Creative Baggage

We're joined by special guest Dr. Heidi Kay Begay for a discussion about pivoting to a non-traditional path, running multiple music businesses, and more! Dr. Heidi Kay Begay is a self-employed flutist, educator, podcaster, and non-profit organizer. Heidi is the creator and host of the Flute 360 podcast, which delivers educational content (to the modern-day flutist) through various platforms. Since 2018, the podcast has produced over 220 episodes, received over 100,000 downloads from 70 countries, and has obtained numerous corporate sponsorships. Heidi's mission is to help musicians reach new heights so they can feel empowered, confident, and have a life they love on and off the stage! Please visit https://heidikaybegay.com for more information! Serena and Heidi have been working together on planning the Ultimate Music Business Summit, a 3-day virtual summit with 30+ presentations, networking events, and more! Join from anywhere January 5-7, 2023. Get your tickets for UMBS: https://serenahuang.krtra.com/t/GjfFkQ0pq3dT --- Support this podcast: https://anchor.fm/creative-baggage/support

Welcome to a new era of Creative Baggage! Serena, Justin and Deivy sit down ahead of the release of their database, 'For the Lost Creative', to reflect on their own experiences and opportunities that have led them all to where they are today. We talk about the windiness of pursing a creative career, and how almost nothing has been a straight line for us. The launch of FOR THE LOST CREATIVE. is here! Our comprehensive, curated database of free opportunities to explore in your creative career launches today, September 3rd Keep up to date with the rollout of out database through our Instagram (@creative.baggage) and newsletter (sign up at www.creativebaggagepodcast.com) --- Support this podcast: https://anchor.fm/creative-baggage/support

Serena & Justin's presentation at the Bach 2 the Future Conference in MUPA Budapest, where they pitched Creative Baggage's project "for the lost creative," a database of scholarships, grants, internships, jobs, and other opportunities to help creatives find the next steps in their career. We are beyond grateful to have received a grant from enCORE Classical & Jeunesse Musicale International (JMI) to make the project come to life. --- Support this podcast: https://anchor.fm/creative-baggage/support

Everything is changing once again! Justin and Serena discuss their time in Budapest, and Bailey announces her departure from the Creative Baggage team. We reminisce on the very beginnings of CB and look ahead to an unknown but exciting future! What's next? Development of our database of opportunities FOR THE LOST CREATIVE. is in full swing! Stay tuned for the launch of our comprehensive, curated database of free opportunities to explore in your creative career. Read Bailey's Goodbye Letter on our Instagram (@creative.baggage) and newsletter (sign up at www.creativebaggagepodcast.com) --- Support this podcast: https://anchor.fm/creative-baggage/support

