Podcasts about Wolfgang Amadeus Mozart

Actor Hayden Panettiere has died at the age of 36, her father confirmed in a statement. The star was known for her roles in "Heroes" and "Nashville." Gayle King has a look at her life and career.Tennis star Novak Djokovic lost in the second round of the Cincinnati Open over the weekend and appeared to struggle with stamina throughout the match. On Saturday, he attributed his on-court issues to a health condition that has been bothering him "for the past couple of years" and said it's exacerbated by hot and humid conditions.Opening statements are expected to begin Monday in Las Vegas in the trial of Duane "Keffe D" Davis, the man accused of orchestrating the murder of rapper Tupac Shakur in 1996. Davis has pleaded not guilty. CBS News legal analyst Caroline Polisi breaks down what to expect.An opinion essay in the New York Times is sparking conversation about feminism and the growing normalization of plastic surgery. Molly Jong-Fast, an author and political commentator, discusses her decision to have a facelift at 47 and if it makes her a "bad feminist."Registered dietitian Megan McNamee weighs in on how to make your child's school lunch easier and more affordable as kids head back to the classroom.Jon Batiste speaks with "CBS Mornings" about his three new albums, which were inspired by composers Wolfgang Amadeus Mozart and Thelonious Monk, and explains how he crafted each one in a single day. The Grammy winner also gives an update on his wife, who is battling cancer.During her shift, an Amazon driver in Kentucky took a moment to untangle an American flag. CBS News contributor David Begnaud shows how the routine delivery turned into a special moment with a military family.

Andrés Amorós inicia un ciclo dedicado a Mozart.

Kate Molleson tells Mozart's story through five of the relationships that shaped the composer and his music - from his friends and family to a mentor and a supposed rival.Symphony no. 35, K385 ‘Haffner' Violin Concerto No. 1 in B flat, K207 Concerto for Flute Harp and orchestra in C, K299 Symphony no. 31 D major, K297 'Paris' Idomeneo Piano Concerto No. 20 in D minor, K466 Concerto for Two pianos no. 10 in E flat major, K365 Exsultate Jubilate Symphony No. 29 in A major, K201 Vespers sollennes de confessore in C, K339 Sonata for Piano Four hands in D major, K381 String Quartet no. 20 in D Major, K499 ‘Hoffmeister' Symphony no. 36, K425 ‘Linz' String Quartet no. 19 in C major, K465 ‘Dissonance' Fantasia in C minor, K475 Symphony no. 41 in C Major, K551 'Jupiter' Die Entfuhrung aus dem Serail - Overture Der Schauspieldirektor, K486: Da Schlägt die Abschiedsstunde Piano Concerto no. 24 in C minor, K491 Così fan tutte Chamber Orchestra of Europe Clarinet concerto in A major, K622 Masonic funeral music in C minor, K477 Trio in E flat for clarinet viola and piano, K498 'Kegelstatt' The Magic Flute: Overture The Magic Flute: Finale Requiem in D minor. K626Presented by Kate Molleson Produced by Megan Jones for BBC Wales AudioFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Wolfgang Amadeus Mozart (1756-1791): https://www.bbc.co.uk/programmes/m002ztshAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

¿Qué pasaría si supieras que estás escribiendo tu última obra?En este episodio de A Pie de Letra, Pato nos lleva por un camino poco habitual al elegir una de las composiciones más enigmáticas y trascendentales de la música clásica: el Réquiem de Wolfgang Amadeus Mozart.Comenzamos explorando la fascinante historia que rodea esta obra: el misterioso encargo, los últimos días de Mozart y el contexto histórico que dio origen a una de las piezas más célebres de todos los tiempos. Pero, como suele suceder en A Pie de Letra, la conversación pronto deja la historia para convertirse en un espejo.Hablamos de la muerte. Del miedo, de la aceptación y de cómo el final de la vida puede cambiar la forma en que elegimos vivir. ¿Pensamos lo suficiente en nuestra propia finitud? ¿Le tememos? ¿O es precisamente ella la que da sentido a todo lo demás?Y entonces Hazel nos deja con una pregunta que sigue resonando mucho después de terminar el episodio:¿Cuál sería tu réquiem?Mándanos un mensaje.Agrégate nuestros playlists a tu Spotify: 'A Pie De Letra Temporada 1' y 'A Pie De Letra Temporada 2' y Temporada 3, para que nos acompañes cada semana con una nueva canción.

Join Alex and Dr. Annie Ditta as they giggle along with Mozart in Miloš Foreman's masterpiece Amadeus (1984)! The film follows Antonio Salieri, played wonderfully by F. Murray Abraham, as he recounts his adoration turned jealousy turned pity toward Wolfgang Amadeus Mozart, played brilliantly by Tom Hulce. The episode focuses on the role of creativity in creating such music that stands the test of time. The idea is that Amadeus is the full package when it comes to creative thinking, and while Salieri was creative, he is missing some aspects that were found within Mozart. And one of the best creative choices for this film: the laugh that Tom Hulce developed for Mozart! It truly is infectious... Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), or Threads/Instagram (@cinemapsych_podcast). We'd love to hear from you! If you like this content, you might like my new Audible audiobook/course, A Psychologist Goes to the Movies, available now! It features six films that have been on this show, condensed into 25-30 min essays, researched and analyzed. Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC-BY 3.0. Episode Transcription Go to this link to read a transcript generated by Whisper AI Large V3 Model. Disclaimer: It is not edited and may contain errors!

Il existe de très nombreux mystères sur la mort de Mozart, des théories les plus sérieuses aux plus invraisemblables. Mais quel est le véritable récit de ses dernières heures ?Plongez dans les derniers jours de la vie du génie Mozart, alors qu'il compose son célèbre Requiem, une œuvre enveloppée de mystère. Franck Ferrand nous emmène dans l'atmosphère crépusculaire de l'automne 1791 à Vienne, où le compositeur, miné par la maladie, se bat pour achever cette commande énigmatique. Entouré de sa femme Constance et de sa belle-sœur Sophie, Mozart lutte contre le temps pour donner vie à cette partition qui semble hanter ses derniers instants. Entre les visites d'un mystérieux commanditaire et les délires fiévreux du compositeur, cet épisode captivant révèle les coulisses de la création d'un chef-d'œuvre qui a traversé les siècles. Un récit passionnant sur le génie et la tragédie qui ont marqué les derniers jours de Wolfgang Amadeus Mozart.Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On July 25, 1788, Wolfgang Amadeus Mozart completed his Symphony No. 40 in G Minor, a fact we know because the composer kept intricate records. I can tell you that so far there have only been two other July 25 editions of Charlottesville Community Engagement and they were in 2023 and 2024. What were you doing on any of those three days? In this week's stories:* Charlottesville City Council will not take another vote on design review of The Mark (read the story)* Charlottesville speakers provide multiple perspectives on how to help those without a home (learn more)* City of Charlottesville develops brochure in advance of encampment “transition” (read the story)* Albemarle County Supervisors learn about human services needs in the community (story posting Monday!)* Albemarle Supervisors get update on transportation projects (learn more)A sponsored message: Panorama Natural BurialAt Panorama Natural Burial, we believe caring for the deceased can be simple, meaningful, and deeply connected to the natural world. As a natural burial ground just outside Charlottesville, we offer families an alternative to traditional burial that honors both the people we love and the land that will carry them forward.Whether you are planning ahead, navigating a recent loss, or are just curious about natural burial, we welcome the conversation. We host regular tours and community events throughout the year. At Panorama we are building new ways of understanding death, land, ecology, ritual, memory, and community. We believe that building community around death care helps us all to live fuller lives. We are open to the public daily 9 a.m. to 7 p.m. Come visit!A house shout-out for Town Crier Productions at the end of 1096-AThe posting of the podcast marks the end of one week and the beginning of another. These days it takes me a lot longer to do the very simple task of restripping the WTJU version with fresh audio. Fridays are usually very intense production days and it is my true hope to eventually have someone to assist with putting it all together.All of this work is the result of one person with a vision for how to put it all together. When I look back in my archives, I see that this is what I wanted to do with the Charlottesville Podcasting Network back in 2005 but all of the tools were not in place yet to make it work.We're now six years into the experiment of Town Crier Productions which has allowed me to document a lot of events and decisions and details in this newsletter. This week we crossed the threshold of 5,000 subscribers in Substack, with about 820 of them paying into this newsletter. I'm going to write more notes to those paying because I need help thinking through some of the next steps of the business plan.An issue with being on Substack is that most people who find this newsletter through the algorithm don't have a connection to the area so they disappear fairly quickly. Aside from a few Facebook boosts, I've never done any targeted marketing to attract new people since the beginning when I emailed as many people as possible an update of what I was doing.So this shout-out concludes with me once again giving you the opportunity to sign-up through various social media platforms.* I post stories over at BlueSky but don't really do much else than that at this point. Here's the account for Information Charlottesville.* You can also subscribe to get Information Charlottesville postings via email Wordpress. This is where I confess I don't entirely know the link for this. Might be a pop-up?* Town Crier Productions has a Facebook page but I'm really not sure if it's worth keeping as the site doesn't really seem to like Substack material. Or Wordpress material. In six years of doing this, I've never had a post “go viral” and I think it's all throttled. I don't pay them any money anymore* And then there's Instagram which gets a couple of likes. I'd like to have better images but that is another skill set I don't have.Okay. I have procrastinated a lot by writing this.Charlottesville Community Engagement is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit communityengagement.substack.com/subscribe

Klassikliebhaber aus der ganzen Welt lockt das Opernfestival Aix-en-Provence nach Südfrankreich. Dieses Jahr werden gleich zwei Spätwerke von Wolfgang Amadeus Mozart aufgeführt.

C'est un trésor d'une valeur exceptionnelle : sept pièces pour flûte et harpe, composées en 1778 par Wolfgang Amadeus Mozart (1756-1791), ont été découvertes dans une réserve de la Bibliothèque nationale de France. Une découverte d'autant plus remarquable que le compositeur autrichien affectionnait peu ces deux instruments.C'est en février que François-Pierre Goy, conservateur au sein de l'institution depuis 1995, tombe par hasard sur ces partitions lors d'une vérification de routine. Le musicologue est alors intrigué par plusieurs éléments qui lui rappellent Mozart. L'expertise lève ses doutes : ce cahier est authentifié comme étant de la main du maître, qui l'aurait rédigé à l'âge de 21 ans, alors qu'il est installé à Paris et enseigne la musique à la fille du duc de Guînes.Depuis la découverte, le monde entier s'intéresse à ce trésor retrouvé et les pièces ont été jouées et diffusées, le 22 juin, en première mondiale sur France Musique.Quel est l'itinéraire de ces partitions, vieilles de plus de deux siècles ? Pourquoi Mozart donnait-il des leçons et où en était-il de sa carrière au moment de l'écriture de ces pièces ? Peut-on espérer d'autres découvertes similaires dans le futur ?Dans cet épisode du podcast « L'Heure du Monde », le conservateur François-Pierre Goy raconte avec émotion sa trouvaille et Marie-Aude Roux, journaliste spécialiste de la musique classique au service Culture du Monde, analyse la portée musicale et historique de ces partitions, avant de retracer le parcours de Mozart.Un épisode d'Esther Michon. Réalisation et musiques : Amandine Robillard. Présentation et rédaction en chef : Claire Leys. Dans cet épisode : entretien avec François-Pierre Goy, conservateur à la BNF ; entretien avec Thierry Bodin, expert en autographes musicaux ; archive d'un reportage de TF1 du 26 novembre 2024. Extraits musicaux : interprétation du manuscrit inédit dont les droits sont réservés au département de la Musique de la Bibliothèque nationale de France, l'intégralité de la musique est disponible dans le replay de l'émission « Relax » sur France Musique du 22 juin 2026 ; Die Zauberflöte (« Der Hölle Rache kocht in meinem Herzen ») de W.A. Mozart ; Lacrimosa (Requiem) de W.A. Mozart ; Violin Sonata in G Major, K.301 II.Allegro de W.A. Mozart, Piano Concerto No 23 in A Major, K488 II. Adagio et III.Allegro de W.A. Mozart ; Sonate pour piano No 11 en la majeur, K. 331 (K⁶ 300i), III. Rondo alla Turca de W.A. Mozart ; L'Orfeo, acte 1 de C. Monteverdi ; Konzert in C-Dur für Flöte, Viola da gamba und Cembalo de J.S. Bach.Cet épisode a été publié le 7 juillet 2026. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Esta semana falamos da descoberta de dois sermões inéditos de Santo Agostinho, teólogo cristão, e de um manuscrito musical desconhecido do famoso compositor Wolfgang Amadeus Mozart.Sugestões da semana:1. Catulo – Os Poemas. Edições 70, 2026.2. Paulo M. Dias – Um nobre, um frade e um camponês entram numa taberna. Histórias inesperadas do Portugal Medieval. Ideias de Ler, 2026.-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Carolina  Batista, Catarina Ferreira, Cláudia Brandão, César, Diogo Camoes, Diogo Freitas, Francisco Castro, Fábio Videira Santos, Gn, Goncalo Castro, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, Jorge Manuel, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Marcos, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Guerreiro, Paulo Ramirez, Paulo Ruivo, Paulo Silva, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0.Edição de Marco António.

On Friday, June 19th, the National Library of France announced the discovery of a 44-page notebook containing lessons and compositions written by Wolfgang Amadeus Mozart. The notebook, which belonged to one of the composer's pupils, yielded seven previously unknown works for flute and harp - a musical duo that is not well represented in classical music repertoires. Emi Ferguson, a flute player, composer, and host on WQXR discusses the significance of this discovery and what it may mean for musicians and the classical music world at large. Photo by Kenzo TRIBOUILLARD / AFP via Getty Images: An original fragment from a recently discovered piece of instructional music composed by Mozart. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week is all about bands playing other bands' songs. Summer songs that perhaps radio has exhausted. Whether they are playing it straight note-for-note or whether they are re-interpreting it, bands love to pay tribute to the hits they love! In this episode, we showcase a summer playlist made for all of your grilling, pool party, block party, yard work, camping, and hot weather needs! What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. If you're in need of a Summer Jamz playlist with a slight twist… we got ya covered!  Songs this week include: Soul Asylum – “School's Out (Alice Cooper)” from The Faculty (Music From The Motion Picture) (1998) Toque – “Working For The Weekend (Loverboy)” from Give'r (2016) The Damned – “Summer In The City (The Lovin' Spoonful)” from Not Like Everybody Else (2026) Edguy – “Rock Me Amadeus (Falco)” from Space Police – Defenders Of The Crown (2014) Vains Of Jenna – “Refugee (Tom Petty And The Heartbreakers)” from The Art Of Telling Lies (2009) Great White – “Eye Of The Tiger (Survivor)” from Saturday Night Special (Ready For Rock ‘N' Roll Part II) (2014) Gemini Five – “You Spin Me Round (Dead Or Alive)” from Babylon Rockets (2003) Motörhead – “Rockaway Beach (Ramones)” from Under Cöver (2017) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://bonelesspodcasting.com/shows/in-obscuria https://www.facebook.com/InObscuria https://x.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

"Le Chat Botté" est un conte popularisé par Charles Perrault en 1695. Même s'il n'en est pas l'auteur original mais l'adaptateur puisque c'est un Italien Giovanni Francesco Straparola qui l'a imaginé un siècle et demi plus tôt dans son recueil Les Nuits Facétieuses allègrement pompé par mal d'autres fameux conteurs comme les frères Grimm. Cette histoire de chat rusé, elle a compté à la fois pour deux contemporains, Napoléon Bonaparte et Wolfgang Amadeus Mozart. Napoléon, car quand il était enfant mais déjà avec l'ambition de devenir un grand général, il mit un uniforme et enfila des bottes bien trop grandes pour lui. Comme il avait un l'air un peu ridicule avec ses jambes maigrelettes dans ses grandes chausses, une petite fille lui donna le surnom de Chat Botté. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The musicians of Viridian Strings return to Studio A with music of Jean Cras and Wolfgang Amadeus Mozart. The trio includes founders Joe Skerik, who plays the viola, and Kyle Stachnik, who plays the cello. They're joined by violinist Nathan Meltzer. They're giving three free recitals this week in Elk Rapids, Suttons Bay and Frankfort, plus one next week at Interlochen. Music performed in Studio A Wolfgang Amadeus Mozart, Divertimento for String Trio in E-flat major (K. 563): I. Allegro Jean Cras, String Trio: II. Lent

On the latest episode of ‘New Classical Tracks,' pianist Jan Lisiecki presents two piano concerti by Wolfgang Amadeus Mozart on his latest recording with conductor Manfred Honeck and the Bamberg Symphony. Listen now with host Julie Amacher!

En este episodio de Historia Deconstruida recorremos la increíble vida de Wolfgang Amadeus Mozart: desde su infancia como niño prodigio que asombró a las cortes de Europa, sus triunfos en Viena con obras maestras como Las Bodas de Fígaro y Don Giovanni, hasta su trágico final. https://www.facebook.com/Historiadeconstruida

Nach einer Italienreise schrieb Mozart unter den Einfluss des italienischen Stils die drei Divertimenti KV 136-138. BR-KLASSIK stellt sie zusammen mit Petra Müllejans, der Mitgründerin des Freiburger Barockorchesters, vor.

In this episode of Eat Sleep Wine Repeat, Janina sits down with Max Riedel of Riedel Glassware to explore one of the most debated topics in wine education and wine tasting: does the shape of a wine glass really change the way wine tastes? From the science behind bowl size, rim diameter and aroma delivery to grape-specific wine glasses, decanters and the evolution of modern wine styles, Max shares insights from the Riedel family's glassmaking tradition dating back to 1756. Together, they discuss how different wine regions, wine grapes and winemaking approaches influence glass design, why varieties such as Pinot Noir and Chardonnay require different shapes, and how wine lovers can improve their wine appreciation through simple tasting experiments. The conversation also explores decanting wine, collecting fine wine, memorable bottles, and the changing landscape of global wine culture. Whether you're passionate about wine education, curious about the impact of glassware on sensory perception, or simply looking to learn about wine and deepen your understanding of wine, this wine podcast episode is packed with practical insights, expert advice and fascinating stories from one of the most influential names in the wine world. 03:06 – Demystifying wine glasses — why aesthetics and weight matter less than functionality and sensory performance. 05:07 – The science behind glass shape — bowl size, rim diameter and how they influence aroma and flavour perception. 08:53 – Developing glasses for different wine regions — how feedback from winemakers shapes future designs. 10:56 – Why the right glass matters — Max explains the famous Riedel tasting experience comparing wines in different Riedel Veloce glasses. 13:31 – Chardonnay vs Pinot Noir glasses — why one Burgundy glass is not enough for two very different wine grapes. 16:38 – Growing up in the Riedel family — glassmaking history, storytelling and a family business dating back to 1756. 19:13 – Inside Max's cellar — collecting wines, buying en primeur and the excitement of aging bottles over time. 20:42 – How many bottles are in Max Riedel's cellar? A glimpse into a serious wine collection. 21:30 – Family memories in wine — wedding wines, children's vintages and a remarkable bottle dating back to 1756. 23:13 – Decanters explained — sediment, aeration and why decanting is about more than just old wines. 24:59 – Choosing a favourite decanter — Max discusses the iconic Riedel Amadeo Decanter and its connection to Wolfgang Amadeus Mozart. 27:00 – How to clean a decanter properly — simple maintenance tips for keeping crystal glassware spotless. 29:43 – Wine regions that inspire Max — from Austria and Alsace to the future of German Riesling. 32:23 – Why Pinot Noir is so challenging — regional differences, minerality and the need for highly specific glass shapes. 33:55 – Choosing a Riedel range — from machine-made collections to handmade lines such as Fatto A Mano and Manufaktur.  36:09 – Sunday Wine Fun Day — family adventures, social media fame and opening great wines in unusual places. 38:07 – The oldest wine Max has tasted — an extraordinary blind tasting of an 1865 Bordeaux. 39:15 – The largest bottle Max has opened — sharing wine from an 18-litre bottle and the challenges that come with it. 40:24 – The wine grape that continues to surprise him — why Grüner Veltliner deserves more attention from wine lovers. 42:05 – Upcoming RIEDEL experiences — Max shares details about future tastings and wine glass events across the UK. 

rWotD Episode 3306: Idomeneo Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Saturday, 23 May 2026, is Idomeneo.Idomeneo, re di Creta ossia Ilia e Idamante (Italian for Idomeneus, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian-language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.This recording reflects the Wikipedia text as of 00:59 UTC on Saturday, 23 May 2026.For the full current version of the article, see Idomeneo on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Matthew.

durée : 00:28:52 - Les émissions culturelles de France Culture - par : Marie Labory - Jérôme Kircher enfile le costume du compositeur mal aimé Antonio Salieri, grand rival de Wolfgang Amadeus Mozart et dont la relation inspira au réalisateur Milos Forman le film "Amadeus" en 1984, repris pour la scène par Olivier Solivérès. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Jérôme Kircher Acteur Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Will Sharpe has been on a roll since White Lotus, and now he's taking on one of fiction's most iconic roles — Wolfgang Amadeus Mozart in the Starz original series ‘Amadeus.' Newsweek's H. Alan Scott chats with Sharpe about keeping Mozart grounded, the chemistry with co-star Paul Bettany and what it's like to navigate a career that just keeps getting bigger. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscottSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(01:34) Poetin viert een versoberd feestje. Jaarlijks vindt op 9 mei in Moskou de militaire parade plaats waarbij de overwinning op de nazi's wordt gevierd. Maar dit jaar zullen er geen tanks, trucks, raketten en pantservoertuigen meerollen met de militairen. En dat terwijl de onvrede over de Russische oorlog in Oekraïne groeit en die oorlog niet bepaald lekker verloopt voor de Russen.    Heeft zo'n uitgeklede optocht nog wel het beoogde resultaat? En waar komt het fenomeen van de militaire parade eigenlijk vandaan? We vragen het aan Mart de Kruif, Ruslandkenner en voormalig commandant Landstrijdkrachten.  (11:38) Miloš Forman's Oscarwinnende biopic Amadeus, over de geniale componist Wolfgang Amadeus Mozart, is opnieuw te zien in de Nederlandse bioscopen. Een wervelende, extravagante film met daarin een Mozart die even briljant als kinderlijk is, en daarbij de starre, Apollinische huiscomponist Antonio Salieri tegenover zich moet dulden. In het 18e eeuwse Wenen ontvouwt zich een tweestrijd die draait om geestesdrift, jaloezie en de vraag wat het met een mens doet om in de omloop van een uitzonderlijk talent terecht te komen.  Te gast is Claudia Rumondor, componist en musicoloog. Rumondor studeerde af op de film en heeft hem net weer in 4K bewonderd.  (24:34) Honderd jaar geleden bood de arts Magnus Hirschfeld in het Berlijnse Institut für Sexualwissenschaft revolutionaire hulp aan transgender personen. Dit eerste seksuologisch onderzoekscentrum ter wereld werd een toevluchtsoord voor wat toen bekendstond onder de naam ‘travestie', en hielp de eerste mensen aan geslacht veranderende operaties.  Alex Bakker is historicus en zelf transman, en schreef in zijn nieuwe boek Transgender pioniers over dit revolutionaire instituut en de eerste mensen die daar een transitie ondergingen. Hij is te gast om te vertellen hoe dit instituut ruimte kreeg in Berlijn, maar ook hoe het net zo snel weer kon verdwijnen.  (37:50) Elke week bespreken we historische tips met afwisselend Nadia Bouras, Wim Berkelaar, Bart Funnekotter, Sanne Frequin, en Fresco Sam-Sin. Deze week is de beurt aan Sanne Frequin. Zij bespreekt twee boeken en een tentoonstelling:  We moeten het over de klassieken hebben - Mary Beard (vert. Marga Blankestijn  De limes als legende - Koen Ottenheym  Gerard van Honthorst - In alles anders dan Rembrandt - Tentoonstelling (https://www.centraalmuseum.nl/nl/nu-te-zien/tentoonstellingen/gerard-van-honthorst-in-alles-anders-dan-rembrandt) in het Centraal Museum  (51:38) Het waren historische excuses op 1 juli 2023, toen Koning Willem Alexander spijt betuigde voor het Nederlandse slavernijverleden. In veel opzichten was dit het resultaat van een steeds groter groeiend bewustzijn van het reusachtige onrecht van de transatlantische slavenhandel en het grote aandeel van Nederland daarin. Maar toch wringt er volgens sommige mensen nog genoeg aan dit verhaal.  Leendert van der Valk is zo iemand. Hij is journalist en schreef het boek Vergeten plekken, vergeten mensen – Atlas van het Nederlandse slavernijverleden. Met dat boek wil hij laten zien hoeveel breder, langer en ook grootschaliger het Nederlandse slavernijverleden was dan we over het algemeen denken.  (01:04:09) OVT Doc: Chanel Nº 5: spiegel van de tijd  Geen parfum is zo beroemd als Chanel Nº 5. Sinds het ontstaan 105 jaar geleden doen er veel verhalen de ronde over het parfum. Dat Marilyn Monroe 's nachts een paar druppels droeg bij wijze van onzichtbare nachtjapon, dat er wereldwijd iedere 30 seconden een fles wordt verkocht, dat Coco Chanel de geur liet maken om het verdriet over haar verongelukte minnaar te verwerken.  Samen met vier kenners probeert documentairemaker Laura Stek de ontstaansgeschiedenis te achterhalen en feit van fictie te scheiden. Zo stuit ze op verhalen over de positie van de vrouw aan het begin van de twintigste eeuw, over modernisering in de parfumindustrie, maar ook op de zwarte bladzijden van Chanels biografie. Met kunsthistoricus en geurwetenschapper Caro Verbeek, geurontwerper Frank Bloem, 'Perfume Professor' Jessica Murphy en boekontwerper en Chanel Nº 5-drager Irma Boom.  Een documentaire van Laura Stek.  Meer info: https://www.vpro.nl/ovt/artikelen/ovt-10-mei-2026   (https://www.vpro.nl/ovt/artikelen/ovt-10-mei-2026%20 )

In our final episode on Persuasion, we talk about how much more satisfactory this is than the original ending, the purpose of the discussion between Mrs Croft and Mrs Musgrove, the conversation between Anne and Captain Harville, Wentworth's letter, his feeling that he had a moral obligation to marry Louisa and the wrap-up of the story.The character we discuss is Anne Elliot. In the historical section, Michael talks about the British Navy at the end of, and after, the Napoleonic Wars, and for popular culture Harriet discusses various modernised versions of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:YouTube video: Karolina Żebrowska, Why Does Hollywood Hate Gentle Characters? ‖ Netflix “Persuasion” Review (2022)Popular culture discussion:Melissa Nathan, Persuading Annie (2000)Sara Marks, Modern Persuasion (2017)Sonali Dev, Recipe for Persuasion (2020)Sarah Dass, Where the Rhythm Takes You (2021)Uzma Jalaluddin, Much Ado About Nada (2023)Melodie Edwards, Once Persuaded Twice Shy (2024)Rhombus Media, Slings and Arrows (2003-2006) [mentioned but not a Persuasion adaptation]Diana Peterfreund, For Darkness Shows the Stars (2012)John Wyndham, The Chrysalids (1955) [mentioned but not a Persuasion adaptation]Suzanne Collins, The Hunger Games (2008) [mentioned but not a Persuasion adaptation]Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Catholique d'adoption et Franc-maçon de cœur, opposé aux valeurs aristocratiques de son temps, Mozart apparaît comme un homme des Lumières attaché à l'idée d'un Dieu d'amour.Franck Ferrand nous offre un portrait fascinant de Wolfgang Amadeus Mozart, ce génie musical aux multiples facettes. Loin de l'image du prodige précoce, nous découvrons un homme profondément sensible, parfois rebelle, mais toujours empreint d'une créativité et d'un esprit vifs.

Wolfgang Amadeus Mozart - Cosi fan Tutte: Soave Sia il VentoJoanna Borowska, soprano Rohangiz Yachmi, mezzo-soprano Peter Mikulas, bass Capella Istropolitana Johannes Wildner, conductorMore info about today's track: Naxos 8.552111-12Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Wolfgang Amadeus Mozart - Piano Concerto No. 18: 3rd movementAlon Goldstein, piano Avery Cardoza, double bass Fine Arts QuartetMore info about today's track: Naxos 8.574693Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Three of our favorite segments from the week, in case you missed them. Gov. Hochul Hopes to Delay Implementing Climate Law (First) | The Growth of DHS Detention Camps (Starts at :40) | Opera and Democracy (Starts at 1:15) If you don't subscribe to the Brian Lehrer Show on iTunes, you can do that here.   Image: An original poster for Wolfgang Amadeus Mozart's opera, The Marriage of Figaro (not stated, Public domain, via Wikimedia Commons)

Wolfgang Amadeus Mozart - Clarinet Concerto: AdagioErnst Ottensamer, clarinet Vienna Mozart Academy Johannes Wildner, conductorMore info about today's track: Naxos 8.550345Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon