Podcast appearances and mentions of Harlem Renaissance

Longtime followers of this Project will know that I'm a proponent of early 20th century Chicago Afro-American poet Fenton Johnson. The "elevator pitch" for Johnson is that he slots in between Paul Laurence Dunbar and the slightly later Harlem Renaissance. Back then, prominent contemporary Black critics such as the remarkable polymath James Weldon Johnson categorized Fenton Johnson's work as altogether "radical" and "full of despair," enough so that they were of mixed feelings about the value of his verse.  Fenton Johnson's poetry does speak at times of hardship, even hopelessness, but he also wrote of persevering through adversity, and I think some of his poetry shares elements with the Black Gospel music tradition which was forming up in Chicago while he was actively publishing just before WWI. His poem "Revery"  may have a little of that latter: it might even be a hymn to the Creator. Or one could read it as a recounting of the "oversoul" that passes in an out of human lives, which is how I cast it when I revised Johnson's literary poem for my sung performance. My version could even be performed at a funeral or memorial service. The Parlando Project takes various words (mostly literary poetry) and combines them with original music in differing styles. We've done over 900 of these combinations, and you can hear any of them and read about our encounters with the words at our blog and archives located at frankhudson.org    

In the summer of 1972, the late filmmaker William Greaves sent out invitations that promised a "gathering of artists and intellectuals — the living luminaries of the Harlem Renaissance." He filmed that cocktail party but never ended up completing a full-length documentary. Now, 50 years later, his son and granddaughter have restored that footage and turned it into a new film, “Once Upon a Time in Harlem.” Nil Köksal sits down with director David Greaves and producer Liani Greaves during the week of their Canadian premiere at TIFF.

A former Conservative Party campaign manager says if Pierre Poilievre wants to be part of the party's future, he'd better get the situation under control fast. The former Prime Minister of Pakistan, Imran Khan, is being held in terrible conditions in prison. His son tells us that's because of a vendetta by the chief of the army — and he fears it will end in his father's death.A Montreal family doctor is shocked to see himself in videos promoting dodgy cure-alls. He says those AI deepfakes are leading to tense confrontations with people who've been deceived. Parts of Bangladesh are in the dark, as the government deals with oil shortages caused by the US-Iran War. Our guest tells us how that's affecting life in the capital. The editor-at-large of the Merriam-Webster dictionary explains how words like "looksmaxxing" and "rickrolling" made the cut this year, along with more than a thousand other new entries.One summer afternoon in 1972, filmmaker William Greaves invited the biggest names of the Harlem Renaissance to a cocktail party at Duke Ellington's home. Fifty-plus years later, his footage of that gathering is reaching audiences for the first time, thanks to his son and granddaughter. The pair joins Nil for a feature interview about their new documentary, "Once Upon a Time in Harlem."A new study focuses on the bullying behaviour of an Australian dolphin named Bubbles, who torments certain fish around him until they throw up.As It Happens, the Friday edition. Radio that offers an embarrassment of retches.

Welcome to 251, where two pianists, Simon Whiteside and Nick Tomlin, dive into the fascinating world of jazz and art. In this episode, they explore the jazz paintings of Jean-Michel Basquiat, a renowned artist who drew inspiration from the world of jazz. Key Topics Covered The early life and career of Jean-Michel Basquiat, including his participation in the Times Square Show and his rise to fame in the early 1980s. Basquiat's love for jazz and how it influenced his art, including his famous works such as "The Horn Players" featuring Charlie Parker and Dizzy Gillespie. The abstract symbols and text in Basquiat's paintings, which were inspired by graffiti culture and had personal significance to him. Basquiat's connection to black culture and how it influenced his art, as well as his own experiences growing up with jazz music. A special mention of a sleep story on the Calm app narrated by Don Cheadle, which explores the Harlem Renaissance and its connection to jazz and art. Key Takeaways Basquiat's art was deeply influenced by jazz, which he saw as a way to express himself freely and spontaneously. His paintings often featured abstract symbols and text, which were inspired by graffiti culture and had personal significance to him. Basquiat's connection to black culture and jazz music played a significant role in shaping his art and identity.

Maureen Footer is an author and cultural historian whose work explores the ways artists, designers, and creators shape the culture around them, and she joined The Adult Ballet Studio this month!Maureen is the author of several acclaimed books on fashion, architecture and design, and her newest book takes her into the world of dance with Feel the Floor: Restoring the Life and Legacy of Jazz Choreographer Buddy Bradley, published by Beacon Press.The book tells the story of Buddy Bradley, a Black choreographer and teacher whose career began during the Harlem Renaissance and eventually took him from Broadway to London's West End. There, his work helped transform theatrical dance. Bradley taught and influenced some of the biggest performers of his era, and his choreography drew from tap, jazz, ballroom, folk dance and mime.Bradley's influence also extended into classical ballet. His work helped shape the movement vocabulary of many choreographers, including George Balanchine, and contributed to the development of what would become neoclassical ballet. Yet, despite the reach of his influence, Bradley's name largely disappeared from mainstream dance history, especially in the U.S. Feel the Floor seeks to change that by restoring Bradley's story.Maureen is also a lifelong ballet enthusiast and serves on the boards of New York City Ballet, the Jerome Robbins Dance Division of the New York Public Library, and the American Friends of the Paris Opera Ballet.We talk about Bradley's remarkable legacy, the ways racism and cultural hierarchies have shaped what gets preserved in dance history, and what his story can teach us about influence, inclusion and belonging in the world of ballet. Check it out!Get a copy of Feel the Floor: https://www.amazon.com/Feel-Floor-Restoring-Choreographer-Bradley/dp/0807045241Follow Maureen on Instagram: @maureenfooterLearn more about Maureen's work: www.maureenfooter.netSubscribe to The Adult Ballet Studio on YouTube: @adultballetstudioMusic in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield | theadultballetstudio@gmail.comThe Adult Ballet Studio has merch! https://theadultballetstudio-shop.fourthwall.com/ Hosted on Acast. See acast.com/privacy for more information.

In this episode of Diverse Voices Book Review, host Hopeton Hay welcomes back Randal Maurice Jelks for a powerful conversation about My America: Langston Hughes on Democracy. Their discussion explores Hughes not only as a beloved poet of the Harlem Renaissance, but also as a deeply political writer whose essays, speeches, travels, and commitments to working-class struggle still speak urgently to questions of race, democracy, justice, and belonging today. Jelks reflects on Hughes's global vision, his roots in Black radical traditions, his defense of the Scottsboro Boys, and his enduring insistence that America must be claimed and challenged by all of its people. Dr. Randall Maurice Jelks is a professor, documentary producer, and award-winning author whose work examines African American history, religion, politics, and culture. His writing has appeared in publications including the Boston Review and the Los Angeles Review of Books, as well as in journals, newspapers, blogs, and other periodicals. He is also co-editor of the academic journal American Studies. Follow Randal Maurice Jelks on Social Media: Facebook - @RMJofNOLA Instagram - @randalmauricejelks_books Follow Diverse Voices Book Review on Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks.bsky.social 

In this episode, author Ashton Lattimore discusses her novel 'Runner,' the research behind Prohibition-era black communities, and the importance of diverse representation in historical fiction. She shares insights into her writing process, character development, and the cultural history that inspired her work. She also shares insights with the girls into her latest novel, exploring themes of Harlem Renaissance, organized crime, and the complexities of her characters. The conversation delves into historical accuracy, character development, and her writing process, offering a rich look at her creative journey.Runner

In this episode, we read one of Langston Hughes's most famous poems. We discuss Hughes's conversational style, how he evokes the topography of Harlem, and the way the poetic speaker addresses the complexity of the power dynamics in the classroom. You can read the text of this poem here. To learn more about Langston Hughes, visit the Poetry Foundation website. Thanks to Harold Ober Associates for granting us permission to read and discuss this poem.

This summer, the UpWords Podcast is featuring leaders making a tangible difference in the Madison community. Host Rebecca Cooks sits down with Rev. Dr. Alexander Gee — pastor, author, and founder and CEO of the Center for Black Excellence and Culture — for a wide-ranging, honest conversation recorded not long after the Center's grand opening drew more than 1,500 people through its doors.They talk about what the Center actually is — part museum, part business incubator, part performing arts venue, part neuroscience research lab — and how it grew out of listening sessions with more than 700 Black Madisonians. From there, the conversation turns to belonging: why Rev. Dr. Gee insists belonging is not the same as proximity, and why he believes American integration, as it actually unfolded, cost Black communities more than it gave — including the story of the 36,000 Black teachers who lost their jobs when schools integrated. They also discuss the Harlem Renaissance and W.E.B. Du Bois, what has kept Rev. Dr. Gee rooted in Madison across four decades, his advice for minorities discerning whether to stay in the city and for white residents who want to be genuine allies, and why he believes the Black church — not the American government — has shaped the moral conscience of the nation. The conversation closes with reflections on the art and music that heal.GUEST BIORev. Dr. Alexander Gee is the Founder and CEO of the Center for Black Excellence and Culture in Madison, Wisconsin, and the founding lead pastor of Fountain of Life Covenant Church. He also founded the Nehemiah Center for Urban Leadership Development and its "Justified Anger" initiative, and he serves as an adjunct professor at the University of Wisconsin–Madison. Over more than 40 years of ministry and community leadership, he has raised more than $70 million for Madison-area organizations addressing racial disparities, including the $33 million Center for Black Excellence and Culture, which opened debt-free with a grand-opening celebration on May 6, 2026, drawing over 1,500 visitors.LINKShttps://www.theblackcenter.org/https://africanamericanstudies.wisc.edu/https://africanamericanstudies.wisc.edu/2024/05/13/reverend-dr-alex-gee-receives-honorary-doctorate/https://nehemiah.org/https://nehemiah.org/jacourses/Send us Fan MailCONNECT WITH USSubscribe to The UpWords Podcast wherever you listen to podcasts and visit slbf.org/studio to learn more about our work at the intersection of faith, the academy, and the marketplace.This episode was created by the SLBF STUDIO at Upper House.Produced by Daniel Johnson and Dave ConourEdited by Dave Conour

Preview, The Janus Adams Show, season 11, Fall 2026. Guest journalist, author, archivist, A'Lelia Bundles continues the Walker Legacy with this biography of her great-grandmother, A'Lelia Walker, Madam CJ Walker's only child.

In this week's episode of The Learning Curve, co-hosts Prof. Albert Cheng of Ohio State University and Walter Blanks, Policy and Advocacy Director of EdChoice speak with Carole Boston Weatherford, a New York Times best-selling author of more than 80 children's books and a leading voice in African American children's literature. Weatherford discusses her career writing poetry and history for young readers, including the challenges and rewards of making complex stories accessible through vivid language and imagery. She shares insights into her acclaimed books about Harriet Tubman and Jesse Owens, exploring faith, freedom, perseverance, and racism. Weatherford also discusses her latest book, Black Hands: Builders of Our Nation, which highlights the many contributions of African Americans throughout U.S. history, from the Middle Passage and Black Civil War regiments to HBCUs and the Civil Rights Movement. She explores the Harlem Renaissance and Black literary excellence while discussing how storytelling can help young people understand the people, struggles, and achievements that have shaped America. In closing, she reads a passage from her recent book, Black Hands: Builders of Our Nation.

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You can't tell the story of art and social change without visiting the brilliant minds of the Harlem Renaissance. For Dr. Minkah Makalani, Associate Professor and Director of the Center for Africana Studies at Johns Hopkins University, that's an area of particular interest and scholarship. He joins us to illustrate how the co-mingling of art and politics was present then, and draw a throughline to how artists and creators interact with our political systems today.Learn more about Dr. Makalani's work here.This season of Race Unwrapped is supported by the Kentucky Center for African American Heritage, and by our listeners. Click here to help make this work possible (and we'll send you a Race Unwrapped sticker)!

A new one-woman show tells the story of Virginia's history through the eyes of ten audacious women. From the Civil War to the Harlem Renaissance to the Civil Rights movement, Morgan Avery McCoy Harris is using her Rosel Schewel Fellowship to embody the voices and memories of trailblazers. Later in the show: Jennifer Putzi is working with diaries that give us insight into the daily lives–and major upheavals–of Black women throughout history. Plus: Elizabeth Lewis tells the story of a group of women in 18th century Spain who used charity work to effect economic change.

"The mission of a nonfiction writer is to get the damn thing done," says Wil Haygood, author of several books, including his latest The War Within A War: The Black Struggle in Vietnam and at Home.I'm so thrilled to welcome back Wil Haygood to the show to talk about and celebrate his latest book The War Within a War: The Black Struggle in Vietnam and at Home. It's published by Knopf.Wil is one of the most accomplished journalists and authors working in American letters and just a good-ass dude. He's the author of several books including The Butler (which was made into a movie), Showdown, The Harlem Renaissance, In Black and White, Sweet Thunder, and Colorization.He and I both have ties to the Goucher College MFA in Creative Nonfiction Program and he was generous enough to blurb my first book, Six Weeks in Saratoga, and it's those little things like that that can make an insecure, low-on-confidence person like myself feel like a king for a day.Had a great time catching up with Wil. He was on the podcast back on Ep. 295 when I interviewed him as part of Goucher's winter residency, so that's a fun one to check out. When we spoke, the U.S. had just started bombing Iran in a senseless barrage of violence that appears to have been a monumental loss for the U.S., so that is some of the context of this conversation as we talk about Vietnam and how this country still wrestles with the legacy of it. Wil is one of the good ones and so happy you get to hear him chat about: How he needs the research to be finished before he writes Exploring the riddles of America His encounters with the late great David Halberstam How luck and fortune come into play Shoeleather reporting Tape recorders and notebooks The stirring cover of this book Why this country still grapples with the Vietnam War Highlighting untold stories of women who served during Vietnam And what kept him going through the doubtStick around for a parting shot Chuckanut conference prep and an update on the forthcoming audio magazine.

This episode is a lively, spoiler-filled discussion of Kennedy Ryan's Score, with the hosts joined by Edrick @edrickreadit to share a male perspective on the book's romance, emotional depth, and heavy themes. The conversation centers on the second-chance love story between Verity and Monk, but it also digs into bigger topics like bipolar disorder, BPD, trauma, therapy, trust, and how love can be both tender and complicated. The girls & Edrick praise Kennedy Ryan's ability to blend spice, emotional healing, and social nuance, while also celebrating the book's Harlem Renaissance setting, its layered supporting characters, and its strong representation of queer identity and mental health. Overall, the episode is part book-chat, part emotional-unpacking, and part fan-tribute to Kennedy Ryan's storytelling.SCORE

Mabel Hampton was a performer and domestic worker who lived as an out lesbian in New York City from 1920 until her death in 1989. Her recorded oral histories offer a rare firsthand account of Black lesbian life during the Harlem Renaissance. Visit our ⁠episode webpage⁠ for background information, archival photos, and other resources, as well as a transcript of the episode. ——— Audio source: Mabel Hampton Oral History Collection, used by permission of the Lesbian Herstory Archives. ——— To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Mabel Hampton was a performer and domestic worker who lived as an out lesbian in New York City from 1920 until her death in 1989. Her recorded oral histories offer a rare firsthand account of Black lesbian life during the Harlem Renaissance. Visit our ⁠episode webpage⁠ for background information, archival photos, and other resources, as well as a transcript of the episode. ——— Audio source: Mabel Hampton Oral History Collection, used by permission of the Lesbian Herstory Archives. ———

A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so. In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A'Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker. While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition. The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation's most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm. You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast. His recommended reading list is available on the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so. In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A'Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker. While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition. The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation's most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm. You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast. His recommended reading list is available on the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so. In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A'Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker. While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition. The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation's most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm. You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast. His recommended reading list is available on the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so. In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A'Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker. While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition. The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation's most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm. You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast. His recommended reading list is available on the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Flautist Claire Wickes and jazz pianist Ashley Henry join Jeffrey and Anna as they add the next five tracks, exploring the association between music and chocolate, and digging into the Harlem Renaissance with the poet Langston Hughes and Cuban Negrismo, before marking the official longest partnership in pop.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:5-4-3-2-1 by Manfred Mann Dance of the Mirlitons from The Nutcracker by Tchaikovsky The Weary Blues by Langston Hughes Boda Negra by María Teresa Vera West End Girls by Pet Shop BoysOther music in this episode:Mississippi Goddam by Ashley Henry Knee Play 5 from Einstein on the Beach by Philip Glass Numbers by Kraftwerk 5,6,7,8 by Steps Moon River by Audrey Hepburn Dance of the Sugar Plum Fairy by Tchaikovsky

The Harlem Renaissance, the great flowering of African American arts and culture in the early twentieth century, is hard to define but easy to admire. Coupled with the Great Migration, in which hundreds of thousands of Southern black workers moved to the rapidly industrializing cities of the North, the Harlem Renaissance was a time of radically innovative artistic expression, as musicians, visual artists, and writers forged a new consciousness. The works they produced reflected a spirit of change, progress, and optimism – but underlying the excitement were also a sense of struggle; reflective themes of nostalgia, guilt, and regret; and a clear-eyed view of racial relations in American culture. In this episode, Jacke looks at the social context for the Harlem Renaissance, with a particular focus on works by Langston Hughes, Nella Larsen, and Zora Neale Hurston. On Sale Now! For more information and to order Great Detective! An Adventure for Two People [2-Book Boxed Set] by Jacke Wilson, visit press.historyofliterature.com. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

What was it like in Harlem during the decades of the Harlem Renaissance? Who were the key figures? What makes it so important? Don Wildman is joined once again by Professor Mark Anthony Neal, author of many acclaimed books and host of Left of Black.Edited by Tim Arstall. Produced by Hannah Feodorov and Tomos Delargy. Senior Producer is Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Vanessa Diaz returns to regale Rebecca with the messy tale of the marriage between a well-known Harlem Renaissance poet and the daughter of a famous public thinker. Follow the podcast via RSS, Apple Podcasts, and Spotify. Join The Book Riot Podcast Patreon for bonus content and ad-free listening. Subscribe to The Book Riot Newsletter for regular updates to get the most out of your reading life. The Book Riot Podcast is a proud member of the Airwave Podcast Network. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Right now, Merit Beauty is offering our listeners their Signature Makeup Bag with your first order at meritbeauty.com. Thanks to our sponsor, Quince! Go to Quince.com/bookriot for free shipping on your order and 365-day returns. Now available in Canada, too! Learn more about your ad choices. Visit megaphone.fm/adchoices

Our exit today has us smuggling products on the moon and losing tons of money in the process. This week, we are talking about The Adventures of Pluto Nash, written by Neil Cuthbert and directed by Ron Underwood.Along the way, we talk a lot of Eddie Murphy. But we also discuss H.G. Wells, Afrofuturism, Blade Runner, Harlem Renaissance night at the school cafeteria, Rosario Dawson, worldbuilding, wasted opportunities, and one of the most disturbing performances Tripp has ever seen.Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

He's been described as a prodigy of African-American art. Khalif Tahir Thompson combines vibrant colours and family photos in portraits painted for his new exhibition, "Beautiful Land" at Paris' Zidoun-Bossuyt gallery. He talks to us about the two movements which inspired his work, Fauvism and the Harlem Renaissance and why Beauford Delaney inspired him artistically. He also talks about his upbringing and self-identity through his work.

Today we bring back a favorite as Joseph Illidge returns to us to talk about the Eisner Nominated Anthology: Noir is the New Black that started as a Trade Graphic Novel Anthology in 2020 with 40 Black Creators and 16 stories all based around the genre of Crime Noir. The past couple of years Fairsquare Graphics has released the anthology adding more stories in a yearly short stories Anthology and Joseph Illidge teaming up with artist ChrisCross gave us a tale birthed in Black Wall Street Tulsa Oklahoma and raised in the Harlem Renaissance in The Winterfields.Written by Joseph IllidgeArtwork by ChrissChrossEdited by Fabrice SapolskyAlso, Now released in a full Trade Paperback-Bloodletter is a new addition to the Spawn universe as Tasha Thornwall scorned by revenge is seeking redemption against the man who changed her life for the worse in Al Simmons. Trained in Dark Magic, her plot to kill Al Simmons is enhanced when she learns he is Spawn. This begins a journey in revenge that reveals if killing Spawn will fill that hole of pain for a life altered.Written by Joseph Illidge and Tim SeeleyArtwork by Christian RosadoColors by DC Alonso

Earlier this week we explored the Harlem Renaissance, but have you ever wondered how Harlem got its name? There are countless remnants of the Dutch colony on Manhattan island. But when did it end? And why?Don is joined by best selling author Russell Shorto to discuss the British takeover of New Amsterdam. Russell is the author of 'The Island at the Center of the World', and ‘Taking Manhattan: The Extraordinary Events That Created New York and Shaped America'.Edited by Tim Arstall. Produced by Sophie Gee. Senior Producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Today's lengthy episode (I probably should’ve divided it in half!) is another devoted to orchestral song, in this case Deutsche Orchesterlieder. But, in a twist, you will not be hearing any music by either Mahler or Strauss today. (Their orchestral songs have already been amply represented on Countermelody. No, today I am featuring songs ranging from the late nineteenth century through the mid-twentieth century. Some of the composers presented – Alban Berg, Max Reger, Hugo Wolf, Arnold Schoenberg – will be familiar to listeners; others – Alexander Zemlinsky (pictured), Hans Pfitzner, Paul Hindemith, Hans Werner Henze, Franz Schreker – perhaps more as names familiar for musical historical reasons than for their actual compositions. Still others – Ernst Toch, Wolfgang Fortner, Joseph Marx – may be new discoveries altogether. What links them is that they are all fascinating composers whose works run the gamut from lush post-romanticism to exotic orientalism to Neue Sachlichkeit clarity. Texts include the great German lyric poets; anonymous Italian folk poetry; German translations of American poets such as Walt Whitman and major figures of the Harlem Renaissance; and translations of ancient Chinese poetry and the verse of Rabindranath Tagore. Similarly varied are the singers (Elisabeth Söderström, Friedrich Schorr, Edith Mathis, Willard White, Elly Ameling, Irmgard Seefried, Roberta Alexander, Barry McDaniel, Christine Brewer, Christa Ludwig, Helen Donath) and conductors (Michael Tilson Thomas, Riccardo Chailly, Rafael Kubelik, Sergiu Celibidache, Erich Leinsdorf, Carl Schuricht, Hermann Scherchen), heard. Settle in for a ride across a varied, surprising, and always engaging musical landscape. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

In this episode Dr. Hettie V. Williams is in discussion with writer John Vercher about his critically acclaimed book Devil is Fine. Williams is a professor of history at Monmouth University and Vercher is the author of three notable novels and currently an Assistant Professor in the Department of English at Monmouth University. Vercher's works signal the tradition of Afro-Surrealism that began in the Harlem Renaissance with writers such as George Schuyler as represented with his work Black No More originally published in 1931. His debut novel Three-Fifths was listed as one of the best books of 2019 by the Chicago, nominated for the 2020 Edgar Award for Best First Novel, and The Strand Critics Award for Best Debut Novel. This book also received critical acclaim abroad and named Book of the Year by the U.K.'s The Sunday Times, The Financial Times, and The Guardian. Devil is Fine is Vercher's third novel and it is a moving work that helps to extend the tradition of Afro-surrealism in the context of contemporary American fiction. It is a book about love, loss, grief, and fathers and sons. Vercher's book can be ordered from Amazon here: Devil is Fine#JohnVercher #DevilisFine #BlackFiction #Writing #Writers

In the debut episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist and performer Taìno Mendez to discuss Ladies of the Rachmaninoff Eyes by Henry Van Dyke, the twentieth title in the Faber Editions imprint.Published in 1965 and long out of print, the novel follows Oliver, a Black teenager spending a final summer before college in the eccentric Michigan household of his wealthy patron Etta Klein and his aunt Harriet. Witty, camp, and shot through with tragedy, it defies easy categorisation; a drawing-room satire, a coming-of-age story, and a quietly radical work of civil rights era fiction.The conversation covers the novel's Wildean wit, its oblique engagement with race and queerness, the role of photographer Carl Van Vechten in the Harlem Renaissance, and what it means to write against expectation.Buy Ladies of the Rachmaninoff EyesUK: https://www.faber.co.uk/product/9780571391783-ladies-of-the-rachmaninoff-eyes-faber-editions/Rest of World: https://www.shakespeareandcompany.com/books/ladies-of-the-rachmaninoff-eyes-faber-editionsBuy Rainbow Milk: https://www.shakespeareandcompany.com/books/rainbow-milkSign up to Faber's Heritage Subscription, featuring all Faber Editions titles: Subscribers get a book in the post each month for just £9 alongside a curated email with exclusive extra content about the book and its author.https://tr.ee/DsDYp5Books & Authors DiscussedThe Daring Young Man on the Flying Trapeze — William Saroyan (foreword by Stephen Fry)Mrs Caliban — Rachel IngallsPalace of the Peacock — Wilson HarrisOmeros — Derek WalcottThe Flower Beneath the Foot — Ronald FirbankSorrow in Sunlight (retitled Prancing N-) — Ronald FirbankGo Tell It on the Mountain — James BaldwinGiovanni's Room — James BaldwinAnother Country — James BaldwinÀ rebours (Against Nature) — Joris-Karl HuysmansEn rade (Stranded) — Joris-Karl HuysmansCheckout 19 — Claire-Louise BennettRainbow Milk — Taìno MendezUlysses — James Joyce Works by Ivy Compton-Burnett, Brigid Brophy and Iris Murdoch also mentionedIllusions— Ruth Lehmann (upcoming Faber Editions title, discussed with Megan Nolan on our next podcast episode)Films/TV Shows DiscussedGet Out — dir. Jordan PeeleLovers Rock — dir. Steve McQueenThe Defiant Ones — starring Sidney PoitierPlaytime — dir. Jacques TatiSeveranceBiosTaíno Mendez is a novelist based in the southern English town of Margate. Their first novel, Rainbow Milk, was an Observer Top Ten Best Debuts choice for 2020 and widely named as one of the best novels of the year, being shortlisted for a British Book Award and for the Jhalak Prize, Polari Prize and Gordon Burn Prize. Their non-fiction has been published in a variety of outlets including the WritersMosaic, the London Review of Books, Esquire, the Guardian and British Vogue. They are currently working on their second novel. Ella Griffiths is Faber's Head of Classics & HeritageAdam Biles is Literary Director at Shakespeare and CompanyListen to Alex FreimanSpotify: https://open.spotify.com/artist/3dbKbpFyqPbklwEdeLYYZR?si=Q5vy9KkRTrqf1BqU1v33cgInsta : @alex.guitarfreiman Hosted on Acast. See acast.com/privacy for more information.

Celebrating Joy and Craftsmanship in Theatre: A Conversation with Director Amina Robinson on 'Ain't Misbehavin'Join us as we explore the vibrant world of musical theatre through the insights of director Amina Robinson. This episode highlights the creative process behind the revival of 'Ain't Misbehavin' at Theater Horizon, emphasizing collaboration, artistic choices, and the importance of community connection in theatre.In this episode:Amina Robinson discusses her approach to bringing 'Ain't Misbehavin' to life, focusing on collaboration and the stage energy.The influence of Harlem Renaissance aesthetics in scenic and costume design, blending traditional and cabaret styles.The challenges of rehearsing a historically rich, high-energy musical within tight timeframes.Audience reactions and the importance of evoking joy, especially in contemporary Black culture.The significance of songs like 'Black and Blue' and their historical context within the show.How spontaneous audience interaction and improvisation keep performances lively and authentic.The logistical strategies of rapid scenic and costume changes in a tight rehearsal schedule.The role of community-oriented spaces like Theater Horizon in fostering intimacy and inclusivity.Timestamps: 00:00 - Introduction to season 10 and 'Ain't Misbehavin' at Theater Horizon01:02 - Director Amina Robinson's approach to collaboration and stage magic02:22 - The current climate of arts and creative risks in theatre03:20 - First impressions and experiences with 'Ain't Misbehavin'' in grad school04:33 - Coming back to the show with Theater Horizon and cast insights06:15 - The importance of time and urgency in producing musicals today07:11 - The strategy of quickly building a skeleton of the production08:55 - Scenic design inspiration rooted in Harlem Renaissance aesthetics10:35 - The seamless blend of scenic and lighting design to evoke the period11:54 - Costume design's role in storytelling and visual richness12:27 - Sound design's complexity in capturing New York City vibes and on-stage band dynamics13:39 - Creating an immersive, community-like theatre experience15:37 - Black joy as a healing and celebratory force in the show16:58 - Context and reflection on 'Black and Blue' and Fats Waller's intentions18:14 - The emotional and political layers behind 'Black and Blue'19:46 - The significance of audience interaction and performers' improvisation21:18 - The lore and history surrounding the song 'Black and Blue'22:55 - The humor and spontaneity brought by actors in performance23:50 - Audience engagement and the power of crowd work24:38 - Integrating humor and outrageous moments into performances26:46 - The role of community and space in Theatre Horizon's success27:02 - The importance of leaving audiences with joy and celebration28:20 - Closing thoughts on the community impact of theatre and supporting local artsResources & Links:Theatre HorizonAin't Misbehavin' on Stage (through May 17)Fats Waller - Biography and LegacyShare and Support Local TheatreFollow us and our links here: https://bio.site/em3ry

Episode Summary What does it mean to cultivate hope in a moment like this? In this reflective episode of Our Classroom, Roberto Germán explores the idea that hope is not denial, optimism, or pretending things are okay—it's intentional, courageous work. Inspired by the upcoming Cultivate Hope 2026 gathering hosted by The Flourish Collective, this conversation reflects on the Harlem Renaissance, the role of educators during uncertain times, and why imagination, creativity, and community matter now more than ever. This episode is an invitation to resist cynicism, reclaim possibility, and remember that even in difficult seasons, people still have the power to create beauty, truth, and belonging. In This Episode Why hope is something we cultivate—not something we wait for The connection between struggle and creativity Lessons from the Harlem Renaissance Why imagination matters in education What educators are really planting in students The difference between optimism and hope What gives Roberto hope right now Key Reflection “Hope is also imagining what could still become possible.” Questions to Reflect On What gives you hope right now? What kind of future are you hoping to help create? What are you continuing to plant, even when growth feels slow? About Cultivate Hope 2026 This episode was inspired by Cultivate Hope 2026, an event hosted by The Flourish Collective centered on the belief that difficult times can still produce beauty, art, community, and collective joy. The event draws inspiration from the Harlem Renaissance and the enduring power of people refusing to be diminished. An Invitation Teach in Truth. Lead with Courage. Belong to a Community That Gets It. Join My Classroom Gold:

History tells us the Harlem Renaissance was just a magical explosion of art. That is a lie.It was actually a highly calculated, heavily funded cultural heist.In the 1920s, Black Harlem didn't just entertain the world, they outsmarted the world. From building an independent real estate mecca and finessing white patrons out of thousands in cash, to ambushing elite white publishers and hijacking national radio wires.They took the raw reality of Black life, turned it into high art.Sources:Harlem: The Making of a Ghetto by Gilbert OsofskyRed Summer: The Summer of 1919 by Cameron McWhirterThe New Negro: The Life of Alain Locke by Jeffrey C. StewartDuke Ellington's America by Harvey G. CohenWrapped in Rainbows: The Life of Zora Neale Hurston by Valerie BoydThe Harlem Renaissance: A Historical Dictionary for the Era by Bruce KellnerAudio Onemichistory.comFollow me on Instagram: @onemic_historyFollow me on Substack: https://onemicblackhistorypodcast.substack.com/Follow me on Threads: https://www.threads.net/@onemic_historyPlease support our Patreon: https://www.patreon.com/user?u=25697914Buy me a Coffee https://www.buymeacoffee.com/Countryboi2m

In Jazz Age New York, a shocking murder shatters the privileged life of the city's most elite family in a propulsive mystery-thriller debut from author K.M. Colley that spans from Harlem to Long Island's Gold Coast and high society's glittering world of deadly secrets.In the glittering world of 1920s New York, the seven Ridley heirs seem to have it all: wealth, status, and protection as the city's most powerful family. But when notorious gossip columnist Dale Caimen is found dead during their family's renowned summer soiree, their carefully constructed world begins to crack.Behind the champagne and jazz, each adopted Ridley sibling harbors secrets that could destroy them. There's Amelia, the responsible eldest trying to hold it all together; Adesua, whose artistic ambitions in the Harlem Renaissance threaten her family's expectations; and wild child Kavita, whose dangerous nights in speakeasies may have finally caught up with her.As the murder investigation intensifies, long-buried tensions surface and family loyalties unravel. Someone knows the truth about the Ridleys—and they're willing to kill to expose it. In a world where appearance is everything and power comes at a deadly price, the siblings must decide what matters more: protecting the family name or each other.goto Amazon or where ever books are sold! 

African American sculptor Selma Burke chronicled many of the events of the last century in her art: lynchings, the Harlem Renaissance, the Holocaust, and the assassination of Martin Luther King. Two Calgary playwrights have created an award winning play based on her life. The manuscript is now a book, Selma Burke: Carving a Sculptor's life. We speak with one of the authors, Caroline Russell-King.

In this final episode of our six-part miniseries, we're in January 2026. Kate's already researching her next book, and it turns out it connects everything she's ever written. Kevin has one goal: to finish first. Katie Rose has a draft proposal, three kids under five, and no intention of stopping. And Sara has a message for anyone who's ever thought about writing a book. BIO Podcast producer Jenny Skoog guides listeners through this series' finale. “Four Paths, One Impossible Dream” follows four authors navigating the challenges of writing biography. Over eight months in 2025, BIO Podcast producer Jenny Skoog spoke with comedian Sara Benincasa, tackling Abraham Lincoln; professor Kate Culkin, working on a book about Ralph Waldo Emerson's daughters; historian Kevin McGruder, who has spent decades researching Harlem Renaissance writer Rudolph Fisher; and journalist Katie Rose Quandt, on the challenges of completing a book proposal while pregnant.

At a time when the U.S. government is trying to make American history tidier, we try to learn from the mess. Including the untold, messy story of Paul and Essie Robeson. Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: Guest Host Emanuele Berry talks to Nichole Hill about the Black movie characters Nichole was curious about as a child. (7 minutes)Act One: A giant of the Harlem Renaissance, Paul Robeson was the most famous American of his day. Until he wasn't. Nichole Hill tells the messy, complicated story of Paul and his wife, Essie Robeson. (38 minutes)Act Two: In 1865, a formerly enslaved man named Jourdan Anderson received a letter from his former enslaver, asking Jourdan to return to the plantation and work. Actor Laurence Fishburne reads Jourdan's response. Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.

Gladys Bentley was a part of the Harlem Renaissance as a performer – she played piano and sang in ways that drew huge crowds starting in the 1920s, and she was completely out as a lesbian. But her story takes some surprising turns. Research: Adkins, Judith. “These People Are Frightened to Death.” Prologue Magazine. National Archives. Summer 2016. Vol. 48, No. 2. https://www.archives.gov/publications/prologue/2016/summer/lavender.html Britannica Editors. "rent party". Encyclopedia Britannica, 23 Nov. 2016, https://www.britannica.com/topic/rent-party Chase, Bill. “House Rent Parties Were an Institution.” New York Age. Oct. 29, 1949. https://www.newspapers.com/image/40993834/?match=1&terms=Gladys%20Bentley Church, Moira Mahoney. “If This Be Sin: Gladys Bentley And The Performance Of Identity.” University of South Carolia. (Theses and Dissertations.) 2018. https://scholarcommons.sc.edu/cgi/viewcontent.cgi?article=5705&context=etd “Colored Detective Lieutenant Acquitted of Murder Charge.” Philadelphia Tribune. Aug. 4, 1927. https://www.newspapers.com/image/1135383911/?match=1&terms=Maceo%20Sheffield The Doll House advertisement. Dec. 12, 1947. https://www.newspapers.com/image/580248504/?match=1&terms=Gladys%20Bentley “Gladys Bentley, Entertainer, Dies.” Alabama Tribune. Montgomery, Alabama. February 12, 1960. https://www.newspapers.com/image/554602763/?clipping_id=66402293 “Harlem’s Gladys Alberta Bentley, Friend Of Cary Grant, Stanwyck, And Others, Way ‘Out’ Ahead Of Her Time.” Harlem World. June 24, 2023 https://www.harlemworldmagazine.com/harlems-gladys-alberta-bentley-friend-of-cary-grant-stanwyck-and-others-way-out-ahead-of-her-time/ “J.T. Gipson Dead.” California Eagle. July 17, 1952. https://www.newspapers.com/image/693556889/?clipping_id=172230200 Levette, Harry. “Movie Lots Gossip.” The Call. Aug, 22, 1952. https://www.newspapers.com/image/957555211/?match=1&terms=%22Never%20Married%20to%20Gladys%20Bentley%22 Moses, Alvin. “Alvin Moses Says.” Chicago Defender. Dec. 30, 1944. https://www.newspapers.com/image/1135809373/?match=1&terms=Gladys%20Bentley “New York Police Launch Drive on Harlem Cafes.” The Chicago Defender. March 17, 1934. https://www.newspapers.com/image/1136311398/?match=1&terms=Gladys%20bentley Onion, Rebecca. “An Affectionate 1932 Illustrated Map of Harlem Nightlife.” Slate. April 15, 2016. https://slate.com/human-interest/2016/04/e-simms-campbell-s-1932-illustrated-map-of-harlem-nightlife.html Roy, Rob. “’8 to the Bar,’ Style Gladys Bentley Made Famous, a World Favorite Today.” The Chicago Defender. May 14, 1955. https://www.newspapers.com/image/1135895140/?match=1&terms=Gladys%20Bentley Russonello, Giovanni. “Gladys Bentley.” New York Times. Overlooked. 2019. https://www.nytimes.com/interactive/2019/obituaries/gladys-bentley-overlooked.html Shah, Haleema. “The Great Blues Singer Gladys Bentley Broke All the Rules.” Smithsonian. March 14, 2019. https://www.smithsonianmag.com/smithsonian-institution/great-blues-singer-gladys-bentley-broke-rules-180971708/ “Wales Padlock Law Censors Risque Theater.” EBSCO. https://www.ebsco.com/research-starters/social-sciences-and-humanities/wales-padlock-law-censors-risque-theater Wilson, James F. “Bulldaggers, Pansies, and Chocolate Babies PERFORMANCE, RACE, AND SEXUALITY IN THE HARLEM RENAISSANCE.” University of Michigan Press. 2010. Winchell, Walter. “On Broadway.” Evening Courier. Feb. 6, 1933. https://www.newspapers.com/image/480106281/?match=1&terms=%22Gladys%20Bentley%22 Yaeger, Patricia. “Editor’s Note: Bulldagger Sings the Blues.” PMLA, vol. 124, no. 3, 2009, pp. 721–26. JSTOR, http://www.jstor.org/stable/25614318 See omnystudio.com/listener for privacy information.

Robert meets Sir Isaac Julien at Victoria Miro gallery in London to explore 4 decades of making art. We also meet Julien's long term collaborator Mark Nash to explore his major five-screen film installation All That Changes You. Metamorphosis, 2025 and new photographic works. All That Changes You. Metamorphosis is a vivid, sweeping, visual poem about change, what it means to transform, to adapt and to survive. Commissioned to celebrate 500 years of Palazzo Te, Mantua, Italy (where it is currently on view) and exhibited here for the first time as a five-screen installation, Julien's latest work moves between science fiction, philosophy, ecology and art, imagining new forms of life and identity beyond the human.All That Changes You. Metamorphosis draws inspiration from thinkers who explore how transformation shapes who we are and how we live, including writers Octavia Butler, Naomi Mitchison, Ursula K. Le Guin and philosopher Donna Haraway. Their ideas weave through the film's layered images and lyrical dialogue. Two protagonists are at the heart of the film, played by internationally acclaimed actors Sheila Atim and Gwendoline Christie.Isaac Julien is as acclaimed for his fluent, arresting films as for his vibrant and inventive gallery installations. One of the objectives of his work is to break down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to construct a powerfully visual narrative.Julien came to prominence in the film world with his 1989 drama-documentary Looking for Langston, gaining a cult following with this poetic exploration of Langston Hughes and the Harlem Renaissance. During the past three decades he has made work largely, though not exclusively, for galleries and museums, using multi-screen installations to express fractured narratives exploring memory and desire.Julien's major film installations include Once Again . . . (Statues Never Die), 2022, commissioned by the Barnes Foundation in celebration of its centennial, an immersive five-screen installation exploring the relationship between Dr Albert C. Barnes, who was an early US collector and exhibitor of African material culture, and the famed philosopher and cultural critic Alain Locke, known as the ‘Father of the Harlem Renaissance'; Lessons of the Hour – Frederick Douglass, 2019, a meditation on the life, words, and actions of Frederick Douglass (1818–1895), the visionary African American abolitionist and freed slave, and on the issues of social justice that shaped his life's work; Lina Bo Bardi – A Marvellous Entanglement, 2019, reflecting on the iconic work and on the legacy of the visionary modernist architect and designer (1914–1992); PLAYTIME, 2014, which explores the dramatic and nuanced subject of financial capital; Ten Thousand Waves, 2010, exploring China's ancient past and rapidly transforming present through a series of interlocking narratives. Follow @IsaacJulienIsaac Julien's major retrospective opens in Bergamo at gresart671 on 10th April 2026 and he will also showing a single screen version of All That Changes You. Metamorphosis at The Cosmic House in London from 22nd April, learn more here. Special thanks to Victoria Miro gallery. Hosted on Acast. See acast.com/privacy for more information.

At the turn of the 20th century, Black photographers were starting to make a name for themselves. Photographers like William E. Woodard, James Van Der Zee and Miles Webb were opening and running their own studios. In African American art history, the Harlem Renaissance in New York is often celebrated. But Chicago played a role in that as well. Photographs of Black life circulated in local and international publications at the time, and the photographers behind those images focused on the community, intentionally. “The photographers know of each other and are in some ways competing, yet they're also really supportive of each other's work,” said Amy Mooney, art history professor at Columbia College Chicago. In our last episode, we explored the first art galleries in Chicago. Many of those “established” spaces were owned by white people who exhibited works by white artists. But that didn't mean skilled and prolific artists of color were scarce. Today, Mooney tells us more about the early Black photographers who opened up their studios to everyone.

In this episode of Exploring A Course in Miracles, Robert and Emily Perry explore an often overlooked dimension of the Course's history: the influence of Black voices and Black religious culture. Recorded during Black History Month, this conversation brings forward connections that have rarely been discussed in the Course community. From Helen Schucman's early spiritual formation in a Harlem Baptist church to the appearance of African American cultural influences within the Course itself, the episode uncovers surprising threads woven into the story of A Course in Miracles. Among the topics discussed: The profound influence of Idabel, the Black Baptist housekeeper who helped shape Helen Schucman's early spiritual life How an African proverb entered the Course through a remark by an elevator operator The connection between the Course and James Weldon Johnson, a Harlem Renaissance writer and civil rights leader Helen Schucman's poem "Glory Train," inspired by the tradition of Black spirituals What the teachings of A Course in Miracles may offer in conversations about equality, healing, and spiritual liberation This episode also reflects on the unique way the Course presents a vision of radical spiritual equality—a vision that rejects hierarchy and affirms that everyone without exception is equal in God's eyes. ___________________________ Since 1993, our purpose has been to help with both the theory and practical application of A Course in Miracles. We are the publisher of the Complete and Annotated Edition of the Course (known as the "CE"), which is available as a revised hardcover*, ebook*, and via Audible. Our work grows out of our commitment to be as faithful as possible to what A Course in Miracles says, years of dedication to walking this path ourselves, and a desire to see the Course's purpose realized in the lives of students and in the world. You are invited to download the free ACIM CE App to read, search, or listen to the Course wherever you are in the world, by following the instructions at https://acimce.app/ Whether you are new to ACIM or you've been a student for many years, you are welcome to join our online community and learning platform to access a vast collection of resources designed to help you understand and apply Course teachings in everyday life: https://community.circleofa.org/ To submit a question or suggest a topic for a future podcast episode, please email info@circleofa.org. If you enjoyed this podcast, please consider subscribing and leaving a review, as this will help us reach other listeners. You are also welcome to make a donation to help support our work at circleofa.org/donate. *Amazon affiliate links

In the early decades of the twentieth century, a neighborhood in New York City became the center of an extraordinary cultural explosion.  Writers, musicians, artists, and thinkers gathered to create works that reshaped American culture and redefined how Black Americans were expressed and understood.  Their influence reached far beyond Harlem, transforming literature, music, and politics across the United States and the world Learn more about the Harlem Renaissance and how a single cultural movement helped change the course of American history on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/Ds7Rx7jvPJ Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

In our last episode, we explored the vibrant creativity of the Harlem Renaissance. Today, we zoom in on one extraordinary composer who stood right in the center of that artistic world: Margaret Bonds. Margaret Bonds was a pianist, composer, teacher, and trailblazer whose music blended spirituals, jazz, and classical traditions into something uniquely powerful. She believed music could speak up for fairness, dignity, and hope—and she used her voice boldly. In this episode, you'll discover:  How Bonds' childhood home in Chicago became a gathering place for Black artists and performers Her early success as a teenage piano soloist with a major orchestra Her studies at Northwestern University and how she learned to combine classical forms with jazz and spiritual melodies Her creative partnership with poet Langston Hughes How her music reflected the hopes and struggles of the Civil Rights Movement

In this inspiring episode, host Nichel Anderson sits down with rapper, singer, songwriter, and music engineer  Alhaji Milli aka Josiah, who is featured on her song “MOLIAE Kismet Renaissance.” Together, they explore the creative process behind the track and the deeper meaning of this new musical era — one that bridges the legacy of Dr. W.E.B. Du Bois and the Harlem Renaissance with today's Direct‑to‑Consumer (DTC) movement of independent artistry. He shares his journey of over a decade in the music industry, reflecting on the challenges and triumphs of building a career outside traditional systems. His story embodies the spirit of self‑determination and innovation that defines the modern renaissance of creators taking control of their art. Nichel also opens up about her own path into music creation for the first time, revealing how MOLIAE Kismet Renaissance became a fusion of sound, storytelling, and purpose. This conversation celebrates the power of collaboration, independence, and the timeless connection between art, history, and destiny. -- Rapper:  Artist name: Alhaji Milli  Instagram: alhaji_millz --- Song available direct on ;  MOLIAE.com/shop   --- Follow Podcast Show and MOLIAE: MOLIAE.com MOLIAEBeauty.com MOLIAEWorld.com MOLIAE.com/Podcast  

In this special Power of Reading Week episode, host Nichel Anderson begins a powerful literary journey through Zora Neale Hurston's timeless masterpiece, “Their Eyes Were Watching God.” As part of the Harlem Renaissance series, Nichel starts from the very beginning — reading the foreword of the book edition and sharing key historical insights that shaped Hurston's life and legacy. Listeners will gain a deeper understanding of the pioneering women who paved the way for Hurston's voice to rise and endure through generations. Nichel highlights the cultural and social context of the early 20th century, when Hurston's bold storytelling redefined how Black women's experiences were portrayed in literature. This episode blends reading, reflection, and analysis as Nichel explores the themes of love, independence, and self‑discovery that make Hurston's work a cornerstone of American literature. Part 1 sets the stage for a continuing exploration in the next Power of Reading Week event, where Nichel will return to read and analyze more chapters from this extraordinary novel that continues to inspire readers and scholars around the world.   Timestamps: 0:00 - 0:40 Intro 0:20 Prayer 0:43 Show Starts, Their Eyes Were Watching GOD, by Zora Neale Hurston 2:20  Reading Foreword 5:43 My Analysis of the critics 6:00 DTC Movement and Harlem Renaissance 7:30 Assessment of the critics from then to now movement 8:00 Supporters Pioneers Bringing Back Into Print and Rival of Ms. Hurston's book 25:10 Starting the Reading of book “Their Eyes Were Watching God” 35:02 Analysis of Part 1 Reflection  --   Follow MOLIAE:   MOLIAE.com/podcast    

1:  In this enlightening episode of Nichel Anderson Short Stories And Beyond, host Nichel Anderson explores the origins and impact of the Harlem Renaissance, the cultural movement that reshaped art, literature, and identity in America. Nichel takes listeners on a journey through the early years of Dr. W.E.B. Du Bois, his groundbreaking concept of the Talented Tenth, and his pivotal role in founding the NAACP's magazine, The Crisis — a publication that became the voice of a generation. She also highlights the contributions of the Opportunity Magazine Organization and other key figures who worked together to formalize what would later be named by Langston Hughes as The Harlem Renaissance. This episode serves as a quick yet powerful study of how collaboration, intellect, and artistry converged to create one of the most extraordinary cultural movements in history. As part of Power of Reading Week, Nichel connects the legacy of the Harlem Renaissance to today's creative revolution — the Direct‑to‑Consumer (DTC) movement. She draws parallels between Du Bois's prophetic essay “Of the Wings of Atlanta” and the modern shift toward global independence and creative freedom. The torch that once burned in Harlem now shines in Atlanta and beyond, symbolizing a new renaissance of expression, empowerment, and innovation.

Podcast Description 1: Power of Reading Week – Dr. W.E.B. Du Bois “Of the Wings of Atlanta” Part 4 In this inspiring kickoff to Power of Reading Week, host Nichel Anderson dives into the brilliance of Dr. W.E.B. Du Bois with a focused reading and discussion of his essay “Of the Wings of Atlanta” Part 4. This episode celebrates the timeless power of literature and the importance of reading as a tool for growth, reflection, and empowerment. Nichel explores the historical context of Du Bois's work, connecting his message of perseverance and intellectual excellence to today's journey of self‑development. Through thoughtful analysis and storytelling, she highlights why reading remains one of the most powerful ways to move forward in life — a classic, old‑school path to wisdom and success. As Power of Reading Week unfolds, Nichel will spotlight other prominent voices of the Harlem Renaissance, revealing how they collaborated with Du Bois and his organizations to elevate art, culture, and education. *** Today also marks Dr. W.E.B. Du Bois's birthday and the relaunch of Nichel's PMTR (Pyramid Mystery Temple Reunion) NFT collection. Support this creative mission by minting one of the ten exclusive pyramids at Mint.MOLIAEWorld.com and join the journey to uncover the mystery of the HUJTA swords — a story that echoes Du Bois's pursuit of excellence and the MOLIAE vision of legacy and empowerment.