Podcasts about Metropolitan Opera

On today's Czechia in 30 Minutes show: Czechia defies trend: No recognition of Palestine, yet; Brno unveils Milan Kundera's final resting place; and, in our feature, we look back at Ruth Franková's interview with Adam Plachetka, one of Czechia's foremost opera singers, who this year celebrates ten years since his debut at New York's Metropolitan Opera. Enjoy!

On today's Czechia in 30 Minutes show: Czechia defies trend: No recognition of Palestine, yet; Brno unveils Milan Kundera's final resting place; and, in our feature, we look back at Ruth Franková's interview with Adam Plachetka, one of Czechia's foremost opera singers, who this year celebrates ten years since his debut at New York's Metropolitan Opera. Enjoy!

Episode 179:For today's guest episode it is a welcome return for Kay Daly to the podcast. In our second conversation Kay discusses Jonson's world view and how it differed from Shakespeare's, which we discussed in our first conversation plays. If you have not already done so, listening to that conversation, which is episode 177, and my recent episodes on Jonson's early plays ‘The Case Is Altered', ‘Every Man Out of his Humour' and ‘Every Man In His Humour' would be a good idea before listening to this conversation.Kay Daly is a writer, novelist, book and theatre reviewer, teacher, and public humanities advocate. Since earning her Ph.D. in English Literature from Northwestern University, she has written for a variety of publications and organizations including The Chicago Review of Books, TimeOut Chicago, the Metropolitan Opera, WNET New York Public Media, The Library of Virginia's blog UnCommonwealth, Dramatics Magazine, and Centerstage Chicago. She also teaches adult enrichment courses focusing on arts and humanities at the Newberry Library in Chicago. Her debut novel ‘Wilton House', based on the life of 17th-century writer Lady Mary Wroth, will be published by Regal House Publishing in 2027Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Will Trice is the Executive Director of the Arkansas Repertory Theatre and has been since 2019. He has served as a producer for nearly 30 productions on Broadway, the West End, and National Tours. Trice is a three-time Tony Award winner for All The Way, Who's Afraid of Virginia Woolf?, and Porgy & Bess, though he gives away any credit to the fabulous actors, writers, and production crew. He is a five-time Tony nominee for Fiddler on the Roof, The Royal Shakespeare Company's Wolf Hall, You Can't Take It With You, The Glass Menagerie, and The Best Man. Other credits include: American Son, starring Kerry Washington; The Lifespan of A Fact, starring Daniel Radcliffe; American Buffalo; American Psycho; Lady Day At Emerson's Bar & Grill, starring Audra McDonald (Broadway & West End); The Realistic Joneses, starring Toni Collette, Michael C. Hall, & Marisa Tomei; Blithe Spirit, starring Angela Lansbury (West End & National Tour); The Bridges of Madison County; and Glengarry Glen Ross, starring Al Pacino. Prior to his career in producing, Trice served as a Business Analyst with management consulting firm McKinsey & Company, an Artistic Administration Associate with The Metropolitan Opera, and a Strategic Growth Associate with alternative asset managers D.E. Shaw & Company. He holds degrees from Southern Methodist and Northwestern Universities.

Dan Peck is a tuba player, improviser, and composer. He performs with ensembles such as ICE (not that ICE) Wet Ink, and has appeared with the New York Philharmonic, Metropolitan Opera, and NYC Ballet. He has toured internationally with his doom jazz trio The Gate and collaborated with artists such as Ingrid Laubrock and Anthony Braxton. Dan teaches at New Jersey City University and runs Tubapede Records, which focuses on experimental media from the NY area and beyond.

Episode 177:For today's guest episode it is a warm welcome for Kay Daly to the podcast. In our conversation Kay took the opportunity to give an overview of Shakespeare's world view as seen through his earlier plays and particularly the comedies. As you will hear we strayed a little into some later plays, but Kay's thoughts seemed particularly useful at this point as we are about to move away from the earliest plays and move onto new and very different experiments in comedy. I hope you enjoy the conversation and find useful as a kind of summary of what I have covered so far on the podcast in respect to Shakespeare.Kay Daly is a writer, novelist, book and theatre reviewer, teacher, and public humanities advocate. Since earning her Ph.D. in English Literature from Northwestern University, she has written for a variety of publications and organizations including The Chicago Review of Books, TimeOut Chicago, the Metropolitan Opera, WNET New York Public Media, The Library of Virginia's blog UnCommonwealth, Dramatics Magazine, and Centerstage Chicago. She also teaches adult enrichment courses focusing on arts and humanities at the Newberry Library in Chicago. Her debut novel ‘Wilton House', based on the life of 17th-century writer Lady Mary Wroth, will be published by Regal House Publishing in 2027.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Back in December I published my first episode honoring the superb soprano Gilda Cruz-Romo, as part of my series honoring Mexican opera singers. In my research, I amassed a large number of live recordings from which I intended to cobble together a second episode in honor of her upcoming birthday. I was distracted by some family issues and, her February birthday came and went, and now, alas, Gilda is no longer with us. But to pay tribute to this exceptional artists, I have assembled a brand new setlist which seeks to do at least partial justice to the breadth and depth of her exceptional career. After last week's episode featuring Carol Neblett, here is another exceptional soprano whose talent brought glory to the stage of the New York City Opera in the early days of her career and went on to become an important member of the Metropolitan Opera as well. We hear extended excerpts of a number of her Paraderollen, including Aida, Violetta, Manon Lescaut, Mimì, Leonora di Vargas, and Maddalena di Coigny, as well as two later-career roles that might surprise you. Guest artists heard on the episode include Silvano Carroli, Carlo Bergonzi, Cesare Siepi, Colenton Freeman, John Alexander, Gianfranco Cecchele, Enrico Di Giuseppe, Salvador Novoa, and Franco Corelli; conductors include Julius Rudel, Zubin Mehta, Francesco Molinari-Pradelli, Nino Sanzogno, and Riccardo Muti. Carol Neblett even puts in a brief appearance! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

This lecture considers ‘You'll Never Walk Alone' from Carousel (1945). Perhaps Rodgers and Hammerstein's most operatic song, it was originally written for Metropolitan Opera star Christine Johnson but has gone on to be recorded by artists as diverse as Elvis Presley and Marcus Mumford and sung at both the Last Night of the Proms and Liverpool Football Club.This lecture will include live performances by international soprano and Grammy Award winner Rebecca Evans CBE.This lecture was recorded by Dominic Broomfield-McHugh on 2nd of May 2025 at Conway Hall, London.Dominic Broomfield-McHugh is Gresham Visiting Professor of Film and Theatre Music. He is also Professor of Music at the University of Sheffield and is a graduate of King's College London.His scholarship focuses on the American musical on stage and screen, and he has published eight books including Loverly: The Life and Times of 'My Fair Lady' (OUP, 2012), The Letters of Cole Porter (Yale, 2019) and The Oxford Handbook of the Hollywood Musical (2022).He is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many others.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/operatic-showstopperGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

On this week's episode of Economic Update, Professor Wolff delivers updates on the political theater, of the U.S./Iran hostilities, the political shock of Zohran Mamdani's Democratic primary win in New York City, the withdrawal of union leaders from the Democratic National Committee, and the rising trade among BRICS crosses the $1 trillion milestone. In the second part of today's show, Prof. Wolff interviews two leaders of the musicians' union representing the orchestra of the Metropolitan Opera at Lincoln Center, New York City: Javier Gandara and Stephanie Mortimore.   The d@w Team Economic Update with Richard D. Wolff is a DemocracyatWork.info Inc. production. We make it a point to provide the show free of ads and rely on viewer support to continue doing so.  You can support our work by joining our Patreon community:  https://www.patreon.com/democracyatwork Or you can go to our website: https://www.democracyatwork.info/donate     Every donation counts and helps us provide a larger audience with the information they need to better understand the events around the world they can't get anywhere else.  We want to thank our devoted community of supporters who help make this show and others we produce possible each week.1:01  We kindly ask you to also support the work we do by encouraging others to subscribe to our YouTube channel and website: www.democracyatwork.info

durée : 00:28:27 - Peter Gelb, directeur général du Metropolitan Opera de New York - A la tête du Metropolitan Opera de New York depuis 2006, Peter Gelb est l'une des grandes figures de la culture aux Etats-Unis. De passage à Paris, il nous parle de la prochaine saison du MET, de la guerre en Ukraine, et de l'inquiétude des artistes de son pays face à la politique de Donald Trump. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:13 - Musique matin été du lundi 30 juin 2025 - par : Suzanne Gervais - Peter Gelb, directeur du Metropolitan Opera de New York depuis 19 ans, est l'invité de Suzanne Gervais. Il revient sur la politique culturelle du président américain et présente les temps forts de la nouvelle saison, marquée par six nouvelles productions. - réalisé par : Colin Gruel Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Charles Lear has been writing about flying saucers/UFOs for several years and still finds the subject, and the stories of the people involved, fascinating. Besides his interest in all things fortean, his pursuits include paleontology, geology, hiking, bad movies, and mid-20th century electronic music. He has been a theatre person for most of his life. As a performer, he sticks to Shakespeare, and he makes his living as an I.A.T.S.E. Local One welder/carpenter in the construction shop of the Metropolitan Opera. This is the 2nd edition of “The Flying Saucer Investigators,” and he has another saucer/UFO-related book available, titled “Crashed Saucers and Malevolent Aliens.”THE FLYING SAUCER INVESTIGATORS is available here: https://www.amazon.com/Flying-Saucer-Investigators-Charles-Lear-ebook/dp/B0DYY6M7JHCRASHED SAUCERS AND MALEVOLENT ALIENS is available here:https://www.amazon.com/Crashed-Saucers-Malevolent-Aliens-Emergence/dp/B0CZTDXHCHCharles visits with Dean to commemorate the 78th anniversary of the start of 1947's "Summer of the Saucers", as well as the beginning of the modern UFO era, when pilot Kenneth Arnold reported seeing nine metallic-looking objects flying in formation, and at incredible speeds, near Mount Rainier, Washington. Arnold, after being hired by Raymond B. Palmer, became the world's first "flying saucer investigator". Charles talks about Palmer, Arnold, and many of the other significant researchers and writers in the early days of Ufology.This is a fascinating conversation, do not miss it!

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Julie Landsman, former Principal Horn of the Metropolitan Opera and teacher at University of Southern California. About Julie: Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989. A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn. She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner's “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center,  Orcas Island Chamber Music  Festival,  and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music  Festival, and the Aspen Music Festival. World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel.  In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany. Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women's Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015. Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today's generation of horn players. Landsman currently resides in Santa Barbara, California.

John Coleman, Co-Chair of the Met AGMA Negotiating Committee, and Annie Hollister, Counsel for the American Guild of Musical Artists (AGMA), joined the America's Work Force Union Podcast to discuss their new one-year contract with the Metropolitan Opera.  David Madland, senior fellow and advisor to the American Worker Project at the Center for American Progress (CAP), joined the America's Work Force Union Podcast to discuss recent research on voter preferences, the disconnect between public opinion and policy implementation and the current state of unions and the middle class.

I'm going all out (literally) for this year's Pride celebrations, especially because the haters are out there in such force. Today I pay tribute to my fellow Milwaukeean, the marvelous bass-baritone Donald Gramm (1927-1983), one of the central house singers at both the Metropolitan Opera and New York City Opera from the 1960s through his premature death at the age of 56. Gifted with an intrinsically beautiful voice, an impeccable technique and an expansive range, he also was a crackerjack musician whose repertoire easily encompassed musical styles from florid Baroque music through the thorniest contemporary idioms. He is probably best celebrated these days for his commitment to American art song. This episode focuses on both his intrepid and thoughtful programming of such songs, as well as a cross-section of his achievements on the operatic stage. Though Gramm may not have been “out” by today's standards, he lived his life unapologetically and is still remembered today for his exacting yet bountiful musicianship and voice. It's a treat to revisit his legacy today. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Excerpt of the 19 May 1949 Kraft Music Hall, starring Al Jolson with Dorothy Kirsten. Ms. Kirsten leads the segment with an operatic aria befitting her status with the Metropolitan Opera. Following that, she and Jolson banter about a bit with the subject of opera. Jolson and Kirsten end the segment with a great rendition of "People Will Say We're In Love." The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

Does acid reflux impact your singing performance?Perhaps you've searched the internet and found multiple articles on “The 10 Foods Singers Should Avoid” or medications promising to cure reflux.But before you start making radical changes to your diet, you might want to listen to this episode's guest. Duncan Rock is an acclaimed operatic baritone who's performed with the Metropolitan Opera, The Royal Opera House, English National Opera, and Glyndebourne Festival Opera for over a decade.More importantly, he's a nutritionist and registered exercise professional with a Masters degree in Human Nutrition. He now uses his dual passions for singing and health to help performers maintain their health as they enjoy long, successful careers.According to Duncan, much of what allows singers and performers stay healthy comes not from a specialized exercise regimen or dietary supplements, but a common-sense approach to diet and personal fitness. His holistic take on healthy living makes his advice easy to follow and highly effective for vocal coaches and their students.  Listen as Duncan shares his expertise in nutrition and physiotherapy, and learn:(4:32) How a music scholarship to the Guildhall School of Music & Drama jumpstarted Duncan's decade-long career as a professional opera singer.(5:31) How the 2020 pandemic caused Duncan to switch gears and begin working as a nutritionist for the Voice Care Centre in London.(7:21) How Duncan's personal experiences with dieticians shaped his common-sense views towards nutrition and healthy diets.  (10:05) Why Duncan initially wasn't interested in working as a nutritionist for singers — and how this changed. (15:27) Why good, old fashioned advice on health and nutrition is the most valuable information you can receive in this age of polarized nutritional content.(16:47) Why singers should maintain balanced diets in an industry with performers like Luciano Pavarotti who don't always follow healthy eating habits. (20:43) What research says about how our diets affect our body composition, and how this affects our vocal performance. (23:22) Why being underweight can potentially be more damaging than being overweight or obese.(25:36) How nutritionist advice can help performing singers deal with stress and weakened immune systems.(28:42) The link between eating well and exercising(33:33) The common-sense approach to managing acid reflux.(37:36) The problems caused by myths surrounding singer nutrition(39:55) How the body positivity movement can place negative pressure on singers and performers who change their appearance by adopting healthier habits. (53:44) How vocal coaches benefit from a basic understanding of vocal nutrition in their classrooms.Get more nutritional advice from Duncan by visiting his website. Interested in a more in-depth consultation? Connect with him via email at duncanrocknutrition@gmail.com. You can also download Duncan's IVA webinar, Nutrition and Exercise for Singers — The Missing Link in Vocal Health and Longevity — from the Institute of Vocal Advancement.Tom and Heather have a lot of fascinating guests like Duncan lined up for our podcast! Make sure you meet them all by following us on the Vocal Advancement Podcast and see them by subscribing to our YouTube channel! Is there a teacher, performer, or researcher you think would make a great guest on our show? Email us at hello@vocaladvancement.com and let us know!About the Institute for Vocal AdvancementThe Institute of Vocal Advancement (IVA) was created to provide voice teachers with a support network to provide you with the best teaching tools and strategies to advance your career. Our trainers teach from the empathic mindset, showing you how to improve your own teaching style.Learn how our Teacher Training Programs can help advance your career. Use the code “iva20percent” to get 20% off your first year's course membership fee!

Just in time for Mother's Day, we are celebrating two, very special mothers this week…educator, mother (of 8), grandmother (of 13) and dear friend, Barbara Forste, and her daughter, award-winning actress, producer and publisher, Sarah Jessica Parker. Barbara Forste is a lifelong supporter of the arts and of literacy and education. She worked in market research for Procter & Gamble, as a second grade teacher, and as a child-wrangler at the Metropolitan Opera, the New York City Opera and the American Ballet Theater. She is a co-founder and director of The Children's Circle, a national association for the education of young children. Her very busy daughter, Sarah Jessica Parker, has worked in theater since 1976 from the title role in Annie, to most recently with her husband, Matthew Broderick, in the revival of Neil Simon‘s comedy play, Plaza Suite. From theater to television and film, Sarah Jessica is known most widely for her portrayal of Carrie Bradshaw in Sex and the City and its sequel, And Just Like That; as well as the films based on the show, Sex and the City, and Sex and the City 2. Sarah Jessica is the publisher of SJP Lit, her own imprint in partnership with Zando Books. She recently executive produced the documentary, The Librarians, a film highlighting librarians across the country who have been fighting against book bans. It will be available for streaming soon.  Adelphi University hosted us at their annual Writers & Readers Festival this year where we were delighted to hold this conversation in front of a live audience of students, teachers, readers and writers. The Writers & Readers Festival was founded by Adelphi alumna and bestselling novelist Alice Hoffman. This is a conversation about how mothers can pass down their love of reading to change their children's lives and ours.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Cabell is an award-winning American soprano known for her rich voice and versatile artistry. Born in California with African American, Korean, and Caucasian heritage, she rose to international fame after winning the 2005 BBC Cardiff Singer of the World Competition. She has performed leading roles at top opera houses like the Royal Opera House and the Metropolitan Opera. Her acclaimed recordings include the solo album Soprano and performances in La Bohème and Imelda de' Lambertazzi. Cabell also serves as an Associate Professor of Voice at the Eastman School of Music, where she mentors young singers.

Welcome to Season 04 Episode 4.13 - the "Triple Play" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Dr. Robert Strauss, Artistic Director of the Buffalo Gay Men's Chorus; Mr. Paul Preston aka "The Movie Guy,"; and Ms. Briana Kelly and Ms. Ava Sargente from the Fredonia Dance Ensemble, Dept. of Theatre and Dance. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from Domus Fare and 2 tickets to any Arts in the Afternoon event! Entries must be received by Friday May 9th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 01:56 - Dr. Robert Strauss/Live at the Met Preview 19:55 - Mr. Paul Preston "The Movie Guy"/Cinema Series Preview 37:06 - Arts Calendar 41:00 - Ms. Briana Kelly & Ms. Ava Sargente/Fredonia Dance Ensemble Media "Boogie Woogie Bugle Boy"; performed by the Andrew Sisters; Don Raye and Hughie Prince, composers; Decca Records, January 1941 "Largo al factotum della citte", from the opera Il Barbiere de Siviglia, Gioachino Rossini, composer; Caesare Sterbini, libretto; from the 2011-12 Metropolitan Opera season; Peter Mattei, baritone "Give Your Love"' from the soundtrack of the motion picture The Ballad of Wallis Island; written by Tom Basden, performed by Tom Basden and Cary Mulligan, March 2025 Overture to Le Nozze de Figaro; Wolfgang Amadeus Mozart, composer; performed by the Frankfurt Radio Symphony Orchestra, Tarmo Peltokowski, conductor; August 2023 music from A Choreographic Offering by José Limon; J.S. Bach, composer (The Musical Offering, 1737) Artist Links Dr Robert Strauss - Buffalo Gay Men's Chorus Paul Preston - The Movie Guy Briana Blair Kelly Box Office at SUNY Fredonia Lake Shore Center for the Arts (Agnes of God) Main Street Studios Ticket Website (Little Women) WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!   Saturday, May 17th at 7:30pm at Lafayette Presbyterian Church at 875 Elmwood Avenue Buffalo 14222 Sunday, May 18th at 3pm at University Presbyterian Church at 3330 Main Street Buffalo 14214   Tickets available presale at tickets.thebgmc.org or at the door.   The Buffalo Gay Men's Chorus, a chorus for tenors and basses, welcomes the Nickel City Treble Makers, a chorus for sopranos and altos, to the family.  This new group will perform on the concert, LOUDER THAN WORDS, which features the choruses singing separately and together songs about the LGBTQ+ community, living and loving your authentic self, and how to advocate for yourself and for those you love.     For more information, visit thebgmc.org      

Joshua Conyers is an Assistant Professor of Voice at the Eastman School of Music at the University of Rochester, and a Grammy-nominated Baritone who is known for his captivating performances and recognized as one of the leading dramatic voices of today. He has performed with The Metropolitan Opera, Seattle Opera, Washington National Opera, Lyric Opera of Chicago, English National Opera, New York Philharmonic, National Symphony Orchestra, Carnegie Hall, and many others. His recordings include the Grammy-nominated “X: The Life and Times of Malcolm X” his debut solo album is “A Miracle in Legacy.” He says it tells his story of his “being born into the crucible of poverty, haunted by the specter of addiction and abuse.” He says “yet, amid the shadows, I found my guiding light in the melodies of classical music.” SONG 1: “I’ll Make Love to You” by Boyz II Men from their Album II released in 1994. https://youtu.be/USR_0iImpcM?si=VDXE1s_O2toNwRkJ SONG 2: “Nessun Dorma” by Giacomo Puccini from the opera Turandot...performed here by Franco Corelli from the 1958 film of Turandot.https://youtu.be/fWokel5YxM8?si=_D9UEH6jKbz1Bo2G SONG 3: “Cleanin’ Out My Closet” by Eminem off his 2002 album The Eminem Show. https://youtu.be/4t2ETI2Lrjg?si=pgmx0aGLs4Tag6HASee omnystudio.com/listener for privacy information.

Lizzie Lee is a genre-defying vocalist blending classical precision with the soul and spontaneity of New York's jazz tradition. Her voice—praised for its rich color and “acrobatics and élan”—offers a bold reinterpretation of the American Songbook and beyond. Raised in Alaska and trained in Paris and New York, Lizzie brings a rare combination of global sensibility and emotional connection to her work. Her debut album, 72nd Street, recorded at the legendary Van Gelder Studio, is a striking statement of identity: lush, lyrical, and rooted in both tradition and risk. The album features a stellar lineup including Joe Farnsworth (drums), Stacy Dillard (tenor sax), John Webber (bass), Joe Block (keys), and Rob Nuovo (guitar). With performances across NYC, the northeast and internationally, and acclaim from artists like Bill Frisell and David Broza, Lizzie is merging elegance with edge, storytelling with swing, while fast becoming a name to know among vocalists in the jazz world. In the classical genre, Lizzie is a dynamic soprano praised for her “brilliant coloratura, acrobatics, and élan” (Opera Magazine) and has performed across the United States, Europe, and Asia. Lizzie debuted in Europe at Staatstheater Darmstadt and has received international acclaim for her roles as the Parrot in the world premiere of Mahosot: Architect of Dreams by Somtow Sucharitkul in Bangkok and as the Countess in Le Nozze di Figaro in NYC. She has appeared as a soloist with the Jenaer Philharmonie, Bergische Symphoniker, and in concerts in Vienna with Maestro Francisco Araiza. Her artistry has been shaped through work with legendary mentors such as Martina Arroyo and the late Dalton Baldwin, whose influence continues to inspire her interpretive depth and stylistic sensitivity. Lizzie has performed at iconic venues such as Carnegie Hall and the Sydney Opera House and has worked closely with artists from many of the world's most prestigious theaters including the Metropolitan Opera, Royal Opera House, San Francisco Opera, Washington National Opera, and Opéra Bastille.

Daniela Candillari grew up in Serbia and Slovenia.  She holds a Doctorate in Musicology from the Universität für Musik in Vienna, a Master of Music in Jazz Studies from the Indiana University Jacobs School of Music, and a Master of Music and Bachelor's degree in Piano Performance from the Universität für Musik in Graz. She is also a Fulbright Scholarship recipient.Daniela is in her fourth season as principal conductor at Opera Theatre of Saint Louis. In celebration of its 50th anniversary season, she is conducting the company's 44th world premiere, This House, with music by Ricky Ian Gordon and libretto by Pulitzer Prize-winner Lynn Nottage and her daughter, Ruby Aiyo Gerber.Daniela made her New York Philharmonic debut in its inaugural season in the new David Geffen Hall, conducting cellist Yo-Yo Ma in Elgar's Cello Concerto.  And she made her “Carnegie Hall Presents” debut leading the American Composers Orchestra in a program of premieres.  Other engagements include debuts with the Metropolitan Opera and Deutsche Oper Berlin, and productions with Lyric Opera of Chicago, Minnesota Opera, Detroit Opera, Orchestre Métropolitan Montreal, and Classical Tahoe Festival.Finally, Daniela has been commissioned by established artists including instrumentalists from the Boston, Cleveland, Detroit, and Pittsburgh Symphonies, as well as the three resident orchestras of Lincoln Center: the Metropolitan Opera Orchestra, the New York Philharmonic, and the New York City Ballet. She is deeply involved with Music Academy of the West's programming for young artists and she recently participated in master classes and discussions at DePaul University, Chicago Humanities Festival, and Valissima Institute.It's a pleasure to have her with me on this episode.

durée : 00:04:56 - Classic & Co - par : Anna Sigalevitch - Les Noces de Figaro de Mozart, ce sera samedi prochain au cinéma partout en France en direct du Metropolitan Opera de New York dans une production mise en scène par Richard Eyre et dirigée par Joana Mallwitz…

Countertenor Anthony Roth Costanzo began performing professionally at the age of 11 and has since appeared in opera, concert, recital, film, and on Broadway. He has performed in the world's great opera houses and symphony halls.In June 2024, he began his tenure as the general director and president of Opera Philadelphia.His most recent album, Anthony Roth Costanzo & Justin Vivian Bond: Only an Octave Apart was released in January 2022. His first solo album, ARC was released in September 2018 and nominated for the 2019 GRAMMY Award for Best Classical Solo Vocal Album. He also stars on the Metropolitan Opera's recording and DVD of Akhnaten which won the 2022 GRAMMY award for best opera recording.Anthony was the recipient of the 2020 Beverly Sills Award from the Metropolitan Opera, a winner of the 2020 Opera News Award, and the 2019 Musical America vocalist of the year.He graduated Magna Cum Laude and Phi Beta Kappa from Princeton University where he was awarded the Lewis Sudler Prize for extraordinary achievement in the arts, and where he has returned to teach.

In this conversation, we dive into the extraordinary creative partnership between two of the most celebrated figures in contemporary opera—librettist Gene Scheer and composer Jake Heggie. Together, Gene and Jake have brought to life some of the most powerful operatic works of our time, including Moby-Dick, Three Decembers, and It's a Wonderful Life. Their collaboration is not only rooted in artistic brilliance but also in a deep, long-standing friendship.Individually, their accomplishments are equally impressive. Gene Scheer has worked with a range of renowned composers, including Jennifer Higdon on Cold Mountain and Tobias Picker on An American Tragedy. He's also an accomplished composer in his own right—his song American Anthem was featured in Ken Burns' Emmy Award-winning documentary on World War II.Jake Heggie's groundbreaking first opera, Dead Man Walking, with a libretto by Terrence McNally, launched him into the spotlight. Since then, his work in art song and opera has made a lasting impact, earning him the title of Musical America's 2025 Composer of the Year. So who better to explore the dynamic between a librettist and a composer? In this two-part conversation, we unpack what makes a successful collaboration and how words and music come together to create something truly unforgettable.Part One's conversation took place during a particularly exciting time—Moby-Dick was being performed at the Metropolitan Opera. Throughout our discussion, the opera serves as a touchstone for understanding the creative process. We begin with a fundamental question: how do they do it? Specifically, how do hard work and patience shape their creative journey?We get into the nuts and bolts of collaboration—how they challenge and inspire each other to reach new heights. Gene shares insights into the stages of researching and writing a libretto, including the story of how saving $100 unexpectedly launched his career. And in his own words, Gene describes his role simply and powerfully: “My job is to write a libretto that inspires music.”[Subscriber Content]: In Part Two, we step back and learn more about Gene's early experiences—his time studying and singing in Vienna (including the month he saw 27 operas!). Jake opens up about the legendary Stephen Sondheim, a mentor and inspiration, and how Sweeney Todd changed his life. In fact, Jake dedicated Moby-Dick to Sondheim.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Legendary trumpeter Terence Blanchard is the first Black composer to have had an opera performed at the Metropolitan Opera. But, as he says, he isn't the first Black composer qualified to do so. This hour, we talk to musicians who are changing the face of opera by bringing new stories to the fore. GUESTS: Terence Blanchard: Executive Artistic Director at SF Jazz and Multiple Grammy Award-winning trumpeter and composer. He has performed as part of Art Blakey & The Jazz Messengers and composed the scores for dozens of films, including Spike Lee films like BlacKkKlansman and Malcolm X. In 2021 he became the first Black composer to have had their opera performed at the Metropolitan Opera with Fire Shut Up in My Bones. He will be performing selections from Fire Shut Up in My Bones in Hartford on April 24th. Julia Bullock: Grammy Award-winning classical singer. She has curated a program that she performs called “History’s Persistent Voice.” It’s a multimedia project that includes poetry, visual art and music inspired by the songs of enslaved people. See omnystudio.com/listener for privacy information.

SynopsisCarlos Salzedo, the most influential harpist of the 20th century, was born in Arcachon, France, on today's date in 1885. Salzedo transformed the harp into a virtuoso instrument, developing new techniques showcased in his own compositions and that others like Stravinsky, Schoenberg, and Britten adopted in theirs.In 1921, Salzedo and Edgard Varese co-founded the International Composers Guild, promoting works by progressive composers like Bartok and Honegger. Salzedo's compositions for harp include both transcriptions as well as original works like Scintillation, probably his most famous piece, and Four Preludes to the Afternoon of a Telephone, based on the phone numbers of four of his students. He taught at the Curtis Institute and the Juilliard School, and offered summer courses in Camden, Maine. Hundreds of Salzedo pupils filled harp positions with major orchestras around the world. Salzedo himself entered the Paris Conservatory at 9 and won the premiere prize in harp and piano when he was 16. He came to America in 1909 at the invitation of Arturo Toscanini, who wanted him as harpist at the Metropolitan Opera, and — curious to note — Salzedo died in the summer of 1961, at 76, while adjudicating Metropolitan Opera regional auditions in Maine.Music Played in Today's ProgramCarlos Salzedo (1885-1961): Scintillation; Carlos Sazledo, harp; Mercury LP MG-80003

Duane Allen is a 1/4 of the Grammy, Dove, ACM and CMA winning, Country Music Hall of Fame and the Gospel Music Hall of Fame and a member of the Grand Ole Opry, and a 59 year member of the Oak Ridge Boys, the one and only Duane Allen. Duane had formal training in both operatic and quartet singing before becoming a member of the Oaks in 1966. He is also a member of the Texas Gospel Music Hall of Fame and has even written a book on the history of Gospel music. He graduated from Paris Junior College, and then Texas A&M University at Commerce, Texas. He received a B.S. in Music from Texas A&M, studying with Metropolitan Opera stars Richard Webb and William Abbott. For his classical music degree, Duane concentrated on voice, piano, and composition.  Altogether, the Oaks have scored 12 gold, three platinum, and one double platinum album—plus one double platinum single—and had more than a dozen national Number One singles and over 30 Top Ten hits selling more than 41 million albums. #countrymusic #gospelmusic #music #recordingartist #countrymusichalloffame #gospelmusichalloffame #texasmusichalloffame #grandoleopry #noraleeallen #joebonsall #williamleegolden #richardsterban #gospelquartet #classicalmusic #goldrecords #platinumrecords 

Duane Allen is a 1/4 of the Grammy, Dove, ACM and CMA winning, Country Music Hall of Fame and the Gospel Music Hall of Fame and a member of the Grand Ole Opry, and a 59 year member of the Oak Ridge Boys, the one and only Duane Allen. Duane had formal training in both operatic and quartet singing before becoming a member of the Oaks in 1966. He is also a member of the Texas Gospel Music Hall of Fame and has even written a book on the history of Gospel music. He graduated from Paris Junior College, and then Texas A&M University at Commerce, Texas. He received a B.S. in Music from Texas A&M, studying with Metropolitan Opera stars Richard Webb and William Abbott. For his classical music degree, Duane concentrated on voice, piano, and composition.  Altogether, the Oaks have scored 12 gold, three platinum, and one double platinum album—plus one double platinum single—and had more than a dozen national Number One singles and over 30 Top Ten hits selling more than 41 million albums. #countrymusic #gospelmusic #music #recordingartist #countrymusichalloffame #gospelmusichalloffame #texasmusichalloffame #grandoleopry #noraleeallen #joebonsall #williamleegolden #richardsterban #gospelquartet #classicalmusic #goldrecords #platinumrecords 

After attending the final evening of the Metropolitan Opera's performance of  Moby-Dick; or, The Whale, in this  episode I share a passionate introduction and my fandom and I read one of my favorite segment from Chapter 15, titled "Chowder."  This hilariously funny and vivid passage describes Ishmael and Queequeg's encounter with Mrs. Hussey at the Try Pots Inn on Nantucket after their frosty voyage from New Bedford where they enjoy both a delectable clam and cod chowder before negotiating sleeping arrangements minus Queequeg's harpoon.I was so inspired to share this reading and then direct you to check out my YouTube channel for my specialD, "Ocean State of Mind Clam Chowder" recipe that I hope you'll make at home!  Zero or minimal food packaging waste, nutritious, organic and economical.https://youtu.be/DW7Dezumy5Y?si=gkg9zUMut2rwPaLj MINDFUL MEALS & SUSTAINABLE LIVING - The Art of Living an Elevated Lifestyle

New Haven will build a new compost facility amid a state-wide waste crisis. Hearings began today over DNA evidence related to the Long Island serial killer case. Officials remind residents to be vigilant as we head into tick season. Plus, the Metropolitan Opera comes to Fairfield.

One Monday morning in 1958, Nina Lawson, Mistress of Wigs at the Metropolitan Opera, came into work to discover that someone had stolen thirty thousand dollars' worth of wigs from the Met. The theft made national headlines, and the FBI joined the hunt for the culprits.   Show notes and full transcripts available at www.artofcrimepodcast.com.   If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast. 

Wenn Autokraten das Steuer übernehmen, gerät die Kultur unter Druck. Zu beobachten ist das aktuell in den USA. Donald Trump greift in den Kulturbetrieb ein und hat kurzerhand das renommierte Kennedy Center in Washington übernommen. Der Spielplan wird jetzt nach Trumps Vorstellungen gestaltet. Ein Kinder-Musical über Inklusion hat darin keinen Platz mehr. Unter dem Druck der US-Regierung beenden immer mehr Kultureinrichtungen ihre Programme für Vielfalt, Gleichberechtigung und Inklusion. Beobachter sprechen von einem Kulturkampf. Was in den USA passiert, erleben auch andere Länder mit autokratischen und nationalistischen Regierungen: Die Kultur verliert ihre Freiheit, wird abgeschafft oder in den Dienst der Herrschenden gestellt. Was bedeutet das für Künstler und Künstlerinnen? Und für die offene und vielfältige Gesellschaft? Darüber sprechen wir mit Jörg Schumacher vom Goethe-Institut in New York, mit der Schriftstellerin und Wahl-Venezianerin Petra Reski und dem Journalisten Peter Laudenbach, der in seinem Buch „Volkstheater“ Angriffe der AfD auf den Kulturbetrieb dokumentiert. Podcast-Tipp: NDR Kultur à la carte Traumjob an der New Yorker Met: Chordirektor Tilman Michael Es war sein Traum und für ihn hat sich dieser Traum erfüllt: Tilman Michael ist seit Neuestem Chordirektor am berühmtesten Opernhaus der Welt, an der Metropolitan Opera in New York. Damit hat der gebürtige Stuttgarter die Nachfolge von Donald Palumbo, der rund 17 Jahre den Chor der Met leitete, angetreten. Zuvor war Tilman Michael zehn Jahre Chorleiter an der Oper in Frankfurt, hat an Häusern in Mannheim, Dresden, Moskau, Wien oder Buenos Aires gearbeitet, war Assistent bei den Bayreuther Festspielen, und direkt nach dem Studium hatte er ein Engagement an der Staatsoper in Hamburg. Jetzt hat er seine erste Spielzeit an der Met gestartet. Auf dem Programm steht Beethovens "Fidelio", die Oper, die am Sonnabend, 15. März, live übertragen wird. Und natürlich erlebt er die politischen Veränderungen in den USA mit Sorge, blickt aber von New York aus nach Hamburg und beobachtet aus der Ferne die Pläne für ein neues Opernhaus. Auch darüber spricht Tilman Michael in "NDR Kultur à la carte" mit Friederike Westerhaus. https://www.ardaudiothek.de/episode/ndr-kultur-la-carte/traumjob-an-der-new-yorker-met-chordirektor-tilman-michael/ndr-kultur/14276277/

Es war sein Traum und für ihn hat sich dieser Traum erfüllt: Tilman Michael ist seit Neuestem Chordirektor am berühmtesten Opernhaus der Welt, an der Metropolitan Opera in New York. Damit hat der gebürtige Stuttgarter die Nachfolge von Donald Palumbo, der rund 17 Jahre den Chor der Met leitete, angetreten. Zuvor war Tilman Michael zehn Jahre Chorleiter an der Oper in Frankfurt, hat an Häusern in Mannheim, Dresden, Moskau, Wien oder Buenos Aires gearbeitet, war Assistent bei den Bayreuther Festspielen, und direkt nach dem Studium hatte er ein Engagement an der Staatsoper in Hamburg. Jetzt hat er seine erste Spielzeit an der Met gestartet. Auf dem Programm steht Beethovens „Fidelio“, die Oper, die am Sonnabend, 15. März, live übertragen wird. Auch darüber spricht Tilman Michael in „NDR Kultur à la carte“ mit Friederike Westerhaus.

Es war sein Traum und für ihn hat sich dieser Traum erfüllt: Tilman Michael ist seit Neuestem Chordirektor am berühmtesten Opernhaus der Welt, an der Metropolitan Opera in New York. Damit hat der gebürtige Stuttgarter die Nachfolge von Donald Palumbo, der rund 17 Jahre den Chor der Met leitete, angetreten. Zuvor war Tilman Michael zehn Jahre Chorleiter an der Oper in Frankfurt, hat an Häusern in Mannheim, Dresden, Moskau, Wien oder Buenos Aires gearbeitet, war Assistent bei den Bayreuther Festspielen, und direkt nach dem Studium hatte er ein Engagement an der Staatsoper in Hamburg. Jetzt hat er seine erste Spielzeit an der Met gestartet. Auf dem Programm steht Beethovens "Fidelio", die Oper, die am Sonnabend, 15. März, live übertragen wird. Und natürlich erlebt er die politischen Veränderungen in den USA mit Sorge, blickt aber von New York aus nach Hamburg und beobachtet aus der Ferne die Pläne für ein neues Opernhaus. Auch darüber spricht Tilman Michael in "NDR Kultur à la carte" mit Friederike Westerhaus.

In the second part of our conversation with 2024 NEA Jazz Master trumpeter and composer Terence Blanchard, we explore the emotional and creative depths of his work, from his jazz innovations to his evolution as an opera composer.Blanchard shares the challenges of scoring the documentary When the Levees Broke and discusses how his Grammy-winning album A Tale of God's Will emerged from those themes, evolving into a deeply personal statement on loss and resilience. From jazz to film and opera, he examines how his musical voice has expanded across genres, culminating in his historic operas Champion and Fire Shut Up in My Bones—the first opera by an African American to be produced at the Metropolitan Opera. He also discusses his role in bringing the Monk Institute  (now the Herbie Hancock Institute) to New Orleans after Katrina and his ongoing dedication as an educator and mentor to young musicians.He discusses his then-new role as Artistic Director of SFJAZZ, where he provides opportunities for mid-career as well as emerging musicians and brings innovative programming to audiences. As he reflects on receiving the NEA Jazz Master honor, Blanchard considers the legacy of those who came before him and the responsibility of carrying the music forward.

In the second part of our conversation with 2024 NEA Jazz Master trumpeter and composer Terence Blanchard, we explore the emotional and creative depths of his work, from his jazz innovations to his evolution as an opera composer.Blanchard shares the challenges of scoring the documentary When the Levees Broke and discusses how his Grammy-winning album A Tale of God's Will emerged from those themes, evolving into a deeply personal statement on loss and resilience. From jazz to film and opera, he examines how his musical voice has expanded across genres, culminating in his historic operas Champion and Fire Shut Up in My Bones—the first opera by an African American to be produced at the Metropolitan Opera. He also discusses his role in bringing the Monk Institute  (now the Herbie Hancock Institute) to New Orleans after Katrina and his ongoing dedication as an educator and mentor to young musicians.He discusses his then-new role as Artistic Director of SFJAZZ, where he provides opportunities for mid-career as well as emerging musicians and brings innovative programming to audiences. As he reflects on receiving the NEA Jazz Master honor, Blanchard considers the legacy of those who came before him and the responsibility of carrying the music forward.

Award-winning director Michael Mayer has worked in a broad spectrum of media from theatre and opera to television and film. Current theatre: Swept Away, a new musical featuring songs of The Avett Brothers which opened November 19, 2024 on Broadway, the hit revival of Little Shop of Horrors now playing at the Westside Theatre, the national tour of his hit Broadway revival of Funny Girl (which starred Lea Michele) and the national tour of A Beautiful Noise: The Neil Diamond Musical, which recently ended its Broadway run.  Recent opera:  Jeanine Tesori and George Brant's new opera Grounded which opened the Metropolitan Opera season on September 23, 2024 with performances running until October 19. Upcoming opera: a new production of Aida at the Metropolitan Opera this season opening on December 31, 2024. Other Broadway credits include Adam Driver and Keri Russell in Burn This, Head Over Heels (featuring the songs of The Go-Go's), Neil Patrick Harris in Hedwig and the Angry Inch (Tony Award, best musical revival, also National Tour), Spring Awakening (Tony Award/Best Musical and Tony, Drama Desk and Outer Critics Circle Awards for Best Director; also London, National Tour, Vienna, Tokyo, and Seoul productions); Green Day's American Idiot (also co-author, Drama Desk Award for Best Director; also US, UK and Asia tours); Thoroughly Modern Millie (Tony Award/Best Musical also London and National Tour), Side Man (Tony Award/Best Play also London and Kennedy Center Productions),  A View from the Bridge (Tony Award/Best Revival),  Michael Moore's The Terms of My Surrender, Everyday Rapture, You're a Good Man, Charlie Brown, and Triumph of Love; off-Broadway credits include Lin-Manuel Miranda's 21 Chump Street (BAM), Chess (Kennedy Center), Love, Love, Love (Roundabout), Brooklynite (Also co-author, Vineyard), Whorl Inside A Loop (with Dick Scanlan, Second Stage), 10 Million Miles (Atlantic): Angels in America. London: a record-breaking West End run of Funny Girl and a UK tour. Tokyo: As You Like It (Toho Theatre). Film: A Home at the End of the World (Excellence in filmmaking, National Board of Review, GLAAD nomination), Single All the Way for Netflix, Flicka, The Seagull. He was featured in both the documentaries Those You've Known on HBO and Broadway Idiot. Television credits Include: SMASH (Pilot, producing director: Season One), two seasons of Alpha House (Amazon), and producer for the HBO film WIG. He made his Metropolitan Opera debut with a celebrated new production of Rigoletto, followed by a co-production (with the English National Opera) of Nico Muhly's Marnie, and a new production of La Traviata, which broke box office records. He directed the world premiere of Jeanine Tesori's Grounded at the Washington National Opera. Grounded  opened the Met's 24/25 season on September 23, 2024, and his new production of Aida will premiere at the Met on New Year's Eve 2024.  Additional Awards and fellowships: the inaugural Daryl Roth Creative Spirit award, Drama League Founders Award, Jefferson, Ovation, Alan Schneider, and Carbonell awards;  Fox Foundation, Drama League and TCG/NEA Directing Fellowships.   He serves on the Boards of SDC (Stage Directors and Choreographers Society) and the Arthur Miller. Photos by Sergio Villarini for Broadway.Com- assisted by BrookeBellPhoto Learn more about your ad choices. Visit podcastchoices.com/adchoices

Czy można stać się gwiazdą Broadwayu, występować w Metropolitan Opera, zaczynając swoją drogę od etnografii w Krakowie? Paulo Szot, laureat nagrody Tony, udowadnia, że tak. W tym odcinku historia Brazylijczyka polskiego pochodzenia, któremu chęć poznania kultury rodziców i decyzja o wyjeździe na studia do Krakowa otworzyły drzwi do światowej kariery. **** Odkryj Amerykę na nowo! Poznaj fascynujące historie i praktyczne wskazówki, które pomogą Ci lepiej zrozumieć Stany Zjednoczone! Sięgnij po moje audiobooki i ebooki o Stanach Zjednoczonych. Słuchowiska pełne opowieści o kulisach pracy w USA a także niezwykłych miejscach, takich jak Hawaje, Alaska, Wielki Kanion czy Nowy Orlean. To także inspirujące historie z pierwszej ręki, które zabiorą Cię w niezapomnianą podróż po USA. Kupując ebooki i audiobooki, wspierasz moją pracę:

Independent singer, songwriter and producer, Madison McFerrin has deep roots in music. Her grandfather Robert McFerrin Sr. was the first Black man to sing with the Metropolitan Opera. Her grandmother, Sara McFerrin, is a classically trained vocalist who toured as a background singer for Sam Cooke. And of course, there's Madison's father, Bobby McFerrin, the Grammy-winning jazz vocalist. Yet, Madison has found a way to distinguish herself with a sound all her own. Madison and Isa Nakazawa discuss how after a life-altering break up and growing her career, Madison has learned to embody the soft core of her Scorpio sun.

