Podcasts about mozart

W. A. Mozart: Missa Brevis in G Major, K. 140, II. GloriaCarolina Ullrich, Elvira Bill, Patrick Grahl Cologne Cathedral Vocal Choir & Chamber Orchestra Christoph Poppen, conductorMore info about today's track: Naxos 8.574637Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Un lundi sur deux, Laure vient nous parler de science sur Good Morning Vostok ! L'effet Mozart, est-ce que ça rend vraiment plus intelligent ? The post La Chronique scientifique de Laure first appeared on Radio Vostok.

Música para bailar, incomodar y repensar el mundo. De las reivindicaciones políticas de Bad Bunny al feminismo en 'Las bodas de Fígaro' de Mozart. De la sátira de Berlanga a la novela política de Jonathan Coe. El abuso de poder de las élites y la violencia machista y de extrema derecha atraviesan este programa

A cura di Paolo PellegriniWolfgang Amadeus Mozart, Il Flauto MagicoSarastro, Gottlob FrickRegina della Notte, Erika KöthPamina, Elisabeth GrümmerTamino, Ernst KozubPapagena, Hannelore SteffekPapageno,Günther AmbrosiusHessischen Rundfunks OrchestraGeorg Solti, direttore

Le premier Allpages festival d'Anzère. Le premier Festival du jeune cinéma suisse à la Chaux-de-Fonds. Narcisse revisite Mozart au Jura. Le Bulle Jazz Festival fête ses Vingt ans.

La música acompaña al ser humano desde hace más de 40.000 años y está presente en todas las culturas. Pero ¿qué ocurre realmente en el cerebro de un niño cuando escucha una canción? Los pediatras Elena Blanco y Gonzalo Oñoro exploran en este episodio de Sin Cita Previa: Salud en Familia cómo el cerebro infantil procesa la música a través de una red que conecta emoción, memoria, movimiento y lenguaje. Descubrirás por qué los bebés responden al ritmo desde el útero, cómo la música facilita el aprendizaje y la memoria verbal, y qué hay de cierto en el famoso efecto Mozart. También hablamos de los beneficios de aprender a tocar un instrumento, del fenómeno que explica por qué la música de nuestra adolescencia nos acompaña toda la vida, y del papel de la musicoterapia en trastornos del desarrollo. Explora más temas de salud en nuestro Espacio de Salud Adeslas.

Que raconte le Livre des Lamentations ? Pourquoi Jérémie est-il toujours en train de chouiner ? Quel est le rapport avec le Mur des Lamentations, à Jérusalem ?Réponse avec Don McLean, Garou, Mahalia Jackson, Mozart, Lara Fabian et une figure de style un peu technique dont on vous explique posément la signification et les effets.Direction l'Ancien Testament, on va lâcher notre larme, contempler des ruines et re-bosser notre alphabet : bienvenue dans cet épisode #124 de notre podcast biblardo-culturello-référencé.Bonne écoute !!!Découvrez les chefs-d'œuvre que les Écritures ont inspirés - www.prixm.org Nos fabrications-maison : Articles | Podcasts | YouTube | InstagramPRIXM vit grâce à la générosité de ses lecteurs et donateurs : soutenir le projetHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Send us Fan MailFeeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the the Episode 2 of Series 6 in the Relaxing Piano Playlist! In this episode, I perform for you music all centered on the theme of Spring with works by Mendelssohn, Grieg, Sindig, MacDowell, Tchaicovsky and the second movement from the "Coronation" Piano Concerto No.26 by Mozart.

On the latest episode of ‘New Classical Tracks,' pianist Jan Lisiecki presents two piano concerti by Wolfgang Amadeus Mozart on his latest recording with conductor Manfred Honeck and the Bamberg Symphony. Listen now with host Julie Amacher!

