Podcasts about mozart

Eric takes listeners through a tour of satirical songs by mathematics professor and national treasure, Tom Lehrer, who passed away this July at age 97. Now he's jamming with Mozart, Karen Carpenter, and Ozzy Osbourne Song List: The Elements Poisoning Pigeons in the Park Wernher von Braun Who's Next National Brotherhood Week The MLF Lullaby The Folk Song Army I Got It From Agnes Smut Decimal Currency That's Mathematics Lobachevsky Oedipus Rex (I'm Spending) Hanukkah in Santa Monica Clementine Silent E -LY The Vatican Rag   File length 51:26 File Size 36.4 MB   Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

En faisant de lui un intriguant sans scrupule et l'empoisonneur de Mozart, la postérité s'est complu à noircir l'image d'Antonio Salieri. Ce viennois d'adoption, en son temps compositeur apprécié et pédagogue recherché, méritait bien une réhabilitation.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

La realtà che osserviamo è già scritta nel cosmo, o la creiamo noi con ogni sguardo? In questo straordinario episodio de "La mia vita spaziale" esploriamo le tesi rivoluzionarie di Federico Faggin nel suo libro "Irriducibile", un'opera che sta scuotendo le fondamenta del pensiero scientifico contemporaneo.Chi è Federico Faggin? Non solo l'inventore del microprocessore e pioniere della Silicon Valley, ma un pensatore che ha osato sfidare il riduzionismo dominante. Dopo aver contribuito a creare il mondo digitale, Faggin ora ci costringe a ripensare il rapporto tra coscienza e realtà.In questo episodio scoprirai:• Perché la fisica quantistica suggerisce che "la misurazione non rivela ma letteralmente partorisce la realtà"• Come la famosa citazione di Mozart "la musica non è nelle note, ma tra le note" illumina il mistero della coscienza• Perché Einstein sosteneva che descrivere una sinfonia di Beethoven come "variazioni di pressione delle onde" non avrebbe senso• La rivoluzione copernicana al contrario: non è la coscienza che ruota attorno alla materia, ma la materia che emerge dalla coscienzaLa mia riflessione: "Questo libro mi ha costretto a riconsiderare profondamente il rapporto tra tecnologia e umanità. La visione di Faggin è tanto più potente perché viene da chi ha contribuito a creare il mondo digitale che oggi mette in discussione."Cosa rende davvero "irriducibile" l'esperienza umana nell'era dell'intelligenza artificiale? Condividi nei commenti la tua visione e iscriviti per non perdere i prossimi episodi che esplorano i confini tra scienza, filosofia e coscienza!⏰ Timestamp principali:00:00 Introduzione: La realtà dipende dall'osservazione?02:30 Federico Faggin e il libro "Irriducibile"04:00 La natura probabilistica della realtà quantistica08:00 Critica al riduzionismo: la mappa non è il territorio12:00 Einstein e Beethoven: descrivere vs comprendere16:00 Mozart e il significato "tra le note"20:00 La coscienza come principio creativo primordiale

Att Mahler älskade Mozart vet vi. Men vad hade Mozart tyckt om Mahlers musik? Dessutom blir det djurtema! Vi tar reda på rubbet om giraffpianot. Lyssna på alla avsnitt i Sveriges Radio Play.

durée : 00:25:18 - Le festival de Salzbourg, une création attendue - par : Anne-Charlotte Rémond - Nous sommes en août 1922. Du 13 au 29, se déroule à Salzbourg "un grand festival Mozart". Cet évènement est conçu comme la première manifestation d'un vaste mouvement en faveur du compositeur natif de la ville. Musicopolis vous invite à prendre place pour la première édition de ce festival majeur ! - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Is Amadeus really about Mozart—or Satan's fall from grace? Kathryn Laffrey and Alix Murray break down genius, envy, and divine music in the 1984 film. A chilling study of pride and the sacred. The post Amadeus (1984) appeared first on StarQuest Media.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.A clown's farewell at the FringeThe Minnesota Fringe Festival continues through Sunday, Aug. 10, with nearly 100 shows presented in 90-minute intervals at theaters around the Twin Cities.Phillip Schramm, an improviser and theater maker in Minneapolis, particularly recommends seeing “Clown Funeral” at Theatre in the Round in Minneapolis, Saturday at 1 p.m. The show is billed as appropriate for ages 12–15 and up.“The funeral is about Bongo, a clown that has passed away, and there are four other clowns that are there to kind of honor his memory, and it goes the way you would think,” Schramm says. “It's a clown show. So there are bits of physical comedy, of just them assembling the coffin. There's word play. There's one clown that really only speaks through art. Everything you would want in a clowning show is in ‘Clown Funeral.'”One delightful touch, Schramm says, is red clown noses at the entry that audience members can take and wear. Because the theater is in the round, you can see the audience members wearing red clown noses throughout the show.Painting the urgency of climate changeSuzie Marty, gallery curator of Everett & Charlie in Minneapolis, recommends “2°C,” a joint exhibit by painters Drevis Hager of Minneapolis and Mark Granlund of Red Wing that focuses on climate change. The exhibit runs through Saturday, Aug. 9 at the Hamilton Gallery in Minneapolis.Marty called the paintings moving and beautiful, even as they drive home the seriousness of climate change. She pointed toward Granlund's paintings with unusual materials, including tar, and his surprising pairings, such as a series of portraits of CEOs of oil companies overlaid on landscape paintings.Hager paints representational landscapes as well as abstracts that invoke wildfires and melting ice caps, as in the darkly humored title “Oh Oh, There Goes Greenland.”Mozart under the summer skyChoral singer Beth Gusenius of Minneapolis caught a preview performance of Mixed Precipitation's summer outdoor opera, this year an adaptation of Mozart's “1781 Idomeneo, re di Creta (King of Crete).”This abridged version, first staged by the company in 2012, is called “The Return of King Idomeneo.” It blends Mozart's arias with other musical styles, including doo-wop. Next week, performances will be in Ely (Wed., Aug. 13), Hovland (Aug. 15), Grand Marais (Aug. 16), and Finland (Aug. 17). The run continues through Sept. 14 at outdoor locations across the state. It is free and open to all ages, with a suggested donation.“It's a really fun performance. I think it's one of those that's going to convert people who wouldn't necessarily otherwise go to the opera. They do such an amazing job bringing the story to life,” Gusenius says.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rick Flynn Presents, the worldwide podcast, rolls out the red carpet for an amazing author writing on an amazing topic in his brand-new book "Play It Again, Sam: Repetition in the Arts".Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim.Samuel Jay Keyser was born in Philadelphia, Pennsylvania on July 7, 1935. He grew up in Washington, DC and attended George Washington, Oxford and Yale University, where he received his PhD in linguistics in 1962. Keyser has taught at Brandeis University, University College, London, the University of Massachusetts and MIT where he joined the faculty in July of 1977 and from which he retired in 1998. He is currently Special Assistant to the Chancellor at MIT, a position he has held since his retirement. Contact him through his Facebook page "Samuel Jay Keyser." and buy the book wherever books are sold.

One of the foremost clarinettists and leading artists of his generation, Michael Collins has shared his dazzling virtuosity and sensitive musicianship to audiences the world over. He's served as the principal of the Philharmonia Orchestra and London Sinfonietta, and has been conductor of several orchestras, including serving as principal conductor of the City of London Sinfonia for most of the 2010s. He's back in Australia, and has just concluded playing at the Australian Festival of Chamber Music in Townsville. Later this month, he performs with the Omega Ensemble for their upcoming tour, Elevator Music, where he joins artistic director David Rowden in giving the world premiere of Graeme Koehne's Double Clarinet Concerto.In this captivating conversation, Michael traces the arc of his extraordinary musical life – from childhood fascination with the clarinet to international acclaim as both soloist and conductor. He shares stories of mentorship from figures like Thea King and Jacqueline du Pré, gives insights into commissioning new works, and offers his unique perspective on interpreting core repertoire like the Copland and Mozart concertos. With great warmth and humour, he tells of the joys and challenges of conducting from within an ensemble, and how a herd of sheep once upended his life, revealing a musician devoted to beauty, integrity, and reinvention.Michael Collins joins the Omega Ensemble for Elevator Music at the Melbourne Recital Centre on Saturday 16 August, at the City Recital Hall in Sydney on Tuesday 19 August, and at the Newcastle City Hall on Thursday 21 August.

durée : 01:14:40 - Mozart, Glière et Gesualdo - par : Jérôme Fréjaville - Aujourd'hui dans Été classique, notre pérégrination musicale nous mènera de l'Autriche au Moyen-Orient en passant par l'Italie et la Russie. Sur notre chemin, quelques raretés signées Johanna Muller-Hermann, Reinhold Glière et Carlo Gesualdo. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Fuchs, Jörn Florian www.deutschlandfunk.de, Kultur heute

**Die Themen im Überblick:** SHOWNOTES: - Wie es zu „the cat“ kam und warum's zweideutig und lustig war. (00:50) - Wie der amtliche Name von Fritz tatsächlich lautet. (04:00) - Wie die Vornamen von Tina Maze und Tina Weirather unbekannterweise lauten. (06:00) - Dir persönlichen Highlights von Fritz Strobl. (09:00) - Auf welche Kitzbühel Trophäe Fritz besonders stolz ist. (14:00) - Warum der Olympiasieg auch für ihn den größten Stellenwert hat. (15:30) - Warum die Zeit damals wie Tag und Nacht, verglichen zur heutigen war. (17:20) - Welchen Vorteil die Läufer damals hatten. (19:00) - Wie viele Fotos sich am Telefon von Fritz Strobl befinden. (21:10) - Warum viel Jugendliche Fritz damals für einen Musiker hielten. (23:30) - Wie der „Mozart der Mausefalle“ entstand und wo die Goldne Schallplatte hängt. (24:40) Und hier die Mail Adresse ;-) zu Nici: nici-schmidhofer@branding-identity.at und zu Conny: office@connyhuetter.at **Mehr über Nici Schmidhofer:** [Homepage](https://www.nicischmidhofer.at) [Instagram](https://www.instagram.com/nicischmidhofer/) [Facebook](https://www.facebook.com/nici.schmidhofer.official) **Mehr über Conny Hütter:** [Homepage](https://www.connyhuetter.at/) [Instagram](https://www.instagram.com/connyhuetter/) [Facebook](https://www.facebook.com/connyhuetter/) **Podcastpartner:** [Steiermark Tourismus](https://www.steiermark.com/de) **Produziert von:** [branding-identity.at](http://www.branding-identity.at)

São diversas as histórias e lendas ao redor da figura de Wolfgang Amadeus Mozart. Mas se algo é certo, é que a beleza das mulheres e o sabor do vinho foram alguns motivos para suas composições. Conhece essa história?

Fuchs, Jörn Florian www.deutschlandfunkkultur.de, Fazit

London, im vergangenen Jahrhundert. Der Vorhang hebt sich in der Royal Opera. Auf der Bühne: eine Stimme wie Silber und Samt, einschmeichelnd und makellos. Im Publikum sitzt die Queen. Sie hört zu – und schweigt ergriffen. Jahrzehnte später wird sie genau diese Frau zur „Dame Commander of the British Empire“ ernennen: Sopranistin Elisabeth Schwarzkopf – geboren in Preußen, gefeiert in der ganzen Welt. -- In dieser Folge von BRITPOD beleuchtet Alexander-Klaus Stecher das Leben einer der bedeutendsten Opernsängerinnen des 20. Jahrhunderts – Elisabeth Schwarzkopf. Er trifft dafür den renommierten Musikjournalisten Thomas Voigt: Der Medienmanager von Startenor Jonas Kaufmann kannte Elisabeth Schwarzkopf persönlich. Die Episode erzählt von ihren frühen Jahren in Deutschland und ihrer internationalen Karriere, vor allem über den künstlerischen wie privaten Bund mit dem legendären EMI-Produzenten Walter Legge. Wie wurde aus der jungen Sängerin aus Pommern eine britische Musik-Legende? Welche Rolle spielten Disziplin, Ästhetik und Kontrolle für ihre Interpretation großer Rollen – von Mozart bis Strauss? Und wie war ihr Verhältnis zu Künstlerikonen wie Maria Callas und Herbert von Karajan? Die Folge enthält exklusive Anekdoten, persönliche Einschätzungen und seltene Tonaufnahmen – ein Streifzug durch ein Jahrhundert der Musikgeschichte und das Porträt einer Frau, die zur musikalischen Stilikone wurde. -- WhatsApp: Du kannst Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. -- Ein ALL EARS ON YOU Original Podcast.

"Andrè Schuen - Mozart": So lautet der schlichte Titel des Albums, das Arien, Duette, Lieder und Kantaten aus allen Schaffensperioden des Salzburger Meisters vereint. In der Stadt an der Salzach wurde es auch aufgenommen - für den smarten Bariton aus Südtirol eine Rückkehr zu den Anfängen seiner Karriere. Aus Studienzeiten am dortigen Mozarteum kennt André Schuen den Dirigenten Roberto Gonzales-Monjas und den Pianisten Daniel Heide. Mit ihnen und anderen hochkarätigen Künstlern brachte Schuen jetzt beim gelben Label eine sehr persönliche und facettenreiche Mozart-Hommage heraus.

This Day in Legal History: Switzerland's Federal CharterOn August 1, 1291, the seeds of what would become modern Switzerland were planted with the signing of the Federal Charter, or Bundesbrief, by the cantons of Uri, Schwyz, and Unterwalden. This wasn't the dramatic formation of a nation-state as we think of it today—it was three rural Alpine communities making a legal pact for mutual defense and cooperation in the face of growing Habsburg pressure. The document itself is barely over 300 words long, written in Latin, and mostly focuses on conflict resolution and how not to stab each other in the back (literally and figuratively). But make no mistake, this was a radical assertion of local legal autonomy during a time when imperial rule was the norm.The Federal Charter stands as an early example of federalism—three small political entities entering into a horizontal, legally binding agreement without ceding total sovereignty to a monarch or emperor. In legal terms, it was more covenant than constitution, but its emphasis on mutual aid, lawful arbitration, and collective security laid the groundwork for Switzerland's famously decentralized structure. The signatories agreed to resist foreign judges and unlawful acts of violence, a precursor to ideas we now enshrine in due process and the rule of law.This wasn't a flashy revolution. There were no declarations of independence or fiery speeches. Just some pragmatic legalese scratched onto parchment that said, in effect, “Let's have each other's backs, settle disputes fairly, and not get bossed around by some distant duke.” Over time, this unassuming agreement evolved into the Swiss model of federalism and neutrality that still defines the nation today. It's not just legal history—it's a reminder that even minimalist governance structures can have maximal staying power.Federal judges who issued rulings against Donald Trump's policies have come forward with disturbing accounts of harassment, threats, and violent intimidation. At a “Speak Up For Justice” event, five judges—including Chief U.S. District Judge John McConnell—described receiving death threats, being targets of “swatting” incidents, and even having pizzas delivered to their homes under the name of a murdered judge's son. McConnell, who blocked a major White House funding freeze earlier this year, disclosed that he received six credible death threats and over 400 hostile voicemails. One threat involved someone searching the dark web for his address, saying they wanted "Smith & Wesson to pay him a visit."Judge John Coughenour, who ruled against Trump's effort to limit birthright citizenship, recounted a terrifying police raid on his home due to a false murder report. The FBI later alerted him to a bomb threat. Despite being appointed by Republican President Reagan, Coughenour criticized political attacks on the judiciary as damaging to democratic institutions. The White House called the threats unacceptable and emphasized the importance of judicial safety. On the same day as the event, the Senate confirmed Trump's nominee Gadyaces Serralta to lead the U.S. Marshals Service, who pledged to prioritize judge protection.By mid-June, 408 threats against 297 judges had been logged in the fiscal year. Judge Esther Salas, whose son was murdered in 2020, praised the speaking judges for breaking their silence in defense of judicial independence.US judges recount death threats, 'swatting' after rulings against Trump | ReutersAccording to exclusive reporting done by Reuters, the U.S. State Department plans to allocate up to $7.85 million to support deportation operations in Costa Rica, marking a significant expansion of American-backed regional immigration enforcement. The funds, redirected from an economic development account, will be transferred to the Department of Homeland Security, which will coordinate with Costa Rican authorities to carry out deportations of migrants—especially those transiting through the country en route to the U.S.This arrangement resembles a 2024 Biden-era agreement with Panama, where the U.S. financed detention and deportation of migrants moving northward. The new Costa Rica program is framed as a capacity-building effort that will fund deportation logistics and training on asylum screening. Still, critics warn it could deny vulnerable populations fair access to asylum protections.The plan follows a Trump administration request earlier in the year for Costa Rica to accept 200 migrants from Africa, Asia, and Europe previously detained in the U.S. Many of them remain in Costa Rica, raising questions about long-term outcomes. Details on when deportations will begin or the final destination countries remain unclear.Officials have also acknowledged that some migrants are now traveling south through Costa Rica, fleeing northward crackdowns and the end of Biden's humanitarian parole options. The agreement does not require a direct connection between the migrant and the country to which they may be deported, a detail likely to fuel ongoing human rights concerns.Homeland Security Secretary Kristi Noem has been visiting countries throughout Latin America to explore similar arrangements, suggesting this may be part of a broader regional deportation strategy under Trump's immigration policy.Exclusive: US plans to fund deportations from Costa Rica, document shows | ReutersThe U.S. Court of Appeals for the Federal Circuit closely examined whether President Donald Trump overstepped his authority by using emergency powers to impose sweeping tariffs on foreign imports. The legal challenge, brought by 12 Democratic-led states and five small businesses, centers on Trump's use of the International Emergency Economic Powers Act (IEEPA)—a 1977 law typically used for financial sanctions—to justify tariffs against countries like China, Canada, and Mexico. Judges on the panel, many of whom were appointed by Democratic presidents, expressed skepticism, with one noting the law “doesn't even say tariffs.”This is the first major appellate test of Trump's tariff authority, and it comes just as a deadline approaches for new tariff hikes. Trump has used tariffs aggressively in his second term as both an economic and geopolitical tool, citing trade imbalances and foreign inaction on fentanyl as justifications. The challengers argue that only Congress has the constitutional power to impose tariffs, not the president.While the court has allowed the tariffs to remain in place during the litigation, a final ruling could have major implications. A previous lower court decision had already questioned whether IEEPA allows for tariffs tied to longstanding trade deficits. Meanwhile, tariffs have become a significant revenue source, generating over $100 billion so far this fiscal year—money the administration may need after passing new tax cuts.The case won't affect tariffs enacted under other legal provisions, like those on steel and aluminum. Trump's legal team argues that restricting presidential tariff power would hinder trade negotiations. The president has recently secured agreements with the EU and Japan, and is currently working on deals with Mexico and others to avoid further tariff hikes.US appeals court scrutinizes Trump's use of tariffs as trade deadline looms | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, a composer of some note.This week's closing theme is a bright and confident slice of Mozart at his most charming: the Piano Concerto No. 19 in F major, K. 459, first movement, Allegro. Written in 1784 during a period of remarkable productivity, this concerto is one of the six that Mozart composed that year alone—each one displaying a different facet of his evolving style. No. 19 stands out for its buoyancy and rhythmic vitality; it's elegant without being self-serious, energetic but never frantic.Mozart, still in his late twenties, was performing regularly in Vienna, dazzling audiences with works that showcased both his pianistic skill and his compositional inventiveness. This piece was likely written for one of his own concerts, tailored to suit both his technical flair and his subtle wit. The Allegro opens with a playful orchestral theme, crisp and sunny, which soon gives way to the piano's entrance—graceful, witty, and full of character.There's a conversational quality to the movement: the orchestra tosses out ideas, the piano responds, elaborates, jokes, and dances. But beneath its lightheartedness lies Mozart's usual sophistication: unexpected harmonic turns, rhythmic displacements, and crisp motivic development keep the listener alert. The movement doesn't strive for drama or tragedy—it's pure Mozartian joy, rendered in tight musical logic and unfailing charm.As a closer, it offers an ideal farewell note: upbeat, clean, and full of clarity. You leave the room a little taller, a little lighter, like the music has tidied your thoughts and restored your sense of order. Mozart's No. 19 may not be the flashiest of his concertos, but it radiates something rarer: calm confidence, musical humor, and the sense that everything—at least for a few minutes—is exactly where it should be.Without further ado, Wolfgang Amadeus Mozart's Piano Concerto No. 19 in F major, K. 459, first movement, the Allegro. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Get Keyser's Book here: https://mitpress.mit.edu/9780262552325/play-it-again-sam/   In his famous Norton Lectures (1976), Leonard Bernstein extolled repetition, saying that it gave poetry its musical qualities and that music theorists refused to take it seriously at their peril. In Play It Again, Sam, Keyser takes Bernstein seriously, exploring the way repetition works in the “sister arts” of music, poetry, and painting. He argues, for example, that rhyme in metrical verse is identical to the way songwriters like Duke Ellington, Billy Strayhorn (Satin Doll), Lorenz Hart (My Funny Valentine), and Richard Rodgers (of Rodgers and Hammerstein fame) constructed their iconic melodies. Furthermore, the form of these tunes can be found in classical compositions, including those of Mozart.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...   New to streaming or looking to level up? Check out StreamYard and get $10 discount!

En entrevista para MVS Noticias con Ana Francisca Vega, Ricardo Salinas, guitarrista, habló sobre Bach, Mozart, Queen y The Beatles... todos suenan en una sola guitarra, en “Piano a Seis Cuerdas Tour 2025”. "Estoy muy contento de hacer un concierto aquí en la Ciudad de México, ya que la gira ha arrancado en muchas ciudades a lo largo de la República Mexicana, pero es el único yo creo que vamos hacer aquí en la ciudad", dijo.See omnystudio.com/listener for privacy information.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts monthly music segment called VIVA! Opera for SBS Japanese. For this episode, Ms Ohtake picked 'Sull'aria' from "Le nozze di Figaro" composed by W.A. Mozart. - 7月29日の放送に引き続き、モーツァルト「フィガロの結婚」から、花嫁となるスザンナと伯爵夫人によるソプラノ二人の優雅なソプラノ二重唱をお送りします。

Liegt die Lösung all unserer Probleme im Weltraum? In der Erschließung neuer Planeten? Immerhin erklärt Donald Trump die Kolonisierung des Mars zum Schicksal der Nation. Andere wollen noch weiter hinaus. Wo liegen die Grenzen der Tech Bro Topia? Vens, Hartwig; Schnee, Philipp; Genzmer, Jenny; Mirani, Jaya

Mozart es la banda sonora detrás de seis récord Guinness y más de diez récords mundiales. Es la música que escucha Pablo Fernández antes de enfrentarse a una gran hazaña como puede ser nadar más de 36 horas seguidas o recorrer más de 250 kilómetros en el océano en 24 horas. Todo esto lo hace mientras dirige dos empresas de éxito como contribuye a causas benéficas. Entre mareas y retos imposibles ha demostrado que el verdadero éxito empresarial también requiere la misma resistencia, adaptabilidad y coraje. Pablo Fernández pasa este lunes por los micrófonos de 'Herrera en COPE' para contar su historia. Nació, como muchas otras personas, en un barrio obrero, concretamente en Carabanchel (Madrid). De padre mecánico y madre enfermera, justo cuando Pablo nació, ambos decidieron dejarlo todo para ser misioneros de la Iglesia Católica. Desde entonces, él y su familia han deambulado por el mundo y vivido en ocho ciudades. Una vida de riesgos y aventuras con la misión de ...

In this episode, the hosts reflect on the life and career of Hulk Hogan, discussing his immense influence on professional wrestling and pop culture. They explore the rise of Hulkamania, Hogan's ability to connect with fans, and his transition from WWF to WCW, including the impact of the NWO era. The conversation highlights Hogan's legacy as a wrestling icon and his role in shaping the industry. In this conversation, the speakers reflect on the profound impact of Hulk Hogan on the wrestling industry, discussing his iconic heel turn, the formation of the NWO, and the evolution of wrestling characters. They explore Hogan's legacy, his role in the birth of the Attitude Era, and the significance of WrestleMania in shaping wrestling history. The discussion highlights Hogan's ability to connect with audiences and his lasting influence on future generations of wrestlers.Chris Bey Go Fund Me- https://gofund.me/a09e8a55The Stro's Go Fund Me- https://www.gofundme.com/f/please-help-me-with-travel-and-medical/cl/s?lang=en_US&ts=1748891480&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link&attribution_id=sl%3A43195664-340a-4e71-8545-7864003c9b34American Red Cross- https://www.redcross.org/donate/to/donation-to2.html/?alloy_redirect=eyJ2IjoxLCJhZCI6IjYwODk2NjowOjB8MCw2MDg5NjY6MDowfDIsNjA4OTY2OjA6MHwxIn0%3DTap Cancer Out- https://tapcancerout.org/donate/DUBBY Energy-https://www.dubby.gg/discount/LARIAT?ref=kiwbseptUse Promo Code: LARIATHoward and Mozart- www.vocnation.cominfo@stillalariat.comstevezapf@stillalariat.comshowtime@stillalariat.comhound@stillalariat.comscarps@stillalariat.comhttps://www.instagram.com/still.a.lariat/https://twitter.com/Stillalariatpchttps://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1https://linktr.ee/istillcallitalariat

Brennan Brown is a stage and screen actor known for portraying complex and multifaceted characters. After graduating from Yale School of Drama, he landed roles on Broadway in revivals of Shaw's Major Barbara, and Stoppard's The Real Inspector Hound and The Fifteen Minute Hamlet, and in leading theatres throughout America. On screen Brennan has worked with such visionary directors including Tim Hooper on HBO's “John Adams”, John Requa and Glenn Ficarra on both of their films, I Love You Phillip Morris, and Focus, State of Play (dir. Kevin Macdonald), Detachment (dir. Tony Kaye), Midway (dir. Roland Emmerich), The Wolf Hour, and Not Okay. He has appeared in dozens of primetime shows most notably as antique dealer Robert Childan on the acclaimed Amazon series “The Man in the High Castle”, Edward Biben on "Mozart in the Jungle", Agent Donnelly on "Person of Interest", and for the past ten seasons as Dr. Sam Abrams on "Chicago Med". He also appears in the upcoming Netflix series “The Beast In Me”. Other appearances on long running shows including ”Madam Secretary","Elementary","The Blacklist",“Damages",“Bull”, "Ugly Betty","The Good Wife”, "Breaking Bad” and others. We chat about being an introvert, flow state, his medallion on circle cinemas walk of fame, moving around a lot as child, sobriety, auditioning, the Man in the High Castle, Chicago Med, perfectionism and wanting to get it ‘right', unlearning, meditation + plenty more! Check Brennan out on: Instagram: https://www.instagram.com/thebrennanbrown ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

In this week's episode, Derek delves into the enduring keyboard works of Mozart with live CRC performances by pianists Jonathan Biss, Rafał Blechacz, and Barry Douglas with the Camerata Ireland. Adagio in B Minor, K. 540Menuet in D Major, K. 355Jonathan Biss [12/9/2018 performance]Rondo in A Minor, K. 511Rafał Blechacz [4/8/2018 performance]Piano Concerto No. 27 in B‐flat Major, K. 595LarghettoAllegroCamerata Ireland; Barry Douglas, piano/conductor [10/27/2001 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Stephen Kovacevich is one of the  most celebrated concert pianists of his generation. Since his Wigmore Hall debut in 1961 he has been known for his interpretations of Beethoven, Brahms, Mozart and Schubert. Stephen and I look back over his career and discuss his experiences as a soloist, chamber musician, recording artist and conductor, collaborating with many of the world's leading performers and orchestras. He and pianist Martha Argerich will be performing at the Wigmore Hall in October 2025 in a concert to celebrate his 85th birthday.

The American director and choreographer Kathleen Marshall has been nominated for nine Tony awards, winning three times for Broadway productions of Wonderful Town, The Pajama Game and Anything Goes. She was the first woman to complete a trio of achievements - directing a play, directing a musical and choreographing a musical on Broadway.She also won an Olivier Award for her 2021 production of Anything Goes in London. It was the first big musical to open after numerous Covid lockdowns, and received an ecstatic welcome from audiences and critics alike, hungry to get back into a theatre and enjoy a hugely uplifting show. More recently she has directed Irving Berlin's Top Hat in Chichester. Her musical choices include Mozart, Chopin, Tchaikovsky and Duke Ellington.

Carey & Quirky meet up for another episode of craic, chat, tae & music.Mozart is discussed & how he used to play the pubs!Ozzy Osbourne, God Father of Heavy Metal judged passed away - RIP Ozzy.Loads of craic, chat and laughs in between with a cover song at the end.From Carey & Quirky @ IT'S ALL MUSIC - THANKS FOR LISTENING Hosted on Acast. See acast.com/privacy for more information.

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

Immer wieder schreibt die Liebe die ungewöhnlichsten und seltsamsten Geschichten. Warum sollte es in der Kunst anders sein als im wahren Durchschnittsleben? Ungleiche Paare, auch die Musikgeschichte hat einige davon zu bieten, Mozart und Constanze, Gustav und Alma Mahler, das sind nur zwei der Beziehungen, über die wir bis heute tratschen und diskutieren. Der Komponist und das Model. Unser ZOOM blickt in eine weitere spektakuläre Musik-Beziehungskiste.

So many great singing artists lost to the world of late! Almost a month ago now, the great Welsh tenor Stuart Burrows (07 February 1933 - 29 June 2025) left this mortal coil at the age of 92. Burrows was an artist of extraordinary technique, elegance, and sincerity and it has been an honor and a delight to put together this episode which celebrates his career. Because he was a favorite partner of so many exceptional divas, I decided to focus this episode on Burrows singing duets with some of the most important divas of his era. Included in the episode are Beverly Sills, Gundula Janowitz, Joan Sutherland, Renata Scotto, Leontyne Price, Nelly Miricioiu, Gwendolyn Killebrew, Margaret Price, and Reri Grist, singing Mozart, Massenet, Offenbach, Gounod, Berlioz, Donizetti, Bellini, Verdi, and even some Puccini. “The boys” are represented by José van Dam and Countermelody favorite Donald Gramm. In the late 1970s and 1980s, Burrows was a popular television star in the UK, starring in the eponymous BBC2 series, Stuart Burrows Sings. The episode also features two snippets from that show, one a duet with the beautiful lyric mezzo Diana Montague (whose husband tenor David Rendall died earlier this week). The episode begins with a tribute to the beloved Welsh pop contralto Iris Williams, who died on July 11 at the age of 79. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Senior Times Classical Collection More Musical Masterworks Including works by Haydn, Mozart, Beethoven, Mahler, Schubert, Rossini, Handel and more Introduced by John Low. Produced by Conor O'Hagan

Steve Beck is a virtuoso classical pianist known for his brilliant technique and wide-ranging repertoire. He has performed with the New York Philharmonic and the National Symphony among others. He's a regular at the Mostly Mozart Festival and at Bargemusic, where each Christmas Eve he performs Bach's Goldberg Variations. And he also performs all 32 Beethoven piano sonatas in a single day. My featured song is “African Nights (for Chick)”. ------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH STEVE:www.stevenbeck.me____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Tonight... On the North American Friends Movie Club.A flawed genius.A jealous rival.And the biggest wigs and hats a human skeleton can sustain.We watched the 1984 period biographical drama film - AmadeusSo slip on a pair of shoes with one big buckle. And take your revenge against a cruel and uncaring god.Because we're the Mozarts of podcasts and our new song starts right now. Hosted on Acast. See acast.com/privacy for more information.

In this engaging conversation, Steve Zapf and Mozart Fontaine delve into the evolution of wrestling, discussing the impact of modern styles on injuries, the significance of celebrity involvement, and the parallels between wrestling and the music industry. They explore the overwhelming amount of wrestling content available today, the importance of match placement, and the diminishing significance of titles in wrestling. The discussion highlights the need for reinvention in both wrestling and music careers, while also addressing the corporate shift in WWE's business model. In this engaging conversation, Mozart Fontaine and Steve Zapf delve into the intricacies of professional wrestling, discussing the importance of money in the business, the psychology behind matches, and the significance of chemistry between wrestlers. They explore the art of card placement, the legacy of great bookers, and the necessity of finding one's wrestling style. The discussion also touches on the importance of credible training, life lessons learned from wrestling, and the need for critical thinking in the industry.Chris Bey Go Fund Me- https://gofund.me/a09e8a55The Stro's Go Fund Me- https://www.gofundme.com/f/please-help-me-with-travel-and-medical/cl/s?lang=en_US&ts=1748891480&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link&attribution_id=sl%3A43195664-340a-4e71-8545-7864003c9b34American Red Cross- https://www.redcross.org/donate/to/donation-to2.html/?alloy_redirect=eyJ2IjoxLCJhZCI6IjYwODk2NjowOjB8MCw2MDg5NjY6MDowfDIsNjA4OTY2OjA6MHwxIn0%3DTap Cancer Out- https://tapcancerout.org/donate/DUBBY Energy-https://www.dubby.gg/discount/LARIAT?ref=kiwbseptUse Promo Code: LARIATSlim Burgundy- www.vocnation.cominfo@stillalariat.comstevezapf@stillalariat.comshowtime@stillalariat.comhound@stillalariat.comscarps@stillalariat.comhttps://www.instagram.com/still.a.lariat/https://twitter.com/Stillalariatpchttps://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1https://linktr.ee/istillcallitalariat

durée : 01:28:45 - Sabine Meyer, soliste et chambriste exceptionnelle - par : Aurélie Moreau - Pour son nouvel enregistrement du Concerto de Mozart dirigé par Giovanni Antonini, Sabine Meyer a choisi la clarinette de basset, instrument soliste initial (Digital, Alpha Classics). Au programme aujourd'hui, et Schubert, Krommer, Debussy, Milhaud… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

'Aprite, Presto' from Le nozze di Figaro composed by W.A.Mozart is a lively and dynamic duet between Susanna and Cherubino. It's a short but exhilarating piece that draws you into the chaos, letting you share in the urgency and thrill of the moment. Listen to VIVA! Opera, a monthly content by Sydney-based Japanese soprano singer, Ayako Ohtake. - 躍動感や動きに満ちあふれたデュエットで、スザンナとケルビーノの短い２重唱。大慌ての2人と一緒に、ハラハラしながら楽しめる曲です。(2023年9月26日放送)

How does music, even types you dislike, make wine more enjoyable? Can curated playlists in tasting rooms and wine bars influence how customers drink, eat, and experience wine? What happens when you stop overthinking wine and music and just enjoy? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Susan Lin, a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Highlights How does a low-pitched, slow-tempo musical piece impact the perceived fruitiness of wine? What does "timbre" mean in musical terms? How do different musical characteristics influence the perception of wine's effervescence? Did the participants' music preferences correlate with their enjoyment of the wine? What might surprise you about how the wines tasted in silence compared? Why does the influence of sound on our perception tend to go unnoticed? How are some winemakers using music in their wineries? Are there retail applications for Susan's research into the influence of music on the perception of wine? What would be Susan's ideal live concert and wine pairing scenario? What are some of the possibilities in the future for AI-generated music for wine experiences? Is there an interest in similar research on the intersection between dance and wine perception? What future research areas is Susan considering in terms of music and wine perception? What three objects would Susan display in a museum representing her life and passions? If Susan could share a wine with anyone outside the wine industry, who would it be and why? How can you start being more intentional about exploring sensory experiences with wine and music?   Key Takeaways How does music, even types you dislike, make wine more enjoyable? Susan says that in her experiments, the wine that was consistently the worst, least balanced, was the wine tasted without music. Even if somebody said I really didn't like this music, it was a way better wine to them than without music. Even for the wine experts, the wines were much more palatable without music. I think that's why sound can be a very, very powerful thing. Can curated playlists in tasting rooms and wine bars influence how customers drink, eat, and experience wine? Susan has worked with tasting rooms and wine bars to curate their playlists in terms of the experiences that they want their customers to have. You want to have people be a little more relaxed in the morning, but then, you start amping it up for the evening. I put together a complete journey, that sort of sonic seasoning for different expressions of their wines, for big bold red versus for their light, youthful white wines. What happens when you stop overthinking wine and music and just enjoy? Susan says that with the melding of music and wine, there's still so much to learn. Keep trying things. Don't worry about whether it's right or wrong. Just enjoy the experience. Let everything come in sensorially and enjoy that and embrace again the mystery of things. We can't explain everything through data, and that's a good thing.   About Susan R. Lin Susan R. Lin is a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. Susan's MW research paper ‘Influences of Classical Music on the Sensory Perception of a Brut Non-Vintage Champagne' and subsequent work on the interaction of music and wine have been featured in Decanter, Food & Wine, GuildSomm, and others. Each of Susan's creations is rooted in academic research and inspired by a deep respect for the essence of wine and music.         To learn more, visit https://www.nataliemaclean.com/347.

Aspasia: Marie Lys Ismene: Lauranne Oliva Farnace: Hongni Wu Sifare: Key'mon Murrah Arbate: Nicolò Balducci Mitridate: Levy Sekgapane Marzio Remy Burnens Orchestre national Montpellier Occitanie Conductor: Philippe Jaroussky Opéra Comédie de Montpellier 12 April 2025 Broadcast https://parterre.com/2025/07/23/mad-about-mitridate/

Aspasia: Brenda Rae Sifare: Vanessa Goikoetxea Ismene: Angela Yam Farnace: John Holiday Arbate: Alexis Peart Mitridate: Lawrence Brownlee Marzio: Charles Sy Conductor: David Angus Boston Lyric Opera September 2024 Broadcast https://parterre.com/2025/07/23/mad-about-mitridate/

What Can We Learn from INTERWAR Tanks to Build the Perfect Space Vehicle?Nicholas Moran (The Chieftain) returns to Cold Star Project for an in-depth analysis of interwar tank doctrine development and its applications to modern space defense.Episode Focus: How seven major nations approached mechanized warfare challenges between 1918-1939, examining their strategic constraints, doctrinal solutions, and ultimate battlefield outcomes.Key Discussion Points: Comparative analysis of French, German, Soviet, British, American, Italian, and Japanese tank development philosophiesResource limitations and industrial capacity impacts on doctrineTactical innovation versus established military thinkingPractical applications for contemporary "space tank" or patrol vehicle conceptsTarget Insights: Defense professionals will recognize familiar strategic dilemmas in resource allocation, technological integration, and operational planning. History enthusiasts get detailed examination of lesser-known doctrinal decisions that shaped WWII outcomes.Why This Matters: The same fundamental questions that plagued interwar military planners—mobility versus protection, standardization versus specialization, offensive versus defensive priorities—are now central to space-based defense planning.The Cold Star Project - Season 4, Episode 23Hosted, Directed, and Produced by Jason Kanigan“The real conversations behind the new space economy, defense tech, and policy—straight from the insiders building it.”Google Sheet: "Interwar Tank Doctrine Comparison Table Developed from Nicholas Moran's Analysis"https://coldstarproject.com/morantableThe Chieftain YouTube Channel:    / @thechieftainshatch   Previous interview:    • Nicholas Moran - Tank Research with The Ch...  --Music: W. A. Mozart, Symphony No.38 in D majorAttribution: A Far Cry Music (YouTube Audio Library), no attribution required--Remuneration Disclaimer: We were not remunerated in any way by the guest or their organization if any for this discussion. This show is for educational/commentary and entertainment purposes only and is not meant to be what is termed "professional advice".The Cold Star Project is sponsored in partnership by Cold Star Technologies and the Operational Excellence Society. Jason Kanigan is a member of the board of advisors of the OpEx Society.Cold Star Technologies website: https://www.coldstartech.comOperational Excellence Society website: https://www.opexsociety.orgAbout Jason Kanigan: https://jasonkanigan.com

Your greatest creative work already exists. Right now, in your optimal timeline, the masterpiece you were born to create has been completed. The innovation that will revolutionize your field has been perfected. The artistic expression that will move millions of souls has been brought into full manifestation by the version of yourself who has actualized your complete creative potential. Creative genius is not the ability to pull something magnificent from nothing through raw talent and relentless effort. Creative genius is the capacity to access and channel creative intelligence that already exists in a state of completion beyond the limitations of linear time and individual consciousness. Throughout history, every breakthrough artist, inventor, and visionary has reported the same phenomenon: their greatest works came through them rather than from them. They felt like vessels receiving transmission from a source of intelligence far greater than their individual creative capacity.Mozart described hearing complete symphonies in his mind as if a cosmic orchestra were performing them in another dimension. He didn't compose music so much as transcribe what he heard playing in the field of infinite musical possibility. Tesla could see his inventions operating perfectly in his imagination before he built them, testing and refining them in a mental laboratory that existed beyond physical constraints. Einstein discovered that his most profound insights arrived not through mathematical calculation but through what he called "combinatory play" - a state of receptive consciousness where breakthrough understanding could emerge fully formed. He understood that genius thinking operates according to principles completely different from ordinary analytical reasoning. These masters weren't superhuman. They had simply learned to access a level of creative intelligence that exists beyond individual consciousness. They discovered how to receive completed works from what we now understand as their optimal creative timeline. This represents a fundamental paradigm shift in how we understand the creative process. Instead of seeing creation as the struggle to generate something from nothing, we begin to recognize creation as the art of remembering what already exists in a state of completion in the quantum field of infinite possibility.  

Orli Shaham is one of the brightest stars on the musical stage today. Not only a wonderful pianist and expressive performer, she is one of the sharpest music minds I know. I always learn from talking with her, and it's always fun!

In his second appearance on Anthony Plog on Music, celebrated biographer and composer Jan Swafford returns for an expansive two-part conversation that dives deep into the very soul of classical music. In his previous interview from 2021, Jan discussed his monumental biographies of Mozart, Beethoven, Brahms, and Ives. But his intellectual and creative output extends far beyond those volumes, and this new set of interviews explores more of his wide-ranging contributions to the world of music.In Part 1, the focus turns to Jan's book Language of the Spirit: An Introduction to Classical Music, a refreshingly vivid and often personal guide to the history of Western music. The discussion begins with a few select quotes that set the tone for Swafford's engaging style—an approach that never shies away from humor, insight, or imagination. Along the way, Tony and Jan take an unexpected detour into a blog post imagining a conversation between Mozart and Picasso's Guernica. As the conversation returns to the content of Language of the Spirit, the two explore key aspects of the Baroque period, including figured bass and the challenges of intonation. The episode concludes with a discussion of three of Jan's own compositions—They That Mourn, Late August, First Snow, and River—offering a glimpse into his creative voice as a composer.Part 2 picks up right where they left off, continuing the discussion of the Baroque with special attention to the genius of Bach and the dramatic flair of Händel. This naturally leads into a thoughtful debate on performance practice, particularly the tension between historically informed performances (HIP) and modern approaches. Jan brings his signature candor and wit to the conversation, questioning what authenticity really means and whether the HIP movement sometimes overreaches. The episode closes on a memorable note, as Jan describes the extraordinary experience of holding the original manuscripts of Mozart's Marriage of Figaro and Brahms's German Requiem in his hands. And in true Swafford fashion, he promises to return again—next time, to tackle the Classical era through to the present day.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

ReferencesActa Pharm Sin B. 2019 Sep 3;10(3):414–433Mechanisms of Ageing and Development2016. Volume 156, Pages 25-33The Journal of Biological Chemistry 2018.293: 2422-2437.Anal Cell Pathol (Amst).2018; 2018: 787.1814.Mozart, WA. 1788. Divertimento 563 in E flat majorhttps://music.youtube.com/playlist?list=OLAK5uy_lDd2hLSAScEFRzcwXGJxrKjTTrPB9uDu0&si=xoAXTM_V9fYzT_cOTaylor and Baker 1968. "Passing the Time. Cream Wheels of Fire lphttps://music.youtube.com/playlist?list=OLAK5uy_lDd2hLSAScEFRzcwXGJxrKjTTrPB9uDu0&si=xoAXTM_V9fYzT_cOMeade, N. . 1964. "Time is On My Side." Rolling Stoneshttps://music.youtube.com/watch?v=7jStGLgQkSw&si=ufgxy8kPLG6djqWNCroce, J. 1974. "Time in a Bottle"https://music.youtube.com/watch?v=9h1davKgBYM&si=LEy6JDkroVjcT-lU

Today in honor of Bastille Day, I present an episode featuring the late Gabriel Bacquier, who considered himself an “acting singer” rather than a “singing actor.” He made his first mark as a sublime Mozart singer, from there moving into Verdi baritone parts, and finally as a supremely skilled basso buffo. What is less well-known is that he was also a superb recitalist, and in today's bonus episode, I present him in recordings primarily from the early 1960s, but ranging into the late 1970s, which display his surprising skill in mélodie (for it is rare that one singer excels to the extent that Bacquier does in both opera and song). We hear him in live performances and studio recordings of songs of Fauré, Poulenc, Ravel, Duparc, Satie, and Poulenc, as well as examples from such lesser-known lights as Henri Sauguet, Louis Beydts, Maurice Yvain, and Marc Berthomieu. Bacquier's artistry began with the word as the basis for the shape and form of the music, and this approach proves to be equally valid and successful in song as in opera. Plus that, in the early years of his career, the voice was a thing of extraordinary beauty, whether in full-throated expostulation or the merest hint of a whisper. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Ep. 692: Cranford | Chapter 14 Book talk begins at 11:49 Will Miss Matty accept help from her loyal friends? And what's this about Martha and Jem... and a lodger? --------------------------------------------------------------- 0:00 Episode start 01:30 July Raffle - Botanical Knits: 12 Designs inspired by trees and foliage by Alana Davos of Never Not Knitting 03.14 - This week's Tea - Gratitude Blend 06:10 - Janine Barchas and Isabel Greenberg's new book “The Novel Life of Jane Austen: a Graphic Biography” 10:20 We had a very Sad chapter 13, which ended with Miss Matty thinking about Martha. :( 11:49 START BOOK TALK Rubric- The Book of Common prayer printed directions for teh service in red. Hens the Rubric (from the Latin word for ‘Red”) signified someting of importance and later came to mean “injunction” or general rule. REALLY??? LATIN FOR RED???? 13:50 - Mammon - Matthew 6:24, Devil of Covetovness or Demon of Greed (medieval and Milton - lowercase) (in hebrew meant money, modern hebrew. = wealth), , unjust worldly gain - ANNOTATION is partly WRONG, But there WAS a Syrian God of Wealth 19:45 - AAah Voo DEER-ray zhuh - Basically Twinkle Twinkle Little Star - the easiest piece of music one could learn to play. Mozart had done one of his 12 variations (though, personally, I'm partial to Tom Lehrer's )  21:25 - She could “trace out patterns very nicely for Muslin Embroidery, by dint of placing a piece of silver-paper over the design to be copied, and holding both against the window-pane, while she marked the scollop and eyelet-holes”. ANNOTATION SAYS “Probably which used scalloped edges and a pattern of holes sewn round with thread like a button-hole.“ 22:55 - a Celestial Globe to learn simple astronomy/constellations 24:35 - - think of , but you have to COUNT THE THREADS in a muslin or light canvas backing. Around 1830 v popular to stitch portraits of royalty (again, at least 10 years out of popularity elsewhere, but still popular in Cranford). Printed, gridded patterrns () 27:05 - Under a glass shade - put a glass dome or CLOCHE over things to keep dust off—would have been REALLY important b/c it was DUSTY back then and only got worse in London as the Century went on (also used in gerdening for heat retention) 27:55 - Couchant - lying down in Heraldry Image from Sodacan, CC BY-SA 3.0 , via Wikimedia Commons 28:35 - East India Tea Company - Founded in 1600 by QE1 and held the chartered right to trade with India and China and IMPORT the tea as a monopoly until 1834 (BTW, Twining's started as a coffee SHOP/Room adding tea in 1717 , bought adjacent building for ladies to take tea(might be Western world‘s oldest dry tea and coffee shop) at No. 216 Strand london in 1706; still operating today - and logo created in 1787 is worlds oldest in continuous use) B/c the EIC's charter was for trade/importing, anyone could SELL the tea. 31:25 - our mites: Biblical times a mite was the lowest denomination of coin in Judea (two mites = one lepta (thin or small in Greek) which was equivalent to a quadran, the smallest Roman coin), (also see re: the Widow's Mite where Christ praises the window who gives her last two mites in the temple) Two mites were worth about 1/64th of a denari - a day's wage for a common worker, toay about 1/8 of a US penny (1 cent) 33:40 - Spills - QUILLING (thank you Aimee!) video of 37:15 - Comfit - nut, seed, etc, covered in sugar coating - link to max miller's video on Post-chapter Notes 1:25:42 - SSA update - Broader information from and - but don't feel the need to read other sources. Here's the actual text of the Bill: Miscellaneous BOOK/WATCH PARTIES coming up in 2025: Last Thursday of every month, 8pm Eastern: Jul—Princess Bride (movie) Aug—The Last Unicorn (book) Sep—The Last Unicorn (movie) Oct—Random Harvest (book) Nov—Random Harvest (movie) Dec—Lamb: The Gospel According to Biff, Christ's Childhood Pal (book)   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. 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