Podcasts about Tenor

[ Habrá que pagar el precio del rencor ] Conducción: Martín Echevarría (@martinderadio) Cada martes escuchá un episodio estreno en todas las plataformas podcast y en Youtube .Tienes una historia real para compartir en nuestro programa? Contactos: @martesdemisterio (IG) / mail: martesdemisterio.gmail.com Seguinos en @martesdemisterio en Instagram: https://www.instagram.com/martesdemisteisterio/  Seguinos en @martesdemisterio en Instagram: https://www.instagram.com/martesdemisterio/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

El cantante presenta un nuevo disco, 'Gigantes' en el que realiza una "recreacion" de canciones populares que fusiona con la orquesta sinfonica y su potente voz.

Father Eric continues our sermon series "The House of the Coming King" with this sermon from Isaiah chapter 35.

El cantante presenta un nuevo disco, 'Gigantes' en el que realiza una "recreacion" de canciones populares que fusiona con la orquesta sinfonica y su potente voz.

Fos pel timbre de la seva veu, per les particularitats de la seva sobtada mort o pel tipus de repertori que va abordar, el tenor Richard Tucker va ser dels m

Descubriendo la ópera' el espacio en 'Hoy por Hoy Bilbao-Bizkaia' para y por la difusión de la historia, la escenografía y el sentido de las grandes obras líricas que programa la ABAO 

The Cedar Rapids Concert Chorale keeps busy during the holiday season with a variety of caroling and small-group appearances, and two main events. The choir's holiday concert will feature Saint-Saen's Christmas Oratorio and a contemporary contata by John Leavitt, Dec. 13 at First Lutheran Church. The next day they turn right around and performa with … Continue reading

Benjamin Bernheim zählt zu den gefragtesten Tenören. Im Gespräch mit Grit Schulze erklärt er, warum der moderne Tenor eine Erfindung ist, warum Italienisch für ihn Sonne bedeutet und welche Risiken das Tenorleben birgt.

When famed tenor and songwriter Pasquale Esposito was growing up in Naples, Italy, the music of Enrico Caruso would play throughout his house, inspiring him to sing at the local church in town. His dream was to come to America, to study and eventually perform. And that's exactly what he did. Fast forward twenty-five years, and Pasquale is now performing internationally to critical acclaim, and on Dec. 10, he'll perform along side world-renowned conductor Maestro Carlo Ponti on the Broad Stage in Santa Monica, California, presenting a magical Holiday concert of American and Italian traditions through spirited carols and emotional Neapolitan melodies. And I'm honored to speak with both gentlemen today on my show. I've known Carlo for some time now, and not only am I a huge fan of his work, but I admire his incredible talent and creative style. I'm also honored to call him a friend. Most people know he's the eldest son of the beautiful and talented Ms. Sophia Loren and filmmaker Carlo Ponti, and one can only imagine life growing up among such talent. But not only did Carlo inherit his parents gift of performance, he's lived his life in service of the arts, having founded the Los Angeles Virtuosi Orchestra, which raises awareness and funds for music education in the Los Angeles area. He shares his gift of philanthropy with Pasquale, who founded Notable Music and Arts, a non-profit focused on promoting cultural exchange through music, dance, theater, film, visual arts, and literature. We'll talk with both of them about this, in addition to their work, life, and upcoming performance at the Broad on 12/10. Please find my full conversation with Maestro Carlo Ponti and Tenor Pasquale Esposito on all video and audio podcast platforms of #DeborahKobyltLIVE, #LittleItalyPodcast, and the #LittleItalyOfLAPodcast. I'm your host, #DeborahZaraKobylt, and it's my pleasure to welcome you here. @pasqualetenor @maestrocarloponti @lavirtuosiorchestra #LAV #concert #classicalmusic #orchestra #losangeles

Sheet Music & Backing Track for Saxophone Alto, Tenor, Violin - Download this song - https://sax1.ru/en/product/chip_and_dale/ Backing track and sheet music for saxophone - Facebook - https://www.facebook.com/saxscore Вконтакте - https://vk.com/sax1ru Instagrm - https://www.instagram.com/russiamusic/ Telegram - https://t.me/saxplay Odnoklassniki - https://ok.ru/sax1ru Yandex Dzen - https://zen.yandex.ru/sax1 https://www.youtube.com/BackingtrackSheetMusicforSaxophone

Vu sur Poussières d'étoiles (jazz) : Vendredi 28 novembre 2025 L'émission de Jean Neveu, le Jazz comme il l'aime et comme il nous le fait aimer : des pionniers aux créateurs actuels. Une émission accessible à tous, sans exclusive. John Coltrane Tenor conclave septembre 1956 “Tenor conclave” Riverside John Coltrane J. M. dreams doll avril 1957 “The dealers'” Riverside Red Garland Let's do it avril […] Cet article provient de Radio AlterNantes FM

Die Grünen wollen nicht mehr belehrend auftreten und eine "Klimapolitik für alle" betreiben - so der Tenor auf dem Bundesparteitag. Grabenkämpfe konnten zwar vermieden werden, doch die Beschlussfindungen gingen für viele über die Schmerzgrenze hinaus. Thoms, Katharina www.deutschlandfunk.de, Informationen am Abend

Die Grünen wollen nicht mehr belehrend auftreten und eine "Klimapolitik für alle" betreiben - so der Tenor auf dem Bundesparteitag. Grabenkämpfe konnten zwar vermieden werden, doch die Beschlussfindungen gingen für viele über die Schmerzgrenze hinaus. Thoms, Katharina www.deutschlandfunk.de, Informationen am Abend

Herbstzeit ist Infektzeit: Pertussis-Impfschutz bei älteren Patienten überprüfen Im Herbst sollten Hausärzt:innen nicht nur über klassische Herbstimpfungen, wie Influenza und Corona aufklären, auch Pertussis sollte nicht vergessen werden – so der Tenor der aktuellen Folge der Podcast-Serie „O-Ton Allgemeinmedizin Extra“ mit Dr. Uta Groger, Fachärztin für Allgemeinmedizin in Bielefeld. Das sagt die STIKO Anders als häufig angenommen reicht eine Immunisierung gegen Pertussis im Kindesalter oder eine durchgemachte Pertussis-Erkrankung nicht für einen lebenslangen Schutz aus. Die STIKO empfiehlt daher eine Auffrischimpfung einmalig für alle Erwachsenen ab 18 Jahren in Kombination mit der nächstfälligen Diphtherie-Tetanus-Impfung. Menschen in Gesundheitsberufen oder die Gemeinschaftseinrichtungen arbeiten, sollten sich der STIKO zufolge alle 10 Jahre gegen Pertussis impfen lassen. Doch trotz der STIKO-Empfehlung hat nur etwa die Hälfte der Erwachsenen einen ausreichenden Impfschutz gegen Keuchhusten. Warum impfen? Eine Pertussis-Erkrankung kann weitreichende Folgen haben: So haben insbesondere Menschen über 65 Jahre ein 10 % höheres Risiko, aufgrund einer Pertussis-Infektion hospitalisiert zu werden, zudem kommt es oft zu einem prolongierten Verlauf. Ein erhöhtes Komplikationsrisiko haben auch Menschen mit chronischen Erkrankungen wie z.B. Asthma oder COPD. Doch es gibt weitere gute Gründe für eine Impfung: Pertussis ist höchstinfektiös – in der Regel führt eine Infektion zu 5 Neuinfektionen. Deshalb sollten z.B. in der hausärztlichen Praxis auch werdende Väter und Großeltern auf eine Pertussis-Impfung angesprochen werden. Ziel ist es, u.a. Neugeborene und Säuglinge zu schützen, denn sie werden primär durch ungeimpfte Jugendliche und Erwachsene im Umfeld infiziert. Diese Podcast-Episode ist mit freundlicher Unterstützung von GSK entstanden. Zur Folgen-Übersicht: https://bit.ly/4hoYfbK

Welcome to Captain's Pod, a Star Trek podcast presented by Ian and Deneé! Join the crew as Ian sings opera, Deneé enjoys a turd alien, and they both go deep on the android vs hologram debate.NEXT WEEK: Star Trek TNG: The Royale (S2E12)1) Ten Forward- Thoughts on the episode; what did the crew love and what can go out the airlock! (7:48) 2) The Jefferies Tubes- Bloopers and other goodies that didn't make it into the show. Don't tell Section 31! (1:29:40)Want early and ad-free access to the show PLUS other perks? Join the Tea-Flingers at the Ian and Deneé Patreon!https://www.patreon.com/iananddeneeJoin the live recording of the show! FRIDAY 11/28 at 5pm CENTRAL!YouTube: https://youtube.com/@iananddenee?si=sAmifSnfaDWnJzDATwitch: https://www.twitch.tv/deneesaysConnect with us!Email: ian@iananddenee.comDiscord: https://discord.gg/cm4nxyKd2SBluesky! The Show: @captainspod.bsky.socialIan: @whittsinned.bsky.socialDeneé: @deneesays.bsky.socialAnd live long and Podsper!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to Captain's Pod, a Star Trek podcast presented by Ian and Deneé! Join the crew as Ian exhales his lungs, Deneé relieves him of duty, and they both reluctantly cancel the show.NEXT WEEK (hopefully): Star Trek Voyager: Tinker, Tenor, Doctor, Spy (S6E4) 1) Ten Forward- Thoughts on the episode; what did the crew love and what can go out the airlock!-Wedding news (3:37)-What's the next theme for Captain's Pod? (10:52)2) The Jefferies Tubes- Bloopers and other goodies that didn't make it into the show. Don't tell Section 31! (15:20)Want early and ad-free access to the show PLUS other perks? Join the Tea-Flingers at the Ian and Deneé Patreon!https://www.patreon.com/iananddeneeJoin the live recording of the show!YouTube: https://youtube.com/@iananddenee?si=sAmifSnfaDWnJzDATwitch: https://www.twitch.tv/deneesaysConnect with us!Email: ian@iananddenee.comDiscord: https://discord.gg/cm4nxyKd2SBluesky! The Show: @captainspod.bsky.socialIan: @whittsinned.bsky.socialDeneé: @deneesays.bsky.socialAnd live long and Podsper!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, tenor Hugo Hymas welcomes Netty into his cosy cottage for a tea and chat. They explore how he adapts his voice when collaborating with others, the routines that help him prepare for a performance, and the vocal hero who inspires him.Former Rising Star of the Enlightenment, Hugo reflects on his lively upbringing in Cambridge, where childhood pantomimes fuelled his love for the stage. He talks about his recent virtuosic tenor appearance with the OAE in Handel's Solomon and shares his creative pursuits beyond singing, such as conducting. --Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Ravi Coltrane with Marcus MillerMarcus Miller interviews Ravi Coltrane about his musical evolution and the dual legacy of his parents, Alice and John Coltrane. This insightful and candid talk, recorded live on the Journey of Jazz cruise, covers the challenges of growing up under the shadow of a jazz icon and finding one's own voice through the music.Key TakeawaysThe episode is a conversation between host Marcus Miller and guest Ravi Coltrane, focusing on Ravi's development as a jazz saxophonist.Ravi's father, John Coltrane, passed away in 1967 when Ravi was 2 years old, leaving Ravi to be raised by his mother, Alice Coltrane. Ravi notes that his father's instruments are currently in his stateroom.Ravi began his musical journey playing the clarinet throughout junior high and high school. He switched to the soprano saxophone at age 16 after his mother gave it to him for his birthday as a hint, later moving to the tenor saxophone.Ravi did not initially feel pressure from his famous last name because, during the 1970s in the San Fernando Valley where he grew up, John Coltrane was still considered "underground" or "counter culture".The death of Ravi's older brother, John Jr., in an automobile accident when Ravi was 17, caused a "void" that Ravi later filled by studying his father's music. Ravi began listening to his father's records to gain answers for questions asked at parties, and through this, the music "hit" him.Ravi worked with key members of the John Coltrane Quartet, including joining drummer Elvin Jones's band in 1991 (though he felt he was "prematurely" ready) and later working with pianist McCoy Tyner in the 2000s.Ravi and Marcus discuss the meaning of being "ready" to perform at a high level, noting that it means being "prepared to do the job properly" and recognizing that evolution and learning are continuous processes.Host and Guest InfoHost: Lee Mergner (introduction), Marcus Miller (interview).Guest: Ravi Coltrane.This talk was recorded during the Journey of Jazz cruise. Marcus Miller provided the theme music, which is a clip from his song "High Life" on his album Aphrodesia on Blue Note.The talk was captured by Brian Ratchkco and his production team.Send us a text

Wieso bei einer (für RefPod-Verhältnisse) kurzen Folge lange Worte verlieren? Richard Ademmer und Christoph Spielmann, beide Richter und AG-Leiter, sprechen über die Titelherausgabeklage (oder, genauer: die Klage auf Herausgabe der vollstreckbaren Ausfertigung) – das war's! Es handelt sich um die (erste) Fortsetzung der Folge # 68 zur Vollstreckungsabwehrklage (Spotify, Apple, YouTube). Viel Spaß beim Hören! Kapitelmarken: (00:00) Begrüßung (02:26) Problemaufriss (04:00) Examensrelevanz (05:46) Anspruchsgrundlage? (12:11) statthafte Klageart (17:00) Zuständigkeit (20:09) Rechtsschutzbedürfnis (21:52) Begründetheit (23:54) Tenor (24:33) Verabschiedung http://www.refpod.de http://www.instagram.com/ref.pod/ E-Mail: jura.ref.pod@gmail.com Disclaimer: Der Podcast beinhaltet ausschließlich persönliche Ansichten der Podcasterinnen und Podcaster und insbesondere keine offiziellen Standpunkte der Justizprüfungsämter.

Tenor Paolo Scariano, im Gespräch mit Ursula Pucher

El pas de Luigi Alva pel m

Star Trek TOS: Shore Leave (S1E15)Welcome to Captain's Pod, a Star Trek podcast presented by Ian and Deneé! Join the crew as Ian wants to make this a horror episode, Deneé thinks the episode is missing a nuke, and they both want to know how the crew of the Enterprise survived shore leave.NEXT WEEK: Star Trek Voyager: Tinker, Tenor, Doctor, Spy (S6E4)WOULD YOU LIKE YOUR VERY OWN DERPERPRISE??Follow this link and complete a few questions to register your interest in your very own Derperprise model!https://docs.google.com/forms/d/e/1FAIpQLSdnHE_DQ7mKntov5MLxKNhAgOWZ5qdgu7aIYlju8QDyTDy7uA/viewform?usp=publish-editor 1) Ten Forward- Thoughts on the episode; what did the crew love and what can go out the airlock! (6:27) 2) The Observation Lounge/Holodeck- The crew ponder YOUR Priority One transmissions from Twitch, Discord, and Email! (1:13:10) 3) The Jefferies Tubes- Bloopers and other goodies that didn't make it into the show. Don't tell Section 31! (1:21:45)Want early and ad-free access to the show PLUS other perks? Join the Tea-Flingers at the Ian and Deneé Patreon!https://www.patreon.com/iananddeneeJoin the live recording of the show! FRIDAY 11/14 at 5pm CENTRAL!YouTube: https://youtube.com/@iananddenee?si=sAmifSnfaDWnJzDATwitch: https://www.twitch.tv/deneesaysConnect with us!Email: ian@iananddenee.comDiscord: https://discord.gg/cm4nxyKd2SBluesky! The Show: @captainspod.bsky.socialIan: @whittsinned.bsky.socialDeneé: @deneesays.bsky.socialAnd live long and Podsper!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Anna Tavis is the Department Chair of Human Capital Management at NYU and co-author of The Digital Coaching Revolution. In this episode, Anna explores how technology is transforming coaching from exclusive executive perks into scalable, everyday growth tools for all employees. Anna shares insights from her research and her work with advising digital coaching companies, offering a glimpse into AI-powered, embedded coaching that personalizes learning, feedback, and performance in real-time. Together, they discuss what hybrid human and AI coaching means for organizations, managers, and the future of leadership and employee development.LinksNYU Coaching and Technology Summit: https://www.sps.nyu.edu/about/events/human-capital-management-department-events/coaching-and-technology-summit.html Dr. Anna's LinkedIn: https://www.linkedin.com/in/annatavis/Book: https://www.amazon.com/Digital-Coaching-Revolution-Employee-Development/dp/1398612510 Tenor: https://tenorhq.com/

No hay duda de que este tenor de nuestros días, bautizado como baritenor, es un artista muy interesante. En este programa analizamos su voz y lo escuchamos en una interesante selección de arias de variado signo pertenecientes a las siguientes óperas: Joseph de Méhul, Fidelio de Beethoven, Der Freischütz de Weber, Norma de Bellini, Rienzi y Lohengrin de Wagner.Escuchar audio

Ele trouxe um oficina de canto lírico

Simon Bode gastiert am 25. Oktober bei der 30. Ausgabe der Brahmstage in Baden-Baden und singt gemeinsam mit der Sopranistin Marie Seidler Lieder und Duette von Johannes Brahms und Benjamin Britten. In SWR Kultur spricht er über seine frühe Lied-Faszination, über die Volkslieder von Johannes Brahms und den Brückenschlag zu den Liedern von Benjamin Britten.

This episode features Radha Savitala, CEO of Tenor Health Foundation, who shares how her organization is reopening closed hospitals and redefining sustainable, community-focused healthcare. She discusses the challenges facing hospital M&A, lessons from Pennsylvania's distressed markets, and Tenor's mission to preserve vital local care.

October 9, 2025 ~ David Miller, Tenor for Il Divo, joins Chris Alberta to promote their show at the Collosseum at Caesars Windsor. Tickets are still available at https://ildivo.com/ Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

TrulySignificant.com presents Tiano...the extraordinary musical collaboration of Shimi Goodman (Tenor) and Chris Hamilton (Pianist). Together, they blend musical-theatre, opera, and crossover repertoire with originals. Hailing from London's West End and international stages, their performances travel seamlessly from Italian arias to modern hits and intimate originals. We first heard Shimi onboard Norwegian Cruise Lines, opening with Tonight from West Side Story. Shimi reprises the song, acapella, on today's show.  Born in Tel Aviv, Israel, he made his West End debut in the musical Bombay Dreams. He was in the original cast of Dirty Dancing on West End and also starred in Evita. About Chris, he started playing piano at the age of four. After studying law at Oxford University, he practiced as an attorney in London and New York City. Deciding to focus his career full time, he went to the Guilford School of Acting where he met Shimi. Tiano will be performing in Las Vegas on October 8th at The Composers Room, and in Tucson, Arizona on October 11th at Arts Express Theatre (Mr. Bing's Starlight Room). Visit www.shimigoodman.com to follow Tiano. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

¡¡NUEVO PODCAST!!- Dr. Eduardo Calixto… “Los efectos cerebrales benéficos de cantar”- Magda Biurquiz… “La Hora del Mariachi” (11 años de historia, difusión y dignificación de un patrimonio cultural de la humanidad)- Beatriz Esperón.  Viuda del maestro  Manuel Esperón- Mauro Calderón. Tenor.     Tema: “Presentación de Dos  discos  con la música del Maestro Manuel Esperón”  - Conie Bastar…  “Los Tesoros Esenciales de la Aromaterapia”   - Jorge Cuevas…  “El juego  de las víctimas  y sus ventajas”

Er war der berühmteste Tenor seiner Zeit: Enrico Caruso. Von seinen Fans verehrt, von den Konkurrenten gehasst, und dazu steinreich. Und doch hätte ihn ein Gastspiel in Kuba im Juni 1920 fast das Leben gekostet.

The Shadow | Tenor With the Broken Voice | June 5, 1938During the performance of an opera, a premier tenor loses his voice. The audience think nothing wrong of this, until, a sandbag falls on another performer, killing him, when the same opera plays again. Each performance of the opera leads to another unfortunate occurrence, and only The Shadow can solve the mystery.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

We meet a trumpeter from a small town in Mexico with music in his blood. A tenor sings Mozart with beautiful color.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Die Basellandschaftliche Kantonalbank hat heute einen externen Bericht über die Hintergründe zum Radicant-Debakel veröffentlicht. Dieser zeigt die Mitschuld des Bankrats auf - lässt jedoch keine Rückschlüsse auf die Mitverantwortung der Politik zu. Landrätinnen und Landräte fordern nun eine PUK. Ausserdem: · Das Kantonsspital Baselland entwickelt gemeinsam mit der Krankenkasse Assura ein neues Versicherungsmodell, um Patientinnen und Patienten an das Kantonsspital zu binden · Ein Baselbieter Pfarrer wird zu einem Jahr bedingter Freihheitsstrafe und zwei Jahren auf Bewährung verurteilt wegen mehrfacher sexueller Handlungen mit Kindern und mehrfacher Pornografie · Wahlkampfauftakt der SVP: Caroline Mall will in die Baselbieter Regierung einziehen.

Hedvig Eleonora av Holstein-Gottorp (1636-1715) spelade en viktig roll i de svenska kungafamiljen. Hon var Sveriges drottning i sex år, men de facto Sveriges första dam till sin död 1715. Som änkedrottning var hon medlem i både Karl XI:s och Karl XII:s förmyndarregeringar. Idag är hon mest känd som 1600-talets största slottsbyggare.Hedvig Eleonora från furstendömet Holstein-Gottorp giftes bort med Karl X som artonåring, men det harmoniska äktenskapet blev kort då kungen dog efter bara fem år. Som gift med Karl X, mor åt Karl XI samt farmor åt Karl XII arbetade hon för ett starkt kungahus under stormaktstiden. Sent i livet skulle hon för döva öron vädja till Karl XII att sluta fred med sina fiender.I denna repris av podden Historia Nu samtar programledaren Urban Lindstedt med Eva Helena Ulvros, professor emerita i historia vid Lunds universitet. Hon är aktuell med biografin Hedvig Eleonora och hennes tid.Hedvig Eleonora föddes 1636 på slottet Gottorp som dotter till hertig Fredrik III av Holstein-Gottorp och Maria Elisabeth av Sachsen. Hennes äktenskap med Karl X var rent politiskt som de flesta kungliga äktenskap vid denna tid. Hennes make Karl X Gustav dog redan i februari 1660. Ett dygn före sin död dikterade han sitt testamente för att trygga sin ”kära makas”, sin sons och sitt rikes framtid. Den döende kungen överlämnade riket till sin unga maka och en förmyndarregering.
Hedvig Eleonora har setts som svag i förmyndarregeringen för Karl XI, men hon hade en tydlig linje i utrikespolitiken där hon gärna främjade Hollstein-Gottorps intressen. Drottningen accepterade den makt som riksrådet erbjöd henne, men den unga Hedvig Eleonora hade svårt att hävda kungamaktens ställning gentemot aristokratin. Hon tog ganska ringa del i förmyndarstyret, och då Karl XI senare anklagade förmyndarstyrelsen för försummelse kom han att helt frikalla sin mor från ansvar. Förmyndarregeringen varade till 1672, då Karl XI blev myndig.
Hedvig Eleonoras praktfulla hov och intresse för kultur satte ett stort avtryck i landet. Änkedrottningens Drottningholm var under flera decennier i slutet av 1600-talet landets största slottsbygge. Slottbyggandet var för Hedvig Eleonora ett sätt att markera sin ställning gentemot den svenska adeln och samtida europeiska furstar. Drottningen ägnade sig gärna åt balett- och teaterföreställningar på slottet, som under hela hennes livstid var rikets kulturcentrum Den gamla änkedrottningen blev förmyndare för Karl XII och fyra år senare, 1697, åter medlem i en förmyndarregering. Nu var Hedvig Eleonora en erfaren kvinna som inte tyngdes av sina 61 år, och hon var aktiv i utrikespolitiken mot Danmark till förmån för Holstein-Gottorp. Hennes kontakter till det gamla hemlandet tilltog ytterligare när hennes sondotter Hedvig Sofia gifte sig med sin kusin hertig Fredrik IV av Holstein-Gottorp.
Bild: Riksänkedrottningen Hedvig Eleonora av Holstein-Gottorp porträtterad av David von Krafft. Nationalmuseet, Wikipedia, Public Domain. (beskuren)Musik: Henry Purcell (1659-1695) – In Nomine à7, Z.747 for Treble, Tenor & Bass Viols, Phillipwserna, CC BY-SA 4.0 , via Wikimedia Commons. Lyssna också på Gråkappan Karl XI – klämd mellan far och son. Hosted on Acast. See acast.com/privacy for more information.

In this uplifting episode, I sit down with Casey Elliott, one of the 3 tenors and founding member of the group, GENTRI, to explore the soul-stirring journey behind the group's success. From early mentors who recognized his potential to the pivotal role his wife played in forming GENTRI, Casey shares how personal relationships shaped both his music and mission. We dive into the evolution of their sound—from pop experiments to the powerful embrace of spiritually inspired music—and the profound stories from fans whose lives were touched or even saved by their songs. With honesty and heart, Casey opens up about the deeper purpose driving his work. Whether you're a longtime fan or new to GENTRI, this conversation will leave you inspired by the power of music to heal, uplift, and transform.Tickets are now on sale for their Christmas concert at www.gentrimusic.com

Eine Radio-Operette aus dem Jahr 1948: Die junge Liliy (Margrit Rainer) muss sich zwischen zwei Männern entscheiden: dem bescheidenen Musikus Michael und dem gefeierten Tenor Tedy. Begleitet von eingängiger Musik und viel Humor entfaltet sich eine charmante Liebesgeschichte mit Lokalkolorit. Wer das Hörspiel im Radio hören will: Samstag, 06.09.2025, 20.00 Uhr, Radio SRF 2 Kultur Für die Musik zeichnet Artur Beul verantwortlich, der Schöpfer von Evergreens wie «Am Himmel stoht es Sternli znacht», «Übere Gotthard flüüged Bräme», «Stägeli uf, Stägeli ab» und dem Welthit «Nach em Räge schint Sunne». Den Text zu dieser beschwingten Komödie verfasste Jürg Amstein, der oft mit Paul Burkhard zusammengearbeitet hat, unter anderem auch bei «Der schwarze Hecht». ____________________ Mit: Margrit Rainer (Lily), Robert Bichler (Michael, ein kleiner Musikus), Rudolf Christ (Tedy, ein grosser Tenor), Emil Hegetschweiler (Peter Pfister, ein Zürcher), Lisa Burkhard (Frau Pfister), Voli Geiler (1. Kassiererin), Schaggi Streuli (Wirt), Gustav Gnehm (Kondukteur/Platzanweiser/Concierge), Ruth Sager (2. Kassiererin/Serviertochter), Heidi Fassbind (Dame), Albert Werner (1. Herr), Fritz Scheidegger (2. Herr/Lautsprecher), Karl Meier (3. Herr/Chauffeur/Polizist). ____________________ Musikalische Leitung: Walter Baumgartner – Regie: Albert Rösler ____________________ Produktion: SRF 1948 ____________________ Dauer: 74'

Leute, diesmal senden wir live vom Grabbeltisch Bundesliga, aus der Galeria Kaufhof des Fußballs, denn hier regiert der SSV! Dieser ganz geile Ladenschlusspfiff zum Deadline Day, mit allen Resterampen-Rekorden und Last-Minute-Leihgeschäften. Mit all den Irrsinns-Einkäufen, dem wüsten Wechseltheater und den bitteren Pillen, die vor allem im Abgang nach Öl schmecken. Und deshalb zwangsläufig auch mit diesem Fabelwesen aus Stuttgart, halb Goal-Giraffe, halb Edeltechnik-Einhorn, das jetzt, Newcastle statt Neuschwanstein, doch lieber in England spielt als in Bayern. Auch dieses Talent von nun an Inselbegabung. Oder, wie Uli Hoeneß sagen würde: Bridde! Aber natürlich ging es nicht nur um die Transfers, sondern auch um die Trainer. Denn während sich Augsburg trotz Niederlage an Wagner berauscht, wurde in Leverkusen gleich die ganz große Oper gegeben. Der fliegende Holländer, mit sehr kritischem Tenor. Frei nach dem alten Motto aus Manchester: Man soll ten Hag nicht vor dem Abend loben. Oder so ähnlich. Simon Rolfes, dieses sichtlich gezeichnete Schlussstrichmännchen, hat jedenfalls noch schnell versucht, das alles ins Positive umzudeuten, uns diese rheinische Reißleine als Starthilfekabel für den nächsten Neuanfang zu verkaufen. Eine fantastische Finte. Und wer sich nun fragt, ob wir darauf wirklich reingefallen oder zur Abwechslung doch mal kritisch geblieben sind und wer darüber hinaus auch wissen möchte, was eigentlich in Hamburg los war und wo Maik das Derby gucken musste, dem legen wir ans Herz, es doch bitte wie die Bayern bei Jackson zu machen und bis zum Ende dran zu bleiben. An dieser neuen Folge. FUSSBALL MML - denn alles andere ist Herrenwissen. Viel Spaß!

Durante 14 anos, pesquisas, viagens e emoções se entrelaçaram para compor “Aldo Baldin – Uma Vida pela Música”, em cartaz no Brasil. O filme, dirigido por Yves Goulart, já recebeu 24 prêmios em festivais pelo mundo, e é um dos dez indicados a Melhor Documentário no Septimius Awards, que acontece no início de setembro em Amsterdã. Mais do que um retrato de uma voz única, o documentário é um símbolo de resistência. Cleide Klock, correspondente da RFI em Los Angeles Ao resgatar um artista ausente da memória popular, a obra convida à reflexão sobre arte erudita, democratização cultural e a necessidade de dar acesso à música clássica a uma nova geração. Aldo Baldin (1945-1994) foi um tenor brasileiro de projeção internacional, considerado um dos intérpretes mais importantes da música erudita do século 20 no Brasil. O cantor nasceu em Urussanga, que também é a cidade natal do cineasta Yves Goulart. Mas o diretor só conheceu a história de seu conterrâneo quando já estava morando nos Estados Unidos. “Eu reconheci a minha cidade na capa de um disco que tinha a Igreja Matriz de Urussanga. Eu me perguntei como que a Igreja Matriz de Urussanga, onde eu fui sacristão, está aqui em Nova York? Que história é essa? Que disco é esse? Virei a capa e estava escrito ‘Aldo Baldin', tenor brasileiro, nascido em Urussanga. Ali, então, foi a minha garra de dizer: precisamos fazer um documentário sobre o tenor catarinense Aldo Baldin”, relembra Goulart. Foram 14 anos de pesquisas, filmagens e viagens, principalmente na América do Sul e na Europa, onde começou e depois se consolidou a carreira do tenor. “Imagina, hoje eu estou com 50 anos, eu comecei quando tinha 35. Foi muito importante esse amadurecimento até para mim como artista, como documentarista, para evoluir nessa linguagem”, diz o cineasta. A viúva de Aldo, Irene Fleisch Baldin, foi quem abriu todas as portas para Yves e assina como diretora musical. Entre os tesouros encontrados, está uma fita cassete gravada por Aldo três dias antes de sua morte precoce, aos 49 anos, na qual deixou sua história contada por sua própria voz, com as pessoas que fizeram parte de sua trajetória. No documentário é possível ouvir Aldo e também ver pessoas citadas por ele, peças-chave da música clássica brasileira e mundial, dando depoimentos sobre a importância do artista pouco conhecido do grande público. Música clássica em tempos de algoritmos Mais do que uma biografia, o documentário reflete sobre o desafio de formar novos públicos para a música clássica. Em tempos de consumo rápido e algoritmos que priorizam conteúdos efêmeros, a ópera e o canto lírico enfrentam dificuldades para dialogar com o grande público. “Eu recebi uma resistência, sim. Eu percebo isso e encaro também com muita humildade e com sabedoria para não me frustrar. O que acontece é que nós estamos afastando o público da música clássica. Tanto é que hoje a gente não chama mais de música erudita, porque fica um distanciamento, uma erudição. Parece que eu preciso saber o que é erudito para colocar isso em algum lugar. Não. A música clássica hoje se fala dessa forma porque ela pode ser de acesso de todos”, diz. O diretor considera que ainda há pouco espaço nos meios de comunicação e nas iniciativas dos governos para dar acesso à arte erudita para um público mais jovem e lembra que antes a música clássica fazia parte até da programação das TVs abertas que exibiam “Concertos para a Juventude". No início de agosto, aconteceram sessões gratuitas do documentário para escolas em Santa Catarina, já que uma das intenções da obra é trazer proximidade e estimular a formação de plateia. "É mostrar para essas crianças, esses jovens, que a gente tem algo a mais do que o samba e o futebol. De que a gente tem a música clássica, temos Heitor Villa-Lobos, Carlos Gomes, Santoro, que nós temos Aldo Baldin e tantos outros. Necessitamos que essa obra continue viva”, entusiasma-se Yves Goulart. De Urussanga para o mundo Em 18 e 19 de agosto, haverá uma sessão especial em Urussanga, no mesmo local onde Aldo se apresentou nos anos 1980. Será a primeira vez que parte da família retratada no documentário verá o resultado final. O diretor planeja, em breve, lançar “Aldo Baldin - Uma Vida pela Música” em cinemas de diferentes países, com prioridade para a Europa e os Estados Unidos, onde reside, e posteriormente disponibilizá-lo em plataformas de streaming, ampliando seu alcance e garantindo que a produção e a história de Aldo cheguem a públicos variados em todo o mundo. “A fotografia, o som, está tudo voltado para o olhar dentro da sala de cinema. Quando você vê o filme na sala de cinema, ele abraça o público e é bonito de ver. Então a gente espera que em breve possamos conseguir os distribuidores na Alemanha e nos Estados Unidos para que a gente possa também estar com o filme nesses lugares. Principalmente na Europa, onde o Aldo fez uma carreira brilhante”, conclui.

Am 15. und 16. August findet in Melbourne das Symposium Musical Exile, Migration and Cultural Mobility statt. Es widmet sich der bewegenden Geschichte von Musikerinnen und Musikern, die im 20. Jahrhundert aus Deutschland und Österreich fliehen mussten und in Großbritannien sowie Australien neue kulturelle Wurzeln schlugen. Der in London lebende Tenor, Autor und Musikwissenschaftler Norbert Meyn forscht seit Jahren zu diesem Thema und erzählt von der Verbindung zwischen Musik und Migration.

Send us a textWhat happens when destiny meets talent? Christopher Macchio's remarkable journey from a shy teenager hiding his voice to becoming "America's Tenor" exemplifies how embracing your gifts can transform your life in extraordinary ways.At just 13, Macchio discovered he could mimic different vocal styles while listening to the Godfather Part III soundtrack. Yet fear kept this talent hidden until a perceptive high school choir director recognized his exceptional gift during a private audition. Even then, stage fright followed Macchio to music conservatory, where classmates remained unaware of his abilities until final exams revealed his stunning voice.The pivotal moment in Macchio's career came through a last-minute opportunity when Elton John canceled a New Year's Eve performance at Mar-a-Lago. With less than 24 hours' notice, Macchio flew to Palm Beach and captivated Donald Trump and a thousand guests, leading to an invitation to perform at Rod Stewart's 70th birthday celebration the following week.His connection with the Trump family deepened when he was asked to perform at Robert Trump's White House funeral in 2020 – only the third funeral ever held in the East Room after Abraham Lincoln and John F. Kennedy. This profound experience culminated in singing the National Anthem at President Trump's 2024 inauguration inside the Capitol Rotunda.Beyond his performances, Macchio passionately advocates for elevating music culture. As co-founder of the charity "Make Music Right," he guides young people in creating wholesome content that inspires rather than appeals to base instincts. His perspective on contemporary music reflects his belief that art should elevate listeners aesthetically and morally.Defining himself as "curious, ambitious, and grateful," Macchio's philosophy centers on understanding human experiences, valuing truth, and finding beauty in authenticity. His story reminds us that our greatest potential often lies behind our deepest fears, and that embracing our gifts – not for personal glory but to serve others – can open doors we never imagined possible.Join us for this intimate conversation with Christopher Macchio and discover how music can transcend politics, connect hearts, and reveal the extraordinary beauty that comes from sharing your authentic voice with the world.About Christopher MacchioFollow Christopher on INSTAGRAMMake Music RightAbout your Host- Alexia MelocchiBuy My Book - An Insiders Secret: Mastering the Hollywood PathAlexia Melocchi - WebsiteThe Heart of Show Business - WebsiteLittle Studio Films - WebsiteShop Our Merchandise!TwitterInstagramFacebookLinkedInThanks for listening! Follow us on X, Instagram and Facebook and on the podcast's official site www.theheartofshowbusiness.com

Nathan Pacheco is a classically trained tenor who has performed in the United States, Canada, and Mexico with Yanni; performed with Latin singing sensation Olga Tañon; touring England, Scotland, and Wales with Katherine Jenkins and the National Symphony Orchestra; and performed for Prince (King) Charles. He also performed for President Russell M. Nelson for his 100th birthday. Cwic Media Website: http://www.cwicmedia.com

Joe shares his favorite Steelers memories of Cordarrelle Patterson and gets sad thinking about it. What will be the tenor of this year's camp? Could Kaleb Johnson be a better fit and overall player than Najee Harris.

Noah Hiles joins us from San Fran to give the latest on Mitch Keller's trade outlook, Bednar's return could be on the rise, which established MLB players could be trade targets. Percentage chance of trading: Hayes, Cruz, Reynolds, and more. Why has Reynolds struggled so much? A discussion about San Francisco and the other Joe Starkey. Joe shares his favorite Steelers memories of Cordarrelle Patterson and gets sad thinking about it. What will be the tenor of this year's camp? Could Kaleb Johnson be a better fit and overall player than Najee Harris.

In der Rolle des verliebten Prinzen glänzt der österreichisch-australische Tenor Gérard Schneider in der Oper Rusalka. Obwohl er seit einem Jahrzehnt nicht vor einem australischen Publikum gesungen hat, macht er einen sehr entspannten Eindruck im Gespräch vor seinem Auftritt in der Sydney Opera.

Helen Russell, Chief People Officer at HubSpot, joined us on The Modern People Leader. We talked about how HubSpot is fostering an AI-first culture, why belonging is so important right now, and what HR leaders can do to move fast without losing their humanity.---- Sponsor Links:

Die Themen „Künstliche Intelligenz“ sowie „Digitalisierung“ gehören zu den aktuellsten Themen unserer Zeit, wobei oft der Tenor vorherrscht, dass man die Digitalisierung vorantreiben müsse und durch die Künstliche Intelligenz vieles leichter werde. So bezeichnete der Minister des neu geschaffenen Ministeriums für „Digitales und Staatsmodernisierung“, Karsten Wildberger, ein Manager, der zuvor für MediaMarkt und Saturn gearbeitetWeiterlesen

Tenor saxophonist Rico Jones's debut recording, Bloodlines, is a thoughtful exploration of his Latino and indigenous heritage. Recorded live at Ornithology in Brooklyn, the album features Jones alongside guitarist Max Light, and veteran musicians Joe Martin on bass and Nasheet Waits on drums.   In this episode of LINER NOTES, Jones reflects on his quest for the Divine in his music as well as the significant input from the friends and family who have shaped this musical journey.  

Ken Ludwig's first play, Lend Me a Tenor, was produced on Broadway (1986) and in London by Andrew Lloyd Webber. It won two Tony Awards and was called “one of the classic comedies of the 20th century” by The Washington Post. His Crazy For You was on Broadway for five years, on the West End for three, and won the Tony and Olivier Awards for Best Musical. It has been revived twice in the West End and is currently touring Japan.   His shows have been produced in over 20 languages in more than 30 countries, and many have become standards of the American repertoire.   We'll talk about these shows and many of his others, and we'll discuss his love of Shakespeare!