Podcasts about mozart

Het feest van O.H.Hemelvaart krijgt onze volle aandacht en vertaalt zich muzikaal in stijgende tonen in anoniem gregoriaans en het rijke Himmelfahrts-Oratorium van J.S.Bach. De meimaand, en 13 mei bijzonder, tooien wij met 2 prachtige Marialiederen… en delen uit pianosonates van Mozart en Van Beethoven, brengen de Koningin Elisabethwedstrijd voor piano onder de aandacht, ná […]

Nick revisits the only time legendary actor Walter Matthau hosted Saturday Night Live, offering behind-the-scenes stories from a wild week at 30 Rock. From writers' room pitches and cast reactions to what actually made it to air, it's a full breakdown of a strange, memorable night. Highlights include John Belushi's Cold Open as Fred Silverman, Matthau's pants-dropping monologue tease, and a Killer Bees sketch filled with masturbation jokes. With no musical guest, Garrett Morris stepped up with Mozart, and the Cheeseburger guys made an appearance—alongside some edgy material that still got big laughs. Plus, learn which iconic sketch was originally written for Matthau but went to someone else. [EP 125]

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA MUJERES 2025“AMANECER CON JESÚS”Narrado por: Sirley DelgadilloDesde: Bucaramanga, ColombiaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church===================|| www.drministries.org ||===================26 de MayoEl cadáver donado con un propósito especial«Pero Jesús, sabiendo todas las cosas que le habían de sobrevenir, se adelantó y les preguntó: - ¿A quién buscáis?» (Juan 18: 4).En la sala NG004 del Fitzsimons un antiguo hospital del ejército, que se ubica en la escuela de medicina en la Universidad de Colorado, se escucha el Réquiem de Mozart en un gélido ambiente, mientras el doctor Víctor M. Spitzer corta a Susan Potter en 27,000 cortes.Alas 5:15 horas del 16 de febrero del año 2015, Susan murió a los 87 años de una neumonía, pero no tendría un funeral común y mucho menos un sepelio. Durante los últimos 15 años de su vida, ella había hecho planes específicos para lo que quería que se hiciera con su cuerpo. Desde que escuchó en el año 2000 acerca del Proyecto Humano Visible, que serviría para enseñar de una manera virtual y excepcional la materia de anatomía a los estudiantes de medicina, ella no dudó en ofrecer su cuerpo para el proyecto. Así fue como contactó al Dr. Spitzer con quien estuvo planeando todo para el momento de su muerte. Susan conoció hasta el detalle más espeluznante de lo que pasaría con su cuerpo, pero estaba feliz de hacer un bien a la ciencia. Actualmente, se le ha dado el nombre de «El cadáver inmortal», ya que el Dr. Spitzer planea resucitarla en un cadáver virtual que hable como Siri a los estudiantes de medicina.Mientras leía la historia de Susan, inevitablemente mis pensamientos hacían figuras de un hombre que planeó la manera de morir y el propósito de su muerte. Desde el momento que supo que la perfecta creación que recién había creado estaba destinada a una inminente muerte, él se ofreció para morir en lugar de ellos. Durante años planeó en conjunto con su Padre cómo sucederían los hechos. Jesús conocía a detalle todo lo que sufriría, sabía de los latigazos, de las bofetadas, de la saliva de otro en su rostro y de esa cruz pesada. Sabía de la burlesca corona de espinas dañando sus sienes y a pesar de ello con gozo continuó con tan grande e inigualable proyecto para los humanos que cumplió su objetivo con la gloriosa resurrección.Alabemos el nombre de Jesús por donar su cuerpo para ti y para mí y para todos los humanos que decidan aceptar la salvación que trajo con su muerte. 

Seriah is joined by the one and only Jeremy Vaeni. Topics include Jeff Ritzmann and the Paratopia podcast, Jeremy's most recent content, Tiokasin Ghosthorse, Native Americans and “alien” beings, the star people, the Lakota Tribe and lack of abductions, Native Hawaiians and “night marches”, Dr. Ardy Sixkiller Clarke, the repetitive nature of Ufology, disinformation and the Cold War, the ETH and cognitive dissonance, the terms “experiencer” vs “abductee”, the fear response, a strange late-night experience, “going with the flow” in paranormal experiences and psychedelic trips, the pointlessness of reporting an abduction experience to law enforcement, the media demand for scary stories in the paranormal, the Phenomenon and personal growth, co-creation, the craving for normalcy, a bizarre experience that was difficult to explain truthfully, self-editing, Jeff Kripal, Seriah's weird tree-shaking experience, a very minor but extremely strange experience, the normal view of reality vs the Other, humor and the paranormal, large-scale sightings, Fatima, Mexico City UFOs, Gulf Breeze, amnesia/forgetfulness in American pop culture, strange-looking personalities in various fields, buffoonery, “The Invisible Gorilla” book, the problems of memory, “Mozart for Babies”, the failure to report disproven studies, thoroughly disproven hypnotic regression as a memory retrieval tool, Jenny Randles, hypnotic regression vs confessions while drunk, Mark Jacobs abuse of hypnosis, actors and identity, the film “Caddo Lake”, Timothy Renner's latest book on hermits “I Have Never Minded the Loneliness”, dream experiences and their types, Indigenous Hawaiian dream understanding, a ridiculous dream assertion, abuse of the scientific method, alien dreams and the film “Inception”, sleep paralysis, Seriah's bizarre dream/sleep paralysis experience, Seriah's victorious sleep paralysis battle, dream predictions of the future, Seriah's bizarre hand-holding experience, home surveillance systems, a bizarre electronic incident with orbs, Seriah's disappearing friend incidents, synchronicities and documentaries, and much more! This is absolutely fascinating discussion!

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Neil Diamond is one of the best-selling singer-songwriters of all time.  In August 1972 he performed a series of 10 sold-out shows at the Greek Theatre in Los Angeles.  Recordings from this concert would be released as a live double-album entitled Hot August Night later that year in December.  Neil Diamond was born in Brooklyn, New York, the child of a Jewish family.  At the age of 16 he was inspired by seeing folk singer Pete Seeger perform at a camp for Jewish children in upstate New York, and received his first guitar shortly thereafter.  This would set the direction of Diamond's career, starting with both taking guitar lessons and writing songs.  After some time barely scraping by as a songwriter, Diamond began to find some success by the mid-60's, most prominently with several songs for The Monkees, including the big hit, "I'm A Believer."  Diamond moved to Los Angeles in 1969, where he recorded some of his bigger solo hits, including the iconic "Sweet Caroline."Many consider "Hot August Night" to be Neil Diamond's best work, capturing the artist at his prime and at the top of his game.  It went to number 5 on the Billboard 200 album chart, and was number 12 for the 1973 year-end chart.  It was number 1 in Australia for 29 weeks in 1973 and 1974, and remains one of the highest selling albums in that country. Neil Diamond retired from touring in 2018 toward the end of his "50 Year Anniversary World Tour" after being diagnosed with Parkinson's disease.  However, Diamond did not retire from music, and continued writing and developing new projects.Wayne brings us this soft rock singer-songwriter live album for this week's podcast. Kentucky WomanThis song is a bonus track on the CD, and many will recognize this song from the remake performed by Deep Purple.  It was written in 1967 and went to number 22 on the charts after its release.  It appeared on the compilation album, "Neil Diamond's Greatest Hits" released in 1968 on Bang records after Diamond left that label.Cherry CherryThe inspiration for this song was an early relationship with a significantly older woman.  This was Diamond's first hit, reaching number 6 on the Billboard Hot 100.  The most familiar studio version of this song was released in mid 1966 on Bang records, and was the final track on Diamond's debut studio album, "The Feel of Neil Diamond."Song Sung BlueThis song was originally released on Diamond's eighth studio album, "Moods."  It was his second number 1 song in the United States, and his last solo #1 song in America to date.  The musical inspiration for the song is Mozart's Piano Concerto #21, second movement.  The lyrics reflect on the power of music to heal when a sad mood is poured into a song. Cracklin' RosieOriginally released in 1970, this song topped the charts and sold over 1 million copies.  The studio version appeared on "Tap Root Manuscript," Diamond's sixth studio album, and was recorded with instrumentation provided by session musicians from the Wrecking Crew. While the lyrics suggest that Rosie is a prostitute, there are tales that it actually refers to a cheap sparkling wine from Canada called "Crackling Rosè."  ENTERTAINMENT TRACK:Theme from the animated series "Josie and the Pussycats"The animated series "Josie and the Pussycats" and "Josie and the Pussycats in Outer Space" concluded its run this month. STAFF PICKS:Ventura Highway by AmericaRob leads off the staff picks with a song inspired by a drive that vocalist and writer Dewey Bunnell took in 1963 on the Pacific Coast.  While his father was changing a flat tire, he and his brother stood on the side of the road near a road sign for Ventura, watching shapes in the clouds, inspiring the lyrics "alligator lizards in the air."Superstition by Stevie WonderLynch brings us the lead single from Wonder's fifteenth studio album "Talking Book."  It's lyrics mention many popular superstitions and their negative consequences.  Stevie Wonder collaborated with Jeff Beck on the demo for this song, and Beck would include his version of "Superstition" on his "Beck, Bogert & Appice" album.Rockin' Pneumonia and the Boogie Woogie Flu by Johnny RiversBruce features the song originally recorded in 1957 by Huey "Piano" Smith.  The original version went to number 52 on the pop charts, but the version we all know went to number 6 on the Billboard Hot 100.  Rivers was a member of the Wrecking Crew, and several musicians from that session group played on this single. It Never Rains in Southern California by Albert HammondWayne's closes out the staff picks with a storytelling song about a performer off to make it big.  He fails in his efforts, but wants to hide the failure from those he left behind.  Members of the Wrecking Crew also provide instrumentation on this song that went to number 5 on the Billboard Hot 100. NOVELTY TRACK:Crazy Horses by The OsmondsThis surprisingly heavy performance from the Osmonds takes us out for this week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Das Klavier war Mozarts ständiger Begleiter, schon seit seiner Kindheit. Am Ende seines Lebens hat er nochmal ein stilles, zärtliches Meisterwerk für das Instrument geschrieben, das ihm so viel bedeutete: Sein Klavierkonzert B-Dur KV 595.

Sie wird als Opernstar berühmt, komponiert aber lieber. Viardot vereint Musikstile Europas, ist politisch - und so modern, dass höhere Damen schon mal den Saal verlassen. Von Christoph Vratz.

In the month of August 1991 many games were released for the Commodore 64. In episode one-hundred-and-eighty-eight of Zapped to the Past, we continue our look at some of those games, including the sporty RBI 2 Baseball, the time travelling Millenium Warriors and the spinny Logical and wonder just how good was Mozart really if he could not make a hammock out of his own eyelids?  Games covered in this episode: Logical RBI 2 Baseball Multi-Player Soccer Manager Millennium Warriors Find us here: https://zappedtothepast.com/ If you would like to help us out and join our Patreon, find it here: https://www.patreon.com/zappedtothepast If you want to buy amazing Zapped to the Past merch, go here: https://zappedtothepast.shop https://www.redbubble.com/people/zappedtothepast/shop If you want to buy a Coffee for Zapped to the Past, go here: https://ko-fi.com/zappedtothepast Need our links in one place - you can do that too: https://linktr.ee/zappedtothepast https://online.pubhtml5.com/oowg/grrx/#p=1 Additional links mentioned in the Podcast: Log!cal (PC-98) Manual : ASCII Corporation : Free Download, Borrow, and Streaming : Internet Archive R.B.I. 2 Baseball - C64 Manual, Docs - Lemon64 Why Was Mozart's Birth So Special? | Mozart in London | BBC Select 20 Facts About Mozart - From Child Prodigy to Musical Legend - Violinspiration TNT - The Lime Grove Story Creating the Theme | Radiophonic Workshop | Doctor Who My Son Has a Crush On You - and So Do I! | Dream On | Comedy Bites Vintage

durée : 02:28:42 - France Musique est à vous du samedi 17 mai 2025 - par : Gabrielle Oliveira-Guyon - Au programme de l'émission d'aujourd'hui : des chants traditionnels d'Italie et de Suède, l'ouverture d'un opéra de Mozart, un tube de Joe Dassin et la voix de Renata Tebaldi dans La Bohème ! - réalisé par : Emmanuel Benito

From the earliest stone circles to Mozart's obsession with numbers to the radically modern architecture of Zaha Hadid, maths and creativity are interwoven across time and space. Whether we are searching for meaning in an abstract painting or finding patterns in poetry, there are blueprints everywhere: symmetry, prime numbers, the golden ratio and more. In May 2025 we were joined by award-winning mathematician and Oxford professor Marcus du Sautoy as he looked to the arts to uncover the key mathematical structures that underpin both nature and human creativity. Drawing on his new book, Blueprints, du Sautoy explored how we make art, why a creative mindset is vital for discovering new mathematics, and how a fundamental connection to the natural world intrinsically links these two subjects. ----- If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode, Lydia Bangura analyses her own performance choices in comparison to a professional recording using Jennifer Ronyak's framework of co-performance.This episode was produced by Zach Lloyd along with Team Lead Megan Lyons. Special thanks to peer reviewers Shersten Johnson and Daniel Barolsky. Additional thanks to David Kjar, Marc Hannaford, Kim Loeffert, and John Peterson for early feedback. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

durée : 00:18:48 - Disques de légende du jeudi 15 mai 2025 - Au début des années 80 paraissaient chez Teldec les Symphonies de Mozart d'Harnoncourt, avec le Concertgebouw d'Amsterdam. Un orchestre moderne pour une approche inspirée de la musique ancienne. Liberté et accomplissement.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 01:29:18 - En pistes ! du mercredi 14 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une symphonie de Brahms, le concerto pour clarinette de Mozart, Carmen de Bizet... De nouvelles versions sont à découvrir dans En Pistes aujourd'hui. Plus confidentielle, la musique du compositeur franco-flamand Alexander Agricola est aussi au programme !

durée : 01:29:18 - En pistes ! du mercredi 14 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une symphonie de Brahms, le concerto pour clarinette de Mozart, Carmen de Bizet... De nouvelles versions sont à découvrir dans En Pistes aujourd'hui. Plus confidentielle, la musique du compositeur franco-flamand Alexander Agricola est aussi au programme !

durée : 01:27:56 - Le Quatuor Ébène, l'alchimie du quatuor - par : Aurélie Moreau - Le Quatuor Ebène impressionne par la richesse et la profondeur de ses interprétations, tout comme son approche libre des différents styles musicaux. Au programme aujourd'hui : Beethoven, Mozart, Ravel, Mendelssohn, Fauré, Dvořák, Schoenberg…

From the earliest stone circles to Mozart's obsession with numbers to the radically modern architecture of Zaha Hadid, maths and creativity are interwoven across time and space. Whether we are searching for meaning in an abstract painting or finding patterns in poetry, there are blueprints everywhere: symmetry, prime numbers, the golden ratio and more. In May 2025 we were joined by award-winning mathematician and Oxford professor Marcus du Sautoy as he looked to the arts to uncover the key mathematical structures that underpin both nature and human creativity. Drawing on his new book, Blueprints, du Sautoy explored how we make art, why a creative mindset is vital for discovering new mathematics, and how a fundamental connection to the natural world intrinsically links these two subjects. ------ This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Johan berättar om tidernas kanske konstigaste fotbollsmatch. Anders är inne i hockey-VM men har ändå tid att undra: Vad hände med Zico Junior? Dessutom: Ingvar Carlssons drömträff, boktips till ÖSK, Håkan Södergren, Jaap Stams luriga siffror, Warren Buffets försiktighetsprincip, fotbollsmentorer, Bob Houghton-trick i Hallonbergen, konsten att låta bli och Mozarts hundår i den svåra övergången från junior till senior. Bli Offsidemedlem – 0 kronor första månaden!

Show notes: https://deeppurplepodcast.com/2025/05/12/episode-317-jon-lord-eberhard-schoener-mozart-kroenungsmesse/Disclaimer: The video used on YouTube is a byproduct of producing our audio podcast. We post it merely as a convenience to those who prefer the YouTube format. Please subscribe using one of the links below if you'd prefer a superior audio experience.VIDEO DID NOT RECORD THIS WEEK -- FULL VIDEO OF CONCERT/SHOW BUT NOT THE REST OF EPISODE!!Subscribe to the podcast at Apple Podcasts, Spotify, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, Pocket Casts, or search in your favorite podcatcher! Leave us a 5-Star Review on Apple PodcastsBuy Merch at Our Etsy Store!Donate on Patreon: https://www.patreon.com/deeppurplepodcastWebsite: http://deeppurplepodcast.com/Contact: info@deeppurplepodcast.comTwitter: https://twitter.com/deeppurplepodInstagram: https://www.instagram.com/deeppurplepodcastFacebook: https://www.facebook.com/The-Deep-Purple-Podcast-333239820881996YouTube: https://www.youtube.com/channel/UCxcThTTLtAC_k7m9sTV5HIwThreads: https://www.threads.net/@deeppurplepodcastBluesky: https://bsky.app/profile/deeppurplepod.bsky.social

País Estados Unidos Dirección Kirsten Sheridan Guion James V. Hart, Nick Castle. Historia: Paul Castro, Nick Castle Reparto Freddie Highmore Keri Russell Jonathan Rhys Meyers Robin Williams Terrence Howard Música Mark Mancina Fotografía John Mathieson Sinopsis Un joven guitarrista irlandés (Jonathan Rhys Meyers) y una violonchelista (Keri Russell) pasan una romántica e inolvidable noche de verano en Nueva York, pero el azar los separa. De su breve encuentro nace August (Freddie Highmore), un niño que, por un destino fatal, va a parar a un orfanato, donde pasa una dura infancia. Con sólo once años, se gana la vida como músico callejero, bajo la tutela de un siniestro y dickensiano personaje (Robin Williams) que trata de explotarlo. El niño pronto se revela como un músico genial, un nuevo Mozart, que se servirá de su talento para intentar encontrar a sus padres.

What historical figures would you bang? There's no wrong answer just go for it.    #fat #midwest #livestream

The theatre director Emma Rice is renowned for her bold stagings of much-loved films and books including Brief Encounter, Wuthering Heights and the Red Shoes. For twenty years she worked as an actor, director, and eventually artistic director of Kneehigh, an international touring company based in Cornwall, known for its energetic productions with an inventive use of music and puppetry. In 2016, Emma became artistic director of Shakespeare's Globe, the reconstructed Elizabethan theatre on the south bank of the Thames - although her tenure there ended after two years following disagreements with the board. She has since founded her own touring theatre company, Wise Children, whose recent productions include The Buddha of Suburbia and Alfred Hitchcock's North by Northwest. Emma's musical passions include Tchaikovsky, Rachmaninov, Mozart and Bach.

In Episode 19 of The Choral Director's Toolbox, host Dr. William Baker unpacks the controversy surrounding Austrian or Germanic Latin in Classical-period choral performance. With his signature clarity and wit, Dr. Baker challenges conventional assumptions and offers practical insight on pronunciation for clarity and expression. This week's listener question addresses ideal seating—or no seating at all—for choral rehearsals. Today's inspiration features Mozart's majestic Kyrie from the Great Mass in C Minor, performed by The William Baker Festival Singers. Tune in for a thoughtful and invigorating episode!

In this lively episode of 'Past Tens, a Top 10 Time Machine,' Dave and Milt return from their musical escapades with stories, trivia, and laughs. Milt reflects on his experience at a New Orleans jazz festival while Dave quizzes him on intriguing music trivia. The hosts discuss concert anecdotes, festival food, and historical music facts. Tune in for their lighthearted banter, deep dives into rock history, their favorite fondue recipes, a deep dive into the history of lima beans and the poetry of Susan Sontag. Topics (Jamaican slang version)* 01:25 Run-back a Wah Gwaan Last Week   02:17 Mi Own Story Dem an Likkl Joke   05:45 Big Tings a Gwaan: New Orleans Jazz Fest Highlights   24:11 Likkl Trivia Fi Warm Up Yuh Brain   30:12 Di Main Show: Top 10 Musical Secret Dem   32:04 How 'Walk This Way' Did Start   32:51 Prince an Macaroni Buck Up – Wah Laugh!   35:55 Di Beatles Dem Get Parody inna ‘Walk Hard'   39:12 Bruce Springsteen Lyrics Cause Nuff Chat   43:10 Tears for Fears Drop One Big Tune   52:14 James Brown Did Nuh Play When it Come to Perfection   54:29 Mozart a Sell More Dan Nuff New Artist   57:12 Rod Stewart Shell Dung di Place – Big Crowd!   59:51 Wrap-Up Time: Mi Final Taughts an Some Real Talk   *Why? Why not.  

Nous sommes le 25 décembre 1739, en Guadeloupe. Ce jour-là, Joseph vient au monde, fils d'un colon, planteur, noble et d'une esclave noire. Contrairement au sort réservé aux enfants mulâtres, Joseph, selon la volonté de son père, va bénéficier de l'éducation dispensée dans ce que l'on appelle la « bonne société ». A Paris, il est formé, notamment, à l'escrime et à la musique. Des domaines dans lesquels il va exceller. Epéiste d'exception, celui qui est devenu le chevalier de Saint-George, va particulièrement s'illustrer en tant que violoniste et compositeur. Il dirige aussi les plus grands orchestres de son époque et rivalise avec Mozart. Proche de la reine Marie-Antoinette, il côtoie les plus influents, devient franc-maçon. Adulé en même temps que victime des préjugés, il s'engage dans la Révolution, prenant la tête d'un régiment composé de noirs et de métis volontaires. Il sera le premier colonel noir de l'armée française. Mais ses liens avec les royalistes le rendent suspect ; il est dénoncé, suspendu et incarcéré. Après sa mort, en 1799, son nom sombre dans l'oubli. Il est l'un des nombreux répudiés de l'Histoire. Partons sur les traces de Monsieur de Saint-George, le « Fameux Saint-George » comme ses contemporains le nommèrent… Avec les Lumières de Alain Guédé, journaliste, président de l'association « Le concert de Monsieur de Saint-George ». Auteur de « Monsieur de Saint-George – Un rival de Mozart » ; Acte Sud. Sujets traités : Saint-George, escrimeur, colon, esclavage, Mozart, Marie-Antoinette, Révolution, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The University of Otago is putting both The Frances Hodgkins Fellowship for visual arts and The Mozart fellowship for music on hold due to budgeting concerns.

The God Frequency isn't just another vibration in the universe—it's the original source code of reality itself. Think of it as the fundamental programming language that creates everything we experience. It's not something separate from you or something you need to reach toward—it's the very substrate from which all existence emerges, including you. Throughout history, we find what I call "frequency artifacts"—evidence of people who momentarily accessed this state of consciousness. These artifacts appear across cultures and time periods: the inexplicable precision of ancient megalithic structures, artwork that seems to defy the knowledge of its era, mathematical discoveries that appeared simultaneously to different people across the globe with no communication between them. These aren't coincidences—they're evidence of direct access to the God Frequency. History gives us fascinating examples of individuals who seemingly tapped into this frequency, often by accident. Nikola Tesla described receiving complete designs for his inventions in flashes of insight. Mozart claimed entire symphonies would arrive in his mind fully formed. Einstein's breakthrough on relativity came during what he described as a thought experiment that transcended normal cognition. What they all experienced wasn't divine intervention in the religious sense—it was momentary alignment with the God Frequency that allowed them to perceive reality beyond conventional limitations. 

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Live, Thursday nights at 7:30PM ET on vocnation.com, it's WCW Retro! Join Howard Morgan and Mozart Fontaine for a special look back at all things professional wrestling, including WWE, NXT, AEW, and … a look back at WCW! This week: Howard and Mozart's final WCW Retro before The Maestro re-ascends to his throne next Thursday. Check out Mat Madness with Morgan & Mozart starting next Wednesday. Call into any live VOC Nation program by visiting callvoc.com. VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Los coches actuales son, desde el punto de vista de la seguridad, el confort, el consumo y las emisiones, mejores que los coches de los años 90. Eso es indiscutible. Tan indiscutible como que los coches de los 90 seducían más que los de ahora… ¿cuál es el motivo? Ayer, 28 de abril de 2025, España y Portugal sufrimos un apagón de varias horas. Primero me quedé sin mi pantalla grande, a continuación sin Internet… y cuando acabé con la batería de mi portátil, sin ordenador… y me quedaba por escribir un guion. Y lo hice a pelo, tomando notas en un papel. Le di vueltas a mis notas de posibles ideas y vi este titular, “Coches de los 90 vs. coches de los 20, ¡como hemos cambiado!” Era una idea que me gustaba, pero que nunca veía la oportunidad de escribirla, en el fondo porque es un video muy de opinión, muy personal, más literatura que periodismo. Y pensé: “Pues… ¡ha llegado el momento!” Normas anti polución cada vez más severas, pruebas de choque, sonoridad cada vez más baja, sistemas de protección de peatones y homologaciones para todo, desde el tipo de pantalla a los materiales usados, iluminación, materiales usados para la pintura o los acabados interiores.… un enjambre normativo que necesariamente, el fabricante, tiene que tener en cuenta. En caso contrario, no puede sacar su coche al mercado. Los fabricantes de coches, hoy día, tienen solo tres intereses: Beneficios, beneficios y beneficios. Y esto los lleva a tomar decisiones cortoplacistas, que suponen beneficios a corto plazo, pero hipotecan el futuro. En aras de los beneficios se han impuesto los famosos ahorros de coste y economía de escalas. ¿Y eso que significa? Que muchas empresas que tienen muchas marcas, efectivamente tienen muchas marcas, pero no todos los coches de distintas marcas son distintos. Los ordenadores, a igualdad de datos de “entrada”, te proponen idénticas soluciones de “salida”. A un ordenador le puedes pedir eficacia, rapidez, pero no originalidad ni personalidad¡… sencillamente, porque no la tiene. Para llegar al producto final luego llegan personas y los “retocan”, pienso que a veces incluso con poco acierto y desde luego casi siempre en aspectos secundarios, como faros, pilotos, pilares y otras cosas que no afectan a la estructura. Siempre se dice que la perfección no es de este Mundo. Beethoven era sordo, Mozart un desequilibrado, Cervantes manco, a Blas de Lezo, quizás el mejor militar español de todos los tiempos, le faltaba un ojo, un brazo y una pierna… y así podría seguir. Vamos con un ejemplo del motor y de ahora mismo, con el coche que probablemente tiene más personalidad de la producción mundial: El Porsche 911… ¡un coche que podríamos decir que está “mal hecho”! Un directivo jubilado de una empresa automovilistica fue quien me dijo eso de que los coches de ahora “no tienen alma” y me contó que la empresa en la que él trabajaba, cuando se iba a diseñar un nuevo modelo en el pliego de condiciones que recibía el equipo de ingenieros y diseñadores figuraban argumentos como que tenía que ser un “autentico” modelo de esa marca, tener “aire de familia” con sus antecesores y, clave para ellos, despertar “emociones”. Me voy a detener en esto de las emociones porque cuando voy a una presentación de algún coche eléctrico, SUV o no SUV, oigo mucho ese estribillo de “este coche pretende despertar emociones a su conductor”. Cuando lo pruebo no encuentro esas emociones… ¡me emociona más mi viejo Panda! Fruto de esta forma de abordar las cosas era que los coches, antes, eran diferentes unos de otros. Ni tan siquiera digo más bonitos, digo sencillamente distintos, con personalidad. Los más mayorcitos recordaréis el famoso spot televisivo del Citroën Dyane 6, un coche no precisamente bonito, y en el que se recurría a la personalidad con el slogan “¡Viva la diferencia!” Entonces, ser diferente, era una necesidad. Ahora parece que no. ¿Te gusta conducir? Esta frase que hizo famosa en un anuncio televisivo BMW es una verdadera declaración de intenciones. Estoy preparando un video junto a mis amigos de “CEROaCIEN” que titularé algo así como “cuando los deportivos eran humanos”. ¿De verdad son necesarios 500, 600 o 1.000 CV para que un coche sea deportivo? El primer BMW M3 de 1986 tenía apenas 200 CV y te aseguro que pocos coches hay más divertidos de conducir que este, cierto que solo pesaba unos 1.100 kg. Eran deportivos humanos y sin electrónica, por un lado, porque no se había inventado, pero por otro… es que a lo mejor no la necesitaban… o por lo menos la necesitaban menos que coches de ahora, a veces enormes SUV o Berlinas de muchos cientos de caballos, muchos, muchísimos cientos de kilos y que, sin electrónica, probablemente, serían incluso peligrosos.

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Dive into the transformative power of music and scripture with Margaret Wacyk on Prayer Piano. In this captivating episode, we explore the "Secrets of King David," uncovering how the biblical hero harnessed sound and intention to create supernatural healing and connection with God. Through an in-depth analysis of J.S. Bach's I Call Unto Thee, Oh Lord (transcribed by Federico Busoni) and the story of King David's harp, this episode reveals the profound impact of classical music and prayer on mind, body, and soul. Join us for an inspiring blend of music, scripture, and science that will deepen your spiritual practice and awaken your heart to God's presence.Key Takeaway Points Listeners Will Learn:The Healing Power of Sound: Discover how King David used his harp to drive out tormenting spirits, as seen in 1 Samuel 16, and how classical music's frequencies can calm anxiety, improve sleep, and promote healing.Intentional Listening: Learn how combining intention with music, as David did, amplifies the spiritual and emotional impact, turning listening into a powerful act of prayer and surrender.Classical Music as Worship: Understand how composers like Bach, Mozart, and Beethoven infused their music with faith, creating harmonies that reflect divine order and foster intimacy with God.The Role of Octaves in Music: Explore the spiritual significance of octaves, representing God's unchanging nature, and how they anchor us in faith amidst life's turbulence.Practical Activation Exercise: Gain tools to enhance your prayer life by pairing scripture (Psalm 142) with intentional music listening, unlocking deeper emotional and spiritual breakthroughs.Supernatural Surrender: Learn how moments of musical tension and release, like Bach's augmentation, mirror life's challenges and offer opportunities to surrender burdens to God for divine resolution.Tune in to experience a unique fusion of classical music, biblical wisdom, and practical spiritual insights that will elevate your prayer life and connect you to the unfailing love of God.LINKS MENTIONED Find Heaven's Melody Here: https://bit.ly/4jpi8Q3Sample Heaven's Melody: https://sound.margaretwacyk.com/heavens-melody Love Notes Book and Album available on margaretwacyk.com Visit the WEBSITESweet Sleep Free MP3 Download Follow on YouTube, Instagram, Facebook, Spotify

Hoy ya nadie se rasga las vestiduras porque la llamada música clásica sea adaptada a otros esquemas musicales. Es más, muchos grandes intérpretes han conseguido que esas adaptaciones pasen a la historia por su creatividad. El programa se dedicará a explicar cuatro ejemplos: El gran pianista cubano, PEPE RIVERO, recreando piezas de CHOPIN, el compositor y pianista francés JACQUES LOUSSIER con sus adaptaciones de JUAN SEBASTIAN BACH, el histórico pianista, compositor y director DUKE ELLINGTON versionando al jazz el CASCANUECES de CHAIKOVSKY y SARAH WILLIS, trompa solista de la FILARMONICA DE BERLÍN, interpretando MOZART a ritmo de mambo.

durée : 01:28:10 - En pistes ! du mercredi 07 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Programme lyrique aujourd'hui, avec deux opéras : un classique wagnérien et une partition beaucoup plus rare, "Vénus en Afrique" de George Antheil. La musique de chambre sera aussi au rendez-vous, avec Brahms, Mozart et Verdi.

durée : 01:28:10 - En pistes ! du mercredi 07 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Programme lyrique aujourd'hui, avec deux opéras : un classique wagnérien et une partition beaucoup plus rare, "Vénus en Afrique" de George Antheil. La musique de chambre sera aussi au rendez-vous, avec Brahms, Mozart et Verdi.

durée : 00:03:33 - Le Regard culturel - par : Lucile Commeaux - Pauvre Antonio Salieri, ce rival de Mozart dépeint dans des fictions qui pour toujours sans doute ont dessiné une figure de jaloux dont on se départit difficilement. À l'occasion du bicentenaire de sa mort, petit tour des publications qui lui sont consacrées.

Brady Hicks and Ratboy are live from the former ECW Arena for Rasslecon 2025. ECW's John Finegan, Jim Molineaux, Joe Zanolle, plus Cujo and more! For more, visit vocnation.com! Live, Thursday nights at 7:30PM ET on vocnation.com, it's WCW Retro! Join Howard Morgan and Mozart Fontaine for a special look back at all things professional wrestling, including WWE, NXT, AEW, and … a look back at WCW! This week, Howard and Mozart are joined by "The Boss" Mike Tartaglia and Mr. Ooh La La, ahead of this Saturday's TWA One and Done show at the former ECW Arena. Plus a major announcement. Call into any live VOC Nation program by visiting callvoc.com. VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The second of two episodes featuring Marie Ross, Senior Lecturer of Music at The University of Auckland!

Salieris Werk war zu seinen Lebzeiten äußerst populär, seine Opern wurden in ganz Europa aufgeführt. Seine angebliche Rivalität mit Wolfgang A. Mozart ist eine Erfindung. Neben seiner Arbeit als Komponist und Direktor der Hofkapelle war Salieri auch als Lehrer und Musikpädagoge bedeutend. Das Institut für Gesang und Stimmforschung in der Musikpädagogik an der Universität für Musik und darstellende Kunst Wien (mdw) ist nach ihrem Mitbegründer Salieri benannt. Salieri war auch maßgeblich an der Gründung der Gesellschaft der Musikfreunde in Wien 1812 beteiligt - deren Konzerthaus, der "Musikverein", ist in der Welt der Klassik weltberühmt.

Today we hear from violinist Leo Zupko. He performs concerto movements by Sibelius and Mozart, and finishes with music by his father Mischa Zupko, who also plays piano for the recital. The post Leo Zupko, 17, violin appeared first on WFMT.

What if humans and all mammals hatched from eggs? This episode explores a world where expectant parents carry decorated eggs to work, conference tables have special egg holders, and the Upper East Side boasts expensive hatcheries playing Mozart to developing offspring. From the marketing potential of personalized egg covers to the social stigmas of different egg-carrying methods, discover how our relationship with reproduction and parenting would transform. Would human eggs be leathery like reptiles or hard like birds? How would we adapt our homes, workplaces, and social structures for portable babies-to-be? And would egg-swapping become the new worry for anxious parents? This thought-provoking scenario was submitted by listener Anne from Queens, New York. --- Find out more about Gaby's science fiction short story! Here are the links for the anthology. The physical copy can be ordered here : https://www.neonhemlock.com/books/luminescent-machinations-queer-tales-of-monumental-invention The ebook can be ordered here: https://www.neonhemlock.com/ebooks/luminescent-machinations-queer-tales-of-monumental-invention

Live, Thursday nights at 7:30PM ET on vocnation.com, it's WCW Retro! Join Howard Morgan and Mozart Fontaine for a special look back at all things professional wrestling, including WWE, NXT, AEW, and … a look back at WCW! This week, Howard and Mozart are joined by "The Boss" Mike Tartaglia and Mr. Ooh La La, ahead of this Saturday's TWA One and Done show at the former ECW Arena. Plus a major announcement. Call into any live VOC Nation program by visiting callvoc.com. VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the latest episode of ‘New Classical Tracks,' the Phoenix Chorale and its artistic director Christopher Gabbitas explore the ways that earth's rotation and seasons mark our time and emotions as humans on their latest recording. Listen now with host Julie Amacher!