Podcasts about Yugoslav

fWotD Episode 3071: Yugoslav torpedo boat T4 Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Wednesday, 1 October 2025, is Yugoslav torpedo boat T4.T4 was a seagoing torpedo boat operated by the Royal Yugoslav Navy between 1921 and 1932. Originally 79 T, a 250t-class torpedo boat of the Austro-Hungarian Navy built in 1914, she was armed with two 66 mm (2.6 in) guns and four 450 mm (17.7 in) torpedo tubes, and could carry 10–12 naval mines. She saw active service during World War I, performing convoy, patrol, escort and minesweeping tasks, anti-submarine operations and shore bombardment missions. In 1917 the suffixes of all Austro-Hungarian torpedo boats were removed, and thereafter she was referred to as 79. Underway during the short-lived mutiny by Austro-Hungarian sailors in early February 1918, her captain realised the danger and put her crew ashore. She was part of the escort force for the Austro-Hungarian dreadnought Szent István during the action that resulted in the sinking of that ship by Italian torpedo boats in June 1918.Following Austria-Hungary's defeat in 1918, 79 was allocated to the Navy of the Kingdom of Serbs, Croats and Slovenes, which later became the Royal Yugoslav Navy, and was renamed T4. At the time, she and the seven other 250t-class boats were the only modern sea-going vessels of the fledgling maritime force. During the interwar period, T4 and the rest of the navy were involved in training exercises and cruises to friendly ports, but activity was limited by reduced naval budgets. In 1932, she ran aground on the island of Drvenik Mali off the central Dalmatian coast and the hull broke in half. The bow remained on the island, and the stern was towed to the Tivat Arsenal in the Bay of Kotor. As a result, it became a standing joke among Yugoslav sailors that this made T4 the "world's longest torpedo boat". Eventually both sections were scrapped where they were.This recording reflects the Wikipedia text as of 00:30 UTC on Wednesday, 1 October 2025.For the full current version of the article, see Yugoslav torpedo boat T4 on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ivy.

