Podcasts about afterlives

All of this week's episodes of It Could Happen Here put together in one large file. - The Afterlives of Quentin Deranque - The Afterlives of Quentin Deranque, Pt. 2 - Journalism Under Attack in Lebanon - Economic Echoes of the Strait of Hormuz - Executive Disorder: A Billion for Trump’s Ballroom Security, RIP Spirit Airlines, Iran Stalemate You can now listen to all Cool Zone Media shows, 100% ad-free through the Cooler Zone Media subscription, available exclusively on Apple Podcasts. So, open your Apple Podcasts app, search for “Cooler Zone Media” and subscribe today! http://apple.co/coolerzone Sources/Links: The Afterlives of Quentin Deranque Donate: https://acu.nl/about/donate https://www.lemonde.fr/en/politics/article/2026/02/17/who-was-quentin-deranque-the-far-right-activist-killed-in-lyon_6750585_5.html https://www.lemonde.fr/en/opinion/article/2026/02/27/france-s-political-violence-has-risen-significantly-with-assaults-doubling-over-the-past-10-years_6750916_23.html https://www.lemonde.fr/en/m-le-mag/article/2026/02/18/nemesis-the-identitarian-activists-behind-feminist-masks_6750599_117.html https://www.sv.uio.no/c-rex/english/news-and-events/right-now/2024/extreme-right-violence-in-france-is-on-the-rise.html?utm_source=copilot.com https://www.france24.com/en/france/20260220-how-the-death-of-far-right-activist-quentin-deranque-became-france-s-charlie-kirk-moment https://jacobin.com/2023/06/france-far-right-neofascist-violence-politics?utm_source=copilot.com https://www.humanite.fr/politique/nemesis/nemesis-le-collectif-dextreme-droite-qui-provoque-le-cyber-harcelement-de-militantes-feministes-et-delues-de-gauche https://brusselssignal.eu/2026/02/french-nemesis-activist-says-group-traumatised-after-supporter-killed-in-lyon/ https://archive.is/VvPa4 https://www.humanite.fr/politique/nemesis/nemesis-photographiee-realisant-une-gestuelle-neonazie-alice-cordier-evoque-une-reference-au-rap https://archive.is/kjEUp https://www.lemonde.fr/societe/video/2026/02/18/mort-de-quentin-deranque-ce-que-montrent-les-videos-des-faits_6667296_3224.html https://contre-attaque.net/2026/02/16/revelations-de-nouvelles-images-et-un-temoignage-revelent-quune-embuscade-a-bien-ete-tendue-le-12-fevrier-par-des-fascistes-lyonnais/ https://www.franceinfo.fr/faits-divers/mort-de-quentin-militant-identitaire-agresse-a-lyon/reportage-il-a-refuse-d-aller-a-l-hopital-des-habitants-de-lyon-racontent-l-agression-mortelle-de-quentin-deranque_7808942.html https://contre-attaque.net/2026/03/27/affaire-deranque-scandale-detat/ Journalism Under Attack in Lebanon Report on killing of Amal Khalil - https://www.aljazeera.com/news/2026/4/23/what-we-know-about-israel-killing-lebanese-journalist-amal-khalil Report on “black Wednesday” - https://www.lemonde.fr/en/international/article/2026/04/11/lebanese-mourn-victims-of-black-wednesday-we-are-not-just-numbers_6752321_4.html Justin Salhani and Maram Humaid on killing of journalists in Gaza - https://www.aljazeera.com/features/2025/4/7/targeted-killed-burned-alive-journalists-in-gaza-attacked-by-israel Quadruple tap strike on paramedics in Lebanon - https://www.cbc.ca/news/world/lebanon-paramedics-strike-9.7173448 Forensic Architecture on Gaza’s hospitals - https://gaza-hospitals.forensic-architecture.org/ Economic Echoes of the Strait of Hormuz https://archive.vn/1qeiu https://thelensnola.org/2026/04/01/how-the-iran-war-is-disrupting-the-worlds-medicine-supplies/ https://archive.vn/pM5a6 https://archive.vn/u38pm https://www.reuters.com/business/energy/asia-battles-rising-uneven-toll-energy-crisis-caused-by-iran-war-2026-05-04/ https://eastasiaforum.org/2026/04/16/the-iran-war-widens-indonesias-fiscal-faultlines/ https://www.straitstimes.com/asia/plastic-bag-chaos-shortage-fears-highlight-taiwans-energy-security-concerns Executive Disorder: A Billion for Trump’s Ballroom Security, RIP Spirit Airlines, Iran Stalemate https://x.com/WhiteHouse/status/2051761247779979301?s=20 https://www.justice.gov/opa/pr/justice-department-sues-city-denver-unconstitutional-weapons-bans https://www.tonation-nsn.gov/sacred-site-located-in-cabeza-prieta-national-wildlife-refuge-destroyed-by-border-wall-construction/ https://www.state.gov/releases/bureau-of-political-military-affairs/2026/05/ukraine-joint-direct-attack-munitions-extended-range https://x.com/TedCGoodman/status/2051470245555052557 https://x.com/i/status/2052092791916806265 https://www.ms.now/news/fbi-investigating-leaks-to-journalist-who-wrote-explosive-article-on-kash-patel-sources https://apnews.com/article/cruise-ship-hantavirus-andes-strain-south-africa-cb424510bb0c934c781f6bd42ce2e7c8 https://www.reuters.com/world/europe/canarians-worry-arrival-hantavirus-cruise-ship-will-bring-repeat-covid-2026-05-06/ https://www.grassley.senate.gov/imo/media/doc/reconciliation_-_senate_judiciary_committee_title.pdf https://punchbowl.news/mdm26a11/?utm_source=Sailthru&utm_medium=email&utm_campaign=5/5/26%20AM:&utm_term=Punchbowl%20AM%20and%20Active%20Subscribers%20from%20Memberful%20Combined https://x.com/sentdefender/status/2051759811054727212?s=20 https://x.com/SkyNews/status/2051246490786394319?s=20 https://x.com/NotWoofers/status/2051640997482782939?s=20 https://www.cbsnews.com/news/2-us-navy-destroyers-transit-strait-of-hormuz-after-dodging-iranian-onslaught/ https://x.com/mercoglianos/status/2051381236950524095?s=20 https://truthsocial.com/@realDonaldTrump/posts/116512555123589170 https://x.com/WhiteHouse/status/2051798734850101462?s=20 https://x.com/_MartinKelly_/status/2051754245125181778?s=20 https://x.com/Southcom/status/2051723140254843043?s=20 https://x.com/Acyn/status/2051749649279762556?s=20 https://x.com/sentdefender/status/2051759811054727212?s=20 https://x.com/UK_MTO/status/2051749762538389668?s=20 in https://x.com/Reuters/status/2051567572454432996?s=20 https://x.com/Southcom/status/2051709553956266365?s=20 https://www.axios.com/2026/05/06/iran-us-deal-one-page-memo?utm_campaign=mrf-utm_campaign=editorial&utm_source=x&utm_medium=owned_social&mrfcid=2026050669f852024e34c652f4ad78a6 https://x.com/CENTCOM/status/2052070088233136553?s=20 https://x.com/Alihashem https://reproductiverights.org/wp-content/uploads/2026/05/2026-05-01-Fifth-Circuit-Order-Granting-Stay-of-2023-REMS.pdf https://x.com/SecKennedy/status/1973866621245567344?s=20 https://www.scientificamerican.com/article/fda-is-investigating-the-abortion-pill-mifepristone-despite-decades-of/ https://jamanetwork.com/journals/jamanetworkopen/fullarticle/2840361 https://reproductiverights.org/news/5th-circuit-limits-telehealth-provision-of-abortion-pill/ https://reproductiverights.org/wp-content/uploads/2026/05/25A1208-Admin-Stay-and-CFR.pdf https://www.justice.gov/usao-dc/pr/texas-man-charged-shooting-secret-service-agent-near-washington-monument-national-mall https://www.nytimes.com/2026/05/04/us/politics/washington-monument-shooting-secret-service.htmlSee omnystudio.com/listener for privacy information.

The British Empire covered much of the world during the 19th century–and each time someone moved through it, they left a paper trail in their wake. Julia Stephens, the author of Worldly Afterlives: Tracing Family Trails Between India and Empire (Princeton UP, 2025), uses that archive of documents to try to piece together the stories of Indian migrants that traveled the empire throughout their lives–and, in some cases, after their lives were over. Julia joins us today to talk about her book and her attempt to find a different approach to studying these histories: Figures like Kuala Lumpur magnate Thamboosamy Pillai, Zanzibar–Bombay matriarch Jambai, and the elusive sailor John Muhammad. Julia Stephens is associate professor of history at Rutgers University. She is also the author of Governing Islam: Law, Empire, and Secularism in South Asia (Cambridge University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. You can read its review of Worldly Afterlives here. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The British Empire covered much of the world during the 19th century–and each time someone moved through it, they left a paper trail in their wake. Julia Stephens, the author of Worldly Afterlives: Tracing Family Trails Between India and Empire (Princeton UP, 2025), uses that archive of documents to try to piece together the stories of Indian migrants that traveled the empire throughout their lives–and, in some cases, after their lives were over. Julia joins us today to talk about her book and her attempt to find a different approach to studying these histories: Figures like Kuala Lumpur magnate Thamboosamy Pillai, Zanzibar–Bombay matriarch Jambai, and the elusive sailor John Muhammad. Julia Stephens is associate professor of history at Rutgers University. She is also the author of Governing Islam: Law, Empire, and Secularism in South Asia (Cambridge University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. You can read its review of Worldly Afterlives here. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The British Empire covered much of the world during the 19th century–and each time someone moved through it, they left a paper trail in their wake. Julia Stephens, the author of Worldly Afterlives: Tracing Family Trails Between India and Empire (Princeton UP, 2025), uses that archive of documents to try to piece together the stories of Indian migrants that traveled the empire throughout their lives–and, in some cases, after their lives were over. Julia joins us today to talk about her book and her attempt to find a different approach to studying these histories: Figures like Kuala Lumpur magnate Thamboosamy Pillai, Zanzibar–Bombay matriarch Jambai, and the elusive sailor John Muhammad. Julia Stephens is associate professor of history at Rutgers University. She is also the author of Governing Islam: Law, Empire, and Secularism in South Asia (Cambridge University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. You can read its review of Worldly Afterlives here. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

The British Empire covered much of the world during the 19th century–and each time someone moved through it, they left a paper trail in their wake. Julia Stephens, the author of Worldly Afterlives: Tracing Family Trails Between India and Empire (Princeton UP, 2025), uses that archive of documents to try to piece together the stories of Indian migrants that traveled the empire throughout their lives–and, in some cases, after their lives were over. Julia joins us today to talk about her book and her attempt to find a different approach to studying these histories: Figures like Kuala Lumpur magnate Thamboosamy Pillai, Zanzibar–Bombay matriarch Jambai, and the elusive sailor John Muhammad. Julia Stephens is associate professor of history at Rutgers University. She is also the author of Governing Islam: Law, Empire, and Secularism in South Asia (Cambridge University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. You can read its review of Worldly Afterlives here. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The British Empire covered much of the world during the 19th century–and each time someone moved through it, they left a paper trail in their wake. Julia Stephens, the author of Worldly Afterlives: Tracing Family Trails Between India and Empire (Princeton UP, 2025), uses that archive of documents to try to piece together the stories of Indian migrants that traveled the empire throughout their lives–and, in some cases, after their lives were over. Julia joins us today to talk about her book and her attempt to find a different approach to studying these histories: Figures like Kuala Lumpur magnate Thamboosamy Pillai, Zanzibar–Bombay matriarch Jambai, and the elusive sailor John Muhammad. Julia Stephens is associate professor of history at Rutgers University. She is also the author of Governing Islam: Law, Empire, and Secularism in South Asia (Cambridge University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. You can read its review of Worldly Afterlives here. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

People often want conflicting things from work because they carry different ideas about what makes a good life. What feels meaningful to one person can feel draining to another, and those differences often go deeper than personality or preference. That is what makes Derek Sivers's book, How to Live, so useful here. It lays out 27 competing ways to live, each one convincing in its own voice. In this revisited episode, Dart and Derek discuss how those deeper beliefs shape the way people think about work, choice, and the lives they are trying to build.Derek Sivers is an author, entrepreneur, and former musician who founded CD Baby. He writes about business, creativity, philosophy, and how beliefs shape action and meaning.In this episode, Dart and Derek discuss:- How beliefs quietly shape our actions- The 27 ways to live- Why no one philosophy fits everyone- How work reflects deeper life beliefs- Why people want opposite things from work- Introverts and extroverts at work- Using beliefs as a listening tool- Nature and nurture at work- Why companies should have personality- Useful beliefs versus true beliefs- Data models as philosophical experiences- And other topics…Derek Sivers is an author, entrepreneur, and programmer best known for founding CD Baby, which became a major online seller of independent music. He later sold the company and transferred the proceeds into a charitable trust for music education. He is the author of Anything You Want, Your Music and People, Hell Yeah or No, How to Live, and Useful Not True. He is originally from California and now lives in New Zealand.Resources Mentioned:Derek's Book, How to Live: https://sive.rs/hDerek's Book, Useful Not True: https://sive.rs/uSum: Forty Tales from the Afterlives, by David Eagleman: https://www.amazon.com/Sum-Forty-Tales-Afterlives-Eagleman/dp/0307389936 Longpath: Becoming the Great Ancestors Our Future Needs, by Ari Wallach: https://www.amazon.com/Longpath-Becoming-Ancestors-Antidote-Short-Termism/dp/0063068737 Connect with Derek:Official website: https://sive.rsWork with Dart:Dart is the CEO and co-founder of the work design firm 11fold. Build work that makes employees feel alive, connected to their work, and focused on what's most important to the business. Book a call at 11fold.com.

Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices

Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Jesse Bering is an award-winning science writer specializing in evolutionary psychology and human behaviour. He is the author of The Incredible Afterlives of Dr. Stevenson, about the world's leading reincarnation researcher. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chrisryan.substack.com/subscribe

Raquel Willis' resume is long: the first trans lead editor at Out magazine, a TIME 100 awardee, memoirist (The Risk It Takes To Bloom), and co-founder of the group Gender Liberation, whose direct actions at the US capitol calling for basic needs like trans healthcare reverberate far outside the DMV. We discuss the limitations of mainstream visibility in saving trans lives, and her podcast series AFTERLIVES, whose first two seasons cover the lives and passings of Layleen Polanco and Marsha P. Johnson. Raquel's site https://www.raquelwillis.com/ AFTERLIVES podcast https://www.afterlivespod.com/ Episode: Tourmaline on Marsha P. Johnson https://www.patreon.com/posts/129316368 Support the show and get new episodes early on Patreon: https://patreon.com/sadfrancisco  SAD FRANCISCO hats and shirts have landed: https://sadfrancis.co/?post_type=product

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1881, African American educator and political leader Booker T. Washington founded Tuskegee Institute in Tuskegee, Alabama. The school's mission was to provide practical education and vocational training in fields such as agriculture and mechanics to African Americans in the post-Reconstruction South. Tuskegee ultimately became a world-renowned agricultural and industrial school for African Americans – and actually for all people. Today, we're speaking with Duke University's Jarvis McInnis about his award-winning book Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South. Interview Transcript Jarvis, I cannot tell you how much I appreciate this book. And hopefully we'll make a link to the Franklin Humanities gathering (https://youtu.be/rfSy1lWWOwA?si=dVcWH3xDBuBStEEc) that we had for your book launch. As I said at that time, and I'll say it right now, this book resonated with me so deeply because of my rural upbringing. My experience as a son, a grandson of farmers and agricultural workers. And someone who grew up in the 4-H Club down South. Hopefully we will get to some of those topics as we go through. So, let's start off with a real basic idea. Could you give our readers an overview of what the book is? And also, about what you mean by the Afterlives of the Plantation. Yes, absolutely. Thank you so much for that question, Norbert. The book is an effort to think about the cultural and intellectual and political ties between Southern African Americans and Afro-Caribbean people in the late 19th to early 20th Century as they were responding to the legacies of slavery, right? This is the period after emancipation, and across the hemisphere. And so, I'm really interested in the way that they are sharing ideas as they are confronting the new modes of racial oppression that emerged in slavery's aftermath. In the United States, you have Jim Crow, right? Segregation, and other forms of violence and dispossession like lynching and land dispossession and so forth and so on. And then in the Caribbean, in Latin America, you have institutions like the European colonialism, and US imperialism, right? And so that is the afterlife of slavery. They're emancipated, but it's not a period of full citizenship, right? Of full access to the rights and privileges of citizenship. And so in telling that story, I center Booker T. Washington's school, the Tuskegee Institute, which was founded on the site of an abandoned and burned cotton plantation in Alabama in 1881. And this is getting at the second part of your question. I became really fascinated by what it meant to establish a school, to establish a future-oriented institution, that's committed to uplifting Black people. To establish that on the site, on the ruins of a burned plantation. And, in some ways, I became curious about that as an undergraduate student because I'm a graduate of Tougaloo College, in Tougaloo, Mississippi, which is a historically black college much like Tuskegee. And much like Tuskegee, Tougaloo was also founded on the site of a former cotton plantation. And I saw that this idea, or this practice, this logic of transforming these sites of violence into something that is more liberatory and more emancipatory was really a strategy that Black people used throughout the US South and throughout the Caribbean. Throughout much of the Americas where slavery and the plantation had existed. I placed Tuskegee, and particularly its approach to agriculture, at the center of that story to demonstrate how an institution rooted in the US South is not backward. It's not pre-modern. That's firmly rural, but that rurality... they're taking the knowledge that's cultivated there and disseminating it to other Black people in other parts of the world to aid in their struggles toward freedom and citizenship. I think this is an important point to make. And I know we've had conversations about this as you were developing the book. And I'll just say again, out of my rural Southern agricultural background, I often found a sense that people thought, oh, well you must be backward. Oh, you must come from this... and that's not a good thing. I can only imagine that people of this time must have thought, well, shouldn't people want to move away from agriculture? Why would you want to be invested in this thing that was a part of former enslavement? How do you think about this in light of this notion of agrarian futures? You would think people would want to move away from that. What is your understanding of sort of this move towards agriculture and seeing this as something for the future and even modern. That's such a great question. And I, you know, I have to say that I came to agriculture relatively late in the project. I was initially most interested in what Tuskegee was doing with Black aesthetics: with photography and with music and with literature. I'm a literary scholar after all. But as I sat with Tuskegee's aesthetic output, I realized the significance of agriculture within that. And as I began to explore the ways that Tuskegee was being disseminated to other parts of the Black world, to places like Haiti, to places like Puerto Rico. And as they were admitting students from those particular colonies at that time. Now some of them are countries; Puerto Rico is still a territory. But I realized that what other Black people, both in the US South and abroad, were interested in was its agrarian vision. Was the work, the research that someone like George Washington Carver was doing at Tuskegee and as a mode of self-help. And so I really had to wrestle with that because it was outside of how I had conceived of agriculture. And in many ways, writing this book transformed my own understanding of what the modern was. And, you know, forced me to, or perhaps invited me, to think about agriculture to understand it as intellectual. To understand it certainly as a skill, in all of these ways that I had not really given much thought to it previously. But as I sat with George Washington Carver's bulletins. As I sat with Tuskegee's extension initiatives. As I sat with the knowledge that they were producing, the various print cultural artifacts, the newspapers. And again, the agricultural bulletins and so forth and so on. I realized, wait a minute. This is a site of knowledge production, and its modern up-to-date knowledge production that actually still has a lot of sound basis that can be used in contemporary agriculture to this very day. And so, it radically transformed my understanding of Tuskegee, of a figure like Booker T. Washington. who as we know, is a much-maligned figure in Black studies and American studies because of his conservative politics. But agriculture gave me another way into that institution and to think about, again, the significance of the cultural and intellectual contributions of the US South at this particular period. Thank you for that. I want to talk about a particular section of the text that has to do with both the agricultural philosophy, but also this idea of sharing information, and you've made some reference to it. So, I grew up, as I mentioned, going and being a part of the 4-H program, which was a part of the Cooperative Extension System. And Tuskegee, in many ways, helped form and helped inform what extension would look like. Which ultimately became a thing, federally, in 1914. But I want to read this one passage from your text, and you say: "In 1897, the state of Alabama passed legislation allocating $1,500 to establish an agricultural experiment station on campus. The station also known as the Experiment Plot." And plot is something you come back to. And I would love to hear your thoughts about this garden plot and the Experiment Plot and just the metaphor of plot throughout your text. "But the station also known as the Experiment Plot, was managed by George Washington Carver. Washington insisted that the experiment station ' should not be used for scientific experiments of interest only to experts. Should deal with the fundamental problems with which the Negro Farmers of Alabama were daily confronted.' The results of Carver's experiments were thus published in bulletins that were then distributed among farmers throughout Alabama and the broader US South." And then you go on and talking about the different courses that were made available. But I wanna get this one quote from the Tuskegee student. And you said the Tuskegee student observed: 'Tuskegee Institute is primarily a school for the masses of our people. Both old and young and in all degrees of development.' I mean, Tuskegee was doing something that other land grant institutions would eventually take on, is this idea of sharing knowledge and using this. As a means of uplift and I would say even citizen building. What are your thoughts about that sort of perspective? Yeah. Yeah. I'm going to try to wrap all of those questions up into one response. We'll see how successful I am. I know I gave you a lot. Well, one of the things that I wanted to say, that I did not get a chance to say in my response to your previous question is that, you know, the majority of African Americans lived in the South in this particular period. And many of them viewed agriculture as a viable future. And that was one of the aspects of, you know, doing research on this book that was transformative for me. Was understanding that they did not hold this same necessarily, sort of, denigrating attitudes toward agriculture. In part because the United States was largely agricultural writ large, right? [00:11:00] And so it was across the country, across the color line, was regarded as a viable pathway. But it is the case that Booker T. Washington was attempting to rebrand agriculture, to re-signify it. Because there were a number of African Americans who did not want to have anything to do with it because it reminded them of the degradation of slavery. And so, what Washington said was he said, hey, you know, that there's a distinction between working and being worked, right? Being worked means degradation. Working for oneself, right? Being independent is a mode of civilization, is what he argued. And so what I argue in the book is that Washington is attempting to resignify labor, to make it something that is regarded as self-proprietorial, right? And that is a necessary tool in not just labor but agricultural labor in particular. But we can add, I would say, industrial labor also as something that is self-proprietorial and that is a part of that citizenship making project. So, I wanted to be sure to home in on that aspect of your previous question. And then I think the way into this next question is to talk a little bit about the plot. The slave garden plot. So, this idea in the book, right? The subtitle is Plotting Agrarian Futures. And there are multiple residences of the plot throughout the book. But the easiest way to, sort of, describe it is that it is an elaboration on the slave garden plot. The patches of land that enslaved people could cultivate throughout the Americas to grow foods to nourish themselves, because the rations that were provided from the plantation owners, those rations were too meager, right? A number of scholars and theorists across disciplines have theorized that the slave garden plot was a site of resistance to the plantation system. In part because it is enabling them to survive, to live, to nourish their bodies, right? But also because of what they did on the plot, right? Not only growing food, but also perhaps growing flowers. There's one scholar who regards it as the botanical gardens of the dispossessed, right? And so this idea that on these garden plots where they could cultivate food for themselves, their time was their own. They weren't growing food for sale on the global market, necessarily, or other cash crops for sale in the global market. They were growing foods that perhaps have been a part of their diets in Africa. And in addition to that, they were engaging in communal practices, singing, dancing, and sometimes perhaps even plotting revolutions, right? Another valence of the plot. And so, a scholar like Sylvia Winter establishes a kind of dichotomy between the plot and the plantation under enslavement. And when I realized that Tuskegeeans were also trying to encourage Black folks to grow food, and in doing so helping them to circumvent the predatory practices of sharecropping, of tenant farming, that would have those sharecroppers and tenant farmers to buy their foods from the local commissary and to remain in cycles of debt. And that of course, that they had an experiment station that they called an Experiment Plot. I thought, okay, this is the post emancipation iteration of the slave garden plot. It stands as a counterpoint to the plantation system, and it is imbued with these logics and ethics of care. And one of those logics and ethics of care is the dissemination of knowledge, right? Ensuring that rural Black farmers who were perhaps too old to attend Tuskegee, or could not afford to do so, that they could come to campus and learn the most up-to-date agricultural knowledge, right? And for those who couldn't come to campus, to attend the Tuskegee Farmers Conference, they would take the Jessup Agricultural Wagon into the countryside and teach them about crop rotation. Teach them about how to grow certain food crops, right? Teach them about how to grow certain plants to beautify their homes and so forth and so on. And so I think about that dissemination of knowledge, right? Whether it's those farmers coming to campus or Tuskegee taking those ideas into the countryside, as an ethic of care that is connected to the way that the plot exists as a counter to the plantation. Yeah. Wow, this is really wonderful. I love how you're able to weave in this agricultural philosophy that had deep resonance with people of the rural American South. But you also saw this as something that moved beyond the borders of the American South, and thus in your subtitle, the Global Black South. How did Tuskegee get involved in this transnational sharing of knowledge, and working in the Caribbean, and particularly, Puerto Rico, Haiti? Tell us a little bit more about that experience. Absolutely. Absolutely. Tuskegee really began to recruit students from the broader diaspora in the latter part of the 19th Century. So, around 1897. Certainly, the Caribbean, certainly Cuba and Puerto Rico, following the Spanish American War. And Booker T. Washington sent a Tuskegee student who was actually fluent in Spanish into Florida, and then later on to Havana, to recruit students to Tuskegee. He understood, he believed, that because they were experiencing conditions that were very similar to African Americans, they too were responding to the afterlife of slavery in the plantation. Given that emancipation in Cuba and Puerto Rico, in particular had just occurred in the late 1880s, he believed that their conditions were very similar to those of African Americans and that they could benefit from agricultural and industrial education as well. And there was a reformer by the name of Grace Mins. She was based in Boston. And she ensured that Booker T. Washington's autobiography, Up From Slavery, was translated into Cuban Spanish. And then that autobiography was then disseminated. A thousand copies were disseminated throughout the island of Cuba. And so as a result of that, he inspired, or the model of self-help that Washington depicted in Up From Slavery, inspired a host of Afro-Cuban readers. Students and parents and government officials and educational officials then begin to write to Tuskegee, write to Washington, wanting entry into the school. It's also translated into French, right? And so, you have French readers, particularly in a place like Haiti coming to Tuskegee. Someone by the name of the Jean Price Mars, who was the foremost Haitian intellectual of the 20th Century, actually met Washington in France when Washington was traveling there on vacation and became inspired by that model. A year later, he comes to the United States to attend the 1904 World's Fair and then spends two weeks at Tuskegee, learning those ideas and wanting to take them back to Haiti. So, through translation, right? Into different languages, those ideas then circulate throughout the Black world, but also through efforts to actively recruit students from those other places that Washington understood as experiencing a similar condition as African Americans. People whom he understood could benefit, he believed, could benefit from agricultural and industrial education. Great. And one of the things I loved in the way you talked about this in the text is you talked about not only translation but transplantation. And I thought that was an interesting turn of phrase because of what you were trying to communicate through that term. I want to, sort of, bring us up to some things that are currently happening. We just had a conference and you were a participant on a panel on humanistic issues around addressing food waste. And I've got to say, this was one of the panels that people really leaned into, that were really caught up by it. And you made some really insightful interventions based on some of the work that you've done in your book. So, you spoke about the anti-waste ethos at Tuskegee and I really found that interesting. Could you speak to that for a moment? Absolutely. Well, first I want to say thank you again for the opportunity to participate in that symposium. I really enjoyed it, and it really gave me an opportunity to think about various dimensions of a kind of anti-waste ethos at Tuskegee. And I think that there are a couple of different ways in which it manifested at the institution. So first there's a kind of metaphorical dimension to waste at Tuskegee. When Booker T. Washington writes to George Washington Carver to hire him, to recruit him to the institution. He said, I can't pay you a lot of money, but we have been tasked with helping to transform formerly enslaved people from conditions of waste to full manhood. Right? And so there is that sort of metaphorical, or what I would argue in the book is a kind of ontological understanding of waste, given the degraded status of the enslaved. And then there's a kind of philosophical dimension to waste as well. One, so Washington, Tuskegee, they are informed by the progressive era, right? It's a progressive era institution that's guided by a commitment to thrift and economy. And so, they're very much interested in a kind of practical attitude toward not being wasteful, right? To being thrifty with money, but also with resources. And what we see is, you know, complaints about food waste in the dining hall at Tuskegee, right? A very practical issue for a poor rural institution wherein the students are growing the food, right? Wherein the students are making the bricks, right? Are helping to transform this plantation into a school. We can't afford to waste food, right? But they're also teaching students and Black folks in the countryside how to preserve fruits and vegetables. There are these photographs of them teaching folks how to can and preserve fruits and veggies, right? To ensure that they have food throughout the winter months, so that they are not stricken by hunger and poverty and starvation. So that they aren't forced to borrow additional money from the plantation owners if they are indeed in sharecropping and tenant farming arrangements. And so, the last aspect I suppose of waste at Tuskegee that I want to highlight here is a kind of ecological one. Where in George Washington Carver is calling on farmers to take advantage of the quote unquote waste that is on their farms, right? The cow manure, right? To regenerate the soil. The swamp muck, right? The dead leaves, the night soil; to use that waste to regenerate the soil, to replenish it, right? In addition to practices of crop rotation and so forth and so on. And so that ecological dimension of waste is really important for understanding Tuskegee's ecological vision. I think this is so important because conversations around regenerative agriculture, and going back to, sort of, broader notions of traditional farming practices, minimizing the use of chemicals, people were talking about this. Folks like Carver were trying to find ways of using very little resources to help support the growers that he worked with. And we're hearing these echoes again and again. I'm so grateful that you illuminated that throughout your text. Thank you. I am not the only one who seems to have appreciated that because you won the 2026 Association for the study of African American Life and History Book Prize and the 2025 On the Brink book Award from the University of New Mexico School of Architecture and Planning. Why do you think this narrative of agricultural liberation is resonating with people so strongly? You know, first of all, Norbert, I just have to say how honored I am that the book has received these recognitions. And that it's finding its audiences. Audiences that I couldn't have imagined. Imagine my seeing my face when I opened the email to see that it had been acknowledged by both of these institutions. But especially the architecture and planning. I thought, oh my goodness. I, could not have, I could not have imagined this. So, I just want to say that I'm grateful first and foremost. You know, as I've been talking to people, you know, and as I've been moving around and talking to readers at my book tour, or people have been writing to me via email, what I've found is that the historians really appreciate the archival richness, and robustness of the text, right? So, the historians, the literary scholars, they really appreciate that aspect of the book. Many people, I think, also really appreciate the fact that it is giving us a new way to think about Tuskegee and Booker T. Washington. A place and a person who we thought we knew, right? And not in a flat way; a way that holds the complexity of that institution in place. And throughout the text, I really try to wrestle with the critiques, the valid and legitimate critiques that are coming from people like Ida B. Wells Barnett, and WEB Du Bois, about the limits of Booker T. Washington's political philosophy. But at the same time, I say, but if we don't acknowledge what they were doing through agriculture and by extension through aesthetics, then we're missing a really important part of this story, right? And I think that the book is giving us a model for thinking about how to engage in criticism that is both generative and productive, I suppose, right? Like how do we hold them to a particular standard where we say, you know, here are the limits of your political vision, but at the same time, this is what you enabled, right? And that's what the text is trying to do. And I think, you know, others have shared that they appreciate that it honors the intelligence and sophistication and dignity of Black rural people, of Black Southerners, who in my opinion, are often written out of Black studies in a way that is substantive. In a way that honors their contributions, especially in this period. The South is a space that people are simply fleeing from because of Jim Crow. And I'm saying, wait, what about the people who remain rooted in the land, on the land, either in the US South or in other sort of rural places throughout the diaspora. And then finally, I think that the book seems to be connecting to people who really care about our world. Who really care about the state of environmental degradation that we have found ourselves in as a result of institutions like the plantation, of monocrop agriculture, of industrialization in the way that it abuses, and misuses the earth. And so, because the book is invested in thinking about regeneration and repair, and about more sustainable methods from the past that can be useful for our present. I think that it seems to be connecting with readers who are interested in issues like climate change and environmental catastrophe. So that's what I suspect, based on some of the feedback that I have received. But I just want to reiterate just how grateful I am that it is finding its audience. BIO Jarvis C. McInnis holds a BA in English from Tougaloo College in Jackson, Mississippi, and a Ph.D. in English & Comparative Literature from Columbia University in the City of New York.  Jarvis is an interdisciplinary scholar of African American & African Diaspora literature and culture, with teaching and research interests in the global south (primarily the US South and the Caribbean), sound studies, performance studies, and visual culture. Jarvis's research has been supported by numerous grants and fellowships, including the Mellon Mays Undergraduate Fellowship, the Ford Foundation Pre-doctoral and Dissertation Fellowships, and Princeton University's Department of African American Studies postdoctoral fellowship. His work appears or is forthcoming in journals and venues such as Callaloo, MELUS, Mississippi Quarterly, Public Books, and The Global South.

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

Most employers in the United States routinely conduct criminal background checks on job applicants, weeding out those with criminal convictions—and thus denying opportunities to those who need them most. In The Criminal Record Complex: Risk, Race, and the Struggle for Work in America (Princeton UP, 2025), Melissa Burch sheds light on one of the most significant forces of social and economic marginalization of our time—discrimination on the basis of criminal records. Chronicling the daily interactions of hiring managers, workforce development professionals, and job-seekers with felony convictions in Southern California, Dr. Burch shows that this discrimination is not simply a matter of employer bias. Hiring is shaped by a set of institutions, organizations, and industries that promote the erroneous idea that people with criminal records are dangerous to employ. This “criminal record complex,” as Dr. Burch names it, encourages exclusion and undermines employers' common-sense ways of assessing candidates. In vivid and intimate detail, Dr. Burch reveals both the futility and devastating human consequences of discriminatory policies.Dr. Burch places today's routine practice of background screening within racialized notions of risk originating in early capitalist development, tracing how, over decades, criminal background checks became a convenient catch-all, leveraged by entities with a direct interest in growing the practice. Despite this reach, however, Dr. Burch discovers that small business owners tend to put less value on background checks, trusting their own judgment. Approaching the issue from both personal and policy perspectives, The Criminal Record Complex upends what we thought we knew about the causes of criminal record discrimination. It suggests that our best hope for creating safe workplaces lies not in the false promise of background screening, but in building the kinds of economies and communities that support true safety. Our guest is: Dr. Melissa Burch, who is Assistant Professor of Anthropology at the University of Michigan and Director of the Afterlives of Conviction Project. Our host is: Dr. Christina Gessler, who is a writing coach and editor for academics. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Ghost in the Criminal Justice Machine Carceral Apartheid Freemans Challenge Hands Up Don't Shoot The Names of all the Flowers The Journal of Higher Education in Prison Black Boy Out of Time Secrets of the Killing State Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode: we hear from Dr Claire O'Callaghan, Senior Lecturer in English at Loughborough University and Editor-in-Chief of Brontë Studies, the official journal of the Brontë Society; Prof Melissa Fegan, Professor of Irish and Victorian Literature at the University of Chester; and Dr Sophie Franklin, Postdoctoral Fellow at the School of English, Drama and Film at University College Dublin and author of ‘Violence and the Brontës: Language, Reception, Afterlives'. She is also an Associate Editor of the Brontë Studies journal.

Description: Neuroscientist and bestselling author David Eagleman on the brain science behind creativity, what actually causes writer's block, and how pre-commitment strategies like the Ulysses contract can help writers finish what they start.   You'll learn: Why creativity isn't a rare gift, and what's actually happening in every brain when it absorbs and remixes the world around it. The three core algorithms behind creative thinking, and how to use them deliberately when you're stuck on a project. What's really going on in the brain when a writer feels blocked, and why the fix might be simpler than you think. A compelling case against the "shower idea" myth, and why sitting down to work may be where your best thinking actually happens. How a concept from ancient Greek literature can help you set up contracts with your future self to finish what you start. A surprising writing routine behind roughly a million published words, and why it happens at the same chain restaurant every time. A method for juggling multiple creative projects without losing momentum on any of them. Why switching genres and feeling like a beginner is one of the best things you can do for your brain as a writer. How to think about the difference between fiction and nonfiction when it comes to what AI can and can't replace. The moment at age 13 that shaped an entire career in science communication, and what it reveals about writing for an audience. Resources & Links:

In this episode of The Writing Life Podcast, novelist, poet and Associate Professor of Creative Writing Sam Meekings shares the process behind writing his latest book, Wonder and Loss: A Practical Memoir for Writing about Grief, which interweaves memoir and his personal journey through grief with practical guidance and insight on how to write about it.   Sam Meekings is a British novelist and poet. He is the author of Under Fishbone Clouds (called 'a poetic evocation of the country and its people' by the New York Times) and The Afterlives of Doctor Gachet. He currently works as an Associate Professor of Creative Writing at Northwestern University in Qatar, and has spent the last few years living and working in China and the Middle East. He balances his time between teaching, research, raising two kids as a single father, and drinking copious cups of tea.   Sam sat down with Steph for a candid and insightful discussion about writing as therapy, the importance of intention and of setting boundaries, the role of vulnerability, and of embracing the unknown when undertaking a writing project which draws upon lived, painful experiences. There is also lots of room for wonder, magic and play!

When Emily Brontë published “Wuthering Heights,” in 1847, critics were baffled, alarmed, and mostly unimpressed. James Lorimer, writing in the North British Review, promised that the novel would “never be generally read.” Nearly two centuries later, it's regarded as one of the great works of English literature. In a live taping of Critics at Large at the 92nd Street Y, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the staying power of the original text and the countless adaptations it's inspired, from the 1939 film featuring Laurence Olivier to Andrea Arnold's 2011 version. The most recent attempt comes from the director Emerald Fennell, whose new “Wuthering Heights,” starring Margot Robbie and Jacob Elordi, reads as a romantic fever dream. The movie has been polarizing in part for the way it excises some of the weirder and wilder aspects of its source material. But what's discarded—or emphasized—can also be revealing. “It's an audacious proposition to adapt a great novel … I don't think it needs to be faithful, necessarily,” Fry says. “The adaptation itself becomes a portrait of the time in which it's made.”Read, watch, and listen with the critics:“Wuthering Heights,” by Emily BrontëKate Bush's “Wuthering Heights”Emerald Fennell's “Wuthering Heights” (2026)“Emerald Fennell's ‘Wuthering Heights' Never Plumbs the Depths,” by Justin Chang (The New Yorker)“Barbie” (2023)“Saltburn” (2023)“Promising Young Woman” (2020)“Jane Eyre,” by Charlotte Brontë“The Communist Manifesto,” by Friedrich Engels and Karl Marx (1848)Peter Kosminsky's “Wuthering Heights” (1992)William Wyler's “Wuthering Heights” (1939)Andrea Arnold's “Wuthering Heights” (2011)“All the King's Men,” by Robert Penn Warren“I Love L.A.” (2025–)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

Cody and Jonathan discuss responsibility in the backcountry; the verdict of an Austrian man facing manslaughter charges for leaving his girlfriend on Austria's highest peak; the deadliest avalanche in California history; the Olympics; and what they've been reading & watchingNote: We Want to Hear From You!We'd love for you to share with us the stories or topics you'd like us to cover next month on Reviewing the News; ask your most pressing mountain town advice questions, or offer your hot takes for us to rate. You can email those to us here.RELATED LINKS: BLISTER+ Get Yourself CoveredGet Our 25/26 Winter Buyer's GuideDiscounted Summit Registration for BLISTER+ MembersNon-Member Registration: Blister Summit 2026Get Our Newsletter & Weekly Gear GiveawaysCHECK OUT OUR YOUTUBE CHANNELS:Blister Studios (our new channel)Blister Review (our original channel)TOPICS & TIMES:Snowbird & Blister Summit (2:05)New BLISTER+ Members (3:08)Cody's Recent Trip & Current Conditions (4:46)Austrian Man Found Guilty in Girlfriend's Death (12:46)Castle Peak Avalanche (29:35)Olympics Recap (54:38)The Most Canadian News (55:25)Worst, Best, & Most Surprising Olympic Events (58:13)Hunter Hess / Olympic Athletes & Political Statements (1:12:09)What We're Reading & Watching (1:23:45)- If I Had Legs I'd Kick You- Sum: 40 Tales from the Afterlives, by David Eagleman- Goliath, by Matt StollerCHECK OUT OUR OTHER PODCASTS:Blister CinematicCRAFTEDBikes & Big IdeasGEAR:30 Hosted on Acast. See acast.com/privacy for more information.

We discuss paranormal and parapsychological phenomena as studied by psychiatrist Ian Stevenson. Jesse's website: https://www.jessebering.com _______________________________________ My forthcoming book Suicidal Empathy: Dying to Be Kind is now available for pre-order: https://www.harpercollins.com/products/suicidal-empathy-gad-saad?variant=44726319317026 _______________________________________ If you appreciate my work and would like to support it: https://subscribestar.com/the-saad-truth https://patreon.com/GadSaad https://paypal.me/GadSaad To subscribe to my exclusive content on X, please visit my bio at https://x.com/GadSaad _______________________________________ This clip was posted on February 12, 2026 on my YouTube channel as THE SAAD TRUTH_1992: https://youtu.be/thjTmp-dAWI _______________________________________ Please visit my website gadsaad.com, and sign up for alerts. If you appreciate my content, click on the "Support My Work" button. I count on my fans to support my efforts. You can donate via Patreon, PayPal, and/or SubscribeStar. _______________________________________ Dr. Gad Saad is a professor, evolutionary behavioral scientist, and author who pioneered the use of evolutionary psychology in marketing and consumer behavior. In addition to his scientific work, Dr. Saad is a leading public intellectual who often writes and speaks about idea pathogens that are destroying logic, science, reason, and common sense.  _______________________________________

There is something quietly brutal about making work that only exists for a day. You build it. You rehearse it. You hold your nerve. The room fills. The moment happens - And then everyone goes home. You are left standing in the afterglow asking a question most artists feel ashamed to ask. How does something this ephemeral actually support my life? Not just my reputation. Not just my sense of meaning. My ability to keep making work. Today, Ceri talks about how one-off events, performances, and live moments can generate income and momentum without turning your practice into merch, without exhausting your audience, and without betraying the integrity of the work. This is about designing afterlives. KEY TAKEAWAYS Artists can sell from one-off events without cheapening the work, overpromoting, or burning out. They can design afterlives for ephemeral work, where income, integrity, and longevity can sit side by side. Think about the entire life cycle of a one-off event and where sales can happen quietly, intelligently and with integrity before and during the event. -  You're not selling the event; you're selling what the event activates. You only need a small, aligned audience, 10–30 people who genuinely understand and care about your work, combined with simple release windows after an event, to sustain an ephemeral practice. BEST MOMENTS “You don't want to flatten something complex into a product, but you also can't afford for every major piece of work to disappear without trace.” “Many artists miss a trick because they think selling only happens after the applause. It doesn't. Before the event, the work is already alive in other forms.” “If an event cannot produce anything that can be held, shared or lived with afterwards, institutions can't sustain it, and collectors can't support it.” EPISODE RESOURCES Ep 166 - https://podcasts.apple.com/gb/podcast/the-why-and-what-of-hosting-your-own-artist/id1709105337?i=1000741761586 Ep 167 - https://podcasts.apple.com/gb/podcast/planning-the-how-turning-intention-into-a/id1709105337?i=1000742246860 Ep 168 - https://podcasts.apple.com/gb/podcast/what-happens-after-turning-one-evening-into-long-term/id1709105337?i=1000742648123 PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Employers regularly check the background of potential workers for criminal records, even though claims that such checks predict their diligence or trustworthiness are dubious. Anthropologist Melissa Burch reflects on how criminal background checks became commonplace — and what vested interests maintain their ubiquity. Afterlives of Conviction Project Melissa Burch, The Criminal Record Complex: Risk, Race, and the Struggle for Work in America Princeton University Press, 2026 The post The Long Shadow of Criminal Records appeared first on KPFA.

In this episode, host Stephanie Rice shares information about the origins of Ancient Egyptian kingship during the Predynastic period.Discover the real archaeological evidence of two different rulers known as King Scorpion that inspired the Scorpion King from The Mummy franchise. But unlike the cinematic portrayal, the real kings didn't amass and sustain their power through military conquest.Explore the Tomb of Scorpion I at Abydos which was filled with imported wine, lapis lazuli, and the first evidence of writing in Egypt. Learn about the ceremonial Scorpion Macehead that depicts Scorpion II planting crops.Together, their stories reveal that Egypt's first kings built their power through prosperity, order, and the sacred duty to sustain life not through warfare.TranscriptsFor transcripts of this episode head over to: https://archpodnet.com/tpm/30Works CitedBard, Kathryn A. "Political Economies of Predynastic Egypt and the Formation of the Early State." Journal of Archaeological Research, Vol. 25, No. 1, March 2017.Dodson, Aidan. "The First Dynasty." In The First Pharaohs: Their Lives and Afterlives. American University in Cairo Press, 2021.Hendrickx, Stan and Renée Friedman. "Gebel Tjauti Rock Inscription 1 and the Relationship between Abydos and Hierakonpolis during the early Naqada III Period." Göttinger Miszellen (GM) 196, 2003.Leeman, Diane. Abydos Tomb U-j of Predynastic Egypt. Compiled 2007, Revised 2018.Stevenson, Alice. "The Egyptian Predynastic and State Formation." Journal of Archaeological Research, Vol. 24, 2016.Teeter, Emily, ed. Before the Pyramids: The Origins of Egyptian Civilization. Oriental Institute Museum Publications 33, 2011.Wilkinson, Toby A. H. "What a King Is This: Narmer and the Concept of the Ruler." The Journal of Egyptian Archaeology, Vol. 86, 2000.LinksSee photos related to episode topics on InstagramLoving the macabre lore? Treat your host to a coffee!Website | The Scorpion Macehead at the Ashmolean MuseumWebsite | Information about the Narmer Palette from the Egyptian Ministry of Tourism and AntiquitiesArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN ShopAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, I talk to Dr. Gabriella Soto, a contemporary archaeologist who builds from archaeology's attention to the material world to make sense of contemporary social issues, also drawing from ethnographic methods, GIS technology, and archival research. Her first book titled Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting, is scheduled for publication for March 2026 with the University of Arizona Press.

As influenza cases reach a twenty-five year high, a look at the complicated history of long lasting post-viral conditions. Medical anthropologist Emily Mendenhall considers how the medical establishment has frequently ignored chronic but often invisible illnesses like long Covid and long flu, Chronic Fatigue Syndrome and Lyme disease. Emily Mendenhall, Invisible Illness: A History, from Hysteria to Long COVID UC Press, 2025 Photo by Helenn Melo on Unsplash The post The Afterlives of Viral Infection appeared first on KPFA.

“If I had been enslaved for a year or two, I might not be able to believe in humanity any more.” “I am a victim of modern slavery.” These chilling words come from a Taiwanese female lured by a fake job offer, only to be sold into a scam compound in Cambodia. She is not alone. She is one of thousands deceived into this industry—people who left home hoping for a better life, only to find themselves trapped in a living nightmare. Scam: Inside Southeast Asia's Cybercrime Compounds (Verso Books, 2025) arrives at a critical moment, shedding light on one of the world's fastest-growing criminal economies: Southeast Asia's online scam industry. Running the gamut from the notorious “pig butchering” romance scams to elaborate online extortion and investment frauds, this system has transformed parts of the region into global hubs of cybercrime. Meticulously researched and grounded in years of fieldwork, Scam offers an unflinching look into the prison-like compounds that have mushroomed across multiple countries. Within these walled complexes, victims are often coerced into becoming perpetrators—trapped in what the authors describe as “compound capitalism,” a chilling hybrid of enslavement and exploitation. Scam traces how small-scale online gambling rings evolved into an international “scamdemic,” accelerated by the disruptions of COVID-19. It examines the “victim–offender trap”, a moral and psychological paradox that makes empathy difficult for outsiders. The result is a deeply human investigation into how modern slavery adapts to digital capitalism. The authors uncover the operations of scam compounds across Southeast Asia. In my interview with Ling and Ivan, what stood out was not only their depth of knowledge but their compassion. They used their skills to build trust with victims, gather evidence, and, in some cases, help orchestrate rescues. Their work is both rigorous and profoundly humane, illuminating a crisis that grows more complex each day. Though many of those involved—both perpetrators and victims—are ethnically Chinese, the networks now span continents. The scam compounds are a global phenomenon, built on economic desperation, weak governance, and digital interconnectivity. Scam is more than an exposé. It is a call to action and a vital first step toward understanding a new form of global exploitation—where modern technology and ancient cruelty combine to create a system that enslaves the vulnerable and profits from despair. Ling Li is pursuing a PhD at Ca' Foscari University of Venice with a focus on the role of technology in enabling modern slavery and human trafficking in East and Southeast Asia. In the past few years, she has been providing support to survivors of scam compounds in Southeast Asia, interacting with local and international civil society organisations to bring them relief and help with repatriation. Ivan Franceschini is a lecturer at the Asia Institute, University of Melbourne. His current research focuses on ethnic Chinese transnational crime, especially in the field of online fraud. He co-founded the Made in China Journal and The People's Map of Global China/ Global China Pulse. His books include Proletarian China (2022), Global China as Method (2022), and Afterlives of Chinese Communism (2019). He also co-directed the documentaries Dreamwork China (2011) and Boramey (2021). Mark Bo is a researcher who has been based in East and Southeast Asia for 2 decades. He has worked globally with local civil society partners to monitor and advocate for improved environmental and social practices in development projects and utilises his background in corporate and financial mapping to investigate stakeholders involved in Asia's online gambling, fraud, and money laundering industries. Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“If I had been enslaved for a year or two, I might not be able to believe in humanity any more.” “I am a victim of modern slavery.” These chilling words come from a Taiwanese female lured by a fake job offer, only to be sold into a scam compound in Cambodia. She is not alone. She is one of thousands deceived into this industry—people who left home hoping for a better life, only to find themselves trapped in a living nightmare. Scam: Inside Southeast Asia's Cybercrime Compounds (Verso Books, 2025) arrives at a critical moment, shedding light on one of the world's fastest-growing criminal economies: Southeast Asia's online scam industry. Running the gamut from the notorious “pig butchering” romance scams to elaborate online extortion and investment frauds, this system has transformed parts of the region into global hubs of cybercrime. Meticulously researched and grounded in years of fieldwork, Scam offers an unflinching look into the prison-like compounds that have mushroomed across multiple countries. Within these walled complexes, victims are often coerced into becoming perpetrators—trapped in what the authors describe as “compound capitalism,” a chilling hybrid of enslavement and exploitation. Scam traces how small-scale online gambling rings evolved into an international “scamdemic,” accelerated by the disruptions of COVID-19. It examines the “victim–offender trap”, a moral and psychological paradox that makes empathy difficult for outsiders. The result is a deeply human investigation into how modern slavery adapts to digital capitalism. The authors uncover the operations of scam compounds across Southeast Asia. In my interview with Ling and Ivan, what stood out was not only their depth of knowledge but their compassion. They used their skills to build trust with victims, gather evidence, and, in some cases, help orchestrate rescues. Their work is both rigorous and profoundly humane, illuminating a crisis that grows more complex each day. Though many of those involved—both perpetrators and victims—are ethnically Chinese, the networks now span continents. The scam compounds are a global phenomenon, built on economic desperation, weak governance, and digital interconnectivity. Scam is more than an exposé. It is a call to action and a vital first step toward understanding a new form of global exploitation—where modern technology and ancient cruelty combine to create a system that enslaves the vulnerable and profits from despair. Ling Li is pursuing a PhD at Ca' Foscari University of Venice with a focus on the role of technology in enabling modern slavery and human trafficking in East and Southeast Asia. In the past few years, she has been providing support to survivors of scam compounds in Southeast Asia, interacting with local and international civil society organisations to bring them relief and help with repatriation. Ivan Franceschini is a lecturer at the Asia Institute, University of Melbourne. His current research focuses on ethnic Chinese transnational crime, especially in the field of online fraud. He co-founded the Made in China Journal and The People's Map of Global China/ Global China Pulse. His books include Proletarian China (2022), Global China as Method (2022), and Afterlives of Chinese Communism (2019). He also co-directed the documentaries Dreamwork China (2011) and Boramey (2021). Mark Bo is a researcher who has been based in East and Southeast Asia for 2 decades. He has worked globally with local civil society partners to monitor and advocate for improved environmental and social practices in development projects and utilises his background in corporate and financial mapping to investigate stakeholders involved in Asia's online gambling, fraud, and money laundering industries. Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Frances Farmer and Britney Spears. Two women, decades apart, who found out exactly what happens when you're famous, female, and having a breakdown in public. Today, from Victorian asylums to Instagram comments, we're talking about how easy it is to brand a woman "hysterical" or "crazy". And what are the consequences? We explore the treatment of women once labelled difficult - from lobotomies, to hysterectomies and conservatorships and ask: have we really moved on from the days when the mentally ill were seen as entertainment? Questions or Comments you'd like us to cover? We love answering your questions and analysing the stories you've found. Send them to us on Instagram: https://www.instagram.com/s2tcpodcast Enjoyed the show? Leave us a 5-star review on Spotify and a review on Apple Podcasts - it really helps others discover the podcast. -------------- Clips used in this episode: Lobotomy scene from film - Frances (1982)  Much Interview with Kurt Cobain (1993) Britney Spears - Oops I did it again   References: Kenneth Anger - Hotel Babylon (1972) William Arnold - Shadowland (1982) You Must Remember This Podcast:  Episode 4 - (The printing of) the Legend of Frances Farmer.  Episode 5 - The Lives, Deaths and Afterlives of Judy Garland. Janet Frame - An Angel at my Table (1984) The New York Times Presents: Framing Britney Spears (2021) New Yorker article: Britney Spears Conservatorship Nightmare by Ronan Farrow & Jia Tolentino Crime Analyst Podcast: Episode 29 - Who Framed Britney Spears? With Dr Jessica Taylor. Dr Jessica Taylor - Sexy But Psycho: Uncovering the Psychiatric Labelling of Women and Girls Kevin Federline - You Thought You Knew (2025) Britney Spears - The Woman in Me (2023) Selena Gomez: My Mind and Me documentary (2022) Dr Jessica Taylor Talks About Stuff Podcast: Ep 2 - Medical and Social Model of Mental Health Part 2  

In this episode, Dr. Jarvis McInnis, author of Afterlives of the Plantation, joins PJ to explore the deep cultural, intellectual, and historical legacy of Black life in the American South. Focusing on the Tuskegee Institute and the complex legacy of Booker T. Washington, McInnis reveals how Black communities transformed the plantation's afterlives into spaces of creativity, education, and empowerment.In this episode, Dr. Jarvis McInnis, author of Afterlives of the Plantation, joins PJ to explore the deep cultural, intellectual, and historical legacy of Black life in the American South. Focusing on the Tuskegee Institute and the complex legacy of Booker T. Washington, McInnis reveals how Black communities transformed the plantation's afterlives into spaces of creativity, education, and empowerment.Make sure to check out Dr. McInnis' book: Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South

In light of Miss Major's passing on October 13th, we're honoring the story of a true legend and sharing never heard before excerpts of her interview for Afterlives. May she rest in power and may we never lose sight of her legacy. See omnystudio.com/listener for privacy information.

In this episode, we hear from Henry, an English major whose thesis journey took a few unexpected turns: from exploring Pacific Northwest regionalism to diving deep into the world of literary naturalism. Henry unpacks how authors Jack London and Frank Norris challenged historian Frederick Jackson Turner's “frontier myth,” reimagining the American frontier not as a vanished landscape but as an evolving cultural, economic, and imaginative force. Tune in to hear about survival narratives, Social Darwinist ideas, and what happens when you have to scrap half your thesis to start again (spoiler: it's not fun, but it's worth it). Henry reflects on the highs and frustrations of the Reed thesis process, the art of negotiating with an advisor, and the unexpected joy of discovering how to make seemingly unrelated ideas work together. Reed community members can read Henry's thesis, “Naturalist Afterlives of the Frontier Myth” online in the Electronic Thesis Archive: https://rdc.reed.edu/i/917eb624-f94d-453a-9638-4975c6123d5f Explore more interviews with Reed College alumni on our website: reed.edu/burnyourdraft

In Visible Presence: Soviet Afterlives in Family Photos (MIT Press, 2023) is an absorbing exploration of Soviet-era family photographs that demonstrates the singular power of the photographic image to command attention, resist closure, and complicate the meaning of the past. A faded image of a family gathered at a festively served dinner table, raising their glasses in unison. A group of small children, sitting in orderly rows, with stuffed toys at their feet and a portrait of Lenin looming over their heads. A pensive older woman against a snowy landscape, her gaze directed lovingly at a tombstone. These are a few of the evocative images in In Visible Presence by Dr. Oksana Sarkisova and Dr. Olga Shevchenko, an exquisitely researched book that brings together photographs from Soviet-era family photo archives and investigates their afterlives in Russia.In Visible Presence explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies, In Visible Presence offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.With more than 250 black and white photos, In Visible Presence is an astonishing journey into domestic photography, family memory, and the ongoing debate over the meaning of the Soviet past that is as timely and powerful today as it has ever been. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tune in to a magical night spent at The Stonewall Inn celebrating Marsha's 80th Birthday! The Afterlives live show kicked off with an unforgettable performance by Hot Peach Michael Michelle Lynch, followed by the brilliant insights of Marsha's biographer Tourmaline, and closed out with words from Marsha's friends and family, plus a group rendition of Happy Birthday!See omnystudio.com/listener for privacy information.

Amir Moosavi discusses the profound impact of the Iran-Iraq War – the longest two-state war of the 20th century – on the literature of both nations. Through his book "Dust That Never Settles: Literary Afterlives of the Iran-Iraq War," he explores in this conversation the official state-sanctioned narratives that emerged during and after the war, comparing them with the more nuanced, critical, and often experimental literary responses from writers in Iraq and Iran, including those in the diaspora. The conversation also highlights how these diverse literary works grapple with the war's legacy, from its human and environmental costs to its enduring presence in collective memory. 0:00 The Enduring Legacy of the Iran-Iraq War1:03 Introducing Amir Moosavi's Book3:39 A Historical Primer on the Iran-Iraq War7:16 Shifting Narratives: Qadisiyyat Saddam and Operation Karbala11:49 Bridging Arabic and Persian Literary Worlds15:51 Understanding State Literature and Propaganda20:11 Examples of State Literature and Narrative Shifts29:36 Post-War Writers: Challenging Official Narratives35:26 Warfront Depictions and the Quest for Truth38:31 Artistic Communities and Collective Memory40:41 The Meaning Behind "Dust That Never Settles"43:18 Ecological Damage in War Literature48:22 Misconceptions and Nuances in War Literature50:39 Diaspora Authors and Freedom of Expression Amir Moosavi is an assistant Professor in the Department of English at Rutgers University- Newark. He started teaching at Rutgers-Newark in the fall of 2018, following a year-long EUME postdoc funded by the Volkswagenstiftung and Mellon Foundation in Berlin (2016-17) and a visiting assistant professorship in modern Iranian studies at Brown University (2017-18). His research and teaching interests cover modern Arabic and Persian literatures and the cultural history of the Middle East, with an emphasis on Iran, Iraq, and the Levant. At RU-N, he teaches courses on Arabic and Persian fiction and film, world literature, translation studies, and war culture. He is particularly interested in how cultural production deals with violent pasts, wars, notions of transitional justice, representations of urban space, and the climate crisis. He has written a book manuscript titled "Dust That Never Settles: Literary Afterlives of the Iran-Iraq War."Connect with Amir Moosavi

We need YOUR vote to win a Signal Award. We’re SO excited to announce that Afterlives: Marsha P. Johnson is a finalist for Best LGBTQ+ Limited Series! It means so much to our whole team and this is an incredible opportunity to share Marsha's story with all new listeners. If you enjoyed listening, please VOTE HERE: https://vote.signalaward.com/PublicVoting#/2025/limited-series-specials/genre/lgbtqSee omnystudio.com/listener for privacy information.

The compulsory service for young men in the Yugoslav People's Army (JNA) created bonds across ethnic, religious, and social lines. These bonds persisted even after the horrific violence of the 1990s, in which many of these men found themselves on opposite sides of the front lines. In Utopia of the Uniform: Affective Afterlives of the Yugoslav People's Army (Duke UP, 2024), Tanja Petrović draws on memories and material effects of dozens of JNA conscripts to show how their experience of military service points to futures, forms of collectivity, and relations between the state and the individual different from those that prevailed in the post-Yugoslav reality. Petrović argues that the power of repetitive, ritualized, and performative practices that constituted military service in the JNA provided a framework for drastically different men to live together and befriend each other. While Petrović and her interlocutors do not idealize the JNA, they acknowledge its capacity to create interpersonal relationships and affective bonds that brought the key political ideas of collectivity, solidarity, egalitarianism, education, and comradeship into being. Dragana Prvulović is a PhD candidate in Sociology at the University of Ottawa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Jacke talks to eminent Twain scholar Shelley Fisher Fishkin (Was Huck Black?: Mark Twain and African-American Voices) about her new book Jim: The Life and Afterlives of Huckleberry Finn's Comrade, which sheds new light on the origins and influence of Mark Twain's beloved yet polarizing figure. PLUS Jacke takes a look at the recent spate of Mark Twain news, from the publication of Percival Everett's prizewinning novel James, to John Jeremiah Sullivan's review of Ron Chernow's biography Mark Twain, to Conan O'Brien's acceptance of the Mark Twain Prize for American Humor. Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning activist, writer and podcaster Raquel Willis joins us once again to talk about trans rights, radical defiance and tackling the history and complexity of Marsha P. Johnson in the second season of the podcast Afterlives.See omnystudio.com/listener for privacy information.

One of two self indulgent episodes to usher out the first phase of the English revolution, this episode is about the fates of some of those people in whose companies we have lived for some time, and what happened to them after the Restoration. This includes, of course, the Regicides, and we'll see some of those strung up while we are at it. Hosted on Acast. See acast.com/privacy for more information.