Podcasts about Osiris

Can what is broken be repaired? This episode comes after a life episode of burnout, a moment when nothing made sense. It unfolds like fragments, pieced together, tracing the feeling of being broken—and finding meaning within it.From fragmentation in landscapes, to the myth of Osiris in Ancient Egypt, to ancestral rites of dismemberment, to dreams, to repairing broken clay with golden dust—this podcast episode aims to show through storytelling how what is broken can be the beginning of something whole.How can we see the light among the fractures? How do myths guide us through the stages of human life, toward adulthood? How did our ancestors understand being broken, and what can we learn from them today?⭐ If you liked the episode, please share it and rate it 5 stars on your favourite platform.Sources:https://traditionalkyoto.com/culture/kintsugi/https://www.britannica.com/topic/Osiris-Egyptian-godhttps://gabrielamgutierrez.substack.com/p/the-ritual-of-dismembermentCover: Narcissus by Caravaggio, c.1597–c.1599Hosted on Ausha. See ausha.co/privacy-policy for more information.

Welcome to Day 2800 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2800 – Wisdom Nuggets – Psalm 114:1-8 – Daily Wisdom Wisdom-Trek Podcast Script - Day 2800 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day two thousand eight hundred of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Wisdom-Trek: The Earth Trembles – When the Presence Moves In. Today is a milestone day! We have reached day two thousand eight hundred. That is a lot of trekking, and I am so grateful you are walking this path with me. We are celebrating this milestone by stepping into one of the most compact, high-energy psalms in the entire Bible. We are exploring Psalm One Hundred Fourteen, covering the entire hymn, verses one through eight, in the New Living Translation. In our previous trek through Psalm One Hundred Thirteen, we began the "Egyptian Hallel"—the series of psalms sung at the Passover. We saw the "Stooping God" who sits high above the nations but bends down low to lift the poor from the dust and the barren woman from her grief. That psalm set the theological stage: God is great because He is humble. Psalm One Hundred Fourteen moves from theology to Theophany. A "Theophany" is a visible manifestation of God. This psalm describes what happened when that "Stooping God" actually touched down on planet Earth to lead His people out of Egypt. It is a psalm of movement. In just eight verses, we see a nation moving out, a sea fleeing, a river turning back, mountains skipping like scared sheep, and the solid rock turning into a fountain. It describes the sheer, terrifying, joyful disruption that occurs when the Holy One invades the realm of chaos. In Jewish tradition, this psalm is sung right before the Passover meal. It recounts the moment Israel became God's peculiar treasure. So, let us imagine ourselves in the Upper Room, or perhaps standing on the shores of the Red Sea, as we witness the earth tremble at the presence of the Lord. The First Segment is: The Great Migration: Establishing the Sanctuary. Psalm One Hundred Fourteen: verses one through two. When Israel went out of Egypt, Jacob from a people of strange language,  Judah became God's sanctuary, Israel his dominion. The psalm begins with a historical flashback to the defining moment of the Old Testament: The Exodus. "When Israel went out of Egypt, Jacob from a people of strange language..." The mention of a "strange language" (or foreign tongue) emphasizes the alienation of Israel. They were strangers in a strange land. In the Ancient Israelite worldview, Egypt was not just a political oppressor; it was a spiritual "Iron Furnace." It was the domain of foreign gods—Ra, Osiris, Horus. Israel was living in a culture where the very words spoken were dedicated to idols. To leave Egypt was to leave the jurisdiction of these foreign elohim. But look at what happens the moment they step out: "Judah became God's sanctuary, Israel his dominion." This is a profound statement of Cosmic...

Jordan Maxwell deconstructs the hidden foundations of Western civilization, from the esoteric origins of religious dogma to the "legal rackets" that govern modern society.Maxwell dives deep into etymology and symbology, revealing how the words we use every day—like "Church," "God," and "Attorney"—carry hidden meanings designed to manipulate public consciousness. Discover why the legal system refers to citizens as "wards of the court," the shocking connection between Hollywood and Druidic magic wands, and the ancient Egyptian link to the "Dog Star" Sirius.This episode is a masterclass in occult history, challenging everything you think you know about the 10 Commandments, the Roman legal system, and the true meaning of "understanding."Key Topics Covered:Legal Deception: Why hiring an attorney legally classifies you as a "person of unsound mind."The Etymology of "Church": From the Roman goddess Mother Circe to the Scottish "Kirk."Hollywood's Secret: The Druidic origin of "Holly Wood" and its connection to magic wands.The Moon Cult: Moses, the 10 Commandments, and the ancient lunar worship of the Hebrews.The Dog Star Connection: How Sirius, Osiris, and the "Dog Star" shaped the word "God."Political Servitude: How sex, drugs, and entertainment are used as tools to reconcile citizens to their loss of freedom.Keywords:Jordan Maxwell, Occult History, Esoteric Wisdom, Etymology, Secret Societies, Roman Law, Black's Law Dictionary, Ancient Egypt, Sirius Dog Star, Druids, Hollywood Magic, 10 Commandments, Moses Moon Cult, Legal Rackets, Corpus Juris Secundum, TruthSeekah, Global Elite, Hidden Symbols.Jordan Maxwell has spent his life exploring the unseen architecture of reality, the symbols, stories, and cosmic forces that shape humanity from the shadows. His work bridges astrotheology, ancient religions, secret societies, extraterrestrial encounters, aliens, UFOs and the esoteric foundations of Christianity, revealing a universe far stranger and more interconnected than most ever imagine.For decades, Jordan illuminated how the heavens guided ancient mythmakers, how sacred texts concealed astronomical and spiritual codes, and how non-human intelligences have accompanied humanity since the dawn of time. His work shows that behind every religious ritual, political symbol, and celestial myth lies a deeper truth waiting to be uncovered. Jordan Maxwell is not just a researcher, he is a keeper of forgotten knowledge.His teachings, interviews and lectures continue to inspire seekers who feel the pull toward hidden wisdom, cosmic spirituality, and the mysteries that bind heaven, earth, and the worlds beyond.Spirit Realm: Angels Demons, Spirits and the Sovereignty of God (Foreword by Jordan Maxwell) https://amzn.to/31g9ydR

   Dante Lauretta recounts the anxiety-inducing sample return where the drogue parachute failed to deploy before the main chute saved the mission, with the spacecraft now continuing as OSIRIS-APEX under former student Dani DellaGiustinaat the University of Arizona.

But God! Ephesians 2:1-10 by William Klock Earlier this week Veronica and I watched an episode of the X Files that unintentionally had some pretty sound theology embedded in the story.  Agents Mulder and Scully were called to investigate some strange goings-on in a small town—as usual.  As it turned out, a guy cleaning out an abandoned storage locker found a genie.  And the genie gave him three wishes.  As you would expect, it didn't go well.  He wished to be able to make himself invisible so that he could spy on people.  And not being terribly bright, he prompted got killed crossing the street, because he was…invisible.  His brother claimed the genie and didn't fare any better.  His wish ended up blowing up his house with him in it.  And so Mulder ended up, unexpectedly, with the genie and three wishes.  And he asked the genie why the wishing thing always ends in disaster and the genie told him that it's because people are stupid and selfish.  So Mulder thought long and hard and in his best effort at altruism, he wished for world peace.  St. Paul would call it shalom.  And he went outside to discover that he was the only person left on earth.  Because the genie knew fallen human nature and getting rid of all of us was the only way to bring world peace.  Thankfully, Mulder had two more wishes so he could undo the first and set the genie free with the third. And I thought that St. Paul would probably have a bit of a chuckle at that.  Because Paul knew the same thing the genie knew: we are all sinners, idolaters who worship anything and everything but the God who created us and loves us.  And, like Agent Mulder, but unlike the genie, Paul also knew that there is no shalom without human beings in our rightful place.  Creation groans in eager longing for the day God will finally set us to rights, he says in Romans, Creation waits for the day when God restores us to our position as his stewards, to rule creation and to serve him in his temple.  That, Brothers and Sisters, is shalom, peace.  Creation can never be complete without us in our proper place—filling the vocation God created us for in the first place.  That's why God doesn't just “Deal with evil” like so many people want him to.  Like the genie, he'd just have to remove us all from creation—and that's not how creation is supposed to be.  This is why Paul practically shouts out ho de Theos, at the beginning of Ephesians 2:4: “But God!”  Because he knew that in setting creation to rights, God can and will, first, set us and our fallen, sinful hearts to rights—something no genie could ever do. And so far, in Ephesians 1, Paul has begun with a great shout of praise for what God has done in Jesus the Messiah and then he's told the Ephesians how he prays for them—that they would know, that they would understand this great story of redemption, the power behind it to renew creation, so that they can be part of this story that ends with the knowledge of the glory of God filling the earth.  Remember at the end of chapter one, closing his prayer for them, he wrote about the church, united with Jesus and full of the Spirit being the “fullness of the one who fills all in all.”  It's a prayer that God, that Jesus, that the Spirit, that the scriptures would form and shape them and truly make them the church.  And while we might miss the significance of Paul's language of filling and fullness and being all in all, it was not lost on the Ephesians.  This was temple language. It's the language of God coming to dwell with his people.  The way he did with Adam and Eve in the garden.  The story ever since has pointing in that direction.  The restoration of God's temple, the return of his presence, and God dwelling with his people forever.  This is what the Exodus was all about.  God rescued and created a people, he gave them a law to make and to keep them pure and holy, so that he could take up his residence in their midst—so that he could tabernacle with them.  It wasn't perfect.  The people needed to offer sacrifices repeatedly so that they could be purified by that blood.  A veil separated them from the direct presence of the Almighty.  But this model of new creation pointed forward to the day when God would set his people and his creation fully to rights.  The long exile, first from the promised land and the temple, then from the presence of God, primed Israel with hope for that coming day.  And now Paul's ready to explain to the church that they—that we—are the beginning of that fulfilment.  In us, God has established a new temple.  By the blood of Jesus he has purified us.  Through the gift of his Spirit he has taken up his dwelling in us.  He has begun the work of setting our hearts to rights.  And in that, he has made us the working model of his new creation and stewards of his good news—that we might, to use the language he used with Adam and Eve, that we might be fruitful and multiply, spreading the gospel, until the earth is filled with the knowledge of his glory. Brothers and Sisters, this is the story we need to inhabit.  Too often Christians have got it backwards.  We think the gospel story is a story of escape from creation—that in Jesus, God forgives our sins, so that someday he can take us away from earth and up to heaven to live with him.  But it's really just the opposite.  Through the blood of Jesus he has purified us and made us fit to be his holy temple, so that he can dwell with us.  Jesus is the model, Immanuel, God with us.  This is the story Paul wants to get across in Ephesians 2.  Ideally we'd cover the whole chapter all at once, but we'll have to break it into two halves.  This temple story will jump out at us in the second half.  The first half begins with our sin problem. How did these mostly Gentile Christians in Ephesus find themselves in this oh so Jewish story?  He writes beginning at verse 1, “Well, you were dead because of your offenses and sins in which you used to walk, keeping in step with the world's ‘present age'; in step, too, with the ruler of the power of the air, the spirit who is, even now, amongst the children of disobedience.” “You”—he's addressing them as Gentiles.  In verse 3 he'll link them with “us”—the Jews.  You were dead.  Because you walked—there's that great word peripateo again—you walked, you lived a life of offense and sin against God.  And we can't hear these two words sin and death together without it taking us back to Genesis.  And if we go back to Genesis 3 and Adam and Eve's choice to listen to the serpent's lie, not just to disobey God, but to reject their vocation as priests of God's temple and to try to become gods themselves, if go way back to the beginning of the story there, we should understand that sin and death aren't about God just setting up a bunch of rules and then condemning the people who disobey them.  Sin, and especially “offence”, are what we call it when human beings, created to bear God's image—that means to be his priests and his representatives in the temple, in creation—sin and offence are what we call it when we reject that vocation.  When we try to take the temple for ourselves.  And death is not an arbitrary punishment, but the natural result of turning away from the God who is the source of life.  That's why the wages of sin is death. And, of course, once humanity chose that path of disobedience and death it just snowballed.  Human culture and even those unseen powers that God had put in place to oversee the nations went horribly wrong.  The Jews called it the present evil age, because they lived in hope of the age to come when God would set creation to rights.  But the Gentiles had no hope.  They just went with the sinful flow.  We see it today as the world rejects Christianity.  Jeffrey Epstein and his cabal of degenerate, paedophile friends would have been right at home in pagan Greece or Rome and they're exactly what you get when a people rejects God.  The devil didn't just tempt the man and woman to reject God.  He and his cronies continue to steer and influence fallen humanity.  Paul will have more to say about this later when he writes about “principalities and powers”.  In our baptismal rite, we put this in terms of the temptations of the world, the flesh, and the devil. All these forces work together to keep humanity lost in idolatry and sin.  And so far as this goes, Paul is just restating the standard Jewish analysis of the Gentiles.  But then in verse 3 Paul goes on and writes, “We all used to live this way, in the passions of our flesh, carrying out the desires of flesh and mind.  We, too—he means he and his fellow Jews—were by nature children of wrath, just like everyone else.”  Paul recognised that even though his own people had the torah, God's law, and were trying to live by it, they were suffering the same problem as the Gentiles.  The corrupt desires of flesh and mind had just as much a grip on Israel as they did the peoples of the nations.  The whole world, all of humanity was mired in darkness, Jew and gentile alike. And this where, at the beginning of verse 4 Paul interjects this powerful, earth shattering: “But God!”  Into the darkness, into the hopelessness, into the condemnation, into the death, God intervenes to bring light, to bring hope, to bring deliverance, to bring life.  “But God,” Paul writes, who is rich in mercy, because of the great love with which he loved us, he took us at the very point where we were dead through our offenses, and made us alive together with the Messiah.  Yes, by grace you are saved!” Israel knew about God's mercy and love.  The story they told of their history with God was full of mercy and grace.  And occasionally some gentile would hear that story and be drawn to it, because the God of Israel was unlike any of the other gods.  Zeus and Poseidon and Hades, Aphrodite and Artemis, people might believe all sorts of things about them, but no one ever believed that the gods loved them.  The gods served themselves.  If they sometimes showed favour to this person or to that city, it wasn't because of love; it was to further their own schemes and ambitions.  No Greek or Roman—no Egyptian or Persian, for that matter—would have ever said of their gods anything even remotely like what Paul says here of the God of Israel: that he is rich in mercy, that he loves us with a great love, or that he has shown us kindness.  Zeus and Hera, Osiris and Isis, they were all purely transactional.  If you did something good for them and you were lucky, they might do something nice for you.  We need to be careful, because Christians can fall into the same pagan way of thinking about God—making deals with him or treating him like a divine vending machine.  But Paul makes it clear that the God of Israel isn't like that.  Instead, he's full of mercy and love and kindness.  Yes, his purpose is to fill the earth with his glory, but he is glorious precisely because he is unlike the gods humans dream up.  He is full of mercy and love. And Paul reminds the Ephesians: By his grace, God has taken what he did for Jesus when he raised him from death, and has made it true of us.  If we are “in the Messiah”, then we are alive together with him.  He goes on in verse 6: “He raised us up with him and made us sit with him, in the heavenly places in Messiah Jesus.  This was so that in the ages to come he could show just how unbelievably rich his grace is, the kindness he has shown us in Messiah Jesus.”  This is how God reveals his glory.  Not merely with a show of strength or power, but by showing his grace. Again, what is true of Jesus is true of the church—of the Ephesians Christians, and of us.  And it's not just Jesus' resurrection, his being made alive again.  Paul has said that before.  But here he also stresses that Jesus' ascension is somehow true of us too.  God didn't just make us alive with Jesus the King; he's made us alive in order to sit us with the Messiah, with the King in the heavenly places.  So Jesus ascended to sit at the right hand of his Father.  He's the King and that's what kings do: they take their thrones and they rule.  But Paul is saying that if we are “in the Messiah”, then we're right there with him. The resurrection part of that, the being made alive with Jesus probably isn't too hard for us to wrap our heads around.  In Jesus, God has made us a promise.  Even though we'll die, because we are in the Messiah, he will raise us to life again just as he did with Jesus.  If we have any doubts, Paul would remind us that God has filled us with his Spirit to give us a taste of and downpayment on resurrection life with him.  That part I think we can pretty well wrap our heads around.  But what does it mean to be seated with him in the heavenlies? This is where we need to make sure we've got the story right.  Because if we understand the climax of the story as someday escaping from earth, as escaping our bodies, to live a sort of disembodied spiritual life forever in heaven, we're going to miss Paul's point.  Again, the story isn't about us going up; it's about God making us fit, through the death and resurrection of Jesus, to be his temple—so that he can come down—to us. Consider: Jesus has already done this.  Remember the end of Chapter 1, where Paul said that Jesus is the one in whom heaven and earth—all of creation—are summed up, are brought together, are unified, the way it was in the beginning: heaven and earth overlapping, God and human beings dwelling together.  That's how it began and that's the ending towards which God is taking history—to set his broken, sin-sundered creation to rights.  Jesus is the prototype, the signpost who points us to, who shows us what God's future will be like.  In him, God has joined our nature to his own.  In him, heaven and earth have been brought back together.  Think of that great Ascension Day hymns, “See the Conqueror Mounts in Triumph”: He has raised our human nature, on the clouds to God's right hand; there we sit in heavenly places, there with him in glory stand.”  Brothers and Sisters, Jesus is the temple in person.  And Jesus is the whole of creation—heaven and earth—in miniature. And what is true of him is equally true of those who are united with him by God's grace.  As we'll see in the second half of the chapter, the church—the Ephesian Christians and you and me—we are also that temple and if we have any doubts, all we need to remember is that God has come to dwell in us in the person of his Spirit.  And remember the goal, the one promised by the prophets so long before, the goal is for the knowledge of the glory of God to fill the earth.  The church is his means of making that happen.  He didn't just send his son to be the on-earth-as-in-heaven man, through his son and through his Spirit he has created a whole community of on-earth-as-in-heaven people to do just that: to live out in our lives, in our relationships, in our community heaven on earth—to be a people who show the world God's love and mercy and grace and kindness.  To be a working model of his new creation and to give the world a taste of that future right now.  To reveal the glory and the beauty and goodness of God in our lives and in our own proclamation so that everyone around us will know his glory and be drawn to him. This is then what Paul gets at in verses 8-10.  He writes, “For you have been saved by grace, through faith. This is not of your own doing; it is God's gift.  It isn't on the basis of works, so no one is able to boast.  You see, we are his workmanship, created in Messiah Jesus for the good works that he prepared, ahead of time, so that we should walk in them.”  What does he mean?  Well, Paul's reminding them that there was a time when Jews and gentiles were separated by the law, by torah.  God poured out his grace on Israel, set them apart with his law as a way to teach them how to love him and to love their neighbours, so that they could be a light to the gentiles—so they could make his glory known in the earth.  Israel failed in that mission, but God acted in grace again.  He gave his son to be the faithful Israelite and in Jesus, Israel's mission to witness the grace and glory of God was fulfilled.  And now these gentile Ephesians who have encountered the risen Jesus, who have heard the gospel, and been filled with God's Spirit—they've been united together with faithful Jews in Messiah Jesus.  In them, God's promises—all the way back to Abraham and even to Adam—are being fulfilled.  In them, God's glory is on display before the nations.  And there is no longer a need for the division that had been given by torah.  Now the Spirit is teaching them and enabling them to love God and to love each other for all the world to see.  In Jesus and the Spirit, God has made them a people who are fulfilling the very thing that torah was meant to do, not just because we keep a set of rules or live according to a certain moral code—there's a sense in which we actually do do that—but because, through Jesus and the Spirit we actually live out and put on display the new creation, God's future that is breaking into the world in the midst of the old. Paul puts it beautifully, but in a way we might miss in English translation, when he says that we—the church—are God's “workmanship”.  The Greek word is poiema.  We get our word “poem” from it.  The Greek word doesn't mean “poem”—maybe we could almost say it means “artwork”.  In the Old Testament it's often used to describe the creative work of God.  In other places it's used to describe things that are carefully and meticulously crafted for his use, like the garments of the priests or the vessels of the tabernacle.  Brothers and Sisters, we—the church—are God's carefully, purposefully, and wonderfully created masterpiece.  He's given his son and he's given his Spirit to craft, to create, to work us into something good—to restore his broken creation in us.  And, Paul sums up, God has done this work in us so that in our own lives and in the life of the church together, we can do such good work too.  Not doing good works to please him or to earn his favour.  That would be like going back to the pagan world of people doing things to manipulate the gods.  God is pleased by our good works, but he's created and enabled us to do good works as a way of showing his new creation to the world, a way of fulfilling the law he had given to Israel, as a way of loving him and loving each other—ultimately as a way to restore us to that vocation as his image bearers, to be the priests of his temple who steward his goodness and his good rule for the sake of creation. Brothers and Sisters, this is the story that God has written for us.  The story of our priesthood, reject and lost, but now restored through Jesus and the Spirit, a story of renewal and a story of hope—as it points us toward the day when God finishes his great work of bringing heaven and earth back together, of the day when he will return to dwell with us as he did in the beginning.  This the story that reminds what Jesus and the Spirit have made us.  It's the story that reminds us of our vocation as the church—that we're not just the people who long for things to be on earth as they are in heaven; we're the people who find our very identity in Jesus, the heaven-and-earth Messiah, and who are, ourselves, called to be the heaven-on-earth people—a people who reflect back to the world God's love and grace, his justice and goodness, who are by our very redemption witnesses of his faithfulness and, above all, his glory.  We are his workmanship.  May the world, by God's grace, see his glory in us and in our life together. Let's pray: Heavenly Father, our Collect today reminded us that without love, nothing we do is worth anything.  Fill us with your grace, that we might truly love.  Love you.  Love our neighbours.  Making us the heaven-on-earth people you intend for us to be, so that the world may see your glory on display in your church.  Through Jesus we pray.  Amen.

  Is there references to modern day or higher technology recorded in the writings of this 5,000 year old battle between the Noble Goths and the Saturnal Serpent-Wolf Cult?  This event in history was etched in stone, written of, and retold from Cappadocia & Carchemish to Sumer, Persia, India as recorded in the Vedas, Egypt, and the ancient Britons.  The evidence is undeniable, and stands as the most important incident in mankind's history.  This was the battle for the establishment of Civilization, a Reign of Reason and brotherly love against a wickedly EVIL cult of human sacrificers who opposed the elevation of mankind.  They were having too much fun dominating and terrorizing the people of the Earth, and despised our ancestors for their liberation and protection of the people of the early world.  This hatred for all that is good has remained the defining characteristic of these descendants of the Serpent cult to this very day.  This Saturn cult established the 3 Abrahamic religions as masks of morality to lure in the unsupecting and control them through their belief systems. But really, the followers are unwittingly paying tribute and devotion to the demonic forces and most wickedly evil people ever to disgrace the realm.      We pick up at Scene XVIII: Loki/Baldr/Typhon/Abel/Baal/Lucifer is cast out of "Heaven" banquet hall of Thor by Miok/Cain/Kon aka Archangel Michael, Thor's powerful son. The roots of every story retold in the Old Testament/Tanakh are rooted in a Gothic Arya conquest from 3,000 years prior to the Moon Cult's inverted retelling. The cult of human sacrifice and pharmakeia or poisoning and witchcraft are telling the biblical stories from their perspective. We were misled, but we are breaking the spell.Become a mid tier member:https://patreon.com/c/KristosCastYou can get our AWESOME Hot Sauces here: https://SemperFryLLC.comand right now you can use code: Foodstar for 6% Off.Many thanks for the channel campaign help. We're still a ways away from the goal. See the links below to help get the stuff we need. Thank You!Use Code BB5 here: https://SemperFryLLC.comClick Picture on the Right for the AZURE WELL products and use code BB5 for your discount.Find clickable portals to Dr Monzo and Dr Glidden on Dan's site.Join Dr. Glidden's Membership site here:https://leavebigpharmabehind.com/?via=pgndhealth⁠Code: baalbusters for 25% OFFMake Dr. Glidden Your DoctorPods & Exclusives AD-FREE!https://patreon.com/c/KristosCasthttps://buymeacoffee.com/BaalBustershttps://paypal.me/BaalBustershttps://GiveSendGo.com/BaalBustersTwitter Account: https://x.com/KristosCasthttps://open.spotify.com/show/0vtEmTteIzD2nB5bdQ8qDRBecome a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

02 The birth of Osiris - Egyptian mythology night story

La transmission initiatique est le cœur battant de la franc-maçonnerie. Dans cet épisode captivant de Sous le Bandeau, Franco Huard accueille Kenley Talmer pour une exploration profonde de ce sujet essentiel. La transmission initiatique transforme le profane en initié. Comprendre la transmission initiatique en franc-maçonnerie La transmission initiatique représente bien plus qu’un simple transfert de connaissances. Elle incarne le passage sacré de la sagesse ésotérique d’un maître à son élève. Kenley Talmer nous guide à travers les mystères de cette transmission initiatique ancestrale. Dans notre épisode sur la mort symbolique, nous avions abordé la renaissance initiatique. Aujourd’hui, nous approfondissons la transmission initiatique elle-même. Le voyage initiatique : de Paris au Mexique Après une pause d’un mois, Franco partage ses expériences maçonniques internationales. À Paris, il a visité le GODF et assisté à une conférence de l’UMLI sur la transmission initiatique. Au Mexique, il a vécu les 21 santés traditionnelles! Ces voyages illustrent comment la transmission initiatique transcende les frontières. Comme nous l’avons exploré dans notre épisode avec Franck Fouqueray, la franc-maçonnerie mondiale partage des valeurs communes. Le grade de Compagnon et la transmission initiatique Pourquoi dit-on que le grade de Compagnon est “chaud”? Kenley révèle le lien entre l’astrologie et la transmission initiatique. Les 12 signes du zodiaque présents dans le temple maçonnique portent une signification profonde pour la transmission initiatique. Osiris, Isis et le secret de la transmission initiatique La légende d’Osiris et Isis illumine le chemin de la transmission initiatique. Cette mythologie égyptienne illustre parfaitement le cycle de mort et renaissance au cœur de la transmission initiatique maçonnique. Devenir un maître de la transmission initiatique Comment passer d’initié à initiateur? Kenley partage les qualités essentielles: Présence – Être pleinement là pour la transmission initiatique Ouverture – Accueillir les questions sans jugement Patience – La transmission initiatique prend du temps Fait remarquable: Kenley a présenté 22 planches en une seule année d’apprentissage! Cette curiosité est essentielle à la transmission initiatique. Critique du débat maçonnique viral L’épisode analyse le débat entre “Le Franc Maçon” et un prêtre. Cette discussion soulève des questions importantes sur la transmission initiatique dans l’espace public moderne. Ressources sur la transmission initiatique “The Meaning of Freemasonry” – W.L. Wilmshurst “Le côté ésotérique de la franc-maçonnerie” – C.W. Leadbeater Article 450.fm Événements à venir Salon Maçonnique 2026 – 6 juin, Centre Saint-Pierre, Montréal salonmaconniqueduquebec.org Chapitres 00:00 Introduction | 30:00 Transmission initiatique | 37:00 Grade de Compagnon | 45:00 Légende d’Osiris | 54:00 Devenir initiateur | 1:14:00 Annonces La transmission initiatique reste le pilier de notre tradition. Écoutez cet épisode pour approfondir votre parcours initiatique. L'article Sous le Bandeau #91 – La Transmission Initiatique en Franc-Maçonnerie est apparu en premier sur Sous le Bandeau.

Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels, joined Nick and John to discuss the Charm Bracelet that J. K. Rowling posted on her Twixter home page as a Christmas gift to her readers. She said that that the thirteen charms on nine links were a set of clues about the next Strike novel, the ninth in a ten book series.In the first Part of Elizabeth, Nick, and John's conversation, they discussed Rowling's charm bracelet history, speculated about why she posted this picture when she did, decided to look at each charm on the bracelet for its stand-alone meaning and its place in the nine link set, and to read the whole series as if it were a ring composition, one reflecting a nine Part structure in Strike 9. They then made deep dives into the details of each charm: the heart shaped box containing a ‘You and Me' engagement ring, a golden diamond-laden egg, a foul anchor, two angels, and a Trojan horse.In this second Part of that conversation, the trio of Serious Strikers continue with the remaining charms on the bracelet, namely, a Jack-in-the-box, an Hourglass, a White Rose and Crocodile, a Corvid head, and a Psalter paired on the last link with the Head of Persephone. They share their thoughts, too, about the bracelet as a symbolic integer and its ring meaning.The notes below are in support of references they make mid-flight and to other resources of interest to Magic Charm Decoders! Enjoy.Thank you to all our subscribers with special gratitude and appreciations for our paid subscribers; you are the wind in our sails, the heat from our vents… Serious Strikers are reading Browning's The Ring and the Book, charting Hallmarked Man Part Six, and reviewing the Myth of Cupid and Psyche to look for parallels in the Strike-Ellacott series. See you soon!Jack-in-the-Box Charm* Rowling claims this as her favorite charm (Nick and John in the conversation mistakenly attribute this preference to the Psalter charm):* Badly Wired Lamp ID'd it* Is it a devil — or a Racoon?* The jack in the box toy, the 'Jack' being a devil, was invented in Germany in the 16th century as a mockery of the Roman Catholic doctrine of the Real Presence of Christ in the Eucharist. * The shape of this charm, the golden circular center in the inside of the open box top, represents the transcendent spiritual realm and the square bottom with its four directions, the fallen world. The ‘jack' devil lives in the latter but is from the former.* The charm is the third latched object in the chain, the heart box and Trojan horse preceding it and the psalter at chain's end following it — which means the ring latch and center are latched objects with surprises inside. The two interior objects at center have deadly surprises and the beginning and end eternal life interiors. The symbolism here is of the human being and its capacity via choice for either spiritual perfection in sacrificial love (anteros) or consumption by individual desires (eros). The thing hidden inside, man's spiritual capacity or heart, is either light or darkness, the inside bigger than the outside. (John)* What is the Strike 9 connection, the analogue to the demonic Jack in the box? Is it RFM? Uncle Ted? Ilsa's husband Nick? Polworth?* The Jack's position is at the center of the bracelet and between the hourglass and the Trojan horse. So it's placed between cleverness and craftiness and things that we can control and bad surprises, but also time, because we can't control time. (Elizabeth)Hourglass Charm* tempus fugit ‘like sand in an hourglass'* memento mori* infinite symbol* The Strike series may be a collection of mystery-story genres, each one illustrating a unique type of story, different from all the others while keeping the same core of characters and overarching narrative (cf., Rowling's note in The Running Grave acknowledgements that that book was her “cult” book). The hourglass, then, may be Rowling's pointer to Strike9 being a suspense drama in which the good guys not only have a challenging mission (find and rescue the missing Robin, Strike, Lucy, Pat, whomever) but have to do it before a literal deadline arrives. The Ticking Clock plot device.* If the Jack at link five is the center of the bracelet ring of nine links, how does the hourglass mirror the Trojan horse? It's two parts? The deadline aspect? “Reveal the crazies inside before the hourglass empties”?White Rose Charm* White Rose of Yorkshire* The interior of the flower charm is a literal Turtleback or ring composition diagram.* White Rose of Dante: Paradiso Cantos XXXI and XXXIIThe true home of all the blessed is with God in the Empyrean, a heaven of pure light beyond time and space. Dante sees the blessed systematically arranged in an immense white rose: like a hologram, a three-dimensional image, the rose is formed from a ray of light reflected off the outer surface of the Primum Mobile (30.106-17). The queen of this white rose is the Virgin Mary, traditionally represented as a rose herself (see Par. 23.73-4). This celestial rose recalls large rose windows of Gothic cathedrals, many of which are dedicated to Mary. The image of the rose, often red, is also used to represent Christ or, in other contexts, earthly love. The white rose is symmetrically structured according to various criteria, including belief, age, and gender. One half of the rose, already full, holds those who, according to Christian tradition, believed in Christ to come (the blessed of the Hebrew Bible); the other half, with only a few seats still unoccupied, contains those who believed in Christ already come (saved Christians). Two gendered rows mark this division of the rose in two halves. In the row below Mary appear women of the Hebrew Bible (Eve, Rachel, Sarah, Rebecca, Judith, Ruth, and unnamed others); Beatrice is seated next to Rachel, on the third row from the top. Opposite Mary, John the Baptist heads a row of men containing Francis, Benedict, Augustine, and other Christian fathers. Mary is flanked by Adam (first man) and Moses on one side, and Peter (first pope) and John the Evangelist on the other. John the Baptist is flanked by Lucy on one side and Anna, the mother of Mary, on the other. While only adults are seated in the upper section of the rose, below a certain line the rose contains souls of blessed children, their precise location based not on their own merits (since they lacked the power of free will) but on predestination. As physical laws do not apply in the Empyrean, Dante's ability to see these figures is not diminished by distance (30.118-23; 31.76-8).* White Rose of Mockingjay (Hunger Games finale)The prevailing symbol of Catching Fire and the most meaningful token the Christ figure of the series gives Katniss is a pearl, the solid-light symbolism of which we've discussed before. I think Commander Paylor's name may be our last Madge-Pearl-Mags name reference in being a “pale orb.” That gold and pearls have a similar translucency and metaphysical correspondence with the ‘Light of the World' make the twin possibilities that much more rich — and Commander Paylor's ascending to Panem's Presidency that much more meaningful and appropriate.Katniss steps into the Garden with the Pearl's blessing (“on my authority”) and discovers roses of every possible color. There are red, of course, and “lush pink, sunset orange, and even pale blue.” She knows what she wants, though; the rose colored like light, the white rose, Dante's symbolic prelude to the beatific vision and transcendence. Just as she cuts the “magnificent white bud just about to open” “from the top of a slender bush” (ibid, p. 355), the manacled, “pale, sickly green” President Snow, our snake in the Garden, speaks.“The colors, are lovely, of course, but nothing says perfection like white.”Our story Satan, you recall, left her a white rose in District 12 in chapter 1 and dropped roses with the bunker buster bombs in Part 1 to terrify Katniss. Now we know why. He was taunting her with her end, that as a seeker's soul he knew her goal was perfection in Christ and taunted her with it, especially when he held Peeta-Christ and understood the cartharsis and chrysalis she would have to pass through to claim it herself. Now that she is in the inner sanctuary, the High Place, he tells her the truth she could not hear anywhere else, the final, ugly truth about the cause for which Katniss had sacrificed everything. Snow reveals, just as Peeta had told her at the story's start, that she was deceived by those she trusted. President Coin killed Primrose with a weapon designed by Gale.Having been to the Absolute center, the world navel, and taken away the beatific vision as a white rose, Katniss is no longer a seeker but the resolution of contraries, an androgyn of justice and mercy. She is above right and wrong now as the phoenix-mockingjay and hears the voice of the “murderer” on the Hanging Tree at last. She deceives President Coin at the Victors Meeting as something of an avenging angel; she becomes a murderer herself by assassinating President Coin. Peeta-Christ comes down from the tree as her savior once again and prevents her suicide via Nightlock by his out-of-nowhere intervention.* Why does the White Rose share the seventh bracelet link with a crocodile? Faerie Queene!Crocodile Charm* The Crocodile in Shed, crocodile skin handbags (Hallmarked Man) “Maybe the4 crocodile or whatever they're keeping in the shed's chewed its way out,” said Strike. “ (Chapter 22, p 176; center chapter of Part 2)* Crocodile entry, Cirlot's Dictionary of SymbolismCrocodile Two basically different aspects of the crocodile are blended in its symbolic meaning, representing the influence upon the animal of two of the four Elements. In the first place, because of it viciousness and destructive power, the crocodile came to signify fury and evil in Egyptian hieroglyphics (19); in the second place, since it inhabits a realm intermediate between earth and water, and is associated with mud and vegetation, it came to be thought of as an emblem of fecundity and power (50). In the opinion of Mertens Stienon there is a third aspct, deriving from its resemblance to the dragon and the serpent, as a symbol of knowledge. In Egypt, the dead used to be portrayed transformed into crocodiles of knowledge, an idea which is linked with that of the zodiacal sign of Capricorn. Blavatsky compares the crocodile with the Kumara of India (40). Then, finally, come the symbols of Inversion proper and of rebirth. (67)* Lyndy Abraham's Dictionary of Alchemical Imagery entry for ‘Crocodile:'Crocodile The mercurial *serpent or transforming arcanum in its initial chthonic aspect during the dark, destructive opening of the opus alchymicum. Like the *bee, the crocodile was classified as a serpent in te bestiaries of the sixteenth and seventeenth centuries. The amphibious nature of the crocodile made it an apt symbol for the dual-natured *Mercurius. When Lepidus in Shakespeare's Antony and Cleopatra says, ‘Your serpent of Egypt is bred of your mud by the operation of your sun; so is your crocodile' (2.7.26-7), he is referring to the generation of gold in the earth, and the generation of the mercurial serpent through the heat of the secret *fire or ‘sun'. With the phrase ‘operation of your sun' Lepidus also alludes to the final law of the alchemical Emerald Table: ‘That which I had to say about the operation of the Sun is completed' (48)* Sandy Hope on Crocodile symbolismIsis Church crocodile in Faerie Queene: Book 5, Canto VIIBook V Canto vii. The speaker praises the virtue of justice and cites Osyris as an example of the just man. His wife, Isis, represented equity and to the Temple of Isis Britomart and Talus come to spend the night. Talus, however, is not allowed into the temple. Britomart enters and sees a statue of Isis with her foot on a crocodile. The temple is also full of the priests of Isis who are not allowed to drink wine as it leads to rebellion. Britomart sleeps under the statue of Isis and dreams that the crocodile comes alive and threatens the Goddess. The Goddess subdues the crocodile and it becomes meek and then impregnates the Goddess. She gives birth to a lion which conquers all other beats. Britomart awakes and tells her troubling dream to a priest. He tells her that the crocodile represents Arthegall, Isis represents Britomart, and the lion their son whom they will conceive. Grateful for the interpretation, Britomart leaves and comes to Radigund's castle. Radigund and Britomart battle, Britomart is wounded in the shoulder, and finally Britomart beheads Radigund. Talus enters the castle and wreaks carnage on the Amazon women inside. Britomart finds Arthegall dressed, like other, in women's clothing. she is shamed by the sight, and it is not quite clear whether her suspicions that Arthegall has been unfaithful are confirmed or refuted. She finds Arthegall some armour, arms him, and the rest in the castle. during this time Britomart rules as a princess and reforms the Amazon society so that women are restored to proper subjection to men. Finally, Arthegall leaves to complete his quest against Grantorto. Britomart lets him leave because she knows that his success in this quest is important to restore his ego. After residing further at the Amazon castle she finally leaves to help keep her mind off the absent Arthegall.* The Spenser Encyclopedia entry for ‘Church of Isis:' (408) Clifford DavidsonWhen Britomart spends the night in the temple, she sees a ‘wondrous vision' in which she participates first as a votary of Isis and then as the goddess herself. Her devotion to the statue causes her to become Isis in her dream: she is serving at the altar when she sees herself transformed into Isis but wearing the royal robe. The crocodile awakens, devours the flames which threaten to destroy the temple, and threatens to eat Isis/Britomart until it is driven back by her rod. Then it seeks her ‘grace and love,' she yields, it impregnates her, and from their union she gives birth to a lion. As the Priest explains, the crocodile is Osiris (the Egyptian god of Justice) who sleeps under the feet of Isis ‘To shew that clemence oft in things amis,/ Restraines those sterne behests, and cruell doomes of his' (22), and who shows thereby the proper relation of justice and judgment to equity. The Priest also explains to Britomart that the crocodile is Artegall, ‘The righteous Knight,' who will settle the storms and ‘raging flames, that many foes shall reare' and restore to her the heritage of her throne, and who will give her a ‘Lion like' son (23), the new British monarchy of the Tudors.The crocodile is a symbol both of guile and of a regeneration that will affect future history. As guile, its relation to Isis is reminiscent of Vice figures under the feet of triumphing Virtues in medieval art. An iconographic association between the crocodile in its demonic aspect and medieval saints' legends derives ultimately – significantly for Spenser – from the classical figure of Britomartis (Miskimin 1978). In Plutarch's Isis and Osiris 50, it is linked to Typhon, the enemy of justice and order, while in Renaissance iconographic tradition it is often symbolic of the need for prudence (for one must be prudent to avoid the wily crocodile). Cesare Ripa's Iconologia (sv Lussuria) shows the nude Luxury (or Lechery) seated upon a crocodile, an interesting analogy to its phallic sexuality in Britomart's dream. Yet along with these primarily negative associations, there are also positive ones in the crocodile's identification with Osiris/Artegall/Justice and in the implication that Isis/Britomart/Equity is incomplete without her partner. The image contains its own contradiction, unresolved by the Priest.* Troubled Blood and Faerie Queene: Where Britobart and Artegall are used as stand-ins for Robin and Cormoran:Troubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.Elizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodJohn Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality PlayCorvid Charm* Rowling Twixter headers: 12 January 2016, 9 April 2017 (Nick)* Fantastic Beasts reference? The Lestrange Family Motto features a crow and the ‘Lost Child' of that series is named ‘Corvus'* Crow Symbolism per Cirlot, Dictionary of Symbols:Crow Because of its black colour, the crow is associated with the idea of beginning (as expressed in such symbols as the maternal night, primigenial darkness, the fertilizing earth). Because it is also associated with the atmosphere, it is a symbol for creative, demiurgic power and for spiritual strength. Because of its flight, it is considered a messenger. And, in sum, the crow has been invested by many primitive peoples with far-reaching cosmic significance. Indeed, for the Red Indians of North America it is the great civilizer and the creator of the visible world. It has a similar meaning for the Celts and the Germanic tribes, as well as in Siberia (35). In the classical cultures it no longer possesses such wide implications, but it does still retain certain mystic powers and in particular the ability to foresee the future; hence its claw played a special part in rites of divination (8). In Christian symbolism it is an allegory of solitude. Amongst the alchemists it recovers some of the original characteristics ascribed to it by the primitives, standing in particular for nigredo, or the initial state which is both the inherent characteristic of prime matter and the condition produced by separating out the Elements (putrefactio) … In Beaumont's view, the crow in itself signifies the isolation of him who lives on a superior plane (5), this being the symbolism in general of all solitary birds. (71-72)* Lyndy Abraham's Dictionary of Alchemical Imagery entry for ‘Crow:' (49)Crow, crow's head, crow's bill A symbol of the *putrefaction and *black nigredo which is the first stge of the opus alchymicum. The old body of the metal or matter for the Stone is dissolved and putrefied into the first matter of *creation, the *prima materia, so that it may be regenerated and cast into a new form. The Hermetis Trismegisti Tractatus Aureus said of this initial stage of death and dissolution in the work: ‘The First is the Corvus, the Crow or Raven, which from its blackness is said to be the beginning of the Art' (bk. 2, 235). In his Aurora, Paracelsus wrote that when the matter has been placed in the gentle heat of the secret fire it passes through corruption and grows black: ‘This operation they call putrefaction, and the blackness they name the head of the Crow' (55). Thomas Charnock likewise wrote of the putrefaction: ‘The Crowes head began to appere as black as Jett' (TCB, 296). In Zoroaster's Cave the matter produced during this stage is identified with the name of the process: ‘When the matter has stood for the space of forty dayes in a moderate heat, there will begin to appear above, a blacknesse like to pitch, which is the Caput Corvi of the Philosophers, and the wise men's Mercury' (80). According to Ripley the terms ‘crows head' and ‘crows bill' are synonymous: ‘The hede of the Crow that tokeyn call we,/And sum men call hyt the Crows byll' (TCB, 134) (see ashes). In A Fig for Momus Thomas Lodge listed the crow's head amongst other alchemical enigmas: ‘Then of the crowes-head, tell they weighty things' (Works, 3:69). When Face in Jonson's The Alchemist says that the matter of the Stone has become ‘ground black', Mammon enquires of him, ‘That's your crowes-head? And Subtle replies, ‘No, ‘tis not perfect, would it were the crow' (2.3.67-8).Psalter Charm* In ‘Charms, Psalms & Golden Clues: A brace(let) of clues for Strike 9,' Prof Groves discusses the psalm as charm:Charm first meant the incantation itself, and then the amulet that carried that incantation to protect the wearer and then – from the 19th century – the small ornamental trinkets, fastened to girdles, watch-chains and bracelets, that resembled those original, talismanic charms. This means that Rowling's clue-charm of a Psalm book (which can actually carry a sacred text) circles back beautifully to the original meaning of the word – in which a charm was an amulet carrying a holy text. These charms do not always hold texts but Rowling has confirmed that this one does: ‘The book is a psalm book and holds real, miniature psalms' I think this protective hinterland of charms make it likely that the specific psalm that such a psalm-book charm would carry would be the most comforting and talismanic of psalms – Psalm 23. This psalm famously describes the Lord's love as protective, even unto the valley of the shadow of death* John argues that, in addition to the 23rd Psalm, Psalm 90 (91 in Masoretic or KJV reckoning), the so-called ‘Soldier's Psalm' is at least as likely as an insert for this charm, which is to say, as a talisman a soldier might give a woman about to enter Hades to beg a gift from Persephone…The Head of Persephone Charm* Rowling's clarifying picture* Psyche's Last Task from Venus:One final task is then given to Psyche, one in which Psyche is commanded to bring back a bit of Persephone's beauty from the Underworld. In Greek mythology no living soul is meant to be able to enter the Underworld, let alone leave it, and so Aphrodite felt that she would be rid of Psyche once and for all. Indeed, it seemed that Aphrodite would be proved right, for Psyche's only idea about entering the Underworld was to kill herself. Before Psyche can commit suicide a voice whispers to her instructions about how to complete the task. Thus Psyche finds an entrance to the Underworld and is soon crossing the Acheron upon the skiff of Charon, and the princess even manages to gain an audience with Persephone. Persephone on the surface appears to be sympathetic to the quest of Psyche, but Psyche has been warned about accepting food or a seat in the palace of Hades, for both would bind her to the Underworld for all time. But eventually, Persephone gives Psyche a golden box, said to contain some of the goddess' beauty.* The Head of Persephone charm is paired with the Psalter on the ninth and last link; again, if the Psalm is 22 (23) or 90 (91), then the connection is an invocational prayer for help traveling through the “valley of death,” for protection from the “asp and basilisk,” the “lion and dragon.”* As above, note that the beginning, middle, and end of the bracelet feature clasped objects, with the Psalter being a codex that opens and Psyche's journey to Persephone is in pursuit of a “golden box” containing the means to otherworldly beauty. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Board the Krazy Train Podcast as **Jasmin St. Claire goes one-on-one with the human wrecking ball **Kongo Kong. From college football grit to making noise in **TNA Wrestling and the wild world of **Juggalo Championship Wrestling, Kong breaks down what it really takes to survive the road, stay marketable, and keep fans believing. They talk character work (including the Osiris era), the reality of injuries and why storytelling still separates the pros from the “just doing moves” crowd. Plus, Kong talks building the next generation through **Professor Kong's Wrestling Academy and what’s next on his calendar.See omnystudio.com/listener for privacy information.

