Podcasts about mozart

durée : 01:28:36 - Relax ! du lundi 16 février 2026 - par : Lionel Esparza - Suite à la disparition de Michel Portal le 12 février 2026, France Musique rend hommage à l'immense musicien qu'il était. Clarinettiste virtuose, il a brillé autant dans le classique et le contemporain que dans le jazz. Nous l'écouterons jouer Mozart, Bartok, Schumann, Mendelssohn, Poulenc. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:36 - Relax ! du lundi 16 février 2026 - par : Lionel Esparza - Suite à la disparition de Michel Portal le 12 février 2026, France Musique rend hommage à l'immense musicien qu'il était. Clarinettiste virtuose, il a brillé autant dans le classique et le contemporain que dans le jazz. Nous l'écouterons jouer Mozart, Bartok, Schumann, Mendelssohn, Poulenc. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Los partidos estatales son los principales agentes de la corrupción siendo la corrupción factor de gobierno en el Estado de partidos. La verdad nunca es parcial. Hasta que no se abra un periodo de libertad constituyente, la corrupción en España no cesará. Presentado por Luis Díaz, intervienen Pedro Manuel González y Antº. Gª-Trevijano. https://diariorc.com/radio-tv/radio-libertad-constituyente/rlc-2014-12-04-corrupcion-libertad-constituyente-etimologias/ Música: Allegro, concierto para piano nº9 de Mozart. -------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

As part of its 35th Anniversary season, Arizona MusicFest presents its annual Festival Orchestra Week, four performances that take place from February 22nd through March 1st at La Casa de Christo Lutheran Church in Scottsdale. Greg Kostraba recently spoke with the Festival Orchestra's Music Director Robert Moody about the concerts, which will be performed by some of the finest orchestral musicians from across North America. Tickets for the performance are available at the Arizona Musicfest website.

Dirk Benedict joined me to discuss Montana v. Montauk; not having a TV in Montana until 1956 and not watching one until college; lived out in ranch houses; now only watches old movies and English football; Steven Spielberg could not believe the number of movies he hadn't seen; movies are just pictures, not like early dialogue based films; having same acting teacher as Sir Anthony Hopkins; Whitman College; not having a plan; not having a phone in Montana during Battlestar Galactica, agent had to call a bar six miles away to get him; Kate Jackson; wanting to make the film version of A River Runs Through It; house-sitting for Anthony Hopkins in 1971; Aaron Spelling offered him guest spots on Charlies Angels; Diana Rigg wanted all male heterosexual Broadway cast; met friend Keith Michelle, who taught him about macrobiotics; playing Gloria Swanson's blind son in Butterflies are Free; living with her and having dinner with Greta Garbo; learning dirt on Joe Kennedy; befriending Maya Angelou on a set in Sweden; co-starring with Strother Martin in SSSSSST; getting job because of death of Brandon deWilde and producer Richard Zanuck seeing him in a Hawaii 5-O; Jim MacArthur; wore most makeup ever up to that point in SSSSSST; Robert Blake hangs out with him and Strother; Strother and him listen to Mozart; befriending George Roy Hill; playing George's piano; palm reader accurately predicts his life; befriending Fred Astaire; co-starring with Twiggy in W; Chopper One; dating Lucie Arnaz while costarring in Lil Abner; being a conservative in liberal Hollywood; never wanting to be an actor; being dared to try out for school play and getting the lead; stage acting is sex and camera acting in masturbation; his Kamikaze Cowboy Kitchen; his twin granddaughters; living in Europe for 4 years; his macrobiotic book saved lives but were burned on orders from AMA; Marie Osmond's parents put a stop to a potential romance because he wasn't Mormon; diet drugs; impotence; was considered funny after he got out of his house; Markie Post; cast of A-Team were considered misogynists but every female guest stars loved them; NBC hated A-Team; dedicating his book to people who died of cancer; being fat is worse than smoking; people who think others who are successful are just lucky; trying to help Gilda Radner & Jill Ireland beat cancer; no for sugar takes 8 years; Merv Griffin loved him for his honesty

ദൈവം മരിയ കോൺസ്റ്റാൻസ് എന്ന കാമുകിയെ നൽകിയതിനുള്ള നന്ദിസൂചകമായിട്ട് മഹാസംഗീതജ്ഞനായ മൊസാർട്ട് സി -മൈനറിൽ ഒരു മഹാപ്രാർത്ഥന ചെയ്തു .അച്ഛൻ എതിരു നിന്ന പ്രണയമായിരുന്നു മൊസാർട്ടിന്റേത്. അച്ഛനെ മെരുക്കാൻ മഹാനായ മൊസാർട് സംഗീതത്തിൽ ചെയ്ത ശ്രമങ്ങളും, പരാജയങ്ങളും രേഖപ്പെടുത്തപ്പെട്ടിട്ടുള്ളതാണ്.കോൺസ്റ്റാൻസ് എന്ന ഗായിക മോസർട്ടിന്റെ ജീവിതത്തിലേക്ക് വന്ന കഥയും ആ മനോഹര സംഗീതശിൽപവുമാണ് ഈ പോഡ്‌കാസ്റ്റ്. 2026 ലെ വാലെന്റൈൻസ് ദിനത്തിൽ ഓർക്കുവാൻ ശ്രമിക്കുന്നത് . FROM THE MUSIC ARCHIVES OF DILLI DALIകേൾക്കണമെന്ന് അഭ്യർത്ഥിക്കുന്നു.സ്നേഹപൂർവ്വംഎസ് . ഗോപാലകൃഷ്ണൻ

Irish classical and folk violinist Aoife Ní Bhriain and keyboard player Rick Wakeman are Jeffrey Boakye and Anna Phoebe's first guests as they begin a brand new series. Valentine's Day vibes are in the air so expect a bit of love as we embark on a new playlist, taking us from a sweet disco classic to a precocious pop/country megastar via Thor and Mozart.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:[03'55] Love is in the Air by John Paul Young [11'07] Love's Dream by Rick Wakeman ft Roger Daltrey [18'40] Thor: Ragnarok by Mark Mothersbaugh [25'45] Allegro moderato from Violin Concerto No 1 in B-flat Major by Mozart [33'40] The Outside by Taylor SwiftOther music in this episode:Berghain by Rosalía ft Björk Whip it by DEVO Arena Fight by Mark Mothersbaugh

Découvrez la vie extraordinaire d'un personnage qui a marqué l'Histoire… Cette fois-ci : Wolfgang Amadeus Mozart !Embarquez avec nous sur les réseaux sociaux pour ne rien rater !Instagram : https://www.instagram.com/bonjourmarloHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In today's uplifting episode, host James Cox sits down with the wonderfully eclectic Kristen Massey—singer, guitarist, keyboardist, voice‑over artist, producer, comedy writer, and author of the newly released The Joat (Jill of All Trades).From the moment they meet, it's clear that music is the trunk of Kristen's tree—everything else branches off it.Together they explore:The healing power of music for depression and why a simple melody can change a heartbeat.Kristen's musical journey—growing up with a piano, crafting Beatles‑ and Joni‑inspired songs, front‑lining bands, and finally finding her voice after two record‑deal setbacks.Red Siren's story, including the costly name‑conflict that turned “Siren” into “Red Siren,” and the triumph of releasing their Led Siren tribute to Led Zeppelin.The Joat—a fresh paperback/Kindle release that urges everyone to become a “Jill (or Jack) of All Trades” and step out of comfort zones.Behind‑the‑scenes of audiobook creation, the challenges of recording an emotionally resonant narration, and the future audio‑book release.Thoughts on AI in music, Bandcamp's ban, and why Kristen decides song‑by‑song whether a track feels authentic.A rapid‑fire lightning round that reveals her first‑thought favorites, the posters that hung on her teenage wall, her “Mount Rushmore” of musical icons (The Beatles, Stevie Wonder, Joni Mitchell, and Jim Morrison), and the classical pieces that still stir her soul—Mozart's Sonata No. 23 and Haydn's C‑concerto.Kristen also shares heartfelt anecdotes—from playing a flute that makes jungle leaves stand at attention, to hitching a ride on Willie Nelson's tour bus—showcasing how music binds us to nature, animals, and each other.Stay tuned for a candid conversation that blends humor, nostalgia, and raw honesty—plus a glimpse into Kristen's upcoming original EP. Whether you're battling the blues or just love a good musical story, this episode proves once again that when words stumble, music speaks.

Coucou everyone!A mystery grounded in fact, Cat tells the story of the mythically wealthy alchemist, polyglot, musician, scientist, philosopher, and artist - the Comte de Saint-Germain. A friend to Marie-Antoinette, Volatire, Casanova, Mozart, and several kings, he was rumored to be hundreds of years old. Kate also shares the history and meaning behind the king cake - laissez les bons temps rouler! Main topic sources: The Life and Times of an Immortal AlchemistComte de Saint-Germain | Mystic, Alchemist, Occultist | Britannica Count of St. Germain - Wikipedia Mini topic sources:King CakeVisit Lake Charles: King CakeKate's recommendation: The Piano Teacher Film (2001)Catherine's recommendation: ⁠⁠⁠Madame Bovary by Gustave FlaubertDon't forget to follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :)Cover art and logo by Kate WalkerMixed and edited by Catherine RoehreTheme song by LumehillThank you all - ciao!

Howard Morgan and Mozart Fontaine catch up with ECWA's Joey Ace. Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dame Imogen Cooper is one of Britain's most esteemed concert pianists. Having played since the age of five, she was mentored by the great Austrian born pianist Alfred Brendel before making her name internationally with interpretations of works by Schumann, Schubert and Mozart. She is renowned as a reflective, poetic sensitive performer in the concert hall and recording studio. She was made a CBE in 2007, became the first pianist to be awarded the Queen's Medal for Music in 2020 and, the following year, became Dame Imogen. She recently announced that, at the end of the year long international tour, she would be retiring from live performance in early 2027.Producer: Edwina PitmanArchive used: Face The Music, BBC2, 12 November 1975 Schubert, Allegretto in C minor D915 played by Imogen Cooper at the Wigmore Hall on 18 January 2026

durée : 01:27:38 - En pistes ! du jeudi 12 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin dans En pistes, tendez l'oreille pour découvrir des enregistrements inédits  ! Plus de soixante ans après sa mort, la grande pianiste Clara Haskil a encore des merveilles à nous faire découvrir, avec des archives venues de l'INA de Schumann et Mozart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Maria Anna Mozart - ein Name, den viele kaum kennen. Dabei war sie ein Wunderkind am Klavier, gefeierte Virtuosin und vermutlich sogar Komponistin.

durée : 01:27:38 - En pistes ! du jeudi 12 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin dans En pistes, tendez l'oreille pour découvrir des enregistrements inédits  ! Plus de soixante ans après sa mort, la grande pianiste Clara Haskil a encore des merveilles à nous faire découvrir, avec des archives venues de l'INA de Schumann et Mozart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:42 - Relax ! du jeudi 12 février 2026 - par : Lionel Esparza - Chef d'orchestre mondialement célèbre, penseur, homme de paix : Daniel Barenboim incarne tant de facettes qu'on en oublierait parfois qu'il est aussi un pianiste exceptionnel. Plongée au cœur de son immense discographie, des concertos de Mozart aux sonates de Scarlatti. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Nachrichten. Tagesthema. Magazin: W.A.Mozart, einer der berühmtesten Komponisten der Musikgeschichte, besuchte einst Bratislava / Eiswein aus Topoľčianky

Stāsta komponists un kontrabasists Kristaps Pētersons; pārraides producente – Rūta Paula Valmierā 1996. gada 7. janvārī, plkst. 19:00 "uz papīra" tanī pat laikā notiekošais "Foo Fighters" [1] koncerts Frīmentlā Austrālijā īstenībā bija beidzies jau vismaz trīs stundas un tur – Frīmentlā – jau bija 8. janvāris. Laiks arī bija visai auksts – Latvijas Vides ģeoloģijas un meteoroloģijas centra Priekuļu stacija ziņo par aptuveni -5° grādu salu, par Frīmentlu nezinu. Tādēļ Andris Veismanis, iespējams, atceras savu interpretāciju Volfganga Amadeja Mocarta [2] stīgu Serenādei Nr. 13 "Mazā naktsmūzika" Solmažorā, K. 525 īstenotu ar Vidzemes kamerorķestra stīgām tovakar, Raiņa ielā 3, Valmieras 5. vidusskolas Lielajā zālē. Katra no melodijām bija īpašā godā. Raugoties pagātnē, gribas secināt, ka šī interpretācija būs bijusi viens no neredzamajiem Andra Veismaņa karjeras virzītājspēkiem. Šo izcilo meistardarbu meistars tika atskaņojis arī iepriekšējā – IV Senās Mūzikas festivālā Valmierā 6. janvārī, plkst. 18:30 turpat ar to pašu orķestri, un togad Priekuļos esot bijis pat -7° grādu sals. Tomēr tādu radošu veiksmi mierīgi var atkārtot, un šoreiz šim darbam turklāt bija atrasts konģeniāls turpinājums. "Foo Fighters" 1995. gada 6. janvārī vēl pirmo koncertu nebija nospēlējuši. Bet par to nedaudz vēlāk. Divas ar "Mazo nakts mūziku" saistītas raksturīgas detaļas aprakstījis Orins Hovards [3] Losandželosas filharmoniķu mājaslapā anotējot kādu citu – ne "Foo Fighters" – koncertu [4]. Pirmā: "18. gs. otrajā pusē serenāde tipiski tika rakstīta pietiekami mazam ansamblim (bieži pūtēju ansamblim), lai būtu ērti izpildāma ārpus telpām, un atšķirībā no simfonijas tajā parasti bija vairāk nekā četras daļas." Otrā: "Savu darbu katalogā "Mazo nakts mūziku" Mocarts iegrāmato kā piecdaļīgu. Diemžēl saglabājušās tikai četras daļas. Pirmā – menuets – aizgājusi zudībā." [5] Maestro Veismanis noteikti zina nesalīdzināmi vairāk ar šo skaņdarbu saistītu detaļu. Tomēr galvenais – viņš ir īsts interprets ar daudzkārt apliecinātu vēlmi skrupulozi iedziļināties senpagājušu laikmetu autoru darbos. Andrim Veismanim šie darbi interesē. Tajos viņš jūtas kā mājās. Domāju, ka diriģentu sajūsmina iespēja tur atrasto no sirds triekt esošajam laikmetam sirdī kā Amoram bultu. Vēlu meistaram turpināt triekt bultas laikmetam sirdī vēl un vēl! Bet tovakar Valmierā pēc Mocarta "Mazās naktsmūzikas" Andris Veismanis ar pārējiem mūziķiem sasniedza vēl otru virsotni. Sekoja triumfāla interpretācija slavenākajai no Antonio Vivaldi trim "Gloria" – Re mažorā, RV 589. Uzreiz jāmin Cēsu Pils kora devums šī venēciešu dižgara šedevra iedzīvināšanā. Pateicoties lieliski sagatavotajam korim, Veismaņa žests absolūtā pazemībā Dieva vārda priekšā varēja izteikt vārdos neizsakāmo. No sirds. Taisnība ir Emanuēla Svēdenborga [6] atziņā, ka tā Kunga žēlsirdība ir universāla un Viņš nevienu ellē negrūž – dvēsele pati vai nu turp tiecas, vai pie tā Kunga uz debesīm. "Kad cilvēkā – garā – labais ir saistīts ar patieso, tad viņš nāk debesī, tāpēc ka šis saistījums, kā teikts, ir debess viņā; bet kad cilvēkā – garā – ļaunais ir saistīts ar nepatieso, tad viņš nāk ellē, tāpēc ka šis saistījums ir elle viņā." [7] Bet "Foo Fighters" savu pirmo koncertu nospēlēja Sietlā, Mercera ielā, "West Marine" laivošanas piederumu veikala 2. stāvā, 1995. gada 19. februārī. Lūgtiem viesiem. Viņi nospēlēja 12 dziesmas – "Big Me" arī. Laiks tovakar Sietlā bija 55°F (ap 13°C) – nekas neparasts. Lija lietus, un veidojās migla. Komponiste un tobrīd Valmieras Mūzikas skolas skolotāja Līga Liepiņa (tolaik Kaņepe) laikrakstā "Liesma" vēstīja: "Sala spēcīgais kniebiens un bagātīgais sniega birums jaunā gada sākumā – tas bija diezgan negaidīti, bet V Senās mūzikas festivāls Valmierā no 3. līdz 7. janvārim – ļoti gaidīts. [..] Par spilgtāko sniegumu klausītāju lielākā daļa atzina Vidzemes kamerorķestri ar V. A. Mocarta "Mazo naktsmūziku" un A. Vivaldi "Gloria", kur diriģenta Andra Veismaņa (Rīga) vadībā orķestris apvienojās ar Cēsu Pils kori, kuram šī sadarbība bija visveiksmīgākā." [8] Man ir patiesi žēl, ka es tos koncertus nedzirdēju. Esmu drošs, ka varu parakstīties zem katra šeit rakstītā vārda. "Was aus Liebe getan wird, geschieht immer jenseits von Gut und Böse." (Frīdrihs Nīče) [9] "Kas paveikts mīlestībā, ir allaž viņpus laba un ļauna." [10] Avoti Raksts sagatavots, izmantojot Oksfordas mūzikas vārdnīcas, portālu foofighterslive.com un concertarchives.org, Valmieras integrētās bibliotēkas, Valmieras zonālā Valsts arhīva un Valmieras muzeja materiālus [1] Amerikāņu rokgrupa no Sietlas, radusies 1994. gadā [2] Mozart, Johannes Chrysostomus Wolfgangus Theophilius (dzimis Zalcburgā 1756. g. – miris Vīnē 1791. g.) austriešu komponists, pianists, vijolnieks, altists un diriģents [3] Howard, Orrin (dzimis Čikāgā 1924. g. – miris Losandželosā 2015. g.) bija amerikāņu pianists, mūzikas kritiķis, publicists un skolotājs [4] https://www.laphil.com/musicdb/pieces/324/eine-kleine-nachtmusik [5] Kristapa Pētersona tulkojums [6] Swedenborg, Emanuel (dzimis Stokholmā 1688. g. – miris Londonā 1772. g.) zviedru zinātnieks un mistiķis [7] Svēdenborgs E. "Par debesi ar tās brīnumiem un elli" (tulk. R. Gŗava) nod. "Kas ir garu pasaule"; 422. [8] piektdien, 1996. gada 19. janvārī [9] Nietzsche, Friedrich (dzimis Rokenē 1844. g. – miris Veimārā 1900. g.) vācu filozofs. Citāts no Nīče F. Viņpus laba un ļauna [10] Ievas Ginteres tulkojums

durée : 01:28:42 - Relax ! du jeudi 12 février 2026 - par : Lionel Esparza - Chef d'orchestre mondialement célèbre, penseur, homme de paix : Daniel Barenboim incarne tant de facettes qu'on en oublierait parfois qu'il est aussi un pianiste exceptionnel. Plongée au cœur de son immense discographie, des concertos de Mozart aux sonates de Scarlatti. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

„Wenn das Baby im Bauch schon Mozart hört, wird es besonders schlau“. So oder so ähnlich lautet ein Mythos aus der Musikwelt. Doch eine neue Studie zeigt nun: alles falsch, Musik macht nicht schlau. Auf diese Nachricht hat Komponist und Glossist Gordon Kampe gewartet.

On dit que la musique adoucit les mœurs. Avec une sonate de Mozart ou les playlists de Radio Vostok, on est d'accord, la musique fait du bien. Aux enfants, aux adultes : chanter ou pratiquer un instrument apaise, réjouit… et il n'est jamais trop tard pour s'y mettre ! Même […] The post Focus Asso – Musique à tout âge first appeared on Radio Vostok.

콘클라베 Allegri: Miserere 브루탈리스트 Wagner: Das Rheingold: Hört, ihr Riesen! Mozart: Serenade No.13 4악장 어쩔수가없다 Mozart: 피아노 협주곡 23번 2악장 Marais: Le Badinage 세계의주인 Bach: 양들은 평화로이 풀을 뜯고 메이드인코리아 Bach: Goldberg Variation, BWV.988 Aria 하나 그리고 둘 Bach: Toccata BWV.914 Bellini: Vaga luna, che inargenti Beethoven: 피아노 소나타 14번 1악장 Beethoven: 첼로 소나타 1번 1악장

It's the final installment of our Magic Flute series, this time we're looking at the work that started it all- Mozart's Magic Flute. Be sure to like, and share with a friend! Music: https://commons.wikimedia.org/wiki/File:Mozart_-_Magic_Flute_Overture.ogg https://creativecommons.org/publicdomain/zero/1.0/deed.en  

El tenor mexic

The lights dim, the crowd stirs, and the show you traveled for kicks into gear. In that moment, your vacation becomes something more: you're feeling the heartbeat of the city. Live music can transform a destination into an unforgettable experience, taking you on a deeper journey through its history and culture.In this episode, host Angie Orth welcomes travel writer and musician Edmund Vallance to explore how music shapes the way we experience the world. Edmund shares stories from his adventures chasing live performances across continents, from seeing Lou Reed in a tiny Porto venue to watching the Sex Pistols in Las Vegas. As both a performer and a passionate fan, he reveals how music can unlock a destination's true character.You'll discover why Gen Z is leading the charge in concert travel and hear about iconic venues from Red Rocks in Colorado to Ronnie Scott's Jazz Club in London. You'll learn how music museums can turn you into a fan—even if you've never heard the artist before. Edmund also shares practical tips for finding serendipitous musical moments that can change how you see a place, plus his bucket list of must-visit music destinations—from Santiago de Cuba to Vienna's Mozart houses.What You'll Learn:3:36 How music festivals like South by Southwest can become the cornerstone of an unforgettable trip 9:25 Why having one central concert can reshape an entire destination 14:38 Seattle's essential music sites for Jimi Hendrix and Nirvana fans 20:48 New York's historic jazz venues to celebrate Miles Davis' centennial year 25:00 How to find life-changing musical moments through randomness and saying yesConnect with Edmund Vallance:Journalism: http://www.edmundvallance.com/Music:  http://www.edvallance.com/Instagram: https://www.instagram.com/edmundvallance/Listen to his music on SpotifyWhat musical experience would you travel anywhere for? Tell us in the comments! Connect with AAA:Book travel: https://aaa-text.co/travelingwithaaa LinkedIn: https://www.linkedin.com/company/aaa-auto-club-enterprisesInstagram: https://www.instagram.com/AAAAutoClubEnterprisesFacebook: https://www.facebook.com/AAAAutoClubEnterprises

Spiderweb oops, Capturing smells, AI denial, Mozart's killer, Lilliputian hallucinations, Mass extinction survivors. Jennifer, Angie, Way, and Bradley discuss the curated links for the week of 2/6/2026. Please consider supporting this ad-free content on Patreon.

Salzburg im Zeichen von Mozart 270. Geburtstag und einem Mozarteum-Jubiläum, das schon wieder Vergangenheit ist. Die 70. Mozartwoche lieferte Highlights, die sich durchs ganze Jahr ziehen werden. Salzburg und eine Reise in die Mozartwelt Büste in Mozarts Geburtshaus – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Der erste ernstzunehmende Pop-Star der musikalischen Welt hat gerade seinen 270. Geburtstag gefeiert. Genau genommen: Wir feiern ihn. Mozart, Wolfgang Amadeus. Was wissen wir über ihn, seine Familie, seine mindestens genauso talentierte große Schwester Maria Anna und das Leben als Wunderkind. Papa Leopold unterrichtete seine Kinder. Er erkannte die Talente, musste lernen, dass Auftritte seiner Tochter („nur ein Mädel“) kaum Interesse fanden. Ganz im Gegensatz zum „Wolferl“. Die Reise des Wunderkinds aus Salzburg, kreuz und quer durch Europa begann als Wolfgang gerade mal sechs Jahre alt. Als alle höfischen Kreise in Europa abgehakt waren, war er gerade mal 15. Mutter Anna Maria Mozart starb auf einer dieser Reisen in Paris im Jahre 1778. Historisches Klavier in Mozarts Wohnhaus – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Die „Rest-Familie“ ließ sich 1779 in Salzburg nieder und ging dann ihrer Wege. 1781 ging Wolfgang als freierschaffender Künstler nach Wien. Seine Schwester „Nannerl“ wurde verheiratet und nur Vater Leopold blieb im eigentlich viel zu prachtvollen Wohnhaus am Marktplatz 8 in der Salzburger Neustadt zurück. Wolfgang in Wien, das heißt in Schlagzeilen: Mehrere Wohnungen, Konstanze, seine Frau, die er abgöttisch geliebt haben soll, 6 Kinder, von denen nur zwei überlebten. Dank seiner außergewöhnlich großen Schöpfungs- und Arbeitskraft, schrieb er Konzert nach Konzert, Oper nach Oper und Sinfonie nach Sinfonie. Biografen sagten später auch, dass dieser ständige Arbeitsstress für seinen Tod verantwortlich gewesen sein könnte. Wolfgang Amadé Mozart starb am 3. Dezember 1791 mit nur 35 Jahren. Wolfgang und Rolando Rolando Villazon, künstl. Leiter der Stiftung Mozarteum – Foto: Wolfgang Lienbacher / Stiftung Mozarteum Wie sagt Rolando Villazon, der künstlerische Leiter des Mozarteum Salzburg: Halleluja, Mozart lebt!   Das klingt wie bei Elvis, um mal auf die Legende vom Pop-Star zurückzukommen. Nur dass da bisher niemand „Halleluja“ gesagt hat. Rolando und Wolfgang konnten sich nie kennenlernen. Ich behaupte aber mal, sie hätten sich sehr gut verstanden, bis weit hinein in den Humor, der beiden zu eigen ist. Vielleicht wurde Rolando Villazon gerade deshalb zum glühenden Mozart-Verehrer und sein musikalisches Talent führte ihn eventuell auch deshalb nach Salzburg. Seit 2019 ist er Teil der Stiftung Mozarteum, erst als Kommunikator, seit 2021 als künstlerischer Leiter. Sein Vertrag wurde gerade verlängert und so dürfte er dem Mozarteum bis 2031 als künstlerischer Leiter erhalten bleiben. Mozart in Salzburg Blick auf die Altstadt von Salzburg – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Für sehr viele Salzburg-Touristen ist Mozart einer der Hauptgründe für einen Besuch der Stadt. Es gibt noch ein paar andere: Sound of Music zum Beispiel. Mozart überall. Seine Statue, folgerichtig auf dem Mozartplatz gegenüber vom Salzburg Museum und auf dem Weg zum großen Residenzplatz vor dem Dom. Wer aus der Neustadt kommt hat eventuell die Salzach auf dem Mozartsteg überquert um dort hin zu kommen. Mozartstatue in der Salzburger Altstadt – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD In der Neustadt, direkt am Mirabellgarten, ist die Stiftung Mozarteum zuhause. Sie fühlt sich für das Mozarterbe verantwortlich. Hier wird das Programm der jährlichen Mozartwoche im Januar geplant und umgesetzt. Die Stiftung ist aber auch verantwortlich für das Geburtshaus in der Getreidegasse und das Mozart-Wohnhaus am Makartplatz in der Neustadt. Ehemals zusammengehörig, gibt es heute organisatorisch getrennt, auch noch die Universität Mozarteum Salzburg und das Mozarteum Orchester. Ohne Mozarteum heute auch kein Mozart in Salzburg. Mozartwoche und Stiftung Mozarteum Mozarts 270. Geburtstag und gerade ist die siebzigste Mozartwoche in Salzburg zu Ende gegangen. Auch der Geburtstag war in der letzten Woche. Geboren am 27. Januar 1756. Ein sogenannter runder Geburtstag. Immer Grund genug für ein Mozartjahr und das hat ja nun gerade erst begonnen. Aus diesen Eckpunkten ergeben sich die beiden Zahlen der Überschrift: 270 Jahre Mozart und die 70. Mozartwoche. Der große Konzertsaal der Stiftung Mozarteum – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Die Mozarteum – Rundreise Rolando Villazon hatte, sehr nachvollziehbar, keine Zeit mir sein Mozart-Salzburg vorzustellen. Aber Linus Klumpner, der Direktor der Mozart Museen innerhalb des weltberühmten Mozarteum, nahm sich die Zeit umfassend Auskunft zu geben. Linus Klumpner, Direktor der Mozart Museen im Mozarteum – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Er informiert, ordnet ein, liefert Hintergründiges, genauso wie wundervolle „Fun-Facts“. Er zeigte uns nicht nur den Großen Konzertsaal des Mozarteums, er berichtet von der Geschichte der Stiftung, ihr Engagement, Organisation und Anspruch. Im Podcast klären wir auch die Sache mit dem Namen. Wer genau hinhört, merkt dass immer von Wolfgang Amadé die Rede ist. Linus klärt auch die Sache mit dem Namen. Die Mozart-Häuser und Museen Mozarts Geburtshaus in der Salzburger Altstadt – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Die Stärke der beiden Häuser, sagt Linus Klumpner, sei die Reichhaltigkeit. Nicht nur die Räumlichkeiten sind zu sehen. Beide Museen verfügen über unendlich viel Material aus der Kunst- und Materialsammlung des Mozarteums. Der Erfolg gibt dieser Tatsache recht. Immerhin besucht mehr als eine halbe Million Menschen die Museen jedes Jahr. Mozart Wohnhaus in der Salzburger Neustadt – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Erfahrt im Podcast sehr viel Neues über die beiden Häuser und einige Überraschungen, die sie bereit halten. Wohnen bei Mozarts – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILS Das Vermächtnis Unvorstellbar: Wäre der kleine Wolferl nicht zum Kinder- und Jugendstar in Europa geworden, gäbe es heute keine Nachtmusik, keine Zauberflöte, keine großen Konzerte, kein Mozarteum. Umgekehrt wäre Mozart heute vermutlich in Salzburg nicht so präsent, wenn es zur Mitte des 19. Jahrhunderts nicht Menschen gegeben hätte, die eine Stiftung gründeten um das Kulturgut Mozart vor dem Vergessen zu bewahren und neu zu beleben: Hat geklappt. Zauberflöte: Instrument und Klavierauszug der Oper in Mozarts Geburtshaus – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Da die Villazonsche Zauberflöte vermutlich erst einmal nicht mehr auf die Bühne kommt, sollte man beim Salzburg Besuch vielleicht auf das Marionettentheater ausweichen. Denn dort hat zum Beispiel die Zauberflöte einen Stammplatz im Repertoire. Ich habe mir von Geschäftsführerin Susanne Tiefenbacher viel über Tradition und Mozartopern auf der Marionettentheaterbühne erzählen lassen. Susanne Tiefenbacher und “ihre” Marionetten – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Noch in Tipp in Sachen Zauberflöte: Am 25. April hat die „Kleine Zauberflöte“ Premiere im Salzburger Landestheater. Ein wenig Jugendtheater (für alle, die mit Kindern unterwegs sind) und ein wenig für Alle, die Mozarts berühmteste Oper entspannter und kürzer genießen möchten. An Faden und Drehkreuz: Marionetten aus der Zauberflöte – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Mozart, Kugeln, Kapaun und Nockerl Die Besuchenden sollten die Stadt auf jeden Fall inhalieren, gleich ob ausschließliche Mozartluft oder das weitere großartige Angebot der Stadt Salzburg. Original Mozartkugeln aus dem Hause Fürst – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Der „kulinarische“ Mozart drängt sich natürlich ebenfalls auf. Nur in Salzburg gibt es das ORIGINAL. Mozartkugeln kauft man ausschließlich in den Geschäften der Konditorei und Confiserie Fürst. Der Preis ist stattlich, der Genuss auch. Mozart-Dinner-Konzert: Oper und Kulinarik – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Für Mozartfans, die Musik und Kulinarik verbinden möchten, hab ich noch einen, durchaus wohlbekannten, aber reizvollen Tipp. Wie wäre es mit einem Mozart Dinner Konzert? Hier lässt sich ein Abend mit Menü und „Mozart live“ verbinden. Die Räumlichkeiten im Barocksaal des Stiftskulinarium St. Peter haben Anziehungskraft. Ein 3 Gang-Menü in Kombination mit Highlights aus Mozartopern verspricht einen wundervollen Abend. Getestet und genossen. Hört selber im Podcast. Dessert Highlight: Salzburger Nockerl – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILD Information & Links Salzburg Tourismusinfos Stiftung Mozarteum Mozart Museen Mozartwoche Salzburger Marionettentheater Salzburger Landestheater Mozart Dinner-Konzert Urlaub in Österreich Hinweis Die Recherche zu diesem Podcast wurde unterstützt von Salzburg Tourismus und der Österreich Werbung. Meine Meinung wurde nicht beeinflusst! Salzburg: Eine Stadt zum Wiederkommen – Foto: Rüdiger Edelmann / ttb-media TON-TEXT-BILDThe post D-RR306 – 270/70: “Popstar” Mozart und Salzburger Spuren first appeared on Deutsches Reiseradio (German Travelradio).

The term "classical music" includes a wide variety of music and artists. This hour we take a look at what that category really means. We celebrate the form and help you figure out how to start listening to the genre. Plus, how video game music is bringing new listeners to classical music and live orchestras. GUESTS: Matthew Aucoin: American composer, conductor, writer, pianist, and a 2018 MacArthur Fellow. He is author of “The Impossible Art: Adventures in Opera” and is co-founder of the American Modern Opera Company. His opera “Euridyce” was produced by the Metropolitan Opera in 2021, making him the youngest composer in nearly a century to have an opera produced by The Met Arianna Warsaw-Fan Rauch: Author of “Declassified: A Low-Key Guide to the High-Strung World of Classical Music”. She is also a violinist who has performed in venues around the world Carolyn Kuan: Music Director of the Hartford Symphony Orchestra. In 2025, she led the acclaimed world premiere of Huang Ruo’s "The Monkey King" at San Francisco Opera. Her recording of Huang Ruo’s "An American Soldier" with the American Composers Orchestra received a 2026 Grammy nomination J. Aaron Hardwick: An internationally active professional conductor, professor of music at Wake Forest University, and Director of the Wake Forest University Symphony Orchestra, recognized for his work in classical and contemporary repertoire and innovative orchestral programming, including video game music MUSIC FEATURED (in order): Symphony No. 5 I. Trauermarsch – Gustav Mahler, Claudio Abbado, Berlin Philharmonic 21 Hungarian Dances No. 5 – Johannes Brahms, Claudio Abbado, Berlin Philharmonic Revolucion Diamantina Act IV: Speaking the unspeakable – Gabriela Ortiz, Gustavo Dudamel, LA Phil Don’t Look Down I. Hammerspace – Christopher Cerrone, Sandbox Percussion Symphony No. 41 “Jupiter” IV. Molto Allegro – W.A. Mozart, Seiji Ozawa, Mito Chamber Orchestra String Quartet No. 8 II. Allegro molto – Dmitri Shostakovich, Dover Quartet 6 Bagatelles for Wind Quintet III. Allegro grazioso – Gyorgy Ligeti, Claudio Abbado, Chamber Orchestra of Europe Overture to A Midsummer Night’s Dream – Felix Mendelssohn, Seiji Ozawa, Boston Symphony Orchestra An American Soldier Act II Scene 1: Hey Danny – Huang Ruo, Carolyn Kuan, American Composers' Orchestra Hi – Caroline Shaw CUT FOR TIME The Monkey King Act II Scene 3 – Huang Ruo, Carolyn Kuan, San Francisco Opera Tears of the Kingdom Main Theme – Manaka Kataoka Temple of Time Theme Montage – The Legend of Zelda NES (1986) Style – Loeder Music Ocarina of Time (1998) – Koji Kondo Breath of the Wild (2017) – Yasuaki Iwata Planetrise – Inon Zur (Starfield) Lumiere – Lorien Testard (Clair Obscur: Expedition 33) CUT FOR TIME Atsu’s Theme – Toma Otowa (Ghost of Yōtei) CUT FOR TIME The Perfect Wave – Austin Wintory Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In this weeks podcast we look at the Epstein files; Net Zero killing jobs in Aberdeen;  Banning Greyhound Racing in a Country that doesn't have any; Country of the Week - Tanzania; The EU and Abortion; Feedback;  More on Philip Yancey; Detransitioner Sues; LGBT Youth Scotland sued for Abuse;  Iran and Islamic Terrorism;  Muslim Terrorist Stands for Office in Birmingham;  Tucker Carlson's Support for Saudi Arabia;  Why do we start letters with 'Dear'? The Final Word - Psalm 139  with music from Diamond Platnumz and Davido; The Carpenters;  Alice Cooper;  Led Zeppelin;  The Alexander Brothers;  Mozart;  The New Scottish Hymns;  The Proclaimers 

Howard Morgan and Mozart Fontaine sit down with ECWA's TLD. Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Manche nennen es Gefängnis, andere Zuchthaus oder schwedische Gardinen. Hinter diesen festen Eisenstangen sitzen aber bisweilen nicht nur Berufskriminelle, sondern auch so manche Berufsmusiker ein - Mozart zum Beispiel!

Manche nennen es Gefängnis, andere Zuchthaus oder schwedische Gardinen. Hinter diesen festen Eisenstangen sitzen aber bisweilen nicht nur Berufskriminelle, sondern auch so manche Berufsmusiker ein - Mozart zum Beispiel!

In a very short amount of time, Bruce Liu has gone from playing piano just for the joy of it, to winning an international competition and becoming one of Canada's most acclaimed pianists. He has a unique way of putting music into words, describing classical pieces as if they were desserts. Ahead of concert dates in Toronto, Bruce sits down with guest host Garvia Bailey to talk about his career in music and how he stays grounded. Plus, he tells us which Mozart piece is like a mille-feuille and why.

Stéphane Denève joins Chris and Amy in studio to preview the St. Louis Symphony Orchestra's February concerts, including Amadeus in Concert, Mozart's The Magic Flute as part of a two week Mozart celebration, and Eternal: A Tribute to Tina Turner presented by Purina honoring Tina Turner as a St. Louis icon. He also discusses renovations at Powell Hall, highlighting acoustic improvements, the new Grand Lobby, and why there is no bad seat in the house.

Hour 1 opens with reaction to the SLU Billikens' win over Davidson and whether they are the best sports story in St. Louis right now, followed by debates on paid parking at Plaza Frontenac, Rock Hill residents complaining about marijuana odors, and why Cracker Barrel is requiring employees to eat at the restaurant. Hour 2 includes a response from friend of the show Stephen Richer to Speaker Mike Johnson's election fraud claims, a discussion on whether crying is actually good for your health, a phone call from Corey Miller reporting from the Winter Olympic Games in Italy, and more talk about smells around St. Louis. Hour 3 features an in studio conversation with Stéphane Denève of the St. Louis Symphony Orchestra, previewing February events including a two week Mozart festival, Amadeus with live orchestra, and The Magic Flute, along with updates on Powell Hall renovations and the upcoming Eternal Tina Turner tribute on February 15. The show wraps with a debate on reserved parking and ADA requirements, The Midday Midlife featuring Dr. Willie Jolley on wealth vs. being rich and smart money habits, and a final discussion on whether the Super Bowl should stay on Sunday or move to a different day.

Hour 3 features an in studio conversation with Stéphane Denève of the St. Louis Symphony Orchestra on February events, including a two week Mozart festival, Amadeus with live orchestra, and The Magic Flute. He also discusses Powell Hall renovations, improved acoustics, and the upcoming Eternal Tina Turner tribute on February 15. The hour continues with a debate on reserved parking and ADA requirements, then wraps with The Midday Midlife featuring Dr. Willie Jolley on wealth vs. being rich, disciplined spending, and teaching kids smart money habits, before closing with a Super Bowl scheduling debate.

Episode: 3349 The Inhuman Distances of the Speed of Light.  Today, inhuman distances.

"Keine dramatische Dichtung der Weltliteratur ist so sehr von unhörbarer Musik erfüllt und trotzdem so unkomponierbar wie 'Faust'" - so das Fazit des großen Germanisten Dieter Borchmeyer. Er verrät noch mehr über den Mythos Faust.

The botanist Dr Sandra Knapp is a senior researcher at the Natural History Museum - but that title doesn't convey the sheer adventure of her work. She's a kind of Indiana Jones of the plant world, travelling to remote regions of Central and Southern America and beyond. Her speciality is the Solanum genus, which includes potatoes, tomatoes and aubergines – and she has found and named more than a hundred new varieties. The rainforests, where she has worked for more than 40 years, are a long way from the dry rural deserts of New Mexico, where she was born. Her music choices include works by Mozart, Brahms, Hindemith and Holst, as well as music inspired by the biodata of some of her beloved plants. Presenter Michael Berkeley Producer Katy Hickman

¿Sabías que el manual de economía más vendido de la historia estuvo a punto de ser censurado por "herejía"? ¿O que su autor rechazó un puesto en la Casa Blanca porque prefería el aplauso de sus colegas académicos? En este episodio de Economía desde mi sofá viajamos a 1970 para conocer a Paul Anthony Samuelson, el primer estadounidense en ganar el Premio Nobel de Economía y el hombre que cambió para siempre la forma en que entendemos el dinero, los mercados y el Estado. Desde su infancia en una ciudad industrial del acero hasta convertirse en el "Mozart de la Economía" en el MIT, repasamos la vida de un genio que se atrevió a corregir a sus profesores y a traducir la economía al lenguaje de las matemáticas. 🎙️ En este episodio descubrirás: El origen del genio: Cómo una clase a las 8:00 de la mañana en plena Gran Depresión cambió su vida. La "Síntesis Neoclásica": El momento en que Samuelson unió el libre mercado con las ideas de Keynes (y creó la economía mixta en la que vivimos hoy). El libro prohibido: La historia oculta detrás de su famoso manual Economics y por qué no pidió un anticipo millonario. Samuelson vs. Friedman: La fascinante rivalidad intelectual y amistad personal con el líder de la Escuela de Chicago. Si alguna vez has escuchado hablar de inflación, tipos de interés o déficit, estás hablando el idioma que Samuelson ayudó a crear. ¡Dale al play y descubre por qué! Si te gusta ❤️ entender la economía sin tecnicismos, suscríbete y comparte este episodio. Ayudas mucho a que el podcast siga creciendo.

In this episode of Chronicles, Luca is joined by Josh to discuss Amadeus by Peter Shaffer. They explore the play's compelling rivalry between Mozart and Salieri, and the themes of genius, envy and mediocrity.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

On today's episode, we discuss how so-called “Conspiracy Friday” quickly turns into a lively roundtable about outrageous sports figures, political rumors, and media manipulation. The hosts open with light banter over coffee, Mozart, and grandcats before pivoting into a long, humorous rundown of notoriously “colorful” athletes like Antonio Brown, Mike Tyson, Dennis Rodman, John McEnroe, Albert Belle, Billy Martin, Barry Bonds, and others whose antics blur the line between entertainment and self-destruction. Their conversation widens into a critique of how leagues handle performance-enhancing drugs, domestic violence allegations, and fan behavior, while also comparing men's and women's sports and how perception of “controversy” differs by gender. From there, they zigzag into conspiratorial territory on election integrity, mail-in voting, voting machines, and the difficulty of trusting video evidence in an era of AI-generated clips, weaving in personal anecdotes and legal perspectives. They also touch on crypto volatility, Bitcoin's future, and the financialization of professional sports, noting how even losing teams can be lucrative investments. Throughout, the hosts mix sharp skepticism with self-deprecating humor, teasing each other about AI, “bananas and rice” internet memes, and being part of secret cabals like the Illuminati, while repeatedly inviting listeners to send in conspiracies and join them for coffee at a local PJ's. Don't miss it!

Donald Macleod takes a tour of the life of Franz Xaver Mozart, son of Wolfgang Amadeus Mozart, with guest Professor Cliff Eisen.Music featured: Piano Concerto No 1 in C, Op 14 (excerpt) Das Finden, Op 27 No 2 (Drei Deutsche Lieder) Variations on a Minuet from W. A. Mozart's Don Giovanni, Op 2 Piano Quartet in G minor Op 1 Variation 28 for Anton Diabelli's Waltz Piano Concerto No 1 in C, Op 14 (Allegro maestoso) Rondo in F, Op 4 (excerpt) Nein! (Sechs Lieder, No 3) Violin Sonata in B flat, Op 7 Piano Concerto No 1 in C, Op 14 (Adagio) Polonaise mélancolique No 5 in F minor, Op 17 Piano Concerto No 1 in C, Op 14 (Allegretto) Violin Sonata in F, Op 15 (excerpt) Sinfonia in D Das liebende Mädchen (Sechs Lieder, No 1) An spröde Schönen (Sechs Lieder, No 2) Piano Sonata in G Violin Sonata in F, Op 15 (Polonaise) In der Väter Hallen ruht, Op 12 Piano Concerto No 2 in E flat, Op 25 (excerpt) Variations on a Theme of an Ukrainian Folk Song, Op 18 An Emma, Op 24 Grand Sonata for piano and cello in E, Op 19 Polonaise mélancolique, Op 22 No 1 (Risoluto) Piano Concerto No 2 in E flat, Op 25 (Allegro con brio) Engel Gottes künden Rondo in E minor Polonaise mélancolique, Op 22 No 2-4 An den Abendstern, Op 27 No 1 Piano Concerto No 2 in E flat, Op 25 (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Franz Xaver Wolfgang Mozart (1791-1844): https://www.bbc.co.uk/programmes/m002q4m1And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This Day in Legal History: Hitler Appointed ChancellorOn January 30, 1933, Adolf Hitler was appointed Chancellor of Germany, a moment that marked the beginning of one of the darkest legal and political transformations in modern history. Contrary to popular belief, Hitler did not seize power in a coup; his rise was accomplished through entirely legal means under the Weimar Constitution. Once in office, the Nazi regime moved swiftly to erode civil liberties, beginning with the Reichstag Fire Decree, which suspended constitutional protections like freedom of speech, assembly, and due process. This decree, signed by President Hindenburg, gave the government extraordinary powers under the guise of national emergency.Shortly thereafter, the Enabling Act of March 1933 granted Hitler the authority to enact laws without the involvement of the Reichstag, including laws that violated the constitution itself. The judiciary, instead of serving as a check on executive overreach, largely complied or cooperated, enabling legal persecution of Jews, political dissidents, and other marginalized groups. Laws were passed systematically to isolate, disenfranchise, and ultimately exterminate entire populations, all with the appearance of legality and bureaucratic order.What happened in Germany is a stark reminder that authoritarianism often arrives wrapped in the language of law and order. The rule of law is not inherently just—it depends on who writes the laws, how they are enforced, and whether constitutional checks are robust enough to resist consolidation of power. Today, as various democracies grapple with executive overreach, politicized judiciaries, and emergency powers, the legal path taken in 1933 offers a chilling historical parallel. The slow erosion of legal norms, once set in motion, can be devastatingly hard to reverse.A federal appeals court ruled that the Trump administration unlawfully ended Temporary Protected Status (TPS) for roughly 600,000 Venezuelans living and working in the United States. The Ninth Circuit Court of Appeals agreed with a lower court that Homeland Security Secretary Kristi Noem exceeded her authority by terminating protections that had been extended under the Biden administration. The court emphasized that, since Congress created TPS 35 years ago, no administration had claimed the power to cancel a country's designation while it remained in effect. Judges found that the statute's language clearly limits executive authority and does not permit unilateral termination mid-designation.Despite the ruling, the decision will not immediately restore protections because the U.S. Supreme Court has allowed the policy to remain in effect while the case continues on appeal. The court noted that the termination has left hundreds of thousands of migrants in fear of detention, deportation, and family separation, often to countries where they previously faced violence. The ruling also upheld a finding that TPS protections for Haitians were unlawfully ended, though the administration has pursued separate efforts to terminate those protections. One judge wrote separately to argue that the policy was influenced by racist stereotyping, citing public statements by senior officials about Venezuelan and Haitian migrants. Advocacy groups welcomed the ruling but stressed that, because of the Supreme Court's order, affected migrants remain vulnerable in the meantime.Trump administration unlawfully ended Venezuelans' legal status, US court rules | ReutersA significant wave of attorneys has left the U.S. federal government since Donald Trump returned to office, fueling a major shift in the legal workforce. Between January and November 2025, over 8,500 licensed attorneys exited federal service, leading to a net loss of 6,524—one of the sharpest declines in decades. The Department of Justice (DOJ) was especially affected, with notable departures from its Civil Rights Division and Federal Programs Branch, and the closure of its Tax Division. Some resignations were linked to policy disagreements, while others were the result of force reductions or shifting departmental priorities.This exodus has dramatically reshaped the hiring market for large law firms. In 2025, top-grossing firms hired over 1,100 lawyers directly from government positions, more than doubling the rate seen in prior years. Recruiters report a flood of interest from government attorneys, many of whom began reaching out even before Trump's inauguration. However, while high-ranking officials and prosecutors remain in demand, lower-level attorneys without niche skills are facing a tougher private market.The overall federal workforce, not just lawyers, has contracted significantly under Trump's renewed efforts to reduce government size. The DOJ alone has seen a net loss of nearly 9,000 employees. While the number of federal lawyers remains close to 2017 levels, the recent surge in departures marks a striking reversal of long-standing hiring trends.Lawyers leaving US government drive workforce shift | ReutersMassachusetts Governor Maura Healey has proposed legislation that would block other states from deploying their National Guard troops into Massachusetts without her approval. The move comes in response to President Donald Trump's controversial use of the National Guard in 2025, when troops from various states were sent to cities like Chicago and Los Angeles without consent from local governments—breaking with long-standing norms regarding domestic military deployment.Several states already have similar laws, designed to prevent out-of-state Guard deployments unless coordinated through mutual agreement or in federally controlled situations. However, legal gray areas remain when the federal government asserts control over state troops. Last year, the Trump administration attempted to deploy federalized National Guard units from California and Texas to assist immigration enforcement in Portland, Oregon. That effort was met with lawsuits from state officials, who claimed no valid emergency justified the action; the troops were withdrawn before the legal battle concluded.Healey's bill aims to reinforce state sovereignty over such deployments and to guard against federal overreach in the absence of local consent. The National Guard is typically used across state lines only in emergency situations like natural disasters, and even then, usually with approval from affected states.Massachusetts bill aims to block National Guard deployment from other states | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart.This week's closing theme is the Lacrymosa from Mozart's Requiem in D minor, a work shrouded in both mystery and mourning. Mozart began composing the Requiem in 1791, the final year of his life, and died before completing it—adding an eerie depth to a piece already suffused with sorrow and transcendence. The Lacrymosa movement in particular is a haunting meditation on grief, built around the Latin text “Lacrimosa dies illa” (“That tearful day”), which describes the final judgment and the weeping of the soul.The music swells with mourning, yet carries within it an unmistakable dignity—grief not as chaos, but as reckoning. Today, as we reflect on events that echo the legal and moral breakdowns of the past—and resound in the present—the Lacrymosa feels like a fitting elegy. It reminds us that great tragedy often begins under the guise of order, and that mourning is not only for the dead, but for the living systems and values that can perish when unchecked power takes root.Mozart, though apolitical and far removed from the 20th century, composed music that reaches across time to articulate the emotional weight of collective loss. The unfinished nature of the Requiem also mirrors the historical unfinished business of justice—how societies reckon with their past, or fail to. This piece, suspended between the sacred and the human, between hope and despair, offers a solemn moment of reflection as the week closes.Without further ado, the Lacrymosa from Mozart's Requiem in D minor – enjoy. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

The soprano Adriana González has just released a new Audax album, 'Rondos for Adriana', inspired by her namesake, the Italian 18th-century diva Adriana Ferrarese del Bene. Ferrarese was Mozart's first Fiordiligi (Così fan tutte) and she sang Susanna in the Viennese revival of Le nozze di Figaro in 1789. Joined by Ensemble Diderot (led by Johannes Pramsohler, who also plays a couple of rondos for violin and orchestra), conducted by Iñaki Encina Oyon, Adriana González performs arias and rondos by Vicente Martín y Soler, Angelo Tarchi, Ferdinando Gaspari Bertoni, Giuseppe Giordani, Pasquale Anfossi and Joseph Weigl. James Jolly caught up with Adriana González in Vienna while she was rehearsing for her debut at the Staatsoper as the Countess in Le nozze di Figaro.

Howard Morgan and Mozart Fontaine welcome referee Pat Sorvino. Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

[Skip to 9:22 for To Be Hero X talk]We checked out our first donghua, or Chinese anime, this week: To Be Hero X, thanks to a Patreon supporter. We even watched it in Mandarin! Did we like it as much as Japanese stuff? Listen and find out. We also talk about gout, Mozart's age, family stand-ins, and the languages our grandparents spoke. | Follow us on Apple Podcasts | Support us on Patreon | Follow us on BlueSky | We're on Threads/Instagram | Subscribe to us on YouTube | Join the fan Discord

Send us a textIn this episode of our This Is A Voice podcast, we do something we've never done before.We have a “special guest”, not in the studio but on a recording, one that hasn't been played for more than 40 years. You'll have to listen to the first few minutes to discover who the special guest is!This conversation goes straight into the stuff singers quietly carry:The feeling that “good enough” is a place you never reach.How training can install a deficit narrative.Why the master-apprentice model can turn learning into permission-seeking.How confidence regresses when the teacher-student dynamic isn't handled with care.There's also a very practical tangent Gillyanne and I both care about.If you never sing music with scales written in them, stop treating scales like the goal. Build exercises from the repertoire you actually perform. Stop singing scales, start practising riffs!We close the episode with a second archival excerpt. Same “special guest”. Same question underneath it all.What would change if you stopped auditioning for permission, and started making music from ownership?***Apologies for the slightly variable sound quality, our microphones weren't working properly***CreditsArchival excerpt 1, Handel (German aria excerpt “Meine Seele hört im Sehen”)Archival excerpt 2, Mozart (Concert Aria K490, "Non temer, amato bene")Special guest singer: ???Violin: Penelope Wayne ShapiroPiano: Jamie ClarkeRecorded 1983Master-Apprentice Survey link: https://www.cognitoforms.com/VocalProcess1/Master-Apprentice-Model-In-Singing-TeachingThe Birmingham Vocal Coach blog on Rethinking Vocal Coaching https://www.thebirminghamvocalcoach.co.uk/blogRemember to like, subscribe, and hit the bell icon for more insightful episodes. Leave a comment below on what inspired you the most!

Mozarts Klaviersuite C-Dur ist unvollendet geblieben. Er hat sie 1782 komponiert - nach dem Vorbild der barocken Musik, die damals in Wien modern war. BR-KLASSIK hat mit dem Pianisten Andreas Staier über dieses Werk gesprochen.