Podcasts about Mexican Americans

What happens when you unplug from the generational and cultural programing that tells you to just be a hard worker? In this episode, Carlos Reyes breaks down what he calls the "Mexican Matrix" the traditional boundaries that keep incredibly skilled, blue-collar tradespeople working for the investor instead of becoming the investor themselves.The guys discuss how Carlos's mastermind, Impresarios, is completely rewriting the script for Mexican-American entrepreneurs by shifting them out of the daily grind and into high-level private equity and asset ownership. From vetting members with strict $1M+ revenue minimums to examining why the blue-collar trade space is ripe for massive scale, this conversation is an unfiltered look at cultural stereotypes, economic alignment, and building a true financial legacy.

Peso Pluma Biography Flash a weekly Biography. Peso Pluma's latest few days have been a mix of cultural milestone, steady business moves, and the kind of low‑key social media presence that says, I am planning my next chapter more than chasing headlines day to day. The single most biographically significant development is his role as padrino de graduacion at the City University of New York's first Mexican American graduation ceremony at Lehman College in the Bronx. According to Lehman College's official news release, Peso Pluma took the stage as the honorary godfather of the ceremony, celebrating Mexican American graduates and performing as part of the event, positioning himself not just as a chart‑topping artist but as a symbolic figure for Mexican and Latino representation in U.S. academia. That kind of institutional recognition, at a large public university, will likely stand as a meaningful footnote in any future biography, marking his transition from hitmaker to cultural reference point in the United States. In music and media circles, discussion of his broader impact has been amplified by long‑form coverage like the Takeout and Talk interview with music journalist Tomas Mier on YouTube, where they break down how Peso Pluma and Mexican music have taken over the world. While that episode is commentary rather than news, it reinforces the narrative that his earlier breakout years are now being treated as a movement, not a moment, which matters for how future biographers frame his legacy. Over the past few days, mainstream outlets and major music news sites have not reported any confirmed new album drop, major scandal, or high‑profile controversy tied to Peso Pluma. Any rumors circulating on fan accounts or unverified social media, including speculative talk about surprise collaborations or personal relationships, remain unconfirmed and should be treated as speculation unless and until they are reported by primary outlets such as Billboard, Rolling Stone, or major Latin American news networks. For now, his brand continues to ride on sustained streaming power, touring history, and his status as a face of the corridos tumbados wave rather than on any single breaking news event this week. That wraps up this episode of Peso Pluma Biography Flash. Thank you for listening, and make sure you subscribe so you never miss an update on Peso Pluma, and search the term Biography Flash for more great biographies. Thanks for listening. This has been a Quiet Please production. Get the best deals https://amzn.to/3ODvOta

The California Pizza Kitchen (CPK) story is about more than pizza. It's about resilience, adaptability, and two friends/former federal prosecutors who turned a crazy idea (barbecue chicken on pizza) into an American success story. In the new book, The California Pizza Kitchen Story , CPK co-founder Rick Rosenfield details how he and his co-founder, Larry Flax, created an international franchise with 265 restaurants worldwide and a frozen pizza line sold across more than 20,000 retail locations. “I'd put away major organized crime figures, including the Detroit and St. Louis mob bosses who'd secretly owned Las Vegas's Frontier Hotel, and successfully prosecuted a hijacker who had diverted a commercial jet to Los Angeles to protest the treatment of Mexican Americans—an episode that led to the first metal detectors in the Los Angeles federal courthouse,” says Rosenfield. “But there weren't that many repeat customers in our line of work. Larry and I had a lightbulb moment: Most people had never even heard of California-style pizza, let alone tasted it. In a single day, we dreamed up a concept that would not only define our careers but change pizza forever: the ovens that baked it, the restaurants that served it, and even the frozen grocery aisle where our innovative pizzas inspired an industry.” Subscribe FREE to

Is L.A. READY for the FIFA World Cup? ft. @lainaminute

Episodio #31 Con mi amigo Robert Lopez, un talentoso músico de mariachi de tercera generación, inspirado por el amor que su padre le transmitió por la música de mariachi, comenzó un camino que lo llevaría a formar parte de los mejores grupos de mariachi de Los Ángeles.Hoy, está haciendo historia al convertirse en el primer MexicoAmericano en integrar al legendario Mariachi Vargas de Tecalitlán. Me comparte sus inicios en la música y el orgullo que siente de representar sus raíces en uno de los mariachis mas reconocidos del mundo. Episode#31 With my good friend Robert Lopez. He is a talented third-generation mariachi musician, from a young age, inspired by the love for mariachi music that his father passed down to him, he began a journey that would eventually lead him to perform with the top mariachi groups in Los Angeles.Today, he is making history as the first Mexican American to join the legendary Mariachi Vargas de Tecalitlán. He shares his early beginnings in music, and the pride he feels in representing his roots as a member of one of the most renowned mariachi ensembles in the world.Con Lisa Hernández séptima generación , hija de Pedro Rey.Follow us:Instagram: https://www.instagram.com/mariachiymasoficial/Tiktok:https://www.tiktok.com/@mariachiymasoficialFacebook: https://www.facebook.com/profile.php?id=61558870352458Instagram: https://www.instagram.com/lisahernandezoficial/YouTube: https://www.youtube.com/@MariachiYMasoficialSpotify: https://open.spotify.com/show/7Cf1YZFou6zdbHQbda7KqJ?si=SOB1fj_USASpigeOdtBVqw&nd=1&dlsi=3b8ba76de97c4ae6qJ?si=SOB1fj_USASpigeOdtBVqw&nd=1&dlsi=Sponsor: Instagram @mariachi_acerodv

Send us Fan MailJenny is the founder of Pasteles Y Más, makes custom cakes in DFW specializing in elevated Mexican-American-inspired desserts. Host Crispin Valentin sits down with Jenny to unpack her full journey — from Mexico City to Los Angeles, culture shock in Rowlett, Texas, at 17, dropping out of nursing school, working her way up through high-end Dallas restaurants, and launching her own business during the pandemic with a newborn at home.Her cakes are edible memories. Bubu Lubu, Lemon Drop, Mixed Berry, and handcrafted mini conchas are all rooted in the flavors of a Mexican-American childhood.This one is for anyone sitting on a dream they haven't started yet.IN THIS EPISODE:— Hot takes: California tacos vs Texas tacos— The first cake at age 7 that started it all— Watching Ace of Cakes at 13 — the aha moment— Dropping nursing school and telling her strict Mexican parents— Sneaking into the back of the house at Suzie Cakes— Landing a job at Nou Dallas despite full imposter syndrome— Two weeks perfecting the Bubu Lubu marshmallow fluff— The secret her conchas have that she refuses to reveal— How delivering a wedding cake confirmed this is her calling

OPENING My learning curve about segregation did not happen all at once. I grew up in a Navy family and attended Catholic schools. We moved often. Different states. Different bases. Different communities. But strangely… many things stayed the same. Most of the schools I attended as a child were almost entirely white. In Virginia, in 1962, I remember having my first non-white classmate… a Hispanic girl. Later that same year, we moved back to Texas. Again, I attended Catholic schools that were overwhelmingly white. But by 1964, after we had settled in Houston, I went to San Antonio to attend high school, and I began noticing something larger than classrooms. The city itself seemed divided. Whites lived primarily on the north side. Blacks on the east side. Mexican-Americans on the west and south sides. And the schools reflected those invisible boundaries. At the time, it simply seemed normal. Years later, I realized I had been watching the geography of segregation. (pause) This is Hidden History of Texas. Episode 90: Separate Schools, Separate Futures. EDUCATION AND THE TEXAS MAP In Texas, schools have always been more than places of learning. They reflected power. Economics. Geography. Race. And opportunity. For generations, where a child lived often determined the quality of education they received. Not officially, perhaps. But practically. And sometimes intentionally. After the Civil War, Texas entered Reconstruction along with the rest of the South. In theory, formerly enslaved people had access to education. In reality, separate systems quickly emerged. Black Texans were relegated to schools that often had few, if any resources. Churches became classrooms. Communities raised money themselves. Teachers were underpaid. Buildings were overcrowded. Supplies were outdated or nonexistent. But education represented something larger: advancement, independence, and hope. SEGREGATED TEXAS By the early 20th century, segregation in Texas had become deeply embedded. Sometimes through laws. Sometimes through custom. Sometimes simply through where people were allowed to live. Entire cities developed around racial geography. In San Antonio, those lines were easy to see. North side. East side. West side. South side. Different neighborhoods. Different churches. Different schools. Different expectations. Even Catholic education reflected these divisions. In San Antonio there was St. Peter Claver Academy, founded in 1888 as the first African American Catholic parish in Texas. They competed separately in athletics and academics. As students, we simply accepted this as part of everyday life. Looking back now, it becomes clear how deeply separation had been normalized. THE MEXICAN-AMERICAN EXPERIENCE Texas segregation was never simply Black and white. Mexican-American communities experienced many of the same barriers. In some Texas towns, children attended so-called “Mexican schools.” These schools were often poorly funded and overcrowded. Students were frequently discouraged from speaking Spanish. Some were punished for it. In 1948, a major Texas court case challenged these practices: Delgado v. Bastrop Independent School District. The ruling declared that Mexican-American students could not legally be segregated into separate schools solely because of ethnicity. But as often happened in Texas and across America… changing laws did not instantly change attitudes. COLLEGES AND QUIET BARRIERS Even higher education reflected these divisions. Colleges across Texas remained segregated well into the 1960s. Official barriers slowly began to fall. But social barriers remained. People often stayed within familiar communities. Familiar churches. Familiar schools. Familiar neighborhoods. Official segregation can end with a court ruling. But social separation often lasts much longer. A NATION OF REGIONS One thing that shaped my perspective was movement. Because of being raised in a military family, and later my time in the Coast Guard, I lived in multiple regions of the country. I saw firsthand that segregation and division were not unique to Texas. America itself often functioned as a collection of separate worlds. Different regions. Different customs. Different assumptions about race, class, and belonging. But Texas had its own version. Its own geography. Its own history. And its own invisible boundaries. SCHOOLS AS MAPS OF OPPORTUNITY Schools became mirrors of larger systems. Housing patterns shaped districts. Property values shaped funding. Economic divisions reinforced educational divisions. In many ways, schools became maps of opportunity. And those maps often reflected decades of earlier decisions. Some districts flourished. Others struggled. Some communities had modern facilities and expanding programs. Others fought simply to maintain basic resources. And while Texas today is far more integrated than the Texas of the 1950s or 1960s… echoes of those older systems still remain. CLOSING Today, many Texas schools are far more diverse than the ones I attended as a child. And in many communities, students who once would have been separated now learn side by side. That is real progress. Important progress. But history leaves impressions on places. On neighborhoods. On school districts. On expectations. And on people. Sometimes the most important hidden history is not found in dramatic events… but in ordinary routines. The school a child attended. The side of town where they lived. The opportunities they were given… or denied. Because in Texas, for generations, separate schools often meant separate futures. This is Hidden History of Texas. I'm Hank. Thank you for listening.

How did a car with chopped suspension and hydraulics become a symbol of pride and self-expression for an entire community? We'll cruise back in time to see how lowriders emerged from the post-WWII car craze and became a powerful symbol of Mexican American pride. It's a long road with a few speed bumps, but lowriders are now more popular than ever (especially in Japan!)So, lean your seat back and see how chrome, paint, and a dose of defiance turned classic cars into rolling works of art that have cruised their way into the Smithsonian's National Museum of American History. Learn more about the Smithsonian's exhibition on Lowriders — Corazón y vida — HERE This project received federal support from the Smithsonian Latino Initiative Pool, administered by the Smithsonian National Museum of the American Latino.

EPISODE SUMMARY: Gracie award-winning radio host Dana Cortez shares her inspiring journey from humble beginnings in Big Spring, Texas, to becoming the first Latina to lead a nationally syndicated radio show. Her story highlights perseverance, authenticity, and how real-life experiences fuel her success and led her. Plus, insights into her multi-platform presence and charity work. On this episode of Chachi Loves Everybody, Chachi talks to Dana Cortez about: Growing up in Big Spring, Texas, and how early adversity forming the foundation of her honest and relatable on-air style Carving her own path through smaller markets and her breakthrough moment at KMRK in Odessa, Texas Becoming the first Latina to lead a nationally syndicated multicast radio show in the US The day-to-day behind the scenes of her show, and how they blend pop culture, relationships, and real talk, built on authenticity The Pivotal mentorship of John Candelaria, who pushed her into mornings, perceived as a male-dominated space The importance of social media presence, strategic content batching, and embracing digital platforms Balancing on-air work with podcasting and charity involvement, and how her personal life intertwines with her professional journey Winning a Gracie award and the impact of industry recognition Her significant involvement in charities including St. Jude’s and CASA, and her commitment to community and helping foster children And More! ABOUT THIS EPISODE'S GUEST: Dana Cortez is a nationally syndicated radio host who shatters the glass when it comes to an industry where diverse female voices struggle to be heard and where women rarely occupy the lead role in a multi-cast show. A second generation Mexican American, Cortez grew up in poverty in West Texas and brings her experience and the perspective of many disenfranchised Americans to her show every day. On the Dana Cortez Show she “creates a room of her own,” using the airwaves to elevate topics of importance and interest often lost in the 24-hour news cycle. Cortez speaks to the female Latino experience in America and to her broader audience, she’s insightful on topics of relationships and pop culture. She has a nuanced way about her interviews with celebrities that allows them to feel comfortable and creates a more genuine conversation. She shares her show with her husband and executive producer DJ Automatic, and comedian Anthony A. ABOUT THE PODCAST: Chachi Loves Everybody is brought to you by Benztown and hosted by the President of Benztown, Dave “Chachi” Denes. Get a behind-the-scenes look at the myths and legends of the radio and broadcast industry and beyond as they share their unique career paths. Hear how a variety of innovative leaders grow businesses, develop iconic brands, and entertain audiences in this in-depth interview podcast. ABOUT BENZTOWN: Benztown is a leading international audio imaging, production library, voiceover, programming, podcasting, and jingle production company with over 3,000 affiliations on six different continents. Benztown provides audio brands and radio stations of all formats with end-to-end imaging and production, making high-quality sound and world- class audio branding a reality for radio stations of all market sizes and budgets. Benztown was named to the prestigious Inc. 5000 by Inc. magazine for five consecutive years as one of America’s Fastest-Growing Privately Held Companies. With studios in Los Angeles and Stuttgart, Benztown offers the highest quality audio imaging work parts for 23 libraries across 14 music and spoken word formats including AC, Hot AC, CHR, Country, Hip Hop and R&B, Rhythmic, Classic Hits, Rock, News/Talk, Sports, and JACK. Benztown’s Audio Architecture is one of the only commercial libraries that is built exclusively for radio spots to provide the right music for radio commercials. Benztown provides custom VO and imaging across all formats, including commercial VO and copywriting in partnership with Yamanair Creative. Benztown Radio Networks produces, markets, and distributes high-quality programming and services to radio stations around the world, including: The Rick Dees Weekly Top 40 Countdown, The Todd-N-Tyler Radio Empire, Hot Mix, Sunday Night Slow Jams with R Dub!, Flashback, Top 10 Now & Then, Hey, Morton, StudioTexter, The Rooster Show Prep, and AmeriCountry. Benztown + McVay Media Podcast Networks produces and markets premium podcasts including: IEX: Boxes and Lines and Molecular Moments. Web: benztown.com Facebook: facebook.com/benztownradio Twitter: @benztownradio LinkedIn: linkedin.com/company/benztown Instagram: instagram.com/benztownradioSee omnystudio.com/listener for privacy information.

What happens when a certified educator, trauma-informed healing-centered facilitator, and community organizer starts asking deeper questions about masculinity, emotional safety, and the world our boys are growing up in?In this powerful episode of unMASKing with Male Educators, Asahnti sits down with Mexican-American educator, former middle school teacher, community organizer, and Trauma-Informed Healing-Centered Facilitator, Fernando Deveras. is known for his thought-provoking commentary on history, politics, education, and current events through his growing online platforms and community work.Ashanti and Fernando unpack the emotional realities many young men carry behind the mask, the pressure to perform masculinity, the fear of vulnerability, and the impact of growing up in a world shaped by social media, violence, isolation, and emotional disconnection.This conversation dives into:What boys are really searching for beneath the surfaceWhy emotional safety matters in schools and communitiesThe hidden exhaustion educators carry behind the scenesTrauma, healing, and intergenerational patterns in Latino familiesThe role educators play in helping young people feel seenWhy “the kids don't have time for adults to wait to be ready”Masculinity, community accountability, and the bystander effectThe importance of speaking up, even when your platform feels smallFernando also shares his personal story growing up as the son of immigrants, becoming a father while in college, transitioning from classroom teaching into community organizing, and helping families heal through culturally grounded practices.If you care about young men, education, emotional wellness, restorative practices, or building safer communities this episode is for you.Connect with FernandoInstagram: @fernando.deverasYouTube: Fernando De VerasSubstack: Fernando De VerasLearn more about and their family healing workshopsConnect with Ashanti BranchInstagram: https://www.instagram.com/branchspeaks/Facebook: https://www.facebook.com/BranchSpeaksX: https://x.com/BranchSpeaksLinkedIn: https://www.linkedin.com/in/ashantibranch/Website: https://www.branchspeaks.com/Support the Podcast & Ever Forward ClubHelp us continue creating spaces for young men to be seen, heard, and supported:https://podcasters.spotify.com/pod/show/branch-speaks/supportConnect with Ever Forward ClubInstagram: https://www.instagram.com/everforwardclubFacebook: https://www.facebook.com/everforwardclubX: https://x.com/everforwardclubLinkedIn: https://www.linkedin.com/company/the-ever-forward-club/#UnMASKingWithMaleEducators #MaleEducators #MillionMaskMovement #EverForwardClub #EducationLeadership #HealthyMasculinity #YouthDevelopment #EmotionalSafety #CommunityHealing

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Gabriella Gamez is a Mexican American author living in South Texas. She writes about incredibly messy, well-meaning women trying their best and accidentally falling in love. Her latest, 'Second First Dates,' is out at the end of July! And Gabby has a history with our cohost Emma, so we start off with a charming bit of anecdotes that led to their friendship! 