Story book - Egyptian mythology Isis and Osiris 02

ARRIVE — A Free 3-Day ReWilding Event → Sign up here   We just opened the doors to the 11th ReWilding Challenge — and this one is truly different. The 2026 FREE ReWilding Challenge begins February 17, on the Fire Horse Solar Eclipse — a rare, destiny-level moment. This is a 3-day, LIVE, free, global journey, open to all, where we gather to arrive fully in ourselves before the next wave of creation begins. Come as you are. No prior experience needed. Just a willingness to show up. In this episode, we explore the astrology of February as we move through the final shedding of the Year of the Snake, into a powerful New Moon Eclipse in Aquarius, and toward a once-in-history Saturn–Neptune conjunction at the Zero Point of Aries. This is a month of deep karmic release, accelerated evolution, and irreversible change. By the end of February, your life — and the world — will not look the same. February is an initiation. A purification. A shedding down to the bones. The question is not what's changing — but how you choose to meet it. We break down: Why eclipse season releases more karma than any other time What the Aquarius stellium is rewiring in your mind, heart, and nervous system How Uranus going direct activates sudden breakthroughs, awakenings, and truth The meaning of Saturn at 29° Pisces and the final collapse of old timelines Why this is a miracle field where the impossible becomes possible How to work with February consciously — without bypassing, numbing, or forcing Free Resources  ARRIVE — The Free 3-Day ReWilding Challenge A rare, live global immersion held inside the Fire Horse Solar Eclipse and Zero-Degree Aries creation window — a moment that doesn't repeat. 3 days. Live. Free. Global. Open to all.. → Sign up here   Next-Step Journeys The Path of the Priest/ess In-Person Retreat This is our only in-person Priestess Training offered this year — a 5-day advanced retreat in Ibiza, Spain (22–26 April 2026), limited to 24 participants and available by application only. Early Bird Pricing available through March 1st, 2026. → Details & application here Listen to “Feb 2–8 Astrology | Eclipse Season Ignites“ podcast here… Topics Explored in “Feb 2–8 Astrology | Eclipse Season Ignites” podcast: (Times based off audio version) (0:00) February Astrology Forecast: Eclipse Season Begins | Nothing Stays the Same (1:21) Year of the Snake Final Shedding: Detox, Triggers & Deep Release (8:09) Major February Transits: Saturn into Aries | New Moon Eclipse Aquarius | Saturn–Neptune Conjunction (11:33) Eclipse Season & the Miracle Field: Fate, Karma Release & Timeline Shifts (12:45) Arrive ReWilding Challenge: Eclipse Portal + Zero Point Activation (16:06) Mercury Retrograde Pisces (Feb 26): Underworld Mind & Eclipse Integration (18:32) Aquarius Stellium Peaks: Full Moon Aftermath, Rewiring the Mind & Grounding the Body (21:16) Mon Feb 2 Astrology: Mercury Sextile Chiron & Aries | Truth, Wounds & Rewiring the Mind (25:35) Tue Feb 3 Astrology: Uranus Direct in Taurus | Lightning Bolts, Algol, Osiris & Sedna (32:39) Wed Feb 4 Astrology: Lilith Conjunct Kali near Saturn | Dark Goddess Embodiment + Venus–Chiron (39:37) Thu Feb 5 Astrology: Mercury Square Uranus | Breakthrough Messages & Masculine Evolution (42:45) Fri Feb 6 Astrology: Mercury Enters Pisces | Mystic Mind & Releasing Old Attachments (45:00) Sat Feb 7 — Saturn at 29° Pisces: Final Karmic Degree, Deep Shedding & Third-Stage Saturn Power (47:59) Sun Feb 8 Astrology: Sun Feb 8 — Uranus T-Square Venus & Mary Magdalene | Feminine Awakening Between the Eclipses You can leave a comment or question for Sabrina on the YouTube version of this episode. Listen to after “Feb 2–8 Astrology | Eclipse Season Ignites”: Leo Full Moon & Eclipse Portal January 19–25 Astrology: Death–Rebirth Gateway This Year is Different – Jan 1st Astrology 2025's Final Portal | Dec 22–31 Astrology  Snake to Horse Portal Episode Watch Part 1 — “Are You in the First Wave?”  STAY CONNECTED ReWilding Weekly (free, embodied astrology)  IG  Website  Disclaimer: Educational/spiritual perspectives; not medical/mental-health advice. #2025Shift #NewHuman #SpiritualAwakening Welcome to ReWilding with Sabrina Lynn & ReWilding for Women! A gifted facilitator of revolutionary inner work and the world's leading archetypal embodiment expert, Sabrina Lynn is the creator of the groundbreaking ReWilding Way and founder of ReWilding For Women. Sabrina has led more than 100,000 people through programs based on the ReWilding Way, a modality of healing and awakening that strips away the false, the deep wounds from early life, and the fears that hold people back, to reveal their true and unique soul light and help them build their innate capacity to shine it in the world. Her work includes in-person retreats and events, the monthly ReWilding Membership, Living Close to the Bone, Priest/ess Trainings, Mystery Schools, the ReWilding with the Archetypes, and the wildly popular 6 Faces of the Feminine workshop series. Welcome to ReWilding! The post 362 – Feb 2–8 Astrology | Eclipse Season Ignites: New Moon Eclipse in Aquarius & the Zero Point Shift appeared first on Rewilding for Women.

Story book - Egyptian mythology Isis and Osiris 01

What took you so long? Lois gets possessed by an Egyptian goddess named Isis, real classic Smallville plot line, who is needing to resurrect her husband Osiris. Nope, it's not Black Adam like it should be but who cares? Not us, that's for sure. Oliver starts acting a little more douchey, so Tess calls him out on it. Clark respects that and wants to be bros with Tess. Clark decides to finally come out of the closet to Lois. The last ten minutes of this episode is a pure masterpiece

This week we're talking about a unicorn named Russel Jones, Ason Unique, Big Baby Jesus, Osiris, Dirt Mcgirt.....or as you probably know him best as: THE ODB Ol' Dirty Bastard!  We'll be going over some of the funniest and most notorious stories surrounding hip hop's greatest personality!   As always follow us on the stuff Merch Store- http://tee.pub/lic/doEoXMI_oPI Patreon- https://www.patreon.com/Artandjacobdoamerica Website- https://artandjacobdoamerica.com/ Instagram- https://www.instagram.com/artandjacobdoamerica Facebook- https://www.facebook.com/artandjacobdoamerica/  

God's deliverance of His people from Egypt was a form of spiritual warfare; and today as we look at Exodus 7 we'll discuss how Satan tried to confuse Pharaoh and the Egyptians back then, and how he's doing the same kinds of things today. And to be strong in the face of spiritual warfare, we need to be on guard and have pure faith and trust in God.  DISCUSSION AND STUDY QUESTIONS: Exodus 7 1.    For the past several days, we have been studying the Book of Exodus, however, we haven't discussed what the name means. What does the name "Exodus" mean and what was the "exit" that it is referring to? What was the initial reason that this Exodus was to take place? 2.    The podcast gave a quick review of Exodus 6 & 7. What was Pharoah's first response to Moses in Exodus 5:2? How did the Jews respond to Moses in Exodus 5:21? Was Moses receiving this flack from these people because he was obeying God or disobeying Him? How did Moses respond in Exodus 5:22? How did the Lord respond to Moses in Exodus 6:1 and following? How do you think you might have reacted to Pharaoh and the people if they responded this way to you?  3.    What did God warn Moses about in Exodus 7:3-5? In what ways did this come true?  4.    In Exodus 7, how were the Egyptian magicians able to counterfeit the miracles of God? The podcast mentions that Moses and Aaron's age help us answer the question about magic tricks. What was the point that the podcast made about the true source of Moses and Aaron's miracles? 5.    The podcast mentioned that the 10 Plagues are excellent examples of spiritual warfare because often Satan seeks to confuse the situation. How did Satan confuse these first plagues and how did Pharaoh and his servants respond? How do people today respond similarly to these kinds of attempts at confusion in their lives?  6.    Strength and courage often comes from a strong sense of obedience to God and anticipation that He will work. What commands was Moses obeying in this passage and how was he anticipating the Lord to work? In your day today, are there clear commands from scripture that relate to what you will likely encounter? How might the Lord work in those situations? 7.    The podcast mentioned that these plagues all were assaults on the Egyptian false gods. Why did the Jews need to see God's power over Egypt's false gods? What does this show us about God's care and compassion for His people, even when they are struggling in the faith?  8.    The podcast mentioned that Hapi was the god of the Nile and fertility. Also, Khnum was the god of the Nile. The Nile was supposed to produce life, but what did it produce instead? How does this show the Lord's power over Hapi, Khnum and also Osiris (who supposedly had the Nile flowing in his bloodstream)?  9.    The magicians could turn water into "blood" but could not turn it back. How did this fact demonstrate the reality of Moses' miracles versus the fakery of the magicians?  10.    The podcast suggested that the world creates all kinds of fake fantasies to compete with the truth of God. How do people sometimes look at the world's fantasy and think it's more appealing than God's actual truth?  11.    Through these miracles, the Lord was calling His people to leave Egypt and not be entangled in their religions. Along these lines, how do His people get entangled in the world today? What is God's call for them today?  12.    Although we may not often see God work in such dramatic ways, He does still work in our lives. How have you seen God work in your life? How should that galvanize your own commitment to Him?   Check out our Bible Study Guide on the Key Chapters of Genesis! Available on Amazon just in time for the Genesis relaunch in January! To see our dedicated podcast website with access to all our episodes and other resources, visit us at: www.keychapters.org. Find us on all major platforms, or use these direct links: Spotify: https://open.spotify.com/show/6OqbnDRrfuyHRmkpUSyoHv Itunes: https://podcasts.apple.com/us/podcast/366-key-chapters-in-the-bible/id1493571819 YouTube: Key Chapters of the Bible on YouTube. As always, we are grateful to be included in the "Top 100 Bible Podcasts to Follow" from Feedspot.com. Also for regularly being awarded "Podcast of the Day" from PlayerFM. Special thanks to Joseph McDade for providing our theme music.   

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Welcome to Day 2781 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – Theology Thursday – A Critical Examination of Alexander Hislop: Why His Teachings Should Be Ignored Wisdom-Trek Podcast Script - Day 2781 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2781 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled A Critical Examination of Alexander Hislop: Why His Teachings Should Be Ignored.     Alexander Hislop's The Two Babylons has long held sway in certain evangelical and fundamentalist circles. Its central claim—that Roman Catholicism is a disguised continuation of ancient Babylonian paganism—has influenced generations of Christians suspicious of the Catholic Church. Hislop argues that practices and symbols within Catholicism were derived from ancient worship of figures like Nimrod and Semiramis. Yet as modern scholarship has consistently demonstrated, these claims collapse under scrutiny. This article examines why Hislop's theories are deeply flawed, historically inaccurate, and ultimately harmful. The first segment is: A Foundation of Faulty Methodology. From the outset, Hislop's work suffers from methodological failure. Rather than employing credible historical sources, linguistic analysis, or archaeological evidence, Hislop leans heavily on speculation and forced connections. He draws parallels based on little more than superficial similarity—treating visual resemblance or name echoes as definitive proof of religious continuity. A striking example is Hislop's attempt to link the Virgin Mary with the Babylonian figure Semiramis. Rather than relying on historical context or primary sources, he builds his case on tenuous similarities and conjecture. This pattern repeats throughout the book. Hislop's conclusions are based on circular reasoning, and his work lacks the kind of critical evaluation expected in even the most basic academic research. The second segment is: Inventing the Nimrod-Semiramis Narrative. At the core of Hislop's argument is the narrative that Nimrod and Semiramis served as the original model for all pagan deities and that this archetype was smuggled into Christianity. According to Hislop, the Catholic portrayal of Mary and Jesus as a mother and child pair is simply a continuation of Babylonian goddess worship. This idea, however, has no basis in historical fact. There is no ancient evidence linking Nimrod, a biblical figure mentioned briefly in Genesis, to Semiramis, who appears centuries later in Assyrian and Greco-Roman sources. Semiramis is never presented as Nimrod's wife in any ancient record. Nor is she depicted as a fertility goddess or a “Queen of Heaven” in a context that would support Hislop's claims. Instead, she is often described as a powerful queen or military leader, not a religious figure. The pairing of Nimrod and Semiramis is entirely Hislop's invention. Furthermore, Nimrod himself is not attested in any ancient Mesopotamian inscriptions as a god, cult figure, or object of worship. Hislop's claim that Nimrod became the prototype for gods such as Osiris, Zeus, or...

Orion climbs high across the sky on winter nights. It’s in the east-southeast at nightfall, and it’s easy to pick out. Look for the constellation’s “belt” – a short line of three stars that points straight up. In ancient Greece and Rome, Orion was known as a mighty hunter. But in ancient Egypt, the figure was even mightier. It represented Osiris, the god of the underworld. In fact, he was thought to reside in the stars of the belt. The story of Osiris dates to Egypt’s Old Kingdom, at least 4500 years ago. It says that Osiris was a great king. But he was murdered and chopped apart by his brother, Set. Isis, Osiris’s wife and sister, recovered the pieces, wrapped him in bandages, and used a magic spell to resurrect him. She then gave birth to Horus, who avenged his father by killing Set. As a god, Osiris reigned over the underworld. When the Sun passed through the underworld at night, Osiris gave new life to the Sun god, Re. So he became known as the god of rebirth and resurrection. He was associated with the start of a new year, when the Nile brought lifegiving floods to the fields. When a king died, he joined Osiris in the stars. Some researchers have suggested that a shaft in the Great Pyramid of Giza aimed toward Orion’s Belt at the time it was built. Others say there’s no astronomical significance to the shaft. But just about everyone agrees that Orion’s Belt was considered the resting place of Osiris. Script by Damond Benningfield

This January 19–25 Astrology Forecast covers one of the important future-forward shifts taking place in 2026. Every personal planet moves from Capricorn into Aquarius, activating rapid change and new-earth consciousness. Venus, the Sun, Mercury, and Mars all pass through Sedna's death–rebirth gateway. They then meet Pluto in Aquarius, exposing shadow patterns, old power sources, and the places we're being asked to evolve. This week brings clarity, acceleration, and a strong push to choose your 2026 state of being—joy, harmony, aliveness—while releasing the old. If you're feeling the intensity or sensing “it's go time,” this episode offers grounded guidance and support. In this episode, we explore: All planets enter Aquarius, accelerating the shift from old Earth to new Earth. Sedna triggers a potent death–rebirth to release old identities. Pluto in Aquarius exposes shadow power dynamics and what must transform. You're invited to choose your 2026 state of being—joy, harmony, aliveness. Sun–Mercury cazimi delivers clarity, insight, and future vision. Free Resources & Next-Step Journeys The Path of the Priest/ess In-Person Retreat Enter a private retreat space with Sabrina, steeped in the energy of the Goddess, and feel deeply held and supported as you journey the Path of the Priestess.This is our only in-person Priestess Training offered this year — a 5-day advanced retreat in Ibiza, Spain (22–26 April, 2026), limited to 24 participants and available by application only. Early Bird Pricing available through March 1st, 2026. → Details & application here Free 2026 Astrology Deep Dive – grounded, embodied insight into the archetypal forces shaping 2026 — and how those forces are meant to live through your body, relationships, and choices. → Access it for free, here   Free ReWilding Weekly — Embodied Astrology in Your Inbox  → Delivered once a week to keep you updated on the latest astrology. → Click here to sign up! Listen to “January 19–25 Astrology: Death–Rebirth Gateway • Aquarius Stellium“ podcast here… Topics Explored in “January 19–25 Astrology: Death–Rebirth Gateway • Aquarius Stellium” podcast: (Times based off audio version) (0:00) – Jan 19–25 Astrology: All Planets in Aquarius, Sedna Death–Rebirth & Pluto Power Shift (3:40) – State of Being vs Goals: Choosing Joy, Harmony & Your Core Frequency (5:27) – Death-Rebirth Initiation: Sedna, Osiris, Dhumavati & Clarifying Your True 2026 Path (10:59) – Free 3-Day Fire Horse Solar Eclipse Challenge (12:22) – Planting 2026 Seeds: Clarity, Joy, Harmony & Surrender (17:49) – Priestess / Lightworker Training in Ibiza: Channeling Grace in New Energies (20:32) – Jan 19: New Consciousness, Sedna Rebirth & Unplugging from Old Power Structures (26:33) – Venus–Pluto Power Purge & Mars–Uranus Activation: Feminine Shadow + Old-to-New Shift (30:26) – Mercury Into Aquarius: Fast-Thinking Upgrade & Full Aquarius Stellium Activation (33:15) – Jan 21: Sun–Mercury Cazimi, Venus with Vesta & Medusa in Temple Space (36:24) – Jan 22: Mercury Conjunct Pluto – Shadow, Power & Mental Rewiring (37:53) – Jan 23: Sun Conjunct Pluto, Black Moon & Mars into Aquarius – Old Masculine Fuel Runs Out (46:04) – Jan 24 & 25: Vesta Focus, Medusa Codes & Moon Squaring the Aquarius Cluster (49:56) – Closing Transmission: Co-Creating 2026, Holding the Love Line & Walking Through ChaosYou can leave a comment or question for Sabrina on the YouTube version of this episode. Listen to after “January 19–25 Astrology: Death–Rebirth Gateway • Aquarius Stellium”: Capricorn New Moon 28°, Stellium Power Week & Your 2026 Destiny Path This Year is Different – Jan 1st Astrology 2025's Final Portal | Dec 22–31 Astrology  Snake to Horse Portal Episode Watch Part 1 — “Are You in the First Wave?”  STAY CONNECTED ReWilding Weekly (free, embodied astrology)  IG  Website  Disclaimer: Educational/spiritual perspectives; not medical/mental-health advice. #2025Shift #NewHuman #SpiritualAwakening Welcome to ReWilding with Sabrina Lynn & ReWilding for Women! A gifted facilitator of revolutionary inner work and the world's leading archetypal embodiment expert, Sabrina Lynn is the creator of the groundbreaking ReWilding Way and founder of ReWilding For Women. Sabrina has led more than 100,000 people through programs based on the ReWilding Way, a modality of healing and awakening that strips away the false, the deep wounds from early life, and the fears that hold people back, to reveal their true and unique soul light and help them build their innate capacity to shine it in the world. Her work includes in-person retreats and events, the monthly ReWilding Membership, Living Close to the Bone, Priest/ess Trainings, Mystery Schools, the ReWilding with the Archetypes, and the wildly popular 6 Faces of the Feminine workshop series. Welcome to ReWilding! The post 360 – January 19–25 Astrology: Death–Rebirth Gateway • Aquarius Stellium • Power Structures Collapse appeared first on Rewilding for Women.

Black Pearl of Osiris. 6of11, 410126 Superman rescues Tumbleweed from the car at the bottom of the river. There is no sign of the driver, but later we find that…

This week we talk about The Division's franchise lead leaving Ubisoft, we got more The Expanse: Osiris Reborn info, Ninja Theory might be working on Hellblade 3, Marathon's marketing campaign is ramping up and much more. Click this link for my socials, all of my other content and ways to support: https://linktr.ee/baundiesel 00:00:00 Intro00:00:52 Julian Gerighty Leaves Ubisoft00:09:47 The Expanse: Osiris Reborn News00:15:51 Ninja Theory's Next Game00:21:36 Marathon's Marketing Begins00:27:26 Playstation's Top 2025 Games00:36:11 Anthem Is Gone00:45:05 Code Violet Sucks00:47:24 Video Game Show Castings00:52:25 Content Updates00:54:43 Wrap Up

NOW OPEN: 2026 Ibiza Path of the Priestess Retreat We opened the doors yesterday — in perfect alignment with this Capricorn New Moon turning point. This is a rare, intimate initiation (only 24 participants) into embodied Priest/ess training, held in Ibiza in April 2026. → Details & application here   This week's Capricorn New Moon at 28° is a turning point. With a Capricorn stellium of personal planets and a powerful New Moon on January 18, 2026, we're being asked to get radically honest about what we're building… and to plant seeds that actually show up in our real, lived lives. In this week’s astrology report for January 12–18, 2026, we explore how to work with this dense Capricorn energy instead of getting swallowed by the collective “swamp.” You'll get practices, embodiment prompts, and archetypal perspectives to help you step into self-mastery, heart-led creation, and higher timelines in 2026. In this episode, we explore: ✧ The Capricorn stellium and why this week foreshadows your 2026 path ✧ How to plant real-world Capricorn New Moon intentions that actually manifest ✧ Working with Eris, Chiron, Saturn–Neptune & Uranus without getting overwhelmed ✧ The Heart Warrior frequency and Venus leading the shift into Aquarius ✧ How chaos, disharmony & “truth bombs” reveal your higher timeline and next steps Free Resources & Next-Step Journeys The Path of the Priest/ess In-Person Retreat Enter a private retreat space with Sabrina, steeped in the energy of the Goddess, and feel deeply held and supported as you journey the Path of the Priestess.This is our only in-person Priestess Training offered this year — a 5-day advanced retreat in Ibiza, Spain (22–26 April, 2026), limited to 24 participants and available by application only. Early Bird Pricing available through March 1st, 2026. → Details & application here Free 2026 Astrology Deep Dive – grounded, embodied insight into the archetypal forces shaping 2026 — and how those forces are meant to live through your body, relationships, and choices. → Access it for free, here   Free Heart Warrior Workshop – Embodied, somatic heart activation for Chiron/Eris times → Instant Access here  Listen to “Astrology Jan 12–18: Capricorn New Moon“ podcast here… Topics Explored in “Astrology Jan 12–18: Capricorn New Moon” podcast: (Times based off audio version) (0:00) – Capricorn New Moon at 28°: Planting 2026 Seeds, Capricorn Stellium & Future-Focused Astrology (5:19) – Magic of Mastery: Self-Mastery, Unique Genius & Planting Seeds for 2026 (6:02) – Heart Leading the Way: Venus, Heart Wisdom & Embodied Heart Warrior Practices (9:46) – Multidimensional You: Cosmic Consciousness, Pleiadian Tech & Desert Medicine (11:18) – Jan 12: Venus T-Square Eris & Pele (Heart Truth Bombs) (14:44) – Sun Square Chiron: Deep Wounds, Feminine Discord & Capricorn Stellium Activation (16:46) – Jan 13: Mars Square Chiron – Masculine Wounding & Warrior Patterns (18:12) – Jan 14: Mercury Opposite Jupiter – Expanding the Mind & Seeing Around Corners (20:59) – Jan 15: Eris Truth Bombs All Week: Disharmony + Working with Chaos & Regeneration (24:32) – Jan 16: Deep Recalibration: Feminine, Masculine, Mind, Body & Ego Rewired (28:04) – Jan 17: Moon Enters Capricorn: Emotional Body, Somatics & New Moon Rituals (30:13) – Heart Leads the Shift Into New Energy, Higher Timelines & Eris Activations (34:32) – Jan 18: Capricorn New Moon at 28°: Planting Real-World Seeds in “Old” Energy (37:56) – Uranus, Sedna, Osiris & Algol: Deep Feminine Alchemy, Dismemberment & Rebirth Codes (42:48) – Dark Goddess × Pluto: Feminine–Masculine Alchemy, Underworld Activation & Polarity Work (48:08) – Looking Ahead: Aquarius Season, Pluto in Aquarius Power Shifts & Neptune Entering Aries You can leave a comment or question for Sabrina on the YouTube version of this episode. Listen to after “Astrology Jan 12–18: Capricorn New Moon”: Jan 5–11 Astrology: Mars–Venus Ignites Relationships, Power & Healing This Year is Different – Jan 1st Astrology 2025's Final Portal | Dec 22–31 Astrology  Snake to Horse Portal Episode Watch Part 1 — “Are You in the First Wave?”  STAY CONNECTED ReWilding Weekly (free, embodied astrology)  IG  Website  Disclaimer: Educational/spiritual perspectives; not medical/mental-health advice. #2025Shift #NewHuman #SpiritualAwakening Welcome to ReWilding with Sabrina Lynn & ReWilding for Women! A gifted facilitator of revolutionary inner work and the world's leading archetypal embodiment expert, Sabrina Lynn is the creator of the groundbreaking ReWilding Way and founder of ReWilding For Women. Sabrina has led more than 100,000 people through programs based on the ReWilding Way, a modality of healing and awakening that strips away the false, the deep wounds from early life, and the fears that hold people back, to reveal their true and unique soul light and help them build their innate capacity to shine it in the world. Her work includes in-person retreats and events, the monthly ReWilding Membership, Living Close to the Bone, Priest/ess Trainings, Mystery Schools, the ReWilding with the Archetypes, and the wildly popular 6 Faces of the Feminine workshop series. Welcome to ReWilding! The post 359 – Astrology Jan 12–18: Capricorn New Moon 28°, Stellium Power Week & Your 2026 Destiny Path appeared first on Rewilding for Women.

️ La Galería Nocturna – Episodio con Stay Design ️ En este capítulo de La Galería Nocturna, abrimos el mosh pit nocturno para platicar con Stay Design, poderosa banda regia de progressive metalcore que ha sabido dominar el equilibrio entre el caos y la belleza . Desde Monterrey, Stay Design nos lleva a un viaje sonoro donde los riffs saturados, los breakdowns aplastantes y la agresividad moderna se fusionan con atmósferas melódicas, pianos y arreglos orquestales que erizan la piel . Durante la charla hablamos de su identidad musical, el proceso creativo detrás de su sonido intenso y elegante, y cómo han construido una propuesta emocionalmente inmersiva. También nos comparten experiencias clave en su camino dentro de la escena, incluyendo lo que significó compartir escenario con titantes del metal como Megadeth y Born of Osiris ⚡, así como el trasfondo de sus lanzamientos más recientes y el mensaje que buscan transmitir con cada composición. Un episodio cargado de distorsión, pasión y visión artística, ideal para quienes viven el metal más allá del volumen: como una experiencia . Dale play, sube el gain y acompáñanos en esta conversación nocturna . GothProds Links Spotify -https://open.spotify.com/show/2hnlgkcGNl9GOAPa0WT9HW?si=7e9b95f203464fe6 Apple Podcast — https://podcasts.apple.com/mx/podcast/goth-prods/id1606324255?l=en Amazon Music — https://music.amazon.com.mx/podcasts/d10f63b6-f4f3-4a91-b21d-d98c2b08ca01/goth-prods?ref=dm_sh_xBGgYoDaqnREmWm0IoJu5r4kd Facebook — https://www.facebook.com/Goth-Prods-104237088306624/ Instagram — https://www.instagram.com/goth_prods/ TikTok - https://www.tiktok.com/@goth_prods

Black Pearl of Osiris, Part 3 of 11. 410119 Fresh surprises await our heroes as Clark Kent speaks with. White about the scientist Sidney Rycroft actually being a woman. Clark…

“Sobek contains multitudes.”We didn't watch Moon Knight, so we're kicking off 2026 with the crocodile god, Sobek! Other topics include narrative boss fights, deities containing multitudes, debate regarding the meaning of Sobek's name, how gods gain popularity, Darien's fear of crocodiles, and a story of how a crocodile at Zoo Boise got the name Pandora. Content Warning: This episode contains mentions of and conversations about assault, death, and animal attacks. Spoilers for SMITE, Be Cool, Scooby Doo, Lara Croft and the Temple of Osiris, and The ClueFinders 4th Grade Adventures: Puzzle of the PyramidSee what's in store for Bunker 9 in 2026 on Patreon! https://www.patreon.com/musesofmythologyAbout UsMuses of Mythology was created and co-hosted by Darien and DJ Smartt.Our music is Athens Festival by Martin Haene. Our cover art is by Ranpakoka. Find him on Instagram @Ranpakoka Love the podcast? Support us on Patreon and get instant access to bloopers, outtakes, and bonus episodes! Patreon.com/musesofmythologyGet you hands on podcast merch at Musesofmythology.com/merchFind us on Instagram. Find all of our episodes and episode transcripts at MusesOfMythology.com----------------------- Speculative Fiction Writing Made Simple: Write, Edit, and Publish Your Debut NovelMost writing podcasts just inspire. This one teaches the craft skills that hook readers.Listen on: Apple Podcasts SpotifySupport the showNo portion of this episode may be used for AI training purposes or to create derivative works without express written permission from the creators and co-hosts Darien Smartt or Davis Smartt.

Grab the 2026 Astrology Deep Dive here → Sign up here This week's astrology (Jan 5–11) may be one of the most triggering and transformative of the year — not because of an eclipse or obvious event, but because of a powerful Mars–Venus–Sun conjunction in Capricorn amplified by Jupiter, Chiron, and a Grand Cross. In this episode, we break down the sneaky astrology that's activating deep masculine and feminine wounds, power dynamics, and opportunities for true healing, coherence, and union — in your relationships, your nervous system, and your daily life. This is not surface-level astrology. This is embodied, lived, real-time initiation. In this episode, you'll explore: Mars–Venus–Sun in Capricorn and why relationships, power, and action feel louder and more confrontational this week Chiron in Aries and how disruption, chaos, and emotional triggers are pointing directly to core wounds ready to heal The Saturday Grand Cross and why this is a major purging, shedding, and energetic detox moment How masculine and feminine imbalance shows up as reactivity — and how to return to coherence instead Practical tools for nervous system regulation, emotional processing, and conscious decision-making Supports to Take You Deeper Get the 2026 Astrology Deep Dive — grounded, embodied insight into the archetypal forces shaping 2026 — and how those forces are meant to live through your body, relationships, and choices. Rather than predicting the future, this deep dive reveals how the year's astrology is already activating within you. This is astrology translated into lived experience, guiding you to meet 2026 with clarity, embodiment, and inner authority. → Access it for free, here   The Reunion Experience is a guided journey into healing and uniting the masculine and feminine within you, so you can meet intensity, relationships, and life itself from coherence rather than reactivity. $197 • Save $100 • Open until Jan 11th → Details here Listen to “Jan 5–11 Astrology: Mars–Venus Ignites Relationships“ podcast here… Topics Explored in “Jan 5–11 Astrology: Mars–Venus Ignites Relationships” podcast: (Times based off audio version) (0:00) – Sneaky Astrology Alert: Why Jan 5–11 May Blindside You (2:55) – Monday Breakdown: Core Masculine & Feminine Wounds: The Cornered Animal Effect (7:31) – Uranus, Osiris & Algol: Dismemberment, Ego Death & Radical Awakening (9:05) – Medusa & Vesta Sextile Uranus: Feminine Power Guiding Masculine Collapse (11:10) – Tuesday Peak: Sun–Venus Conjunction & Feminine in the Spotlight (12:25) – Mary Magdalene, Sedna & Black Moon Lilith: Sacred Feminine T-Square (15:28) – Wednesday Alchemy: Exact Venus–Mars Conjunction (17:57) – Jupiter Amplification: When Beliefs About Love Get Loud (19:20) – Thursday Persephone on the North Node: Descent, Shadow & Sovereignty (23:04) – Sun Conjunct Mars: Masculine Power Peaks, Chiron Wounds Exposed (26:03) – Grand Cross Saturday: Emotional Purge, Chiron in Aries & Deep Energetic Detox (32:54) – Sunday Finale: Venus Square Chiron & Eris Stations Direct (35:28) – How to Move Through This Week Consciously + Final Invitations You can leave a comment or question for Sabrina on the YouTube version of this episode. Listen to after “Jan 5–11 Astrology: Mars–Venus Ignites Relationships”: This Year is Different – Jan 1st Astrology 2025's Final Portal | Dec 22–31 Astrology  Snake to Horse Portal Episode Watch Part 1 — “Are You in the First Wave?”  STAY CONNECTED ReWilding Weekly (free, embodied astrology)  IG  Website  Disclaimer: Educational/spiritual perspectives; not medical/mental-health advice. #2025Shift #NewHuman #SpiritualAwakening Welcome to ReWilding with Sabrina Lynn & ReWilding for Women! A gifted facilitator of revolutionary inner work and the world's leading archetypal embodiment expert, Sabrina Lynn is the creator of the groundbreaking ReWilding Way and founder of ReWilding For Women. Sabrina has led more than 100,000 people through programs based on the ReWilding Way, a modality of healing and awakening that strips away the false, the deep wounds from early life, and the fears that hold people back, to reveal their true and unique soul light and help them build their innate capacity to shine it in the world. Her work includes in-person retreats and events, the monthly ReWilding Membership, Living Close to the Bone, Priest/ess Trainings, Mystery Schools, the ReWilding with the Archetypes, and the wildly popular 6 Faces of the Feminine workshop series. Welcome to ReWilding! The post 358 – Jan 5–11 Astrology: Mars–Venus Ignites Relationships, Power & Healing appeared first on Rewilding for Women.

As part of our official DealFlow Discovery Conference Interview Series, produced by Mission Matters, along with our partner DealFlow Events, we're showcasing the innovative companies presenting at the DealFlow Discovery Conference and the executives behind them. ---- In this episode, Adam Torres interviews Ilan Danieli, CEO of Precipio, about the company's mission to reduce cancer misdiagnosis—especially in complex blood-related cancers. Ilan explains how Precipio partners with academic experts to expand access to subspecialty pathology, why accuracy matters more than speed, and how better diagnostics can directly change treatment decisions and patient outcomes. About Ilan Danieli Ilan Danieli has served as Precipio's CEO since founding the company in early 2011. With over 20 years managing small and medium-size companies, some of his previous experiences include COO of Osiris, a publicly-traded company based in New York City with operations in the US, Canada, Europe; Laurus Capital Management, a multi-billion dollar hedge fund; and in various other entrepreneurial ventures. Ilan holds an MBA from the Darden School at the University of Virginia, and a BA in Economics from Bar-Ilan University in Israel. Ilan has a private pilot license, plays the saxophone, and possesses infinite love for his horses. About Precipio Precipio's platform delivers superior diagnostic accuracy through academic expertise and cutting edge technology. They are a laboratory focused on delivering specialized diagnostic services to physicians and their patients to ensure they receive accurate results. Watch Full Episode on ⁠Youtube⁠. --- This interview is part of our effort to help investors discover compelling companies ahead of the event — and to help CEOs introduce their story to the 1500+ conference attendees. Learn more about the event and presenting companies: ⁠⁠https://dealflowdiscoveryconference.com/⁠ Follow Adam on Instagram at ⁠https://www.instagram.com/askadamtorres/⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠https://missionmatters.lpages.co/podcastguest/⁠ Visit our website: ⁠https://missionmatters.com/⁠ More FREE content from Mission Matters here: ⁠https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this live episode, Tricia Eastman joins to discuss Seeding Consciousness: Plant Medicine, Ancestral Wisdom, Psychedelic Initiation. She explains why many Indigenous initiatory systems begin with consultation and careful assessment of the person, often using divination and lineage-based diagnostic methods before anyone enters ceremony. Eastman contrasts that with modern frameworks that can move fast, rely on short trainings, or treat the medicine as a stand-alone intervention. Early Themes: Ritual, Preparation, and the Loss of Container Eastman describes her background, including ancestral roots in Mexico and her later work at Crossroads Ibogaine in Mexico, where she supported early ibogaine work with veterans. She frames her broader work as cultural bridging that seeks respect rather than fetishization, and assimilation into modern context rather than appropriation. Early discussion focuses on: Why initiatory traditions emphasize purification, preparation, and long timelines Why consultation matters before any high-intensity medicine work How decades of training shaped traditional initiation roles Why people can get harmed when they treat medicine as plug and play Core Insights: Alchemy, Shadow, and Doing the Work A major throughline is Eastman's critique of the belief that a psychedelic alone will erase trauma. She argues that shadow work remains part of the human condition, and that healing is less about a one-time fix and more about building capacity for relationship with the unconscious. Using alchemical language, she describes "nigredo" as fuel for the creative process, not as something to eliminate forever. Key insights include: Psychedelics are tools, not saviors You cannot outsource responsibility to a pill, a modality, or a facilitator Progress requires practice, discipline, and honest engagement with what arises "Healing" often shows up as obstacles encountered while trying to live and create Later Discussion and Takeaways: Iboga, Ethics, and Biocultural Stewardship Joe and Tricia move into a practical and ethically complex discussion about iboga supply chains, demand pressure, and the risks of amplifying interest without matching it with harm reduction and reciprocity. Eastman emphasizes medical screening, responsible messaging, and supporting Indigenous-led stewardship efforts. She also warns that harm can come from both under-trained modern facilitators and irresponsible people claiming traditional legitimacy. Concrete takeaways include: Treat iboga and ibogaine as high-responsibility work that demands safety protocols Avoid casual marketing that encourages risky self-administration Support Indigenous-led biocultural stewardship and reciprocity efforts Give lineage carriers a meaningful seat at the table in modern policy and clinical conversations Frequently Asked Questions Who is Tricia Eastman? Tricia Eastman is an author, facilitator, and founder of Ancestral Heart. Her work focuses on cultural bridging, initiation frameworks, and Indigenous-led stewardship. What is Seeding Consciousness about? The book examines plant medicine through initiatory traditions, emphasizing consultation, ritual, preparation, and integration rather than reductionistic models. Why does Tricia Eastman critique modern psychedelic models? She argues that many models remove the ritual container and long-form preparation that reduce risk and support deeper integration. Is iboga or ibogaine safe? With the right oversite, yes. Eastman stresses that safety depends on cardiac screening, careful protocols, and experienced oversight. She warns against informal or self-guided use. How can people support reciprocity and stewardship? She encourages donating or supporting Indigenous-led biocultural stewardship initiatives like Ancestral Heart and aligning public messaging with harm reduction. Closing Thoughts This episode makes a clear case that Tricia Eastman Seeding Consciousness is not only a book about psychedelics, but a critique of how the field is developing. Eastman argues that a successful future depends on mature containers, serious safety culture, and respectful partnership with lineage carriers, especially as interest in iboga and ibogaine accelerates. Links https://www.ancestralheart.com https://www.innertraditions.com/author/tricia-eastman Transcript Joe Moore Hello, everybody. Welcome back. Joe Moore with you again from Psychedelics Today, joined today by Tricia Eastman. Tricia, you just wrote a book called Seeding Consciousness. We're going to get into that a bunch today, but how are you today? [00:00:16.07] - Tricia Eastman I'm so good. It's exciting to be live. A lot of the podcasts I do are offline, and so it's like we're being witnessed and feels like just can feel the energy behind It's great. [00:00:31.11] - Joe Moore It's fun. It's a totally different energy than maybe this will come out in four months. This is real, and there's people all over the world watching in real-time. And we'll get some comments. So folks, if you're listening, please leave us some comments. And we'd love to chat a little bit later about those. [00:00:49.23] - Tricia Eastman I'm going to join the chat so that I can see... Wait, I just want to make sure I'm able to see the comments, too. Do I hit join the chat? [00:01:01.17] - Joe Moore Sometimes you can, sometimes you can't. I can throw comments on the screen so we can see them together. [00:01:07.02] - Tricia Eastman Cool. [00:01:08.03] - Joe Moore Yeah. So it'll be fun. Give us comments, people. Please, please, please, please. Yeah, you're all good. So Tricia, I want to chat about your book. Tell us high level about your book, and then we're going to start digging into you. [00:01:22.10] - Tricia Eastman So Seeding Consciousness is the title, and I know it's a long subtitled Plant Medicine, Ancestral Wisdom, Psychedelic Initiation. And I felt like it was absolutely necessary for the times that we are in right now. When I was in Gabon in 2018, in one of my many initiations, as as an initiative, the Fung lineage of Buiti, which I've been practicing in for 11 years now, I was given the instructions. I was given the integration homework to write this book. And I would say I don't see that as this divine thing, like you were given the assignment. I think I was given the assignment because it's hard as F to write a book. I mean, it really tests you on so many levels. I mean, even just thinking about putting yourself out there from a legal perspective, and then also, does it make any sense? Will anyone buy it? And on Honestly, it's not me. It's really what I was given to write, but it's based on my experience working with several thousand people over the years. And really, the essence of it is that in our society, we've taken this reductionistic approach in psychedelics, where we've really taken out the ritual. [00:02:54.05] - Tricia Eastman Even now with the FDA trial for MDMA for PTSD. There's even conversations with a lot of companies that are moving forward, psychedelics, through the FDA process, through that pathway, that are talking about taking the therapy out. And the reality is that in these ancient initiatic traditions, they were very long, drawn out experiences with massive purification rituals, massive amounts of different types of practice in order to prepare oneself to meet the medicine. Different plants were taken, like vomatifs and different types of purification rituals were performed. And then you would go into this profound initiatic experience because the people that were working with you that were in, we call it the Nema, who gives initiations, had decades of training and experience doing these types of initiatic experiences. So if you compare that to the modern day framework, we have people that go online and get a certificate and start serving people medicine or do it in a context where maybe there isn't even an established container or facilitator whatsoever. And so really, the idea is, how can we take the essence of this ancient wisdom wisdom, like when you look at initiation, the first step is consultation, which is really going deep into the history of the individual using different types of techniques that are Indigenous technologies, such as different forms of divination, such as cowrie shell readings. [00:04:52.18] - Tricia Eastman And there's different types of specific divinations that are done in different branches of And before one individual would even go into any initiation, you need to understand the person and where they're coming from. So it's really about that breakdown of all of that, and how can we integrate elements of that into a more modern framework. [00:05:24.23] - Joe Moore Brilliant. All right. Well, thank you for that. And let's chat about you. You've got a really interesting past, very dynamic, could even call it multicultural. And you've got a lot of experience that informed this book. So how did this stuff come forward for you? [00:05:50.02] - Tricia Eastman I mean, I've never been the person to seek anything. My family on my mother's side is from Mexico, from Oaxaca, Trique, Mixtec, and Michica. And we had a long lineage of practice going back to my, at least I know from my great, great grandmother, practicing a blend of mestiza, shamanism, combining centerea and Catholicism together. So it's more of like a syncratic mestiza, mestiza being mixed tradition. And so I found it really interesting because later on, when my grandfather came to the United States, he ended up joining the military. And in being in the US, he didn't really have a place. He's very devout spiritual man, but he didn't have a place to practice this blended spiritual tradition. So the mystical aspect of it went behind. And as I started reconnecting to my ancestral lineage, this came forth that I was really starting to understand the mystical aspect of my ancestry. And interestingly, at the same time, was asked to work at Crossroads Abigain in Mexico. And it's so interesting to see that Mexico has been this melting pot and has been the place where Abigain has chosen to plant its roots, so to say, and has treated thousands of veterans. [00:07:36.28] - Tricia Eastman I got to be part of the group of facilitators back over 10 years ago. We treated the first Navy Seals with Abogaine, and that's really spurred a major interest in Abogaine. Now it's in every headline. I also got 10 I got initiated into the Fung lineage of Buiti and have really studied the traditional knowledge. I created a nonprofit back in 2019 called Ancestral Heart, which is really focused on Indigenous-led stewardship. Really, the book helps as a culmination of the decade of real-world experience of combining My husband, Dr. Joseph Barzulia. He's a psychologist. He's also a pretty well-known published researcher in Abigain and 5MEO-DMT, but also deeply spiritual and deeply in respect for the Indigenous traditions that have carried these medicines before us. So we've really been walking this complex path of world bridging between how we establish these relationships and how we bring some of these ancient knowledge systems back into the forefront, but not in a way of fetishizing them, but in a way of deeply respecting them and what we can learn, but from our own assimilation and context versus appropriation. So really, I think the body of my work is around that cultural bridging. [00:09:31.07] - Joe Moore That's brilliant. And yeah, there's some really fun stuff I learned in the book so far that I want to get into later. But next question is, who is your intended audience here? Because this is an interesting book that could hit a few categories, but I'm curious to hear from you. [00:09:49.02] - Tricia Eastman It's so funny because when I wrote the book, I wasn't thinking, oh, what's my marketing plan? What's my pitch? Who's my intended audience? Because it was my homework, and I knew I needed to write the book, and maybe that was problematic in the sense that I had to go to publishers and have a proposal. And then I had to create a formula in hindsight. And I would say the demographic of the book mirrors the demographic of where people are in the psychedelic space, which It's skewed slightly more male, although very female. I think sex isn't necessarily important when we're thinking about the level of trauma and the level of spiritual healing and this huge deficit that we have in mental health, which is really around our disconnection from our true selves, from our heart, from our souls, from this idea of of what Indigenous knowledge systems call us the sacred. It's really more of an attitude of care and presence. I'm sure we could give it a different name so that individuals don't necessarily have any guard up because we have so much negative conditioning related to the American history of religion, which a lot of people have rejected, and some have gone back to. [00:11:37.06] - Tricia Eastman But I think we need to separate it outside of that. I would say the demographic is really this group of I would say anywhere from 30 to 55 male females that are really in this space where maybe they're doing some of the wellness stuff. They're starting to figure some things out, but it's just not getting them there. And when something happens in life, for example, COVID-19 would be a really great example. It knocks them off course, and they just don't have the tools to find that connection. And I would say it even spans across people that do a lot of spiritual practice and maybe are interested in what psychedelics can do in addition to those practices. Because when we look at my view on psychedelics, is they fit within a whole spectrum of wellness and self-care and any lineage of spiritual practice, whether it's yoga or Sufism or Daoist tradition. But they aren't necessarily the thing that... I think there's an over focus on the actual substance itself and putting it on a pedestal that I think is problematic in our society because it goes back to our religious context in the West is primarily exoteric, meaning that we're seeking something outside of ourselves to fulfill ourselves. [00:13:30.29] - Tricia Eastman And so I think that when we look at psychedelic medicines as this exoteric thing versus when we look at initiatory traditions are about inward and direct experience. And all of these spiritual practices and all of these modalities are really designed to pull you back into yourself, into having a direct relationship with yourself and direct experience. And I feel like the minute that you are able to forge that connection, which takes practice and takes discipline, then you don't need to necessarily look at all these other tools outside of yourself. It's like one of my favorite analogies is the staff on the Titanic were moving the furniture around as it was sinking, thinking that they might save the boat from sinking by moving the furniture around. I think that's how we've been with a lot of ego-driven modalities that aren't actually going into the full unconscious, which is where we need to go to have these direct experiences. Sorry for the long answer, but it is for everybody, and it's not just about psychedelics. Anyone can take something from this doing any spiritual work. But we talk a lot about the Indigenous philosophy and how that ties in alongside with spiritual practice and more of this inner way of connecting with oneself and doing the work. [00:15:21.22] - Tricia Eastman And I think also really not sugar coating it in the sense that the psychedelics aren't going to save us. They're not going to cure PTSD. Nothing you take will. It's you that does the work. And if you don't do the work, you're not going to have an 87 % success rate with opioid use disorder or whatever it is, 60 something % for treatment-resistant depression or whatever. It's like you have to do the work. And so we can't keep putting the power in the modality reality or the pill. [00:16:03.18] - Joe Moore Yeah, that makes sense. So you did an interesting thing here with this book, and it was really highlighting aspects of the alchemical process. And people don't necessarily have exposure. They hear the words alchemy. I get my shoulders go up when I hear alchemizing, like transmutation. But it's a thing. And how do we then start communicating this from Jung? I found out an interesting thing recently as an ongoing student. Carl Jung didn't necessarily have access to all that many manuscripts. There's so many alchemical manuscripts available now compared to what he had. And as a result, our understanding of alchemy has really evolved. Western alchemy, European alchemy, everybody. Perhaps Kmetic, too. I don't know. You could speak to that more. I don't keep track of what's revealed in Egypt. So it's really interesting to present that in a forward way? How has it been received so far? Or were you nervous to present this in this way? [00:17:25.10] - Tricia Eastman I mean, honestly, I think the most important The important thing is that in working with several thousand people over the years, people think that taking the psychedelic and the trauma is going to go away. It's always there. I mean, we We archetypically will have the shadow as long as we need the shadow to learn. And so even if we go into a journey and we transcend it, it's still there. So I would say that the The feedback has been really incredible. I mean, the people that are reading... I mean, I think because I'm weaving so many different, complex and deep concepts into one book, it might be a little harder to market. And I think the biggest bummer was that I was really trying to be respectful to my elders and not say anything in the title about Iboga and Abigain, even though I talk a lot about it in the book, and it's such a hot topic, it's really starting to take off. But the people that have read it really consider it. They really do the work. They do the practices in the book, and I'm just getting really profound feedback. So that's exciting to me because really, ultimately, alchemy... [00:18:55.22] - Tricia Eastman Yeah, you're right. It gets used Used a lot in marketing lingo and sitting in the depth of the tar pit. For me, when I was in Gabon, I remember times where I really had to look at things that were so dark in my family history that I didn't even realize were mine until later connected to my lineage. And the dark darkness connected to that and just feeling that and then knowing really the truth of our being is that we aren't those things. We're in this process of changing and being, and so nothing is is fixed, but there is a alchemical essence in just learning to be with it. And so not always can we just be with something. And and have it change, but there are many times that we can actually just be with those parts of ourselves and be accepting, where it's not like you have to have this intellectualized process It's just like, first you have the negrado, then you tune into the albeda, and you receive the insights, and you journal about it, and da, da, da, da, da Action, Mars aspect of it, the rubeda of the process. It's not like that at all. [00:20:44.15] - Tricia Eastman It's really that the wisdom that comes from it because you're essentially digesting black goo, which is metaphoric to the oil that we use to power all of society that's pulled deep out of the Earth, and it becomes gold. It becomes... And really, the way I like to think of it is like, in life, we are here to create, and we are not here to heal ourselves. So if you go to psychedelic medicine and you want to heal yourself, you're going to be in for... You're just going to be stuck and burnt out because that's not what we're here to do as human beings, and you'll never run out of things to heal. But if you You think of the negrado in alchemy as gasoline in your car. Every time you go back in, it's like refilling your gas tank. And whatever you go back in for as you're moving in the journey, it's almost like that bit of negrado is like a lump of coal that's burning in the gas tank. And that gets you to the next point to which there's another thing related to the creative process. So it's like As you're going in that process, you're going to hit these speed bumps and these obstacles in the way. [00:22:07.29] - Tricia Eastman And those obstacles in the way, that's the healing. So if you just get in the car in the human vehicle and you drive and you continue to pull out the shadow material and face it, you're going to keep having the steam, but not just focus on it, having that intention, having that connection to moving forward in life. And I hate to use those words because they sound so growth and expansion oriented, which life isn't always. It's evolutionary and deevolutionary. It's always in spirals. But ultimately, you're in a creative process would be the best way to orient it. So I think when we look at alchemy from that standpoint, then it's productive. Effective. Otherwise, it sounds like some brand of truffle salt or something. [00:23:09.12] - Joe Moore Yeah, I think it's a... If people want to dig in, amazing. It's just a way to describe processes, and it's super informative if you want to go there, but it's not necessary for folks to do the work. And I like how you framed it quite a bit. So let's see. There is one bit, Tricia, that my ears really went up on this one point about a story about Actually, let me do a tangent for you real quick, and then we're going to come back to this story. So are you familiar with the tribe, the Dogon, in Africa? Of course. Yeah. So they're a group that looks as though they were involved in Jewish and/or Egyptian traditions, and then ended up on the far side of like, what, Western Africa, far away, and had their own evolution away from Egypt and the Middle East. Fascinating. Fascinating stories, fascinating astronomy, and much more. I don't know too much about the religion. I love their masks. But this drew an analogy for me, as you were describing that the Buiti often have stories about having lineage to pre-dynastic Egyptian culture. I guess we'll call it that for now, the Kometic culture. [00:24:44.23] - Joe Moore I had not heard that before. Shame on me because I haven't really read any books about Buiti as a religion or organization, or anything to this point. But I found that really interesting to know that now, at least I'm aware of two groups claiming lineage to that ancient world of magic. Can you speak about that at all for us? Yeah. [00:25:09.24] - Tricia Eastman So first off, there really aren't any books talking about that. Some of the things I've learned from elders that I've spoke with and asked in different lineages in Masoco and in Fong Buiti, there's a few things. One, We lived in many different eras. Even if you go into ancient texts of different religions, creation stories, and biblical stories, they talk about these great floods that wiped out the planet. One of the things that Atum talks about, who is one of my Buiti fathers who passed a couple years ago, is Is the understanding that before we were in these different areas, you had Mu or Lumaria, you had Atlantis, and then you had our current timeline. And the way that consciousness was within those timelines was very different and the way the Earth was. You had a whole another continent called Atlantis that many people, even Plato, talks about a very specific location of. And what happened, I believe during that time period, Africa, at least the Saharan band of the desert was much more lush, and it was a cultural melting pot. So if you think about, for example, the Pygmy tribes, which are in Equatorial Africa, they are the ones that introduced Iboga to the Buiti. [00:27:08.08] - Tricia Eastman If you look at the history of ancient Egypt, what I'm told is that the Pygmies lived in Pharaonic Egypt, all the way up until Pharaonic Egypt. And there was a village. And if you look on the map in Egypt, you see a town called Bawiti, B-A-W-I-T-I. And that is the village where they lived. And I have an interesting hypothesis that the God Bess, if you look at what he's wearing, it's the exact same to a T as what the Pygmies wear. And the inspiration for which a lot of the Buiti, because they use the same symbology, because each part of the outfit, whether it's the Mocingi, which is like this animal skin, or the different feathers, they use the parrot feather as a symbology of speech and communication, all of these things are codes within the ceremony that were passed along. And so when you look at Bess, he's wearing almost the exact same outfit that the Pygmies are wearing and very similar to if you see pictures of the ceremonies of Misoko or Gonde Misoko, which I would say is one of the branches of several branches, but that are closer to the original way of Buiti of the jungle, so closer to the way the Pygmies practice. [00:28:59.16] - Tricia Eastman So If you look at Bess, just to back my hypothesis. So you look at Neteru. Neteru were the... They called them the gods of Egypt, and they were all giant. And many say the word nature actually means nature, but they really represented the divine qualities of nature. There's best. Look at him. And a lot of the historians said he's the God of Harmeline and children and happiness. I think he's more than the God of Harmeline, and I think that the Pygmies worked with many different plants and medicines, and really the ultimate aspect of it was freedom. If you think about liberation, like the libation, number one, that's drunkiness. Number two, liberation, you of freeing the joyous child from within, our true nature of who we are. You look at every temple in Egypt, and you look at these giant statues, and then you have this tiny little pygmy God, and there's no other gods that are like Bess. He's one of a kind. He's in his own category. You've You've got giant Hathor, you've got giant Thoth, you've got giant Osiris, Isis, and then you've got little tiny Bess. And so I think it backs this hypothesis. [00:30:48.27] - Tricia Eastman And my understanding from practitioners of Dogon tradition is that they also believe that their ancestors came from Egypt, and they definitely have a lot of similarity in the teachings that I've seen and been exposed to just from here. I mean, you can... There's some more modern groups, and who's to know, really, the validity of all of it. But there are some, even on YouTube, where you can see there's some more modern Dogon temples that are talking in English or English translation about the teachings, and they definitely line up with Kamehdi teachings. And so my hypothesis around that is that the Dogon are probably most likely pygmy descendants as, And the pygmy were basically run out of Bawiti because there was jealousy with the priest, because there was competition, because all of the offerings that were being made in the temple, there was a lot of power, connected to each of the temples. And there was competitiveness even amongst the different temples, lining the Nile and all of that, of who was getting the most offerings and who was getting the most visits. And so the Pygmies essentially were run out, and they migrated, some of them migrated south to Gabon and Equatorial Africa. [00:32:43.07] - Tricia Eastman And then If you think about the physical changes that happened during these planetary catastrophes, which we know that there had been more than one based on many historical books. So that whole area went through a desertification process, and the Equatorial rainforest remained. So it's highly likely even that Iboga, at one point, grew in that region as well. [00:33:18.00] - Joe Moore Have you ever seen evidence of artwork depicting Iboga there in Egypt? [00:33:24.17] - Tricia Eastman There are several different death temples. I'm trying to remember the name of the exact one that I went to, but on the columns, it looked like Iboga trees that were carved into the columns. And I think what's interesting about this... So Seychet is the divine scribe, the scribe of Egyptian wisdom. And she was basically, essentially the sidekick of Thoth. Thoth was who brought a lot of the ancient wisdom and people like Pythagoras and many of the ancient philosophers in Roman times went and studied in a lot of these Thoth lineage mystery schools. When you look at the the river of the Nile on the east side, east is the energy liturgy of initiation. It's always like if you go into a sweat lodge or if you see an ancient temple, usually the doorway is facing the east. West is where the sun sets, and so that's the death. And what's interesting about that is that it was on the west side in the death temple that you would see these aboga plants. But also Seixat was the one who was the main goddess depicted in the hieroglyphs, and there was other hieroglyphs. I mean, if you look at the hieroglyphs of Seixat, it looks like she has a cannabis leaf above her head, and a lot of people have hypothesized that, that it's cannabis. [00:35:16.03] - Tricia Eastman Of course, historians argue about that. And then she's also carrying a little vessel that looks like it has some mushrooms in it. And obviously, she has blue Lotus. Why would she be carrying around blue Lotus and mushrooms? I don't know. It sounds like some initiation. [00:35:36.19] - Joe Moore Yeah, I love that. Well, thanks so much for going there with me. This photo of Seixet. There's some good animations, but everybody just go look at the temple carvings picturing this goddess. It's stunning. And obviously, cannabis. I think it's hard to argue not. I've seen all these like, mushroom, quote, unquote, mushroom things everywhere. I'm like, Yeah, maybe. But this is like, Yes, that's clear. [00:36:06.27] - Tricia Eastman And if you look at what she's wearing, it's the exact same outfit as Bess, which is classic Basically, how the medicine woman or medicine man or what you would call shaman, the outfit that the healers would wear, the shamans or the oracles, those of the auracular arts, different forms of divination would wear. So if you really follow that and you see, Oh, what's Isis wearing? What's Hathor wearing? What's Thoth wearing? You can tell she's very specifically the healer. And it's interesting because they call her the divine scribe. So she's actually downloading, my guess is she's taking plants and downloading from the primordial. [00:37:02.00] - Joe Moore Well, okay. Thanks for bringing that up. That was a lovely part of your book, was your... There's a big initiation sequence, and then you got to go to this place where you could learn many things. Could you speak to that a little bit? And I hope that's an okay one to bring up. [00:37:22.22] - Tricia Eastman Are you talking about the time that I was in initiation and I went to the different ashrams, the different realms in, like Yogananda calls them astral schools that you go and you just download? It seemed like astral schools, but it seemed like it was a Bwiti initiation, where you were in silence for three days, and then Yeah, that one. So there were several different... I mean, I've done seven official initiations, and then I've had many other initiatic experiences. And I would say this one was incredible. Incredibly profound because what it showed me first was that all of the masters of the planet, it was showing me everyone from Kurt Cobain to Bob Marley to Einstein, all the people that had some special connection to an intelligence that was otherworldly, that they were essentially going to the same place, like they were visiting the same place, and they would go. And so the first thing I noticed was that I recognized a lot of people, and current, I'm not going I don't want to say names of people, but I recognize people that are alive today that I would say are profound thinkers that were going to these places as well. [00:38:57.05] - Tricia Eastman And interestingly, then I was taken into one of the classrooms, and in the classroom, this one, specifically, it showed me that you could download any knowledge instantaneously That essentially, having a connection to that school allowed you to download music or understand very complex ideas ideas of mathematics or physics or science that would take people like lifetimes to understand. So it was essentially showing this. And a lot of people might discredit that, that that might be a specific... That we as humans can do that. Well, I'm not saying that it's not that. I don't I don't want to say that it's anything. But what I can say is that I have definitely noticed the level of access that I have within my consciousness. And also what I notice with the masters of Bwiti, specifically in terms of the level of intelligence that they're accessing and that it's different. It's got a different quality to it. And so it was a really profound teaching. And one of the things, too, that I've learned is I use it to help me learn specific things. I don't know if I can give a positive testimonial, but I am learning French. [00:40:55.00] - Tricia Eastman And I noticed when I was in Aspen at the Abigain meeting, and I was with Mubeiboual, who speaks French, I started saying things French that I didn't even realize that I knew to say. I've had these weird moments where I'm actually using this tool And I'm also using it. I have a Gabonese harp. I don't know if you can see it up on the shelf over there. But I also went and asked for some help with downloading some assistance in the harp, then we'll see how that goes. [00:41:38.17] - Joe Moore Yeah. So that's brilliant. I'm thinking of other precedent for that outside of this context, and I can think of a handful. So I love that, like savant syndrome. And then there's a classic text called Ars Notoria that helps accelerate learning, allegedly. And then there's a number of other really interesting things that can help us gain these bits of wisdom and knowledge. And it does feel a little bit like the Dogon. The story I get is the receiving messages from the dog star, and therefore have all sorts of advanced information that they shouldn't we call it. Yeah. Yeah, which is fascinating. We have that worldwide. I think there's plenty of really interesting stuff here. So what I appreciated, Tricia, about how you're structuring your book, or you did structure your book, is that it it seems at the same time, a memoir, on another hand, workbook, like here are some exercises. On the other hand, like here's some things you might try in session. I really appreciated that. It was like people try to get really complicated when we talk about things like IFS. I'm like, well, you don't necessarily have to. You could. Or is this just a human thing, a human way to look at working with our parts? [00:43:20.15] - Joe Moore I don't know. Do you have any thoughts about the way you were approaching this parts work in your book versus how complicated some people make it feel? [00:43:30.00] - Tricia Eastman Yeah. I find that this is just my personal opinion, and no way to discredit Richard Schwartz's work. But parts work has existed in shamanism since forever. When we really look at even in ancient Egypt, Issus, she put Osiris act together. That was the metaphorical story of soul retrieval, which is really the spiritual journey of us reclaiming these pieces of ourselves that we've been disconnected from a society level or individually. And within the context of parts work, it's very organic and it feels other worldly. It's not like there's ever a force where I'm in the process with someone. And a lot of times I would even go into the process with people because they weren't accustomed to how to work with Iboga or game, and so they would be stuck. And then the minute I was like, you know, Iboga, in the tradition, it's really about... It's like the game Marco Polo. It's call and response. And so you're really an active participant, and you're supposed to engage with the spirits. And so the minute that things would show up, it'd be more about like, oh, what do you see? What's coming up here? Asking questions about it, being curious. [00:45:17.07] - Tricia Eastman If you could engage with it, sometimes there's processes where you can't really engage with things at all. So everything that I'm talking about is It was organically shown up as an active engagement process that it wasn't like we were going in. There have been some where you can guide a little bit, but you never push. It might be something like, go to your house, and it being completely unattached. And if they can't go there, then obviously the psyche doesn't want to go there, but it's really an exercise to help them to connect to their soul. And then in contrast, IFS is like, let's work on these different parts and identify these different parts of ourselves. But then let's give them fixed titles, and let's continually in a non-altered state of consciousness, not when we're meditating, not when we're actively in a state where we have the plasticity to change the pathway in the unconscious mind, but we're working in the egoic mind, and we're talking to these parts of ourselves. That could be helpful in the day-to-day struggles. Let's say you have someone who has a lot of rumination or a very active mind to have something to do with that. [00:46:57.01] - Tricia Eastman But that's not going to be the end-all, be-all solution to their problem. It's only moving the deck chairs around on the Titanic because you're still working in the framework where, I'm sorry, the Titanic is still sinking, and it may or may not be enough. It may or may not produce a reliable outcome that could be connected with some level of true relief and true connection within oneself. And so I think that people just... I feel like they almost get a little too... And maybe it's because we're so isolated and lonely, it's like, Oh, now I've got parts. I'm not by myself. I've got my fire I've got my firefighter, and I've got my guardian, and all these things. And I definitely think that IFS is a really great initiator into the idea of engaging with parts of ourselves and how to talk to them. But I don't think it's... And I think doing a session here and there, for some people, can be incredibly helpful, but to all of a sudden incorporate it in like a dogma is toxic. It's dangerous. And that's what we have to be really careful of. [00:48:23.25] - Joe Moore So thank you for that. There's a complicated discussion happening at the Aspen meeting. I think I was only sitting maybe 30 feet away from you. Sorry, I didn't say hi. But the folks from Blessings of the Forest were there, and I got a chance to chat with a number of them and learn more about nuclear protocols, biopiracy, literal piracy, and smuggling, and the works. I'm curious. This is a really complicated question, and I'm sorry for a complicated question this far in. But it's like, as we talk about this stuff publicly and give it increased profile, we are de facto giving more juice and energy to black markets to pirate. We're adding fuel to this engine that we don't necessarily want to see. Cameroon has nothing left, pretty much. From what I'm told, people from Cameroon are coming in, stealing it from Cabona, bringing it back, and then shipping it out. And there's It's like a whole worldwide market for this stuff. I witnessed it. This stuff. Yeah, right? This is real. So the people, the Buiti, and certain Gabanese farmers, are now being pirated. And international demand does not care necessarily about Nagoya compliance. United States didn't sign Nagoya protocol for this biopiracy protection, but we're not the only violator of these ethics, right? [00:50:00.22] - Joe Moore It's everywhere. So how do we balance thinking about talking about IBOCA publicly, given that there's no clean way to get this stuff in the United States that is probably not pirated materials? And as far as I know, there's only one, quote unquote, Nagoya compliant place. I've heard stories that I haven't shared publicly yet, that there's other groups that are compliant, too. But it's a really interesting conversation, and I'm curious of your perspectives there. [00:50:34.04] - Tricia Eastman I mean, this is a very long, drawn-out question, so forgive me if I give you a long, drawn-out answer. [00:50:41.01] - Joe Moore Go for it. [00:50:41.26] - Tricia Eastman It's all good. So in reality, I do believe... You know the first Ebo, Abogaine, that was done in the country was experiments on eight Black prisoners at a hospital under the MK program. [00:51:01.16] - Joe Moore Pre-lutz off, we were doing Abogaine tests on people. [00:51:06.00] - Tricia Eastman Yeah, so pre-Lutz off. I have a hypothesis, although a lot of people would already know me. [00:51:12.07] - Joe Moore No, I didn't know that. Thank you for sharing that with me. [00:51:14.13] - Tricia Eastman That's great. I'll send you some stuff on that. But the Aboga wanted to be here. The Abogaine wanted to be here. I think it's a complex question because on one side of the coin, you have the spirit of plants, which are wild and crazy sometimes. And then you have the initiatory traditions, which create a scaffolding to essentially put the lightning in a bottle, so to say, so that it's less damaging. [00:51:51.13] - Joe Moore It's almost like a temple structure around it. [00:51:53.16] - Tricia Eastman I like that. Yeah. Put a temple structure around it because it's like, yeah, you can work with new nuclear energy, but you have to wear gloves, you have to do all these different safety precautions. I would say that that's why these traditions go hand in hand with the medicine. So some people might say that the agenda of Iboga and even Abogaine might be a different agenda than the Buiti. And ultimately, whether we are Indigenous or not, the Earth belongs to everyone. It's capitalism and the patriarchy that created all these borders and all these separations between people. And in reality, we still have to acknowledge what the essence of Buiti is, which is really the cause and effect relationship that we have with everything that we do. And so some people might use the term karma. And that is if you're in Abogaine clinic and you're putting a bunch of videos out online, and that's spurring a trend on TikTok, which we already know is a big thing where people are selling illegal market, iBoga, is Is any of that your responsibility? Yes. And if I was to sit down with a kogi kagaba, which are the mamus from Colombia, or if I were to sit down with a who said, Hey, let's do a divination, and let's ask some deep questions about this. [00:53:54.01] - Tricia Eastman It would look at things on a bigger perspective than just like, Oh, this person is completely responsible for this. But when we're talking about a medicine that is so intense, and when I was younger, when I first met the medicine, I first was introduced in 2013 was when I first found out about Abigain and Iboga. And in 2014, I lived with someone who lived with a 14th generation Misoko, maybe it was 10th generation Misoco in Costa Rica. And then he decided to just start serving people medicine. And he left this person paralyzed, one person that he treated for the rest of his life. And Aubrey Marcus, it was his business partner for On It, and he's publicly talked about this, about the story behind this. If you go into his older podcasts and blog posts and stuff, he talks about the situation. And the reality is that this medicine requires a massive amount of responsibility. It has crazy interactions, such as grapefruit juice, for example, and all kinds of other things. And so it's not just the responsibility towards the buiti, it's also the responsibility of, does me talking about this without really talking about the safety and the risks, encourage other people. [00:55:49.10] - Tricia Eastman One of the big problems, back in the day, I went to my first guita conference, Global Abogaine Therapy Alliance in 2016. And And then, ISEARs was debating because there was all these people buying Abogaine online and self-detoxing and literally either dying or ending up in the hospital. And they're like, should we release protocols and just give people instructions on how to do this themselves? And I was like, no, absolutely not. We need to really look at the fact that this is an initiatory tradition, that it's been practiced for thousands of that the minimum level at which a person is administering in Gabon is 10 years of training. The way that we've made up for those mistakes, or sorry, not mistakes, lack of training is that we've used medical oversight. Most of the medical oversight that we've received has been a result of mistakes that were made in the space. The first patient that MAPS treated, they killed them because they gave them way over the amount of what milligrams per kilogram of Abigain that you should give somebody. Every single mistake that was made, which a lot of them related to loss of life, became the global Abogane Therapy Safety Guidelines. [00:57:28.19] - Tricia Eastman And so we've already learned from our mistakes here. And so I think it's really important that we understand that there's that aspect, which is really the blood on our hands of if we're not responsible, if we're encouraging people to do this, and we're talking about it in a casual way on Instagram. Like, yeah, microdosing. Well, did you know there was a guy prosecuted this last year, personal trainer, who killed someone And from microdosing in Colorado, the event happened in 2020, but he just got sentenced early 2025. These are examples that we need to look at as a collective that we need. So that's one side of it. And then the other side of it is the reciprocity piece. And the reciprocity piece related to that is, again, the cause and effect. Is A Abogaine clinic talking about doing Abogaine and doing video testimonials, spurring the efforts that are actively being made in Gabon to protect the cultural lineage and to protect the medicine. The reality is every Abogaine clinic is booked out for... I heard the next year, I don't know if that's fact or fiction, but someone told me for a year, because because of all the stuff with all the celebrities that are now talking about it. [00:59:05.20] - Tricia Eastman And then on top of that, you have all these policy, all these different advocacy groups that are talking about it. Essentially, it's not going to be seven... It's going to be, I would say, seven to 10 years before something gets through the FDA. We haven't even done a phase one safety trial for any of the Abigain that's being commercialized. And even if there's some magic that happens within the Trump administration in the next two years that changes the rules to fast track it, it's not going to cut it down probably more than a year. So then you're looking at maybe six years minimum. That whole time, all that strain is being put on Gabon. And so if you're not supporting Gabon, what's happening is it's losing a battle because the movement is gaining momentum, and Gabon cannot keep up with that momentum. It's a tiny country the size of Colorado. So my belief is that anyone who's benefiting from all the hype around Iboga and Abogayne or personally benefited with healing within themselves should be giving back, either to Ancestral Heart, to Blessings of the Forest, to any group that is doing authentic Indigenous-led biocultural stewardship work. [01:00:45.21] - Joe Moore Thanks for that. It's important that we get into some detail here. I wish we had more time to go further on it. [01:00:54.17] - Tricia Eastman I'll do a quick joke. I know. I have a lot. [01:00:57.17] - Joe Moore Yes. Now do Mike Tyson. Kidding. Yeah. So what did we maybe miss that you want to make sure people hear about your book, any biocultural stuff that you want to get out there? You can go for a few more minutes, too, if you have a few things you want to say. [01:01:20.03] - Tricia Eastman I mean, really, thank you so much for this opportunity. Thank you for caring and being so passionate about the context related to Buiti, which I think is so important. I would just say that I've been working with this medicine for... I've known about it for 13 years, and I've been working with it for 11 years, and this is my life. I've devoted my life to this work, me and my husband, both. And there isn't anything greater of a blessing that it has brought in our life, but it also is it's a very saturnian energy, so it brings chaos. It brings the deepest challenges and forces you to face things that you need to face. But also on the other side of the coin, everything that I've devoted and given back in service to this work has exponentially brought blessing in my life. So again, I see the issue with people doing these shortened processes, whether it's in an Abigain clinic where you just don't have the ritualistic sacred aspects of an initiatic context and really the rituals that really help integrate and ground the medicine. But you still have this opportunity to continue to receive the blessings. [01:03:09.23] - Tricia Eastman And I really feel in our current psychedelic movement, we essentially have a Bugatti. These medicines are the most finely-tuned sports car that can do every... Even more than that, more like a spaceship. We have this incredible tool, but we're driving it in first gear. We don't even really know how to operate it. It's like, well, I guess you could say flight of the Navigator, but that was a self-driving thing, and I guess, psychedelics are self-driving. But I feel that we are discounting ourselves so greatly by not looking into our past of how these medicines were used. I really think the biggest piece around that is consulting the genuine lineage carriers like Buiti elders, like Mubu Bwal, who's the head of Maganga Manan Zembe, And giving them a seat at the head of the table, really, because there's so much I know in my tradition, about what we do to bring cardiac safety. And why is it that people aren't dying as much in Gabon as they're dying in Abigan clinics. [01:04:37.28] - Joe Moore Shots fired. All right. I like it. Thank you. Thank you for everything you've done here today, I think harm reduction is incredibly important. Let's stop people dying out there. Let's do some harm reduction language. I actually was able to sweet talk my way into getting a really cool EKG recently, which I thought really great about. If you can speak clinician, you can go a long way sometimes. [01:05:11.20] - Tricia Eastman Yeah. Oh, no, go ahead. Sorry. [01:05:15.17] - Joe Moore No, that's all. That's all. So harm reduction is important. How do we keep people safe? How do we keep healing people? And thank you for all your hard work. [01:05:27.22] - Tricia Eastman Thank you. I really appreciate it. We're all figuring it out. No one's perfect. So I'm not trying to fire any shots at anybody. I'm just like, Guys, please listen. We need to get in right relationship with the medicine. And we need to include these stakeholders. And on the other side of the coin, I just want to add that there's a lot of irresponsible, claimed traditional practitioners that are running retreat centers in Mexico and Costa Rica and other places that are also causing a lot of harm, too. So the medical monitoring is definitely, if you're going to do anything, Because these people don't have the training, the worst thing you could do is not have someone going in blind that doesn't have training and not have had an EKG and all that stuff. But we've got a long way to go, and I'm excited to help support in a productive way, all coming together. And that's what me and Joseph have been devoted to. [01:06:45.02] - Joe Moore Brilliant. Tricia Eastman, thank you so much. Everybody should go check out your book Seeding Consciousness out now. The audiobook's lovely, too. Thank you so much for being here. And until next time. [01:07:00.14] - Tricia Eastman Thank you.    

Episode 113 with Jerry Hsu, professional skateboarder and photographer from San José, California.Together we discussed his life and career, from growing up in San José and picking up his first board in the early 90's, connecting with local pros such as Marc Johnson who helped him get on Maple Skateboards and later on Enjoi, Osiris days, his iconic “Bag of suck” part, his thoughts on music in skate videos, diving deep into art and photography in the mid-2010's which led him to start his brand Sci-Fi Fantasy, first as an art project which eventually turned into a board brand, to releasing their first full-length video “Endless Beauty” in the summer of 2025 and much more through surprise questions from friends of his.(00:13) – Intro(01:25) – Will Sprot(08:10) – Shawn Mandoli(16:24) – Chris Pastras(22:28) – Ray Barbee(26:14) – Mike Crabtree(30:39) – Ed Dominick (33:47) – Dave Mayhew(42:06) – Caswell Berry(43:33) – Kyle Camarillo (50:14) – Mark Whiteley(01:05:24) – Music supervision in “Endless beauty”(01:12:48) – Jonathan Mehring(01:17:31) – Javier Mendizabal(01:21:33) – Ryan Lay(01:26:24) – Katina Danabassis(01:27:43) – Yasi Salek(01:31:14) – Ted Barrow(01:42:04) – Sam Korman(01:49:11) – Aaron Meza(01:52:18) – Ed Templeton(01:57:35) – Anthony Claravall(02:03:03) – Zak Anders(02:06:36) – Luke Murphy(02:07:32) – Winston Tseng(02:17:21) – Daniel Wheatley(02:22:24) – Louie Barletta(02:26:15) – ConclusionFor more information and resources: https://linktr.ee/beyondboardsHosted on Ausha. See ausha.co/privacy-policy for more information.

A winter wish, a juniper tree, and a song that won't be silenced. We read and unpack The Juniper Tree through the lens of myth and astrology, following a stark arc from dismemberment to remembrance, from underworld descent to the ninth house return of voice. The tale's violent turn isn't spectacle—it's symbolic. A sister gathers bones and lays them at the roots; a bird rises from fire, sings what happened, and earns a golden chain, red shoes, and a millstone. Each gift answers a wound: the chain restores the severed link, the shoes return movement and joy, and the stone delivers the kind of Saturnian justice that ends what cannot be integrated.Along the way we explore why juniper is a liminal, funerary, protective tree and why solstice is the perfect time for a story about death and the slow return of light. We trace resonances with Snow White, the Raven, Medusa, Osiris and Isis, and even the Christian ritual of remembrance that turns body and blood into bread and wine. The ninth house shines through as the realm where hard-won wisdom gets sung aloud, where fair exchange dignifies art, and where truth becomes beautiful enough for others to bear. This is not a call to bypass grief; it's a ritual map for metabolizing it.If you've ever felt your voice frozen in the underworld, this story offers a path: gather the bones, honor the roots, set a boundary around your song, and let the wings come back. As the year turns, join us for a solstice myth that holds both the darkest night and the first hint of dawn. Subscribe, share with a friend who loves deep stories, and leave a review to help others find the show.*the above blurb was generated by Buzzsprout's AIPodcast Artwork: Warwick Goble - Out of the fire flew a beautiful bird.The Juniper Tree from the Grimm Collection.Join the Newsletter! Podcast Musician: Marlia CoeurPlease consider becoming a Patron to support the show!Go to OnTheSoulsTerms.com for more.

Ancient Egyptian funeral practices revolved around the belief in preparing the body for burial to ensure a smooth journey in the afterlife. Preserving the physical body through embalming was crucial, as it allowed the soul to return and reunite with the spirit. The embalming techniques employed by the Egyptians involved the use of resins, oils, and natron to preserve the body. The evolution of these techniques aimed at disinfection, preservation, and restoration, influenced by religious beliefs and the need to prevent the spread of diseases. The cult of Osiris, Isis, and Horus played a significant role in Egyptian mythology and burial practices. Family members held important roles in the embalming process. The relationship between Osiris, Isis, and Horus was deeply intertwined with the embalming process, and the canopic jars used to hold specific organs were of great significance. The Egyptians believed in the ba's 3000-year journey, and preserving the body was essential for its reunion with the ka, ensuring immortality. Embalming completed the circle of necessity, allowing the soul's return to the body. Embalming practices varied based on social status. Basic wrapping and burial were reserved for the common people, while royalty underwent elaborate embalming procedures. The classification of embalming practices by grades emphasized the level of status based on the embalming process. Plan your visit to the museum today at nmfh.org and take a journey through over 30,000 square feet of fascinating history. Subscribe to The Final Curtain Never Closes on Apple Podcasts, Spotify, or wherever you get your podcasts.See omnystudio.com/listener for privacy information.

ISAIAH WAS a wordsmith. And the Hebrew word he used translated “idols,” ʾĕlîlim, identifies the spiritual nature and origin of the idols he condemned. Dr. Christopher B. Hays, citing work of A. T. Clay published in 1907, identified the origin of ʾĕlîlim as the name of the Mesopotamian deity Ellil, which was the Akkadian form of the Babylonian/Sumerian god Enlil. As Derek documented in The Second Coming of Saturn, Ellil/Enlil was the equivalent of the Canaanite father-god El, and thus “the abomination of the Ammonites,” Milcom (i.e., Molech). He was also known as Assur, chief god of the Assyrians, Dagon of the Philistines, Kronos of the Greeks, Saturn of the Romans, and probably Osiris of the Egyptians, among others. We believe this entity is also Shemihazah, leader of the sons of God in Genesis 6, whose rebellion created the monstrous Nephilim, the spirits of which became demons upon their deaths in the Flood of Noah. Isaiah, then, was condemning not carved blocks of wood or stone, but the demonic spirits they represented—the “gods” of the pagans whom the kingdoms of Israel and Judah continued to worship. We'll see as we get deeper into the Book of Isaiah that the prophet understood the nature of the entities the Israelites were interacting with. The cult of the dead was alive and well in the time of Isaiah. Sharon's niece, Sarah Sachleben, has been diagnosed with stage 4 bowel cancer, and the medical bills are piling up. If you are led to help, please go to GilbertHouse.org/hopeforsarah. Our new book The Gates of Hell is now available in paperback, Kindle, and as an audiobook at Audible! Derek's new book Destination: Earth, co-authored with Donna Howell and Allie Anderson, is now available in paperback, Kindle, and as an audiobook at Audible! If you are looking for a text of the Book of 1 Enoch to follow our monthly study, you can try these sources: Parallel translations by R. H. Charles (1917) and Richard Laurence (1821)Modern English translation by George W. E. Nickelsburg and James VanderKam (link to book at Amazon)Book of 1 Enoch - Standard English Version by Dr. Jay Winter (link opens free PDF)Book of 1 Enoch - R. H. Charles translation (link opens free PDF) The SkyWatchTV store has a special offer on Dr. Michael Heiser's two-volume set A Companion to the Book of Enoch. Get both books, the R. H. Charles translation of 1 Enoch, and a DVD interview with Mike and Steven Bancarz for a donation of $35 plus shipping and handling. Link: https://bit.ly/heiser-enoch Follow us! • X: @gilberthouse_tv | @sharonkgilbert | @derekgilbert• Telegram: t.me/gilberthouse | t.me/sharonsroom | t.me/viewfromthebunker• YouTube: @GilbertHouse | @UnravelingRevelation | @thebiblesgreatestmysteries• Facebook.com/GilbertHouseFellowship Thank you for making our Build Barn Better project a reality! We truly appreciate your support. If you are so led, you can help out at GilbertHouse.org/donate. Get our free app! It connects you to these studies plus our weekly video programs Unraveling Revelation and A View from the Bunker, and the podcast that started this journey in 2005, P.I.D. Radio. Best of all, it bypasses the gatekeepers of Big Tech! The app is available for iOS, Android, Roku, and Apple TV. Links to the app stores are at www.gilberthouse.org/app/. Video on demand of our best teachings! Stream presentations and teachings based on our research at our new video on demand site! Gilbert House T-shirts and mugs! New to our store is a line of GHTV and Redwing Saga merch! Check it out at GilbertHouse.org/store! Think better, feel better! Our partners at Simply Clean Foods offer freeze-dried, 100% GMO-free food and delicious, vacuum-packed fair trade coffee from Honduras. Find out more at GilbertHouse.org/store. Our favorite Bible study tools! Check the links in the left-hand column at www.GilbertHouse.org.

ISAIAH WAS a wordsmith. And the word he used translated “idols,” ʾĕlîlim, identifies the spiritual nature and origin of the idols he condemned. Dr. Christopher B. Hays, citing the work of A. T. Clay published in 1907, identified the origin of ʾĕlîlim as the name of the Mesopotamian deity Ellil, which was the Akkadian form of the Babylonian/Sumerian god Enlil. As Derek documented in The Second Coming of Saturn, Ellil/Enlil was the equivalent of the Canaanite father-god El, and thus “the abomination of the Ammonites,” Milcom (i.e., Molech). He was also known as Assur, chief god of the Assyrians, Dagon of the Philistines, Kronos of the Greeks, Saturn of the Romans, and probably Osiris of the Egyptians, among others. We believe this entity is also Shemihazah, leader of the sons of God in Genesis 6, whose rebellion created the monstrous Nephilim, the spirits of which became demons upon their deaths in the Flood of Noah. Isaiah, then, was condemning not carved blocks of wood or stone, but the demonic spirits they represented—the “gods” of the pagans whom the kingdoms of Israel and Judah continued to worship. We'll see as we get deeper into the Book of Isaiah that the prophet understood the nature of the entities the Israelites were interacting with. The cult of the dead was alive and well in the time of Isaiah.

SpaceTime with Stuart Gary - Series 28 Episode 145In this episode of SpaceTime, we explore groundbreaking discoveries that deepen our understanding of the origins of life and the dynamics of our galaxy.Sugars and Stardust: Insights from Asteroid BennuNASA's Osiris Rex mission has returned samples from the asteroid Bennu, revealing the presence of biologically essential sugars, including ribose and glucose, along with a unique gum-like substance never before seen in astromaterials. These findings, published in Nature Geoscience and Nature Astronomy, suggest that the building blocks for life were widespread throughout the early solar system. The discovery of ribose supports the RNA world hypothesis, indicating that RNA might have been the first genetic material. Additionally, the presence of glucose hints at the early energy sources available for life on Earth.Stars Defying the Black HoleAstronomers have observed numerous stars in stable orbits around Sagittarius A, the supermassive black hole at the center of our galaxy. This discovery, reported in Astronomy and Astrophysics, challenges previous assumptions that these objects were merely clouds of dust on a collision course with destruction. Instead, the new data from the ERIS Enhanced Resolution Imager and Spectrograph reveals a dynamic and stable environment around the black hole, providing a unique laboratory for studying interactions between black holes and stars.Martian Mystery Solved?A new radar technique employed by NASA's Mars Reconnaissance Orbiter has cast doubt on the existence of a suspected underground lake beneath the Martian South Pole ice cap. Initial signals that suggested the presence of liquid water have been reinterpreted as possibly being layers of rock and dust. This innovative approach opens new avenues for investigating subsurface resources on Mars, which could have significant implications for future exploration.www.spacetimewithstuartgary.com✍️ Episode ReferencesNature GeoscienceNature AstronomyAstronomy and AstrophysicsGeophysical Research LettersBecome a supporter of this podcast: https://www.spreaker.com/podcast/spacetime-your-guide-to-space-astronomy--2458531/support.

🌍 ¿Te has preguntado por qué la figura de una madre virgen o una diosa madre es central en tantas religiones? En este video, hacemos un viaje espiritual a través de culturas y épocas para descubrir el poderoso arquetipo de la Madre de Dios. No hablamos solo de la Virgen María del cristianismo, sino de un símbolo universal presente desde la antigüedad. 🔍 Exploraremos juntos: • Isis, la diosa madre egipcia que amamantó a faraones y resucitó a Osiris. • Devī o Parvati en el hinduismo, madre de dioses poderosos como Ganesha. • Māyā, la madre de Buda, y su milagroso nacimiento. • La Virgen María y su papel como Theotokos ("portadora de Dios"). • Figuras mesoamericanas como Coatlicue, madre de Huitzilopochtli. • La conexión sorprendente: ¿Por qué todas encarnan amor, sacrificio, creación y un vínculo único entre lo humano y lo divino?

Brooke joins Kova, Stephanie and Spoiler Steve to discuss Eternity and Osiris! 00:01:21 - Intro | Banter & News 01:12:34 - Osiris 01:47:16 - Eternity If you enjoy the show, please consider supporting us on Patreon Listen to our reviews of both The Godfather and Godfather Part II or listen to our bundle >>Here

This week we spoke to author and researcher Jason Quitt. He discusses his out-of-body experiences and how they reshaped his understanding of existence, leading him to explore the connections between ancient texts, astronomy, and the cycles of nature. He demonstrates the significance of celestial bodies in ancient cultures, the symbolism of fertility, and the agency of nature as perceived by ancient civilizations. Quitt emphasizes the importance of the pyramids as celestial clocks and the interconnectedness of symbols across different cultures, suggesting a shared ancient knowledge that transcends time and geography. We discuss the duality of the serpent in various cultures, including its representation in Christianity, and how these ancient stories have been passed down through generations, revealing a shared knowledge across civilizations. A really amazing conversation that hit all the points we love to discuss on the podcast!   You can find more of Jason's work at his website: https://thecrystalsun.com/ If you want to buy the books for the subjects discussed on the show, you can find them on amazon: Gates of the Annunaki https://a.co/d/9ZF3raA Astral Genesis https://a.co/d/bHzsHpc   Jason is also active on X: https://x.com/jason_quitt   Support us through Patreon and get special episodes, early access, and bumper tunes! You can also donate directly through Paypal. Thank you all so much for the support! https://www.brothersoftheserpent.com/support   Chapters 00:00 Introduction to Jason Quitt and His Journey 02:47 Exploring Ancient Texts and Spirituality 05:04 The Language of the Stars and Mythology 08:13 The Connection Between Ancient Cultures 10:50 Archaeology and Rediscovery of Ancient Knowledge 13:29 The Role of Symbols in Ancient Civilizations 16:04 Agency of Nature and Spiritual Realms 18:56 The Importance of Cycles and Fertility in Ancient Cultures 21:47 Consciousness of Nature and the Sun 24:18 The Symbolism of Serpents and Healing 26:52 The Myth of Orion and Its Significance 29:55 The Interconnectedness of Myths Across Cultures 32:51 The Role of Meteor Showers in Ancient Stories 39:27 Celestial Storytelling and Meteor Showers 40:59 Mythology and Astronomy: The Scorpion and the Bull 42:50 The Tilt of the Earth and Ancient Measurements 45:22 Solar Symbolism in Ancient Civilizations 48:27 The Language of Angles and Seasons 52:10 Equinoxes, Solstices, and the Sphinx 56:23 Creation Myths and the Benben Stone 58:44 Pyramids as Solar and Lunar Clocks 01:01:42 Fertility Symbols and Ancient Technology 01:07:59 Resurrection Myths and the Two Mounds 01:10:21 The Symbolism of Osiris and Creation Mounds 01:13:03 The Necropolis and the Journey to the Afterlife 01:16:48 The Gates of the Underworld and Celestial Navigation 01:20:15 The Duality of Stories in Ancient Religions 01:23:24 The Serpent as a Symbol of Knowledge and Fertility 01:32:07 The Temple of Hathor and Astronomical Alignments 01:39:13 Decoding Ancient Geometry and Astronomy 01:45:51 The Celestial Stories Behind Ancient Structures 01:53:14 Mythology and Its Repetition Across Cultures 02:01:06 Connecting the Dots: Trade and Knowledge Across Civilizations

Cette couleur singulière n'a rien d'un hasard esthétique : elle condense à elle seule toute la signification religieuse, cosmique et politique du dieu. Pour les Égyptiens, le vert n'était pas seulement une couleur. C'était un symbole de régénération, d'équilibre cosmique et de victoire sur la mort. Et Osiris incarne précisément ces trois dimensions.D'abord, Osiris est le dieu de la végétation et de la fertilité. Les Égyptiens associaient directement sa chair à la terre noire et fertile déposée chaque année par la crue du Nil. Cette terre noire, appelée « kemet », permettait aux champs de renaître après l'inondation. Le vert des plantes était ainsi la signature visible du cycle de la vie. La peau verte d'Osiris matérialise donc cette fonction : il est celui qui fait pousser, renaître et fructifier le monde. Dans plusieurs temples, on moulait même des figurines d'Osiris en « terre végétale », mélange de limon et de graines, qui germaient littéralement. Voir ces statuettes verdir était la preuve du pouvoir régénérateur du dieu.Ensuite, la couleur verte renvoie à Osiris en tant que dieu de la résurrection et maître du royaume des morts. Selon le mythe, Osiris est assassiné par son frère Seth, puis reconstitué par Isis avant d'être ramené à la vie. Sa peau devient alors la marque de cette résurrection : il revient d'un état de putréfaction, mais il renaît sous la forme la plus vigoureuse et la plus fertile qui soit. Le vert signifie donc que la mort n'est pas une fin, mais un passage. Dans l'imaginaire égyptien, choisir Osiris comme juge des morts, assis sur son trône au visage verdoyant, rappelait à chacun que la mort pouvait s'accompagner d'une nouvelle naissance.Le vert est aussi la couleur de la stabilité et du bon ordre cosmique, ce que les Égyptiens appelaient la « Maât ». Osiris incarne la justice, l'équilibre et la légitimité royale. Sa teinte verdoyante est donc un message politique : le pharaon, assimilé à Osiris, doit garantir prospérité, harmonie et continuité dynastique. Lors de l'intronisation d'un roi, Osiris sert de modèle : comme lui, un bon souverain « fait pousser » le pays.Ainsi, si Osiris est vert, ce n'est pas pour marquer son étrangeté, mais pour rappeler qu'il est le dieu de la renaissance sous toutes ses formes : celle des plantes, des morts et du monde ordonné. Un dieu dont la couleur dit déjà sa fonction. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

2/4. Naming OSIRIS-REx and Overcoming Major Hurdles — Dante Lauretta — Following successive rejections, Lauretta systematically defined the mission's core scientific objectives—Origins, Spectral Interpretation, Resource Identification, Security—establishing the OSIRIS framework and subsequently designating the mission OSIRIS-REx(Regolith Explorer). The mission received formal selection in 2011, and Mike Drake, serving as Lauretta's mentor while managing significant personal health challenges, designated Lauretta as "risk mitigation" leader. The team confronted and resolved critical technical obstacles, particularly the guidance system architecture, during the rigorous 2014 NASA review process, successfully enabling the planned 2016 launch. 1955

Send us comments, suggestions and ideas here! In this week's episode we direct our usual mode of esoteric inquiry toward the popular memetic youth-culture phenomena which has produced the viral slogan “67,” “Mangos,” and “Mustard,” often summarized as little more than nonsense phrases intended to signal irony, ambiguity or in-group identity; popularly referred to simply as “Brain Rot.” What we discovered was kind of profound, strangely consistent and totally unexpected; leaving us to ponder the relationship between the Buddha, medieval Christian kabbalists and the rantings of Philip K. Dick in his Exegesis. In the free side of the show we discuss what “Brain Rot” is, how it infected mainstream culture through hip-hop, what it has to do with the Saturn and whether or not our kids are secretly wizards doing esoteric numerology by innate ability by accident. In the extended side of the show we uncover the connection to Buddhism, the Garden of Eden and… testicles? Thank you and enjoy the show! ----> Hear the full show here: www.patreon.com/TheWholeRabbit 

Ballooning became a huge fad starting in the late 18th century, and there was a surprising amount of rioting associated with it. Fervor, excitement, and intoxication in some instances, meant that balloon events were prone to get out of control. Research: Bond, Elizabeth Andrews. “Popular Science and Public Participation.” From The Writing Public: Participatory Knowledge Production in Enlightenment and Revolutionary France. Cornell University Press. 2021. https://www.jstor.org/stable/10.7591/j.ctv310vktg.8 Branson, Susan. “Scientific Americans.” Cornell University Press, 2022. Cornell University Press, 2022. Coxwell, Henry Tracey. “My Life and Balloon Experiences.” W.H. Allen. 1889. https://archive.org/details/mylifeandballoo02coxwgoog/ Daily National Intelligencer. “The Balloon, and Conflagration of Vauxhall.” 9/14/1819. https://www.loc.gov/resource/sn83026172/1819-09-14/ed-1/?sp=2&q=vauxhall&r=0.48,-0.027,0.621,0.225,0 Franklin, Benjamin. “Benjamin Franklin to Ingenhousz, 16 January 1784.” https://founders.archives.gov/documents/Franklin/01-41-02-0310#BNFN-01-41-02-0310-fn-0005 “Hot-Air Balloon: Jean-François Janinet (1752–1814).” https://www.getty.edu/publications/artists-things/things/hot-air-balloon/#fnref8 Gillespie, Richard. “Ballooning in France and Britain, 1783-1786: Aerostation and Adventurism.” Isis, Vol. 75, No. 2 (June, 1984). https://www.jstor.org/stable/231824 Glaisher, James. “Travels in the Air.” R. Bentley. 1871. https://archive.org/details/ldpd_7245144_000 Holman, Brett. “The Melbourne balloon riot of 1858.” Airminded. 3/23/2017. https://airminded.org/2017/03/23/the-melbourne-balloon-riot-of-1858/ Jackson, Joseph. “Vauxhall Garden.” The Pennsylvania Magazine of History and Biography. Vol. LVII. No. 4. 1933. Keen, Paul. “The ‘Balloonomania’: Science and Spectacle in 1780s England.” Eighteenth-Century Studies , Summer, 2006, Vol. 39, No. 4 (Summer, 2006). https://www.jstor.org/stable/30053707 Magazine Monitor. “Victorian Strangeness: The great balloon riot of 1864.” BBC. 8/9/2014. https://www.bbc.com/news/blogs-magazine-monitor-28674654 Robbins, John. “Up in the Air: Balloonomania and Scientific Performance.” Eighteenth-Century Studies, Vol. 48, No. 4, Special Issue: Performance. Summer 2015. Via JSTOR. https://www.jstor.org/stable/24690309 Robson, David. “The Victorians who flew as high as jumbo jets.” BBC. 4/20/2016. https://www.bbc.com/future/article/20160419-the-victorians-who-flew-as-high-as-jets Smith, Zoe. “Disaster at 37,000 feet.” University of Cambridge. https://www.cam.ac.uk/stories/balloon-disaster Soth, Amelia. “Hot Air Balloon Launch Riot!” JSTOR Daily. 2/3/2022. https://daily.jstor.org/hot-air-balloon-launch-riot/ Sparrow, Jeff. “Wrath and awe: a short history of balloons and their power to fire up mob fury.” The Guardian. 2/14/2023. https://www.theguardian.com/commentisfree/2023/feb/15/wrath-and-awe-a-short-history-of-balloons-and-their-power-to-fire-up-mob-fury Sydney Morning Herald. “The Balloon Riot in the Domain: Death of Thomas Downs.” 12/19/1856. https://trove.nla.gov.au/newspaper/article/12990254 Sydney Morning Herald. “The Sydney Balloon.” Trove. 12/16/1856. https://trove.nla.gov.au/newspaper/article/12990120 The Rhode-Island American. “Riotous Proceedigns.” 9/14/1819. https://www.loc.gov/resource/sn83025442/1819-09-14/ed-1/?sp=3&q=vauxhall&r=-0.14,1.265,0.686,0.248,0 Tucker, Jennifer. “Voyages of Discovery on Oceans of Air: Scientific Observation and the Image of Science in an Age of ‘Balloonacy.’” Osiris, 1996, Vol. 11, Science in the Field (1996). Via JSTOR. https://www.jstor.org/stable/301930 Wroth, Warwick. “Cremorne and the Later London Gardens.” London. Elliot Stock. 1907. See omnystudio.com/listener for privacy information.

JT's Mix Tape Episode 54 UncensoredBecome a supporter of this podcast: https://www.spreaker.com/podcast/jt-s-mix-tape--6579902/support.Please support our sponsor Modern Roots Life: https://modernrootslife.com/?bg_ref=rVWsBoOfcFJESUS SAID THERE WOULD BE HATERS Shirts: https://jtfollowsjc.com/product-category/mens-shirts/WOMEN'S SHIRTS: https://jtfollowsjc.com/product-category/womens-shirts/

In this previously TNTC+ bonus episode, we're taking you inside a world few people truly understand — the work of cadaver search dogs and their handlers.We're joined by Jason McMillan, Vice President and K9 Handler with Canadian Cadaver Canines — a volunteer-based team that assists in searches for missing persons across Canada. Jason and his cadaver dog, Osiris, bring compassion, skill, and unwavering dedication to every case they work on, from wilderness recoveries to historic investigations.This is part of our ongoing conversation series exploring the many roles involved in the search for the missing. In this thoughtful and eye-opening interview, we learn about the science, training, and emotional weight of this work — and the powerful bond between handler and dog.To learn more or support the organization, visit canadiancadavercanines.ca--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

Anthony D. Stokes returns to the podcast to discuss his latest Kickstarter campaign for They Killed Me on the Nile #1. Working with artist Andra Arcari, this series looks gorgeous. Stokes discusses his interest in Egyptian mythology, how characters' trauma most informs his storytelling, his convention experience, and how he plans to continue to level up in comics. Of course, we also discuss the Philadelphia Eagles. Go Birds! The Kickstarter is already funded but don't miss your chance to check out and back They Killed Me on the Nile. From Kickstarter: Egyptian Gods are born from the Nile fully formed and compelled to fulfill their destinies. This creates tension for Set, who feels inadequate compared to his charismatic brother Osiris, while the ambitions and rivalries of Isis and Nephthys escalate the conflict. They Killed Me On The Nile is about the futility of trying to change your destiny. If immortals cannot bear the weight of destiny what hope is left for mortals? Back They Killed Me on the Nile Follow Stokes on BlueSky Check out Stokes' website Follow Comic Book Yeti

The team successfully defeats Osiris and Isis, clearing the way to Ra Ma Tut's Time Ship, the legendary Sphinx hidden beneath the pyramid. Inside, Will locates the Chronofact—a powerful artifact that, once activated, floods the ship with temporal energy. Visions of events across space and time flash before the heroes' eyes, revealing glimpses of past, present, and possible futures. Upon destroying the artifact, the group is thrust through time once again—returning to what they believe will be their final confrontation with Kang. But instead of the time tyrant, they are met by the Inhuman Royal Court… and a shocking face from their past: Blackjack, now calling himself Wildcard, standing among their enemies. As royal guards close in and tension crackles in the air, one thing is certain—the battle is just beginning.   Facebook Group: https://www.facebook.com/groups/1628612284256101/   Instagram: https://www.instagram.com/leagueofmelanatedgentlemanpod/   YouTube: https://www.youtube.com/@TheLMGPodcast   Hosts: Jordan Mitchell  

Patreon.com/IlluminatiWatcher UNLOCK FULL EPISODE HERE! (Tier 2 gets video version)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have the Supporters-Only October BONUS episode where we decode the 2025 film WEAPON! I'll walk you through the whole film- starting with a brief discussion of the cast and then we hit the ground running with some hidden messaging that includes goat with the bobs, 1948, Sirius Lion's Gate portal, 217 meaning, connections to Stephen King, Q Anon, Osiris resurrection rituals, mark of the beast symbols, parasitic mushrooms, 7 glizzies, the meaning of that bell and the triangle with number 6, the tree, MKULTRA, Campbell's Soup and then we'll pull it all together in the conclusion where I'll pitch my theory about the coded meaning of the film as the summoning of the Antichrist through Aleister Crowley's Whore of Babylon!NOW UP AD-FREE ON SUPPORTER FEEDS! Free feed gets a preview! If you're ready to go ad-free and unlock hundreds of bonus episodes just like this one- sign up for one of the three supporter feeds:Patreon.com/IlluminatiWatcher (Tier 2 gets video version)VIP Section: https://wp.me/P2ijVF-aRL (Tier 2 gets video version)Apple Podcasts Premium! You can now go ad-free with ALL the bonus episodes on the Apple app- just open up the podcast and subscribe!Links:Idiocracy Film Analysis: Corporate Takeovers, Devolution of Society & New Atlantis! https://illuminatiwatcher.com/idiocracy-film-analysis-corporate-takeovers-devolution-of-society-new-atlantis/Truman Show Analysis: Gnostic Symbolism and Illuminati Control Systems!https://www.illuminatiwatcher.com/truman-show-analysis-gnostic-symbolism-and-illuminati-control-systemsCatcher in the Rye Conspiracies Pt 1: MKULTRA Incel Abused Killer, Secret Societies & Luigi Mangione!https://illuminatiwatcher.com/catcher-in-the-rye-conspiracies-pt-1-mkultra-incel-abused-killer-secret-societies-luigi-mangione/Sunshine Film Analysis: Black Sun, Saturn Death Cult & Hidden Solar Symbolism! BONUShttps://illuminatiwatcher.com/sunshine-film-analysis-black-sun-saturn-death-cult-hidden-solar-symbolism-bonus/Q Anon and the Occult Pt 1: Americas Secret Destiny Resurrection of Osiris and Symbolism of 17https://www.illuminatiwatcher.com/q-anon-and-the-occult-pt-1-americas-secret-destiny-resurrection-of-osiris-and-symbolism-of-17More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

En este episodio muy especial de Songmess damos inicio a nuestra mini serie panameña, poniendo la lupa sobre Centroamérica nuevamente y sumergiéndonos en una maravillosa diversidad de música y cultura. Nuestro episodio introductorio es junto a la gestora cultural Yahaira Osiris, fundadora del mercado musical MIM LATAM y profesional de industria con más de 25 años de trayectoria en radio y desarrollo de artistas. Hoy repasamos los retos e iniciativas elevando la industria musical centroamericana al escenario mundial, la labor del MIM LATAM amplificando el rol de las mujeres en la música, referentes panameños oscilando entre el indie, la cantautoría y el romantic style, y mucho más! Es con gran alegría que les damos la bienvenida a SONGMESS PANAMÁ. Se viene un fiestón! Playlist: Diana Carolina Gómez - "Sin Aliento" Ana Elisa Miranda - "Mi Hermano Azul" Flex - "Luna" Llevarte a Marte - "Al Final del Día" Entre Nos - "50 ó 100" Liz Grimaldo - "Respirar Despacio" Yahaira Osiris Instagram: https://www.instagram.com/atrapandosuenos/ MIM LATAM Web: https://mimlatam.com MIM LATAM Instagram: https://www.instagram.com/mimlatam/ Richard Villegas Instagram: www.instagram.com/rixinyc/?hl=en Songmess Instagram: www.instagram.com/songmess/?hl=es-la Songmess Facebook: www.facebook.com/songmess/?ref=settings Songmess Twitter / X: twitter.com/songmess #BOPS Playlist: https://open.spotify.com/playlist/2sdavi01h3AA5531D4fhGB?si=5c81cc74b9d64f16 Subscribe to Songmess on Spotify, Apple Podcasts, Stitcher, Google Play or SoundCloud, find us on Facebook, Twitter and Instagram, and contact us at songmessmusic@gmail.com.

SPONSORS: 1) MIZZEN+MAIN: Mizzen+Main is offering our listeners 20% off your first purchase at http://mizzenandmain.com promo code JULIAN20 2) GHOSTBED: Right now, as a Julian Dorey listener, you can get 25% off your order for a limited time. Just go to http://GhostBed.com/julian and use promo code JULIAN at checkout PATREON: https://www.patreon.com/JulianDorey (***TIMESTAMPS in description below) ~ Kurt Metzger is an American stand-up comedian, writer, actor, political commentator, podcaster and YouTube personality. He won an Emmy Award and a Peabody Award for his work on the television series Inside Amy Schumer. KURT's LINKS: IG: https://www.instagram.com/kurtmetzgercomedy/?hl=en X: https://x.com/kurtmetzger? YT: https://www.youtube.com/@kurtmetzgercomedy FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 0:00 - Intro 1:42 - Brooke Shields Hollywood, Child Actors, Michael Jackson, South Park, M0narch 14:55 – Omega Programming, M0narch, Remote Viewing, SSRI Boom, “School Sh00ter Pills" 29:46 – MK Ultra, Generational Trauma, Govt Poisoning St. Louis, Epstein, Recycling Psy-Op 40:19 – Masks & Recycling, Fauci, Venezuela, Jehovah's Witness Upbringing, Satanic Bible 52:39 – Working w/ Jimmy Dore, Petraeus & Ex-Al Qaeda, Mind Control Reality, Surveillance 01:05:21 – “You Work for Us,” Left vs Right Illusion, Binary Politics, Tragedy & Hope, Cecil Rhodes 01:13:53 – Bohemian Grove Invite W3F Mind Tech, Temple of Osiris in DC 01:29:38 – NXIVM, Secret Circles, Prussian Education, Woodrow Wilson, H.G. Wells, Psyops 01:43:03 – Human Nature = Programability, Taylor Swift Symbolism, Cloth vs Wire Mothers 01:53:28 – Prescott Bush, Call Boy Scandals, HW Bush, Fraternal Infiltration 02:07:00 – Scientology = CIA Cutout, Epstein Story, 33rd Degree, Secret Society Ethics 02:16:18 – West vs East, Game Theory Future, Solomon Islands 02:22:21 – Netanyahu Blame, Building S3ven, Mind Control, Challenger Symbolism, Conspiracies 02:33:04 – Chicago ICE, Howard Stern Switch, Politics vs Acting, Controlled Personas 02:41:56 – D.I.D., Severance Symbolism, Chaos = Control, Pyramid Programming, OTO 02:49:56 – Judeo-Christian Myth, New Atlantis, Occult Symbolism CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 348 - Kurt Metzger Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Guide of Egypt Tours are presenting a completely different concept about Ancient Egypt, in this type of tour we present the alternative theories, the scientific opinions and the connections between Ancient Egypt and the Ancient world. You will know more about Kemet, Kemet is the official name for Egypt in the Ancient times. You will have access to many closed sites and explore many hidden corners in each site like the White chapel, the Red chapel, Sekhmet chapel in Luxor and the hospital at Sakkara. A private visit to the Great Pyramid is included and maybe some other place like the Osiris shaft in Giza, the Sphinx and the Osirion temple in Abydos.Mohamed Ibrahim the leading expert tour guide will be the main speaker in these tours, in lecture rooms Mohamed will lecture you about the Ancient Egyptian lost technologies and about the Ancient Egyptian advanced knowledge.https://www.sabatours.com/grand-egypt-tour-vii/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.