=iCF7opEbEw0 George Benson 1969 (Here Comes the Sun/I Want You (She's So Heavy) https://www.youtube.com/watch?v=b6IDWgIjH6I  Peter Tosh Here Comes The Sun monomix  https://www.youtube.com/watch?v=mrNzCP0f30Y  George Benson https://www.youtube.com/watch?v=0aLnb6FBWbI&list=RD0aLnb6FBWbI&start_radio=1 Here Comes The Moon  https://www.youtube.com/watch?v=cu1dvIwk6pc  Here Comes the Moon demo  https://www.youtube.com/watch?v=PhvGr5Db1DU      

Stewart Alsop sits down with Matias Avalos on this episode of the Wisdom podcast to explore the intersection of technology, humanism, and creative sovereignty. The conversation moves from Matias's work with neural network-based audio plugins and effect chains to broader questions about corporate transhumanism, data ownership, and what it means to maintain human agency in an increasingly automated world. They discuss the dangers of convenience-driven technological adoption, the implications of companies like Palantir and Neuralink, and how bureaucratic incentives push toward total legibility while protecting their own opacity. Along the way, they touch on everything from IMAX audio production and the death of walkable cities to Instagram's transformation from visual diary to data extraction platform, ultimately arguing for local, open-source, and sovereign approaches to technology that keep humans in the loop rather than replacing them with "average fabrics" of algorithmic output. Find Matias Avalos on LinkedIn for more techno-poetic discussions.Timestamps00:00 Stewart welcomes Matias Avalos to discuss their friendship and upcoming conversation topics.05:00 Matias explains audio effect chains using neural networks to capture professional recording room signatures and create portable high-fidelity sound processing.10:00 Discussion of piezoelectric microphones converting sound vibrations to electrical signals and CIA experiments using lasers to capture audio from glass surfaces.15:00 Conversation shifts to digital audio recording, sampling rates, and the importance of source material quality for post-production work.20:00 Stewart shares his journey building web conferencing software to replace Riverside, encountering lip-sync problems and learning about FFMPEG processing.25:00 Matias discusses corporate transhumanism, Neuralink's implications, and how brain interfaces could enable continuous taste mining beyond medical applications.30:00 Analysis of corporate transhumanism through companies like Neuralink, discussing private decision-making, lack of transparency, and various transhumanist philosophies globally.35:00 Matias reads poetry about digital replicas and data generation, exploring how wearable devices continuously capture human activity creating targetable information streams.40:00 Discussion of Peter Thiel's shift from libertarianism to neoconservatism, Palantir's origins in Total Information Awareness program, and Buenos Aires as humanist sanctuary.45:00 Examination of American convenience culture, post-WWII suburban isolation, and Buenos Aires as walkable humanist alternative to car-dependent American cities.50:00 Matias presents Neil Harbison as positive transhumanism example, explaining color-to-vibration synesthesia implant while discussing techno-optimism from Global South perspective.55:00 Conversation explores bureaucratic incentives toward population legibility, compelled silence laws, and sovereignty through open-source local technology ownership avoiding corporate control.60:00 Matias concludes discussing digital identity ownership, social network portability, and how digital twins determine human worth across platforms and borders.Key Insights1. Modern digital audio processing technologies represent a fundamentally different approach to music and sound production compared to generative AI tools. Matias Avalos distinguishes between technologies like Neural DSP's Mantra plugin, which uses deep neural networks to capture and emulate professional recording environments, and generative platforms like Suno. The key difference is that traditional digital signal processing tools put the creator in control, allowing them to make artistic decisions using expensive effect chains that would otherwise only be available in elite studios like Abbey Road. These technologies democratize access to professional audio tools without removing human agency from the creative process, whereas generative AI tools operate as black boxes that produce outputs based on prompts rather than allowing genuine creative control.2. The capture and preservation of source material remains critically important in audio and video production, despite advances in post-production capabilities. Through his experience building a web conferencing application to replace Riverside.fm, Alsop learned that many technical problems, particularly lip-sync issues, stemmed from poor source file management and recording methodology. This principle extends across all media production, as Avalos explains using the example of missing lighting in professional photography. While modern generative AI might attempt to invent missing elements, the results cannot match properly captured source material. This highlights a fundamental tension in contemporary media production where the quality triangle of cheap, good, and fast has been disrupted by AI technologies that can deliver all three if we lower our standards for what constitutes good work.3. Corporate transhumanism represents a particular and concerning subset of transhumanist philosophy that differs significantly from earlier artistic and philosophical approaches to human enhancement. While early transhumanists like Neil Harbison, a color-blind artist who implanted a device to translate color frequencies into vibrations, pursued personal enhancement and expanded human experience, corporate transhumanism as practiced by companies like Neuralink focuses on technological integration with significant profit motives and control mechanisms. The discussion highlights how these corporate approaches position themselves as solving medical and cognitive problems while simultaneously creating dependency through terms of service, data mining, and token-based economic models. This represents a Trojan horse where the promise of enhanced capability masks the establishment of new forms of control and surveillance of human consciousness itself.4. The concept of legibility as a bureaucratic end goal rather than a means to an end explains much of the surveillance apparatus that has developed in Western societies, particularly in the United States since 9/11. Alsop describes how those in positions of power, wealth, and fame have a structural incentive to make everything around them legible and controllable while maintaining their own privacy and illegibility to external observation. This dynamic manifests in technologies like Palantir and in legal mechanisms like compelled silence through gag orders, which directly contradict constitutional principles of free speech. The drive for total legibility of populations appears to have no ultimate purpose beyond the accumulation of legibility itself, creating a recursive loop where surveillance and data collection become self-justifying activities that serve power structures rather than the populations they ostensibly protect.5. Human beings continuously generate enormous streams of metadata through their daily activities, creating what Avalos describes as evaporating against our own will into hundreds of RSS feeds for hundreds of corporations. This automatic data production occurs through basic activities like waking up, moving through space with smartphones and wearable devices, and interacting with digital platforms. The fundamental question that predates transhumanism but becomes more urgent within it is how individuals can own what they produce simply by existing and moving through the world. This data is captured through accelerometers, gyroscopes, GPS systems, and countless other sensors that create comprehensive digital profiles without explicit consent or meaningful control by the individuals being monitored. The unilateral nature of this communication, where individuals broadcast data without receiving genuine value in return, has become so deeply embedded in modern infrastructure that it forms part of the taken-for-granted landscape of contemporary life.6. Platform lock-in and the inability to migrate digital identity across services creates a new category of loss that requires genuine grieving. Avalos describes how his experience with Instagram, which began as a personal visual diary before the Facebook acquisition, evolved into a situation where he cannot extract his creative work and social connections from the platform without significant loss. This phenomenon extends beyond mere inconvenience to touch on fundamental questions of identity and citizenship, as social media profiles increasingly determine real-world opportunities like visa applications and border crossings. The implications of digital footprints have become severe enough that individuals can be denied entry to countries based on algorithmic analysis of their online interactions, likes, and expressed beliefs. This creates a situation where people are worth exactly what their digital twin indicates they are worth, with no meaningful avenue for human appeal or nuanced self-representation.7. The future relationship between humans and technology requires a return to principles of sovereignty, local control, and open source development rather than dependence on corporate platforms and proprietary systems. Both Alsop and Avalos advocate for a do-it-yourself approach to technology that emphasizes ownership and control over personal tools and data. This includes avoiding closed systems like Neuralink unless they become open source and user-controlled, and prioritizing local execution of AI models over cloud-based services that create dependencies and enable surveillance. The conversation suggests that techno-optimism remains possible, but only from what Avalos calls the trenches, acknowledging the different relationship that people in the Global South and those outside centers of power have with technology. This grounded optimism recognizes the entanglement of beneficial and harmful aspects of technological development and maintains that human agency and creative freedom require conscious resistance to the convenience-at-all-costs model that has characterized recent technological adoption.

Grab a cold one and settle in, because this week the Tall Boy studio is absolutely packed to the rafters. Hosts Beans, Gaz, and Andy are back together, but they've brought some serious southern hospitality along for the ride. Joining the crew all the way from the Lone Star State are Beans' cousin Beau and his legendary pals Kevin and Ron.The boys are fresh off an epic, whirlwind road trip that saw Beans playing tour guide to three Texans on a historic, beer-soaked journey starting in the heart of London and winding all the way up to the historic streets of Edinburgh.The episode kicks off with the guys landing in London and immediately hitting the bricks. Beau, Kevin, and Ron give their unfiltered first impressions of the UK, before Beans recounts leading them into the dark history of the East End on a chilling Jack the Ripper tour. From there, things took a more musical turn with a mandatory pilgrimage to the iconic Abbey Road crossing (yes, shoes stayed on).But you can't have a Tall Boy road trip without proper pubs, and London delivered. The guys break down their favorite historic watering holes:Finding the hidden gem that is Ye Olde Mitre.Sipping pints at The George, walking the exact same floorboards where Charles Dickens used to drink.Paying respects at The Dolphin, a pub that literally survived being bombed in World War I.Indulging in some candlelit atmosphere and plenty of wine at Gordon's Wine Bar.Next, the crew heads out of the capital. In Windsor, they skipped the usual royal fanfare to hunt down excellent craft beer, hitting up the local independent scene including the fantastic Indie Rabble brewery.Moving on to Oxford, the boys drank in the historic shadows of the university at the legendary Lamb & Flag and tucked themselves away in the hidden courtyard of the Turf Tavern.Then... things got weird in Stratford-Upon-Avon. Expecting a quaint, peaceful afternoon exploring Shakespeare's Birthplace, the boys instead walked straight into what looked like an action movie. Beans and the Texans recount the absolute chaos of witnessing a full-on gang fight and a literal car fire right in the middle of town. Luckily, they found sanctuary in the historic Old Thatched Inn and The Garrick Inn, before settling their nerves with what they collectively agree were world-class, mind-blowing steaks at Loxley's.The road trip officially hits maximum capacity in York, where resident co-host Andy links up with the traveling circus. Andy takes the lead to talk about walking the spectacular medieval York City Walls and marveling at the towering York Minster.Of course, the history lessons quickly returned to true crime and rebellion. The guys share a pint at the very pub where Guy Fawkes was born, before heading over to The Blue Boar Inn to drink a beer right next to the spot where the infamous highwayman Dick Turpin's body lay after his execution. To balance out the history, they also made time for a liquid tribute to indie royalty at the local Stone Roses Bar.The epic journey wraps up across the border in Scotland's capital. The boys tackle the steep cobblestones of the Royal Mile and experience the spooky, theatrical vibes of Frankenstein's monster-themed pub.Beau, Kevin, and Ron give their official, brutally honest verdicts on trying haggis for the very first time at the historic Greyfriars Bobby's Bar, before the group stops for a dramatic pint at the infamous World's End pub. Finally, to cleanse the palate after weeks of traditional ales, the trip concludes on a modern high note: puckering up for some incredible, fruit-forward sour beers at Vault City's cozy taproom, the Wee Vault.It's an episode full of historical deep dives, culture shocks, near-death experiences, and a truly staggering amount of beer.tallboyradio.com

LETS PLAY TWO On this new episode of LIVE FROM MY OFFICE it's the rare doubleheader of guests.First up is Josh Soloman from The Empty Pockets band.They are GREAT and we talk about their new album recorded at the legendary Abbey Road studios in London.We also hit the big benefit concert for WILLS PLACE an amazing, inspiring, diner employing Special Needs adults.Then part two features Jared Burton and his dad, Keith.They're back to talk about addiction, recovery, and sober living.They have good news about what NARCAN can do on this special episode. Thanks for listening. SHOW NOTEScochranshow.comtheemptypockets.comSerenity HouseGet the book "Shadows of Sobriety" by Keith Burton on AMAZON Thanks to our sponsor, ABT Electronics. Get $25 off your next purchase of $150 or more by using the promo code COCHRAN2025 online or in person!Watch This Episode on our Live From My Office YouTube ChannelCheck out what I'm doing with my friends at Real American MediaFollow me on Substack.With each new episode, the first three listeners thatemail me“SURVIVE 2025!” will be eligible to win a $25 ABT Giftcard as long as you include your mailing address and that phrase!Don't forget to subscribe to listen to “Live From My Office” wherever you get your podcasts, and e-mail the show with any questions, comments, or plugs for your favorite charity!

Keith Roberts from The Young Dubliners joins Dawson & myself to talk about the origins of the band, owning a bar in Santa Monica where they were the Saturday night band, a record deal finding them, cruises, band changes, recording, mixing at Abbey Road and so much more. Grab a pint or 7 and enjoy!https://youngdubliners.comPATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comDawson's Links@Dawsangeles - Twitter/Instagram/Facebookhttps://www.patreon.com/watercoolerIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com]https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

Paul on tour, Ringo at Montreux and George at Abbey Road in 1993.

Today's daily comedy show starts with one of the wildest survival stories we've heard in a while: a Portland mom grabs a stick and chases an intruder out of her house after hearing threats against her family. Naturally, this immediately turns into a debate about whether “crazy meets crazy” is actually a legitimate life strategy… which, according to Lern, it absolutely is. Honestly? She may have a point. Or she may just want an excuse to scream at strangers in Target. Jury's still out.Then the gang discovers the existence of chess boxing — yes, actual boxing mixed with speed chess — proving once again that humans were never meant to have free time. Imagine trying to remember your opening strategy immediately after getting punched in the face by a guy named Vlad who definitely owns fingerless gloves. St. Louis might officially be the perfect city for this nonsense considering we've got boxing history AND the Chess Hall of Fame. We're basically one monocle away from hosting the national championships.The chaos keeps rolling during “Three and Five,” where listeners somehow turn simple trivia into complete psychological warfare. Contestants debate whether wasabi counts as a sauce, dip, condiment, or emotional experience. Somebody accidentally invents a new sex position called “backwards cowboy.” Another contestant confidently uses “Abbey Road” as a Beatles song title. And somehow Hong Kong Fooey becomes the hero of the entire segment.Also in today's episode:Vanna White being worth WAY more money than anybody expectedWhy reverse cowgirl somehow became a group discussion at 8AMFast food mascots under pressureWhy construction workers apparently fear Final Destination in real lifeThe most stressful toothpaste question ever asked on live radioRizz trying to define wasabi like a culinary professor nobody asked forLern defending chaos with the confidence of someone who absolutely owns decorative swordsThis daily comedy show somehow combines weird news, ridiculous listener moments, pop culture nonsense, accidental relationship therapy, and the exact amount of sarcastic humor your brain probably didn't need before work — but got anyway.If you like funny podcasts, comedy talk, entertainment gossip, weird news stories, listener games gone off the rails, and the kind of morning show energy that sounds like a group text nobody should've replied to, welcome home.The Rizzuto Show is your favorite daily comedy show out of St. Louis on 105.7 The Point — proudly delivering chaos, sarcasm, celebrity fails, weird internet stories, and just enough accidental intelligence to stay employed.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.