During fair week in New York in mid-May, Andrew Russeth had the high pleasure of moderating a panel about the state of arts philanthropy at TEFAF New York. Joining him on stage at the Park Avenue Armory were two leading figures in American patronage, Sarah Arison and Michi Jigarjian. Arison was named president of the board of the Museum of Modern Art in New York in 2024 at the age of only 39, making her the youngest person to ever hold that position. The president of the Arison Arts Foundation, she also chairs the board of YoungArts and serves on a variety of boards, including those of MoMA PS1 and American Ballet Theatre. Jigarjian is CEO of Work of Art Holdings and a partner at 7G Group. She is the force behind the culturally rich Rockaway Hotel out in Queens, and for 15 years led the Baxter St at CCNY as its president. A first-generation Mexican American, she is on the boards of the Brooklyn Museum and MoMA PS1. During the panel, which was titled “Who Supports Art Now? Patronage in a Shifting Cultural Landscape,” Arison and Jigarjian charted how arts philanthropy has changed in recent decades and described how they and their peers are leading institutions and supporting artists in a period of tremendous uncertainty—and potential.

In this episode, Dennis connects via Zoom with Peter Cervantes to talk about his book The Road Back to Me: Six Sacred Tools for Queer Healing Through Shadow, Breath, and Truth, in which he shares his journey from severe physical and mental health crises to healing through therapy, meditation, breath work, EMDR, shadow work and more. He also talks about having severe heart palpitations and anxiety attacks and going into intense therapy because he felt that the only other option was death. Other topics include: dealing with intergenerational trauma, feeling the need to hide his artistic side growing up in order to appease his father, the partner who stuck by him through it all, being the first-generation son of Mexican-American immigrants and how that affected his journey and what it means to him to have the book out in the world.   www.peterjcervantes.com

Frank Carbajal grew up the son of Mexican migrant farmworkers in California's Imperial Valley, where summer temperatures hit 115 degrees and his mother worked the fields through her third trimester. Today he's the founder and president of Es Tiempo LLC, a co-author of three books on Latino leadership, founder of the Silicon Valley Latino Leadership Summit at Stanford University, and a former keynote speaker in Ken Blanchard's network. In this conversation with Simma, Frank talks about what it actually means to be Latino in America today — and why that word doesn't fit everyone who could claim it. He breaks down the Bracero Program that brought his parents to the U.S., the "101 Infrastructure Divide" that shows how Latino hands built Silicon Valley while Latino representation in tech sits in the single digits, and why his mother told him being bilingual is a superpower. This is a conversation about immigration, identity, family, and what it takes to move from picking fruit in the fields to standing in front of executive boardrooms — without ever forgetting where you came from. What You'll Learn What the Bracero Program was, and how it shaped Mexican American families in California for generations Why "Latino" is not one identity — and how to talk to people about their background without making assumptions The real numbers behind Latino representation in education, the corporate boardroom, and venture capital How to start a conversation across race and culture without getting yourself into trouble Why being bilingual is a competitive advantage, not something to hide What "the 101 Infrastructure Divide" means and why it matters for anyone working in or with the tech industry How to spot the difference between performative diversity and actual connection Key Takeaways Latinos are not a monolith. There are 20 Latin American countries, multiple generations of Latino Americans, and people who identify as Latino, Latina, Chicano, Mexican American, American, or simply as a leader — and all of those answers are valid. The hands that built Silicon Valley are not the hands sitting in its boardrooms. Latino representation in tech leadership and venture capital is still in the low single digits despite Latinos making up over 40% of California's population. Conversations across race work when you start with what's in front of you — food, art, family, a shared interest — not with politics or assumptions. Bilingualism is a superpower. So is resilience. Frank's parents had third- and fourth-grade educations and built a life for their children through nothing but hard work. Leadership, not identity politics, is the through-line that travels across borders, languages, and generations. Timestamps [00:00] — Simma's opening: why this podcast exists for anyone who wants to talk across race but is afraid of saying the wrong thing [02:30] — Meet Frank Carbajal: Es Tiempo LLC, Silicon Valley Latino Leadership Summit, two published books, and the award he's most proud of (hint: it's not the corporate one) [05:00] —  What legacy means in a Latino family [07:00] — The elephant in the room: why race conversations are crucial conversations, and what "healthy conversation" actually looks like [09:00] — The numbers don't lie: 65 million Latinos in the U.S., but only 1–2% of PhDs, 1.5% of CEOs and board members, and less than 2% of venture capital [11:00] — What is the Latino community, really? Why "Latino" doesn't fit everyone — and why some people say "Just call me a leader" [14:00] — The Bracero Program explained: Frank's parents, migrant farmworkers, and the pathway that shaped a generation of Mexican American families [17:00] — Born on Juneteenth in 115-degree heat: Frank's mother worked the fields through her third trimester and almost died giving birth to him [19:00] — The 101 Infrastructure Divide: how Latino hands built Silicon Valley's buildings by hand — including NVIDIA's $4.9 trillion headquarters — while Latino representation in tech stays in the single digits [22:00] — When Simma brought a Spanish-speaking facilitator to a workshop, and her class hated him. Why language alone is not connection. [25:00] — Frank's mother's wisdom on sangrón: how she could spot arrogance instantly, and why she'd rather work with a humble white person who spoke Spanish than an arrogant Latino with a sense of entitlement [28:00] — Bilingual is a superpower: Frank's parents told him to never be embarrassed, and why he tells his own daughters the same thing [30:00] — "Wow, you speak without an accent" — the microaggression Latino professionals know too well, and how Frank handles it [32:00] — Afro-Latinos, Caribbean Latinos, Mexican Americans, Chicanos, Latinos of European descent: why the Latino community is not a monolith, and the language families use to describe all the shades within it [35:00] — Frank's Brazilian soccer coach who was Afro-Latino, spoke three languages, and taught a 10-year-old Frank what unity actually looks like on a team [37:00] — How to have a conversation across difference without stepping on a landmine: Frank's mentor's advice about reading the room — start with the Frida Kahlo painting on the wall, not politics [40:00] — Simma and Frank agree: food and stories are how you build a bridge. Why curiosity beats tiptoeing every time. Guest Bio Frank Carbajal is the founder and president of Es Tiempo LLC, a leadership development and keynote speaking firm. He is the founder of the Silicon Valley Latino Leadership Summit, held at Stanford University, which brings top Latino thought leaders together from across the country. He is co-author of Building the Latino Future: Success Stories for the Next Generation (with a foreword by management guru Ken Blanchard) and co-author of El Futuro Latino, published in 14 Latin American countries. He was part of Ken Blanchard's keynote speaker network and works with CEOs, executives, managers, and small business owners on leadership development. Frank received the 2013 Father of the Year Award from Building Peaceful Families and the 2013 Portraits of Success Award from the Hispanic Development Corporation. He serves on the advocacy committee for the Silicon Valley Education Foundation. He is the son of Mexican immigrants, the husband of a Salvadoran American wife, and the father of three daughters. Connect with Frank Carbajal Email: frank@estiempo.com LinkedIn: Search Frank Carbajal (C-A-R-B-A-J-A-L) Company: Es Tiempo LLC Click here to DONATE and support our podcast All donations are tax deductible through Fractured Atlas. Simma Lieberman, The Inclusionist, helps leaders create inclusive cultures. She is a consultant, speaker, and facilitator. Simma is the creator and host of the podcast, Everyday Conversations on Race. Contact Simma@SimmaLieberman.com to get more information, book her as a speaker for your next event, help you become a more inclusive leader, or facilitate dialogues across differences. Go to www.simmalieberman.com and www.raceconvo.com for more information Simma is a member of and inspired by the global organization IAC (Inclusion Allies Coalition)  Connect with me: Instagram Facebook YouTube Twitter LinkedIn Tiktok Website Previous Episodes Dr. Gina Paige on African Ancestry: How DNA Reconnects Black Americans to Their African Roots From Black Panther to Corporate America: Elmer Dixon on Race, Revolution, and Why DEI Is Not Dead Why We Can't Stop Talking About Race: A Conversation with Carole Copeland Thomas Loved this episode?  Leave us a review and rating

Father Lance Harlow joins Patrick to discuss Devotion to Mary The inspiration behind the book on Mary (8:51) Difference between Devotion and Worship? How does humility keep devotion to saints focused on God? (12:54) Why should we go to Mary in order to love Jesus better? How does Mary draw us to Jesus? Laurene - My devotion to Mary has been a growing process. I haven't always understood devotions because I thought they were distractions with my relationship to Christ. I'm gradually coming out of that now. (20:31) Break 1 Gosia - Miracle with my devotion. My mom lived in Poland. Found out she was in ICU. She had been bleeding and didn't know where from. Went to chapel and begged Mary to save my mom. Next day, found out they didn't know what happened. All tests were normal. Blamed it on lab error. It's increased my devotion to Mary. (24:39) Laurene - My devotion to Mary has been a growing process. I haven't always understood devotions because I thought they were distractions with my relationship to Christ. I'm gradually coming out of that now. Email about a good approach to receiving Mary (31:47) What is a Consecration? Yesenia - I'm a Mexican American catholic. What about the phenomenon of apparitions? She has been a diplomat for the human race and has appeared so many places. Could you talk about that? (39:32) Break 2 (41:30) Laurel - Could you explain the Miraculous medal of Mary? (45:27) Sophia - Getting past the fear to get to pray the Rosary. I experienced what I prayed for after 54 day novena. I've been trying to developed my devotion again, but it's hard to do it. How do I get to that again? Resources: Vermont Catholic https://www.vermontcatholic.org/ The Echo of God eBook https://visitationproject.org/collections/november/products/the-echo-of-god-ebook-1?srsltid=AfmBOooOYljhNHKvqzYBErsRXjASsusLBqymauQPfzAjR9FGjOxQ1Ctr

Artspeak Radio, Wednesday, May 20, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes poet/writer Olive Sullivan and Vince Medellin freelance Character Designer/ Comic Artist. OLIVE SULLIVAN- Poet, playwright, and bookbinder--the common denominator is books. Olive L. Sullivan invites you to come celebrate the world of paper and ink with her at her brick-and-mortar bookbinding studio in Pittsburg, Kan. Sullivan Book Arts is celebrating its one-year anniversary on Sunday, June 21, 2026, with a reception on the lawn. The event will feature food, music, an open mic, and crafts for everyone.  Sullivan, from Pittsburg, Kan., is a Kansas Touring Artist through the Kansas Arts Commission. A former teacher, Sullivan has led writing workshops for various groups, including the Tar Creek Conference in Oklahoma, where participants wrote about environmental action. As the recipient of a kidney transplant, cancer survivor, and widow, she writes about place, grief, and surviving hard times. She is the author of two full-length poetry collections, a play, and several poems, short stories, and essays in a variety of journals and anthologies.  She is inspired by the natural world around her. She loves traveling for inspiration, and spends her free time singing to her dog, Balthazar. Visit the website at sullivanbookarts.com or check out Sullivan Book Arts on Facebook and Olive L. Sullivan on Facebook and Instagram. VINCE MEDELLIN- Hola! My name is Vincent Medellin. In this case, when referencing my illustration practice, I prefer my penname, Vinny “Zigzag” Medellin. Why Zigzag? The art style that I have cultivated over the years has incorporated a loose, gestural style. Also, it is fun for kids and the “kids at heart” to say! I work both digitally (using my iPad) and with traditional mediums. The materials I use range from cardboard and grocery bags to masking tape, colored pencils and crayons. The idea is to encourage kids to use materials that are readily available to them. This stems from a cultural motivation for sustainability. A philosophy that can best be described as “rasquache” among Mexican American communities. Essentially, rasquache means, “use what you have.” By referencing this philosophy, I hope that my art can be viewed as unique, welcoming, and approachable. The artwork I create (both in my fine art and illustrative practice) is community focused. I have partnered with organizations such as The Nelson-Atkins Gallery of Art, Mattie Rhodes, and Johnson County Library to reach thepublic. In addition to working as an artist, I have worked in bookstores and libraries. A trend that I have noticed among non-white, underrepresented groups, is an interest in manga storytelling. Watching kids race to these sections, checking out manga in droves, inspired me to look deeper into the intersection between this style of graphic storytelling and the lived experiences of non-white youth in America. Naturally, this led me to analyze my own experience with manga/anime in hopes of developing and publishing, through a major publishing house, a graphic novel inspired by manga styling. I want to tell the stories of my ancestors, and validate the communities who desire to see more of themselves within comic book storytelling. I identify as Chicano and, like most who identify as such, I feel caught between the margins of society. “Chicano” is a term used by Mexican Americans to describe themselves as being, “not from here, not from there.” Representation of Mexicans and/or Mexican Americans was limited in the United States during the 1990s. Mexicans existed in the media, but as a stereotype or a parody conceived by a dominant white class. Even so, I took what I could get. This is why characters such as Speedy Gonzalez, and his cousin, Slowpoke Rodriguez still connect to the roots of millennial Chicano experiences. This was all we had. There was nothing that expressed our lived experiences as Chicano. Nothing that validated our feelings of being marginalized and forced to assimilate. The cartoons we watched told us that Mexicans were a joke. I felt desperate to access the ethnic roots I was being denied. In short, I wanted over the wall that the media had created. Today, I use my artistic practice to not only lift myself above this wall, but to also help empower others to free themselves from the arbitrary parameters developed by colonial conquest.

n this episode of GynoCurious, Dr. Amy Novatt welcomes Robyn Moreno — Emmy-nominated TV host, storyteller, and author of "Get Rooted" — for a rich conversation about healing as a lifelong journey rather than a destination. Robyn shares the pivotal moment that set her on a 260-day healing path: a crescendo of life pressures that left her literally and metaphorically on the floor, prompting her to stop running from herself and start examining the wounds she had long been tripping over. Drawing on her Mexican American heritage and the ancient practice of curanderismo, Robyn introduces listeners to the Aztec concept of susto — a soul loss caused by trauma — and how recognizing it in herself became the first step toward reclaiming her wholeness. Central to Robyn's journey is the discovery of her ser — a deep inner knowing that lives beneath the noise of fear, trauma, and outside demands. She explores how the women in her lineage, including a great-grandmother who was a curandera, offered a map back to herself that was older and truer than the external markers of success she had been chasing. The conversation weaves together themes of ancestral wisdom, the end of old maps, the impact of patriarchy and colonization on women's sense of self, and the radical act of trusting one's own lived experience — especially in midlife, when hormones, mortality, and accumulated wisdom conspire to demand a reckoning. Questions of comments? Call 845-307-7446 or email comments@radiofreerhinecliff.org Produced by Jennifer Hammoud and Matty Rosenberg @ Radio Free Rhiniecliff

Welcome to Episode 89 of The Hidden History of Texas. After Sundown: The Hidden Geography of Fear in Texas Tonight, we're stepping onto a highway most history books barely mention. A road traveled in silence…A road traveled with caution…And sometimes, a road traveled in fear. This episode is called: “After Sundown: The Hidden Geography of Fear in Texas.” We're going to talk about Sundown Towns…The Green Book…And the hidden map Black Texans and Black travelers carried in their minds during the Jim Crow era. Now imagine this with me. The year is 1952. You've just crossed the Sabine River leaving Louisiana and entering Texas. The sun is beginning to sink low across the horizon. Your children are asleep in the back seat. Your gas gauge is dropping toward empty. And suddenly… you're nervous. Not because of bandits.Not because of weather.Not because of the road itself. You're afraid of where you might accidentally stop. Because there are towns ahead where being Black after dark could get you threatened… beaten… arrested… or worse. So before you ever left home, you packed something almost as important as gasoline. A small green book. Texas has always carried a larger-than-life image in the American imagination. Cowboys.Oil wells.Cattle drives.Wide-open skies.Frontier independence. But hidden beneath that mythology is another Texas. A Texas many people never experienced firsthand…and many others could never escape. For decades, scattered across this state and across America, were places known as Sundown Towns. Some had signs posted right at the city limits. Others didn't need signs at all. Everybody knew the rules. “Don't let the sun set on you here.” Now before we go further, let's talk about that little green book. The Negro Motorist Green Book was first published in 1936 by a Harlem postal worker named Victor H. Green. At first, it covered only New York City. But over time, it expanded across the United States, Canada, Mexico, and even Bermuda. Inside were lists of hotels, restaurants, tourist homes, gas stations, barber shops, beauty parlors, and businesses where Black travelers were welcome or at least safe. Safe. Think about that word. Today, most Americans choose a hotel based on price or reviews. Back then, Black families often chose places based on one simple question: “Will we survive the night?” The Green Book became known as “the bible of Black travel.” And it wasn't paranoia. It was necessity. Because across America, including Texas, there were towns where Black travelers knew not to stop after dark. So what exactly was a Sundown Town? A Sundown Town was a community that either formally or informally excluded minorities from remaining there after sunset. Most commonly, these policies targeted African Americans. But in some places, the hostility extended to Mexican Americans, Chinese Americans, Native Americans, Jews, Catholics, Mormons, almost anyone considered “outside” the community's idea of whiteness. Some towns passed ordinances. Others used intimidation. Violence.Threats.Economic pressure.Police harassment. And often, unwritten rules enforced the system more effectively than laws ever could. Maybe businesses mysteriously closed at sunset. Maybe hotels “had no vacancies.” Maybe gas stations refused service. Maybe local law enforcement simply escorted Black travelers to the city limits. The message was always understood. “You don't belong here.” Now many people think this was mostly a Deep South phenomenon. But Texas had its own long and painful history with Sundown Towns. Some communities openly embraced exclusion. Others quietly practiced it for generations. And some of those legacies still linger today. Take Alba. Small East Texas town.Population under five hundred. On the surface, it looks peaceful. But historically, Alba was founded as an all-white community. In the year 2000, it was still reported to be over 98 percent white. One local theory even claimed the town's name came from the Latin word for “white.” (note: the Latin word is album) Whether that story is fully true or not almost doesn't matter. Because the reputation itself tells us something important about how communities wanted to define themselves. Then there's Alvin. In 1933, a brutal axe murder shocked the community. When suspicion briefly turned toward a Black suspect, local newspapers reportedly noted that this seemed unlikely because “practically no negroes are allowed to live in Alvin.” Imagine reading that sentence in a newspaper today. Not whispered privately. Printed openly. As if exclusion itself were ordinary. Because at the time, in many places, it was. And perhaps one of the starkest examples comes from De Leon in Comanche County. In the late 1800s, Black residents were driven out after racial violence and lynchings. According to historical accounts, signs reportedly warned Black people not to let the sun set on them in town. And over time, the absence of Black residents became normalized. One Black resident interviewed decades later described growing up isolated… excluded from parties… unable to find anyone who understood her experience. That's one of the hidden costs of segregation people often forget. Not just physical danger. Isolation. Loneliness. The quiet message that you are permanently outside the community around you. But history is complicated. And not every Texas town stayed frozen in that past. Consider Killeen. In 1950, Killeen reportedly had no Black residents. But the growth of nearby Fort Hood, now known as Fort Cavazos and now back to Fort Hood, slowly changed the city's demographics. Black soldiers stationed there challenged old barriers simply by existing in large numbers. And by the 1960s, those barriers began to crack. Today, Killeen is one of the most diverse cities in Texas. That transformation reminds us something important: History is not destiny. Communities can change. But only when people are willing to confront the truth about where they've been. And then there's perhaps the most infamous modern example in Texas: Vidor. For decades, Vidor became nationally known for Ku Klux Klan activity and racial intimidation. Cross burnings.Marches.Threats. Even in the 1990s, not the 1890s but the 1990s, Black families moving into public housing faced bomb threats and harassment so severe some fled for their safety. Now it's important to say this carefully. A town is not permanently defined by its worst history. And many residents today reject those beliefs entirely. But understanding that this happened within living memory matters. Because sometimes Americans talk about segregation and racial terror as though it belongs to some ancient, distant era. It doesn't. Some of this history is only a generation or two behind us. Now there's another piece of this story we have to understand. The Green Book wasn't just about avoiding danger. It was also about building community. Inside its pages were Black-owned businesses…restaurants…tourist homes…beauty shops…service stations. It represented an entire parallel economy created because segregation left Black Americans excluded from so much of mainstream society. And in many ways, those businesses became lifelines. Places where travelers could finally exhale. Places where they didn't have to wonder whether they'd be humiliated… denied service… or attacked. The Green Book stopped publication in 1966, two years after the Civil Rights Act outlawed segregation in public accommodations. Legally, the world had changed. But culturally… well, culture often changes slower than laws. And some roads remained dangerous long after the signs came down. One of the challenges of studying this history is that many Sundown Towns never officially documented their policies. No ordinance.No paperwork.No public declaration. Just memory. Warnings passed from parent to child. Stories told quietly at kitchen tables. “Don't stop there.”“Keep driving.”“Make sure you have enough gas.” That hidden geography shaped how people traveled through Texas for generations. And unless you experienced it yourself, you may never have realized it existed. History often remembers the grand moments. The battles.The presidents.The famous speeches. But sometimes the most revealing truths are found in ordinary things. Like a family trying to find a motel before dark. Or a child asking why they can't stop in a certain town. Or a worn little green book folded into a glove compartment. Those quiet details tell us just as much about America as monuments and battlefields ever could. And maybe that's the real purpose of hidden history. Not to make people ashamed of the past. But to understand it honestly. Because history that remains buried has a strange way of repeating itself. But history that is remembered…examined…and understood… can become something else entirely. A warning. A lesson. And hopefully… a path forward. I'm Hank Wilson, and this has been Episode 89 of The Hidden History of Texas. Until next time…keep asking questions…keep digging deeper…and never stop looking beneath the surface of the stories we think we already know.

Today's guest is Mariela Camacho, pastry chef and founder of Comadre Panadería, a Mexican American bakery in Austin, Texas, known for its beautiful pan dulce made with traditional techniques, local ingredients, and heirloom Texas grains. Mariela is a two-time James Beard semifinalist for Outstanding Pastry Chef. She joins host Jessie Sheehan to talk about the journey that led her into baking and starting a pop-up, which eventually led to her brick-and-mortar. Mariela also talks about how her upbringing shaped her ethical business practices and her mission of nourishing her community.  Then, Mariela and Jessie dive into one of Mexico's most iconic treats—the concha. Mariela shares all her best tips for making the enriched sweet bread with its signature crackly shell top, and dives into the flavors they offer at Comadre Panadería, including strawberry, chocolate, and matcha. Subscribe to our Substack for more baking news and recipes Visit cherrybombe.com for magazine subscriptions, tickets to upcoming events, and more. More on Mariela: Instagram, website More on Jessie: Instagram, “Salty, Cheesy, Herby, Crispy Snackable Bakes” cookbook

Send us Fan MailIn this special episode of The Global Latin Factor Podcast, host Christine Valentine sits down with Claudia Tiffany Rodriguez, also known as Tiffany Folklore, for a powerful conversation on the real Latino roots of hip-hop.Together, they dive into the 4 elements of hip-hop—DJing, MCing, graffiti, and breaking—and unpack how Puerto Rican, Mexican American, and Latino pioneers have been part of the culture since its earliest days. From DJ Kool Herc, DJ Disco Wiz, DJ Charlie Chase, Prince Whipper Whip, Lee Quiñones, Lady Pink, Crazy Legs, Kid Frost, Mellow Man Ace, Cypress Hill, and Disco Al, this episode traces the story from the Bronx origins of hip-hop to Texas, Chicano rap, border identity, and community storytelling.The conversation also explores corridos, cultural pride, protest, social struggle, representation, and the ways Black and Brown communities helped build hip-hop together. This is more than a music conversation—it is a deeper look at history, identity, and the voices that helped shape one of the most influential cultures in the world.If you want a richer understanding of hip-hop history, Latino influence, and the 4 elements of the culture, this episode is for you.Support the showSocial Media:Facebook: https://www.facebook.com/TheGlobalLatinFactorPodcastTwitter: https://twitter.com/thegloballatin1Instagram: https://www.instagram.com/thegloballatinfactorpodcastTiktok: ...

In this episode of Diplomatic Immunity, our host Kelly McFarland sits down with Dr. Amy Greenberg, professor at Penn State and author of A Wicked War: Polk, Clay, Lincoln, and the 1846 U.S. Invasion of Mexico, to explore one of the most consequential — and least remembered — wars in American history. We trace the origins of the Mexican-American War from the Texas Revolution and the annexation debate, through James K. Polk's deliberate provocation of conflict, to the rogue diplomacy of Nicholas Trist, whose defiance of presidential orders ultimately shaped the modern American Southwest. Topics covered: How US settlers in northern Mexico set the stage for Texas independence Why Texas remained unannexed for nearly a decade James K. Polk: the first "dark horse" president and the architect of Manifest Destiny The deliberate start of war — and Polk's lies to Congress Abraham Lincoln's spot resolutions and the rising anti-war movement The forgotten figure John Hardin and his connection to Lincoln's rise The US occupation of Mexico City and the "All of Mexico" movement Nicholas Trist's defiant negotiation of the Treaty of Guadalupe Hidalgo Why there is no monument in Washington, DC to this war — and why America forgot it

Today on the Christian History Almanac, we tie the popular Mexican-American holiday of Cinco De Mayo to Church History. Show Notes: Germany / Switzerland - Study Tour  Support 1517 Podcast Network 1517 Podcasts 1517 on YouTube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: 1517 Youtube: How God Still Speaks Today Being Family by Dr. Scott Keith A Reasoned Defense of the Faith by Adam Francisco Stretched: A Study for Lent and the Entire Christian Life by Dr. Christopher Richmann The Essential Nestingen: Essays on Preaching, Catechism, and the Reformation Philip Melanchthon's Commentary on Ecclesiastes, Translated by Dr. Derek Cooper More from the hosts: Dan van Voorhis SHOW TRANSCRIPTS are available: https://www.1517.org/podcasts/the-christian-history-almanac CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter Audio production by Christopher Gillespie (outerrimterritories.com).

In this episode, we're diving into the history behind Cinco de Mayo, but it's not what you think. We're not talking about a Mexican holiday, but rather how it became an American phenomenon. From its origins as a single battle in the Mexican-American war to its transformation into a major drinking day in the US, we're exploring the fascinating story behind this cultural celebration. We'll also be discussing the marketing genius behind its commercialization and how it's become a spectacle in cities across America.See omnystudio.com/listener for privacy information.

Montes De Oca translated from Spanish means "mountains of Oca or bird similar to a goose" -from an area in the Basque region of Spain in the north central mountains, and that is where Carlyn's family originally emigrated from. Carlyn is a first generation Mexican American who was raised in California. It wasn't until she took a DNA test in her 50's, just to see what her more specific lineage was, that she found out some shocking news. There was a discrepancy in one of the results that caught Carlyn's eye, but being busy, she let it go. She had noticed that all of her siblings seemed to be very quiet and distant once she started asking questions. Had she spent more time on fully reading the results, she would have seen that there was a woman's name listed as a potential relative. "Ancestry DNA doesn't lie" is what Carlyn was told by this stranger's husband. Carlyn's mother and father made a life changing decision based on love and compassion . They didn't hesitate or dwell on the possible difficult road ahead. They did what they felt was the right thing to do. a sister and two brothers that live nearby plus 2 other siblings in  Mexico  that were a lot older. As teens, Carlyn's older siblings suddenly had an adopted baby sister and were told by their parents, not to tell anyone, including their baby sister that she was adopted for fear of someone trying to take her away.  You will never tell her she's adopted because if you do, there are  people out there that may try and hurt her. " Children born out of wedlock where not looked at fondly and Carlyn's parents didn't want that stigma to follow her. When I asked my guest how she's been handling all this upheaval, she says "it's a paradox. Life works in mysterious ways and it gives you the information that you need at exactly at the right time. The first year was really  hard and this is tough stuff."  Her parents  were both strong people and they raised their children to be tough. "It's hard to have the rug pulled out from under you and to loose your identity in the snap of the fingers." I guess you never know what you'll find in your results  when you do a DNA test. It especially is difficult when you get conflicting results as an adult vs a baby or child. Carlyn mentioned LDA or Late Discovery Adoptees. I've attached the link if you'd like further information.        https://www.latediscoveryadoptees.com/ It's been a journey for Carlyn since she got this startling news of being adopted. In the subsequent years, she's done a lot of soul searching and research. She's interviewed many people and family members, found her biological mother and adopted her dog, Grace. November  2022, Carlyn released her most recent book "Junkyard Girl: a Memoir of Ancestry, Family Secrets and Second Chances."  Mary was known for being  very over protective of her daughter and it in fact it caused a lot of contention between the two ladies. She loved her daughter and felt that because she was adopted, she needed to keep an eye on her for her safety. The only regret that Carlyn really has is that her siblings didn't tell her the truth before her parents passed away. Carlyn's older sister thought she was protecting her adopted sibling, just as Carlyn's mother, Mary, thought being over protective would serve her well. Carlyn's Books: "Dog As My Doctor, Cat As My Nurse" "Paws For The Good Stuff-A dog lover's journal" "Paws For The Good Stuff-A cat lover's journal" Discover More https://animalhumanhealth.com/ http://animalhumanhealth.com/media-press/ https://animalhumanhealth.com/book/ https://animalhumanhealth.com/junkyardgirl/ https://animalhumanhealth.com/blog/ https://animalhumanhealth.com/press-kit/carlyns-bio/ https://www.facebook.com/carlynmontesdeoca/ https://www.facebook.com/CarlynMDO https://www.instagram.com/carlynmontesdeoca/ https://www.youtube.com/watch?v=tq8EpIit7Lw         "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests are open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".MORE INFORMATION ABOUT SHLTMM PODCAST:Link to website and show notes: https://shltmm.simplecast.com/ and https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantillo Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

On this week's Labor History Today: a powerful look at past and present struggles for worker rights and justice. We revisit the Haymarket Affair and the origins of May Day, then hear from historian Marla Ramírez on the forced “banishment” of Mexican American families in the early 20th century—and how those policies echo in today's debates over deportation and mixed-status families. Plus, a tribute to Pete Seeger and the music that helped sustain generations of labor and social movements. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

Wines We're Drinking Jessica: Para Wines, Vino Blanco 2023 - lemongrass, apple, citrus finish. Fresh, light, and bright. Perfect for a warm day. Erika: Sitting this one out (allergies have her hostage), but had her heart set on a Prosecco with Chambord brunch cocktail. Noted for next time. It's our April chisme session, and mi gente, we had a LOT to unpack this month. From Coachella controversies to Celia Cruz making history, Olympic ticket sticker shock, and some deeply personal highs from Jessica, including two years of marriage and a home loan approval. Pull up a glass and let's get into it. In This Episode We Cover [00:00] Welcome & Wine Check-In: Jessica's dealing with spring allergies but still showing up with a glass of Para Wines Vino Blanco 2023. Erika gives us her imaginary Prosecco-Chambord brunch cocktail. [05:00] Karol G at Coachella: The controversy unpacked. The all-female mariachi group that wasn't actually the first, the Trump-supporting ownership, vetting failures by her team, contract logistics, and why Becky G's cameo felt intentional and powerful. [17:00] Coachella Then vs. Now: How the festival shifted from music-first to influencer activations and fashion moments. The economics behind it: $29M+ paid to 150+ artists, $25M in production, and why it's only going to keep escalating. [26:00] LA 2028 Olympics Ticket Sale: Jessica secured swimming event tickets for her nephew's graduation gift. The breakdown: opening ceremony seats at $5K to $10K, the lottery system, and the plan to use only existing venues and public transportation. [34:00] The White House Correspondents' Dinner Incident: Jessica and Erika break down why they're cynical, the questions about security failures, the Stephen Miller photo moment, and a broader conversation about political theater and manufactured narratives. [43:00] The Onion Buys InfoWars: What it means that a parody site now owns Alex Jones's platform, the $1.3B judgment, and why Tucker Carlson, Candace Owens, and Megyn Kelly distancing themselves from Trump might not be what it looks like. [54:00] Celia Cruz & Rock and Roll Hall of Fame: She's a 2026 inductee and the first Spanish-language artist ever inducted. Jessica and Erika break down what her induction through the "Early Influence" category really says about how the Hall handles Latin music history. [59:00] Billboard Mujeres Latinas de la Música: Rosalía named Mujer del Año, Becky G receiving Global Impact honors. Jessica celebrates Becky G's pivot to Spanish-language music as a first-gen Mexican-American artist and what her journey means for the comunidad. [01:06:00] On a Personal Note: Jessica and Antonio celebrate two years of marriage, just got approved for a home loan, and are starting to look at houses. A beautiful reflection on life not going to plan and why that's okay at 48. [01:19:00] Wrapping Up + Listener Shoutout: The podcast is ending at Episode 300! Jessica wants to hear from you. Call or text: 858-304-0266. DM on Instagram: @thewineandchisme. Connect with Wine & Chisme

BraveMaker Podcast 311 — LIVE on YouTubeFeaturing the creative team behind Two Weeks, One FoolLogline:When a man grows suspicious that the girl he's seeing is a stripper, his investigation takes a shocking turn when he crashes one of her performances.Join us for a lively conversation with four dynamic filmmakers bringing Two Weeks, One Fool to life:• Airric Qualls – Actor, producer, screenwriter, and director from Sacramento, CA. Airric is the co-creator of AK Film Group and producing partner of 11th Hour Creatives, where he develops bold, character-driven stories across film and digital media.• Hugo F. Martínez – A Bay Area first-generation Mexican-American filmmaker whose multidisciplinary expertise spans Production Design, Art Direction, Set Design, Prop Fabrication, Carpentry, and Practical FX. His creative fingerprints can be seen in projects like the horror thriller “Blood Wine” (starring Amanda Detmer of Empire) and Hogar HGTV's “El Sabor de Aaron,” a competition cooking show featuring celebrity chef Aaron Sánchez with guest judge Oscar De La Hoya.• Michaela P. Shelton – Bay Area filmmaker, actress, and writer best known as the creator and producer of Reckless Behavior: The Series, the hit dramedy about millennial life in the Bay Area—now streaming on Tubi and Amazon Prime. She also produces short films and centers underrepresented voices with authentic, relatable storytelling.• Derrick Hogan Jr. – Born and raised in the Bay Area, Derrick brings a rich background in sports and theatre to his work in film and television. His mission: climb as far as he can in the industry while staying grounded in the community that shaped him.

In February 2026, the University of Texas at Austin announced a major restructuring plan that would merge seven Liberal Arts departments, including African and African Diaspora Studies, Mexican American and Latina/o Studies, and Women's, Gender, and Sexuality Studies, into a new Department of Social and Cultural Analysis. Join Audio Staffer Rianna Davila as she goes over the Consolidation and what it means for The University of Texas.Recorded and edited by Rianna Davila Music by BlueDot Sessions Cover photo taken by Cassidy Martinez

Join us as we welcome Mauricio "Mauri" Salazar, co-founder of San Jose's hottest ice cream shop, Paleta Planeta, to the pod!

Mike Madrid sits down with longtime California leader Hector De La Torre Romo for a powerful conversation on public service, immigration, corruption, and the future of working-class Latino communities.Hector shares the remarkable story of his parents' journey from a dirt-floor shack in Guadalajara to a working-class home in Southgate, CA... and how their struggle shaped everything he's become. From translating real estate documents as a seven-year-old to serving in the California State Assembly, Hector shares a deeply personal story shaped by faith, struggle, and a relentless commitment to justice. His story is the Latino story.They dive into:The Latino migration experience through the gateway cities of Southeast LA CountyHow the closing of GM and Firestone plants transformed Southgate from 70% white to 80% Latino in just one decadeThe shocking Southgate corruption scandal, and how Hector risked his life to fight itHis surprising family connection to Santo Toribio Romo, the patron saint of migrantsWhy Mexican Catholicism is rooted in social justice, not social conservatismHis vision for Congress: Medicare buy-in reform, healthcare transparency, and government ethicsHow Democrats can counter Trump's narrative with an affirmative agendaThe truth about ICE detention and the U.S. citizens being swept up in enforcementNow Hector de la Torre is running for Congress in California's newly created 41st district. CA 41 is a blue-collar, majority-Latino seat that reflects the heart of Latino America.Learn about Hector's campaign by visiting: https://www.hectordelatorreforcongress.com/-Recorded April 10, 2026-Don't forget to like, share, and subscribe for more episodes of The Latino Vote Podcast!Watch our episodes on YouTube: www.youtube.com/@thelatinovotepodcastFind us on Substack: https://substack.com/@thelatinovotepodcastFollow us on X (formerly Twitter): https://twitter.com/TheLatino_VoteVisit our website for the latest Latino Vote news and subscribe to our newsletter: latinos.voteIf you want more of our discussions and behind the scenes please join our Patreon (www.patreon.com/thelatinovote) for exclusive content and opportunities!

In this episode of Reading With Your Kids, host Jed Doherty welcomes author Angela Cervantes to celebrate her new middle-grade mystery, The Mystery of the Stolen World Cup Trophy. Angela shares her lifelong love of soccer and mysteries, rooted in her childhood in a Mexican American community in Topeka, Kansas, where soccer wasn't yet a big organized sport. She talks about how the game connected her family and community, bringing both joy and heartbreak, and why she still follows teams like USA, Spain, Argentina, Brazil, England, and Croatia so passionately. Her novel centers on 12-year-old Diaz Espada, named after the number ten worn by Lionel Messi. Diaz is caught between his soccer-loving dad, a former college player, and his mystery-loving mom, a librarian who raised him on Agatha Christie and classic whodunits. When the World Cup trophy is stolen during a VIP reception in Miami—right as a tropical storm knocks out the lights—Diaz can't resist the case, even when adults tell him to step aside. Angela weaves in real history about the original World Cup trophy disappearing multiple times, including the famous story of Pickles the dog finding it in 1966, and the later theft in Brazil where the trophy was never recovered. That blend of real soccer lore and twisty mystery is what inspired her book—and she's eager to write more Diaz stories if kids love this one. The episode also briefly features Darshana Khiani, who shares Building a Dream, her picture book about Thai boys who build a floating soccer pitch, highlighting persistence and creativity in the face of challenges.

Cumbia meets Afro-indigenous rhythms in this one-off from Mexican-American artist and activist Xiuhtezcatl and duo Reyna Tropical. Debuted last month at Vive Latino, one of Latin America’s biggest music festivals, the song “bridges the worlds of Indigenous wisdom, diaspora, community, Queer Love and Afro Mexico and the unity and pathways that these bridges are establishing […] The post Reyna Tropical & Xiuhtezcatl: “Camino” appeared first on KUT & KUTX Studios -- Podcasts.

Welcome into The Reading Lounge! We are discussing My Mother Cursed My Name by Anamely Salgado Reyes. Three generations of Mexican American grapple with family history and the "curse" of their names. We discovered this novel and this author at the 2026 Women's Literary Festival in Long Beach, California. This episode's libation is called: The Truth Tea.2 oz gin2 oz chilled mint teatop with a splash of elderflower liqueurShake with icePour into ice filled glass and top with an ounce or two of tonic water, to taste.Garnish with a limeOther books we talk about in this episode: Project Hail MaryThe Boleyn TraitorHomeseekingThe Conjuring of AmericaThanks for joining us in The Reading Lounge.

What happens when artists are brought in at the beginning of public space design — not as an afterthought, but as essential problem solvers? In this episode I sit down with Nikko Kimzin, founder of Kimzin Creative, an arts and equity consulting firm based in Petaluma, California. Nikko shares how his team uses the power of art to unlock community imagination, inform city planning, and build public spaces that truly reflect the people who use them. Plus, Nikko makes a passionate case for radical joy as a daily practice and a force for social change — and honestly, I left this conversation feeling more hopeful than I have in a long time.Timestamped Highlights0:47 — I share my thoughts on the lack of community-designed public spaces, including some honest reflections on my own neighborhood in Deep East Oakland2:41 — I introduce my guest Nikko Kimzin and the work of Kimzin Creative6:19 — Nikko explains his "why": uplifting the human spirit through art and community11:07 — Nikko's origin story: from a Mexican-American household to musical theater and New York City13:18 — The turning point: how Nikko shifted from performer to producer and educator, telling more complex stories for marginalized communities18:40 — The Petaluma River Park project: a two-year community engagement process for a 35-acre park24:34 — "I wish this could be…" — how a simple sticker activity unlocked community dreams29:02 — Why a patch of grass is not a park: Nikko makes the case for raising the standard for public spaces38:07 — Radical joy as a daily practice and a tool for social change — this part of our conversation really stayed with me47:13 — Nikko's passionate case for artists as problem solvers in policy, planning, and beyondGuest LinksWebsite: nikkokimzin.comConsulting: kimzincreative.comSubstack: Nikko Kimzin — Advice from a NobodyInstagram & TikTok: @nikkokimzinIf you enjoyed this episode, please follow Art Heals All Wounds on your favorite podcast app and leave a five-star rating or review. You can get in touch with me at arthealsallwoundspodcast.com or find me on Substack.Music by Ketsa and Lobo Loco.Support the show

Send us Fan MailThe first Mexican-American woman novelist to be published in English, María Amparo Ruiz de Burton chose a surprising subject matter—East Coast high society—for her first novel, Who Would Have Thought It? She was uniquely qualified to skewer the hypocrisy of Northern abolitionists, lampoon corrupt politicians and even mock Abraham Lincoln as a figure she deems more “party-boy” than presidential. Bremond Berry MacDougall and Lisa Endo Cooper, founders of Quite Literally Books, join us to discuss their new reissue of this 1872 book and why it still resonates so loudly in the era of Donald Trump.Discussed in this episode:María Amparo Ruiz de BurtonWho Would Have Thought It? By María Amparo Ruiz de BurtonQuite Literally BooksLost Ladies of Lit Episode No. 246 on Jessie Redmon FausetLost Ladies of Lit Episode No. 79 on Frances Harper's Iola LeRoyLittle Women by Louisa May AlcottUncle Tom's Cabin by Harriet Beecher StoweIncidents in the Life of a Slave Girl by Harriet JacobsHenry S. BurtonMary Todd LincolnAbraham LincolnVarina DavisJames BaldwinDr. Jessie Alemán1863 Habeas Corpus Suspension ActThe Squatter and the Don by María Amparo Ruiz de Burton on Project GutenbergSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter.Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast

On March 2, 1945, five Mexican American families and their Jewish American lawyer filed a class-action lawsuit against four school districts in Orange County, California, to end the segregation of ethnic Mexican children. In a shocking decision, the court ruled in favor of plaintiffs, setting a legal and historical precedent in Mendez, et al. v. Westminster School District of Orange County that shook the foundations of Jim Crow America and led to the end of de jure school segregation across the nation. Breaking Down the Walls of Segregation: Mexican American Grassroots Politics and Civil Rights in Orange County, California (Oxford UP, 2025) tells the story of how ethnic Mexicans in a relatively unknown agricultural backwater built the unprecedented movement that led to this decision. Beginning in the 1880s, David-James Gonzales details the social and economic history of Orange County, explaining how citrus capitalists, seeking increased market share and profitability, established the walls of segregation to manage ethnic Mexican family labor. By the early 1930s, ethnic Mexicans were segregated into over fifty underserved colonias and barrios. Without training or support from national civil rights organizations, they mobilized against segregation and inequality beginning in the late 1920s. Ethnic Mexican grassroots organizations proliferated throughout the county, intent on engaging in civic affairs and ending anti-Mexican discrimination and segregation. This movement, comprised of immigrants, citizens, parents, children, emerging activists, and their non-Mexican allies, paved the way for the growth of LULAC and nationwide organizing. As an essential part of the "long civil rights movement," the ethnic Mexican struggle against segregation in Orange County illustrates how minoritized groups have historically pushed US social, economic, and political institutions to live up to the nation's founding ideals. David-James Gonzales is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