Send us Fan MailWhat happens when the thing you love most becomes the thing you can never completely walk away from?This week on Here's What We Know, conductor and pianist Robert Emery returns for a conversation about creativity, music, and the curious ways our minds work. From practice rooms to Abbey Road Studios, Robert shares what life is really like for a professional musician, why creative people often struggle to switch off, and what he's learned from spending a lifetime immersed in music.Gary and Robert also trade stories about family, parenting, travel, questionable hotel experiences, and the challenges that come with building a career around passion. They explore the lives of Mozart, Franz Liszt, and Berlioz, uncovering the very human struggles, quirks, and triumphs behind some of history's most celebrated composers.Robert also shares the story behind Orchestral Meditations, his latest project featuring meditation music recorded at Abbey Road Studios with a full symphony orchestra and choir.In This Episode:• Why musicians never really leave work behind• The truth about practicing and mastering a craft• What Mozart and Michael Jackson may have had in common• How creativity affects everyday life• Stories from Abbey Road Studios• The fascinating history of Franz Liszt and musical celebrity• Why travel helps reset the mind This episode is sponsored by: Reed Animal Hospital Bio:Robert Emery is a conductor, pianist, and serial entrepreneur. He is lucky enough to travel the world; ranging from performances in London's Royal Albert Hall, through to the Sydney Opera House, Robert has seen them all.Besides music, he is the Founder & Director of The Arts Group, one of the most diverse entertainment companies in the UK. Within the portfolio is a national music tuition agency, symphony orchestra, choir, artist agency, record label, and production company.Aside from that, he lives in London and Cambridge, has a wife (Mrs. E), a toddler (Master T), a baby (Master A), and 4 cats.Website: https://robertemery.com/Orchestral Meditation: http://orchestralmeditation.comYouTube: https://www.youtube.com/robertemeryofficial/Facebook: https://www.facebook.com/robertemeryofficial/Instagram: https://www.instagram.com/robertemeryofficial/Tags: Robert Emery, Creativity, Classical Music, Professional Musician, Music Career, Mozart, Franz Liszt, Music History, Conducting, Pianist, Abbey Road Studios, Orchestral Meditations, Creative Process, Creative Life, Music Industry, Composers, Arts & Culture, Creativity and Purpose, Work-Life Balance, Performing Arts, Creative Careers, Music Education, Connect with Gary:Gary's WebsiteFollow Gary on InstagramGary's TiktokGary's FacebookWatch the episodes on YouTubeAdvertise on the PodcastThank you for listening. Let us know what you think about this episode. Leave us a review!

“Cosas veredes, amigo Sancho”, dicen que decía El Quijote a Sancho. Y me ha recordado la famosa frase ver coincidir, por casualidad, tres historias de recientes experiencias musicales: FELIX KLIESER Un virtuoso de la trompa, músico, profesor que, sin brazos, toca usando los dedos de su pie izquierdo para accionar las válvulas. Nos adentraremos en su discografía. También es curioso que, hace unos años, algunos miembros de la Filarmónica de Viena se juntaron con otros de Filarmónica de Berlín para crear un grupo de siete músicos con el nombre de PILARMONIX (con X) que fuera capaz de interpretar todo tipo de música, desde el jazz hasta el tango pasando por la música gitana. Y por si esas curiosidades fueran pocas, nos detendremos en la discografía de una solista de trompa de la Filarmónica de Berlin, SARAH WILLIS, a la que le gustaba tanto la salsa y la música cubana que se inventó recrear a Mozart con ritmo de mambo y, más tarde, crear una pequeña orquesta de jóvenes cubanos, para interpretar repertorio popular, teniendo como solista la trompa. Se llama SARAHBANDA (Banda de Sarah)

La dramaturga ha estrenado 'Le nozze di Figaro' de Mozart en el Liceu, mientras prepara 'L'òpera de tres rals', de Brecht y Weill, en el Festival Grec. Dos óperas que tienen vasos comunicantes

James Judd conducts NZ Opera's production of The Marriage of Figaro is at the St James Theatre Wellington, from Wednesday 17th June to Sunday 21st June. Tickets and information here.

En El ojo crítico entrevistamos a Jonás Trueba con motivo del reestreno de Los ilusos 13+13, una nueva oportunidad para descubrir la película 13 años después de su estreno y revisitar una de las obras más representativas de su filmografía. Además, analizamos la actualidad cultural marcada por el regreso de Pedro Almodóvar a la ficción, que publicará en octubre su primera novela, El hombre que solo escribía en los aviones.También conversamos con Jesús Cisneros, Premio Nacional de Ilustración, una de las figuras más destacadas del panorama de la ilustración española. Nuestro colaborador Javi Alonso nos descubre el cómic Dos personas, de Teresa Ferreiro, mientras que Martín Llade reflexiona sobre el papel de las mujeres músicas en la historia a partir de los libros Bach y Mozart: el turno es de ellas y Mendelssohn y Schumann: el turno es de ellas, publicados por la Universidad de Castilla-La Mancha, que reivindican el legado de creadoras como Anna Magdalena Bach, Nannerl Mozart, Fanny Mendelssohn y Clara Schumann, cuyo talento quedó durante siglos eclipsado por las desigualdades de su tiempo.Escuchar audio

durée : 00:21:54 - par : Lionel Esparza - On admire Bruno Walter pour ses symphonies de Mozart, de Mahler ou de Beethoven, plus rarement pour ses Schubert. Il en laisse pourtant des versions équilibrées, claires et tendres, d'esprit classique, gravées pour la Columbia lors de son ultime période américaine. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:48 - par : Lionel Esparza - Beaucoup de malice, de la fraîcheur, et une voix cristalline qui cueille les cœurs : surnommée le « rossignol » allemand, Rita Streich (1920-1987) compte parmi les sopranos les plus admirées de l'après-guerre. Née en Sibérie, formée à Berlin, elle s'est illustrée chez Mozart et Richard Strauss. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:48 - par : Lionel Esparza - Beaucoup de malice, de la fraîcheur, et une voix cristalline qui cueille les cœurs : surnommée le « rossignol » allemand, Rita Streich (1920-1987) compte parmi les sopranos les plus admirées de l'après-guerre. Née en Sibérie, formée à Berlin, elle s'est illustrée chez Mozart et Richard Strauss. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:21:54 - par : Lionel Esparza - On admire Bruno Walter pour ses symphonies de Mozart, de Mahler ou de Beethoven, plus rarement pour ses Schubert. Il en laisse pourtant des versions équilibrées, claires et tendres, d'esprit classique, gravées pour la Columbia lors de son ultime période américaine. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Nach einer Italienreise schrieb Mozart unter den Einfluss des italienischen Stils die drei Divertimenti KV 136-138. BR-KLASSIK stellt sie zusammen mit Petra Müllejans, der Mitgründerin des Freiburger Barockorchesters, vor.

durée : 01:28:42 - par : Aurélie Moreau - Tabea Zimmermann, altiste renommée pour sa musicalité, le naturel de son jeu et sa virtuosité, est une musicienne unanimement estimée par la critique et le monde musical. Aujourd'hui : Bach, Schumann, Kurtág, Bartók, Berlioz, Vieuxtemps, Mozart… - réalisation : Cécile Bonnet des Claustres, Florian Ditre - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

El regeneracionismo surgió como respuesta a la crisis política, económica y social tras «Desastre del 98» , y como en la actualidad se quiso regenerar el régimen político de entonces. Conducido por Adrián Perales https://www.ivoox.com/rlc-08-02-2013-la-idea-necesidad-de-audios-mp3_rf_1774252_1.html Música: Andante, concierto para piano nº9 de Mozart. --------- ¡APÓYANOS! - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Like many writers, Sofka Zinovieff draws on her own history in her books – and her family tree offers plenty of inspiration. Her paternal grandmother was born into Russian high society, fled to England after the 1917 revolution and became a Communist. Sofka wrote her biography.Her maternal grandmother married the eccentric aristocrat Robert Heber-Percy, and for a time shared a house with his lover, the artist and composer Lord Berners. Sofka has also charted her story.Her father Peter was a composer and co-founder of Britain's first synthesiser manufacturer, making instruments used by the likes of Pink Floyd and David Bowie. He banned his many children from attending his funeral – a decision which inspired her most recent book, a novel called Stealing Dad.Sofka's music includes Bach, Monteverdi, Theodorakis and Mozart.

La recuperaci

Die Jazzmusiker, Rocker und Rapper müssen es können, die „Klassiker“ scheinen es längst verlernt zu haben: das Improvisieren. Dabei wären auch sie oft genug gefordert, spontan zu (re)agieren.

Hubo un tiempo en que medir la tierra, mirar las estrellas y componer música eran tres caras del mismo enigma: la armonía secreta con la que Dios —o el universo, según se mire— habría construido todo lo que existe. Junto a Luis Antonio Muñoz, autor de Historia oculta de la música, nos adentramos en las geometrías musicales: la proporción áurea escondida en Mozart y Debussy, la sucesión de Fibonacci dibujándose en partituras y caracolas, la cimática de Chladni convirtiendo el sonido en figuras visibles sobre una lámina de arena, la armonía de las esferas de Ptolomeo y Kepler, y el inquietante código que un músico escocés cree haber descifrado en los 213 cubos de piedra de la Capilla de Rosslyn. Un viaje entre las matemáticas, la música y el misterio que demuestra que, a veces, la frontera entre la magia y la ciencia es solo cuestión de siglos. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

durée : 01:28:58 - par : Lionel Esparza - Née à Rome le 4 juin 1966, Cecilia Bartoli a illuminé les opéras de Rossini, Mozart, Vivaldi et Haendel. Pour célébrer ses 60 ans, on passe une heure en compagnie de la mezzo-soprano italienne. Joyeux anniversaire ! - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Children's homily for the feast of the Holy Trinity 

Marianne Kirchgeßner war eine blinde Musikerin aus dem Badischen, die auf einem ungewöhnlichen Instrument die Welt in Erstaunen setzte: der Glasharmonika. Mozart schrieb zwei Werke für sie, in denen sie bis heute lebendig ist.

Christophe Rousset is a harpsichordist, conductor, and founder of Les Talens Lyriques. In this conversation, recorded in Paris, he talks about completing his twenty-year project to record all thirteen of Lully's operas — a composer long dismissed as boring, and why that dismissal gets the history wrong.We also discuss the young Mozart as musical sponge, absorbing Jommelli and Gassmann before finding his own voice; the Amadeus problem and what it gets wrong about Salieri; the relationship between scholarly knowledge and artistic intuition; and the kind of authority a conductor holds — total in theory, useless if exercised clumsily.The closing distinction Rousset draws — between playing with rules and breaking them — turns out to be the most revealing thing he says.In this episodeWhy comparing Lully to Rameau is a category errorHow a twenty-year recording project accumulates rather than gets plannedThe young Mozart's debts to Jommelli and GassmannScholarliness versus intuition in the rehearsal roomPower, charm, and persuasion as a conductor"Playing with the rules" as a governing philosophy** SUBSCRIBER EDITION EPISODE **The Aldeburgh Festival subscriber edition is available via the podcast feeds on Spotify or Apple, and via the the Thoroughly Good Blog. £2.99 a month to get early access to this and future episodes. Subscribe now.

durée : 00:06:47 - Le masque et la plume - par : Rebecca Manzoni - Une troupe monte "Les Noces de Figaro" quand le chanteur star est accusé d'agression sexuelle. Si la majorité de nos critiques loue la finesse de cette comédie chorale et son absence de manichéisme, certains regrettent un dispositif trop démonstratif qui manque de la légèreté de Mozart. - réalisation : Stéphane Le Guennec, Ilinca Negulesco Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Análise pós-jogo da partida entre Ceará x Operário-PR, válida pela 11ª rodada da Série B do Campeonato Brasileiro. Vem com a turma! Depois de vários resultados e desempenhos negativos, o Mozart Santos é demitido do comando técnico do Ceará. 7 minutos, esse foi o tempo suficiente para mudar tudo no jogo e transformar a noite […]

Episode #150 What I learned running 73 miles - Mozart 100 race debrief and take aways   Marilyn and Jesse review his Mozart 100 ultra marathon race. They deep dive into his change from professional sport to recreational sport and how that changes expectations and goals of racing. They also chatted about the take aways from his preparation and what he will do as he prepares for his next ultra!     

Opera sensation Danielle de Niese charts her rise to worldwide fame as the daughter of Sri Lankan Burgher immigrants to first Australia and then America. Debuting at the Met as a 19 year-old Barbarina in Mozart's The Marriage of Figaro, she has gone to star in opera houses around the world, including at Glyndebourne, where she now lives with her husband. Hailed as "Opera's Coolest Soprano" by the New York Times in 2009, de Niese takes us behind the scenes of her success and offers insights into her art, as she embarks on her first directorial role. 

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.This episode celebrates Harmonious World's sixth anniversary with award-winning violinist Ariana Kim, who has a brilliant album out. uncommon thread: Exploring improvisation from Mozart to Macedonia came out just a few days after our conversation. Ariana's work takes us from Western classical music and Americana, including world premiere recordings of compositions by Shane Shanahan. Thanks to Ariana for allowing me to play extracts from uncommon thread alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

durée : 01:28:43 - par : Aurélie Moreau - Après avoir écouté le grand virtuose Arthur Grumiaux interpréter un concerto pour violon de Mozart, le compositeur Francis Poulenc avait confié : « J'ai goûté pendant quelques secondes le plaisir délicieux et si rare des larmes de joie ». - réalisation : Cécile Bonnet des Claustres, Benjamin Orgeret - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.

Sie sei eine «kompromisslose Künstlerinnenpersönlichkeit»: Zu diesem Schluss kam die Jury im Auswahlprozess für den «Eurovision Young Musicians»-Wettbewerb. Am 6. Juni wird die junge Pianistin Manoush Toth im Finale in Armenien auftreten. Wie kompromisslos findet sie sich selbst? Ruhe. Das empfindet Manoush Toth, wenn sie am Klavier sitzt und einfach alles stimmt. Und gleichzeitig spüre sie die Kraft des Moments; das Wissen, dass genau dieser Moment zähle. Man wünscht Manoush Toth, dass sich diese Ruhe am Abend des 6. Juni in ihr ausbreiten wird. Dann findet in der armenischen Hauptstadt Jerewan das Finale des Musikwettbewerbs «Eurovision Young Musicians» statt, der alle zwei Jahre von der European Broadcasting Union (EBU) ausgerichtet wird und jungen Klassiktalenten eine grosse Bühne bietet. Im Rahmen der Förderung von Schweizer Musiktalenten bei SRF wurde die 19-Jährige von einer Fachjury als Teilnehmerin ausgesucht. Für diesen besonderen Auftritt hat sie sich für ein Stück von Schumann entschieden – allerdings nicht von Robert, sondern von Clara, dessen Ehefrau. «Clara Schumann wird immer mehr aufgeführt. Aber noch immer zu wenig», begründet Manoush Toth ihre Wahl. Dabei gehöre ihr Klavierkonzert zu den wichtigsten des 19. Jahrhunderts. Das verrät viel über Manoush Toth. Und was sie damit meint, wenn sie sagt, dass sie sich einen ernsthaften Zugang zur klassischen Musik wünsche. Weil Ernsthaftigkeit in ihrem Fall vor allem Offenheit und Neugierde bedeutet: «Wenn man die Hintergründe der klassischen Musik kennt, dann öffnet sich einem ein ganz besonderer Schatz.» Sie selbst nahm das erste Funkeln dieses Schatzes bereits im Alter von zwei Jahren wahr. Fast gleichzeitig mit dem Sprechen sei die Musik in ihr Leben gekommen. Und entsprechend vertraut fühle sie sich an, bis heute. Aufgewachsen ist sie zuerst auf den kanarischen Inseln, später im Berner Oberland. Sie und ihre Geschwister gehen nicht zur Schule, werden zu Hause von den Eltern unterrichtet. Paradiesisch sei das gewesen, sagt Manoush Toth. Doch mit dem Eintritt in die Hochschule für Musik Basel stand sie dadurch vor Herausforderungen, die sich anderen jungen Menschen nicht stellen. Im Gespräch mit Melanie Pfändler erzählt Manoush Toth von dieser Zeit, von dem Druck, den sie sich selbst auferlege, von der engen musikalischen Zusammenarbeit mit ihrem Bruder Anatol und ihrer jüngeren Schwester Anouk und von diesem magischen Moment auf der Bühne, wenn alles noch ganz still ist und sie ihre Finger auf die Tasten legt. Die Musiktitel: - W.A. Mozart: 3. Allegro, aus Sinfonie Nr. 31 D-Dur KV 297 «Pariser» (Freiburger Barockorchester; Gottfried von der Goltz, Leitung) - Antonin Antonín Dvořák: 3. Poco adagio, aus Klaviertrio Nr. 3 f-Moll op. 65 (Isabelle Faust, Violine; Jean-Guihen Queyras, Violoncello; Alexander Melnikov, Klavier) - Francis Poulenc: 3. Allegro ma non troppo, aus Doppelkonzert d-Moll (Sylviane Deferne & Pascal Rogé, Klavier; Philharmonia Orchestra; Charles Dutoit, Leitung) - Billy Joel: The Stranger - Franz Schubert: Impromptu Ges-Dur D 899 op. 90 (Radu Lupu, Klavier)

À seulement 65 ans, la pianiste roumaine Clara Haskil s'éteint dans des circonstances tragiques le 7 décembre 1960 à Bruxelles. Surnommée "Clarissima" par ses proches, cette virtuose du piano a connu une carrière hors du commun, marquée par des hauts et des bas, entre reconnaissance tardive et épreuves douloureuses.Née en 1895 dans une famille de mélomanes, Clara Haskil montre très tôt des dons exceptionnels pour la musique. À 7 ans, elle quitte son Bucarest natal pour Vienne, sous la tutelle de son oncle austère, afin de parfaire sa formation. Après des débuts fulgurants, elle s'impose progressivement comme une interprète de Mozart sans équivalent, avec une clarté et une profondeur de jeu qui font sensation. Mais son parcours est semé d'embûches : la maladie la contraint à abandonner le violon, sa mère la décourage d'étudier avec le légendaire Ferruccio Busoni, et elle doit vendre son premier piano.Pendant la Seconde Guerre mondiale, Clara Haskil, de confession juive, subit les affres de l'occupation nazie. Interdite d'enregistrement en France, elle est recueillie par des mécènes qui la cachent et la font soigner d'urgence après une grave opération du crâne. Après la guerre, la pianiste peine à trouver sa place, malgré la reconnaissance de grands noms comme Enesco, Casals ou Stokowski. Ce n'est qu'à partir des années 1950 qu'elle connaît une véritable renaissance, notamment grâce à ses interprétations éblouissantes au festival de Prades.Mais la fragilité de sa santé ne cesse de la hanter. Quelques mois seulement avant sa mort accidentelle dans les escaliers de la gare de Bruxelles, Clara Haskil frôle l'infarctus sur scène. Avec sa disparition prématurée, c'est "une existence qui a enrichi la nôtre" qui s'éteint, selon les mots poignants de son chef d'orchestre attitré, Ferenc FricsayPlongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Multi-platinum songwriter and musician Fiona Bevan and pianist Keelan Carew are Jeffrey and Anna's studio guests as they add five more tracks, taking us from Ray Charles letting loose for the first time, to a famous riverboat steamer on the Mississippi via Mozart and Nick Drake.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Mess Around by Ray Charles Kyrie from the Mass in C Minor by Mozart From the Morning by Nick Drake Fields of Gold by Eva Cassidy Proud Mary by Ike & Tina Turner Other music in this episode:Soul Bossa Nova by Quincy Jones Violin Partita No. 2 in D Minor (the Chaconne) by J.S. Bach Over the Rainbow by Eva Cassidy Fields of Gold by Sting Little Things by One Direction

You might be wondering: why on earth would I choose a piece that is literally called "Dissonance" when I was looking for something a bit simpler or cleaner to talk about on the show today? Actually, Mozart's Dissonance quartet, probably his most famous and beloved quartet, was not called "Dissonance" by Mozart, and the rest of the piece is thought of as one of Mozart's most outgoing and cheerful works, though I think there's a bit more to it than that. This quartet was part of a set of quartets dedicated to his friend and mentor Joseph Haydn, the father of the String Quartet. Upon their publication, Mozart wrote to Haydn: "Behold here, famous man and dearest friend, my six children. They are, to be sure, the fruit of long and arduous work, yet some friends have encouraged me to assume that I shall see this work rewarded to some extent at least, and this flatters me into believing that these children shall one day offer me some comfort." The final one of this set of six quartets is the one we're going to talk about today, the one that has been dubbed "Dissonance." This single dissonance caused massive controversy in its time, which we'll get to later, but it is a fascinating insight into the rules of harmony at the time. Our sojourns into late Romanticism over the last few weeks, and especially my conversation with Case Scaglione about Wagner and the Tristan Chord, should help us understand the intensely heated debates that arose over that chord I just played you. So today on the show, we'll spend some time on that famous dissonance, then dive right into this glorious quartet, exploring Mozart's unparalleled ability to write the most glorious melodies and the most perfect harmonies. Recording: Alban Berg Quartet First Sight Analysis: https://www.youtube.com/watch?v=IctjJOMU9dk Produced by: Charlie Koczela

A new week means new questions! Hope you have fun with these!What title did Fidel Castro assume in Cuba in 1959?In dice games, if you roll a boxcar, what have you rolled with your two dice?Name either of the Pierre-Augustin Caron de Beaumarchais plays that are the basis for popular operas by Rossini and Mozart?"I am become Death, the destroyer of worlds" is a famous quote by which US scientist?From the french word for "untie", what ten letter literary term refers to the final part of a story where everything is resolved?In which musical does Joe Boyd sell his soul to the Devil so that the Washington Senators can win a pennant?What mammal can eat up to 1,200 mosquitos in an hour?In World War I, The Allied Gallipoli campaign was beaten back mainly by which member of the Central Powers?Which American fast-food chain is known for square beef patties and the Baconator?In Friends, after the 6 main friends, which character was in the most episodes?"Hope is a good thing, maybe the best of things and no good thing ever dies" is something Andy Dufrense says in what movie?What 'P' word is a gymnastics and diving position, the common name for the genus of fish that includes walleye, and a simple medieval infantry weapon?Which treacherous and merciless monster of Greek mythology would challenge travellers to answer a riddle?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

A song can be a lifeline, but it can also become a loop you cannot climb out of. We take on a listener question we had to sit with: how can music help people in trouble? From breakups and work stress to grief and those days where everything feels heavy, we talk about what music actually does for the mind and body and why the “right” song changes depending on what you are going through.We get practical about using playlists as emotional tools: letting yourself play the sad songs when you need the cry, switching to angry music when sadness turns into rage, and reaching for upbeat tracks when you need a reset. We also share one of our biggest rules for mental health and music: do not overdo any one mood. If you stay in the same sonic space too long, the music can stop helping and start keeping you stuck. Sometimes the best move is to hit random, experiment with genres, and let your system find what it needs.Then we nerd out over how wordless music hits so hard. Classical can pull emotions to the surface fast, and “Adagio for Strings” comes up as a piece that sounds like grief itself, whether you connect it to Platoon or not. We also talk opera, from Carmen's drama to Mozart's The Magic Flute, as proof that music is a universal language even when you do not speak the lyrics.We also share a side story about hearing a new solo release that felt forced, and why you can tell when an artist is not feeling their own work. Finally, we draw the line clearly: music can assist, but for deeper problems you may need therapy or a music therapy professional too. If this conversation resonates, subscribe, share it with a friend, leave a rating or review, and send us your next question.Support the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagramBlueskyIf have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

Howse and Voice welcome "The Mozart of Pro Wrestling" Gaston LaRue!Go to GOLI.com and use promo code "IYH" for a discount on all Goli Nutrition Supplements.Want to support us without spending a dime? Go to Apple Podcasts & Spotify and give us a 5 star rating and review! Follow on Apple Podcasts: https://podcasts.apple.com/us/podcast...Follow on Spotify: https://open.spotify.com/show/7JpMIjs...Join our Discord: / discordBecome a supporter of this podcast: https://www.spreaker.com/podcast/in-your-howse--3318368/support.

In this episode, Richard Seaver Music Director James Conlon walks us through the history, the plot, and, of course, the music of Mozart's "The Magic Flute." Don't miss this fantastic and delightful opera, playing May 30-June 21, with a show just added on June 20. Get your tickets now at LAOpera.org.

The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.

Cliff and Kendall are back with every shocking musical fact from Bach to Beethoven and from Mozart to Madonna! Also: segments like What the Kids R Saying and Songs U Should Know! And: an unmissable mini-countdown of the greatest 8 eight songs ever (???) This one's gonna set the roof on fire! 

Meliss is aligned with her true self today! Laughing about the dumb door locks that are like nipples, a street called Whipple, "owning a cupcake", and the creepy thoughts she gets for the billboard for Miniature Wife. Closing out episode with a lil Mozart!

Boots Riley talks about his new film, ‘I Love Boosters.' It stars Keke Palmer as the leader of a crew of women shoplifters who steal from luxury stores and sell the goods cheap to people who can't afford retail. Riley says he thinks of his work labor organizing, filmmaking and writing hip-hop music as the same project. Also, we'll hear from actor Will Sharpe. He starred in season two of ‘The White Lotus,' Lena Dunham's series ‘Too Much,' and the movie ‘A Real Pain.' Now he plays Mozart in a new adaptation of ‘Amadeus.' TV critic David Bianculli reviews a new special by David Attenborough.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

For most of human history, people went about their daily lives with a worm or two (or fifty) in their guts. Only in the past century, with pharmaceuticals and sanitation practices, have we made significant strides towards deworming the whole of humanity. And that's typically been thought of as a good thing, because having too many worms in your body can–quite literally–suck the life out of you. But is it possible to have… too few worms? Science wonders if deworming ourselves has actually led to an increase in certain chronic diseases. On this episode, we dive into Necator americanus, a.k.a. the American Hookworm, and its mysterious relationship with each of us. We trace the hookworm's 118-year journey from a demonized economic depressant, to its use as a desperate D.I.Y. immunosuppressant, to its potential as a medical treatment for a number of chronic diseases, everything from asthma to MS. We're bringing back two stories  from our 2009 episode Parasites plus new research on hookworms and autoimmune diseases, reported by Molly Webster Special thanks to Ethan Hein for the use of his remix of Mozart's Piano Concerto No. 21. Plus, Doris Pierce, and Dan and Alice Hadley. EPISODE CREDITS:  Reported by - Pat Walters and Molly Webster with help from - {{wREPORTERS}} Produced by - Matt Kielty with help from - Rebecca Rand Fact-checking by - Diane A. Kelly and Edited by  - Arianne Wack EPISODE CITATIONS: Articles -  Effect of experimental hookworm infection on insulin resistance in people at risk of type 2 diabetes (https://pubmed.ncbi.nlm.nih.gov/37495576/) by Giacomin PR et al. Nat Commun. 2023 Jul 26 Signup for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab's science programming is provided by the Simons Foundation and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sharpe played a newly rich tech bro on vacation in Italy the second season of ‘The White Lotus.' Now he's starring as Mozart, a musical genius who struggles to "read the room" in the new STARZ limited TV series ‘Amadeus.' He spoke with Fresh Air producer Ann Marie Baldonado about studying piano, acting opposite Kieran Culkin in ‘A Real Pain,' and feeling like an outsider as a kid. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy