Podcasts about jompet kuswidananto

Au programme ce mercredi ! Quand on aime beaucoup une chanson, on a envie d’en faire une reprise à notre manière, ou en respectant complètement la version originale.Dans ce Mercredi ! on écoute plein de musiques avec à chaque fois une reprise. Les musiques de l’émission : Wicked Game - RENDEZ-VOUS (la reprise)Wicked Game - CHRIS ISAAK (l’originale) Forever Dolphin Love - KING KRULE (la reprise)Forever Dolphin Love - CONAN MOCKASIN (l’originale) Into The Groove - MADONNA (l’originale)Into The Groovey - CICCONE YOUTH (la reprise) Maman à Tort - PHILIPPE KATERINE (la reprise)Maman à Tort - MYLENE FARMER (l’originale) Rock The Casbah - THE CLASH (l’originale)Rock El Casbah - RACHID TAHA (la reprise) Parfois, on aime juste détourner une chanson qui existe, surtout pour rigoler : Star Wars Theme - SHITTY FLUTE VERSION Crédit photo :Photographie de l’oeuvre The Contingent #5, par l’artiste Jompet Kuswidananto

On this show we chatted to MCA director Liz Ann Macgregor about her time at the MCA and growing up in Scotland. Sarah Rodigari spoke to us on the phone from the State library about her daily routine. We also spoke to Indonesian artist Jompet Kuswidananto about his show at the Sherman Contemporary Art Foundation. Our music was curated by Jack Lanagan Dunbar.

Jompet Kuswidananto in conversation with Alia Swastika, curator, prior to the opening of Jompet Kuswidananto: After Voices. Recorded at Sherman Contemporary Art Foundation (SCAF), 25 June 2016, in association with SCAF Project 32, Jompet Kuswidananto: After Voices.

Sherman Contemporary Art Foundation (SCAF) presents Jompet Kuswidananto: After Voices, 2016, curated by Alia Swastika. In this short film, go behind the scenes of the After Voices install, and hear from Gene Sherman, Executive Director of SCAF, the artist and the project curator. Jompet Kuswidananto: After Voices, SCAF Project 32, was at SCAF from 24 June – 10 September 2016.

In his most recent work, Indonesian artist Jompet Kuswidananto explores political and cultural identity, particularly around the people and history of Java. Informed by theories drawn from the field of cultural studies, he connects local history to global movements with a focus on the fragility of changing identities. His installation "Anno Domini," on view at the Asian Art Museum during the the exhibition, "Phantoms: Contemporary Awakens the Past" (on view from May 18-September 2, 2012) arranges colonial military uniforms that hang bodiless, reenacting traditional mythologies and symbolizing protection from the exigencies of modernization and colonization. For more information: http://www.asianart.org/phantoms/