Podcast appearances and mentions of jim lang

If you love great storytelling, you'll connect with this conversation. I sit down with Walden Hughes, a man whose Unstoppable passion has kept Old Time Radio alive for decades. As the voice behind YESTERDAY USA and a driving force with REPS, Walden has dedicated his life to preserving the art, sound, and soul of classic radio. We talk about what made those early shows so timeless, the craft of the actors, the power of imagination, and how simple audio could create entire worlds. Walden also shares how modern technology, archives, and community support are bringing these programs to new audiences. This conversation is about more than nostalgia. It's about keeping storytelling alive. Walden reminds us that great radio never fades and that imagination will always be Unstoppable. Highlights: 00:10 – Discover why Old Time Radio still captures the imagination of listeners today. 01:19 – Hear how the end of an era shaped the way we think about storytelling. 02:32 – Learn what made the performances and production of classic radio so unique. 04:25 – Explore how legendary shows left a lasting influence on modern audio. 05:16 – Gain insight into what separates timeless audio drama from today's versions. 08:32 – Find out how passion and purpose can turn nostalgia into something new. 12:15 – Uncover the community that keeps classic radio alive for new generations. 16:20 – See how creativity and teamwork sustain live radio productions. 24:48 – Learn how dedication and innovation keep 24/7 classic broadcasts running. 33:57 – Understand how listener support helps preserve the magic of radio history. 37:38 – Reflect on why live storytelling still holds a special kind of energy. 41:35 – Hear how new technology is shaping the future of audio storytelling. 46:26 – Discover how preservation groups bring lost performances back to life. 50:29 – Explore the process of restoring and protecting rare audio archives. 55:31 – Learn why authenticity and care matter in preserving sound for the future.     About the Guest: From a young age, Walden Hughes developed a lifelong love for radio and history. Appearing in documentaries on “Beep Baseball,” he went on to collect more than 50,000 old-time radio shows and produce hundreds of live nostalgic broadcasts. His work celebrates radio's golden era through events, celebrity interviews, and re-creations performed nationwide. His deep family roots reach back to early American history — from a Mayflower ancestor to relatives who served in major U.S. wars — shaping his respect for storytelling and legacy. With degrees in economics, political science, and an MBA in finance, he built a successful career in investments before turning his passion into purpose. As general manager and producer for Yesterday USA and longtime board member of SPERDVAC, he's preserved classic entertainment for future generations. Honored with awards like the Herb Ellis and Dick Beals Awards, he continues to consult for icons like Kitty Kallen and the Sinatra family, keeping the voices of radios past alive for audiences today.   Ways to connect with Walden:   Cell:  714/454-3281 Email:  waldenhughes@yesterdayusa.com or www.yesterdayusa.com Live shows are Friday, Saturday and Sunday nights beginning at 7:30 PDT.     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello everyone, and welcome to another episode of unstoppable mindset. Wherever you are listening from, we're really glad you're here, and we are going to have a guest who we've had on before we get to have him on again, and we're going to grill him really good. I want you to remember that a few weeks ago, we talked to Walden Hughes. And Walden is a collector of old radio shows. He's been very involved with organizations that help promote the hobby of old radio shows, and old rate Old Time Radio, as I do, and I thought it would be kind of fun to have him back, because there are a number of events coming up that I think are very relevant to talk about, and so we're going to do that. So Walden, welcome back to unstoppable mindset. We're glad you're here. Michael, been such a long time, and glad you invited me back. Well, I know it's been so long well, so tell me, let's, let's go back again. You know, radio people talk about the golden days of radio, or the time of old radio. When do we think that? When do we say that officially ended, although I think it went beyond   Walden Hughes ** 02:29 it. I though I jumped 30th, 1962, I'm, yeah, I I think the style changed a little bit, I'm probably a romantic somewhat. I love the style of old time radio. I love how it sound. Yeah, I think in in the 3040s and 50s, the studios and the theater that they use sounded great for radio, and it disturbed me, and I bet you have the same feeling, Michael, that when you get new production and new the new studio, it just doesn't sound right. I feel the equilibrium is not quite the way. I love old time radio. I think Old Time Radio A prime web. I think a lot of new productions out there that, you know, release their podcasts and things on a weekly basis. I think they're handicapped. They just don't have the budget to really create and build a studio the way I think it should be, that if they have, it sound just natural and just right.   Michael Hingson ** 03:43 And I think that's part of it, but I think the other part of it is that people today don't seem to know how to act and create the same kind of environment with their voice that Old Time Radio actors did in the 30s, 40s and 50s and into into the early 60s, even we had Carl Amari on several weeks ago. And of course, one of the things that Carl did was, did complete recreations of all of the Twilight Zone shows. And even some of those are, are they sound sort of forced? Some of the actors sound forced, and they they haven't really learned how to sound natural in radio like some of the older actors do.   Walden Hughes ** 04:34 Yeah, and I know Bob we call did it for a bike I get thrown off when he generally way. Did have the highway stars remote end, and he had a Stock Company of Chicago after, and I could hear the equilibrium just not quite right. That bothers me. I don't know if the average person picks up on that, and you're right. I don't know if. Is it the style of acting that they teach in film and TV? It needs a radio acting different in a lot of ways, and you got it as you point. It's got to be realistic into the environment. And actors don't get that for radio,   Michael Hingson ** 05:25 yeah, and you talked about the last day for you of real radio was September 30, 1962 and we should probably explain why that is   Walden Hughes ** 05:36 diet throughout the CBS your Troy John and suspense as the two main keys of old time radio. And that was the last day of old time radio out of New York. And I hardcore Lacher sister. Think that's one radio Shane died per se   Michael Hingson ** 05:58 Gunsmoke and Have Gun Will Travel were gone, right,   Walden Hughes ** 06:01 and the soap operas ended in November 2560 I like soap operas. I know a lot of people do not, but there's something can't there's something campy about it that I like. I would, I would like, I prefer to listen to somebody also proper than do some of the new production and make sure the acting style,   Michael Hingson ** 06:27 but I think there's a lot to do with it that that makes that the case. And I think you're absolutely right that so many things are different, but at the same time, radio did sort of continue. And there was, there were some good shows zero hour, the Hollywood radio theater that Rod Serling did later. And of course, NPR did Star Wars.   Walden Hughes ** 06:58 And I like that I did.   Michael Hingson ** 07:02 Yeah, I think that was done pretty well. And what do you think of CBS mystery theater? Honestly, CBS mystery theater, I thought that generally, CBS mystery theater had some good actors, and they did a pretty good job. I I can't complain too much about that, and it was on for a long time.   Walden Hughes ** 07:18 But what do you think of the script, though?   Michael Hingson ** 07:22 Well, part of the problem for me and CBS mystery theater is, and I'm sure it was a cost issue. There weren't very many people in most of the scripts. There was like two or three or so and and that was a problem. But I think that that the scripts suffered because there weren't more people in the scripts to really make it again sound pretty natural. I think that was a problem.   Walden Hughes ** 07:52 Yeah, Hyman Brown really knew how to crank it out. I think it has a good, solid B production, you know, the scripts. And I think the scripts are quite hampered. You couldn't, actually couldn't knock the actors. I thought the actors were Mercedes McCambridge and all those were terrific actors, but you're right. Sam dam wrote a lot of them, yeah, and things like that. But I   Michael Hingson ** 08:21 think, I think they would have been nicer to have more people in the scripts. But I understand that, that that probably was more difficult to do just because of union and scale and the cost. But gee, I think it would have made a big difference in the shows. But Hyman Brown really knew, as you said, How to crank them   Walden Hughes ** 08:39 out. Yeah, that's why, in some ways, I think the series, radio theater, the way 70 is a it's a terrific series. Didn't have the financial backing to make it last longer than the two years I was   Michael Hingson ** 08:52 on. Now, one show I really liked on in PR later was alien world, which I thought was good. I'd never heard any of them, so they were good, yeah, yeah, okay. I'm very happy with alien worlds. There were some actors from radio and in early television and so on. Hans con read, for example, was on some, yeah, I thought alien worlds went really well. I guess we're gonna have to get you some and get you to lose, Okay, interesting.   Walden Hughes ** 09:21 I just got done taking a eight week course on entrepreneurship for disabled people, and my idea is to pitch that we should be doing audio theater as a podcast. I think if it's big enough, it attracts national sponsors. And if you look at the numbers, everybody podcasting, 135 million people in the USA download a podcast once a week. Revenue, $2.46 billion yeah. Worldwide, 5 billion people download a podcast once a week. Revenue, three. $4 billion and so she had a well known he had a podcast with well known stars. I think she could get that 1% in that market, and then you can generate between the 24 to 40 million, $40 million in revenue a year. That would easily sure be a good financial model, and that's what I'm pitching. But when I went to the court, they asked me what to analyze, what's wrong with my what obstacles I have. And one of the things I put down is besides the studio we talked about and the acting, which a really good actor, actress, everybody, like a Beverly Washburn can pick up a script and knock it out of the park right away. Most actors are not able to do that. That's a real gift, as Michael was pointing out. But the other thing most scripts are written for film and TV, which is a verbal which is a eye medium, and a radio script is written for the ear, and I have produced enough the ear is faster than the eye. If you take like a TV script and a book and read it out loud, the mind wander. It has to have a faster pace for the ear. And I don't think more people notice that when they're analyzing a script,   Michael Hingson ** 11:31 yeah, but you you're sort of treading around the edges of something else. I think that is fascinating, that we can start to talk about one of the things that has occurred some over the past few years, and whether it be with a podcast or even just with the mechanisms we're using today, is there are some attempts to recreate some of the old radio shows and and you and I have both Well, we Have to get you acting in one of those shows, Walden. But I have, I've acted in the shows Walden works behind the scenes, and there are a number of people who have been involved with him. And you really can tell some of the good actors who performed in old radio as you said, Beverly Washburn, Carolyn Grimes and others. Carolyn, of course, is Zuzu from It's A Wonderful Life, and by the way, she's going to be coming on unstoppable mindset in the not too distant future. But, but the point is that you can tell those people because they've done it, and they're very comfortable with it, and they know how to make it come across really well. So for example, you're the president of the radio enthusiasts of Puget Sound. Now you're down here in Southern California. How did you work out being the president of reps?   Walden Hughes ** 13:01 Why my closest friends a hobby, Brian Haygood, and Brian's been one of the big movers and shakers of reps over the years. And when the founder, Mike Sprague, decided to step down, they were looking for new people to run showcase back in 2007 so Brian asked me, because I'm the one that has the contacts, you know, I'm the one booking guests for y USA rep, I'm sure the go to person with contacts and phone numbers, everybody. And so I just wound up doing the CO produced showcase back in 2007 with Brian. So that's been one of the things I wound up doing.   13:50 I produce   Walden Hughes ** 13:52 almost 30 923, or four days events of All Time Radio around the country. So tell us about showcase, showcase. It will be September 18, 19/20, 21st is a big event for us, for reps, and we got funding thanks to Ford culture and the state of Washington to do this. And it's free. You can go to reps online.org, and RSVP and come. And people that you get to see this time around are Beverly Washburn from Star Trek, when the bear ministry shows, yeah, when, when the bear man a good, solid voice actress, and also is a coach. Carolyn Grimes, as you mentioned, Margaret O'Brien, of course, you know Margaret from Oscar war winner from meet me in St Louis, Gigi Perot, and she goes back to the 40s and 50s. And did the belly hunting TV show, Tommy cook and Lacher Riley, a radio show. Ivan Kirk. Troy. Bobby Benson. Bill Owen, who you had on ABC TV announcer, author of The Big broadcast, Ron cocking. He and his great wife, Gloria Macmillan ran acting school for children.   Michael Hingson ** 15:15 Bill Ratner Miller, of course, is famous for radio.   Walden Hughes ** 15:18 Right arm is Brooks. Bill Ratner from GI Joe. Bill Johnson, who does Bob Hope around the country. John provoke to Timmy Lacher. Chuck Daugherty, the announcer for second announcer for Sergeant president of the Yukon King and discover the Beach Boys. David Osman from fire sign theater. Phil prosper from fire sign theater. John Iman, who was from the TV show Lacher. And there was Larry Albert and John Jensen, the big band Lacher. John Laurie gasping, and Dan Murphy used to be the program director ki Xi out in Seattle. And so that's gonna be a great weekend. We'll produce close to it, I think, 1819 radio recreation that's still negotiating. And we have several interviews and panel. It's all free. So you can go to repsonline.org, and that's one of our two major events, the other major events at the Christmas show in December, the first week in December. I'm hoping Mike can make it up that   Michael Hingson ** 16:31 weekend, I was hoping to be able to come to the Showcase. And one of my favorite shows, and Walden and I had talked about doing it, is Richard diamond private detective. And I actually asked to be cast as Richard diamond, but then a speaking engagement came up. So unfortunately, rather than being in Washington, I am going to be in Minnesota, I'm sorry, in Pennsylvania, speaking. So I won't be able to be there, but we'll do Richard diamond. That's gonna be a fun show one of these days. We'll do it.   Walden Hughes ** 17:06 We'll put we put it aside. So when Mike can can do it, we can do it so but no, really blessed to have the financial grants to keep audio theater live on a nonprofit basis, and that that that's a great board, and cannot every group's had that financial abilities right now to do that, and it's so expensive around the country to do it, terms of airfare, hotel commitments and Just meeting room costs, I mean, for people who may or may not know, when you go to a hotel a live event now, a lot of hotels expect that that meeting room needs to generate at least $10,000 of income per day. That that's a lot of money. And so we have a place that doesn't, that doesn't do that, and we're able to produce that. And so rep definitely focus on the live, live audio theater part, and also has a large library, like 33,000 shows I heard where we have so people can download, and we're also aggressively buying discs and things to add to the library. And I remember spur back I part of and I'll tell you some of the latest news and that when we talk to that topic, but it's just old time radio is in really good   Michael Hingson ** 18:41 shape at the moment. You mentioned Larry Albert, and most people won't know, but Larry Albert's been in radio for what, 40 years, and has played Detective Harry Niles that whole time, and he's also Dr Watson on Sherlock Holmes again, there are some really good professionals out there, which is cool, yeah, yeah, who understand and know how to talk in a way that really draws people in, which is what it's all about,   Walden Hughes ** 19:15 absolutely. And considering Larry and a co founder, they run all vacations, sure, the after of imagination theater. Sure they carry the banner up in Seattle, and it's pretty amazing what they're able to produce.   Michael Hingson ** 19:32 Yeah. Now, in addition to the Showcase and the Christmas show that reps is going to be doing, reps also does some other shows, don't they, during the year for like veterans and others up in the Seattle area, Tulsa, right?   Walden Hughes ** 19:46 We I thought that idea down here at spur back in 2017 the Long Beach Veterans Hospital, they still have the original theme. Leader, Mike, that Jack Benny and Bob Hope did their shows in front of the Vets at Long Beach. And I know you and I have radio shows from the Long Beach Veterans Hospital. Yes, and the stage is still there. It's the biggest stage I've ever seen. Mike, the seating area is mobile, so that way they can bring patients in who are wheelchairs or whatever, or in bed. They still have the 1940 film projectors and booth up above that they want to run movies in there, and it's just a remarkable feeling to be on stage that Bob Hope and and Jack Bailey did a show, and then the famous broadcast were Ralph Edward consequences, yeah, the Hubert Smith, who was A patient at the hospital and and so in 2017 we did. It's a Wonderful Life. And we had a gigantic crowd. I think it was almost 200 people came to that. And I was for the public and people inside the hospital. And it was, it was a exciting event to have deluxe version of It's a Wonderful Life, which was the 70th anniversary of the broadcast, right? And so I decided to take that concept and take up to Seattle and start performing shows inside the VA hospital system in Seattle. It took a while. It's hard, it's hard to get into the VA, VA system to put on shows, because you got to talk to the right people, and you gotta get a hold of PR and not always easy. So I found the right contacts, and then the state awards, and then has a grant for for veterans or veteran family member to be in shows, and so we're able to get some funding from the state for that so, and then we will also encourage them to come to showcase in September so. But no, that's that's another program we got going for that,   Michael Hingson ** 22:20 someone who I unfortunately never did get to meet, although I heard a lot of his shows, and he helped continue to bring memories of radio to especially the military. Was Frank brazzi, who was around for quite a while, and then he he was also on yesterday USA, a lot. Wasn't he sure where he's   Walden Hughes ** 22:46 from, from 1993 until 2018 so he had a good 25 year run on why USA, Frank and I co host the Friday night show for many years, until he passed away in 2018 show from 2000 to 2018 Frank was amazing guy. He was. He owned his own radio station in South Carolina, South Carolina Island. When he was 19, he had to form the first tape course in Hollywood show Bob Hope would hire him, and he would record all Bob stuff at Paramount Studio and sit to radio station and travel with Bob to record his radio Show. He also was Jim Hawthorne producer for television, Frank wound up developing board games a pass out sold 6 million copies in the new wedding the dating game. He had a company that got gift for game shows on television. He also set up a brother in a company to monitor when commercials were run on TV. Frank also produced record albums every day. He had Walter Winchell record the life of Alex joelson. Met with Jimmy Durante, had Jimmy Durante do an album, Eddie Cantor and so frank is one of these great entrepreneurs that was able to make a lot of money and spend a lot of it on his love for radio. He was the substitute for little beaver, for example, on Red Rider so and he loved doing the show the golden days of radio, which started in 1949 and from 1967 on, it was part of the Armed Forces Radio Service, which was put on 400 stations. And I'm the, I'm the care caregiver, caretaker of. All that items. So I have all the shows and getting them transferred and play them on y USA and Frank wanted to make sure his entire collection was available to collectors. So we want to make sure things were copied and things like that for people to enjoy. But no big part of old time radio, in a lot of ways, not behind the scene a little bit. You know, wasn't a big name person during the golden days of radio, but afterwards, wound up being a major person that carried the fire Troy, full time radio.   Michael Hingson ** 25:35 I know we talked about a little bit, but talk to us about yesterday, USA, that has been around quite a while, and in general, for those who don't know, yesterday, USA is an internet radio station, actually two, if you will. There's a red and a blue network of yesterday USA, and they both stations broadcast to old radio 24 hours a day, although conversations and up to date conversations are interspersed, it still primarily is a a vehicle for playing old radio shows, right?   Walden Hughes ** 26:13 Yeah, been around since 1983 founded by its start. Yeah. Founded by Bill Bragg, Bill started the largest communication museum in the world back in 1979 in Dallas, Texas, and he had a film exchanger. And there was a TV station called a nostalgia channel, and it had these films of old TV shows, but they didn't have the media to transfer it, and so they contacted Bill. Bill agreed to transfer the film. He asked what it is exchanged for him. They said, we can give you an audio channel on satellite. And they gave that to him. And so he tried to decide what to do. So he started a broadcast Old Time Radio over satellite, and he was over the big C span satellite   Speaker 1 ** 27:12 until Oh into the 2005   Walden Hughes ** 27:16 era or so. Wound up being the audio shop carrier for WGN got it high in 2000 at the third most popular internet broadcast site in the world, behind the BBC and CNN around the Lacher saw around 44 that's not too bad, with 15,000 stations online.   Michael Hingson ** 27:41 I remember, I remember it was probably like 1998 or so, maybe 97 we were living in New Jersey, and I was doing something on my computer. And I don't even remember how I discovered it, but suddenly I found yesterday, USA, and at that time, yesterday, USA was one channel, and people could become DJs, if you will, and play old radio shows. You could have an hour and a half slot. And every other week you updated your broadcast, and they put on your shows at different times during the the two week period. But it was a wave that, again, a lot of people got an opportunity to listen to radio, and I'm sure it was very popular.   Walden Hughes ** 28:32 Yeah, yeah, if they'll to Lacher show, we don't, we don't get 40,000 to 60,000 listening hours a month, with it a lot, because a lot, maybe some people might listen to seven minutes, some might people listen to a half hour and all that accumulative, it's almost 60,000 hours a month. So that's a lot of hours that people are accessing in it, there's something nice about being alive. I don't know what you think Mike, but doing something live is pretty special, and that's, that's the nice thing about what yesterday USA can provide, and we can talk, take calls, and then, you know, in the old days, you have more and more people talk about Old Time Radio. No doubting, but a lot of new people don't have those memories, so we we might do some other things to keep it interesting for people to talk about, but it's still the heart and soul. Is still old time radio in a lot of ways, and we're definitely the fiber, I think for new people to find old time radio.   29:43 How did you get involved with it?   Walden Hughes ** 29:47 I became aware of it in the early 80s when sperback mentioned it in the news trailer, so I knew it's out there. And I called, and Bill returned my call. I said, I would like my cable TV. A company to play it, and I contacted my cable TV. They couldn't get to that channel that was on the satellite, so they put big band music on those dead on the community board. And so at the same time as you about 1998 I had a good enough computer with a good enough sound card I could pick up yesterday, USA. I was aware of it. It started on the internet in 1996 I started to listen, and then I would sort of call in around 2000 they would ask a question Bill and Mike and not really know the answer, so I will quickly call and give the answer, then leave. Eventually, they realized that I knew kitty Cowan, the big band, singer of the 40s and 50s. They asked me to bring on and do the interview, which we did September 17 of 2000 and then they asked, Could I do interviews on a regular basis? And so when a kiddie friend who I knew, Tess Russell, who was Gene Autry's Girl Friday, who ran kmpc for the audience, that was the station with the stars down the road, easy listening music,   Michael Hingson ** 31:21 golden broadcasting, and that was the station Gene Autry owned, yep.   Walden Hughes ** 31:26 And I think everybody in the music business but the old touch rush all favor. So she she hooked up, she signed up. She gave me set book 17 guests for me, right away from Joe staff or the Troy Martin to Pat Boone Patti Page, who wrote them all out. So I had a major start, and then I started to contact people via letters, celebrities and things. And I think it's a really good batting average. Mike, I had a success rate of 20% Wow. Wish it was a person that didn't I had no contact with that I could turn into a guess. I always thought I was a pretty good batting average. Yeah, and I got Margaret Truman that way. I mean, she called me, said, Wong, I forgot I did this radio show with Jimmy Stewart. She did jackpot, you know, the screen director of Playhouse. And we talked about her time on The Big Show with Tallulah Bankhead. They said, a big help with Fred Allen to her. She we talked about she hosted a show, NBC show called weekday with what the weekday version of monitor was, Mike Wallace. And she talks about how Mike had a terrible temper, and if he got upset with the engineer, she has to grab his jacket and pull him back in his chair just to try to cool them off. And so we had a great time with Margaret O'Brien, Margaret Truman, but, but I always thought that would a pretty good bat Navy getting 20% and in those days, in early 2000 a lot of celebrities would be were willing to interact with the through the website, with you, and so I did that. So I booked hundreds of celebrity interviews over the years, and so it's been a, I think, an important part what I do is trying to preserve people's memories, right that way we have the recordings.   Michael Hingson ** 33:43 And so how long was Bill with yesterday, USA.   Walden Hughes ** 33:49 I passed away in 2019 so Bill from 83 to 2019, to us, 10 years or so of his wife, though he had   Michael Hingson ** 34:05 Alzheimer's and dementia, and so you could tell he was he was sounding older, yeah, and   Walden Hughes ** 34:11 he wasn't behind the scene. He was really erratic in a lot of ways. So Kim, Kim and I wound up his wife, and I wound up running the station for the last 10 years, behind the scene, okay, Bill wasn't able to do it, and so I would be the one handling the interaction with the public and handling the just jockeys, and Kim would do the automation system and do the paperwork. So she and I pretty much ran the station.   34:43 And now you do   Walden Hughes ** 34:45 it, I do it, yeah, and so I think Bill always had in mind that I'd be the one running the station in a lot of ways. And think to the listeners, we've been able to pay the bills enough to keep it. Going, I would love to generate more income for it.   Michael Hingson ** 35:03 Well, tell us about that. How are you doing the income generation? And so most of it is through   Walden Hughes ** 35:09 a live auction that we have in November this year, will be on Saturday, November 22 and people donate gift cards or items, and people bid on it, or people donate, and that money we basically use to help pay the monthly bills, which are power bills and phone bills and things like that, and so, which is a remarkable thing. Not every internet radio station has a big enough fan base to cover the cost, and so all the internet stations you see out there, everybody, the owners, sort of really have to pull money out of their own pocket. But why USA been around long enough, it has enough loyal following that our listenership really kicks in. I mean, we built a brand new studio here with the with the audience donating the funds, which is pretty remarkable. You know, to do that,   Michael Hingson ** 36:16 yeah, you got the new board in, and it's working and all that. And that's, a good thing. It really is. Well, I have been a listener since I discovered y USA. When we moved out to California for a while, I wasn't quite as active of a listener, but I still worked at it as I could. But then we moved down here, and then after Karen passed, was easier to get a lot more directly involved. And so I know I contribute to the auction every year, and I'm gonna do it again this year.   Walden Hughes ** 36:49 So would you, when you were after what you knew, why you said, Did you did you come with your question still quite a bit when you were working and traveling all the time over the years.   Michael Hingson ** 37:01 Oh, yeah, yeah, oh, I did a lot of times, and still, do I listen to some internet radio stations? Why USA among them when I travel, just because when I go to a new hotel, sometimes I can make the TV work, and sometimes I can't, but also sometimes finding the stations that I want to listen to is a little bit more of a challenge, whereas I can just use my my smartphone, my iPhone, and I've got a number of stations programmed in the only time I have had A little bit of a challenge with some of that is when I travel outside the US, sometimes I can't get direct access to some of the stations because of copyright laws. They don't they don't allow them to be broadcast out of the US, but mostly even there, I'm able to do it. But I do like to listen to old radio when I travel, typically, not on an airplane, but when I when I land, yes, yeah.   Walden Hughes ** 38:08 I think that's one thing that they ended up taking over. I think a lot of people grew up listening to the radio. Enjoy the uniqueness of radio station had. I don't know if you see that today, but I think the internet have replaced that.   Michael Hingson ** 38:24 Well, somewhat, I've seen some articles that basically say that there is a lot more shortwave listening and actual radio listening to radio stations than there is through the internet, but there is an awful lot of listening to the radio stations through the internet as well, but people do still like to listen to radio.   Walden Hughes ** 38:50 What do you think podcast? How you think podcasts fit in? I mean, you'd be hosting your own show. How you think that fit into the overall consumer questioning habit?   Michael Hingson ** 38:59 Well, I think then, what's going on with podcasts is that, like with anything, there are some really good ones. There are a lot of people who just do do something, and it's not necessarily really great quality. They think they're doing great, and they maybe are, but, but I think that overall, podcasting is something that people listen to when they're running, when they're walking, when they're doing exercising, when they're doing something else, running on a treadmill or whatever, a lot More than listening to a radio program that probably requires a little bit more concentration. But make no mistake about it, podcasts are here to stay, and podcasts are very dominant in in a lot of ways, because people do listen to them   Walden Hughes ** 39:56 a niche audience. So you find you find your audience who. Are looking for that particular topic, and so they tune into that their favorite podcast that they knew there really might be covering that topic.   Michael Hingson ** 40:07 Sure, there is some of that. But going back to what you were talking about earlier, if you get some good audio drama, and I know that there are some good podcasts out there that that do some things with good drama, that will draw in a wider audience, and that gets to be more like radio and and I think people like radio. People like what they used to listen to, kids so much today, don't but, well, they never heard old they never heard radio. But by the same token, good acting and good drama and good podcasts will draw people in just like it always has been with radio.   Walden Hughes ** 40:54 What I'm also noticing like the day the disc jockeys are, they somewhat gone. I mean, we grew up in an era where you had well known hosts that were terrific Dick jockey that kept you entertained. And I make it, I don't listen to too much because, for example, everybody the easy listening big band era, pretty much not in LA in the La radio market right now, right and I missed it.   Michael Hingson ** 41:23 I miss it too. And I agree with you, I think that we're not seeing the level of really good radio hosts that we used to there are some on podcasts. But again, it is different than it used to be. And I think some podcasts will continue to do well and and we will see how others go as as time passes, but I think that we don't see a Gary Owens on television on radio anymore. We don't see Jim Lang or Dick Whittington and whitting Hill and all those people, we don't see any of that like we used to. And so even Sirius XM isn't providing as much of that as as it used to.   Walden Hughes ** 42:20 And so what do you think AI is going to fit? I was listening to, I'm a sport fan, and Mike is a sport fan, so I like listening to ESPN and Fox Sports Radio.   Michael Hingson ** 42:32 And I was listening to a discussion over the weekend that they are, they are working some of the immediate it to replace the play by play announcer they're working with. Ai, can I figure eventually that can be a caution. It to do away with all announcers. I'm not sure that's going to happen, because I don't know. It doesn't seem like it could. I'm not sure that that will happen. I think that even if you look at the discussions about audible and other organizations providing AI voices to read books, what people say, and I'm sure over time, this will change a little bit, but and I'll get back to the button in a moment, people Say, I would much rather have a human narrated book than an AI narrated book, and the reason is, is because AI hasn't captured the human voice. Yet you may have somebody who sounds like an individual person to a degree, but you don't have the same pauses, the same intonations, the same kind of thing with AI that you do with humans. Now, will that get better over time? Sure, it will. But will it get it to be as good as humans? I think that's got a long way to go yet, and I don't think that you're going to see AI really replacing people in that regard. I think AI's got a lot that it can do, but I actually had somebody on the podcast last year, and one of the things that he said is, AI will never replace anyone. People will replace people with AI, maybe, although that may or may not be a good thing, but nobody has to be replaced because of AI, because you can always give them other jobs to do. So for example, one of the discussions that this gentleman and I had were was about having AI when you have autonomous vehicles and you have trucks that can drive themselves, and so you can ship things from place to place, keep the driver in the truck anyway. And instead of the driver driving the vehicle, the driver can be given other tasks to do, so that you still keep that person busy. And you you become more efficient. And so you let i. I do the things that it can do, but there are just so many things that AI isn't going to do that I don't think that AI is ever going to replace humans. The whole point is that we make leaps that AI is not going to be able to do.   Walden Hughes ** 45:15 Yeah, I think a good example in the audio book field, a really great reader can give you emotion and play the characters and make it realistic. And I don't know AI ever going to reach that point to bring emotions and feelings into a reading of story   Michael Hingson ** 45:32 not the same way. And as I said, I've been involved or listened and watched discussions where people say, for example, I might use AI to read a non fiction book because I'm not really paying so much attention to the reader and I'm just getting the information. But when it comes to reading a fiction book, and when it comes to really wanting to focus on the reader, I don't want AI is what I constantly hear. I want a person, and I understand that,   Walden Hughes ** 46:00 yeah, I think what you'll see AI, especially, take over the drive thru when people go to a fast food place. I can see AI replacing the interaction and trying to get those things corrected. I can see that   Michael Hingson ** 46:14 maybe, maybe, I mean, you know some of that to a degree, but I think that people are still going to rule out in the end, for quite a while. Well, you know, in talking about all the different radio organizations, I know we talked about a little bit last night last time, but tell me about spurt back.   Walden Hughes ** 46:36 Yeah, I can give you some new updates. Spoke actually been around to 1974   Michael Hingson ** 46:42 I remember when spurred back began a person who I knew, who was a listener to my radio program, Jerry Hindi, guess, was involved with with all of that. My problem with attending spurred back meetings was that it was they were way too far away from me at UC Irvine to be able to do it, but I joined by mail for a while, and, and, and that was pretty good. But by the same token, you know, it was there,   Walden Hughes ** 47:11 it was there. And spur back. Have honored over 500 people who worked in the golden days of radio. A lot of district donated. They had the meetings in the conventions now we're evolving very quickly this year into more preservation work. So we have bought over $10,000 in computers here recently. We bought and we donated, actually, we won a prize, although the first Lacher disk turntables from Japan, which is over a $10,000 turntable, we'll be using that to help dub disc. And the board is just voted in. It's going to increase the board to at least 11 people next year who will have a carryover of the seven board member and we want to have no new board members. So maybe you and I can talk about that Mike for you to be on for next year, because we'll be definitely expanding the board with 11 one. So I think it'd be really strong in the preservation stuff, because perfect got 20 to 30,000 deaths that need to get out there. And with all your new equipment, it's amazing how full time radio sounds so good today terms of the new technology, and compare where I started collecting the 70 and I ran into a lot of even commercial stuff really muddy in those days. Mike, I bet you did too, and it's a remarkable difference. Spur back is planning to be at the Troy Boston festival next April, what does spread back? Stand for the society to preserve and encourage radio drama, variety and comedy. And you can go to spur back.com Join. You can go to repsonlect.org to join. And we then mentioned yesterday, USA. Yesterday usa.com or.net and can go there and listen away and participate in the auction, which will be coming up November 22 Yeah, very important to do as well. But anyway, I really think full time radio is in a really good spot. Mike. I think if it was for the internet, I don't know if we would find all the young people who are interested in it. I think it then it been a double edged sword. It knocked out a lot of dealers. You know, they used to make money selling their tapes and CDs and everything, and I bought a lot. I know you did too over the years, but those days are pretty. Pretty much done, and but if found a lot of new younger people to find the stations or find podcast and they get to learn about yesterday USA and Old Time Radio, and all the different radio ones more and all the different internet station are playing it until they can expose and I don't think that would have happened before the internet, so I think it'll always have it created a whole new listenership.   Michael Hingson ** 50:30 I am still amazed at some of the things that I hear. I remember once when somebody found a whole bunch of old Petri wine sponsored Sherlock Holmes with basil, Rathbone and Nigel Bruce. They were horrible quality. Was it Chris who   Walden Hughes ** 50:50 found? Yep, Chris one best founded me up and found me a bookstore.   Michael Hingson ** 50:55 And the quality wasn't wasn't good at all, but they were remastered, and they sound incredible. They do how they do it, because I'd love to be able to do that with shows that I have, and like to remaster them.   Walden Hughes ** 51:13 Yeah, what happened was, you know, they were two writers, green and Boucher, Lacher, Lacher, right, and Boucher was a famous bachelor Khan. The famous mystery convention is named after him. And Dennis Green was an actor on radio, and he was also a historian. He knew, like all everything about Sherlock Holmes. And so they created the new venture who saw a comb based upon maybe a scene from a previous right story and gets expanded upon it. And so when it when one of them passed away, the collection wound up in a bookstore in Berkeley, California, and crystal investor found out. And so there became a buying group led by John tough fellow, Kenny Greenwald, Dick Millen, Joey brewing and others, got in a bidding war with the Library of Congress, and they outbid and won. They paid $15,000 for the sets of Sherlock, Holmes and so and Shirley Boone was an NBC audio engineer and chief film engineer. He really knew how to dub, and so they they did a terrific job. And then they decided to put out a record album on their own with the first two episodes. And then after that, they decided to market it to Simon Schuster, and they decided to do small vignettes. They could copyright the vignette. These were quite three minutes introduction, so they would get Ben Wright, who wanted to always Sherlock Holmes and Peggy Webber in order to reminisce and or create little scenes to set up the stories that way they could copyright that part. They couldn't copyright the show because they fell in the public domain, right? But they wound up paying the estates of everybody anyway. But that's what how they all came out, and they were hoping to do Gunsmoke. We talked to Kenny Greenwald and others, but that never, that never came off and but that's part of the remarkable thing that Karl Marx done. He's been able to get into CBS, and I think he's working on NBC, and he licensed them, so he'll be able to get into the vault and get more stuff out for all of it to enjoy. And that's an amazing thing that Carl drives for the hobby is to get new stuff out there. It's been locked away for all these years.   Michael Hingson ** 53:53 I am just amazed at the high quality. I'd love to learn more about audio engineering to be able to do that, because I have a lot of recording I'd love to make a lot better than they are.   Walden Hughes ** 54:05 Yeah, Jerry Henry used to use a software called Diamond Cut, ah, and I would the those originally was used for the Edison solder records. And the guy who issued this, Joe, they developed the software. And that's where Joe, hi, who did so much transfer work, that was the program he wound up using to create good sound,   Michael Hingson ** 54:32 yeah, and, and did a lot of it,   Walden Hughes ** 54:36 yep, see there, see, there was a software, everybody, I think original is hardware. And I think originally almost was a $50,000 piece of equipment, harder before 2000 now it's gone to software base and a couple $1,000 that's another way. That's another program that people use to clean disk. Now. Crackles and pop out of the recording.   Michael Hingson ** 55:02 So but it's not just the snap crackle and pop. It's getting the the real fidelity back, the lows and the highs and all that you said, what was the one he used? Diamond Cut. Diamond Cut, yeah. Diamond Cut, yeah. But yeah. It's just amazing. The kinds of things that happen, like with the Adventures of Sherlock Holmes and and others.   Walden Hughes ** 55:23 But you also have good ears for that. Because, yeah, I remember about 2025, years ago, it was serious. XM. Everybody has this stereo sound, I know, if you're shooting, has a certain ambiance about it. And there were companies that were taking old time radio and creating that same effect, and that could bug me. I was so used to listen to old radio show in an analog feel about it. And they when they try to put false stereo in a recording, yeah, oh my gosh. It just didn't sound right. And so they've gotten away from that pill, a lot of new dubbing. They do don't have that. So it sounds terrific now, yeah,   Michael Hingson ** 56:15 sounds a lot better. What do you think is the future of the hobby?   Walden Hughes ** 56:19 I think more and more stuff are coming out. A lot of stuff that were with agreements to hold on to the material have disappeared, because a lot of it is passing from generation to generation. And so I think over the next 10 years, you see so much more stuff coming out. In some ways, that's sort of what you John Larry and I do. We collect almost everything, just because you got to make sure it's captured for the for the next generation, even though we might not be listening to it. There's so much stuff we don't listen to do everything. But I think we're, we're short of the wide billions of old time radio so we try to capture all of it and preserve it on hard drives, yeah, but eventually it'll go to future generations. But I really think more and more stuff are coming out. I think with the yesterday USA, more and more people will find it. And I'm hoping, with creating new audio theater, I would like to reproduce the great radio scripts we have no recordings for, like one man, family, I love, a mystery, all those things. That's sort of what I want to do, is one of my goals. And I think be great to hear stories that we've all collected, that we wonder about, and to get audio production behind some of these scripts. And I think it's in very good shape. It will all come down to money, Michael, as you know, you know,   Michael Hingson ** 57:58 but I also think that it's important that we, as we're recreating the shows, that while we can, we have people who understand what we really need for actors who are going to be recreating the shows, are able to find the right people to do it, train them how to do it. I think that's so important.   Walden Hughes ** 58:19 I think so. I think, I think you find a lot of young people who like theater, who are not necessarily radio fan, if they came, if the radio fan, like Brian Henderson and people like that, they become really good actor because they love to listen to the shows ahead of time. Yeah. Beverly Washburn does the same. She likes hearing the original performances that way. She get field for me to the show. And I think you and I think Larry does it that way. And you might not necessarily want to copy everything, but you got a benchmark to work from, and you sort of know what, with the intent when   Michael Hingson ** 59:01 you say Larry, which Larry? Larry Gasman,   Walden Hughes ** 59:03 great, yeah. And I think that's a great help to study and listen how people did it, because I think a lot of old time radio, it's like the prime rib. It was the best of the best of all time of radio drama, and it's a great way to learn the craft, by listening to it and absorbing it.   Michael Hingson ** 59:30 Well, if people want to reach out to you and maybe learn more about yesterday, USA or reps and just talk with you about radio, how do they do that, they can give me a   Walden Hughes ** 59:41 call at 714-545-2071, that's my studio number for the radio stations. Lot of times I can, I'll pick it up and talk to on air, off air. They can always drop me an email Walden shoes at yesterday. Us. Dot com and happy the answer, you can always call my cell phone at 714-454-3281,   Walden Hughes ** 1:00:11 you can chase me down at over, at reps, at reps online.org. You know, get forward to me or spur vac at S, P, E, O, D, V, A, c.com, or you can even get hold of Michael Henson and Mike.   Michael Hingson ** 1:00:26 You can always get a hold of me. And people know how to do that, and I will get them in touch with you as well, you bet. So I'm glad to do that. Well, I want to thank you for being here, and I want to thank all of you for listening. I hope you've enjoyed this. This is a little bit different than a lot of the podcast that we've done. But it is, it is so important to really talk about some of these kinds of concepts, and to talk about old radio and what it what it still adds and contributes to today. So I hope that you enjoyed it. I'd love to hear from you. Feel free to reach out to me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to hear from you. Wherever you're listening, please give us a five star rating. We value that a lot, and I hope that you'll go listen to YESTERDAY usa.com, or.net then again, in both, there's the red and the blue Network, or repsonline.com, and we, we have a lot of fun. Every so often we do trivia contests, and we'll take hours and and gentlemen in New Jersey and his wife, Johnny and Helen Holmes, come on and run the trivia, and it's a lot of fun, and you're welcome to add your answers to the trivia questions, and you can come on in here and learn how to even do it through the chat.   Walden Hughes ** 1:01:51 But my kids watch this every Friday night on, why USA too?   Michael Hingson ** 1:01:56 Yeah, I get to be on every Friday night, and that's a lot of fun. Yeah. So we'd love to hear from you, and we'd love you to to help us further enhance the whole concept of old radio show. So I want to thank you again. And if you know of other people who ought to be on the podcast, Walt, and of course, you as well as you know, please introduce us. We're always looking for more people to talk to us about whatever they want to talk about. So I want to again. Thank you all and for being here. And Walden, thank you for being here as well.   Walden Hughes ** 1:02:27 All right, Mike, I'll be talking a little while.   Michael Hingson ** 1:02:33 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Craig Bartlett once again takes your questions for the 29th Hey Arnold! Anniversary Show!Topics include include Arnold's relationship with Helga, The Patakis, Craig's time at Nickelodeon, fan theories, family dynamics, Jim Lang's music, future Hey Arnold! projects and MORE!Also, check out https://www.craig-bartlett.com/ for Craig's Collectibles, Cels, and Gear!

In a different kind of episode, Ted is joined by Jim Lang, an emeritus professor of English at Assumption University and current professor of the practice at the University of Notre Dame's Kaneb Center for Teaching Excellence.Jim is one of Ted's favorite people to talk writing with in three-dimensional spaces—i.e., in-person, no internet connection needed—because he brings a teacher's mentality to his work, which probably explains why he's always up for a conversation about craft. And unlike Ted and most of the guests on this show, Jim writes nonfiction, including his seventh and most recent book, one that explores the writing process itself.Titled Write Like You Teach: Taking Your Classroom Skills to a Bigger Audience, it is a guide for academics that distills the elements of good classroom teaching into strategies for writing for the general public. But while the book is pitched at that those who teach in colleges and universities, the topics he digs into will resonate with anyone who tries to create engaging prose.Focusing on the book's chapter on “Invitational Language,” Jim and Ted discuss challenging readers without alienating them, why the passive voice gets a worse rap than it deserves, and approaching your writing as an effort to be good company to your readers. Currently involved with a project on how AI might support teaching, Jim also shares his thoughts on AI's relationship to writing: what it can and cannot do, the value of learning from other humans, and what we lose when we allow machines to choose words for us.Find Jim and his books online at jamesmlang.com.Working Drafts episodes and info for requesting transcripts as well as more details about Ted and his books are available on his website, thetedfox.com.

Capitol Hill is moving toward a permanent Opportunity Zones program, but the fine print matters. In this OZ Pitch Day panel, Jimmy Atkinson is joined by Blake Christian and Jim Lang to unpack the Senate's draft OZ 2.0 bill. They explore the proposal's major reforms, potential pitfalls, and what developers and investors need to know right now. Show notes & episode summary: https://opportunityzones.com/2025/06/ozpd-panel-349/

As Congress unlocks the path for major tax legislation, Opportunity Zone leaders gather in Park City, Utah to shape what comes next. Recorded live at the “Yellow Brick Road to QOZ 2.0” summit, Jimmy Atkinson is joined by Jim Lang of Greenberg Traurig to break down the biggest takeaways from the event. They discuss the policy priorities gaining traction for OZ 2.0, including a 10-year extension, rolling deferral, expanded eligibility, and strategies to bring banks and operating businesses into the ecosystem. Plus: insights on rural investment, national security industries, and how stakeholders can help influence upcoming legislation. Show notes & summary: https://opportunityzones.com/2025/04/jim-lang-340/

A big Opportunity Zones event coming to Park City, UT next month is set to be the premier gathering for Opportunity Zone investors and other stakeholders ahead of much anticipated OZ 2.0 legislation. Jim Lang of Greenberg Traurig join the show to discuss what attendees can expect, how the OZ market has evolved since its inception, and why upcoming legislative changes will define the program's future. Show notes & summary: https://opportunityzones.com/2025/03/jim-lang-337/

DING!The lovely Lisa May talks her radio personalities, her commercials, Bean's Asperger's, Russ Leatherman, sharing the air with Jim Lang, and someone may accidentally hang up on her at the end. oops.

DING!The lovely Lisa May talks her radio personalities, her commercials, Bean's Asperger's, Russ Leatherman, sharing the air with Jim Lang, and someone may accidentally hang up on her at the end. oops.

Eric Jolliffe, former Chief of York Regional Police; who has taken on the role of Chair and CEO of the Regional Municipality of York, spoke with Ann Rohmer about his responsibilities and goals for the region. Jolliffe talks about his learning curve in his new role, emphasizing the importance of collaborative partnerships and understanding the wide range of services provided by the region.Emily Kelly from Blue Door is with Glynn Perkins to discuss the Coldest Night of the Year initiative, which aims to raise awareness and funds for the homeless during harsh winter conditions. Kelly explains the range of services provided by Blue Door, including emergency housing, health support, and employment training, and highlights the importance of community support.Jim Lang spoke with the Minister of Small Business, Rechie Valdez, on the strategies to minimize the impact of Trump's tariffs on Canadian businesses, emphasizing the need to support local industries. Valdez highlights the government's Team Canada approach to defending Canadian interests and supporting small businesses against the proposed tariffs.Shaliza Bacchus is with Sunder Singh of the Elspeth Heyworth Centre for Women discussing  her work in supporting displaced women and children, and the upcoming SIP and Support High Tea event.Dr. Dominic Novak of the Ontario Medical Association discusses the severe shortage of family doctors in Vaughan, affecting over 42,000 residents. Novak highlights the challenges faced by family doctors, including outdated funding models and administrative burdens, which deter new doctors from entering the field.Jim Lang interviews Greg Keelor and Dale Heslip about the new Blue Rodeo documentary, which celebrates the band's enduring legacy and impact on Canadian music.

Ann Rohmer spoke with Adrienne Batra the editor in chief of the Toronto Sun who discusses the implications of Trump's tariffs on Canada and the need for Canada to diversify its trade markets.One of the potential impacts of tariffs is the cost of food. Joining Bailey Higgins is with Tasha Cortese, a Registered Dietitian at Mackenzie Health who provides tips on how to eat healthy on a budget, emphasizing meal planning, using coupons, and incorporating frozen and canned produce.Jim Lang is with Phiona Durrant, president of the Aurora Black Community Association to discuss the importance of Black History Month and the various events planned to celebrate it in York Region.More and more adult children of elderly parents are finding themselves in caregiver roles. Glynn Perkins is with Amy Coupal, CEO of the Ontario Caregiver Organization who talks about the challenges of caregiving for elderly family members and the importance of having a caregiving plan.Ann Rohmer spoke with Matthew De Sa, Neosort's Chief Innovation Officer and Head of global products who explains their advanced recycling technology; which can identify and sort various types of plastics at a molecular level, aiming to improve recycling efficiency.Youth homelessness is an ongoing challenge. Shaliza Bacchus sat down with Bonnie Harkness, the Chief Operating Officer of 360 kids to discuss the 360 Experience, an event to raise awareness and funds to combat youth homelessness in York Region.

Ontario, we are going to the polls in just under a month. Ann Rohmer is with political analyst and host of the "3 Minute Interview", Stephen LeDrew to better understand the what, why, when and where of this snap election.Blue Monday is now in the rearview mirror, but its root cause is still with us. Shaliza Bacchus spoke with Rebecca Shields, CEO of the York Region in South Simcoe Canadian Mental Health Association, about a brand new program launched to minimize the blues.A transportation link to the GO train is certainly welcome in smaller communities in the GTA, but when that link is going to add to traffic congestion, the benefit can come at a significant cost. Glen Perkins spoke with Mayor Tom Mrakas of Aurora about this double-edged sword.Navigating the complexities of consumer protection laws can be a daunting task for the average Canadian, which is why we have trained lawyers to help us out, but lawyers can be expensive. Bailey Higgins is with Rocco Scocco to talk about a group of York University, Osgoode Hall Law school students who are stepping in to pick up the slack.For decades, KUUMBA, Toronto's largest and longest-running Black Futures festival has been a vital platform for celebrating black futures and embodying joyful expression. Shaliza Bacchus is with Diana Webley, the lead producer to tell us more.They say, laughter is the best medicine, and apparently it's even better when it's done as a team. Jim Lang is with Julie Betts and Laura Toogood to talk about Bent Fork Improv from Newmarket to discuss their soup connection.

A ceasefire deal between Israel and Hamas was about to come to fruition last Sunday, but cracks began to appear in the already fragile agreement. Romi Gonen was captured by Hamas on October 7th, 2023, as she tried to escape the Nova Music Festival. Joining Ann Rohmer is Romi's cousin Maureen Leshem who never stopped working toward and believing in Romi's release.Proroguing government is a term that has been vaulted from obscurity into the public consciousness in recent years. Jim Lang is with MP for Aurora Oak Ridges and Richmond Hill, Leah Taylor Roy about what the federal prorogation means and how the government is continuing to work for Canadians.Glynn Perkins speaks with Associate Minister of Car Theft and Bail Reform Graham McGregor on a program for information sharing that will arm law enforcement when searching a suspect's criminal history.Jim Lang is with the President of Canadian Crime Stoppers Dave Forster to their new theme for 2025. Empowering through education, preventing through action.Ann Rohmer is with Vaughan Mayor Steven Del Duca who brings us up to speed on what's happening in his city and the opening of the zero-carbon Zancor Centre in King Township marks a first in Canada.Jim Lang spoke with King Township Mayor Steve Pellegrini about the official open of the Zancor Centre.

The Angus Reid Institute has been tracking the reaction of Canadians to the trials and tribulations of Justin Trudeau these past many months. Ann Rohmer speaks with Dave Korzinski Research Director at the Angus Reid Institute about the results of their most recent poll. According to the recently released RE/Max Canadian housing Market 2025 outlook. The national average residential price is expected to rise 5%, a sellers market will likely dominate this year, and consumer optimism is on the rise. The President of RE/Max, Canada, Christopher Alexander is with Ann Rohmer to discuss.Asif Khan, Broker Owner of RE/Max Prime Properties continues the conversation with Ann to see what the RE/Max report has in store for York Region.An alarming increase in terrorist activities on Canadian streets has the Centre for Israel and Jewish affairs calling for action by the federal government. Glynn Perkins is joined by Richard Marceau, Vice President, External Affairs and General Counsel, Centre for Israel and Jewish Affairs.While the New year is celebrated as a fresh beginning, it is also a time when new legislative bills become the law of the land. Jim Lang spoke with Constable James Dixon, Media Relations Officer, Marketing, Communications and brand at York Regional Police about the new changes. Community theatre is at the very heart of stage entertainment. The King and I will be presented at Vaughan's Bellvue Manor from January 30th to February 2nd and it will be star-studded, Bailey Higgins spoke with the director Marty Story.It wouldn't seem like a new year if some attention wasn't paid to resolutions and particularly those pertaining to improving our health, Shaliza Bacchus is with Sherry Perez, manager, Program development Group Fitness, the YMCA of Greater Toronto to get some hints on how to achieve our goals.

Today, DJ Bob talks to Jim Lang! Jim is best known as the composer for Nickelodeon's hit series Hey Arnold. He now works on the recent series “Primos” for Disney+ and Disney Channel. This interview delves into his various creative endeavors, the technical aspects of his and Bob's work, and more!

This week I sit down with Hey Arnold creator Craig Bartlett, Composer Jim Lang and Writer Joe Purdy to talk about the amazing Urban Legend episodes from Nickelodeons GREATEST cartoon, Hey Arnold.Join our Patreon: patreon.com/nmyheadpodFollow Craig: https://www.instagram.com/craigbartlett/Follow Jim: https://www.instagram.com/jimlangmusic/Follow Us On Social Media:Facebook: https://www.facebook.com/nmyheadpodInstagram: https://www.instagram.com/nmyheadpodTwitter: https://twitter.com/nmyheadpodYoutube: https://www.youtube.com/c/WhatsInMyHeadPodcast/featuredPodcast Sponsor: Animation DestinationInstagram: https://www.instagram.com/animationdestination/Spotify: https://open.spotify.com/show/263EAbcFHuPBECSplwQ6ta?si=3782198b410c44f7Don't forget to subscribe and follow us across all social media platformsIntro Audio By: Lakey Inspired#HeyArnold#CraigBartlett#Nickelodeon#JimLang#JoePurdy#UrbanLegends#Nicktoons#PigeonMan#Halloween

Beginning faculty often receive warnings that lead to antagonistic relationships with their students. In this episode, Cate Denial joins us to discuss how a pedagogy of kindness can build productive learning environments for all students. Cate is the Bright Distinguished Professor of American History and Director of the Bright Institute at Knox College. She is the winner of the American Historical Association's 2018 Eugene Asher Distinguished Teaching Award and sits on the board of Commonplace: A Journal of Early American Life. She is also the author of A Pedagogy of Kindness, one of the first publications in the new Oklahoma University Press series on teaching and learning, edited by Jim Lang and Michelle Miller. A transcript of this episode and show notes may be found at http://teaforteaching.com.

Jeff kicks off the show with Jim Lang to discuss his new book My Day with the Cup: NHL Players Tell Their Stories about Hometown Celebrations with Hockey's Greatest Trophy. They chat about the most interesting tales from his book, along with his favourite encounters with former players. Later, New Jersey Devils GM Tom Fitzgerald discusses the reasoning for bringing in Jacob Markström, what the Devils need to add on their blue line, what went wrong for the team this season, and more (17:22)! The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

For NHL players, winning the Stanley Cup is the ultimate goal. After facing the challenge of winning hockey's biggest trophy, tradition states that each winning player and coach gets to spend a day with the cup. On the Stanley Cup's official summer tour, the winners welcome family, friends, and their hometown community to join in their celebration. Canadian journalist and sportscaster Jim Lang shares these stories in his new book, "My Day with the Cup."See omnystudio.com/listener for privacy information.

Faculty writing groups can help motivate writing, provide peer feedback, and lead to higher quality writing products. In this episode, James Lang, Sarah Rose Cavanagh, and Mike Land join us to discuss their highly productive long-term writing group.  Jim is a Professor of Practice at the Kaneb Center for Teaching Excellence at the University of Notre Dame, the author of 6 superb books on teaching and learning and is the author of a regular column in the Chronicle of Higher Education. He was the founding editor of the West Virginia University Press series on teaching and learning, and is now a co-editor of a new series at Oklahoma University Press. Jim also was the founder and long-time Director of the teaching center at Assumption College. Sarah Rose Cavanagh is a psychologist and the author of four books related to teaching and learning. She is the senior associate director for teaching and learning and associate professor of practice at Simmons University and is also a regular contributor to The Chronicle and many other publications. Jim and Sarah are regular keynote speakers and have both provided keynote addresses at SUNY-Oswego. Mike Land's early writing and editing experiences included 15 years of newspaper journalism, a masters and doctorate in Creative Writing at the University of Missouri-Columbia, and 23 years of teaching journalistic and creative nonfiction at Assumption, working for many years in the office next door to Jim Lang's and a short walk from Sarah Cavanagh's. He's an Associate Professor of English and Director of the Community Service-Learning Program at Assumption University. A transcript of this episode and show notes may be found at http://teaforteaching.com.

On this episode of The Steve Dangle Podcast, Steve talks about MLH and his attempt at being an insider (00:00), the NHL is lawless and officiating has been awful (12:00), Edmonton's incredible powerplay (50:00), Don Sweeney speaks to the media about officiating (57:00), Carolina avoids a sweep against New York (1:03:00), Vancouver takes a 2-1 lead over Edmonton (1:17:00), Berube and McLellan interview for the Leafs job (1:35:00), and Jim Lang joins the show to talk about his new show "My Day with the Cup" (1:39:00). Order "My Day with the Cup" by Jim Lang here: https://www.simonandschuster.ca/books/My-Day-with-the-Cup/Jim-Lang/9781982194444 Join SDP VIP: YouTube: https://www.youtube.com/channel/UC0a0z05HiddEn7k6OGnDprg/join Apple Podcasts: https://apple.co/thestevedanglepodcast Spotify: https://podcasters.spotify.com/pod/show/sdpvip/subscribe Visit this episode's sponsors: Watch new episodes of Canada's Ultimate Challenge every Sunday. Watch Free on CBC Gem https://gem.cbc.ca/canadas-ultimate-challenge/s02 If you want to take ownership of your health, it starts with AG1. Try AG1 and get a FREE 1-year supply of Vitamin D3K2 AND 5 free AG1 Travel Packs with your first purchase at drinkAG1.com/sdp.

During Hour 4 longtime broadcaster and author of "My Day with the Cup" Jim Lang joined the show to talk about the new book. Hosted on Acast. See acast.com/privacy for more information.

In this episode, President and executive writing coach Christine Tulley describes why May is an ideal month to complete a project or make big progress on one.  Resources Episode 123 - The May Push Episode 108 - Your Writing Project Mix DPL Resources Join us for our upcoming FREE SoTL workshop on May 15, 2024 "From SoTL Research to Publish Scholarship," a hands on writing workshop with Jim Lang, author of Cheating Lessons and Small Teaching.  Register Missed this session? Email christine@defendpublishlead.com for a late registration and the recordings and templates. Set your writing goals with us!  Try us out in a free consultation. Check out our current and past workshops at Eventbrite for writing support content. A FREE webinar is posted each month. Missed a workshop? Request a workshop or webinar recording from christine@defendandpublish.com Don't forget about the wonderful resources at Textbook and Academic Authors Association. The organization can be found at: https://www.taaonline.net/ New TAA members can use the coupon code TAADP10 for $10 off an annual membership. You will also receive a copy of the eBook, Guide to Making Time to Write: 100+ Time & Productivity Management Tips for Textbook and Academic Authors.

In this episode, President and executive writing coach Christine Tulley describes using the small spaces around finals week to clean up a digital desktop and rethink file storage. Resources Episode 28: (Digital) Desktop Organization for Writing Productivity  Episode 126: The June Clean UP Fences - Software to organize your workflow  DPL Resources Join us for our upcoming FREE SoTL workshop on May 15, 2024 "From SoTL Research to Publish Scholarship," a hands on writing workshop with Jim Lang, author of Cheating Lessons and Small Teaching.  Register Missed this session? Email christine@defendpublishlead.com for a late registration and the recordings and templates. Set your writing goals with us!  Try us out in a free consultation. Check out our current and past workshops at Eventbrite for writing support content. A FREE webinar is posted each month. Missed a workshop? Request a workshop or webinar recording from christine@defendandpublish.com Don't forget about the wonderful resources at Textbook and Academic Authors Association. The organization can be found at: https://www.taaonline.net/ New TAA members can use the coupon code TAADP10 for $10 off an annual membership. You will also receive a copy of the eBook, Guide to Making Time to Write: 100+ Time & Productivity Management Tips for Textbook and Academic Authors.

Výtah Respektu: Souhrn dne a rozhovor s Františkem Trojanem

In this episode, President and executive writing coach Christine Tulley describes how to use the “three Cs” (conceptual framework, conversations, conclusions), to publish SoTL scholarship. Resources Article by Nancy Chick, “Reconciling Apples & Oranges: A Constructivist SoTL Writing Program” Join us for our upcoming FREE SoTL workshop on May 15, 2024 "From SoTL Research to Publish Scholarship," a hands on writing workshop with Jim Lang, author of Cheating Lessons and Small Teaching.  Register Missed this session? Email christine@defendpublishlead.com for a late registration and the recordings and templates. DPL Resources Set your SoTL writing goals and or project design with us! Try us out in a free consultation. Check out our current and past workshops at Eventbrite for writing support content. A FREE webinar is posted each month. Missed a workshop? Request a workshop or webinar recording from christine@defendandpublish.com Don't forget about the wonderful resources at Textbook and Academic Authors Association. The organization can be found at: https://www.taaonline.net/ New TAA members can use the coupon code TAADP10 for $10 off an annual membership. You will also receive a copy of the eBook, Guide to Making Time to Write: 100+ Time & Productivity Management Tips for Textbook and Academic Authors.

In this episode, Liz Norell shares her educational developer journey and discusses plans for the forthcoming partnership between Centering Centers, a POD Network podcast, and To Improve the Academy, its flagship peer-reviewed journal. Dr. Liz Norell is Associate Director of Instructional Support at the University of Mississippi's Center for Excellence in Teaching and Learning. Prior to joining UM, Liz spent more than two decades in higher education as an instructor and (for a brief time early in graduate school) working as a digital communicator in a university marketing office. She spent more than a decade working as an adjunct instructor at a variety of institutions in the Dallas/Fort Worth metroplex and in middle Tennessee before spending seven years in a tenure-track role at a Tennessee community college. During that time, she developed a strong interest in pedagogy and the scholarship of teaching and learning. She is the author of the forthcoming book from the new OU Press series edited by Jim Lang and Michelle Miller, The Present Professor. In her role at UM, she'll be working with faculty to design, execute, and publish their own SoTL projects, as well as engaging with the breadth of teaching center activities (workshops, book clubs, consultations, etc.). She divides her time between Oxford, Miss. and Monteagle, Tenn. Her partner teaches math and computer science at the University of the South (Sewanee). They have two kids, two dogs, and a very calm existence. Liz reads voraciously and loves to travel. Transcript

James Lang of the Pender & Coward law firm joins the podcast to talk about the recent U.S. Supreme Court decision in Sackett v. EPA.  He also discusses the historical definitions used for the term “waters of the U.S.,” important in understanding the jurisdiction of the federal government to regulate land under or adjacent to waterways.    Texas A&M Associate Professor Tiffany Dowell Lashmet writes on the EPA's recently revised WOTUS definition here: https://agrilife.org/texasaglaw/2023/09/04/epa-releases-revised-wotus-definition/   Additionally, Professor James Stern of William & Mary Law School joins to talk about the Brigham-Kanner Property Rights conference scheduled for October 26-27 at the campus of the William & Mary law school.   Please share your thoughts on the show or this episode with me. I'm on X @J_Clint. If you have thoughts about future show guests or ideas for episodes, please let me know.

In 2022, the industrial real estate sector was one of the top-performing sectors, with e-commerce growth, supply chain diversification, and new inventory management strategies being key growth drivers. The Opportunity Zone tax incentive further boosts its attractiveness to investors. Today's episode is a recording of a live segment from OZ Pitch Day on July 20, 2023, wherein panelists Peter Ciganik, Brian Duren, and Jim Lang discussed all things Opportunity Zones and industrial real estate. Show notes & transcript: https://opportunitydb.com/2023/08/industrial-panel-278/

There's still so much to say about Hey Arnold!, so the Kidz are taking one last look back at Season 5 and the entire five-season Hey Arnold! run, from the 1996 pilot to the final episode in 2004. Along the way, they discuss their favorite character moments, highlights from the series, and the impact this podcast has had on our lives. Speaking of which, it's been an absolute dream to make this podcast and discuss this beloved show with you all. From the bottom of our little yellow hearts, thank you so much for listening to Stoop Kidz!: A Hey Arnold Podcast! Stay subscribed to this feed for whatever fun surprises the Kidz cook up in the future. In the meantime, share your favorite episode with a friend. We hope that talking about a thing you loved as a kid brings you closer to the people you love today. You can also stay in touch at https://twitter.com/stoopkidzpod and https://www.instagram.com/stoopkidzpod/. All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Groove Remote (LockJaw)” by Jim Lang. Outro music: “Stompin'” by Jim Lang.

Here we go. It's the final episode of Hey Arnold! as a TV show – not including the movies – and it's a doozy of a Stoop Kidz! episode, too. Arnold learns more about his parents' mission to help save the Green-Eyed People of San Lorenzo – the mission that would take them away from him seemingly forever. Join Cody, Emily, and Harry as they dive one last time into an episode of the cartoon that gave them so many beloved childhood memories. If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Groove Remote” by Jim Lang. Outro music: “Groove Remote (LockJaw)” and end credits from 99/100 The Journal by Jim Lang.

King of the Fools Dylan Guerber returns to the stoop for one final time! Arnold and Helga's April 1 prank one-upmanship mirrors the secrets they keep from each other in “April Fool's Day,” where Helga's not-so-innocent practical jokes escalate tension between the two. In our discussion of this half-hour special, we discuss its place in the story of Arnold and Helga, its development, and the pranks we pulled in our own youth! Follow Dylan on Instagram at https://www.instagram.com/quiverwingquack/ Listen to Dylan's other episode of Stoop Kidz!: - 72A Back to School/72B Egg Story If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Stompin'” by Jim Lang.

Arnold has to face his on-again off-again crush on Lila once and for all when he starts getting attention from an unexpected source: Gerald's little sister! “Timberly Loves Arnold” is a bit all over the place (didn't we close the book on #LilArnold? Why's Gerald so absent? Why's Sid gotta be so creepy?), but it does get the Kidz a bit nostalgic for the social awkwardness of childhood crushes and sibling tag-alongs. Timberly's good people. “Eugene, Eugene!” dramatizes the relationships among the kids of P.S. 118 when theater director (and Mr. Simmons's archrival) Mr. Leichliter brings a production of the titular stage play to the school. Spurned by a former love, Leichliter changes the ending of the play so the bad guy (Arnold) gets the girl (Lila) – and long-suffering Eugene won't stand for it. In our discussion, we talk about the framing of narratives as school play, how inconsequential Helga is, and how cool Tim Curry is. If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “When Life Gives You Lemons, Dance!” by Jim Lang from Episode 97B Eugene, Eugene!

Seth's back on the stoop and he's got COOTIES in this very special episode of Stoop Kidz! Rhonda's origami game predicts each kid's perfect matrimonial pair in “Married”. That's right – she knows exactly who's gonna tie the knot with whom, somewhere down the line: Peapod Kid and Nadine; Sheena and Eugene; Arnold and Helga… wait, WHAT??? The rest of the episode plays out in opposing dream sequences: Helga's vision of her perfect married life and Arnold's depressingly dour subconscious. But even more interesting than the things we get to see (the kids of PS 118 “all growed up”) is what their dreams say about the feelings football-headed boy and his pining potential paramour: The kinds of things they can admit to themselves, how they confront their deeply held insecurities, and “Married” as a microcosm for the show's central conflict. Find Seth at the following links: - https://twitter.com/snzarate - https://letterboxd.com/snzarate/ Listen to Seth's other episodes of Stoop Kidz!: - 15B Sally's Comet - 57A Girl Trouble/57B School Dance - The Sound of 1998: Reviewing “Now That's What I Call Music Vol. 1 - 75A Monkeyman!/75B Buses, Bikes, and Subways If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Stomp” by Jim Lang.

“A Day in the Life of a Classroom” questions the definition of “perfect” at P.S. 118 when a documentary crew wants to capture an exemplary day in Mr. Simmons's classroom! Mr. Simmons takes it a little too literally – think cinéma vérité with less of the vérité. Big Bob tries a little too hard to change his ways after a close call with a gas attack(?) in “Big Bob's Crisis.” But is selling your earthly possessions and moving your entire family to an Oregon commune better than just going to therapy and listening to your children? The answer may shock you! If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang.

Allegra gets back in front of the mic and DOESN'T embarrass herself on this episode of Stoop Kidz! Phoebe, however, DOES embarrass herself when her nervous flatulence gets picked up on mic in front of a large audience. (Podcast editor's note: That's one heck of a microphone.) Can Arnold help Grandpa get back his precious Packard after it's pilfered by some punk playing at payback? Can the automobile's many quirks help the duo prove it was stolen? How many Dashiell Hammett references can they stuff in an episode of Hey Arnold!? These questions and more in “Grandpa's Packard”! Find Allegra at the following links: - https://twitter.com/LegsFrank - https://www.thedailybeast.com/author/allegra-frank - https://www.thedailybeast.com/obsessed Listen to Allegra's other Stoop Kidz! appearances: - 65A The Beeper Queen/65B Oskar Can't Read? If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Remote” by Jim Lang.

We begin in an asylum for the criminally insane.  A man in a straitjacket is hauled into the facility and thrown into a padded cell.  Visited by a psychiatrist, the man begins telling his story, while acknowledging that something awful is happening in the outside world.  We flash back: renowned horror writer Sutter Cane has disappeared.  Seeking to locate Cane, and collect his new novel, In the Mouth of Madness, the head of Arcane publishing, Jackson Harglow, hires crack Insurance investigator John Trent – a man with a nose for frauds and whose skepticism seemingly knows no bounds.  Trent has already run into a spot of trouble – after reading a couple chapters of Cane's latest, Cane's agent becomes an axe-wielding maniac, crashing through the window of a local café where Trent is dining.  The why, for now, is left unexplained, but as we learn, Cane's novels have a strange, disorienting effect on its ‘less stable' readers.  Trent and Cane's editor, Linda Styles, head to Hobb's End, New Hampshire, where they believe Cane is living.  Trent and Styles discover a place that seems almost too quaint to be real, and almost immediately, a terrible secret that upends Trent's life as he knows it, and has major repercussions for Sutter Cane fans worldwide. Intro, Math Club, and Debate Society (spoiler-free) 00:00-32:15Honor Roll and Detention (spoiler-heavy) 32:16-1:07:24Superlatives (so. many. spoilers.) 1:07:25-1:25:20 Director John CarpenterScreenplay Michael De LucaFeaturing Frances Bay, Julie Carmen, John Glover, Charlton Heston, Sam Neill, Jürgen Prochnow, Wilhelm von Homburg, David Warner Mary Wild is a 'Freudian Cinephile' and pop psychoanalyst, creating content related to cinema, philosophy, and the modern cultural landscape.  She is the founder of the Projections lecture series at Freud Museum London, applying psychoanalysis to film interpretation, which has been running since 2012. She teaches film at City Lit and Picturehouse Cinemas, and has produced events for London Centre for Interdisciplinary Research, Picturehouse Cinemas, White Cube Gallery, and Morbid Anatomy. She also co-hosts Projections Podcast, contributes to The Evolution of Horror Podcast, and posts exclusive content on Patreon. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from “In the Mouth of Madness” by John Carpenter & Jim Lang. For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠scareupod.com⁠. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts.  If you like what you hear, please leave us a 5-star rating.   Join our ⁠Facebook⁠ group. Follow us on ⁠Instagram⁠.

Erica Csuy and Ellie DeMuth are back on the Stoop! “On the Lam” sees Harold, Stinky, and Sid on the run after assuming they blew up the police station (ACAB) with science project rockets. (They didn't. L.) In “Family Man”, Mr. Hyunh tries so hard to get a promotion at his restaurant job that he pretends Suzie is his wife, Arnold is his son, and Grandpa is his father to appease the boss, Mr. Camacho. But the boarders at Sunset Arms kind of already ARE his family, in a way! Listen to Erica and Ellie's other Stoop Kidz! episode: - 51A Phoebe Takes the Fall/51B The Pig War If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Remote” by Jim Lang.

Glueboy – Arnold, Oskar, and Mr. Hyunh's new racing horse – is no racing horse. So it's their job to get the mule(!) up to racing shape in “The Racing Mule”! The Kidz! are a lot less ambivalent about “Curly's Girl”, where Curly's childish, more than mildly creepy notions of “liking someone” take center stage with Rhonda as the victim. When Curly does Rhonda a solid by covering her when she ruins her mom's expensive coat, he more or less blackmails the little aristocrat into pretending to be his girlfriend. Ew! If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Remote” by Jim Lang.

Harold loses to Patty in an arm-wrestling match – twice – before asking her for some training in “Harold vs. Patty”. A pretty weird version of the father/son dynamic appears in “Rich Guy,” when Arnold catches a hockey puck bound for wealthy team owner Sammy Redman's head and becomes. Here's a REAL million-dollar idea, Sammy: Repair your relationship with your own dang son first! If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Remote” by Jim Lang.

If today's guest had an Arnie, she might be named Anna: Hannah Borenstein returns for another Stoop Kidz! double-header! We meet more of Arnie's friends, who look and sound suspiciously like the kids of Hillwood, in “Arnold Visits Arnie”: Lulu, Hilda, and Arnie reflect some of Arnold's deepest anxieties. Hot tip: Maybe don't go see a movie called Evil Twin 3 when you have a weird cousin who kinda looks like you. Then, Arnold puts his do-goodery to work helping Chocolate Boy address his well-known vice in “Chocolate Boy”! Find Hannah on Twitter and Instagram at @hborenstein23 and find her work at https://www.hannahborenstein.com/ “The Nickelodeon Cartoon That Taught a Generation to Hate Capitalism” by Hannah Borenstein for Slate: https://slate.com/culture/2022/03/hey-arnold-gentrification-capitalism-millennial-nostalgia-podcasts.html Listen to Hannah's other episodes of Stoop Kidz!: - 50A Casa Paradiso/50B Gerald's Tonsils - Episode 77A Helga's Masquerade/77B Mr. Green Runs If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Remote” by Jim Lang.

Charlie realized that not being a guest on Stoop Kidz! isn't so cool after all, so she climbed up to our window, built a giant slingshot, put on a pizza delivery disguise, and straight-up BEGGED to be back on! Actually, that's just what Harold does to get back into school in “Suspended”. Not even the school constitution can help lift Harold's weeks-long ban from school! Short guy Ernie just wants a tall wife in “Ernie in Love,” but he gets a little overzealous in dating Lola. She's just not that into him, and they'd look strange together, and you can't really talk about attraction in a kids' cartoon – but there might be a positive message to read in Ernie and Lola's tryst, and we wanted to get to the heart of it! Find Charlie's work at https://charliemackin.com/ Follow Charlie on Twitter at https://twitter.com/charliemander13 Buy Décorum, the tabletop game created by Charlie, Harry, and Drew Tenenbaum: ​​https://floodgate.games/products/decorum Listen to Charlie's other episodes of Stoop Kidz!: - 8A The List/8B Haunted Train - 20 Arnold's Christmas - 46A Arnold Betrays Iggy/46B Helga and the Nanny - 60 Parent's Day - 78 Helga on the Couch If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Remote” by Jim Lang.

It all started a hundred years ago, in 1923… actually, it started in March 2023 when we recorded this episode with Niky Horowitz! Hillwood's urban legends take a turn for the tragically romantic when Arnold and friends learn of the Ghost Bride (and her philandering sister!) in “Ghost Bride”. Nike's back for their second Jamie O.-centric episode with “Gerald vs. Jamie O.,” which pits brother against brother in Gerald's bid for the attention of pretty teenager Chloe. Listen to Niky's music at https://horowizard.bandcamp.com/releases If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Remote” by Jim Lang.

Welcome yet another Csuy to the podcast – Ryan Csuy makes his debut on the stoop! In “Beaned,” Helga develops traumatic amnesia (watch out for that baseball!), igniting Arnold's caretaker instincts. It's so nice that even after she recovers, Helga pretends she's still out of it just to get more attention from Arnold without having to say she wants it. An old rivalry is given new life in “Old Iron Man” when former coworker and friend-turned-boss man Jimmy Kafka resurfaces in Grandpa's life. Can they put aside their differences or will they succumb to old man anger? Find Ryan: - On Twitter at https://twitter.com/chopcsuy - On Instagram at https://www.instagram.com/chopcsuy/ If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Groove Remote” by Jim Lang.

Environmental attorney Jim Lang joins the Infrastructure Junkies to educate us on wetlands and their effects on a right of way project, infrastructure development or property acquired by eminent domain.  How do you define wetlands, and what the heck are they?   How are wetlands identified?  Why are wetlands important?  How are wetlands regulated? And what penalties will I face if I ignore or disturb wetlands?  If an agency or project manager identifies wetlands within a project's footprint, what should they do?  Finally, can a wetlands mitigation bank be utilized to solve the problem? Jim Lang's practice is headquartered in the Hampton Roads, Virginia area, where he founded his firm's waterfront law practice group.  For more information about topics involving wetlands, waterfront law and riparian property rights, check out his website at Waterfront Property Law, serving those who work, live and play on the water. This episode was generously sponsored by Pendulum Land Services, LLC.  A SWaM certified, DBE right of way acquisition company also headquartered in Hampton Roads, Virginia.  Check out their website at Pendulum Land Services.

YOU FORGOT YOUR MOUSTACHE!!! Dan Nagan (https://twitter.com/adapperdanman) is back! “Helga's Locket” is a lot like “Helga Blabs It All,” except instead of a voicemail, she's trying to prevent Arnold from reading the confessional inscription on a love locket she made! Grandpa gets ahold of it but can't open it, leading to a convoluted series of events that keeps it JUST out of Helga's reach. Depending on how you look at it, it's either too plain or it reaches Simpsons levels of goofy cartoonishness! In “Sid and Germs”, the Beatle-booted boy develops a sudden germophobia on the cusp of Hillwood's prestigious frog-catching contest. It's an episode that puts Sid BACK in full paranoia mode, which isn't his worst mode, tbh. Find Dan and listen to his movie podcast, Everything We Learned, at the links below: - https://twitter.com/adapperdanman/ - https://letterboxd.com/adapperdanman/ - Everything We Learned on Apple Podcasts: https://podcasts.apple.com/us/podcast/everything-we-learned/id1184071273 - If you play Final Fantasy XIV, find Dan on the Diabolo server as “Hulk Smashworth” If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music from Episode 86B Sid and Germs by Jim Lang.

Arnold, Harold, and Eugene get stuck in a tree in “Stuck in a Tree” and Chocolate Boy may be their only hope. Heaven help them! Rhonda gets a taste of working class living conditions (Sunset Arms) when Daddy Lloyd's stocks go bunko in “Rhonda Goes Broke”! It all wraps up pretty conveniently, before Rhonda has time to learn a whole lot, which is kind of how it works for rich people in real life, too. Stick around between episodes for our conversion on the neat little Helga x Arnold supercut that they put between these episodes to fill airtime! If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Stompin'” by Jim Lang.

DUDE! Wolfgang meets his match when the new kid, Ludwig, attempts to take over his turf – the hallowed vacant lot – in “New Bully on the Block”. Phoebe's finally had it with Helga's bossing around in “Phoebe Breaks a Leg,” leading the people-pleasing mathlete to take drastic measures just to get out from under Helga's thumb – faking a broken leg! Her secret can't last forever, of course. In this episode, we discuss where Helga and Phoebe's relationship is before and after the incident! If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Stompin'” by Jim Lang.

Drew's back and he's carrying exactly $3,937 cash in a bag! (Or is it just a bunch of birdseed?) When Arnold, Gerald, and Sid find a bag filled with thousands of dollars in “Bag of Money”, it kicks off a nightmarish plot of distrust and cynicism among the friends. It's one of the most infamous episodes of Hey Arnold!, up there with “Arnold Betrays Iggy” as an episode nobody really likes! Why's that? Tune in! Mr. Wartz is OUT and Mr. Simmons is IN – as principal! – in “Principal Simmons”! When the crochety principal finally caves to criticism, the genteel educator steps into his shoes, but he doesn't really like what he finds. Yelling at kids all day long ain't exactly easy, y'know. Follow Drew on Twitter at https://twitter.com/AshCoolBro Play Drew's indie games at https://drewbys-games.itch.io/ Buy Décorum, the tabletop game Drew and Harry and Charlie created: https://floodgate.games/products/decorum If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “The A Game” by Jim Lang. Outro music: “I Will Prevail” by David Wohl and Jim Lang from Episode 83B Principal Simmons.

Gerald gets a little bit too into The King Rules, a card game, in “Gerald's Game”. It becomes a bit of a point of shame, prompting Arnold to (you guessed it) intervene to get his friend back. How necessary was that? Why couldn't two best friends just learn to play a game together? Listen in to find out! It's a boys' weekend in “Fishing Trip” when Arnold, Gerald, Sid, Harold, and Eugene get together with their fathers and Grandpa for some lakeside bonding. It's a fun, flatulent episode of Hey Arnold! that ALMOST becomes a smart critique of masculine inability to communicate. If you like Stoop Kidz!, tell a friend about our show and leave us a review on Apple Podcasts! Tell them they can also find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We get a lot of really nice messages from our great listeners, and we'd love to see yours among them, so get in touch! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “The A Game” by Jim Lang. Outro music: “Miss Suzie Had a Tugboat” by Davy Jones and Jim Lang from Episode 82B Fishing Trip.

Velcome back to Season 5 of Stoop Kidz! and Hey Arnold! Ze final season kicks off vith a vonderfully vacky tale of… mistaken identity. Is Stinky a creature of ze night just because he vears sunglasses, hates garlic, and looks forvard to ze blood drive? In “Sid the Vampire Slayer,” Sid certainly seems to think so! Can Arnold talk his beetle-booted buddy out of his delusion? The ever-charming Olga is back in “Big Sis,” only this time, she's taken Lila under her wing. Helga barely has time to revel in her newfound distance from her sister before she develops a jealousy for Little Miss Perfect, threatening the already tenuous bond Helga feels for her older sister. Listen to Emily's "Night Sailing" playlist on Spotify: https://open.spotify.com/playlist/38pHYqxXsXR9Dkx4fAgOeK?si=_BzMer61S9KlAISAbUhTYA As always, thank you for checking out this episode of Stoop Kidz! If you like the show, tell a friend and leave us a review on Apple Podcasts! Then find us on Twitter at https://twitter.com/stoopkidzpod and on Instagram at www.instagram.com/stoopkidzpod/. We share some fun stuff and we get a lot of really nice messages from our great listeners, so it's a win-win! All Stoop Kidz show art is created by our own Emily Csuy (https://www.instagram.com/emilycsuy/). Intro music: “Hey Arnold! Theme” by Jim Lang. Intermission music: “Invisible Hippo” by Jim Lang. Outro music: “Stompin'” by Jim Lang.