Podcasts about nation latin

Turkiye's Foreign Minister Mevlut Cavusoglu is undertaking a six-nation Latin America tour. His first two stops were to Uruguay and Brazil, where he opened Turkiye's two newest diplomatic posts. Turkiye has seen swift expansion of its diplomatic presence in the region over the past two decades, as it looks to boost trade and political ties. Guests: Jose Duarte Ribeiro Researcher at the Centre for Latin America Studies Javier Farje Journalist and Political Analyst

In Rock the Nation: Latin/o Identites and the Latin Rock Diaspora (Continuum, 2010), Roberto Avant-Mier challenges the traditional historical notion of rock and roll and rock being the result of the converging of white and African-American musics only. Instead, he argues, the history of rock is replete with Latin/o culture. Avant-Mier traces the Latin influence in rock back as far as any history of the rock will. Included in his story are the Mexico-based border radio stations listened to by many early blues, country and rock and roll artists, the zoot-suited pachuco culture popular among Latino/as in the 1940s and 1950s, the Latin/o influence on the classic garage rock of the 1960s, the birth of Mexican rock and its relation to Onda literature in the 1970s and eighties, the dearth of Latino/as in the global punk rock movement of the nineties and, finally, a discussion of Latin/o rock in the twenty-first century. Infused within Avant-Mier’s argument is the notion that Latin/o rock is much more than the participation of Mexican-Americans in American rock. It is a cultural movement that spans all of North and South American, calling into question traditional ideas about political and cultural borders. A serious understanding of rock en espanol or rock nacional forces a serious understanding of Latin/o cultures across borders. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Rock the Nation: Latin/o Identites and the Latin Rock Diaspora (Continuum, 2010), Roberto Avant-Mier challenges the traditional historical notion of rock and roll and rock being the result of the converging of white and African-American musics only. Instead, he argues, the history of rock is replete with Latin/o culture. Avant-Mier traces the Latin influence in rock back as far as any history of the rock will. Included in his story are the Mexico-based border radio stations listened to by many early blues, country and rock and roll artists, the zoot-suited pachuco culture popular among Latino/as in the 1940s and 1950s, the Latin/o influence on the classic garage rock of the 1960s, the birth of Mexican rock and its relation to Onda literature in the 1970s and eighties, the dearth of Latino/as in the global punk rock movement of the nineties and, finally, a discussion of Latin/o rock in the twenty-first century. Infused within Avant-Mier’s argument is the notion that Latin/o rock is much more than the participation of Mexican-Americans in American rock. It is a cultural movement that spans all of North and South American, calling into question traditional ideas about political and cultural borders. A serious understanding of rock en espanol or rock nacional forces a serious understanding of Latin/o cultures across borders. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Rock the Nation: Latin/o Identites and the Latin Rock Diaspora (Continuum, 2010), Roberto Avant-Mier challenges the traditional historical notion of rock and roll and rock being the result of the converging of white and African-American musics only. Instead, he argues, the history of rock is replete with Latin/o culture. Avant-Mier traces the Latin influence in rock back as far as any history of the rock will. Included in his story are the Mexico-based border radio stations listened to by many early blues, country and rock and roll artists, the zoot-suited pachuco culture popular among Latino/as in the 1940s and 1950s, the Latin/o influence on the classic garage rock of the 1960s, the birth of Mexican rock and its relation to Onda literature in the 1970s and eighties, the dearth of Latino/as in the global punk rock movement of the nineties and, finally, a discussion of Latin/o rock in the twenty-first century. Infused within Avant-Mier’s argument is the notion that Latin/o rock is much more than the participation of Mexican-Americans in American rock. It is a cultural movement that spans all of North and South American, calling into question traditional ideas about political and cultural borders. A serious understanding of rock en espanol or rock nacional forces a serious understanding of Latin/o cultures across borders. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Rock the Nation: Latin/o Identites and the Latin Rock Diaspora (Continuum, 2010), Roberto Avant-Mier challenges the traditional historical notion of rock and roll and rock being the result of the converging of white and African-American musics only. Instead, he argues, the history of rock is replete with Latin/o culture. Avant-Mier traces the Latin influence in rock back as far as any history of the rock will. Included in his story are the Mexico-based border radio stations listened to by many early blues, country and rock and roll artists, the zoot-suited pachuco culture popular among Latino/as in the 1940s and 1950s, the Latin/o influence on the classic garage rock of the 1960s, the birth of Mexican rock and its relation to Onda literature in the 1970s and eighties, the dearth of Latino/as in the global punk rock movement of the nineties and, finally, a discussion of Latin/o rock in the twenty-first century. Infused within Avant-Mier’s argument is the notion that Latin/o rock is much more than the participation of Mexican-Americans in American rock. It is a cultural movement that spans all of North and South American, calling into question traditional ideas about political and cultural borders. A serious understanding of rock en espanol or rock nacional forces a serious understanding of Latin/o cultures across borders. Learn more about your ad choices. Visit megaphone.fm/adchoices