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On today's episode, we discuss how so-called “Conspiracy Friday” quickly turns into a lively roundtable about outrageous sports figures, political rumors, and media manipulation. The hosts open with light banter over coffee, Mozart, and grandcats before pivoting into a long, humorous rundown of notoriously “colorful” athletes like Antonio Brown, Mike Tyson, Dennis Rodman, John McEnroe, Albert Belle, Billy Martin, Barry Bonds, and others whose antics blur the line between entertainment and self-destruction. Their conversation widens into a critique of how leagues handle performance-enhancing drugs, domestic violence allegations, and fan behavior, while also comparing men's and women's sports and how perception of “controversy” differs by gender. From there, they zigzag into conspiratorial territory on election integrity, mail-in voting, voting machines, and the difficulty of trusting video evidence in an era of AI-generated clips, weaving in personal anecdotes and legal perspectives. They also touch on crypto volatility, Bitcoin's future, and the financialization of professional sports, noting how even losing teams can be lucrative investments. Throughout, the hosts mix sharp skepticism with self-deprecating humor, teasing each other about AI, “bananas and rice” internet memes, and being part of secret cabals like the Illuminati, while repeatedly inviting listeners to send in conspiracies and join them for coffee at a local PJ's. Don't miss it!
The soprano Adriana González has just released a new Audax album, 'Rondos for Adriana', inspired by her namesake, the Italian 18th-century diva Adriana Ferrarese del Bene. Ferrarese was Mozart's first Fiordiligi (Così fan tutte) and she sang Susanna in the Viennese revival of Le nozze di Figaro in 1789. Joined by Ensemble Diderot (led by Johannes Pramsohler, who also plays a couple of rondos for violin and orchestra), conducted by Iñaki Encina Oyon, Adriana González performs arias and rondos by Vicente Martín y Soler, Angelo Tarchi, Ferdinando Gaspari Bertoni, Giuseppe Giordani, Pasquale Anfossi and Joseph Weigl. James Jolly caught up with Adriana González in Vienna while she was rehearsing for her debut at the Staatsoper as the Countess in Le nozze di Figaro.
Howard Morgan and Mozart Fontaine welcome referee Pat Sorvino. Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices
[Skip to 9:22 for To Be Hero X talk]We checked out our first donghua, or Chinese anime, this week: To Be Hero X, thanks to a Patreon supporter. We even watched it in Mandarin! Did we like it as much as Japanese stuff? Listen and find out. We also talk about gout, Mozart's age, family stand-ins, and the languages our grandparents spoke. | Follow us on Apple Podcasts | Support us on Patreon | Follow us on BlueSky | We're on Threads/Instagram | Subscribe to us on YouTube | Join the fan Discord
Send us a textIn this episode of our This Is A Voice podcast, we do something we've never done before.We have a “special guest”, not in the studio but on a recording, one that hasn't been played for more than 40 years. You'll have to listen to the first few minutes to discover who the special guest is!This conversation goes straight into the stuff singers quietly carry:The feeling that “good enough” is a place you never reach.How training can install a deficit narrative.Why the master-apprentice model can turn learning into permission-seeking.How confidence regresses when the teacher-student dynamic isn't handled with care.There's also a very practical tangent Gillyanne and I both care about.If you never sing music with scales written in them, stop treating scales like the goal. Build exercises from the repertoire you actually perform. Stop singing scales, start practising riffs!We close the episode with a second archival excerpt. Same “special guest”. Same question underneath it all.What would change if you stopped auditioning for permission, and started making music from ownership?***Apologies for the slightly variable sound quality, our microphones weren't working properly***CreditsArchival excerpt 1, Handel (German aria excerpt “Meine Seele hört im Sehen”)Archival excerpt 2, Mozart (Concert Aria K490, "Non temer, amato bene")Special guest singer: ???Violin: Penelope Wayne ShapiroPiano: Jamie ClarkeRecorded 1983Master-Apprentice Survey link: https://www.cognitoforms.com/VocalProcess1/Master-Apprentice-Model-In-Singing-TeachingThe Birmingham Vocal Coach blog on Rethinking Vocal Coaching https://www.thebirminghamvocalcoach.co.uk/blogRemember to like, subscribe, and hit the bell icon for more insightful episodes. Leave a comment below on what inspired you the most!
Mozarts Klaviersuite C-Dur ist unvollendet geblieben. Er hat sie 1782 komponiert - nach dem Vorbild der barocken Musik, die damals in Wien modern war. BR-KLASSIK hat mit dem Pianisten Andreas Staier über dieses Werk gesprochen.
Strap in for another journey to the land of the Magic Flute, this time via a children's retelling of the Mozart's famous fairy tale. Be sure to like and share with a friend! Music: https://commons.wikimedia.org/wiki/File:Mozart_-_Magic_Flute_Overture.ogg https://creativecommons.org/publicdomain/zero/1.0/deed.en
[@ 4 min] Alright, this week…we go Inside the Huddle with Christopher Sokoloski! The American Heldentenor had a breakout year in 2025, coming to international attention singing Captain Vere in the Story of Billy Budd at Aix-en-Provence, followed by an unscheduled role debut as Parsifal at Flanders Opera. Listen for the exact moment when Oliver falls in love…I promise you can hear Oliver's heart break wide open, and its strange because we know he doesn't even like Wagner operas. [@ 34 min] Then, tenor Zachary Wilder takes a Free Throw on being an American in the elite realm of historical performance practice in France! The baroque specialist has a brand new album that weaves together Klezmer, musical theater, jazz, opera, and art song called 'Brooklyn Suite.' [@ 48 min] And to complete our tenor three-pointer, Anthony Leon returns to take a Free Throw on singing Mozart! León makes his Lyric Opera of Chicago debut in 'Cosi fan tutte' next month. [@ 59 min] Plus, in the ‘Two Minute Drill'…was there any way to know that the Saudi Arabian government can't be trusted? If you're Peter Gelb, the answer to that question is apparently, “no…” GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social
Pires prescribe una lección estoica para superar cualquier momento de pánico, por mozartiano que sea: aceptar.
Howard Morgan and Mozart Fontaine sit down with ECWA's "Celtic Tiger" Se Morrigan. Se will be in this year's Super 8 tournament, March 14th. Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Tempo has became part of the lexicon of modern football, however it's always been a core term in classical music parlance. I take a look at the etymology of the word, the exclusionary nature of it in English and how exactly to define it across both disciplines. Grma xInline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcast+Inline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:00:00 - Ian Holloway on Hamsters07:07 - Etymology of Tempo15:44 - Beethoven's Metronome22:00 - Beethoven's Italian Mess26:48 - What's in it for you?
Have you ever wished you could sit down with someone who has truly mastered their craft? Michael Jordan on winning; Mozart on music; Leonardo Da Vinci on creativity. Not just to review their highlight reels but to unpack all the lessons they learned across their lives? Well, that's what today's conversation feels like because today we get to listen to John C Maxwell talk about leadership. John Maxwell is a world-renowned leadership expert and best-selling author who has trained countless leaders across industries and across the globe. It's no exaggeration to say that he has helped define the shape of modern leadership. John's life is an example of what can happen when someone stays curious, humble and committed to growth for decades, and there also something truly about getting to learn from someone who has run their race well and stayed faithful to growth over the long haul. John was honored as a GLN Legacy Leader at the 2025 global leadership Summit, and he sat down with our president and CEO, David Ashcraft for a conversation in front of a live studio audience about what a lifetime of leadership looks like.
Hemen hemen herkes hayatında, kendisinden daha yetenekli birisine denk gelmiştir. Biz ne kadar çalışırsak çalışalım, onlar hep bizden daha başarılı olurlar. Peki bu bir son mu? 111 Hz'in bu bölümünde Mozart ve Salieri'nin rekabeti üzerinden bu konuyu tartışıyoruz. Kıskançlık, kompleks, rekabet ve egonun bu süreçteki etkisini anlamaya çalışıyoruz. Sunan: Barış Özcan Hazırlayan: Özgür Yılgür Ses Tasarım ve Kurgu: Metin Bozkurt Yapımcı: Podbee Media Tüm bölümler ve daha fazlası için podbeemedia.com'u ziyaret et! ----- Podbee Sunar ------- Bu podcast reklam içermektedir.
Howard Morgan and Mozart Fontaine sit down with independent star Adam Davis. Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The foreign ministers of Denmark and Greenland say there's still a fundamental disagreement with the United States over Greenland, after high- level talks in Washington they described as frank but constructive. Denmark's Lars Løkke Rasmussen said it was absolutely not necessary for the US to seize Greenland. He also insisted that there was no immediate threat from China or Russia. President Trump earlier said the US needed the autonomous Danish territory for national security and anything less than complete US control was 'unacceptable'. The Trump administration has not ruled out taking Greenland by force.Also in the programme: how Ukrainians are coping with repeated Russian assaults on energy infrastructure; and music from the Indian composer known as the Mozart of Madras. (Photo: A ship sails outside Nuuk's harbour, Greenland, January 13, 2026. Credit: Reuters/Marko Djurica)
“Was I ever really there?”CastAva - Finlay StevensonLibuza - Shelly DarringtonTycho Brahe - Alan BurgonJep - Julian MapleKirsten - Rebekah McLoughlinCristoph Clavius - Florian SeidlerCaspar - Joe FisherKrok - Karim KronfliWritten by Joe FisherProduced and Directed by Joe Fisher and Finlay StevensonArt by JuicheeMusic:String Quartet no. 19 in C major 'Dissonant', K. 465 - Mozart, Perf. Museopen String QuartetPassacaglia in C minor, BWV 582 Passacaglia in C minor, BWV 582 (Pedal-Harpsichord) - Bach, Perf. Nicholas DanbySonata No. 3 in a minor, Z.804 - Henry Purcell, Perf. Carl Pini, John Tunnell, Anthony Pini and Harold LesterChromatic Fantasia & Fugue, BWV 903 (Clavichord) - Bach, Pref. Michael ThomasRead and search Scripts with PodScripts: https://podscripts.app/For more information on our show, visit our website: https://www.weopenatsix.comSubscribe for early access, ad free episodes, additional content and more!Subscribe on Patreon: https://www.patreon.com/midnightburgerSubscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/midnight-burger/id1537653218How about some merch? https://www.midnightburgermerch.comSign up for our newsletter: https://weopenatsix.beehiiv.com/Find and support our sponsors at: fableandfolly.com/partnersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This Day in Legal History: Schenck v. United StatesOn January 9, 1919, the U.S. Supreme Court began hearing oral arguments in Schenck v. United States, a foundational case in American free speech law. Charles Schenck, the general secretary of the Socialist Party, had been convicted under the Espionage Act of 1917 for distributing leaflets urging resistance to the military draft during World War I. The case raised critical constitutional questions about the boundaries of the First Amendment in times of national crisis. Schenck's defense argued that his actions were protected political speech. However, the government maintained that his words posed a threat to wartime recruitment and national security.The Court would go on to unanimously uphold Schenck's conviction in a decision authored by Justice Oliver Wendell Holmes Jr. Although the ruling came in March 1919, the arguments heard on January 9 and 10 set the stage for what became a pivotal moment in legal history. In his opinion, Holmes introduced the “clear and present danger” test, writing that the First Amendment does not protect speech that creates a clear and present danger of causing substantive evils Congress has a right to prevent. He famously noted that the most stringent protection of free speech would not protect a man falsely shouting fire in a crowded theater.This standard marked the beginning of a more nuanced approach to free speech jurisprudence, where context and consequences mattered. It reflected the tensions between civil liberties and national security during wartime. Although later cases would refine or move away from the “clear and present danger” test, Schenck remains a foundational precedent in American constitutional law. The case also marked the rise of Holmes as a central figure in shaping First Amendment doctrine.The U.S. Supreme Court is expected to issue at least one opinion this Friday, potentially including a highly anticipated decision on the legality of tariffs imposed by President Donald Trump. The case represents a significant test of presidential authority, especially in the context of Trump's use of emergency powers under the 1977 International Emergency Economic Powers Act. Trump imposed these tariffs after returning to office in 2025, targeting nearly all U.S. trading partners and citing national emergencies such as trade deficits and drug trafficking, including fentanyl, as justification.During oral arguments in November, justices from both ideological sides expressed skepticism about the legal basis for the tariffs. Lower courts previously ruled that Trump had exceeded his authority, prompting his administration to appeal. Trump has defended the tariffs as strengthening the U.S. economy and warned that a ruling against them would severely harm the country.The case was brought by affected businesses and a coalition of 12 states—mostly led by Democrats—arguing that the tariffs were unlawfully broad. The outcome could have major implications for global trade and executive power. The Supreme Court, which currently holds a 6-3 conservative majority, is also considering other significant cases, including a challenge to part of the Voting Rights Act and a First Amendment dispute over a Colorado ban on “conversion therapy” for LGBT minors.Supreme Court set to issue rulings as Trump awaits fate of tariffs | ReutersA federal appeals court has ruled in favor of New York Yankees star Aaron Judge and the Major League Baseball Players Association, rejecting a Long Island man's attempt to trademark the phrases “All Rise” and “Here Comes The Judge.” The U.S. Court of Appeals for the Federal Circuit upheld the U.S. Patent and Trademark Office's decision that Michael Chisena's filings infringed on Judge's common law trademark rights.Chisena filed for the trademarks in 2017 during Judge's breakout rookie season, claiming he planned to use them on clothing. He denied any connection to professional sports and insisted he had never seen Judge play. However, the USPTO's appeals board cast doubt on his good faith, noting the suspicious timing of the filings and their close link to Judge's rising fame.Judge and the MLBPA opposed the applications in 2018, arguing they would likely confuse consumers by associating the phrases with Judge's well-known public persona. They emphasized that the baseball star's last name, with its clear legal overtones, naturally lent itself to those phrases, which had become synonymous with him early in his career.The appeals court affirmed that Judge had built strong common law trademark rights through commercial use, and that Chisena's applications lacked merit. Chisena, who represented himself in court, also lost a related claim involving an image of a gavel and scales over a baseball diamond.Yankees' Judge clinches win in ‘All Rise,' ‘Here Comes The Judge' trademark case | ReutersLuigi Mangione, accused of killing UnitedHealth CEO Brian Thompson in a high-profile Manhattan shooting in December 2024, is set to appear in federal court Friday to challenge the possibility of facing the death penalty. Mangione, 27, has pleaded not guilty to federal charges including murder, stalking, and firearms offenses, and remains in custody while awaiting trial.His attorneys will argue before U.S. District Judge Margaret Garnett that prosecutors failed to meet legal standards for the firearm-related murder charge—the only count that could result in a death sentence. They are also seeking to dismiss the entire indictment, claiming Mangione's constitutional rights were violated, which they argue should disqualify the government from pursuing capital punishment.While New York outlawed the death penalty in 2004, the ban applies only to state prosecutions. Because Mangione is being tried in federal court, the death penalty remains a legal possibility. He also faces separate charges at the state level, where a conviction could carry a life sentence.Judge Garnett has yet to decide on either the motion to dismiss the death-eligible charge or the broader request to throw out the indictment. No trial date has been set for the federal or state proceedings.Mangione, suspect in health insurance CEO murder, fights death penalty charge in court | ReutersVice President JD Vance announced the creation of a new assistant attorney general role focused on fighting fraud involving taxpayer money. The position will have nationwide jurisdiction and is intended to strengthen federal oversight and enforcement against misuse of public funds. Vance stated that a nominee for the role will be named in the coming days, signaling the administration's commitment to addressing financial misconduct within programs funded by taxpayers. The announcement was made during a White House press briefing, reflecting a broader effort to enhance government accountability—at least, ostensibly.Vance announces new assistant attorney general role to combat taxpayer fraud | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart.This week's closing theme features one of the most charming and instantly recognizable pieces in the classical repertoire: the first movement of Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331 – “Andante grazioso.” Composed around 1783, likely in Vienna or Salzburg, this sonata showcases Mozart's extraordinary ability to blend elegance, wit, and emotional nuance with apparent ease. The opening movement is not a fast-paced sonata-allegro form, as one might expect, but rather a gentle theme and variations, a structure that allows Mozart to explore the same musical idea through shifting textures, moods, and embellishments.“Andante grazioso” lives up to its title—graceful and moderately paced, it opens with a lilting, almost courtly theme that feels both poised and playful. As the variations unfold, Mozart's genius becomes more apparent: he adds rhythmic complexity, dynamic contrasts, and increasingly virtuosic flourishes, while always keeping the original melody in sight. The movement is accessible but never simplistic, classical in form yet deeply expressive.K. 331 is the same sonata that ends with the famous “Rondo alla Turca,” but it is in this opening Andante that we see Mozart at his most refined and imaginative. He draws the listener in not through drama, but through balance, warmth, and an almost conversational intimacy between performer and listener. This piece has been beloved for centuries, not only by pianists but also by those new to classical music.As we close the week, the delicate ornamentation and unhurried beauty of “Andante grazioso” offers a kind of musical exhale—a moment of elegance and clarity in contrast to the noise of modern life. It's a quiet reminder of why Mozart remains one of the most enduring voices in Western music.Without further ado, Mozart's Piano Sonata No. 11 in A major, K. 331 – “Andante grazioso” – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe
Howard Morgan and Mozart Fontaine catch up with ECWA vet, Greg Spitz. Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices
We unravel the mystery that haunted Europe for over a century: What happened to the son of Louis XVI and Marie Antoinettte after they met their tragic end? It's a real True Crime mystery that will take us from the worst days of the Reign of Terror to the deepest depths of the American West. Only now, over 200 years later, do we finally have the answer. ⚜️ Music used in this episode included a piano rendition of Mozart's "Lacrimosa", perfromed by Soviet pianist Maria Yudina in 1954. Battle Royale's intro/outro music is "Dansez" by Fasion. Go check out more of their stuff here. ⚜️ Visit our website for episode images, score summaries and more! Contact us by Email, or follow us on Instagram, our Facebook Group or BlueSky. Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen. You can also support the show on Patreon! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses. ⚜️ Details of our 5 categories used to rate the French Monarchs can be found on our website. Learn more about your ad choices. Visit megaphone.fm/adchoices
Top Stories for January 6th Publish Date: January 6th From the BG AD Group Studio Welcome to the Gwinnett Daily Post Podcast. Today is Tuesday, January 6th and Happy Birthday to Malcolm Young I’m Peyton Spurlock and here are your top stories presented by KIA Mall of Georgia. Lawrenceville's new downtown hotel rising ahead of schedule Lawrenceville resident kicks off new year by winning $1 million in the Georgia Lottery The Latest: US strikes Venezuela, captures Maduro and his wife All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen daily and subscribe! Break 1: Kia Mall of Georgia - Sugar Hill Ice Skating Rink STORY 1: Lawrenceville's new downtown hotel rising ahead of schedule Lawrenceville’s dream of a downtown hotel has been a slow burn—years of planning, delays, and setbacks. But now? It’s finally happening, and faster than anyone expected. The Lawrence Hilton Tapestry, a boutique hotel nestled between the Lawrenceville Lawn and Arts Center, is set to open mid-2026. Or maybe even earlier. “We’re ahead of schedule and under budget,” said City Manager Chuck Warbington. Brickwork is already going up, and the weather’s been a surprising ally—minimal rain, no freezing temps. The hotel will feature 120 rooms, meeting spaces, a chef-driven restaurant (Bellfire), and a bar (Old Nick’s). Plus, 200 new parking spots in the city-owned deck below. This project’s been a decade in the making, delayed by COVID and financing hurdles. But now, Lawrenceville’s vision of a walkable, thriving downtown is finally within reach. STORY 2: Lawrenceville resident kicks off new year by winning $1 million in the Georgia Lottery Three Georgians are starting 2026 a whole lot richer—millionaires, in fact. Among them? A lucky winner from Lawrenceville, along with two others from College Park and Grovetown. Their $1 million prizes came from the Georgia Lottery’s second-chance Georgia Millionaire drawing, announced right as the clock struck midnight on New Year’s. Talk about a way to ring in the new year. The Georgia Millionaire scratcher offers $10,000 instant prizes and a shot at the big one through second-chance entries. STORY 3: The Latest: US strikes Venezuela, captures Maduro and his wife The United States launched a military operation early Saturday, capturing Venezuelan President Nicolás Maduro and his wife, in a move that’s already shaking the world. By morning, he was aboard a U.S. warship, blindfolded and bound for New York to face drug trafficking charges. President Trump, speaking on Fox News, called the operation “genius” and confirmed the U.S. would oversee Venezuela’s next steps. “We’ll be involved very much,” he said. The fallout was immediate. Venezuela’s U.N. ambassador condemned the strike as a “colonial war,” while China and Russia slammed the U.S. for violating international law. Meanwhile, in South Florida, Venezuelan exiles celebrated, waving flags and chanting “Liberty!” Maduro’s capture marks a dramatic escalation in U.S.-Venezuela tensions. Trump dismissed criticism over bypassing Congress, calling his opponents “weak” and insisting the operation was necessary. “The tyrant is gone,” said Deputy Secretary of State Christopher Landau. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back Break 2: Ingles Markets STORY 4: ART BEAT: Beat those January blues with exciting Gwinnett arts events Feeling the post-holiday slump? The decorations are packed away, the parties are over, and—ugh—football season’s almost done. So now what? Here’s an idea: throw on that big coat, brave the chill, and dive into Gwinnett’s arts scene. Plays, concerts, art classes—there’s plenty to shake off the winter blahs. On Jan. 11, the Gwinnett Symphony Orchestra and Youth Orchestra team up for a concert at Discovery Theatre in Lawrenceville. Mozart, Strauss, and even Anderson’s quirky “The Typewriter” are on the program. Tickets? Head to www.tix.com. Prefer visual art? The Hudgens Center in Duluth has three exhibits running through January, including “Sketching with Buck,” a stunning collection of hand-drawn architectural sketches from around the world. Or maybe you’re itching to create? The Suwanee Arts Center offers classes like “Watercolor Landscapes” (Jan. 7 and 14) and “Drawing Basics” starting Jan. 17. Winter doesn’t stand a chance. STORY 5: Meet the first babies born in 2026 at hospitals in Gwinnett New Year’s Eve is exciting enough—countdowns, confetti, champagne. But imagine if Jan. 1 was also your birthday. That’s exactly the case for a few lucky babies born in Gwinnett hospitals as the calendar flipped to 2026. At 12:44 a.m., Julian Alessandro Sanchez made his debut at Northside Hospital Gwinnett in Lawrenceville, becoming their first baby of the year. Over at Northeast Georgia Medical Center in Braselton, Brittany and Ryan Hopper of Hoschton welcomed twin boys—Koen Anthony at 4:58 a.m. and Kaden Michael at 5:14 a.m. The Hopper family even received a gift basket from the hospital’s Auxiliary and Safe Kids program. We’ll be right back. Break 3: EAGLE THEATRE Gentleman’s Guide STORY 6: Gwinnett police offering free women's basic self-defense course The Gwinnett County Police Department is hosting a self-defense program for women 16 and up, and honestly, it’s something every woman should consider. The Rape Aggression Defense (RAD) course isn’t just about learning moves—it’s about building confidence, awareness, and practical skills to stay safe. Over four sessions (Jan. 20, 22, 27, and 29, from 6–9 p.m.), participants will dive into risk awareness, avoidance strategies, and hands-on defense techniques. It wraps up with a live simulation—because practice makes perfect, right? Held at the Gwinnett Police Training Center in Lawrenceville, spots fill fast. Don’t wait. Call 678.442.6520 or visit GwinnettCounty.com/RAD to register. STORY 7: Norcross Grad Mason Kaplan Earns NCAA Elite Scholar-Athlete Award Norcross alum Mason Kaplan just added another impressive accolade to his already stacked resume. On Saturday, the Illinois State linebacker snagged the NCAA FCS Football Elite Scholar-Athlete Award—one of the most prestigious academic honors in college football. Here’s the deal: this award isn’t just about being good on the field. It’s for the student-athlete with the highest GPA at the finals site of an NCAA championship. And Kaplan? He’s rocking a 4.0 in grad school, studying the psychology of sport and physical activity. Oh, and he’s also president of ISU’s Student-Athlete Advisory Committee. What’s wild? Kaplan started his college career as a quarterback, playing two seasons at Valparaiso and one at Illinois State before an injury sidelined him in 2024. This year, though, he’s made a seamless (and dominant) transition to linebacker, helping lead the Redbirds to Monday’s FCS National Championship in Nashville. We’ll have closing comments after this Break 4: GCPL Passport Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. 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I wanted to start off the year (and the new season of the podcast) with something momentous, and who better to take us there than one of the great operatic artists of the twentieth century: Canadian soprano Teresa Stratas. I have not yet done a full episode on this artist, though she provided me with what was probably my greatest night in the opera house (I get into that in the episode, as well as featuring a rare excerpt of her in that shattering performance). As always with my podcast, I like to provide unexpected glimpses of such a great singer, alongside many of her most legendary moments. So not only do we hear Stratas' legendary interpretations of her favorite roles (Mimì, Mélisande, Lulu, Violetta, and Salome [the latter a role she never portrayed onstage]), we also hear her in Mozart, her favorite composer, as an operetta singer, as an interpreter of Lieder, in her single Broadway role in the short-lived Rags, and in another of her creations, the title role in Australian composer Peggy Glanville-Hicks' Nausicaa, as well as two late career Met roles, Liù and the Komponist, roles she had sung there at the beginning of her career, more than thirty years earlier. Along the way, we hear her with artists who have already been featured in previous seasons (Gabriel Bacquier, Florence Quivar and Fritz Wunderlich), but also singers who will each be featured in the upcoming series of the podcast, including Tom Krause, Wiesław Ochman, Bernd Weikl, Elizabeth Harwood, and Vasile Moldoveanu. Also much discussion also about what makes Stratas unique as an interpreter, and why she deserves to be ranked among the very greatest. Welcome to Season Seven! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
