Podcasts about east end

Christopher Cantwell joins Jace during San Diego Comic-Con 2026 to discuss an ambitious slate of upcoming work spanning Gotham City, the Green Lantern universe and the final frontier. Cantwell begins by discussing his role on the second season of Lanterns. A longtime Green Lantern reader who previously wrote Hal Jordan in Challengers of the Unknown, Cantwell describes the project as the television assignment he would have selected for himself and praises the distinctive approach established by the first season. The conversation then turns to Cantwell's two-issue Gotham Central story within the Bad Seeds event. Gotham's police department has been compromised under Commissioner Vandal Savage, leaving Jim Gordon, Espinosa and a small collection of honest officers attempting to solve a murder while carrying out orders issued by the city's corrupt leadership. That storyline establishes the foundation for Gangs of Gotham. Anarky is placed in Gotham's East End and ordered to unify its gangs before the district is bulldozed. Although he continues to consider himself an opponent of corrupt institutions, the promise of influence forces him to confront whether he still believes his own revolutionary rhetoric or has become another person willing to compromise everything for power. Stephanie Brown is simultaneously operating undercover inside the Street Demons biker gang. She has risen to become the gang's second-in-command, but Batman is the only member of the Bat-family who knows where she is. Cantwell describes a Steph who remains highly capable but is becoming increasingly isolated and resentful as her messages to Bruce go unanswered. Cantwell also explains how the series incorporates established characters including Jim Gordon, Arnold Flass, Harvey Bullock, Holly Robinson, Magpie and the Ten-Eyed Man while creating an entire ecosystem of gangs built around food, fuel, shelter, information and protection. Instead of treating the East End as interchangeable scenery, the series examines how abandoned institutions and limited resources force communities to develop their own hierarchies and systems of survival. The discussion concludes with Cantwell's upcoming Star Trek series, which examines exploration, colonization and the psychological pressure created when a crew enters genuinely uncharted territory.   Chapters 00:00 Introduction and Lanterns Season 2 03:47 Gotham Central and the Bad Seeds setup 05:49 How Gangs of Gotham begins 07:13 Stephanie Brown undercover 08:07 Anarky, power and hypocrisy 10:57 Jim Gordon and Gotham's honest cops 13:49 Building Gotham beyond Batman 15:18 Why Anarky matters now 18:43 Community, survival and found family 21:01 Batman's absence and Steph's isolation 23:45 Arnold Flass and Gotham's corrupt system 25:53 Holly Robinson and the East End 27:17 Cantwell's new Star Trek series 29:11 Final thoughts and preorder reminder

In this episode of the Express News Group's 27Speaks: Behind the Headlines podcast, host Joe Shaw is joined by Jack Motz, Michael Wright, Cailin Riley and Michelle Trauring to discuss the latest East End news. This week, Wright talks the ongoing traffic issues in the Hamptons, Riley discusses development conflicts in Sag Harbor and more.

July 30, 2026 | Discussing Upcoming Real Estate Opportunities in QuogueThe Hamptons can feel like two summers at once: the one you planned for, and the one that's already sprinting toward August. This week, we are joined by the Julie Crowley Team and to break down what's happening right now across the Hamptons real estate market, from new listings and “coming soon” opportunities to the weekly contract numbers that show just how fast properly priced homes can move.We spotlight a standout East Quogue property at 9 Walker Court, a newer home that checks the lifestyle boxes buyers keep asking for: radiant heat, smart features, a pool, open-concept living, and even bay access via an easement down to the creek. We also talk about the East Quogue and Quogue “brand” as a quieter, easier alternative that still keeps you close to beaches, marinas, village shopping, and the Jitney. If you've ever driven past an exit because it didn't say “Hamptons,” this part is for you.Then we get concrete with market data and strategy. This week shows 31 contracts from Westhampton to Montauk and roughly $167M in dollar volume, with new listings and in-contract activity keeping overall inventory tight. That tightness doesn't give sellers a free pass to overprice, though. We explain why today's comp-savvy buyers often wait for the price to land in the right zone, and how too much time spent on the market can create the wrong story even when the house is great. We also connect the dots between a hot rental season and the steady pipeline of renters who decide it's time to buy.We wrap with an East End weekend guide, including Stone Creek Inn's anniversary and Monday special, DJ nights at The Clubhouse, East Hampton Library Author's Night, Montauk options, and the local fire department carnival. If you like these weekly Hamptons updates, subscribe, share the show with a friend who loves the East End, and leave a review so more listeners can find us.About Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok

Filing period opens for independent municipal office candidates; Issue 4 for water and wastewater programs touted by county judge; East End recognized by state ed department; sales tax holiday is this weekend; three inmates facing charges following disturbance at Pope County lockup; Deliver Hope in Conway to expand youth program; ASP reports fatalities are down by 47 so far this year; UCA football hosts media day; we visit with musician Jason Campbell about his show this Saturday at the Rialto Theatre in downtown Morrilton.

Our card this week is Benjamin Rosario, a Wild Card from Connecticut.  Most cold case investigators will tell you that murder is a dirty business. But once in a while, there's a murder so horrific that it could be mistaken for an urban legend.  The unsolved homicide of Benjamin is one of those cases.   It began on a summer evening much like any other for Benjamin. He left his apartment and headed off to his local bar just a few blocks away from home in Bridgeport's East End. No doubt the neighbors expected to see him the next day, as they usually did – singing Spanish love songs on his porch.  But that's not how things transpired… Benjamin's story would end with a grim discovery in the middle of a road just a five-minute drive from his apartment. If you know anything about the murder of Benjamin Rosario, you can call the Bridgeport Police Department at 203-576-TIPS.   View source material and photos for this episode at: thedeckpodcast.com/benjamin-rosario Let us deal you in… follow The Deck on social media. Instagram: @thedeckpodcast | @audiochuck Twitter: @thedeckpodcast_ | @audiochuck Facebook: /TheDeckPodcast | /audiochuckllc To support Season of Justice and learn more, please visit seasonofjustice.org. The Deck is hosted by Ashley Flowers.  Instagram: @ashleyflowers TikTok: @ashleyflowerscrimejunkie Twitter: @Ash_Flowers Facebook: /AshleyFlowers.AF Text Ashley at 317-733-7485 to talk all things true crime, get behind the scenes updates, and more! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How can building an audience in advance help your stories reach the people who make movies? And how can you prove there's demand for your book or screenplay before you've written it? Brooks Elms shares his advice after more than 20 years as a WGA screenwriter. In the intro, what doesn't work for book marketing and what does [Amy Chan SubStack; Unsingle; Rephonic]; Goodreads giveaway for Bones of the Deep; FutureVision XPrize. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Brooks Elms is a WGA screenwriter with over 45 scripts, over a dozen sales, and he has directed two indie features. He is the creator of the Answer the Call system and has trained over 1,000 writers. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How to see the opportunity in AI when others only see the threat How to test a story with samples, and what a 16-second movie can do Building the trailer before you write the screenplay Letting your audience finance the film once they have validated the idea Why Hollywood still wants existing IP, and what makes them pay attention Feeling safe enough to write the truth, and finding a concrete path forward You can find Brooks on LinkedIn or email him at brooks@brookselms.com. Transcript of the interview with Brooks Elms Jo: Brooks Elms is a WGA screenwriter with over 45 scripts, over a dozen sales, and he has directed two indie features. He is the creator of the Answer the Call system and has trained over 1,000 writers. So welcome to the show, Brooks. Brooks: Thank you. It's awesome to be here. Jo: Fantastic. So first up— Tell us a bit more about you and how you got into screenwriting. Brooks: I started filmmaking first. A buddy came up to me in high school and said, “Hey, we're making a karate movie, do you want to help us?” I was like, “Oh my God, yes, that sounds amazing.” So next thing I know, I had this karate outfit on, and we were just making this completely ridiculous and totally fun movie, and it was amazing. It was so fun. Then it went to a whole other level when we shared it with a friend, this guy Jay Sharon, and he watched the movie and he laughed so hard he literally fell out of his chair. I was like, “Oh my God,” the fun I had making it could actually transfer to somebody else. I was hooked. So from there I went to NYU film school, and then made a few independent feature films which were good but not great in terms of how they were received. They were great for me in terms of enjoyment, but I knew I needed to iterate faster at that point. So then I was like, “Well, it's expensive and it takes a long time to make a movie,” at least back then. So I pivoted to screenwriting, and pumped out two, three scripts a year, got signed at UTA, got writing assignments, and basically launched a screenwriting career. Then I still tried to get some stuff going, but it's hard when movies are so expensive. It's not hard, it's just that it takes a lot of precision in the marketing, and a lot of conversations to find the right matches to finance something, and you're either interested in doing that or you're not. I just was like, “Well, I'll just mostly write screenplays.” Then I started teaching at UCLA Extension and then coaching after that, along with writing. Then all the way up to the future. What's great about moving forward is that with AI, shot-making is becoming very close to cinematic quality. You can actually match cinematic quality in moments in some genres, but probably by next year. Right now you could actually do a really good horror movie all AI for 10, 20,000 bucks, depending on how much you're doing yourself or getting other people to do. So the economics are going to absolutely explode. So I'm sitting on dozens of scripts that didn't get through the Hollywood packaging bottleneck because they're too expensive, and I now have this giant slate that's ready to go, and I'm just absolutely thrilled. It's been a lifelong dream for me. Jo: Oh, so much to come back on there. Where to start? I do want to talk about what you just said there, sitting on dozens of scripts and now seeing the opportunity. I actually wrote down in my journal about a year ago, I see what's coming with AI, and I think that the best thing I can do is create as much original IP as possible, so that I can make the most of the opportunity ahead. So let's just get into the AI, because a lot of people feel it's a super bad thing. Talk about the opportunities and the attitude that you've got [around AI], and that you've seen others have around this, for what is ahead in a positive way. Brooks: It's fascinating to see how people respond to AI. I wonder, when the printing press rolled around, if there was some sort of backlash. Books must be handwritten. They can't be mass-produced. Here's one of my theories. At a deep psychological level, it's so profoundly powerful that I think the default setting is, “Oh, crap.” When I was a kid, some things were hard, and that power imbalance, when something big, new and powerful comes along: I'm going to get screwed, and so this is somehow a bad thing. I think that's the base psychological thing going on with most of the noise. Obviously there are some legit problems, in terms of copyright infringement from learning models, or from some of the environmental situation. So I'm not saying it's all rainbows and butterflies, but I think 90% of the noise around it comes from a fear of change. Here's the other one—a fear of, “Oh, yikes, I'm going to get taken advantage of somehow by either robots, or the corporations are going to use the robots against me,” or something like that. I have real empathy for me when I feel that way a little bit, but I don't feel it much, and for other people that do feel it. The other thing is, you know what it is? I think they fear their own empowerment even more. I had a therapist who was really good. He said, people aren't so much afraid of failing as they are afraid of succeeding. Because if we fail, we're stuck in act one and we don't go anywhere. The fear is answering the call and going to act two, when everything effing changes in the new world. So I think people are afraid of how goddamn powerful they're going to be when they can have a team of AI agents helping them do everything they want in business or life or whatever. I think it's the same thing with the internet. People are like, “Oh, I don't like social media, blah, blah, blah.” And I get it. There's a lot of noise and a lot of crap. Yet we have access to billions of people, and the algorithms in social media right now I think are level three out of 10. They're just going to get better and better. Even as it is now, if I do a post about something and it gets ignored, that's on me. The algorithms are trying to match me to my people. So if I'm not unique enough and authentic enough and aware enough of how virality works, that's on me, and it's a learnable skill that I can embrace and then change and then get better at. So I think people then resist that change. They resist the empowerment of learning the art of virality, or learning the art of some sort of social media stuff or whatever. The last thing I'll say about this rant is, I don't want to act like I'm the guru on the hill that has all the answers. I refuse calls all the time. I'm scared about all sorts of things. I'm certainly not perfect. I feel frustrated when I'm trying to put my big ideas into action and I can't get this technology thing to work or that one, and I throw tantrums. I'm trying to come at it from a real human perspective, but by and large, I've got stars in my eyes. I'm like, “This is amazing. This is going to be so powerful.” For so many people, you just have to be ready to embrace it and just go along for the ride, because there's going to be some big-ass changes. There already are, and that's going to accelerate. Jo: You mentioned there learning the art of whatever it is. One of the things is, I've spent 20 years, and so have you, learning our craft and our art, and now it can be done very easily. I'm generating video, as you mentioned, which is a craft I haven't spent 20 years on, but now I can generate. So things have definitely changed in that way. Just coming to the screenwriting side. Probably about a decade ago now, I did my first screenwriting course. I've written screenplays. Then I looked at the game you have to play and, like you said, the conversations you have to have, the events you have to go and network at, all the things that you have to do to put a screenplay in front of the right person at the right time. I was like, “I cannot do that. It's just not going to happen. I can't do that along with everything else.” So I put it aside, but now I feel maybe it's time to bring it back because things are changing. So can you maybe talk about, if someone has a screenplay now that they've written, or some IP like a book that they have now— What would you recommend people do in terms of wanting to get that [IP] in front of somebody, or doing something with it themselves? Brooks: It's such a good question. By the way, not even a screenplay—you could do the same things with a novel. Let me try to be succinct here, which is a good challenge for me. A simple way to look at it is, you're giving samples. Let's say it's a lemonade stand, and you give out a little shot of your… maybe you have cayenne pepper lemonade, some sort of fun lemonade. If you give out a sample and people are into it, they're going to come back and they're going to tell friends. If you give a sample of the lemonade and they're not into it, then you go back to the kitchen and you mix up a different flavour. So that's some basic business, but the internet allows us to do that at scale. So what I like to encourage people to do when I coach them is come up with the minimum viable material. It can be a 10-second clip. There's a writer in my community who made a really beautiful 16-second movie. It's one shot. I love it so much. It's two wine glasses. There's a lipstick smudge on one of the wine glasses. They're half full, and it's just that shot. It's sitting there, and all of a sudden you hear this thundering, thumping down these stairs, dun, dun, dun, dun, dun, dun. Then you see out of the corner of the frame one person runs by, and then the other person behind her runs by and goes, “Wait.” That's it. That's the whole movie. It's 16 seconds. He did that with his phone. So there's so much going on. There's a couple of basic elements, but he just did it with his phone, and you can evoke enormous emotional impact on people through social media, whether it's just words. You guys have a big advantage as novelists because you're so good with words. Whether it's a little bit longer, like sudden fiction, that's a couple of pages or whatever. Even just copywriters are really in a good position for the future because they're super potent with two words or three words or 10 words. Then novelists are probably really advantageous because it doesn't cost anything to just put some words out on the internet. The point is, if you put something out, it's a signal, and you're talking about billions of people who could find that signal. If you do it and then you look at the response, and then you try again, you look at the response, we can do this iteration infinitely for free. So you can do it already. You've been able to do it for 10, 15, 20 years, just with words. But now you're going to basically be able to do that with movies or clips or trailers. So the thing that I'm leading in my community of writers is having people build trailers in advance, or clips. When a book or a movie is done, how the heck do we get people to see it? One way is a trailer or some sort of behind-the-scenes material. You can just do that stuff now before even writing the screenplay. I saw that you were doing this project, a trailer for this competition. And then you mentioned, “Oh, I've got to write the screenplay.” Not really. You have to develop the story enough to know what you're referring to, and then it's about studying the craft of either trailer construction, or whatever the clips are, or viral clips. They all have a structure, and then you just test it. If you enjoy that testing process, which I find absolutely thrilling, it feels like the filmmaking version of a stand-up comedian. If I did stand-up, I say a joke, they laugh or they don't laugh. It's really beautiful feedback from the universe. Nerve-wracking, right? But we can do that now as storytellers. We put a story out there in any format, and the audience responds. Just like you have to read any room, you have to learn how to read the engagement on social media. What do likes mean? What do shares mean? What do comments mean? How do you deal with trolls? All that is just part of the new art. Once you get good at it, holy smokes, that's the key to the kingdom. You can build audiences in advance, and for movies you could even have them finance your movie in advance, if you've built an email list of 20,000, 30,000, 40,000 people because you kept putting out all these viral clips around your story, novel, or screenplay. Then you go, “Okay, now 30,000 people are on my email list and I tell them about me and my perspective and my world. We're going to make this darn thing with AI for 20,000 bucks. You guys have got to pony up some money. Put in a dollar, five, 10, or you get the VIP $500 experience.” It's like crowdfunding, but much more sophisticated, because most crowdfunding was like begging friends and family to donate to your crazy dream. What I'm talking about is going to the audience directly, developing enough of the story, then going to the audience second, and then only when they validate the idea, to the extent that you're happy with. You could do a crazy idea that's going to have a small audience, and you don't have to have a blockbuster audience. You get to pick the audience size that you want, and then put the samples out there and see if you have a relevant audience size for this next project. Once the audience tells you, “Yes, we want this,” then you go make it. So you're ultimately reducing risk to almost zero. It takes time and you have to learn how to do this stuff, but it's thrilling to me because we just have the capacity to test the material and listen to the audience upfront. The last thing I'll say, and I've rambled a lot, I'm sorry. When I made a movie in 1994, a feature film right out of NYU, it took me three years to find out what the audience thought about that movie. I had to make the damn thing, and then I ran out of money, and that took me years to edit it, and I finally got it, blah, blah, blah. And again, I loved it. I loved every facet of it, and it was fine, but it was super inefficient. Today, I could take those same elements, create an AI trailer this weekend, put it in front of hundreds of thousands of people, and they could tell me right away, “This sucks,” or, “This is interesting,” or, “Holy smokes, this is amazing. I want this.” If it's not, “Holy smokes, this is amazing, I want it,” I can go ahead and re-edit the whole damn trailer, and just keep reiterating at almost no cost. Then once the demand is there, I can take that demand and that audience and go to Hollywood, and that's when they're going to want to work with me. Then it doesn't take a million conversations and finding the needle in the haystack, because Hollywood sees the numbers and they go, “Oh, you're the people we do want to do business with. You've proven demand. We want to do business with you.” Jo: Yes, it's so interesting. I can hear people listening and they're like, “Easier said than done, getting an email list of 40,000 people.” And in fact— It's exactly the same as building up a career as an independent author. This is as a filmmaker, as a visual person, and the industry is visual, so doing a visual trailer is the obvious thing. And as you say, the tools I use just to do this one, I use Midjourney, and I've used Seedance as the main video model. It does take a while, but it is pretty fast now, if you have a visual image of what you want in your head, which obviously you're a visual person as well. But is it… Brooks: Hold on. I want to push back on that a little bit, because I think it's really important. So yes, that's true, but underneath that, my friend, it's a relationship. It's the relationship, and the media is secondary. You have been prolific in connecting with your audience, and that's why I think a lot of people like you, because you share and they get to know you in that sort of cadence. I saw you in another podcast, you mentioned Seth Godin, who just said, “Hey, I want to be the type of person that has this relationship with my audience. I'm going to share some of my thoughts every day.” He happened to do it with words, with his background in marketing, but you could do the same thing with still images. You could do the same thing with a five-second movie clip once a week. It's the relationship you want with your fans. I'm not saying you snap your fingers and you have 50,000 people on your email list. What I'm saying is, what else are you doing? If we're artists and our impulse is to create and share, and if you do it in this way, if I can create and share and inspire trust in this relationship with a stranger because they like my genre thing and they like the way they felt when they experienced my media, words, images, movies, it doesn't matter. They just like the feeling, and they go, “Ooh, I want more of that feeling. How do I get more of that? Oh, this person has this email list or community.” If I can do it with one, then I can scale it out. So getting the first one, or the first 5 or 10 samples, that is a whole process. But then once you do that, scaling up is more of a mechanical thing. It's not even that hard, especially when you can do paid ads. So you can scale up very quickly if you have the sauce. If you don't have the sauce, it doesn't matter who you're related to, you've got to get the sauce right. Jo: Yes, and again, it's so parallel to the indie author community. I've just got to ask you, in the olden days, an author might write a screenplay, or a screenwriter write a screenplay, and then they would send it. They'd find an agent. They'd pitch an agent, and I guess then they'd hope that someone would turn that into a movie. So is that just dead now? Is it realistically that you need to get yourself out there, build the audience in the same way that it often is for authors? Brooks: So, no. I've got two screenplay deals going right now. So here's how it's going to work. Think about Broadway, or the theatre district in Britain. It's like West End or East End or whatever… Jo: The West End. Brooks: Sorry for my American ignorance. West End, okay. So every town on the planet has a stage, but there's only one Broadway, there's only one West End, right? And every town has its own festival, but there are a few significant tastemakers. There's Cannes, there's Sundance, there's Toronto. Hollywood is always going to be a tastemaker in our lifetime, for sure. What they don't have anymore, what they enjoyed for the first 100 years of the industry, is that they had a stranglehold on basically the equipment, the financing, and the audience, and that's all going away. Do you want to hear a fun story about the birth of cinema? Do you know why Hollywood started in Hollywood? Jo: No. Brooks: So Thomas Edison invented the camera, or the type of model camera that they were using in, I don't know, 1910 or something around there. They didn't want to pay his patent. They didn't want to pay the patent to make these movies, so they went all the way across the country, a bunch of outlaws, and they set up shop in California because he couldn't enforce his patent that they were basically stealing. And reason number two, LA enjoys amazing weather almost all year round. The weather here is either nice or really nice. You have mountains, you have beach, you have desert, you have all these different locales. So when it was really important to be on location, LA was the perfect place. Anyway, that is all going away. For many decades, more people could make movies. In the early '90s, Robert Rodriguez made a movie for 9,000 bucks. There was a book in the '80s that I bought that I loved, it was Feature Filmmaking at Used-Car Prices. This guy, Rick Schmidt, I think his name was. There were the independent filmmakers really in the '60s and the '70s. So the cost has been going down and down and down, and now it's less than ever. Once social media came along, now you have access to the audience, so why do you even need Hollywood? That being said, there are tons of people. There are 400,000 people already working in the movie and the TV industry here. And they're voracious. We have a voracious demand. Humans need stories. We need big stories, long stories. We need stories, and Hollywood is so good at giving them stories. And so they have a need for these things, and they're still spending a lot of money on those budgets. So yes, there's still a demand for turning books and optioning them and turning them into movies. Books are great. Any sort of existing IP is great because there are marketing efficiencies there. People already know that stuff, know the vibe of it, and so it's easier to market than something that's totally creative and new. When you're spending that much money, you want those marketing efficiencies. They're really important. So the point being, the power is shifting away from Hollywood. Hollywood will still be a tastemaker, but you and me can reach anybody on the planet now. Almost. Billions of people. If it's making a movie, right now you could make a movie that most people wouldn't realise is an AI movie. If it was a horror film, I know a handful of people that could make a feature-length horror film right now with AI and 99% of the audience couldn't tell, if it was professionally written. Jo: I think the point here though is, I'm an author, the people listening are authors, and we don't want to make movies. We want to license our IP to people who want to make movies. Brooks: Yes. Great. Okay, good. So then you could, if you wanted, build an audience. Hollywood loves when something's already proven, so that's that IP thing, right? So if you just have a great book, then it's all about the sales. You guys have Dragons' Den, we have Shark Tank here. And what's amazing about that show is these are people or entrepreneurs pitching an idea, and there's an amazing rhythm that happens. They say, “We've got this great idea. It's this sort of company.” And the sharks, or the dragons, will listen. And there's a huge turning point when they reveal sales. They're either really excited about the idea and then they go, “Well, how are the sales?” And the person goes, “Well, we don't have any sales yet.” And they go, “Uh,” and they're not interested. Or they might even be like, “Eh, it doesn't seem like a good idea.” And they're like, “Well, how are the sales?” And they're like, “Oh, well, we've sold through the roof.” And then all of a sudden they perk up. So it's all about the sales. So step one is writing something that you want. Step two is making sure other people in your target audience are also loving it as much as you do. Step three is proving in some way at scale that there's real demand for it. So you could do that with trailers, you could do that with clips, you can do that as an indie publisher. There's all sorts of things that you can do. Humans are much more persuaded by concrete data than they are by just vibes. So if you can bring Hollywood concrete data of any type, like viral videos, like audience, like obviously bestsellers. Awards mean something, but not quite as much as sales. Then you're going to get Hollywood's attention because that reduces risk for them. So even now, when Hollywood's definitely shrinking and contracting, there's still very significant money being spent because it's a huge demand. If you ever walk around a studio lot, those things are opulent places. It's stunning. Like, how are they paying for all this stuff? These lots are enormous. It's because humanity is voracious for stories, and movies are one premium type of storytelling. The demand for stories is steady if not going up. It's just that we have a wider variety of types of stories that we can do, whether we're an indie author. So anyway, did I answer the question? You get me too excited with these questions, Jo. It's a problem. Jo: Yes. I think there's a lot of opportunity and a lot of ways in, but the parallels with being an indie author I think are quite clear. One of the things I found interesting about your profile and what you do is that you help clients who are already accomplished but not quite breaking through, and that sounds like a lot of mid-list indie authors, probably a lot of mid-list screenwriters, mid-list filmmakers. This is a hard place to be because, on the one hand, we are grateful for what we have achieved and what we can do, and yet wanting more, wanting that big Hollywood deal or the Netflix deal, or wanting the massive bestseller or whatever. So if someone wants to get to that next level, what are some of the ways that they can perhaps try and get there? Brooks: It's a great question. Coaching is a really wonderful way to learn anything of this sort of complexity and challenge, especially if it's a hyper-competitive business. We need two things, I think, to write a great novel or screenplay or both. A, we need to feel profoundly safe in our space. If we can't really feel deeply authentic about the things that are embarrassing, or that we feel shame about, or just our shadows, or anything that we don't feel completely comfortable saying and sharing in public usually. We need to be able to touch those things, and be articulate about those things, and that's one part of it. Then we need a concrete path forward. Maybe you're thinking about some tragedy that you had in childhood, and how you dealt with it and how difficult that was. So you need to be able to be real precise in those observations about what it felt like, and how you tried to compensate for it, and that didn't work and it made it worse. Whatever your observations are about your life journey, you need to be really specific and really deeply felt. A good coaching relationship allows you to be in that space, to be really honest with yourself and authentic. g Aood coach will push you back and say, “You know what? That sounds interesting, but maybe not quite as true to you deeply.” So that's one piece of it. Then there's a concrete path forward. You need to have the emotional access to that truth, and then you need to know what to do with that truth in a step-by-step way. Because most people, the ones that you're talking about, they're accomplished in something else. What happens is when we first start writing, and maybe this happens with novelists, but for sure it happens to screenwriters, you just start typing words. But you haven't really thought through the theme, the concept, the structure, the character, all the deeper questions that really matter. The milestones, like a North Star: winning a major award, or getting a publisher. That's the direction that we're heading towards, and then you set it and forget it, but you want to keep checking it every week, every month or whatever. But you want it very specific. “I would like to sell a book, or sell a book to Hollywood, or write a screenplay, or get a producer attached to a screenplay.” Whatever the milestone is, make it really specific, really concrete, and then reverse engineer. This is what I do on the concrete path. I reverse engineer every step to get there, starting with a really tiny one we can do today, and I make sure they feel really safe, and then we just walk through. Then what happens is, if you do that, if you feel safe, if you're showing up authentically and you have a process that's repeatable, not just willy-nilly, it's got to be something that's proven to work. It wasn't an accident I wrote 45 scripts. I've got a whole system. But by the way, the first five scripts took me forever. The last movie that I made took me three years to write that script. I can write a better script with those same elements in three months now, because I know I have a concrete path. So if you want to do something new, whether it's playing the piano or getting six-pack abs or writing a screenplay, work with somebody who's got a system that's already proven, and make sure you relate to them, and then just follow the system. Then when the doubts come up, and they will, that's where the feeling safe is really important. Because, oh, I want the six-pack abs, but I don't feel like going to the gym. I want the extra donut. If I'm working with a really good trainer, they go, “Dude, do you want the six-pack abs or not?” And then you go back and forth, and I go, “Okay, now I can make peace with myself and say I can take one tiny bite of the donut and then still do my workout,” and then I'm moving towards that North Star. Does that make sense? Jo: Yes. I think, like many independents, I resist anything that is systematised. I'm a discovery writer, and I follow the muse, and all of that kind of thing. I think I would say something in a similar vein, which is sustainable creativity for the long term, because your 45 scripts are also years of work, and my books are years of work, and we get better at what we do. So my system, I do have a system really, because— My system is that I do the work, and I write my stories, and I get them out there, and I do the marketing. So even if it's not as systematised as such, it's still a process that I have repeated over and over again. Brooks: That's fascinating to me. Would you consider yourself a pantser? You're like, “I've got an idea,” and you just start writing? Jo: I don't use the word pantser. I guess I call it discovery writing, which is… Brooks: That's a better term. Jo: Yes. What I'm writing for this prize, for example, I know the characters, I know now what's happening. When I had the idea, it was very much a vision and a theme, and the competition has a theme: a positive future with AI and technology. But the things that came around that, I then started playing with ideas around the treatment. I haven't written the screenplay yet. I don't do a plot, or I don't follow Save the Cat or any of that kind of thing. When I write a novel, I just explore and I never write in order. Then at some point I stop and then I have to think about the structure and putting it all together, so the edits are quite big. But my fun is in that discovery, really. Brooks: Oh, that's awesome. Okay, so let me ask, that's really fascinating. And by the way, that doesn't, to me, negate the system that I use. The one that I use is ultimately… the thing is, these questions, the audience is wanting your unique answers to. You don't necessarily need to do it in a certain order. I think that's actually really cool that you write out of order and you have a few elements in mind. All that stuff sounds awesome. The only thing that then makes me curious is, how's your pace? Are you actually completing novels at a pace that feels good, or do you feel like you go too fast, too slow? Jo: I do one or two a year at the moment. Well, two a year, really. But I would say I'm not as successful as I'd like to be, so I'm not saying that my system is the best. I'm saying I want to be better. It's just that my fun is this sort of creative chaos, which I then try and control later. One of the things I really like about screenplays and treatments and doing this kind of thing for film is that it is much more structured, I think, than a 70,000-word novel. You can go in all kinds of directions, whereas with screenwriting you do have to be more disciplined really. Brooks: Yes, so this is going to be fun probably, to hear my view for your audience, and the differences as I see them. For starters, you're talking about what, 10, 20, 30 hours reading a novel sometimes, or maybe less, whereas a movie's a 90-minute experience, right? So that's different. Or if it's a TV series, you might see an hour and then an hour. So that's a very different experience. What happens is when it's condensed like that, you're loading up layers. So every scene is stacked with exposition beneath the drama, and done in a certain way. So specifically, movies are only what you can see and only what you hear. Whereas novels, if you can think it, you can write it, it can be in there. So you don't need to have a plot, but if you want to sell your book to Hollywood, it helps. So I was very resistant about structure. I went to NYU film school, where we really just made short films. It was funny, I had friends that were in the dramatic writing department, and I was like, “You guys are wasting your money. You're just learning to write scripts. We learn to write the scripts and make the movies.” What I hadn't realised is it's a different skill set to hold somebody's attention across an hour-long play, or a 90-minute movie, than it is to make a movie that holds their attention for two minutes or five minutes. I found out years later when I made a feature that was like a lot of shorts patched together, and people were not… They liked it, but they didn't love it. I was like, “Well, what's going on?” And so then I learned to really love Save the Cat in particular. It completely changed me. What happened was, I got a big old slice of humble pie. I had made my second feature, and I put everything I had into it, and it had loose structural beginning, middle, end, blah, blah, blah. But I was still, “Eh, Hollywood BS. What do they know? It's all fake.” So I was very anti-Hollywood structure. Then I was like, now I've got two independent films out there, people saw them, liked them, whatever, but it wasn't getting me consistent work. It wasn't really advancing my career in the way that I wanted. And I was like, “Well, maybe there is something to the Save the Cat.” So I went to the Save the Cat workshop with Blake when he was still alive, and he was delightful, a really awesome guy. He's got this kind of cutesy style, for people that don't know. For context, Blake Snyder was a working Hollywood screenwriter, and he had this system called Save the Cat, which actually has some really interesting ideas. He's got this very light, breezy sort of style. A lot of people don't like him and some people really love him, and everything in between. But I took his weekend seminar, and it completely changed me, because at that point, like I said, I took three years to write a script. Then once he had a process and he had a way of thinking about craft that was just much more screenwriter-friendly, I was like, “Oh my God.” It was so much easier, because I was just focused on the right thing at the right time. So it just sped everything up. After that, I was banging out two to three scripts a year, and better and better quality. So for me, because I went from winging it and wrote five scripts in 13 years, and then wrote two to three scripts every year, I became a huge proponent of system and process. Then my own system really came from that, but it's modular. I have a nine-step system, but you don't necessarily have to go in that order, other than the last three steps, but I won't get into the details. Sometimes you kind of jump from two to three and then back to two and then back and forth. So I love that you get the feel for those elements, and then you just felt your way through. But writing screenplay pages doesn't make sense until you really understand concept, you get a deep sense of beginning, middle, end, character arcs, and these other threads. There are just way better tools for those jobs than screenplay format, because it's a really weird format. It's got these weird slug lines at the top that are all in caps, because a screenplay is a blueprint for somebody else to make the movie. It's not an end-user document like a novel. I don't let my clients even go to that format because it just gets them focused on the wrong things. What they really need to know is, what is your perspective about this theme? What happened in your life that you're fascinated with, that you'd even want to write about this? And tell me what your real life lessons are. So we go into… again, I go back to relationship. What's your relationship to the universe? And what's your relationship to your best friends, or where you got your heart broken, or whatever you want to write about. And then we get that clarity, and then I show you how to express it in terms of developing a screenplay. It's really long-form storytelling, and then the structure just makes it build on itself. But with the structure, because you're talking about so much money and people involved to make it, at least traditionally, what ended up happening was narrative structure that was not so much rigid. Because here's the thing, you can look at 50, 100 years of European cinema and you can look at Hollywood cinema, and Hollywood laps them. When I taught at UCLA Extension, I had lots of foreign students. Let's say there'd be two or three students… if there were 12 people in the class, two or three people would be from America, and everybody else would be from other countries. I would go around, I'd be like, “What movies and TV shows have you been watching?” Almost in every single country, they watch half from their own country, half from Hollywood. So Hollywood storytelling works, that's just the data, and they're dominant. The reason it works is what Aristotle was saying thousands of years ago.. There's a way of thinking about beginning, middle, end that just deeply speaks to the psyche, and you can ignore it if you want. I think Godard said, “You need beginning, middle, and end, but not necessarily in that order,” right? Which is great. Just the way we experience life, there's a beginning, a middle, an end to this podcast interview. There's a beginning, middle, end to the day, a beginning, middle, end to me eating lunch. So if you don't lean into the beginning, middle, end psychological aspect of your story, you're going to bore your reader. But to your point, you don't necessarily have to sort that out in the beginning. It's more efficient probably if you do, but you don't have to. Go into it wherever the muse tells you to go, and then at some point, like you do, then you go, “Okay, now I go back and I edit.” If you're saying there's another level, you have another gear in you, then yes, I'd be curious to slowly go through how you're making those decisions. Because what's happening probably is there are ways you're holding back a little bit. There's maybe something you're afraid of being vulnerable about. That's usually where me or other writers are holding themselves back, and we can take a look at that. There are different ways I show writers to do it. Then you can go, “Oh, I was doing it here, and now I can do it there.” And it could be with process, or just a certain creative choice. With story, it's clear and compelling. Those are the simple things. So, is this clear enough? Is it compelling enough? And there are almost always ways to up-level on any facet, whether it's one sentence, or a sentence that describes the whole concept of the book, or a chapter. Each one of those can be looked at with that lens and we can just say, “Hey, this is 70%, 80%,” whatever, and then we say, “Well, how do we get a little bit more?” And then when you do that enough, it piles up. Then especially if you bring in an audience and people are flipping out for your work, they'll tell you. Jo: Yes, I love a challenge, so thank you for everything you've shared today. So where can people find you and everything you do online? Brooks: Well, one way you can find me—if anything I said seemed helpful for you, if you have questions about Hollywood or you have a screenplay in your heart—you can just email me, brooks@brookselms.com. You could look me up on LinkedIn. I'm at Brooks Elms. I also have a Skool community called Screenwriter Marketing, but it's really for any sort of storyteller, and it talks about my favourite way to engage an audience and get through it. So anybody can jump into that if you like my vibe. If you really think anything I've said, or the way I said it, seems like it could be helpful for you, just reach out. Let me know what you're up to, and maybe there's a way I can help you. Jo: Fantastic. Well, thanks so much for your time, Brooks. That was great. Brooks: You're welcome. It was a total pleasure. It was lots of fun, and I really appreciate you.The post How To Prove The Demand For Your Stories And Get The Attention Of Hollywood With Brooks Elms first appeared on The Creative Penn.

John Searles is the best-selling author of the novels Her Last Affair, Help for the Haunted, Strange but True, Boy Still Missing, and his latest, Single Girls, which is out now. In today's episode, John and Annmarie discuss the joys and risks of the writing life, and the legendary career of Helen Gurley Brown, the most famous and transformative editor-in-chief of Cosmopolitan magazine. Bookstore Spotlights: Three Lives & Company Booksellers – Three Lives is an anachronism.​ It's the shop around the corner. A touchstone in a neighborhood. A place with a human face and a cast of characters. 84 Charing Cross Road colored by the time and place. A haven for people who read. We (the store and our customers) have grown up and evolved together. People come here to see and buy what we consider to be some of the best books available today. We thrive on discovering literary books that might otherwise be overlooked, and we are thrilled to give them to our customers. Stop by our West Village shop and learn more at threelives.com. BookHampton – Situated in the village of East Hampton on Long Island's storied East End, BookHampton provides a vibrant year-round environment for discovering books that intrigue, amuse, educate, and inspire. A dedicated and knowledgeable staff, lively events with fascinating authors, and a warm, welcoming space all combine to create a community for book lovers. Stop by or shop online at bookhampton.com. Books by John Searles: Her Last Affair Help for the Haunted Strange but True Boy Still Missing Single Girls Additional Authors and Titles Mentioned in This Episode: The Foursome, by Christina Baker Kline Take Me with You, by Stephen Rowley The Amateur, by Chris Bohjalian Helpless, by Jessica Knoll Follow John Searles: Instagram: @johnsearles Facebook: @JohnSearlesAuthor john-searles.com **Writing Workshops: If you liked this conversation and are interested in writing together, please consider the opportunities below. For women interested in an online Saturday morning writing circle, you can sign up here. For anyone interested in an August weekday accountability hour, you can sign up here. For anyone looking for support writing their memoir, Annmarie is teaching a class here. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Long Island Tea Podcast, Sharon and Stacy are back from an inspiring week at the Destinations International Annual Conference in Portland, where they connected with tourism leaders from around the world and returned with fresh ideas they'll be bringing back to Discover Long Island. They recap the highlights from the conference before diving into all things summer, including free adventures across Long Island, camping on the North Shore, incredible wildlife encounters, and asking listeners what's in their Long Island camera roll.#ShowUsYourLongIslanderThis week's spotlight features former WNBA player and Commack High School standout Samantha Prahalis-Holmes, whose free girls basketball clinic in Hauppauge is helping inspire the next generation of Long Island athletes both on and off the court.Show us YOUR Long Islander by sending us a DM or emailing [spillthetea@discoverlongisland.com](mailto:spillthetea@discoverlongisland.com).#HiddenGemsUncorkedThis week we're uncovering the Elizabeth A. Morton National Wildlife Refuge in Noyac, a peaceful coastal preserve where scenic trails, native wildlife, and stunning bay views make for one of Long Island's most beautiful hidden gems.#LongIslandLifeA Long Island camera roll check, the rediscovery of a nearly 40-year-old Girl Scout time capsule in Northport, free summer adventures across Suffolk County, and camping on Long Island's beautiful North Shore.#WildThingsOfTheWeekA rare killer whale spotted off the coast of Montauk has us celebrating another unforgettable wildlife encounter in Long Island waters.#ThisWeekendOnLongIslandFriday, July 31• North Fork Oyster Night – Suhru & Lieb Vineyards | Cutchogue• Party on the Point – The Gateway's Annual Summer Fundraiser | Bellport• Summer Community Dinner – The Heckscher Museum of Art | Huntington• La Hora Mágica – RGNY Vineyard | RiverheadSaturday, August 1• The Warped Tour Band – The Suffolk | Riverhead• Tiki Joe's Free Summer Concert Series – Meschutt Beach | Hampton BaysSunday, August 2• Sunday Brunch Sail – East End Charters | Sag Harbor• Edie Falco in *The Year of Magical Thinking* – Westhampton Beach Performing Arts Center | Westhampton BeachFor more events happening across Long Island, visit discoverlongisland.com/events.#CelebriTEAThe Hamptons are back in the reality TV spotlight as former *Real Housewives of New York City* stars film their new E! series, *The Golden Life*, across some of Long Island's most iconic East End locations.Connect with us:Instagram: https://www.instagram.com/longislandteapodcastTikTok: https://www.tiktok.com/@longislandteapodcastYouTube: https://www.youtube.com/@DiscoverLongIslandNYFacebook: https://www.facebook.com/LongIslandTeaPodcastX: https://x.com/liteapodcastEmail: https://discoverlongisland.com/contact/Shop: https://shop.discoverlongisland.com Hosted on Acast. See acast.com/privacy for more information.

Lawson Wijesooriya is joined by Dr. Danny Avula, the mayor of the city of Richmond, to discuss Christian Community Development in their city. They reflect on their history with CCD, how they are listening to the community, and how Dr. Perkins' legacy has shaped their lives, families, and vocations.Join us in Richmond this October 7-10 for the CCDA Conference! Visit ccda.org/conference to learn more.Each August, we focus on civic engagement as a CCDA Family. Learn more about engaging with your local government at ccda.org/civic.Dr. Danny Avula took office as the 81st Mayor of the City of Richmond on January 1, 2025.Before his election to public office, Danny served the Richmond and Henrico Health Districts for 12 years, including 6 years as its Director. There, he championed efforts to increase access to care for the most vulnerable residents of our community, prioritized the voices of those with lived experience, lifted up the intersection of housing and health, and addressed the root causes that shape health outcomes-especially poverty and race.Born in Hyderabad, India, he immigrated to the United States with his parents in 1979. A father of five, Danny and his wife, Mary Kay, have lived in Richmond's East End for over 20 years. Mary Kay is a teacher with Richmond Public Schools.Click here to learn more about Danny.Lawson Wijesooriya is the Chief of Staff for Richmond's 81st Mayor, Dr. Danny Avula. Before leading his successful bid for mayor as campaign manager, Wijesooriya spent 15 years leading local non-profits—with a focus on strategy and community development—to serve some of the city's most vulnerable residents. She graduated from the University of Virginia as a Phi Beta Kappa Jefferson Scholar and is a mother of two.Learn more about CCDA and how you can get involved at ccda.org. Connect with CCDA on Instagram, Twitter, Facebook, and LinkedIn. Follow CCDA on YouTube.

Read more from VPM News:  Lawmakers move forward with plans for childcare center for state employees  Richmond council to vote on 1% sales tax hike for school construction  On the agenda: Richmond sales tax referendum, East End mural  Other links:  Fourth Circuit creates circuit split over handling of detained pro-Palestinian scholars (Courthouse News)  VDH, Hopewell clear Bailey Bay for swimming after sewage spill (The Progress-Index)*  Emails show how Virginia regulators downplayed data center health concerns (E&E News)  Guns, militias and a long-running Virginia debate (Virginia Center for Investigative Journalism at WHRO)  *This outlet uses a paywall.  Our award-winning work is made possible with your donations. Visit vpm.org/donate to support local journalism.

Esperanza and Irwin talk "Yaz". Before Fenway Park and winning the Triple Crown, Boston Red Sox legend Carl Yastrzemski forged his Hall of Fame work ethic on the potato farms and sandlot diamonds of Long Island's East End. This episode explores Yaz's formative Bridgehampton years, from laboring on his family's farm to dominating local athletics at Bridgehampton High, where he batted an astonishing 512, starred in three varsity sports, and broke county basketball records. We dive into the local folklore of his legendary 1957 season and look at how playing for the White Eagles semipro team alongside his father shaped his career. Perhaps most of all, It is the story a time and place: late 1950's Bridgehampton, and the tight-knit Polish-American farming community that worked the land and nurtured a legend, straight into Cooperstown. Listening is Believing.

In the 1960s, London's East End was ruled by a singular, terrifying force: identical twin brothers Ronnie and Reggie Kray, who seamlessly blended brutal gangland violence with West End celebrity glamour. This episode tears down the mythos of "The Firm" to examine the volatile psychological cocktail of Reggie's controlled sociopathy and Ronnie's escalating paranoid schizophrenia. By analyzing their most notorious murders, we explore how a symbiotic twin dynamic transformed a childhood bond into a lethal, co-dependent criminal empire.

In this episode of the Express News Group's 27Speaks: Behind the Headlines podcast, host Joe Shaw is joined by Bill Sutton, Drew Budd, Jack Motz and Cailin Riley to discuss the latest East End news. This week, Budd talks about the death of a beloved teacher and coach, Sutton discusses a potential new initiative to protect Westhampton Beach beaches and more.

Grab a cold one and settle in, because this week the Tall Boy studio is absolutely packed to the rafters. Hosts Beans, Gaz, and Andy are back together, but they've brought some serious southern hospitality along for the ride. Joining the crew all the way from the Lone Star State are Beans' cousin Beau and his legendary pals Kevin and Ron.The boys are fresh off an epic, whirlwind road trip that saw Beans playing tour guide to three Texans on a historic, beer-soaked journey starting in the heart of London and winding all the way up to the historic streets of Edinburgh.The episode kicks off with the guys landing in London and immediately hitting the bricks. Beau, Kevin, and Ron give their unfiltered first impressions of the UK, before Beans recounts leading them into the dark history of the East End on a chilling Jack the Ripper tour. From there, things took a more musical turn with a mandatory pilgrimage to the iconic Abbey Road crossing (yes, shoes stayed on).But you can't have a Tall Boy road trip without proper pubs, and London delivered. The guys break down their favorite historic watering holes:Finding the hidden gem that is Ye Olde Mitre.Sipping pints at The George, walking the exact same floorboards where Charles Dickens used to drink.Paying respects at The Dolphin, a pub that literally survived being bombed in World War I.Indulging in some candlelit atmosphere and plenty of wine at Gordon's Wine Bar.Next, the crew heads out of the capital. In Windsor, they skipped the usual royal fanfare to hunt down excellent craft beer, hitting up the local independent scene including the fantastic Indie Rabble brewery.Moving on to Oxford, the boys drank in the historic shadows of the university at the legendary Lamb & Flag and tucked themselves away in the hidden courtyard of the Turf Tavern.Then... things got weird in Stratford-Upon-Avon. Expecting a quaint, peaceful afternoon exploring Shakespeare's Birthplace, the boys instead walked straight into what looked like an action movie. Beans and the Texans recount the absolute chaos of witnessing a full-on gang fight and a literal car fire right in the middle of town. Luckily, they found sanctuary in the historic Old Thatched Inn and The Garrick Inn, before settling their nerves with what they collectively agree were world-class, mind-blowing steaks at Loxley's.The road trip officially hits maximum capacity in York, where resident co-host Andy links up with the traveling circus. Andy takes the lead to talk about walking the spectacular medieval York City Walls and marveling at the towering York Minster.Of course, the history lessons quickly returned to true crime and rebellion. The guys share a pint at the very pub where Guy Fawkes was born, before heading over to The Blue Boar Inn to drink a beer right next to the spot where the infamous highwayman Dick Turpin's body lay after his execution. To balance out the history, they also made time for a liquid tribute to indie royalty at the local Stone Roses Bar.The epic journey wraps up across the border in Scotland's capital. The boys tackle the steep cobblestones of the Royal Mile and experience the spooky, theatrical vibes of Frankenstein's monster-themed pub.Beau, Kevin, and Ron give their official, brutally honest verdicts on trying haggis for the very first time at the historic Greyfriars Bobby's Bar, before the group stops for a dramatic pint at the infamous World's End pub. Finally, to cleanse the palate after weeks of traditional ales, the trip concludes on a modern high note: puckering up for some incredible, fruit-forward sour beers at Vault City's cozy taproom, the Wee Vault.It's an episode full of historical deep dives, culture shocks, near-death experiences, and a truly staggering amount of beer.tallboyradio.com

July 23, 2026 | Discussing Hero Volley and Montauk Real EstateWe're joined by a packed group, including Josh Brussel and the Jennifer Wilson Team, to preview Hero Valley's Montauk beach volleyball week, bringing Olympic and pro athletes to town with free public events, music, food, and an up-close chance to meet the players. We dig into the mission behind it: raising money for East Hampton's Junior Lifeguard program and supporting the next generation of strong ocean swimmers. Josh also breaks down the clinics, the welcome party, and the Pro-Am tournament format, where locals, lifeguards, and visiting talent share the sand.Then we switch gears to the Hamptons Real Estate Market  Report data for the week of July 14, 2026. We spotlight a Montauk opportunity at 64 Fairview Avenue with a price reduction to $1,495,000, discuss what “entry level” really means in Montauk, and share a weekly market snapshot from Westhampton to Montauk including new listings, homes in contract, dollar volume, and why the $1M to $2M band stays so competitive. If you care about Montauk lifestyle, Hamptons housing trends, or smart timing as we head toward late summer, you'll leave with a clearer read on what's happening now and what to watch next.Subscribe so you don't miss the weekly breakdown, share this with a friend planning time out East, and leave a review telling us what Hamptons topic you want next.About Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok

In this episode of the Express News Group's 27Speaks: Behind the Headlines podcast, host Joe Shaw is joined by Brendan O'Reilly, Michelle Trauring, Dan Stark and Jack Motz to discuss the latest East End news. This week, O'Reilly discusses a Sag Harbor boating accident, while Trauring talks about the upcoming Ellen Hermanson Foundation gala.

Liz Bard of the Children's Museum of the East End joins Heart of The East End Gianna Volpe on WLIW-FM ahead of CMEE's 16th Annual Family Fair fundraiser from 9:30 to noon on July 18. Later in the hour, artist John Wittenberg joins North Fork Audubon's Peggy Lauber and East End Arts' Wendy Weiss discuss the non-profits' joint sculpture trail project, Birdsong, ahead of the 10 a.m. July 18 opening reception of the nature-driven exhibition on view through Oct. 11. Listen to the playlist on Apple MusicWatch the interview on WLIW-FM YouTube

Life-threatening floods hit parts of the Texas Hill Country as the Guadalupe River swells and flood emergencies and warnings go out. In the aftermath of shootings in Maine and Texas, a pause in ICE policy ends only hours after the change went into effect. We'll have more from Houston’s historic East End on how the […] The post Emergencies, shelter-in-place orders go out in flood-wary Kerr County region appeared first on KUT & KUTX Studios -- Podcasts.

July 16, 2026 | Discussing The New Wave Of Buyers In The Hamptons This week, we are welcomed by top-producing agents, Patty Oakley and Brian Leicht of The Oakley-Leicht Team at Saunders & Associates. The Hamptons real estate market is seeing a noticeable mid-July second wave, with open houses getting busier, new offers coming in, and summer renters reconsidering whether it may be time to buy. As more buyers spend time on the East End, urgency is returning—and well-priced homes are getting attention.This week, we break down the latest Hamptons market activity, highlight standout listings in Water Mill and Bridgehampton, examine why strategic price reductions matter, and share fresh contract and sales-volume data. We also look at the $3 million to $5 million price range, where much of the current activity is concentrated, before rounding up some of the best East End events, restaurants, and casual dining spots for a peak-season weekend.In this episode:Why Hamptons open houses are seeing more traffic and offersHow mid-July brings new buyers and renewed market urgencyWhat stands out about 14 Wood Edge Court in Water MillA coming-soon Bridgehampton new construction home designed with a custom feelThe price reduction at 125 Laurel Valley—and why even a small adjustment can make a differenceWhy sellers benefit from listening to experienced Hamptons real estate agents on pricing strategyThe latest weekly contracts and dollar-volume numbersWhy the $3 million to $5 million range remains a Hamptons market sweet spotGreek Festival details and other East End weekend eventsRestaurant and casual dining recommendations across the HamptonsHappening in the Hamptons Podcast is sponsored by New York Title. About Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok

The Follow-Up: Local stories, deeper context A Bi-Lingual Partnership: WHBPAC and OLA discuss expanding access to the arts on the East End — and what's next for the WHBPAC Recently, the Westhampton Beach Performing Arts Center and OLA (Organización Latino Americana) of Eastern Long Island teamed up to present a night of comedy. The twist is that the comedian, Colombian-born Pedro Gonzalez, presented back-to-back shows — the first in English, the second in Spanish. It's just the latest example of how the two non-profits have worked together in recent years to provide entertainment that appeals to all East End audiences — including Spanish speakers. In this episode of “The Follow Up,” Julienne Penza-Boone and Minerva Perez, executive directors of WHBPAC and OLA, respectively, talk about their partnership and how it has been received within the community. Penza-Boone also reveals some details about the PAC's upcoming expansion, including news of a couple impressive grants that will help make the project a reality.

In this episode of the Express News Group's 27Speaks: Behind the Headlines podcast, host Joe Shaw is joined by Dan Stark, Jack Motz, Hope Hamilton and Michelle Trauring to discuss the week's latest East End news. This week, Stark discusses friction amongst the Southampton Village Board, Hamilton details important new tick disease information and more.

July 9, 2026 | Discussing The Active Hamptons Rental MarketThis week on Happening in the Hamptons, we're joined by Vincent Horcasitas, one of the most active brokers on the East End, who has already reached 84 transactions by July and expects to surpass 100 this year. Vince breaks down what that pace really requires, why the Hamptons rental market is surging, and how high interest rates, changing travel habits, and buyer caution are pushing more people toward renting instead of purchasing.We also take a closer look at the luxury Hamptons real estate market, where the high end is gaining momentum again. Vince shares what he is seeing with $20M-plus properties going into contract before completion, why buyers are touring during construction, and what makes a new build stand out in markets like Sagaponack, Bridgehampton South, Wainscott, and Sag Harbor. The conversation also gets practical, covering open house strategy, consistent weekend access, staging, and why presentation can completely change how buyers experience large modern homes.To round out the episode, we review the latest Hamptons real estate market numbers, including listings in contract, dollar volume, new inventory, and the price bands seeing the most activity, especially the $3M to $5M range. And because it's summer on the East End, we close with weekend picks from Stephen Talkhouse shows to Guild Hall events and a restaurant recommendation worth adding to your list.Topics include Hamptons real estate, East End rentals, luxury new construction, Sagaponack, Bridgehampton, Wainscott, Sag Harbor, and summer events.About Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok

On Thursday's show: More than 1,000 protesters gathered on Canal Street Wednesday night demanding answers after 36-year-old Lorenzo Salgado Araujo was fatally shot by an ICE agent in Houston's Magnolia Park neighborhood Tuesday morning.We speak with two elected officials who represent the area: Houston City Council Member Joaquin Martinez and State Senator Carol Alvarado: District 6, about the shooting, the community's response, and what comes next.Also this hour, East End residents discuss how this week's shooting has intensified longstanding frustrations over public safety, policing, and the challenges facing their neighborhood.Then, we examine America's relationship with guns and gun violence with longtime public radio host David Greene, who's screening his new documentary, Louder Than Guns, in Houston tonight.And we preview the latest episode of the podcast, After the Flood, a podcast collaboration of The Texas Newsroom and the PBS series Frontline.Watch

In this episode of the Express News Group's 27Speaks: Behind the Headlines podcast, host Joe Shaw is joined by Cailin Riley, Jack Motz, Michael Wright and Desirée Keegan to discuss the week's latest East End news. This week, Wright talks about the economic impact the U.S. Open had on Southampton, Motz recounts the story of a dead whale in East Hampton and more.

July 2, 2026 | Discussing Spotlight Magazine's 5th Anniversary and the July 4th WeekendThis week, as we prepare for July 4th Weekend in the Hamptons, we are joined by Sydney Sadick, founder of Spotlight Magazine, to celebrate five years of building a community-first Hamptons publication that still feels fresh in an Instagram and TikTok world. Sydney shares why she launched Spotlight after years in luxury media, how she thinks about quality and credibility in print, and what it takes to land cover stars who genuinely represent the local scene, including Brooke Shields on the anniversary cover. We also talk luxury lifestyle trends, brand pop-ups, and why some iconic names feel like “everyday” brands in Europe but a true splurge in the U.S.Then we shift into our weekly Hamptons real estate market update with the latest contracts, new listings, and inventory, followed by a practical holiday weekend guide: Southampton Village parade timing, where to grab fireworks info, and what's on around Montauk, East Hampton, and Westhampton Beach. You'll also hear a few local favorites, from free concerts in the park to restaurant picks when you want great food and the right summer energy.We make it simple and fun: what to do, where to go, and how to enjoy the East End without wasting half the day figuring it out.About Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok

In Insatiable Appetites: Eating Out in Georgian London (Bodleian Library, 2026) by Dr. Peter Ross, step into the kitchens, streets and chop houses of Georgian London—one day, one city, countless appetites. From dawn until past midnight, Londoners dined at taverns, coaching inns, oyster rooms, confectioners, coffee shops, chocolate houses, soup shops and dining rooms. For the poor, the streets bustled with vendors offering early versions of fast food: hot green peas, baked potatoes, suet puddings, curds and whey, rice milk, gingerbread, pastry ‘pigs,' and the now-forgotten saloop, a warming drink made from orchid roots.  After dark, sex workers and their clients indulged in a glass of jelly, then considered an aphrodisiac, as a precursor to a visit to the brothel. As the empire expanded, culinary influences poured in: London's first Indian takeaway appeared in 1773, while the East End became home to Jewish fried fish, Italian baloney and German sausages. Through the course of a single day, this book takes readers on a journey through breakfast, lunch, dinner and supper in Georgian London, drawing on contemporary archives to follow hungry citizens from all walks of life as they navigate the city's diverse food landscape. It reveals not only culinary pleasures and horrors, but also the social challenges and daily struggles that shaped life in the capital. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In Insatiable Appetites: Eating Out in Georgian London (Bodleian Library, 2026) by Dr. Peter Ross, step into the kitchens, streets and chop houses of Georgian London—one day, one city, countless appetites. From dawn until past midnight, Londoners dined at taverns, coaching inns, oyster rooms, confectioners, coffee shops, chocolate houses, soup shops and dining rooms. For the poor, the streets bustled with vendors offering early versions of fast food: hot green peas, baked potatoes, suet puddings, curds and whey, rice milk, gingerbread, pastry ‘pigs,' and the now-forgotten saloop, a warming drink made from orchid roots.  After dark, sex workers and their clients indulged in a glass of jelly, then considered an aphrodisiac, as a precursor to a visit to the brothel. As the empire expanded, culinary influences poured in: London's first Indian takeaway appeared in 1773, while the East End became home to Jewish fried fish, Italian baloney and German sausages. Through the course of a single day, this book takes readers on a journey through breakfast, lunch, dinner and supper in Georgian London, drawing on contemporary archives to follow hungry citizens from all walks of life as they navigate the city's diverse food landscape. It reveals not only culinary pleasures and horrors, but also the social challenges and daily struggles that shaped life in the capital. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

In Insatiable Appetites: Eating Out in Georgian London (Bodleian Library, 2026) by Dr. Peter Ross, step into the kitchens, streets and chop houses of Georgian London—one day, one city, countless appetites. From dawn until past midnight, Londoners dined at taverns, coaching inns, oyster rooms, confectioners, coffee shops, chocolate houses, soup shops and dining rooms. For the poor, the streets bustled with vendors offering early versions of fast food: hot green peas, baked potatoes, suet puddings, curds and whey, rice milk, gingerbread, pastry ‘pigs,' and the now-forgotten saloop, a warming drink made from orchid roots.  After dark, sex workers and their clients indulged in a glass of jelly, then considered an aphrodisiac, as a precursor to a visit to the brothel. As the empire expanded, culinary influences poured in: London's first Indian takeaway appeared in 1773, while the East End became home to Jewish fried fish, Italian baloney and German sausages. Through the course of a single day, this book takes readers on a journey through breakfast, lunch, dinner and supper in Georgian London, drawing on contemporary archives to follow hungry citizens from all walks of life as they navigate the city's diverse food landscape. It reveals not only culinary pleasures and horrors, but also the social challenges and daily struggles that shaped life in the capital. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Thur 7/2- Sun 7/5 - DPS will have increased patrols for the 4th of July holiday weekendHouston's Second Chance East End Community Fair returns Aug 29th @ Eastwood ParkHow often do you make your bed? Do you care if it goes unmade?

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In Insatiable Appetites: Eating Out in Georgian London (Bodleian Library, 2026) by Dr. Peter Ross, step into the kitchens, streets and chop houses of Georgian London—one day, one city, countless appetites. From dawn until past midnight, Londoners dined at taverns, coaching inns, oyster rooms, confectioners, coffee shops, chocolate houses, soup shops and dining rooms. For the poor, the streets bustled with vendors offering early versions of fast food: hot green peas, baked potatoes, suet puddings, curds and whey, rice milk, gingerbread, pastry ‘pigs,' and the now-forgotten saloop, a warming drink made from orchid roots.  After dark, sex workers and their clients indulged in a glass of jelly, then considered an aphrodisiac, as a precursor to a visit to the brothel. As the empire expanded, culinary influences poured in: London's first Indian takeaway appeared in 1773, while the East End became home to Jewish fried fish, Italian baloney and German sausages. Through the course of a single day, this book takes readers on a journey through breakfast, lunch, dinner and supper in Georgian London, drawing on contemporary archives to follow hungry citizens from all walks of life as they navigate the city's diverse food landscape. It reveals not only culinary pleasures and horrors, but also the social challenges and daily struggles that shaped life in the capital. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Gentiles often appeared in the news sections of the London Yiddish press, and sometimes they also appeared in the regular “feuilleton” section in character sketches and fiction, stories and scenes from immigrant East-End Jewish life. Many of these portrayals were humorous local scenarios and imagined tales. This talk will look at a broad section of how and where Gentile characters appear and their relationship to the Jewish immigrant. Gentiles fix cars and do physical chores for the hapless immigrant. The wily immigrant hoodwinks the Gentile recruiting officers during the First World War. The stern Gentile gatekeeper of British government politics, refuses access to the naïve immigrant wanting to help. The paternalistic English police officer gives directions to parts of London never before visited by an East-End immigrant. A proud fascist blackshirt is confused when he sees his respected Jewish neighbors in a strident communist counter-demonstration. Yet the word goy is also used by Jews describing each other: skipping the bus fare, not sharing their Yiddish newspaper, or being rude to their neighbor. This lecture originally took place on January 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In Insatiable Appetites: Eating Out in Georgian London (Bodleian Library, 2026) by Dr. Peter Ross, step into the kitchens, streets and chop houses of Georgian London—one day, one city, countless appetites. From dawn until past midnight, Londoners dined at taverns, coaching inns, oyster rooms, confectioners, coffee shops, chocolate houses, soup shops and dining rooms. For the poor, the streets bustled with vendors offering early versions of fast food: hot green peas, baked potatoes, suet puddings, curds and whey, rice milk, gingerbread, pastry ‘pigs,' and the now-forgotten saloop, a warming drink made from orchid roots.  After dark, sex workers and their clients indulged in a glass of jelly, then considered an aphrodisiac, as a precursor to a visit to the brothel. As the empire expanded, culinary influences poured in: London's first Indian takeaway appeared in 1773, while the East End became home to Jewish fried fish, Italian baloney and German sausages. Through the course of a single day, this book takes readers on a journey through breakfast, lunch, dinner and supper in Georgian London, drawing on contemporary archives to follow hungry citizens from all walks of life as they navigate the city's diverse food landscape. It reveals not only culinary pleasures and horrors, but also the social challenges and daily struggles that shaped life in the capital. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In this episode of the Express News Group's 27Speaks: Behind the Headlines podcast, host Joe Shaw is joined by Cailin Riley, Jack Motz, Dan Stark and features editor Michelle Trauring to discuss the week's latest East End news. This week, Riley recaps the end of the U.S. Open, Motz and Stark share local election news and Trauring tells a story that will touch any animal lover's heart.

Discussing How Storytelling Sells Hamptons Real EstateAbout Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok

This week on the Long Island Tea Podcast, Stacy and Sharon catch listeners up on their recent adventures across Suffolk County, from delivering Suffolk 250 Passports to local students and attending the U.S. Open at Shinnecock Hills to teasing several exciting remote podcast recordings coming up in the weeks ahead. They also dive into the stories shaping summer on Long Island, including the growth of beloved community events, waterfront destinations, maritime history, Fire Island's cultural significance, Long Island's thriving food scene, and the people helping make the region such a special place to live, work, and visit.#ShowUsYourLongIslanderThis week's spotlight features Mike McElwee of the Bay Shore Restaurant Committee, who reflects on the remarkable growth of Alive by the Bay as the event enters its ninth summer season. Mike shares how the initiative began in 2017, the impact it has had on the Bay Shore community, and what visitors can look forward to during this year's events on June 30, July 14, July 28, and August 11.Show us YOUR Long Islander by sending us a DM or emailing spillthetea@discoverlongisland.com.#LongIslandRevolutionaryRootsThis week we're taking to the water with the arrival of the Liberty Clipper in Port Jefferson Harbor. The 125-foot traditionally rigged tall ship is now offering sailing excursions through the end of June before participating in America's 250th Anniversary Tall Ships Parade. We also spotlight the return of the historic Selina II to the East End, bringing a century of Long Island maritime history back home.#LongIslandLifeWe're discussing the opening of Faraway Sag Harbor, a newly reimagined waterfront hotel bringing fresh energy to one of Long Island's most beloved villages.We also celebrate the Knicks' championship run and the pride it has inspired throughout Long Island's Puerto Rican and Dominican communities, spotlight Fire Island's fascinating history as an LGBTQ+ destination, and explore the many communities that make the barrier island one of Long Island's true crown jewels.Plus, we highlight National Foodie Day and some of the incredible restaurants that continue to make Long Island a premier culinary destination.Additional topics include the lasting impact of the U.S. Open at Shinnecock Hills and several standout public golf courses that keep Long Island's golf legacy thriving long after championship weekend.#ThisWeekendOnLongIslandFriday, June 26• Bop To The Top (18+) – The Paramount, Huntington• Summer Hours Begin – Adventureland• Beautiful: The Carole King Musical – Argyle Theatre (All Weekend)Saturday, June 27• Joe Avati – Patchogue Theatre for the Performing Arts• East End Farmers Markets – Greenport, Westhampton Beach & Sag Harbor• 4th Annual North Fork Pride Parade – Greenport Village• Bug Light Cruise – East End Seaport Museum• Fauna After Dark – Westhampton BeachSunday, June 28• Farmers Markets – Port Jefferson & SouthamptonFor more events and things happening across Long Island, visit discoverlongisland.com/events.#CelebriTEAThis week we're spotlighting Commack artist Ian James Roche, who has advanced to the quarterfinals of Johnny Depp's People's Artist Competition. Known for his large-scale pastel works, Roche is earning national recognition while representing Long Island's vibrant and growing arts community.Learn how to vote here: https://peoplesartist.org/vote/free/2...Connect with us:Instagram: @longislandteapodcastTikTok: @longislandteapodcastYouTube: Discover Long IslandFacebook: Long Island Tea PodcastX: @liteapodcastEmail: spillthetea@discoverlongisland.comShop: Discover Long Island Shop Hosted on Acast. See acast.com/privacy for more information.

EDU stands for ‘End of Days Update'. Every Wednesday, Rev. Joseph Morris will be giving you information on current events that are happening in the world as it pertains to these last days that we are living in. The EDU is a place where you can come throughout the week to receive up-to-date, end time information until the Lord's return. Make it a priority to log on and get ‘the news behind the news'. www.edu.josephmorris.com/

Ronnie and Reggie Kray were a vicious pair of gangsters who somehow cultivated an air of charm and 60s cool. They were criminals who attracted celebrities like Jackie Collins and Judy Garland to the clubs they ran; murderers who became folk heroes in London's East End.   But how did two boys from poverty-stricken post-war London come to rule the capital's underworld? Who were Reggie and Ronnie to the people who knew them, and to each other? And what caused their carefully constructed criminal empire to come crashing down around them? This is a Short History Of the Kray Twins. A Noiser podcast production. Hosted by John Hopkins. With thanks to Kate Beal Blyth, a documentary filmmaker and co-author of The Krays: The Prison Years. Written by Emmie Rose Price-Goodfellow | Produced by Kate Simants | Production Assistant: Chris McDonald | Exec produced by Katrina Hughes | Sound supervisor: Tom Pink | Sound design by Pascal Wyse | Assembly edit by Dorry Macaulay | Compositions by Oliver Baines, Dorry Macaulay, Tom Pink | Mix & mastering: Cody Reynolds-Shaw | Fact Check by Sean Coleman Unlock the next two episodes of Short History Of… right now by subscribing to Noiser+. You'll also get ad-free listening and early access to shows across the Noiser podcast network, including Real Survival Stories and Sherlock Holmes Short Stories. Just click the subscription banner at the top of the feed, or head to www.noiser.com/subscriptions to get started. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of the Express News Group's 27Speaks: Behind the Headlines podcast, host Joe Shaw is joined by reporters Cailin Riley, Jack Motz, Michael Wright and Dan Stark to discuss the week's latest East End news. With the U.S. Open in full swing, Riley and Wright give an extended report on the goings-on at Shinnecock Hills, while Motz talks park developments in East Hampton and Stark discusses the moving Juneteenth celebration he witnessed.

June 18, 2026 | Discussing How The US Open Impacted the Hamptons Real Estate Market with John HealeyIt's U.S. Open Championship week in the Hamptons, with Shinnecock Hills once again putting Southampton at the center of the golf world. And, naturally, the Hamptons know how to host — even at this scale. This week, we are joined by returning guest and veteran Hamptons real estate agent John Healey for a timely conversation on the U.S. Open, Southampton rentals, and the state of the East End real estate market.We kick off with what we're seeing on the ground in Southampton, Bridgehampton, and beyond, then get into the question everyone asked leading up to tournament week: did the U.S. Open actually send the Hamptons rental market into overdrive, or was most of that demand already locked up long before the first tee time at Shinnecock Hills?In this episode, we take a closer look at what continues to drive the Hamptons real estate market, from long-term investment confidence to the rental culture that keeps people coming back year after year.We discuss:How the Hamptons real estate market continues to hold steady despite interest rate hikes, inflation concerns, and global uncertaintyWhy the East End remains one of the most consistent long-term luxury real estate investmentsHow seasonal rentals can often turn into future buyers when agents stay connectedWhy the “experience economy” helps explain the people who happily rent in the Hamptons year after year, instead of owningIf you have ever wondered whether owning property in the Hamptons is not only a lifestyle decision but an asset you can actually live in, this conversation brings both the logic and the nuance.We also spotlight a specific Southampton Village opportunity at 220 Elm Street, including what makes a classic village property worth renovating rather than tearing down, and why location, scale, and potential still matter in a market that often favors new construction.Weekly Hamptons Real Estate Data from Saunders & Associates:32 listings went into contract, representing $126M in dollar volume, alongside 35 new listings. We also break down what the latest $3M to $5M activity says about buyer demand, pricing confidence, and the continued preference for turnkey or newly built homes.We wrap with our summer Hamptons real estate forecast, the real impact of permitting and certificate of occupancy delays, and a quick look at East End weekend events to keep on your radar.About Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok

Pregnant women are being unfollowed in their droves on social media, but at the same time, pronatalist messaging has never been harder to escape. So why is it that both the child-free community and parents alike feel so under siege? We take a look at the celebs at the centre of the discourse, from Margot Robbie facing backlash for “pretending she's not a mum” and Emma Grede catching heat for her comments on balancing work and motherhood, to Rihanna's body being under constant surveillance and Nara Smith-style ‘momfluencer' culture. Plus: K's personal experience of pregnancy, why society isn't set up for people to procreate and postpartum representation. Get our brand-new bonus episode (plus early access and ad-free listening) on Patreon! patreon.com/straightuppodcastGet 10% off our fave (flat pack!) furniture brand Swyft Home with our code straightup10 at swyfthome.comTry the adaptogenic coffee that changed our lives with 20% off using code straightup at londonnootropics.comFollow us on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@straightuppod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok @straightuppodFind us on YouTube @straightupmediapodEmail at ⁠⁠hello@straightuppodcast.co.ukRecs/ reviews: Madeleine White Responds to Commenters Who Say They Are Unfollowing Her for Being Pregnant, PeopleMargot Robbie, stop pretending you're not a mum, The Courier Mail The Bump Watch That Won't Quit, Yahoo EntertainmentInfluencers are selling a delusional fantasy of being postpartum. Why is it so easy to believe? SubstackThe Kardashian Whisperer Who Says Three Hours With Her Kids Is Enough, WSJEmma Grede: from the East End to $300m with the Kardashians, The Times The Big Kids Question: does anyone want to be a parent anymore? Straight Up Dispatches from Motherhood, Substack . Hosted on Acast. See acast.com/privacy for more information.

HamptonsFilm, home of the Hamptons International Film Festival (HIFF), recently launched a new media partnership with The Express News Group and its digital platform, 27east.com. The collaboration names The Express News Group as an official media partner for HamptonsFilm's year-round community programming, including the 34th annual Hamptons International Film Festival, which runs October 2 to 12. As part of the new collaboration, The Express News Group will insert the festival's annual program guide inside its newspapers on September 17. On this episode of “The Follow-Up,” HamptonsFilm Executive Director Bob Feinberg and Chief Creative Officer David Nugent join the Express News Group team to discuss the new partnership, reflect on the evolution of HIFF over the past three decades, and preview what's ahead. They also share details on the 2026 SummerDocs series and the return of free outdoor film screenings across the East End in the weeks ahead.

In this episode of the Express News Group's 27Speaks: Behind the Headlines podcast, host Joe Shaw is joined by reporters Cailin Riley, Jack Motz, Hope Hamilton and Dan Stark to discuss the week's latest East End news.

June 11, 2026 | Discussing The New York Knicks and The Hamptons CommunityThere is a certain momentum that takes over New York when the Knicks are winning, and that energy has a way of reaching the East End. We open the episode with a look at how a playoff run can become part of the broader civic mood, showing up in watch parties, downtown conversations, and the shared rituals that make the Hamptons feel connected well beyond the summer season.The LVIS Fair in AmagansettCharlotte Sasso and Jennifer Brew join the show to spotlight the LVIS Fair in Amagansett, one of the East End's most beloved annual events. The free, family-friendly fair features pony rides, a petting zoo, shopping booths, food, and a silent auction with hundreds of prizes.We also discuss the larger mission of LVIS, from funding annual college scholarships for East Hampton students to maintaining local trees, public spaces, and one of the most talked-about thrift shops on the East End.Hamptons Real Estate and Market InsightThe conversation then turns to Hamptons real estate with a look at 172 Old Northwest Road in East Hampton, a modern net-zero home with solar, geothermal systems, nine bedrooms, room for tennis, and a level of finish that stands out in the current market.Steve Glick breaks down the latest Hamptons market stats, including new listings, inventory trends, buyer activity, and what we are seeing in the summer rental market as more people head east.Summer Logistics, Listing Strategy, and Local RecommendationsWe also cover U.S. Open golf week traffic, why the train may be the smartest way to travel, and why now is an important time to capture photography and video for anyone considering a fall listing.About Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok

An old Victorian primary school in London's East End. A rarely used rooftop playground. And, on one ordinary school day, a set of toilets that should have been empty.When Jeff was eight or nine years old, a plumbing problem meant the only working toilets were on the roof. Mid-lesson, he was sent upstairs alone. Inside, the room felt strangely quiet, the kind of silence that makes a child pause before they understand why.Then he heard it: the clear laughter of a young girl.Assuming someone else was inside, he called out. No answer came. One by one, he checked the cubicles, expecting to find another pupil hiding there. But every door opened onto nothing. No child. No movement. No way out except the one he had come through.A short, chilling Fright Bites account of childhood fear, old school buildings, and the kind of unexplained sound that stays with someone long after they've run back to class.Enjoyed the episode? Subscribe, leave us a rating, and drop a review. It really helps the show reach more listeners. Here's where to find more:Support the show: Patreon (patreon.com/hauntedukpodcast) | Ko-fi (ko-fi.com/hauntedukpodcast)Follow us: Instagram @hauntedukpodcast | TikTok @hauntedukpodcast | X @hauntedukpodWebsite: https://hauntedukpodcast.com/Produced by Pink Flamingo Sound Studio Hosted on Acast. See acast.com/privacy for more information.

This week on the Long Island Tea Podcast, Sharon and Stacy celebrate National Iced Tea Day, spotlight an inspiring Long Island mom making a difference, explore Revolutionary War history, and share some of the best summer happenings across Long Island. From new community resources and East End wine releases to beach safety, local getaways, and exciting upcoming events, this episode is packed with the stories, people, and places that make Long Island special.#ShowUsYourLongIslanderThis week's spotlight honors Nicole Lackner of Bay Shore, who transformed her own postpartum journey into a new local resource for mothers. After facing postpartum health challenges following the birth of her daughter, Nicole created Beyond Motherhood, a maternal wellness center opening June 8 in Bay Shore. The center will offer support groups, educational programs, and child-watch services for mothers navigating postpartum depression, anxiety, OCD, and other perinatal mood disorders.Show us YOUR Long Islander by sending us a DM or emailing spillthetea@discoverlongisland.com.#TasteOfLongIslandWe're celebrating National Iced Tea Day with The Spice & Tea Exchange in Port Jefferson. Known for its loose-leaf teas, custom blends, spices, and specialty ingredients, it's the perfect spot to discover your next favorite summer iced tea while exploring Port Jefferson's beautiful waterfront village.#RevolutionaryRootsThis week we're visiting the Wertheim National Wildlife Refuge in Shirley. Along with protecting the Carmans River ecosystem, the refuge is tied to Revolutionary War history through Major Benjamin Tallmadge's 1780 mission that led to the Battle of Mastic. Today, visitors can enjoy scenic trails, wildlife viewing, and the historic Tallmadge Trail.#LongIslandLifeWe're talking about the growing "soft summer" trend, where coffee walks, sunset hangs, boardwalk strolls, and simple gatherings are replacing packed schedules and overplanned weekends.We also highlight Discover Long Island's latest summer travel blog featuring Fire Island, Babylon, Greenport, the North Fork, Gilgo Beach, and Robert Moses State Park.Plus, we discuss new summer wine releases from Bedell Cellars, Macari Vineyards, Paumanok Vineyards, Sannino Vineyard, and Lenz Winery.Additional topics include extreme heat preparedness, New York State's expanded shark-monitoring drone program, the upcoming U.S. Open at Shinnecock Hills, Travel + Leisure's spotlight on Canoe Place Inn, the Sweet 16 Social Expo in Patchogue, and the return of Bed Bath & Beyond through its partnership with The Container Store.#ChariTEACalissa Community Hour returns June 12, with a portion of proceeds benefiting Southampton Hospital Foundation and Stony Brook Southampton Hospital.We're also highlighting Trek Long Island, June 12–14 in Hauppauge, featuring celebrity guests, panels, cosplay, science discussions, vendors, and family-friendly programming supporting diversity and inclusion through Library for the Kind.#ThisWeekendOnLongIslandFriday, June 12• Trek Long Island – Hauppauge• Stephen Sayre's American Revolution – Southampton History Museum• World Cup Watch Experience – Stony Brook University• Certain Moves Trio – Cowfish, Hampton BaysSaturday, June 13• Darlene Love – The Suffolk Theater• DETOUR VII Opening Reception – East End Arts• Taste The East End – Long Island Aquarium• Wet Paint Festival – Gallery North• Kids Fest – Splish Splash• Nature Nick – Long Island Game FarmSunday, June 14• Arts Festival by the Bay – Bay Shore• Long Island Pride Celebration – Huntington• Loyalist or Spy – Sagtikos Manor• Teeny Awards – Westhampton BeachFor more events and things happening across Long Island, visit discoverlongisland.com/events.Connect With UsInstagram: @longislandteapodcastTikTok: @longislandteapodcastYouTube: Discover Long IslandFacebook: Long Island Tea PodcastX: @liteapodcastEmail: spillthetea@discoverlongisland.comShop: Discover Long Island Shop Hosted on Acast. See acast.com/privacy for more information.

June 4, 2026 | Discussing What Really Builds A Real Estate CareerThe Hamptons real estate market is heading into peak summer with real momentum. We are joined by Maria Markovic for a smart, honest conversation about building a long-term career in real estate. Maria shares how starting as an administrator gave her a deep understanding of contracts, paperwork, and the rhythm of a deal; why mentorship made a major difference; and how she stays grounded when the stakes get high.We break down what the latest weekly numbers say about buyer demand, where activity is strongest, and how agents, buyers, and sellers should be thinking about inventory in Southampton, East Hampton, and across the Hamptons real estate market.Hamptons Market Data from Saunders & Associates:This week, 31 listings went into contract, $119M in dollar volume moved across the East End, and new inventory continued to hit the market from Westhampton to Montauk.This episode covers:Hamptons real estate market activity and weekly contract volume$119M in East End dollar volumeNew inventory from Westhampton to MontaukBuyer demand heading into the summer seasonMaria Markovic's path from administrator to agentMentorship, consistency, and earning client trustWeekend events in Montauk, Southampton, Shelter Island, and AmagansettKnicks watch parties and the East End's all-in New York energyAbout Happening in the Hamptons Real Estate PodcastHappening in the Hamptons is powered by Saunders & Associates, the #1 locally owned real estate brokerage in the Hamptons, and Hamptons.com, the Hamptons' leading lifestyle brand for what to do, where to go, and what's happening across the East End.Each week, Happening in the Hamptons covers the people, properties, market trends, events, restaurants, local businesses, charity happenings, arts and culture, and community stories shaping life on the East End. From Hamptons real estate and homes for sale to weekend events, waterfront living, village life, and local lifestyle coverage, the podcast brings a grounded, local perspective to one of the most iconic markets in the world.Subscribe to Happening in the Hamptons wherever you listen to podcasts.Join the conversation and follow for all the latest in Hamptons real estate!YouTubeInstagramLinkedIn FacebookTikTok