Writer and musician Chioma Ossai shares her thoughts on self-love and self-care, which is a profound theme in her poetry. We agree that getting to know ourselves and nurturing our inner child can unlock a sense of creative freedom that we've hidden away over time. We also discuss the impact of social media (both positive & negative) on artists and the arts industry. Chioma Ossai is the author of "A Journey to Self-Love," which explores concepts of softness, vulnerability, and sensuality. Her poetry is often centered around themes of identity, healing, and authenticity, that challenges what it means to know and love oneself. She was born and raised in New Jersey and is currently based in Berlin, Germany. Her mission is to simply tell inviting stories through poetry, music, and blogging with the hope to evolve, share, and inspire others to write stories of their own. She also received her Bachelor of Music at Montclair State University in Music Education, and is a classically trained pianist. Chioma's Website: https://www.chiomaossai.com A Journey to Self Love: https://www.amazon.com/dp/B09SX4QNBR/ref=sr_1_1?crid=9EDLGZE0UIUL&keywords=chioma+ossai&qid=1645309152&sprefix=chioma+ossai%2Caps%2C335&sr=8-1 --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we chat with flutist Stephen Clark about his journey from orchestral musician, to soloist, to DMA student at the University of Alabama. He shares his insights on the differences between conducting yourself as a student vs. professional, as well as the differences between academia / the music industries of the UK and the US. We thoroughly enjoyed his stories and musings on his unconventional path! - Recipient of the 2016 Sir James Galway Rising Star Award and 1st Prize winner of the 2018 IMKA Music Competition and the 2018 Alexander & Buono International Flute Competition, Stephen Clark gives more than 150 performances each year across all 7 continents and made his New York recital debut at Carnegie Hall in 2018. Born in Glasgow, Scotland, he studied at the Royal Conservatoire of Scotland, Royal Northern College of Music and in Switzerland and America with Sir James Galway. Regularly invited to perform at flute festivals, he has given solo recitals at both the Conventions of the British Flute Society and the National Flute Association of America and the Sir James Galway Flute Festival in Switzerland. Solo engagements have taken him to over 120 countries including the United Kingdom, Ireland, Italy, Turkey, Israel, Finland, Canada, Latvia, Estonia, Russia, Croatia, Thailand, Germany, Netherlands, Argentina, Mexico, Chile, Egypt, China, Libya, Malta, Poland, Lithuania, Japan, Australia, Belgium, France, Dubai, Abu Dhabi, Oman, Jordan, New Zealand, South Africa, Hong Kong, Indonesia, Seychelles, Maldives, Malaysia, Brazil, Norway, Iceland, Korea, Peru, Vietnam, Greece, Slovenia and the U.S.A. He has also performed as solo flute player alongside several popular music artists including Annie Lennox, Andrea Bocelli and pop band McFly. Stephen has recorded for Classic FM, Amadeus, Linn Records and for the Naxos label and broadcast live on Northern Ireland's 7FM and BBC Radio 3. He has released 2 solo albums on the Voyage Record Label. In 2015, Stephen was accepted into the Recording Academy of America and is now a voting member in the Grammys. Stephen has appeared on screen as the flute player in both the BBC's period drama series "Desperate Romantics" and ITV's feature film "Miss Marple - The Secret of Chimneys". He is author of “The Flute Gym” - a manual for advanced flute players. Stephen is a Yamaha Artist and plays a 14k gold handmade Yamaha flute. --- Support this podcast: https://anchor.fm/creative-baggage/support

Bailey and Serena share their revelations on how much their expectations for themselves as flutists went against their natural tendencies and personalities. They discuss the conflicting desires to "be like" the people they admired and "be original," confronting just how much they have romanticized the path to becoming a "perfect" classical musician. Get ready for an in-depth and abstract 50-minute summary of a 5-hour phone call between Bailey and Serena. --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to a very special guest - Serena's former flute teacher Bart Feller! Serena shares the lessons she learned from Bart in high school, and how some of them have changed meaning or truly begun to click over time. We also discuss what it means to be a compassionate teacher and mentor at various stages of a young person's development. Bart Feller is Principal Flute of the New Jersey Symphony, New York City Opera and Santa Fe Opera Orchestras. He has appeared with the New York Philharmonic, Orpheus Chamber Orchestra, Bargemusic and the Chamber Music Society of Lincoln Center. Mr. Feller has also appeared as concerto soloist with the Philadelphia Orchestra, St. Paul Chamber Orchestra, and the Jupiter Symphony. He is a graduate of the Curtis Institute of Music, where his teachers included Julius Baker and John Krell; he has also worked extensively with Keith Underwood. Among the summer festivals he has participated in are the Marlboro Music Festival, OK Mozart International Festival, Colorado College Chamber Music Festival, Napa Valley Chamber Music Festival, and the Grand Teton Music Festival. Mr. Feller is Professor of Flute at Rutgers University/Mason Gross School of the Arts, and teaches in the Pre-College Division of The Juilliard School. https://www.bartfeller.net --- Support this podcast: https://anchor.fm/creative-baggage/support

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! -- Emerging onto the international stage, Kensho Watanabe is fast becoming one of the most exciting and versatile young conductors to come out of the United States. Recently recognized as a recipient of a Career Assistance Award by the Solti Foundation U.S, Kensho will make his Metropolitan Opera debut next season, conducting Kevin Puts' The Hours. Assistant Conductor of The Philadelphia Orchestra from 2016 to 2019, Kensho made his critically acclaimed subscription debut with the Orchestra and pianist, Daniil Trifonov, taking over from his mentor Yannick Nézet-Séguin. He would continue on to conduct four subscription concerts with the Philadelphia Orchestra in 2019, in addition to debuts at the Bravo! Vail Festival and numerous concerts at the Mann and Saratoga Performing Arts Centres. Recent highlights include Kensho's debuts with the London Philharmonic and Tokyo Philharmonic Orchestras, Orchestre National du Capitole de Toulouse, Rhode Island Philharmonic as well as his Finnish debut with the Jyväskylä Sinfonia. Kensho has also enjoyed collaborations with the Houston Symphony, Royal Scottish National Orchestra, Detroit Symphony, Brussels Philharmonic and the BBC National Orchestra of Wales, the Seiji Ozawa Matsumoto Festival, and the Orchestre Metropolitain in Montreal. Equally at home in both symphonic and operatic repertoire, Watanabe has led numerous operas with the Curtis Opera Theatre, most recently Puccini's La rondine in 2017 and La bohème in 2015. Additionally, he served as assistant conductor to Yannick Nézet-Séguin on a new production of Strauss' Elektra at Montréal Opera. This season, Watanabe will conduct Mozart's Le Nozze di Figaro at the Seiji Ozawa Music Academy. Watanabe has previously been the inaugural conducting fellow of the Curtis Institute of Music from 2013 to 2015, under the mentorship of Nézet-Séguin. An accomplished violinist, Watanabe received his master of music degree from the Yale School of Music and served as a substitute violinist in The Philadelphia Orchestra from 2012 to 2016. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! William C. White is a conductor, composer, teacher, writer, and performer based in Seattle, WA where he serves as music director of Harmonia, a unique performing ensemble comprised of a chorus and orchestra that concertize as one. For four seasons (2011-15) he served as Assistant Conductor of the Cincinnati Symphony Orchestra. A noted pedagogue, he has led some of the nation's finest youth orchestra programs, including Portland's Metropolitan Youth Symphony and the Cincinnati Symphony Youth Orchestra. Mr. White maintains a significant career as a composer of music for the concert stage, theater, cinema, church, radio, and film. His music has been performed throughout North America as well as in Asia and Europe. His music has been recorded on the MSR Classics, Navonna, and Cedille Record labels. Recordings of his works can be heard at his web site, www.willcwhite.com, where he also maintains a blog and publishing business. Mr. White earned a masters degree in Conducting from Indiana University's Jacobs School of Music, and a BA in Music from the University of Chicago. In 2004, he began attending the Pierre Monteux School for Conductors under the tutelage of Michael Jinbo, later serving as the school's Conducting Associate, then as its Composer-in-Residence. Mr. White is producer and co-host of The Classical Gabfest, a weekly podcast about the ever-changing world of classical music. He hails from Bethesda, MD, where he began his musical training as a violist. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! (Apple Podcasts) Conductor Tiffany Lu hails from Tampa, FL as well as the D.C.-Maryland region. In 2020, she joined the faculty of Sewanee University of the South as Visiting Assistant Professor and Music Director of the Sewanee Symphony Orchestra. Lu currently also serves as Conducting Associate of the Pierre Monteux School and Music Festival (Hancock, ME), Assistant Conductor with the Prince Georges' Philharmonic (Bowie, MD), and Associate Conductor with the Capital City Symphony (Washington, D.C.). During the 2019-2020 season, Lu debuted as guest conductor with Symphony New Hampshire and the Millikin-Decatur Symphony Orchestra. From 2015-2020, she was Music Director of the Wilmington Community Orchestra, and Assistant Conductor with the Capital City Symphony, creating groundbreaking and creative programming. She was also selected as Conducting Fellow for the Allentown Symphony in 2019 and 2020. Tiffany's diverse skill set includes professional work as a performing violinist (Chattanooga Symphony, The Florida Orchestra, Annapolis Symphony Orchestra), music librarian (Sewanee Summer Music Festival, National Orchestral Institute, DC Youth Orchestra Program, and the Music School of Delaware), and recording producer (Smithsonian Chamber Players, Virginia Symphony Orchestra). She also co-hosts a podcast, The Classical Gabfest.​ Lu holds degrees from Princeton University, Ithaca College, and the University of Maryland. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

