New Books in Communications

Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War.In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state. In the East, it encouraged new forms of socialization and economic exchanges, while announcing the gradual crumbling of government control over the imagination of the people.By the mid-1990s, the VHS format was displaced by the DVD. The DVD would eventually give way to streaming. As explored in Videotape (Bloomsbury, 2025), by Dr. Oana Godeanu-Kenworthy in the Object Lessons series, the cultural legacy of the videotape continues to inform our relationship to technology, privacy, and to entertainment. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

September 11th, 2001 marked the beginning of the so-called war on terror, but the attacks of that day also re-ignited battles over the nature of American patriotism. In Divided by Terror: American Patriotism after 9/11 (UNC Press, 2021), Professor John Bodnar argues that the nature of patriotism as being war-based or empathetic divided the nation as much as the responses to the 9/11 attacks. Using a variety of public media and private correspondence, Dr. Bodnar explores the different ways Americans tried to understand and remember 9/11, their disagreements over government responses to it, and how patriotism itself was also part of the debate. Dr. Bodnar shows how people on all the various sides to national security debates used patriotism as a motivating factor for their positions. Divided by Terrorshows how patriotism and how it is to be practiced was contested and fought over as much as the policies that it inspired. Dr. Bodnar is a Distinguished Emeritus Professor in the Department of History at Indiana University. He is the author of 8 academic books in addition to numerous journal articles. You can find a transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jasbeer Mamalipurath's TEDified Islam: Postsecular Storytelling in New Media (Palgrave Macmillan, 2024) is the first of its kind in-depth examination of the TedTalk phenomenon and in particular how Islam and Muslim experiences are represented in these talks. Mamalipurath argues that TED Talks on Islam are part of a larger postsecular (the secular's renewed interest in faith) discourse. The book examines the perspectives of Muslim and non-Muslim TED viewers about TED's storytelling strategies. Finally, the book studies aspects of the authority that both Muslim and non-Muslim TED speakers represent and embody as ‘spokespersons of Islam.' By doing so, this book offers an empirical and context-oriented understanding of postsecular storytelling by problematizing secular translations of Islam that are part of this TED talk universe. Themes the book explores include the nature of storytelling in a postsecular media environment, insider and outsider dynamics in how Islam is constructed and represented in digital media, the impacts of the 20th and 21st century media environment on how Islam and Muslim lives are translated for primarily non-Muslim audiences, the influence of Jewish and Christian frameworks on how stories of Islam get told, and the role of religion as faith in secular storytelling today. Listeners will certainly never look at TedTalks the same way after learning about the strategies, stories, and consequences of TEDified Islam from Mamalipurath's research. Dr. Jasbeer Mamalipurath is a lecturer in media and broadcast studies at the School of Arts, English and Languages, Queen's University Belfast (UK). His research sits at the intersection of media, society, and culture. Dr. Jaclyn Michael is Associate Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How did three words come to carry the weight of America's abortion debates? In Back-Alley Abortion: A Rhetorical History (JHU Press, 2025), Dr. Emily Winderman examines how this phrase shaped American reproductive politics and health care standards across generations. Drawing on extensive archival research, the book traces the unexpected origins of this rhetoric in urban reform movements, showing how early associations of alleys with sanitation, morality, and criminality created lasting impressions that would later influence abortion discourse. Dr. Winderman demonstrates how "back-alley abortion" was always more than just descriptive language—it has shaped perceptions of medical legitimacy and clinical spaces. The book reveals how this phrase emerged from racialized and gendered intersections of urban planning, public health, and social reform movements before becoming a rhetoric that anticipated pre–Roe v. Wade criminalized medical encounters. After Roe, back-alley abortion molded public memory through high-profile cases and later became a weaponized tool of anti-abortion activists to restrict access under the guise of sanitary clinical care. From nineteenth-century urban reformers to contemporary Supreme Court decisions, this study illuminates how three words came to carry the weight of America's most contentious health care debate. In our post-Dobbs era, as states grapple with new restrictions on reproductive rights, understanding the complex history and rhetorical power of "back-alley abortion" has never been more crucial. Drawing on rhetorical theory, reproductive justice theory, and the history of medicine, Back-Alley Abortion offers vital insights into how rhetoric shapes our understanding of medical legitimacy, clinical standards, and health care justice in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

"OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK (Bloomsbury, 2023), by Dr. Michelle McSweeney and published by Bloomsbury in 2023, explores this story OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE's Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television. Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It's The Pop Culture Professors, and we analyze the third episode of Vince Gilligan's new series Pluribus. We talk through this episode as a literalization of the problem of being an individual in late-stage capitalism or, if you prefer, the Amazonification of everything. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Business as Usual: How Sponsored Media Sold American Capitalism in the Twentieth Century, (U Chicago Press, 2024) reveals how American capitalism has been promoted in the most ephemeral of materials: public service announcements, pamphlets, educational films, and games—what Caroline Jack calls “sponsored economic education media.” These items, which were funded by corporations and trade groups who aimed to “sell America to Americans,”found their way into communities, classrooms, and workplaces, and onto the airwaves, where they promoted ideals of “free enterprise” under the cloaks of public service and civic education. They offered an idealized vision of US industrial development as a source of patriotic optimism, framed business management imperatives as economic principles, and conflated the privileges granted to corporations by the law with foundational political rights held by individuals. This rhetoric remains dominant—a harbinger of the power of disinformation that so besets us today. Jack reveals the funding, production, and distribution that together entrenched a particular vision of corporate responsibility—and, in the process, shut out other hierarchies of value and common care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds' School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer's techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It's The Pop Culture Professors, and we analyze the first two episodes of Vince Gilligan's new series Pluribus. The show posits an extraordinary intervention in worldwide politics and culture producing a utopia (that is of course simultaneously a dystopia) of quiescent bliss. Is the show shaping up to be another hit for the showrunner, previously responsible for Breaking Bad and Better Call Saul? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In her new book Madrid on the Move: Feeling Modern and Visually Aware in the Nineteenth Century (Manchester UP, 2021), Vanesa Rodríguez-Galindo explains how the modernization of this great city shaped and was shaped by print media and mass culture. A growing population, industrial immigration, mass connection with the wider world (making it both smaller and bigger), and the twilight of an empire shaped the Madrileños, their sense of identity, and their feelings of being modern and visually aware. A history of print media—and itself an example of print media—the book shows how people adapted to the dawning of a transnational, information age (perhaps a timely and familiar topic for today's listener?) and presents a remarkable ‘glocal' history of this event. Vanesa Rodriguez Galindo is a cultural and visual historian, working in urban studies, print cultures in Spain and Latin America, transnationalism, and women's studies. She holds an MA in Metropolitan History from the Institute of Historical Research, University of London, and a PhD in History of Art from UNED, Madrid. Krzysztof Odyniec is a historian of the Spain and the Spanish Empire, specializing in sixteenth-century diplomacy and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Disease is a social issue and not just a medical one. This is the central tenet underlying The Kiss of Death: Contagion, Contamination, and Folklore (Utah State University Press 2019) by Andrea Kitta, Associate Professor in the English department at East Carolina University, examines the discourses and metaphors of contagion and contamination in vernacular beliefs and practices across a number of media and forms. Using ethnographic, media, and narrative analysis, chapters discuss the changing representations of vampires and zombies in popular culture, the online discussions of Slenderman in relation to adolescent experiences of bullying, the misogyny embedded in legends about kisses that kill, and the racialized nature of patient-zero narratives that surrounding the spread of things like ebola, and the ways in which the HPV vaccine to homophobia. Issues like tellability and the stigmatized vernacular loom large throughout. Although folklorists will already recognize the social importance of vernacular narrative and belief, The Kiss of Death also shows how medical professionals have often failed to take vernacular forms into account. Through attention to narrative and vernacular belief, folklorists can model new forms of engaging with public health professionals and local communities. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China's Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How is artificial intelligence transforming journalism as both a profession and an institution? In this episode, Ning Ao speaks to Dr. Joanne Kuai, exploring how AI reshapes journalistic roles, organisational structures, and governance systems through the lens of China's media landscape—while drawing comparisons with the US and EU. Dr. Joanne Kuai is a Research Fellow in the School of Media and Communication at RMIT University and holds a PhD from Karlstad University in Sweden. Her research focuses on digital journalism, the social implications of automation and algorithms, and the governance of data and AI. Ning Ao is a PhD student at the Centre for East and South-East Asian Studies (ACE) at Lund University. Her research looks at generational differences among Chinese Mongols. Episode producer: Ning Ao - - - - - - Links: Joanne's article-based PhD dissertation: AI, News, and the State: Reinstitutionalising Journalism in Global China's Algorithmic Age Joanne's recommendations: Julie E. Cohen's Between Truth and Power: The Legal Constructions of Informational Capitalism Kevin Xu's bilingual newsletter - Interconnected Ghost in the Shell (1995) Detroit: Become Human Follow Joanne's research on: Joanne Kuai at RMIT University ResearchGate Linkedin The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia) Asian studies, University of Helsinki (Finland) Centre for Asian Studies, Vytautas Magnus University (Lithuania) Centre for East and South-East Asian Studies, Lund University (Sweden) Centre for East Asian Studies, University of Turku (Finland) Norwegian Network for Asian Studies Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From the United States to China and from Brazil to India, an authoritarian approach to news is spreading across the world. Increasingly, the media is no longer a check on power or a source of objective information but a means by which governments and leaders can propagate their versions of reality, however biased or false. In Dictating Reality: The Global Battle to Control the News (Columbia UP, 2025), Dr. Martin Moore and Dr. Thomas Colley show how states are battling to control and shape the news in order to entrench their power, evade scrutiny, and ensure that their political narratives are accepted. Combining in-depth analyses of seven countries with a compelling range of stories and characters from around the world, they demonstrate the unprecedented scale and scope of governments' efforts to take control of the media. Dictating Reality details how Xi's China, Putin's Russia, Modi's India, AMLO's Mexico, Bolsonaro's Brazil, and Orban's Hungary have all sought, in their different ways, to exploit news to manufacture alternative realities—and how their methods have taken hold in the United States, the United Kingdom, and other democracies. Combining keen analysis of contemporary world events with years of original research, this book is essential reading for anyone who wants to understand how authoritarian leaders use the media, why more and more people are living in different realities, and the ways democracy is under threat. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In an age when digital media permeates every aspect of our lives, understanding its influence is more critical than ever. Algorithmic Saga: Understanding Media, Culture, and Transformation in the AI Age (Atique Mindscape Publishing, 2025), serves as a compass, guiding readers through the complexities of our interconnected world. From the moment we wake to a flurry of notifications to the late-night scrolling that often accompanies our downtime, we find ourselves enmeshed in a digital landscape that shapes our perceptions, relationships, and routines. The journey ahead will illuminate the dual-edged nature of technology—its ability to connect and empower as well as its potential to isolate and overwhelm. By examining the algorithms that curate newsfeeds and the social media platforms that redefine communication, this book unpacks the intricacies of modern digital life. But beyond the challenges lie opportunities; this book also highlights the ways in which digital media fosters social activism and creative expression, showcasing the remarkable power of collective voices and innovative ideas. Whether digital natives or just beginning to explore this expansive realm, readers will be equipped by this exploration with insights and tools to navigate the digital age thoughtfully. Discover how to harness technology's potential, ensuring it enriches rather than diminishes our lives. Guest: Dr. Muhammad Atique holds a PhD in Public Administration with a specialization in Digital Governance and has over fifteen years of combined experience in academia and media. He has published several peer-reviewed research articles on digital media, technology adoption, and governance. His teaching and research explore the intersection of technology, media culture, and societal transformation in the AI age. He is also the founder of Atique Mindscape Publishing, an imprint of Digital Vista Ventures LLC (USA), and is based in Auckland, New Zealand. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Content moderation on social media has become one of the most daunting challenges of our time. Nowhere is the need for action more urgent than in the fight against terrorism and extremism. Yet despite mass content takedowns, account suspensions, and mounting pressure on technology companies to do more, hate thrives online. Safe Havens for Hate: The Challenge of Moderating Online Extremism (Princeton University Press, 2025) looks at how content moderation shapes the tactics of harmful content producers on a wide range of social media platforms.Drawing on a wealth of original data on more than a hundred militant and hate organizations around the world, Dr. Tamar Mitts shows how differing moderation standards across platforms create safe havens that allow these actors to organize, launch campaigns, and mobilize supporters. She reveals how the structure of the information environment shapes the cross-platform activity of extremist organizations and movements such as the Islamic State, the Proud Boys, the Oath Keepers, and QAnon, and highlights the need to consider the online ecosystem, not just individual platforms, when developing strategies to combat extremism.Taking readers to the frontlines of the digital battleground where dangerous organizations operate, Safe Havens for Hate sheds critical light on how governments and technology companies grapple with the tension between censorship and free speech when faced with violence, hate, and extremism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When Willard M. Kiplinger launched the groundbreaking Kiplinger Washington Letter in 1923, he left the sidelines of traditional journalism to strike out on his own. With a specialized knowledge of finance and close connections to top Washington officials, Kiplinger was uniquely positioned to tell deeper truths about the intersections between government and business. With careful reporting and insider access, he delivered perceptive analysis and forecasts of business, economic, and political news to busy business executives, and the newsletter's readership grew exponentially over the coming decades. More than just a pioneering business journalist, Kiplinger emerged as a quiet but powerful link between the worlds of Presidents Hoover and Roosevelt, and used his Letter to play a little-known but influential role in the New Deal. Part journalism history, part biography, and part democratic chronicle, The Insider: How the Kiplinger Newsletter Bridged Washington and Wall Street (University of Massachusetts Press, 2022) offers a well-written and deeply researched portrayal of how Kiplinger not only developed a widely read newsletter that launched a business publishing empire but also how he forged a new role for the journalist as political actor." Rob Wells is is visiting associate professor at the Philip Merrill College of Journalism at the University of Maryland. Kavya Sarathy is a Linguistics student at the University of Massachusetts, Amherst, and a Marketing Intern for the University of Massachusetts Press. She is currently a political Staff Writer at The Massachusetts Daily Collegian. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Crowded Out: The True Costs of Crowdfunding Healthcare (MIT Press, 2024), Dr. Nora Kenworthy presents an eye-opening investigation into charitable crowdfunding for healthcare in the United States—and the consequences of allowing healthcare access to be decided by the digital crowd. Over the past decade, charitable crowdfunding has exploded in popularity across the globe. Sites such as GoFundMe, which now boasts a “global community of over 100 million” users, have transformed the ways we seek and offer help. When faced with crises—especially medical ones—Americans are turning to online platforms that promise to connect them to the charity of the crowd. What does this new phenomenon reveal about the changing ways we seek and provide healthcare? In Crowded Out, Dr. Kenworthy examines how charitable crowdfunding so quickly overtook public life, where it is taking us, and who gets left behind by this new platformed economy.Although crowdfunding has become ubiquitous in our lives, it is often misunderstood: rather than a friendly free market “powered by the kindness” of strangers, crowdfunding is powerfully reinforcing inequalities and changing the way Americans think about and access healthcare. Drawing on extensive research and rich storytelling, Crowded Out demonstrates how crowdfunding for health is fueled by—and further reinforces—financial and moral “toxicities” in market-based healthcare systems. It offers a unique and distressing look beneath the surface of some of the most popular charitable platforms and helps to foster thoughtful discussions of how we can better respond to healthcare crises both small and large. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca' Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025) Recommended Books: Henry Dreyfuss, Designing for People Dolly Alderton, Ghosts Rob Franklin, Great Black Hope Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Women and Global Documentary: Practices and Perspectives in the 21st Century (Bloomsbury Academic, 2025), edited by Najmeh Moradiyan-Rizi and Shilyh J. Warren, answers the urgent need to re-evaluate not only the significance of women's documentary practices and their contributions to feminist world-building, but also the state of documentary studies as it engages with political, aesthetic, and industrial developments arising as a result of an increasing numbers of women's documentaries.  Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How is the world of work depicted on page and on screen? In Culture, Capital and Carnival: Modern Media and the Representation of Work Dr Will Kitchen, an Associate Lecturer at Arts University Bournemouth explores this question using a series of literary and media case studies. Drawing on Bakhtin's theories of the carnivalesque, the book assesses the possibilities of media texts, including histories, literature, films and sitcoms, to offer alternative visions of work. More critically, the analysis highlights media's role in reinforcing exploitation and alienation within its seemingly playful and positive engagements with work. Theoretically rich, but accessible for the general reader, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how media shapes our understanding of work today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

John R. Davis's Keep Your Ear to the Ground (Georgetown University Press, 2025) is the first history of the fanzines that emerged from Washington, DC's highly influential punk community DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals--"fanzines"--that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world. In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities. For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Selfies are more than fleeting images—across India, they shape how people imagine themselves, connect with others, and inhabit spaces. In this episode of the Nordic Asia Podcast, Prof. Xenia Zeiler from the University of Helsinki talks to Prof. Avishek Ray about his co-authored book Digital Expressions of the Self(ie): The Social Life of Selfies in India. This book explores how the digital selfie, unlike traditional photography, turns the lens inward while reconfiguring social identities, gender norms, power relations, and everyday interactions. Drawing on rich, situated examples, it shows how selfies operate as acts of self-making and place-making in contemporary India. At once playful and political, intimate and public, selfies offer a fascinating entry point into the fast-changing cultures of digital media and visual expression. Avishek Ray is Associate Professor of Cultural Studies at the National Institute of Technology Silchar, India. His research spans mobility, marginality, and digital culture, with a focus on South Asia. He is the author of The Vagabond in the South Asian Imagination (Routledge, 2022) and co-author of Digital Expressions of the Self(ie): The Social Life of Selfies in India (Routledge, 2024). A Fulbright-Nehru Fellow (2021), he has held visiting fellowships at institutions across Europe, North America, and Asia. Xenia Zeiler is Professor of South Asian Studies at the University of Helsinki. Her research and teaching are situated at the intersection of digital media, culture, and society, specifically as related to India and global Indian communities. Her focus within this wider field of digital culture is video games and gaming research, in India and beyond. She also researches and teaches digital religion, popular culture, cultural heritage, and mediatization processes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ways of Knowing: Oral Histories on the Worlds Words Create (Litwin Books, 2025) sits at the heart of the library project, shaping how materials are described and organized and how they can be retrieved. The field has long understood that normative systems like Dewey Decimal and Library of Congress do this inadequately and worse, deploying language and categories that are rooted in white supremacy, patriarchy, and U.S. imperialism. In Ways of Knowing, Emily Drabinski and Amanda Belantara present unique and timely oral histories of alternative thesauri created in response to the inadequacies and biases embedded within widely adopted standards in libraries. The oral histories tell the stories behind the thesauri through the narratives of the people who created them, revealing aspects of thesauri work that ordinarily are overlooked or uncovered. The set of oral histories included in the volume document the Chicano Thesaurus, A Women's Thesaurus, and Homosaurus. Drabinski and Belantara recorded hour-long oral histories with two representatives from each project, documenting the origins of each thesaurus, the political and social context from which they emerged, and the processes involved in their development and implementation. Introductory essays provide a context for each thesaurus in the history of information and activism in libraries. The book and accompanying digital files constitute the first primary source of its kind and a unique contribution to the history of metadata work in libraries. Capturing these stories through sound recording offers new ways of understanding the field of critical cataloging and classification as we hear the joy, frustration, urgency, and seriousness of critical metadata work. Find the Ways of Knowing project online at https://waysofknowing.org/. This interview also makes reference to Sorting Things Out: Classification and Its Consequences by Geoffrey C. Bowker and Susan Leigh Star, available open access from MIT Press. Amanda mentioned her online exhibit about the Chicano Studies Library, available at https://bibliopolitica.org/. Amanda Belantara is Assistant Curator at New York University Libraries. Emily Drabinski is Associate Professor and librarian at the City University of New York. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Architecture of the Wire explores the development of telecommunications infrastructure and its impact on the architectural and urban culture of the modern age—from poles, wires, and cables, to “micro-architectures,” such as the théâtrophone and the telephone booth. Starting with the intrepid worldwide infrastructures of the late nineteenth century, Carlotta Darò proposes a new history that explores the multiple links and crossroads of such technical “things” with architecture and art.Based on extensive research of North American company archives, and French institutional ones, and drawing on secondary literature in art and architectural history, media studies, and the history of technology, Darò examines the aesthetic implications of material objects that have forever changed our urban, rural, and domestic environments. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores architecture in the long nineteenth century, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On Black Bandes Dessinées and Transcolonial Power (The Ohio State UP, 2025) is the first book-length study in English about Black francophone cartoonists and their work. Author Michelle Bumatay decenters Eurocentric conceptions of francophone comic art and foregrounds the ubiquity of Western racial stereotypes encoded in mainstream French and Belgian bandes dessinées as well as the imbalance of power between the Global North and the Global South carried over from the colonial era. By examining a diversity of Black cartoonists' aesthetic and material responses to the colonially inherited medium of bandes dessinées, she argues that their innovations constitute important reparative work that combats racial stereotypes and challenges transcolonial power imbalances. Bumatay demonstrates how Barly Baruti, Papa Mfumu'eto, Marguerite Abouet, Japhet Miagotar, and other Black cartoonists throughout the francophone world employ a range of tactics to tell their own stories. Through a balance of historical context and close readings, she shows how these artists represent and comment on their everyday lives in a postcolonial reality, expose and critique racial capitalism and exploitation, and provide new ways of seeing and understanding Black francophone peoples and cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The War on Words: 10 Arguments Against Free Speech—And Why They Fail (Heresy Press, 2025) constitutes a bulwark against the persistent censorial efforts from both the political left and right. At a time when conformist pressures threaten viewpoint diversity, and when political attacks on free expression are mounting, this book is a valuable resource for all who seek to understand and defend the right that is central to both individual liberty and our democratic self-government. This concise volume is organized around 10 claims that proponents of speech restrictions regularly assert, such as: “words are violence,” “free speech is right-wing,” and “hate speech isn't free speech.” In lively, clear, and persuasive prose, the authors examine the flaws in these pro-censorship assertions. The book also includes an insightful introduction by Jacob Mchangama, shedding additional light on the topic from historical and international perspectives. Greg Lukianoff is an attorney, New York Times best-selling author, and the President and CEO of the Foundation for Individual Rights and Expression (FIRE). Nadine Strossen is the John Marshall Harlan II Professor of Law Emerita at New York Law School and was the national President of the American Civil Liberties Union from 1991 to 2008. She is a Senior Fellow at FIRE and serves on the advisory boards of the ACLU, Academic Freedom Alliance, Heterodox Academy, and National Coalition Against Censorship. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Peoples & Things host, Lee Vinsel, talks with Ashleigh Greene Wade, Assistant Professor of Digital Studies with a joint appointment in Media Studies and African American Studies at the University of Virginia, about her book, Black Girl Autopoetics: Agency and Possibility in Everyday Digital Practice. The book examines how black girls use social media posts to fashion self images that express the girls' self-understandings, goals, and worldviews. Vinsel and Wade talk about the research methods and ethics of the project and end by talking about Wade's current project on young social media influencers and how the digital content production and influencer industries are reshaping our conceptions of childhood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Why can't we seem to agree on facts? In this succinct volume, sociologist Joel Best turns his inimitable eye toward the social construction of what we think is true. He evaluates how facts emerge from our social worlds—including our beliefs, values, tastes, and norms—and how they align with those worlds' standards. He argues that by developing a sociological perspective toward what we think we know, we can better parse the use of facts and untruths around us.Just the Facts: Untangling Contradictory Claims (U California Press, 2025) by Joel Best examines how facts are created and supported through science, government, law, and journalism, revealing that facts are actually claims. These claims are malleable and can change over time through fact-checking, revision, and sometimes rejection. Best guides us through these processes so that we can question our assumptions and understand why disputes happen in the first place. In a time of increasing social and political divide, Just the Facts urges us to resist defensiveness over our facts and approach disputes in critical new ways. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Archival Research in Historical Organisation Studies: Theorising Silences offers an accessible account of theorising the archive, contesting the narrow definitions of the archive with a view beyond a mere repository of documents. Scholars Gabrielle Durepos and Amy Thurlow discuss the ways that business archives have marginalized various populations and themes by providing two frameworks for examining the processes that have led to previous exclusions from archives. Ultimately, the authors seek to redress these absences and contribute to a better future. Gabrielle (Gabie) Durepos is an Associate Professor in the Department of Business and Tourism, at Mount Saint Vincent University and Amy Thurlow is a Professor of Communication Studies at Mount Saint Vincent University. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Historiographies of Game Studies: What It Has Been, What It Could Be (Punctum Books, 2025) offers a first-of-its-kind reflection on how game studies as an academic field has been shaped and sustained. Today, game studies is a thriving field with many dedicated national and international conferences, journals, professional societies, and a strong presence at conferences in disciplines like computer science, communication, media studies, theater, visual arts, popular culture, and others. But, when did game studies start? And what (and who) is at the core or center of game studies? Fields are defined as much by what they are not as by what they are, and their borderlands can be hotly contested spaces. In this anthology, scholars from across the field consider how the boundaries of game studies have been established, codified, contested, and protected, raising critical questions about who and what gets left out of the field. Over more than two dozen chapters and interviews with leading figures, including Espen Aarseth, Kishonna Gray, Henry Jenkins, Lisa Nakamura, Kentaro Matsumoto, Ken McAllister, and Janet Murray, the contributors offer a dazzling array of insightful provocations that address the formation, propagation, and cultivation of game studies, interrogating not only the field's pasts but its potential futures and asking us to think deliberately about how academic fields are collectively built. Alisha Karabinus (she/her) is Assistant Professor of Writing and Digital Studies at Grand Valley State University.  Carly A. Kocurek (she/her) is Professor of Digital Humanities and Media Studies at the Illinois Institute of Technology.  Cody Mejeur (they/them) is Assistant Professor of Game Studies at University at Buffalo, SUNY.  Emma Vossen (she/her) is an Assistant Professor of Game Studies in the Department of Digital Humanities at Brock University, Canada.  Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Why is radio so white? In Listeners Like Who? Exclusion and Resistance in the Public Radio Industry (Princeton UP, 2025) Laura Garbes, a Sociologist and Assistant Professor at the University of Minnesota - Twin Cities, explores the history of public radio, theorising it as a white institutional space. Alongside the rich history and theoretical framework, the book draws on a range of interviews with radio workers, revealing how stories are chosen and supported, expertise and perspectives are included and excluded, and how radio workers of colour are challenging and changing the radio industry. Published at a time when public radio faces an uncertain future, the book is essential reading across the social sciences and humanities, and for anyone interested how to support a more diverse media industry. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Golden Girls: Tales from the Lanai (Rutgers UP, 2025) is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts. The Golden Girls reclaims the production history and development of the show, opens new conversations about audiences–especially Black, queer, and female audiences–and provides new insight into the meteoric rise in popularity of The Golden Girls as a 2020s cultural phenomenon. With twelve original chapters and extensive original interviews offering readers rare insights behind the scenes, the book is a long day's journey into the marinara of The Golden Girls–an immersive, engaging opportunity for readers to learn more about the show. It truly is the golden age of The Golden Girls. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the Shadow of the Global North: Journalism in Postcolonial Africa (Cambridge UP, 2025) unpacks the historical, cultural, and institutional forces that organize and circulate journalistic narratives in Africa to show that something complex is unfolding in the postcolonial context of global journalistic landscapes, especially the relationships between cosmopolitan and national journalistic fields. Departing from the typical discourse about journalistic depictions of Africa, J. Siguru Wahutu turns our focus to the underexplored journalistic representations created by African journalists reporting on African countries. In assessing news narratives and the social context within which journalists construct these narratives, Wahutu captures not only the marginalization of African narratives by African journalists but opens up an important conversation about what it means to be an African journalist, an African news organization, and African in the postcolony. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Creating the Viewer: Market Research and the Evolving Media Ecosystem (U Texas Press, 2024) is a study of the largely hidden world of primary media market research and the different methods used to understand how the viewer is pictured in the industry. The first book on the intersection between market research and media, Creating the Viewer takes a critical look at media companies' studies of television viewers, the assumptions behind these studies, and the images of the viewer that are constructed through them. Justin Wyatt examines various types of market research, including talent testing, pilot testing, series maintenance, brand studies, and new show “ideation,” providing examples from a range of programming including news, sitcoms, reality shows, and dramas. He looks at brand studies for networks such as E!, and examines how the brands of individuals such as showrunner Ryan Murphy can be tested. Both an analytical and practical work, the book includes sample questionnaires and paths for study moderators and research analysts to follow. Drawn from over fifteen years of experience in research departments at various media companies, Creating the Viewer looks toward the future of media viewership, discussing how the concept of the viewer has changed in the age of streaming, how services such as Netflix view market research, and how viewers themselves can shift the industry through their media choices, behaviors, and activities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We often think of censorship as governments removing material or harshly punishing people who spread or access information. But Margaret E. Roberts' new book Censored: Distraction and Diversion Inside China's Great Firewall (Princeton University Press, 2020) reveals the nuances of censorship in the age of the internet. She identifies 3 types of censorship: fear (threatening punishment to deter the spread or access of information); friction (increasing the time or money necessary to access information); and flooding (publishing information to distract, confuse, or dilute). Roberts shows how China customizes repression by using friction and flooding (censorship that is porous) to deter the majority of citizens whose busy schedules and general lack of interest in politics make it difficult to spend extra time and money accessing information. Highly motivated elites (e.g. journalists, activists) who are willing to spend the extra time and money to overcome the boundaries of both friction and flooding meanwhile may face fear and punishment. The two groups end up with very different information – complicating political coordination between the majority and elites. Roberts's highly accessible book negotiates two extreme positions (the internet will bring government accountability v. extreme censorship) to provide a more nuanced understanding of digital politics, the politics of repression, and political communication. Even if there is better information available, governments can create friction on distribution or flood the internet with propaganda. Looking at how China manages censorship provides insights not only for other authoritarian governments but also democratic governments. Liberal democracies might not use fear but they can affect access and availability – and they may find themselves (as the United States did in the 2016 presidential election) subject to flooding from external sources. The podcast includes Roberts' insights on how the Chinese censored information on COVID-19 and the effect that had on the public. Foreign Affairs named Censored one of its Best Books of 2018 and it was also honored with the Goldsmith Award and the Best Book in Human Rights Section and Information Technology and Politics section of the American Political Science Association. Susan Liebell is associate professor of political science at Saint Joseph's University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Kartemquin Films: Documentaries on the Frontlines of Democracy (U California Press, 2024) traces how filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning reality—with help from nuns, gang members, skateboarders, artists, disability activists, and more. The evolution of Kartemquin Films—Peabody, Emmy, and Sundance-awarded and Oscar-nominated makers of such hits as Hoop Dreams and Minding the Gap—is also the story of U.S. independent documentary film over the last seventy years. Patricia Aufderheide reveals the untold story of how Kartemquin developed as an institution that confronts the brutal realities of the industry and society while empowering people to claim their right to democracy. Kartemquin filmmakers, inspired by pragmatic philosopher John Dewey, made their studio a Chicago-area institution. Activists for a more public media, they boldly confronted in their own productions the realities of gender, race, and class. They negotiated the harsh terms and demands of commercial media, from 16mm through the streaming era, while holding fast to their democratic vision. Drawing on archival research, interviews, and personal experience, Aufderheide tells an inspiring story of how to make media that matters in a cynical world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode of the Language on the Move Podcast, Dr Loy Lising speaks with Distinguished Professor Ingrid Piller about the 3rd edition of her best-selling textbook Intercultural Communication (Edinburgh UP, 2025). A comprehensive and critical overview of the field of intercultural communication Key concepts and discussions illuminated with international case studies of intercultural communication in real life Includes learning objectives, key points, exercises and suggestions for further reading in each chapter A new chapter devoted to intercultural crisis communication; expanded coverage of language in migration; and new studies and examples of virtual, online and computer-mediated communication throughout. Combining perspectives from discourse analysis and sociolinguistics, the third edition of this popular textbook provides students with an up-to-date overview of the field of intercultural communication. Ingrid Piller explains communication in context using two main approaches. The first treats cultural identity, difference and similarity as discursive constructions. The second, informed by multilingualism studies, highlights the use and prestige of different languages and language varieties as well as the varying access that speakers have to them. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

While Hollywood's images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz's ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers' perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz's work troubles this facade by centering the work and challenges of the everyday laborers who produce it. Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications