Podcasts about Abbey Road

When we started the Ugly American Werewolf in London Rock Podcast in 2020, we were are still living with the near term effects of Covid. The Wolf lived just off Abbey Road in London and Action Jackson was at his family home near the Atlantic coast. To stay sane we decided to give each other homework - an album to review and then next week they'd discuss it. Because that's what they did as college roommates in the 90s with hard rock music tastes that tended to lean toward the generation before their own. Quickly we decided the best way toward continued mental fitness was to stay busy doing something we loved - talking about and sharing our love and (sometimes questionable) knowledge about rock music. With our 300th episode, we'd like to reflect a bit and thank all the people who supported us, who gave us advice, who came on the show and most of all to those who listened. We've engaged with like-minded people around the world and have even had the chance to interview and share war stories with some of our childhood heroes. And we're proud of the work we've done, playing our own part in preserving and promoting the rock music we love. Those two college students also once slept on a sidewalk in front of a record store in the winter to get tickets to see Rush on the Roll The Bones Tour. It's the only time our hosts ever camped out for tickets and it was until recently the only time they ever saw Rush together. So for our 300th, with the help of Geddy Lee, Alex Lifeson and the superhero on the drums Anika Nilles (and you too Loren Gold) are going to Chicago for night 3 of Rush's 4 night stand at the United Center. It was a bit of a full circle moment to be in Chicago with our families to celebrate a band we thought we'd never see again. We used to be the teenagers asking the old guys when their first tour was, now we bring our kids and tell our own stories. The Rush Family is a brilliant community of good folks that had been away from each other for too long and though the concert was great, it was more of a celebration and communion for the Rush faithful. Yes we'll actually be critical of things like sound and the setlist - this isn't a complete love-in. We have a responsibility to tell it as we saw and heard it. But given our history with the band and our milestone for the show, we treat it as something we're thankful for happening. Rush is back and it's a celebration of Neil, a celebration of the music and an amazing night we never would have dreamed of on that sidewalk 35 years ago. Catch the witness! Catch the wit! Catch the spirit! Catch the spit! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uglyamericanwerewolf@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of The Other Side of the Bell, featuring trumpet performer, band leader and recording artist James Davison, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "James Davison Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- James Davison had a misconception that trumpeters should only have one mouthpiece, that any professional should be able to do everything with only one, and if you used more you were "cheating." It was Chris Deacon in fact who finally asked him one day, in a moment of struggle, " Why don't you just try a slightly narrower mouthpiece?" From there, a whole new world opened up. Jim was already well on a path to building a career in music, having become enraptured by the trumpet and cornet as a child, playing Dixieland jazz with his father and learning to play by ear, and then studying at the Guildhall School of Music and Drama and the Royal Academy of Music. But sometimes, we just need a little kick, a new perspective from an outside source, to shift our understanding and mindset. Since that crossroads, Jim has gone on to become a regular player in the British music scene, from musicals and big bands to studio sessions film soundtracks. Earlier this year, Jim released his long-awaited trumpet & bass collaboration with Misha Mullov-Abbado, "Moon Beans," a mix of original compositions and collaborative arrangements. And he features on Callum Au's ambitious new recording of original music, "Sing Seven Seas." "If you sing down the horn and you make people smile, and there's a connection for the audience with your playing, then I think that's the only thing that really matters." - James Davison In fact, Callum Au is also this month's feature interview on The Trombone Corner podcast, so after you've heard Jim's story, head over to the Corner and hear from Callum as well! About James Davison: James Davison is a freelance Trumpet and Flugelhorn player in high-demand in London's Classical and Jazz scenes.  Having graduated from the Guildhall School of Music and Drama (2014) and the Royal Academy of Music (2016), James is often found playing in Big Bands such as the BBC Big Band, Ronnie Scott's Jazz Orchestra, the Callum Au Big Band, the Kings Place Jazz Orchestra, the Scottish National Jazz Orchestra, the Danish Radio Big Band, Pete Long's Echoes of Ellington, the Jakob Helling Concert Big Band and the Patchwork Jazz Orchestra.  James also works regularly in London's iconic recording studios, including Abbey Road, Angel Studios and Air Studios, for Pop, TV and Film sessions.  As well as being a side-man in bands such as the Mark Nightingale & Alan Barnes Sextet and the Misha Mullov-Abbado Group, James is also a bandleader in his own right co-leading groups with both the saxophone and clarinetist Duncan Hemstock, as well as the Grammy-nominated arranger and trombone player Callum Au in their band "Quintet-a-tete", alongside his own quartet.  James' classical and orchestral career highlights include performances with the London Symphony Orchestra, the BBC Concert Orchestra, the Royal Philharmonic Orchestra, the Philharmonia, the Halle, English National Opera, John Wilson's Sinfonia of London and he is also a member of the world renowned brass ensemble London Brass, which he joined in 2024.  Episode Links: Moon Beans, the album https://mishamullov-abbado.bandcamp.com/album/moon-beans  Sing Seven Seas, Callum Au https://callumaumusic.com/s7s/  Swipe Right! from Sing Seven Seas by Callum Au https://www.youtube.com/watch?v=ZycetABQze0  The London Brass https://www.londonbrass.net/styled/page-5/  Instagram https://www.instagram.com/jimjimdavison/  Bob Reeves Brass Events and Appearances: Joy Brass, September 17-24, Tokyo Japan http://joybrass.com email to sign up: tp@joybrass.co.jp Virtuosity Music, October 9-10, Boston, MA Greg Black Mouthpieces, November 6-7, Mount Holly, NC NCMEA Conference, November 8-9, Winston-Salem, NC Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Guido Baroncelli & James Davison Audio Engineer - Ted Cragg

In the 1960s, the Beatles were defined by the success of the Lennon-McCartney songwriting partnership. But in the digital era, we discovered that the Fab Four's most popular song wasn't written by John or Paul. In fact, it had never been a chart hit—it wasn't even released as a single.Today on Hit Parade: Chris Molanphy shines a light on “Here Comes the Sun,” the George Harrison deep cut from Abbey Road that, in the streaming era, has emerged as the most enduring—and most popular—Beatles song of all time.For more about “stealth hits,” listen to Hit Parade's episode on B-sides that improbably become classics and read Chris's Slate column about the surprising dominance of this holiday song.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Joel Meyer. Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In the 1960s, the Beatles were defined by the success of the Lennon-McCartney songwriting partnership. But in the digital era, we discovered that the Fab Four's most popular song wasn't written by John or Paul. In fact, it had never been a chart hit—it wasn't even released as a single.Today on Hit Parade: Chris Molanphy shines a light on “Here Comes the Sun,” the George Harrison deep cut from Abbey Road that, in the streaming era, has emerged as the most enduring—and most popular—Beatles song of all time.For more about “stealth hits,” listen to Hit Parade's episode on B-sides that improbably become classics and read Chris's Slate column about the surprising dominance of this holiday song.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Joel Meyer. Hosted on Acast. See acast.com/privacy for more information.

In the 1960s, the Beatles were defined by the success of the Lennon-McCartney songwriting partnership. But in the digital era, we discovered that the Fab Four's most popular song wasn't written by John or Paul. In fact, it had never been a chart hit—it wasn't even released as a single.Today on Hit Parade: Chris Molanphy shines a light on “Here Comes the Sun,” the George Harrison deep cut from Abbey Road that, in the streaming era, has emerged as the most enduring—and most popular—Beatles song of all time.For more about “stealth hits,” listen to Hit Parade's episode on B-sides that improbably become classics and read Chris's Slate column about the surprising dominance of this holiday song.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Joel Meyer. Hosted on Acast. See acast.com/privacy for more information.

Lincoln Grounds joins Julian Rodgers to discuss guerrilla recording techniques, exploring how a focus on authentic performances, unconventional spaces and adaptability can matter more than technology and complex setups when creating compelling recordings.Chapters00:00 - Introduction01:09 - Definition Of Guerilla Recording05:59 - Not Over-Indulging In Tech11:14 - Getting A Good Performance Quickly16:18 - Recording Bands In Their Own Element19:50 - Working With Spill30:18 - Headphones And Clicks Where Needed33:10 - Post Production Techniques#BozDigital #ProTools #FabFilter #NoiseWorks #iZotope #WavesLincoln Grounds BiogLincoln Grounds is a composer, producer, recording engineer and owner of Maverick Music. His work spans production music for TV, film and advertising, alongside live performance and recording projects with artists including Sister Sledge, Cockney Rebel and Kid Creole. He has worked in a wide variety of recording environments, from improvised setups to world-renowned studios including Abbey Road and Blackbird Studio in Nashville.https://x.com/lincolngroundsJulian Rodgers BiogJulian Rodgers is a freelance writer and audio engineer with a background in live sound. After many years working in education introducing new users to Pro Tools, he now lives by the sea in West Cornwall, where he plays keyboards in a couple of bands. He also plays bass and guitar equally badly, and remains an enthusiastic collector of microphones and opinions about all things audio.https://www.linkedin.com/in/julian-rodgers-04621926Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Charlie, Ted, and Rony open on Higgsfield's $400 million raise at a $5.4 billion valuation, and the uncomfortable gap between its strong revenue and a wave of user complaints about its terms of service (Charlie discloses he's a Higgsfield creative partner). From there: Snap's $2,195 Specs launch on September 16th, and Evan Spiegel's candid admission that he doesn't expect them to sell well, which Rony compares to Jensen Huang's decade-plus of staying the course before Nvidia's breakout. The group also digs into Epic Games quietly offloading Sketchfab and ArtStation to the much smaller KitBash, and a wide-ranging debate on AI filmmaking sparked by a Chatham House Rules event with Google and the American Film Institute, including Rony's memorable comparison of AI-native filmmakers to Skrillex versus the full-orchestra, Abbey-Road approach of traditional Hollywood.Barmak Heshmat, founder and CEO of Brelyon, joins to make the case for immersive displays that skip the headset entirely. A former head of optics at the AR company Meta (not Facebook) and MIT computational imaging researcher, Barmak explains Brelyon's curved monitor, which uses monocular depth to create what he calls "a window to the virtual world" you look through rather than wear. The conversation covers why enterprise, not consumer, is where the technology is scaling first, a published study with Toyota on video pass-through windshields that could eliminate car glass entirely, and Barmak's longer-term vision for light field displays as the natural evolution beyond stereoscopic 3D.Key Moments: [03:35] Higgsfield's $400M raise and the backlash over its terms of service [07:35] Snap's $2,195 Specs and the Jensen Huang long-game comparison [11:35] Epic Games sheds Sketchfab and ArtStation to KitBash [17:35] Inside a Chatham House Rules AI filmmaking summit with Google and AFI [21:35] The Skrillex vs. Beatles theory of AI-native filmmaking [28:35] Barmak Heshmat joins to tell us about building the Brelyon's headset-less display [33:35] How monocular depth creates a "window to the virtual world" [46:35] A published study with Toyota on video pass-through windshields [53:35] The future: light field displays and headsets as an accessory Hosted on Acast. See acast.com/privacy for more information.

Colleen has a Capriotti's unboxing moment. Why have a pumpkin spice donut flavored pretzel when you can have an actual donut? Mann Theatres is bringing a big (but not the biggest) IMAX screen to Minnesota, Jason has an update on the Roxanne letter, and Colleen moved her kid back to college and she has some tips for parents (and some couch moving tips). Jason shares an error that he made with his couch -- don't go cheap on it! RIP Hayden Panettiere and "Spider-Man: Brand New Day" still dominates box office. AITA: For calling out my co-worker's stinky lunch? Plus, The Beatles biopic films on Abbey Road and Netflix shuts downs Tyra Banks's "ANTM" documentary complaints.SCREEN QUEENS: Colleen's hot take on "Double Lives of Suburban Wives," Jason and Holly continue to hate-watch "Project Runway," and Jason completed Netflix's "Little House on the Prairie" reboot. All the news from this weekend's D23 convention -- Jason unpacks the biggest headlines! Plus, the bears are preparing for Fat Bear Week at Katmai National Park and you can watch the live stream. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today I'm chatting with Amanda Lee Falkenberg, an internationally acclaimed Australian composer, pianist and creator of The Moons Symphony — a groundbreaking orchestral work recorded with the London Symphony Orchestra under Marin Alsop, with choral forces recorded separately at Abbey Road Studios.Amanda's work bridges science, music and storytelling, developed in close collaboration with NASA planetary scientists and astronomers. She's also the founder of Lunar (Learning under New Artistic Regimes), an immersive educational platform blending planetary science, music and art to spark curiosity in learners of all ages.In this conversation we trace the whole journey: from stumbling across an article on the "ten weirdest moons," through a cold email to a NASA scientist that led to a presentation at JPL, to the pandemic-era twist that finally brought the LSO, Marin Alsop and Abbey Road into alignment. We talk about why she built Lunar as a course rather than a one-off concert, what she's learned from planetary scientists about resilience and the long game, and how a childhood love of John Williams became the unlikely throughline for a project rooted entirely in science fact.Key TakeawaysA cold email can change everything. Amanda's project only reached NASA because she sent an unsolicited message into what she calls "the black hole email" — with no expectation of a reply.Passion projects don't need permission to start. She began researching and composing years before she had a scientist, an orchestra, or a plan for education — the vision came first.Interdisciplinary learning resonates because real life isn't siloed. Music, science and storytelling aren't separate subjects to her — they're one experience, and that's exactly why Lunar works across age groups from teenagers to retirees.Resilience is the throughline of both music and science careers. Amanda draws a direct parallel between the decades-long timelines of NASA missions and the "10,000 hours" of a musician's path — both require staying in it for the long game.Setbacks can create the conditions for a breakthrough. Covid cancelled her original recording dates — and then, months later, cleared Marin Alsop's schedule enough to make the recording finally happen.You don't need a background in either subject to benefit. Lunar is designed so that participants need no prior knowledge of music or science — just curiosity.Chapters:00:02 - Exploring the Moon Symphony with Amanda Lee Falkenberg01:54 - The Journey of the Moon Symphony12:48 - Interdisciplinary Education: Bridging Science and Art15:15 - The Journey of the Lunar Program24:21 - The Journey to Collaborate with NASA29:21 - The Impact of COVID on the Project34:31 - The Journey of Passion Projects39:55 - The Long Game: Resilience in Music and Sciencehttps://www.moons-symphony.com/https://www.moons-symphony.com/gateway-to-lunar▶️ YouTube

Kid and El Pres are back in the studio, and Kid isn't exactly arriving with a clear head. A relationship he thought had long-term potential has suddenly gone quiet, leaving him trying to reconcile the comfort of believing he'd found somebody to grow old with against the reality of barely communicating at all. Beneath all the usual Goin' Deep stupidity is something considerably more sincere: the realization that the podcast has always been a place where jokes cover heavier things that don't necessarily get discussed anywhere else. Kid returns from a vintage baseball weekend where the Independents got their asses kicked, the roster looked increasingly aware of its collective age and the team captain missed the festivities after getting sick. The baseball may have been rough, but the friends weekend and general distraction were exactly what Kid needed. That leads into the other major distraction of the week: Foo Fighters in Detroit. Kid and El Pres put the show among the best concerts they've attended, with Kid comparing it against an Eagles show that still holds the championship belt in his personal concert rankings. Queen of the Stone Age gets plenty of love too, along with a tease about an old Josh Homme story involving somebody connected to the show. Then artificial intelligence takes over the studio. Kid starts demonstrating how easily old photographs can now be animated, altered and completely reinvented. An innocent old Goin' Deep studio photo slowly mutates until the original Red Eye looks like he's spent the last decade secretly training for an action movie. That sends the guys into the larger question of whether AI has made fantasy so instantly available that younger people simply aren't impressed by the things that once felt forbidden or exciting. That becomes part of a bigger generational argument. Are younger audiences really less interested in sex scenes? Did growing up with unlimited access to everything fundamentally change what feels provocative? And what happened to the traditional rock star, who once existed in a world without somebody filming every stupid decision from six feet away? El Pres is meanwhile approaching retirement and beginning to imagine life without worrying quite so much about what everybody thinks. Travel enters the picture, including Paris, London, Liverpool, Abbey Road and Ireland, while Kid argues that making those memories with his son could be worth more than anything sitting around the house. There are detours through Buc-ee's chaos, social-media personalities who may or may not resemble AI, old morality films that aged spectacularly badly, Detroit Tigers anxiety, the Dodgers tempting fate, and the strange experience of podcast listeners recognizing Kid away from the microphone and knowing considerably more about his life than expected. And finally, civilization arrives at the question philosophers were apparently too frightened to ask: Why do bangs look like a warning sign? Grok is summoned. Grok is instructed to become less polite. Grok eventually concludes that bangs represent a daily declaration of war against the forehead. That seems scientific enough for this show. Listen in Go Deep

Let's get one thing out of the way first. Despite sharing its name with one of the most iconic titles in  music history, Alex Otey's "Abbey Road" isn't chasing any Beatles comparisons here. This is very much its own thing, a lively, groove forward seven song album that leans entirely on Otey's own considerable talents rather than any borrowed nostalgia, and it's all the better for it. “Abbey Road Impressions” is a killer album from start to finish and we're thrilled for you to get into it ASAP!

Send us Fan MailClub NewsGaffer On The BBCFixture ShuffleMustapha GoneTwo Signings Coming InChat With Lucas DansonEllie ClearyCambridge United PreviewView From The Home EndScout ReportRef WatchPreviousTeam SelectionPredictions Including XG!Up the tics!MP3 DownloadContact PWU PodcastTweet us @PWUPodcast or @WorthingtonBazemail barryworthington@hotmail.comCatch us at the gameEditor & Producer - Barry Worthington©Progress With Unity Podcast

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

60 years ago, in August 1966, London was being called "Swinging London" -- the home of Twiggy, James Bond, Pop Art, mini-skirts, and the site of England's only World Cup championship (in July). It was also the home of John Lennon, Paul McCartney, George Harrison and Ringo Starr who went into Abbey Road Studios in April to record an album that would redefine what popular music could be. From radically new recording techniques to non-western musical influences, The Beatles raised the bar with Revolver. And Randy Renaud marks its 60th anniversary with the story behind its recording, on this week's edition of the Chronicles of Rock.

We look at the new home for London’s Museum of Youth Culture, a Chicago collective who embeds cultural venues into neighbourhoods and traffic solutions for The Beatles’ Abbey Road crossing.See omnystudio.com/listener for privacy information.

