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In this FYF episode, Lesley Logan celebrates what happens when preparation meets opportunity—and how readiness creates freedom when life speeds up. From a pianist who mastered the wrong concerto onstage to community wins that prove preparation meets courage, this week's stories are all about trusting your instincts and believing you've got what it takes. Lesley also shares how being proactive in your goals can help you find freedom and peace when life speeds up.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:How a pianist's quick pivot became a lesson in confidence. Why following your gut leads to better results than overthinking.Community wins that celebrate small victories and authentic effort.How Lesley's year-ahead planning turned stress into calm momentum.The power of gratitude to silence self-judgment and refocus your energy.Episode References/Links:Submit your wins or questions - https://beitpod.com/questionsMaria João Pires - https://www.instagram.com/reel/DFbS8MuqD3W If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Lesley Logan 0:00  It's Fuck Yeah Friday. Brad Crowell 0:01  Fuck yeah. Lesley Logan 0:02  Get ready for some wins. Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started. Lesley Logan 0:48  Hey, Be It babe. How are you? Happy Friday. Happy November 14th. Now we're midway through the month, just like that. You know, a few weeks ago, I told you about the 13th month, and I'm just telling you right now, the more I think about how, like, we used to run the calendar off of 28 days in the moon cycle. Like, doesn't it just make sense? Every FYF, I'm like, oh, look at that. Now it's halfway through. Like, yeah, kind of, right? So I'm just saying, like, the more I do this and, like, wait, especially this month, because we end on the Friday was the seventh of 14th. It's just like, like, easy math. And I'm like, yeah, it should just end on the 28th then we start a new month. But anyways, we're, you know, not on that calendar. And I would love to vote that in, but the whole world has to, I guess. So, anyways, this is the episodes where we share some inspiration. Share wins of yours. Share a win of mine. Realize that we are doing a freaking great job, or doing better than we thought. And a little affirmation to kick your weekend off. And if you haven't yet listened to the interview and recap this week, go do it just right below this. You can start with the recap first, Brad and I have a lot of fun bantering, then we answer a question of yours, then we talk about what we liked. And if you are like, oh, that's interesting, I want to hear it from the horse's mouth, you can listen to the interview, and I highly recommend it, because we have some really cool guests. Lesley Logan 1:59  Okay, so I this came across my feed, and this is what I, okay, I don't play instruments. I did play for share like tenor sax. I had a retainer and braces when I learned and then when I took them out, I couldn't play anymore, and so I just stopped playing. It's not funny, but at any rate, since I have been a musician, I have prepared music I have, like had to memorize, and so I know the effort, but this is how the reel goes. And there's a link in the show notes you can, like, go watch it. Okay? When they told you it's Mozart's Piano Concerto number 20 instead of number 23. So she had one minute of the orchestra playing before she had to step in and play the piano, okay? And so here's the thing. The caption says it's probably every music's worst nightmare. Imagine you're sitting here sitting on stage, ready to play your concerto, and the orchestra begins to perform a completely different piece. That's exactly what happened to the great Maria João Pires, or Pires in 1999 when she stepped in to replace another pianist on short notice. In a formidable tour de force performance, Pire's charge changed course and miraculously didn't miss a beat of Mozart's Piano Concerto Number 20 and not 20, 20 not 23 like she had been expecting. This stood out to me, because as a recovering perfectionist and overachiever like I imagine how much time she probably, like, prepped herself for the piece that she has to play, because it's not like they have the music in front of you guys. They just play like they are supposed to just play like it's coming out of them, and there's no music in front of them. And you know, she had one minute to, like, just feel her feelings, and then step in and be it till she sees it. And it is just so beautiful, because imagine, had she found out before the concert started, then she probably could have told herself a million different things and like, even, like, freak herself out a different way, because she didn't have that opportunity. She had to, like, be it till she sees it as, like the other performance, and she didn't miss a beat. And it's worth watching, just to go through the emotions with her and realize, like, this is what you're watching someone step into their power and believe in themselves in such an awesome way. And ladies, we can do this right? We can do these things. And I think we're like, Oh, my God. I like, prepare for my meeting to be on this date, and then something happens, and the meeting doesn't happen, then you're like, oh, but I'm ready for it. I'm frustrated. My love, like, your you will be more authentic the moment it happens. You might be too prepared. You might like, so I would just say, like, anytime an opportunity comes up, you're like, Oh, I'm not ready for this. What if you were? What if you were ready? She was. It's beautiful. I'm like, obsessed with it. I've watched it several times. I'm so into it. Lesley Logan 4:56  All right. Time for wins of yours. Got really fired up. Okay, these are from Instagram. Thanks for sending it in. You can send your wins in to beitpod.com/questions and you can send longer wins in because Instagram does, like, make them super short. So again, like, the longer ones that I've read in the past, you can send those into beitpod.com/questions plus any questions you want me to answer, like, it's a great way to get answers out of me. So, lynneconnolly36 says, covered six back to back classes this week, 5 am wake and clients love them. Holy freaking moly. Lynn, you are a badass, getting up at 5am and then covering six back to back classes. Oh, you are phenomenal. You like, I don't even know how you did it, but way to go. And, of course, the clients love them, because you're authentically you, and you're amazing. Way to go. Lesley Logan 5:39  hli_pilates great private session yesterday. Thank you. Body feels so much better. It is a win when our bodies feel better. I love that you're celebrating that, hli, I just absolutely love it, because it's so easy for us to focus on when our bodies don't feel good, and that you're celebrating your body feels better today is humongous. Way to be it till you see it. julia_reddout, I subbed a level two class in the studio where I take classes. They loved it, and it made my day.Lesley Logan 6:06  Yeah, because those are your people. You know them. You know what they need. You know, I'm so proud of you. I'm so happy for you. What a win, guys. Thank you for sending these in. I just I want more women to share things that they are doing, because the dudes certainly do it. And I was raised like, don't brag, be humble and you want to know something, it didn't get me anywhere. In fact, the more people knew what I was capable of, the more opportunities came to my place. Fun story, I have been teaching for a long time. There was an the big conference that was going on. It was 2019 I think it might have been 28 might have been 2018, 2018, fall of 2018 and I was doing a photo shoot at a big conference, and this woman who hires teachers for another conference saw me, and she had hired me for the next year's conference of her, but her company does, and she'd hired me for some business coaching stuff that I'd applied for, and she saw me doing some exercises on the equipment. She's like, oh, do you teach? Can you teach some classes? And of course, I was like, fuck. Of course, I teach. What the fuck? But then I was like, Oh, she doesn't know who I as a me, as a teacher. She's only seen my application for the business things. I'm not doing a good enough job making sure people know what I do and know what I'm good at. So we gotta start bragging more, babes, and that's why we have to start making Fridays at least Fridays, but if not every day, a day where you celebrate what you fucking slay, what you did, and if it was I just actually did my full schedule and didn't cancel anything, that's a fucking win. In high school, there was a sign that said every class every day, and I'm telling you that wasn't always what happened in my life, but every time I did every class in a day, I was like, Yes, I did it. I know that surprises you as recovering perfectionist, that I would cut classes, but I really thought High School was, like, beneath me, and I just couldn't wait to get out. And I was like, I've got a 4.2 like, this is not gonna take it away from me. I probably could leave. So anyways, that's my rebellious stage. Okay, I gotta share a win of mine, a win of mine. Lesley Logan 8:04  Here we go. So here's what I'm super proud of. Last year, around this time, I was cramming to get everything done before we left for winter tour, and I got sick, and we had to, like, look at everything that didn't get done yet and go, Okay, which of these things can we not do? And for the first time ever, we missed YouTube releases. We did because I could not possibly film YouTube and podcasts and classes for OPC, and so the podcast and class of OPC won and YouTube lost. And from that moment, I had my team, and I had to, like, look at the next year and change how we got things done, so that I was well ahead of schedule, that by the middle of November, I would be done filming things, not just for the end of this year, but the beginning of next year, so that we are not scrambling in case I get sick in the fall, right? And so I'm proud to say that right now, the newsletters through beginning of next year are written, classes are recorded, and podcast recaps are almost done, but we're not scrambling. I don't feel like I'm in a rush, and I'm really excited to go on tour, knowing that when I come back, like, I'm just back in my regular schedule and not like scrambling. So my win is, is that a year ago, I had a vision, and always that was the year before, that was a different was, like, similar vision, but we just keep getting better at it. And why can't I have a win on something that was already a win? Because I'm just getting better at it. And you reflect, you refine, and you continue. And that's how it goes. You're not ever gonna do anything perfectly the first time. And thank God, because then you go, Oh, I didn't like that part actually, I'm glad I didn't do that. So I'm just saying, My win is I'm ahead. I'm on track. I did what I said I wanted to do, and I, you know, I started this project a year ago. So slay the year. What a win for the year, not just the week, okay, but I like those small wins. I like the small wins. Lesley Logan 10:04  Okay. Your affirmation over the weekend. I practice gratitude for all that I have and all that is yet to come. I practice gratitude for all that I have and all that is yet to come. Do you have a gratitude practice? Do you know what the easiest thing is to do? Take a piece of paper and just write down. I'm grateful for the air around me. I'm grateful that I'm listening to this podcast right now. I'm grateful that I got up this morning. All of a sudden, you'll start behind gratitude for other things. It's kind of fun. It's kind of unique. I know some people poo poo a gratitude, but like my therapist said to me, gratitude and judgment can't live in the same space, and that changed everything for me. So whenever I feel judgey about myself, I just start listing off things I'm grateful for. Sometimes, like, I'm grateful that my bed is made. I'm grateful I took a shower today. I'm grateful that last week I got my nails done when I had some time, right? Like, those are wins. They gave me gratitude as well. All right, babe, you know what to do. Until next time, Be It Till You See It. Lesley Logan 10:59  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod. Brad Crowell 11:40  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell. Lesley Logan 11:45  Lesley Logan It is transcribed, produced and edited by the epic team at Disenyo.co.is transcribed, produced and edited by the epic team@desenho.coSpeaker 1 11:50  our theme music is by Ali at Apex. Production Music and our branding by designer and artist Gianfranco ciofe.Lesley Logan 11:57  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 12:01  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

David Epstein, author of Range: Why Generalists Triumph in a Specialized World, dismantles the myth that early specialization is the only path to excellence. Drawing from research on elite athletes, musicians, and scientists, David reveals how individual variability in learning means there is no one-size-fits-all approach to skill development. He reframes the Tiger Woods and Mozart narratives, showing how their success came from internal drive, not just parental pressure. From his own journey—leaving Sports Illustrated to investigate drug cartels—David demonstrates why sampling periods, lateral thinking, and diverse experiences create more adaptable, innovative problem-solvers than narrow expertise alone. Hosted on Acast. See acast.com/privacy for more information.

Ep 236 | This week on Discover Ag, Natalie and Tara dig into the headlines shaping how we think about food's worth, transparency, and trends — from America's broken sense of food value to Japan's farmer-forward labels and even Nara Smith's $38 garlic oil collab. America's "food value problem" takes center stage as the hosts unpack why Americans spend less than 10% of their income on food — among the lowest worldwide — and what that says about how we price nutrition versus convenience. Then they explore Japan's photo-on-pack movement that connects consumers directly to farmers, redefining transparency and trust in the grocery aisle. Next, influencer Nara Smith launches a $38 garlic oil with a luxury twist, sparking questions about marketing buzzwords and the psychology of "premium" food. Finally, they tackle the McBee Dynasty crop-fraud sentencing, and end on an unexpected high note — Italian water buffalo enjoying massages and Mozart while producing world-famous mozzarella. What We Discovered This Week

On the latest episode of ‘New Classical Tracks,' American pianist and Cliburn bronze medalist Evren Ozel joins the Vienna Radio Symphony and conductor Howard Griffiths for a recording of two Mozart Piano Concerti. Listen now with host Julie Amacher!

“My job is to make people love choral music as much as I do, and that's a lot. I really love choral music. My job is to say ‘you should care about this.' You might care about it because it's ravishingly beautiful or because it has a story to tell you. Even if you're not a person who relates to choral music, you can relate to stories. We're going to weave some sort of through-line through this program that tells you something about life that we hope resonates with you whether you're a musician or not.”Joshua Habermann is in his seventeenth season as Artistic Director of the Santa Fe Desert Chorale, one of the nation's premiere professional chamber choirs. Since joining the ensemble, he has broadened its repertoire to include choral-orchestral masterworks and unique concert experiences ranging from early music to new commissions. Under his leadership, the Desert Chorale has been featured at regional and national conferences of the American Choral Directors Association, and its summer and winter festivals are among America's largest choral events.Habermann's experience with symphonic choruses spans over three decades, encompassing the full range of the choral-orchestral repertoire. From 2011 to 2022 he was director of the Dallas Symphony Chorus, where highlights included Bach's St. Matthew Passion, the Requiem Masses of Mozart, Brahms, and Verdi, Elgar's Dream of Gerontius, Bernstein's Kaddish Symphony, Rachmaninov's The Bells, and Vaughan-Williams' Sea Symphony. He is a frequent guest conductor, and in 2022-2023 prepared Handel's Messiah, Ravel's Daphnis and Chloe, and Benjamin Britten's War Requiem for the San Francisco Symphony.A passionate advocate for music education, Joshua Habermann is a regular clinician for state and national events and has led honor choirs and choral festivals in North America, Europe, Asia, and Latin America. In 2024, he conducted Cantatas 72, 73 and 92 for Bach Santiago (Chile), a concert series dedicated to the first full cycle of Bach Cantatas in South America. He currently teaches choral literature at the University of North Texas.As a singer (tenor), Habermann has performed with the Oregon Bach Festival Chorus under Helmuth Rilling and Conspirare under Craig Hella Johnson. Recording credits include Requiem and Threshold of Night, both GRAMMY® nominees for best choral recording. Recordings as a conductor include The Road Home and Rachmaninov's All Night Vigil with the Desert Chorale.To get in touch with Joshua, you can find him on Facebook (@joshua.habermann) or visit the Santa Fe Desert Chorale website, desertchorale.org.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

¿Qué ensalada causó riñas familiares? ¿Cómo recibió Moctezuma a Cortés? ¿Qué relación tienen los osos de peluche con la presidencia estadounidense? ¿Qué es el dies irae (/ire/)? Hoy hablaremos de: Ensalada César, Hernán Cortés, Tenochtitlán, Theodore Roosevelt, Réquiem de Mozart, Y más datos para conquistar en los entremeses del Banquete del Dr. Zagal.See omnystudio.com/listener for privacy information.

1. Inspiration Beyond the BrainThe book challenges the materialist view that creativity is a left-brain, analytical function. Instead, it presents music as a right-brain, paranormal process. Many iconic songs are received through instantaneous “downloads” or vivid dreams. Keith Richards famously dreamt the riff for “(I Can't Get No) Satisfaction,” even recording his snoring afterward. These dream-sourced compositions often arrive fully formed, with clarity unlike typical dream content.2. Musicians as ChannelsMany legendary artists describe themselves as vessels rather than creators. John Lennon said he was “just the channel” for the “music of the spheres.” Michael Jackson believed his best songs were “works of God” that dropped into his lap. Notably, Elvis Presley, The Beatles, and Jimi Hendrix couldn't read or write music—suggesting that genius may bypass formal training and arise from external sources.3. A Historical PatternThis phenomenon isn't limited to rock and pop. Classical composers also reported receiving music from beyond. Mozart described his compositions as arriving “almost complete” in dreams. Brahms spoke of entering a trance-like state where ideas flowed “directly from God.” Such accounts suggest a long-standing tradition of non-local inspiration.4. UFOs and MusiciansThe book documents a striking number of UFO encounters among musicians. If cataloged, the list would include hundreds of high-profile names. John Lennon had a daylight sighting in 1974; Mick Jagger saw a UFO over the crowd at the 1969 Altamont concert. 5. Alien OriginsSome musicians believe they are extraterrestrial in origin. John Denver referenced the constellation Lyra as his home. Elvis Presley claimed he came from Orion, saying, “I am not of this world.” Lee Scratch Perry declared, “I am an alien from outer space… from Krypton.” Kurt Cobain expressed a lifelong feeling of being “homesick,” imagining himself as an alien baby found in a spaceship.6. Messages of Oneness and LoveThe themes expressed in music often mirror those reported by UFO experiencers. The central message is Oneness—the idea that all existence is interconnected. Lennon's lyric “I am he as you are he as you are me…” reflects this unity. His slogan “Love is the Answer. What was the Question?” and the anthem “All You Need is Love” serve as spiritual propaganda for this shift from fear to love.7. Environmental and Nuclear WarningsA recurring theme is planetary survival. Musicians often channel messages warning of ecological collapse and nuclear danger. Neil Young's “After the Gold Rush” describes “silver spaceships” rescuing the chosen ones.8. Targeting YouthMusicians are seen as strategic messengers to reach younger generations—the “ultimate swing voters.” Youth are more open to ideas that transcend traditional structures like religion and politics. Carlos Santana reported that the entity Metatron told him he'd be tuned into a “radio airwave frequency” to deliver a “new menu” of existence, helping students realize they are “multi-dimensional spirits.”9. Dreams and Altered StatesSongs often arrive during altered states—dreams, meditation, or automatic writing. Sting received “Every Breath You Take” in 15 minutes through automatic writing. Billy Joel dreamt many of his songs fully formed. Music heard during near-death experiences is described as “floating,” ethereal, and profoundly beautiful—often called the “music of the spheres.”10. Music and Quantum ConsciousnessThe book concludes by challenging the materialist worldview. It suggests that the universe operates through a quantum reality where consciousness is primary. Musicians report accessing a non-local field of awareness, consistent with quantum experiments showing that consciousness precedes matter. In this view, the brain doesn't create consciousness—consciousness creates the brain. Music becomes a delivery system for awakening, love, and planetary stewardship.

You may not know you know it, but we know you know it! You've definitely heard at least one movement of this piano sonata- let us know which movement you're familiar with! Be sure to like and share with a friend! Music: https://imslp.org/wiki/Piano_Sonata_No.11_in_A_major%2C_K.331%2F300i_(Mozart%2C_Wolfgang_Amadeus) https://creativecommons.org/licenses/by-sa/4.0/legalcode

This week, Donald Macleod explores the life and music of the often overlooked younger Haydn brother, Michael. From his early years in Vienna to his long tenure in Salzburg, Michael Haydn's career was shaped by family ties, shifting patronage, and ecclesiastical politics. His relationship with the Mozart family ranged from friendly collaboration to bitter rivalry, and his music—both sacred and secular—reflected the changing demands of the church and court. As he aged, Michael faced new opportunities and challenges, including a long-awaited reunion with his brother Joseph and a prestigious job offer that stirred unexpected doubts.Requiem in C minor pro defuncto Archiepiscopo Sigismund, MH 155 Symphony No 32 in D Major, P 23 Missa Sancti Aloysii, MH 257 Concerto for Harpsichord and Viola in C major, MH 41 Missa Sanctae Crucis, MH 56 Symphony in B flat major, MH 82 Trumpet Concerto in C major, MH 60 Die Hochzeit auf der Alm Notturno in F major, MH 185 Missa Sancti Hieronymi Symphony No 24 in A major, P 15 Tenuisti manum, MH 695 Missa Quadragesimalis, MH 552 Divertimento in C major, P 98 Ninfe inbelli Missa Sancta Theresiae Der Obersulzer Wein, MH 697 Abendlied, MH 784 Trinklied im Freien, MH 790 Flute Concerto in D Major MH 81 Divertimento in C, MH 600 Missa sub titulo Sancti Leopoldi, MH 837 Endimione: Vado per un momento Presented by Donald Macleod. Produced by Chris Taylor for BBC Audio Wales & West. For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Michael Haydn https://www.bbc.co.uk/programmes/m002lcjr. And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

Invités : - Eric Revel, pour son livre «C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron» - Sébastien Martin, ministre délégué chargé de l'Industrie   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Eric Revel, pour son livre «C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron» - Sébastien Martin, ministre délégué chargé de l'Industrie   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Eric Revel, pour son livre «C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron» - Sébastien Martin, ministre délégué chargé de l'Industrie   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

[@ 10 min] Alright, this week…Jeanine De Bique goes Inside the Huddle! The Trinidadian soprano is on her way to the US for a recital tour, including stops in New York and Chicago before making her subscription series debut with the Chicago Symphony Chorus and Orchestra in Mozart's Requiem! [@ 35 min] And then…we reach into the Listener Mailbag for a report on the Met's 'Don Giovanni' from our good friend PJ... [@ 39 min] Plus, in the Two Minute Drill...saluting the American flag is now compulsory at the Kennedy Center, and Opera America is Great Again after naming its new president. GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Presentamos los principales conciertos del 42º Festival de Jazz de Zaragoza, los que tendrán lugar en la Sala Multiusos por parte de John Medeski, Kenny Garrett, Jazzmeia Horn, Something Else, Chucho Valdés y Miles Sanko. Temas que suenan en el programa: 01 1992 Medeski, Martin & Wood - Notes From The Underground 03 La Garonne (5' 36'') 02 2011 John Zorn - Nova Express 2 Port of Saints - John Medeski K Wollesen T Dunn J Baron (5' 09'') 03 2013 John Medeski - A Different Time 01 A Different Time (4' 24'') 04 2018 John Medeski - Mad Skillet 03 Tuna In A Can - Kirk Joseph Will Bernard Terence Higgins (4' 07'') 05 1991 Miles Davis & Quincy Jones & The Gil Evans Orchestra 13 Summertime - Kenny Garrett (4' 35'') 06 2021 Kenny Garrett - Sounds of Ancestors 02 Hargrove - Vernell Brown Corcoran Holt Ronald Bruner Rudy Bird (5' 14'') 07 2025 Jazzmeia Horn - Messages 01 Happy Livin' (5' 40'') 08 2024 Something Else - Soul Jazz 01 Filthy McNasty - Freddie Hendrix Vincent Herring Wayne Escoffery Dave Kikoski Paul Bollenback Essiet Essiet Joris Dudli (4' 51'') 09 2024 Chucho Valdés - Cuba And Beyond 05 Mozart a la Cubana - José Armando Gola Roberto Jr. Vizcaíno Horacio El Negro Hernández (6' 22'') 10 2024 Miles Sanko - Leti it Unfold 12 Say It (2' 02'')

durée : 01:28:55 - Vladimir Ashkenazy, le chef d'orchestre - par : Aurélie Moreau - Pianiste éblouissant et chef d'une grande renommée, Vladimir Ashkenazy nous a offert de passionnants enregistrements à la tête de différents orchestres, au programme aujourd'hui dans Chostakovitch, Rachmaninov, Franck, Berlioz, Mozart, Sibelius… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Oggi a Cult, il quotidiano culturale di Radio Popolare: Elena Russo Arman sulla rassegna per giovani spettatrici e spettatori "Piccoli Elfi"; una mostra conclude il progetto fotografico "Milano vista dal mare" dedicato a minori stranieri; Robert Carsen firma per la prima volta la regia del Così fan tutte" di W. A. Mozart, in scena al Teatro alla SCala; Antonio Serra ricorda Forattini analizzandone le caratteristiche tecniche di caricaturista...

Dicen que MOZART es el compositor más usado en el mundo del cine. Su música aparece en más de 250 bandas sonoras. Y es tal su influencia popular que, a veces , las obras de Mozart han pasado a la historia con el título de la película en que se les ha incluido. Así, por ejemplo, a uno de sus conciertos para piano se le conoce popularmente con el nombre del film ELVIRA MADIGAN. El programa estará dedicado a recordar las bandas sonoras de películas en las que más influyó la música de MOZART

durée : 03:23:16 - Disques de légende du mercredi 05 novembre 2025 - En 2004, René Jacobs signe, avec le Concerto Köln, une nouvelle version des "Noces de Figaro" qui s'impose comme une référence de l'interprétation mozartienne. Cinq ans après son "Così fan tutte" dégraissé et alerte, le chef belge porte ici sa démarche à la perfection. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

José Rafael Guzmán, quien comparte detalles sobre su gira por Europa y habla de temas variados, desde la música de Mozart hasta relaciones personales. Además, se discuten las dinámicas de las relaciones modernas y la importancia de adaptarse a los cambios en la sociedad.

L'idée que les gauchers seraient plus créatifs que les droitiers est ancienne, séduisante… mais scientifiquement controversée. Elle repose sur une intuition simpliste : si le cerveau gauche contrôle la main droite et le cerveau droit contrôle la main gauche — et que le cerveau droit serait “le siège de la créativité” — alors les gauchers, plus “droit cérébral”, devraient être plus imaginatifs. Mais la réalité, révélée par plusieurs études, est bien plus nuancée.Une étude publiée en 2009 par Shobe et al. dans la revue Brain and Cognition a testé cette hypothèse sur des étudiants américains. Les chercheurs ont mesuré leur “pensée divergente” — la capacité à produire des idées originales — et ont comparé droitiers, gauchers et “inconsistants” (ceux qui utilisent les deux mains selon la tâche). Résultat : les gauchers n'étaient pas systématiquement plus créatifs. En revanche, les personnes au faible degré de latéralisation (ni totalement droitières, ni totalement gauchères) obtenaient de meilleurs scores de créativité. Leur cerveau semblait mieux équilibré entre les deux hémisphères, favorisant des connexions inhabituelles entre des idées éloignées.Cette découverte a inspiré une hypothèse neurolinguistique : la communication interhémisphérique — facilitée par un corps calleux plus actif — pourrait être un atout pour la pensée créative. Autrement dit, ce n'est pas la main utilisée qui compte, mais la souplesse du cerveau à mobiliser ses deux côtés.Des recherches plus récentes, notamment une méta-analyse publiée en 2019, confirment ces nuances : il n'existe aucune corrélation stable entre la main dominante et les performances créatives. Les différences observées sont faibles, variables selon les tests, et largement influencées par d'autres facteurs : culture, environnement familial, éducation artistique, exposition à la nouveauté.Enfin, le cliché du “génie gaucher” vient aussi de l'histoire : Léonard de Vinci, Picasso, Mozart, ou Jimi Hendrix étaient gauchers, ce qui a renforcé l'idée d'un lien mystérieux entre gaucherie et talent. Mais statistiquement, la majorité des créateurs reconnus sont droitiers — simplement parce qu'ils sont plus nombreux.En somme, les gauchers ne sont pas plus créatifs par nature, mais leur cerveau légèrement différent peut favoriser une pensée moins conventionnelle chez certains individus. La créativité, elle, reste surtout une compétence entraînée, nourrie par la curiosité, l'ouverture et la diversité des expériences — bien plus que par la main que l'on utilise pour écrire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Old Time Radio highlights originally broadcast live October 1 through October 8, 1939. Curated clips of live broadcasts from popular radio shows of the day. A tapestry of History through the eyes of people as they lived it, reported by radio. In today's SoundScape: Charlie McCarthy's in Need of Cash! Mozart has been dead for … Continue reading When Radio Ruled #146 – SoundScape 1939 part 19

Dans cet épisode, Laurie Peret se confie comme rarement.De ses débuts dans la pub à ses premiers sketchs dans des cafés-théâtres, jusqu'à fouler la scène mythique de l'Olympia, elle raconte tout.À 25 ans, elle vivait un rêve éveillé avec Mozart l'Opéra Rock.Puis tout s'arrête brutalement.Entre petits boulots, maternité solo et refus de casting, Laurie traverse des années de galère avant de retrouver sa lumière grâce à l'humour.Aujourd'hui, elle s'apprête à jouer à l'Olympia.Dans cet épisode :Comment rebondir quand tout s'écrouleLe courage de recommencer à zéroLe vrai quotidien d'une humoristeLa maternité, les doutes, la résilienceEt la puissance du rire pour tenir deboutUn échange sincère, inspirant et drôle, avec une femme qui n'a jamais cessé d'y croire

In the liturgical reforms following Vatican II, the decision was made to remove the beloved Dies Irae from the requiem Mass. Fr. Ambrose Dobrozsi and Dr. Joey Belleza discuss the rationale behind this decision and evaluate it in light of the text of the sequence itself.

The great French soprano Rachel Yakar died on 24 June 2023 at the age of 87. As she frequently performed opposite our last subject, Swiss tenor Eric Tappy, this episode makes a suitable pendant to that one. Celebrated for her transcendent performances of Baroque music, (Monteverdi and the French Baroque in particular), Yakar was (like previous podcast subjects Eugene Holmes, Oralia Domínguez, Hana Janků, Gwendolyn Killebrew, and Teresa Żylis-Gara) also a member of ensemble of the Deutsche Oper am Rhein in Düsseldorf and Duisburg, with which company she performed for more than 25 years, singing a dizzying range of repertoire, everything from Mélisande to Arabella, Liù to Rusalka, Euridice to Desdemona. She also performed Donna Elvira and the Marschallin at Glyndebourne; and was an unforgettable Poppea in the Ponnelle-Harnoncourt Monteverdi cycle filmed for Unitel. In her prime she was also a frequent visitor to the recording studio, singing everything from Rameau to Varèse, Mozart to Messiaen, with conductors from Harnoncourt to Boulez, Leonhardt to Nagano. She was also a devoted song recitalist and in the later years of her career, she made two recordings of melodies for Virgin Records with the admirable support of her long-term accompanist Claude Lavoix. For the majority of this episode, I have chosen excerpts from both of those recordings, featuring the songs of Fauré and Hahn, which include settings of poets central to their output, including Paul Verlaine, Armand Silvestre, Léconte de Lisle, and Théodore de Banville, supplementing it with additional material in French by Ravel, Lekeu, Clérambault, Messiaen, and Poulenc. Yakar, who, like Régine Crespin and Nadine Denize, studied under the French dramatic soprano Germaine Lubin, was renowned for her faultless technique, her acting prowess, her peerless French diction, and her communicative artistic sensibility, traits of which are all in evidence in all of her recordings from the 1960s through the end of her career in the mid-1990s. Yakar was especially treasured by her colleagues, friends, and students for the warmth and effervescence of her personality, and her devotion to passing on her knowledge and experience to a younger generation of singers. May you delight in the delicacy, humor, precision, and pathos of one of the most prodigiously gifted and versatile vocal artists of her generation. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 01:28:23 - Fritz Wunderlich, ténor incomparable - par : Aurélie Moreau - Le légendaire ténor Fritz Wunderlich, qui débuta à l'opéra en 1955, avait conquis un vaste public par sa voix douce et puissante, qui rayonnait avec chaleur. Il perdit la vie avant ses 36 ans. Aujourd'hui : Schumann, Mozart, Mahler, Lehár, Schubert… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In Composers, we explore how songs are created by people from long ago and today. We meet Bach, Mozart, and Beethoven, and learn how their lives shaped their sounds. We also hear from Sesame Street, and legendary Broadway composer Bill Sherman about writing catchy tunes with meaning. Listeners discover that anyone can start with a small idea and build a powerful piece of music.

Invités : - Marc Touati, essayiste - Didier Rykner, patron de la Tribune de l'Art - Sébastien Lignier, chef du service politique à Valeurs actuelles   - Eric Revel, chroniqueur politique, directeur de la revue l'Hémicycle et auteur du livre C'est Mozart qu'on assassine ! aux éditions Ellipses Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Benoît Aristidou, délégué syndical Un1té Police à Roubaix - Matthieu Valet, eurodéputé RN - Alexis-Olivier Sbriglio, journaliste culinaire, pour son livre La Cuisine de montagne publié aux éditions Glénat - Sébastien Lignier, chef du service politique à Valeurs actuelles   - Eric Revel, chroniqueur politique, directeur de la revue l'Hémicycle et auteur du livre C'est Mozart qu'on assassine ! aux éditions Ellipses Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Matthieu Valet, eurodéputé RN - Alexis-Olivier Sbriglio, journaliste culinaire, pour son livre La Cuisine de montagne publié aux éditions Glénat - Sébastien Lignier, chef du service politique à Valeurs actuelles   - Eric Revel, chroniqueur politique, directeur de la revue l'Hémicycle et auteur du livre C'est Mozart qu'on assassine ! aux éditions Ellipses Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 02:28:35 - France Musique est à vous du samedi 01 novembre 2025 - par : Gabrielle Oliveira-Guyon - Ce samedi, un parcours musical allant de Prokofiev à Tchaïkovski, en passant par Massenet, Dvořák, Berlioz, Berg, Wieniawski et Mozart. À l'écoute également, Perlimpinpin interprété par Birds on a Wire et Porque Si par le Trio Tasis. - réalisé par : Delphine Keravec Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Invités : - Éric Revel, journaliste et auteur de C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron aux Editions Ellipses - Georges Fenech, ancien magistrat - Vincent Roy, journaliste et essayiste Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Éric Revel, journaliste et auteur de C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron aux Editions Ellipses - Georges Fenech, ancien magistrat - Vincent Roy, journaliste et essayiste Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Swiss tenor Eric Tappy (19 May 1931 – 11 June 2024) excelled in so many different musical styles, eras, and genres, that when one considers his artistic achievement systematically, as a whole, one is positively stunned at all that he achieved, and that within a relatively short international career that extended barely 20 years. In addition, at the beginning of his career, his voice was that of a light lyric tenor, but gradually he came to sing heavier roles such as Idomeneo and Tito. The episode considers his biography and the trajectory of that career, touching upon his opera and concert work which ranged from early Baroque through contemporary. For the first ten years of his adult life, he worked as a teacher, gradually gaining enough exposure that he was able to fully devote himself to his singing career after he won several international singing competitions. Tappy is heard in the episode in concert work of Bach, Berlioz, Haydn, and contemporary Dutch composer Rudolf Escher; art songs by both Franz Schubert and Lili Boulanger; and operas by Monteverdi, Gounod, Mozart, and Debussy (his Pelléas was as legendary as his Monteverdi and Mozart impersonations). In addition, Tappy is heard in live and radio recordings of work by his fellow Swiss compatriots Arthur Honegger, Frank Martin, Constantin Régamey, and Hermann Suter. Guest singers include Countermelody favorites Ileana Cotrubaș, Rachel Yakar, Hugues Cuénod, Edda Moser, and Gino Quilico; musical collaborators include Ernest Ansermet, Michel Corboz, Nino Sanzogno, John Pritchard, Armin Jordan, Hans Münch (brother of Charles), Colin Davis, Hans Vonk, and Jean Françaix, among others. Prepare to be surprised and delighted by this great singer, who ended his active singing career at the age of only 50 but who continued as a formative and beloved teacher well into his old age. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:15:08 - Mozart : "Les premiers concertos viennois" - Ben Kim, Orchestre de chambre du Concertgebouw d'Amsterdam - C'est déjà le troisième disque de concertos de Mozart que Ben Kim enregistre avec l'Orchestre de chambre du Concertgebouw d'Amsterdam depuis 2019. Pour cette nouvelle collaboration, il revient aux premiers concertos écrits après avoir quitté Salzbourg pour Vienne, entre 1782 et 1783. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:08 - Mozart : "Les premiers concertos viennois" - Ben Kim, Orchestre de chambre du Concertgebouw d'Amsterdam - C'est déjà le troisième disque de concertos de Mozart que Ben Kim enregistre avec l'Orchestre de chambre du Concertgebouw d'Amsterdam depuis 2019. Pour cette nouvelle collaboration, il revient aux premiers concertos écrits après avoir quitté Salzbourg pour Vienne, entre 1782 et 1783. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A poll from the journal Nature found that 75% of researchers in the U.S. are considering leaving the country. That includes a man who’s been dubbed the "Mozart of Math." Stephanie Sy examines what’s behind a potential scientific brain drain. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A poll from the journal Nature found that 75% of researchers in the U.S. are considering leaving the country. That includes a man who’s been dubbed the "Mozart of Math." Stephanie Sy examines what’s behind a potential scientific brain drain. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Nancy Laturno, Founding CEO and Artistic Director for Mainly Mozart, chats about its mission; its youth orchestra; and the largest Mozart Festival in North America.About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Figgy's Mixtape: Figgy is impressed by the next Mozart, Figgy's reaction test for Reggie & Lopez, & more.

After a dominant performance, ITL debates whether this Texans defense has a chance to be mentioned among the greats. Plus, Figgy's Mixtape: Figgy's impressed by the next Mozart, puts Reggie & Lopez through a reaction test, and more.

ITL dives into a packed show starting with whether DeMeco Ryans truly blocks out the “outside noise” or if that's just coach talk, and what his approach says about how he handles the business side of coaching. Around The NFL, the guys recap Monday Night Football, break down Carson Wentz's shoulder injury, and share OG Passing Thoughts after an easy night for the Rockets. Things are also looking brighter for C.J. Stroud — has he officially turned the corner? Lopez makes a big confession during Lunch-Time Confessions, and CFBOAT reacts to another chaotic weekend in college football. To close out the show, ITL debates whether the Texans' defense is starting to resemble an all-time great, and in Figgy's Mixtape, Figgy is blown away by the next Mozart, puts Reggie and Lopez to the test with a hilarious reaction challenge, and more.

A soprano Carla Cottini, uma das vozes brasileiras de maior destaque internacional, não apenas percorre os palcos do mundo com interpretações de Mozart, Verdi e outros compositores consagrados: ela também carrega uma reflexão crítica sobre o papel da mulher no universo lírico. “A ópera retrata a realidade. Muitas peças revelam como as coisas mudaram — e também como não mudaram”, afirmou no episódio do Mulheres Reais. Nascida em São Paulo e vencedora do prêmio Revelação no concurso Maria Callas, Cottini construiu uma trajetória que a levou de musicais no Brasil a papéis de protagonista em teatros europeus. Mas, ao longo desse percurso, deparou-se com um repertório que, em suas palavras, evidencia marcas históricas de desigualdade. “Em muitas obras, as mulheres aparecem como submissas, trágicas ou sedutoras, reforçando uma lógica patriarcal. Revisitar esses papéis é sempre a chance de questionar e ressignificar essas representações”, destacou. Para Cottini, essa leitura crítica não anula a potência do gênero operístico. Pelo contrário, a soprano vê na música uma possibilidade de resistência e transformação: “Quando Mozart metaforiza a crítica social em suas óperas, abre espaço para que hoje possamos ampliar essas camadas de leitura. É muito poderoso transformar no palco aquilo que, séculos atrás, já era uma denúncia contra o machismo e a desigualdade de classes”. Além da carreira como solista, Cottini investe em projetos que dão voz a compositoras brasileiras esquecidas pela história. Ao lado do pianista Ricardo Ballestero, grava obras inéditas de mulheres que nunca tiveram suas composições registradas. “É surpreendente e emocionante trazer à tona músicas maravilhosas que permaneceram invisíveis apenas por terem sido escritas por mulheres”, disse. A maternidade e a formação em psicanálise também atravessam seu olhar artístico, reforçando o compromisso com uma escuta atenta e feminina. O podcast Mulheres Reais é apresentado por Carolina Ercolin e Luciana Garbin e está disponível semanalmente em todas as plataformas de áudio.See omnystudio.com/listener for privacy information.

durée : 01:24:18 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - En 1996, "Opus" explore le lien intime du poète Jacques Roubaud à la musique. Pianiste dans son enfance, sa relation à la musique est à la fois sentimentale et poétique. Mozart, Beethoven, Schubert et Brian Eno accompagnent cet entretien mené par Christian Rosset. - réalisation : Rafik Zénine, Vincent Abouchar, Emily Vallat - invités : Jacques Roubaud Poète et mathématicien français

The Right Honourable Sir Keir Starmer is the seventh Labour Prime Minister of the United Kingdom.Prior to his political career, he was a barrister and served as Director of Public Prosecutions. He was elected as a Member of Parliament in 2015 and became Labour leader in 2020.A former Guildhall School of Music scholar, Sir Keir Starmer is a flautist but also played piano, recorder, and violin in his youth.He shares his love of music including works by Beethoven, Mozart, Shostakovich and Brahms.Presenter: Michael Berkeley Producer: Clare Walker

Today's episode is the latest installment in my series entitled “Rescue Mission,” which reintroduces great singers who have already been featured on the podcast. This is the Belated Birthday edition of that series, which reintroduces us to a wide range of Countermelody favorites, including jazz singer Ethel Ennis; baritones Robert Massard, Gérard Souzay, and Andrzej Hiolski; sopranos Sylvia Sass (pictured), Veronica Tyler, April Cantelo, Elly Ameling, Gloria Davy, Margaret Marshall, Rosanna Carteri, Sarah Reese, Ilse Wolf, and Carol Neblett; mezzo-sopranos Jennie Tourel, Maureen Lehane, and Shannon Bolin; and tenors David Rendall and Stuart Burrows. The repertoire is as varied and rare as are the artists featured, including songs by Rimsky-Korsakov, Chopin, Malcolm Williamson, and Alec Wilder; opera arias by Schreker, Mozart, Mascagni, and Verdi; and selections by Bach and Schütz. I love doing this kind of episode, because it allows me to cast my net wide and share with you the kinds of singers and repertoire that are bringing me comfort and joy in these trying times. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices