Podcasts about mozart

En el otoño de 2014, un viernes cualquiera, Carlos Alsina y Rubén Amón (junto a David Gistau y Manuel Jabois) le robaron un rato de radio a La Brújula para hablar de otras cosas. Disertaron sobre ‘Interstellar' y de ‘Las uvas de las ira', sobre qué significa ser cultureta en un mundo (con Rajoy en el gobierno y un Felipe VI recién proclamado) en el que empezaban a abrirse paso, lentamente, las plataformas audiovisuales y los libros electrónicos. Así nació La Cultureta hace ya más de diez años, como espacio experimental, y su éxito no tardó en provocar emanciparla y establecerla como contenido independiente y reconocible, "clandestino y autoparódico".Lo celebramos, este viernes de junio de 2025, de la mano de Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Y lo hacemos colándonos en uno de nuestros lugares predilectos: la sala de conciertos. Junto a piano, violines, clarinetes y timbales, nos adentramos en la historia de las orquestas y sus instrumentos. Y divulgamos una de las pasiones culturetas por antonomasia: la música clásica.¿Cómo nacieron las orquestas? ¿Cómo y por qué fueron incorporando sus diferentes instrumentos y secciones? ¿Y cuáles son las historias de sus propios miembros? Indagamos en todo ello desde la Escuela Superior de Música de Madrid, donde disfrutamos de música en directo (Mozart, Beethoven, Vivaldi) bajo la batuta del director de orquesta Pablo González, con quien también hablaremos y divulgaremos nuestra pasión.

En el otoño de 2014, un viernes cualquiera, Carlos Alsina y Rubén Amón (junto a David Gistau y Manuel Jabois) le robaron un rato de radio a La Brújula para hablar de otras cosas. Disertaron sobre ‘Interstellar' y de ‘Las uvas de las ira', sobre qué significa ser cultureta en un mundo (con Rajoy en el gobierno y un Felipe VI recién proclamado) en el que empezaban a abrirse paso, lentamente, las plataformas audiovisuales y los libros electrónicos. Así nació La Cultureta hace ya más de diez años, como espacio experimental, y su éxito no tardó en provocar emanciparla y establecerla como contenido independiente y reconocible, "clandestino y autoparódico".Lo celebramos, este viernes de junio de 2025, de la mano de Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Y lo hacemos colándonos en uno de nuestros lugares predilectos: la sala de conciertos. Junto a piano, violines, clarinetes y timbales, nos adentramos en la historia de las orquestas y sus instrumentos. Y divulgamos una de las pasiones culturetas por antonomasia: la música clásica.¿Cómo nacieron las orquestas? ¿Cómo y por qué fueron incorporando sus diferentes instrumentos y secciones? ¿Y cuáles son las historias de sus propios miembros? Indagamos en todo ello desde la Escuela Superior de Música de Madrid, donde disfrutamos de música en directo (Mozart, Beethoven, Vivaldi) bajo la batuta del director de orquesta Pablo González, con quien también hablaremos y divulgaremos nuestra pasión.

En el otoño de 2014, un viernes cualquiera, Carlos Alsina y Rubén Amón (junto a David Gistau y Manuel Jabois) le robaron un rato de radio a La Brújula para hablar de otras cosas. Disertaron sobre ‘Interstellar' y de ‘Las uvas de las ira', sobre qué significa ser cultureta en un mundo (con Rajoy en el gobierno y un Felipe VI recién proclamado) en el que empezaban a abrirse paso, lentamente, las plataformas audiovisuales y los libros electrónicos. Así nació La Cultureta hace ya más de diez años, como espacio experimental, y su éxito no tardó en provocar emanciparla y establecerla como contenido independiente y reconocible, "clandestino y autoparódico".Lo celebramos, este viernes de junio de 2025, de la mano de Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Y lo hacemos colándonos en uno de nuestros lugares predilectos: la sala de conciertos. Junto a piano, violines, clarinetes y timbales, nos adentramos en la historia de las orquestas y sus instrumentos. Y divulgamos una de las pasiones culturetas por antonomasia: la música clásica.¿Cómo nacieron las orquestas? ¿Cómo y por qué fueron incorporando sus diferentes instrumentos y secciones? ¿Y cuáles son las historias de sus propios miembros? Indagamos en todo ello desde la Escuela Superior de Música de Madrid, donde disfrutamos de música en directo (Mozart, Beethoven, Vivaldi) bajo la batuta del director de orquesta Pablo González, con quien también hablaremos y divulgaremos nuestra pasión.

He's spent 24 hours immersed in slime, two days buried alive – and showered vast amounts of cash on lucky participants. But are MrBeast's videos simply very savvy clickbait – or acts of avant garde genius? Written and read by Mark O'Connell. Help support our independent journalism at theguardian.com/longreadpod

durée : 01:28:38 - Une heure et plus, un compositeur : Wolfgang Amadeus Mozart - par : Aurélie Moreau - Né à Salzbourg en 1756, enfant prodige révélé dans les cours d'Europe, Mozart compose sa première symphonie à 8 ans, son premier opéra à 12. Mais ce génie précoce est un homme libre. À Vienne, il s'émancipe des puissants, refuse les contraintes et choisit d'écrire pour lui-même. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Mozarts "Don Giovanni" feiert bei den Münchner Opernfestspielen Premiere, neu inszeniert von David Hermann. Und der hat gleich mal eine neue Figur eingeführt. Die steht sogar im Libretto. Durch sie auf der Bühne verknüpft Hermann Mozarts Oper noch stärker mit der antiken Mythologie.

Avec : Jérôme Lavrilleux, propriétaire de gîtes en Dordogne. Yael Mellul, ancienne avocate. Et Périco Légasse, journaliste. - Toujours accompagnée de Rémy Barret et sa bande, Estelle Denis s'invite à la table des français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs, sexo… En simultané sur RMC Story.

Avui escoltarem: "Idomeneo, re di Creta", KV366 (selecci

Lebih aman memakan apa yang Tuhan perintahkan kita makan, Inilah waktunya untuk “membersihkan” kebiasaan makan anda.

In recent days, the music world—classical and popular—has lost Alfred Brendel and Brian Wilson. Jay pays due tribute. He has other selections as well—beginning with a summer song, refreshing on a hot day, or any. Berlioz, “Villanelle,” from “Les nuits d'été” Mozart, Piano Sonata in E flat, K. 282, third movement Schubert, “Moments musicaux” No. 3 Liszt, “Eclogue,” from “Years of Pilgrimage: Year One: Switzerland” Trad., “Do, Lawd, Oh, Do, Lawd” Trad., “Walk Together, Children” Wilson-Love, arr., Chilcott, “Good Vibrations”

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

NEW YORK, NY - As the mercury sizzles in the triple digits (Fahrenheit), Major League Rugby is at its all-time hottest, with this weekend's MLR Shield match in a gem of a brand new stadium. Also, the WER's Legacy Cup match is also this weekend, and

Become a Relative & send some loveL Marquee, producer, engineer, and self-proclaimed "Unashamed Christ Follower," brings his unique perspective to the podcast, exploring how faith and music production intertwine in today's complex industry landscape. From the first moment I met him in 2017, his charisma and positive energy have been undeniable constants in his approach to both life and music.The conversation dives deep into the technical aspects of music production as L Marquee breaks down his favorite tools—UAD plugins, Logic Pro, Kontakt libraries, and more. But beyond the gear talk, we explore something more profound: the struggle to maintain quality and purpose in an era where streaming has fundamentally changed how music is valued. "When you pay for the cost of one album, you get every song ever, from Mozart to Migos," L Marquee observes, identifying how this economic shift has lowered the stakes for both listeners and creators.What truly sets this discussion apart is the candid examination of faith's role in creative pursuits. Having grown up in the church, L Marquee shares how surrendering his musical ambitions to God transformed his approach from self-serving to service-oriented. This perspective allows him to work with both secular and Christian artists without compromising his values or authenticity. "I'm not necessarily beating people over the head with Christianity," he explains, "but whenever I'm in the studio, that's still what I'm on."The conversation culminates with L Marquee offering two invaluable gems: find fulfillment through serving others with your talents, but establish clear boundaries to prevent being taken advantage of. His balanced approach demonstrates the wisdom gained from twelve years navigating an industry that often pushes artists toward conformity.Whether you're a producer seeking technical insights, an artist exploring how to integrate personal values into your work, or simply someone interested in authentic conversation about creativity and purpose, this episode delivers wisdom that transcends the studio. Subscribe now and join us for more discussions that prove relationships truly are worth more than money.Relationships Worth More Than Money by Tweezy Kennedy & Marcus Allandavailable on all streaming platforms!Support the showInstagram: @rwmtmpodYoutube: https://www.youtube.com/@RWMTMpodGet RWMTM MERCH HERE!!!!! https://streamlabs.com/tweezydabeatterroristkennedy/merch

durée : 01:28:30 - En pistes ! du mercredi 25 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Aujourd'hui il sera question d'un concerto pour violon de Mozart issu d'une ébauche, et d'une œuvre chorale inconnue d'Amy Beach. Sans oublier le répertoire 100% américain transcrit pour flûte dans le nouvel album de Lisa Friend. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:30 - En pistes ! du mercredi 25 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Aujourd'hui il sera question d'un concerto pour violon de Mozart issu d'une ébauche, et d'une œuvre chorale inconnue d'Amy Beach. Sans oublier le répertoire 100% américain transcrit pour flûte dans le nouvel album de Lisa Friend. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:21 - Le Bach du matin du mercredi 25 juin 2025 - Notre Bach du matin est un Bach cubain. Le pianiste américain Joachim Horsley avait déjà revisité Beethoven, Mozart ou encore Scarlatti en rumba chaloupée. Sur son dernier album "Afro Bach", c'est du compositeur allemand qu'il s'empare. Et ça décoiffe. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What do Motown, Mozart, and “Dark Side of the Moon” all have in common? The Wisconsin Chamber Orchestra will be paying tribute to all of them in their annual six-week free outdoor concert series. Concerts on the Square is a Madison summer favorite that will attract thousands to the capitol each Wednesday through the end of July. Will you be one of them? To learn more, executive producer Hayley Sperling chats with WCO Music Director Andrew Sewell about what is in store this year, and what you should know before you go.

History is something big that happens in the past that you look back on and wonder about… ofttimes we only know about it from the pages of a book, old video footage, relics in a museum, or something like that, but there are also living resources for history in the memories of older people and indeed in your OWN head. This Quackcast was inspired by me thinking about musicians like Prince, Queen, and David Bowie- many younger people now are looking back on them as if they were musical geniuses, like Beethoven and Mozart, but I can clearly recall when they were just pop-musicians, you were interested to hear their latest stuff on the radio of their latest video but it wasn't ground shaking. They were not considered super dooper massive cultural icons then, in fact they had less regard and hero worship than most modern young celebs do now! Your average popular “influencer” probably gets more regard now than David Bowie did back in the 70s and 80s. As Generation Xers Banes, Tantz, and I were part of a world in the later days old the cold war, when it was at its peak, before the end. This flavoured all of culture in all sorts of direct and indirect ways and if you don't understand that then you can't properly understand those cultural products that came out of that time. All the massive prosperity of the west and ultra-capitalism from the 1950s onwards with the USA solidly driving all western culture was because after WW2 the world was split in 2 and everyone had to unite around the USA because they were the strongest power militarily and economically in opposition to the “communist block”, NATO vs the Warsaw Pact. It's the reason American media from Hollywood stayed as so huge, the reason American influence in music was so primary, and the same with style, design, and technology. But there are plenty of direct influences too, a character like James Bond makes no sense outside of that split world, in fact nor does any spy fiction that came from then. The Klingons in Star Trek were Russians. The action genre in movies solidly had to do with the cold war- Sylvester Stallone and Arnold Schwarzenegger's career's were formed around Cold War influences… What big aspects of history where you “there” for? The fall of the Berlin Wall, Perestroika, 9/11, The assassination of Yitzhak Rabin, the start of myspace, Facebook, Twitter, YouTube and the beginnings of social media and influencer culture, the rise of reality TV, the fall of bookshops…? This week Gunwallace was inspired to craft a musical theme to Capricious Infection - A mystical, magical, stargazing sound here, touches of Journey of the Sorcerer by The Eagles. You can imagine you're in a field in darkness, wandering over cold, dew wet grass and staring up at the vast, glittering majesty of the milky way galaxy above. Topics and shownotes Links Featured comic: Wings Of Daera - https://www.theduckwebcomics.com/news/2025/jun/16/featured-comic-wings-of-daera/ Featured music: Capricious Infection - https://www.theduckwebcomics.com/Capricious_Infection/. - by CressidiasComics, rated T Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

"150 Jahre Münchner Opernfestspiele" - unsere kleine Serie von Michael Atzinger in dieser Woche auf BR-KLASSIK, zum Festspielstart 2025. Heute Teil 2, die sich den "Hausgöttern" der Bayerischen Staatsoper - Wagner, Mozart und Richard Strauss - widmet.

durée : 00:21:03 - Disques de légende du mardi 24 juin 2025 - En 2010, René Jacobs sort une intégrale de La Flûte enchantée de Mozart qui a fait beaucoup jaser... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Editors - Catherine Haight ACE, Laura Zempel ACE and Isaac Hagy ACE SIRENS editors Cate, Laura and Isaac have crafted a television experience that intrigues and entertains the audience, while also challenging them on conventional gender biases. Their work on SIRENS was not just professionally unifying but creatively fulfilling as well. The team established a ritual of analyzing scenes together each week, discussing tone, performance, and overarching storyline elements. This collaborative approach allowed them to align their unique editing styles into a cohesive representation of the series' narrative.  One of the remarkable aspects of SIRENS is its tonal balance—oscillating between humor, mystery, and drama. The show's collaborative ethos even extended beyond the main editing trio. They leaned on the talents of assistant editors like Jen Bryson, who ultimately co-edited Episode 5 with Laura. Based on her play, Elemeno Pea, Molly Smith Metzler's Sirens tells the story of two estranged sisters from Buffalo, Devon and Simon.  While Devon is back in Buffalo, caring for their father who suffers from early on-set dementia, Simone is living in the idyllic seaside town Port Haven, working as a personal assistant for a wealthy socialite named Michaela.  When Devon travels to Port Haven to bring Simone back to Buffalo to help care for their father, she finds a resistant sister who seems to be under some kind of mind control from her employer.  When Devon refuses to leave without Simone, the mystery of Michaela unravels in a blend of drama and dark comedy. CATHERINE HAIGHT, ACE Catherine Haight, ACE is a film editor who has helped bring many award-winning television shows and films to the screen. Cate has had a long collaboration with Joey Soloway including the film Afternoon Delight, starring Kathryn Hahn, the award winning series Transparent, and I Love Dick. She also cut both The Polka King, starring Jack Black, and The Good House, led by Sigourney Weaver and Kevin Kline, with the directing team of Maya Forbes & Wally Wolodarsky. Cate also has edited the films Troop Zero, starring Viola Davis and Allison Janney, and Puzzle, with Kelly Macdonald and Irrfan Khan. She also cut the television series High Desert, Mozart in the Jungle, Girls, and New Girl.   Her work on the pilot episode of Transparent earned her a nomination for both an Emmy and ACE Eddie Award, and she also received an ACE Eddie nomination for the pilot of Girls. Cate is a member of The American Cinema Editors and the Academy of Motion Picture Arts and Sciences. Originally from New Hampshire, she now resides in Los Angeles with her husband. LAURA ZEMPEL, ACE Laura Zempel, ACE is a two-time Emmy Award winning editor based in Los Angeles. Originally from Sacramento, she received a BFA in Film Production from Chapman University. She began her career in as an assistant editor, and has gone on to edit features and television such as HBO's Euphoria, Apple TV's Lessons In Chemistry, Netflix's Beef. ISAAC HAGY, ACE Isaac Hagy, ACE graduated from USC film school in 2006 and continues to live and work in Los Angeles.  His editing credits include feature films Waves and The Friend, as well as television programs Atlanta, Mr & Mrs Smith, Station Eleven, American Vandal, and Chef's Table.  He has been honored with two Emmy and four ACE nominations.  But to be fair, his Assistant Editor - a pit mix named Blue - does most of the hard work. The Credits Visit ExtremeMusic for all your production audio needs Listen to Laura talk about cutting BEEF Hear Cate discuss cutting TROOP ZERO Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

DescriptionThat Note from Heaven: The Top C in Allegri's Miserere in 60 Seconds. Take a minute to get the scoop!Fun FactThe Vatican once banned copying Miserere, enforcing secrecy to protect its mystique. Young Mozart heard it once in 1770 and wrote it out entirely from memory. This musical jailbreak helped make the soaring top C famous—and added to Mozart's legend as a prodigious musical genius with a photographic ear.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

Heute Mailand, morgen Salzburg, dann Paris oder Berlin. Dort, wo Regula Mühlemann auftritt, brilliert sie mit ihrem lyrischen Koloratursopran, in den Mozart-Opern, in Verdis Rigoletto oder im Rosenkavalier von Strauss. Liederabende, Konzerte, CD-Produktionen gehören zu ihrem Programm wie das Leben auf der Opernbühne. Aufgewachsen ist Regula Mühlemann in der Schweiz, in einem musikalischen Umfeld. Ihre Zeit in der Luzerner Kantorei war der Grundstein für ihre Karriere. Mit Mitte 20 hatte Regula Mühlemann ihr Debut bei den Salzburger Festspielen, ein paar Jahre später folgten Engagements an der Mailänder Scala und der Wiener Staatsoper. Häuser, die heute zu ihrer künstlerischen Heimat geworden sind. Besonders ihre Mozart-Interpretationen haben für viel Aufsehen gesorgt. Mozart, ein Komponist zu dem sie eine besonders enge Beziehung hat. "Mozart werde ich immer singen, es hält die Stimme jung." Für ihr Debutalbum mit Mozart-Arien ist sie mit dem Preis der Deutschen Schallplattenkritik ausgezeichnet worden. Weitere Preise folgten: 2018 erhielt sie z.B. den OPUS Klassik als "Nachwuchskünstlerin des Jahres". Die aktuelle Saison führte Regula Mühlemann u.a. an die Staatsoper Berlin und an das Théâtre des Champs-Élysées in Paris in der Rolle der Sophie in Strauss‘ Rosenkavalier. Gerade stand sie auf dem Programm der Hamburger Elbphilharmonie mit Herbert Blomstedt und Bachs Kantate: "Jauchzet Gott in allen Landen". Beate Scheibe spricht mit Regula Mühlemann in NDR Kultur à la carte über eine beeindruckende Karriere.

durée : 00:59:25 - Thomas Enhco "Mozart Paradox" - par : Nicolas Pommaret - Le pianiste Thomas Enhco, établi aussi bien dans le jazz que dans un répertoire classique, nous emmène dans un voyage fou avec des improvisations au piano sur quelques-uns des thèmes les plus emblématiques de Mozart. Parution de “Mozart Paradox” chez Sony Masterworks. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:28 - Disques de légende du lundi 23 juin 2025 - L'académie de Saint-Martin-in-the-Fields, créée en 1956, est une formation réduite idéale pour le chef Nelville Marriner : le répertoire classique et baroque peut s'y jouer de manière fluide et légère. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Gabriel Zuchtriegel is the director of Pompeii, one of the world's most important ancient historical sites. It sits at the base of Mount Vesuvius, the still active volcano which erupted in 79AD and buried the city under volcanic ash and pumice, preserving a unique snapshot of life there nearly 2000 years ago.Gabriel grew up in Germany, where ruins and ancient myths first sparked his interest in our ancient past, and led him to study archaeology. Prior to Pompeii he oversaw Paestum, a site about 60 miles south of Vesuvius, celebrated for its three ancient Greek temples, dating back to about 500 BC. More recently, he has written a book called The Buried City: Unearthing the Real Pompeii - and new finds continue to be unearthed, as around a third of the site is still buried.Gabriel's music choices include Schubert, Mozart, Vivaldi and Bach.

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durée : 01:58:34 - Alfred Brendel, les enregistrements des années soixante - par : Philippe Cassard - Celui qui, né en 1931 et s'est retiré de la scène en 2008, a été sans doute le grand interprète des classiques viennois (Haydn, Mozart, Beethoven) et de Schubert, a, dans ses jeunes années, joué la musique du XXème siècle et Liszt de manière transcendante. - réalisé par : Davy Travailleur Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Elegant and imperial yet vibrantly modern, Vienna is a city where, like the beloved Danube itself, history and creativity flow together.For over four centuries, Vienna was the heart of the Habsburg Empire – a mecca for musicians, artists, architects and intellectuals. Today, its grand palaces, museums and concert halls still captivate, while the legacy of composers such as Mozart, Beethoven and Schubert continue to shape the city's rich musical and cultural identity.In this episode, art historian and music specialist Christopher Menz discusses the remarkable legacy of this timeless city, from its musical heritage to its architectural splendour.Academy Travel is a leading specialist in small-group cultural tours, allowing you to travel with like-minded companions and learn from internationally renowned experts. Like our podcast, our tours are designed to appeal to travellers with a strong interest in history, archaeology, architecture, the visual arts and the performing arts.Learn more here - https://academytravel.com.au/

En el otoño de 2014, un viernes cualquiera, Carlos Alsina y Rubén Amón (junto a David Gistau y Manuel Jabois) le robaron un rato de radio a La Brújula para hablar de otras cosas. Disertaron sobre ‘Interstellar' y de ‘Las uvas de las ira', sobre qué significa ser cultureta en un mundo (con Rajoy en el gobierno y un Felipe VI recién proclamado) en el que empezaban a abrirse paso, lentamente, las plataformas audiovisuales y los libros electrónicos. Así nació La Cultureta hace ya más de diez años, como espacio experimental, y su éxito no tardó en provocar emanciparla y establecerla como contenido independiente y reconocible, "clandestino y autoparódico".Lo celebramos, este viernes de junio de 2025, de la mano de Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Y lo hacemos colándonos en uno de nuestros lugares predilectos: la sala de conciertos. Junto a piano, violines, clarinetes y timbales, nos adentramos en la historia de las orquestas y sus instrumentos. Y divulgamos una de las pasiones culturetas por antonomasia: la música clásica.¿Cómo nacieron las orquestas? ¿Cómo y por qué fueron incorporando sus diferentes instrumentos y secciones? ¿Y cuáles son las historias de sus propios miembros? Indagamos en todo ello desde la Escuela Superior de Música de Madrid, donde disfrutamos de música en directo (Mozart, Beethoven, Vivaldi) bajo la batuta del director de orquesta Pablo González, con quien también hablaremos y divulgaremos nuestra pasión.

In Episode 159, Scott Piehler's topics include: Alameda PD takes down a scammer, and honors one of their own. Three thousand take part in Alameda's “No Kings” rally. Mia Bonta declares “California is for all.” The latest real estate sales. Get to know Mozart and Verdi. Quilts and pinball: celebrating the achievements of women.  Events to get you up and moving. Plus, Scott mentors the next generation of podcasters. Support the show• AlamedaPost.com • Podcast • Events • Contact •• Facebook • Instagram • Threads • BlueSky • Reddit • Mastodon • NextDoor • YouTube • Apple News •

Was erzählt Klassik in Serien und wie stellen Serien die Klassikwelt dar? In der ersten Folge dieses Zweiteilers präsentieren Uli und Laury Bart Simpsons als Mozart und Downton Abbey-Komponist John Lunn erklärt, was sein Soundtrack mit Coldplay zu tun hat.

What happens when screen legends Ralph Bellamy and Don Ameche play obscenely wealthy commodities brokers who wager on an insidious, impromptu nature-vs.-nurture experiment that subjects an unwitting Eddie Murphy and Dan Ackroyd to radical reversals of fortune? You get an '80s screwball comedy update of The Prince and the Pauper that also showcases the great Jamie Lee Curtis and Denholm Elliott, along with a host of amusing cameos by the likes of Al Franken, Bo Diddley, and Giancarlo Esposito, all set to an Elmer Bernstein score built on the shoulders of Mozart. And it's a Christmas movie! (Kind of.) Join Javi, Paul and - inscrutably - Producer Brad as they learn more than they ever wanted to about pork belly and concentrated frozen orange juice futures trading, navigate the film's alarmingly casual racism and homophobia (not to mention a painful bit involving a gorilla), and behold the biggest smoked salmon ever to grace the silver screen. For a better understanding of commodities, short selling, and The Eddie Murphy Rule, check out this great episode of Planet Money.Follow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Myrna Cabello is a Mexican American actress, voiceover artist, and creative based in New York City. Born and raised in Austin, Texas to immigrant parents, she has been immersed in storytelling and performance since childhood—writing plays, songs, and short stories. Myrna Recurs as Silvia, Guillermo's mom, on FX's What We Do In the Shadows, and also as Lucia in the Freevee series Sprung. Her voice can be heard on PBS Kids promos, national commercial spots on Pandora, and the original variety series Myrna & The Bulldog in 3D, which she created with her husband. Most recently, she can be seen as Esperanza on the new Apple TV series Your Friends and Neighbors, which premiered in May 2025. Myrna is also known for her work in New Amsterdam, Bull, FBI: Most Wanted, Jessica Jones, Blindspot, Friday Night Lights, Orange is the New Black, Mozart in the Jungle and Walker Texas Ranger.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

En la emisión de esta semana de Territorio Trail comenzamos con una entrevista muy especial, la de Iratxe García Lizarraga, que comparte su historia desde ser una pionera y referencia en las redes sociales hasta su descenso a los infiernos tras padecer un TCA y una vida adictiva al deporte y el resurgir hasta conseguir tener, en la actualidad, una vida plena. Maite Maiora, recién llegada de participar en la Mozart 100, resume la primera mitad de su temporada. En nuestra sección #PequeñasGrandesCarreras la protagonista es el Ultratrail de los Castillos. Antonio Codina nos acerca lo más destacado del trail en Gran Bretaña en la sección BritTrail y finalizamos con Western Time, el espacio dedicado a la Western States 100 2025.

Choreographing massages to Mozart, enforcing cancellation policies with beloved clients, and shutting down callers seeking "undraped sessions" with Allissa Haines, a massage therapist. What made her cry in her car after one particular house call? And what is "effleurage”?In this episode, Dan recommended The Work of Art by Adam Moss, a book about how artists make their work. Check it out here.IF YOU LIKE THIS EPISODE: Check out what it's like to be a couples therapist, a hair stylist, or a piano teacher.GOT A COMMENT OR SUGGESTION? Email us at jobs@whatitslike.com WANT TO BE ON THE SHOW? Leave us a voicemail at (919) 213-0456. We'll ask you to answer two questions: 1. What's a word or phrase that only someone from your profession would be likely to know and what does it mean? 2. What's a specific story you tell your friends that happened on the job? It could be funny, sad, anxiety-making, pride-inducing or otherwise. We can't respond to every message, but we do listen to all of them! We'll follow up if it's a good fit.

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Records include: Riverboat Shuffle by Isham Jones, A Trumpeter's Lullaby by Leroy Anderson, 3 O' Clock Blues by B.B. King, Tennessee Waltz by Jo Stafford, Mozart's Piano Sonata #12 by Aldo Ciccolini and Our Delight by Tadd Dameron.

In this episode of Transfigured, I sit down with Dr. Jim to delve into a range of pressing intellectual and spiritual topics. We explore his recent writings on his Substack, "Around the Corner," his perspective on the "re-enchantment" narrative currently popular in some online spaces, and a critical engagement with modernism. Using Carlos Eire's book "They Flew" (about the levitating St. Joseph of Cupertino) as a springboard, we discuss the nature of evidence, the moral responsibilities tied to metaphysical claims, and the vital role of institutions (like those in science, medicine, and education) in fostering self-correction and upholding human values. Dr. Jim shares his thoughts on the "scientific image" versus the "manifest image," the limitations of evolutionary biology's common framing, and why he considers himself a "reactionary modern," wary of prematurely discarding the hard-won insights of the Enlightenment and classical liberalism. Join us for a deep and nuanced conversation! We mention Dr. Jim, Sam (Transfigured), David Bentley Hart, Paul Vander Klay, Jonathan Pageau, John Vervaeke, Carlos Eire ("They Flew"), St. Joseph of Cupertino, Ross Douthat, Bart Ehrman, David Hume, Sam Harris, Wilfrid Sellars (Scientific Image vs. Manifest Image), Richard Dawkins, Bach, Mozart, Galileo, Michael Servetus, John Calvin, Rod Dreher, Bethel McGrew, Benjamin Boyce, Jesus Christ, Hermes, Chad (the Alcoholic), Julian, Aristotle (Four Causes), and more.Dr. Jim's Substack "Around the Corner": https://substack.com/@aroundthecorner1Midwest Apologetics Conference (August 22-24, Chicago, IL): https://www.midwestuary.com/Email for scholarship inquiries: info@midwestuary.com

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   1/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1931

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   2/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1932

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   3/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1933 GOERING

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   7/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1936

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   4/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1933

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   5/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1934 BERLIN

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   6/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1936

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   8/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1937