Podcasts about Rock and roll

This Halloween, HOWLING GIANT will release their third full-length, Crucible & Ruin, courtesy of Magnetic Eye Records. Guitarist and vocalist Tom Polzine details the new record, line-up, and future plans from one of the best rock and roll bands on Earth.Music by:Blue HeronHowling GiantGiobiaIntro music by:Hot ZonePatreon: https://www.patreon.com/GettingitoutpodcastEmail: dan@gettingitout.netWebsite: http://gettingitout.net/Instagram: @getting_it_out_podcastFacebook: www.facebook.com/gettingitoutpodcastX: @GettingItOutPodSupport this show http://supporter.acast.com/getting-it-out. Hosted on Acast. See acast.com/privacy for more information.

  Originally recorded on  Saturday  September 20, 2025 and Saturday September 27th, 2025  Hey there, fans? That Horror Show Podcast brings you yet another double-feature review episode to perk your eardrums with delight. Show hosts Timothy Kazda and Chris Koenig hop back in time to the 1950s, when kids dug rock-and-roll and women wore those torpedo-tipped brazzers! The hosts venture to the local Starlite drive-in to check out two 50s sci-fi/horror classics. First, the guys check out "Invasion of the Body Snatchers" (1956) and discover 'pod people' is a lot more than just a derogatory term to describe a zombified office worker! And then, for the second feature, it's "I Married a Monster From Outer Space" (1958) which reveals that the union between an Earth-woman and an alien does not result in marital bliss! And yes, Nate from 'Kids Corner' is on hand to provide his own review for none other than "Halloween Ends" (2022). So while you're watching the skies, sit back and give this show your undivided attention. #alieninvasion #1950s #invasionofthebodysnatchers #imarriedamonsterfromoutersapce #Thathorrorshowpodcast #THSP #Halloween #HalloweenEnds 

Barry and Abigail discuss Rockin' From the Grave and sample Pumpkin Shandy from Penn Brewery in Pittsburgh, Pennsylvania (in collaboration with Soergel Orchards in Wexford, Pennsylvania), Jack from Urban Artifact in Cincinnati, Ohio, and Pumpkin Spice Cheesecake Mind Over Matter from Magnify Brewing Company in Fairfield, New Jersey.We have gone zero episodes without mentioning the White Album or Abigail's personal White Album, Guitar Hero III: Legends of Rock. Both Black Magic Woman and a cover of The Devil Went Down to Georgia by Steve Ouimette appear on GHIII: LoR, but Abigail was mistaken about (Don't Fear) The Reaper's inclusion; in fact, Cities on Flame with Rock and Roll is the Blue Öyster Cult representation on GHIII: LoR, and (Don't Fear) The Reaper is actually on Rock Band, which Abigail has played, but the Hummels have never owned.Listen to our exploration of The Munsters Theme's many different iterations in last year's Halloween episode, New Belgium Halloween (New Wave Halloween & New Belgium Brewing)! Today, we also listened to the version with lyrics and briefly discussed Far Out Munsters, the episode where the Munsters rent their home to a Beatles-inspired rock group.Edgar Winter's justification of naming his song Frankenstein because of its “monster-like, lumbering beat” reminded Abigail of Flight of the Cosmic Hippo by Béla Fleck and the Flecktones.Watch the music video for Addams Groove by MC Hammer.Barry educated Abigail about the famous “More Cowbell” sketch from SNL, which centers around the studio recording of (Don't Fear) The Reaper!In looking deeper into the fun fact from Carlo's Corner about salt killing yeast, we stumbled upon this article on the history and science of Goses written by the brewmaster of Anderson Valley Brewing Company in Boonville, California, a brewery known for their Goses. Per the article, some Goses from the early 20th century had between 130 and 280 ppm of salt. Anderson Valley typically adds about 800 ppm of salt - but only after fermentation. It is thought that as little as 100-150 ppm of salt can cause osmotic stress to the yeast and therefore decrease fermentation rates, but the salt concentration required to completely inhibit fermentation or cause death for the yeast are much higher than humans would tolerate as palatable in a beverage.Santana's Black Magic Woman is a mash-up cover of Black Magic Woman by Fleetwood Mac and Gypsy Queen by Gábor Szabó. Abigail would much rather listen to Smooth (feat. Rob Thomas).While Abigail believes Johnny clearly won the fiddle battle in The Devil Went Down to Georgia, John Oliver strongly disagrees. Watch the boss battle against the devil from GHIII: LoR.We previously discussed the word “pompatous” (found in Clap For the Wolfman by The Guess Who) during our discussion of Steve Miller Band's The Joker in our episode Cans (k.d.lang and Cigar City Brewing).Read more about Paracelsus and the absolutely nauseatingly eye-rollingly annoying reason he took the name Paracelsus.Barry made Abigail play a little bit of Grandmaster Dee's Haunted Scratch, the original B-side to Freaks Come Out at Night by Whodini.Twilight Zone by Golden Earring was inspired by The Bourne Identity novel, and you may be able to tell this from the music video. The other song from two-hit wonder Golden Earring you may have heard of would be Radar Love.(Ghost) Riders in the Sky is a cover originally written and performed by Stan Jones. Prior to The Outlaws' version, Johnny Cash's version was the most well-known.Up next… Brothers in Arms by Dire StraitsJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

Avatar frontman Johannes Eckerstrom celebrates their latest album, 'Don't Go In the Forest,' opens up about how the band approaches albums and much more.

Two federal prosecutors who described the people who attacked the Capitol on January 6th as a "mob" are suddenly suspended, and their court document is replaced. Plus, new images of the enormous destruction Hurricane Melissa did to Jamaica, when it came through as a Category 5 storm. And, Anderson's interview with legendary music journalist and filmmaker Cameron Crowe, who first made a name for himself interviewing rock and roll royalty in the 1970s when he was just a teenager. He talks about his new memoir "The Uncool”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this month's Haunting Season-themed episode of Magus we're digging into the gory life story of "The Beast" himself, Aleister Crowley!One of the most infamous occult figures of the 20th century, we explore how Crowley's singular life unfolded - his religious childhood, early penchant for sadism, his academic failures, and his interests in the arcane; his poetry, quest for knowledge, and the boundless, destructive hedonism which led him into penury and dissolution.Author of some of the century's most influential books about 'magick' - a spelling he himself pioneered - we recall how it was not until Crowley was long dead that his work reached a significant global audience. But what has been lost in the reclamation of Crowley as a rock and roll icon celebrated by the 60s counter-culture?From his life-long drug habits to his many frauds, his litany of sexual abuses to his contradictory messaging and petty feuds, he was a person who courted controversy at every stage of his life, and whose globe-trotting existence left a legacy of pain and trauma in its wake. As such, we're diving into some grotty stuff on this one, along with some fascinating, challenging, and at times utterly ridiculous concepts.Though, fair warning, you may want to scrub yourself clean afterwards...Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Olivia & Justin look back at a unique event in Elvis's posthumous legacy from 20 years ago - the EPE-endorsed 2005 Broadway show that utilized Elvis's music to tell the story of Chad, a 1950s motorcycling roustabout who travels from town to town bringing rock and roll and romance to small town America, Natalie, the mechanic who falls in love with him, and the numerous other characters brought to life in this show penned by writer Joe DiPietro. Crammed to bursting with more Elvis hits than you can shake a stick at, "All Shook Up" received middling reviews on Broadway at a time not particularly generous to jukebox musicals, yet has since become a standard for smaller theatre companies and schools to license... but how does the story really stack up, either to other musicals, or to Elvis's own musical films? Is Elvis's legacy represented well? Is his music used effectively? We sat down with a filmed version of the original Broadway production, the script and soundtrack album to try to figure it all out. We ran a bit long on Song of the Week so this is being split across two parts, breaking right in the middle of the discussion where the intermission would be in the musical itself. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Hanging out in Florida today with the always entertaining comedienne, television personality and actress Rhonda Shear! It's a few days before that last night in October, and let me tell ya - the holiday just got a whole lot more thrilling when Rhonda starts talking about the all-new revival of 'Up All Night'. Join me when I sit down with Rhonda - aka THE Scream Queen - as she talks about her 'reVAMPed' Halloween edition of her iconic '90s aforementioned TV hit, now streaming exclusively on KingsOfHorror.com. Fans can expect the same outrageous, campy comedy that made her a cult favorite, along with spooky new characters, hilarious sketches, and that signature Rhonda charm. It's frightful fun, fabulous flair, and nostalgic chaos — just in time for Halloween. Grab your costume and join us!About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests are in the spotlight, we're talkin'! Refreshingly unscripted and unusually entertaining, listen in as each guest gets real about their careers in the entertainment biz, from where they started to how it's going. Settle into my swanky studio where drinks are on ice and the conversation starters are music + media - always a deal breaker for the rock and roll homemaker! Listen to Donna every night starting at 9 on Houston Radio Platinum, along with a special program she hosts every Tuesday and Thursday night at 10 called 'Late Night Music Stories'. Love the conversations? Follow @donnareedvo @spotlightconversations @rockandrollhomemaker New episodes drop every Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereBooth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird Studios...

Autumn Kings' Jake Diab discusses his band's 10-year history, new music and how they stay focused to avoid burnout.

This time on Stairway to Eleven, we dive into the artists who leave us completely tongue-tied. We share the artists that we think we'd be cool meeting… but know we'd actually just freeze, mumble, or forget how to form basic human sentences. We also talk about the times we did meet our heroes. Along the way, we also recap some recent shows we've caught and run through what's been spinning in our headphones lately. If you've ever imagined bumping into one of your musical heroes and instantly forgetting every album they ever released… this one's for you. Turn it up — and maybe rehearse what you'd say if your favorite musician walked right past you.

At long last Shannon gets to talk about the book she's been planning on since the last Halloween episode — The Picture of Dorian Gray by Oscar Wilde. We first discuss the Aesthetic Movement of the 19th century and a tiny bit of the life of Oscar Wilde before we jump into the book itself. Then Bryce gifts you with an abbreviated history of metal music. Get a notepad ready to take notes because he gives you a LOT of information! Happy Halloween! Show Notes: The Picture of Dorian Gray by Oscar Wilde: Oscar Wilde Official Website: http://www.cmgww.com/historic/wilde/ Oscar Wilde: https://en.wikipedia.org/wiki/Oscar_Wilde Aestheticism: https://en.wikipedia.org/wiki/Aestheticism Decadent Movement: https://en.wikipedia.org/wiki/Decadent_movement The Aesthetic Movement by Fiona McCarthy: https://www.theguardian.com/artanddesign/2011/mar/26/aestheticism-exhibition-victoria-albert-museum Aesthetic Movement in England by Walter Hamilton: https://archive.org/details/aestheticmovemen00hamiuoft Oscar WIlde's Cello Coat: https://oscarwilde.blog/2018/01/04/oscar-wildes-cello-coat/ The Picture of Dorian Gray: https://en.wikipedia.org/wiki/The_Picture_of_Dorian_Gray# Metal music: VH1 Documentary https://www.youtube.com/watch?v=AR78XBi_nAE&t=13s https://en.wikipedia.org/wiki/Rock_and_roll https://en.wikipedia.org/wiki/The_Beatles https://en.wikipedia.org/wiki/Birmingham#History https://en.wikipedia.org/wiki/Black_Sabbath#History https://en.wikipedia.org/wiki/Led_Zeppelin This is Spinal Tap amps go to 11 https://www.youtube.com/watch?v=uMSV4OteqBE https://en.wikipedia.org/wiki/Psychedelic_rock https://en.wikipedia.org/wiki/Satanic_panic https://en.wikipedia.org/wiki/Parents_Music_Resource_Center https://en.wikipedia.org/wiki/Heavy_metal_genres https://en.wikipedia.org/wiki/Dimebag_Darrell https://www.rollingstone.com/feature/behind-the-murder-of-dimebag-darrell-233541/ Songs list: Little Richard, Tutti Frutti - Here's Little Richard 1957 James Brown, Shout and Shimmy - Good, Good Twistin' With James Brown 1962 Chuck Berry, School Day - After School Session 1957 The Beatles, Love Me Do - Please Please Me 1963 Black Sabbath, Wasp/Behind the Wall of Sleep/Bassically/N.I.B. - Black Sabbath 1970 Led Zeppelin, Good TImes Bad TImes - Led Zeppelin I 1969 Led Zeppelin, Dazed and Confused - Led Zeppelin I 1969 Tenacious D, Karate - Tenacious D 2001 Worm Shepherd, The Anguished Throne - Hunger 2024 Humble Pie, As Safe As Yesterday Is - As Safe As Yesterday Is 1969 Deep Purple, Smoke on the Water - Machine Head 1972 Back Sabbath, Black Sabbath - Black Sabbath 1970 Black Sabbath, War Pigs - Paranoid 1970 Steppenwolf, Born to be Wild - self titled 1968 Alice Cooper, Poison - Trash 1989 KISS, Sure Know Something - Dynasty 1979 AC/DC, TNT - High Voltage 1976 Judas Priest, Realms of Death - Stained Class 1978 Motorhead, Ace of Spades - Ace of Spades 1980 13th Floor Elevators, You're Gonna Miss Me - 7th Heaven Music of the Spheres 1966 Chelsea Grin, Cursed - My Damnation 2011 The Damned, New Rose - Damned Damned Damned 1977 Judas Priest, Breaking the Law - British Steel 1980 Candlemass, Solitude - Epicus Doomicus Metallicus 1986 Venom, Black Metal - In League With Satan 1981 Van Halen, You Really Got Me - Van Halen 1978 Black Sabbath, Neon Knights - Heaven and Hell 1980 Black Sabbath, Sabbath Bloody Sabbath - Sabbath Bloody Sabbath 1973 Def Leppard, Photograph - Pyromania 1983 Quiet Riot, Cum on Feel the Noize - Metal Health 1983 Mercyful Fate, Evil - Melissa 1983 Frank Zappa, We're Turning Again - Frank Zappa Meets the Mothers of Prevention 1985 Cannibal Corpse, Hammer Smashed Face - Tomb of the Mutilated 1992 Kreator, People of the Lie - Coma of Souls 1990 Napalm Death, Suffer the Children - Harmony Corruption 1990 Helloween, I Want Out - Keeper of the Seven Keys, Pt. 2 1988 TOOL, Sober - Undertow 1993 Linkin Park, One Step Closer - Hybrid Theory 2000 Pantera, Walk - Vulgar Display of Power 1992 Finntroll, Jaktens Tid - Jaktens Tid 2001 Slaughter to Prevail, Demolisher - Kostolom 2019 Other appearances: Chris Shelton interviewed us in the beginning of a series on Mormonism on his Speaking of Cults series. He has had MANY different fascinating people on so go take a look! Here is the whole playlist: https://www.youtube.com/watch?v=OpGuS7GcsgA&list=PLGrPM1Pg2h72ADIuv8eYmzrJ-ppLOlw_g Email: glassboxpodcast@gmail.com Patreon: https://www.patreon.com/GlassBoxPod Patreon page for documentary: https://www.patreon.com/SeerStonedProductions BlueSky: @glassboxpodcast.bsky.social Other BlueSky: @bryceblankenagel.bsky.social and @shannongrover.bsky.social Instagram: https://www.instagram.com/glassboxpodcast/ Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on "Store" here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com Venmo: @Shannon-Grover-10

Hear interviews with members of the cast and creative team behind the Indianapolis Repertory Theatre's production of Marie and Rosetta —including actors Cherish Love, Jaela Cheeks-Lomax, and music director Morgan E. Stevenson.  Marie and Rosetta, written by George Brant, explores the powerful artistic partnership between gospel music legends Sister Rosetta Tharpe and Marie Knight. The production runs at the Indianapolis Repertory Theatre from October 28 through November 23.  Born in Arkansas in 1915, Sister Rosetta Tharpe was a trailblazing guitarist and vocalist whose music fused the ecstatic spirit of gospel with the rhythmic drive of rhythm and blues — paving the way for rock and roll pioneers like Chuck Berry and Little Richard. Inducted into the Rock and Roll Hall of Fame in 2018, Tharpe is now widely celebrated as the Godmother of Rock and Roll. Known for her powerful voice, magnetic stage presence, and groundbreaking mastery of the electric guitar, Tharpe broke barriers as one of the first gospel artists to cross into secular music — achieving mainstream success throughout the 1930s and 1940s.

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“If you had to choose… would you rather battle the cold or the wind?”In this episode of The Ben and Skin Show, the crew dives into hoodie season with a fiery debate about the worst weather combo known to man: cold vs. wind. Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray share their strong feelings about the elements, including Skin's dad's legendary quote:“I'll do cold, and I'll do wind, but I won't do cold and wind.”But the real storm brews when Skin stumbles upon a late-night gem on AXS TV: Music's Greatest Mysteries. What starts as a casual scroll through the guide turns into a wild ride through rock-and-roll conspiracies.

ENMY guitarist Mike Quinn and frontman Brady Reis joined Loudwire Nights to dive into the history of the band — from forming in 2020 to getting their first video game placement.

 On this episode, we enjoyed talking with Adam Czeisler of the band Sweet Water. We were fortunate to hear the story behind how their latest album, “Shine On,” came into the world! We talked about their very organic and collaborative process and the ever-pressing question: how do you know when a song is finished!  Formed in the early '90s and made up of frontman Adam Czeisler, guitarist Rich Credo, bassist Cole Peterson, and drummer Chris Friel, Sweet Water has spent decades making music together grounded in friendship and a shared love of rock and roll. "We love making music – and love thechallenge to make art that reflects who we are and where we are," says Rich. "I think the true strength of our band is our core friendship and its longevity," adds Adam. "Rich, Cole, and I went to the same schools in both elementary and high school. Chris and Cole have known eachother since they were kids."The band took a new approach to recording this time. "From the start, we had a very different mindset for making this record," says Adam. "We wanted to be way more ambitious, take way more risks to try and stretch the songs beyond what we had done before, because 'why not? If not now, then when?' So, we said to each other from the beginning we wouldn't settle; we would keep trying different approaches with each song and not stop until we felt it wasleaping off the track into our brains." Phil Ek, who mixed the album, offered a note that stuck with them: "sometimes more is more." Be sure to check them out here:  Website: sweetwaterrocks.com  IG: sweetwaterrocks  FB: SweetWater  

From April 2024: Sebo joins us from Milan Italy to discuss the international music scene, his clinics, his famous guitar friends and his endorsement with Ibanez Guitars!

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker's many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker's–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week on The Struts Life, we are joined by an absolute icon, a woman who didn't just witness rock and roll history—she helped create it. The one and only Pamela Des Barres, legendary author of I'm With The Band, rocker, and cultural trailblazer, sits down with us for a conversation that pulls back the velvet curtain on the golden age of the Sunset Strip. What does the woman who has seen and heard it all really think about the state of music today? What is it about Luke Spiller and The Struts that captured her attention, and what secret did she reveal after her one-on-one podcast with him that left her feeling... depressed? You think you know the stories, but you've never heard them like this. Don't miss this incredible journey through the past, present, and future of rock with a true queen of the scene. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Spirit Box, I'm joined by Gary Lachman — musician, writer, and author of twenty-six books on Western esotericism — for a conversation that spans from the Bowery to the astral.Gary was the bassist for Blondie during their early New York years, and shares his journey from a childhood fascination with comics to his time living in a loft with Debbie Harry and Chris Stein, where a flamboyant biker artist introduced him to Aleister Crowley. That encounter, and a fateful read of Colin Wilson's The Occult, set him on a lifelong path through the hidden corridors of consciousness, mysticism, and philosophy.We talk about precognitive dreams and telepathy, the strange electrical accident that may have opened psychic doors, and how a shared dream with his girlfriend became the Blondie song “Touched by Your Presence.” Gary reflects on his shift from rock and roll to writing, his time as a science journalist, and his enduring fascination with thinkers like Gurdjieff, Robert Anton Wilson, and Arthur Koestler.The conversation also explores Gary's “naturalist” approach to magic — a focus on direct experience rather than dogma — and his philosophy of daily writing as an esoteric practice in itself. Along the way, we touch on David Bowie, near-death encounters, and the lasting influence of Colin Wilson on his work.Show notes:https://www.gary-lachman.comhttps://www.instagram.com/gvlachman/https://www.innertraditions.com/touched-by-the-presenceKeep in touch?https://linktr.ee/darraghmason

 Originally Published 10/27/19It's the Halloween 2019 show!Here's The Playlist:Night Of The Sadist Larry & The Blue Notes Back From The Grave Vol. 4Suggested by EricMonster Mash  The Dollyrots Bandcamp SingleRock 'N' Roll Ghost  The ...

Send us a text The episode is a casual conversation between musicians discussing their experiences in the local music scene, including performances, collaborations, and challenges faced during gigs.Traffic and Infrastructure IssuesThe discussion highlights frustrations with local traffic conditions and infrastructure changes in Joliet.Frequent bridge closures in downtown Joliet have become a common occurrence over the past two years.Traffic congestion is exacerbated by ongoing road construction, often reducing lanes to one.The hosts express their annoyance with the delays caused by trains and bridge openings during rush hour.Introduction of Rick Andrews SchlegelRick Andrews Schlegel is introduced as a guest on the podcast, sharing his background and experiences in music. ​The hosts, Ray the Roadie and Hollywood Mike, welcome Rick Andrews Schlegel to the studio.Rick shares his history of performing and filling in for local bands, including the Stillmasters and Cadillac Groove.He reflects on the challenges of last-minute gig arrangements and the camaraderie among musicians.Musical Background and InfluencesRick discusses his musical journey, including his early influences and the evolution of his songwriting.Growing up in a musical household, Rick was inspired by his older brothers and his mother, a music teacher.He started playing bass in high school before transitioning to guitar and songwriting. ​Rick emphasizes the importance of developing a unique sound rather than following popular trends of the 80s.Songwriting Process and InspirationsRick elaborates on his songwriting process, including how he generates ideas and structures his songs.He often jots down song titles and ideas, which serve as the foundation for his songwriting.The creative process involves combining melodies, lyrics, and arrangements to create a complete song. ​Rick finds joy in every step of songwriting, from initial ideas to final production.Performance and Song SharingRick performs his song "Rock Island Line," which reflects on the theme of coming home. ​The song is inspired by his daily commute on the Rock Island Line and the desire to return home after a long day. ​The performance is well-received, with the hosts commenting on its powerful message and arrangement.Rick shares that the song is part of his album "Candid, Transparent, and Gratitude," which showcases his Americana style. ​Transition from Original Music to Cover BandsThe speaker reflects on their journey from focusing on original music to playing in cover bands due to life choices. ​Initially focused on original music and supporting their band. ​Life choices led to playing in cover bands and performing rock and roll every weekend. ​Acknowledges passing the age of chasing the rockstar dream.Current songwriting is driven by the creative process rather than fame. ​The Obsession of SongwritingThe speaker discusses the intrinsic nature of being a musician and the continuous drive to write songs. ​Being a musician is an inherent part of their identity, not a choice.Songwriting is an obsession that persists throughout life.The creative process is essential, regardless of the audience size.The speaker emphasizes the importance of connecting with listeners through music.Support the showPodcast edited by Paul Martin.Theme song courtesy of M&R Rush.www.rocknrollchicagopodcast.com

What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint.   Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe,   Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset.   Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun.   Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point.   Bill Ratner ** 02:38 But his posture, oddly enough, is perfect.   Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning.   Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden.   Michael Hingson ** 03:21 My mother. How long were you in Des Moines?   Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there.   Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff.   Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45   Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start.   Bill Ratner ** 04:44 It's a weird generation. Michael,   Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So   Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston.   Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South   Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie?   Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand,   Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now,   Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you   Bill Ratner ** 06:32 know who said that the school says school so that   Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the   Bill Ratner ** 06:38 kid, goodness gracious, horrified.   Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn.   Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the   Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good.   Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know   Michael Hingson ** 07:48 the name, unstoppable mindset. This   Bill Ratner ** 07:51 is unstoppable mindset.   Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college?   Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union.   Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right?   Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public?   Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool.   Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as   Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and   Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner.   Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up?   Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss.   Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor?   Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure   Michael Hingson ** 25:15 and all those. Yeah, during   Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition   Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you?   Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G   Michael Hingson ** 29:01 Robinson and yeah   Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way,   Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones,   Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star.   Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was   Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family.   Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway,   Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no,   Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity   Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and   Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story.   Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time.   Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got   Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV.   Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did.   Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great   Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy   Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and   Michael Hingson ** 44:49 he died for Jeopardy before that,   Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story.   Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's   Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know,   Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip.   Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes.   Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us.   Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No,   Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts,   Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And,   Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it   Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope.   Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean,   Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff   Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated   Bill Ratner ** 49:26 close up spaces. You   Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers.   Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch.   Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah.   Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that   Michael Hingson ** 50:03 audio? Oh,   Bill Ratner ** 50:06 quick time is quick   Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible.   Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool.   Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking.   Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner,   Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times.   Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much   Michael Hingson ** 56:25 money. Then you went into poetry.   Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep?   Michael Hingson ** 57:23 A little word movie, word movie out of the   Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do.   Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them   Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights,   Michael Hingson ** 59:09 and you became a grief counselor,   Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry.   Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes?   Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that   Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just   Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do.   Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I   Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert.   Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they   Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well   Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm.   Bill Ratner ** 1:04:23 What happened to you on September 11,   Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One.   Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you?   Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And   Bill Ratner ** 1:05:54 so, so what floor did the plane strike?   Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and   Bill Ratner ** 1:06:09 at the moment of impact, what did you think?   Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went,   Bill Ratner ** 1:06:34 really you so you thought you were going to die?   Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point.   Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway?   Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down.   Bill Ratner ** 1:07:33 Wow. Could you smell anything?   Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le

Episode 641. Izzy is back to talk about the event he is hosting in Las Vegas… WELCOME TO CASABLANCA! The Official, UNOFFICIAL KISS Army Pre-Party! Come join us at The Dive Bar (Las Vegas) for a night of rock and roll celebration before the big weekend! Meet up with fellow KISS fans and enjoy some […]

Trick or Treat - "Your Cage is Shaking Loose"Our Halloween themed party ends with TRICK OR TREAT (1986). A cautionary tale about following your heroes to the pits of hell & the power of rock-n-roll. Starring Marc Price as a nerd who wants revenge with cameos from rock legends Ozzy Osbourne & Gene Simmons this one rocks hard!We hope you have a very Happy Halloween & enjoy this fresh episode!Support the show

Rock and Roll: Diary of a Rescue, Part 1 - Meredith Hodges - Lucky Three Ranch Learn the details involved when dealing with rescue animals. Surround yourself with a professional support team for the treatment of rescues. It's more than just farrier work and supplementing a feeding program. Taking X-rays when needed. Keeping records and documenting your work. This and more on Mule Talk!Mule Talk is an Every Cowgirl's Dream production - www.EveryCowgirlsDream.Com www.MuleTalk.Net Meredith Hodges Interviews: www.LuckyThreeRanch.Com/Podcast-Appearances/

Phaeton (October 24th) of our third album "Neurogenesis,"Guest appearance from former Dream Theater keyboardist Derek Sherinian (on the single "Isochron").Phaeton formed in 2017 in the Rocky Mountain resort town of Kimberley, British Columbia. Our drummer Colin had worked with Kevin and Dan and I in separate earlier metal bands and he gathered us all together to create something exciting and unique. Which ended up being all-instrumental progressive metal, akin to Animals As Leaders or Scale The Summit or Intervals, although we draw further influence from artists such as Rush, Mastodon, Gojira, Between the Buried and Me, Devin Townsend, and Dream Theater. We're somewhat insular and work in-house, with Kevin being our recording engineer and producer - our recorded output features crystalline sharpness, but we're a much heavier live act in person. We're currently promoting the imminent release (October 24th) of our third album "Neurogenesis," which features a guest appearance from former Dream Theater keyboardist Derek Sherinian (on the single "Isochron"). Phaeton have shared the stage with such metal notables as Anciients, Bison, and Beyond Creation, and we make friends wherever we go. Phaeton are looking forward to further touring both across Canada and internationally. Click Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS! Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”   Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?  PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.The following are the different podcasts to Follow, Listen, Download, Subscribe:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit – Music Interviews & Festivals•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessClick Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

Nicol of STELLVRIS - Silence After ViolencePipemanRadio Discusses NEW EP Shatter & Bloom From STELLVRIS out 11/7mission: to turn pain into power. Their music speaks to those battling anxiety, toxic relationships, bullying, and the weight of everyday struggles. Every riff, scream, and soaring chorus carries a message of strength, courage, and connection — a reminder that no one has to fight alone.With each song, the band show no fear in addressing the darker sides of society — from mental health to violence and betrayal — and transforming them into music that unites, empowers, and heals.For STELLVRIS, it's never just about the sound. It's about creating a safe space where pain can turn into resilience, and where the silence after violence can be broken by music.Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS! Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”   Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?  PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.The following are the different podcasts to Follow, Listen, Download, Subscribe:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit – Music Interviews & Festivals•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessClick Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

https://mikekozlowski.comMichael A. Kozlowski is a native of Detroit, MI, where he still resides. He mostly creates stories of horror and suspense and has a tendency to shy away from happy endings.When not writing, Mike enjoys fronting a rock and roll cover band, playing guitar, dabbling in fine art and graphic design so he doesn't feel like he completely wasted all that time in college, and exploring the hidden gems and cultural offerings of Detroit; a city that still surprises him and that he is proud to call home.Michael has gathered a number of his published works into the 5-star reviewed collection Some Days Suck, Some Days Suck Worse, which has received accolades from the likes of Bram Stoker award winner Weston Oches, and bestselling author Jay Wilburn.The first two books in Mike's horror/intrigue/zombie apocalypse mash up series, Angel of Death and Fallen Angel, are available now. Both books have received excellent ratings and reviews. The next two books in the series are “in development.”American Ghost Stories: True Tales from All 50 States, is out now and available wherever books are sold. His mom says, “It's great!” and that you should buy it (and all his other books) and make him famous. Mike's mom is pretty cool.Mike's newest book, Bigfoot Sightings: True Encounters from Across America, co-authored with the amazing Jim Willis, will be out in August. His mom says this one is great, too. You probably will, as well. Because, otherwise, you'd be calling his mom a liar.www.jenniferannegordon.comwww.afictionalhubbard.comhttps://www.facebook.com/VoxVomituspodcast https://twitter.com/VoxVomitus#voxvomitus #voxvomituspodcast #authorswhopodcast #authors #authorlife #authorsoninstagram #authorsinterviewingauthors #livevideopodcast #livepodcast #bookstagram #liveauthorinterview #voxvomituslivevideopodcast #Jennifergordon

This week on The Hoodrat Recap, we're diving into the live music scene with a full report on Craig Finn and the Band of Forgiveness, who are tearing across the United States with their latest tour. The Hold Steady frontman's newish solo project is proving to be essential viewing for fans of literate, character-driven rock and roll.Gaspar phones in from (Le) Poisson Rouge in New York City, where he caught the band in their element at the intimate Greenwich Village venue. Meanwhile, Mike recounts his experience at The Fine Line in Minneapolis—a hometown show with all the energy you'd expect from Finn playing his old stomping grounds.We also talk about opener James Felice, the bug-photographing squeeze box wizard who brings his accordion and keyboard magic to warm up the crowd. The big question: does this multi-talented musician actually look like Robin Thicke, or have we all been staring at stage lights too long?Whether you caught one of these October 2025 shows or are living vicariously through us, this episode captures the spirit of a songwriter at the peak of his powers, surrounded by a crack band and playing rooms that hang on every word.Topics: Craig Finn, Band of Forgiveness, Le Poisson Rouge, The Fine Line Minneapolis, James Felice, tour reports, live music scene​​​​​​​​​​​​​​​​Send us a voicemail:https://www.speakpipe.com/TheHoodratRecapPodcastSend us an email:thehoodratrecap@gmail.comCheck out everything at:https://linktr.ee/thehoodratrecap

Welborn Music holds a direct link to a rock and roll pioneer. David Welborn's brother played alongside Buddy Holly. Find out how David is honoring his brother's memory and keeping the legend alive at Welborn Music. What if your front yard was a grocery store? Meet a man from Hawaii who will teach you to explore, gather, and taste the incredible plant life growing wild around us. In Kewanee, they believe in doing things right, not fast. For 125 years, The Simmons-Wright Company has kept its doors open, serving the community with a handshake and a smile. Generations of flavor. That's the secret ingredient at Jones BBQ Diner. They've been servin' up authentic, slow-smoked BBQ in Marianna for years, and every bite proves why.

Welborn Music holds a direct link to a rock and roll pioneer. David Welborn's brother played alongside Buddy Holly. Find out how David is honoring his brother's memory and keeping the legend alive at Welborn Music.

I must admit I was of two minds about when to do this year’s special Halloween show. My first thought was that since the actual holiday falls on a Ledge night I’d just save it for that evening. Makes perfect sense, right? But then again, it’s a dated show once it hits November. Isn’t it smarter to do it a full week ahead so fans of ghoulish rock and roll can enjoy my spooky favorites for a full week? That’s what I decided to do. Like every special Halloween broadcast, tonight’s episode is full of almost all brand new tunes for the ocassion. Many are special releases for the trick or treaters, such as new singles by Vista Blue, Brad Marino, Lynda Mandolyn, and The Goldstars. Others come from full-blown Halloween albums, such as Big Stir’s Chilling, Thrilling Hooks and Haunted Harmonies and The Halloween EP by The Bacarrudas. Other tunes come from regular releases from the last few months that just happened to fit the horror theme. What tracks did you enjoy the most? For more info, including setlists, head to http://scotthudson.blogspot.com

RadioBypass Episode 397 – New Rock & Roll That Deserves To Be Heard! Turn it up for another hour of pure, unapologetic rock and roll! Episode 397 brings you a killer mix of new and classic sounds from artists keeping the spirit of rock alive. This week features fresh tracks from The Fell, Jared James Nichols, Rick Hughes, Kings Of Karma, Lynch Mob, Paul Lidel's Scream Therapy, Vengent Strays, Dirty Honey, Once Bitten, Jack Starr, and Michael Monroe — all making sure real rock never dies.We're also turning up some classic power from Glenn Tipton, Scorpions, and Ten Ton Mojo to round out the ride. As always, it's all rock and roll music that deserves to be heard — loud, proud, and straight from the heart.Tune in, crank it up, and let the music do the talking. Songlist:Glenn Tipton - ExtinctScorpions - Nightmare AvenueThe Fell - Trippin'Jared James Nichols - GhostRick Hughes - Dead End RoadKings Of Karma - Falling To PiecesTen Ton Mojo - KarmalitaLynch Mob - Dancing With The DevilPaul Lidel's Scream Therapy - Are You ReadyVengent Strays - Passion On The RunDirty Honey - Rock SteadyDirty Honey - Won't Take Me AliveOnce Bitten - Rockin' Like The 80'sJack Starr - Savage At The GateMichael Monroe - Rockin' Horse

Eddy Garcia and Joe Rodriguez celebrate the legacy of P***ing Razors, discuss their appreciation of Pantera, celebrate new music and much more in this new interview.

