Podcasts about Rock and roll

Will Acuff is a pastor's kid, former rock and roll guitarist, co-founder of Nashville nonprofit Corner to Corner, and author of No Elevator to Everest. He sits down for a conversation about the blurriest member of the Trinity: the Holy Spirit. Will grew up in a theology where the Spirit was, as he puts it, a weird third cousin nobody knew how to engage with. God the Father, God the Son, God the Holy Bible. But a series of life-altering events cracked that framework wide open. He walks through what it practically looks like to develop a rhythm of listening to the Spirit, starting with ten minutes of stillness each morning, getting curious about what you're feeling and why, and learning to distinguish between the voice of the inner critic and the invitation of the Father running out to meet the prodigal son. Will makes the case that spirit-led self-awareness, not the Oprah version but the kind where you never go inward alone because the Holy Spirit is already there, is the missing piece for most Christians who've reduced the faith to knowledge of God without ever learning to walk with Him.But the episode takes a sharp turn when Will shares a story he's never told publicly. His honeymoon ended in a New Orleans psych ward after a perfect storm of sleeplessness, stress, and praying alone over spiritual forces he had no business engaging with at 24 years old. What started as insomnia spiraled into hallucinations, his wife watching his eyes roll back and his body rise off the bed, cops breaking down the hotel door, and a commitment to the psychiatric unit where he was misdiagnosed and put on antipsychotics for two years. Will is honest about the intersection of mental health and spiritual warfare, how being physically compromised makes you vulnerable, how he believes he knocked on a door he wasn't meant to knock on, and how he now never does anything in the spiritual realm alone. The conversation lands on joy, not the dopamine hit happiness of circumstance, but the deep, guitar perfectly in tune kind of joy that comes from living in union with the Spirit, even in the middle of more sorrow than you ever anticipated. Will's life carries more of both than most, and his practical framework for hearing from God is one of the most grounded and accessible we've had on the show. This Episode is Sponsored By: https://go.goodranchers.com/BLURRY — Get $40 off your first order, then $30 off your next two with code BLURRY at checkout! https://timtebow.com/tree-blurry/ — Get your copy of If the Tree Could Speak by Tim Tebow on Amazon today! https://go.goodranchers.com/BLURRY — Get $40 off your first order, then $30 off your next two with code BLURRY at checkout! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Love Story: JFK Jr. is a must watch, Britney Spears Watch: the Ex's speak, Eli Zaret joins us post Michigan's victory, Corey Feldman Oscar snub, Netflix dumps Meghan, Dwight Howard's alleged cocaine, and a controversial Pawn Stars GoFundMe. Eli Zaret drops by to recap the Michigan's CBB victory over Michigan State, the upcoming tournament, Miami Ohio's March Madness push, Taylor Decker's exit from the Detroit Lions, the World Baseball Classic, Max Clark's bling, Jason Benetti praise, Sherrone Moore takes a plea deal, his mistress BLOWN OUT last week, the Detroit Pistons in a slide, the Detroit Red Wings make a deal, St. Louis Cardinals concessions and much more. Britney Watch: Britney Spears fired her sobriety coaches prior to the DUI. She may be picking up contraband in Mexico. Dr. Drew has his own thoughts on the situation. Randy Quaid is angry at TMZ over the debacle. Ex-husband, Jason Alexander, has made a statement defending Britney. Other ex-husband, Sam Asghari is making statements about Iran as well as Spears. Love Story on FX tells the tale of JFK Jr. and Carolyn Bessette. Daryl Hannah is not a fan of the series. Dwight Howard's wife is angry at his cocaine use and shows us a massive bag of Dwight's stash. Corey Harrison of Pawn Stars fame was involved in an accident and needs your money! Despite his father being worth $10M, he has a GoFundMe. Billy Corgan has conspiracy theories on the death of rock and roll. Drew guides us through the rise of the Stray Cats. RIP Country Joe McDonald. Christina Applegate has dropped her memoir. Sofia with an F smoked meth… or was it crack? There is a rumor about a Will Smith and Chris Rock reconciliation. Brother Bilaal won't give up his fight against the Smiths. The Oscars want NOTHING to do with Corey Feldman when they honor Rob Reiner. A fan had an unfortunate spill at a Machine Gun Kelly Concert. Megan Fox returns to Instagram. Liza Minnelli is alive and is charging people to attend her promotional tour for her book. Sydney Sweeney looks really good as she continues to promote Syrn. Meghan Markle wants to sell her charity after another head steps down. Think Beautiful takes her down a peg again. Dave Landau will join us tomorrow! Merch is still available. Buy it before it's gone. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)

Use our code for 10% off your next SeatGeek order*: https://seatgeek.onelink.me/RrnK/LAPLATICA10 Sponsored by SeatGeek. *Restrictions apply. Max $20 discount   Happy Monday LP Fam! This week Josh and Sebas invite Skateboarding legend P-Rod on the show for a conversation he hasn't had anywhere else. The guys discussed P-Rod's love life status, his dream girl, perfect first date, and the most romantic thing he's ever done. Josh and Sebas also dove into his skating beginnings, what set him apart from his friends at an early age, and his career trajectory before wrapping things up with a good ol' Girly Pop 101 quiz.   CHAPTERS: 00:00 – Intro 02:56 – Ready to Rock and Roll? 05:28 – Morph It Up! / It's Morphin Time 07:49 – You're the SB God 10:39 – For the LP Baddies

Former Boston Globe Music Critic and rock and roll lifer Jim Sullivan joins us this week to discuss his highly entertaining new books Backstage and Beyond. There are two volumes (or one "Complete" version that includes both and some extra chapters) that share his conversations with most of the major movers and shakers over the last 45 years in rock. There's everyone from Jerry Lee Lewis to David Bowie to Ginger Baker to Enya to George Clinton. Jim and I discuss his long career with the Globe and what he does now, why most music critics all like the same music, his thoughts on rock stardom in general and a lot more. Enjoy, it's a blast!  Backstage & Beyond Complete (eBook) — Trouser Press Books The Hustle Podcast | creating podcasts | Patreon

FULLY & COMPLETELY: REDUX"In Violet Light" - The Tragically HipEpisode Show Notes——————————————————————————————————Fully & Completely: Redux | "In Violet Light" - The Tragically Hip (2002)——————————————————————————————————Hey, it's jD here.Some albums don't just meet you where you are - they find you exactly when you need them. **"In Violet Light" is that record.** Released in June 2002, it's the one that pulled jD hard back into The Tragically Hip after a stretch of distance. And if you listen closely, it makes total sense why. This isn't a band trying to hold on - it's a band that has let go of every obligation and is just making music for themselves. **The result is one of the most quietly assured records of The Hip's entire career.**This week on Fully & Completely: redux, jD and Greg LeGros go track by track through "In Violet Light" - the eighth studio album from The Tragically Hip, recorded in the Bahamas with legendary producer Hugh Padham - and make the case that this record has no business being this good, this far into a career.——————————————————————————————————EPISODE OVERVIEW"In Violet Light" landed in a 2002 music landscape that included Coldplay's "A Rush of Blood to the Head," Queens of the Stone Age's "Songs for the Deaf," Beck's "Sea Change," and Broken Social Scene's "You Forgot It in People." The indie pop explosion was just beginning to blow the roof off Canadian music. The Hip were eight albums deep, the mainstream had largely written them off, and **they responded by making one of their best records.** No fat. No filler. Eleven tracks of lean, confident, beautiful rock and roll.The album was recorded at Compass Point Studios in the Bahamas - the same studio where AC/DC recorded "Back in Black" and Bob Marley cut some of his most enduring work - with Hugh Padham, the producer behind the gated drum sound that defined the 1980s (Phil Collins' "In the Air Tonight," Sting's solo catalogue, The Police's "Synchronicity"). **jD and Greg break down why that combination - this band, this producer, this place - produced something genuinely special.**——————————————————————————————————TRACK BY TRACK HIGHLIGHTS**'Are You Ready to Love'** - The opener sets the whole album's thesis. jD hears the first verse as a direct response to the critics and mainstream fans who had written The Hip off. **"They're pulling the plug. They've got our whole dug." And then - the chorus arrives like a shrug and a fist at the same time: are you ready for love?** A great rock and roll song that doubles as a mission statement.**'Use It Up'** - Built on a lyric attributed to the booklet of a Raymond Carver collection, this is a track about seizing everything, wasting nothing, and making music for the love of it. Greg hears Radiohead's "OK Computer" in the verses and the Georgia Satellites in the chorus - **and somehow The Tragically Hip pull both of those things off in the same song.** A slow burn that rewards headphones.**'The Darkest One'** - jD turns up whatever he's listening to every single time this song starts. **"The wild are strong and the strong are the darkest ones - and you're the darkest one."** Greg calls it a safe place. A song about freedom of expression, comfort, and the strange intimacy of being fully understood. Don't let the Trailer Park Boys video fool you - this song could have broken them wide open.**'It's a Good Life If You Don't Weaken'** - The centrepiece. The lead single. **Both jD and Greg pick this as their track of the record - the first time in the history of Fully & Completely that hosts have landed on the same song.** Named for a Canadian graphic novel by Seth and a phrase used by band staffer Molly Lorimer to describe life on the road, it's a song about mortality, aging, and the strange grace that comes when you stop fighting. Death is swirling all around it - and it's still one of the most uplifting things The Tragically Hip ever made.**'Silver Jet'** - The one that changes gears just right. Greg connects this song personally to the empty skies over the Danforth in the days after 9/11, and the feeling of the first plane cutting back through the silence. **A song about hope, fear, and the things that pull your gaze forward.** The wolves of Northumberland. An archipelago. A green star. Only Gord.**'Throwing Off Glass'** - Companion piece to 'Trick Rider' from "Phantom Power" - if that song is about his son, this one is about his daughter. A slow builder that rewards patience. **A soundscape that would fit comfortably on "Coke Machine Glow."****'All Tore Up'** - A great drinking rock and roll song. Dottie the bluegrass singer. Open concept. Getting a little happening with old friends. **No one else writes a lyric like this and makes it fit inside a song this well.** Turn it up.**'Leave'** - A waltz in 3/4 time. Beautiful backup vocals. A late-night phone call at three in the morning. **"You better be dying." And they were.** An emotional gut-punch that doubles as a permission slip - to leave a job, a relationship, a place that no longer fits.**'The Dire Wolf'** - A pseudo-history lesson disguised as a rock song. Tallulah Bankhead and Canada Lee, stars of Hitchcock's "The Lifeboat." Ann Harvey of Isle of Morts, Newfoundland, who rescued 163 shipwrecked souls in 1828. A poem called "Sea Surface Full of Clouds" by Wallace Stevens. **Greg pulls all of this from memory. It's an entire university lecture wrapped in six minutes of music that absolutely slaps.****'The Dark Canuck'** - The closer. Possibly the longest Tragically Hip song ever recorded at six and a half minutes. A time signature change halfway through. **Canadian soldiers as peacekeepers. Apple, Zippo, and Metronome as record labels. Jaws at the drive-in. The Dark Canuck playing second on the double bill.** Nobody at the drive-in is staying for it. And that's sort of the whole point.——————————————————————————————————WHY THIS EPISODE MATTERSThis is the album that brought jD back to The Hip in earnest - **the record that cracked open the second half of his relationship with this band.** It's also the episode where he and Greg pick the same song for the first time. And it's the one where jD, partway through discussing 'Leave,' pauses to talk about his mother. **Listen for that moment. It's what this podcast is for.**"In Violet Light" is a masterpiece with no business being this good eight albums in. And this episode earns every minute of its runtime.So there's that.——————————————————————————————————SOURCES & CREDITS• HipMuseum.com• This Is Our Life: The Tragically Hip in the 1990s (Michael Barclay)• "It's a Good Life If You Don't Weaken" - graphic novel by Seth• "Sea Surface Full of Clouds" - poem by Wallace Stevens• Ann Harvey of Isle of Morts, Newfoundland - historical record• Compass Point Studios, Nassau, Bahamas - production history• Raymond Carver - attributed quote in "Use It Up"——————————————————————————————————CONNECT WITH THE SHOW• Facebook: facebook.com/groups/tthpods• Instagram: @tthpods• YouTube: youtube.com/@tthpods• Email: tthpodcastseries@gmail.comThe Tragically Hip Podcast Series - Est. 2018#TheTragicallyHip #TheHip #InVioletLight #FullyCompletely #GordDownie #TragicallyHip #CanadianRock——————————————————————————————————Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of VRP Rocks, Paul Stephenson is joined by the original Queen of Rock and Roll, Suzi Quatro. In the first half of the episode, Suzi talks about her brand new album Freedom, due for release on March 27th, and reflects on why she's still driven to create new music after more than five decades in the business. Then in part two, she takes on the My 5 Favourite challenge, revealing the five songs from her incredible career that mean the most to her — and the stories behind them. A fascinating conversation with one of rock's true pioneers. Learn more about your ad choices. Visit megaphone.fm/adchoices