From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices

The compulsory service for young men in the Yugoslav People's Army (JNA) created bonds across ethnic, religious, and social lines. These bonds persisted even after the horrific violence of the 1990s, in which many of these men found themselves on opposite sides of the front lines. In Utopia of the Uniform: Affective Afterlives of the Yugoslav People's Army (Duke UP, 2024), Tanja Petrović draws on memories and material effects of dozens of JNA conscripts to show how their experience of military service points to futures, forms of collectivity, and relations between the state and the individual different from those that prevailed in the post-Yugoslav reality. Petrović argues that the power of repetitive, ritualized, and performative practices that constituted military service in the JNA provided a framework for drastically different men to live together and befriend each other. While Petrović and her interlocutors do not idealize the JNA, they acknowledge its capacity to create interpersonal relationships and affective bonds that brought the key political ideas of collectivity, solidarity, egalitarianism, education, and comradeship into being. Dragana Prvulović is a PhD candidate in Sociology at the University of Ottawa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The compulsory service for young men in the Yugoslav People's Army (JNA) created bonds across ethnic, religious, and social lines. These bonds persisted even after the horrific violence of the 1990s, in which many of these men found themselves on opposite sides of the front lines. In Utopia of the Uniform: Affective Afterlives of the Yugoslav People's Army (Duke UP, 2024), Tanja Petrović draws on memories and material effects of dozens of JNA conscripts to show how their experience of military service points to futures, forms of collectivity, and relations between the state and the individual different from those that prevailed in the post-Yugoslav reality. Petrović argues that the power of repetitive, ritualized, and performative practices that constituted military service in the JNA provided a framework for drastically different men to live together and befriend each other. While Petrović and her interlocutors do not idealize the JNA, they acknowledge its capacity to create interpersonal relationships and affective bonds that brought the key political ideas of collectivity, solidarity, egalitarianism, education, and comradeship into being. Dragana Prvulović is a PhD candidate in Sociology at the University of Ottawa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The compulsory service for young men in the Yugoslav People's Army (JNA) created bonds across ethnic, religious, and social lines. These bonds persisted even after the horrific violence of the 1990s, in which many of these men found themselves on opposite sides of the front lines. In Utopia of the Uniform: Affective Afterlives of the Yugoslav People's Army (Duke UP, 2024), Tanja Petrović draws on memories and material effects of dozens of JNA conscripts to show how their experience of military service points to futures, forms of collectivity, and relations between the state and the individual different from those that prevailed in the post-Yugoslav reality. Petrović argues that the power of repetitive, ritualized, and performative practices that constituted military service in the JNA provided a framework for drastically different men to live together and befriend each other. While Petrović and her interlocutors do not idealize the JNA, they acknowledge its capacity to create interpersonal relationships and affective bonds that brought the key political ideas of collectivity, solidarity, egalitarianism, education, and comradeship into being. Dragana Prvulović is a PhD candidate in Sociology at the University of Ottawa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The compulsory service for young men in the Yugoslav People's Army (JNA) created bonds across ethnic, religious, and social lines. These bonds persisted even after the horrific violence of the 1990s, in which many of these men found themselves on opposite sides of the front lines. In Utopia of the Uniform: Affective Afterlives of the Yugoslav People's Army (Duke UP, 2024), Tanja Petrović draws on memories and material effects of dozens of JNA conscripts to show how their experience of military service points to futures, forms of collectivity, and relations between the state and the individual different from those that prevailed in the post-Yugoslav reality. Petrović argues that the power of repetitive, ritualized, and performative practices that constituted military service in the JNA provided a framework for drastically different men to live together and befriend each other. While Petrović and her interlocutors do not idealize the JNA, they acknowledge its capacity to create interpersonal relationships and affective bonds that brought the key political ideas of collectivity, solidarity, egalitarianism, education, and comradeship into being. Dragana Prvulović is a PhD candidate in Sociology at the University of Ottawa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The compulsory service for young men in the Yugoslav People's Army (JNA) created bonds across ethnic, religious, and social lines. These bonds persisted even after the horrific violence of the 1990s, in which many of these men found themselves on opposite sides of the front lines. In Utopia of the Uniform: Affective Afterlives of the Yugoslav People's Army (Duke UP, 2024), Tanja Petrović draws on memories and material effects of dozens of JNA conscripts to show how their experience of military service points to futures, forms of collectivity, and relations between the state and the individual different from those that prevailed in the post-Yugoslav reality. Petrović argues that the power of repetitive, ritualized, and performative practices that constituted military service in the JNA provided a framework for drastically different men to live together and befriend each other. While Petrović and her interlocutors do not idealize the JNA, they acknowledge its capacity to create interpersonal relationships and affective bonds that brought the key political ideas of collectivity, solidarity, egalitarianism, education, and comradeship into being. Dragana Prvulović is a PhD candidate in Sociology at the University of Ottawa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Tihomir Kukolja and Pat Kahnke discuss a Christian response to political violence in light of the Charlie Kirk shooting. We explore patterns of political violence, Christian nationalism, and the spiritual responsibility of truth-telling in these divisive times. Drawing from Tihomir's experience during the Yugoslav wars in the Balkans - and the parallels he sees today in the U.S. - we unpack how rhetoric can spiral out of control, and what it might look like for Christians to respond with love, justice, and courage.

What does it mean to identify with your Swiss nationality and ex-Yugoslav heritage? Listen to Sadijan share his stories of growing up in East Switzerland and how his exposure to different settings has and continues to shape his identity and how he engages with the world.

In 1972, a plane exploded mid-air over Czechoslovakia, breaking apart at 33,000 feet. All 27 people on board were killed - except one. That one was Vesna Vulović, a 22-year-old Yugoslav flight attendant, who somehow survived the fall without a parachute.Her body was discovered among the wreckage, critically injured but alive. How did she survive when no one else did? Was it pure luck, a quirk of physics, or something more? And what became of her afterwards? This episode uncovers the astonishing survival of Vesna Vulović, the Guinness World Record holder for the highest fall without a parachute, and a woman whose life after the accident was as extraordinary as the event itself.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.Don't miss an episode - follow, comment, like, and share!Connect with me on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). 

A memoir through the Yugoslav and post-Yugoslav media.With Lara Ranković (Mediji i ja).* * * On Remembering Yugoslavia PLUS: an ad-free episode; exclusive for Yugoblok members. * * * Remembering Yugoslavia is a Yugoblok podcast exploring the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak.Show notes and transcript: Yugoblok.com/Media-Me/Instagram: @rememberingyugoslavia & @yugo.blokJOIN YUGOBLOKSupport the show

A bonus episode with Con Murphy reading a piece on Kosovan football during the Yugoslav war, James Moor talking about his book 'Grobar', in which he spent the 2011/12 season following FK Partizan home and away, including Rovers' famous night in Belgrade, and a re-airing of our Mick Kearin interview from 2021, after Jim Conroy pays tribute to 'Tiger', his favourite player growing up.

Trump is building luxury apartments on the site of a NATO bombing in Belgrade that many had seen as a memorial to the Yugoslav war. Beyond the obvious corruption, is there a deeper symbolism? Substack author Jason Egenberg joins Thom for a deep dive.Plus- Thom reads from Micheal Cohen's book 'Revenge', and from 'Big Dirty Money' by Jennifer Taub.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to It Was What It Was, the football history podcast. Jonathan Wilson and Rob Draper bring part two into the fascinating and tragic story of Red Star Belgrade's triumphant 1991 European Cup campaign. They discuss Red Star's status as underdogs against Bayern Munich in the semifinal, their intricate path to victory amidst the backdrop of Yugoslavia's impending civil war, and the dramatic events of the legendary matches. This episode highlights not just the team's achievements on the field, but also the historical, cultural, and political context that made their victory the last moment of unity for Yugoslav football before the nation's fragmentation. Additionally, the episode covers the aftermath of the war on Red Star and the once-great football culture of the region.00:00 Introduction03:18 Quarter-Final Against Dynamo Dresden04:43 Political Tensions and the Road to the Semi-Final08:36 The Complexities of Yugoslavia's Ethnic Divisions12:36 The Semi-Final Against Bayern Munich21:13 The Dramatic Second Leg against Bayern Munich35:43 The Aftermath and Celebrations36:16 Final against Marseille 44:13 Post-Match Reflections and Legacy49:43 Impact of War on Red Star Belgrade53:48 Croatian Football's Success56:59 Conclusion Hosted on Acast. See acast.com/privacy for more information.

A documentary filmmaker's search for a post-Yugoslav identity at home and abroad. With Marija Ratković Vidaković (IKEA for YU).* * * On Remembering Yugoslavia PLUS: an ad-free episode; exclusive for Yugoblok members. * * * Remembering Yugoslavia is a Yugoblok podcast exploring the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak.Show notes and transcript: Yugoblok.com/IKEA-for-YU/Instagram: @rememberingyugoslavia & @yugo.blokJOIN YUGOBLOKSupport the show

On July 11, 1995, Srebrenica – a small Yugoslav spa town, now located in Bosnia and Herzegovina – became the site of Europe's last genocide of the 20th century. Thirty years later, the town, whose population is now 60 percent Bosniaks and 40 percent Serbs, has not regained its former glory and remains haunted by the memory of one of the worst crimes of the Yugoslav wars. FRANCE 24's Laurent Rouy, Edward Godsell and Nikola Vrzic report.

Phil Hammond is an Emeritus Professor of Media and Communications in the School of Arts and Creative Industries at London South Bank University, who spent his career examining propaganda, especially in the UK. He edited a tome with Ed Herman (of the Chomsky-Herman propaganda model fame) on the reporting about the war in Kosovi and Metohija: Degraded Capability: The Media and the Kosovo Crisis , which included contributions by Harold Pinter, John Pilger and many other media critics. We spoke about what it was like being a media analyst in a highly moralistic reporting environment, and how propaganda changed in the past 25 years, including the reporting on Israel and Iran. Notes https://researchportal.lsbu.ac.uk/en/persons/philip-hammond https://lat.rt.rs/srbija-i-balkan/82945-relativizacija-ljiljana-smajlovic-filip-hamond/ https://www.dailymotion.com/video/x61dvzb

Dimitri unpacks one of the most consequential and murky events in the history of the Cold War: the 1948 split between Tito's Yugoslavia and Stalin's USSR. Topics include: Tito “giddy with success”, tactical disagreements over Yugoslav activites in Albania and the Greek Civil War, the proposed “Balkan Federation” with Bulgaria, the establishment of the Cominform, the blowup in early 1948 over Yugoslav army deployments to Albania, escalating ideological charges from the Soviet Central Committee, Tito's fateful refusal to accept Stalin's criticism, the death of General Arso Jovanović on the Yugoslav-Romanian border, escalating charges of treason, spying, and murder from other eastern bloc countries, and an extended oral history of the Goli Otok concentration camp as told by one of its survivors, the pro-Soviet “ibeovci” Yugoslav Communist Vlado Dapčević. For access to new episodes of DEMON FORCES and the full Subliminal Jihad catalog, subscribe to the Demon Forces Tier at patreon.com/subliminaljihad.

