Podcast appearances and mentions of Harlem Renaissance

Vanessa Diaz returns to regale Rebecca with the messy tale of the marriage between a well-known Harlem Renaissance poet and the daughter of a famous public thinker. Follow the podcast via RSS, Apple Podcasts, and Spotify. Join The Book Riot Podcast Patreon for bonus content and ad-free listening. Subscribe to The Book Riot Newsletter for regular updates to get the most out of your reading life. The Book Riot Podcast is a proud member of the Airwave Podcast Network. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Right now, Merit Beauty is offering our listeners their Signature Makeup Bag with your first order at meritbeauty.com. Thanks to our sponsor, Quince! Go to Quince.com/bookriot for free shipping on your order and 365-day returns. Now available in Canada, too! Learn more about your ad choices. Visit megaphone.fm/adchoices

Our exit today has us smuggling products on the moon and losing tons of money in the process. This week, we are talking about The Adventures of Pluto Nash, written by Neil Cuthbert and directed by Ron Underwood.Along the way, we talk a lot of Eddie Murphy. But we also discuss H.G. Wells, Afrofuturism, Blade Runner, Harlem Renaissance night at the school cafeteria, Rosario Dawson, worldbuilding, wasted opportunities, and one of the most disturbing performances Tripp has ever seen.Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

He's been described as a prodigy of African-American art. Khalif Tahir Thompson combines vibrant colours and family photos in portraits painted for his new exhibition, "Beautiful Land" at Paris' Zidoun-Bossuyt gallery. He talks to us about the two movements which inspired his work, Fauvism and the Harlem Renaissance and why Beauford Delaney inspired him artistically. He also talks about his upbringing and self-identity through his work.

Today we bring back a favorite as Joseph Illidge returns to us to talk about the Eisner Nominated Anthology: Noir is the New Black that started as a Trade Graphic Novel Anthology in 2020 with 40 Black Creators and 16 stories all based around the genre of Crime Noir. The past couple of years Fairsquare Graphics has released the anthology adding more stories in a yearly short stories Anthology and Joseph Illidge teaming up with artist ChrisCross gave us a tale birthed in Black Wall Street Tulsa Oklahoma and raised in the Harlem Renaissance in The Winterfields.Written by Joseph IllidgeArtwork by ChrissChrossEdited by Fabrice SapolskyAlso, Now released in a full Trade Paperback-Bloodletter is a new addition to the Spawn universe as Tasha Thornwall scorned by revenge is seeking redemption against the man who changed her life for the worse in Al Simmons. Trained in Dark Magic, her plot to kill Al Simmons is enhanced when she learns he is Spawn. This begins a journey in revenge that reveals if killing Spawn will fill that hole of pain for a life altered.Written by Joseph Illidge and Tim SeeleyArtwork by Christian RosadoColors by DC Alonso

Earlier this week we explored the Harlem Renaissance, but have you ever wondered how Harlem got its name? There are countless remnants of the Dutch colony on Manhattan island. But when did it end? And why?Don is joined by best selling author Russell Shorto to discuss the British takeover of New Amsterdam. Russell is the author of 'The Island at the Center of the World', and ‘Taking Manhattan: The Extraordinary Events That Created New York and Shaped America'.Edited by Tim Arstall. Produced by Sophie Gee. Senior Producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Today's lengthy episode (I probably should’ve divided it in half!) is another devoted to orchestral song, in this case Deutsche Orchesterlieder. But, in a twist, you will not be hearing any music by either Mahler or Strauss today. (Their orchestral songs have already been amply represented on Countermelody. No, today I am featuring songs ranging from the late nineteenth century through the mid-twentieth century. Some of the composers presented – Alban Berg, Max Reger, Hugo Wolf, Arnold Schoenberg – will be familiar to listeners; others – Alexander Zemlinsky (pictured), Hans Pfitzner, Paul Hindemith, Hans Werner Henze, Franz Schreker – perhaps more as names familiar for musical historical reasons than for their actual compositions. Still others – Ernst Toch, Wolfgang Fortner, Joseph Marx – may be new discoveries altogether. What links them is that they are all fascinating composers whose works run the gamut from lush post-romanticism to exotic orientalism to Neue Sachlichkeit clarity. Texts include the great German lyric poets; anonymous Italian folk poetry; German translations of American poets such as Walt Whitman and major figures of the Harlem Renaissance; and translations of ancient Chinese poetry and the verse of Rabindranath Tagore. Similarly varied are the singers (Elisabeth Söderström, Friedrich Schorr, Edith Mathis, Willard White, Elly Ameling, Irmgard Seefried, Roberta Alexander, Barry McDaniel, Christine Brewer, Christa Ludwig, Helen Donath) and conductors (Michael Tilson Thomas, Riccardo Chailly, Rafael Kubelik, Sergiu Celibidache, Erich Leinsdorf, Carl Schuricht, Hermann Scherchen), heard. Settle in for a ride across a varied, surprising, and always engaging musical landscape. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

In this episode Dr. Hettie V. Williams is in discussion with writer John Vercher about his critically acclaimed book Devil is Fine. Williams is a professor of history at Monmouth University and Vercher is the author of three notable novels and currently an Assistant Professor in the Department of English at Monmouth University. Vercher's works signal the tradition of Afro-Surrealism that began in the Harlem Renaissance with writers such as George Schuyler as represented with his work Black No More originally published in 1931. His debut novel Three-Fifths was listed as one of the best books of 2019 by the Chicago, nominated for the 2020 Edgar Award for Best First Novel, and The Strand Critics Award for Best Debut Novel. This book also received critical acclaim abroad and named Book of the Year by the U.K.'s The Sunday Times, The Financial Times, and The Guardian. Devil is Fine is Vercher's third novel and it is a moving work that helps to extend the tradition of Afro-surrealism in the context of contemporary American fiction. It is a book about love, loss, grief, and fathers and sons. Vercher's book can be ordered from Amazon here: Devil is Fine#JohnVercher #DevilisFine #BlackFiction #Writing #Writers

In the debut episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist and performer Taìno Mendez to discuss Ladies of the Rachmaninoff Eyes by Henry Van Dyke, the twentieth title in the Faber Editions imprint.Published in 1965 and long out of print, the novel follows Oliver, a Black teenager spending a final summer before college in the eccentric Michigan household of his wealthy patron Etta Klein and his aunt Harriet. Witty, camp, and shot through with tragedy, it defies easy categorisation; a drawing-room satire, a coming-of-age story, and a quietly radical work of civil rights era fiction.The conversation covers the novel's Wildean wit, its oblique engagement with race and queerness, the role of photographer Carl Van Vechten in the Harlem Renaissance, and what it means to write against expectation.Buy Ladies of the Rachmaninoff EyesUK: https://www.faber.co.uk/product/9780571391783-ladies-of-the-rachmaninoff-eyes-faber-editions/Rest of World: https://www.shakespeareandcompany.com/books/ladies-of-the-rachmaninoff-eyes-faber-editionsBuy Rainbow Milk: https://www.shakespeareandcompany.com/books/rainbow-milkSign up to Faber's Heritage Subscription, featuring all Faber Editions titles: Subscribers get a book in the post each month for just £9 alongside a curated email with exclusive extra content about the book and its author.https://tr.ee/DsDYp5Books & Authors DiscussedThe Daring Young Man on the Flying Trapeze — William Saroyan (foreword by Stephen Fry)Mrs Caliban — Rachel IngallsPalace of the Peacock — Wilson HarrisOmeros — Derek WalcottThe Flower Beneath the Foot — Ronald FirbankSorrow in Sunlight (retitled Prancing N-) — Ronald FirbankGo Tell It on the Mountain — James BaldwinGiovanni's Room — James BaldwinAnother Country — James BaldwinÀ rebours (Against Nature) — Joris-Karl HuysmansEn rade (Stranded) — Joris-Karl HuysmansCheckout 19 — Claire-Louise BennettRainbow Milk — Taìno MendezUlysses — James Joyce Works by Ivy Compton-Burnett, Brigid Brophy and Iris Murdoch also mentionedIllusions— Ruth Lehmann (upcoming Faber Editions title, discussed with Megan Nolan on our next podcast episode)Films/TV Shows DiscussedGet Out — dir. Jordan PeeleLovers Rock — dir. Steve McQueenThe Defiant Ones — starring Sidney PoitierPlaytime — dir. Jacques TatiSeveranceBiosTaíno Mendez is a novelist based in the southern English town of Margate. Their first novel, Rainbow Milk, was an Observer Top Ten Best Debuts choice for 2020 and widely named as one of the best novels of the year, being shortlisted for a British Book Award and for the Jhalak Prize, Polari Prize and Gordon Burn Prize. Their non-fiction has been published in a variety of outlets including the WritersMosaic, the London Review of Books, Esquire, the Guardian and British Vogue. They are currently working on their second novel. Ella Griffiths is Faber's Head of Classics & HeritageAdam Biles is Literary Director at Shakespeare and CompanyListen to Alex FreimanSpotify: https://open.spotify.com/artist/3dbKbpFyqPbklwEdeLYYZR?si=Q5vy9KkRTrqf1BqU1v33cgInsta : @alex.guitarfreiman Hosted on Acast. See acast.com/privacy for more information.

Celebrating Joy and Craftsmanship in Theatre: A Conversation with Director Amina Robinson on 'Ain't Misbehavin'Join us as we explore the vibrant world of musical theatre through the insights of director Amina Robinson. This episode highlights the creative process behind the revival of 'Ain't Misbehavin' at Theater Horizon, emphasizing collaboration, artistic choices, and the importance of community connection in theatre.In this episode:Amina Robinson discusses her approach to bringing 'Ain't Misbehavin' to life, focusing on collaboration and the stage energy.The influence of Harlem Renaissance aesthetics in scenic and costume design, blending traditional and cabaret styles.The challenges of rehearsing a historically rich, high-energy musical within tight timeframes.Audience reactions and the importance of evoking joy, especially in contemporary Black culture.The significance of songs like 'Black and Blue' and their historical context within the show.How spontaneous audience interaction and improvisation keep performances lively and authentic.The logistical strategies of rapid scenic and costume changes in a tight rehearsal schedule.The role of community-oriented spaces like Theater Horizon in fostering intimacy and inclusivity.Timestamps: 00:00 - Introduction to season 10 and 'Ain't Misbehavin' at Theater Horizon01:02 - Director Amina Robinson's approach to collaboration and stage magic02:22 - The current climate of arts and creative risks in theatre03:20 - First impressions and experiences with 'Ain't Misbehavin'' in grad school04:33 - Coming back to the show with Theater Horizon and cast insights06:15 - The importance of time and urgency in producing musicals today07:11 - The strategy of quickly building a skeleton of the production08:55 - Scenic design inspiration rooted in Harlem Renaissance aesthetics10:35 - The seamless blend of scenic and lighting design to evoke the period11:54 - Costume design's role in storytelling and visual richness12:27 - Sound design's complexity in capturing New York City vibes and on-stage band dynamics13:39 - Creating an immersive, community-like theatre experience15:37 - Black joy as a healing and celebratory force in the show16:58 - Context and reflection on 'Black and Blue' and Fats Waller's intentions18:14 - The emotional and political layers behind 'Black and Blue'19:46 - The significance of audience interaction and performers' improvisation21:18 - The lore and history surrounding the song 'Black and Blue'22:55 - The humor and spontaneity brought by actors in performance23:50 - Audience engagement and the power of crowd work24:38 - Integrating humor and outrageous moments into performances26:46 - The role of community and space in Theatre Horizon's success27:02 - The importance of leaving audiences with joy and celebration28:20 - Closing thoughts on the community impact of theatre and supporting local artsResources & Links:Theatre HorizonAin't Misbehavin' on Stage (through May 17)Fats Waller - Biography and LegacyShare and Support Local TheatreFollow us and our links here: https://bio.site/em3ry

Episode Summary What does it mean to cultivate hope in a moment like this? In this reflective episode of Our Classroom, Roberto Germán explores the idea that hope is not denial, optimism, or pretending things are okay—it's intentional, courageous work. Inspired by the upcoming Cultivate Hope 2026 gathering hosted by The Flourish Collective, this conversation reflects on the Harlem Renaissance, the role of educators during uncertain times, and why imagination, creativity, and community matter now more than ever. This episode is an invitation to resist cynicism, reclaim possibility, and remember that even in difficult seasons, people still have the power to create beauty, truth, and belonging. In This Episode Why hope is something we cultivate—not something we wait for The connection between struggle and creativity Lessons from the Harlem Renaissance Why imagination matters in education What educators are really planting in students The difference between optimism and hope What gives Roberto hope right now Key Reflection “Hope is also imagining what could still become possible.” Questions to Reflect On What gives you hope right now? What kind of future are you hoping to help create? What are you continuing to plant, even when growth feels slow? About Cultivate Hope 2026 This episode was inspired by Cultivate Hope 2026, an event hosted by The Flourish Collective centered on the belief that difficult times can still produce beauty, art, community, and collective joy. The event draws inspiration from the Harlem Renaissance and the enduring power of people refusing to be diminished. An Invitation Teach in Truth. Lead with Courage. Belong to a Community That Gets It. Join My Classroom Gold:

History tells us the Harlem Renaissance was just a magical explosion of art. That is a lie.It was actually a highly calculated, heavily funded cultural heist.In the 1920s, Black Harlem didn't just entertain the world, they outsmarted the world. From building an independent real estate mecca and finessing white patrons out of thousands in cash, to ambushing elite white publishers and hijacking national radio wires.They took the raw reality of Black life, turned it into high art.Sources:Harlem: The Making of a Ghetto by Gilbert OsofskyRed Summer: The Summer of 1919 by Cameron McWhirterThe New Negro: The Life of Alain Locke by Jeffrey C. StewartDuke Ellington's America by Harvey G. CohenWrapped in Rainbows: The Life of Zora Neale Hurston by Valerie BoydThe Harlem Renaissance: A Historical Dictionary for the Era by Bruce KellnerAudio Onemichistory.comFollow me on Instagram: @onemic_historyFollow me on Substack: https://onemicblackhistorypodcast.substack.com/Follow me on Threads: https://www.threads.net/@onemic_historyPlease support our Patreon: https://www.patreon.com/user?u=25697914Buy me a Coffee https://www.buymeacoffee.com/Countryboi2m

In Jazz Age New York, a shocking murder shatters the privileged life of the city's most elite family in a propulsive mystery-thriller debut from author K.M. Colley that spans from Harlem to Long Island's Gold Coast and high society's glittering world of deadly secrets.In the glittering world of 1920s New York, the seven Ridley heirs seem to have it all: wealth, status, and protection as the city's most powerful family. But when notorious gossip columnist Dale Caimen is found dead during their family's renowned summer soiree, their carefully constructed world begins to crack.Behind the champagne and jazz, each adopted Ridley sibling harbors secrets that could destroy them. There's Amelia, the responsible eldest trying to hold it all together; Adesua, whose artistic ambitions in the Harlem Renaissance threaten her family's expectations; and wild child Kavita, whose dangerous nights in speakeasies may have finally caught up with her.As the murder investigation intensifies, long-buried tensions surface and family loyalties unravel. Someone knows the truth about the Ridleys—and they're willing to kill to expose it. In a world where appearance is everything and power comes at a deadly price, the siblings must decide what matters more: protecting the family name or each other.goto Amazon or where ever books are sold! 

African American sculptor Selma Burke chronicled many of the events of the last century in her art: lynchings, the Harlem Renaissance, the Holocaust, and the assassination of Martin Luther King. Two Calgary playwrights have created an award winning play based on her life. The manuscript is now a book, Selma Burke: Carving a Sculptor's life. We speak with one of the authors, Caroline Russell-King.

In this final episode of our six-part miniseries, we're in January 2026. Kate's already researching her next book, and it turns out it connects everything she's ever written. Kevin has one goal: to finish first. Katie Rose has a draft proposal, three kids under five, and no intention of stopping. And Sara has a message for anyone who's ever thought about writing a book. BIO Podcast producer Jenny Skoog guides listeners through this series' finale. “Four Paths, One Impossible Dream” follows four authors navigating the challenges of writing biography. Over eight months in 2025, BIO Podcast producer Jenny Skoog spoke with comedian Sara Benincasa, tackling Abraham Lincoln; professor Kate Culkin, working on a book about Ralph Waldo Emerson's daughters; historian Kevin McGruder, who has spent decades researching Harlem Renaissance writer Rudolph Fisher; and journalist Katie Rose Quandt, on the challenges of completing a book proposal while pregnant.

Thank you to Tony Award winning actor and playwright Ruben Santiago-Hudson for coming on my show for an interview! Ruben discussed his new play that he is acting in called Come and Gone alongside Taraji P. Henson and Cedric the Entertainer. He talked about his part as the street hustler in Coming to America, wanting to bring to life a TV miniseries on the Harlem Renaissance, and the story of coming out of retirement as a director. Ruben also spoke about the emergence of AI, playing the harmonica, and his upcoming work. Stay tuned! Follow me on Instagram and X: @thereelmax Website: https://maxcoughlan.com/index.html. Website live show streaming link: https://maxcoughlan.com/sports-and-hip-hop-with-dj-mad-max-live-stream.html. MAD MAX Radio on Live365: https://live365.com/station/MAD-MAX-Radio-a15096. Subscribe to my YouTube channel Sports and Hip Hop with DJ Mad Max: https://m.youtube.com/channel/UCE0107atIPV-mVm0M3UJyPg. Ruben Santiago-Hudson on "Sports and Hip-Hop with DJ Mad Max" visual on YouTube: https://www.youtube.com/watch?v=fkXRzzq1tuc. 

At a time when the U.S. government is trying to make American history tidier, we try to learn from the mess. Including the untold, messy story of Paul and Essie Robeson. Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: Guest Host Emanuele Berry talks to Nichole Hill about the Black movie characters Nichole was curious about as a child. (7 minutes)Act One: A giant of the Harlem Renaissance, Paul Robeson was the most famous American of his day. Until he wasn't. Nichole Hill tells the messy, complicated story of Paul and his wife, Essie Robeson. (38 minutes)Act Two: In 1865, a formerly enslaved man named Jourdan Anderson received a letter from his former enslaver, asking Jourdan to return to the plantation and work. Actor Laurence Fishburne reads Jourdan's response. Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.

Sara offers her advice to anyone writing their first book: get a therapist and take a walk. Kate cut a story she loved — about two sisters fighting over politics in 1880 — because it didn't belong. Kevin is in a race he didn't sign up for, and Katie Rose is asked if she's ever thought about quitting. She says no. She wants this book to exist; that's enough. Part five of our podcast miniseries, produced by Jenny Skoog, explores the quiet, unglamorous work of writing biography — and what it actually feels like. “Four Paths, One Impossible Dream” follows four authors navigating the challenges of writing biography. Over eight months in 2025, BIO Podcast producer Jenny Skoog spoke with comedian Sara Benincasa, tackling Abraham Lincoln; professor Kate Culkin, working on a book about Ralph Waldo Emerson's daughters; historian Kevin McGruder, who has spent decades researching Harlem Renaissance writer Rudolph Fisher; and journalist Katie Rose Quandt, on the challenges of completing a book proposal while pregnant.

Gladys Bentley was a part of the Harlem Renaissance as a performer – she played piano and sang in ways that drew huge crowds starting in the 1920s, and she was completely out as a lesbian. But her story takes some surprising turns. Research: Adkins, Judith. “These People Are Frightened to Death.” Prologue Magazine. National Archives. Summer 2016. Vol. 48, No. 2. https://www.archives.gov/publications/prologue/2016/summer/lavender.html Britannica Editors. "rent party". Encyclopedia Britannica, 23 Nov. 2016, https://www.britannica.com/topic/rent-party Chase, Bill. “House Rent Parties Were an Institution.” New York Age. Oct. 29, 1949. https://www.newspapers.com/image/40993834/?match=1&terms=Gladys%20Bentley Church, Moira Mahoney. “If This Be Sin: Gladys Bentley And The Performance Of Identity.” University of South Carolia. (Theses and Dissertations.) 2018. https://scholarcommons.sc.edu/cgi/viewcontent.cgi?article=5705&context=etd “Colored Detective Lieutenant Acquitted of Murder Charge.” Philadelphia Tribune. Aug. 4, 1927. https://www.newspapers.com/image/1135383911/?match=1&terms=Maceo%20Sheffield The Doll House advertisement. Dec. 12, 1947. https://www.newspapers.com/image/580248504/?match=1&terms=Gladys%20Bentley “Gladys Bentley, Entertainer, Dies.” Alabama Tribune. Montgomery, Alabama. February 12, 1960. https://www.newspapers.com/image/554602763/?clipping_id=66402293 “Harlem’s Gladys Alberta Bentley, Friend Of Cary Grant, Stanwyck, And Others, Way ‘Out’ Ahead Of Her Time.” Harlem World. June 24, 2023 https://www.harlemworldmagazine.com/harlems-gladys-alberta-bentley-friend-of-cary-grant-stanwyck-and-others-way-out-ahead-of-her-time/ “J.T. Gipson Dead.” California Eagle. July 17, 1952. https://www.newspapers.com/image/693556889/?clipping_id=172230200 Levette, Harry. “Movie Lots Gossip.” The Call. Aug, 22, 1952. https://www.newspapers.com/image/957555211/?match=1&terms=%22Never%20Married%20to%20Gladys%20Bentley%22 Moses, Alvin. “Alvin Moses Says.” Chicago Defender. Dec. 30, 1944. https://www.newspapers.com/image/1135809373/?match=1&terms=Gladys%20Bentley “New York Police Launch Drive on Harlem Cafes.” The Chicago Defender. March 17, 1934. https://www.newspapers.com/image/1136311398/?match=1&terms=Gladys%20bentley Onion, Rebecca. “An Affectionate 1932 Illustrated Map of Harlem Nightlife.” Slate. April 15, 2016. https://slate.com/human-interest/2016/04/e-simms-campbell-s-1932-illustrated-map-of-harlem-nightlife.html Roy, Rob. “’8 to the Bar,’ Style Gladys Bentley Made Famous, a World Favorite Today.” The Chicago Defender. May 14, 1955. https://www.newspapers.com/image/1135895140/?match=1&terms=Gladys%20Bentley Russonello, Giovanni. “Gladys Bentley.” New York Times. Overlooked. 2019. https://www.nytimes.com/interactive/2019/obituaries/gladys-bentley-overlooked.html Shah, Haleema. “The Great Blues Singer Gladys Bentley Broke All the Rules.” Smithsonian. March 14, 2019. https://www.smithsonianmag.com/smithsonian-institution/great-blues-singer-gladys-bentley-broke-rules-180971708/ “Wales Padlock Law Censors Risque Theater.” EBSCO. https://www.ebsco.com/research-starters/social-sciences-and-humanities/wales-padlock-law-censors-risque-theater Wilson, James F. “Bulldaggers, Pansies, and Chocolate Babies PERFORMANCE, RACE, AND SEXUALITY IN THE HARLEM RENAISSANCE.” University of Michigan Press. 2010. Winchell, Walter. “On Broadway.” Evening Courier. Feb. 6, 1933. https://www.newspapers.com/image/480106281/?match=1&terms=%22Gladys%20Bentley%22 Yaeger, Patricia. “Editor’s Note: Bulldagger Sings the Blues.” PMLA, vol. 124, no. 3, 2009, pp. 721–26. JSTOR, http://www.jstor.org/stable/25614318 See omnystudio.com/listener for privacy information.

Transformative poetry swirls around the joys and hardships of working-class black lives from James Mercer Langston Hughes - an American poet, leader of the Harlem Renaissance, and father of what came to be known as “jazz poetry.” Featuring selections from Hughes' early poetry collection “The Weary Blues”, evocatively rendered by acclaimed DC theatre artist, Ricardo Frederick Evans and the imaginative jazz compositions of Chicago trumpeter Markus Rutz, along with his musical collaborators, The Markus Rutz Trio & Quartet.

In this fourth episode of our six-part miniseries, Sara finds out that President Lincoln presided over the largest mass execution on American soil, and she wants to know why nobody taught her that. Kevin has a death certificate that answers a question other scholars keep pretending is a mystery. Katie Rose reads congressional testimony from a hundred years ago that could have been written this morning. And Kate has to reckon with the fact that one of her subjects was a racist. The ideas. The arguments. The stuff that keeps them up at night, and BIO Podcast producer Jenny Skoog explores these dilemmas with the four authors. “Four Paths, One Impossible Dream” follows four authors navigating the challenges of writing biography. Over eight months in 2025, BIO Podcast producer Jenny Skoog spoke with comedian Sara Benincasa, tackling Abraham Lincoln; professor Kate Culkin, working on a book about Ralph Waldo Emerson's daughters; historian Kevin McGruder, who has spent decades researching Harlem Renaissance writer Rudolph Fisher; and journalist Katie Rose Quandt, on the challenges of completing a book proposal while pregnant.

Robert meets Sir Isaac Julien at Victoria Miro gallery in London to explore 4 decades of making art. We also meet Julien's long term collaborator Mark Nash to explore his major five-screen film installation All That Changes You. Metamorphosis, 2025 and new photographic works. All That Changes You. Metamorphosis is a vivid, sweeping, visual poem about change, what it means to transform, to adapt and to survive. Commissioned to celebrate 500 years of Palazzo Te, Mantua, Italy (where it is currently on view) and exhibited here for the first time as a five-screen installation, Julien's latest work moves between science fiction, philosophy, ecology and art, imagining new forms of life and identity beyond the human.All That Changes You. Metamorphosis draws inspiration from thinkers who explore how transformation shapes who we are and how we live, including writers Octavia Butler, Naomi Mitchison, Ursula K. Le Guin and philosopher Donna Haraway. Their ideas weave through the film's layered images and lyrical dialogue. Two protagonists are at the heart of the film, played by internationally acclaimed actors Sheila Atim and Gwendoline Christie.Isaac Julien is as acclaimed for his fluent, arresting films as for his vibrant and inventive gallery installations. One of the objectives of his work is to break down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to construct a powerfully visual narrative.Julien came to prominence in the film world with his 1989 drama-documentary Looking for Langston, gaining a cult following with this poetic exploration of Langston Hughes and the Harlem Renaissance. During the past three decades he has made work largely, though not exclusively, for galleries and museums, using multi-screen installations to express fractured narratives exploring memory and desire.Julien's major film installations include Once Again . . . (Statues Never Die), 2022, commissioned by the Barnes Foundation in celebration of its centennial, an immersive five-screen installation exploring the relationship between Dr Albert C. Barnes, who was an early US collector and exhibitor of African material culture, and the famed philosopher and cultural critic Alain Locke, known as the ‘Father of the Harlem Renaissance'; Lessons of the Hour – Frederick Douglass, 2019, a meditation on the life, words, and actions of Frederick Douglass (1818–1895), the visionary African American abolitionist and freed slave, and on the issues of social justice that shaped his life's work; Lina Bo Bardi – A Marvellous Entanglement, 2019, reflecting on the iconic work and on the legacy of the visionary modernist architect and designer (1914–1992); PLAYTIME, 2014, which explores the dramatic and nuanced subject of financial capital; Ten Thousand Waves, 2010, exploring China's ancient past and rapidly transforming present through a series of interlocking narratives. Follow @IsaacJulienIsaac Julien's major retrospective opens in Bergamo at gresart671 on 10th April 2026 and he will also showing a single screen version of All That Changes You. Metamorphosis at The Cosmic House in London from 22nd April, learn more here. Special thanks to Victoria Miro gallery. Hosted on Acast. See acast.com/privacy for more information.

The third episode of our six-part miniseries goes behind the scenes of biography's business realities — the contracts, proposals, and market pressures authors navigate to get their books published. “Four Paths, One Impossible Dream” follows four authors navigating the challenges of writing biography. Over eight months in 2025, BIO Podcast producer Jenny Skoog spoke with comedian Sara Benincasa, tackling Abraham Lincoln; professor Kate Culkin, working on a book about Ralph Waldo Emerson's daughters; historian Kevin McGruder, who has spent decades researching Harlem Renaissance writer Rudolph Fisher; and journalist Katie Rose Quandt, on the challenges of completing a book proposal while pregnant.

At the turn of the 20th century, Black photographers were starting to make a name for themselves. Photographers like William E. Woodard, James Van Der Zee and Miles Webb were opening and running their own studios. In African American art history, the Harlem Renaissance in New York is often celebrated. But Chicago played a role in that as well. Photographs of Black life circulated in local and international publications at the time, and the photographers behind those images focused on the community, intentionally. “The photographers know of each other and are in some ways competing, yet they're also really supportive of each other's work,” said Amy Mooney, art history professor at Columbia College Chicago. In our last episode, we explored the first art galleries in Chicago. Many of those “established” spaces were owned by white people who exhibited works by white artists. But that didn't mean skilled and prolific artists of color were scarce. Today, Mooney tells us more about the early Black photographers who opened up their studios to everyone.

 A brief take on subfields in African American literary studies, showing how areas like the Harlem Renaissance, Richard Wright studies, the Black Arts Movement, and Toni Morrison Studies emerged over time to organize research, debates, and scholarly communities. Script by Howard Rambsy IIRead by Kassnadra Timm

Zora Neale Hurston was a brazen, boundary-breaking literary genius who was almost lost to history. You might be familiar with her contributions during the Harlem Renaissance, but that is merely the beginning of her indispensable relevance. This "deep dive and backstory" episode unpacks why.Be sure to check the transcript for links to audio primary sources from the Library of Congress to hear Zora's narration - and singing - of ethnographic songs recorded at the Federal Music Project Office in Jacksonville, Florida, in 1939. We would love to hear from you! Email hello@unerased.org and let us know where in the world you are listening, or what history we can highlight in a future episode from your corner of the world. Thank you for listening, and please subscribe, rate, and share this podcast! History UnErased is putting LGBTQ history in its rightful place — the classroom. UnErased.org

In the second episode of our special six-part miniseries, the authors share updates on their research and writing. “Four Paths, One Impossible Dream” follows four authors navigating the challenges of writing biography. Over eight months in 2025, BIO Podcast producer Jenny Skoog spoke with comedian Sara Benincasa, tackling Abraham Lincoln; professor Kate Culkin, working on a book about Ralph Waldo Emerson's daughters; historian Kevin McGruder, who has spent decades researching Harlem Renaissance writer Rudolph Fisher; and journalist Katie Rose Quandt, on the challenges of completing a book proposal while pregnant.

In this episode of Exploring A Course in Miracles, Robert and Emily Perry explore an often overlooked dimension of the Course's history: the influence of Black voices and Black religious culture. Recorded during Black History Month, this conversation brings forward connections that have rarely been discussed in the Course community. From Helen Schucman's early spiritual formation in a Harlem Baptist church to the appearance of African American cultural influences within the Course itself, the episode uncovers surprising threads woven into the story of A Course in Miracles. Among the topics discussed: The profound influence of Idabel, the Black Baptist housekeeper who helped shape Helen Schucman's early spiritual life How an African proverb entered the Course through a remark by an elevator operator The connection between the Course and James Weldon Johnson, a Harlem Renaissance writer and civil rights leader Helen Schucman's poem "Glory Train," inspired by the tradition of Black spirituals What the teachings of A Course in Miracles may offer in conversations about equality, healing, and spiritual liberation This episode also reflects on the unique way the Course presents a vision of radical spiritual equality—a vision that rejects hierarchy and affirms that everyone without exception is equal in God's eyes. ___________________________ Since 1993, our purpose has been to help with both the theory and practical application of A Course in Miracles. We are the publisher of the Complete and Annotated Edition of the Course (known as the "CE"), which is available as a revised hardcover*, ebook*, and via Audible. Our work grows out of our commitment to be as faithful as possible to what A Course in Miracles says, years of dedication to walking this path ourselves, and a desire to see the Course's purpose realized in the lives of students and in the world. You are invited to download the free ACIM CE App to read, search, or listen to the Course wherever you are in the world, by following the instructions at https://acimce.app/ Whether you are new to ACIM or you've been a student for many years, you are welcome to join our online community and learning platform to access a vast collection of resources designed to help you understand and apply Course teachings in everyday life: https://community.circleofa.org/ To submit a question or suggest a topic for a future podcast episode, please email info@circleofa.org. If you enjoyed this podcast, please consider subscribing and leaving a review, as this will help us reach other listeners. You are also welcome to make a donation to help support our work at circleofa.org/donate. *Amazon affiliate links

This episode celebrates the conviction of Zora Neale Hurston in holding to her principles in spite of pressure from both the literary world and leaders within the Harlem Renaissance to write in a fashion that was both palatable and expressive of the black grief and pain of American racism.Though Zora acknowledged that Black Americans experienced hardships associated with prejudice, she did not believe it was the predominant experience that should be expressed in literature.  For Zora, Black people were joy and beauty, intelligence and love and in no great measure were we robbed of presence and prestige because of the divisions of segregation.  Therefore, her writings in the 1920's and 30's were a deviation from the harsher realities portrayed by other authors such as Richard Wright.  Additionally, as an anthropologist, Zora held to the dialect and vernacular of the subjects she interviewed despite urgings to make the text ‘tidier' for the reader.  Rather, Zora chronicled the accounts of her subjects unchanged from how they were delivered to her.These choices unfortunately had a deleterious impact on her work and though she saw great success with ‘Their Eyes Were Watching God', she subsequently found it impossible to get published and ultimately had to return to menial labor and living in housing for the poor.Fortunately many years after her death, some of her work was resurrected and published, like Barracoon completed in 1931, published 87 years later in 2018.If you would like to engage with the podcast, submit your listener questions to info@NurahSpeaks.com.  Listeners can also learn more by visiting NurahSpeaks.com.You can follow Nurah Speaks on X, Instagram and Facebook @NurahSpeaks and subscribe to the channel on YouTube.

This time, we present the first episode in a special six-part miniseries that follows four authors on their biographical path. We spent the last eight months of 2025 with comedian Sara Benincasa who is tackling Abraham Lincoln; professor Kate Culkin is publishing a book about Ralph Waldo Emerson's daughters that nobody taught her how to promote; historian Kevin McGruder has been carrying around his subject, Harlem Renaissance writer Rudolph Fisher, for decades; and journalist Katie Rose Quandt is finishing a book proposal about five influential women while pregnant with her third child. BIO member Jenny Skoog sat down with each of these writers to ask the obvious question: who gets to write biography?

“Women are the backbones of family, of community,” Theresa Landrum ( of the Original United Citizens of Southwest Detroit) declares in a Detroit is Different conversation that moves with power, memory, and urgency. In this episode, Landrum traces how her family came from Tennessee into the “triple cities” of Ecorse, River Rouge, and Southwest Detroit, where Black families built businesses, bought homes on land contract, raised gardens, and created what she calls “our own Harlem Renaissance.” She lifts up a world where “we were our own mecca,” rich with doctors, teachers, churches, artists, and everyday people making life together under the pressure of redlining and racism. But this story is also a warning and a call to action. Landrum makes plain that “Jim Crow never ended, it just evolved,” and shows how pollution, industry, and disinvestment made environmental justice a life-or-death issue in Black Detroit. Her words, “the environmental justice movement was born off the backs and the work… of Black women,” frame this interview as both history lesson and organizing guide. This episode matters because it connects Legacy Black Culture to the future: protecting Black community means protecting Black air, Black land, Black health, and Black survival. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com Find out more at https://detroit-is-different.pinecast.co

In the early decades of the twentieth century, a neighborhood in New York City became the center of an extraordinary cultural explosion.  Writers, musicians, artists, and thinkers gathered to create works that reshaped American culture and redefined how Black Americans were expressed and understood.  Their influence reached far beyond Harlem, transforming literature, music, and politics across the United States and the world Learn more about the Harlem Renaissance and how a single cultural movement helped change the course of American history on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/Ds7Rx7jvPJ Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

In our last episode, we explored the vibrant creativity of the Harlem Renaissance. Today, we zoom in on one extraordinary composer who stood right in the center of that artistic world: Margaret Bonds. Margaret Bonds was a pianist, composer, teacher, and trailblazer whose music blended spirituals, jazz, and classical traditions into something uniquely powerful. She believed music could speak up for fairness, dignity, and hope—and she used her voice boldly. In this episode, you'll discover:  How Bonds' childhood home in Chicago became a gathering place for Black artists and performers Her early success as a teenage piano soloist with a major orchestra Her studies at Northwestern University and how she learned to combine classical forms with jazz and spiritual melodies Her creative partnership with poet Langston Hughes How her music reflected the hopes and struggles of the Civil Rights Movement

In this inspiring episode, host Nichel Anderson sits down with rapper, singer, songwriter, and music engineer  Alhaji Milli aka Josiah, who is featured on her song “MOLIAE Kismet Renaissance.” Together, they explore the creative process behind the track and the deeper meaning of this new musical era — one that bridges the legacy of Dr. W.E.B. Du Bois and the Harlem Renaissance with today's Direct‑to‑Consumer (DTC) movement of independent artistry. He shares his journey of over a decade in the music industry, reflecting on the challenges and triumphs of building a career outside traditional systems. His story embodies the spirit of self‑determination and innovation that defines the modern renaissance of creators taking control of their art. Nichel also opens up about her own path into music creation for the first time, revealing how MOLIAE Kismet Renaissance became a fusion of sound, storytelling, and purpose. This conversation celebrates the power of collaboration, independence, and the timeless connection between art, history, and destiny. -- Rapper:  Artist name: Alhaji Milli  Instagram: alhaji_millz --- Song available direct on ;  MOLIAE.com/shop   --- Follow Podcast Show and MOLIAE: MOLIAE.com MOLIAEBeauty.com MOLIAEWorld.com MOLIAE.com/Podcast  

Superpowers for Good should not be considered investment advice. Seek counsel before making investment decisions. When you purchase an item, launch a campaign or create an investment account after clicking a link here, we may earn a fee. Engage to support our work.Watch the show on television by downloading the e360tv channel app to your Roku, LG or AmazonFireTV. You can also see it on YouTube.Devin: What is your superpower?Milton: Believing in oneself.Black history isn't just something to study; it's something to feel, experience, and celebrate. This is the powerful message I took away from my conversation with Milton Bowens, the fine artist behind Milton 510 Studio. Milton's work doesn't just depict history—it reimagines it as a living, breathing force that connects the past, present, and future.Milton shared how his art draws inspiration from Black history and pop culture to create a unique, layered narrative. “I chose history,” Milton explained, “because I always wanted to be able to just have something that I could reference that would re-energize or re-spark my creative curiosity.” His work focuses on centering the African-American experience, blending historical elements with vibrant colors and textures in his mixed-media art.One of the most compelling aspects of Milton's creative process is his use of storytelling techniques inspired by filmmakers like Ken Burns and Spike Lee. He described how this influence shapes his work: “If you look at my collage works, you'll see that I deal primarily with the figures in black and white, and everything else around it is in this bold, vivid color. I'm making a visual reference that this is the information, this is the focal point.”This approach is both artistic and deeply educational, as Milton sees his work as a tool for sparking important conversations. For example, he and his wife recently created a 26-piece fine art alphabet series celebrating pivotal moments in Black history. This collection has traveled to multiple venues, including Alabama State University, and has been adapted into a set of collectible flashcards to make Black history accessible to more people.This year's Black History Month holds special significance as it marks the 100th anniversary of the event's recognition by the U.S. government. Milton spoke passionately about its importance: “Dr. Carter G. Woodson, the founder of Black History Week, set out to make this celebration about making sure that African American young men and women understood the contributions that African Americans had made and were making to America and society.”Milton's art is more than something to admire—it's a call to action. It reminds us that Black history is American history and that we all have a role to play in preserving and celebrating it.To see Milton's work or purchase his Black history flashcards, visit Milton510studio.com.tl;dr:Milton Bowens uses art to connect Black history with storytelling, inspired by filmmakers Ken Burns and Spike Lee.He explained the origins and significance of Black History Month, marking its 100th anniversary this year.Milton shared his journey from a young graffiti artist in Oakland to a celebrated fine artist.His superpower, believing in oneself, helped him turn personal challenges into opportunities for growth.Milton creates engaging educational tools, like his Black history alphabet series, to spark meaningful conversations.How to Develop Believing in oneself As a SuperpowerMilton believes his superpower is the ability to believe in oneself. He explained that this belief stems from recognizing and fostering one's inherent talent. “For me, art rescued me,” Milton shared, reflecting on how his creative gifts became his life's purpose. He emphasized the importance of celebrating young people's creativity, saying, “When your child comes home with this crayon drawing and they show it to you, don't tell them, ‘Oh, that's fine, sweetie.' You take that piece of art, put it on the refrigerator, celebrate it, and you have just ignited a spark of creativity that will stay with that young person forever.”Milton recounted a pivotal moment from his childhood when art literally changed his life. After being arrested for tagging a police car at age 10, a mentor intervened during his juvenile mediation hearing and enrolled him in an art school. This opportunity set him on a path toward becoming a professional artist, allowing his talent to flourish. Later, even during his military service, art followed him—he became an Army illustrator after his commanding officer noticed his skill.Tips for Developing the Superpower:Recognize and nurture your natural talents—they can guide your path in life.Celebrate creativity in others, especially young people, to foster confidence and passion.Seek out mentors or become one for someone else to help unlock untapped potential.Embrace opportunities, even unexpected ones, that align with your talents.By following Milton's example and advice, you can make believing in oneself a skill. With practice and effort, you could make it a superpower that enables you to do more good in the world.Remember, however, that research into success suggests that building on your own superpowers is more important than creating new ones or overcoming weaknesses. You do you!Guest ProfileMilton 510 Bowens (he/him):Fine Artist, Milton 510 StudioAbout Milton 510 Studio: Fine Artist - Arts Educator.Website: milton510studio.comOther URL: m510dbart.comBiographical Information: Born and raised in Oakland, CA, the 5th son and 10th child in his family makes for Bowens'unique artistic signature, Milton 510. His work has been exhibited and widely collected nationally and internationally from educational institutions, professional sports venues, to Fortune 500 companies. From 2009 to 2012, his “”Afro Classical”“ collection, an anthology of paintings depicting the Harlem Renaissance was used by Dr . Riché Richardson as part of the course study on the Harlem Renaissance in the Africana Studies and Research Center of Cornell University.LinkedIn Profile: linkedin.com/in/milton-bowens-6a77505Instagram Handle: @milton510 Personal Twitter Handle: @miltonfivetenThe Super Crowd, Inc., a public benefit corporation, is proud to have been named a finalist in the media category of the impact-focused, global Bold Awards.Support Our SponsorsOur generous sponsors make our work possible, serving impact investors, social entrepreneurs, community builders and diverse founders. Today's advertisers include rHealth, and SuperCrowd26 featuring PurposeBuilt100™️. Learn more about advertising with us here.Max-Impact Members(We're grateful for every one of these community champions who make this work possible.)Brian Christie, Brainsy | Cameron Neil, Lend For Good | Carol Fineagan, Independent Consultant | Hiten Sonpal, RISE Robotics | John Berlet, CORE Tax Deeds, LLC. | Justin Starbird, The Aebli Group | Lory Moore, Lory Moore Law | Mark Grimes, Networked Enterprise Development | Matthew Mead, Hempitecture | Michael Pratt, Qnetic | Mike Green, Envirosult | Nick Degnan, Unlimit Ventures | Dr. Nicole Paulk, Siren Biotechnology | Paul Lovejoy, Stakeholder Enterprise | Pearl Wright, Global Changemaker | Scott Thorpe, Philanthropist | Sharon Samjitsingh, Health Care Originals | Add Your Name HereUpcoming SuperCrowd Event CalendarIf a location is not noted, the events below are virtual.SuperCrowd Impact Member Networking Session: Impact (and, of course, Max-Impact) Members of the SuperCrowd are invited to a private networking session on March 17th at 1:30 PM ET/10:30 AM PT. Mark your calendar. We'll send private emails to Impact Members with registration details. Upgrade to Impact Membership today!SuperCrowdHour March: This month, Devin Thorpe will explore how investors can align profit with purpose in a powerful session titled “Why You Should Make Money with Impact Crowdfunding.” As CEO and Founder of The Super Crowd, Inc., Devin will share practical insights on generating financial returns while driving measurable social and environmental impact through regulated investment crowdfunding. Register free to get all the details. March 18th at Noon ET/9:00 PT.SuperCrowd26 featuring PurposeBuilt100™: This August 25–27, founders, investors, and ecosystem leaders will gather for a three-day, broadcast-quality global experience focused on disciplined capital formation, regulated investment crowdfunding, and purpose-driven growth. We're bringing together leading voices in impact investing, compliance, digital marketing, and circular economy innovation to deliver practical frameworks, real-world case studies, and actionable strategies. The event culminates in the PurposeBuilt100™ Showcase, recognizing 100 of the fastest-growing purpose-driven companies in the U.S. Register now to secure your seat and get all the details. August 25–27, streaming worldwide.Community Event CalendarSuccessful Funding with Karl Dakin, Tuesdays at 10:00 AM ET - Click on Events.If you would like to submit an event for us to share with the 10,000+ changemakers, investors and entrepreneurs who are members of the SuperCrowd, click here.Manage the volume of emails you receive from us by clicking here.We use AI to help us write compelling recaps of each episode. Get full access to Superpowers for Good at www.superpowers4good.com/subscribe

Independent Renaissance “MOLIAE Kismet Renaissance” Host Nichel Anderson welcomes rapper Alhaji aka Josiah, the featured artist on her track “MOLIAE Kismet Renaissance,” for an engaging conversation about creativity, independence, and the evolution of music in the new renaissance. With over ten years of experience as a professional rapper, singer, songwriter, and engineer, Josiah shares his journey through the music industry and how it aligns with the rise of the DTC (Direct‑to‑Consumer) movement empowering artists today. The discussion dives into the making of MOLIAE Kismet Renaissance — a song that symbolizes the rebirth of artistry and the continuation of the cultural torch once carried by Dr. W.E.B. Du Bois and the Harlem Renaissance. Nichel reflects on her first experience creating music, connecting her storytelling roots to sound and rhythm, while Josiah offers insight into the discipline and creativity behind his craft. Together, they celebrate the merging of history and modern innovation — a conversation that honors the past while amplifying the voices of today's independent creators shaping the future of music.+   ---- Artist name: Alhaji Milli  Instagram: alhaji_millz

In this special Power of Reading Week episode, host Nichel Anderson begins a powerful literary journey through Zora Neale Hurston's timeless masterpiece, “Their Eyes Were Watching God.” As part of the Harlem Renaissance series, Nichel starts from the very beginning — reading the foreword of the book edition and sharing key historical insights that shaped Hurston's life and legacy. Listeners will gain a deeper understanding of the pioneering women who paved the way for Hurston's voice to rise and endure through generations. Nichel highlights the cultural and social context of the early 20th century, when Hurston's bold storytelling redefined how Black women's experiences were portrayed in literature. This episode blends reading, reflection, and analysis as Nichel explores the themes of love, independence, and self‑discovery that make Hurston's work a cornerstone of American literature. Part 1 sets the stage for a continuing exploration in the next Power of Reading Week event, where Nichel will return to read and analyze more chapters from this extraordinary novel that continues to inspire readers and scholars around the world.   Timestamps: 0:00 - 0:40 Intro 0:20 Prayer 0:43 Show Starts, Their Eyes Were Watching GOD, by Zora Neale Hurston 2:20  Reading Foreword 5:43 My Analysis of the critics 6:00 DTC Movement and Harlem Renaissance 7:30 Assessment of the critics from then to now movement 8:00 Supporters Pioneers Bringing Back Into Print and Rival of Ms. Hurston's book 25:10 Starting the Reading of book “Their Eyes Were Watching God” 35:02 Analysis of Part 1 Reflection  --   Follow MOLIAE:   MOLIAE.com/podcast    

1:  In this enlightening episode of Nichel Anderson Short Stories And Beyond, host Nichel Anderson explores the origins and impact of the Harlem Renaissance, the cultural movement that reshaped art, literature, and identity in America. Nichel takes listeners on a journey through the early years of Dr. W.E.B. Du Bois, his groundbreaking concept of the Talented Tenth, and his pivotal role in founding the NAACP's magazine, The Crisis — a publication that became the voice of a generation. She also highlights the contributions of the Opportunity Magazine Organization and other key figures who worked together to formalize what would later be named by Langston Hughes as The Harlem Renaissance. This episode serves as a quick yet powerful study of how collaboration, intellect, and artistry converged to create one of the most extraordinary cultural movements in history. As part of Power of Reading Week, Nichel connects the legacy of the Harlem Renaissance to today's creative revolution — the Direct‑to‑Consumer (DTC) movement. She draws parallels between Du Bois's prophetic essay “Of the Wings of Atlanta” and the modern shift toward global independence and creative freedom. The torch that once burned in Harlem now shines in Atlanta and beyond, symbolizing a new renaissance of expression, empowerment, and innovation.

In this special Black History Month episode of Busy Kids Love Music, we travel back about 100 years to Harlem, New York—an exciting neighborhood overflowing with creativity, poetry, dancing, painting, and bold new musical sounds. This remarkable time in American history is known as the Harlem Renaissance, a cultural "rebirth" that took place during the 1920s and 1930s. In this episode, we'll explore how music helped shape the Harlem Renaissance—and how the Harlem Renaissance changed the future of American music forever. What Was the Harlem Renaissance? The word renaissance means "rebirth." During this period, Harlem became a gathering place for African American artists, writers, and musicians who were creating fresh ideas and sharing their voices with the world. Families arriving during the Great Migration brought musical traditions from many parts of the country. When these styles blended together in one vibrant neighborhood, something extraordinary happened. In this episode, you'll meet some of the influential artists who helped define Harlem's sound, explore some famous Harlem venues and listen to examples of colorful music with jazz, blues and big band sounds! Listen Along! Check out the curated Harlem Renaissance playlist here. As you listen, see if you can spot: A steady beat that makes you want to tap your foot Instruments taking turns playing solos Fast piano patterns Bright brass sounds like trumpets and trombones Coming Up Next… In the next episode of Busy Kids Love Music, we'll focus on composer Margaret Bonds, who collaborated closely with Harlem Renaissance poets and blended classical music with spirituals and jazz colors—carrying the movement's spirit into concert halls and classrooms. Be sure to subscribe so you don't miss it!

Power of Reading Week – The Harlem Renaissance and the New Age of Creativity Host Nichel Anderson dives deep into the history and brilliance of the Harlem Renaissance, tracing its roots through the vision of Dr. W.E.B. Du Bois and the pioneering artists, writers, and thinkers who defined an era. This episode examines the early formation of the Talented Tenth, the creation of the NAACP's The Crisis magazine, and the collaborative efforts of the Opportunity Magazine Organization that helped shape the cultural awakening known as The Harlem Renaissance — a term later coined by Langston Hughes. Nichel celebrates this period as a cornerstone of Power of Reading Week, emphasizing how books, art, and music became tools of liberation and self‑expression. Through her insightful commentary, she reveals how Du Bois's essay “Of the Wings of Atlanta” foreshadowed a future where Atlanta would carry the creative torch once held by Harlem. Fast‑forward to today, Nichel connects that prophecy to the rise of the DTC (Direct‑to‑Consumer) movement — a modern renaissance that transcends boundaries, empowering creators worldwide to share their voices freely. This episode is both a tribute to the past and a celebration of the present, reminding listeners that the spirit of the Harlem Renaissance lives on in every act of independent creativity and cultural innovation.

Podcast Description 1: Power of Reading Week – Dr. W.E.B. Du Bois “Of the Wings of Atlanta” Part 4 In this inspiring kickoff to Power of Reading Week, host Nichel Anderson dives into the brilliance of Dr. W.E.B. Du Bois with a focused reading and discussion of his essay “Of the Wings of Atlanta” Part 4. This episode celebrates the timeless power of literature and the importance of reading as a tool for growth, reflection, and empowerment. Nichel explores the historical context of Du Bois's work, connecting his message of perseverance and intellectual excellence to today's journey of self‑development. Through thoughtful analysis and storytelling, she highlights why reading remains one of the most powerful ways to move forward in life — a classic, old‑school path to wisdom and success. As Power of Reading Week unfolds, Nichel will spotlight other prominent voices of the Harlem Renaissance, revealing how they collaborated with Du Bois and his organizations to elevate art, culture, and education. *** Today also marks Dr. W.E.B. Du Bois's birthday and the relaunch of Nichel's PMTR (Pyramid Mystery Temple Reunion) NFT collection. Support this creative mission by minting one of the ten exclusive pyramids at Mint.MOLIAEWorld.com and join the journey to uncover the mystery of the HUJTA swords — a story that echoes Du Bois's pursuit of excellence and the MOLIAE vision of legacy and empowerment.

Power of Reading Week begins with a powerful episode honoring Dr. W.E.B. Du Bois, featuring a reading and analysis of “Of the Wings of Atlanta” Part 4. Host Nichel Anderson invites listeners to rediscover the joy and strength found in reading — a timeless practice that fuels creativity, knowledge, and personal growth. This episode blends history, literature, and motivation as Nichel reflects on Du Bois's influence and the enduring message of his work. She shares her own testimony on how books have shaped her journey, reminding us that reading is not only educational but deeply entertaining — a window into the best the world has to offer. Throughout the week, Nichel will highlight other great authors of the Harlem Renaissance, exploring their connection to Du Bois and their collective mission to uplift through art and intellect. Coinciding with Du Bois's birthday, this episode also celebrates the relaunch of the PMTR (Pyramid Mystery Temple Reunion) NFT collection. Visit Mint.MOLIAEWorld.com to mint your pyramid NFT and support Nichel's dream of bringing her Egyptian‑inspired book to film. The PMTR collection embodies the same spirit of excellence and purpose that Du Bois championed — a perfect reflection of the MOLIAE mission to create, inspire, and empower through storytelling.

Send a textThis episode is the warm hug that we all need right now. It will introduce you to two beautifully moving Sundance films that highlight important parts of Black American history.Once Upon a Time in Harlem invites the viewer to be a fly on the wall at a gathering of Harlem Renaissance artists and intellectuals at Duke Ellington's house in the summer of 1972. Director David Greaves and producer Liani Greaves join us to discuss the importance of engaging in meaningful communication, honoring William Greaves' legacy, and the significance of this film being released 50 years later.The Baddest Speechwriter of All is a short film about MLK's attorney and speechwriter, Dr. Clarence B. Jones. Co-director Ben Proudfoot and producer Erick Peyton sit down to discuss working with Stephen Curry (as co-director), the colorful way they decided to open the film, and why Dr. Clarence's life makes them optimistic about the future.Follow Once Upon a Time in Harlem on IGFollow producer Liani Greaves on IGFollow director Ben Proudfoot on IGFollow producer Erick Peyton on IGThank you to our sponsor, Standard Deviant BrewingSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. Fuck ice. -- Support Bitch Talk here! Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram, Threads, and Substack Listen every Monday at 7 am on BFF.FM

During the 19-teens and through the Great Depression, women and particularly black women were holding together literacy in society with their bloody fingertips and blistered feet. In this episode we discuss the Packhorse Librarians of Kentucky, and the black librarians of the Harlem Renaissance. Literacy is power, guys. And Black history is American history. And women's history is still sadly overlooked, which is why we do this podcast!Kelly's creative projects of the moment: Goddess justice arc 2026 calendar Well behaved women keychains

A 1963 conversation with one of the queer pillars of the Harlem Renaissance features Langston Hughes reading his short story, “Thank You, Ma'am” (interviewed by Eve Corey, produced by Brian DeShazor). Alice Walker's birthday and notable LGBTQ February events are celebrated in the “Rainbow Rewind.” And in NewsWrap: the first case against a gay man for violating Uganda's so-called “Kill the Gays” law is dismissed after the damage has already been done, transgender female athletes receiving hormone therapy have no physical advantage over their cisgender counterparts according to new research, fewer transgender people were murdered around the world between October 2024 and September 2025 with the numbers still alarming, a Christian teacher is fighting a losing battle against the Montgomery County Maryland Public School District's policy on using the chosen names and pronouns of her trans and nonbinary students, a record number of proud LGBTQ athletes are competing in the 2026 Winter Olympics, thousands hit the streets of Melbourne on February 1st for the 31st annual Midsumma Pride March, and more international LGBTQ news reported this week by Michael Taylor Gray and Tanya Kane-Parry (produced by Brian DeShazor). All this on the February 9, 2026 edition of This Way Out! Join our family of listener-donors today at thiswayout.org/donate/.

The Harlem Renaissance was a vibrant 1920s-1930s Black cultural movement centered in Harlem, a hub for African American creativity, literature (Langston Hughes, Zora Neale Hurston), music (jazz, blues), and art (Aaron Douglas), fueled by the Great Migration and a desire to redefine Black identity that forged a new sense of Black Pride. In this program, we hear less well known artists such as James (“Big Jim”) Reese Europe who led an orchestra of 120 musicians. We also hear iconic songs of the era including Fats Waller's “Ain't Misbehavin'”, Mamie Smith's massive 1920 hit “Crazy Blues,” Cab Colloway's “St. James Infirmary” and more. Along the way, we'll enjoy the Fletcher Henderson Orchestra featuring Louis Armstrong on trumpet and vocals and Coleman Hawkins on sax, Ethel Waters, James P. Johnson, and Willie the Lion Smith. Harlem also drew the top Cuban orchestras who came to New York by steamship to record, calyso singers, and Haitian vodou music and theater. Harlem was famous for its rent parties and a wide open attitude to defying Prohibition where revelers danced to the shimmy, the black bottom, and the Charleston from down south. Relive the glory! APWW #226 Produced by Ned Sublette

In this episode of The Learning Curve, we celebrate Black History Month as co-hosts U-Ark Prof. Albert Cheng and Alisha Searcy of the Center for Strong Public Schools speak with A'Lelia Bundles, an accomplished journalist, television producer, and biographer of Madam C. J. Walker, about the life, legacy, and enduring significance of her remarkable great-great-grandmother. Ms. Bundles traces Walker's journey from her birth as Sarah Breedlove in post–Civil War Louisiana through an orphaned childhood marked by poverty, labor, and faith, and into her formative years in St. Louis, where church, music, and education shaped her ambitions. She explores how Breedlove's experiences with marriage, motherhood, and economic hardship informed her entrepreneurial drive, leading to the creation of innovative hair-care products and the launch of the Madam C. J. Walker brand. Bundles discusses Walker's development of a national training network that empowered Black women economically, her rise as America's first self-made female millionaire, and her philanthropic leadership. She also highlights Madam Walker's Westchester County, NY,  mansion estate "Villa Lewaro" as a Harlem Renaissance hub, and explores the cultural impact of Self Made. In closing, Ms. Bundles reads a passage from On Her Own Ground: The Life and Times of Madam C. J. Walker.

Hello Wonderful Reader,Today, I've chosen a very special unpublished poem and writing prompts for you to explore the power of forbidden love. You'll discover why the poet never published this work in a second. So grab a pen and paper, and let's uncover some of your juicy secrets…Evanescence(unpublished, 1920s)By Angelina Weld Grimké (1880 – 1958)You are like a pale purple flower    In the blue spring dusk . . . . . .You are like a yellow starBudding and glowingIn an apricot sky . . . . . .You are like the beautyOf a voice . . . . . .Remembered after death . . . . . .You are like thin, white petalsFalling           And                  Floating                                DownUpon the white, stilled hushing                 Of my soul.Source: Aphrodite's Daughters: Three Modernist Poets of the Harlem Renaissance.Your 4 Writing Prompts on Forbidden Love

Hello Wonderful Reader,Today, I've chosen a very special unpublished poem and writing prompts for you to explore the power of forbidden love. You'll discover why the poet never published this work in a second. So grab a pen and paper, and let's uncover some of your juicy secrets…Evanescence(unpublished, 1920s)By Angelina Weld Grimké (1880 – 1958)You are like a pale purple flower    In the blue spring dusk . . . . . .You are like a yellow starBudding and glowingIn an apricot sky . . . . . .You are like the beautyOf a voice . . . . . .Remembered after death . . . . . .You are like thin, white petalsFalling           And                  Floating                                DownUpon the white, stilled hushing                 Of my soul.Source: Aphrodite's Daughters: Three Modernist Poets of the Harlem Renaissance.Your 4 Writing Prompts on Forbidden Love

Nia Hill is an accomplished actress, entertainment executive, producer, and master of reinvention. Like many of us, her earliest attempts at reinvention happened after she started a new school in LA. She was immediately introduced to a new set of beauty and style expectations that were different from what was allowed at her prim and mandatory-uniform Catholic School. Growing up traveling between parents and cities, Los Angeles and Atlanta, provided her with the foundation to assess and adapt to new surroundings quickly. While her mother was stricter in how she allowed Nia to self-express, her father, a well-known comedy agent, was more lenient. Her early exposure to the entertainment business, coupled with music video inspiration on BET, Nia quickly carved out her own path personally and professionally.During our conversation, Nia shared that while she studied acting in college, her father dissuaded her from pursuing a career in acting. The Harlem Renaissance inspired her to move to New York during the early 2000s. After interning at the famous Apollo Theater, she embarked on a career as an executive and landed roles at Comedy Central, The Chappelle Show, and even MTV. Despite a successful career and blossoming relationship with her now-husband, Bill Burr, she was unfulfilled. She transitioned to a full-time stay-at-home mother, but still felt called towards creative work. Nia decided to invest fully in herself and her interests, only to find that she was the career of her dreams. Her current role, as a purveyor of the best in Black fine dining, is created in her image; truly original, funny, and endlessly entertaining. Tune in as we discuss:(5:40) Why Nia Isn't Pursuing A Professional Comedy Career(6:30) Why She Didn't Feel Beautiful Growing Up(8:45) Growing Up Between Atlanta & LA(9:08) Her Nepo Baby Experience(10:30) How Summer School In LA Helped Reshape Her Identity (11:15) Finding Style Inspo On BET(11:45) Her Experience In Y2K Harlem (12:10) How The Harlem Renaissance Inspired Her Move(12:40) A Mild Diddy Run-In(13:05) What Early 2000s Braid Shops Were Like(14:10) Defining Her Second Wind Career(15:00) From Acting & To Media Exec(16:16) Recovering From Corporate Unhappiness(17:50) Why She Felt Unfulfilled As A SAHM(19:08) The True Cost Of Investing In Herself(21:00) Why Vanity Inspired Her Public Rebrand(25:08) Building Her Team With Personal Connections(26:28) The Day-To-Day Stylist Rundown(31:45) How People Responded To Her Evolution(38:52) Invest In Yourself, Even If It's Small(39:59) Beginning Her Fine Dining Journey(44:40) Why She Chooses To Highlight Black Chefs(47:55) LA Food Lightning Round(54:41) Nia's Advice For People Who Feel StuckRate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Thanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :) Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Nia @niasalteregoProducts Mentioned:Ami Cole Lip OilMakeup Forever Hydra GlowMAC Chestnut Lip PencilEADEM Le Chouchou Exfoliating + Softening Peptide Lip BalmForlle'd Hyalogy P-effect Refining LotionAquaphor Healing OintmentVaseline Cocoa Radiant LotionBiologique Recherche Masque VivantPurple Rain Prada Beauty Hosted on Acast. See acast.com/privacy for more information.

Host Meg Wolitzer presents three stories about people inserting themselves into the lives of others—in their own best interests. In Simon Rich's “Relapse,” friends rally 'round when one of their numbers heeds the call of the muse. It's read by Ophira Eisenberg. In Langston Hughes' “Thank You, M'am,” read by Pauletta Washington, a fierce old lady sets a young man straight. And a young woman finds an ingenious way to cheer up retirees—and herself—in Miranda July's “The Swim Team,” read by Parker Posey. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.