CREATIVE BAGGAGE CANDID CONVERSATIONS AT NEXTNOW FEST PART 5 In September 2020, Bailey, Serena, & Justin went to the University of Maryland to host a live podcast interview series with students at the Clarice Smith Performing Arts Center's NextNOW Fest. For the final installment of our series from the event, enjoy this dynamic discussion with Nick Lazarus, Luke Max, and Bryan Lawrence of the Maryland-based band "The Missing Peace"! "The Missing Peace" LinkTree: https://linktr.ee/themissingpeace Socials: @tmptheband --- Support this podcast: https://anchor.fm/creative-baggage/support

CREATIVE BAGGAGE CANDID CONVERSATIONS AT NEXTNOW FEST PART 4 In September 2020, Bailey, Serena, & Justin went to the University of Maryland to host a live podcast interview series with students at the Clarice Smith Performing Arts Center's NextNOW Fest. In this episode, we discuss parallels in the creative process between various fields of study, touching on topics such as finishing projects, identity, and collaboration. This is the fourth of our 5-part series from this event! Student guests for this episode: Selia Meyers, Eric, Carrie (NextNow Student coordinator), Amy (Nextnow coordinator), Adrianna Alonso --- Support this podcast: https://anchor.fm/creative-baggage/support

CREATIVE BAGGAGE CANDID CONVERSATIONS AT NEXTNOW FEST PART 3 In September 2020, Bailey, Serena, & Justin went to the University of Maryland to host a live podcast interview series with students at the Clarice Smith Performing Arts Center's NextNOW Fest. In this episode, we hear from unique creators of crafts we admire. We discuss the inherent value of art, the creative process, and more. This is the third of our 5-part series from this event! Student guests for this episode: Bryan, Jack, Nathan, Sarah, Jordan, Gersen, Noam Elfasi Noam's Etsy: https://www.etsy.com/shop/QueenCupsCrafts --- Support this podcast: https://anchor.fm/creative-baggage/support

CREATIVE BAGGAGE CANDID CONVERSATIONS AT NEXTNOW FEST PART 2 In September 2020, Bailey, Serena, & Justin went to the University of Maryland to host a live podcast interview series with students at the Clarice Smith Performing Arts Center's NextNOW Fest. We asked the group a series of philosophical questions, and again we were truly amazed at the thoughtful responses and discussion we had. This is the second of our 4-part series from this event! Student guests for this episode: Lamar, John From New Jersey, Dylan from New Jersey, Amara, Marianna, Kai, Ganji Dance Club, Caroline Learn more about Ganji: https://terplink.umd.edu/organization/kpdc --- Support this podcast: https://anchor.fm/creative-baggage/support

CREATIVE BAGGAGE CANDID CONVERSATIONS AT NEXTNOW FEST PART 1 In September 2020, Bailey, Serena, & Justin went to the University of Maryland to host a live podcast interview series with students at the Clarice Smith Performing Arts Center's NextNOW Fest. We had a candid conversation about about interdisciplinary projects, hopes for the future, and the concept of doing it all. We asked hard-hitting questions, and we were truly amazed at the thoughtful responses and discussion we had. This is the first of our 4-part series from this event! Student guests for this episode: Aishwarya, Kai, Sabrina, Matt, Flower STEM (Orben & Vincent) NextNow Artwork: https://theclarice.umd.edu/content/nextnow-fest-2021 Flower STEM: https://terplink.umd.edu/organization/flowerstem “Flower STEM is a student-led organization dedicated to promoting creativity within the fields of science, technology, engineering, and mathematics (STEM) by showcasing interdisciplinary applications where STEM and artistry collide. We want to change the stigma that STEM is restrictive, convoluted, and monotonous by promoting diverse and inviting atmospheres. Our members design and showcase creative projects where they can explore new concepts and learn the skills they want for their careers in a creative and fun manner. To encourage our members to blossom further, Flower STEM hosts expert-led masterclasses, offers a big-little style mentorship program, and partakes on community projects”. Special thanks to Selia Myers for inviting us to this amazing event! --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, Bailey and Serena reflect on everything that's changed since our final episode of Season 3. Bailey has a new job working in the marketing department for the Curtis Institute of Music, and Serena is all settled in Paris. We discuss the process of learning what our individual needs are in life, and how great it feels when we start making decisions that take those needs into account. We're back and better than ever! Check out our newly launched YouTube Channel: https://www.youtube.com/channel/UC4-AHyaFWDjbBU_Y3eEEBhQ --- Support this podcast: https://anchor.fm/creative-baggage/support

A little chat between co-host Serena and friend of the podcast Yue while playing around on the CB Playground. She asks about the meaning behind Creative Baggage's name and logo, as well as what we look forward to in Season 4. Watch the full video: https://youtu.be/2y45zPUgSVA Check out the CB Playground: https://www.creativebaggagepodcast.com/playground --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, Bailey, Serena, Justin, Andrew, and Belle discuss identity, practice routines, and the importance of letting go. Bailey shares a secret, Serena announces her departure, and the gang relishes their last moments together before their worlds change for good. --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to returning guest Evan Kassof about the problems and value of academia, as well as the role of academia in the arts. He shares his experiences obtaining 6 degrees and the expenses that come with attending University, building on his ideas from our discussion in No. 26: Artists Shouldn't Have to be Broke. Read more about Evan and listen to his previous episode at: https://www.creativebaggagepodcast.com/evan-kassof --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we continue our conversation with Noa Kageyama about his decision to quit music. He describes how much lighter everything felt for him, as the work towards mastery would have never ended. We also discuss deconstructing the rigid structures of the music world and embracing making music for fun, both for professionals and amateurs. https://bulletproofmusician.com/start-here/ --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to Dr. Noa Kageyama about his journey from violinist to performance psychologist. He describes his early success with music, which led him to summer festivals, competitions, and conservatory, and shares the moment he realized that he did not want to become a professional musician. Noa's story gives us great insight on how to be honest with ourselves about our true desires, motivations, and tendencies. https://bulletproofmusician.com/start-here/ --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to violist Eddy Malave about the various aspects of his career, from teaching Alexander technique and the Suzuki method to subbing on Broadway, and how these pieces have shifted during the pandemic. Eddy gets real with us about his struggles during this difficult year, and he tells us about his work with Unison Orchestra - which is aimed at educating musicians on remote recording and helping musicians find remote recording work. We conclude that the music industry would be a lot stronger if we continue to search for ways to lift each other up. www.eddymalave.com www.unisonorchestra.com IG @eddyviola IG @unisonorchestralive Twitter @eddyviola LinkedIn: Eddy Malave --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to small business owner Frankie McDonald about his journey from working in the corporate world to founding Boonton Coffee Company. He shares his philosophy of community-building and creating a low-stress work environment, as well as some fun community stories! We discuss the benefits and struggles of being your own boss, and Frankie gives us his best advice on making it work. Follow us on Instagram @creative.baggage to stay tuned for a very special giveaway! https://www.boontoncoffee.com/ --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we open up about the realities of making a living in the music industry. Coming from the perspective of young (recently graduated) professionals, we discuss how we've navigated finding work opportunities, negotiating our pay, and gotten creative with the digital space. We also talk about the idea of having multiple streams of income and share the non-musical and music-adjacent ways that we make money. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we have a very special guest who wishes to remain anonymous. Our guest has a background in classical violin and music technology, and he writes music that fuses classical harmony with modern sounds. We discuss the importance of listening to and taking influence from all genres of music, concluding that having a hierarchy of musical genres only detracts from the realm of possibilities in creating music. *Please note that all thoughts shared in this episode are representative of only each person's view at the time of the recording. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we continue our conversation with John Littlejohn about his unique career path as both a musician and a pastor. He tells us that in both of these professions, the end goal is to teach people about life and help others succeed. We also discuss the importance of finding motivations beyond wanting validation, as well as holding the people in your life accountable and having them do the same for you. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to violinist and pastor John Adidam Littlejohn about the boxes we put ourselves in when making music or thinking about our careers. John shares his journey learning the violin without a private teacher, describing the freedom of not being told what was difficult or easy, as well as the freedom of not being constrained by a single genre. John brings these ideas into his own playing and teaching, showing us that our musical careers can also be free. https://www.adidammusic.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

We are taking a short mid-season break, and we wanted to share this hilarious conversation our co-hosts, audio engineer, and biggest fan (allegedly). We are also launching our patreon, where we will be uploading exclusive content, including deleted scenes from our interviews and more after hours episodes! https://www.patreon.com/creativebaggage --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to percussionist Gloria Yehilevsky about the value of interdisciplinary art. We discuss the benefits and challenges of working with people of other disciplines, as well as what it takes to manage ourselves and our teams. We also share our personal experiences coming up with ideas for and completing interdisciplinary projects. www.gloriaymusic.com www.soundingeye.com GY YouTube: https://www.youtube.com/channel/UCw09sHqVHdYu0GKBDSuuBCg Sounding Eye YouTube: https://www.youtube.com/channel/UC65ywr9KX1N7_07nsair1ww GY Instagram: https://www.instagram.com/gloriaymusic/ Sounding Eye Instagram: https://www.instagram.com/soundingeye/ GY Facebook: https://www.facebook.com/gloriaymusic Sounding Eye Facebook: https://www.facebook.com/SoundingEye --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to cellist, educator, and activist Sasha Ono about changing the culture of classical music. Sasha tells us about her group, Lotus Chamber Music Collective, and how they tackle important issues such as racism and injustice through the lense of classical music in their programming, concert discussions, and book club. She also shares her personal journey constructing a new, healthier relationship with classical music, expressing the importance of teaching younger generations of musicians to do the same. https://www.lotuschambermusiccollective.com IG: @LotusCMC Facebook.com/LotusCMC https://sashaono.com IG: @CelloSasha Book Club Sign Up: https://forms.gle/nNoMXJzQYWLc6B5x5 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to husband, father, children's book author, and early childhood educator Christopher Singleton about the impact of parents and teachers on the trajectory of a child's life. Chris tells us about his new book, “Chris & Frankie: Intro to Our Ebony & Ivory Keys,” which introduces the piano to young readers through a pair of relatable characters. He shares his journey and inspirations for becoming an author, and how he was able to make the book come to life with the tools at his disposal. Chris's book: https://fflat-books.com/product/chris-frankie-intro-to-our-ebony-and-ivory-keys/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to multi-hyphenate Grayson Villanueva about his freelance career and pursuing multiple passions. We share our struggles with the societal expectation that we stick to one thing and discuss the benefits of having a variety of interests. Grayson also shares his strategies for being your own boss, including tips on how to stay motivated, manage your time, and take care of your wellbeing. - Grayson's Info: Websites: www.graysonvillanueva.com (Singer / Performer) www.graysonv.me (Vocal Arranging / Audio / Video Services) Instagrams: @hellocolorgray - (Singer / Performer) @graysonv.me - (Vocal Arranging / Audio / Video Services) - Resources Grayson shared: TED Talk: https://www.ted.com/talks/emilie_wapnick_why_some_of_us_don_t_have_one_true_calling?language=en The book: https://www.audible.com/pd/How-to-Be-Everything-Audiobook/B06XD9642Y?source_code=GO1DH13310082090P1&ds_rl=1262685&ds_rl=1263561&ds_rl=1260658&gclid=CjwKCAjw7diEBhB-EiwAskVi1xfGGmczH5qNw7pDFGLvwz74hFpr3BQ8GviPDk4KCH6gdvsLy1VtNxoCG3sQAvD_BwE&gclsrc=aw.ds --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to cellist Arlen Hlusko about the power of music and the power of social media. We discuss the value of having an online presence and how to maintain authenticity in a digital space. We also share stories of how music and art can be a healing force for both the people creating and experiencing them. In the end, we conclude that the positive impact that our platforms and art can bring to this world--no matter how small--is worth all of the effort we put in. September Solo Cello project (https://www.instagram.com/explore/tags/septembersolocello/) Project: Music Heals Us (https://www.pmhu.org/) Arlen's website (http://www.arlenhlusko.com/) Arlen's Instagram (https://www.instagram.com/celloarlen/) Arlen's Patreon (https://www.patreon.com/celloarlen) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to singer/songwriter Meghan Pulles about finding empowerment through music-making. She tells us about her journey from classical opera singer to emo-positive artist, and the tough questions she had to ask herself along the way. We also discuss the therapeutic nature of both creating art for ourselves and connecting with others through art, asserting the importance of making the arts accessible to everyone. Instagram: instagram.com/meghanpulles Facebook: facebook.com/megpulles Twitter: twitter.com/meghanpulles89 Patreon: patreon.com/meghanpulles Website: meghanpulles.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we continue our conversation with Erica Peel about learning to trust ourselves. We discuss our tendencies to become obsessive in our practice and go too far in any direction, asserting that taking things to the extreme is often a result of our need to impress others. We also acknowledge that life isn’t as clean-cut as we would like it to be, and that it’s okay to feel like a mess. At the end of the day, all we can do is find a sincere reason to be doing what we’re doing and put ourselves out there. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to piccolo player of the Philadelphia Orchestra, Erica Peel about the wonders of playing and teaching piccolo. We discuss the underappreciated beauty of the piccolo, and how we have grown to love it and treat it as its own instrument. In the process, Erica shares the struggles she has faced as both a performer and teacher, and we agree that being open and honest about these struggles is beneficial for ourselves, our colleagues, and our students. FREE “practice with the experts” book: https://www.ericapeel.com/practice-with-the-experts-piccolo $17 tickets to Digital Stage Performances at the Philadelphia Orchestra: www.philorch.org --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to bassist and member of the Kansas City Symphony, Caleb Quillen about the psychological impacts of the orchestral audition process. We discuss the financial and emotional insecurities that many musicians face in addition to the pressures of the audition and assert the importance of mindfulness both in the practice room and the audition room. Caleb leaves us with some food for thought on the symbiotic relationship between understanding ourselves and understanding music. Caleb's Youtube Channel: https://www.youtube.com/watch?v=zjnugkDMhF4 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to flutist Susan Palma-Nidel about her experiences playing in Orpheus Chamber Orchestra and her more recent endeavors performing and recording world music. We discuss the internal and external push-and-pull that is required for music-making, concluding that we should embrace discomfort as a means for growth and satisfaction. http://www.susanpalmanidel.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we continue our conversation with Mimi Stillman about exploring careers in music. She tells us about the beginnings of Dolce Suono Ensemble, and we share our hopes for interdisciplinary artistic careers. We discuss all of the behind-the-scenes work that goes into running an arts organization, and how our experiences serving as program assistants for DSE have helped us in running this podcast. https://linktr.ee/dolcesuonoensemble --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to our flute teacher and mentor Mimi Stillman about having a lifelong relationship with music. She tells us about her experiences studying at the Curtis Institute of Music as a young flutist, as well as her time studying history at the University of Pennsylvania. We share our thoughts on going to a university versus conservatory and how having knowledge of other subjects influences our musicianship. We also discuss the difficulties of maintaining a practice routine and finding the joy in practicing for yourself. --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we deconstruct the notion that classical music is always sophisticated and put-together with Steinway Artist Mark Livshits. We have a candid conversation about his experiences with ADHD, performance injuries, and loneliness in classical music. Despite these struggles, we also share fun and hilarious stories of the joys of being a musician. https://www.steinway.com/artists/mark-livshits --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we continue our discussion with Kristy Drutman about setting boundaries in our creative work. We acknowledge how difficult it can be to say “no” to a project and brainstorm ways to overcome this barrier. We also talk about whether and/or how much to charge, as well as how to maintain artistic integrity while trying to make money. Kristy inspires us to see ourselves as multi-dimensional beings and to value all parts of ourselves as much as we value our creative output. www.browngirlgreen.org www.Instagram.com/browngirlgreen www.patreon.com/browngirlgreen Www.youtube.com/browngirlgreen Newsletter: bit.ly/browngirlnews --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to Kristy Drutman, founder of the Brown Girl Green podcast and media series, about the power and responsibility that comes with having influence. We discuss finding our personal roles in movements that we care about, as well overcoming imposter syndrome and learning to be open and honest with our communities. We also highlight the importance of setting personal and ethical boundaries so as not to lose sight of our original intentions. www.browngirlgreen.org www.Instagram.com/browngirlgreen www.patreon.com/browngirlgreen www.youtube.com/browngirlgreen Newsletter: bit.ly/browngirlnews --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to percussionist and music educator Joe Bergen about the importance of exploring and expanding the new music repertoire. Joe walks us through his journey in forming Mantra Percussion, a group that both performs and provides students with opportunities to enter the world of new music. We also share our experiences with being exposed to contemporary music at a young age and how that exposure diversified our understanding of music. - https://mantrapercussion.org/ - Michael Gordon Timber performed by Mantra Percussion Spotify: https://open.spotify.com/album/2u0Lu044yo9EtfvAdqRBev Youtube: https://www.youtube.com/watch?v=h-BqG2eAbW0 NPR feature: https://www.youtube.com/watch?v=lytgDpIs4Sk&t=3s --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we discuss the ups and downs we’ve experienced in our relationships with the flute. We talk about the guilt associated with not practicing, as well as the feeling that there is something fundamentally wrong with the way we play our instrument. Even though we feel lost, we are learning to have trust in our own abilities and the tools we’ve been given. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to composer/saxophonist/music educator Miguel Bolivar about his experiences building successful music programs in public schools. We discuss the bureaucratic and logistical obstacles that teachers face, as well as the breakthroughs and accomplishments that make those struggles worth it. Finally, we cover the role of technology and innovation in improving the education system for both teachers and students. https://www.miguelbolivarmusic.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to composer/violinist/YouTuber Michael Shingo Crawford about his various skills, and how they allow him to have artistic control over his projects. We discuss the benefits and challenges of working as an individual versus in a team, emphasizing how collaborating with others can affect a creative vision. Finally, we share our experiences with monetizing our hobbies and developing a work/life balance when working for ourselves. https://www.michaelshingocrawford.com/ https://www.youtube.com/channel/UCb46nljnneXaQCa5wKYsbWA --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we weigh the positive and negative elements of boredom, contemplating whether it is necessary or something to be avoided. We discuss the fear of boredom, as well as its association with laziness. We also talk about the role that being bored plays in sparking creativity, and how we can create an environment that inspires us to reach past the feeling of boredom. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we continue our conversation about vulnerability and connection with Elizabeth Rowe. She tells us about her journey to becoming a coach for young creatives, and how rewarding it has been to help people realize their potential. We also talk about our passions outside of music, coming to the conclusion that sometimes our outside interests can have profound impacts on our career, but they are valuable even if they don’t. Finally, we confront the hierarchies present in our field of work and how important it is to create communities that extend beyond these boundaries. Elizabeth's Website https://iamelizabethrowe.com/ Elizabeth's TED Talk https://www.youtube.com/watch?v=o7lbT0485wI&ab_channel=TEDxTalks --- Support this podcast: https://anchor.fm/creative-baggage/support

In this episode, we talk to Elizabeth Rowe (principal flutist of the Boston Symphony Orchestra) about the importance of being compassionate towards ourselves and others, especially in a field of work that is often isolating and competitive. We open up about some of our struggles and insecurities, asserting that being vulnerable is crucial to overcoming loneliness. We also discuss finding motivation to constantly improve, and how difficult it is to separate observation from judgement when evaluating oneself. Elizabeth's Website https://iamelizabethrowe.com/ Elizabeth's TED Talk https://www.youtube.com/watch?v=o7lbT0485wI&ab_channel=TEDxTalks --- Support this podcast: https://anchor.fm/creative-baggage/support