Academy Award®-winning composer Michael Giacchino returns to Dolby Creator Talks for his fifth appearance, this time to discuss his latest score for “Spider-Man: Brand New Day.” In this conversation, Giacchino explores how he approached Peter Parker's new emotional reality: One where the character is alone, isolated, and carrying difficult memories no one else shares, by reshaping familiar musical themes, excavating pieces out of the melody, and introducing a dark, synth palette beneath the orchestra. He also reflects on his working relationship with director Destin Daniel Cretton, recording an 85-piece orchestra at Abbey Road, and finding the right balance between the spectacle befitting a Spider-Man movie, and the loneliness at the heart of this new chapter for the beloved superhero."For me, musically, it was... 'do we abandon the theme that we had for three movies and just go with something brand new? So it felt like he's in a wholly new place?' That was my first thought. But the more I tried to do that, I kept thinking, 'well, no, maybe it's not so much about inventing anything new, but it's about taking away from what we already have.' So if I have a full melody written out, what notes can I pull out of that melody, that would represent the pieces of his life that have now gone away?"—Michael Giacchino, Composer, “Spider-Man: Brand New Day”Be sure to check out “Spider-Man: Brand New Day,” now playing in theaters in Dolby Vision® and Dolby Atmos® where available.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Aside from the Rabbi's Sons discussed in Part 1 of this miniseries, the 1960's saw the first music groups in Ohr Chadash, Pirchei and the London School of Jewish Song. From Israel came Chaim Banet and Jo Amar, the latter a pioneer of Morroccan Jewish music. No less important than the performers, the production, composition and arrangements were handled by architects of Jewish music Suki & Ding, Sheya Mendlowitz, Yisroel Lamm and later Moshe Laufer, Mona Rosenblum and Yossi Green. The 1970's saw the new sounds of Diaspora Yeshiva Band and Dudu Fisher, bringing Jewish music to ever wider audiences. Abie Rottenberg commenced his illustrious career this decade with Dveykus and the soon to be crowned king of Jewish music Mordechai Ben David burst on to the scene as well. Capitalizing on their earlier involvement with Pirchei-JEP, Rivie Schwebel and Ali Scharf collaborated once again with a series of albums of Schwebel, Scharf & Levine. Check out the story of Yerachmiel Begun and the Miami Boys Choir on this popular episode of Jewish History Soundbites: https://jsoundbites.podbean.com/e/great-american-jewish-cities-14-miami/  Subscribe to Jewish History Soundbites Podcast on: PodBean: https://jsoundbites.podbean.com/ or your favorite podcast platform Follow us on LinkedIn, Twitter or Instagram at @Jsoundbites For sponsorship opportunities about your favorite topics of Jewish history or feedback contact Yehuda at: yehuda@yehudageberer.com

In this episode, Dave and Chris take a two-for-one deep dive into George Harrison's “Here Comes the Sun” and its lesser-known companion (or sequel?) “Here Comes the Moon.” We explore the songs' origins, lyrics, inspiration, unique musical elements (Moog synthesizer!), Ringo's problems playing the meter changes, and a surprise uncredited co-writer for "Here Comes the Moon." As usual, we mention notable covers — from the Concert for Bangladesh and SNL to versions by Nina Simone, Yusuf/Cat Stevens, Peter Tosh and more — and speculate as to why "Here Comes The Sun" is the most-streamed Beatles song while "Here Comes The Moon" is a hidden gem. Check out the links below to buy the items mentioned in the episode: Abbey Road (anniversary lp)  https://amzn.to/4ykBw9a  Let It Roll (vinyl)  https://amzn.to/4gy0Ge4  George Harrison (vinyl)  https://amzn.to/44WRSHq  our Amazon Storefront  https://a.co/d/02mzfR62    (As an Amazon Associate we earn from qualifying purchases)      Cover Songs mentioned in the episode:    Here Comes the Sun (official video)  https://www.youtube.com/watch?v=KQetemT1sWc  Take 9  https://www.youtube.com/watch?v=oIt8GN2sr4I  Lost guitar solo  https://www.youtube.com/watch?v=mMXDOWRUR7M  Concert for Bangladesh  https://www.youtube.com/watch?v=v5G26sTxMlo&list=RDv5G26sTxMlo&start_radio=1  Paul Simon & George Harrison on SNL November 20,1976  https://www.youtube.com/watch?v=KEgBMTMUanU&list=RDKEgBMTMUanU&start_radio=1  Live in Japan  https://www.youtube.com/watch?v=Q54DO0B2atc&list=RDQ54DO0B2atc&start_radio=1  Richie Havens 1971  https://www.youtube.com/watch?v=P_Kq-2Xs8NY&list=RDP_Kq-2Xs8NY&start_radio=1  Nina Simone 1971  https://www.youtube.com/watch?v=T9gMsdNQSUM&list=RDT9gMsdNQSUM&start_radio=1  Sergio Mendes 1975  https://www.youtube.com/watch?v=dq8qEnTGtWg&list=RDdq8qEnTGtWg&start_radio=1  The Runaways 1980  https://www.youtube.com/watch?v=yubiSnR9Zkk&list=RDyubiSnR9Zkk&start_radio=1  Womack & Womack 1985  https://www.youtube.com/watch?v=f5twzxHZVHE&list=RDf5twzxHZVHE&start_radio=1  Voodoo Glow Skulls 1994  https://www.youtube.com/watch?v=vIPjTtPCls8&list=RDvIPjTtPCls8&start_radio=1  Lou Rawls 1998  https://www.youtube.com/watch?v=jd_YDU1NzFo  Nick Cave 2002 - from I am Sam  https://www.youtube.com/watch?v=uT9YgfdgUVI&list=RDuT9YgfdgUVI&start_radio=1  Travis 2002  https://www.youtube.com/watch?v=Za0ib4r0d5g&list=RDZa0ib4r0d5g&start_radio=1  Joe Brown concert for George 2003  https://www.youtube.com/watch?v=cTwWpkLEHCA&list=RDcTwWpkLEHCA&start_radio=1  John Entwistle 2003 Songs From The Material World (Tribute To George Harrison)  https://www.youtube.com/watch?v=F3e8MotBOoE&t=6s  GeorgeFest version - Perry Ferrell -  https://www.youtube.com/watch?v=ilQuPQF5zSM&list=RDilQuPQF5zSM&start_radio=1  Yo Yo Ma & James Taylor 2021  https://www.youtube.com/watch?v=qgO7BqAeeYk&list=RDqgO7BqAeeYk&start_radio=1  Jon Bon Jovi - 2021  https://www.youtube.com/watch?v=L5b5A8Tr9P0&list=RDL5b5A8Tr9P0&start_radio=1  Yusuf/Cat Stevens 2023  https://www.youtube.com/watch?v=iCF7opEbEw0 George Benson 1969 (Here Comes the Sun/I Want You (She's So Heavy) https://www.youtube.com/watch?v=b6IDWgIjH6I  Peter Tosh Here Comes The Sun monomix  https://www.youtube.com/watch?v=mrNzCP0f30Y  George Benson https://www.youtube.com/watch?v=0aLnb6FBWbI&list=RD0aLnb6FBWbI&start_radio=1 Here Comes The Moon  https://www.youtube.com/watch?v=cu1dvIwk6pc  Here Comes the Moon demo  https://www.youtube.com/watch?v=PhvGr5Db1DU      

Stewart Alsop sits down with Matias Avalos on this episode of the Wisdom podcast to explore the intersection of technology, humanism, and creative sovereignty. The conversation moves from Matias's work with neural network-based audio plugins and effect chains to broader questions about corporate transhumanism, data ownership, and what it means to maintain human agency in an increasingly automated world. They discuss the dangers of convenience-driven technological adoption, the implications of companies like Palantir and Neuralink, and how bureaucratic incentives push toward total legibility while protecting their own opacity. Along the way, they touch on everything from IMAX audio production and the death of walkable cities to Instagram's transformation from visual diary to data extraction platform, ultimately arguing for local, open-source, and sovereign approaches to technology that keep humans in the loop rather than replacing them with "average fabrics" of algorithmic output. Find Matias Avalos on LinkedIn for more techno-poetic discussions.Timestamps00:00 Stewart welcomes Matias Avalos to discuss their friendship and upcoming conversation topics.05:00 Matias explains audio effect chains using neural networks to capture professional recording room signatures and create portable high-fidelity sound processing.10:00 Discussion of piezoelectric microphones converting sound vibrations to electrical signals and CIA experiments using lasers to capture audio from glass surfaces.15:00 Conversation shifts to digital audio recording, sampling rates, and the importance of source material quality for post-production work.20:00 Stewart shares his journey building web conferencing software to replace Riverside, encountering lip-sync problems and learning about FFMPEG processing.25:00 Matias discusses corporate transhumanism, Neuralink's implications, and how brain interfaces could enable continuous taste mining beyond medical applications.30:00 Analysis of corporate transhumanism through companies like Neuralink, discussing private decision-making, lack of transparency, and various transhumanist philosophies globally.35:00 Matias reads poetry about digital replicas and data generation, exploring how wearable devices continuously capture human activity creating targetable information streams.40:00 Discussion of Peter Thiel's shift from libertarianism to neoconservatism, Palantir's origins in Total Information Awareness program, and Buenos Aires as humanist sanctuary.45:00 Examination of American convenience culture, post-WWII suburban isolation, and Buenos Aires as walkable humanist alternative to car-dependent American cities.50:00 Matias presents Neil Harbison as positive transhumanism example, explaining color-to-vibration synesthesia implant while discussing techno-optimism from Global South perspective.55:00 Conversation explores bureaucratic incentives toward population legibility, compelled silence laws, and sovereignty through open-source local technology ownership avoiding corporate control.60:00 Matias concludes discussing digital identity ownership, social network portability, and how digital twins determine human worth across platforms and borders.Key Insights1. Modern digital audio processing technologies represent a fundamentally different approach to music and sound production compared to generative AI tools. Matias Avalos distinguishes between technologies like Neural DSP's Mantra plugin, which uses deep neural networks to capture and emulate professional recording environments, and generative platforms like Suno. The key difference is that traditional digital signal processing tools put the creator in control, allowing them to make artistic decisions using expensive effect chains that would otherwise only be available in elite studios like Abbey Road. These technologies democratize access to professional audio tools without removing human agency from the creative process, whereas generative AI tools operate as black boxes that produce outputs based on prompts rather than allowing genuine creative control.2. The capture and preservation of source material remains critically important in audio and video production, despite advances in post-production capabilities. Through his experience building a web conferencing application to replace Riverside.fm, Alsop learned that many technical problems, particularly lip-sync issues, stemmed from poor source file management and recording methodology. This principle extends across all media production, as Avalos explains using the example of missing lighting in professional photography. While modern generative AI might attempt to invent missing elements, the results cannot match properly captured source material. This highlights a fundamental tension in contemporary media production where the quality triangle of cheap, good, and fast has been disrupted by AI technologies that can deliver all three if we lower our standards for what constitutes good work.3. Corporate transhumanism represents a particular and concerning subset of transhumanist philosophy that differs significantly from earlier artistic and philosophical approaches to human enhancement. While early transhumanists like Neil Harbison, a color-blind artist who implanted a device to translate color frequencies into vibrations, pursued personal enhancement and expanded human experience, corporate transhumanism as practiced by companies like Neuralink focuses on technological integration with significant profit motives and control mechanisms. The discussion highlights how these corporate approaches position themselves as solving medical and cognitive problems while simultaneously creating dependency through terms of service, data mining, and token-based economic models. This represents a Trojan horse where the promise of enhanced capability masks the establishment of new forms of control and surveillance of human consciousness itself.4. The concept of legibility as a bureaucratic end goal rather than a means to an end explains much of the surveillance apparatus that has developed in Western societies, particularly in the United States since 9/11. Alsop describes how those in positions of power, wealth, and fame have a structural incentive to make everything around them legible and controllable while maintaining their own privacy and illegibility to external observation. This dynamic manifests in technologies like Palantir and in legal mechanisms like compelled silence through gag orders, which directly contradict constitutional principles of free speech. The drive for total legibility of populations appears to have no ultimate purpose beyond the accumulation of legibility itself, creating a recursive loop where surveillance and data collection become self-justifying activities that serve power structures rather than the populations they ostensibly protect.5. Human beings continuously generate enormous streams of metadata through their daily activities, creating what Avalos describes as evaporating against our own will into hundreds of RSS feeds for hundreds of corporations. This automatic data production occurs through basic activities like waking up, moving through space with smartphones and wearable devices, and interacting with digital platforms. The fundamental question that predates transhumanism but becomes more urgent within it is how individuals can own what they produce simply by existing and moving through the world. This data is captured through accelerometers, gyroscopes, GPS systems, and countless other sensors that create comprehensive digital profiles without explicit consent or meaningful control by the individuals being monitored. The unilateral nature of this communication, where individuals broadcast data without receiving genuine value in return, has become so deeply embedded in modern infrastructure that it forms part of the taken-for-granted landscape of contemporary life.6. Platform lock-in and the inability to migrate digital identity across services creates a new category of loss that requires genuine grieving. Avalos describes how his experience with Instagram, which began as a personal visual diary before the Facebook acquisition, evolved into a situation where he cannot extract his creative work and social connections from the platform without significant loss. This phenomenon extends beyond mere inconvenience to touch on fundamental questions of identity and citizenship, as social media profiles increasingly determine real-world opportunities like visa applications and border crossings. The implications of digital footprints have become severe enough that individuals can be denied entry to countries based on algorithmic analysis of their online interactions, likes, and expressed beliefs. This creates a situation where people are worth exactly what their digital twin indicates they are worth, with no meaningful avenue for human appeal or nuanced self-representation.7. The future relationship between humans and technology requires a return to principles of sovereignty, local control, and open source development rather than dependence on corporate platforms and proprietary systems. Both Alsop and Avalos advocate for a do-it-yourself approach to technology that emphasizes ownership and control over personal tools and data. This includes avoiding closed systems like Neuralink unless they become open source and user-controlled, and prioritizing local execution of AI models over cloud-based services that create dependencies and enable surveillance. The conversation suggests that techno-optimism remains possible, but only from what Avalos calls the trenches, acknowledging the different relationship that people in the Global South and those outside centers of power have with technology. This grounded optimism recognizes the entanglement of beneficial and harmful aspects of technological development and maintains that human agency and creative freedom require conscious resistance to the convenience-at-all-costs model that has characterized recent technological adoption.

Grab a cold one and settle in, because this week the Tall Boy studio is absolutely packed to the rafters. Hosts Beans, Gaz, and Andy are back together, but they've brought some serious southern hospitality along for the ride. Joining the crew all the way from the Lone Star State are Beans' cousin Beau and his legendary pals Kevin and Ron.The boys are fresh off an epic, whirlwind road trip that saw Beans playing tour guide to three Texans on a historic, beer-soaked journey starting in the heart of London and winding all the way up to the historic streets of Edinburgh.The episode kicks off with the guys landing in London and immediately hitting the bricks. Beau, Kevin, and Ron give their unfiltered first impressions of the UK, before Beans recounts leading them into the dark history of the East End on a chilling Jack the Ripper tour. From there, things took a more musical turn with a mandatory pilgrimage to the iconic Abbey Road crossing (yes, shoes stayed on).But you can't have a Tall Boy road trip without proper pubs, and London delivered. The guys break down their favorite historic watering holes:Finding the hidden gem that is Ye Olde Mitre.Sipping pints at The George, walking the exact same floorboards where Charles Dickens used to drink.Paying respects at The Dolphin, a pub that literally survived being bombed in World War I.Indulging in some candlelit atmosphere and plenty of wine at Gordon's Wine Bar.Next, the crew heads out of the capital. In Windsor, they skipped the usual royal fanfare to hunt down excellent craft beer, hitting up the local independent scene including the fantastic Indie Rabble brewery.Moving on to Oxford, the boys drank in the historic shadows of the university at the legendary Lamb & Flag and tucked themselves away in the hidden courtyard of the Turf Tavern.Then... things got weird in Stratford-Upon-Avon. Expecting a quaint, peaceful afternoon exploring Shakespeare's Birthplace, the boys instead walked straight into what looked like an action movie. Beans and the Texans recount the absolute chaos of witnessing a full-on gang fight and a literal car fire right in the middle of town. Luckily, they found sanctuary in the historic Old Thatched Inn and The Garrick Inn, before settling their nerves with what they collectively agree were world-class, mind-blowing steaks at Loxley's.The road trip officially hits maximum capacity in York, where resident co-host Andy links up with the traveling circus. Andy takes the lead to talk about walking the spectacular medieval York City Walls and marveling at the towering York Minster.Of course, the history lessons quickly returned to true crime and rebellion. The guys share a pint at the very pub where Guy Fawkes was born, before heading over to The Blue Boar Inn to drink a beer right next to the spot where the infamous highwayman Dick Turpin's body lay after his execution. To balance out the history, they also made time for a liquid tribute to indie royalty at the local Stone Roses Bar.The epic journey wraps up across the border in Scotland's capital. The boys tackle the steep cobblestones of the Royal Mile and experience the spooky, theatrical vibes of Frankenstein's monster-themed pub.Beau, Kevin, and Ron give their official, brutally honest verdicts on trying haggis for the very first time at the historic Greyfriars Bobby's Bar, before the group stops for a dramatic pint at the infamous World's End pub. Finally, to cleanse the palate after weeks of traditional ales, the trip concludes on a modern high note: puckering up for some incredible, fruit-forward sour beers at Vault City's cozy taproom, the Wee Vault.It's an episode full of historical deep dives, culture shocks, near-death experiences, and a truly staggering amount of beer.tallboyradio.com

Mary Stenson profiles Friar Alessandro, a Franciscan friar from near Perugia who recorded at Abbey Road and recently became a priest, tracing his vocation to a single moment alone in a wood at sixteen. The episode also covers the hierarchy of vocations he arrived at after years in the friary — and where he places […] L'articolo All Things Legion – A Franciscan in Abbey Road: Friar Alessandro – Mary Stenson proviene da Radio Maria.

LETS PLAY TWO On this new episode of LIVE FROM MY OFFICE it's the rare doubleheader of guests.First up is Josh Soloman from The Empty Pockets band.They are GREAT and we talk about their new album recorded at the legendary Abbey Road studios in London.We also hit the big benefit concert for WILLS PLACE an amazing, inspiring, diner employing Special Needs adults.Then part two features Jared Burton and his dad, Keith.They're back to talk about addiction, recovery, and sober living.They have good news about what NARCAN can do on this special episode. Thanks for listening. SHOW NOTEScochranshow.comtheemptypockets.comSerenity HouseGet the book "Shadows of Sobriety" by Keith Burton on AMAZON Thanks to our sponsor, ABT Electronics. Get $25 off your next purchase of $150 or more by using the promo code COCHRAN2025 online or in person!Watch This Episode on our Live From My Office YouTube ChannelCheck out what I'm doing with my friends at Real American MediaFollow me on Substack.With each new episode, the first three listeners thatemail me“SURVIVE 2025!” will be eligible to win a $25 ABT Giftcard as long as you include your mailing address and that phrase!Don't forget to subscribe to listen to “Live From My Office” wherever you get your podcasts, and e-mail the show with any questions, comments, or plugs for your favorite charity!