The post-Cold War / post-Yugoslav history of the Nonaligned Movement. Vestiges and legacy of nonalignment in Yugoslavia and elsewhere. The future of nonalignment and of explorations thereof.With Rima Sabina Aouf, Agustín Cosovschi, Natalija Dimić Lompar, Ljiljana Kolešnik, Petra Matić, Goran Musić, Bojana Piškur, Ljubica Spaskovska, and Paul Stubbs. Featuring music by SZ (Creative Commons), Tolga Maktay (courtesy of Kosha Musika), Tetouze, and phrex (Creative Commons).Part 7 of 7.* * * Remembering Yugoslavia PLUS: an extended episode featuring additional commentary, analysis, stories, and music. Exclusive for Yugoblok members. * * * Remembering Yugoslavia is a Yugoblok podcast exploring the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak.Show notes and transcript: Yugoblok.com/Nonaligned-Movement7/Instagram: @rememberingyugoslavia & @yugo.blokJOIN YUGOBLOKSupport the show

I remember sitting in the Mercury at the Adelaide Film Festival and watching Unspoken and getting to see a rare talent emerge on screen in the form of Kat Dominis. Her lead performance left me moved, shaken, and stunned by the depth of emotions she presented on screen. As the credits rolled, I saw she was the co-writer of this award-winning short film, a credit she shares with Mariana Rudan and director Damian Walshe-Howling. Unspoken is a story about family, it's a story about division, and it's a story built on intergenerational trauma.Kat plays Marina, a Croatian born young woman living with her family in 1979. She's in a secret relationship with a white Aussie man, with the two keeping the relationship hidden from her parents. Marina's brothers also live under the same house, with the two brothers falling into the political unrest that unfurls on the streets of Sydney in the form of protests and demonstrations. Acting as a thematic layer to Unspoken is the true story of the Croatian Six; six Croatian-Australian men who were sentenced to 15 years jail in 1981 for a conspiracy to bomb several sites in Sydney.Much of the evidence that was used in the trial of the Croatian Six was fabricated, with the men being set up as part of a sting operation by the Yugoslav foreign intelligence service. The weight of this event sits in the background of Unspoken, with tensions emerging throughout the film between family members, between Croatian-Australians and white Australians, and between girlfriend and boyfriend.Underpinning this tension is that stunning central performance from Kat Dominis who commands the screen with a guiding, lived-in understanding of the weight of her characters lives and the societal and political upheaval they're undergoing. As Marina, Kat presents the conflicted nature of wanting to fit in to a new culture while also trying to navigate the familial heritage of her homelands culture. In this regard, Unspoken becomes a universal story that many migrant families can relate to, especially from the frequently xenophobic landscape of Australian culture and society.These notions, and a lot more, are explored in this expansive interview with Kat Dominis, recorded ahead of Unspoken's screening at the St Kilda Film Festival on 7 June. Unspoken has screened nationally around Australia, and took home the Grand Prix at the Clermont-Ferrand Short Film Festival earlier this year, a rare achievement for an Australian film. Less prestigious, but notable still, is that Unspoken featured in my personal Best Australian Films of 2024 list. It marks the grand arrival of actor-turned-director Damian Walshe-Howling, of producer and co-writer Mariana Rudan, and of course, Kat Dominis as actor, co-writer, and producer. It's a stunning filmic achievement.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends. Hosted on Acast. See acast.com/privacy for more information.

I remember sitting in the Mercury at the Adelaide Film Festival and watching Unspoken and getting to see a rare talent emerge on screen in the form of Kat Dominis. Her lead performance left me moved, shaken, and stunned by the depth of emotions she presented on screen. As the credits rolled, I saw she was the co-writer of this award-winning short film, a credit she shares with Mariana Rudan and director Damian Walshe-Howling. Unspoken is a story about family, it's a story about division, and it's a story built on intergenerational trauma.Kat plays Marina, a Croatian born young woman living with her family in 1979. She's in a secret relationship with a white Aussie man, with the two keeping the relationship hidden from her parents. Marina's brothers also live under the same house, with the two brothers falling into the political unrest that unfurls on the streets of Sydney in the form of protests and demonstrations. Acting as a thematic layer to Unspoken is the true story of the Croatian Six; six Croatian-Australian men who were sentenced to 15 years jail in 1981 for a conspiracy to bomb several sites in Sydney.Much of the evidence that was used in the trial of the Croatian Six was fabricated, with the men being set up as part of a sting operation by the Yugoslav foreign intelligence service. The weight of this event sits in the background of Unspoken, with tensions emerging throughout the film between family members, between Croatian-Australians and white Australians, and between girlfriend and boyfriend.Underpinning this tension is that stunning central performance from Kat Dominis who commands the screen with a guiding, lived-in understanding of the weight of her characters lives and the societal and political upheaval they're undergoing. As Marina, Kat presents the conflicted nature of wanting to fit in to a new culture while also trying to navigate the familial heritage of her homelands culture. In this regard, Unspoken becomes a universal story that many migrant families can relate to, especially from the frequently xenophobic landscape of Australian culture and society.These notions, and a lot more, are explored in this expansive interview with Kat Dominis, recorded ahead of Unspoken's screening at the St Kilda Film Festival on 7 June. Unspoken has screened nationally around Australia, and took home the Grand Prix at the Clermont-Ferrand Short Film Festival earlier this year, a rare achievement for an Australian film. Less prestigious, but notable still, is that Unspoken featured in my personal Best Australian Films of 2024 list. It marks the grand arrival of actor-turned-director Damian Walshe-Howling, of producer and co-writer Mariana Rudan, and of course, Kat Dominis as actor, co-writer, and producer. It's a stunning filmic achievement.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends. Hosted on Acast. See acast.com/privacy for more information.

On the former Yugoslavia and the ethnography of anti-nationalists. [For the full episode, subscribe: patreon.com/bungacast] [Reading Club LIVE: Sat 14 June, 9am LA, 12am NY, 5pm London, 6pm Berlin] In the third installment of this block on inter/nationalism in the 21st century, we take a look at the other side of nationalism, through scholar Stefaan Jansen's “Anti-nationalism: Post-Yugoslav Resistance and Narratives of Self and Society”. Who are the Somewheres and Anywheres in post-Yugoslavia? How does Jansen understand the marginalisation of anti-nationalism in Serbia and Croatia? Is understanding nationalism and anti-nationalism as discursive practices a useful lens for understanding post-Yugoslav identities? Why is the act of forgetting or misremembering significant in the context of post-Yugoslav anti-nationalist narratives? How did the contrast between pre-war Yugoslavia and post-war realities shape anti-nationalist identities? Must individuality be anti-nationalist? Reading Club 2024/25 Syllabus: https://drive.google.com/file/d/1TRn6kWzICbqUBo64Jp-c8TS0K4axTy3M/view

In this fascinating episode of Guerrilla History, we bring on Kit Klarenberg of The Grayzone to discuss the NATO campaign against Yugoslavia, its relevance to today, and the delusion of US air power!  We are also lucky to be joined by Nemanja Lukić as a guest host for this episode.  In addition to being a keen analyst (and former guest of Guerrilla History), Nemanja personally lived through the bombing campaign.  This is a terrific discussion with plenty of history, analysis, and connections being drawn between this event of the past and the ongoing genocide in Gaza.  This is an important one, you won't want to miss a minute! Kit Klarenberg is an investigative journalist and the UK Lead at The Grayzone.  He also runs his personal site Global Delinquents and can be found on twitter @KitKlarenberg. Nemanja Lukić is a Yugoslav anti-imperialist activist who runs the Anti-Imperialist Network website. You can also follow Anti-Imp Net on twitter @antiimpnet.  Additionally, you should check out the article that Nemanja mentioned that he coauthored with our friend (and former guest) Alejandro Pedregal here. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory 

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Blerim Skoro is a Kosovo-born former CIA operative whose life took a dramatic turn after deserting the Yugoslav army in the 1990s. Arriving in New York as an asylum seeker, Skoro's journey led him from a drug trafficking conviction to becoming a key informant for the FBI and CIA post-9/11. Posing as a radicalized Islamist, he infiltrated al-Qaeda networks in the Balkans, Middle East, and Pakistan, providing critical intelligence. His covert work ended after a 2010 shooting in Macedonia, when the CIA severed ties, leaving him with minimal compensation. Facing deportation in 2016, Skoro's story, detailed in the documentary The Accidental Spy, highlights the perils of espionage and abandonment by his handlers. Shawn Ryan Show Sponsors: ⁠https://www.tryarmra.com/srs⁠ ⁠https://www.identityguard.com/srs⁠ ⁠https://www.betterhelp.com/srs⁠ This episode is sponsored by Better Help. Give online therapy a try at ⁠betterhelp.com/srs⁠ and get on your way to being your best self. ⁠https://www.blackbuffalo.com⁠ ⁠https://www.boncharge.com/srs⁠ ⁠https://www.meetfabric.com/shawn⁠ ⁠https://www.shawnlikesgold.com⁠ ⁠https://www.helixsleep.com/srs⁠ ⁠https://www.hillsdale.edu/srs⁠ ⁠https://www.patriotmobile.com/srs⁠ ⁠https://www.rocketmoney.com/srs Blerim Skoro Links: Check out the documentary The Accidental Spy coming soon!  https://www.youtube.com/watch?v=C2xOkWvXkIQ (Film trailer) For sales or screening queries, please contact the film's producer, Johnny Howorth johnnyhoworth@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Student scholarships were a huge part of Yugoslavia's nonaligned diplomacy and one of the most tangible and visible ways Yugoslav citizens experienced nonalignment. Between 1955 and 1984, Yugoslavia granted nearly 8,000 scholarships to young people from 90 political parties, liberation movements, and countries of the Global South, with foreign students receiving professional, military, and university training and education in the country for various periods. But the program also had an ugly side: discrimination and racism (PLUS). With Rima Sabina Aouf, Leonora Dugonjic-Rodwin, and Peter Wright, plus Goran Musić, Žiga Smolič, Paul Stubbs, and Damir Vučićević. Featuring music by Gofret (courtesy of Arsivplak) and Yangaman Bob (Dig This Way Records).Part 5 of 7.* * * Remembering Yugoslavia PLUS: an extended episode featuring additional commentary, stories, analysis, archival footage, and music. Exclusive for Yugoblok members. * * * Remembering Yugoslavia is a Yugoblok podcast exploring the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak.Show notes and transcript: Yugoblok.com/Nonaligned-Movement5/Instagram: @rememberingyugoslavia & @yugo.blokJOIN YUGOBLOKSupport the show

On this week's episode of Unclear and Present Danger, Jamelle and John watched The Peacemaker, a 1997 political action thriller directed by Mimi Leder and staring George Clooney and Nicole Kidman.When a train carrying nuclear warheads crashes in rural Russia, nuclear specialist Dr. Julia Kelly is brought in by the U.S. government to investigate. She quickly discovers the incident was no accident, but part of a larger conspiracy to steal the warheads. Assigned to work with her is Lt. Col. Thomas Devoe, a brash U.S. Army intelligence officer who specializes in field operations.Together, Kelly and Devoe uncover a plot involving a rogue Russian general and a vengeful Yugoslav diplomat named Dusan Gavrić. Gavrić plans to detonate a nuclear bomb in New York City as a twisted act of personal vengeance and a misguided attempt at political "peace."As they chase the warheads across Europe, facing betrayals and dangerous obstacles, Kelly's strategic thinking and Devoe's action-driven instincts clash but ultimately complement each other. Their pursuit culminates in a high-stakes showdown in Manhattan, where they must stop Gavrić before he detonates the bomb in a crowded area. Risking everything, they race against the clock to prevent a catastrophic attack and avert a global crisis.The tagline for The Peacemaker was "Every nuclear device in the world has been accounted for...accept for one."You can find The Peacemaker to rent or purchase on Apple TV or Amazon Prime.Our next episode will be on Executive Power, a little-known political thriller directed by David L. Corley. Here is a brief plot synopsis.While protecting the U.S. President, Secret Service agent Nick Sager helps him to dispose of the body of a young girl, who accidentally died during an adulterous encounter. Some time later, a few weeks before the elections, the disillusioned ex-agent is approached by his former partner. The President's former aide, and one of few people who knew about the cover-up, is found dead in mysterious circumstances.You can find Executive Power to rent on Amazon Prime.Our producer is Connor Lynch and our artwork is by Rachel Eck. You can reach out to us over email at unclearandpresentfeedback@fastmail.com

Kate Adie presents stories from Ukraine, Ecuador, the US, Ghana and ItalyDonald Trump's pre-election promise to end the war in Ukraine in 24 hours failed to materialise, and this week the US Secretary of State Marco Rubio said the US was willing to walk away from talks if a Russia-Urkraine ceasefire deal is not agreed soon. James Waterhouse reports from Sumy, where at least 35 people were killed last weekend, and reflects on how Ukraine is now more vulnerable than ever.Ecuador's President Daniel Noboa was returned to power in a decisive election win last weekend. His popularity is built around his 'iron fist' approach to crime - though murder rates remain stubbornly high. Ione Wells heard about the scale of the challenges ahead in the president's war on drugs.The deportation of Kilmar Ábrego García from Maryland to a super max prison in El Salvador has proven a flash-point in America's debate on immigration - and Donald Trump's battle with the judiciary. Nomia Iqbal reflects on the US President's attempts to test the limits of the executive.The Sahel region of Africa has recently been described as the ‘epicentre of global terrorism' according to the Global Terrorism index, and there are fears that increasingly complex smuggling networks are feeding the violence. Ed Butler has been to the border between northern Ghana and Burkina Faso.Eighty years ago the Second World War in Italy was drawing to a close, and as allied forces raced to liberate cities, the port of Trieste was briefly occupied by Yugoslav communists who handed out violent punishment to locals. Tony Grant finds the ghosts of the past still stalk the city.Series producer: Serena Tarling Production coordinators: Sophie Hill & Katie Morrison Editor: Richard Fenton-Smith

In the second episode of this series, we get invited to spend an afternoon at the plush environs of the Prince of Wales country club in Santiago, Chile. Here, some of the country's national rugby players are putting kids through their paces and they themselves prepare for a first ever Rugby World Cup.A snoop around a flea market, then, tips me off about a storied football club, Club Deportivo Palestino. We meet the fans and those running the club, which is a representation of Palestinian identity in Chile.Finally, we meet Eddio Inostroza who was assistant to the enigmatic Mirko Josic, who came from Yugoslavia to lead the Colo-Colo club to their highest ever point as a club.Also, there is the story of Puskas in Chile, the Battle of Macul and the story behind Chile's two World Rugby hall of famers.Before all that, there's part two of the Patagonian hitchhiking journey, as Eoin tries to get himself to the town of Esquel.Follow Eoin…https://www.instagram.com/eoinsheahan/https://x.com/EoinSheahanhttps://www.tiktok.com/@eoinsheahanEmail: eoinsheahan1@gmail.com

THIS WEEK's BIRDS: Bembeya Jazz National (vintage); expoerimental Yugoslav folk-jazz from vocalist Vesna Pisarović;  Gabriel Zucker; Uyghur Musicians from  Xinjiang; new music from  Joe Fonda Quartet w. Wadada Leo Smith et al.; Kovász; Nour Symon; Phelimuncasi (experiemtnal hip-hop from Africa); Wadada Leo Smith salutes Angela Davis; Landaeus - de Heney - Osgood; Ernst Reijseger w. Harmen Fraanje & Mola Sylla; M'ma Sylla (vintage) with Le Rossignol de Guinée, from Guinea ; cha'abi from Amar al Achab; Thelonious Monk; Ngabaka Group as well as Martin Kayo (from Central African Republic); Rai from Chaba Zohra; and, as always, so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/20429139/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Self-management was at the core of the identity of Yugoslav socialism and its best export. It was an outgrowth of nonalignment, the domestic expression of Yugoslavia's aspirations to play a global role and differentiate itself from the two power blocs. Yugoslavia's nonalignment would not have been possible without self-management and Yugoslavia's self-management would not have been possible without nonalignment.With Goran Musić, Ljubica Spaskovska, and Želimir Anić. Featuring music by Five Revolutions, Groupe Amnar awal Libya, and Kemal Monteno.Part 3 of 6.* * * Remembering Yugoslavia PLUS: an extended episode featuring 20+ min. of additional commentary, stories, analysis, archival footage, and music. Exclusive for Yugoblok members. * * * Remembering Yugoslavia is a Yugoblok podcast exploring the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak.Show notes and transcript: Yugoblok.com/Nonaligned-Movement3/Instagram: @rememberingyugoslavia & @yugo.blokJOIN YUGOBLOKSupport the show

Show Notes This week on MSB, we're talking about motorcycles, bikes, biking, riding on motorbikes, traveling by bike, touring, voyages conducted primarily via gasoline-powered two-wheeled vehicles and looooooooove. Plus, part 2 of our miniseries on Yugoslavia and the Yugoslav wars that may or may not have inspired this dang show. Please listen to it! Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comRead transcript

Dimitri and Khalid are joined by researcher Reid for a fascinating and bizarre deep dive into Biosphere 2, the ill-fated eco-utopian experiment/media spectacle that briefly captivated the world in the early 1990s. Topics include: Serious cult erasure in Netflix's 2021 documentary “Spaceship Earth”, Biosphere 2's convergence of theater, science, and the sacred, “the naturalist trance”, the early life of Theater of All Possibilities leader John Allen, working for the Battelle Institute and David Lillianthal's Development and Resources Corporation in Liberia and Iran, running off on a Yugoslav freighter, crossing paths with Boston silk topper Marie Harding in India and South Vietnam, founding a radical theater troupe in SF's Summer of Love, experiments in management science, attack therapy at Synergia Ranch, recruiting Texas oil dynasty failson Ed Bass, the carefully-cloaked Gurdjieffian influence, and more… Part one of two.

Guy de Launey reviews an icon of Yugoslav architecture in a motorway service station just outside Zagreb.See omnystudio.com/listener for privacy information.

In this episode, Dr. Chris Jenkins sits down with Dr. Jelka Crnobrnja-Isailović, a snake biologist from Serbia, to share her extraordinary journey. Jelka recounts her early fascination with amphibians and reptiles, research on newts and lizards, and a strong desire for working with snakes. Against the backdrop of her PhD studies, Jelka faced the upheaval of the Yugoslav Wars, navigating the challenges of pursuing science in a nation fractured into new borders. Despite these hardships, she built an inspiring career as a researcher and professor in Serbia, dedicating her work to the conservation and study of vipers in the Balkans.Connect with Jelka on LinkedIn. Connect with Chris on Facebook, Instagram or at The Orianne Society.Shop Snake Talk merch.

Welcome to Line Noise. My guest this week is Catherine Backhouse aka DJ Bunnyhausen aka Xylitol, aka the winner of the first ever Line Noise album of the year for her absolutely divine Anemones, released by Planet Mu. And a very worthy winner she is too. We talk about “Gutter Kosmische”, prog jungle, Gesamtkunstwerk, Yugoslav pop culture, the Belgrade Bananarama and everything in between. I hope you enjoy the interview. And do give Anemones a spin. Line Noise is with the support of Cupra.

After the Second World War Yugoslavia and its six republics were unified under the communist rule of Josip Broz Tito. But by the early 1990s it all came undone. More than 100,000 people were killed in the Yugoslav wars for independence, many through deliberate campaigns of ethnic cleansing. What happened? Why did Serbs, Bosnian Muslims, and Croats descend into civil war? And what role exactly did UN peacekeepers have to play during an on-going war? Episode four of "Forgotten War" explores the history of the Yugoslav wars for independence along with guest Sandra Perron. She was Canada's first female infantry officer and deployed to both Bosnia and Croatia. Perron explains the difficulty of being a peacekeeper "when there is no peace to keep," the ethnic tensions that exploded throughout the region, and the personal battle she had within a military that wasn't ready to accept women in combat roles. This video was made in partnership with Canada Company. See omnystudio.com/listener for privacy information.

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Never-before-seen footage. A trove of long-forgotten 35mm reels. An archive of the Algerian Independence War. It's all the work of Yugoslav cameraman Stevan Labudović, the cameraman of Yugoslav President Josip Broz Tito. The work was part of a war effort to counter French propaganda, a gesture of solidarity in the fight against colonialism. In this episode: Mila Turajlić, Documentary Filmmaker Episode credits: This episode was produced by Marcos Bartolomé and Veronique Eshaya, with Duha Mosaad, Manahil Naveed, and our host Kevin Hirten, in for Malika Bilal. It was edited by Alexandra Locke. Our sound designer is Alex Roldan. Our lead of audience development and engagement is Aya Elmileik. Munera Al Dosari and Adam Abou-Gad are our engagement producers. Alexandra Locke is The Take's executive producer. Ney Alvarez is Al Jazeera's head of audio. Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Guy De Launey tells us about a largely overlooked piece of Zagreb's urban environment that was once home to an iconic Yugoslav newspaper.See omnystudio.com/listener for privacy information.

He was called "The greatest son of our nations and nationalities", he led the Yugoslav partisans to the liberation in World War 2 and the country in the years after with an iron fist. We discussed how his legacy fares today, and how his political decisions influenced the fall of Yugoslavia, the wars that followed it, and later political developments in successor states. Enjoy!