Composer of the Classical period
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Martha C. Nussbaum, distinguished service professor of law and philosophy at the University of Chicago and the author of The Republic of Love: Opera & Political Freedom (Oxford University Press, 2026), offers her analysis of opera as an arm of the Enlightenment, from Mozart to today. cover image courtesy of the publisher
Jeff and Sean recap Oscar night. Jeff picked more winners than Sean after Sean went all in on Sinners and came up with a low number of wins. One Battle After Another was a great Best Picture choice but both Jeff and Sean felt Sinners was a deserving winner New Movies Reminders of You Directed by Vanessa Casswill Starring Maika Monroe and Tyriq Withers After a perfect outing with her boyfriend, Kenna makes an unbearable mistake that sends her to prison for seven years. Hoping to rebuild her life after her release, she tries to reunite with her daughter, but her custodial grandparents refuse to let Kenna see her. She soon finds unexpected compassion from a local bar owner as their secret romance gives Kenna hope for a second chance. Undertone Directed by Ian Tuason Starring Nina Kiri A podcast host covering spooky content moves in to care for her dying mother. When sent recordings of a pregnant couple's paranormal encounters, she discovers their story parallels hers, each tape pushing her toward madness. Classic Amadeus (1984) Directed by Milos Foreman Starring F. Murray Abraham, Tom Hulce Once the highly regarded composer to the Viennese Court, Salieri is now an old man, unknown and confined to an asylum. After a suicide attempt he recounts his story to a young cleric, going back 30 years to his heyday at the court of Emperor Joseph II, where he first met the young Mozart. Despite Salieri's Machiavellian attempts to frustrate Mozart's progress, the great young composer attracts the favour of the Emperor. Next Week Project Hail Mary Ready or Not 2 Classic The Game
We meet a 13-year-old violinist with a passion for studying the connection between music and the brain. Next a 16-year-old clarinetist delivers an elegant Mozart Rondo and a teenage percussionist blends classical, Latin, and jazz influences.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
durée : 00:53:21 - Le Masque et la Plume - par : Rebecca Manzoni - Flaubert revisité par Honoré, Tchekhov selon Sivadier, Jacques Weber en Cyrano, Salieri face à Mozart, Monte-Cristo en comédie musicale et un one-man-show plein de joie. Les critiques du Masque croisent le fer sur les derniers spectacles. - invités : Fabienne Pascaud, Pierre Lesquelen, Sandrine Blanchard, Laurent Valière - Fabienne Pascaud : Journaliste chez Télérama, Pierre Lesquelen : Critique à I/O Gazette et Détectives sauvages, dramaturge et enseignant-chercheur, Sandrine Blanchard : Journaliste au Monde, Laurent Valière : Producteur - réalisé par : Stéphane LE GUENNEC Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Today a belated memorial tribute to the beloved Swiss soprano Edith Mathis, who died in Salzburg thirteen months ago, two days before her 87th birthday. One of the most highly regarded lyric sopranos of the 1960s and 1970s, Mathis began her career in the late fifties, retiring more than 40 years later in 2001. In between she, armed with a radiant, technically secure voice allied with an understated yet powerful musicianship, set the standard for performance of Baroque music, Mozart, and Lieder, in particular. She was the quintessential German soubrette, and as such the best of her generation in roles such as Ännchen in Der Freischütz and Marzelline in Fidelio. Because of her lack of pretention and mannerism, she might sometimes be somewhat undervalued, but her artistic achievement, especially considered as a whole, is equal to any comparable singer of the last century. I have scoured my extensive Mathis collection, as well as the corners of the internet, to bring you as full a musical portrait of Edith Mathis as possible, covering nearly the entirety of her career, and including works by several of her Swiss compatriot composers. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
Od reakcji po odcinku o Love Story JFK jr, przez głupotę, którą palnął Chalamet, aż do Osobowości medialnej roku Wirtuale 2026. Na koniec zaproszenie na coś ważnego. Ten podcast powstaje dzięki Patronite: https://patronite.pl/karolinakp 0:00:00 Intro 0:03:12 Love Story: John F. Kennedy Jr. & Carolyn Bessette 0:09:43 Pulp - Common People 0:13:46 Timothée Chalamet 0:31:49 The Magic Flute - Queen of the Night aria (Mozart, Diana Damrau, The Royal Opera) 0:34:50 Osobowość medialna roku 0:39:27 Max Richter - Spring 1 (2012) Recomposed: Vivaldi's Four Seasons 0:41:55 Co nam zostało po Sobolewie? 0:51:04 Outro 0:58:39 Max Richter - On The Nature of Daylight (Taken from the Hamnet Soundtrack)
Consider taking out a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven On this episode, Jed talks about five notable Mozart pianists who brought divergent yet equally compelling approaches to this composer's keyboard works. Here are links to listen:Lili Kraus - https://www.youtube.com/watch?v=K2doJV0FR8QWalter Gieseking (Piano Concerto No. 21 in C Major K. 467) - https://www.youtube.com/watch?v=c4VP_2rr-OQRobert Levin (Piano Sonata No. 1 in C Major K. 279) - https://www.youtube.com/watch?v=R4v1msNPkyU&list=PLpBPcOvehC0kbct3EB1ziaeT5wsNukRvsRoberto Prosseda (Pianos Sonatas 13 through 18) - https://www.youtube.com/watch?v=QVfly6gG3ec&list=PLQ7td4BqY86XAc3tzqvMKpg80PyuMEfSjMieczyslaw Horszowski (Piano Concerto No. 17 in G Major K. 453) - https://www.youtube.com/watch?v=CN2g2NO6pAo
Childhood trauma is everywhere in movies these days. You can find inner child work in Wicked and at least half the Pixar catalog. But we've always had it, only in the 1940s and 50s, it was all Freudian and weird. In our quest for trippy dream sequences, we pair weed with a pair of movies that probably traumatized kids as much as they entertained them. First, we have the only feature film written by Theodor Seuss Geisel AKA Dr. Seuss, THE 5,0000 FINGERS OF DR. T (1953) starring the amazing Hans Conried as a megalomaniacal piano teacher. It definitely delivers on Seuss-y dreaminess. And then, young Dean Stockwell is a war orphan who wakes up with green hair, and everyone in his town freaks the f-- out about it in, you guessed it, THE BOY WITH GREEN HAIR from RKO in 1947. Plus, Bob tries out the new DaVinci EQ Vaporizer and--spoiler--it's so good it made him like TRON ARES. Plus, are Zoomers buying DVDs? Philena has answers! We've also got the TikTok Report and what up Appleton, Wisconsin? #RaiseYourEQ to new frequencies. NEXT EPISODE: AP Mike returns for some EARLY HERZOG! Subscribe on your favorite podcast app so you don't miss it. Hosts: Bob Calhoun, Cory Sklar, Philena Franklin, and Greg Franklin Theme song: Chaki the Funk Wizard, used with permission. "Eine Kleine Nactmuskik" by Mozart and "Nebula" by the Grey Room, Density & Time courtesy of YouTube Audio Library. "Parade of the Wooden Soldiers" performed by the United States Marine Band and trailer and archival audio courtesy of archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com
New Centurion Running coach Jack Chamberlain talks to our Head of Endurance Robbie Britton about the importance of having a good, honest relationship with your coach and his journey into the sport of trail running and winning races like the Mozart 100 in Austria.
durée : 00:28:35 - George Szell (1/4) - par : Christian Merlin - Qui dit Chicago dit Reiner, qui dit Cleveland dit Szell. Né neuf ans après Reiner à Budapest, George Szell est l'autre grand Hongrois à qui la vie symphonique américaine doit tant. L'élégance classique du Cleveland de Szell est idéalement complémentaire de la machine de guerre du Chicago de Reiner. - réalisé par : Delphine Keravec Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
If you've ever said “I just need more time,” this episode is for you.Dana Leong shares how a weird orchestra dream, a move to Asia, and a market‑entry consultant led him to a three‑block system for his life:Health as the first priorityCreativity split into creating, editing, practice, and learningBusiness development as a weekly non‑negotiableAlong the way he pulls lessons from Leonardo da Vinci's notebooks, Mozart's morning routine, Bach's weekly cantata grind, Steve Jobs' walking meetings, and even Bryan Johnson's “discipline over motivation” philosophy.This is a practical conversation about designing your days so you don't rely on inspiration or vibes to get important work done.Listen, take notes, and build your own three‑block system.Follow / Subscribe: @UpgradeMePod
This special episode is an inside look at AI music from three very different vantage points: the builder, the investor, and the industry insider.Andreas is joined by Sundar Arvind, CEO & Co-Founder at Mozart AI, building a collaborative generative audio workstation; Daniel Waterhouse, General Partner at Balderton Capital; and Ash Pournouri, Co-Founder of Belong, entrepreneur, producer, and former manager of Avicii.Together, they unpack how AI is reshaping music creation, how serious investors underwrite risk in a litigious industry, why “one-click songs” miss the point, and whether AI expands creativity or commoditizes it.If you want a grounded view of where the real fault lines are — rights, training data, authorship, collaboration, and the psychology of creativity — this is it.ShareWhat's covered:00:40 Mozart AI's vision: a collaborative generative audio workstation05:10 DAWs, EDM, and why tech has always expanded music creation06:35 Why “one-prompt songs” optimise for quantity, not craft09:20 Underwriting AI music: how VCs think about billion-dollar incumbents13:00 Is this a new instrument or a 100x larger market?18:45 Are professional artists already using AI tools?21:00 Copyright, training data, and legal diligence in AI music25:15 Philosophically: what are “rights” when machines learn from music?33:40 Diffusion models explained simply: how AI generates sound36:30 The return of the band? Multiplayer music creation40:00 Ash Pournouri joins: the industry's instinct is protection44:10 “You can't stop development”: why demand always wins48:50 Packaging matters: AI as tool vs AI as replacement51:20 Lowering thresholds and democratization across decades56:30 Five-year predictions? We're on the vertical part of the curve58:10 The “vibe coding” moment for music
Howard Morgan and Mozart Fontaine catch up with ECWA's "The American Missile" Clutch Rockwell ahead of the ECWA Super 8 tournament, March 14 in Morganville, NJ. Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices
MOZART: Requiem en Re menor KV 626 (47.03). C. Schäfer (sop.), B. Fink (con.), K. Streit (ten.), G. Finley (baj.), Coro Arnold Schönberg, Concentus Musicus Wien. Dir.: N. Harnoncourt.Escuchar audio
Send a textRewind to 5 – 11 March 2006 and the world is juggling human rights debates, dancehall domination and the Pope casually flexing a 2GB iPod Nano.
La presidenta levanta el trofeo de la Copa del Mundo junto con Bebeto. Hablando del 'la copa': Gil Mora podría perderse el mundial y Rafa Márquez, dejar la selección... ¿qué dice MoyMu al respecto? El papá de 'LaJosa' le revisaba la muela picada al 'Apio' y el vocalista de Rata Blanca opina de la música del 'Mozart' moderno.
If an understanding of music implies a love of structure, perhaps the musician's relationship to his art mirrors the one he has with authority, both human and divine. Salieri, whose father was a man of commerce, sees God as a kind of bank manager who records prayers and sacrifices as payments on a long-term loan of musical talent. Salieri's economics work just fine until the arrival of Mozart, who seems to have put up no collateral—he's ”a giggling, dirty creature” in the words of Salieri—but has received the equivalent of a billion-dollar loan. Are Mozart's gifts a glitch in divine accounting? Or are his flaws attendant on or even the result of his genius? And how can we account for the glitch in Salieri's design, which permits longing to go unanswered by talent? Wes & Erin discuss the 1984 film “Amadeus,” directed by Milos Forman. Upcoming Episodes: Susan Sontag’s On Photography; Withnail & I; Waiting for Godot Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website
Send a textIn today's episode, I interview Alejandro Vilpa, creator of the new streaming platform Vilpamax. The service is dedicated to showcasing short films from emerging filmmakers and is launched in early 2026.Listen to hear about how Alejandro decided to create the platform when he identified a gap in the marketplace, using films from acclaimed festivals and Oscar nominees to bring people to the service and introduce them to other films, and what the plans are for the future.Books mentioned in this episode include:Invisible by Paul AusterFilms and TV shows mentioned in this episode include:"The Undertone of David Jansen" directed by Alejandro Vilpa"Bienvenidos a Los Angeles" directed by Lisa Cole"The Mozart of Pickpockets" directed by Philippe Pollet-Villard"The Girl Who Cried Pearls" directed by Maciek Szczerbowski and Chris LavisMemento directed by Christopher NolanEat Pray Love directed by Ryan MurphyAtonement directed by Joe WrightAlice in Wonderland directed by Clyde Geronimi, Wilfred Jaxon, and Hamilton LuskeFollow Alejandro on Instagram @alejandrovilpa and check out the service for yourself at vilpamax.com as well as subscribe to the YouTube channel. You can also check out his work at vilpafilms.com and follow Vilpa Films on Instagram @vilpafilms.If you want to submit a film to Vilpamax for consideration, email business@vilpafilms.com and include a screener link.Support the show
Orli Shaham collaborates with a teenage pianist on a Mozart Sonata for four-hands. We also hear from a trumpeter who plays Gershwin and a 17-year-old violinist performing Beethoven.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
durée : 00:59:13 - La Série musicale - par : Zoé Sfez - Toujours reconnu comme un véritable génie, Wolfgang Amadeus Mozart occupe une place à part dans la musique dite classique. Derrière une apparente simplicité, son œuvre très versatile permet d'aller puiser dans plusieurs genres et plusieurs styles, du jazz au hip hop. - réalisation : Thomas Jost
durée : 00:59:13 - La Série musicale - par : Zoé Sfez - Toujours reconnu comme un véritable génie, Wolfgang Amadeus Mozart occupe une place à part dans la musique dite classique. Derrière une apparente simplicité, son œuvre très versatile permet d'aller puiser dans plusieurs genres et plusieurs styles, du jazz au hip hop. - réalisation : Thomas Jost
February 2026Even amongst the distinguished ranks of WW2 codebreakers, Emily Anderson stood out. Recruited into military intelligence during WWI, her stellar career in diplomatic codebreaking lasted into the 1950s. Her greatest achievement came with the breaking of high-level Italian ciphers during the East African Campaign of 1940-41. It was called 'the perfect example of the cryptographers' war' and earned her the OBE in 1943.Anderson was also a renowned musicologist - her translations of the letters of Mozart and Beethoven are still considered authoritative. Yet until recent years, her life and intelligence work remained under the radar.This episode helps to set the record straight, and kick off a new occasional series focusing on key personalities in codebreaking and intelligence. Bletchley Park's Research Officer Dr Thomas Cheetham is joined by Jackie Uí Chionna from the University of Galway to discuss the subject of her 2023 biography Queen of Codes: The Secret Life of Emily Anderson, Britain's Greatest Female Codebreaker.Our thanks go to Sarah Langston for voicing our historical documents.The Marriage of Figaro - K. 492 CC PDM 1.0 www.classicals.de Image: © Dr. Dagmar von Bushe-Weise#BPark, #Bletchleypark, #WW2, #Enigma, #Italy, #Galway
We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!
BR Klassik nimmt Mythen in der klassischen Musik unter die Lupe. Los geht es mit schweren Vorwürfen um einen der berühmtesten Komponisten aller Zeiten: Wolfgang Amadeus Mozart soll von Anonio Salieri vergiftet worden sein.
durée : 01:28:12 - Relax ! du vendredi 27 février 2026 - par : Lionel Esparza - Demain sera le dernier jour du mois, profitons-en pour écouter ensemble quelques-uns des plus beaux disques qui sont parus en ce mois de février 2026, avec le Quatuor Hermès dans Mozart, le Banquet Céleste dans Bach ou encore l'Orchestre national de France qui s'essaye à Elsa Barraine. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
In Germany, just under 29% of orchestral leadership roles are held by women; a trend seen worldwide. As I celebrate some former Inline G guests achievements from the last week, I take a look at the gender disparity in the classical music industry, the arguments we commonly see online for it, and why they're a load of bollocks. Grma xZofia Neugebauer's new single is out now on all streaming platforms!Marianna Busslechner's Mozart performance can be found here:https://www.youtube.com/live/w9xnkiO2PIk?si=8yAIT2A8DixUk4ql&t=5452Cassie O'Hanlon's Terrible Coronado Orchestra is on Facebook now!Gill Flutes new challenge can be found on her socials!Inline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xChapters:00:00 - Italia 9005:33 - Zofia and Marianna16:09 - Women in Classical Music24:41 - Men in Classical Music39:18 - Gill, Cassie and Hélène
From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Harp takes center stageKathy Kienzle is a retired principal harp of the Minnesota Orchestra. She's looking forward to the upcoming Bakken Ensemble performance where the harp gets to shine. This season Bakken Ensemble celebrates 30 years. The performance is 4 p.m. Sunday, March 1, at Westminster Hall in Minneapolis.Cheryl Losey Feder is the guest harpist, and Kienzle says this is a wonderful chance to hear her perform chamber music up-close, rather than with the full Minnesota Orchestra.Kathy is particularly looking forward to hearing André Caplet's “Conte Fantastique,” which she calls “extremely difficult and very, very fun to hear.”Kathy says: One of the reasons I really love this piece is people think of the heart as a very beautiful, soothing, pretty instrument. And this piece really looks at the dark side of the harp. It's based on a story by Edgar Allan Poe called “The Masque of the Red Death,” about a group of nobles who hole up in a castle and throw a masked ball while the populace dies of a plague, only to be killed off by a masked figure dressed as a plague victim.— Kathy KienzleA visionary's early years on stageBrianna Regan is a former stage manager and ongoing arts fan in Minneapolis. She has seen both Theatre Elision's current and previous productions of Grace McLean's musical “In the Green,” and she liked it even better this time. The musical is about the early years of Hildegard von Bingen (1098-1179), a German Benedictine abbess, visionary, and composer whose writings spanned medical, natural history, philosophy, music and more. The 90-minute musical focuses on a young Hildegard's early years, when she entered the church after having visions. She is cloistered with an older nun, Jutta.Brianna describes the show: It's a small, five-person cast that really deals with how to be a woman in the world, how to deal with using your voice, speaking up, being present and how to heal from trauma. This time around, I really think it is even more relevant in our current political environment, as well as what we are dealing with here in Minnesota; it really hit me and gave me that kind of catharsis. The artists in the show are just absolutely incredible. I cannot say enough good things about their musical talents. It is a little bit of a weird musical, but I will say, from start to finish, the story pulls you in.— Brianna ReganChamber music in NisswaStephen Gurney of Bemidji is a retired English professor with a self-described “indefatigable love of classical music.” He and his wife plan to make the drive to Nisswa to see the Lakes Area Music Festival perform Mozart and Borodin.The concert is Sunday at the Lutheran Church of the Cross at 2 p.m. Saturday's performance at Pillsbury Castle in Minneapolis is sold out. The program contains three pieces of chamber music by Mozart, Dvorak and Borodin.Stephen offers some background on Borodin's “String Quartet No. 2 in D Major”:Stephen says: Borodin was one of the Russian five. These were five Russian composers who endeavored to express Russian folk music and even liturgical music in their in their works. Borodin was by trade a chemist, and actually contributed a great deal to the advance of organic chemistry, but the Second String Quartet is a pure love song from beginning to end. It was dedicated to his wife. It was written and given to her on one of their anniversaries.— Stephen Gurney
durée : 01:29:02 - En pistes ! du jeudi 26 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin, du violoncelle avec les deux concertos de Chostakovitch, puis deux quatuors à cordes de Beethoven et Mozart. Du côté du piano, un très bel album autour des œuvres de Schumann composées en 1838. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:29:02 - En pistes ! du jeudi 26 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin, du violoncelle avec les deux concertos de Chostakovitch, puis deux quatuors à cordes de Beethoven et Mozart. Du côté du piano, un très bel album autour des œuvres de Schumann composées en 1838. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Today ON VINYL VIBRATIONS I FEATURE THE MUSIC OF the MULTI-TALENTED, Camille Saint-Saens. M1 Saint-Saens: Symphony No.1 in E Flat, Op 2, III Adagio, (Saint-Saens 1853), Capitol Records/Angel, 1973 (10:00) M2 SAINT-SAENS: Symphony No.2 in A Minor, Op 55, II Adagio, (Saint-Saens 1859), Capitol Records/Angel, 1973 (3:59) M3 Symphony No.2 in A Minor, Op 55, IV Prestissimo, (Saint-Saens 1859), Capitol Records/Angel, 1973 (7:19) M4 Saint-Saens: Symphony No.3 in C Minor Op 78 (Organ Symphony), Philadelphia Orchestra, I Allegro Moderato, Poco adagio, (Saint-Saens 1886) Columbia Records, 1963 (9:00) M5 Saint-Saens: Symphony No.3 in C Minor Op 78 (Organ Symphony), Philadelphia Orchestra, II Maestoso, Allegro, (Saint-Saens 1886) Columbia Records, 1963 (7:20) M6 The Swan – The Carnival of the Animals XIII, (Saint-Saens 1886), Silhouettes -Virgil Fox/Organ” Capitol Records, 1960 (2:39) Saint-Saens lived from 1835 to 1921, and was born in PARIS. He was a composer, organist, conductor and pianist of the Romantic Era, that's music that was featured throughout the 19th century. He was a musical prodigy, of course. He had perfect pitch. A grand aunt taught him some piano basics at three, and he was a music pupil at the age of 7. He gave informal performances at the age of 5, and his public debut was at age 10 performing the music of Mozart and Beethoven. He and studied at the Paris Conservatoire starting at age 13 to age 18. His first “job” was a ORGANIST at the Saint Merri Church – 26,000 parishioners. That sounds like a typical trajectory for a young musical prodigy. But, unlike other music students, Saint-Saens had a broad focus. He was a multi-tracker of the day, with varying and distinguished interests such as the study of Latin, Greek, Divinity and Mathematics. He was talented amateur Astronomer throughout his adult life. In today's podcast I review portions of 4 SAINT-SAENS COMPOSITIONS, pieces composed between 1853 and 1886, or when Saint-Saens was from the age of 17 to 50. We will hear 6 movements from 4 works – those 4 works are Symphony No. 1 Symphony No. 2 Symphony No. 3 Carnival of the Animals
"Juste après Dieu, il y a papa" : voilà ce que disait Wolfgang Amadeus Mozart à son père Léopold. Une relation qui se dégrade au fil des ans. Le livre d'Eric-Emmanuel Schmitt paraît chez Albin Michel. Ecoutez Laissez-vous tenter - Première avec Sophie Aurenche du 26 février 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Carlos Iribarren | Dicen los que saben que todo lo bueno se acaba y hoy terminamos el repaso a las 22 óperas compuestas por el genio W. A. Mozart. Han sido 4 programas llenos de buena música y datos interesantes sobre el hombre y su magnífica obra. Y quien nos ha acompañado en estas 4 entregas ha sido el apasionadísimo Rafa Bernardo, quien demuestra su conocimiento en cada comentario sobre las obras del compositor de Salzburgo. Las 5 óperas finales de Mozart comprenden algunos momentos míticos y 2 de ellas están en cualquier lista de las 10 óperas más famosas de la historia; son obras inolvidables que nos han servido para homenajear a un genio, autor de la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.
durée : 00:03:33 - Le Pourquoi du comment : philo - par : Frédéric Worms - Tel que Dom Juan chez Molière ou Don Giovanni de Mozart, le séducteur séduit dans son propre intérêt et finit malheureux, refusant ce que le penseur danois Søren Kierkegaard, dans "Journal d'un séducteur", appelle « le sérieux de l'amour ». - réalisation : Luc-Jean Reynaud
⚔️ Notre Programme Rox Evolution : https://bit.ly/roxevolution-podcast
Hoy nos visitan Josep Colom y Javier Laso para interpretar en directo una pieza en piano a cuatro manos de su disco: "Mozart & Schubert". Nos acercamos al teatro con Marta García Miranda. Vicente Monroy en su sección de cine despide al director de documentales Frederick Wiseman. También decimos adiós al trombonista Willie Colón. Y repasamos la gala de los premios BAFTA con nuestro corresponsal Guillaume Bontoux.Escuchar audio
durée : 00:28:45 - Les Midis de Culture - par : Marie Sorbier - Après ses interprétations de renommée de Bach, Beethoven ou Mozart, le pianiste Piotr Anderszewski consacre son nouvel album à Brahms, reprenant douze pièces écrites à la fin de la vie du compositeur. - réalisation : Laurence Malonda - invités : Piotr Anderszewski Pianiste
I was honoured to have this opportunity to talk to the pianist Christina Petrowska Quilico about her extraordinary life in music and the arts. She shared wonderful and moving stories about Ann Southam, Louis Quilico, Pierre Boulez, Jacques Isrealievitch, and her legendary teacher Rosina Lhévinne. I was really struck by Christina's open-minded attitude throughout her long career to learning new music, culminating in almost 70 brilliant and powerful albums so far; it's amazing to learn that most of her recordings are recorded live, in one take. Christina also shared how meaningful it is to her to be a mother and grandmother, as well as respected academic; she's Professor Emerita and Senior Scholar at York University in Toronto. Among many honours, she has been appointed to the Order of Canada, and the Royal Society of Canada. Her curiosity and creative energy seem limitless; she's a poet and visual artist, she's studied Ancient Egyptian culture, and she lives her life spiked with humour and a down-to-earth attitude. We are also including excerpts from several of Christina's albums and performances including music by Mozart, Art Tatum, Ann Southam, Meredith Monk and David Jaeger, all detailed in the timestamps, with links in the show notes.The show notes will also bring you to: Christina's website, linked episodes you'll enjoy, my podcast newsletter for exclusive information about upcoming guests, podcast merch, the YouTube video, and all the albums featured on this podcast! (00:00) Intro(02:19) Ann Southam (07:29) clip fo Ann Southam's Glass Houses Revisited #5 from concert; video linked in show notes(09:09) Ann Southam(11:29) mindset for recording(17:11) Jacques Israelievitch Mozart project with (22:07) clip of Mozart Sonata no. 32 in B flat major, K. 454, 3rd movement Allegretto, album linked in show notes(23:20) Louis Quilico, opera(30:38) visual art, synesthesia(35:32) Other linked episodes(36:31) learning so much new music, Pierre Boulez stories(45:55) first husband Michel-Georges Brégent, David Jaeger (49:07) clip of Takemitsu Les Yeux Clos from Games of the Night Wind, album linked in show notes(50:12) upcoming projects, career path, Rosina Lhévinne(56:30) impact of sexism on her career(0:01:13) audio clip Paris by Meredith Monk from Retro Americana, album linked in show notes(01:02:24) Retro Americana album, with clip of I'll Never Be the Same by Art Tatum (01:05:22) Rzewski, clip of Winnsboro Cotton Mill Blues from Retro Americana(01:06:28) David Jaeger, arts funding, CBC(01:12:21) piano repertoire and technique, Jeaneane Dowis (01:16:39) learning music, funny story, Vintage Americana album(01:20:44) clip of Fantasy Pieces - Allegro Minacciando by David Del Tredici from Vintage Americana) (01:21:36) living a creative life, mindset, studying Ancient Egypt
The Sound Chaser Progressive Rock Podcast is on the air. . This time I am exercising my professorial privilege to get just a bit educational. Much of progressive rock, especially in the early days, was based on classical music, including rock and jazz-rock versions of classical pieces. I dedicated show 24 all the way back in 2014 to spotlighting the prog-rock versions of classical music. In this show, I am turning the idea around. I will be playing the actual pieces of classical music that became the inspirations for progressive rock transcriptions. I will be discussing the prog rock versions with the help of excerpts from many favorite prog rock acts. With this audio essay, it is time truly to get in touch with the Classics on Sound Chaser. Featured composers include Holst, Mussorgsky, Smetana, Hermann, Jarre, Glass, Adams, Debussy, Beethoven, Wagner, Hovhannes, Janáček, Prokofiev, Rodrigo, Ligeti, Khatchaturian, Handel, Mozart, Tárrega, Saint-Saëns, Satie, Ravel. PodOmatic limits the number of characters for episode descriptions, and I could not cut enough to make it under the limit. So, I will be posting the fully detailed playlist on the Sound Chaser Progressive Rock Podcast Facebook page https://www.facebook.com/people/The-Sound-Chaser-Progressive-Rock-Podcast/61577332305605/, and in the comments on this page.
Les liens entre Mozart et la ville de Prague sont tellement indissolubles que le souvenir de l'un éveille immédiatement la pensée de l'autre : la musique du prodige salzbourgeois y trouvera un accueil des plus enthousiastes.Découvrez dans cet épisode le lien particulier qui unit Mozart à la ville de Prague. Franck Ferrand nous plonge dans l'histoire passionnante des créations des Noces de Figaro et de Don Giovanni dans la capitale tchèque, où Mozart a connu un succès triomphal.Vous apprendrez comment les Noces de Figaro, rejetées à Vienne, ont été acclamées à Prague, propulsant Mozart au sommet de la gloire. Vous suivrez ensuite le compositeur lors de son voyage à Prague en 1787 pour diriger en personne la création de son chef-d'œuvre, Don Giovanni, qui a divisé le public viennois mais a fasciné l'empereur Joseph II.À travers les témoignages de l'époque, vous aurez l'impression d'être aux premières loges pour assister aux répétitions mouvementées et à la soirée électrique de la première représentation. Vous découvrirez également comment Prague est devenue la ville d'élection de Mozart, qui y a trouvé un réconfort et une inspiration uniques jusqu'à la fin de sa trop courte vie.Que vous soyez un passionné de musique classique ou simplement curieux d'en apprendre davantage sur le génie de Mozart, cet épisode saura vous captiver. Laissez-vous transporter dans la Prague du XVIIIe siècle et imprégnez-vous de l'esprit du compositeur
Les liens entre Mozart et la ville de Prague sont tellement indissolubles que le souvenir de l'un éveille immédiatement la pensée de l'autre : la musique du prodige salzbourgeois y trouvera un accueil des plus enthousiastes.Découvrez dans cet épisode le lien particulier qui unit Mozart à la ville de Prague. Franck Ferrand nous plonge dans l'histoire passionnante des créations des Noces de Figaro et de Don Giovanni dans la capitale tchèque, où Mozart a connu un succès triomphal.Vous apprendrez comment les Noces de Figaro, rejetées à Vienne, ont été acclamées à Prague, propulsant Mozart au sommet de la gloire. Vous suivrez ensuite le compositeur lors de son voyage à Prague en 1787 pour diriger en personne la création de son chef-d'œuvre, Don Giovanni, qui a divisé le public viennois mais a fasciné l'empereur Joseph II.À travers les témoignages de l'époque, vous aurez l'impression d'être aux premières loges pour assister aux répétitions mouvementées et à la soirée électrique de la première représentation. Vous découvrirez également comment Prague est devenue la ville d'élection de Mozart, qui y a trouvé un réconfort et une inspiration uniques jusqu'à la fin de sa trop courte vie.Que vous soyez un passionné de musique classique ou simplement curieux d'en apprendre davantage sur le génie de Mozart, cet épisode saura vous captiver. Laissez-vous transporter dans la Prague du XVIIIe siècle et imprégnez-vous de l'esprit du compositeur
Howard Morgan and Mozart Fontaine sit down with "Hollywood Sean Gold (Sean Grayson). Join Morgan and Mozart each week as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This interview originally aired in January 2023, and we've updated it with a fresh opening and "One Quick Thing." Comedian Gianmarco Soresi is brutally honest with us this week: he deeply relates to Antonio Salieri (F. Murray Abraham!) in Milos Forman's 1984 classical classic, Amadeus. But while Gianmarco can own his Salieri-like insecurities, he can't let it keep him from pursuing virtuosity.Then, Jordan has one quick thing about an exciting new action film from master Yuen Woo-Ping, Blades of the Guardians.Gianmarco's latest special is Thief of Joy. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.
Grâce à la présence dans l'émission de Thomas Solivérès, qui incarne actuellement Mozart au théâtre Marigny dans "Amadeus", les questions sur le compositeur furent nombreuses. Et on a notamment appris qu'il avait été soutenu à un moment de sa vie par la Dame de fer ! Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Gefühlte Fakten - Folge 324: Arschmadeus Mozarsch! Bei einem mittelleckeren Cay serklärt Tarkan im Wikipedia Artikel der Woche, warum Mozart der Bart Simpson seiner Zeit war. Außerdem diskutieren wir über Koffer mit Rollen (hätte Stauffenberg vielleicht Erfolg gehabt, wenn sein Koffer Rollen gehabt hätte?), darüber was Terroristen machen, wenn ihr Anschlag im Security Check vereitelt wird, ohne dass es jemand merkt (setzt man sich noch in den Flieger? Zieht man den Robinson-Club Urlaub durch?) und vieles, vieles mehr! Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/gefuehlte_fakten Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio
Gustavo Fernández dialogando sobre Hombres de Negro (si sabés quién es su interlocutor, te agradeceremos que nos dejes un comentario en la web). - ¿Seres extraterrestres entre la gente? - Hombres de Negro: ¿extraterrestres, Servicios de Inteligencia o Antigua Sociedad Secreta? Albert K. Bender. El hombre del cable verde. La visita a un matrimonio español. - Investigadores silenciados. El "suicidio" de Morris K. Jessup. James E. McDonald. Luis Anglada Font (enfermedad que le impide comunicarse). Harold Dahl (isla Maury). Mozart. - El aspecto físico de los Hombres de Negro. - Puntos de contacto entre los temas Parapsicología y OVNI. - Una pareja de investigadores desaparecida. Aclaración: Este episodio se elaboró a partir de diferentes grabaciones de Gustavo Fernández en su programa de radio AM, en LT14 Radio General Urquiza de Paraná (Entre Ríos, Argentina), en algún momento entre agosto de 1988 y junio de 1994. Hemos quitado la música original por cuestiones de derechos de autor. No contiene publicidad. Relacionados: Más texto, audio y video sobre los temas del Misterio en nuestro portal: https://alfilodelarealidad.com/ Utiliza el buscador o busca por categorías y etiquetas. Plataforma de cursos: https://miscursosvirtuales.net * * * Programa de Afiliados * * * iVoox comparte con AFR un pequeño porcentaje si usas uno de estos enlaces: * Disfruta de la experiencia iVoox sin publicidad, con toda la potencia de volumen, sincronización de dispositivos y listas inteligentes ilimitadas: Premium anual https://www.ivoox.vip/premium?affiliate-code=68e3ae6b7ef213805d8afeeea434a491 Premium mensual https://www.ivoox.vip/premium?affiliate-code=7b7cf4c4707a5032e0c9cd0040e23919 * La mejor selección de podcasts en exclusiva con iVoox Plus Más de 50.000 episodios exclusivos y nuevos contenidos cada día. ¡Suscríbete y apoya a tus podcasters favoritos! Plus https://www.ivoox.vip/plus?affiliate-code=258b8436556f5fabae31df4e91558f48 Más sobre el mundo del Misterio en alfilodelarealidad.com
In today's uplifting episode, host James Cox sits down with the wonderfully eclectic Kristen Massey—singer, guitarist, keyboardist, voice‑over artist, producer, comedy writer, and author of the newly released The Joat (Jill of All Trades).From the moment they meet, it's clear that music is the trunk of Kristen's tree—everything else branches off it.Together they explore:The healing power of music for depression and why a simple melody can change a heartbeat.Kristen's musical journey—growing up with a piano, crafting Beatles‑ and Joni‑inspired songs, front‑lining bands, and finally finding her voice after two record‑deal setbacks.Red Siren's story, including the costly name‑conflict that turned “Siren” into “Red Siren,” and the triumph of releasing their Led Siren tribute to Led Zeppelin.The Joat—a fresh paperback/Kindle release that urges everyone to become a “Jill (or Jack) of All Trades” and step out of comfort zones.Behind‑the‑scenes of audiobook creation, the challenges of recording an emotionally resonant narration, and the future audio‑book release.Thoughts on AI in music, Bandcamp's ban, and why Kristen decides song‑by‑song whether a track feels authentic.A rapid‑fire lightning round that reveals her first‑thought favorites, the posters that hung on her teenage wall, her “Mount Rushmore” of musical icons (The Beatles, Stevie Wonder, Joni Mitchell, and Jim Morrison), and the classical pieces that still stir her soul—Mozart's Sonata No. 23 and Haydn's C‑concerto.Kristen also shares heartfelt anecdotes—from playing a flute that makes jungle leaves stand at attention, to hitching a ride on Willie Nelson's tour bus—showcasing how music binds us to nature, animals, and each other.Stay tuned for a candid conversation that blends humor, nostalgia, and raw honesty—plus a glimpse into Kristen's upcoming original EP. Whether you're battling the blues or just love a good musical story, this episode proves once again that when words stumble, music speaks.
Coucou everyone!A mystery grounded in fact, Cat tells the story of the mythically wealthy alchemist, polyglot, musician, scientist, philosopher, and artist - the Comte de Saint-Germain. A friend to Marie-Antoinette, Volatire, Casanova, Mozart, and several kings, he was rumored to be hundreds of years old. Kate also shares the history and meaning behind the king cake - laissez les bons temps rouler! Main topic sources: The Life and Times of an Immortal AlchemistComte de Saint-Germain | Mystic, Alchemist, Occultist | Britannica Count of St. Germain - Wikipedia Mini topic sources:King CakeVisit Lake Charles: King CakeKate's recommendation: The Piano Teacher Film (2001)Catherine's recommendation: Madame Bovary by Gustave FlaubertDon't forget to follow us on Instagram & Tiktok :)Cover art and logo by Kate WalkerMixed and edited by Catherine RoehreTheme song by LumehillThank you all - ciao!
콘클라베 Allegri: Miserere 브루탈리스트 Wagner: Das Rheingold: Hört, ihr Riesen! Mozart: Serenade No.13 4악장 어쩔수가없다 Mozart: 피아노 협주곡 23번 2악장 Marais: Le Badinage 세계의주인 Bach: 양들은 평화로이 풀을 뜯고 메이드인코리아 Bach: Goldberg Variation, BWV.988 Aria 하나 그리고 둘 Bach: Toccata BWV.914 Bellini: Vaga luna, che inargenti Beethoven: 피아노 소나타 14번 1악장 Beethoven: 첼로 소나타 1번 1악장