What does it really take to turn talent into a thriving career in the arts? On this episode of the Power of After Show, I sit down with world-class conductor and former child prodigy Robert Emery to explore the intersection of creativity and entrepreneurship. With over two decades in the industry, Robert shares how he continues to decide "what's next," stay motivated, and build a sustainable business beyond raw talent. From growing a powerful email list and touring the world as a conductor and music director, to creating orchestral meditation music and launching Ted's List--his influential music education platform, this conversation offers practical insight and inspiration for anyone looking to transform artistic passion into meaningful income and long-term impact. Additionally, I hope you will be inspired to continue enjoying and promoting the arts in your sphere of influence. More info about Robert Emery here: https://robertemery.com  Ted's List here: https://teds-list.com/  Orchestral Meditations here: https://orchestralmeditations.com/en/  YouTube Video: https://youtu.be/kVlsREDtLWQ Watch and subscribe! Chapters 0:00 Intro and the intersection of arts and business 3:45 Robert Emerys journey from prodigy to conductor 7:10 Redefining what is next in your career 10:50 Overcoming setbacks and the power of mindset 15:20 Staying motivated through professional variety 19:30 The Ask the Maestro daily video challenge 23:15 Why every creative must act like a business 27:00 Marketing tips and the 1000 true fans theory 31:45 The story behind Teds List music education 36:10 Recording orchestral meditation at Abbey Road 40:50 The science of sound frequencies and healing 44:20 Manifestation and putting dreams into action 47:52 Conclusion and final thoughts Get POWER OF AFTER BOOK HERE: https://amzn.to/3GpEGlJ  Make sure you're getting all our podcast updates and articles! Get them here: https://goalsforyourlife.com/newsletter  Resources with tools and guidance for mid-career individuals, professionals & those at the halftime of life seeking growth and fulfillment: http://HalftimeSuccess.com 

Welcome to Episode 274 of Pelo Buddy TV, an unofficial Peloton podcast & Peloton news show. This week we cover the following topics: Peloton has shared more details about Rebecca Kennedy's upcoming HiLit+ program. Greta Dopp will teach a two for one bike class with Emma Lovewell for Canada Day. It seems like there will be a new "Summer Blast" group strength class released next week. Denis Morton's next Deep Dive class is for The Beatles' "Abbey Road" album. Matty Maggiacomo & Mara Thonner have a new class that was released on-demand. A new flash challenge – The Great Outdoor Challenge – will award a badge for taking outdoor classes. Peloton has a new collection to celebrate Callie Gullickson's 5 year anniversary. Peloton has a new collection to celebrate Rad Lopez's 5 year anniversary. The class lists & details for the next set of US instructors teaching from London was released. An artist series featuring the music of "The Prodigy" took place this week. Peloton highlighted some classes in "This Week at Peloton." Peloton hardware, accessories, and apparel were discounted for Amazon Prime Day. Peloton is also running their own summer sale on apparel. Happy Birthday to Selena, Denis, Andy, and Katie this week. Peloton Studios London's next Run Club is a tennis-themed 5K for Wimbledon with Joslyn Thompson Rule Ally Love teamed up with Walmart Ally Love is hosting a Wimbledon event in NYC. Johanna Ricouz was on the "At The Brink" podcast. Aditi Shah was on the Dinner For shoes podcast. Susie Chan was featured on Fit And Well. Class Picks of the Week Enjoy the show? Become a Pelo Buddy TV Supporter!  Find details here: https://www.pelobuddy.com/membership-levels/ You can find links to full articles on each of these topics from the episode page here: https://www.pelobuddy.com/pelo-buddy-tv-episode-274/ The show is also available via YouTube: https://www.youtube.com/c/PeloBuddy This episode is hosted by Amanda Segal (#Seglo3) and Chris Lewis (#PeloBuddy).

Keith Roberts from The Young Dubliners joins Dawson & myself to talk about the origins of the band, owning a bar in Santa Monica where they were the Saturday night band, a record deal finding them, cruises, band changes, recording, mixing at Abbey Road and so much more. Grab a pint or 7 and enjoy!https://youngdubliners.comPATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comDawson's Links@Dawsangeles - Twitter/Instagram/Facebookhttps://www.patreon.com/watercoolerIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com]https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

Paul on tour, Ringo at Montreux and George at Abbey Road in 1993.

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.I had the opportunity to interview Maestro Swafford in person and then attend a recording of his tone poem Late Autumn-First Snow at Abbey Road. The orchestra that day was formed from members of the Royal Philharmonic Orchestra, conducted by the marvellous Michael Shapiro. Our conversation includes some of Jan's thoughts behind the composition, including the inclusion of the Robert Frost poem Stopping by Woods on a Snowy Evening. Thanks to Jan for allowing me to play extracts from Midsummer and River alongside our conversation. Jan gave us an insight into how he comes up with ideas for his music and their titles.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Max Pradera analiza cómo géneros mexicanos como el huapango y el son jarocho se han "infiltrado" en la música culta, el cine y el pop mundial. Detalla la influencia de estas raíces en hitos como West Side Story, las bandas sonoras de Ennio Morricone y el éxito de los Beatles "Twist and Shout", cuya base rítmica es una copia de "La Bamba". Desde las composiciones de Aaron Copland hasta el cine de Pixar, se revela una postal musical de Veracruz presente en la cultura universal.

一個畫面，記一輩子！當年洛基一口氣爬上階梯，面對著費城市景和日出，舉起雙手大喊，這熱血的一幕今年屆滿50周年。半世紀以來，數以萬計的旅客到費城一定要做的，就是爬上費城美術館前的72階，然後模倣洛基的姿勢拍照。除了50年前的洛基階梯，這一集還要介紹歷來五個知名場景和招牌動作，讓你化身為經典的一部分。※洛杉磯：《樂來樂愛你》（2016）掌握日落後的20分鐘※薩凡納：《阿甘正傳》（1994）在長椅上娓娓道來※費城：跟著《洛基》（1976）一口氣爬上百級階梯※倫敦：披頭四《Abbey Road》（1969）現場直播變迷因※曼谷：《醉後大丈夫》（2011）那一天大家斷片失憶※紐約：《小丑》（2019）網路爆紅的跳舞樓梯㊣合作： bsidetravel3@gmail.com㊣臉書：http://www.facebook.com/BsidetravelstoriesFB㊣ IG ：http://www.instagram.com/bsidetravelstories㊣ Youtube：https://www.youtube.com/@BsideTravelStories☆訂閱、追蹤、關注「B面旅遊」，每週三讓聲音帶你看見世界☆★喜歡請給五星評價，並告訴我們你對這一集的想法： https://open.firstory.me/user/ckie5fyeu0qyx09922pp3iabv/comments Powered by Firstory Hosting

This playlist is 87% vinyl friendly. Impressive. Döhmann Helix One MK III Turntable with Vacuum Hold-Down Previewing at The 2026 AXPONA Show, I’m not sure whether the $150,000 price tag included the Wilson Benesch Graviton Ti arm, Tessellate Diamond cartridge, Supatrac Nighthawk 12** arm with DS Audio Grandmaster EX cartridge, analog front end feeding the ARC Ref 10 phono (or DS Audio TB-100 tube equalizer), the new ARC Ref 20 preamp, ARC Ref 330 mono amps, Wilson Audio XVX loudspeakers, cables from Transparent and the Olympus Ultra racks from Critical Mass Systems… or not. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 152 Sad Alex! 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – The Village (Kilkenny Rose Hill Hotel, 24.4.83) – Power Corruption and Lies, Definitive Edition – Warner Music – 2020 It gets off to a slightly shaky start at what was a legendary night in early years New Order history, with Barney and Hooky acting as a modern day comedy double act for the evening. The onstage antics were definitely inspired by seeing the hotel’s flyer in the afternoon… and I don’t remember Liam turning up. Me on photos duty, none of which I would have remembered until Steve Morris sent me photos I’d taken this night… with my writing on the back… followed by the above Movement Definitive Edition then including the video. I remember the afternoon soundcheck chat and Ozzy leaving the mixing desk mid gig and standing next to me but the things you forget… 05.03 PAUL HAIG – Trip Out The Rider – 7″ – Impotent Fury – 2010 ‘Packaged in a fancy pants paper cut sleeve that is hand screen-printed, foil embossed and limited to 500 copies. Rumoured to be the first of six vinyl releases… ‘ – Discogs His albums surface only very occasionally these days and any teaser singles even less so. This 7″ – driving with the zest of his early years – appears to have been the most recent but he’s a ‘signature’ voice we should hear more of. 07.41 LINES OF SILENCE – Lines In Opposition (Radio Edit) – Lines In Opposition, LP – Sprechen – 2026 These sleeves aren’t getting any easier to look at. An experimental krautrock band (Can? Neu?… ) out of Todmorden, UK – ‘a hotbed of UFO activity and home to the UK’s highest ever beach‘ – and I slightly cheated the vinyl thing here, as the Radio Edit is only downloadable, with the full version on the just released vinyl album. Should have gone with the latter. 11.12 SILICON VALLEY – X-Cell – Cold Waves Of Color Volume 3, v/artists LP – Color Disc – 2016 Whoever they were/are, they seem to have only released six singular tracks over a period of forty two years(!) * and on Color Disc label, v/artist albums only. A side hustle, the SV releases are not. * Makes Got-Ta-Scatta look prolific. 15.09 CLOCK DVA – 4 Hours (7″ Version) – 7″ – Fetish – 1981 Adi Newton is a voice that sits you up but they’d had a bucket load of self and semi released material before I tuned in with the Thirst album that includes this their debut 7″. 18.59 THE EVENT GROUP – Approach Work (Pt B) – Approach Work, self released, cassette only – ? – 1983 For any kids picking up on this, the voice you hear here is of England cricketing legend of yesteryear, Freddie Truman, also featured on the main Approach Work track already playlisted on 41 Rooms and the cassette’s cover, obviously, where he nearly looks like he’s got his ever present pipe on the go. And as for the church bells on the track… maybe adding to the image of a village green setting? Search out the band’s Feb ’82 Riverside TV appearance at some point. An entertaining watch at the time and another release for me to upload (the images anyway) to Discogs at some point, maybe. 25.11 UT – Evangelist – Split 7″ – Blast First – 1989 Yep, also the lead track from the 1987 album, In Gut’s House but I’ve gone for the, split with Dinosaur Jr., 7″ and as mentioned before here at 41 Rooms, a band I’ve grown to like more now than I maybe did back then. Cheers for the 41 Rooms iD snippet, Nina! Supporting The Fall, Bedford Boys Club, 1.10.83 Photo credit: Dec Hickey 27.57 YOUNG MARBLE GIANTS – Include Me Out – Colossal Youth, LP – Rough Trade – 1980 In YMG world this is them nearly rocking out! 29.50 KAREN MARKS – Cold Café – 7″ – Astor – 1980 Out of Australia and her only release at the time but the price tag the single has acquired through the years since (one of a few on this show), brought about a 2019 EP of tracks also recorded back in the day. Definitely an ‘indie’ sound. 32.42 DEENA WEBSTER – Scarborough Fair – 7″ – Parlophone – 1968 A folk standard I seem to remember hearing fairly regularly when I was young, so in one guise or another it must have cropped up on the radio and TV, though I never had the urge to buy it until I heard Deena’s version in more recent years and though she maintained the tempo of the song’s more traditional singers it’s everything backing her wasting no time in getting ‘busy’ that helps this version get my vote. ‘Bustling folk’, so let’s hear it for Deena and her arranger… “I chose none of the singles (from the album Is Tuesdays Child) apart from Scarborough Fair.” The track was one of the first arrangements for another artist by Barbara Moore. She was best known for her work as a singer with The Ladybirds and, when she arrived at the studio, many of the musicians thought that she'd come to help with backing vocals. She remembers that when she got onto the rostrum to conduct,the baton “it fell out of my sweaty little palm and ended up on the bass drum – that relaxed the whole atmosphere”. At the end of the session, Moore received a standing ovation from the 60 string andhorn players present. – Record Collector/Ian Shirley, #424, Jan 2014 edit 35.38 AL STEWART – Turn Into Earth – 7″ b-side – Decca – 1966 The flip may from Stewart’s debut release and his vocal ‘swagger’ makes this a rarity, in that it’s the only time I can think of where I’ve preferred a Yardbirds song performed by others… not that there are many of those. 38.29 MASSIVE ATTACK – Angel (Live) – Stream only – 2006 Performed as part of UK Channel 4’s first season of Live from Abbey Road series, with the Bristol band and Horace Andy managing to give the track even more gravitas and tension than on the its studio recording. No small feat. 43.15 CALLERS – Bloodless Ties – Life Of Love, LP – Western Vinyl – 2010 Sara Lucas’ vocal is just sublime, even if that bass guitar keeps hitting a note that I DO NOT LIKE. 47.39 PLATON DAVYDOV (feat OLEG KIRILKOV) – Sadness * – Stream only? – 2019 Violins… 49.02 MARTYN BATES – I’ll Wrap Your Hopes – Letters To A Scattered Family, LP – Integrity – 1990 Poetry, with a rippling outro. 53.01 FINK – Memorise Your Senses – The City Is Coming To Erase It All, LP – R’COUP’D – 2026 It took this his ninth album for me to have even heard of him, so I might have to rewind on him. 56.41 BÔA – Duvet – 7″ – Cinema-Kan – 2018 Or bôa… and on listening to the 1998 debut album, The Race Of A Thousand Camels, that first included this song, a band even at that point sounding like they might have been fighting to be two bands? I’d never heard of them until this track recently bumped into me but you then do a bit of a dig and Duvet has 43million Youtube hits… so you have to do a bigger dig. Here they sound not unlike The Sundays but that bigger dig explains some of the above. 01.00.00 RENAISSANCE – Back Home Once Again – 7″ – Warner Brothers – 1977 And what were the chances? Looking for something to follow Boa’s Duvet I decided on this 1977 single from Renaissance, a ‘prog folk’ band who for a couple of years in the late ’70s I had a real liking for. It turns out that Bôa’s drummer, Lee Sullivan is the son of Renaissance’s former drummer, Terry Sullivan. Who’d have thunk, eh? 01.03.03 HANNE HUKKELBERG – Do As I Do – Little Things, LP – Leaf – 2005 Promo’d (albeit as a CD only) as the single off the album at the time, so this was the ‘teaser’ – and it’s easy to see why. Cute! 01.06.39 08/15 – 1000 Gelbe Tennisbälle – 7″ – Sterbt Alle – 2025 If you had thoughts of releasing music on the subject of 1000 yellow tennis balls then someone’s beaten you to it. A 300 run re-release of their 1981 and only single. 01.11.25 COLDCUT – Beats + Pieces (Mo’ Bass Remix) – 12″ – Ahead Of Our Time – 1987 With a nod to Steinski, they were ahead of most of the others. 01.17.15 RAE & CHRISTIAN – Check The Technique (feat Tony D, Jazzy Jeff and Agent 86) (edit) – Mercury Rising, 2LP – LateNightTales – 2013 Minus the wonderful Veba’s vocals but with Mark Rae’s hip hop credentials they still produce. 01.21.10 THE JUJU ORCHESTRA – What Is Hip (Mo’ Horizons Hipstyle) – 12″ – Remixes – Agogo Records – 2006 TC (RIP) spending some time in the studio with the youngsters. 01.26.55 SAD ALEX – Ice Ice Baby (But You Have Anxiety) – Stream only – 2025 The only way Vanilla Ice was going to get on 41 Rooms was via som break borrowing… and songwriter Alex Saad has done just that. 01.28.59 SIMPLE MINDS – King Is White And In The Crowd – 12″ b-side – Virgin – 1982 Thankfully still here holding on to their futurist feel, even if the sound is housed in a contender for Worst Record Sleeve of all time. So, you’re only get the reverse… and that’s bad enough. 01.34.27 WAMDUE PROJECT – King Of My Castle (Original Version) * – 12″ – Eruption – 1998 More kings! Unusual for a dance track with nothing special in the vocals department to chart mainstream but this did just that. Maybe some intrigue and charm in the ‘Must be the reason why I’m king of my castle‘ lyric as it chugs along? Sometimes there’s just no knowing… 01.39.04 JOHNNY MAESTRO & THE CRESTS – I’m Stepping Out Of The Picture – 7″ – Scepter Records – 1965 If there’s a world in music I won’t stop finding ‘new’ gems it’s the rare/northern etc soul scene. I heard this gritty and restrained-in-equal-measures brassy belter for the first time only recently, via Beth Arzy (Jetstream Pony and others) capturing herself in front of a DJ spinning this tune. Re-released a couple of times in the intervening years, I won’t though be getting an original copy any time soon, as that could be anywhere between $800 and for a promo copy, $1700! 01.41.17 JIMMY RUFFIN – It’s Wonderful (To Be Loved By You) – 7″ – Tamla Motown – 1970 Motown still in their prime in these years and come the mid-late 70s I had the grand notion of collecting every UK Motown single between TMG 501 and TMG 801… but I soon gave up the ghost, though this one made it into the fold. 01.43.58 McFADDEN & WHITEHEAD – Ain’t No Stoppin’ Us Now * – 12″ – Philadelphia Int – 1979 Reminds me of Bedfordshire clubs of the time, and footballing mates and girlfriends and not a care in the world. 01.49.53 THE TYRREL CORPORATION – Going Home (Original Mix) * – 12″ – Cooltempo – 1992 Had three or four biggish tunes that gave them an identity of sorts. Not sure why great train robber, Buster Edwards is here but this was a 15.8.92 ad, most probably in Record Mirror. 01.55.08 NEW ORDER (Again!) – World In Motion (1990 No Alla Violenza Mix) * – 12″ – Factory – 1990 It’s World Cup time again! So, for only the second time (I think) in 41 Rooms’ history it’s New Order twice in one show – and the last time was Show 1! With a break in there nicked from somewhere I can’t quite grasp and Barney’s vocal deservedly getting some real breathing space here in between the Italo piano, will it do the job for us footie fans this time around? Who’d be an England fan, eh? If we’re still in the mix by show 153 we’re doing OK. Show 153 will be alive July 5. Dec x The post Post Punk Plus Podcast Playlist 152 – Original upload 7.6.26 appeared first on 41Rooms.

John Leckie is one of British rock’s greatest producers, who started out as a tape operator at Abbey Road in 1970, thrown immediately into sessions for George Harrison’s All Things Must Pass and John Lennon’s Plastic Ono Band. This interview, conducted live at The CAT Club in September 2025, focuses on Sunburst Finish, the Be Bop Deluxe album that gave Leckie his first official production credit, and covers both the making of the album and his creative partnership with Bill Nelson. Additionally, Leckie gives a first-hand account of Syd Barrett’s unannounced appearance during the Wish You Were Here sessions, an encounter he stumbled into while raiding Pink Floyd’s beer fridge, only for Roger Waters to stop the tape and ask who the stranger standing next to him was. The Q&A session draws out further stories about working with The La’s, the Stone Roses’ debut, and how XTC – who idolised Bill Nelson, led Leckie to leave EMI and go independent. Further information Support The Strange Brew Podcasts also available: Bill Nelson – Be Bop Deluxe, Rob Chapman on Syd Barrett, Ken Scott on The Beatles, Bowie, Alan Parsons This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post John Leckie on Be Bop Deluxe and the Making of Sunburst Finish appeared first on The Strange Brew .

On this episode of Escaping the Drift, we sit down with Dr. Robb Kelly: former Abbey Road session musician, PhD in psychology from Oxford, and the man often called the Gordon Ramsay of the addiction world.Before becoming one of the most sought after addiction specialists in the country, Robb played bass alongside Bowie, Queen, and Elton John, then watched it all disappear into a two bottle a day vodka habit that cost him his children, his homes, and twice cost him his life on the streets of Manchester.In this episode, Robb opens up about the rain soaked night that changed everything, the stranger named Derek who appeared 30 seconds after a desperate prayer, and the mentor named John who taught him the framework he still uses to heal patients today.We dive into why alcoholics are born and addicts are made, the three parts of the brain that operate differently in true alcoholism, and why he believes depression, PTSD, and addiction can be cured rather than just managed. He also breaks down the phone and dopamine epidemic destroying connection in homes everywhere and how to claw it back with simple boundaries.If you have ever felt like the world has written your story for you, this conversation will rewrite the page.

Chasing the shade and slapping the Sunscreen on this week's overheated news, we pour a tinkling drink and reflect upon the following … … British people in hot weath-ah! … when rock stars you haven't seen for 50 years pop up on Zoom … Lennon's tooth? Timberlake's toast? Mooney's school report? Weird things sold at auction … Paul Horn playing in the Taj Mahal, Sonny Rollins on the Williamsburg Bridge, U2 in Slane Castle … are new vinyl albums now ‘luxury goods' and old ones ‘antiques'? … where you can hear the Abbey Road building on the Dark Side of the Moon … the cinematic records Daniel Lanois made in an abandoned movie theatre near Santa Barbara … Summer In The City: the Lovin' Spoonful's road-drill and Regina Spektor's cleavage … Cat-calming music! Gym motivation! Stress-busting songs for Spurs fans on Judgement Day! The age of the prescriptive playlist … the new dawn of instrumental music, “a public utility like turning on a tap” … and the single Sinatra recorded for Maureen Starkey (only one copy made!).Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Chasing the shade and slapping the Sunscreen on this week's overheated news, we pour a tinkling drink and reflect upon the following … … British people in hot weath-ah! … when rock stars you haven't seen for 50 years pop up on Zoom … Lennon's tooth? Timberlake's toast? Mooney's school report? Weird things sold at auction … Paul Horn playing in the Taj Mahal, Sonny Rollins on the Williamsburg Bridge, U2 in Slane Castle … are new vinyl albums now ‘luxury goods' and old ones ‘antiques'? … where you can hear the Abbey Road building on the Dark Side of the Moon … the cinematic records Daniel Lanois made in an abandoned movie theatre near Santa Barbara … Summer In The City: the Lovin' Spoonful's road-drill and Regina Spektor's cleavage … Cat-calming music! Gym motivation! Stress-busting songs for Spurs fans on Judgement Day! The age of the prescriptive playlist … the new dawn of instrumental music, “a public utility like turning on a tap” … and the single Sinatra recorded for Maureen Starkey (only one copy made!).Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Chasing the shade and slapping the Sunscreen on this week's overheated news, we pour a tinkling drink and reflect upon the following … … British people in hot weath-ah! … when rock stars you haven't seen for 50 years pop up on Zoom … Lennon's tooth? Timberlake's toast? Mooney's school report? Weird things sold at auction … Paul Horn playing in the Taj Mahal, Sonny Rollins on the Williamsburg Bridge, U2 in Slane Castle … are new vinyl albums now ‘luxury goods' and old ones ‘antiques'? … where you can hear the Abbey Road building on the Dark Side of the Moon … the cinematic records Daniel Lanois made in an abandoned movie theatre near Santa Barbara … Summer In The City: the Lovin' Spoonful's road-drill and Regina Spektor's cleavage … Cat-calming music! Gym motivation! Stress-busting songs for Spurs fans on Judgement Day! The age of the prescriptive playlist … the new dawn of instrumental music, “a public utility like turning on a tap” … and the single Sinatra recorded for Maureen Starkey (only one copy made!).Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Today's daily comedy show starts with one of the wildest survival stories we've heard in a while: a Portland mom grabs a stick and chases an intruder out of her house after hearing threats against her family. Naturally, this immediately turns into a debate about whether “crazy meets crazy” is actually a legitimate life strategy… which, according to Lern, it absolutely is. Honestly? She may have a point. Or she may just want an excuse to scream at strangers in Target. Jury's still out.Then the gang discovers the existence of chess boxing — yes, actual boxing mixed with speed chess — proving once again that humans were never meant to have free time. Imagine trying to remember your opening strategy immediately after getting punched in the face by a guy named Vlad who definitely owns fingerless gloves. St. Louis might officially be the perfect city for this nonsense considering we've got boxing history AND the Chess Hall of Fame. We're basically one monocle away from hosting the national championships.The chaos keeps rolling during “Three and Five,” where listeners somehow turn simple trivia into complete psychological warfare. Contestants debate whether wasabi counts as a sauce, dip, condiment, or emotional experience. Somebody accidentally invents a new sex position called “backwards cowboy.” Another contestant confidently uses “Abbey Road” as a Beatles song title. And somehow Hong Kong Fooey becomes the hero of the entire segment.Also in today's episode:Vanna White being worth WAY more money than anybody expectedWhy reverse cowgirl somehow became a group discussion at 8AMFast food mascots under pressureWhy construction workers apparently fear Final Destination in real lifeThe most stressful toothpaste question ever asked on live radioRizz trying to define wasabi like a culinary professor nobody asked forLern defending chaos with the confidence of someone who absolutely owns decorative swordsThis daily comedy show somehow combines weird news, ridiculous listener moments, pop culture nonsense, accidental relationship therapy, and the exact amount of sarcastic humor your brain probably didn't need before work — but got anyway.If you like funny podcasts, comedy talk, entertainment gossip, weird news stories, listener games gone off the rails, and the kind of morning show energy that sounds like a group text nobody should've replied to, welcome home.The Rizzuto Show is your favorite daily comedy show out of St. Louis on 105.7 The Point — proudly delivering chaos, sarcasm, celebrity fails, weird internet stories, and just enough accidental intelligence to stay employed.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of the Anthony On Air Podcast: Don Jr.'s wedding is making headlines for reasons nobody expected after reports connected his new bride's family to Jeffrey Epstein's former banker. Starbucks rolls out a completely unhinged summer drink menu featuring color-changing refreshers, horchata espresso drinks, and enough sugar to legally qualify as a carnival attraction. Plus, Paul McCartney nearly gets hit by a car crossing Abbey Road while another Beatles story resurfaces involving an unreleased Prince cover of “The Long and Winding Road.” Somehow all of this happened in the same timeline. Humanity continues to freestyle its way through reality.#DonaldTrumpJr #Starbucks #PaulMcCartneyGet more AoA and become a member to get exclusive access to perks:https://www.youtube.com/channel/UCOfx0OFE-uMTmJXGPpP7elQ/joinGet Erin C's book here: https://amzn.to/3ITDoO7Get Merch here - https://bit.ly/AnthonyMerchSubscribe to the Anthony On Air Podcast here:Facebook - https://bit.ly/AntOnAirFBYouTube - https://bit.ly/AntOnAirYTApple Podcast - https://bit.ly/AntOnAirAppleSpotify - https://bit.ly/AntOnAirSpotTwitter - https://bit.ly/AntOnAirTwitterInstagram - https://bit.ly/AntOnAirInstaTikTok - https://www.tiktok.com/@anthonyonairpodDiscord - https://discord.gg/78V469aV22Get more at https://www.AnthonyOnAir.com

Paul McCartney is helping to open up one of the most famous addresses in music history, 3 Savile Row, including access to the rooftop where The Beatles played their final public performance in January 1969. Which raises an interesting question. Why on earth do people still care?In this episode of Mark and Pete, we wander from a cold London rooftop into much deeper territory. The Beatles broke up more than half a century ago. Most of the people now visiting Beatles sites weren't even born when John, Paul, George and Ringo were together. Yet thousands still make the pilgrimage, cross Abbey Road, pose for photographs and now, potentially, stand on the very roof where music history was made.What's going on there?We discuss the extraordinary staying power of The Beatles, the strange human desire to touch history, and why modern culture increasingly sells experiences rather than things. We also ask whether places become special because of what happened there, or because of the stories we tell about them afterwards.Along the way there are reflections on nostalgia, celebrity culture, musical genius, Liverpool tourism, rooftop concerts, and the curious fact that human beings seem unable to stop creating pilgrimages, even after abandoning many traditional forms of religion. If people no longer travel to shrines, they often end up travelling to recording studios, football grounds and famous street crossings instead.As usual, there is a biblical perspective lurking in the background, a few observations that may or may not be entirely fair, and the sort of conversation that starts with Paul McCartney and somehow ends up discussing the nature of meaning itself.Not bad for a roof, really.

Society & Culture · The Church Studio

La Fundación Hispania Música, dirigida por José Manuel Gil de Gálvez, inaugura su nueva sede en Málaga, un espacio de más de 1000 metros cuadrados concebido como centro neurálgico para la música clásica, la enseñanza y la creación cultural en español. En esta conversación descubrimos cómo nace este ambicioso proyecto ubicado en Teatinos Universidad, con un auditorio para 120 personas inspirado en los estudios de Abbey Road, preparado tanto para conciertos como para grabaciones profesionales gracias a su avanzado aislamiento acústico. Además, analizamos el papel de Hispania Música en el ámbito editorial tras la adquisición de revistas históricas como Melómano y Más Jazz, así como su objetivo de convertirse en el gran referente de la edición musical en castellano. José Manuel Gil de Gálvez también reflexiona sobre los nuevos modelos de gestión cultural, inspirados en la agilidad organizativa de Silicon Valley, y sobre sus futuras investigaciones y publicaciones dedicadas a la historia del violín en España. Una conversación sobre música, innovación cultural, pedagogía y el futuro de la difusión artística en el mundo hispanohablante.

Hello and welcome back to the oasis podcast.Today I am joined by Laurie Wright, check him out @lauriewrightmusic and come back next time for more from himAlso John K and I discuss I Can See A Liar for the Oasis A-ZSupport Patreon.com/oasispodTwitter @oasispodcastInstagram @oasispodEmail oasispod@gmail.com

This week on Revolutions Per Movie, I am joined by Jack Turner, the owner of AnimatronicsWarehouse, as we look at the documentary The Rock-afire Explosion and his life restoring the iconic animatronic band to its original form.We discuss how Jack stumbled onto the world of animatronics, how The Rock-afire Explosion introduced him to the music of The Beatles and The Monkees, why animatronics are still being portrayed as the enemy in pop culture, The Rock-afire Explosion's versions of the White Album and Abbey Road medleys, the genius of inventor Aaron Fletcher (who went from a door to door salesman to producing 50 Rock-afire shows every 3 months), the incredible band Aaron put together to play the music of Rock-afire, the emotional component for the fans of Rock-afire within the documentary, how Super Furry Animals are the musical thread throughout the documentary (including a SFA Rock-afire performance), how the band actually works mechanically, the amazingly hypnotic videos of Jack restoring the Rock-afire, the change from Rock-afire to Chuck E Cheese, Jack programing a Rock-afire show for a Clipse & Tyler, The Creator music video, deciding how often they should blink and much more!JACK TURNER:https://www.animatronicswarehouse.com/https://www.youtube.com/@animatronicswarehouseHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

The Beatles' Olympiad series of shows is nearing its end point, with Gary Wenstrup and myself assessing their final group project for Olympic honors. Where will the bronze, silver and gold land among the 17 tracks? You'll have to tune in to find out (and discover some unexpected developments). This episode is brought to you by DistroKid and Magical Mystery Camp.

One of the most prolific and successful artists on the contemporary urban jazz scene. Last month he released his 18th full-length album. He is touring extensively in 2026 with dates from May to October. A British artist and producer with 15 Billboard top ten hits, he has had ten Billboard number ones as an artist, producer or co-writer. His career includes having founded his own record label, worked for the BBC and a number of theatrical orchestras in London's West End. Upon his move to America, he became a top session player after recording with everyone from Bebe & Cece Winans to Jody Watley and Carole Bayer Sager. In recent years he has released a Live in London album as well as a standards project tracked at Abbey Road. He has well over 316 thousand monthly listeners on Spotify, where his top five songs alone have a combined total of well over 44 million streams and his YouTube channel has well over 25 million video views.

Think about your favourite records. Go ahead. Chances are, one of the first things that popped into your head was the album cover. And it makes sense...who hasn't studied an album jacket while listening to a record?  Or scanned the track listing, or read the liner notes or credits?  How many of you have bought an album solely based on the cover art? The artwork colors how we hear the music, and, likewise, the music informs how we interpret the artwork.  Either way, when done effectively, the two are intertwined. But don't take it from us.  This week, we have one of THE greatest creative art directors in music history joining as our Third Lad.  There's a near certainty that you have the iconic work of John Kosh sitting in your record collection - and it's absolutely staggering list of credits since the late ‘60s.  For starters, how about his work as with The Beatles' Apple Records, like Abbey Road, Let It Be, or John & Yoko's Wedding Album? Or how about Who's Next?  Get Your Ya-Ya's Out?  Hotel California?  Out Of The Blue, featuring his familiar ELO spaceship logo?  In fact, he is the only Art Director to have worked with The Beatles, The Stones, and The Who.  That's not enough for you?  Among the hundreds of album covers Kosh has designed, there are also familiar sleeves for Ringo Starr, Rod Stewart, Marvin Gaye, James Taylor, Jimmy Buffet, Donovan, Aerosmith, Family, The Moody Blues, Badfinger, 10,000 Maniacs, T. Rex, and so, so many more.  And, oh yeah, the four decade string of gorgeous covers he did for Linda Ronstadt, three of which have earned him Grammys. Aside from album covers, there's artwork for singles, books, TV, film, posters, and billboards - like, for example, the simple but incredibly effective John & Yoko campaign declaring WAR IS OVER…if you want it.  Listen as Kosh recounts stories from his fabled career and discusses his Top 5 Album Covers (other than his own). This is living history, kids! Learn more about your ad choices. Visit megaphone.fm/adchoices

TV Smith joins Nate to discuss the 50th anniversary of The Adverts, an Australian tour backed by The Hard-Ons, and a career full of great songs and terrible label luck. Topics Include: TV Smith is touring Australia in April with The Hard-Ons. The tour celebrates the 50th anniversary of The Adverts. The Hard-Ons are already learning the surprisingly complex Adverts songs. TV finds it odd but joyful to still be performing. He got back into vinyl to quality-check his own releases. Bowie, Roxy Music, and reggae were key early influences for TV. The Sex Pistols made TV believe he could actually do this. The Roxy Club punk scene started with just 30 people. Brian James of The Damned personally recommended The Adverts to Stiff. They recorded One Chord Wonders in a single afternoon at Pathway. Stiff misspelled the title and controversially centred Gaye Advert on the cover. Gary Gilmore's Eyes was TV's satirical response to exploitative media coverage. The BBC was deeply reluctant to air Gary Gilmore's Eyes on TV. Anchor Records collapsed mid-momentum, leaving The Adverts suddenly without a label. Crossing the Red Sea was recorded at Abbey Road with John Leckie. Gary Gilmore's Eyes was left off the album deliberately — vinyl runtime constraints. RCA signed them against their own A&R team's wishes — chaos followed. Cast of Thousands suffered a botched mix, a terrible cover, label indifference. Channel 5 was finally properly remastered after the producer found a safety tape. TV is bringing vinyl to the merch table — especially the Handwriting LP. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

860 · Inside World of Frozen Disneyland Paris - Disney Adventure WorldDisney Adventure World and World of Frozen may represent the biggest shift in Disney Parks design we've seen in years... and you can feel it from the very first step.Something felt different the moment we stepped onto Adventure Way.Before the gates even opened to the public, Lou Mongello was invited inside Disney Adventure World - the bold $2.3 billion transformation of Walt Disney Studios Park at Disneyland Paris - for an exclusive preview of World of Frozen.And what he experienced may signal an entirely new era for Disney Parks.In this episode, we go deep on everything - from the sweeping scale of Arendelle to the emotional impact of the Cascade of Lights nighttime spectacular... a free-roaming Olaf animatronic powered by AI and built in months, not years... and a baby troll puppet named Mossie who might just be the breakout star of the entire land.You'll hear honest impressions of the dining, the details hidden in plain sight, and why Frozen Ever After here feels different from its EPCOT counterpart... plus why Adventure Way, with its original Abbey Road orchestral score, may be the most intentional entry experience Disney has ever created.Key Takeaways:Why World of Frozen feels like stepping into the film itselfThe Olaf AI technology that made a crowd of Disney pros gaspHow Disney Adventure World has finally found its identity as a full-day destinationWhat Lion King land and the future of Adventure Bay mean for every Disney fanThis is the episode that might just make you book your trip to Disneyland Paris!

"CLIFFSNOTES!" Greg Cote's 'Back in my Day' is back. And when you really think about it, why wouldn't it be? It is a Tuesday after all. Also, a report of a mascot holding crutches in front of roughly 14 cops, Mike Ryan's Abbey Road, and Dan gets electrocuted at Whole Foods. Learn more about your ad choices. Visit podcastchoices.com/adchoices