Podcast appearances and mentions of jim venable

I took this week to look back on some of my favorite moments on the podcast so far! Do you have any favorite guests or topics? Let me know what you want to hear more (or less of), any feedback helps! A special thanks to the guests mentioned in this episode: Mike Allen, Jim Lang, Jaret Reddick, Butch Hartman, Caleb Masters and Alexandra Bohannon of The Cinematropolis, Chris Jai Alex, Mike Anderson, Robby & Josh from Boys Podcast, Jim Venable, Desiree Yearby and Emily Smart/Strickler.  Thank you to Beach Language for letting us use their track "Desert Youth" as the intro/outro in each episode.

In this special episode, Alexandra Bohannon (The Cinematropolis) sat back down with me to review the tracks that Jim Venable sent us from Powerpuff Girls, Foster's Home for Imaginary Friends and Samurai Jack! Tune in while we chat about the tracks, radio show style!

Jim Venable was kind enough to take some time to discuss composing for shows such as Samurai Jack, Powerpuff Girls, Foster's Home for Imaginary Friends as well as his experience working with the likes of Kevin Smith and Genndy Tartakovsky!

Show notes, images, and links: http://wp.me/p1sfi8-1DH Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I interview Karl Winkler from Lectrosonics. We discuss the basics of frequency coordination, wireless microphone myths, and how the Super Bowl manages 1,000 channels of wireless devices. Karl also explains what a backup frequency is, whether bluetooth devices, microwaves and cell phones will cause interference, and how to prepare for rogue wireless devices. 1. Music in this episode by The Giovanni Quartet, Brodsky Quartet, The Bartok Quartet, and Brentano String Quartet. 2. USC Recording Arts
 3. Karl's principles for success in audio 1. Have a good attitude. If your job is to roll tires from the back of the store to the front, you should be so good that people will pay to see you do it. Don't be afraid of the work or think of it as being beneath you. 2. The basics always matter. Every art and science requires you to know the fundamentals. 3. Really listen. Learn to use use your ears as a troubleshooting tool. See Trouble-Shooting Audio Systems tutorial. 4. SynAudCon - Making Wireless Work
 5. Wireless Workbench
 6. Myths 1. Wireless mics are voodoo. 2. A directional antenna is always better. 3. I can get more range with boosted antennas. 4. Lectrosonics is too expensive. 7. Cavity Filter = Pass band filter. Blocks out bands of frequencies to focus only on the ones you want. 8. Interview with Jim Venable from the Wireless Speaker Association
 9. Axient system from Shure
 10. Spectra Pulse from Audio Technica
 11. Lectrosonics Facebook Group and FAQ page
 12. Words 1. Shark Fins = Directional antennas = LPDA (log periodic dipol arrays) 2. Intermodulation distortion = Occurs when two or more signals mix within an active device and create phantom frequencies. 3. Backup/spare frequencies = Pre-coordinated channels that you don't need at the moment, but are already calculated to fit, preventing guess work. 13. Big Mistakes 1. Not separating your IEMs, comms, and mics into different bands. 2. Bad antenna placement. 3. Not calculating signal loss for long antenna cable. 14. Quotes 1. "Audio is a guilded career. You start as an apprentice. That's how most people get their start." 2. "Your attitude is irreplaceable." 3. "There is something to learn from everything you do in life." 4. "Any time you add an active component, you are potentially raising the noise floor and increasing distortion. It can mix signals and create intermodulation products. You always want a net zero gain between antenna and receiver."

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live, I speak with the president of the Wireless Speaker Association (WiSA), Jim Venable. We discuss the nuts and bolts of the WiSA wireless audio standard that is currently used in home audio, but has obvious future application in pro audio. We also talk about 802.11a, dynamic frequency selection, and marketing for sound engineers. All music in this episode by https://soundcloud.com/dee-san Link to original post Details from the podcast: All music in this episode by Daniel Sierra. WiSA on Twitter 802.11a (5.1-5.8GHz) - worldwide unlicensed band. AVB - audio video bridging The blog post I referred to in our discussion on marketing for sound engineers: Opening Up The Marketplace To Sound Engineers Quotes "You'll have to figure out how to market [your] reputation in a global space." "This is what we call the spousal approval factor."