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Superstar tenor Lawrence Brownlee joins Gianna Volpe on the WLIW-FM Heart of The East End in celebration of Black Music Month and the June 2 release of “Rising” pairing commissions from up-and-coming African American composers with poetry from the Harlem Renaissance, as well as his most recent operatic role—A full circle return to his first at 19 years old—as Prince Tamino in Die Zauberflöte at the Metropolitan Opera.Listen to the playlist on Apple Music
Join Kentucky Opera and acclaimed lecturer, Dr. John Hale, as he explores the historical and mythological background of Mozart's beloved The Magic Flute. We go into the woods with Prince Tamino and his irreverent bird catcher pal, Papageno, in search of the perfect girl to marry. But not before being saved from a dragon, outsmarting the duplicitous Queen of the Night, and proving himself worthy through an epic set of challenges set forth by the mysterious high priest Sarastro!While most baroque and classical operas are based on Greek or Roman mythology, Mozart ventured into less explored territory by setting The Magic Flute in ancient Egypt. The gods Isis and Osiris dominate the world of Sarastro and his fellow priests, and the ancient world's emphasis on the supernatural power of music lies behind the use of the magic flute itself as the opera's most important symbol.
Join Kentucky Opera and acclaimed lecturer, Dr. John Hale, as he explores the historical and mythological background of Mozart's beloved The Magic Flute. We go into the woods with Prince Tamino and his irreverent bird catcher pal, Papageno, in search of the perfect girl to marry. But not before being saved from a dragon, outsmarting the duplicitous Queen of the Night, and proving himself worthy through an epic set of challenges set forth by the mysterious high priest Sarastro!While most baroque and classical operas are based on Greek or Roman mythology, Mozart ventured into less explored territory by setting The Magic Flute in ancient Egypt. The gods Isis and Osiris dominate the world of Sarastro and his fellow priests, and the ancient world's emphasis on the supernatural power of music lies behind the use of the magic flute itself as the opera's most important symbol.
On today's episode of Opera for Everyone we listen to The Magic Flute, also known as Die Zauberflöte, by Wolfgang Amadeus Mozart. It's an opera in two acts, first performed in Vienna in 1791. In this opera the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity in the Temple of Wisdom under the high priest Sarastro. Tamino is accompanied on his quest to the Temple of Wisdom by the earthy Papageno, a bird-catcher, who is also looking for true love. Together they learn the high ideals of Sarastro's community and seek to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, and with the Queen and her cohorts vanquished. Papageno fails the trials completely but is nevertheless rewarded with the hand of his ideal female companion, Papagena. Image courtesy of Texas A&M University- Commerce Marketing Communications Photography
In our second Awesome Person Interview series, Franny interviews a fantastic tenor, Martin Bakari. This week Martin and Franny talk about working with singers: the qualities that make a great collaborative pianist, building trust during the rehearsal process, and what … Continued
Prince Tamino finds himself drawn into a quest to find the kidnapped Princesses Pamina in this retelling of Mozart’s famous opera. From the book The Barefoot Book of Stories from the Opera, retold by Shahrukh Husain, illustrated by James Mayhew and narrated by Miranda Richardson.