Podcasts about Yugoslav

The post-Cold War / post-Yugoslav history of the Nonaligned Movement. Vestiges and legacy of nonalignment in Yugoslavia and elsewhere. The future of nonalignment and of explorations thereof.With Rima Sabina Aouf, Agustín Cosovschi, Natalija Dimić Lompar, Ljiljana Kolešnik, Petra Matić, Goran Musić, Bojana Piškur, Ljubica Spaskovska, and Paul Stubbs. Featuring music by SZ (Creative Commons), Tolga Maktay (courtesy of Kosha Musika), Tetouze, and phrex (Creative Commons).Part 7 of 7.* * * Remembering Yugoslavia PLUS: an extended episode featuring additional commentary, analysis, stories, and music. Exclusive for Yugoblok members. * * * Remembering Yugoslavia is a Yugoblok podcast exploring the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak.Show notes and transcript: Yugoblok.com/Nonaligned-Movement7/Instagram: @rememberingyugoslavia & @yugo.blokJOIN YUGOBLOKSupport the show

I remember sitting in the Mercury at the Adelaide Film Festival and watching Unspoken and getting to see a rare talent emerge on screen in the form of Kat Dominis. Her lead performance left me moved, shaken, and stunned by the depth of emotions she presented on screen. As the credits rolled, I saw she was the co-writer of this award-winning short film, a credit she shares with Mariana Rudan and director Damian Walshe-Howling. Unspoken is a story about family, it's a story about division, and it's a story built on intergenerational trauma.Kat plays Marina, a Croatian born young woman living with her family in 1979. She's in a secret relationship with a white Aussie man, with the two keeping the relationship hidden from her parents. Marina's brothers also live under the same house, with the two brothers falling into the political unrest that unfurls on the streets of Sydney in the form of protests and demonstrations. Acting as a thematic layer to Unspoken is the true story of the Croatian Six; six Croatian-Australian men who were sentenced to 15 years jail in 1981 for a conspiracy to bomb several sites in Sydney.Much of the evidence that was used in the trial of the Croatian Six was fabricated, with the men being set up as part of a sting operation by the Yugoslav foreign intelligence service. The weight of this event sits in the background of Unspoken, with tensions emerging throughout the film between family members, between Croatian-Australians and white Australians, and between girlfriend and boyfriend.Underpinning this tension is that stunning central performance from Kat Dominis who commands the screen with a guiding, lived-in understanding of the weight of her characters lives and the societal and political upheaval they're undergoing. As Marina, Kat presents the conflicted nature of wanting to fit in to a new culture while also trying to navigate the familial heritage of her homelands culture. In this regard, Unspoken becomes a universal story that many migrant families can relate to, especially from the frequently xenophobic landscape of Australian culture and society.These notions, and a lot more, are explored in this expansive interview with Kat Dominis, recorded ahead of Unspoken's screening at the St Kilda Film Festival on 7 June. Unspoken has screened nationally around Australia, and took home the Grand Prix at the Clermont-Ferrand Short Film Festival earlier this year, a rare achievement for an Australian film. Less prestigious, but notable still, is that Unspoken featured in my personal Best Australian Films of 2024 list. It marks the grand arrival of actor-turned-director Damian Walshe-Howling, of producer and co-writer Mariana Rudan, and of course, Kat Dominis as actor, co-writer, and producer. It's a stunning filmic achievement.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends. Hosted on Acast. See acast.com/privacy for more information.

I remember sitting in the Mercury at the Adelaide Film Festival and watching Unspoken and getting to see a rare talent emerge on screen in the form of Kat Dominis. Her lead performance left me moved, shaken, and stunned by the depth of emotions she presented on screen. As the credits rolled, I saw she was the co-writer of this award-winning short film, a credit she shares with Mariana Rudan and director Damian Walshe-Howling. Unspoken is a story about family, it's a story about division, and it's a story built on intergenerational trauma.Kat plays Marina, a Croatian born young woman living with her family in 1979. She's in a secret relationship with a white Aussie man, with the two keeping the relationship hidden from her parents. Marina's brothers also live under the same house, with the two brothers falling into the political unrest that unfurls on the streets of Sydney in the form of protests and demonstrations. Acting as a thematic layer to Unspoken is the true story of the Croatian Six; six Croatian-Australian men who were sentenced to 15 years jail in 1981 for a conspiracy to bomb several sites in Sydney.Much of the evidence that was used in the trial of the Croatian Six was fabricated, with the men being set up as part of a sting operation by the Yugoslav foreign intelligence service. The weight of this event sits in the background of Unspoken, with tensions emerging throughout the film between family members, between Croatian-Australians and white Australians, and between girlfriend and boyfriend.Underpinning this tension is that stunning central performance from Kat Dominis who commands the screen with a guiding, lived-in understanding of the weight of her characters lives and the societal and political upheaval they're undergoing. As Marina, Kat presents the conflicted nature of wanting to fit in to a new culture while also trying to navigate the familial heritage of her homelands culture. In this regard, Unspoken becomes a universal story that many migrant families can relate to, especially from the frequently xenophobic landscape of Australian culture and society.These notions, and a lot more, are explored in this expansive interview with Kat Dominis, recorded ahead of Unspoken's screening at the St Kilda Film Festival on 7 June. Unspoken has screened nationally around Australia, and took home the Grand Prix at the Clermont-Ferrand Short Film Festival earlier this year, a rare achievement for an Australian film. Less prestigious, but notable still, is that Unspoken featured in my personal Best Australian Films of 2024 list. It marks the grand arrival of actor-turned-director Damian Walshe-Howling, of producer and co-writer Mariana Rudan, and of course, Kat Dominis as actor, co-writer, and producer. It's a stunning filmic achievement.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends. Hosted on Acast. See acast.com/privacy for more information.

On the former Yugoslavia and the ethnography of anti-nationalists. [For the full episode, subscribe: patreon.com/bungacast] [Reading Club LIVE: Sat 14 June, 9am LA, 12am NY, 5pm London, 6pm Berlin] In the third installment of this block on inter/nationalism in the 21st century, we take a look at the other side of nationalism, through scholar Stefaan Jansen's “Anti-nationalism: Post-Yugoslav Resistance and Narratives of Self and Society”. Who are the Somewheres and Anywheres in post-Yugoslavia? How does Jansen understand the marginalisation of anti-nationalism in Serbia and Croatia? Is understanding nationalism and anti-nationalism as discursive practices a useful lens for understanding post-Yugoslav identities? Why is the act of forgetting or misremembering significant in the context of post-Yugoslav anti-nationalist narratives? How did the contrast between pre-war Yugoslavia and post-war realities shape anti-nationalist identities? Must individuality be anti-nationalist? Reading Club 2024/25 Syllabus: https://drive.google.com/file/d/1TRn6kWzICbqUBo64Jp-c8TS0K4axTy3M/view

In this fascinating episode of Guerrilla History, we bring on Kit Klarenberg of The Grayzone to discuss the NATO campaign against Yugoslavia, its relevance to today, and the delusion of US air power!  We are also lucky to be joined by Nemanja Lukić as a guest host for this episode.  In addition to being a keen analyst (and former guest of Guerrilla History), Nemanja personally lived through the bombing campaign.  This is a terrific discussion with plenty of history, analysis, and connections being drawn between this event of the past and the ongoing genocide in Gaza.  This is an important one, you won't want to miss a minute! Kit Klarenberg is an investigative journalist and the UK Lead at The Grayzone.  He also runs his personal site Global Delinquents and can be found on twitter @KitKlarenberg. Nemanja Lukić is a Yugoslav anti-imperialist activist who runs the Anti-Imperialist Network website. You can also follow Anti-Imp Net on twitter @antiimpnet.  Additionally, you should check out the article that Nemanja mentioned that he coauthored with our friend (and former guest) Alejandro Pedregal here. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory 

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Blerim Skoro is a Kosovo-born former CIA operative whose life took a dramatic turn after deserting the Yugoslav army in the 1990s. Arriving in New York as an asylum seeker, Skoro's journey led him from a drug trafficking conviction to becoming a key informant for the FBI and CIA post-9/11. Posing as a radicalized Islamist, he infiltrated al-Qaeda networks in the Balkans, Middle East, and Pakistan, providing critical intelligence. His covert work ended after a 2010 shooting in Macedonia, when the CIA severed ties, leaving him with minimal compensation. Facing deportation in 2016, Skoro's story, detailed in the documentary The Accidental Spy, highlights the perils of espionage and abandonment by his handlers. Shawn Ryan Show Sponsors: ⁠https://www.tryarmra.com/srs⁠ ⁠https://www.identityguard.com/srs⁠ ⁠https://www.betterhelp.com/srs⁠ This episode is sponsored by Better Help. Give online therapy a try at ⁠betterhelp.com/srs⁠ and get on your way to being your best self. ⁠https://www.blackbuffalo.com⁠ ⁠https://www.boncharge.com/srs⁠ ⁠https://www.meetfabric.com/shawn⁠ ⁠https://www.shawnlikesgold.com⁠ ⁠https://www.helixsleep.com/srs⁠ ⁠https://www.hillsdale.edu/srs⁠ ⁠https://www.patriotmobile.com/srs⁠ ⁠https://www.rocketmoney.com/srs Blerim Skoro Links: Check out the documentary The Accidental Spy coming soon!  https://www.youtube.com/watch?v=C2xOkWvXkIQ (Film trailer) For sales or screening queries, please contact the film's producer, Johnny Howorth johnnyhoworth@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Exactly eighty years ago, in the midst of the liberation's chaos, the NIOD (then the RIOD) was founded with a clear mission: to document Dutch experiences of the Second World War. In this special anniversary episode, Anne van Mourik speaks with Jaap Cohen, Eveline Buchheim, Uğur Üngör, and Arvid de Raaij about eighty years of collecting memories, experiences, and stories. They reflect on NIOD's urgent beginnings, its expansion to collect information about conflicts such as Indonesia's War of Independence and the Yugoslav wars, and the ideas and challenges of documenting more recent atrocities, from Syria's civil war to the Yezidi genocide. Why is collecting testimonies of war and genocide so vital? Why does it still matter just as much today? And how to collect digital sources about war and violence, such as the X-posts on the Ajax-Maccabi riots in Amsterdam in 2024? Image: Loe de Jong, 1950 (NIOD archive) 

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Student scholarships were a huge part of Yugoslavia's nonaligned diplomacy and one of the most tangible and visible ways Yugoslav citizens experienced nonalignment. Between 1955 and 1984, Yugoslavia granted nearly 8,000 scholarships to young people from 90 political parties, liberation movements, and countries of the Global South, with foreign students receiving professional, military, and university training and education in the country for various periods. But the program also had an ugly side: discrimination and racism (PLUS). With Rima Sabina Aouf, Leonora Dugonjic-Rodwin, and Peter Wright, plus Goran Musić, Žiga Smolič, Paul Stubbs, and Damir Vučićević. Featuring music by Gofret (courtesy of Arsivplak) and Yangaman Bob (Dig This Way Records).Part 5 of 7.* * * Remembering Yugoslavia PLUS: an extended episode featuring additional commentary, stories, analysis, archival footage, and music. Exclusive for Yugoblok members. * * * Remembering Yugoslavia is a Yugoblok podcast exploring the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak.Show notes and transcript: Yugoblok.com/Nonaligned-Movement5/Instagram: @rememberingyugoslavia & @yugo.blokJOIN YUGOBLOKSupport the show

On this week's episode of Unclear and Present Danger, Jamelle and John watched The Peacemaker, a 1997 political action thriller directed by Mimi Leder and staring George Clooney and Nicole Kidman.When a train carrying nuclear warheads crashes in rural Russia, nuclear specialist Dr. Julia Kelly is brought in by the U.S. government to investigate. She quickly discovers the incident was no accident, but part of a larger conspiracy to steal the warheads. Assigned to work with her is Lt. Col. Thomas Devoe, a brash U.S. Army intelligence officer who specializes in field operations.Together, Kelly and Devoe uncover a plot involving a rogue Russian general and a vengeful Yugoslav diplomat named Dusan Gavrić. Gavrić plans to detonate a nuclear bomb in New York City as a twisted act of personal vengeance and a misguided attempt at political "peace."As they chase the warheads across Europe, facing betrayals and dangerous obstacles, Kelly's strategic thinking and Devoe's action-driven instincts clash but ultimately complement each other. Their pursuit culminates in a high-stakes showdown in Manhattan, where they must stop Gavrić before he detonates the bomb in a crowded area. Risking everything, they race against the clock to prevent a catastrophic attack and avert a global crisis.The tagline for The Peacemaker was "Every nuclear device in the world has been accounted for...accept for one."You can find The Peacemaker to rent or purchase on Apple TV or Amazon Prime.Our next episode will be on Executive Power, a little-known political thriller directed by David L. Corley. Here is a brief plot synopsis.While protecting the U.S. President, Secret Service agent Nick Sager helps him to dispose of the body of a young girl, who accidentally died during an adulterous encounter. Some time later, a few weeks before the elections, the disillusioned ex-agent is approached by his former partner. The President's former aide, and one of few people who knew about the cover-up, is found dead in mysterious circumstances.You can find Executive Power to rent on Amazon Prime.Our producer is Connor Lynch and our artwork is by Rachel Eck. You can reach out to us over email at unclearandpresentfeedback@fastmail.com

Kate Adie presents stories from Ukraine, Ecuador, the US, Ghana and ItalyDonald Trump's pre-election promise to end the war in Ukraine in 24 hours failed to materialise, and this week the US Secretary of State Marco Rubio said the US was willing to walk away from talks if a Russia-Urkraine ceasefire deal is not agreed soon. James Waterhouse reports from Sumy, where at least 35 people were killed last weekend, and reflects on how Ukraine is now more vulnerable than ever.Ecuador's President Daniel Noboa was returned to power in a decisive election win last weekend. His popularity is built around his 'iron fist' approach to crime - though murder rates remain stubbornly high. Ione Wells heard about the scale of the challenges ahead in the president's war on drugs.The deportation of Kilmar Ábrego García from Maryland to a super max prison in El Salvador has proven a flash-point in America's debate on immigration - and Donald Trump's battle with the judiciary. Nomia Iqbal reflects on the US President's attempts to test the limits of the executive.The Sahel region of Africa has recently been described as the ‘epicentre of global terrorism' according to the Global Terrorism index, and there are fears that increasingly complex smuggling networks are feeding the violence. Ed Butler has been to the border between northern Ghana and Burkina Faso.Eighty years ago the Second World War in Italy was drawing to a close, and as allied forces raced to liberate cities, the port of Trieste was briefly occupied by Yugoslav communists who handed out violent punishment to locals. Tony Grant finds the ghosts of the past still stalk the city.Series producer: Serena Tarling Production coordinators: Sophie Hill & Katie Morrison Editor: Richard Fenton-Smith

In the second episode of this series, we get invited to spend an afternoon at the plush environs of the Prince of Wales country club in Santiago, Chile. Here, some of the country's national rugby players are putting kids through their paces and they themselves prepare for a first ever Rugby World Cup.A snoop around a flea market, then, tips me off about a storied football club, Club Deportivo Palestino. We meet the fans and those running the club, which is a representation of Palestinian identity in Chile.Finally, we meet Eddio Inostroza who was assistant to the enigmatic Mirko Josic, who came from Yugoslavia to lead the Colo-Colo club to their highest ever point as a club.Also, there is the story of Puskas in Chile, the Battle of Macul and the story behind Chile's two World Rugby hall of famers.Before all that, there's part two of the Patagonian hitchhiking journey, as Eoin tries to get himself to the town of Esquel.Follow Eoin…https://www.instagram.com/eoinsheahan/https://x.com/EoinSheahanhttps://www.tiktok.com/@eoinsheahanEmail: eoinsheahan1@gmail.com

THIS WEEK's BIRDS: Bembeya Jazz National (vintage); expoerimental Yugoslav folk-jazz from vocalist Vesna Pisarović;  Gabriel Zucker; Uyghur Musicians from  Xinjiang; new music from  Joe Fonda Quartet w. Wadada Leo Smith et al.; Kovász; Nour Symon; Phelimuncasi (experiemtnal hip-hop from Africa); Wadada Leo Smith salutes Angela Davis; Landaeus - de Heney - Osgood; Ernst Reijseger w. Harmen Fraanje & Mola Sylla; M'ma Sylla (vintage) with Le Rossignol de Guinée, from Guinea ; cha'abi from Amar al Achab; Thelonious Monk; Ngabaka Group as well as Martin Kayo (from Central African Republic); Rai from Chaba Zohra; and, as always, so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/20429139/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Self-management was at the core of the identity of Yugoslav socialism and its best export. It was an outgrowth of nonalignment, the domestic expression of Yugoslavia's aspirations to play a global role and differentiate itself from the two power blocs. Yugoslavia's nonalignment would not have been possible without self-management and Yugoslavia's self-management would not have been possible without nonalignment.With Goran Musić, Ljubica Spaskovska, and Želimir Anić. Featuring music by Five Revolutions, Groupe Amnar awal Libya, and Kemal Monteno.Part 3 of 6.* * * Remembering Yugoslavia PLUS: an extended episode featuring 20+ min. of additional commentary, stories, analysis, archival footage, and music. Exclusive for Yugoblok members. * * * Remembering Yugoslavia is a Yugoblok podcast exploring the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak.Show notes and transcript: Yugoblok.com/Nonaligned-Movement3/Instagram: @rememberingyugoslavia & @yugo.blokJOIN YUGOBLOKSupport the show

Show Notes This week on MSB, we're talking about motorcycles, bikes, biking, riding on motorbikes, traveling by bike, touring, voyages conducted primarily via gasoline-powered two-wheeled vehicles and looooooooove. Plus, part 2 of our miniseries on Yugoslavia and the Yugoslav wars that may or may not have inspired this dang show. Please listen to it! Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comRead transcript

Dimitri and Khalid are joined by researcher Reid for a fascinating and bizarre deep dive into Biosphere 2, the ill-fated eco-utopian experiment/media spectacle that briefly captivated the world in the early 1990s. Topics include: Serious cult erasure in Netflix's 2021 documentary “Spaceship Earth”, Biosphere 2's convergence of theater, science, and the sacred, “the naturalist trance”, the early life of Theater of All Possibilities leader John Allen, working for the Battelle Institute and David Lillianthal's Development and Resources Corporation in Liberia and Iran, running off on a Yugoslav freighter, crossing paths with Boston silk topper Marie Harding in India and South Vietnam, founding a radical theater troupe in SF's Summer of Love, experiments in management science, attack therapy at Synergia Ranch, recruiting Texas oil dynasty failson Ed Bass, the carefully-cloaked Gurdjieffian influence, and more… Part one of two.

Guy de Launey reviews an icon of Yugoslav architecture in a motorway service station just outside Zagreb.See omnystudio.com/listener for privacy information.

In this episode, Dr. Chris Jenkins sits down with Dr. Jelka Crnobrnja-Isailović, a snake biologist from Serbia, to share her extraordinary journey. Jelka recounts her early fascination with amphibians and reptiles, research on newts and lizards, and a strong desire for working with snakes. Against the backdrop of her PhD studies, Jelka faced the upheaval of the Yugoslav Wars, navigating the challenges of pursuing science in a nation fractured into new borders. Despite these hardships, she built an inspiring career as a researcher and professor in Serbia, dedicating her work to the conservation and study of vipers in the Balkans.Connect with Jelka on LinkedIn. Connect with Chris on Facebook, Instagram or at The Orianne Society.Shop Snake Talk merch.

fWotD Episode 2785: SMS Niobe Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Thursday, 19 December 2024 is SMS Niobe.SMS Niobe was the second member of the ten-ship Gazelle class of light cruisers that were built for the German Kaiserliche Marine (Imperial Navy) in the late 1890s and early 1900s. The Gazelle class was the culmination of earlier unprotected cruiser and aviso designs, combining the best aspects of both types in what became the progenitor of all future light cruisers of the Imperial fleet. Built to be able to serve with the main German fleet and as a colonial cruiser, she was armed with a battery of ten 10.5 cm (4.1 in) guns and a top speed of 21.5 knots (39.8 km/h; 24.7 mph). The ship had a long career, serving in all three German navies, along with the Yugoslav and Italian fleets over the span of more than forty years.Niobe served in both home and overseas waters in the Imperial Navy, serving in a variety of roles, including as a flotilla leader for torpedo boats, as a scout for the main fleet, and as a station ship with the East Asia Squadron. After the outbreak of World War I, the ship joined the vessels tasked with defending Germany's North Sea coast. By late 1915, she was withdrawn from active service and used as a headquarters ship for various commands. She was disarmed in 1917, but as one of the cruisers permitted to the postwar Reichsmarine (Navy of the Realm) by the Treaty of Versailles, she was modernized and rearmed in the early 1920s.The ship saw no active service with the Reichsmarine and, in 1925, Germany sold the ship to the Kingdom of Serbs, Croats and Slovenes (later Yugoslavia). There, she was renamed Dalmacija and served in the Royal Yugoslav Navy until April 1941, when she was captured by the Italians during the Axis invasion of Yugoslavia. Renamed Cattaro, she served in the Italian Regia Marina (Royal Navy) until the Italian surrender in September 1943. She was then seized by the German occupiers of Italy, who restored her original name. She was used in the Adriatic Sea briefly until December 1943, when she ran aground on the island of Silba, and was subsequently destroyed by British motor torpedo boats. The wreck was ultimately salvaged and broken up for scrap between 1947 and 1952.This recording reflects the Wikipedia text as of 01:10 UTC on Thursday, 19 December 2024.For the full current version of the article, see SMS Niobe on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Stephen.

Welcome to Line Noise. My guest this week is Catherine Backhouse aka DJ Bunnyhausen aka Xylitol, aka the winner of the first ever Line Noise album of the year for her absolutely divine Anemones, released by Planet Mu. And a very worthy winner she is too. We talk about “Gutter Kosmische”, prog jungle, Gesamtkunstwerk, Yugoslav pop culture, the Belgrade Bananarama and everything in between. I hope you enjoy the interview. And do give Anemones a spin. Line Noise is with the support of Cupra.

Timestamps: 3:52 - Is Switzerland a better version of Germany? 20:55 - Choosing an industry out of many use cases  24:06 - A business model for robotics 26:28 - Doing software and hardware simultaneously 31:51 - Getting Jeff Bezos as an investor  About Marko Bjelonic: ⁠Marko Bjelonic⁠ is the co-founder and CEO of ⁠Swiss-Mile⁠, a deep tech ETH spin-off connecting AI with the physical world through autonomous machines. He holds a PhD in Robotics from ETH and worked as a researcher at NCCR Robotics, NCCR Digital Fabrication and the Robotic Systems Lab (ETH), before starting Swiss-Mile in 2023. Marko was born in Yugoslavia and left the country as a child, together with his family, to escape the Yugoslav wars, which started in 1990. Growing up as an immigrant in Germany, he helped his dad recover from job loss by encouraging him to start his own business and helping him with digitization and with the linguistic aspect. This company was eventually sold, giving Marko an advantageous small business experience. In 2023 he started Swiss-Mile with friends and colleagues he'd known since 2018. Their USP was simple: they were incorporating neural networks on wheeled-legged robots, helping them to navigate complex environments. Their robots can walk, drive, stand upright, open doors, and manipulate packages. Ever since launch, they've had a huge amount of success on social media — their videos have gotten a total of 100M views. This, of course, resulted in over 150 companies reaching out to them to inquire about their product, with leads coming in on a daily basis. With such an innovative and useful product, Marko and his team had trouble picking the best industries to focus on. After much reflection and many feedback loops with their leads, they decided on security and logistics. When it comes to the security industry, Swiss-Mile robots are useful for maintaining critical infrastructure which must be checked 24/7, since this is a boring, repetitive job for which it is harder and harder to find human workers. In the logistics field, the operations which take place inside warehouses are already quite automated, but the transportation of merchandise from warehouses to the outside world is not, because that is a much more complex environment for a robot to navigate — but not too complex for Swiss-Mile robots!  Swiss-Mile has had astounding fundraising success. They raised a $3.5M pre-seed round in 2023, and then a $22M seed round in 2024, co-led by Jeff Bezos and the Chinese fund HongShan. The cover portrait was edited by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.smartportrait.io⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ‍ Don't forget to give us a follow on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Linkedin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, so you can always stay up to date with our latest initiatives. That way, there's no excuse for missing out on live shows, weekly giveaways or founders' dinners. ‍

After the Second World War Yugoslavia and its six republics were unified under the communist rule of Josip Broz Tito. But by the early 1990s it all came undone. More than 100,000 people were killed in the Yugoslav wars for independence, many through deliberate campaigns of ethnic cleansing. What happened? Why did Serbs, Bosnian Muslims, and Croats descend into civil war? And what role exactly did UN peacekeepers have to play during an on-going war? Episode four of "Forgotten War" explores the history of the Yugoslav wars for independence along with guest Sandra Perron. She was Canada's first female infantry officer and deployed to both Bosnia and Croatia. Perron explains the difficulty of being a peacekeeper "when there is no peace to keep," the ethnic tensions that exploded throughout the region, and the personal battle she had within a military that wasn't ready to accept women in combat roles. This video was made in partnership with Canada Company. See omnystudio.com/listener for privacy information.

fWotD Episode 2742: Yugoslav destroyer Ljubljana Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 6 November 2024 is Yugoslav destroyer Ljubljana.Ljubljana (Serbo-Croatian pronunciation: [ʎubˈʎana]; Cyrillic: Љубљана) was the third and last Beograd-class destroyer built for the Royal Yugoslav Navy (Serbo-Croatian: Kraljevska mornarica, Краљевска морнарица; КМ) in the late 1930s, and designed to operate as part of a division led by the flotilla leader Dubrovnik. She entered KM service in November 1939, was armed with a main battery of four Škoda 120 mm (4.7 in) guns in superfiring single mounts – two forward and two aft of the superstructure – and she had a practical top speed of 35 knots (65 km/h; 40 mph).In 1940, Ljubljana ran aground on a reef off the Yugoslav port of Šibenik and sank due to the serious damage caused to her hull. After considerable effort she was refloated and then towed to the naval arsenal at Tivat in the Bay of Kotor for repairs. This incident resulted in her gaining a reputation as an "unlucky ship" with Yugoslav sailors. Yugoslavia entered World War II when the German-led Axis powers invaded in April 1941, and Ljubljana – still under repair – was captured by the Italians. After repairs and refitting, including replacement of her anti-aircraft armament, she saw service from November 1942 with the Royal Italian Navy under the name Lubiana, mainly as a convoy escort on routes between Italy and Greece and Italy and Tunisia. She was lost on 1 April 1943, when a navigational error was made in poor visibility off the Tunisian coast. She ran aground and was stranded and then abandoned due to heavy seas, and was declared a total loss.This recording reflects the Wikipedia text as of 14:13 UTC on Friday, 8 November 2024.For the full current version of the article, see Yugoslav destroyer Ljubljana on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Olivia.

https://thecommunists.org/2024/06/25/news/great-advances-yugoslav-communists-belgrade-elections-nkpj/

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The brainchild of an obscure Yugoslav physician, Krebiozen emerged in 1951 as an alleged cancer treatment. Andrew Ivy, a University of Illinois vice president and a famed physiologist dubbed “the conscience of U.S. science,” wholeheartedly embraced Krebiozen. Ivy's impeccable credentials and reputation made the treatment seem like another midcentury medical miracle. But after years of controversy, the improbable saga ended with Krebiozen proved a sham, its inventor fleeing the country, and Ivy's reputation and legacy in ruins. Matthew C. Ehrlich's history of Krebiozen tells a quintessential story of quackery. Though most experts dismissed the treatment, it found passionate public support not only among cancer patients but also people in good health. The treatment's rise and fall took place against the backdrop of America's never-ending suspicion of educational, scientific, and medical expertise. In addition, Ehrlich examines why people readily believe misinformation and struggle to maintain hope in the face of grave threats to well-being. A dramatic account of fraud and misplaced trust, The Krebiozen Hoax: How a Mysterious Cancer Drug Shook Organized Medicine (U Illinois Press, 2024) shines a light on a forgotten medical scandal and its all-too-familiar relevance in the twenty-first century. Matthew C. Ehrlich is professor emeritus of journalism at the University of Illinois. He has previously published five books including Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK and Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Never-before-seen footage. A trove of long-forgotten 35mm reels. An archive of the Algerian Independence War. It's all the work of Yugoslav cameraman Stevan Labudović, the cameraman of Yugoslav President Josip Broz Tito. The work was part of a war effort to counter French propaganda, a gesture of solidarity in the fight against colonialism. In this episode: Mila Turajlić, Documentary Filmmaker Episode credits: This episode was produced by Marcos Bartolomé and Veronique Eshaya, with Duha Mosaad, Manahil Naveed, and our host Kevin Hirten, in for Malika Bilal. It was edited by Alexandra Locke. Our sound designer is Alex Roldan. Our lead of audience development and engagement is Aya Elmileik. Munera Al Dosari and Adam Abou-Gad are our engagement producers. Alexandra Locke is The Take's executive producer. Ney Alvarez is Al Jazeera's head of audio. Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Guy De Launey tells us about a largely overlooked piece of Zagreb's urban environment that was once home to an iconic Yugoslav newspaper.See omnystudio.com/listener for privacy information.

With the passing of those who witnessed National Socialism and the Holocaust, the archive matters as never before. However, the material that remains for the work of remembering and commemorating this period of history is determined by both the bureaucratic excesses of the Nazi regime and the attempt to eradicate its victims without trace. Dora Osborne's book What Remains: The Post-Holocaust Archive in German Memory Culture (Camden House, 2020) argues that memory culture in the Berlin Republic is marked by an archival turn that reflects this shift from embodied to externalized, material memory and responds to the particular status of the archive "after Auschwitz." What remains in this late phase of memory culture is the post-Holocaust archive, which at once ensures and haunts the future of Holocaust memory. Drawing on the thinking of Freud, Derrida, and Georges Didi-Huberman, this book traces the political, ethical, and aesthetic implications of the archival turn in contemporary German memory culture across different media and genres. In its discussion of recent memorials, documentary film and theater, as well as prose narratives, all of which engage with the material legacy of the Nazi past, it argues that the performance of “archive work” is not only crucial to contemporary memory work but also fundamentally challenges it. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With the passing of those who witnessed National Socialism and the Holocaust, the archive matters as never before. However, the material that remains for the work of remembering and commemorating this period of history is determined by both the bureaucratic excesses of the Nazi regime and the attempt to eradicate its victims without trace. Dora Osborne's book What Remains: The Post-Holocaust Archive in German Memory Culture (Camden House, 2020) argues that memory culture in the Berlin Republic is marked by an archival turn that reflects this shift from embodied to externalized, material memory and responds to the particular status of the archive "after Auschwitz." What remains in this late phase of memory culture is the post-Holocaust archive, which at once ensures and haunts the future of Holocaust memory. Drawing on the thinking of Freud, Derrida, and Georges Didi-Huberman, this book traces the political, ethical, and aesthetic implications of the archival turn in contemporary German memory culture across different media and genres. In its discussion of recent memorials, documentary film and theater, as well as prose narratives, all of which engage with the material legacy of the Nazi past, it argues that the performance of “archive work” is not only crucial to contemporary memory work but also fundamentally challenges it. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

With the passing of those who witnessed National Socialism and the Holocaust, the archive matters as never before. However, the material that remains for the work of remembering and commemorating this period of history is determined by both the bureaucratic excesses of the Nazi regime and the attempt to eradicate its victims without trace. Dora Osborne's book What Remains: The Post-Holocaust Archive in German Memory Culture (Camden House, 2020) argues that memory culture in the Berlin Republic is marked by an archival turn that reflects this shift from embodied to externalized, material memory and responds to the particular status of the archive "after Auschwitz." What remains in this late phase of memory culture is the post-Holocaust archive, which at once ensures and haunts the future of Holocaust memory. Drawing on the thinking of Freud, Derrida, and Georges Didi-Huberman, this book traces the political, ethical, and aesthetic implications of the archival turn in contemporary German memory culture across different media and genres. In its discussion of recent memorials, documentary film and theater, as well as prose narratives, all of which engage with the material legacy of the Nazi past, it argues that the performance of “archive work” is not only crucial to contemporary memory work but also fundamentally challenges it. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

With the passing of those who witnessed National Socialism and the Holocaust, the archive matters as never before. However, the material that remains for the work of remembering and commemorating this period of history is determined by both the bureaucratic excesses of the Nazi regime and the attempt to eradicate its victims without trace. Dora Osborne's book What Remains: The Post-Holocaust Archive in German Memory Culture (Camden House, 2020) argues that memory culture in the Berlin Republic is marked by an archival turn that reflects this shift from embodied to externalized, material memory and responds to the particular status of the archive "after Auschwitz." What remains in this late phase of memory culture is the post-Holocaust archive, which at once ensures and haunts the future of Holocaust memory. Drawing on the thinking of Freud, Derrida, and Georges Didi-Huberman, this book traces the political, ethical, and aesthetic implications of the archival turn in contemporary German memory culture across different media and genres. In its discussion of recent memorials, documentary film and theater, as well as prose narratives, all of which engage with the material legacy of the Nazi past, it argues that the performance of “archive work” is not only crucial to contemporary memory work but also fundamentally challenges it. Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

General Wesley Clark served as NATO's Supreme Allied Commander during the Yugoslav wars. After a career spanning more than three decades of military service, Clark ran as a Democratic Presidential candidate in 2003–before endorsing John Kerry. One Decision's Julia Macfarlane and former MI6 Chief Sir Richard Dearlove spoke to him about the veteran vote, his thoughts on the 2024 election, and, crucially, how the likely nominees, Donald Trump and Kamala Harris, might choose to direct America's foreign policy at a time of war. 

He was called "The greatest son of our nations and nationalities", he led the Yugoslav partisans to the liberation in World War 2 and the country in the years after with an iron fist. We discussed how his legacy fares today, and how his political decisions influenced the fall of Yugoslavia, the wars that followed it, and later political developments in successor states. Enjoy!

A look at Yugoslavia's most successful sport. Why do people remember Yugoslavia so fondly through basketball? Why was Yugoslavia so good at basketball? With Billie Addleman and Tilen Jamnik; Mitja Velikonja with an assist.The Remembering Yugoslavia podcast explores the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak. New episodes one to two times per month.Support the Show.

TENE pod watches the first presidential debate of this cycle, reflects on old anti-USSR arguments about their dying gerontocracy, and checks in on ex-Yugoslav tabloid coverage of the contest. Subscribe to patreon.org/tenepod and twitter.com/tenepod.

Guy de Launey looks at what the future holds for the largely dilapidated remains of the former Yugoslav Ministry of Defence building in Serbia's capital.See omnystudio.com/listener for privacy information.

Antonio Wedral is the co-founder of Novos, an e-commerce SEO agency making waves in London by helping brands pivot from paid advertising to a more sustainable, SEO-driven approach. Our conversation traversed the inspiring journey of Novos, emphasizing the power of people-centric business models, the transformative potential of SEO in e-commerce, and the crucial balance between professional ambition and personal well-being.Antonio's entrepreneurial spirit was ignited by his parents' resilience, who, after fleeing the Yugoslav war, had to start anew in the UK. This foundational story is not just a tale of starting over but a lesson in perseverance and vision. "My parents...had to start everything from scratch...I think it probably put something within me where it just had like a motivation within me," Antonio shared, underscoring the profound impact of his family's experience on his ambition to create a business that puts people first.At the heart of Novos' philosophy is a commitment to building a company that values its employees as much as its clients. Antonio and his co-founder envisioned an agency that was not only a leader in SEO but also a champion for workplace culture. "We want to work with really cool clients...let's make this the best place to work in the UK," Antonio explained, highlighting their dual focus on client satisfaction and employee well-being.Antonio's insights into the SEO industry reveal a keen understanding of the challenges and opportunities present in the digital marketing space. He articulated the agency's mission to empower brands by reducing their reliance on paid advertising and increasing their visibility organically. This approach not only helps businesses achieve financial independence but also fosters a deeper connection with their audience.Moreover, Antonio touched on the importance of recognizing and addressing the mental toll that comes with entrepreneurship. His personal journey underscores the necessity of finding balance, stating, "You can't be super successful if you're burnt out. You need to find a balance." This candid reflection on mental health is a vital reminder for all professionals to prioritize their well-being alongside their career ambitions.Listeners can glean several key takeaways from this episode: The significance of a people-first approach in business. The transformative power of SEO for e-commerce brands. The importance of workplace culture in attracting talent and fostering innovation. The necessity of balance between professional success and personal health.Antonio's story is not just about the success of Novos; it's a broader narrative on the potential to revolutionize industries by focusing on the human element, whether it's through the services offered or the culture cultivated within.

In this terrific Sources and Methods episode of Guerrilla History, we are joined by Torkil Lauesen, Nemanja Lukić from the Anti-Imperialist Network, Immanuel Ness, and Joseph Mullen (whom you may remember from our episode with The Cadre Journal, which has since merged with Anti-Imperialist Network), who are members of the newly formed Arghiri Emmanuel Association!  We discuss the life of the legendary theorist of Unequal Exchange, his theory, as well as the Association's efforts to archive his works.  A fantastic conversation on some incredibly important work being done!  Be sure to check out the Arghiri Emmanuel Digital Archive. Torkil Lauesen is a longtime anti-imperialist activist and writer living in Denmark. From 1970 to 1989, he was a full-time member of a communist anti-imperialist group, supporting Third World liberation movements by both legal and illegal means.  He has been a multiple time guest on Rev Left and Guerrilla History discussing his books The Principle Contradiction and Riding the Wave: Sweden's Integration into the Imperialist  World Order. Nemanja Lukić is a Yugoslav anti-imperialist activist who runs the Anti-Imperialist Network website. You can also follow Anti-Imp Net on twitter @antiimpnet. Immanuel Ness  is  Professor of Political Science at Brooklyn College, City University of New York and Visiting Professor of Sociology at the University of Johannesburg.  He is the author or editor of numerous works including Organizing Insurgency: Workers' Movements in the Global South, Southern Insurgency: The Coming of the Global Working Class, and The Palgrave Encyclopedia of Imperialism and Anti-Imperialism.  You can follow Manny on twitter @ImmanuelNess. Joseph Mullen is a student activist who was a member of the Cadre Journal, which has since been merged with Anti-Imperialist Network.  He runs unequalexchange.org/.  You can follow Anti-Imperialist Network  - North America on twitter @antiimpnetna. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory

Marina Abramović is an artist renowned for performances and feats of endurance, in which her body is pushed to its limits. She has moved, scandalised and delighted audiences for half a century, and is now celebrated by world-leading galleries and institutions. Marina was born in Belgrade in 1946. Her parents were honoured as war heroes for their work for the Partisan resistance movement, and both took up senior roles in the post-war Yugoslav government. Marina became interested in painting during her childhood, and went on to study art. She first made her name as a performance artist in her 20s, creating events which often shocked viewers – and were equally traumatic for her. In 1974 she placed 72 objects, including sharp tools, a whip and a loaded pistol, on a table and invited gallery goers to use them on her, however they wished. She was attacked and left scarred, and part of her hair went white. For many years she led a nomadic existence, creating works with her partner, the German artist Ulay. In 1997, in response to the war in Bosnia, she created a prize-winning work for the Venice Biennale, in which for four days she attempted to scrub the blood from a vast pile of cow bones. In 2010 her exhibition at the Museum of Modern Art in New York attracted almost a million people, many queuing for hours for a chance to sit opposite her in silence as part of her marathon performance The Artist is Present. More recently her work has been celebrated in a major retrospective exhibition at the Royal Academy in London, along with performances at English National Opera, marking the centenary of Maria Callas. DISC ONE: Aria from The Goldberg Variations. Composed by Johann Sebastian Bach German composer and musician, performed by Igor Levit DISC TWO: Norma, Act 1: "Casta diva". Composed by Vincenzo Bellini, performed by Maria Callas (soprano) and Coro del Teatro alla Scala di Milano DISC THREE: 4 Degrees - Anohni DISC FOUR: Paloma Negra - Chavela Vargas DISC FIVE: Private Dancer - Tina Turner DISC SIX: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhumpo Monks DISC SEVEN: Piano Concerto No. 21 in C Major, K. 467 - 2. Andante. Composed by Mozart and performed by Mitsuko Uchida (piano), with the English Chamber Orchestra, conducted by Jeffrey Tate DISC EIGHT: Rum And Coca-Cola - The Andrews Sisters BOOK CHOICE: In Search of the Miraculous by Peter D Ouspensky LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhunpo MonksPresenter Lauren Laverne Producer Sarah Taylor