Obras de grandes compositores de la música clásica como Mozart, Dvorak, Barber, Rachmaninov, Chopin, Mompou, Fauré o Richard Strauss en grabaciones de Ike Quebec ('Goin´home'), Liberation Music Orchestra ('Goin´home'. 'Adagio (The adagio for strings)', Charlie Haden Quartet West ('Moment musical opus 16 nº 3 in B minor'), Sir Roland Hanna ('Elvira Madigan'), Kenny Drew Jr Trio ('Waltz in A minor', 'Canción y danza VI'), The L.A. 4 ('Pavane op. 50') y Deodato ('Also sprach Zarathustra'). Escuchar audio
durée : 01:28:41 - En pistes ! du jeudi 01 janvier 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un concerto de Mozart pour commencer 2026 ! Nous poursuivrons avec Kapoustine pour un moment de jazz, puis ferons un détour par le cabaret et la musique de Kurt Weill - réalisé par : Delphine Keravec Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:41 - En pistes ! du jeudi 01 janvier 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un concerto de Mozart pour commencer 2026 ! Nous poursuivrons avec Kapoustine pour un moment de jazz, puis ferons un détour par le cabaret et la musique de Kurt Weill - réalisé par : Delphine Keravec Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:32 - Itzhak Perlman, la perfection et l'humanité - par : Aurélie Moreau - Pour Itzhak Perlman, illustre violoniste, "le chant est primordial dans le violon… Tout est affaire de respiration, de phrasé, d'expressivité. Même les œuvres les plus abstraites de Mozart sont inspirées par le chant, l'opéra". (Monde de la Musique) - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:44 - Relax ! du mercredi 31 décembre 2025 - par : Lionel Esparza - Coup de projecteur sur les bals ! Bien que rares aujourd'hui, ces fêtes font partie de notre imaginaire. Au bal on s'amuse, on se rencontre, on s'aime parfois... Surtout, on y danse, avec Mozart, Ravel, Poulenc ou encore Chostakovitch Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:25 - Leonard Bernstein, l'incandescence d'un artiste unique - par : Aurélie Moreau - Leonard Bernstein, musicien complet : accordant instinct et culture, son génie s'étend des œuvres remarquables qu'il a composées à ses interprétations passionnantes comme pianiste et chef. Aujourd'hui : Bernstein, Beethoven, Mahler, Mozart, Berlioz… - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:33 - Alicia de Larrocha, la vitalité et le sens des couleurs - par : Aurélie Moreau - Figure emblématique du piano, Alicia de Larrocha est héritière de l'école de Granados. Sa carrière internationale a débuté en 1955 aux USA où elle a remporté un immense succès. Aujourd'hui : Domenico Scarlatti, Granados, Mozart, Rachmaninov, Falla… - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Za zaključek leta pa se podajmo na vesele ulice našega glavnega mesta. Tam sta se med praznično rajanje na tiho prikradli politika in ideologija. Kjer pa sta omenjeni gospe, tudi naša analitična oddaja ni daleč. Politika in ideologija sta si – ker vesta, da drugače ob novoletnih bakanalijah ne moreta prisostvovati – za zasedbo ulic in naših src izbrali glasbo. Zadeva se zdi dovolj preprosta. Župan Janković je na začetku praznikov z ljubljanskih ulic pregnal trubače, ob državnem prazniku pa nato nadvse širokogrudno sprejel harmonikarje. Še pojasnilo za etnomuzikološko neuke … Trubači predstavljajo balkansko, predvsem srbsko glasbo, harmonikarji pa slovensko glasbo. Najprej obdelajmo politiko, potem se lotimo ideologije, če ne bosta omenjeni prej obdelali nas. Poteza župana Jankovića je presenetljiva, hkrati pa politično modra. Polovica ali še več njegovih kritikov se ob koruptivnosti najraje obeša na njegovo deklarirano balkanskost. Naj gre za prijateljstva s srbskim predsednikom, izgovorjavo posameznih vokalov, ali pa koncesije ljubljanskih bifejev, Janković velja za izpostavo Balkana sredi pastorale slovenske prestolnice. In kaj ti naredi premeten politik? Glasbenike, ki bi naj predstavljali srčiko njegovega etosa, brez velikega cirkusa spodi z mestnih ulic, druge glasbenike, ki pa simbolizirajo trdo slovenstvo, pa ne le sprejme, temveč jih naslednje leto povabi še v dvakrat večjem številu. Da je s tem dejanjem vzel del vetra iz jader političnih nasprotnikov, je čisto jasno, da pa si je ob svoji potezi tiščal prste v ušesa, pa precej verjetno. V nadaljevanju pa obračunamo z antičnim pregovorom o okusih, o katerih se ne razpravlja. Hočemo povedati, da je vsaj polovico krivde za civilizacijo, ki se je znašla v enosmerni ulici, nosi nerazpravljanje o okusih. Ljudje z izrazito slabim okusom, tudi za glasbo ne nazadnje, so nas pripeljali v šlamastiko, s katero se ubadamo kot človeštvo in tudi kot država, imenovana Slovenija. Visoko razvit okus za lepe umetnosti bi moral biti pogoj za opravljanje javne službe in zagotavljamo vam, da bi javno življenje, v katerem bi bilo dovoljeno sodelovati in delovati samo posameznikom z izbranim okusom, potekalo bolj strpno in tudi uspešneje od današnje kloake. Naj nam cenjeni ceh glasbenih kritikov oprosti poenostavljanje, ampak recimo, da lahko glasbo ločimo po kompleksnosti, s čimer sta narodno-zabavna tonika in dominanta enostavni obliki, Mozart pa je na drugem polu te vrednostne palice. Na eni strani je glasba kot zabava in rompompom, na drugi pa glasba, ki pripoveduje zgodbo, ali vzbuja čustva. In tukaj so si trubači in harmonikarji povsem enaki. Hočemo povedati, da je vseeno, ali na ulici igrajo trubači ali harmonikarji; k obči kulturi in prosveti ne prispevajo ne eni ne drugi. Eni sicer vzbujajo bolj domoljubna čustva od drugih, to pa je tudi vse. Gledano s stališča glasbć kot lepe umetnosti, pa bi moral Jankovič pregnati z ulic oboje ali pa obojim pustiti igrati. Pač kolikor je razvit njegov glasbeni posluh in kako zahtevna je njegova kulturna raven. Ima pa naša teza nadvse eleganten preizkus; trubači so se najbrž užaljeni, a v skladu z nomadskim slovesom, z ljubljanskih umaknili na zagrebške ulice. Oblast je tam bolj milostna, ampak prebivalci so jih jadrno začeli preganjati iz posameznih sosesk. Zdaj manjka le še to, da bi v Zagreb iz Ljubljane poslali še dvesto petdeset harmonikarjev z Golico in bi bilo takoj jasno, ali naša teza drži vodo. Potem pa je tu še povsem ideološka komponenta harmonikarskega nastopa. Šef harmonikarjev je pojasnil, da njihov shod nima nobene politične konotacije, ne političnega sponzorstva. Ampak če naštejemo osnovne elemente prireditve, ki se je imenovala podpora slovenski glasbi: »ljubljanske ulice, harmonika, največji državni praznik«, potem vidimo, da je šlo za interpelacijo domoljubja, kot si ga predstavlja in propagira slovenska politična desnica. S čimer ni, da ne bo pomote in nesporazumov, čisto nič narobe. Nikakor pa se ne sme in ne more razumni strinjati, da je to edina zveličavna oblika domoljubja. Se pravi, da politična ali pač ideološka desnica slovenstvo oznanja in enači s harmoniko in Avsenikovo glasbo. Ker, če se navežemo na kompleksnejše glasbene oblike, domoljubje ne more biti le valček ali polka, temveč je lahko rock ali simfonija, in v primeru skoraj četrtine Slovencev tudi tango. In naj bo naslednja misel tudi slovo naše skromne oddaje od iztekajočega se leta. Ne bo dovolj, da se kulturne elite od svete preproščine samo dobrohotno ograjujejo … Počasi se bo treba proti njej začeti boriti. Ta boj nam je kot zapuščino zapovedal poet, ko je pred stoletji vzkliknil temeljno, a danes tolikanj zlorabljano resnico obstoja slovenstva. »Kultura in prosveta, to naša bo osveta!«
durée : 01:28:44 - En pistes ! du lundi 29 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Et pour commencer lundi du bon pied, nous écouterons aussi deux pianistes : Saskia Giorgini, qui interprète Debussy et Mozart, et Guillaume Coppola, pour son récent album sur Eric Satie. - réalisé par : Doria Zénine Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:44 - En pistes ! du lundi 29 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Et pour commencer lundi du bon pied, nous écouterons aussi deux pianistes : Saskia Giorgini, qui interprète Debussy et Mozart, et Guillaume Coppola, pour son récent album sur Eric Satie. - réalisé par : Doria Zénine Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:29 - Christian Gerhaher, un chant profond aux nuances subtiles - par : Aurélie Moreau - La carrière à l'opéra du baryton Christian Gerhaher s'est développée avec grand succès depuis quinze ans, mais le lied reste au cœur de sa passion musicale. Au programme aujourd'hui : Mozart, Schumann, Brahms, Beethoven, Weber et Schubert. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
ReferencesPlatoPlotinusSt Augustine St BonaventureKant KierkegaardGuerra, DJ. 1955-Present Combined experiences and education (B.S., M.S., PhD.)Mozart, WA 1782-1785. The "Haydn Quartets I-VI completehttps://music.youtube.com/watch?v=dzzOzaWia90&si=FYF72Gd0GLvCaDMFBrown/Bruce 1966. I Feel Free. Cream.https://music.youtube.com/watch?v=prnbF8Eagdg&si=AUNjahyf56YCxFRo
Pour finir l'année en beauté, pirates, prophètes, explorateurs, artistes et saints se croisent dans cette semaine spéciale d'Au Cœur de l'Histoire version fêtes. De Zarafa la girafe à Houdini le roi des évasions, de la naissance du Père Noël à l'art de la table de François Vatel, du mystère de l'expédition Lapérouse à la route de la soie, embarquez pour deux semaines spéciales où l'Histoire se pare de magie, de mystères et d'émotions !Stéphane Bern raconte le triomphe de l'un des opéras les plus célèbres du monde : la Flûte Enchantée de Mozart, joué pour la première fois le 30 septembre 1791 à Vienne. Un opéra qui sera aussi son dernier chef d'oeuvre alors que la maladie va mettre un terme à la courte vie de ce musicien de génie...Quelle place cet opéra a-t-il dans l'œuvre de Mozart ? Comment expliquer son succès immédiat ? Dans quel contexte artistique et culturel La Flûte Enchantée a-t-elle été créée ?Pour en parler, Stéphane Bern reçoit Thierry Geffrotin, journaliste et musicien, et auteur de "Mozart en tournée" (Editions Erick Bonnier). (rediffusion)Au Cœur de l'Histoire est un podcast Europe 1. - Présentation : Stéphane Bern - Réalisation : Guillaume Vasseau- Rédaction en chef : Benjamin Delsol- Auteur du récit : Pierre-Vincent Letourneau- Journaliste : Armelle ThibergeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Wie haben Komponisten ihren Lebensunterhalt bestritten? Wie viel verdiente Haydn? War Johann Sebastian Bach mit seinem Einkommen zufrieden? Und hätte Mozart heute Geldprobleme? Musik ist nicht nur eine Kunst, sondern auch ein Markt, der auch früher nach spezifischen Spielregeln funktionierte. Von Markus Vanhoefer (BR 2021)
En este programa hemos charlado con Daniel Soufi, periodista de 'El País' y autor del artículo 'La amistad en el siglo XX', donde reflexiona sobre cómo las nuevas generaciones están dando la vuelta a la forma en la que entendemos la amistad y cómo la priorizan respecto a otros vínculos como la familia o las parejas. Además, Alejandro Pelayo nos ha tocado al piano grandes clásicos como 'Amigos para siempre' o 'Los amigos de mis amigas son mis amigos' y nos ha recordado cómo fue una de las grandes amistades de la historia de la música: Joseph Hydn y Mozart. hemos disfrutado de algunos de los grandes temas dedicados a la amistad con Alejandro Pelayo al piano.
Lewis gets concussed (again), Morse is aloof, and Shukri wants more Oxford and Mozart, on this episode of Morse Code.
Hoy hablamos con Alba G. Mora, que nos presenta su primera novela, "Cosita". También tratamos la nueva aparición de un mural de Banksy en Londres. Con Javier Alonso exploramos el nuevo cómic de Fermín Solís: "Charles Loves Josefa". Y terminamos con música clásica: Martín Llade nos propone Mozart, de Patrick Mackie.Escuchar audio
Paul Bettany and Will Sharpe don their frock coats for Amadeus on Sky and we speak to both of them on this week's show as they chat all things Mozart with Boyd. Plus we wrap up a festive haul of shows for under your Christmas tree, taking a look at Mart Gatiss' latest Ghost Story For Christmas, The Room in The Tower on BBC2, getting drawn into the sweedy underbelly of Texan high society in The Hunting Wives on ITV, and finally getting to take a ride with Ethan Hawke's ‘truthstorian' as The Lowdown finally splashes down here in the UK on Disney+. All that and Kay loses the power of speech, Boyd recounts a harrowing experience at The Ivy where the doorman didn't know who he was, and James reveals the embarrassing truth of how he spent 469 hours this year. (Episode 368)
Beger, Lars Hendrik; Ignatowitsch, Julian www.deutschlandfunk.de, Corso
Für den Historiker Philipp Ther war Musik im Habsburgerreich Kultur und politisches Werkzeug. Im Buch „Der Klang der Monarchie“ zeigt er, wie die Musik von Strauss, Haydn, Mozart und Beethoven das Reich zusammenhielt und als Mutmacher wirkte. Timm, Ulrike www.deutschlandfunkkultur.de, Im Gespräch
Howard Morgan and Mozart Fontaine welcome "The King of Delaware" Marcus Waters to discuss Delmarva Wrestling Digest, indie wrestling, Toys for Tots, and more. Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. Howdy Take listeners! We're approaching the very end of the Christmas corridor—and we've got all the movie reviews you need to get you through the final push and onto the sofa eating Quality Street and turkey leftovers. First up, The Housemaid—Paul Feig's psychological thriller starring Sydney Sweeney as a live-in maid for a family with dark secrets. Plus Marty Supreme, the high-speed Josh Safdie drama starring Timothée Chalamet as a aspiring table-tennis star in 1950s New York—and finally, Avatar: Fire and Ash. Regular listeners will know about Mark's longstanding love for (slating) the Avatar films—so buckle up for a festive rant. The wonderful Paul Bettany—star of A Knights Tale, Dogville, and more recently the Marvel Cinematic Universe as both the voice of J.A.R.V.I.S. and as Vision—is our guest this week. He's with us to discuss the new Sky adaptation of Amadeus—in which he plays Salieri, the frustratedly mediocre nemesis of Will Sharpe's Mozart. The Oscar-winning 1984 film adaptation is Simon's favourite movie of all time—but will Bettany win him over to this new TV version? They unpack it and talk music, the truth about Mozart, and whether Paul will ever direct again. Thanks for listening, and Merry Christmas ya filthy animals! Timecodes (for Vanguardistas listening ad-free) The Housemaid review – 11:17 BO10 – 20:34 Paul Bettany Interview: 28:20 Laughter Lift – 53:55 Marty Supreme review 57:55 Avatar Fire & Ash review 1:10:24 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
As a new adaptation of Peter Shaffer's Amadeus begins on Sky, actor Will Sharpe speaks to Front Row about he researched the role of Mozart, and music historian Flora Willson and Music Director of the Dunedin Consort John Butt discuss how recent research helps us better understand the man and his music. Baroness Margaret Hodge - whose review into Arts Council England was published this week - tells us about her findings and recommendations. And with just a week to go until Christmas, broadcaster Bex Lindsay delivers her recommendations of books for children this festive season. The books discussed were: How To Grow A Reindeer' written by Rachel Morrisroe, illustrated by Steven Lenton Robin by Sarah Ann Juckes Elle McNicoll's Role Model Presenter: Kate Molleson Producer: Mark Crossan
Mozart is celebrated for his musical genius – but how did he rise to such enduring fame? What inspired him, and who was the man beyond the concert halls and compositions? Ahead of new TV drama Amadeus launching on Sky Atlantic in the UK on 21 December, Hannah Templeton tells Lauren Good about the composer's life, his experiences as a child prodigy on European tours, and the mystery surrounding his death. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Get ready for a festive round of What Was That Sound?—our special holiday edition! In today's episode, we explore four magical instruments that help create the twinkling, sparkling, joyful sound of Christmas music. Kids will listen to short audio clues and try to guess each instrument before the answer is revealed. It's a fun, interactive way to train their ears and learn musical facts! To make the experience even more hands-on, don't forget to download the free What Was That Sound? printable worksheet linked here. Kids can write down their guesses, take notes and share what they've learned using this fun printable.
We're exacting righteous vengeance on love rat exes (not that Love Rat) in The Revenge Club on Paramount+ this week, and star Martin Compston joins us on the show for a chat about it as well. Elsewhere, Amadeus makes its debut on Sky Atlantic, pitting Mozart vs Salieri in a piano-off for the ages. Plus we cover Imposter (possibly THE Imposter, it's still unclear) on Channel 5. James was thrilled. (Episode 367)
O Ceará anunciou a contratação de Mozart como novo treinador para a temporada de 2026. Campeão da Série B com o Coritiba, ele chega com a missão de recolocar o Vozão na Série A e assinou contrato até o fim do ano. A turma também passa pelo Sport e as negociações com Léo Condé e […]
Born in Taiwan, raised in Austria, and educated in Europe and America, Pianist Jenny Lin has built a vibrant international career, notable for innovative collaborations with a range of artists and creators. In recent seasons, Jenny has performances – both digital, and in person – for Washington Performing Arts; at Hudson Hall performing the American premiere of William Bolcom's Suite of Preludes; at Boston Conservatory's piano series; at Little Island in NYC; and at Winnipeg New Music Festival. She now serves as director of music for The Phillips Collection in Washington, DC.Recently, she performed a recital of Philip Glass's music for the Morris Museum – a continuation of a close collaboration with Glass, with whom she has appeared regularly since 2014. This experience has inspired the creation of her own commissioning initiative, The Etudes Project, in which she works with a range of living composers to create new technical piano etudes, pairing each new piece with an existing etude from the classical canon. Her catalogue includes more than 50 albums.A passionate advocate for education, Jenny created “Melody's Mostly Musical Day“, a musical album and picture book for children, following the adventures of an imaginative little girl from breakfast to bedtime, told in a collection of 26 classical piano works from Mozart to Gershwin. We'll hear some of these in this episode.Fluent in English, German, Mandarin, and French, Jenny Lin studied Noel Flores at the Hochschule für Musik in Vienna, with Julian Martin at the Peabody Conservatory in Baltimore, and with Dominique Weber in Geneva. She has also worked with Leon Fleisher, Richard Goode, and Blanca Uribe, and at Italy's Fondazione Internazionale per il pianoforte with Dimitri Bashkirov and Andreas Staier. In addition to her musical studies, Lin holds a bachelor's degree in German Literature from The Johns Hopkins University. Jenny Lin currently resides with her family in New York City and serves on the faculty of Mannes College The New School for Music.