We have a new Fantastic Four series that we are covering! Hooray. Gotta love Alex Power being part of the Future Foundation. This means that we get to look at this good series. At least I hope it is good. It has a good start. It looks good. It smells good. MMMM love the smell of paper. Since the overarching theme of this series seems to be about deconstructing, or tearing apart, let's chat about destruction and wrecking. We can focus on the Wrecking crew if we like. The Wrecking Crew is the name given to a loose group of musicians who were in LA during the 60's and 70's. They played in a lot of studio recording sessions and were instrumental in a lot of great music. Sometimes, they would grab construction tools and rob banks...allegedly. These guys were a hot commodity, trained in jazz, classical music, and underwater mammal research. This allowed them to be versatile and useful in a variety of situations. Many people would think that a degree in marine biology would not lead to rock and roll, but they have never listened to the B-52's. Recently, a movie was released staring David Bautista and Jason Momoa called The Wrecking Crew. I have not seen it, but I believe that it is a screwball comedy about two construction workers who find a kitten at one of their work sites, and the antics that occur as they introduce it to their shared apartment. Of course, the new kitten runs into all kinds of mischief with the dog that the two guys already have. Oh, the comedy and hijinks that ensue are priceless. The dog chasing the kitten, the guys chasing the dog....the comedy just writes itself! I have also learned that there are mobsters who are sometimes called a wrecking crew. I am assuming it is because they like going out to play music or watch specific movies together. I am sure it is not for anything shady. That would be wrong. That is all I know about wrecking crews. I mean, I guess there could be people that say bad things about the Mission Impossible movies, but they would just be wrecking Cruise. Maybe I should stop while I am ahead.   You can find our website at: https://jeffandrickpresent.wordpress.com/2026/02/10/fantastic-four-v5-3-fall-of-the-fantastic-four-part-3/   We also have some merchandise over at Redbubble. We have a couple of nifty shirts for sale. https://www.redbubble.com/people/jeffrickpresent/?asc=u You can also subscribe and listen to us on YouTube!  Our show supports the Hero Initiative, Helping Comic Creators in Need.  http://www.heroinitiative.org/ Eighties Action by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3703-eighties-action License: http://creativecommons.org/licenses/by/4.0/ "Space Fighter Loop" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/  

New rock discoveries and classic 1976 hard rock collide on RadioBypass Episode 412.RadioBypass Episode 412 – New Rock from Black Swan, Crimson Glory, Wings Of Steel + 1976 Classics from Nazareth and ScorpionsRadioBypass Episode 412 is here with another round of Rock and Roll music that DESERVES to be heard.Every week RadioBypass is all about music discovery — helping rock fans find incredible new bands while still celebrating the legendary artists that built the foundation of rock and roll.This week's episode delivers brand new rock music from:Dazr, Black Swan, Crimson Glory, Kingsmash, The FA, SuckerTrap, Wild Society, Wings Of Steel, Scarhaven, Black Stone Cherry, Bad Marriage, and Big Band Of Boom.These artists represent everything that keeps rock music alive today — powerful vocals, huge riffs, and songs that deserve a place on every rock fan's radar.But RadioBypass also loves to celebrate the classics.For Episode 412 we go 50 years back to 1976, spotlighting two albums that helped shape hard rock history:NazarethScorpionsThese classic tracks remind us where the sound of modern rock came from while the new artists carry that spirit forward.Featured Playlist – RadioBypass Episode 412Nazareth – Somebody To RollScorpions – Virgin KillerDazr – Another LieBlack Swan – I'm ReadyCrimson Glory – Chasing The HydraKingsmash – The War Of The AngelsThe FA – Scarlet LetterSuckerTrap – Science Of MacabreWild Society – Forever 19Wings Of Steel – Lights Go OutScarhaven – DrownedBlack Stone Cherry – I'm FineBad Marriage – Match Made In HellBig Band Of Boom – Big Bad VoodooRadioBypass continues its mission of bringing listeners new rock music, hidden gems, and classic album moments every single week.If you're a fan of hard rock, melodic rock, classic rock, and the next generation of rock bands, this episode is packed with music you need to hear.Turn it up and discover the Rock and Roll that DESERVES to be heard.Listen to RadioBypass Episode 412 now and keep supporting independent and emerging rock artists.

This is a Grave Talks CLASSIC EPISODE!Most people know Elvis Presley as the King of Rock and Roll—but what if that was only part of the story?In his book, The Occult Elvis: The Mystical and Magical Life of the King, author Miguel Conner explores a lesser-known side of Elvis—one rooted in mysticism, spiritual seeking, and esoteric exploration. Drawing from firsthand accounts, close confidants, and historical research, Conner paints a portrait of a man deeply engaged in metaphysical study and personal transformation.Was Elvis simply curious about spirituality, or was he actively practicing occult philosophies? How did these beliefs influence his life, career, and inner circle? And could his fascination with the unseen have shaped the legend we know today?In this episode, we examine the spiritual dimension of Elvis' life and the provocative questions surrounding his legacy.The King may have left the building—but has the mystery ever really left us?For more information, visit his website at miguelconner.com.#TheGraveTalks #MiguelConner #TheOccultElvis #ElvisPresley #ElvisMystery #ParanormalInterview #OccultHistory #SpiritualElvis #EsotericStudies #GracelandMystery #SupernaturalDiscussionLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE! PART TWOMost people know Elvis Presley as the King of Rock and Roll—but what if that was only part of the story?In his book, The Occult Elvis: The Mystical and Magical Life of the King, author Miguel Conner explores a lesser-known side of Elvis—one rooted in mysticism, spiritual seeking, and esoteric exploration. Drawing from firsthand accounts, close confidants, and historical research, Conner paints a portrait of a man deeply engaged in metaphysical study and personal transformation.Was Elvis simply curious about spirituality, or was he actively practicing occult philosophies? How did these beliefs influence his life, career, and inner circle? And could his fascination with the unseen have shaped the legend we know today?In this episode, we examine the spiritual dimension of Elvis' life and the provocative questions surrounding his legacy.The King may have left the building—but has the mystery ever really left us?For more information, visit his website at miguelconner.com.#TheGraveTalks #MiguelConner #TheOccultElvis #ElvisPresley #ElvisMystery #ParanormalInterview #OccultHistory #SpiritualElvis #EsotericStudies #GracelandMystery #SupernaturalDiscussionLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

His songs have been covered by HUNDREDS of bands over the years, and he's rightly been nicknamed the "Father of Rock and Roll". John Lennon may have said it best, "If you tried to give rock and roll another name, you might call it 'Chuck Berry'." This week's guest, New Orleans musician Smitti Supab (Captain Buckles), brings us 'The Great Twenty-Eight' by the late, great Chuck Berry. "Hail, hail rock and roll!" Songs discussed in this episode: School Days - The Beach Boys (Live, Knebworth 1980), Iron City House Rockers, Bobby Vee, Jan and Dean, AC/DC; Cringe, Hurry Up, Bus Station Blues - Captain Buckles; Johnny Be Goode, Roll Over Beethoven - Chuck Berry; Roll Over Beethoven - The Beatles; Too Much Monkey Business - Chuck Berry; Too Much Monkey Business - The Kinks; Subterranean Homesick Blues - Bob Dylan; Havana Moon, School Days, Rock and Roll Music - Chuck Berry; Rock and Roll Music - The Beatles; Reelin' and Rockin', Sweet Little Sixteen - Chuck Berry; Surfin' U.S.A. - The Beach Boys; Beautiful Delilah - Chuck Berry; Beautiful Delilah - The Kinks; Memphis Tennessee - Chuck Berry; Memphis Tennessee - John Lennon and Chuck Berry with Yoko Ono; Nadine, Maybellene, No Particular Place To Go - Chuck Berry; Raindrops on Mardi Gras - Captain Buckles

Then the conversation shifts to the absurd state of live music: Clay rants about dropping nearly $760 for two Jason Aldean pit tickets while Ticketmaster fees alone equal the price of a third ticket. Artists no longer make real money on streams or albums, so fans are footing the bill for massive productions rolling in on 18-wheelers of gear. Kingfish and Clay swap Trans-Siberian Orchestra war stories—how the band spawned from the ‘80s prog-metal group Savatage, now runs two full touring versions like a rock-and-roll circus, blew the power at the old Jackson Coliseum years ago, and hasn't dropped new material since their main songwriter died. The shows are still epic (lasers, pyro, club-level seats at $150), but the set lists are getting stale and crowds are shrinking. Pure, unfiltered Mississippi talk radio gold.

You've heard of method actors — performers who fully immerse themselves in a role until a project is complete — but Baz Luhrmann has been called a “method director.” Spectacle is his signature. From the glittering chaos of Moulin Rouge! to the roaring parties of The Great Gatsby, Baz fills every frame with vibrant colour, music and movement. For his new documentary, EPiC: Elvis Presley in Concert, he dives headfirst into the glitter once again, this time to tell the story of his longtime muse, Elvis Presley. The film shows the King of Rock and Roll not as a myth, but as a ferocious live performer full of humanity and power. Baz joins guest host Garvia Bailey to reflect on the bold, anything-goes style that's defined his career, and why he's drawn to cultural icons and big emotional swings.

Alex Edkins is a singer, song writer and guitarist for Weird Nightmare, Noble Rot and Metz. The newest Weird Nightmare album Hoopla is out May 1 via Sup Pop Records and is the quintessence of power pop punk rock and roll. Alex tells us why the new record leans into a more direct and fun approach and where his love for power pop began. We learn how his lyrics have moved to a more personal delivery and why Hoopla is in many ways a sentimental and reminiscent journey. Alex share's how his song writing and level of effort for Weird Nightmare differs from the dissonant riffage of Metz and why he sees Hoopla as an overall serendipitous experience. Joe and Alex share their love for producer Jim Eno, discuss the “twofer” nature of the Hoopla and we sample a couple new tunes.Weird NightmareSub Pop RecordsThis episode supported by our friends at Izotope. This episode is produced with Ozone 12, the newest from Izotope. Head over to izotope.com now for savings on all their production software. Go check out Ozone 12 and RX 11 and master with the best and solve the unsolvable. Use code FRET10 at checkout.Ep supported by Distrokid . Distrokid now offers Bandzoogle where you can build your bands website and store in minutes. Tour stories listeners get 30% off at distrokid.com/vip/tourstories. GET YOUR MUSIC OUT THERE! ITS EASY WITH DistrokidEpisode sponsored by Schecter Guitars. Schecter Guitar Research is one of the world's premier guitar companies, offering electric guitars and basses, acoustic guitars, and USA Custom Shop instruments to musicians around the world.Its continually evolving and expanding line of guitars and basses appeals to a broad spectrum of players and diverse musical styles. They offer high-quality instruments with professional components at an affordable price. Go Schecter for all your guitar needsRuinous MediaOur newest sponsor Kingston Union is YOUR store for the legendary Winos.Club SawThree Penny OperaHaydenNoble RotSpoonJuliana RiolinoRed CrossBuzzcocksRobin HitchcockCleaners from VenusUndertonesOasisMentioned in this episode:DistrokidIzotopeSchecter Guitars

For the entire month of March, the guys at Not A Bomb are throwing it back to their old Movie Matchup format—pitting notorious box office bombs against each other in a battle for redemption. Two flops enter… only one survives. There can only be one!Crank up the amps, listeners, because this week we're going full volume with a double feature of rock‑and‑roll misfits: Airheads and The Rocker. That's right, Troy and Brad are diving into two cult‑leaning comedies about musicians who refuse to let obscurity, bad decisions, or basic common sense get in their way.Airheads (1994)Directed by Michael Lehmann and starring Brendan Fraser, Steve Buscemi, Adam Sandler, Chris Farley, Michael McKean, Ernie Hudson, Judd Nelson, and Joe Mantegna, this ‘90s cult favorite asks the truly important questions: What happens when your band can't get airplay and your best plan is… taking a radio station hostage? How did one movie manage to pack in this many iconic comedic faces? And why, despite all the chaos, does it still feel painfully relatable to every band that's ever played a half-empty club while their drummer argues about artistic integrity?The Rocker (2008)Directed by Peter Cattaneo and starring Rainn Wilson, Christina Applegate, Josh Gad, Emma Stone, Teddy Geiger, Jeff Garlin, and Jane Lynch, this one brings the arena‑rock energy with a side of midlife crisis. The MatchupFrom hostage‑taking metalheads to a washed‑up drummer chasing redemption, the guys break down which film hits the right notes, which one bombs, and which earns the coveted weekly crown. It's an episode packed with laughs, nostalgia, big hair, bigger egos, and enough rock‑movie absurdity to fill a stadium.We Want to Hear From YouGot a cinematic flop you want us to tackle? Drop us a line at NotABombPod@gmail.com or reach out through our contact page. Reviews on Apple Podcasts or Spotify help us grow and keep the chaos coming.Cast: Brad, Troy

This week, we're diving back into Season 1, Chapter 3, where Cyrus tries to navigate the vicious forests of the Western Expanse I've worked with my Audio Artist Zoran to infuse this chapter with more magic, more wonder, and more incredible artistry. And along the way, we're taking a look back at the Seventh Valkyrie journey, as we make our way towards Season 3 Welcome to the Seventh Valkyrie listen-along. Let's rock and roll. —--------------------- Want more 7th Valkyrie? Check out our Patreon to become a Hero of Edara, where you can shape the future of the series, decide on merch drops and incentives, get early access to new episodes, enjoy bonus features and content, and help us hit the major checkpoints on the Path of Heroes!  https://www.patreon.com/7thvalkyrie For 7th Valkyrie Gear and Apparel: https://store.7thvalkyrie.com/ For 7th Valkyrie Artwork: https://www.instagram.com/7thvalkyrie/  

This week, Brian and Jason geek out about guitars, and guitar pedals. Next they welcome their guest, Jamey Patterson from Patterson Guitars. Jamey chats with the boys about how he got into building guitars, using unique kinds of wood, his endorsers, the great rock and roll state that is Alabama, and so much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Great marketing does not start with your product. It starts with your customer. In this conversation, I speak with marketing strategist Scott Hornstein about why storytelling, customer research, and trust are the real drivers behind successful brands. Scott shares lessons from decades in marketing, including his work with IBM and major technology launches, and explains how companies often fail when they focus on themselves instead of the people they serve. You will hear how listening to the voice of the customer can reshape messaging, build trust, and unlock growth. Scott also reflects on entrepreneurship, resilience, family, and the mindset required to get back up after setbacks. I believe you will find this conversation both practical and encouraging as you think about how relationships and trust shape business success. Highlights: · Creativity in Queens – Scott reflects on how music and culture shaped his early creativity.04:10 · From Literature to Marketing – His love of books leads him toward storytelling and marketing.12:57 · Learning to Experiment – A mentor teaches the value of trying ideas and learning from failure.20:46 · The Customer as the Hero – Scott explains why marketing must center on the customer.31:48 · Customer Insight Drives Messaging – Research helps reshape a company's message and market entry.41:23 · Resilience Through Setbacks – Scott reflects on perseverance in life and business.50:59 Top of Form Bottom of Form About the Guest: I currently live in Reston VA, my wife and I having moved there to be close to our 2 daughters and our 2 granddaughters. I am an independent business consultant specializing in storytelling – which embraces marketing, research, and content. Family is the most important thing in my life and it has taught me that lasting relationships, business and personal, are steeped in empathy and commitment. I was born in Manhattan on July 25, 1950. My parents soon moved the family to the up-and-coming borough of Queens. I attended the public schools in and around Forest Hills.  Writing was always my goal. I graduated NYU as an English major.  Upon graduation I traveled, then pursued my (naïve) dream of living as an artist – as a writer, an actor, and a musician. I wrote plays for the brand-new cable industry, wrote for a movie-making magazine, was in several off-off Broadway plays, worked as a pick-up musician. I helped in the office for a former professor to earn subway money. Got tired of starving to death. Took a job with CBS in the Broadcast Center, pulling together the Daily Log for the local station. Then, got hired to answer Bill Paley's mail. Then, I was hired as a marketing manager for Columbia House where I got some of the best advice – keep going. I met this guy from my neighborhood while commuting to my job in Manhattan. Turns our he worked for Y&R and said they were looking for someone. I interviewed and jumped over to agency-side work as an Account Executive, then Account Supervisor, then, going back to my roots, copywriter and eventually Creative Director. The entrepreneurial life has been a roller coaster, but I have been blessed to work with some brilliant people in marketing and sales, and some great companies. It allowed me to understand how I can really help my customers become successful in the long-term. Ways to connect with Scott**:** LinkedIn Medium www.hornsteinassociates.com About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone, and welcome once again to another episode of unstoppable mindset today. Our guest is Scott Hornstein, although when he came into the Zoom Room, I said, is it Hornstein or Hornstein? And of course, he also understood, because we're both of the same age, and are both fans of Young Frankenstein, who always said that his name was really pronounced Frankenstein. But you know, you have to have to know Gene Wilder for that. But anyway, if you haven't seen that movie, you got to see it. Mel Brooks at his best, but Scott is a marketing person and specializes a lot in storytelling, which fascinates me a lot, because I am a firm believer in storytelling, and I know we're going to have a lot of fun talking about that today. So Scott, I want to welcome you to unstoppable mindset. We're really glad you're here. Scott Hornstein  02:20 Thank you so much, Michael. I have to start by saying I have great respect for your work, and this is really quite a privilege for me. Thank you very much. Michael Hingson  02:32 Well, thank you. You're a long way from where you were born, in New York, in Manhattan. Now you're in Reston, Virginia, but that's okay. Well, you're not that far. It's just a short train ride, a few hours. Scott Hornstein  02:41 I That's true. That's true, although with that particular train, you can never be sure exactly how long it's going to be good Michael Hingson  02:52 point, yeah, yeah, good point. It is one of the things one has to deal with. But that's okay. But, you know, I've taken that train many times, and I've taken the the Metro liner as well, and also just the regular train. And I like the trains. I enjoy the train. I wish we had more of them out here. Scott Hornstein  03:15 I do too. I when it a long time ago in business, when I had a client here in DC, and I was living in Connecticut, I started taking the train, and it was so superior to flying. Oh yeah. And then recently I was, as I was mentioning to you, I was in Germany and taking the trains there is just wonderful. It's so superior. Michael Hingson  03:47 Yeah, I wish we would have more of them out here. If I, for example, want to take a train to San Francisco from where I live in Victorville, the only way I can do it is to take a train at roughly four in the morning to Los Angeles and then transfer on a train to go to San Francisco, which is no fun. I'll fly because it's it's kind of crazy, but I like the trains, and wish we wish we had more of them all over, and wish more people would use them. It's a lot better than driving, and it's a lot more pleasant. When I lived in the east, there were any number of times that I knew people who would travel from like Bucks County in Pennsylvania to New York Wall Street people, and they would go two, two and a half hours on the train every day and back again. And they formed discussion groups or other sorts of things. They they made it a part of their regular day, and it was there was nothing to them to do that. Scott Hornstein  04:54 And to them, I say, God bless. I am not in love with commuting, right? Yeah. Michael Hingson  05:00 Well, I understand that. I appreciate that, but they, they did well with it, and so good for them, or, as I would say in Australia, good on them. But you know, well, why don't we start tell us a little bit about you, maybe growing up in the early Scott and all that stuff. Let's start with that, sure. Scott Hornstein  05:21 First one brief aside about Young Frankenstein when I was living in Connecticut, I would go to the theater in Stanford, and for one performance, my tickets were at the will call, so I went up to the ticket booth, gave them my name, and the woman be on the other side of the iron bars keeps throwing her head to the side, wanting me to look over to my left, and I finally look over to my left, and there's Gene Wilder. Oh my gosh. What an enormously tall individual, very gracious, very nice. In any case, yes, Michael Hingson  06:06 with him, did you? Did you talk with Scott Hornstein  06:09 him just for a moment, just for a moment, you know, just Mr. Wilder, how nice to meet you. And he said a couple of nice things. And that was about it. Still, we all went to see the to see the show. Still, it was quite a thrill for me. What show I do not. Oh, that was, oh, no, excuse me. That was the the madness of King Charles, madness of King George. King George. But he was quite mad, and the play is excellent, excellent. Well, anyway, in any case, I grew I was born in Manhattan. I spent the first couple of years of life on the west side. I don't remember much of that. But my parents quickly moved us out to Queens, which at that point was rather undeveloped. You could get a lot more for your money, and we have lived in an apartment building. And around our apartment building was nothing but empty lots. It was just not developed yet. But it was a great place to grow up because the there was so much going on in those years and so much so much music that was going on. The first recollection I have, in light of all the talk about vaccines and healthcare and all of this is I really remember that polio was a real thing there, and I remember kids with the braces on their legs. And I remember that when one of my friends got chicken pox, that the mothers would get us all together and have a play date so that we got chicken pox too. Okay, but it was, Michael Hingson  08:20 I'm sorry, remember, I remember getting the polio vaccinations, even starting in kindergarten, Scott Hornstein  08:24 yes, yes. And it was such a remarkable thing at that time. We all thought it was like a miracle. And, and Jonas Salk, I mean, he was like, such a hero, yeah. The other thing, so I, we were out in Queens, in an area that's the larger area is called Forest Hills, and it was, it was a great place, because the the whole museum, whole music scene was just exploding. So I'm moving on until my junior high school and high school years, and it was just all over the place. Yes, we were playing in bands, but also there were these wonderful venues to go to. And there was the subway. If my parents only knew where I really was, we would get on the subway, go down in the village, go to all the cafe bar Gertie spoke city, all these places to hear the this wonderful mind changing music. And by mind changing, I don't mean drugs. I mean mind changing that it was, it was just everything in life. Michael Hingson  09:57 And there's nothing like hearing a lot. Music, Scott Hornstein  10:01 even to this day, it's my very, very favorite thing to do. Yeah, and so many musicians and artists came out of that area. I not being one of them. But it was so exciting. Michael Hingson  10:27 I remember when we lived in New Jersey, and I would commute into New York. I heard, for example, even then, and it was in like 96 to beginning of 2002 Woody Allen on Monday night would play his clarinet somewhere. And less, less, Paul was still doing music and playing music at the meridian ballroom. And you can even take your guitar in and he would sign it for you Scott Hornstein  10:55 the it was Joe's Pub. Woody Allen would right. And I went there a couple of times to see him. Of course, it was so pricey that we had to kind of sneak in have one beer, yeah, Michael Hingson  11:16 but still, it was worth doing. Scott Hornstein  11:19 And then they Yeah, and they were great clubs. I think that was, there's certainly the blue note for jazz that I went to a lot. And then there in Times Square, there was iridium, which was where I was able to see Les Paul, right? And many of those greats. Michael Hingson  11:42 Yeah, I never did get to go and get my guitar signed, and now it's too late. But oh, well, do you play? I play at it more than anything else. My father, I think, even before the war, before World War Two, or somewhere around there anyway, he traded something and got a Martin grand concert guitar. Oh, still, I still have it. That's wonderful. What a wonderful sound it is. Scott Hornstein  12:15 What a wonderful story. Yes, I play as well. I And growing up very early on, I decided I wanted to be Ricky Nelson. Oh, there you go. But I quickly learned that I was not going to be Ricky Nelson. However, the guy that was standing behind him playing guitar, now that might be something that I could do. So yes, so I picked it up, and I played in all the bands and then, which quickly taught me that I was not cut out for rock and roll, that I wasn't very good at it, but it led me into many other avenues of music, certainly listening, certainly being part of that scene, I'd go see friends of mine who could play well rock and roll and And that was so exciting for me. And then I, I played in pickup bands through college. So on a weekend night there would be a wedding, Bar Mitzvah, and this guy, I forget his name, piano player, he he got all the gigs and Howie was the first choice for guitar, and if Howie wasn't available, they'd call me. Michael Hingson  13:47 There you go, hey. So second choice is better than no choice. Absolutely. Scott Hornstein  13:54 I i enjoyed it thoroughly and that they paid me money to do this. There you go, right, inconceivable to me. Michael Hingson  14:05 So what did you major in in college? Scott Hornstein  14:10 Well, I started off majoring in biology, and there you go. And why I chose biology is is a mystery to this day, it didn't last long. I cycled through a number of things, and I graduated with a degree in literature, in English, particularly American literature, which is not quite the same as learning a trade. But you know it, it was consistent with with who I was at that time. I was the guy who, if he went out the door, would have two books with him, just in case I finished one. I didn't want to be left at sea, so a voracious reader couldn't stay away from the theater. So it was very consistent with who I was and and it was good for me, because I think through things like like literature and fiction and biography, you learn so much about the world, about how different people are confronted with challenges, how they process their lives, how they overcome these challenges or not or not, it just exposes you to so much. Michael Hingson  15:49 Yeah, and so I'll bet you had some challenges finding some sort of real, permanent job after getting a degree in English? Scott Hornstein  16:03 Yes, I did. But when I got out the idea of it didn't cross my mind that people actually would not earn a great living by being just an artist. What did I want to do? I wanted to write. I wanted to be involved in music. I wanted to act. I did all these things until the point when I got thoroughly fed up with being poor, with not having a dime in my pocket. Ever starving to death is, is sort of what you would call it. Yeah, yeah. You know, I did. I have modest success. Yes, I was able to keep myself off the streets, but no, it was no way for a career. It was no way to even be able to afford your own apartment, for gosh sakes. So I from there i i had done a lot of promotion for the different things that I was involved in, trying to get audiences, trying to get awareness of what I was doing, and that led me to have some contacts inside of CBS. And when I started looking for a job, I started talking to these folks, and they offered me a job. So here I was, and actually gainfully employed. Michael Hingson  17:44 What was the job? Well, I Scott Hornstein  17:47 was sort of a gopher for my first job. Mostly what I did was type, but I do have one good story for you. So I was down in the depths of the CBS Broadcast Center, which is all the way on the west side of 5017 and it's an old milk factory, so which they had converted to broadcast purposes. And so there were long holes, and the halls would always slope down. And there was one day where I was late for a meeting, and I came running down the halls, and there are always these swinging doors, I guess, for in case there's a fire or something, and I'm bursting through the doors, and I go running, and I burst through the next set of doors, and I'm running, and I burst through the next set of doors, and I knock this guy right on his bum. I pick him up, I dust him off. I say, I am so sorry. He says, Don't worry about a thing. It's all fine. I continue running. A friend of mine grabs me and says, Did you see Paul Newman? Michael Hingson  19:10 There you are. Scott Hornstein  19:12 So I have the unique entry on my resume of knocking Paul Newman to the ground. Michael Hingson  19:22 I Well, at least he was civil and nice about it. Scott Hornstein  19:26 He was very nice about it, though. Yeah, so I worked there and then through my writing, because I was writing for a film magazine at night, which, of course, didn't pay a cent, not a cent, but I got to go to all the premiers, and I got to meet all the people and interview all the people so whatever. So through that, I was able to go over to the main building and answer letters for Bill Paley, who was the. Michael Hingson  20:00 Chairman, Chairman, I said, Yes, right, Scott Hornstein  20:02 and it was my job to explain to everybody why Mr. Paley, I never called him, Bill, never, nobody, no, no, why he was right and they were wrong. That was my job, and that I did that for a little while, I can honestly say that I enjoyed having money in my pocket, but that was not the most fulfilling of jobs, and from there, I was able to go over and get my first marketing position, working for the Columbia record and tape Club, which was part of CBS Records at that time. And when I Ben or Dover was the president of Columbia House at that time, and when he made me the offer, he gave me one of the great life lessons that I've I've ever had. And he said, Scott, if you sit in your office and you do exactly what I ask you to do, and you do it on time, and you do it perfectly, we are not going to get along. But if you are out there and you're trying this and you're trying that, and this works, and that doesn't work, but you get up and you keep trying, we're going to be fast friends. Interesting. Yeah, yeah. That's something that has stayed with me my whole life. One of the great pieces of advice that I've ever gotten, Michael Hingson  21:57 well the for me, what's fascinating about it is thinking about how many people would really do that and allow that to happen, but it's really what more people should be doing. I've I've always maintained that the biggest problem with bosses is that they boss people around too much, rather than encouraging them and helping them and using their own talents to help people be more creative. When I hire sales people, the first thing I always told them was, well, the second thing because the first thing I always told them was, you need to understand right up front if you're going to sell here, you have to learn to turn perceived liabilities into assets. And that's got a story behind it. But the second thing that I always talked about was my job isn't to boss you around. I hired you because you convinced me that you're supposed to be able to do the job, and we'll see how that goes. But you should be able to but my job is to work with you to figure out how I can use my talents to help you and to enhance what you do to make you more successful. And the people who got that did really well, because we usually did things differently, and we both learned how to figure out and actually figure out how to work with each other and be very successful. But the people who didn't get it and wouldn't try that, generally, weren't all that successful. Scott Hornstein  23:26 Not terribly surprised, sir. You know, I think that people miss the the humanity of all this. And that if we bring our respective strengths and work together, that it's going to be a more complete and more successful whole than if I try and dominate you and tell you what to do, right, just that hasn't been a successful formula for me. I have never done well with people who tried to tell me exactly what to do, which is probably why I went out on my own. Probably why, in the greater scheme of things that I I did well, working for people from Columbia House. I met this guy on the train, and we got friendly, and he said he worked for an advertising agency, and they were looking for somebody would I be interested in interviewing? And this was with the young and Rubicon. And I did get the job, and I did work my way up to an account supervisor. And then i i said, i. Hate this, and I went back to be a copywriter and worked my way up to be a creative director. But, you know, I went on my own on January 1 of 86 and it was like a liberation for me, because at that point there was a new a new president of the division that I worked for, and he was not a nurturing individual. He was more of the dominant kind of you'll do what I tell you to do. Didn't sit well with me at all, and I had the opportunity to go on my own. So I I packed up my dolls and dishes, and I walked in on January 2, and I said, Bill, I quit. Michael Hingson  26:02 There you go. Was it hard for you to do that? Scott Hornstein  26:11 You know, at that point? So I here I am. I'm a creative director. I got the office on Madison Avenue, and I'm doing freelance all over the place, not only because it was extra money, but because it was it was fueling my creativity. It was giving me something back. It was fun. And I really like to have fun. I have so much fun working with people and that interaction that that humanity, the spark of humanity. So I was doing a lot of freelance, and I wrote this proposal for this one design group who was near where I was living at that time, and it got sold. So they said, Do you want to you want to work on it? And at that point in my life, I didn't have any responsibilities. I had a studio apartment there that was real cheap. And I said, If I don't try this now, yeah, I don't think I'll ever try it. So that's what I did. I quit, and I walked out the door into the great unknown, Michael Hingson  27:39 and the entrepreneurial spirit took over. Scott Hornstein  27:43 It did, and it worked well for about six, seven months, and then we got to the summertime, and I couldn't get arrested for a while. But you know, you have to take it one day at a time. And I figured, all right, well, let's just be open and network and see what's going on. It's not the time to quit. It's not the time to go back and get a job. And I was fortunate in that I was sitting at the desk one day, and this one guy called me, and I had met him before his folks ran one of the biggest, or actually the biggest, telemarketing agency in New York at that time, and I had met, met this fellow, and he said, I got this project. I've been asking around for creative source, and three people gave me your name. So I figured, well, let's go talk. And that turned into a very, very good situation for me, it gave me a lot of responsibility and a lot of leeway to take all the things that I had learned and put them in service of my client and I had a ball. I loved it. The only thing I didn't love was the and I did love this for a while was the constant travel. Now, everybody doesn't travel, and they're all sitting in their rooms at home, looking at screens. But that was that was a great opportunity for me to to spread my wings and to take and I learned so much one of the. Initial assignments I had was for IBM and IBM at that time was, was Mount Olympus. Oh my gosh, working for IBM, and I worked in tandem with this research group. We were all working on the introduction of the IBM ThinkPad and what these folks, they had a methodology they called voice of customer research, which was a qualitative research we're talking to decision makers from a carefully prepared Interview Guide to come up with the attitudes, the insights that we could put together to to come up with a solution. And I was fascinated by this of how to tap into what what the customer really wants by talking to the customer. How unusual. Michael Hingson  31:16 What a concept. Oh yeah. I mean Scott Hornstein  31:19 then and now, it's still the operative phrase of this would be a wonderful business, business, if it wasn't for all those annoying customers and and this just turned that on its head. That's another thing that I learned that has stayed with me through my entire career, is that for the the storytelling, and what I mean by storytelling is, is two things. Is, first, you know all your stories are going to come from what you consider to be your brand, but if you're not developing your brand according to the wants, the needs, the desires, the expressed future state that your Customers want, then then you're wide of the mark. So I was able to bring this in, and I think do a much better job for my customers. Now, the way that relates into storytelling is that you're you're able to take what you do and put it into the story of how your customer succeeds with the hero in the hero's journey, is Michael Hingson  32:55 your customer, your customer? Why do you think that is such a successful tactic to use, Scott Hornstein  33:02 because everybody else is completely enamored of themselves. When other companies craft their their brand, it's mostly because why they think they are special and what their vision tells them is their future. And quite frankly, most customers really don't care when, when a new customer first confronts you and your brand. They ask three questions, who are you? Why should I care? And what's in it for me? And if you can't answer those, if the story that you tell whether complete or in fragments or in in different parts according to where they are on their consideration journey. It doesn't resonate. It doesn't resonate. Hey, I have the best technology out there. I have brilliant people working on this technology. And guess what? Your technology? Somebody will eat your technology in 18 months, and I don't care, I want to know. What does it do for me? Michael Hingson  34:28 Yeah, as opposed to saying, After asking enough questions, I have technology that will solve this problem that you have identified. Let me tell you about it. Is that okay? Exactly? Scott Hornstein  34:44 Yeah, exactly. And as odd as it sounds, that helps you to stand out in the field, in a crowded Michael Hingson  34:55 field, it does, but it's also all about the. Relating to the customer and getting the customer to establish a rapport and relating to you. And when you, as you pointed out, make it about the customer, and you talk in such a way that clearly, you're demonstrating you're interested in the customer and what they want they're going to relate to you. Scott Hornstein  35:24 There's two, two things in there that, well, there's a million things in there that are particularly true. And the first is not only recognizing and and internalizing the goals of your client, but also opening yourself up and saying, these are people. These are humans. And the other real distinguishing fact that a lot of people don't either realize or embrace is that in business to business, and I've spent most of my life in business to business, it's all personal. It's all about personal connections. It's all about trust. And call me crazy, but I am not going to trust a machine. I will have confidence in technology, but my trust is going to be placed in the human through this, one anecdote that that is has really impressed me is that I was doing one of these interviews once, and I was talking to the CEO of of this company. And I said, Well, you know, I of course, I'm working for company A and you've been a client for a long time. What's, what's the greatest benefit that you get from this company? And without hesitation, he said, our salesman. Our salesman is part of our team. He understands who we are, he knows what we need, and he goes and he gets it. So that kind of that, to me, has always been a touchstone on things. Michael Hingson  37:43 Well, the fact that the salesman earned that reputation, and the President was willing to acknowledge it is really important and crucial. Scott Hornstein  37:56 And within that, I would say the very important word that you used is earn. You need to earn that trust. Sure it doesn't come just because you have brilliant technology. It's all people. It's all personal, all people. Michael Hingson  38:20 And that's success, the successful sales people are people who understand and work to earn trust. Scott Hornstein  38:32 Well said, and I think that particularly in this age of accelerating remoteness, that this concept of earning the trust and the person to person becomes a compelling competitive differentiator. And I think that that telling the story of of how you make your customers successful, of the role you play, of where you're going, this allows you to bridge some of those troubled waters to people who are sitting remote. It helps you to open your ears you know where you're going, so you can listen, yeah, Michael Hingson  39:40 well, and that's an extremely important thing to to keep in mind and to continue to hone, because bottom line is, it's all about, as I said, trust, and it certainly is about earning, and that isn't something you. First, it's something that you understand. Scott Hornstein  40:04 It's a gift that can only be bestowed on your customer. You can want it, but they're the only ones who can give you. Your brand is the meal you prepare. You but your reputation is the review, right? So, yeah, you gotta earn that trust. Michael Hingson  40:32 So how long so you you own your own company? How long has the company been in existence? Scott Hornstein  40:40 I Well, let's see. I went on my own on January 1 in 1986 and I am still without visible means of support. Michael Hingson  40:58 Well, there you go, same company all along, huh? Scott Hornstein  41:03 I Yeah, you know, do different work with different people, sure, but yes, it's still me. Michael Hingson  41:13 It's still, do you actually have a company and a name or anything like that? Scott Hornstein  41:17 I did. I did for a long time. I operated under Hornstein associates, okay, and recently I have dropped that and I just work as myself. I think that I had employees, then I had expandable, retractable resources then, and I'm not so interested in doing that right now. I am interested in working as and I love working as part of a team. Collaboration is my middle name. I might not have put that on my resume, but yeah, and I'm just, I'm really just interested in being me these days. Michael Hingson  42:13 That's fair. There's nothing wrong with that. No, well, in your current role, what do you think is the greatest contribution you've made to your clients, and I'd love an example, a story about that. Scott Hornstein  42:28 I would love to tell you a story. Oh, good. So one of my clients is a manufacturer. And they manufacture of all things, barcode scanners, as you would use in a warehouse and in a warehouse, absolutely everything, including the employees, has a barcode. Theirs is different than the the ones that you would normally see, the ones that like have a pistol grip. These are, these are new. It's new technology. They're ergonomically designed. They sit on the back of your hand. They're lightweight. They have more capabilities. They're faster and more accurate. Well, that sounds like sliced bread. However, they had a big problem in that all the scanners in all the warehouses come from the titans of the universe, the Motorola's, the great big names and these great, you know the old saying of Nobody ever got fired for buying IBM. Well, you know, if they need more scanners. Why would they go elsewhere? They just go back and get the same thing. So the the big problem is, is how to penetrate this market? And we did it. I worked with them in a number of ways. The first way was to conduct interviews, qualitative interviews, with the executive team, to come up with their their brand. What did they think? What did they think that was most important? And they said, clearly, the productivity gains, not only is this faster, not only can we prove that this is faster, but the the technology is so advanced that now we can also give you. Information from the shop floor. Well, then we talked to their their partners, who were already selling things into these warehouses. And we talked to a number of companies that were within their ICP, their ideal customer profile, I think that's very important to be prospecting with the folks who can make best use of your products and services. And what we found is that it wasn't just the productivity, it was that we solved other problems as well, and without going heavily into it, we solved the a big safety problem. We made the shop floor more secure and safer for the workers. So we changed the message from Warehouse productivity to the warehouse floor of making each employee safer, able to contribute more and able to have a better satisfaction, and that we were able to roll out into a into great messaging. The initial campaign was solely focused on the workers, and our offer was We challenge you to a scan off our scanners, against yours, your employees, your products, your warehouse. Let's have a head to head competition, because we then knew from these interviews, from working with the partners, that once these employees got the ergonomic the lightweight, ergonomic scanners on their hands, and realized how much faster They were, and how much safer that they were, that they would be our champions. And in fact, that's what, what happened. I can go deeper into the story, but it it became a story. Instead of coming in and just saying, boost your productivity, it's the scanners work for your your overall productivity. It helps you to keep your customers satisfied, your workers, one of the big problems that they're having is maintaining a stable and experienced workforce, this changed the characteristic of the shop floor, and it changed the character, how the employees themselves described their work environment. So we were able to take that and weave a story that went from one end of the warehouse to the other with benefits for everybody in between. So you said, What is the the one you said, the greatest benefit, I would say the contribution that I'm most proud of, it's that it's to recast the brand, the messaging, in the form, in the shape of the customer, of what they need, of helping them to achieve the future state that they want. And I'm sorry for a long winded answer, Michael Hingson  49:10 yes, that's okay. Not a not a problem. So let me what would you say are the two or three major accomplishments or achievements in your career, and what did they teach you? Scott Hornstein  49:26 Well, you know, I think the the achievements in my career, well, the first one I would mention was incorporating that, that voice of customer research, bringing the customer to the planning table, letting the executives, the sales people, the marketers, unite around, how does the customer express their hopes, their dreams, their challenges? I would say the second. Uh, is this idea of taking all of the content of all of the messaging and and unifying it? Some people call it a pillar view. I call it storytelling, of relaying these things so that you are giving your prospects and your customers the information that they need when they need it, at the specific point in their consideration journey, when this is most important, and it might be that a research report for a prospect that talks about some of the challenges in the marketplace and what's being done, it might be as simple for a customer as a as a video on how do you do this? You know, how do you screw in a light bulb? Oh, here it is. Everybody's used to that. The the third thing, and, and this is something, forgive me, for which I am, I am very proud, is that now I take this experience and this expertise, and through the organization called score, I'm able to give this back to people who are are trying to make their way as entrepreneurs Michael Hingson  51:35 through the Small Business Administration. And score, yes, Scott Hornstein  51:40 very proud of that. I get so much for from that. Michael Hingson  51:46 Well, what would you say are maybe the two or three major achievements for you in life, and what did you learn? Or what did they teach you? Or are they the same Scott Hornstein  51:57 I did? Well, I would say they're they're the same, and yet they're a little bit different. The first one is, is that it's only very few people who lead the charmed life where they are never knocked down. I'm not one of those people, and I've been knocked down several times, both professionally and personally, and to get back up, I to have that, and you will forgive me if I borrow a phrase that indomitable spirit that says, no, sorry, I'm getting back up again. And I can do this. And it may not be comfortable and it may not be easy, but I can do this. So there was that I think that having kids and then grandkids has taught me an awful lot about about interpersonal relationships, about the fact that there isn't anything more important than family, not by a long shot, and from these different things. I mean, certainly, as you I was, I didn't have the same experience, but 911 affected me deeply, deeply and and then it quite frankly, there was 2008 when I saw my my business and my finances sort of twirl up into the sky like like the Wizard of Oz, like that house in the beginning, Michael Hingson  54:09 but still, Scott Hornstein  54:16 And I persevere, yeah. So I think that that perseverance, that that focus on on family, on humanity. And I would say there's one other thing in there, is that. And this is a hard one. Observation is that I can't do anything about yesterday, and tomorrow is beyond my reach, so I I have to take Michael Hingson  54:56 today, but you can certainly use yesterday. As a learning experience, Scott Hornstein  55:01 I am the sum of all my parts, absolutely, but my focus isn't today, and using everything that I've learned certainly. You know, I got tongue tied there for just a minute. Michael Hingson  55:19 I hear you, though, when did you get married? Scott Hornstein  55:25 I got married in 87 I I met my wife commuting on the train to New York. Michael Hingson  55:35 So you had actually made the decision to could to quit and so on, before you met and married her. Scott Hornstein  55:43 No, no, I was, I was I met her while I still had a job in advertising. That's why I was commuting to New York. And you know, in the morning there was a bunch of us. We'd hold seats for each other and just camaraderie, yeah, you know, have our coffee. Did she? Did she work? She did she did she was she joined the group because she knew she had just gotten a job in New York. And of course, for those who don't know New York? When I say New York, I mean Manhattan, the city. Nobody thinks of any of the boroughs Michael Hingson  56:27 as part of New York. Scott Hornstein  56:31 And yeah, I and one day gone in, she fell asleep on my shoulder, and the rest is history. There you go. Michael Hingson  56:41 What So, what did she think when you quit and went completely out on your own? Scott Hornstein  56:48 I you know, I never specifically asked her, but I would think that she would have thought that maybe I was not as solid, maybe not as much marriage material, maybe a little bit of a risk taker. I did not see it as as taking a risk, though, at that time, but it was actually great for us, just great for us. And yeah, met there, and then I quit. Shortly thereafter, she was still commuting. And then things started to just take off, yeah, yeah, both for my career and for the relationship, yeah. Michael Hingson  57:51 And again, the rest of course, as they say, is history. Scott Hornstein  57:56 It is. And here I am now in Reston, Virginia, and we moved to Reston because both daughters are in close proximity, and my two grandchildren. And you know, am I still confronted with the knock downs and the and the get up again. Yeah, the marketplace is very crazy today. The big companies are doing great, the mid size companies, which is my Market, and it's by choice, because I like dealing with senior management. I like dealing with the people who make the decisions, who if we decide something's going to happen, it happens and and you can see the impact on the culture, on on the finances, on the customer base. These guys are it's tough out there right now. Let me say that it's it's tough to know which way to go. This doesn't seem to be anything that's sure at the moment. Michael Hingson  59:11 Yeah, it's definitely a challenging world and and then the government isn't necessarily helping that a lot either. But again, resilience is an important thing, and the fact is that we all need to learn that we can survive and surmount whatever comes along. Scott Hornstein  59:33 And let me just throw in AI that is a big disruptor at the moment that nobody actually knows Michael Hingson  59:43 what to do with it. I think people have various ideas there. There are a lot of different people with a lot of different ideas. And AI can be a very powerful tool to help but it is a tool. It is not an end all. Um. Yeah, and well said, I think that, you know, even I, when I first heard about AI, I heard people complaining about how students were writing their papers using AI, and you couldn't tell and almost immediately I realized, and thought, so what the trick is, what are you going to do about it. And what I've what I've said many times to teachers, is let students use AI if that's what they're going to use to write their papers, and then they turn them in. And what you do is you take one period, and you call each student up and you say, All right, I've read your paper. I have it here. I want you now to defend your paper, and you have one minute, you're going to find out very quickly who really knows what they're talking about. Scott Hornstein  1:00:47 That, in fact, is brilliant. Michael Hingson  1:00:49 I think it's a very I think it's a very powerful tool. I use AI in writing, but I use it in that. I will use it, I will I will ask it questions and get ideas, and I'll ask other questions and get other ideas, and then I will put them together, however, because I know that I can write better than AI can write, and maybe the time will come when it'll mimic me pretty well, but still, I can write better than AI can write, but AI's got a lot more resources to come up with ideas. Scott Hornstein  1:01:21 It does. It does. And with that, it's a fantastic tool. The differentiator, as I see it, for most of my stuff, is that AI has read about all this stuff, but I've lived it, so I'm going to trust me at the end, Michael Hingson  1:01:45 and when I talk about surviving the World Trade Center and teaching people what I learned that helped me in the World Trade Center, I point out most people, if there's an emergency, read signs and they're told go this way to escape or to get out or do this or do that, but there's still signs, and they don't know anything. I don't read signs, needless to say, and what I did was spent a fair amount of time truly learning all I could about the World Trade Center where things were, what the emergency evacuation procedures were what would happen in an emergency and so on. And so for me, it was knowledge and not just relying on a sign. And so when September 11 happened, a mindset kicked in, and we talked about that in my my latest book, live like a guide dog. But that's what it's about, is it's all about knowledge and truly having that information, and that's what you can trust. Scott Hornstein  1:02:48 I'll give you a big amen on that one. Michael Hingson  1:02:52 Well, this has been a lot of fun to do. We've been Can you believe we've been doing this an hour? My gosh, time, I know having fun. Scott Hornstein  1:03:03 It's fun. And I would say again, in closing, I just have enormous respect for what you've accomplished, what you've done. This is been a great privilege for me. I thank you very much. Michael Hingson  1:03:19 Well, it's been an honor for me, and I really value all the comments, the advice, the thoughts that you've shared, and hopefully people will take them to heart. And I would say to all of you out there, if you'd like to reach out to Scott, how do they do that? Well, there you go. See, just, just type, well, right? Scott Hornstein  1:03:42 That's it. If you, if you sent an email to Scott dot Hornstein at Gmail, you'll get me. Michael Hingson  1:03:56 And Hornstein is spelled Scott Hornstein  1:03:58 H, O, R, N, S, T, E, I, Michael Hingson  1:04:03 N, and again, it's scott.hornstein@gmail.com Scott Hornstein  1:04:09 that's that's the deal. There you go. Well, find me on LinkedIn. You can find me on medium. I'm all over the place. Michael Hingson  1:04:18 There you are. Well, I hope people will reach out, because I think you will enhance anything that they're doing, and certainly trust is a big part of it, and you earn it, which is great. So thank you for being here, and I want to thank all of you for listening and watching us wherever you are. Please give us a five star review and a rating and but definitely give us a review as well. We appreciate that. If you know anyone else who ought to be a guest, Scott, you as well. We're always looking for more people to have on, so please introduce us and Scott. If you want to come on again, we can talk about that too. That'd be kind of fun. But I want to thank what I want to thank you again for being here. This has been fun, and I appreciate you being here with us today and and so thank you very much for doing it. Scott Hornstein  1:05:07 My all the pleasure is all mine. Michael Hingson  1:05:14 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

WWL Louisiana Medical Reporter Meg Farris explains more about Scoot's upcoming heart surgery, and what others can learn from his experience

If you ever needed proof that the Rock and Roll Hall of Fame is less a museum and more a cultural argument with a gift shop, Episode 13 of On The Record opens by doing what the institution does best: stretching the phrase “rock and roll” until it politely accommodates everyone from Wu‑Tang Clan to Shakira, with a quick stop at INXS (or, as Michael once heard on the BBC, the new Australian sensation “Inks”). Brian runs through the 2026 nominee list like a gig guide for the afterlife—The Black Crowes, Jeff Buckley, Joy Division/New Order, Oasis, Phil Collins (solo, because apparently we're double-dipping now), Melissa Etheridge, Lauryn Hill, New Edition, Pink, Luther Vandross—and lands on the question that always makes the Hall quietly hilarious: who is this for, exactly? Michael's baffled by the ceremony mechanics (do nominees really “turn up hoping”?), while Brian reassures him it's not quite the Oscars, before casually dropping the detail that there's a public vote. Nothing says rock's rebellious spirit like “exercise our democratic right” via a link. The more interesting subtext, though, is what induction inevitably drags in: absence. Several nominees have key members who've died—Buckley, Michael Hutchence, Ian Curtis—prompting the kind of morbid logistics only a Hall of Fame can inspire. Michael wonders aloud whether New Order could be coaxed into a once-only appearance, and if so, would Peter Hook be anywhere near the bass, given the long-running fallout. Rock history, as ever, is part music, part family law. From there, the episode pivots into “telly as coping mechanism” territory.  Michael has started season two of Hijack, acknowledging (with Idris Elba's own executive-producer embarrassment) the inherent silliness of re-hijacking a man who has already been hijacked.  Brian, meanwhile, goes looking for light relief in bleak news cycles and discovers Resident Alien—a show he'd dismissed as fluff until it turns out to be fluff with enough teeth to feel like therapy. The alien-in-a-small-town premise becomes an excuse for a few sharp jokes about humanity's trajectory. But the main event is the week's shared homework: Paul McCartney: Man on the Run, the new documentary spanning the years between the Beatles' breakup and Lennon's murder.  Brian begins with dread—opening on “Silly Love Songs” is hardly a confidence-builder—but both hosts admit the film wins them over. They praise the craft: strong editing, collage-like imagery, and an effective “no talking heads (but their voices)” approach. Then they do the responsible thing and ask the awkward question: how honest can a documentary be when McCartney's own company financed it? Their answer is satisfyingly unresolved. Michael argues it's “warts-and-all enough” to avoid feeling like a total snow job—especially when the film lets other musicians (Nick Lowe, Chrissie Hynde) politely wonder what on earth Paul was thinking during the early, patchy years.  Brian agrees McCartney produced plenty of throwaway material, though he'll still go in to bat for Band on the Run and even dares to defend “Coming Up” (which Michael treats as a personal affront).  They both wish the doco lingered longer on the Lagos chapter, one of the few moments in the Wings story that feels like true risk rather than post-Beatles reputation management. The emotional spine, however, is Scotland. The documentary's portrayal of McCartney retreating to a remote farm with Linda is read here not as quaint pastoral cosplay, but as a survival strategy—grief, disorientation, and the sudden absence of the band-as-family.  The hosts talk candidly about parental loss, the Beatles as McCartney's “emotional prop,” and Lennon as the creative foil who kept Paul's “twee” instincts on a leash.  Linda comes out of it as both partner and lightning rod: necessary to him, mercilessly judged by everyone else.  Along the way, Brian remembers seeing Wings at the Myer Music Bowl in 1975 (yes, he was there), and the hosts revive Norman Gunston as the patron saint of awkward interviews—plus Michael's conspiracy theory that McCartney's infamous Japan marijuana bust may have been a deliberate exit strategy from a tour that Wings' hearts weren't in.  It's ridiculous. It's also, perversely, the kind of narrative logic rock biographies thrive on. By the end, the Hall of Fame is still a “broad church,” McCartney is still a genius with a questionable edit button, and Scotland remains the unlikely setting for both reinvention and retreat.  The biggest twist is that for two men who can't even land a sponsor, they spend 30 minutes proving the oldest rock cliché true: the past is never really over—someone's just nominated it. Important Links Rock & Roll Hall of Fame 2026 Nominees!  Paul McCartney: Man on the Run - Official Trailer | Prime Video  Syfy's Resident Alien - Official Trailer (2021) Alan Tudyk  Nineteen Hundred And Eighty Five (2010 Remaster)  The Art Of Paul McCartney  Paul McCartney - Maybe I'm Amazed  Paul McCartney - Norman Gunston 1975 

Backstage at Sweetwater Music Hall in Mill Valley, “Only in the Green Room” interviews singer-songwriter Steve Poltz, co-writer of Jewel's multi-platinum “You Were Meant for Me,” as he tours promoting his new green-vinyl album Joy Ride. Poltz discusses why he loves High Sierra Music Festival—its Grateful Dead–like anticipation, multigenerational family vibe, and resilience through hardships—and says this year's new location feels like an important inaugural moment. He shares collaborations including “Life Is Easy” with Andy Frasco (featuring Billy Strings, Mike Gordon, and Daniel Donato) and “Love a Little Bigger” with Vince Herman, praises Sweetwater's staff and sound, and explains his setlist-free, improvisational approach, pre-show prayer, and desire to help audiences forget how hard life can be. Poltz also recalls leading a Colorado audience in singalong of “Ripple” on the 30th anniversary of Jerry Garcia's death without knowing it (watch/ listen as recreates that moment during his show at Sweetwater), describes a Dead & Co Sphere moment near the rail involving rock and roll photographer, Jay Blakesberg, and talks about writing spontaneous songs and a humorous Trump–Elon breakup tune. Enjoy this engaging and entertaining conversation with the muti-talented, one-of-a-kind, Steve Poltz!  

Clay welcomes Jackson Jambalaya's Kingfish for a no-BS breakdown of the Smith Wills Stadium drama that's been simmering for years. Trey Lamar finally yanked the lease and the entire property back from the city after the current operator turned the place into a cigar bar/blunt bar (complete with weed smoke drifting over kids' baseball tournaments), sub-leased the parking lot to the VA for hundreds of thousands a year, stiffed the city on rent multiple times, and even had a camper hooked up to stadium power. The court case has been dead since April, Lynn Fitch's office is MIA, and the worn-out landfill facility's minor-league dreams are officially over—Kingfish says its glory days are gone for good.   Then the conversation shifts to the absurd state of live music: Clay rants about dropping nearly $760 for two Jason Aldean pit tickets while Ticketmaster fees alone equal the price of a third ticket. Artists no longer make real money on streams or albums, so fans are footing the bill for massive productions rolling in on 18-wheelers of gear. Kingfish and Clay swap Trans-Siberian Orchestra war stories—how the band spawned from the ‘80s prog-metal group Savatage, now runs two full touring versions like a rock-and-roll circus, blew the power at the old Jackson Coliseum years ago, and hasn't dropped new material since their main songwriter died. The shows are still epic (lasers, pyro, club-level seats at $150), but the set lists are getting stale and crowds are shrinking. Pure, unfiltered Mississippi talk radio gold.  

This episode is special - as it represents the perfect outcome of what this show was build on and all about.  The Vindys were the band at the top of our "must see" list heading in to Musikfest 2025 last summer, and they exceeded expectations with an incredible performance.  Then they were also super nice and agreed to come on the show.  So here we are, sitting down with lead singer and head songwriter Jackie Popovec, lead guitarist John Anthony, and rhythm guitarist Rick Deak.For the past decade, The Vindys have been captivating audiences with their signature blend of rock, soul, and pop. Hailing from Youngstown, Ohio, the band has built a devoted following through electrifying live performances and heartfelt songwriting.At the heart of The Vindys is powerhouse vocalist and songwriter Jackie Popovec, who has earned high praise from none other than Pat Benatar, who raved, “She's amazing. That girl can sing her ass off.” She's backed by an exceptional lineup, with John Anthony delivering electrifying lead guitar, Rick Deak on rhythm guitar, Owen Davis on drums, Brendan Burke on bass, and Nathan Anthony on keys. Together, this dynamic ensemble crafts a sound that Music Connection Magazine hails as “rock and roll at its finest.”This is one you're not going to want to miss!Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band". If you tuned in today because you already knew this musician - thank you very much! We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future. And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better! Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival

With a new list and some great things to say, we're back! Come along and enjoy a look at one of the most interesting years in rock and roll. Song Credits, Copyright and Publishing: What Do You Want to Make Those Eyes at Me For? Written by Joseph McCarthy, Howard Johnson & James V. Monaco Published by Leo Feist, Inc. PRO: ASCAP Performed by Emile Ford and the Checkmates Sea of Love Written by John Philip Baptiste (Phil Phillips) & George Khoury Published by Fort Knox Music, Inc. / Trio Music Company, Inc. PRO: BMI Performed by Marty Wilde and the Wildcats YouTube Audio Library Credits (underlayments): Soaring - Golden Palms Special - Clark Sims Flutter - Clark Sims With You - Everet Almond

Spring training is starting to rock and roll but we've also got the World Baseball Classic, people! We chat about the WBC and where the Cleveland Guardians currently stand as we march closer to the regular season. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben did his homework. MP has the post-Olympics blues. The boys add another city to their dream rock and roll road trip. And of course, we've got a playlist of brand new indie rock tracks that will work your glutes and jump start your Pinto. EPISODE PLAYLIST:tvbody, "A Little"Bloodworm, "Bloodlust"MX LONELY, "All Monsters Go To Heaven"Howling Bells & Juanita Stein, "Sacred Land"Future Teens, "Unmade Bed"Lizzie Reid, "Sweet Relief"Ratboys, "What's Right"Annabelle Chairlegs, "Sally"The Honest Heart Collective, "96 Sunfire"Thumper, "Gang Signs"Emmalea Deal & The Hot Mess, "Rhinoplasty"girlfriend., "Kitchen Sink"BONUS TRACK: Annabelle Chairlegs, "Concrete Trees"

Steve Earle is rock and roll, he is country, and Earle has deep roots in early Americana all the way back to Guy Clarke, Townes Van Zandt, and Rodney Crowell, among many. A songwriter first, I found him with his "Guitar Town" release back in 1986.  Listened to the second album, the Springsteen-esque "Exit 0", a lot, and when 1988's "Copperhead Road" album came out, we turned it up loud. With this episode, I wanted to listen to his older music and talk about artistry, rebellion, and political themes that the three-time Grammy winner has embraced through 20 albums with themes of social justice, addiction recovery, and political, anti-war views. A newly-invited member to the Grand Ole Opery (who would have ever thought that would happen back in 1987), we also listen to some of what is a whole lot of great cover songs. Let's go.

"Louder Than You Think" Like many Gen Xers, I knew Gary Young as the drummer of Pavement, but for anyone from Stockton, he was way more than that. Let me back up. A key figure in the Stockton underground, Young played in a bunch of bands like The Fall of Christianity and he was responsible for bringing Black Flag and the Dead Kennedys to play shows in Stockton. Though almost twenty years older than the guys in Pavement, Young was their original drummer and played on their first few EPs and the seminal Slanted and Enchanted record. Young was one of the great characters of rock and roll and to get a real idea as to how charismatic, magnetic and mercurial he was, the documentary Louder Than You Think traces his life in art and music with unvarnsihed honesty and shambolic joy. The soundtrack, which features The Authorities, Edward Dahl, Pavement, Hot Spit Dancers, and Gary Young's Hospital, among others, is a wonderful tour of the Stockton Underground. Yes, Young got fired from Pavement, but what's cool about his story is that he stayed connected to the band--and that's the secret with all these Stockton kids--they stuck together even when some of them fell apart. As for Kelly Foley, the former singer of The Torn Lords had a career in Forensic Psychology and when he retired, he devoted himself soley to making art. Kelly knew Gary for decades and even had a project called Blue Boy Cometh which featured Young on drums just before his death. Foley is a lovely guy and he's kind of become the forensic archivist of the Stockton underground, making sure the paths of all the artists he knew--from Grant Lee Phillips to Crill--have their work preserved. www.independentprojectrecords.com (http://www.independentprojectrecords.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) wwww.alexgreenbooks.com Stereo Embers: THREADS + BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com

In Loudwire's latest Cover Story interview, Mark Morton and Randy Blythe talk with Bryan Rolli about Lamb of God's new album, 'Into Oblivion.'

"Gina G is a national treasure, a rare kind of legend who's more than an actress and storyteller; she's a rock and roll goddess, proof that grit, glamour, and guts are still stitched into the fabric of fame. Opening up about her times with Prince and wild days in the deep Valley, for fans and friends alike, it's a ride as electric as she is." -Miley CyrusFrom a wayward California girl growing up in the heart of the porn-born San Fernando Valley, Gina Gershon found herself on a journey that has been anything but traditional. Along the way, she had to learn how to spot the toxic types-in both her personal life and her career-and figure out how to dodge, outsmart, or hustle her way through. From the Valley to the slums of Beverly Hills to New York City, she was confronted with shady characters and sketchy situations, all the while fighting to protect her autonomy as a woman and as an actress with a decidedly unconventional path. AlphaPussy is a collection of true stories that explore themes of experience, survival, and the art of figuring it out as you go. They include strange encounters with celebrities and film directors such as Paul Verhoeven, Tom Cruise, Sharon Stone, Prince, Jennifer Tilly, Sylvester Stallone, David Mamet, Bob Fosse, and so many others. Often hilarious, usually cautionary, and almost always wrapped in absurdity, Gershon's tales explore how she found herself through bad decisions, awkward moments, and cringe-worthy encounters that somehow gave rise to survival skills. Gershon stresses that while it can be important to listen to others, it's more important to listen to oneself. To trust your gut. In a world full of bullies, predators, and people trying to tell her who she was, or who she should be, it was crucial for Gershon to become an AlphaPussy: a woman who navigates through this perilous jungle of a world with personal agency and responsibility.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

On March 3, 1956, "Heartbreak Hotel" cracked Billboard's Top 10 for the first time, and Elvis Presley began reshaping the music world forever. In honor of that date, we're revisiting one of our favorite conversations — with a man who knew Elvis not as a legend, but as a friend. In this Encore Episode, Andy sits down with Country Music Legend T.G. Sheppard — a teenager who had run away from home and was literally eating out of garbage cans in Memphis when a chance encounter outside a roller rink at midnight changed the entire trajectory of his life. What followed was a 16-year friendship, seven years living at Graceland, and a front-row seat to one of the greatest careers in entertainment history. Tune in to hear how a homeless 15-year-old ended up playing football on roller skates with the King of Rock and Roll, the advice Elvis gave him that fueled 21 #1 hits, and the moment Elvis finally figured out that "that Sheppard guy on the radio" was actually his old friend Bill Browder. Plus, the most embarrassing moment of T.G.'s career — courtesy of a kid with a water pistol and a white linen suit. See T.G. LIVE on tour with upcoming shows in Tennessee, Florida, Texas and more! https://www.tgsheppard.com/tour Connect with T.G. Online: Website: https://tgsheppard.com Facebook: https://www.facebook.com/tgsheppard/?fref=ts Twitter: https://twitter.com/TGSheppardmusic Instagram: http://instagram.com/tgsheppardofficial YouTube: https://www.youtube.com/channel/UC8mejAwZZQSHmNI6KfnHMRQ

On this episode I do a track by track review of the new Michael Monroe album Outerstellar and compare my score with yours. Music by: Michael Monroe Purchase Outerstellar Donate to the show – Rock and Roll Geek Friends And Family Membership Donate on Venmo Tim Schall – $50 Dan Gerawan. -$50 Kirk Crawford – $50 John Morgan – $25 Gregg Brofer – $20 Blake Johnston – $20 Richard Fusey – $20 Todd Cunningham – $10 Rockbottom Rob Giglio – $20 Bruce McMillan – $3 (Venmo donation id is @Michael-Butler-11) PATREON DONORS Joe Pawlak – $16.66 Kirk Crawford – $12.77 Patrick Shanahan – $10 Brian Springer – $8 Michael Street – $7.50 Dave Slusher – $5.55 Robert Harvey – $5 Chiaki Hinohara – $5 MedakiMetal on Instagram Jamie Jefford – $5 Erik Klein – $5 Paul Smith – $5 Justin Lefkowitz – $5 Steve Trice – $5 James Shapiro – $5 Martin Clawley – $5 Nadi Itani – $5 Eric Stowell – $4 Mike Hellyer – 4 pounds Mark Mazzel – $3 Adrian Boschan – $2 Amelia Bowen – $2 RnR Pleeb – $1.42 3Legs4wheels – $1 Arne Stach – $1 Paypal Donors Dave Franco – $20 Steven Laperriere – $20 Richard Strom – $20 School of Podcasting – $10 Bradley Lisko – $10 Ralph MIller – $10 William Bealle – $10 Jeff and Cheri Thieleke – $10 Jason Shepard – $10 Peter Spark – $5 Jayce Lesniewski – $5 Christopher Del Grande – $5 Vincent Crimi – $5 Benjamin Mueller – $5 Jon Tennis – $5 Rachel Rosenberg – $5 Andrew Howe – $5 Gregg Long – $5 Adam Croft – $2 Deborah Dreyfus – $2 Kau Matsuda – $2 Brian Grattidge – $2 John Ofenloch – $5 williaM Moffett – $2 Lasse Satvedthagen – $2 Chad Kiffmeyer – $2 Dave Alexander – $2The post Michael Monroe Outerstellar Track by Track Review – Rock and Roll Geek Show 1451 first appeared on The Rock and Roll Geek Show.

On this episode of Reading With Your Kids, we're celebrating two very different – but wonderfully complementary – books for young readers. First, Jed talks with Maria Dolores Aguila, author of the middle grade novel in verse "The Sea of Lemon Trees: The Corrido of Roberto Alvarez." Maria shares the powerful true story behind her book: the 1931 Lemon Grove incident in California, when Mexican and Mexican American children were illegally segregated into a makeshift "school" in a converted barn. Their families organized, chose Roberto Alvarez as the lead plaintiff, and won a court case that reintegrated the school – more than 20 years before Brown v. Board of Education. Maria explains how family research led her to discover her own connection to Mexican repatriation, and why so much of this history has been forgotten. She also talks about writing the story in free verse to make it accessible, especially for reluctant readers, and describes the deeply engaged reactions she sees when she visits Title I schools in San Diego and shares this local, living history with kids. Then Jed welcomes David McMullin, a former musical theater performer turned children's author, to talk about his joyful new board book "Rock and Roll, Baby." Inspired by the classic lullaby "Rock-a-Bye Baby," David reimagines it as a boisterous, musical romp, with each spread capturing a different music style—rock, country, punk, Latin, R&B—and a different moment in a baby's day. David reflects on moving from Broadway to books, dealing with hundreds of rejections, and the magic that happens when parents sing, play, and read with their little ones.

This week, I talk with Juliet Izon about her debut contemporary fiction novel The Encore. Listen now to hear about: How Izon, a longtime journalist pivoted into fiction, writing secret scenes at night, cold-DMing composers on Reddit for research, and building a debut novel from pure creative obsession Fame, artistic ambition, and complicated family dynamics, especially the mother-daughter tension between Anna and Lottie, and what happens when talent and identity collide The craft details that make this fictional music world feel real: tour bus logistics, conservatory life, perfect pitch, scoring scenes with playlists, and why the book's title changed from Arpeggio to The Encore The Encore Synopsis In 2003, at the prestigious Brookfield Conservatory in Boston, a chance encounter sparks an inimitable friendship between driven pianist and singer Anna Buckley and composer wunderkind Will Pendleton. Over the next four years, as they strive toward careers as professional musicians, their bond deepens both from shared prodigious skill and the inexplicable sense that they're kindred souls. But on the precipice of graduation, one night forever alters the trajectory of their lives, destroying their relationship in the process. Twenty years later in New York, 16-year-old piano virtuoso Lottie Thomas is grappling with the rigors of her elite prep school and the confounding disappearance of the woman who gave her up at birth. When Lottie suddenly discovers the startling truth of her identity, the revelation catalyzes a chain of events that not only reunites Lottie with her birth parents, but forces them together on a careening, cross-country rock and roll tour-bus journey. And it is there, trapped in these tight confines, that the three must finally reconcile with the irrevocable choices made a decade-and-a-half earlier. Check Out Author Social Media PackagesCheck out the Bookwild Community on PatreonCheck Out My Stories Are My Religion SubstackGet Bookwild MerchFollow @imbookwild on InstagramOther Co-hosts On Instagram:Gare Billings @gareindeedreadsSteph Lauer @books.in.badgerlandHalley Sutton @halleysutton25Brian Watson @readingwithbrianMacKenzie Green @missusa2mba

A quiet, suburban family raising a Satanist? The 1980s satanic panic thrusted Ricky Kasso Jr. 's case into a whirlwind of occult conspiracies. Ricky's love of drugs and rock music led him down a road of delusion. The path of misunderstanding provided evidence to any pearl-clutching Cindy that rock and roll music leads to sex, drugs, and even murder Trigger Warnings: Druge Use Alleged Animal Abuse Graphic Murder Suicide Deadly Faith PATREON: https://patreon.com/DeadlyFaithPodcast?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkDeadly Drip Merch https://www.bonfire.com/store/deadly-drip/?utm_source=facebook_messenger&utm_medium=store_page_published_share&utm_campaign=deadly-drip&utm_content=default Need A Podcast Editor? Reach out to Eric Howell the editor of the Deadly Faith podcast!Email: thepodcastdoctor@gmail.com Resources:National Domestic Violence Hotline 1(800)799-7233 Open 24/7Suicide Hotline Call 988 Open 24/7National Human Trafficking Hotline Open 24/7 1(800) 373-7888 Connect with Us! EmailDeadlyFaithPodcast@gmail.comThe PodcastTik Tok @DeadlyFaithPodcastInstagram @DeadlyFaithPodcastLaciTik Tok @Laci_BeanInstagram @Laci__BeanLolaTik Tok @hellotherelolaInstagram @Spellbound_Shears

"Gina G is a national treasure, a rare kind of legend who's more than an actress and storyteller; she's a rock and roll goddess, proof that grit, glamour, and guts are still stitched into the fabric of fame. Opening up about her times with Prince and wild days in the deep Valley, for fans and friends alike, it's a ride as electric as she is." -Miley CyrusFrom a wayward California girl growing up in the heart of the porn-born San Fernando Valley, Gina Gershon found herself on a journey that has been anything but traditional. Along the way, she had to learn how to spot the toxic types-in both her personal life and her career-and figure out how to dodge, outsmart, or hustle her way through. From the Valley to the slums of Beverly Hills to New York City, she was confronted with shady characters and sketchy situations, all the while fighting to protect her autonomy as a woman and as an actress with a decidedly unconventional path. AlphaPussy is a collection of true stories that explore themes of experience, survival, and the art of figuring it out as you go. They include strange encounters with celebrities and film directors such as Paul Verhoeven, Tom Cruise, Sharon Stone, Prince, Jennifer Tilly, Sylvester Stallone, David Mamet, Bob Fosse, and so many others. Often hilarious, usually cautionary, and almost always wrapped in absurdity, Gershon's tales explore how she found herself through bad decisions, awkward moments, and cringe-worthy encounters that somehow gave rise to survival skills. Gershon stresses that while it can be important to listen to others, it's more important to listen to oneself. To trust your gut. In a world full of bullies, predators, and people trying to tell her who she was, or who she should be, it was crucial for Gershon to become an AlphaPussy: a woman who navigates through this perilous jungle of a world with personal agency and responsibility.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

The Rock and Roll Hall of Fame has announced this year's nominees. Sarah and Vinnie deep dive the list and share their thoughts on Jeff Buckley to Phil Collins to Pink. Speaking of Billy Idol, ‘Billy Idol Should Be Dead' hits theaters this week. 10 things that happened 10 years ago this week! Plus, a tight game of “When did that happen?”

In this episode of Over 50 & Flourishing, I sit down with Susan Holmes McKagan for a conversation about reinvention, courage, and playing the long game.After a successful career as a 90s supermodel, Susan pivoted in her late 40s and enrolled in Harvard Graduate School to deepen and refine her craft as a writer. She shares what inspired that decision, what it felt like to be older than many of her classmates, and how the academic rigor sharpened her writing and strengthened her discipline.We also talk about her nearly 27-year marriage to Duff McKagan of Guns N Roses. How they met on a blind date, what keeps their relationship strong, and what it was really like raising two daughters while navigating life on tour. Susan offers an honest look at the pros and challenges of being married in the rock and roll world and why longevity in love, just like career, requires intention and growth.In this episode, we discuss:Why Susan chose to go to Harvard Graduate School in her 40s after a successful modeling careerWhat it felt like to be the outlier in the classroomHow her writing sharpened and evolved after graduate schoolHow she met Duff McKagan and built a lasting marriage in rock and rollWhat tour life was like while raising a familyThe importance of taking leaps of faith at any ageWhy following your passion matters more than playing it safeHow benefiting from the long game leads to lasting successFor more on Susan Holmes McKagan, follow her on:Instagram: https://www.instagram.com/susanholmesmckagan/?hl=en Twitter/X: https://x.com/SuHolmesMcKagan Susan's book, The Velvet Rose: https://a.co/d/0cZfZwW8 Three Chords & The Truth: https://duffmckagan.com/radio-show/ Thanks to my Sponsors:Ritual: Save 25% on your first month at Ritual.com/OVER50 Hers: If you want clearer insight into your health, go to https://ForHers.com and schedule your labsAudible: Go to Audible.com/BigAgeSeries to start listening todayHoneylove: Save 20% off Honeylove at Honeylove.com/OVER50 Manukora: Head to Manukora.com/FLOURISHING to save up to 31% plus $25 worth of free giftsBloom Nutrition: Go to bloomnu.com and use code OVER50 for 20% off your first order. Keep in Touch:Website: ⁠⁠⁠⁠⁠⁠⁠https://dominiquesachse.tv/⁠⁠⁠⁠⁠⁠⁠Book: ⁠⁠⁠⁠⁠⁠⁠https://dominiquesachse.tv/book/Insta: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/dominiquesachse/Facebook: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/DominiqueSachse/TikTok: ⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@dominiquesachse?lang=enYouTube: ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@dominiquesachsetvHave a question for Dominique? Submit it here for a chance to have it answered on the show! https://forms.gle/MpTeWN1oKN8t18pm6 Interested in being featured as a guest? Please email ⁠⁠⁠⁠⁠⁠⁠courtney@dominiquesachse.tv⁠⁠⁠⁠⁠⁠⁠ We want to make the podcast even better. Help us learn how we can: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/2EcYbu4⁠⁠⁠⁠⁠⁠⁠Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Prisoners of Rock and Roll, we're diving into 1976 – that wild year where America turned 200 with fireworks, flags, and music exploding everywhere. It is also the year where Ryan and I were born.  And the music world celebrated us joining the party by releasing Hotel California from the Eagles, Stevie Wonder's Songs in the Key of Life, and Boston's Debut Album. David Bowie was The Thin White Duke. Disco was taking over the dance floors, while the Sex Pistols, Ramones, and The Clash were just getting started underground. There's plenty of great stuff to listen to, and debate so let's hit it.  Episode Playlist Check out our ⁠⁠⁠⁠episode playlist here⁠. ⁠⁠⁠ Get In Touch Check us out⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Prisoners of Rock and Roll, we're diving into 1976 – that wild year where America turned 200 with fireworks, flags, and music exploding everywhere. It is also the year where Ryan and I were born.  And the music world celebrated us joining the party by releasing Hotel California from the Eagles, Stevie Wonder's Songs in the Key of Life, and Boston's Debut Album. David Bowie was The Thin White Duke. Disco was taking over the dance floors, while the Sex Pistols, Ramones, and The Clash were just getting started underground. There's plenty of great stuff to listen to, and debate so let's hit it.  Episode Playlist Check out our ⁠⁠⁠episode playlist here⁠. ⁠⁠ Get In Touch Check us out⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome all you punks and punkettes, to this week's entry in “Cuz I Wanna (and You're Gonna Like It)”! This week, we are both rocking and/or rolling! Yes! We will rock out with our socks out! Anarchy within reasonable limits! Oo! We're discussing perhaps the greatest movie ever to star both The Ramones and Clint Howard! Woo! Down with the establishment! We're somewhat miffed at multiple authority figures! Hey, Mike! Watch me punk out! I'm going to set this glass on the table . . . WITHOUT a coaster! I'm out of control! You can't stop me; don't even try! Gamble Grimble Hey! Woo again! See, I'm making sure that this picture is hanging CROOKED! Oh god, I've become more animal than man! C'mon, let's slam-dance! Yes . . . OW! Ow, ow, ow, my shoulder, ow, ow my hip! Ow ow OH NO! I've overturned the potpourri dish! Oh lord, all societal norms are collapsing! I'm feeling the urge to use harsh language to politely criticize the architects our current political structure! It's too late for me! Run! Listen to our episode and save yourselves! Punk rock for a reasonable length of time! Poll question: what band or musician who hasn't made a movie would you like to see in a non-concert movie?

Musicians recount the strange and unexpected story behind the making of your favorite albums. Rocket from the Crypt was touted by some as "the next Nirvana", but John Reis (aka Speedo) just wanted to put on the highest energy, best rock and roll show the world had ever seen. The fellas welcome an expert in the field (of John Reis) and discuss pompadours, spinning carnival wheels, and the showmanship of punk music overall.Join us on Patreon to continue the conversation and access 50+ bonus shows!https://www.patreon.com/1001AlbumComplaintsJoin our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comSupport Conan Neutron -- BUY his latest record The Way of the Neutron, LISTEN to his podcast Protonic Reversal or his other podcast Movie Night Extravaganza, and SEE him on tour as soon as possible.Listen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/2kD7sTc3dUY4PUbRlTRIVH?si=84f8261456ab4634Listen to Scream, Dracula, Scream here:https://open.spotify.com/album/02CMQmnyFukoqly9mKByJX?si=sKbGkq2HQnW55WIJwZcbmAAnd our international playlists continue to grow: Thai, German, Sweden 1, 2, & 3, Italian, Australian, Belgium 1 & 2Intro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: Pink Floyd - The Wall

Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes … … Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue! … the most terrifying villain in the history of cinema ... is pop music becoming inbred? … when Neil Sedaka made records with 10cc (and Abba) … Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing? … Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure? … rock and roll puns and double-entendres … “drawn from the national conversation”: the divine Englishness of the Pet Shop Boys … the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title … and acts wiped out by the Beatles “like corn before the sickle”.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week on RadioBypass we bring you another powerhouse lineup of Rock and Roll that DESERVES to be heard!Featured this week:Black Swan – Death Of MeStahlecker – A Means To An EndBrother Cane – Nothing To LoseLightning Strikes – Voices In My HeadCrashing Wayward – Holding For Dear LifeTaming Sari – Tea & HoneyQuarantine – UnholyPlus music from Defiant - Don't want To See Your Face, Bad Marriage - Denim and Leather, and Drew Cagle & The Reputation - Wine Talkin'.For the first time ever during our weekly discovery show, we take a live phone call from Drew Cagle as he celebrates one year since releasing his album Bad Attitude and gives us an update on what's next.If you love discovering new rock, supporting independent bands, and keeping real rock alive — this episode is for you.Download. Stream. Share.RadioBypass — Rock and Roll that DESERVES to be heard.

Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes … … Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue! … the most terrifying villain in the history of cinema ... is pop music becoming inbred? … when Neil Sedaka made records with 10cc (and Abba) … Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing? … Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure? … rock and roll puns and double-entendres … “drawn from the national conversation”: the divine Englishness of the Pet Shop Boys … the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title … and acts wiped out by the Beatles “like corn before the sickle”.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

What does it take to turn a passion for music into a legacy that resonates through generations? Join host Buzz Knight on this captivating episode of takin' a walk as he dives into a conversation with Harold Bronson, the co-founder of Rhino Records, one of the most iconic record labels in music history. Harold’s journey is not just a tale of success; it’s a vivid exploration of the vibrant music scene in Los Angeles during the early '70s, where he started as a rock and roll singer with his band Mogan David and his Winos. Harold shares insights into the creative process behind Rhino Records and the label's unwavering commitment to preserving and celebrating music, especially the often-overlooked novelty records. The recently released album, Savage Young Winos, is a treasure trove of music that has remained unheard for over 50 years, and Harold reflects on the significance of this album in the context of his musical journey. This episode is a heartfelt tribute to the spirit of music as a joyful and integral part of life, showcasing how both Harold and the Rhino team have dedicated themselves to creating a lasting legacy. As Buzz Knight navigates through the stories behind albums and the evolution of the music industry, listeners will gain valuable music history insights that highlight the impact of DIY trends and the importance of authenticity in music. This episode isn’t just for music aficionados; it offers a unique perspective on the indie music journey, the cultural impact of music, and the stories that shape the legendary musicians and songwriters we admire today. Whether you’re a fan of classic rock history or looking to explore the music genres from Nashville, this episode of takin' a walk is packed with inspiring music stories, musician storytelling, and behind-the-music insights that will resonate with anyone who loves the art of music. Join us as we walk through Harold's Rhino Records journey and discover how the passion for music can lead to career breakthroughs and a profound connection with audiences worldwide. Don’t miss this opportunity to hear from a true icon in the music industry. Tune in to Buzz Knight’s music history podcast where every episode is a celebration of music and community, and get ready to be inspired by the stories that have shaped our musical landscape.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Discovering Downie: Live at Six (Gord Downie + The Sadies + The Conquering Sun) — Track-by-Track on Release DayOn launch day, jD reunites with Craig Rogers, Kirk Lane, and Justin St. Louis to break down Live at Six, a newly released live record featuring Gord Downie, The Sadies, and The Conquering Sun. It's an eight-track collection drawn from four shows (Sarnia, Fredericton, Cambridge, MA, and Dundas) spanning 2012 and 2014.This episode is a full-on fan-and-musician conversation: play it loud, follow the rabbit holes, and enjoy a record that feels like you're right up against the stage, even when it was recorded outdoors.MVP picks, deep cover-song origins, live-record sequencing debates, and a whole lot of gratitude—plus a reminder that sometimes the point isn't to decode everything. Sometimes it's just rock and roll.Episode HighlightsThe crew gets back together to cover Live at Six on release dayWhy this record feels like a sweaty club even when it isn'tThe meaning behind the title Live at Six (and where “six” actually comes from)Major rabbit holes (including the story behind “If You Have Ghosts”)Covers that still sound unmistakably like Gord Downie + The SadiesLive energy: loose-but-tight, tempo shifts, extended outros, and why that's part of the magicMVP picks from each host—plus what track people “need to hear” firstTracklist Breakdown (as discussed)1) “If You Have Ghosts” — recorded in Dundas, Ontario (Sept 1, 2012)Huge reactions to Dallas Good's performanceDeep dive into Rocky Erickson and the song's backstoryWhy the lyric “If you have ghosts, you have everything” hits so hard2) “So Sad About Us” — Sarnia (Aug 30, 2014) — a The Who coverNoted for harmonies and a vibe that recalls early rock/pop influenceDiscussion of how naturally it sits in Gord's wheelhouse3) “It Didn't Start to Break My Heart” — (live version discussed as an all-time banger)Faster than the studio version; jam section praised heavilyDescribed as completely over-delivering as a live performance4) “Grey Riders” — Fredericton, New Brunswick (Sept 12, 2014) — Harvest Jazz & Blues Festival — a Neil Young songStrong praise for backing vocals and arrangementConversation about preferring this version vs. the one they heard from Neil5) “Generation” — Fredericton (Sept 12, 2014) — a Fucked Up coverAlbum title reference comes from Gord speaking right before/around this track (“at six o'clock”)Note: the group didn't have as much time with this track due to a file miss6) Cambridge, Massachusetts set (May 3, 2014) — a track originally by The Gun Club (from Fire of Love, 1981)Described as the most “Sadies-sounding” song on the recordTalk of punk lineage and guitar swagger7) “Demand Destruction” — revisited live (from the Sarnia show)jD's MVP: the live performance hits harder than the studio versionFavorite lyric noted: “Breakdown in the verse part / Dead spot in the lyrics…” (songwriting “fourth wall” moment)8) “I Gotta Right” — The Stooges cover (closing track)Described as a “punch in the face” closerLeaves everyone wanting more; debate about wishing the album was longerJustin mentions being disappointed it wasn't “Search and Destroy” (also performed by Gord + The Sadies in other live clips)MVP PicksCraig: “If You Have Ghosts”Kirk: “Grey Riders” (and says “I Gotta Write” is the one people need to hear)Justin: “It Didn't Start to Break My Heart”jD: “Demand Destruction”Production Credits (as stated on the episode)Mixed by Ken Friesen (all tracks) except “Goodbye Johnny”“Goodbye Johnny” mixed by Dallas Good and Guillermo SabatzeMastered by Philip Shaw BovaTimestamps (approx. from transcript)0:49 — Welcome + what Live at Six is + who's on the mic3:36 — Release context: 4 shows, 2012/2014, where the recordings come from9:14 — Track 1: “If You Have Ghosts” deep dive begins21:57 — Track 2: “So Sad About Us” (The Who cover)33:11 — “It Didn't Start to Break My Heart” (live version reaction)38:27 — “Grey Riders” (Neil Young)43:54 — Side B + “Generation” (Fucked Up) + title explanation51:07 — Cambridge, MA track (The Gun Club origin discussed)55:26 — “Goodbye Johnny” (live vs studio)59:11 — Closer: “I Gotta Write” (The Stooges) + credits1:09:24 — MVP picks1:17:41 — Final thoughts + gratitude + community + live music plugListen / Follow / Join the CommunityInstagram: @tthpodseriesYouTube: youtube.com/@tthpodsFacebook Group: facebook.com/groups/tthpodcastseriesEmail: TTHtop40@gmail.comSEO KeywordsPrimary: Discovering Downie, Live at Six, Gord Downie, The Sadies, The Conquering Sun, Gord Downie live album, Gord Downie coversSecondary: If You Have Ghosts, So Sad About Us, Grey Riders, Demand Destruction, Generation (Fucked Up), I Gotta Write (The Stooges), live record review, track-by-track breakdownLong-tail: Gord Downie Sadies live at six tracklist, Live at Six album discussion, Discovering Downie Live at Six episodeHashtags#DiscoveringDownie #GordDownie #TheSadies #TheConqueringSun #LiveAtSix #CanadianMusic #LiveAlbum #MusicPodcast #TheTragicallyHipSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Of course, Jann, Caitlin, and Sarah wanted to cover the controversy surrounding the American Men's gold medal hockey game, highlighting the cultural implications of the athletes' behaviour and the ongoing rivalry between Canada and the US. Caitlin takes us through some topics worth SCROLLING on 'The Scroll' including the legacy of Eric Dane and his participation in the Netflix series 'Famous Last Words', the new Wuthering Heights film, and more. Canadian bassist Ryan Gullen of The Sheepdogs joins the second half of the show to tell Jann a story from 1997 that has had a lasting impact on him as a musician and shares a little more about the band's origin story in celebration of their new record, 'Keep Out of the Storm.' About The Sheepdogs: Hailing from Saskatoon, The Sheepdogs are multi-platinum, four-time JUNO winners who've spent more than 20 years proving rock and roll is alive and well. Known for their signature "guitarmonies" and electrifying live shows, the band has sold out tours around the world and amassed over 500 million streams. The Sheepdogs enter 2026 with the release of their new album 'Keep Out of the Storm' today, followed by the Out All Night Tour. The tour launches in Canada on March 13 and continues through the UK and Europe this November, reinforcing the band's reputation as one of rock's most relentless live acts. https://ffm.to/keepoutofthestorm https://thesheepdogs.com/tour/ https://www.instagram.com/realryangullen/ #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! ⁠www.jannardenpod.com/voicemail/⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/JannArdenPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Thursday, February 26th, A.D. 2026. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Jonathan Clark Russian-Ukrainian war in its fifth year The war between Russia and Ukraine entered its fifth year this week. International Christian Concern reports religious communities in the Russian-occupied areas of Ukraine continue to face harassment and violence. Protestant churches are especially targeted with intimidation, raids, and closures. The European Evangelical Alliance is calling on Christians to pray for their brothers and sisters caught in the conflict. The organization noted, “Churches continue to serve courageously. Acts of compassion and solidarity are widespread. Stories of protection, provision, and spiritual awakening remind believers that God remains present and active even in the darkest times.” Romans 8:28 reminds us, “We know that all things work together for good to those who love God, to those who are the called according to His purpose.” 1.8 million casualties in Russian-Ukrainian war After four years of fighting, Russia and Ukraine have experienced an estimated 1.8 million casualties. That includes people killed, wounded, and missing.  U.S. President Donald Trump continues to broker peace talks between the two countries even as the war drags on.  Ukrainian representatives plan to meet with U.S. envoys in Geneva, Switzerland today. This is ahead of a potential trilateral meeting between the U.S., Russia, and Ukraine next week.  U.S. Secretary of State Marco Rubio recently wrote on X, “President Trump wants a solution that ends the bloodshed once and for all.” European Commission fines X $140 million Speaking of X, the company is challenging a $140 million fine imposed by the European Commission.  The commission is using the European Union's Digital Services Act to impose censorship on American tech companies. Jeremy Tedesco with Alliance Defending Freedom stated, “The platforms the Digital Services Act targets … are the modern public square. They are where Americans debate politics, share their faith, and hold the powerful accountable. … The EU Commission is targeting X for a simple reason: X is committed to free speech, and the Commission demands censorship.” El Mencho's Mexican cartel extorted and harassed pastors As The Worldview reported on Tuesday, Mexico's military forces killed the drug cartel leader, Nemesio Cervantes,  known as “El Mencho” on Sunday. He was the most wanted person in Mexico and one of the most wanted people in the United States.  The cartel he led was known for terrorizing not only businesses but also church leaders in Mexico. Pastors faced intimidation, extortion, harassment, and threats at the hands of the cartel.  Trump affirmed “one nation under God” In the United States, President Donald Trump delivered his 2026 State of the Union Address to a joint session of Congress on Tuesday.  The speech lasted for an hour and 48 minutes, the longest State of the Union Address in modern tracking.  At one point, he asked a question. TRUMP: “One of the great things about the State of the Union is how it gives Americans the chance to see clearly what their representatives really believe. So tonight, I'm inviting every legislator to join with my administration in reaffirming a fundamental principle. “If you agree with this statement, then stand up and show your support. ‘The first duty of the American government is to protect American citizens, not illegal aliens.'” (Republicans applauded) Not surprisingly, all the Republicans stood and all the Democrats remained seated, revealing the stark contrast between the two major parties. Throughout his speech, the president mentioned the upcoming 250th anniversary of the founding of the United States. He acknowledged the hand of Providence in our country's destiny and celebrated recent renewal in religious interest among young people. Listen. TRUMP: “I'm very proud to say that during my time in office, both the first four years, and in particular this last year, there has been a tremendous renewal in religion, faith, Christianity and belief in God. “This is especially true among young people, and a big part of that had to do with my great friend, Charlie Kirk, a great guy, a great man.” (You can watch the State of the Union here.) Singer Johnny Cash remembered for faith in Christ And finally, today marks the birthday of Johnny Cash. The iconic American singer was born on February 26, 1932.  He rose to fame in the music scene in the 1950s before coming to Christ later in the 1970s. He became known as the “Man in Black” for his all-black stage suits.  After his conversion, Cash would use his music to share the Gospel, often performing at Billy Graham Crusades.  Cash remains one the best-selling music artists of all time. He was inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame.  One of his last recorded songs was called “I Came to Believe.” Listen to the chorus. “I came to believe in a Power much higher than I. I came to believe that I needed help to get by. In childlike faith, I gave in and gave Him a try. And I came to believe in a Power much higher than I.” Proverbs 3:5-6 says, “Trust in the LORD with all your heart, and lean not on your own understanding. In all your ways acknowledge Him, and He shall direct your paths.” Pick up a copy of Greg Laurie's biography entitled, Johnny Cash: The Redemption of an American Icon.  And watch the Christian movie by the same name.  Close And that's The Worldview on this Thursday, February 26th, in the year of our Lord 2026. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  Plus, you can get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

Season 11 premieres with a jaw-dropping, emotional sit-down as Sharon Osbourne joins Bunnie and holds nothing back. From ice facials and rock-and-roll roots to family secrets and a complicated childhood, Sharon opens up about the life that made her one of the toughest women in music.She gets brutally honest about Ozzy's addiction, infidelity, and the private pain behind the spotlight—plus the strength it took to stand by him while holding their family together. Sharon also sounds the alarm on AI in the music industry and why real artists are at risk of being replaced.The episode takes a nostalgic turn with her iconic Charm School moment defending Ozzy, wild reality TV memories, and her obsession with decorating inspired by years on the road.In the most heartbreaking part of the conversation, Sharon shares Ozzy's determination to keep performing despite serious health struggles and what that final chapter looked like behind closed doors.Secrets, survival, rock-and-roll chaos, and resilience—this Season 11 premiere will leave you shook.Sharon Osbourne: IG | XWatch Full Episodes & More: YouTubeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.