New Books in Communications

Today I'm speaking with Ramona Liberoff and Liz Fried, cofounders of the new publisher, Gist Books. Gist allows readers to pick the topics they want, creating a unique and up-to-date collection of topics in a personalized volume. Gist is positioning itself to change the nature of books, offering a wikipedia like experience in physical form. Learn more at Gist's website. Caleb Zakarin is the CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Making the Liberal Media: How Conservatives Built a Movement Against The Press (Columbia UP, 2026), A.J. Bauer examines the history of the idea of a “liberal media bias.” Rather than trying to show whether or not “liberal media bias” is an accurate description, Bauer shows how this idea has been an animating force for conservative political activists and media figures. Bauer shows the lineage of “liberal media bias” criticism going back to early leaders in the modern conservative movement and press, as well as the conservative and right-wing grassroots. In addition to promoting this idea of media bias, these early conservative media pioneers taught their audiences how to be media critics themselves, a tradition that is still practiced today. A.J. Bauer is an Assistant Professor in the Department of Journalism and Creative Media at the University of Alabama. You can find a transcript of the interview here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Studies of forms of media have focused on either political or cultural histories of media. Political histories study media growth and literacy, and the emergence of liberal democratic institutions in Western and postcolonial societies. Cultural histories study the multiple origins of media technologies, seek lost or marginalised cultural objects, and examine how artefacts are connected to earlier modes of production and consumption. What is lost in both is the idea that media and technologies have an independent existence, with their own lives, histories, and afterlives. Inhabiting Technologies/Modernities: Media and Cultural Practices in South Asia (Orient BlackSwan, 2025) fills this gap, showing how media and technologies create the human condition even as they are created by it. The authors highlight this through everyday artefacts like the book, newspaper, radio, photograph, film, television and activism on digital media. P. Thirumal is Professor of Communication Studies at the Department of Communication, University of Hyderabad, Sarojini Naidu School of Arts and Communication, University of Hyderabad. Carmel Christy K. J. is an Assistant Teaching Professor in the Department of Women's and Gender Studies at Syracuse University and is affiliated with the South Asian Studies program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In an era of deepening polarization, Sari Hanafi examines how social scientists often reproduce the very injustices they seek to challenge, taking entrenched positions while dismissing alternative perspectives. He introduces the concept of symbolic liberalism - a contradiction in which individuals espouse classical liberal principles, yet act in politically illiberal ways. This, he argues, has exacerbated the pathologies of late modernity: authoritarianism, economic precarity, and environmental destruction, now all unfolding in a climate where reasonable debate seems increasingly impossible. Examining key flashpoints of contemporary polarization, Hanafi critiques how symbolic liberalism inflates the universality of rights while simultaneously narrowing the space for dialogue. Rather than this rigid ideological stance, he calls for a dialogical turn, a renewed public sphere where diverse conceptions of the ‘common good' engage in genuine conversation. Blending political and moral philosophy with sociological critique, Hanafi offers a path forward in an age when intellectual exchange is more necessary, yet also more imperilled, than ever. Against Symbolic Liberalism: A Plea for Dialogical Sociology (Liverpool UP, 2025) is not just a critique of polarization but a critical and impassioned call to reclaim meaningful intellectual discourse. Sari Hanafi is a Professor of Sociology and Director of the Center for Arab and Middle Eastern Studies at the American University of Beirut. He served as President of the International Sociological Association (2018–23) and Vice President of the Arab Council for Social Sciences (2015–16). An International Fellow of the British Academy, he was also the Editor of Idafat: The Arab Journal of Sociology (2007–22). His contributions to the field have been recognized with some of the Arab world's most prestigious academic awards, including the Abdelhamid Shouman Award (2014) and the Kuwait Award for Social Science (2015). In 2019, he was awarded an Honorary Doctorate from the National University of San Marcos, Peru. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Fifty years of changemaking and reform haven't fixed Congress—what does that reveal about American democracy? In Stuck: How Money, Media and Violence Prevent Change in Congress, Maya Kornberg chronicles the efforts of congressional reformers over the last fifty years and documents the mounting forces that have kept their reforms from creating meaningful change. Dr. Kornberg reveals how political violence, astronomical campaign costs, relentless fundraising demands, shrinking staff, and centralized party leadership all constrain the ability of new members to legislate and represent their constituents. Social media, while offering new platforms for political expression, has also heightened harassment and fed a performative culture that rewards spectacle over substance. Bolstered by dozens of interviews, congressional records, and the voices of lawmakers past and present—including Henry Waxman, Toby Moffett, Phil English, Alexandria Ocasio-Cortez, and Lauren Underwood—Stuck offers a sobering portrait of a legislative body paralyzed by its own internal dynamics. Dr. Kornberg outlines tangible reforms that could restore Congress's capacity to function and amplify the power of its newest members. At a time when Americans are losing faith in democracy's most representative institution, Stuck makes the case for how it could be saved. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Dr. Maya Kornberg, who is a senior research fellow and manager in the Brennan Center's Elections and Government Program. She's taught political science at NYU, Georgetown and American University, worked on democratic governance issues at numerous institutions, and led research for a UNDP and IPU project examining civic engagement in the work of over 80 parliaments around the world. She is the author of Stuck. Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Bears and Ballots House of Diggs The Fight To Save The Town The End of White Politics Understanding Disinformation You Are Not American The Vice-President's Black Wife You Have More Influence Than You Think We Refuse Dear Miss Perkins Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala's research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City's 1968 popular student movement, and graphic art used in California's Chicano farmworkers' struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico's postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018) From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

As news reporters, we are in the story-telling business, the eye witnesses to history, writing, it's ‎said, ‘the first draft of history'.‎ The fall of the Berlin Wall. Lockerbie. Hillsborough. Dunblane. Mad Cow disease. 9/11. ‎These are all events that have entered our national, and international, consciousness. Events so ‎momentous that we can all say where we were, what we were doing, when the Berlin Wall fell, or ‎when the planes hit the Twin Towers. Award-winning television news reporter and political ‎correspondent, Glen Oglaza, can say exactly where he was when these events happened. He was ‎there, he had a front-row seat as history unfolded. And in this informative and fascinating account of ‎those years, he allows the reader to be there too. From Thatcher and the miners' strike, to the Gulf ‎War, the Good Friday Agreement and Tony Blair at Number Ten, captivating national and global ‎events are all given an intriguing new inside angle. ‎ Glen Oglaza is an award-winning television news reporter and political correspondent with more than twenty-five years' experience with ITN and Sky News. At ITN, he covered many of the biggest stories of the 1980s and 1990s, and was part of the award-winning ITN teams covering the Fall of the Berlin Wall, the plight of the Kurds in the wake of the First Gulf War, and the massacre in Dunblane. He was BAFTA-nominated for his coverage of the London Poll Tax riot. As a political correspondent, he covered the governments of Tony Blair, Gordon Brown and David Cameron. Glen is also an accomplished poet with several volumes of poetry published these Religion Fake News and Misdemeanors, No Words, always and his latest collection Spam and other poems. In this podcast we discuss Glen's books When I Stories and More When I Stories (Pegasus, 2024), starting in local journalism in Television news with ITN and Sky News, and the great events he covered during his career. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Given the sometimes extraordinary politicization of culture, it is surprising that Sesame Street has gained acceptance and legitimacy in more than fifty countries. Sesame Street's global success raises two questions. First, how does a US icon like Sesame Street spread around the world, gaining acceptance as a local cultural product? Second, how does the nonprofit that created it, Sesame Workshop, and its partners around the world navigate cultural differences, manage conflicts, and construct shared collective representations to create Sesame Street programs that resonate with local audiences? In Sesame Street Around the World: Culture, Politics, and Transnational Organizational Partnerships (Oxford UP, 2025), Dr. Tamara Kay answers these questions using data from seven years of intensive ethnographic fieldwork and 200 in-depth interviews with Sesame Workshop staff and international partners-including their real-time interactions-from seventeen countries within four regions around the world. Dr. Kay argues that Sesame Workshop's secret is its engagement in coproduction, meaning it works with partners as a transnational team to create local Sesame Street programs together. Through coproduction, Sesame Workshop and its partners create new collective identities by constructing value to align their interests and exchanging complex cultural knowledge to both customize and build alliances. She traces the successive processes of coproduction, beginning with the imagination of the cultural product, to its disassembly, reconstitution, and dissemination. Coproduction privileges the creation of new knowledge that emerges from transnational interaction, and uses that new knowledge to create a hybrid cultural product. The Sesame Street case grapples with and illuminates culture in transnational interaction, providing insight into a range of other transnational organizational partnerships and different kinds of hybrid cultural products. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Emoji Speak: Communication and Behaviours on Social Media (Bloomsbury, 2023) by Dr. Jieun Kiaer provides an in-depth discussion of emoji use in a global context, this volume presents the use of emoji as a hugely important facet of computer-mediated communication, leading Dr. Kiaer to coin the term 'emoji speak'. Exploring why and how emojis are born, and the different ways in which people use them, this book highlights the diversity of emoji speak. Presenting the results of empirical investigations with participants of British, Belgian, Chinese, French, Japanese, Jordanian, Korean, Singaporean, and Spanish backgrounds, it raises important questions around the complexity of emoji use. Though emojis have become ubiquitous, their interpretation can be more challenging. What is humorous in one region, for example, might be considered inappropriate or insulting in another. Whilst emoji use can speed up our communication, we might also question whether they convey our emotions sufficiently. Moreover, far from belonging to the youth, people of all ages now use emoji speak, prompting Kiaer to consider the future of our communication in an increasingly digital world. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Why do certain women become icons of evil? Five Evil Women: Hindley, West, Wuornos, Homolka, Tucker (Reaktion, 2026) by Professor Joanna Bourke offers the first comparative, non-sensationalist account of five of the most reviled women in the modern Anglophone world: Myra Hindley, Rosemary West, Aileen Wuornos, Karla Homolka and Karla Faye Tucker. It examines their lives, crimes and cultural reception in the UK, USA and Canada, asking how violence committed by women is understood, judged and remembered. Going beyond moral outrage or tabloid headlines, the book explores how concepts of 'evil' are shaped by history, belief systems and social context. Through historical and ethical reflections, it offers a deeper, more critical engagement with female violence, and considers how society should respond to those who commit acts of unimaginable harm. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Most of us would agree that American journalism has problems. Rushed reporting and thin coverage. Timidity in the face of adversity. Polarized perspectives and euphemistic language. Groupthink about complicated events.While much blame has been levelled at big tech, in How the Cold War Broke the News: The Surprising Roots of Journalism's Decline (Polity, 2025) Dr. Barbie Zelizer traces the decline of American journalism to the Cold War. She makes the bold claim that Cold War-era practices are to blame for the state of journalism today, undermining a once trusted media environment. This groundbreaking book shows how journalism's current problems can be traced back to customs developed over half a century ago and demonstrates how they've continued to upend journalism, journalists and the news ever since. We all need a news environment that works. This book tells us why it doesn't and offers a plan to make it better. If our news is better, so is our democracy. And, if our democracy is better, we may be too. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Peoples & Things host, Lee Vinsel, and guest host, Paula Bialski, Associate Professor of Digital Sociology at University of St. Gallen, talk to Fred Turner, Harry and Norman Chandler Professor of Communication at Stanford University, about his classic 2006 book, _From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism_. They briefly explore the arc of Fred's career and revisit the book in the spirit of asking what has changed in digital ideology since the book's publication, including with the role of Silicon Valley elites in the second Trump Administration, Elon Musk's role in DOGE, and the (perhaps only brief) turn of digital technology elites moving from California to Texas. Since this conversation was recorded in April 2025, Fred's essay, “The Texan Ideology,” has been published in The Baffler: Link here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors. British Blonde: Women, Desire and the Image in Post-War Britain (Yale UP, 2025) by Professor Lynda Nead examines postwar Britain through the changing ideals of femininity that reflected the nation's evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process. Richly illustrated with paintings, photography, film stills, and advertisements, this interdisciplinary and engagingly written study offers a highly original perspective on an era that transformed Britain's visual and cultural identity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In an age of growing wealth disparities, politicians on both sides of the aisle are sounding the alarm about the fading American Dream. Yet despite all evidence to the contrary, many still view the United States as the land of opportunity. The American Mirage addresses this puzzle by exposing the stark reality of today's media landscape, revealing how popular entertainment media shapes politics and public opinion in an increasingly news-avoiding nation. Drawing on an eclectic array of original data, Dr. Eunji Kim demonstrates how, amid a dazzling array of media choices, many Americans simply are not consuming the news. Instead, millions flock to entertainment programs that showcase real-life success stories, such as American Idol, Shark Tank, and MasterChef. Dr. Kim examines how shows like these leave viewers confoundingly optimistic about the prospects of upward mobility, promoting a false narrative of rugged individualism and meritocracy that contradicts what is being reported in the news. By taking seriously what people casually watch every day, The American Mirage shows how rags-to-riches programs perpetuate the myth of the American Dream, glorifying the economic winners, fostering tolerance for income inequality, and dampening support for redistributive policies that could improve people's lives. Our guest is: Dr. Eunji Kim, who is an Assistant Professor of Political Science at Columbia University. As a political communication scholar, she primarily studies the impact of media content on mass attitudes and political behavior. She is the author of The American Mirage: How Reality TV Upholds the Myth of Meritocracy. Her research explores a range of topics, and has been published in many leading journals including the American Political Science Review, American Journal of Political Science, Journal of Politics, and Proceedings of the National Academy of Sciences. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the creator and producer of the Academic Life podcast, and writes the show's newsletter at ChristinaGessler.Substack.com. Playlist for listeners: Understanding Disinformation 100 Years of Radio in South Africa You Have More Influence Than You Think Black Girls and How We Fail Them Live From The Underground Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Whether print or digital, text or image, artistic or scientific, rare or common, historic or contemporary, most of the content we encounter contains accidental mistakes—ranging from typos to factual errors to errors arising from prejudicial assumptions—and a significant proportion of it also contains deliberate misinformation resulting from various forms of forgery, fakery, and piracy. In Forgers, Fakers, and Publisher-Pirates (U Alberta Press, 2025), Linda Quirk introduces the work of notorious and lesser-known forgers, reveals the various ways in which experts and authors have faked their own identities—ranging from carefully-selected pseudonyms to falsified ethnicities to fraudulent credentials—and explores a number of shady publishing practices. We can all become better readers and better at protecting ourselves from scammers by improving our understanding of the nature of the content before us. Linda Quirk is a librarian (Bruce Peel Special Collections, University of Alberta, Edmonton) whose research and publications focus on a group of women who, in the nineteenth century, did pioneering work in various fields and whose writings helped to break down the barriers then preventing women from full participation in Canadian society. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Studying Chinese media has never been a stable intellectual enterprise. As Professor Yuezhi Zhao once observed, it often resembles aiming at a target that appears clear from a distance but becomes elusive on closer inspection. Over the past decade, that target has grown even more fragmented and mobile. Media systems across the Chinese-speaking world—including the People's Republic of China (PRC), Taiwan, Hong Kong, Macao, and transnational Chinese communities—have been reshaped by rapid technological transformation, intensifying geopolitical rivalry, and profound political change. It is against this backdrop that the second edition of The Routledge Handbook of Chinese Media has been published. Rather than simply updating a reference work, this edition reflects a field fundamentally reconfigured. Assumptions formed before the full societal penetration of digital platforms and social media now require serious reconsideration. The digital is no longer one topic among many; it is central to understanding contemporary political, cultural, and economic life. In this podcast conversation, co-editors Dr Ming-yeh Rawnsley and Dr Yiben Ma reflect on the making of the new volume. Dr Ma contributed to the first edition (2015) and joined the editorial team for the second edition, also authoring a new chapter. After introducing the book and outlining its scope, they share seven key reflections as editors and scholars of Chinese media: Digital transformation as the organising principle Scholarship grounded in lived experience A regional lens without isolation Expanding the field beyond institutional narratives The limits of global communication strategy Hong Kong: accelerated transformation Macao: continuity and quiet change The second edition comprises 29 chapters, in addition to an extensive introduction. Despite striving for breadth and balance, the editors recognise that many areas remain underexplored and warrant sustained attention. They hope the volume will stimulate further research and dialogue. As global uncertainty deepens and information politics become increasingly consequential, the study of Chinese media can no longer be regarded as a specialised regional concern. It is central to understanding how power, technology, and communication interact in the contemporary world. In this sense, the handbook contributes not only to Chinese media studies but also to the broader field of media and communications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Behind Caesar's Back: Rumor, Gossip, and the Making of the Roman Emperors (Yale UP, 2026), Professor Caillan Davenport presents a thrilling exploration of what Romans thought about their emperors, and how rumors and gossip—ranging from new taxes to rulers' sex lives—shaped leadership. Traversing more than seven hundred years of Roman history, this book explores how everyday Romans swapped gossip, spread rumors, told jokes, and chanted protests about their emperors—activity that amounted to much more than idle chatter. Professor Davenport uses ancient evidence, including letters, graffiti, and songs, to reveal how Romans engaged in politics outside the senate house or imperial council. He argues that the idea of the Roman emperor was shaped not only by the political powers granted to him but also by the debate taking place in the streets, churches, taverns, and markets. Professor Davenport reveals how Romans spoke about “the emperor” as a figure of stability, as an agent of justice and retribution, or as a fallible human. Although few would ever see an emperor, his face (and therefore his power) was everywhere: on coins, banners, standards, and even dessert molds, as well as in statuary and paintings. While most Romans did not question the transformation of their republic into a monarchical system of government, they were indeed invested in the empire and were in constant discussion about the type of ruler they had, wanted, and deserved. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jacob Mchangama, founder and director of the think tank Justitia, has written a one-volume history of freedom of thought, which ranges from the lone Demosthenes of 4th-century BCE Athens to the recent controversies regarding Donald Trump. In Free Speech: A History from Socrates to Social Media (Basic Books, 2022), Mchangama argues that the history of freedom of thought has recurrent themes, such as a free speech entropy: the perception of rulers or governments that if speech is not restricted then social or political decline or disorder is inevitable. Mchangama also notes how restrictions usually have the unintended effect of emboldening the speakers and making the forbidden speech even more attractive to potential listeners. This history also reveals advocates of free speech less familiar to Western readers, such as the ninth-century Persian scholar Ibn al-Rawandi, a theologian and later skeptic whose life illustrates the debates possible in medieval Islam. Mchangama reviews the modern debates regarding freedom of thought and the latest iterations of arguments about whether free speech will lead to social decline and chaos. Mchangama is a champion of free speech but his history provides a fair minded account of the concerns of speech restrictionists throughout history. Ian J. Drake is Associate Professor of Jurisprudence, Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How did politicians deal with mass communication in a rapidly changing society? And how did the performance of public politics both help and hinder democratization? In Politicians and Mass Media in the Age of Empire (Cambridge UP, 2025), Dr. Betto van Waarden explores the emergence of a new type of politician within a system of transnational media politics between 1890 and the onset of the First World War. These politicians situated media management at the centre of their work, as print culture rapidly expanded to form the fabric of modern life for a growing urban public. Transnational media politics transcended and transformed national politics, as news consumers across borders sought symbolic leaders to make sense of international conflicts. Politicians and Mass Media in the Age of Empire historicizes contemporary debates on media and politics. While transnational media politics partly disappeared with the World Wars and decolonization, these 'publicity politicians' set standards that have defined media politics ever since. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Before there were Instagram likes, Twitter hashtags, or TikTok trends, there were bloggers who seemed to have the passion and authenticity that traditional media lacked. The Influencer Industry: The Quest for Authenticity on Social Media (Princeton UP, 2023) tells the story of how early digital creators scrambling for work amid the Great Recession gave rise to the multibillion-dollar industry that has fundamentally reshaped culture, the flow of information, and the way we relate to ourselves and each other. Drawing on dozens of in-depth interviews with leading social media influencers, brand executives, marketers, talent managers, trend forecasters, and others, Emily Hund shows how early industry participants focused on creating and monetizing digital personal brands as a means of exerting control over their professional destinies in a time of acute economic uncertainty. Over time, their activities coalesced into an industry whose impact has reached far beyond the dreams of its progenitors--and beyond their control. Hund illustrates how the methods they developed for creating, monetizing, and marketing social media content have permeated our lives and untangles the unforeseen cultural and economic costs. The Influencer Industry reveals how, in an increasingly fractured and profit-driven communications environment, the people we think of as "real" are merely those who have learned to exploit the industry's ever-shifting constructions of authenticity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Empire of Print: Evangelical Power in an Age of Mass Media (Oxford UP, 2025) offers a fresh account of evangelical power by uncovering how the American Tract Society (ATS) leveraged print media to spread its message across an expanding nation. One of the era's largest media corporations and a pillar of the benevolent empire, the ATS circulated some 5.6 billion printed pages between its founding in 1825 and the eve of the Civil War. It wasn't just the volume of materials that mattered—it was the sophisticated media infrastructure that evangelicals developed for their message to reach readers, coast to coast. Media infrastructure refers to the material assemblages that work below the surface of media content, including the format of publications, the avenues of their movement, and the circumstances surrounding their reading. As a non-coercive yet effective form of power, infrastructure shaped how, when, and why readers engaged with evangelical texts. While showing how the ATS became a formidable force in American society during the nineteenth century, Empire of Print opens larger questions about the entanglements among people, things, texts, and institutions, the dynamics of power in a media-saturated world, and the salience of race, class, and region in the distribution and reception of media. Sonia Hazard is an assistant professor in the Department of Religion at Florida State University. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Author Noam Sienna unveils a vast Sephardic world created by these books. This literary network transcended geographical boundaries, connecting Jewish communities from Fez and Tunis to Salonica, Jerusalem, and Livorno. By examining cultural centers and tracing the journey of these texts, Sienna provides depth to our understanding of a remarkably global and worldly book culture, and its evolving role in the growth of Jewish modernity.While the content of Jewish books has long fascinated scholars, Jewish Books in North Africa shifts our focus to the physical context. These books were not isolated artifacts; they were embedded in cultural networks during a period of religious, political, and cultural transformation. Sienna's work sheds light on the intricate interplay between books and the dynamic world in which they existed. Noam Sienna is the Jerome and Lorraine Aresty Visiting Scholar in Jewish Book Arts at the Bildner Center for the Study of Jewish Life, Rutgers-New Brunswick. He received his PhD in History and Museum Studies from the University of Minnesota and is also a Senior Fellow with the Andrew W. Mellon Society of Fellows in Critical Bibliography. His monograph received the 2025 Book Award from the Middle East Librarians Association. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Rachel Midura joins Jana Byars to talk about Postal Intelligence: The Tassis Family and Communications Revolution in Early Modern Europe (Cornell UP, 2025) connects and situates histories of the post and government intelligence alongside print technology and state power in the wider context of the early modern communications revolution. In the sixteenth century, postal services became central to domestic governance and foreign policy enterprises, extended government reach and surveillance, and offered new control over the public sphere. Rachel Midura focuses on the Tassis family, members of which served as official postmasters to the dukes of Milan, the pope, Spanish kings, and Holy Roman emperors. Using administrative records and family correspondence, she follows the Tassis family, their agents, and their rivals as their influence expanded from northern Italy across Europe. Postal Intelligence shows how postmasters and postmistresses were key players in early modern diplomacy, commerce, and journalism, whose ultimate success depended on both administrative ingenuity and strategic ambiguity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It's The Pop Culture Professors, and we continue our analysis of Pluribus, with our thoughts on episode 8, “Charm Offensive” and episode 9, “La Chico o El Mundo.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ownership of Knowledge: Beyond Intellectual Property (MIT Press, 2023) provides a framework for knowledge ownership that challenges the mechanisms of inequality in modern society. Scholars of science, technology, medicine, and law have all tended to emphasize knowledge as the sum of human understanding, and its ownership as possession by law. Breaking with traditional discourse on knowledge property as something that concerns mainly words and intellectual history, or science and law, Dagmar Schäfer, Annapurna Mamidipudi, and Marius Buning propose technology as a central heuristic for studying the many implications of knowledge ownership. Toward this end, they focus on the notions of knowledge and ownership in courtrooms, workshops, policy, and research practices, while also shedding light on scholarship itself as a powerful tool for making explicit the politics inherent in knowledge practices and social order. The book presents case studies showing how diverse knowledge economies are created and how inequalities arise from them. Unlike scholars who have fragmented this discourse across the disciplines of anthropology, sociology, and history, the editors highlight recent developments in the emerging field of the global history of knowledge—as science, as economy, and as culture. The case studies reveal how notions of knowing and owning emerge because they reciprocally produce and determine each other's limits and possibilities; that is, how we know inevitably affects how we can own what we know; and how we own always impacts how and what we are able to know. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Barcodes are about as ordinary as an object can be. Billions of them are scanned each day and they impact everything from how we shop to how we travel to how the global economy is managed. But few people likely give them more than a second thought. In a way, the barcode's ordinariness is the ultimate symbol of its success. However, behind the mundanity of the barcode lies an important history. Barcodes bridged the gap between physical objects and digital databases and paved the way for the contemporary Internet of Things, the idea to connect all devices to the web. They were highly controversial at points, protested by consumer groups and labor unions, and used as a symbol of dystopian capitalism and surveillance in science fiction and art installations. Jordan Frith's book Barcode (Bloomsbury, 2023) tells the story of the barcode's complicated history and examines how an object so crucial to so many parts of our lives became more ignored and more ordinary as it spread throughout the world. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book B-Sides: A Flipsided History of Pop (Headpress, 2023), Andy Cowan explores a century of music b-sides. Pop music would be a different beast without the B-Side. Music history is riven with songs deemed throwaway that revolted against their lowly status and refused to be denied. Be it rock'n'roll's national anthem ('Rock Around The Clock'), disco's enduring game-changer ('I Feel Love') or hip-hop's most notorious dis track ('Hit 'Em Up'), all three started life as the so-called 'lesser' track on releases primed for maximum chart impact. But the B-side has done much more than make stars of Bill Haley, Donna Summer and 2Pac. Whether it was the Beatles, the Kinks and the Yardbirds in the 60s, Elton John, the Who and Queen in the 70s, Depeche Mode, the Cure and Prince in the 80s, or Oasis, Pulp and Radiohead in the 90s, the B-side allowed many of the world's greatest artists freedom to experiment with no commercial constraints in an age where physical product ruled the roost. A quickfire A-Z of 500+ flips, B-SIDE is the first serious examination of the format's covert role in pushing the musical envelope. Best read with one eye on YouTube and one ear on a streaming service, its revelations will prick up the ears of music fans of all persuasions. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Addressing the relationship between law and the visual, this book examines the importance of photography in Central, East, and Southeast European show trials. The dispensation of justice during communist rule in Albania, East Germany, and Poland was reliant on legal propaganda, making the visual a fundamental part of the legitimacy of the law. Analysing photographs of trials, Agata Fijalkowski's Law, Visual Culture, and the Show Trial (Routledge, 2023) examines how this message was conveyed to audiences watching and participating in the spectacle of show trials. The book traces how this use of the visual was exported from the Soviet Union and imposed upon its satellite states in the immediate aftermath of the Second World War. It shows how the legal actors and political authorities embraced new photographic technologies to advance their legal propaganda and legal photography. Drawing on contemporary theoretical work in the area, the book then challenges straightforward accounts of the relationship between law and the visual, critically engaging entrenched legal historical narratives, in relation to three different protagonists, to offer the possibility of reclaiming and rewriting past accounts. As its analysis demonstrates, the power of images can also be subversive; and, as such, the cases it addresses contribute to the discourse on visual epistemology and open onto contemporary questions about law and its inherent performativity. Alex Batesmith is a Lecturer in Legal Profession in the School of Law at the University of Leeds, and a former barrister and UN war crimes prosecutor, with teaching and research interests in international criminal law, cause lawyering and the legal profession, and law and emotion. Twitter: @batesmith. LinkedIn.  His recent publications include: “‘Poetic Justice Products': International Justice, Victim Counter-Aesthetics, and the Spectre of the Show Trial” in Christine Schwöbel-Patel and Rob Knox (eds) Aesthetics and Counter-Aesthetics of International Justice (Counterpress, forthcoming 2023, ISBN 978-1-910761-17-5) "Lawyers who want to make the world a better place – Scheingold and Sarat's Something to Believe In: Politics, Professionalism, and Cause Lawyering" in D. Newman (ed.) Leading Works on the Legal Profession (Routledge, July 2023), ISBN 978-1-032182-80-3) “International Prosecutors as Cause Lawyers" (2021) Journal of International Criminal Justice 19(4) 803-830 (ISSN 1478-1387) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Editor Abigail Bainbridge and contributing author Sonja Schwoll join this discussion of Conservation of Books (Routledge 2023), the highly anticipated reference work on global book structures and their conservation. Offering the first modern, comprehensive overview on this subject, this volume takes an international approach. Written by over 70 specialists in conservation and conservation science based in 19 countries, its 26 chapters cover traditional book structures from around the world, the materials from which they are made and how they degrade, and how to preserve and conserve them. It also examines the theoretical underpinnings of conservation: what and how to treat, and the ethical, cultural, and economic implications of treatment. Technical drawings and photographs illustrate the structures and treatments examined throughout the book. Ultimately, readers gain an in-depth understanding of the materiality of books in numerous global contexts and reflect on the practical considerations involved in their analysis and treatment. Our conversations in this episode discuss how this book is a key reference text for the field, how it fuels important conversations about decision-making and ethics, and what approaches it encourages to learning the practicalities of book conservation. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Previous guest Jacob Bricca (Documentary Editing: Principles and Practice) is a professional film editor and director, specializing in documentaries. In his new book, he breaks down the hidden conventions of the documentary film in accessible language for film students and documentary enthusiasts alike. Chapters on Narrative and Meaning show how documentaries use story constructions borrowed from fiction filmmaking and combine elements from disparate sources in order to prosecute their stories, while chapters on Flow and Time illuminate the precise mechanics of how the flow of information in a documentary is regulated to produce a specific result in the mind of the viewer. Other chapters like Titles, Music, and Sound break the documentary down into its component parts that can be analyzed independently.  Throughout How Documentaries Work (Oxford University Press, 2023), excerpts from interviews with documentary producers, directors and craftspersons help to illuminate the concepts and deliver behind-the-scenes insights. It contains examples from over 100 contemporary documentaries and covers a wide variety of contemporary non-fiction work, including docu-series, television documentaries, unscripted series, and contemporary avant-garde documentaries. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Increasingly, people travel and communicate across borders. Yet, we still know little about the overall structure of this transnational world. Is it really a fully globalized world in which everything is linked, as popular catchphrases like “global village” suggest? Through a sweeping comparative analysis of eight types of mobility and communication among countries worldwide—from migration and tourism to Facebook friendships and phone calls—Mapping the Transnational World demonstrates that our behavior is actually regionalized, not globalized.Emanuel Deutschmann shows that transnational activity within world regions is not so much the outcome of political, cultural, or economic factors, but is driven primarily by geographic distance. He explains that the spatial structure of transnational human activity follows a simple mathematical function, the power law, a pattern that also fits the movements of many other animal species on the planet. Moreover, this pattern remained extremely stable during the five decades studied—1960 to 2010. Unveiling proximity-induced regionalism as a major feature of planet-scale networks of transnational human activity, Deutschmann provides a crucial corrective to several fields of research.Revealing why a truly global society is unlikely to emerge, Mapping the Transnational World highlights the essential role of interaction beyond borders on a planet that remains spatially fragmented. This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Who's in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt Publishing, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media. Joell Myescha is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Newsmongers unfolds the seedy history of tabloid journalism, from the first printed ‘Strange Newes' sheets of the sixteenth century to the sensationalism of today's digital age. The narrative weaves from Regency gossip writers through New York's ‘yellow journalism' battles to the ‘sex and sleaze' Sun of the 1970s; and from the Brexit-backing populism of the Daily Mail to the celebrity-obsessed Mail Online of the 2000s. Colourful figures such as Daniel Defoe, Lord Northcliffe, Hugh Cudlipp, Rupert Murdoch and Robert Maxwell are brought to vivid life. From scandalous confessions to the Leveson Inquiry, the book explores journalists' unscrupulous methods, taking in phone hacking, privacy breaches and bribery. In the digital era, popular journalism succumbed to ‘churnalism' while a certain royal is seeking revenge on the tabloids today. Terry Kirby is Senior Lecturer in Journalism at Goldsmiths, University of London, and author of The Trials of the Baroness (1991). He has been a journalist for more than four decades and was a founder member of staff at The Independent, where he worked for more than twenty years in a number of roles, including crime correspondent, night editor and chief reporter Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

News media and pundits too frequently perpetuate the notion that Latinos, both US-born and immigrants, are an invading force bent on destroying the American way of life. Leo R. Chavez challenges the basic tenets of this assumption and other myths of the "Latino threat," providing a critical investigation into the fears and prejudices that are used to malign an entire population. In this updated and expanded third edition of his groundbreaking book, Chavez incorporates Donald Trump's emergence in American political life, with particular focus on the US-Mexico border as a site of political theater and the further sharpening of anti-Latino and anti-immigration rhetoric in public discourse. He also includes new discussions of "anchor babies," Dreamers and DACA, Latina reproduction and white replacement theory, and the emotional and psychological effects of negative political rhetoric on those whom it targets. Through trenchant analysis, this book reexamines urgent questions about what it means to be American. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications