Podcasts about mozart

Orli Shaham is one of the brightest stars on the musical stage today. Not only a wonderful pianist and expressive performer, she is one of the sharpest music minds I know. I always learn from talking with her, and it's always fun!

durée : 00:04:29 - Musique matin - par : Max Dozolme - Partons à la découverte de la partition que Jerry Goldsmith écrit pour ce film culte de Ridley Scott. Une bande originale qui se souvient de Debussy et Stravinsky et qui laisse même une petite place à une célèbre musique de nuit signée Mozart ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

La #SessionLive reçoit l'accordéoniste réunionnais René Lacaille pour la sortie du nouvel album Ti Galé. Aujourd'hui en solo, René Lacaille crée des mélodies qui renvoient au paradis perdu de son enfance musicale. S'il a quitté La Réunion, il y a plus de quarante ans, elle ne l'a jamais quitté, lui. Elle est au cœur de sa musique et transcende toutes les influences. Après l'avoir célébrée sur scène pendant 70 ans, il offre avec modestie un héritage musical magnifié par l'accordéon, instrument maître du séga lontan, dans un album solo longtemps rêvé et enfin réalisé. Accordéoniste, guitariste, percussionniste, saxophoniste, chanteur, auteur, compositeur. René Lacaille est considéré comme une légende vivante de la musique réunionnaise, le « maître des accordéons pé i», la « figure légendaire du séga moderne ». Les représentants de la musique réunionnaise actuelle le considèrent comme leur « Tonton ». Inventeur du « maloya électrique », il a, avec le regretté Alain Peters et leur groupe culte Caméléon, envoûté La Réunion des années 70. Il est né juste après la guerre à Saint Leu, dans une île presque sans écoles, sans docteurs et sans voitures, où une nature sublime, parfois dangereuse, forgeait encore les hommes. Il est le digne descendant d'une famille de ségatiers qui faisait danser dans les bals « La poussière » des années 50-60. Dans sa musique, il y a de l'Africain, du Malgache, du Malbar... Chez lui, on entend aussi du jazz, du blues et de la musique savante (« Mozart est là », dit-il pour rigoler), des sonorités traditionnelles aux plus innovantes. Il est reconnu par des musiciens prestigieux du monde entier, avec qui il collabore (Vincent Segal, Piers Faccini, Rosemary Standley, Bob Brozman...). Car par-dessus tout, dans la musique comme dans la vie, René aime rencontrer, mélanger, pimenter. Chez lui on goûte rougail et cari, et puis on en reprend. Il est générosité et gourmandise. C'est encore mieux si c'est en famille, « èk marmaille ». Titres interprétés au grand studio : - Ti Baba Dodo Live RFI - Papang Zoué Pa Ek Poul, extrait de l'album  - Ek Marmaille Live RFI. Line Up : René Lacaille, accordéon chromatique. Son : Benoît Letirant, Mathias Taylor ► Album Ti Galé (Lamastrock/Do Bwa/Inouïe Dist. 2025). Grand Prix 2024 de l'Académie Charles Cros pour l'ensemble de son œuvre et sa carrière dans la catégorie Musiques du Monde. ► Les 70 ans de carrière au Théâtre Molière à Sète Lamastrock - YouTube - Bandcamp.

In his second appearance on Anthony Plog on Music, celebrated biographer and composer Jan Swafford returns for an expansive two-part conversation that dives deep into the very soul of classical music. In his previous interview from 2021, Jan discussed his monumental biographies of Mozart, Beethoven, Brahms, and Ives. But his intellectual and creative output extends far beyond those volumes, and this new set of interviews explores more of his wide-ranging contributions to the world of music.In Part 1, the focus turns to Jan's book Language of the Spirit: An Introduction to Classical Music, a refreshingly vivid and often personal guide to the history of Western music. The discussion begins with a few select quotes that set the tone for Swafford's engaging style—an approach that never shies away from humor, insight, or imagination. Along the way, Tony and Jan take an unexpected detour into a blog post imagining a conversation between Mozart and Picasso's Guernica. As the conversation returns to the content of Language of the Spirit, the two explore key aspects of the Baroque period, including figured bass and the challenges of intonation. The episode concludes with a discussion of three of Jan's own compositions—They That Mourn, Late August, First Snow, and River—offering a glimpse into his creative voice as a composer.Part 2 picks up right where they left off, continuing the discussion of the Baroque with special attention to the genius of Bach and the dramatic flair of Händel. This naturally leads into a thoughtful debate on performance practice, particularly the tension between historically informed performances (HIP) and modern approaches. Jan brings his signature candor and wit to the conversation, questioning what authenticity really means and whether the HIP movement sometimes overreaches. The episode closes on a memorable note, as Jan describes the extraordinary experience of holding the original manuscripts of Mozart's Marriage of Figaro and Brahms's German Requiem in his hands. And in true Swafford fashion, he promises to return again—next time, to tackle the Classical era through to the present day.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

ReferencesActa Pharm Sin B. 2019 Sep 3;10(3):414–433Mechanisms of Ageing and Development2016. Volume 156, Pages 25-33The Journal of Biological Chemistry 2018.293: 2422-2437.Anal Cell Pathol (Amst).2018; 2018: 787.1814.Mozart, WA. 1788. Divertimento 563 in E flat majorhttps://music.youtube.com/playlist?list=OLAK5uy_lDd2hLSAScEFRzcwXGJxrKjTTrPB9uDu0&si=xoAXTM_V9fYzT_cOTaylor and Baker 1968. "Passing the Time. Cream Wheels of Fire lphttps://music.youtube.com/playlist?list=OLAK5uy_lDd2hLSAScEFRzcwXGJxrKjTTrPB9uDu0&si=xoAXTM_V9fYzT_cOMeade, N. . 1964. "Time is On My Side." Rolling Stoneshttps://music.youtube.com/watch?v=7jStGLgQkSw&si=ufgxy8kPLG6djqWNCroce, J. 1974. "Time in a Bottle"https://music.youtube.com/watch?v=9h1davKgBYM&si=LEy6JDkroVjcT-lU

Pour ce nouveau numéro des quartiers d'été à Aix-en-Provence, Sur le pont des arts est au Festival International d'Art Lyrique, l'un des grands rendez-vous de la saison très apprécié des connaisseurs d'opéra. Au Festival d'Aix, on entend bien sûr le Don Giovanni de Mozart ou de la Callisto de Cavalli adapté des Métamorphoses d'Ovide, mais on entend aussi l'Orchestre des Jeunes de la Méditerranée, l'OJM, qui présentera le 21 juillet au Grand Théâtre de Provence une composition collective créée avec un quintet de jeunes sous la direction du compositeur Fabrizio Cassol. Et puis résonne aussi au Festival d'Aix une voix superbe venue de Syrie, celle de Waed Bouhassoun, prodige du Oud qui présente elle aussi une création. Wahed Bouhassoun, oudiste, chanteuse et compositrice, Fabrizio Cassol, compositeur et mentor de la session de composition collective, et Pauline Chaigne, directrice adjointe de l'OJM, sont les invités de Sur le pont des arts.   L'OJM est à écouter au Grand Théâtre de Provence à Aix-en-Provence le 21 juillet 2025. Wahed Bouassoun se produira le 3 août 2025 à Saint Amand de Coly dans le cadre du Festival du Périgord Noir.   Au programme de l'émission : ► Playlist du jour - Rabih Abou-Khalil - Sahara - Ya Baba feat. French Montana - Dystinct.

Pour ce nouveau numéro des quartiers d'été à Aix-en-Provence, Sur le pont des arts est au Festival International d'Art Lyrique, l'un des grands rendez-vous de la saison très apprécié des connaisseurs d'opéra. Au Festival d'Aix, on entend bien sûr le Don Giovanni de Mozart ou de la Callisto de Cavalli adapté des Métamorphoses d'Ovide, mais on entend aussi l'Orchestre des Jeunes de la Méditerranée, l'OJM, qui présentera le 21 juillet au Grand Théâtre de Provence une composition collective créée avec un quintet de jeunes sous la direction du compositeur Fabrizio Cassol. Et puis résonne aussi au Festival d'Aix une voix superbe venue de Syrie, celle de Waed Bouhassoun, prodige du Oud qui présente elle aussi une création. Wahed Bouhassoun, oudiste, chanteuse et compositrice, Fabrizio Cassol, compositeur et mentor de la session de composition collective, et Pauline Chaigne, directrice adjointe de l'OJM, sont les invités de Sur le pont des arts.   L'OJM est à écouter au Grand Théâtre de Provence à Aix-en-Provence le 21 juillet 2025. Wahed Bouassoun se produira le 3 août 2025 à Saint Amand de Coly dans le cadre du Festival du Périgord Noir.   Au programme de l'émission : ► Playlist du jour - Rabih Abou-Khalil - Sahara - Ya Baba feat. French Montana - Dystinct.

durée : 01:28:52 - Grigory Sokolov, la puissance et la rigueur - par : Aurélie Moreau - Pour Grigory Sokolov, immense pianiste, « l'essence de l'interprétation, c'est l'amour profond que l'on porte à une pièce, assorti à la liberté intérieure de l'interprète. » (L'Humanité). Aujourd'hui : Brahms, Haydn, Mozart, Rachmaninov, Schubert… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Today in honor of Bastille Day, I present an episode featuring the late Gabriel Bacquier, who considered himself an “acting singer” rather than a “singing actor.” He made his first mark as a sublime Mozart singer, from there moving into Verdi baritone parts, and finally as a supremely skilled basso buffo. What is less well-known is that he was also a superb recitalist, and in today's bonus episode, I present him in recordings primarily from the early 1960s, but ranging into the late 1970s, which display his surprising skill in mélodie (for it is rare that one singer excels to the extent that Bacquier does in both opera and song). We hear him in live performances and studio recordings of songs of Fauré, Poulenc, Ravel, Duparc, Satie, and Poulenc, as well as examples from such lesser-known lights as Henri Sauguet, Louis Beydts, Maurice Yvain, and Marc Berthomieu. Bacquier's artistry began with the word as the basis for the shape and form of the music, and this approach proves to be equally valid and successful in song as in opera. Plus that, in the early years of his career, the voice was a thing of extraordinary beauty, whether in full-throated expostulation or the merest hint of a whisper. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

On this episode of Inside the Music, Derek explores works of Mozart following his departure from his home of Salzburg in favor of Vienna. Join us for live CRC performances by the Artemis Quartet and pianist Jonathan Biss.Quartet in G Major, K. 387Allegro vivace assaiMenuettoArtemis Quartet [3/3/2002 performance]Piano Sonata in C Major, K. 545AndanteJonathan Biss [4/15/2009 performance]Piano Sonata in C Minor, K. 457Molto allegroAdagioAllegro assaiJonathan Biss [4/15/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

60 Jahre Musik für einen Gast - über 1500 spannende Persönlichkeiten gaben Einblick in ihren Beruf, ihre Leidenschaften und vor allem in die Musik, die sie geprägt hat. Ein Grund zum Feiern! Dieses Jubiläum begehen wir mit einer Spezialsendung mit Publikum. Zu Gast ist der Schweizer Kabarettist, Liedermacher und Schriftsteller Franz Hohler. Mit seinem unverwechselbaren Stil, seiner feinen Beobachtungsgabe und seinem humorvollen Blick auf die Welt, schafft es Hohler immer wieder, die Menschen zu berühren. Im Gespräch mit Gastgeberin Eva Oertle spricht Franz Hohler u.a. über sein Leben auf der Bühne, über seine Freundschaft zu Mani Matter, über das Älterwerden und über die Liebe zu seinem Cello, das ihn jahrelang bei seinen Bühnenauftritten begleitet hat. Die Musiktitel: 1. Giuseppe Sammartini – «2. Allegro» aus der Sonate für Sopran-Blockflöte und Basso continuo, G-Dur Maurice Steger, Sopran-Blockflöte /Naoki Kitaya, Cembalo 2. Arda String Quartet – W.A. Mozart: «1. Allegro» aus dem Streichquartett Nr. 2, D-Dur 3. Mani Matter - Farbfoto 4. Franz Hohler – Wenn i mol alt bin (wenn ich mal alt bin) 5. Franz Schubert - Nachthelle (Die Nacht ist heiter und ist rein) D 892 Irwin Gage, Klavier / Karl Scheuber, DIR / Schmaz - Schwuler Männerchor Zürich und Orchester Erstsendung 28.04.2024

     This week- Two English find something special with among the Amish and a standardization of a theme.     After a young Amish boy sees the murder of an undercover police officer in a Philadelphia train station. Detective Captain John Book takes the case. Soon he, the boy, and the boy's mother find themselves the target of a conspiracy in the very halls of justice. Will Book be able to protect them? Will they be able to find refuge among the Swiss Anabaptists? What will be the consequence of Book's increasing attraction to an Amish woman? Peter Weir once again takes a look at the intersection of contrasting cultures in the middle of a crime thriller- Witness.     After being caught at an illicit polka party, Al finds himself estranged from his parents but also free to pursue his life's dream- to have 20,000 people every night singing HIS words... to someone else's music. Soon he capture the interest of hitmaker Dr. Demento and starts a musical revolution. Before Al can make his happy ending, an ambitious young singer from Michigan and a notorious drug lord hatch separate schemes to use him and his music for their own ends. Will Al make amends with his parents? Will his roommates suddenly display hidden musical talents just when a band is in desperate need? Will alcohol and the pressure of fame destroy our accordioned adorned genius as it has Mozart and so many other brilliant trailblazers? The feature length version of a 2010 Funny of Die shirt that illuminates one of pop culture's most enigmatic figures- Weird: The Al Yankovic Story.     All that and the guys marvel at our new theme by the also brilliant and enigmatic Linus Fitness-Centre. Join us, won't you?    Episode 421- Amish Paradise

durée : 00:31:38 - Solaé, le rendez-vous protestant - par : Jean-Luc Gadreau - Rencontre avec la pianiste Anne-Lise Gastaldi - réalisation : Thomas Jost

JÚLIO ETTORE é músico e YouTuber. Ele vai trocar uma ideia sobre o rock nacional dos anos 70. O Vilela sente falta de assistir aos shows do Mozart.

Er gilt als musikalischer „Papa“ von Mozart und Beethoven, wird aber ständig vergessen: Was man über Joseph Haydn wissen muss.

Ep. 692: Cranford | Chapter 14 Book talk begins at 11:49 Will Miss Matty accept help from her loyal friends? And what's this about Martha and Jem... and a lodger? --------------------------------------------------------------- 0:00 Episode start 01:30 July Raffle - Botanical Knits: 12 Designs inspired by trees and foliage by Alana Davos of Never Not Knitting 03.14 - This week's Tea - Gratitude Blend 06:10 - Janine Barchas and Isabel Greenberg's new book “The Novel Life of Jane Austen: a Graphic Biography” 10:20 We had a very Sad chapter 13, which ended with Miss Matty thinking about Martha. :( 11:49 START BOOK TALK Rubric- The Book of Common prayer printed directions for teh service in red. Hens the Rubric (from the Latin word for ‘Red”) signified someting of importance and later came to mean “injunction” or general rule. REALLY??? LATIN FOR RED???? 13:50 - Mammon - Matthew 6:24, Devil of Covetovness or Demon of Greed (medieval and Milton - lowercase) (in hebrew meant money, modern hebrew. = wealth), , unjust worldly gain - ANNOTATION is partly WRONG, But there WAS a Syrian God of Wealth 19:45 - AAah Voo DEER-ray zhuh - Basically Twinkle Twinkle Little Star - the easiest piece of music one could learn to play. Mozart had done one of his 12 variations (though, personally, I'm partial to Tom Lehrer's )  21:25 - She could “trace out patterns very nicely for Muslin Embroidery, by dint of placing a piece of silver-paper over the design to be copied, and holding both against the window-pane, while she marked the scollop and eyelet-holes”. ANNOTATION SAYS “Probably which used scalloped edges and a pattern of holes sewn round with thread like a button-hole.“ 22:55 - a Celestial Globe to learn simple astronomy/constellations 24:35 - - think of , but you have to COUNT THE THREADS in a muslin or light canvas backing. Around 1830 v popular to stitch portraits of royalty (again, at least 10 years out of popularity elsewhere, but still popular in Cranford). Printed, gridded patterrns () 27:05 - Under a glass shade - put a glass dome or CLOCHE over things to keep dust off—would have been REALLY important b/c it was DUSTY back then and only got worse in London as the Century went on (also used in gerdening for heat retention) 27:55 - Couchant - lying down in Heraldry Image from Sodacan, CC BY-SA 3.0 , via Wikimedia Commons 28:35 - East India Tea Company - Founded in 1600 by QE1 and held the chartered right to trade with India and China and IMPORT the tea as a monopoly until 1834 (BTW, Twining's started as a coffee SHOP/Room adding tea in 1717 , bought adjacent building for ladies to take tea(might be Western world‘s oldest dry tea and coffee shop) at No. 216 Strand london in 1706; still operating today - and logo created in 1787 is worlds oldest in continuous use) B/c the EIC's charter was for trade/importing, anyone could SELL the tea. 31:25 - our mites: Biblical times a mite was the lowest denomination of coin in Judea (two mites = one lepta (thin or small in Greek) which was equivalent to a quadran, the smallest Roman coin), (also see re: the Widow's Mite where Christ praises the window who gives her last two mites in the temple) Two mites were worth about 1/64th of a denari - a day's wage for a common worker, toay about 1/8 of a US penny (1 cent) 33:40 - Spills - QUILLING (thank you Aimee!) video of 37:15 - Comfit - nut, seed, etc, covered in sugar coating - link to max miller's video on Post-chapter Notes 1:25:42 - SSA update - Broader information from and - but don't feel the need to read other sources. Here's the actual text of the Bill: Miscellaneous BOOK/WATCH PARTIES coming up in 2025: Last Thursday of every month, 8pm Eastern: Jul—Princess Bride (movie) Aug—The Last Unicorn (book) Sep—The Last Unicorn (movie) Oct—Random Harvest (book) Nov—Random Harvest (movie) Dec—Lamb: The Gospel According to Biff, Christ's Childhood Pal (book)   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

In this deeply touching episode, Guy talked with Jeralyn Glass, a musician and professor of music, and shared her profound journey of healing through the power of sound. She discussed the transformative role of crystal singing bowls in her life, especially following the tragic loss of her son. The conversation dives into the significance of vibrational frequencies, music as a universal language, and the importance of embodying love and presence. Jeralyn also provides a mini session of healing sounds, illustrating the soothing capabilities of the bowls. This episode is a heartfelt exploration of grief, resilience, and the potential for music to connect us to deeper, spiritual dimensions. About Jeralyn: Jeralyn Glass is an international acclaimed singer, crystal alchemy sound healer, inspirational speaker, musician, and teacher blending a classical career with meditation and transformational high-vibration sound.  She has performed on Broadway and on the Opera and Concert stages of the world, where she is known as a “Mozart singer of the first order.” Jeralyn established her classical music career in Europe, Japan and USA, singing regularly in theaters including the Los Angeles Opera, San Diego Opera, Michigan Opera, Pittsburg Opera,Teatro la Fenice, Zurich Opera, the Operas of Nice, Nantes, Lille, Strasbourg, Marseille, Montpellier, Toulouse, Paris, Antwerp, Amsterdam, Rotterdam, Maastricht, Malaga, Leipzig, Bonn and Munich. Praised as an artist with “glamour and style” by London's Opera Magazine, she has collaborated with a.o. Sir Neville Marriner, Sir Peter Hall, Jonathon Miller, Vladimir Jurowski, Louis Langree. She sang the National Anthem for over 18,000 people in her hometown of Los Angeles and is a well loved Gala performer, having written and sung tributes to Kareem Abdul Jabar and the late Kobe Bryant as well as the former German President Horst Kohler and the former French President Valerie Giscard d'Estaing. Key Points Discussed:  (00:00) - Mum Loses Her Son — Then Uses the Portal of Sound to Bridge Worlds (00:43) - Republishing the Episode (00:57) - Connecting with the Audience (01:09) - Invitation to Retreats and Events (01:27) - Welcoming Jeralyn to the Podcast (01:52) - Jeralyn's Unique Career Path (02:57) - The Power of Music and Sound (05:44) - Jeralyn's Musical Journey (12:35) - Overcoming Grief Through Sound (15:33) - The Healing Power of Crystal Bowls (18:20) - A Mother's Journey Through Loss (19:47) - Spiritual Connections and Energy (27:10) - Finding Purpose After Loss (30:38) - A Mother's Grief and Healing Through Sound (34:03) - A Spiritual Encounter and Signs from Beyond (35:33) - Journey to India and Miraculous Signs (37:24) - Navigating Deep Grief and Finding Light (46:58) - The Sacred Science of Sound (53:14) - Healing Through Sound and Vibrations (01:02:53) - Final Thoughts and Reflections How to Contact Jeralyn Glass:www.jeralynglass.com crystalcadence.com www.sacredrainbowcurrent.com/jeralyn-glass Crystal Cadence by Jeralyn Glass YouTube Channel   About me:My Instagram: www.instagram.com/guyhlawrence/?hl=en Guy's websites:www.guylawrence.com.au www.liveinflow.co''

durée : 00:25:01 - Requiem de Mozart - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur les conditions d'écritures de l'ultime "Requiem" de Wolfgang Amadeus Mozart (1756-1791). - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What does it mean to live a life in tune—with yourself, your passions, and your wellbeing? In this episode of Musings on Wellbeing, host Charlie Bresler and his guest, internationally renowned pianist Milica Jelača Jovanović, explore how the pursuit of excellence can both shape and challenge our inner lives. Raised in a family of classical musicians in Yugoslavia, Milica's journey spans elite music schools, intense conservatory training in post-Soviet Moscow, and a new chapter of life in Michigan. Their conversation touches on the delicate balance between ambition and self-care, artistry and identity. Her story is both deeply personal and universally resonant—a reflection on discipline, resilience, and finding meaning through music. Listeners will hear Milica's candid take on how intensive training has shaped her mental and emotional wellbeing, the role of family in grounding her, and why she prioritizes self-improvement over competition.  She also shares the guiding principles behind her teaching style and gives a sneak peek into exciting musical projects on the horizon.  Links: milicajelacajovanovic.com Milica on YouTube @milicajj Music from this episode: Mozart concerto performance with bellinghamsymphony.org  Musing on Wellbeing is sponsored by EH Walkers. Discover more and join EH Walkers at www.ehwalkers.org. Charlie Bresler is a former business executive, co-founder of the nonprofit The Life You Can Save, and a self-described effective hedonist. As a psychologist, Charlie emphasizes the importance of aligning personal pleasure with doing good, rejecting the notion of self-sacrifice in favor of a fulfilling, values-driven life.  

durée : 00:25:12 - Mozart La trilogie Da Ponte : 3. Cosi fan tutte - par : Anne-Charlotte Rémond - Jamais 2 sans 3 ! Dans Cosi fan tutte, Da Ponte tire les ficelles et manipule ses personnages, mais la musique de Mozart en fait évidemment beaucoup plus que des marionnettes. Un opéra jugé immoral mais qui demeure populaire par sa musique, c'est dans Musicopolis, avec Anne-Charlotte Rémond ! - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:25:25 - Mozart La trilogie Da Ponte : 2. Don Giovanni - par : Anne-Charlotte Rémond - 1787, Mozart est invité à Prague pour écouter son Figaro "ici, on ne parle que de Figaro, on ne joue, ne chante, ne siffle que Figaro". Quel succès, et quel séjour, puisqu'il repart avec la commande d'un nouvel opéra. Anne-Charlotte Rémond poursuit l'aventure dans Musicopolis ! - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:51 - Lise Berthaud, une altiste indispensable - par : Aurélie Moreau - Lise Berthaud est une remarquable soliste et partenaire de musique de chambre, très recherchée depuis ses débuts aux BBC Prom's en 2014. Son nouveau disque avec Patrick Messina et Fabrizio Chiovetta est consacré à Mozart et Bruch (Aparté). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:25:22 - Mozart La trilogie Da Ponte : 1. Les Noces - par : Anne-Charlotte Rémond - 1783 à Vienne, Mozart à 27 ans. Un certain abbé Da Ponte est engagé comme librettiste, et avec un peu de chance il pourrait faire affaire avec lui pour un opéra. Dans Musicopolis, Anne-Charlotte Rémond nous dévoile tous les secrets de leur extraordinaire collaboration ! - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We would love to hear from you, wherever you are!perfectpitchpod.comhttps://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

durée : 00:25:07 - Mozart, Symphonie 40, "or pur" mais mystérieux... - par : Anne-Charlotte Rémond - "Une œuvre dont chaque note est de l'or pur, chaque partie un trésor" déclare Schumann, à propos de la Symphonie 40 de Mozart. Cette œuvre, achevée en juillet 1788, dont on ignore les raisons de sa composition, a fait couler beaucoup d'encre... Anne-Charlotte Rémond nous éclaire dans Musicopolis ! - réalisé par : Adrien Landivier Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Peter Filichia, James Marino, and Michael Portantiere talk about Mozart's Don Giovanni – A Rock Opera, Father Anonymous @ AMT Theater, Angry Alan @ Studio Seaview, and Out of Order @ East Village Basement. “This Week on Broadway” has been coming to you every week since 2009. It is the read more

Sunday, 6 July 2025   For John came neither eating nor drinking, and they say, ‘He has a demon.' Matthew 11:18   “For, he came, John, neither eating, neither drinking, and they say he has a demon!” (CG).   In the previous verse, Jesus gave an example of what “this generation” is like, saying, “We piped to you and not you danced. We bewailed to you and not you breast-beat.” He continues now with, “For, he came, John, neither eating, neither drinking.”   The meaning here is more than just his limited diet, which is recorded in Matthew 3:4 –   “And he, John, had his apparel from camel's hair, and a leathery girdle around his waist, and his food was locusts and wild honey.”   The thought of eating and drinking extends to social life, where eating and drinking are a part of the natural course of human interaction. In other words, John's life was that of a prophet preparing the way for the Lord. He did this in the wilderness, living a life of austerity and isolation.   In this state, someone may have come and said, “I'd like to talk to you about your message, come and join us at our meal tonight.” This is something John would have likely refused, maybe offering them a bowl of dried locusts instead and saying, “Join me here for a meal. This is where I belong.”   John limited his diet and everything that goes along with eating. Parties, feasts, dinner invitations, etc., would all have been shunned by him. Therefore, because of this obscure and difficult to understand lifestyle, Jesus next says, “and they say he has a demon!”   This is what it says about the demoniacs in Chapter 8 –   “And He, having come into the beyond, into the country of the Gergesenes, two ‘being demon possessed,' they met Him, coming out from the tombs – exceedingly dangerous – so too, not anyone capacitate to pass through that way.” Matthew 8:28   They lived in an area shunned by others, cut off from the normal ways of life. Because John was somewhat like this, instead of recognizing him as a prophet and grasping the importance of his ministry, they accused him of having a demon.   Life application: One of the traits that is often seen in people who are exceptional in their field is eccentricity, even to the point of being thought to suffer from mental instability. People with great intellects who have made some of the most profound discoveries in their occupations have been considered unconventional, and their lives troubled.   Van Gogh, da Vinci, Nietzsche, Hemingway, Tesla, Mozart, Bonaparte, Byron, Freud, Einstein, and so many others were, at times, close to being off their rocker. Van Gogh cut off his own ear, something not normally thought of as a sign of sharp mental acuity.   Fortunately for them, their skills in their professions were recognized and they were appreciated, despite their often-bizarre behavior. If you come across someone who seems a tad eccentric or doesn't fit into the traditional paradigm that society has set, don't underestimate him or dismiss him outright. It may be that his focus is so poignantly directed that the normal rules for social behavior don't interest him.   At the same time, he may be as crazy as a loon, so don't just assume that everyone who is odd is a genius.   Lord God, may our judgments about those we encounter always be carefully considered. First and foremost, may we look at each person as an individual who needs Jesus. If we remember this, surely we will see them in a different way than if we judge by mere appearances. Help us to look for Your image in those we encounter. Amen.

Das dramaturgisch klug aufgebaute Album bringt eine wunderbare Mischung aus bekannten und weniger bekannten Titeln.

Fuchs, Jörn Florian www.deutschlandfunk.de, Kultur heute

Stürz, Franziska www.deutschlandfunkkultur.de, Fazit

JUN. 24, 2025Called to overcome (1)"He who overcomes shall inherit all things." Rev 21:7 NKJVA pastor writes: "All of us want every day to be a good day. But if every day was a good day, there would be no 'good' days, because there wouldn't be any bad days to compare the good days to… Sickness helps us appreciate health. Failure helps us appreciate success. Debt helps us appreciate wealth. And the tough times help us appreciate the good times... Adversity is often the seedbed of opportunity [because it has] a way of bringing the best out of us... Adversity is often a blessing in disguise. We dream of zero gravity. We imagine what life would be like without any problems or issues or challenges.But from a biological perspective, zero gravity is hazardous to your health. Astronauts who spend any length of time in zero gravity experience serious medical complications.Without any resistance, they lose muscle mass and bone density, they experience high pulse rates and heart palpitations, and they can barely walk after re-entering the earth's atmosphere. We may dream of zero gravity, but what we really need is a healthy dose of adversity. The people God uses the most are often the people who have experienced the most adversity. This isn't necessarily...what you want to read, but it's true. Adversity can produce an increased capacity to serve God." Why? Because adversity causes us to turn to God, lean on God, seek God, and get to know God in a way we otherwise wouldn't. Some of God's greatest promises in Scripture begin with the words "to him who overcomes." The Bible says, "People who know their God shall be strong, and carry out great exploits" (Da 11:32 NKJV).Called to overcome The tough times help us appreciate the good times.Called to overcome. (2)"This is the victory that has overcome the world -our faith." 1Jn 5:4 NKJVA pastor encourages us: "PsychoanalystAlfred Adler conducted a fascinating research project that popularized the theory of compensation. He studied art students and discovered that seventy percent of them suffered from optical anomalies. He found degenerative traces in the ears of great composers like Mozart and Beethoven. And he cited numerous examples of other people who eventually became successful in the area of their greatest weakness. Adler believed that birth defects, poverty, illness, and negative circumstances often prove to be the springboard for success...God wants to recycle your adversity and turn it into a ministry. People go through a painful divorce or the death of a child or a destructive addiction, but God helps them climb out of the pit so they can help others in similar circumstances. One of the most paralyzing mistakes we make is thinking that our problems somehow disqualify us from being used by God... No one rolls out the red carpet and invites tragedy into their life, but our greatest gifts and passions are often the byproduct of our worst tragedies and failures. Trials have a way of helping us rediscover our purpose in life." The problems God has brought you through become a platform upon which you can stand and minister to others."Praise be to the God and Father of our Lord Jesus Christ, the Father of compassion and the God of all comfort, who comforts us in all our troubles, so that we can comfort those in any trouble with the comfort we ourselves receive from God" (2Co 1:3-4 NIV).Called to overcome  God wants to recycle your adversitySend us a textSupport the showChanging Lives | Building Strong Family | Impacting Our Community For Jesus Christ!

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mitridate, Re di PontoSifare: Emőke Baráth Conductor: Lars Ulrik Mortensen Copenhagen 2024 Don GiovanniDonna Anna: Emőke Baráth Conductor: Emmauelle Häim Lille 2023

🦖🎻🌲🏔️🏔️ Esta vez quién vuelve es Carlos Arbelo para repasar los rankings que como siempre son de la web Ranker.com pero esta vez con una combinación que nadie esperaba: Twin Peaks, Mozart y los dinosaurios. Tienen algo en común? No. Me importa? Tampoco. Bueno, tienen en común a nuestro ilustre invitado!!! Repasamos varias curiosidades de cada lista de Ranker, seleccionadas sin inventar nada. Desde Mozart proponiéndole matrimonio a una y casándose con su hermana, hasta la verdad sobre los rugidos de los dinosaurios y los secretos detrás del hotel del Gran Norte. Todo con intento de humor, poco rigor y cierta arbitrariedad necesaria también. Con: XeviPanda y Carlos Arbelo Edita: XeviPanda Canta al final: Suno Música: Mozart y Twin Peaks Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

André Jonker, Gründer von Mozart Bett, gibt dir Einblicke in den Aufbau eines der erfolgreichsten Premium D2C-Unternehmen Deutschlands. Mit individualisierbaren Boxspringbetten hat Mozart in nur drei Jahren 25 Millionen Euro Umsatz erreicht – komplett bootstrapped und profitabel. André teilt, wie das Unternehmen ohne Lagerbestand arbeitet, warum methodisches Wachstum der Schlüssel zum Erfolg ist und wie sie durch cleveres Performance Marketing die richtigen Kunden erreichen. Was du lernst: On-Demand Produktion und Supply Chain: Wie Mozart Bett ohne Lagerbestand arbeitet und Lieferzeiten von 3-4 Wochen realisiert Die Bedeutung strategischer Partnerschaften mit Herstellern für individualisierbare Produkte Performance Marketing im Premium-Segment: Warum Mozart Bett auf Performance statt Brand Marketing setzt Wie das Unternehmen mit 25-35% Werbekostenquote profitabel wächst Methodisches Wachstum: Die Bedeutung von Fokus und klaren Prioritäten beim Skalieren Warum Mozart Bett erst die Kernkanäle optimiert, bevor neue erschlossen werden Teamaufbau und Leadership: Wie sechs Gründer erfolgreich zusammenarbeiten Die Bedeutung von Selbstverwirklichung und klaren Verantwortungsbereichen Zukunftspläne und Visionen: Der Weg zu 40 Millionen Euro Umsatz in 2025 Warum Showrooms und neue Produktkategorien wichtige Wachstumstreiber sind ALLES ZU UNICORN BAKERY: https://zez.am/unicornbakery  Mehr zu André: LinkedIn: https://www.linkedin.com/in/andre-jonker/  Website: https://mozart-bett.de/  Join our Founder Tactics Newsletter: 2x die Woche bekommst du die Taktiken der besten Gründer der Welt direkt ins Postfach: https://www.tactics.unicornbakery.de/  Kapitel: (00:00:00) Kundenzufriedenheit trotz längerer Lieferzeiten sichern (00:03:13) Produzenten von der Vision überzeugen (00:07:07) Fluch und Segen Premium-D2C (00:16:57) Bestandskunden reaktivieren - was verkaufe ich, wenn alle ein Bett haben? (00:23:11) Team bei Mozart Bett: Wie schaffen sie es, so klein zu bleiben? (00:29:56) Entscheidungsprozess und Touchpoints auf dem Weg zum Mozart Bett (00:35:08) Performance Marketing vs. Brand Marketing bei Mozart Bett (00:49:23) Mozart Bett goes Retail: Wie plant man so einen Store? (00:55:38) Rabattaktionen & Shareability (01:03:17) Wachstum auf 100 Mio Umsatz

On the Overthinking It Podcast, we tackle “Walk Hard: The Dewey Cox Story.” Episode 886: It’s Called Port Wine, Mozart, You Don’t Want Anything to Do With This! originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]

Today may be my final episode for Pride Month 2025, but it is most certainly not my final episode celebrating and affirming Pride and all our glorious forebears who preceded us! Today's episode is a belated birthday tribute to British tenor Peter Pears (22 June 1910 – 03 April 1986), most celebrated for his long-standing romantic and musical partnership with Benjamin Britten. However, as with my recent episode celebrating the artistry of Pierre Bernac apart from his performances of the music of Francis Poulenc, in today's episode, there is not a note of Britten's music to be heard. There is no question that Britten was a formative figure in Pears' artistic development, but throughout their lives together, he performed a wide range of music, from Pérotin to Lutosławski as an independent and enormously versatile artist. In this episode, I offer selections by Webern, Handel, Copland, Couperin, Stravinsky, Dowland, Tippett, Mozart, Holst, Bach, Copland, Berkeley, Schubert, Walton, Schütz, Debussy, Handel, Nordheim, Schumann, and David Bedford, among others, to offer a surprising portrait of this fascinating singer. Even if you have not (yet) acquired a taste for this (sometimes) controversial singer, I urge you to give it a listen, for not only does it present Pears in all his varieties, it also highlights his musical partnerships with Joan Sutherland, Sviatoslav Richter, Murray Perahia, Dennis Brain, Viola Tunnard, George Malcolm, Martha Mödl, Gré Brouwenstijn, Imogen Holst, and Noel Mewton-Wood (as well as a few clips with with his life-partner Britten at the piano). Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

En el otoño de 2014, un viernes cualquiera, Carlos Alsina y Rubén Amón (junto a David Gistau y Manuel Jabois) le robaron un rato de radio a La Brújula para hablar de otras cosas. Disertaron sobre ‘Interstellar' y de ‘Las uvas de las ira', sobre qué significa ser cultureta en un mundo (con Rajoy en el gobierno y un Felipe VI recién proclamado) en el que empezaban a abrirse paso, lentamente, las plataformas audiovisuales y los libros electrónicos. Así nació La Cultureta hace ya más de diez años, como espacio experimental, y su éxito no tardó en provocar emanciparla y establecerla como contenido independiente y reconocible, "clandestino y autoparódico".Lo celebramos, este viernes de junio de 2025, de la mano de Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Y lo hacemos colándonos en uno de nuestros lugares predilectos: la sala de conciertos. Junto a piano, violines, clarinetes y timbales, nos adentramos en la historia de las orquestas y sus instrumentos. Y divulgamos una de las pasiones culturetas por antonomasia: la música clásica.¿Cómo nacieron las orquestas? ¿Cómo y por qué fueron incorporando sus diferentes instrumentos y secciones? ¿Y cuáles son las historias de sus propios miembros? Indagamos en todo ello desde la Escuela Superior de Música de Madrid, donde disfrutamos de música en directo (Mozart, Beethoven, Vivaldi) bajo la batuta del director de orquesta Pablo González, con quien también hablaremos y divulgaremos nuestra pasión.

En el otoño de 2014, un viernes cualquiera, Carlos Alsina y Rubén Amón (junto a David Gistau y Manuel Jabois) le robaron un rato de radio a La Brújula para hablar de otras cosas. Disertaron sobre ‘Interstellar' y de ‘Las uvas de las ira', sobre qué significa ser cultureta en un mundo (con Rajoy en el gobierno y un Felipe VI recién proclamado) en el que empezaban a abrirse paso, lentamente, las plataformas audiovisuales y los libros electrónicos. Así nació La Cultureta hace ya más de diez años, como espacio experimental, y su éxito no tardó en provocar emanciparla y establecerla como contenido independiente y reconocible, "clandestino y autoparódico".Lo celebramos, este viernes de junio de 2025, de la mano de Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Y lo hacemos colándonos en uno de nuestros lugares predilectos: la sala de conciertos. Junto a piano, violines, clarinetes y timbales, nos adentramos en la historia de las orquestas y sus instrumentos. Y divulgamos una de las pasiones culturetas por antonomasia: la música clásica.¿Cómo nacieron las orquestas? ¿Cómo y por qué fueron incorporando sus diferentes instrumentos y secciones? ¿Y cuáles son las historias de sus propios miembros? Indagamos en todo ello desde la Escuela Superior de Música de Madrid, donde disfrutamos de música en directo (Mozart, Beethoven, Vivaldi) bajo la batuta del director de orquesta Pablo González, con quien también hablaremos y divulgaremos nuestra pasión.

He's spent 24 hours immersed in slime, two days buried alive – and showered vast amounts of cash on lucky participants. But are MrBeast's videos simply very savvy clickbait – or acts of avant garde genius? Written and read by Mark O'Connell. Help support our independent journalism at theguardian.com/longreadpod

In recent days, the music world—classical and popular—has lost Alfred Brendel and Brian Wilson. Jay pays due tribute. He has other selections as well—beginning with a summer song, refreshing on a hot day, or any. Berlioz, “Villanelle,” from “Les nuits d'été” Mozart, Piano Sonata in E flat, K. 282, third movement Schubert, “Moments musicaux” No. 3 Liszt, “Eclogue,” from “Years of Pilgrimage: Year One: Switzerland” Trad., “Do, Lawd, Oh, Do, Lawd” Trad., “Walk Together, Children” Wilson-Love, arr., Chilcott, “Good Vibrations”

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   7/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1936

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   1/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1931

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   2/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1932

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   3/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1933 GOERING

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   4/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1933

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   5/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1934 BERLIN

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   6/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1936

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   8/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1937