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It's been a turbulent election year so far and artists at the forefront of the conversation match that energy. From Megan Thee Stallion debuting “Hotties for Harris,” to Sexxy Red sporting MAGA red, to Charli XCX declaring “kamala IS brat”, to Kid Rock's rally cry of “fight, fight” during his performance at the RNC — it's hard to imagine what song the candidates will be affiliated with next before their campaigns are over.In this episode, host Kai Wright is joined by two experts to break down what music can tell us about our current political moment. Noriko Manabe is professor and chair of music theory at Indiana University. Chris Willman is Variety's senior music writer and chief music critic. Together, they go song by song while taking your calls with submissions to our annual playlist.Every summer we crowdsource a Spotify playlist with our listeners built around a particular theme. This year, for the third edition of our seasonal soundtrack, we are asking you to contribute a song that represents your political identity or political priorities in 2024. See how the collection is shaping up so far, and add yours to the mix by leaving a message at 844-745-8255. Be sure to share your first name, where you're calling from and a little bit about what the song represents for you in the context of the 2024 election. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
In this episode, we talk to our former professor Dr. Noriko Manabe about her research on the intersection between Capitalism and technology in the music industry. We discuss the limitations that systems impose on the kinds of music that are created and distributed, how the system shape our tastes, and how music is utilized in protests. We are honored to have Dr. Manabe as our teacher and guest. Dr. Manabe's Website: www.norikomanabe.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support
Noriko Manabe’s new book is a compelling analysis of the content, performance style, and role of music in social movements in contemporary Japan. Paying special attention to the constraints that limit and censor people–both ordinary citizens and musicians–from speaking out on sensitive political issues, The Revolution Will Not Be Televised: Protest Music After Fukushima (Oxford University Press, 2015) focuses on the music of post-Fukushima antinuclear protests. Manabe looks carefully at the roles and motivations of musicians in Japan who have become involved in protest movements and demonstrations that reach across a range of physical and virtual spaces. This book will be of interest to any readers eager to learn more about modern Japan, protest movements, music, and the histories of nuclear power and its discontents. Make sure to check out the companion website, which includes lots of multi-media materials that articulate with the chapters of the book! Learn more about your ad choices. Visit megaphone.fm/adchoices
Noriko Manabe’s new book is a compelling analysis of the content, performance style, and role of music in social movements in contemporary Japan. Paying special attention to the constraints that limit and censor people–both ordinary citizens and musicians–from speaking out on sensitive political issues, The Revolution Will Not Be Televised: Protest Music After Fukushima (Oxford University Press, 2015) focuses on the music of post-Fukushima antinuclear protests. Manabe looks carefully at the roles and motivations of musicians in Japan who have become involved in protest movements and demonstrations that reach across a range of physical and virtual spaces. This book will be of interest to any readers eager to learn more about modern Japan, protest movements, music, and the histories of nuclear power and its discontents. Make sure to check out the companion website, which includes lots of multi-media materials that articulate with the chapters of the book! Learn more about your ad choices. Visit megaphone.fm/adchoices
Noriko Manabe’s new book is a compelling analysis of the content, performance style, and role of music in social movements in contemporary Japan. Paying special attention to the constraints that limit and censor people–both ordinary citizens and musicians–from speaking out on sensitive political issues, The Revolution Will Not Be Televised:... Learn more about your ad choices. Visit megaphone.fm/adchoices
Noriko Manabe’s new book is a compelling analysis of the content, performance style, and role of music in social movements in contemporary Japan. Paying special attention to the constraints that limit and censor people–both ordinary citizens and musicians–from speaking out on sensitive political issues, The Revolution Will Not Be Televised:... Learn more about your ad choices. Visit megaphone.fm/adchoices
Noriko Manabe’s new book is a compelling analysis of the content, performance style, and role of music in social movements in contemporary Japan. Paying special attention to the constraints that limit and censor people–both ordinary citizens and musicians–from speaking out on sensitive political issues, The Revolution Will Not Be Televised: Protest Music After Fukushima (Oxford University Press, 2015) focuses on the music of post-Fukushima antinuclear protests. Manabe looks carefully at the roles and motivations of musicians in Japan who have become involved in protest movements and demonstrations that reach across a range of physical and virtual spaces. This book will be of interest to any readers eager to learn more about modern Japan, protest movements, music, and the histories of nuclear power and its discontents. Make sure to check out the companion website, which includes lots of multi-media materials that articulate with the chapters of the book! Learn more about your ad choices. Visit megaphone.fm/adchoices
Noriko Manabe’s new book is a compelling analysis of the content, performance style, and role of music in social movements in contemporary Japan. Paying special attention to the constraints that limit and censor people–both ordinary citizens and musicians–from speaking out on sensitive political issues, The Revolution Will Not Be Televised: Protest Music After Fukushima (Oxford University Press, 2015) focuses on the music of post-Fukushima antinuclear protests. Manabe looks carefully at the roles and motivations of musicians in Japan who have become involved in protest movements and demonstrations that reach across a range of physical and virtual spaces. This book will be of interest to any readers eager to learn more about modern Japan, protest movements, music, and the histories of nuclear power and its discontents. Make sure to check out the companion website, which includes lots of multi-media materials that articulate with the chapters of the book! Learn more about your ad choices. Visit megaphone.fm/adchoices
Noriko Manabe's new book is a compelling analysis of the content, performance style, and role of music in social movements in contemporary Japan. Paying special attention to the constraints that limit and censor people–both ordinary citizens and musicians–from speaking out on sensitive political issues, The Revolution Will Not Be Televised: Protest Music After Fukushima (Oxford University Press, 2015) focuses on the music of post-Fukushima antinuclear protests. Manabe looks carefully at the roles and motivations of musicians in Japan who have become involved in protest movements and demonstrations that reach across a range of physical and virtual spaces. This book will be of interest to any readers eager to learn more about modern Japan, protest movements, music, and the histories of nuclear power and its discontents. Make sure to check out the companion website, which includes lots of multi-media materials that articulate with the chapters of the book!