On March 2, 1945, five Mexican American families and their Jewish American lawyer filed a class-action lawsuit against four school districts in Orange County, California, to end the segregation of ethnic Mexican children. In a shocking decision, the court ruled in favor of plaintiffs, setting a legal and historical precedent in Mendez, et al. v. Westminster School District of Orange County that shook the foundations of Jim Crow America and led to the end of de jure school segregation across the nation. Breaking Down the Walls of Segregation: Mexican American Grassroots Politics and Civil Rights in Orange County, California (Oxford UP, 2025) tells the story of how ethnic Mexicans in a relatively unknown agricultural backwater built the unprecedented movement that led to this decision. Beginning in the 1880s, David-James Gonzales details the social and economic history of Orange County, explaining how citrus capitalists, seeking increased market share and profitability, established the walls of segregation to manage ethnic Mexican family labor. By the early 1930s, ethnic Mexicans were segregated into over fifty underserved colonias and barrios. Without training or support from national civil rights organizations, they mobilized against segregation and inequality beginning in the late 1920s. Ethnic Mexican grassroots organizations proliferated throughout the county, intent on engaging in civic affairs and ending anti-Mexican discrimination and segregation. This movement, comprised of immigrants, citizens, parents, children, emerging activists, and their non-Mexican allies, paved the way for the growth of LULAC and nationwide organizing. As an essential part of the "long civil rights movement," the ethnic Mexican struggle against segregation in Orange County illustrates how minoritized groups have historically pushed US social, economic, and political institutions to live up to the nation's founding ideals. David-James Gonzales is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On March 2, 1945, five Mexican American families and their Jewish American lawyer filed a class-action lawsuit against four school districts in Orange County, California, to end the segregation of ethnic Mexican children. In a shocking decision, the court ruled in favor of plaintiffs, setting a legal and historical precedent in Mendez, et al. v. Westminster School District of Orange County that shook the foundations of Jim Crow America and led to the end of de jure school segregation across the nation. Breaking Down the Walls of Segregation: Mexican American Grassroots Politics and Civil Rights in Orange County, California (Oxford UP, 2025) tells the story of how ethnic Mexicans in a relatively unknown agricultural backwater built the unprecedented movement that led to this decision. Beginning in the 1880s, David-James Gonzales details the social and economic history of Orange County, explaining how citrus capitalists, seeking increased market share and profitability, established the walls of segregation to manage ethnic Mexican family labor. By the early 1930s, ethnic Mexicans were segregated into over fifty underserved colonias and barrios. Without training or support from national civil rights organizations, they mobilized against segregation and inequality beginning in the late 1920s. Ethnic Mexican grassroots organizations proliferated throughout the county, intent on engaging in civic affairs and ending anti-Mexican discrimination and segregation. This movement, comprised of immigrants, citizens, parents, children, emerging activists, and their non-Mexican allies, paved the way for the growth of LULAC and nationwide organizing. As an essential part of the "long civil rights movement," the ethnic Mexican struggle against segregation in Orange County illustrates how minoritized groups have historically pushed US social, economic, and political institutions to live up to the nation's founding ideals. David-James Gonzales is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this episode of the Finding Arizona Podcast Jasmine Soto shares how she turned her passion for storytelling and community into a thriving social media business rooted in authenticity and purpose. As a first-generation Mexican American, Jasmine opens up about how her cultural background and experience in social work shaped her approach to building meaningful connections online. The conversation dives into the power of storytelling as a marketing tool, how to grow a social media presence with limited resources, and why consistency and intention matter more than chasing trends. Jasmine also breaks down the realities of navigating algorithms, embracing imperfect action, and creating content that truly resonates. This episode is a powerful reminder that your story is your strongest asset—and when used with purpose, it can build both brand and community.Connect with Jasmine SotoWebsite: https://subscribepage.io/JasminsocialYouTube: https://www.youtube.com/@iamJasminsotoConnect with the Finding Arizona Podcast:YouTube: https://www.youtube.com/@findingarizonapodcastInstagram: https://www.instagram.com/findingarizonapodcast/Facebook: https://www.facebook.com/findingarizonapodcastWebsite: https://www.findingarizonapodcast.com/LinkedIn: https://www.linkedin.com/company/finding-arizona-podcast/Twitter / X: https://twitter.com/findingarizonaPRODUCTION:Ready to start your own podcast? Found-House powered by The Finding Arizona Podcast is your best find! https://www.findingarizonapodcast.com/found-houseCONTACT:Send us a message to us!  https://www.findingarizonapodcast.com/contactSPONSORS:SeatGeek: Get a $20 discount on your tickets with code FINDINGARIZONA at seatgeek.com.

In August 1942, 22-year-old Jose Diaz was found dying near a Los Angeles reservoir called Sleepy Lagoon. He'd been beaten and stabbed the night before he was set to report to the U.S. Army. His death became the excuse the LAPD needed to launch a massive crackdown on Mexican American youth—rounding up 600 people, trying 22 young men with questionable evidence and igniting racial tensions that exploded into the Zoot Suit Riots of 1943. But who really killed Jose Diaz? And why did a fashion choice become a crime?

Rico sat down with Sanjay at the team hotel in Atlanta. Discussed the potential move to Fulham, what it means representing the USA as a Mexican-American, and his favorite club and NT goals. Skip the ads! Subscribe to Scuffed on Patreon and get all episodes ad-free, plus any bonus episodes. Patrons at $5 a month or more also get access to Clip Notes, a video of key moments on the field we discuss on the show, plus all patrons get access to our private Discord server, live call-in shows, and the full catalog of historic recaps we've made: https://www.patreon.com/scuffedAlso, check out Boots on the Ground, our USWNT-focused spinoff podcast headed up by Tara and Vince. They are cooking over there, you can listen here: https://boots-on-the-ground.simplecast.comAnd check out our MERCH, baby. We have better stuff than you might think: https://www.scuffedhq.com/store Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thousands of soldiers and Marines have arrived in the Middle East to potentially engage in combat on Iranian soil. Trump has done nothing to make the case for an invasion of Iran, even though he's got plenty of time to wax rhapsodic about the patios and Corinthian columns on his ballroom project. The Republican congress may have abdicated its Constitutional obligations, but that doesn't mean Democrats can't raise hell: Cut your vacation short, demand a vote on the deployment of troops, and go on Fox and denounce Republicans for allowing one man to call the shots on this war—and also make a mess of our economy. Plus, the united opposition in the "No Kings" protests, the wisdom of Lincoln, and life lessons for poor Duke fans. Bill Kristol joins Tim Miller.show notes Monday's "Morning Shots" Lincoln's letter about the Mexican-American war "Bulwark Takes" pod for breaking and developing news Tim's interview with Al Gore ProPublica on the nursing home owner with a Trump pardpon The Atlantic on how the AI boom wasn't built for this kind of crisis Tim's closing song today For 30% off your order, head to BloodFlow7.com/THEBULWARKand use code THEBULWARK.  Stay ready for anything with the American Giant Classic Full Zip. Go to https://www.american-giant.com and get 20% off your first order with promo code BULWARK. Thanks to American Giant for sponsoring the show!

Oscar Hagelsieb is a Mexican-American law enforcement professional known for his lengthy career in U.S. federal service focused on border security, organized crime and cartel infiltration. He grew up in a tough neighborhood on the outskirts of El Paso, Texas, the son of undocumented immigrant parents. His upbringing gave him firsthand insight into both sides of the border and influenced his decision to pursue a career in federal law enforcement. Hagelsieb began his federal service as a U.S. Border Patrol Agent, where he worked in frontline enforcement along the U.S.–Mexico border. In that role he encountered families and migrants crossing for economic opportunity as well as experienced cartel-linked smuggling activity.  Building on his effectiveness and his deep understanding of local culture and language, Hagelsieb transitioned into undercover work, infiltrating narcotics and human smuggling networks tied to major Mexican drug cartels. His appearance and background were strategic assets in these operations, allowing him to navigate criminal subcultures and gather actionable intelligence that led to prosecutions.  Over time, he rose through the ranks to become the Assistant Special Agent in Charge (ASAC) of the Homeland Security Investigations (HSI) office in El Paso. In this senior leadership position, he oversaw complex investigations into transnational organized crime, cartel logistics, and cross-border smuggling operations, and managed both domestic and international law enforcement efforts.  His work and perspective were featured in the documentary Kingdom of Shadows, which examines the human realities of the drug war and cartel influence along the border, providing rare insight into the lived experience of agents operating within these conflicts.    Today's Sponsors:  Black Rifle Coffee: https://www.blackriflecoffee.com Brunt:  https://www.bruntworkwear.com For a limited time, our listeners get $10 off at BRUNT when you use code "Clearedhot" at checkout.