Podcasts about carna brkovic

An Anthropology of Nothing in Particular (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be. Martin Demant Frederiksen is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs Young Men, Time, and Boredom in the Republic of Georgia (2013), Georgian Portraits - Essays on the Afterlives of a Revolution (2017, with Katrine Gotfredsen) and An Anthropology of Nothing in Particular (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue". Carna Brkovic is a lecturer at the University of Goettingen. Learn more about your ad choices. Visit megaphone.fm/adchoices

An Anthropology of Nothing in Particular (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be. Martin Demant Frederiksen is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs Young Men, Time, and Boredom in the Republic of Georgia (2013), Georgian Portraits - Essays on the Afterlives of a Revolution (2017, with Katrine Gotfredsen) and An Anthropology of Nothing in Particular (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue". Carna Brkovic is a lecturer at the University of Goettingen. Learn more about your ad choices. Visit megaphone.fm/adchoices

An Anthropology of Nothing in Particular (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be. Martin Demant Frederiksen is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs Young Men, Time, and Boredom in the Republic of Georgia (2013), Georgian Portraits - Essays on the Afterlives of a Revolution (2017, with Katrine Gotfredsen) and An Anthropology of Nothing in Particular (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue". Carna Brkovic is a lecturer at the University of Goettingen. Learn more about your ad choices. Visit megaphone.fm/adchoices

An Anthropology of Nothing in Particular (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be. Martin Demant Frederiksen is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs Young Men, Time, and Boredom in the Republic of Georgia (2013), Georgian Portraits - Essays on the Afterlives of a Revolution (2017, with Katrine Gotfredsen) and An Anthropology of Nothing in Particular (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue". Carna Brkovic is a lecturer at the University of Goettingen. Learn more about your ad choices. Visit megaphone.fm/adchoices

An Anthropology of Nothing in Particular (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be. Martin Demant Frederiksen is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs Young Men, Time, and Boredom in the Republic of Georgia (2013), Georgian Portraits - Essays on the Afterlives of a Revolution (2017, with Katrine Gotfredsen) and An Anthropology of Nothing in Particular (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue". Carna Brkovic is a lecturer at the University of Goettingen. Learn more about your ad choices. Visit megaphone.fm/adchoices

An Anthropology of Nothing in Particular (Zero Books, 2018) is an “exploration of what goes missing when one looks for meaning” (p. 1). The book is both an experimental ethnography and a theoretical treatise on how we can understand and represent absence of meaning. Its author, Martin Demant Frederiksen, approaches the meaningless seriously as an ethnographic and experiential fact, refusing to explain what its ultimate meaning could be. Martin Demant Frederiksen is postdoctoral research fellow at the Department of Social Anthropology, University of Oslo. He holds a Ph.D. in anthropology from Aarhus University and has conducted ethnographic fieldworks in the Republic of Georgia since 2006, and more recently in Bulgaria and Croatia. His work focuses on subcultures (such as youth criminals and declared nihilists), urban development, temporality and socio-political change. He is author of the monographs Young Men, Time, and Boredom in the Republic of Georgia (2013), Georgian Portraits - Essays on the Afterlives of a Revolution (2017, with Katrine Gotfredsen) and An Anthropology of Nothing in Particular (2018). Aside from research and teaching, he is co-founder and co-editor of the independent art-zine "a...issue". Carna Brkovic is a lecturer at the University of Goettingen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalia Roudakova's book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary for thinking about production of facts and meaning in contemporary world. Carna Brkovic is a Lecturer at the University of Regensburg, Germany. She is an author of Managing Ambiguity, winner of the 2015 SIEF Young Scholar prize, and an anthropologist exploring humanitarianism, clientelism, and activism in former Yugoslav countries.

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary for thinking about production of facts and meaning in contemporary world. Carna Brkovic is a Lecturer at the University of Regensburg, Germany. She is an author of Managing Ambiguity, winner of the 2015 SIEF Young Scholar prize, and an anthropologist exploring humanitarianism, clientelism, and activism in former Yugoslav countries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary for thinking about production of facts and meaning in contemporary world. Carna Brkovic is a Lecturer at the University of Regensburg, Germany. She is an author of Managing Ambiguity, winner of the 2015 SIEF Young Scholar prize, and an anthropologist exploring humanitarianism, clientelism, and activism in former Yugoslav countries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary for thinking about production of facts and meaning in contemporary world. Carna Brkovic is a Lecturer at the University of Regensburg, Germany. She is an author of Managing Ambiguity, winner of the 2015 SIEF Young Scholar prize, and an anthropologist exploring humanitarianism, clientelism, and activism in former Yugoslav countries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary for thinking about production of facts and meaning in contemporary world. Carna Brkovic is a Lecturer at the University of Regensburg, Germany. She is an author of Managing Ambiguity, winner of the 2015 SIEF Young Scholar prize, and an anthropologist exploring humanitarianism, clientelism, and activism in former Yugoslav countries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalia Roudakova’s book Losing Pravda: Ethics and the Press in Post-Truth Russia (Cambridge University Press, 2017) explores changes in the world of journalism in Russia in the last fifty years. Drawing from more than a decade of research of various ethnographic and historical sources, Roudakova approaches truth as a social category. She demonstrates that the status of truth was relatively secure and stable under the Soviet state socialism. It was the transformation from communism to capitalism that led to a drastic dissolution of a sense of responsibility towards the public and, consequently, into the very possibility to produce truth in the post-socialist era. Looking into everyday practices of Soviet journalists and the post-socialist transformation of the media, Losing Pravda provides a glimpse into one possible future of the US and other post-truth settings in the West. Exploring how truth-seeking and truth-telling work under different socio-political conditions, it offers a new, ethics-based vocabulary for thinking about production of facts and meaning in contemporary world. Carna Brkovic is a Lecturer at the University of Regensburg, Germany. She is an author of Managing Ambiguity, winner of the 2015 SIEF Young Scholar prize, and an anthropologist exploring humanitarianism, clientelism, and activism in former Yugoslav countries. Learn more about your ad choices. Visit megaphone.fm/adchoices