Support Breaking Walls at https://www.patreon.com/thewallbreakers The weather on Monday January 9th, 1956 warmed throughout the day. It hit forty degrees Fahrenheit by nightfall. The front cover of The New York Daily News featured a photo of patrolman Ray Cusack, who rescued many children from a fire in Hempstead, New York. Dwight Eisenhower was still undecided on whether or not to seek a second term, while Democrat hopeful Adlai Stevenson claimed Ike's recent State of the Union Address was merely a veiled State on the Republican party. Meanwhile the families of both US diplomats and UN officials fled from the Jordanian sector of Jerusalem after violent anti-western riots broke out for the second day in a row. If you turned on your radio at 8:15PM eastern time, you'd have heard a Boston Symphony concert on NBC, and Metropolitan Opera auditions on ABC. WOR aired True Detective, but if you wanted the best in radio detective fiction you'd have turned on CBS, where Bob Bailey was starring in Jack Johnstone's production of Yours Truly Johnny Dollar, written by E. Jack Neuman. The prison where Vance served time is Sing Sing, originally opening in Ossining, New York in 1825. Among the executions in their electric chair were Julius and Ethel Rosenberg, on June 19th, 1953, for Soviet espionage. A good mink coat cost about twenty-five-hundred dollars in 1956. Both Orin Vance and Don Freed were voiced by Lawrence Dobkin. By 1956 Dobkin was a radio legend with experience in both New York and Hollywood. The Westin Hotel Chain was launched in 1930 by Severt W. Thurston and Frank Dupar as Western Hotels. They were the first hotel chain to introduce credit cards in 1946. Today the chain, called Westin since 1981, is owned and operated by Mariott. There are Westin Hotels in both the Times Square and Grand Central area. In January of 1956, 57th street was home to various art exhibitions like Kay Sage's surrealist paintings at the Catherine Viviano gallery, a contemporary Greek Art exhibition at Sagittarius gallery, a European group show at the Matisse gallery, and art and artifacts of various Central African tribes at 57th and Lexington. The Sutton theater, also on 57th street, was showing The Night My Number Came Up starring Michael Redgrave and Sheila Sim. Gloria Tierney's fictional apartment at 1231 East 57th is an impossibility. The address would put it in the East River.

Today - we’re diving into a unique way to experience world-class opera right in Leavenworth. You don’t need to travel to New York City to enjoy the magic of the Metropolitan Opera. Thanks to live streaming, the Met brings its iconic performances to big screens across the country, including the Snowy Owl Theater at the Icicle Creek Center for the Arts. And later - We’re diving into the story of Cheeto, Quincy Hardware and Lumber’s beloved shop cat. Support the show: https://www.wenatcheeworld.com/site/forms/subscription_services/See omnystudio.com/listener for privacy information.

Send us a textOriginally Aired: August 6, 2024Today we travel to the historic Great Notch Inn in Woodland Park, New Jersey. The episode features an engaging conversation with the roadhouse's owner, Rich Hempel, who provides a deep dive into the rich history and vibrant community that define this local landmark.Rich begins by sharing the origins of the Great Notch Inn, which was established by his grandfather during the Prohibition era. Initially a speakeasy known as the Green Chateau, the inn has evolved over the decades, becoming a beloved roadhouse that has stood the test of time for 85 years. Rich recounts how his grandfather, an accountant for the railroad, decided to open a bar despite the challenges of Prohibition. The original establishment was a speakeasy that sold milk, bread, and eggs in the front while serving bootleg booze in the back.As the conversation unfolds, Rich dispels the common misconception that the Great Notch Inn is merely a biker bar. He emphasizes that while the inn does attract bikers, it is much more than that. The Great Notch Inn is a vibrant live music venue that hosts performances every night it is open. Rich, a drummer himself, has a deep passion for music and has cultivated a community of musicians and music lovers who frequent the inn. He shares stories of how the inn has become a haven for local musicians, offering a space where they can perform and connect with an appreciative audience.Rich also delves into the personal history of his family and their connection to the inn. He talks about his grandfather's unique talent for imitating train sounds, a skill that even caught the attention of the Metropolitan Opera. This quirky talent is just one of the many fascinating anecdotes that Rich shares, painting a vivid picture of the inn's colorful past.The episode also touches on the challenges the Great Notch Inn has faced over the years. From the highway expansion that threatened its existence to the changes in ownership and management, the inn has weathered many storms. Rich discusses how he took over the business from his grandfather and later partnered with his mother to keep the inn running. He shares his journey of learning the ropes of the business, from maintaining the inn's historic charm to modernizing its offerings to attract a new generation of patrons.Listeners will appreciate the deep sense of community and history that Rich and his family have cultivated over the years. The Great Notch Inn stands as a testament to the enduring spirit of local businesses and the importance of preserving cultural landmarks. Rich's stories highlight the inn's role as a gathering place for people from all walks of life, from bikers to Wall Street professionals, all united by their love for music and camaraderie.The episode concludes with Rich reflecting on the future of the Great Notch Inn. He expresses his commitment to maintaining the inn's legacy while continuing to adapt to the changing times. Whether you're a local or just passing through, this episode offers a compelling look at a place where history, music, and community come together in a unique and unforgettable way.@greatnotchinnMusic: "Ride" by Jackson Pinesjacksonpines.comThank you to our sponsors:New Jersey Lottery: njlottery.comMake Cool Sh*t: makecoolshit.coAlbert & Whitney CPAs:  awcpasllc.comMayo Performing Arts Center: mayoarts.org/events-calendarContact the show: mike@greetingsfromthegardenstate.com Support the show

Daniele Rustioni is a major presence at leading opera houses and symphony halls. In 2022, the International Opera Awards named him “Best Conductor.” His opera repertoire numbers over 70 works spanning over centuries and ranging from Italian to French, German to Russian, and more. This coming season he concludes his eight-year tenure as music director of Opéra National de Lyon.   He was principal guest conductor of the Bavarian State Opera until October 2023.Daniele has led performances at the nearly all of the most important international opera houses and festivals, including Aix-en-Provence Festival, BBC Proms, Berlin State Opera, Dutch National Opera, Paris Opera, Royal Opera House Covent Garden, Salzburg Festival, Teatro Real, Zurich Opera House and the Teatro alla Scala. In Italy, his homeland, he has also conducted at Opera di Roma, Teatro del Maggio Musicale Fiorentino (Florence), Teatro La Fenice (Venice), Rossini Opera Festival (Pesaro) and Teatro San Carlo (Naples).He was recently named principal guest conductor at the Metropolitan Opera, and as we spoke, he was preparing his debut concerts with the New York Philharmonic.  

While I was growing up, Gilda Cruz-Romo was a fixture on the stage of the Metropolitan Opera. At the time, I did not fully appreciate her, as I thought of her as a second-string singer on the roster. I saw her once on the Met tour as Desdemona opposite Jon Vickers, but for reasons none too flattering to me, I undervalued her. In recent years, however, I have completely revised my opinion, and now think that Gilda Cruz-Romo was both the most significant Mexican soprano ever to appear on the world's stages, but also simply one of the finest lirico-spinto sopranos of the twentieth centuries. Fortunately there are many people that agree with me, including some devoted fans who have posted an extraordinary number of live recordings of the artist on YouTube and elsewhere. And this is especially helpful because, incredibly, Cruz-Romo never made any commercial recordings. This episode fully explores the career and repertoire of our subject for today, and includes performances of the soprano in her core Verdi and Puccini repertoire (including such surprises as Odabella, Lady Macbeth, and Turandot!), as well as less expected forays into Mozart and bel canto. Throughout her virtues shine forth: a plangently beautiful voice with a particularly radiant top wedded to an incredibly secure technique, which afforded her enormous flexibility and coloratura facility. Added to this, and paramount to her artistry, is a dedication to her craft and to music which sweeps all before it and raises her work into the realm of the sublime. I think of this episode (the last completely new episode I'll be putting out this season) as a pre-birthday tribute, as the diva turns 85 years old on February 12, 2025. Other singers heard on the episode are tenors Carlo Bergonzi, Colenton Freeman, and John Alexander, and baritone Matteo Manuguerra; among the conductors are Zubin Mehta, Nicola Rescigno, Riccardo Muti, Peter Maag, and Julius Rudel. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this episode of LIGHT TALK, Lumen Brother David welcomes Opera Resident Lighting Designers Michael Clark, John Froelich, Chris Maravich, and Justin Partier to the show. Join Chris, John, Justin, Michael, and David as they pontificate about: How do lighting designers meet; Followspots anyone?; The responsibilities inherent in being a Resident Lighting Designer; Discussions with visiting guest designers; The time contraints of lighting opera; Organizing the lighting tech time; Ballet companies adapting to new technology; Heartbeats and Humans; Draining the Chicago River; Fond memories of the VL3500; Our fantasy moving lights; Why lighting designs are getting brighter and brighter; We love Robert Juliat; Can AI and VR technology be applied to the opera lighting process?; How and when to adapt to new technologies; Remounts vs. new productions; Working with international designers and directors; Expectation management with American designers; Surprising and classy paperwork from some designers; Advice for young designers; and Blaming it all on Chris. Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense.

In this episode, New York Philharmonic principal bassist Tim Cobb discusses his journey from growing up in Albany with a musically gifted family to his renowned career in the New York Philharmonic. Tim shares personal anecdotes about his father's influence, his early experiences in Albany's vibrant music scene, and his tenure at the Metropolitan Opera. He reflects on his time studying with Roger Scott at Curtis, his involvement with the Marlboro Music Festival, and the transition from the Met Orchestra to the Philharmonic. Tim also delves into his teaching philosophy, the importance of enthusiasm and work ethic in students, and the evolving world of double bass craftsmanship.  Enjoy, and check out the video version here.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

The Story of the Writing of “The Messiah” by George Friederic Handel. Metropolitan Opera Soloists, and The Tabernacle Choir. ACU Sunday Series.   The Messiah Story - Martin Jarvis, Metropolitan Opera Soloists, and The Tabernacle Choir ACU Sunday Series.   Guest Artist Martin Jarvis narrates The Messiah Story, with the accompaniment of Metropolitan Opera Soloists Tamara Mumford, Erin Morley, Tyler Simpson, and Ben Bliss, along with The Tabernacle Choir and Orchestra at Temple Square. It tells the story of the writing of "The Messiah" by George Frideric Handel. Watch this presentation at- https://youtu.be/kv7WbDcFyRE?si=g-nYOzbbCsCMjfaA The Tabernacle Choir at Temple Square 851K subscribers 223,328 views Dec 11, 2017 Purchase the full program on DVD and CD: DVD: http://bit.ly/2da33oL CD: http://bit.ly/2da1BCG Episode 4501B. December 20, 2015. ----------------------------------------------------------------------------------------------    American Conservative University Podcast (ACU) is not an official representative for The Church of Jesus Christ of Latter-Day Saints. All opinions, selections and commentary are solely those of ACU.  We post a variety of selections from various Christian denominations.   For Come Follow Me lesson manual and materials visit- Come, Follow Me For Individuals and Families: New Testament 2023 https://www.churchofjesuschrist.org/manual/come-follow-me/2023?lang=eng   For a list of 100+ episodes of ACU Sunday Series visit- https://www.podbean.com/site/search/index?kdsowie31j4k1jlf913=85cb8104bdb182c048b714ad4385f9e82a3aeb49&v=ACU+Sunday+Series+ Note- Click on “100 Episodes Found” in upper right corner.   For many different Podcasts based on the ‘Come Follow Me' program visit- https://www.youtube.com/results?search_query=come+follow+me+   Subscribe to The Church of Jesus Christ of Latter-day Saints for the latest videos: http://bit.ly/1M0iPwY Facebook: https://www.facebook.com/churchofjesu... Twitter: @Ch_JesusChrist Instagram: https://www.instagram.com/ChurchOfJes... Website: ChurchOfJesusChrist.org The Church of Jesus Christ of Latter-day Saints   BYUEducationWeek Get a Free Book of Mormon | ComeUntoChrist Church of Jesus Christ https://www.churchofjesuschrist.org › requests › free-...   The Book of Mormon brings you closer to Jesus. Click to download a free digital copy of the Book of Mormon and learn about it with online missionaries.   -------------------------------------------------------------------------- For the Strength of Youth To help you find the Way and to help you make Christ's doctrine the guiding influence in your life, The Church of Jesus Christ of Latter-day Saints has prepared a new resource, a revised version of For the Strength of Youth.   For over 50 years, For the Strength of Youth has been a guide for generations of Latter-day Saint youth. I always keep a copy in my pocket, and I share it with people who are curious about our standards. It has been updated and refreshed to better cope with the challenges and temptations of our day. The new version of For the Strength of Youth is available online in 50 different languages and will also be available in print. It will be a significant help for making choices in your life. Please embrace it as your own and share it with your friends. This new version of For the Strength of Youth is subtitled A Guide for Making Choices. To be very clear, the best guide you can possibly have for making choices is Jesus Christ. Jesus Christ is the strength of youth. So the purpose of For the Strength of Youth is to point you to Him. It teaches you eternal truths of His restored gospel—truths about who you are, who He is, and what you can accomplish with His strength. It teaches you how to make righteous choices based on those eternal truths.13 It's also important to know what For the Strength of Youth does not do. It doesn't make decisions for you. It doesn't give you a “yes” or “no” about every choice you might ever face. For the Strength of Youth focuses on the foundation for your choices. It focuses on values, principles, and doctrine instead of every specific behavior. The Lord, through His prophets, has always been guiding us in that direction. He is pleading with us to “increase [our] spiritual capacity to receive revelation.”14 He is inviting us to “hear Him.”15 He is calling us to follow Him in higher and holier ways.16 And we are learning in a similar way every week in Come, Follow Me.   --------------------------------------------------------------------  Check out our ACU Patreon page: https://www.patreon.com/ACUPodcast   HELP ACU SPREAD THE WORD!  Please go to Apple Podcasts and give ACU a 5 star rating. Apple canceled us and now we are clawing our way back to the top. Don't let the Leftist win. Do it now! Thanks. Also Rate us on any platform you follow us on. It helps a lot. Forward this show to friends. 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We are designed to strategically impact the abortion industry through the following initiatives:… -------------------------------------------------------- Help CSI Stamp Out Slavery In Sudan Join us in our effort to free over 350 slaves. Listeners to the Eric Metaxas Show will remember our annual effort to free Christians who have been enslaved for simply acknowledging Jesus Christ as their Savior. As we celebrate the birth of Christ this Christmas, join us in giving new life to brothers and sisters in Sudan who have enslaved as a result of their faith. https://csi-usa.org/metaxas   https://csi-usa.org/slavery/   Typical Aid for the Enslaved A ration of sorghum, a local nutrient-rich staple food A dairy goat A “Sack of Hope,” a survival kit containing essential items such as tarp for shelter, a cooking pan, a water canister, a mosquito net, a blanket, a handheld sickle, and fishing hooks. Release celebrations include prayer and gathering for a meal, and medical care for those in need. 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HT2086 - Expanding the Delivery Medium I had a fascinating experience yesterday that I think offers us photographers something to think about. I went to a live performance of the Metropolitan Opera of New York that was streamed to our local movie theater.