649. This week we chat with Leah Payne about her book, God Gave Rock and Roll To You: A History of Contemporary Christian Music. We focus especially on the role of the family of Jimmy Swaggart, Jerry Lee Lewis, and Mickey Gilley in the history of Rock and Roll. Her book chronicles the confluence of evangelical, Pentecostal, and charismatic networks through the lens of Contemporary Christian Music, or CCM. The book indexes American evangelicalism's political and social aspirations as seen through its cultural intermediaries: the youth group leaders, non-profit groups, industry executives, and parents who contributed to what was morally permissible and economically profitable in CCM.  Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in the Louisiana Anthology. H. P. Lovecraft. "The Call of Cthulhu." "In a natural glade of the swamp stood a grassy island of perhaps an acre's extent, clear of trees and tolerably dry. On this now leaped and twisted a more indescribable horde of human abnormality than any but a Sime or an Angarola could paint. Void of clothing, this hybrid spawn were braying, bellowing, and writhing about a monstrous ring-shaped bonfire; in the centre of which, revealed by occasional rifts in the curtain of flame, stood a great granite monolith some eight feet in height; on top of which, incongruous in its diminutiveness, rested the noxious carven statuette." This week in Louisiana history. October 25, 1769. Bloody" O'Reilly executes rebels who ousted Ulloa to hang but no hangman, they were shot instead. This week in New Orleans history. Earl Cyril Palmer born in New Orleans and raised in the Tremé (October 25, 1924 – September 19, 2008) was an American rock & roll and rhythm and blues drummer, and member of the Rock and Roll Hall of Fame. Palmer played on many recording sessions, including Little Richard's first several albums and Tom Waits' 1978 album Blue Valentine. playing on New Orleans recording sessions, including Fats Domino's "The Fat Man", "I'm Walkin" (and all the rest of Domino's hits), "Tipitina" by Professor Longhair, "Tutti Frutti" by Little Richard (and most of Richard's hits), "Lawdy Miss Clawdy" by Lloyd Price, and "I Hear You Knockin'" by Smiley Lewis. This week in Louisiana. Halloween in New Orleans Website     If you thought that Halloween was just a night for the kids to go trick or treating with their parents in tow, you need to think again. Here in New Orleans, like everything else, it's different.     Halloween, Crescent City-style, is second only to Mardi Gras for wild and crazy, dressing-up-in-costume kind of fun and it isn't just for kids, either. Adults get to join the fun and craziness as well. In fact, there are a few events that are much more fun for the grown-ups than for the little ones! You can go on our haunted tours, visit our voodoo shops, our costume shops, our street parties, and we even have events for the kids! Postcards from Louisiana. Delfeyo Marsalis at Snug Harbor. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Send us a textIn this episode of Teaching History Her Way, I talk with educator Drew Fortune about how rock and roll can transform the way we teach social studies. Drew shares his background and what inspired him to explore the history of rock from an educational standpoint. He also introduces his framework, "Bob Dylan Pedagogy," and explains how Dylan's music can help students connect to themes like civil rights, protest, and American identity.We dive into how rock music has shaped public consciousness, which artists you can study, and how teachers can use music to help students think critically about culture and history. Drew also shares practical advice for anyone who wants to bring popular music into the classroom but isn't sure where to start.  Drew mentions TeachRock.org as a great resource.If you've ever wanted to make history feel more alive or just love a good conversation about the intersection of music and meaning, this episode will strike a chord.Let's be friends and continue the conversation!Instagram: @teachinghistoryherwayX: http://www.twitter.com/historyherwayOn the Web/Blog: http://www.teachinghistoryherway.comFacebook: http://www.facebook.com/teachinghistoryherwayBlueSky: @historyherway.bsky.socialSupport the production of the Teaching History Her Way Podcast by purchasing some really great history tees. Click here to shop now or go to www.teachinghistoryherway.com and click on "Merch."

On this .5 edition of Hands of Z, Keith and Shawn journey to the late 80s to look at two all time Rock themed tag teams in The Rock and Roll Express and The Midnight Rockers! Up first The Rock and Roll Express face The British Bulldogs in a perceived wrestling dream match from International Bash 1989, an event co-promoted by the AWA, AJPW and Central States Wrestling. From there, The Midnight Rockers defend their newly won AWA Tag Team Titles against "Adorable" Adrian Adonis and "Cowboy" Bob Orton from a 2/27/88 episode of AWA Championship Wrestling.

Slash dives into his upcoming blues album, 'Live at the S.E.R.P.E.N.T Festival,' reflects on Guns N' Roses' performance at Back to the Beginning and more.

A Classic RISK! episode from our early years that first ran in August of 2013, when Mather Zickel, Jen Curran, Joel Kim Booster and Julie Threlkeld told stories of times they crossed over the edge.

On this episode : RIP Ace Frehley I'm playing a country cruise Jonathan Travers Rant of the Week Kirk Crawford Dead Rockstars […] The post Jonathan Travers Loves You – Rock and Roll Geek Show 1436 first appeared on The Rock and Roll Geek Show.

Meet Saw and Brittany Naing — the husband-and-wife team behind Ojai's new rock-and-roll-tinged barbecue spot, Joplin's, and the culinary force you already know from The Dutchess. Saw is executive chef and partner at The Dutchess, where his Burmese-Indian roots shape one of Ojai's most celebrated menus; at Joplin's, he channels that same precision into brisket and ribs, leaning on good cuts, time, and low, slow heat.Brittany runs the front of house at Joplin's, setting the tone for a room that's equal parts hospitality, comfort food, and guitar-amp energy. Instagram+4The Dutchess+4Saveur+4We talk about the juggle — how you staff and multi-task across two restaurants — and why culture beats chaos in a busy kitchen. Saw traces his path from Bouchon and Tallula's to becoming chef-partner at The Dutchess, and, yes, his years as a guitarist (with a soft spot for nu-metal like Korn) before kitchens became his stage. Brittany shares how the couple met working in LA restaurants, and why Joplin's leans into “food, drinks, and rock & roll” without losing sight of the essentials.Plus: why Niman Ranch ribs, a dialed-in brisket, and a FOH that truly sees guests are the secret to Ojai's newest staple. Instagram+6Variety+6Eater LA+6We talked about the daily grind, weightlifting and superior sides. We did not talk about Mickey Mantle's off-the-field antics, bauxite production in Western Australia or the Flying Dutchman.Learn more at https://www.joplinsojai.com/ or https://www.thedutchessojai.com/

Casey Mink of Casey and Romy join us with some good old rock and roll on Thursday. Songs include ind My Way. All I Can and Commin' On Me

The original Rock 'n' Roll High School was a fun punk rock classic. The sequel is a Corey Feldman musical. It's the farthest human art has fallen in the least amount of time, and fucking Zak Koonce insisted we watch it. ----------------------------------------------------------------------------------- Robert will go to jail if you don't buy his book. I know what you're thinking... This is NOT the time to be a wise guy. BUY HIS BOOK. https://linktr.ee/killyourimaginaryfriend

Documentary Director and Producer Justin Kreutzmann is on the show this week!!  Born into rock and roll — his Dad is Grateful Dead drummer Bill Kruetzmann — Justin grew up with a unique perspective and set of experiences all of which fed his love of music, especially that of The Who, The Doors, and of course, the Grateful Dead.     Justin has directed a variety of music documentaries including Let There Be Drums; Break on Through: A Celebration of Ray Manzarek and The Doors; and, Move Me Brightly: Celebrating Jerry Garcia's 70th Birthday. He is also a Producer on the epic Grateful Dead documentary, Long Strange Trip and is an Executive Producer on The Other One: The Long Strange Trip of Bob Weir.  He is currently working on the official feature documentary of Jerry Garcia.Justin talks to me about the impact of his life growing up in and amongst the Dead at shows, at home, at family get-togethers and on the road. We discuss the documentary art form and Justin's initial forays into film making and video documentation, and how instrumental were his years on the road with The Who.Justin is kind and just as cool and fun as can be, and I'm honored to have him on the show. This episode is filled with epic stories and remarkable anecdotes, direct from the source!!  =========================================Chapters:00:00 Episode Intro with Host Josh Rosenberg04:47 Justin Kreutzman and His Background07:43 The Art of Documentary Filmmaking10:25 Growing Up in the Music Scene13:06 The Evolution of Touring and Travel15:48 Family Dynamics and Personal Stories18:57 The Impact of Fame and Recognition21:31 Let There Be Drums: A Deeper Exploration24:30 The Journey of Filmmaking and Storytelling28:54 The Legacy of Drummers' Kids31:26 Reflections on Family and Music34:50 The Impact of Famous Parents38:32 The Art of Documentary Filmmaking41:49 Insights into the Jerry Garcia Documentary50:16 The Evolution of the Grateful Dead's Sound52:48 Reflections on Jerry Garcia's Final Years55:31 The Impact of Awards and Recognition58:22 Behind the Scenes of Music Videos01:01:54 Bill Graham: The Man Behind the Music01:05:28 Experiences with The Who01:09:03 Editing Reality: The Bachelor Experience01:11:28 Justin's Current Projects and Future Directions01:18:36 Episode Wrap-up and Outro with Host Josh Rosenberg==========================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

In this episode of the Growth Now Movement, I sit down with Bill Cates, one of the leading voices in the world of referrals, client relationships, and financial success. Bill's journey is far from ordinary — from his early days as a rock and roll drummer to becoming a best-selling author, speaker, and expert in the financial services industry, his story is packed with lessons on reinvention, resilience, and redefining success. We dive into his brand-new book, The Hidden Heist, and unpack the mindset shifts that can help anyone unlock greater abundance — both financially and personally. Bill shares his perspective on how our beliefs, self-worth, and value perception directly shape our relationship with money. This isn't just about making more — it's about changing how you think about money, time, and value so you can create long-term fulfillment and balance. Throughout our conversation, Bill reveals the practical strategies that have helped countless professionals and entrepreneurs build thriving businesses through referrals and relationships. We talk about how to increase the real value you bring to others, the magic of compounding value (not just compounding interest), and how the smallest consistent actions can create massive long-term success. Bill also opens up about his personal life — from getting married later in life to becoming a father — and how those experiences transformed his understanding of love, legacy, and what success truly means. It's an honest, powerful conversation that bridges business and life, strategy and heart, ambition and contentment. Whether you're a financial advisor, entrepreneur, or someone simply looking to redefine your money mindset, this episode will give you tools and perspective to grow your wealth, deepen your relationships, and live more intentionally. In This Episode, You'll Learn: How to shift your money mindset to attract more abundance and flow Why your beliefs about value determine your income and impact The real power of referrals and client relationships for business growth How compounding value leads to exponential results in life and business Practical strategies to build trust and deliver transformation to clients The importance of rest, rejuvenation, and balance in sustainable success How fatherhood reshaped Bill's view of success, purpose, and love

Before Paul went away on his own book tour for John Candy: A Life In Comedy, he conducted a few interviews with authors who have just published fantastic music biographies. We'll be featuring some of them while Paul is out on the road. This week, acclaimed Elvis Presley biographer Peter Guralnick discusses his new and extensively researched book, The Colonel And The King: Tom Parker, Elvis Presley, and the Partnership that Rocked the World which takes a fresh look at the complex relationship between Presley and his colorful manager Colonel Tom.  RSD Black Friday 2025 is November 25, see the whole list at RecordStoreDay.com. We'll be talking more about it as we get closer to the day itself. The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!