Podcasts about mozart

¿Qué ensalada causó riñas familiares? ¿Cómo recibió Moctezuma a Cortés? ¿Qué relación tienen los osos de peluche con la presidencia estadounidense? ¿Qué es el dies irae (/ire/)? Hoy hablaremos de: Ensalada César, Hernán Cortés, Tenochtitlán, Theodore Roosevelt, Réquiem de Mozart, Y más datos para conquistar en los entremeses del Banquete del Dr. Zagal.See omnystudio.com/listener for privacy information.

1. Inspiration Beyond the BrainThe book challenges the materialist view that creativity is a left-brain, analytical function. Instead, it presents music as a right-brain, paranormal process. Many iconic songs are received through instantaneous “downloads” or vivid dreams. Keith Richards famously dreamt the riff for “(I Can't Get No) Satisfaction,” even recording his snoring afterward. These dream-sourced compositions often arrive fully formed, with clarity unlike typical dream content.2. Musicians as ChannelsMany legendary artists describe themselves as vessels rather than creators. John Lennon said he was “just the channel” for the “music of the spheres.” Michael Jackson believed his best songs were “works of God” that dropped into his lap. Notably, Elvis Presley, The Beatles, and Jimi Hendrix couldn't read or write music—suggesting that genius may bypass formal training and arise from external sources.3. A Historical PatternThis phenomenon isn't limited to rock and pop. Classical composers also reported receiving music from beyond. Mozart described his compositions as arriving “almost complete” in dreams. Brahms spoke of entering a trance-like state where ideas flowed “directly from God.” Such accounts suggest a long-standing tradition of non-local inspiration.4. UFOs and MusiciansThe book documents a striking number of UFO encounters among musicians. If cataloged, the list would include hundreds of high-profile names. John Lennon had a daylight sighting in 1974; Mick Jagger saw a UFO over the crowd at the 1969 Altamont concert. 5. Alien OriginsSome musicians believe they are extraterrestrial in origin. John Denver referenced the constellation Lyra as his home. Elvis Presley claimed he came from Orion, saying, “I am not of this world.” Lee Scratch Perry declared, “I am an alien from outer space… from Krypton.” Kurt Cobain expressed a lifelong feeling of being “homesick,” imagining himself as an alien baby found in a spaceship.6. Messages of Oneness and LoveThe themes expressed in music often mirror those reported by UFO experiencers. The central message is Oneness—the idea that all existence is interconnected. Lennon's lyric “I am he as you are he as you are me…” reflects this unity. His slogan “Love is the Answer. What was the Question?” and the anthem “All You Need is Love” serve as spiritual propaganda for this shift from fear to love.7. Environmental and Nuclear WarningsA recurring theme is planetary survival. Musicians often channel messages warning of ecological collapse and nuclear danger. Neil Young's “After the Gold Rush” describes “silver spaceships” rescuing the chosen ones.8. Targeting YouthMusicians are seen as strategic messengers to reach younger generations—the “ultimate swing voters.” Youth are more open to ideas that transcend traditional structures like religion and politics. Carlos Santana reported that the entity Metatron told him he'd be tuned into a “radio airwave frequency” to deliver a “new menu” of existence, helping students realize they are “multi-dimensional spirits.”9. Dreams and Altered StatesSongs often arrive during altered states—dreams, meditation, or automatic writing. Sting received “Every Breath You Take” in 15 minutes through automatic writing. Billy Joel dreamt many of his songs fully formed. Music heard during near-death experiences is described as “floating,” ethereal, and profoundly beautiful—often called the “music of the spheres.”10. Music and Quantum ConsciousnessThe book concludes by challenging the materialist worldview. It suggests that the universe operates through a quantum reality where consciousness is primary. Musicians report accessing a non-local field of awareness, consistent with quantum experiments showing that consciousness precedes matter. In this view, the brain doesn't create consciousness—consciousness creates the brain. Music becomes a delivery system for awakening, love, and planetary stewardship.

You may not know you know it, but we know you know it! You've definitely heard at least one movement of this piano sonata- let us know which movement you're familiar with! Be sure to like and share with a friend! Music: https://imslp.org/wiki/Piano_Sonata_No.11_in_A_major%2C_K.331%2F300i_(Mozart%2C_Wolfgang_Amadeus) https://creativecommons.org/licenses/by-sa/4.0/legalcode

This week, Donald Macleod explores the life and music of the often overlooked younger Haydn brother, Michael. From his early years in Vienna to his long tenure in Salzburg, Michael Haydn's career was shaped by family ties, shifting patronage, and ecclesiastical politics. His relationship with the Mozart family ranged from friendly collaboration to bitter rivalry, and his music—both sacred and secular—reflected the changing demands of the church and court. As he aged, Michael faced new opportunities and challenges, including a long-awaited reunion with his brother Joseph and a prestigious job offer that stirred unexpected doubts.Requiem in C minor pro defuncto Archiepiscopo Sigismund, MH 155 Symphony No 32 in D Major, P 23 Missa Sancti Aloysii, MH 257 Concerto for Harpsichord and Viola in C major, MH 41 Missa Sanctae Crucis, MH 56 Symphony in B flat major, MH 82 Trumpet Concerto in C major, MH 60 Die Hochzeit auf der Alm Notturno in F major, MH 185 Missa Sancti Hieronymi Symphony No 24 in A major, P 15 Tenuisti manum, MH 695 Missa Quadragesimalis, MH 552 Divertimento in C major, P 98 Ninfe inbelli Missa Sancta Theresiae Der Obersulzer Wein, MH 697 Abendlied, MH 784 Trinklied im Freien, MH 790 Flute Concerto in D Major MH 81 Divertimento in C, MH 600 Missa sub titulo Sancti Leopoldi, MH 837 Endimione: Vado per un momento Presented by Donald Macleod. Produced by Chris Taylor for BBC Audio Wales & West. For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Michael Haydn https://www.bbc.co.uk/programmes/m002lcjr. And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

Invités : - Eric Revel, pour son livre «C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron» - Sébastien Martin, ministre délégué chargé de l'Industrie   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Eric Revel, pour son livre «C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron» - Sébastien Martin, ministre délégué chargé de l'Industrie   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Eric Revel, pour son livre «C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron» - Sébastien Martin, ministre délégué chargé de l'Industrie   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

[@ 10 min] Alright, this week…Jeanine De Bique goes Inside the Huddle! The Trinidadian soprano is on her way to the US for a recital tour, including stops in New York and Chicago before making her subscription series debut with the Chicago Symphony Chorus and Orchestra in Mozart's Requiem! [@ 35 min] And then…we reach into the Listener Mailbag for a report on the Met's 'Don Giovanni' from our good friend PJ... [@ 39 min] Plus, in the Two Minute Drill...saluting the American flag is now compulsory at the Kennedy Center, and Opera America is Great Again after naming its new president. GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Presentamos los principales conciertos del 42º Festival de Jazz de Zaragoza, los que tendrán lugar en la Sala Multiusos por parte de John Medeski, Kenny Garrett, Jazzmeia Horn, Something Else, Chucho Valdés y Miles Sanko. Temas que suenan en el programa: 01 1992 Medeski, Martin & Wood - Notes From The Underground 03 La Garonne (5' 36'') 02 2011 John Zorn - Nova Express 2 Port of Saints - John Medeski K Wollesen T Dunn J Baron (5' 09'') 03 2013 John Medeski - A Different Time 01 A Different Time (4' 24'') 04 2018 John Medeski - Mad Skillet 03 Tuna In A Can - Kirk Joseph Will Bernard Terence Higgins (4' 07'') 05 1991 Miles Davis & Quincy Jones & The Gil Evans Orchestra 13 Summertime - Kenny Garrett (4' 35'') 06 2021 Kenny Garrett - Sounds of Ancestors 02 Hargrove - Vernell Brown Corcoran Holt Ronald Bruner Rudy Bird (5' 14'') 07 2025 Jazzmeia Horn - Messages 01 Happy Livin' (5' 40'') 08 2024 Something Else - Soul Jazz 01 Filthy McNasty - Freddie Hendrix Vincent Herring Wayne Escoffery Dave Kikoski Paul Bollenback Essiet Essiet Joris Dudli (4' 51'') 09 2024 Chucho Valdés - Cuba And Beyond 05 Mozart a la Cubana - José Armando Gola Roberto Jr. Vizcaíno Horacio El Negro Hernández (6' 22'') 10 2024 Miles Sanko - Leti it Unfold 12 Say It (2' 02'')

durée : 01:28:55 - Vladimir Ashkenazy, le chef d'orchestre - par : Aurélie Moreau - Pianiste éblouissant et chef d'une grande renommée, Vladimir Ashkenazy nous a offert de passionnants enregistrements à la tête de différents orchestres, au programme aujourd'hui dans Chostakovitch, Rachmaninov, Franck, Berlioz, Mozart, Sibelius… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Seit Jahrzehnten sitzt Christian Zacharias auf den Klavierbänken dieser Welt und spielt vor allem eins: Mozart. Doch die schnellen Läufe gehen dem 75-jährigen nicht mehr so leicht von der Hand. Ein Abschied vom Klavier? - vielleicht ein langsamer. Auf keinen Fall aber ein Abschied von der Musik, denn dirigieren kann man bis ins höchste Alter. In "Menschen und Ihre Musik" spricht Christian Zacharias über prägende Aufnahmen seiner Kindheit und Jugend, späte musikalische Entdeckungen und darüber, was auch mit 75 noch auf dem Klavier geht.

Himmlisch-sphärischer Klang oder eine Gefahr für das Nervensystem? Die Glasharmonika spaltete viele Jahrezehnte lang die Geister der Musikwelt, bis sie beinahe ganz von der Bildfäche verschwand. Mozart war fasziniert von dem Instrument und komponierte das zerbrechlich schöne "Adagio für Glasharmonika C-Dur" - kurz und kompakt vorgestellt in diesem Klassik to Go mit Yaltah Worlitzsch. Nicht verpassen: Am 6. und 7. November 2025 gibt es die seltene Gelegenheit, das Werk mit Christa Schönfeldinger an der Glasharmonika und der NDR Radiophilharmonie im NDR Konzerthaus live zu erleben. Am Pult: Jörg Widmann. Schon gewusst? Zahlreiche Konzerte der NDR Ensembles finden Sie auf YouTube im Channel "ARD Klassik" oder in der ARD Mediathek. https://www.youtube.com/@ARDKlassik https://www.ardmediathek.de/kultur_klassik Abonnieren Sie "Klassik to Go" und finden Sie weitere spannende Angebote des NDR in der ARD Audiothek! https://www.ardaudiothek.de/sendung/klassik-to-go/10778959/

durée : 03:23:16 - Disques de légende du mercredi 05 novembre 2025 - En 2004, René Jacobs signe, avec le Concerto Köln, une nouvelle version des "Noces de Figaro" qui s'impose comme une référence de l'interprétation mozartienne. Cinq ans après son "Così fan tutte" dégraissé et alerte, le chef belge porte ici sa démarche à la perfection. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Oggi a Cult, il quotidiano culturale di Radio Popolare: Elena Russo Arman sulla rassegna per giovani spettatrici e spettatori "Piccoli Elfi"; una mostra conclude il progetto fotografico "Milano vista dal mare" dedicato a minori stranieri; Robert Carsen firma per la prima volta la regia del Così fan tutte" di W. A. Mozart, in scena al Teatro alla SCala; Antonio Serra ricorda Forattini analizzandone le caratteristiche tecniche di caricaturista...

Dicen que MOZART es el compositor más usado en el mundo del cine. Su música aparece en más de 250 bandas sonoras. Y es tal su influencia popular que, a veces , las obras de Mozart han pasado a la historia con el título de la película en que se les ha incluido. Así, por ejemplo, a uno de sus conciertos para piano se le conoce popularmente con el nombre del film ELVIRA MADIGAN. El programa estará dedicado a recordar las bandas sonoras de películas en las que más influyó la música de MOZART

Sara Aimée Smiseth forteller om Mozarts opera Tryllefløyten, i Barrie Koskys unike og kritikerroste versjon.

durée : 03:23:16 - Disques de légende du mercredi 05 novembre 2025 - En 2004, René Jacobs signe, avec le Concerto Köln, une nouvelle version des "Noces de Figaro" qui s'impose comme une référence de l'interprétation mozartienne. Cinq ans après son "Così fan tutte" dégraissé et alerte, le chef belge porte ici sa démarche à la perfection. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

José Rafael Guzmán, quien comparte detalles sobre su gira por Europa y habla de temas variados, desde la música de Mozart hasta relaciones personales. Además, se discuten las dinámicas de las relaciones modernas y la importancia de adaptarse a los cambios en la sociedad.

L'idée que les gauchers seraient plus créatifs que les droitiers est ancienne, séduisante… mais scientifiquement controversée. Elle repose sur une intuition simpliste : si le cerveau gauche contrôle la main droite et le cerveau droit contrôle la main gauche — et que le cerveau droit serait “le siège de la créativité” — alors les gauchers, plus “droit cérébral”, devraient être plus imaginatifs. Mais la réalité, révélée par plusieurs études, est bien plus nuancée.Une étude publiée en 2009 par Shobe et al. dans la revue Brain and Cognition a testé cette hypothèse sur des étudiants américains. Les chercheurs ont mesuré leur “pensée divergente” — la capacité à produire des idées originales — et ont comparé droitiers, gauchers et “inconsistants” (ceux qui utilisent les deux mains selon la tâche). Résultat : les gauchers n'étaient pas systématiquement plus créatifs. En revanche, les personnes au faible degré de latéralisation (ni totalement droitières, ni totalement gauchères) obtenaient de meilleurs scores de créativité. Leur cerveau semblait mieux équilibré entre les deux hémisphères, favorisant des connexions inhabituelles entre des idées éloignées.Cette découverte a inspiré une hypothèse neurolinguistique : la communication interhémisphérique — facilitée par un corps calleux plus actif — pourrait être un atout pour la pensée créative. Autrement dit, ce n'est pas la main utilisée qui compte, mais la souplesse du cerveau à mobiliser ses deux côtés.Des recherches plus récentes, notamment une méta-analyse publiée en 2019, confirment ces nuances : il n'existe aucune corrélation stable entre la main dominante et les performances créatives. Les différences observées sont faibles, variables selon les tests, et largement influencées par d'autres facteurs : culture, environnement familial, éducation artistique, exposition à la nouveauté.Enfin, le cliché du “génie gaucher” vient aussi de l'histoire : Léonard de Vinci, Picasso, Mozart, ou Jimi Hendrix étaient gauchers, ce qui a renforcé l'idée d'un lien mystérieux entre gaucherie et talent. Mais statistiquement, la majorité des créateurs reconnus sont droitiers — simplement parce qu'ils sont plus nombreux.En somme, les gauchers ne sont pas plus créatifs par nature, mais leur cerveau légèrement différent peut favoriser une pensée moins conventionnelle chez certains individus. La créativité, elle, reste surtout une compétence entraînée, nourrie par la curiosité, l'ouverture et la diversité des expériences — bien plus que par la main que l'on utilise pour écrire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Old Time Radio highlights originally broadcast live October 1 through October 8, 1939. Curated clips of live broadcasts from popular radio shows of the day. A tapestry of History through the eyes of people as they lived it, reported by radio. In today's SoundScape: Charlie McCarthy's in Need of Cash! Mozart has been dead for … Continue reading When Radio Ruled #146 – SoundScape 1939 part 19

Dans cet épisode, Laurie Peret se confie comme rarement.De ses débuts dans la pub à ses premiers sketchs dans des cafés-théâtres, jusqu'à fouler la scène mythique de l'Olympia, elle raconte tout.À 25 ans, elle vivait un rêve éveillé avec Mozart l'Opéra Rock.Puis tout s'arrête brutalement.Entre petits boulots, maternité solo et refus de casting, Laurie traverse des années de galère avant de retrouver sa lumière grâce à l'humour.Aujourd'hui, elle s'apprête à jouer à l'Olympia.Dans cet épisode :Comment rebondir quand tout s'écrouleLe courage de recommencer à zéroLe vrai quotidien d'une humoristeLa maternité, les doutes, la résilienceEt la puissance du rire pour tenir deboutUn échange sincère, inspirant et drôle, avec une femme qui n'a jamais cessé d'y croire

In the liturgical reforms following Vatican II, the decision was made to remove the beloved Dies Irae from the requiem Mass. Fr. Ambrose Dobrozsi and Dr. Joey Belleza discuss the rationale behind this decision and evaluate it in light of the text of the sequence itself.

The great French soprano Rachel Yakar died on 24 June 2023 at the age of 87. As she frequently performed opposite our last subject, Swiss tenor Eric Tappy, this episode makes a suitable pendant to that one. Celebrated for her transcendent performances of Baroque music, (Monteverdi and the French Baroque in particular), Yakar was (like previous podcast subjects Eugene Holmes, Oralia Domínguez, Hana Janků, Gwendolyn Killebrew, and Teresa Żylis-Gara) also a member of ensemble of the Deutsche Oper am Rhein in Düsseldorf and Duisburg, with which company she performed for more than 25 years, singing a dizzying range of repertoire, everything from Mélisande to Arabella, Liù to Rusalka, Euridice to Desdemona. She also performed Donna Elvira and the Marschallin at Glyndebourne; and was an unforgettable Poppea in the Ponnelle-Harnoncourt Monteverdi cycle filmed for Unitel. In her prime she was also a frequent visitor to the recording studio, singing everything from Rameau to Varèse, Mozart to Messiaen, with conductors from Harnoncourt to Boulez, Leonhardt to Nagano. She was also a devoted song recitalist and in the later years of her career, she made two recordings of melodies for Virgin Records with the admirable support of her long-term accompanist Claude Lavoix. For the majority of this episode, I have chosen excerpts from both of those recordings, featuring the songs of Fauré and Hahn, which include settings of poets central to their output, including Paul Verlaine, Armand Silvestre, Léconte de Lisle, and Théodore de Banville, supplementing it with additional material in French by Ravel, Lekeu, Clérambault, Messiaen, and Poulenc. Yakar, who, like Régine Crespin and Nadine Denize, studied under the French dramatic soprano Germaine Lubin, was renowned for her faultless technique, her acting prowess, her peerless French diction, and her communicative artistic sensibility, traits of which are all in evidence in all of her recordings from the 1960s through the end of her career in the mid-1990s. Yakar was especially treasured by her colleagues, friends, and students for the warmth and effervescence of her personality, and her devotion to passing on her knowledge and experience to a younger generation of singers. May you delight in the delicacy, humor, precision, and pathos of one of the most prodigiously gifted and versatile vocal artists of her generation. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 01:28:23 - Fritz Wunderlich, ténor incomparable - par : Aurélie Moreau - Le légendaire ténor Fritz Wunderlich, qui débuta à l'opéra en 1955, avait conquis un vaste public par sa voix douce et puissante, qui rayonnait avec chaleur. Il perdit la vie avant ses 36 ans. Aujourd'hui : Schumann, Mozart, Mahler, Lehár, Schubert… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In Composers, we explore how songs are created by people from long ago and today. We meet Bach, Mozart, and Beethoven, and learn how their lives shaped their sounds. We also hear from Sesame Street, and legendary Broadway composer Bill Sherman about writing catchy tunes with meaning. Listeners discover that anyone can start with a small idea and build a powerful piece of music.

Invités : - Matthieu Valet, eurodéputé RN - Alexis-Olivier Sbriglio, journaliste culinaire, pour son livre La Cuisine de montagne publié aux éditions Glénat - Sébastien Lignier, chef du service politique à Valeurs actuelles   - Eric Revel, chroniqueur politique, directeur de la revue l'Hémicycle et auteur du livre C'est Mozart qu'on assassine ! aux éditions Ellipses Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Benoît Aristidou, délégué syndical Un1té Police à Roubaix - Matthieu Valet, eurodéputé RN - Alexis-Olivier Sbriglio, journaliste culinaire, pour son livre La Cuisine de montagne publié aux éditions Glénat - Sébastien Lignier, chef du service politique à Valeurs actuelles   - Eric Revel, chroniqueur politique, directeur de la revue l'Hémicycle et auteur du livre C'est Mozart qu'on assassine ! aux éditions Ellipses Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Marc Touati, essayiste - Didier Rykner, patron de la Tribune de l'Art - Sébastien Lignier, chef du service politique à Valeurs actuelles   - Eric Revel, chroniqueur politique, directeur de la revue l'Hémicycle et auteur du livre C'est Mozart qu'on assassine ! aux éditions Ellipses Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 02:28:35 - France Musique est à vous du samedi 01 novembre 2025 - par : Gabrielle Oliveira-Guyon - Ce samedi, un parcours musical allant de Prokofiev à Tchaïkovski, en passant par Massenet, Dvořák, Berlioz, Berg, Wieniawski et Mozart. À l'écoute également, Perlimpinpin interprété par Birds on a Wire et Porque Si par le Trio Tasis. - réalisé par : Delphine Keravec Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Invités : - Éric Revel, journaliste et auteur de C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron aux Editions Ellipses - Georges Fenech, ancien magistrat - Vincent Roy, journaliste et essayiste Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Éric Revel, journaliste et auteur de C'est Mozart qu'on assassine ! Les fiascos de la décennie Macron aux Editions Ellipses - Georges Fenech, ancien magistrat - Vincent Roy, journaliste et essayiste Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Swiss tenor Eric Tappy (19 May 1931 – 11 June 2024) excelled in so many different musical styles, eras, and genres, that when one considers his artistic achievement systematically, as a whole, one is positively stunned at all that he achieved, and that within a relatively short international career that extended barely 20 years. In addition, at the beginning of his career, his voice was that of a light lyric tenor, but gradually he came to sing heavier roles such as Idomeneo and Tito. The episode considers his biography and the trajectory of that career, touching upon his opera and concert work which ranged from early Baroque through contemporary. For the first ten years of his adult life, he worked as a teacher, gradually gaining enough exposure that he was able to fully devote himself to his singing career after he won several international singing competitions. Tappy is heard in the episode in concert work of Bach, Berlioz, Haydn, and contemporary Dutch composer Rudolf Escher; art songs by both Franz Schubert and Lili Boulanger; and operas by Monteverdi, Gounod, Mozart, and Debussy (his Pelléas was as legendary as his Monteverdi and Mozart impersonations). In addition, Tappy is heard in live and radio recordings of work by his fellow Swiss compatriots Arthur Honegger, Frank Martin, Constantin Régamey, and Hermann Suter. Guest singers include Countermelody favorites Ileana Cotrubaș, Rachel Yakar, Hugues Cuénod, Edda Moser, and Gino Quilico; musical collaborators include Ernest Ansermet, Michel Corboz, Nino Sanzogno, John Pritchard, Armin Jordan, Hans Münch (brother of Charles), Colin Davis, Hans Vonk, and Jean Françaix, among others. Prepare to be surprised and delighted by this great singer, who ended his active singing career at the age of only 50 but who continued as a formative and beloved teacher well into his old age. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:15:08 - Mozart : "Les premiers concertos viennois" - Ben Kim, Orchestre de chambre du Concertgebouw d'Amsterdam - C'est déjà le troisième disque de concertos de Mozart que Ben Kim enregistre avec l'Orchestre de chambre du Concertgebouw d'Amsterdam depuis 2019. Pour cette nouvelle collaboration, il revient aux premiers concertos écrits après avoir quitté Salzbourg pour Vienne, entre 1782 et 1783. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:08 - Mozart : "Les premiers concertos viennois" - Ben Kim, Orchestre de chambre du Concertgebouw d'Amsterdam - C'est déjà le troisième disque de concertos de Mozart que Ben Kim enregistre avec l'Orchestre de chambre du Concertgebouw d'Amsterdam depuis 2019. Pour cette nouvelle collaboration, il revient aux premiers concertos écrits après avoir quitté Salzbourg pour Vienne, entre 1782 et 1783. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A poll from the journal Nature found that 75% of researchers in the U.S. are considering leaving the country. That includes a man who’s been dubbed the "Mozart of Math." Stephanie Sy examines what’s behind a potential scientific brain drain. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A poll from the journal Nature found that 75% of researchers in the U.S. are considering leaving the country. That includes a man who’s been dubbed the "Mozart of Math." Stephanie Sy examines what’s behind a potential scientific brain drain. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Nancy Laturno, Founding CEO and Artistic Director for Mainly Mozart, chats about its mission; its youth orchestra; and the largest Mozart Festival in North America.About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Figgy's Mixtape: Figgy is impressed by the next Mozart, Figgy's reaction test for Reggie & Lopez, & more.

After a dominant performance, ITL debates whether this Texans defense has a chance to be mentioned among the greats. Plus, Figgy's Mixtape: Figgy's impressed by the next Mozart, puts Reggie & Lopez through a reaction test, and more.

ITL dives into a packed show starting with whether DeMeco Ryans truly blocks out the “outside noise” or if that's just coach talk, and what his approach says about how he handles the business side of coaching. Around The NFL, the guys recap Monday Night Football, break down Carson Wentz's shoulder injury, and share OG Passing Thoughts after an easy night for the Rockets. Things are also looking brighter for C.J. Stroud — has he officially turned the corner? Lopez makes a big confession during Lunch-Time Confessions, and CFBOAT reacts to another chaotic weekend in college football. To close out the show, ITL debates whether the Texans' defense is starting to resemble an all-time great, and in Figgy's Mixtape, Figgy is blown away by the next Mozart, puts Reggie and Lopez to the test with a hilarious reaction challenge, and more.

A soprano Carla Cottini, uma das vozes brasileiras de maior destaque internacional, não apenas percorre os palcos do mundo com interpretações de Mozart, Verdi e outros compositores consagrados: ela também carrega uma reflexão crítica sobre o papel da mulher no universo lírico. “A ópera retrata a realidade. Muitas peças revelam como as coisas mudaram — e também como não mudaram”, afirmou no episódio do Mulheres Reais. Nascida em São Paulo e vencedora do prêmio Revelação no concurso Maria Callas, Cottini construiu uma trajetória que a levou de musicais no Brasil a papéis de protagonista em teatros europeus. Mas, ao longo desse percurso, deparou-se com um repertório que, em suas palavras, evidencia marcas históricas de desigualdade. “Em muitas obras, as mulheres aparecem como submissas, trágicas ou sedutoras, reforçando uma lógica patriarcal. Revisitar esses papéis é sempre a chance de questionar e ressignificar essas representações”, destacou. Para Cottini, essa leitura crítica não anula a potência do gênero operístico. Pelo contrário, a soprano vê na música uma possibilidade de resistência e transformação: “Quando Mozart metaforiza a crítica social em suas óperas, abre espaço para que hoje possamos ampliar essas camadas de leitura. É muito poderoso transformar no palco aquilo que, séculos atrás, já era uma denúncia contra o machismo e a desigualdade de classes”. Além da carreira como solista, Cottini investe em projetos que dão voz a compositoras brasileiras esquecidas pela história. Ao lado do pianista Ricardo Ballestero, grava obras inéditas de mulheres que nunca tiveram suas composições registradas. “É surpreendente e emocionante trazer à tona músicas maravilhosas que permaneceram invisíveis apenas por terem sido escritas por mulheres”, disse. A maternidade e a formação em psicanálise também atravessam seu olhar artístico, reforçando o compromisso com uma escuta atenta e feminina. O podcast Mulheres Reais é apresentado por Carolina Ercolin e Luciana Garbin e está disponível semanalmente em todas as plataformas de áudio.See omnystudio.com/listener for privacy information.

durée : 01:24:18 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - En 1996, "Opus" explore le lien intime du poète Jacques Roubaud à la musique. Pianiste dans son enfance, sa relation à la musique est à la fois sentimentale et poétique. Mozart, Beethoven, Schubert et Brian Eno accompagnent cet entretien mené par Christian Rosset. - réalisation : Rafik Zénine, Vincent Abouchar, Emily Vallat - invités : Jacques Roubaud Poète et mathématicien français

The Right Honourable Sir Keir Starmer is the seventh Labour Prime Minister of the United Kingdom.Prior to his political career, he was a barrister and served as Director of Public Prosecutions. He was elected as a Member of Parliament in 2015 and became Labour leader in 2020.A former Guildhall School of Music scholar, Sir Keir Starmer is a flautist but also played piano, recorder, and violin in his youth.He shares his love of music including works by Beethoven, Mozart, Shostakovich and Brahms.Presenter: Michael Berkeley Producer: Clare Walker

Today's episode is the latest installment in my series entitled “Rescue Mission,” which reintroduces great singers who have already been featured on the podcast. This is the Belated Birthday edition of that series, which reintroduces us to a wide range of Countermelody favorites, including jazz singer Ethel Ennis; baritones Robert Massard, Gérard Souzay, and Andrzej Hiolski; sopranos Sylvia Sass (pictured), Veronica Tyler, April Cantelo, Elly Ameling, Gloria Davy, Margaret Marshall, Rosanna Carteri, Sarah Reese, Ilse Wolf, and Carol Neblett; mezzo-sopranos Jennie Tourel, Maureen Lehane, and Shannon Bolin; and tenors David Rendall and Stuart Burrows. The repertoire is as varied and rare as are the artists featured, including songs by Rimsky-Korsakov, Chopin, Malcolm Williamson, and Alec Wilder; opera arias by Schreker, Mozart, Mascagni, and Verdi; and selections by Bach and Schütz. I love doing this kind of episode, because it allows me to cast my net wide and share with you the kinds of singers and repertoire that are bringing me comfort and joy in these trying times. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices