Podcasts about MCA

The Beastie Boys' trajectory is one of the most unique in music history, moving from underground punk, to the "frat-rap" superstardom of Licensed to Ill, to socially-conscious stars of both hip-hop and alternative rock. In this episode, we explore the pivotal moment when the band faced an artistic crisis following the commercial failure of Paul's Boutique. Severing ties with Def Jam and moving to Los Angeles, the trio—Mike D, MCA, and Ad-Rock—found absolute creative freedom in their own L.A. studio. With the help of Mario Caldato Jr. and Money Mark, they began to blend their hip-hop roots with live funk, punk, and rock, resulting in the 1992 triumph, Check Your Head. We'll do a track-by-track breakdown of "So What'cha Want" and "Gratitude," revealing the secrets behind their signature sounds. We'll see how the Hammond organ and distorted karaoke vocals created the atmosphere of "So What'cha Want," and how Adam Yauch's (MCA) spiritual journey influenced the heavy, fuzz-drenched riff of "Gratitude." The episode concludes with a poignant look at the band's legacy following Yauch's passing in 2012, celebrating a group that proved innovation often comes from looking back at your roots while moving fearlessly forward. “So What'cha Want” - Michael Diamond, Adam Horovitz, Adam Yauch Copyright 1992 Brooklyn Dust Music (ASCAP). “Gratitude” - Michael Diamond, Adam Horovitz, Adam Yauch & Tom Cushman Copyright 1992 Brooklyn Dust Music (ASCAP) and PolyGram International Music Publishing, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey, Scuttlebutt listeners. Thank you for joining us and for your continued support. This week, we welcome 1stSgt Chase McGrorty-Hunter back to the scuttlebutt. Chase is a first sergeant with 11th Marines, the first winner of the Modern Day Marine Obj 1 wargaming competition (now known as the Commandant's Cup) and our guest for Episode 200. Clearly, we're fans of this Marine. Chase is here to talk to us about the Marine Corps Association's Tactical Decision Game, or TDG, Competition. This was originally Chase's idea, and as he tells it, the Marine Corps Association was the perfect place to host this competition. We talk about what a TDG is and what it is designed to do, what the competition is and who is eligible (spoiler alert: everyone!), and how a competition like this will enable the critical thinking and imagination we want to foster. This is going to be a fun competition, and we are looking forward to seeing what you all come up with. Enjoy! tdgcomp@mca-marines.org instagram.com/chase_hunter linkedin.com/in/chase-mcgrorty-hunter-2a3ba9ab The post #246: The MCA’s TDG Competition with 1stSgt Chase McGrorty-Hunter first appeared on Marine Corps Association.

Hey, Scuttlebutt listeners. Thank you for joining us and for your continued support. This week, we welcome 1stSgt Chase McGrorty-Hunter back to the scuttlebutt. Chase is a first sergeant with 11th Marines, the first winner of the Modern Day Marine Obj 1 wargaming competition (now known as the Commandant's Cup) and our guest for Episode 200. Clearly, we're fans of this Marine. Chase is here to talk to us about the Marine Corps Association's Tactical Decision Game, or TDG, Competition. This was originally Chase's idea, and as he tells it, the Marine Corps Association was the perfect place to host this competition. We talk about what a TDG is and what it is designed to do, what the competition is and who is eligible (spoiler alert: everyone!), and how a competition like this will enable the critical thinking and imagination we want to foster. This is going to be a fun competition, and we are looking forward to seeing what you all come up with. Enjoy! tdgcomp@mca-marines.org instagram.com/chase_hunter linkedin.com/in/chase-mcgrorty-hunter-2a3ba9ab The post #246: The MCA’s TDG Competition with 1stSgt Chase McGrorty-Hunter first appeared on Marine Corps Association.

In this episode of the Building PA Podcast, co-hosts Jon O'Brien and Chris Martin dive into the world of metal construction with special guest Lee Ann Slattery, the first female board president of the Metal Construction Association (MCA) and a leader at ATAS International.Lee Ann shares her journey within the MCA, highlighting the importance of metal as a sustainable building material and its growing popularity in construction. The discussion covers various types of metal products, including roofing and wall cladding, and the innovative projects the MCA is currently working on, such as installation videos and educational events for architects.Jon and Chris also explore the challenges facing the construction industry, including workforce development and recruitment, and how organizations like the MCA are addressing these issues. Lee Ann emphasizes the value the MCA provides to both the design and contracting communities, showcasing the expertise available through its councils and committees.Listeners will gain insights into the upcoming MetalCon trade show, where industry professionals can learn more about metal construction and its applications. Join us for an informative and engaging conversation that highlights the significance of metal in the construction industry and the strides being made towards inclusivity and education.Don't forget to check out the MCA at metalconstruction.org and learn more about ATAS International!

The Beastie Boys' trajectory is one of the most unique in music history, moving from underground punk, to the "frat-rap" superstardom of Licensed to Ill, to socially-conscious stars of both hip-hop and alternative rock. In this episode, we explore the pivotal moment when the band faced an artistic crisis following the commercial failure of Paul's Boutique. Severing ties with Def Jam and moving to Los Angeles, the trio—Mike D, MCA, and Ad-Rock—found absolute creative freedom in their own L.A. studio. With the help of Mario Caldato Jr. and Money Mark, they began to blend their hip-hop roots with live funk, punk, and rock, resulting in the 1992 triumph, Check Your Head. We'll do a track-by-track breakdown of "So What'cha Want" and "Gratitude," revealing the secrets behind their signature sounds. We'll see how the Hammond organ and distorted karaoke vocals created the atmosphere of "So What'cha Want," and how Adam Yauch's (MCA) spiritual journey influenced the heavy, fuzz-drenched riff of "Gratitude." The episode concludes with a poignant look at the band's legacy following Yauch's passing in 2012, celebrating a group that proved innovation often comes from looking back at your roots while moving fearlessly forward. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, hosts Jim DeRogatis and Greg Kot are joined by returning guest and favorite music writer Jimmy McDonough. Jimmy recently released a biography 40 years in the making, Gary Stewart: I Am From the Honky-Tonks, and joins the show to help Jim and Greg run down five essential tracks from the cult country artist. The hosts also review new albums from Jill Scott, Mandy, Indiana, and Aldous Harding.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3RuYwkSMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Gary Stewart, "Honky Tonk Man," Honky Tonk Man (Single), RCA, 1981The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Jill Scott, "Offadaback," To Whom This May Concern, Blues Babe, 2026Jill Scott, "Liftin' Me Up," To Whom This May Concern, Blues Babe, 2026Jill Scott, "Pay U on Tuesday," To Whom This May Concern, Blues Babe, 2026Mandy, Indiana, "Sevastopol," URGH, Sacred Bones, 2026Mandy, Indiana, "Magazine," URGH, Sacred Bones, 2026Mandy, Indiana, "I'll Ask Her," URGH, Sacred Bones, 2026Aldous Harding, "Venus in the Zinnia," Train On The Island, 4AD, 2026Aldous Harding, "Train on the Island," Train On The Island, 4AD, 2026Aldous Harding, "I Ate the Most," Train On The Island, 4AD, 2026Aldous Harding, "Coats," Train On The Island, 4AD, 2026Aldous Harding, "One Stop," Train On The Island, 4AD, 2026Gary Stewart, "Sweet Tater and Cisco," You're Not The Woman You Used To Be, MCA, 1975Gary Stewart, "Drinkin' Thing," Out of Hand, RCA, 1975Gary Stewart, "Flat Natural Born Good-Timin' Man," Steppin' Out, RCA, 1976Gary Stewart, "Pretend I Never Happened," Your Place or Mine, RCA, 1977Courtney Barnett, "Scotty Says (Live on Sound Opinions)," Sometimes I Sit and Think, and Sometimes I Just Sit, Mom + Pop Music, 2015See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the XS Noize Podcast, Mark Millar is joined by Robert Arkins, best known to millions as Jimmy Rabbitte in Alan Parker's classic 1991 film The Commitments. Robert looks back on life before the film, his musical roots, fronting his own band Housebroken, and how his sister first introduced him to Roddy Doyle's book. He reflects on why he initially saw The Commitments as a possible distraction from his music, before becoming the face and voice of one of the most beloved music films ever made. In this warm and honest conversation, Robert talks about working with Alan Parker, finding Jimmy Rabbitte's natural Dublin rhythm, the humour and energy that still make the film resonate, and the moment he realised The Commitments had become much bigger than just a film. He also shares brilliant behind-the-scenes stories from the shoot, including Van Morrison auditioning for Joey "The Lips," memories of the famous bath scene, Johnny Murphy's motorbike mishap, and what fans still say to him more than three decades later. The conversation also goes deeper into what happened after The Commitments — the pressure of sudden fame, travelling to Los Angeles, signing to MCA, working on an unfinished Housebroken album, and the frustration of being recognised as Jimmy Rabbitte when he wanted to be seen as an artist in his own right. Now, Robert is returning to the music with Robert Arkins' Commitments, marking the 35th anniversary of The Commitments with UK and Ireland shows. He talks about bringing those songs back to the stage, adding Detroit and Northern Soul into the live set, and why the audience energy still reminds him of watching the film with a crowd. At its heart, this episode is about music, identity, second chances, and what happens when one role follows you for the rest of your life. Listen to the full episode now.

Dalam Episod 198 Keluar Sekejap, kami menampilkan Tan Sri Dr. Chua Soi Lek, Mantan Menteri Kesihatan dan Mantan Presiden MCA bagi membincangkan punca kejatuhan MCA serta perubahan pola sokongan pengundi Cina terhadap Barisan Nasional sejak PRU 2008.Episod ini turut mengupas trend pengundi Cina menjelang PRU16, dominasi DAP dalam politik masyarakat Cina, serta kemungkinan berlakunya hakisan sokongan terhadap DAP susulan reformasi yang dilihat perlahan dan kegagalan memenuhi sebahagian janji politik.Turut disentuh ialah PRN Johor yang dijangka berlangsung dalam masa terdekat serta cabaran dan hala tuju sistem kesihatan negara berdasarkan pengalaman beliau sebagai bekas Menteri Kesihatan.

Angie Abdilla creates video installations interrogating Indigenous deeptime knowledges, automation and AI, focusing on technology as cultural practice. Her research, artworks and films have been exhibited at premier cultural institutions, including the current Data Dreams: Art and AI exhibition at the MCA, and previously, the United Nations; Ars Electronica, Linz, Austria; the International Documentary Festival Amsterdam; the Museum of Old and New Art, nipaluna/Hobart; and the Goethe-Institut, Sydney. Her pioneering research on cultural governance for AI has influenced governments globally. She is the founder and director of Old Ways, New; co-founder of the Indigenous Protocols for AI working group; has won the inaugural Women in AI Award for Creative Industries; and is a Professor at the School of Cybernetics at the Australian National University.See omnystudio.com/listener for privacy information.

Restaurateur Karen Carrier joins Eric Barnes to talk about Legacy at the Table, a three-part dinner series where Carrier translates the history of Memphis College of Art into unique menus that take guests on a journey through different eras of the school. Karen also talks about her time at MCA, how she began her career and her food artistry. 

Ce 4 mai, on redécouvre avec Marjorie Hache The Specials, Nancy Sinatra, The Rolling Stones, T-Rex, Mötley Crüe, Nine Inch Nails, Cage The Elephant, Alanis Morissette ou encore Pixies, Metallica, Staind, David Bowie et Rancid. L'animatrice de la station Pop-Rock rend également un vibrant hommage à Adam Yauch, dit MCA, membre regretté des Beastie Boys disparu en 2012. Sont aussi au programme Gorillaz avec "Delirium", Anna Calvi et Iggy Pop. les Foo Fighters, les Lambrini Girls, et Triggerfinger qui signe son retour avec "Come Clean". La primeur du jour met en lumière une archive inédite des années 70 : Cathy Hammer, dont on découvre le titre folk "When I Fall In Love", extrait du disque "Lady Full Of Dreams". L'album de la semaine met à l'honneur le quatorzième disque des Black Keys, "Peaches", illustré ce soir par le morceau "Where There's Smoke There's Fire" qui souligne la vitalité retrouvée du duo américain. Enfin, pour la reprise de la soirée Jack Black et son groupe Tenacious D s'approprient brillamment l'envoûtant "Wicked Game" de Chris Isaak. Gorillaz - Delirium (Feat. Mark E. Smith) T.Rex - Get It On Beastie Boys - Root Down Limp Bizkit - Take A Look Around Mötley Crüe - Girls Girls Girls The Chemical Brothers - Hey Boy Hey Girl Nine Inch Nails - As Alive As You Need Me To Be The Black Keys - Where There's Smoke, There's Fire Nancy Sinatra - These Boots Are Made For Walkin' Cage The Elephant - House Of Glass The Specials - Gangsters Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Tenacious D - Wicked Game Alanis Morissette - Hands Clean Staind - It's Been Awhile Triggerfinger - Come Clean The Rolling Stones - Gimme Shelter Pixies - Hey Foo Fighters - Caught In The Echo David Bowie - Ziggy Stardust Rancid - Fall Back Down Cathy Hammer - When I Fall In Love Extreme - More Than Words Groove Armada - My Friend Led Zeppelin - Rock N Roll Lambrini Girls - Cult Of Celebrity Metallica - OneHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From the editor's desk at Harper's Bazaar to the front lines of fashion tech and circularity, Kellie Hush has seen every evolution of the Australian style landscape. Now, as she leads the charge for a revitalised, newly not-for-profit Australian Fashion Week, Kellie is on a mission to bring the industry back to its roots: trade, community, and global recognition.In this episode, we pull back the curtain on the fashion festival to discuss the high-stakes business of the runway. Kellie gets candid about the lessons she learned from professional failure, the necessity of fantasy pieces, and why she's trading the industrial walls of Carriageworks for the iconic backdrop of the Sydney Harbour.Inside the Episode:The Career Sprint: Kellie reflects on her journey from writing about "babies and dummies" at Practical Parenting to the helm of the country's most prestigious fashion titles.The Pivot to Not-For-Profit: Why the Australian Fashion Council took the reins from IMG to focus on supporting designers rather than corporate bottom lines.Trade Over Trends: A deep dive into the strategy of getting international buyers back to Australia and why our "lifestyle clothing" is our greatest global export.The Business of the Runway: The reality of show costs, infrastructure, and why some of those "money shots" on the runway never actually make it to the retail floor.Failure as a Credential: Kellie shares why her failed retail venture made her a better leader and more relatable to the designers she now champions.The New AFW DNA: Moving the "fashion walk" to the heart of the city and balancing avant-garde discovery with commercial viability.Join the Conversation:What part of Kellie's Failure-to-Success story resonated most with your own creative journey? And are you excited about the move to the MCA and the harbour? Is Australian fashion finally getting the global credit it deserves?Let us know in the comments! Fashion Week Dates: May 11-15. See you in the front row (or behind the scenes)! Connect with Kellie: Follow Kellie Hush: @kelliehushAustralian Fashion Week: australianfashionweek.orgThe Volte : thevolte.com The Seamlist: seamlist.com.auJoin our community! Your host, Arielle Thomas on Instagram, ⁠@arielle.thomas⁠Us, on Instagram, ⁠@processthepodcastFollow us to get notified every time a new episode drops every Tuesday.  See you on the next one! 

International Women's Month Series Liz Heller is a tech and media innovator, investor, and producer whose career has bent culture for four decades. She led artist development at MCA, where she commissioned more than 500 music videos for Tom Petty, Bobby Brown, and Belinda Carlisle. She became President of Island Visual Arts, then Executive Vice President of Capitol Records at the exact moment music, audio, and the internet collided. She produced The Basketball Diaries with Leonardo DiCaprio. She executive produced the Good Will Hunting soundtrack. She built early growth engines for TOMS one-for-one, Product(RED), Microsoft, Intel, and Apple. USA Today called her the godmother of the women's cyber movement in Hollywood. She calls herself a “multi-potentialite,” a word she found after I asked her to list everything she'd done back in the earliest episodes, when I first started The Power of Re:Invention. She sat in her office in New Mexico, started writing, and came up with more than forty things. She had no idea the list was that long. I love that. What I love about this conversation is how clearly “little Liz” foreshadowed all of it. She didn't play house. She played office. She was an entrepreneur before she had the word for it.  Her mother Billie was the blueprint. A true feminist. She worked on the UN doctrine for the Elimination of Discrimination Against Women and took Liz to marches at eight years old. Her father worshipped her mother and licked envelopes for her mailings. That is the household that made Liz.Her operating principle in life was and is simple and it's the whole episode. "If I am not happy doing something, I am absolutely not in the place of my best work."Some of her “tools” to live by:Try it on. Walk into the room acting like you're already the person. She used it on a woman at a top-five company agonizing over a promotion. The woman took the job.Conditions of satisfaction. Write out what would make you 85 to 90 percent happy. If what you have only hits 60, you have your answer.Voyage of discovery. Sit with your iPad for an hour and click wherever curiosity pulls you. Change your algorithm. Her feed is science, innovation, and knowledge because she made it that way. Brilliant, honestly.Her advice for women is the part you need to hear. Don't go where you're not comfortable. Build your own rooms. Build your own board of directors out of your girlfriends. Build the strategy to change it.Connect with Liz:LinkedIn: https://www.linkedin.com/in/lizheller/ memBrain: https://www.membrainllc.com THE RE:INVENTION EXCHANGE - for more Inspired Content, Blogs, Podcasts, RE:INVENTION Virtual Chats, or to buy a copy of my book RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? by Kathi Sharpe-Ross, visit https://www.thereinventionexchange.comIG: https://www.instagram.com/kathisr_chief_reinventor/ FB: https://www.facebook.com/kathi.sharpeross/ LinkedIn: https://www.linkedin.com/in/kathisharpeross

Hey, Scuttlebutt listeners. Thank you for joining us and for your continued support. This week, we're talking Modern Day Marine 2026, so we brought the MCA's Director of National Military Association Engagement and Expositions, Marta Sullivan, and the Director of Strategy, Plans & Assessment at Headquarters Marine Corps Comms Directorate, LtCol Nick Mannweiler, to the scuttlebutt to talk to us about what's in store for the premier military exposition. From the key leadership engagements and TedTalk-style presentations to the Commandant's Cup wargaming tourney at Objective 1, there's something for everyone. And of course, there'sall the cool stuff. Vendors, large and small, will be presenting their innovations to support Force Design and the Marine Corps' modernization efforts. If that weren'tenough to get you hyped, we'll be there recording live from the showroom floor. Come check us out and say hi! Enjoy! marinemilitaryexpos.com The post #239: Modern Day Marine 2026 first appeared on Marine Corps Association.

Hey, Scuttlebutt listeners. Thank you for joining us and for your continued support. This week, we're talking Modern Day Marine 2026, so we brought the MCA's Director of National Military Association Engagement and Expositions, Marta Sullivan, and the Director of Strategy, Plans & Assessment at Headquarters Marine Corps Comms Directorate, LtCol Nick Mannweiler, to the scuttlebutt to talk to us about what's in store for the premier military exposition. From the key leadership engagements and TedTalk-style presentations to the Commandant's Cup wargaming tourney at Objective 1, there's something for everyone. And of course, there'sall the cool stuff. Vendors, large and small, will be presenting their innovations to support Force Design and the Marine Corps' modernization efforts. If that weren'tenough to get you hyped, we'll be there recording live from the showroom floor. Come check us out and say hi! Enjoy! marinemilitaryexpos.com The post #239: Modern Day Marine 2026 first appeared on Marine Corps Association.

Life After Right MCA Stroke: Why You May Not Feel Like Yourself After Stroke Introduction Heidi Loveridge survived a right MCA stroke at 43. Physically, her recovery has gone well. She regained strength, learned to walk again, and is even working toward getting her driver's license for the first time. But emotionally, something feels off. “I used to be so happy… and now I'm not.” If you've had a stroke and feel like you're not yourself anymore — even when everything looks “fine” on the outside — you're not alone. This is one of the most confusing and least talked about parts of life after stroke. In this article, you'll learn what life after a right MCA stroke can really feel like — physically, emotionally, and mentally — and why recovery is about more than just getting your body back. What Is a Right MCA Stroke? A right middle cerebral artery (MCA) stroke affects the right side of the brain, which plays a key role in: Spatial awareness Attention and perception Emotional processing Awareness of the left side of the body Because of this, many stroke survivors experience: Left-side weakness or coordination issues Changes in emotional regulation Difficulty with awareness or attention Fatigue and cognitive overload Heidi left the hospital with left-side weakness and needed a walker and wheelchair initially. Over time, she regained much of her physical ability — but her emotional recovery has been more complex. The Part Nobody Talks About: Emotional Recovery After Stroke Physical recovery is visible. Emotional recovery is not. Heidi describes crying frequently, sometimes without a clear reason. She also experienced depression — something her doctors explained can be common after a right MCA stroke. But what makes it harder is this: She doesn't fully know why she feels the way she does. That uncertainty can be one of the most distressing parts of recovery. Many stroke survivors expect: “I survived, so I should feel grateful” “I'm improving physically, so I should feel better” But instead, they feel: Flat Overwhelmed Disconnected Not like themselves This is not a personal failure — it's part of how the brain heals. Why You May Not Feel Like Yourself After Stroke A stroke doesn't just affect movement. It affects identity. Heidi describes a major personality shift. Before her stroke, she was an introvert who avoided conversations and social situations. Now, she talks to strangers easily and seeks connection. At first, that might sound like a positive change — but it also comes with confusion. Who am I now? This question is common after stroke, especially when: Your emotional responses change Your energy levels fluctuate Your tolerance for stress is different Your interests and behaviours shift The brain is literally rewiring itself — and that includes the parts responsible for personality, mood, and emotional regulation. “I used to be so happy… and now I'm not.” Physical Recovery Doesn't Mean Full Recovery From the outside, Heidi is doing well. She can: Walk independently Ride an electric bike Cook again (after initially losing the desire) Participate in social activities But internally, she still feels like something is missing. This is where many stroke survivors feel misunderstood. People see progress and assume everything is okay. But recovery is not just about: Strength Mobility Independence It's also about: Emotional stability Sense of identity Feeling like yourself again And those things often take longer. What Helps During Life After Right MCA Stroke There is no single solution — but there are patterns that help. 1. Movement and Routine Heidi walks regularly to manage her mood. Movement helps regulate the brain and can improve emotional well-being over time. 2. Community and Connection After her stroke, Heidi actively sought connection: Joining a women's circle Returning to church Talking to strangers This is a major shift from her previous life — and a powerful part of her recovery. 3. Accepting That Recovery Is Ongoing At just 10 months post-stroke, Heidi is still early in her journey. Recovery doesn't follow a fixed timeline. It continues. 4. Allowing Complexity You can feel: Grateful to be alive Frustrated with your progress Hopeful and discouraged — at the same time All of these can exist together. The Search for Happiness After Stroke One of the most honest moments in Heidi's story is this: “I wish I knew how to make myself happy again.” That's something many stroke survivors quietly experience. The goal isn't to force happiness. It's to: Create space for it Support the brain as it heals Build small moments that gradually reconnect you to yourself Sometimes that looks like: Trying new therapies Talking to someone who understands Rebuilding routines slowly And sometimes it simply means giving yourself time. A Different Kind of Strength Heidi didn't just survive a stroke. She changed. She now says something she didn't believe before: “I can do hard things.” That belief led her to: Get her learner's permit at 44 Step into new social situations Push beyond the limits she once accepted This is a different kind of recovery, one that isn't measured in physical milestones, but in personal growth. Conclusion Life after a right MCA stroke is not just about recovery. It's about rebuilding a life that feels meaningful again. If you don't feel like yourself right now, it doesn't mean you're failing. It means your brain and your identity are still healing. And that takes time. If you're navigating life after stroke, you don't have to do it alone: https://recoveryafterstroke.com/book Support more stories like Heidi's and join the community: https://patreon.com/recoveryafterstroke Disclaimer This blog is for informational purposes only and does not constitute medical advice. Please consult your doctor before making any changes to your health or recovery plan. Heidi's Stroke Story: Surviving Physically, Struggling Emotionally She survived a stroke but doesn't feel like herself. Discover why emotional recovery after stroke can be the hardest part. Facebook Instagram TurnTo.ai — my favourite tool for stroke recovery in 2026. It’s an AI health sidekick that finds the latest stroke research, patient discussions, and expert insights — personalised to you, every week. Just $2 a week. Use code Bill10 for 10% off.  When you sign up through my link, you support the podcast at no extra cost to you. Stroke-specific link Patreon: https://www.patreon.com/recoveryafterstroke The transcript will be available soon… The post Life After Right MCA Stroke: Why You May Not Feel Like Yourself After Stroke appeared first on Recovery After Stroke.

Jake Luehrs is the OP of KW Edina and KW Elk River, and Abby Miller is the MCA of KW Edina. Through their accountability group structure, nearly 70% of the associates in their program have seen increased production YoY.

This playlist is 68% vinyl friendly. Poor. Teenage Engineering’s PO–80 Record Factory turntable. In a move to avoid wrecking their dads’ pride and joy, maybe an inexpensive (approx £300) route to young kids getting the feel of spinning vinyl? Beyond maybe playing a Factory Records record on this Record Factory turntable, with six black five-inch blank records plus sleeves included they can even cut their own recordings! That’s all after you’ve built the thing… as it comes in a kit. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 150 ‘And the award goes to… ‘ Tracey Thorne and Ben Watt… A long, long time ago some of their words would have rung true here. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Crystal (Lee Coombs Remix) * – 12″ – London – 2001 Fresh from the release of the band’s Get Ready album, both its opening track and their set opener on all three of the Brixton Academy, London gigs I caught in 2001, this version is maybe weighted more on the remixers side than usual when kicking off 41 Rooms with New Order but this one really drives. 08.13 MESOSAUNA (feat DANIELE GAS) – Rotta Calabra – Download only – Factory Flaws – 2025 Out of Milan and Italy (albeit with a bit of a Teutonic feel) the title translates as “Calabrian Route”, ‘naming the path many take across the sea, hoping for something better on the other side‘. That fish below though needs to stick to the water. 13.46 FOUR TET – A Joy (Album version) – 7″ – Domino – 2005 The ‘Album version’ on a 7″ single and to these ears, Kieran Hebden sounding a long way from anything joyous. 16.42 WIELORYB – Iron – Stream only? – ? – 2026 ‘Spongey industrial’ sounds from Poland and best explained, aurally and visually, within his regular Meta/Fb page posts. 19.08 CHOZE x BARBARELLA – Heartbeat Drums – Stream only – Facebook – 2025 ‘Built from the ground up, written, recorded and filmed in a single five hour session‘… with, as I hint on the show, Massive Attack’s Bristol, UK in their bones it would seem, even though with far flung ancestry they’re based in London. 22.40 MASSIVE ATTACK – Safe From Harm (12″ Version) – 12″ – Wild Bunch – 1991 And to the slow beats bosses themselves… ‘Wailed like ‘Unfinished Sympathy’ by Shara Nelson, this wind swept strange very densely rumbling slow swaying tugger is out first (contrary to the sleeve listing) in Nellee Hooper’s (0)-81.6bpl 12″ Version and 0-81.4bpm Instrumental, plush group’s 0-82.3bpm Original, with apparently a Paul Oakenfold remix to follow‘. – James Hamilton, Record Mirror (Music Week), 1.6.91 29.13 RAE & CHRISTIAN – Anything U Want – 12″ – Grand Central – 1998 The instrumental dub side made it to 41 Rooms eons ago but contrary maybe to the ‘antennae’ of a hardcore rap fan, this vocal version is an example of how my senses tend to pick up on any counter vocals or sounds to the rap – and here it’s that soulful bv. If they weren’t there this tune would have passed me by without much fuss – even though it’s Mark Rae (and Steve Christian) at the controls. 32.47 ADDIS ROCKERS – Enter Addis Ababa – Enter Addis Ababa, LP – Warriors International – 1985 An album I only honed in on decades after John Peel played the album’s Broadwater Farm Affairs track and if ever anyone can find a near mint copy of this album, they’re a better soul than me. It’s the sleeve that’s always the bigger problem. Lamination of some sort might have done the trick. 37.06 MISTY IN ROOTS – Soddom and Gomorrah (Peel session, 27.11.79) – The John Peel Sessions, CD only – Strange Fruit – 1995 Importantly for me, The John Peel Sessions covers four of the seven tracks recorded for the band’s first two (and best?) visits to the Beeb’s Maida Vale studios, with the second being right up there with any or most done for Peel’s radio show, and before the dawn of Discogs I had the notion the above release might have been on vinyl as well. Sadly, to date it’s not the case. 41.42 MAE McKENNA – Sayonara – Nightfallers, LP – Virgin – 1988 Find me another online playlist where Mae McKenna has sat next to Misty In Roots. It won’t be happening. Somewhere soon after this album came out I was on a holiday back in Ireland and after an evening in the pub with cousins we reconvened in my mum’s childhood home and were playing ‘Rings’ (look it up, kids) on a Ring Board on the door down to the ‘parlour’ and this tune came on the radio. The things you remember… 47.04 RAIN TREE CROW – Every Colour You Are – Rain Tree Crow, LP – Virgin – 1991 With all four (ex)members of Japan involved, Rain Tree Crow was seen at the time as ‘a long term project, with a fresh artistic start‘. Keen to avoid any notions of a nostalgic Japan reunion, David Sylvian, especially, was aiming to ‘create improvised, atmospheric music departing from their past commercial sound.’ Unsurprisingly, I’ve gone for the track that maybe could most happily have sat on any new Japan album of the time. :) 50.44 DAVID BOWIE – Right – 7″ b-side – RCA – 1975 This mistakenly slipped off the 41 Rooms radar til now. Gold star quality from my fave Bowie era. 54.55 CHAKK – Falling – 10 Days In An Elevator, LP – MCA – 1986 From the early doors, tougher industrial funk of Out Of The Flesh through to the ‘10 Days… ‘ album and Falling, where he’s absolutely soaring, Jake Harries was well suited as Chakk’s vocalist, even if (it seems) singing didn’t transpire to being a long term career path. 58.35 TERRY CALLIER – Love Theme From Spartacus – Timepeace, LP – Talkin’ Loud/Verve – 1998 Folk… soul… class… The film’s instrumental theme tune re-imagined. 01.03.01 LYNDA SLOANE-CUSACK – Dreams (part) – Stream only – 2026 I’ve side-stepped matching the track after this, here with the more obvious Fleetwood Mac reference point (Rhiannon) – and albeit a short, one-time take, this is a beaut of a FM cover. Cork, Ireland-based, Lynda’s actually a wedding ceremony singer and guitarist, so that accounts for the church acoustics in the mix. 01.04.50 KELLY JEAN CARTER – Yellow-Back Novel – Yellow-Back Novel, download only – Red Bird Music – 2025 Seemingly out of nowhere (though there’ll have been an algorthymic reason) this quality song popped up on my Fb/Meta feed and seeped into my brain. A sleeper of a song that maybe mostly hits the mark with anyone who grew up in the ’70s hearing singer-songwriters regularly on the radio. 01.09.53 DAVID McWILLIAMS – As I Used To Know Her – Livin’s Just A State Of Mind, LP – Dawn – 1974 The first of two artists from Northern Ireland on this show and until recently, McWilliam’s signature tune, Days Of Pearly Spencer was the only single/track of his I (back in the ’70s) ever owned. If I’m honest, this was one of those grab-the-album-for-the-one-and-only-track-I-like sketches… but I recently spotted and bought this acetate, so that added some appeal. Maybe half a dozen at most ever cut? 01.14.11 THIS MORTAL COIL – I Want To Live – Filigree & Shadow, 2LP – 4AD – 1986 Deirdre Rutkowski owns it here but I remember thinking F&S was a single album at best and listening now to the two LPs it still feels ‘patchy’ and like a project that fell short of its initial goals. Could be wrong, of course. 01.18.04 JAZZ THE GLASS / GOT-TA-SCATTA – The Journey – Demo, unreleased – Stream only – 2015-2025’ish Dave Summersgill and myself (GOT-TA-SCATTA) with the ‘ingredients’ here and judging by the working versions I have, this track is only(!) a little over a decade old, though this version was fine-tuned in more recent times by Dave (Jazz The Glass). With our favourite unwitting contributor of the time, Maya Angelou on the mic and samples from elsewhere. 01.22.16 BUNNYDRUMS – Ugh and… 01.25.13 BUNNYDRUMS – Sleeping – P.K.D., LP – Red Music – 1983 Such is the way I put these shows together I was smugly thinking Sleeping very neatly fitted after Ugh before I realised it was the same band! So, an accidental and rare ‘double tune’ outing on 41 Rooms. 01.29.28 JOY DIVISION – The Only Mistake – Still, 2LP – Factory – 1981 Yep, my copy of Still sadly water damaged along the way. As for the ribbon that ‘wrapped’ it in 1981, that would have been low on my radar to conserve back then. 01.33.28 MOUNT PALOMAR (feat ENOLA GAY) – Feeding Frenzy * – Stream only – 2026 Tuff!!!!! Something akin the traits I mention above with Rae & Christian, I’m a bit of a sucker for a verse and chorus structure that wildly contrasts… and this really smacks. 01.37.04 ATRIC & FRIDA DARKO – My Dog – Download only – 2025 Even though they’re from Leipzig, Germany, this sounds darker than some of their profile pics and track visuals would suggest. 01.42.13 SHIPS – Where We Are – Precession, LP + 7″ – Self released – 2017 Actually, the a-side of the (blue vinyl) 7″ part of the package – with the album being clear vinyl. With my copy currently residing in California, let’s hear it for the bespoke packaging approach! The Dublin-based duo, Sorca McGrath & Simon Cullen’s first and only album, to date. 01.46.47 EVERYTHING BUT THE GIRL – Missing – Amplified Heart, LP – Blanco y Negro – 1994 It’s maybe hard to remember there was a time – before Todd Terry’s intervention took the song global – when Missing was (just) a track on an album, as classy as the duo, Ben Watt and Tracey Thorn are. If I’d gone for the purest ‘least cluttered by other tracks and/or mixes’ vinyl to get this original version, it would have been on an expensive Italian promo only 7″… but I haven’t. 01.50.25 FAYLEINE BROWN – You Know I Missed You (Todd Edwards Remix) – 12″ – Azuli – 1996 ‘Device and Devibes deliver a mature-sounding vocal with a smokin’ underground break which continues in the dub with whirling vocals and swinging drums. The Todd Edwards mix has his typical anagramatic vocal arrangements and although it will not win him any new fans, it will certainly keep a confused but contented smile on the faces of his existing ones. Finally, there is D&D Tribal dub which will work well for those who prefer harder repetitive house‘. **** Jeremy Newall, Record Mirror (Music Week), 2.3.96 And from a song with the line ‘and I miss you’ to one with the title, ‘You Know I Missed You’. Totally coincidental… with Todd Edwards in the house garage! Maybe with a bit of a nod to M(ark) K(inchen)’s vocal cut up style, this had me bouncing and cheery in its time, as it did with the London underground scene… and yet it’s another 12″ you can now pick up, still in mint condition for less than the price of a pint. 01.55.32 ST. GERMAIN – Alabama Blues (Todd Edwards Vocal Mix) – 12″ – F Communications – 1995 ‘This label’s best release gets another chance with some more radio friendly mixes that feature a lot more vocal and mixes by Todd Terry that make the blues/house combinations less effective but still catchy. The sparser deeper original mix is still the best with its simple moody organ creating the atmosphere, but this groundbreaking tune deserves a re-release and the new versions at least give it a new angle‘. – Tim Jeffery, Record Mirror (Music Week), 11.11.95 ‘Todd Edwards is New York’s fastest rising production star. Here, he helps the leading light of the French new school jazzers to forge stronger links to the dancefloor. With his distinctly smooth yet hyper style, the MK-like vocal snippets work particularly well on the dub, where Stevie Wonder cut-ups jump off the vinyl. And for those who missed out on the first release of this in 1993, the oh-so-cool original is also included‘. ****1/2 Michael Morley, Muzik #6, Nov ’95 Yep, with the wrong Todd noted in the first review, it’s a Todd Edwards reprise as he works his skills on the French producer’s original. Show 151 will upload May 3. Dec x The post Post Punk Plus Podcast Playlist 150 – Original upload 5.4.26 appeared first on 41Rooms.

Most business owners don't go looking for funding because they planned for it. They go looking because something broke. Payroll is due Friday. Revenue dipped. The reserves ran out. And when you're in panic mode, that's exactly when the vultures show up. This episode breaks down what the lending industry doesn't want you to know, and what you need to hear before you sign anything.Sara Weldon from Trufinco joins the show and keeps it brutally honest about the state of business funding right now. She calls MCAs a "shit sandwich" and explains exactly why they've become a death sentence for business owners who don't understand the fine print. We're talking daily payments, stacked loans, interest rates designed to bury you, and lenders who are counting on your desperation. Sara's been in this industry for seven years and flat out says she hates what most of it has become. That tells you everything.We hit Noise vs Truth hard in this one. "Debt is always bad." Wrong. "Take the biggest offer you can get." Hell no. "You'll figure out the payments later." That one might be the most dangerous lie in the entire lending world. And "revenue solves everything"? Sara has a client doing $14 million a year who is completely broke. Let that sit.Sara walks through her three step framework for approaching funding the right way: define the use of funds and the return, set a max payment your business can actually carry, and compare offers by total cost and repayment structure, not just the interest rate. If you're borrowing without doing those three things, you're gambling.The hard truth here is simple. Know who you are. Know your lane. Stop trying to do everything yourself and bring in people who can see what you can't. That's the difference between businesses that survive funding and businesses that get buried by it. Watch on YouTubeIf this hit home, drop a comment. Tell me where you're feeling it most. I read every single one.New episodes every week on Spotify, Apple Podcasts, and YouTube. Subscribe so you never miss a real conversation.

In Episode 290 of Outside The Round, host Matt Burrill sits down with Florida native Madden Metcalf to talk about his rapid rise from working on crab boats and playing waterfront restaurants to becoming one of the most exciting new voices coming out of the South. Madden shares how growing up on the “Forgotten Coast” shaped his work ethic, sound, and storytelling, and how those real-life experiences now fuel songs like “I Don't Want to Cry Anymore” and “My Hometown.” The conversation dives into his journey to Nashville, getting discovered by Freddie Wexler, and the fast-moving momentum that led to a deal with MCA. Madden also breaks down the inspiration behind his debut EP Saltwater Southern, a project that blends country, rock, and coastal influences into a sound that's uniquely his. From grinding in seafood restaurants to chasing dreams on Broadway and beyond, this episode captures an artist stepping into his moment with authenticity, grit, and a whole lot of Florida pride!  Follow on Social Media: Madden Metcalf: @maddenmetcalf Matt Burrill: @raisedrowdymatt Outside The Round: @outsidetheround Raised Rowdy: @raisedrowdy Chapters (00:00:00) - Outside The Round(00:00:22) - Meet Maddie Metcalf(00:01:42) - Florida songwriter talks about growing up on the coast(00:05:27) - Florida singer-songwriter on his journey to country music(00:09:35) - Florida Songwriter on Bringing Out His Hometown(00:14:15) - How to book a show in Florida(00:17:54) - What's Your Favorite Greek Food?(00:19:46) - Favorite first trip to Nashville was...(00:23:52) - Jason Aldean on His First Puerto Rico Tour(00:26:25) - Freddie Smith on Saltwater Southern(00:30:43) - Madden Metcalf on His New Album Saltwater Southern(00:31:34) - Freddie One on Working With Young Loretta(00:35:52) - Tennesse on Songwriters(00:39:16) - Turkey Season Opens Soon(00:41:59) - Jimmy Kimmel on Working On The Crab Boat(00:43:40) - Trey Collins on Touring the Southeast(00:47:28) - Corey Smith(00:52:06) - Dalton Smith on REVIEW

durée : 00:59:30 - en direct d'Amiens pour les les 40 ans de Label Bleu et les 60 ans de la MCA - par : Nicolas Pommaret - En direct de la Maison de la Culture d'Amiens. - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode Toby sits down with New Found Glory vocalist Jordan Pundik! He chats about NJ, Florida, getting exposed to music young, early bands and joining Ian's band, marching band, Drive Thru Records, signing to MCA, Warped Tour, going platinum, MTV TRL, songwriting, tours, International Superheroes of Hardcore, tattooing, new album, movies, anxiety, Quentin Tarantino, balancing career and family and more!   Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance   Please visit our sponsors!   The Field Dream- https://thefielddream.com/   Rockabilia- use code OLOC10 Rockabilia   Athletic Greens https://athleticgreens.com/oloc   Removery- code TOBYH2O https://removery.com    Liquid Death https://liquiddeath.com/toby   Refine Recovery https://www.instagram.com/refinerecoverycenter/

In this episode Toby sits down with New Found Glory vocalist Jordan Pundik! He chats about NJ, Florida, getting exposed to music young, early bands and joining Ian's band, marching band, Drive Thru Records, signing to MCA, Warped Tour, going platinum, MTV TRL, songwriting, tours, International Superheroes of Hardcore, tattooing, new album, movies, anxiety, Quentin Tarantino, balancing career and family and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! The Field Dream- https://thefielddream.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/

In this episode Toby sits down with New Found Glory vocalist Jordan Pundik! He chats about NJ, Florida, getting exposed to music young, early bands and joining Ian's band, marching band, Drive Thru Records, signing to MCA, Warped Tour, going platinum, MTV TRL, songwriting, tours, International Superheroes of Hardcore, tattooing, new album, movies, anxiety, Quentin Tarantino, balancing career and family and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! The Field Dream- https://thefielddream.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/  

George Arthur Bloom joined me to talk about watching Beanie and Cecil; wanting to be a pro baseball player; joining the Coast Guard; getting a job in the mail room at MCA; working his way up to Lew Wasserman's assistant; going to Universal with Wasserman; asking to learn how to be a producer; working on late 60's TV shows; optioned what would become Blade Runner after he lost the option; American International; experience like the show The Studio; producing the Abominable Dr. Phibes; Roger Corman; Little Shop of Horrors; writing Knife for the Ladies starring Jack Elam; write after school specials; writing the first 4 episodes of 1984 Transformers cartoon; setting up good guys and bad guys; writing original My Little Pony with a darker tone; writing songs and the movie; creating the after network executives; Potato Head Kids; helping to fix and then write Magic School Bus; creating the character of Digit (voiced by Gilbert Gottfried) for Cyber chase; not liking writers' room, prefers to work one on one with writers; writing on The Nancy Walker Show for Norman Lear; seeing his episode done on another series; playing tennis with Robert Duvall; writing a screenplay, Any Day Now about a homosexual who wants to adopt a kid with Down Syndrome in 1982; having it pass through many leads including Tommy Lee Jones, Dom DeLuise, and Sylvester Stallone; his son is friends with director Travis Fine, who is looking for a script; finally made 30 years later with Alan Cumming in the lead; became a stage play in Japan

This week's Doll is a whole lot more than a name squished into a clickbait slop article. She met Mick Jagger several years into her own storied career; which brought her from the UC Berkeley campus to playing Dionne in the West End production of Hair, then gracing the pages of fashion magazines and performing at Isle of Wight. She's a novelist and memoirist, activist, actress in TV and film, and a stage 3 cancer survivor. What can't Marsha Hunt do? Plus, Emma gives an update on her home renovations, and Abby shares her experience at the MCA's Yoko Ono retrospective and her day with friends of Cynthia Plaster Caster.“Marsha Hunt: The Story of a Survivor” is available wherever you stream your podcasts.(Episode starts at 7:00)Sources used for this episode:Marsha Hunt, “Real Life: The Story of a Survivor” (1988)Marsha Hunt, “Undefeated” (2005)Songs used in this episode:John Mayall - “Brown Sugar” (1967)Marsha Hunt - “I Walk on Gilded Splinters” (1969)Renn Woods - “Aquarius” (From the film soundtrack of “Hair”) [1979]The Rolling Stones - “Brown Sugar” (1971)Marsha Hunt - “Oh No, Not The Beast Day” (1973)Follow @thedollspod on Instagram to see clips and photos mentioned in this episode!

Isaac Gibson is a songwriter, vocalist,and guitarist originally from Castlewood, Virginia, and the frontman of 49 Winchester. Formed in Appalachia, the band has released five studio albums while building a devoted fanbase through constant touring. In 2025, 49 Winchester signed with MCA and Lucille Records, where they are currently working with Dave Cobb on a new full-length album scheduled for release in 2026. The band recently released a cover of Black Sabbath's “Changes” as their first new music under the partnership.In this episode, we talk about Isaac's upbringing in Appalachia, the evolution of 49 Winchester, building a career on the road, signing with MCA, working with Dave Cobb, and what this next chapter looks like for the band—along with many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#IsaacGibson #49Winchester #CountryMusic #Americana #SouthernRock #Songwriting #Nashville #DaveCobb #MusicPodcast #TenYearTownNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Interdisciplinary artist Edra Soto created more than a dozen "BB (Bad Bunny Chairs)" that will be featured in an upcoming MCA exhibit about the visual, political and spiritual histories of dancehall and reggaetón.

Interdisciplinary artist Edra Soto created more than a dozen "BB (Bad Bunny Chairs)" that will be featured in an upcoming MCA exhibit about the visual, political and spiritual histories of dancehall and reggaetón.

Interdisciplinary artist Edra Soto created more than a dozen "BB (Bad Bunny Chairs)" that will be featured in an upcoming MCA exhibit about the visual, political and spiritual histories of dancehall and reggaetón.

The Minnesota Zoo and the YMCA are partnering up to put on an event that is all about wellness in the winter Sonia Punwani from the MCA of the North and Diana Hein talk about Winterfest and how to get involved.

We wanna hear from you! Send us a message here :) Dalton Davis is an exhilarating new face in country music. Born in Gastonia, NC, the rising star's one-of-a-kind upbringing—from rural roots to being adopted by touring gospel artists and learning to record from hip-hop engineers—has culminated in a powerful, gritty sound that fuses outlaw edge with undeniable soul. Having already commanded stages across the country, opening for heavy hitters like Kameron Marlowe, Brantley Gilbert, Midland, Ashley McBryde, Gary Allen and Dwight Yoakam, Dalton has relocated to Nashville after years of crafting his sound in Chattanooga. Recently signed to MCA, he is poised for a breakout moment with the release of his magnetic new single, “Cows In The Front Yard,” proving that the most authentic country stories are often the most complex.Support the show

In this episode, Lady Landlords founder, Becky Nova…Sits with Bree, a business funding and credit specialist, to share how investors can buy rental properties through LLCs and break free from the save-buy-save cycle. She explains how to leverage credit strategically and use of MCA loans. Bree also dives into building business credit, understanding funding options, and using debt responsibly to scale real estate portfolios.Need support with your rentals? Book a call here to learn how Lady Landlords can help! https://lady-landlords.com/pd-chat-with-becky===

This episode was sponsored by Velocity Capital Group   LightSpeed VT: https://www.lightspeedvt.com/ Dropping Bombs Podcast: https://www.droppingbombs.com/ This Dropping Bombs episode features Jay Avigdor, who turned $17.25 into a $1 billion revenue-based finance empire. As founder and CEO of Velocity Capital Group, Jay refinanced his home, bet everything, and built a company that's funded 15,000+ businesses—approving deals in hours while banks take months or reject 94% of applicants outright.   Jay breaks down the difference between predatory MCA loans and legitimate revenue-based financing, reveals how to get funded in three hours with credit as low as 525, and shares the mindset shift that separates entrepreneurs who win from those who plateau.    Whether you need fast capital to scale or want the blueprint for betting on yourself when you have nothing left to lose, this episode delivers the truth about business funding, reputation, and building an empire from rock bottom.  

Hosts Jim DeRogatis and Greg Kot close the book on 2025 by doing a final round of obituaries, playing favorite singles and sharing a mixtape that documents the ups and downs of the year that was. Greg's MixtapeJoin our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:SPRINTS, "Something's Gonna Happen," All That Is Over, City Slang and Sub Pop, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Redwalls, "It's Alright," Universal Blues, Undertow, 2003Joe Ely, "Boxcars," Honkey Tonk Masquerade, MCA, 1978The Mavericks, "There Goes My Heart," What a Crying Shame, MCA Nashville, 1994The Band, "Chest Fever," Music from Big Pink, Capitol, 1968Chappell Roan, "The Subway," (Single), Amusement, 2025Annabelle Dinda, "The Hand," (Single), Self-Released, 2025Huntrix, "Golden," KPop Demon Hunters, Republic, 2025Hayley Williams, "True Believer (Live on Tonight Show)," Ego Death at a Bachelorette Party, Post Atlantic, 2025Bad Bunny, "BAILE INoLVIDABLE," DeBÍ TiRAR MáS FOToS, Rimas, 2025MSPAINT, "Angel," No Separation, Convulse, 2025Cardi B, "Outside," Am I the Drama?, Atlantic, 2025Taylor Swift, "The Fate Of Ophelia," The Life of a Showgirl, Republic, 2025Sharon Van Etten, "Somethin' Ain't Right," Sharon Van Etten and The Attachement Theory, Jagjaguwar, 2025The Penrose Web, "I Dreamt I Woke Up Dead," It's...The Penrose Web, Fools Paradise and Gare Du Nord, 2025Peter Peter Hughes, "The End of Your Empire," Half-Staff Blues, Tired Media, 2025Mavis Staples, "Chicago," Sad and Beautiful World, Anti, 2025The Belair Lip Bombs, "Again and Again," Again, Third Man, 2025The Bug Club, "How to Be a Confidante," Very Human Features, Sub Pop, 2025Perfume Genius, "It's a Mirror," Glory, Matador, 2025Ed Kuepper and Jim White, "The 16 Days," After The Flood, Remote Control, 2025Mekons, "You're Not Singing Anymore," Horror, Fire, 2025Spinal Tap, "Tonight I'm Gonna Rock You Tonight," This Is Spinal Tap, Polydor, 1984See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes acclaimed writer Matthew Specktor and his father, legendary CAA agent Fred Specktor. Matthew's latest book, The Golden Hour: A Story of Family and Power in Hollywood, captures the underbelly of Los Angeles through the lens of three generations embedded in the motion picture industry. Together, Matthew and Fred explore the industry that shaped American culture.The College Course with James Baldwin (9:47): Matthew describes being chosen by lottery to study with James Baldwin at Mount Holyoke. Baldwin taught Henry James and told his students, "For it to have happened or for it to be beautiful is not enough."Lew Wasserman's Assistant at 19 (18:26): Fred recalls working for Lew Wasserman at MCA, the most powerful man in the industry.The Birth of the Modern Motion Picture Industry (22:43): Matthew explains how his family lived through the entire transformation of Hollywood, recalling Lew Wasserman seeing the line of people waiting to see Jaws in a Texas rainstorm and pioneering the wide release."No More Middle-Class Movies" (30:14): Matthew recounts a Fox 2000 corporate retreat where Bill Mechanic announced the studio would only make films over $100 million or under $10 million – nothing in between.The Gene Hackman Call That Won an Oscar (34:19): Fred describes how Gene Hackman passed on Unforgiven due to violence concerns. Fred gave Clint Eastwood Gene's phone number, and Clint convinced Gene to take the role that won Gene the Academy Award.Letting the Artist See What Others Don't (37:37): Fred's philosophy: "I believe every one of my clients belongs at the top of the list." He shares thoughts on his clients, including Morgan Freeman, Helen Mirren, Taylor Hackford, and Danny DeVito.This conversation reveals how great writers mine their personal history to illuminate an industry, and how great agents operate, not as cartoon hustlers but as believers in fairness and quality. Matthew and Fred Specktor show us that Hollywood's golden hour wasn't just about glamour; it was about families, power, and the American dream colliding in ways both beautiful and devastating.If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuests: Matthew and Fred SpecktorProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Matthew and Fred Specktor:Wikipedia: https://en.wikipedia.org/wiki/Matthew_SpecktorThe Golden Hour: A Story of Family and Power in Hollywood: https://a.co/d/8Qy91qaWebsite: https://matthewspecktor.com/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Dane Farris is the MCA out of Fayetteville, AR, a top 200 Market Center. Hear how Dane and his team have used the power of Care Calls to build relationships the retain and attract top talent in their office.

Contributor: Aaron Lessen, MD Educational Pearls: The Case 24F brought in for anxiety. Patient is tearful, not talking, and potentially hyperventilating. History from boyfriend is that she suddenly stopped talking and started crying and it was hard to understand what she was saying. On exam, patient appears anxious and has a gaze preference for the right side and is still having difficulty speaking. Decision is made to stroke alert patient. CT shows early MCA stroke and M2 occlusion. Patient is treated by IR with mechanical thrombectomy. What are the risk factors for strokes in young people (

This playlist is 67% vinyl friendly. Poor. ‘In the year 2021, few turntables have captured the essence of that time the way that the Old Future Turntable and Speaker has. The silhouette of the player itself pays homage to ’70s architecture in Seoul. Slanted roofs were common during that era, and when you place the turntable and speaker side-by-side, they look like part of a ’70s city skyline. Some vinyl-lovers may not like this product initially because a flat, horizontal turntable would be preferred for sound quality. For those who care about audio quality over aesthetics, the turntable's legs are adjustable, so you can make the table more even‘. – yankodesign.com Looks like it could more readily blow out hot and cold air than music. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 147 ‘Observational, not sexist‘ noted Jean-Jacques Burnel. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Face Up – Low-life, LP – Factory – 1985 Face Up? More like Jump up, given the NO audience reaction when the chorus kicks in. 05.25 THE YOUNG GODS – Mes Yeux De Tous – Appear Disappear, 2LP – Two Gentlemen Records – 2025 Given that in the mid ’80s they were initially loosely bandied around in the same ‘industrial’ bag as my ‘charges’ Click Click I’ve heard very little of their lengthy and regular catalogue. This though is a mighty tune. 09.19 BLAWAN – Toast – Dismantled Into Juice, 12″ EP – XL Recordings – 2023 Nicely odd, with a ‘chorus’ that makes me smile. 11.56 BASETANK – Got Some Skills – The New Breed, v/artists promo only CD – Detonation – 1999 If it wasn’t for the 35 year age gap I might have said the vocalist on Got Some Skills and the modern day Microwave Man and his electric dirt bike online ‘Let Me Tell You Something, right?‘ words of wisdom sketches were of the same family. 15.44 9 LAZY 9: Turn Me Loose; UP, BUSTLE & OUT: Nightwalk; DJ FOOD: Klutes Groove; DJ TOOLZ: Rusty Goes GaGa; FUNKI PORCINI: It’s A Long Road – The Morning After The Night Before (one half of a CD free with DJ magazine – 1994 Old skool mixing from Cold Cut. ‘It’s (been) a long road… ‘ indeed. 22.00 HERCULES & LOVE AFFAIR (feat HIPS & LIPS) – Someone Else Is Calling, 12″ EP – Stratasonic – 2025 The sort of hypnotic beats that could have fitted in with a Winkles, Bedford set list back in the ’80s… although someone might point a sound or two here didn’t exist back then. 26.12 FUNKY GREEN DOGS – The Way * – 12″ – Twisted – 1997 ‘Anyone who ever liked That Sound from the Murk camp will like this just as much, even if they do whinge that it’s very similar to their previous favourite. The original is the heart-winner with its quivering vocal and acid-meets-funk groove, but the mixes are all attractive in their respective ways – Farley & Heller plod sweetly, Canadian Crash Productions do something along the same lines. Dirty White Boy rock and roll and Club 69 kick up a noisy messy rumpus. The best track of all is possibly the excellent FGD way-out beats. **** Daisy & Havoc, Record Mirror (Music Week), 10.5.97 Tough, liquidy goings on from the Murk camp. I was a fan. 32.51 JOY – Fragile Space – 7″ – DB-Low – 2000 ‘Isaac Hayes meets Led Zeppelin‘ ran the press release for Joy Jones’ one-off (at the time) dip into music, and there’s something sad about a single of substance that didn’t do enough for the artist to build on. 35.52 TALKING HEADS – Listening Wind – Remain In Light, LP – Sire – 1980 Just checked. This is the last in a near complete run of the album’s tracks making it to 41 Rooms. So, that must make Remain In Light a bit of a classic to my ears. 39.36 THE SOULSAVERS – Rumblefish – Beginning To See The Dark 12″ – Ghost Ride Music – 2002 The sort of drifting beats thing that would crop up late night/early morning on KISS FM or maybe Ross Allen radio shows of the time. 43.28 BETHANY & RUFUS – 900 Miles – 900 Miles, CD only – Little Monster Records – 2005 With Bethany being the daughter of ’60s folk group, Peter Paul and Mary’s Pete Yarrow, an ancient tune reworked. And it’s a cello apparently, not a double bass. 46.48 STARGARD – (Theme Song From) Which Way Is Up – 7″ – MCA -1977 As funky now as the day it was delivered. I was 20… and this would have been hitting someone’s decks at Bedford’s Nite Spot, Spectrum, Pilgrims, The Anglers’ Laird bar and elsewhere out of town I went. 51.29 THE STAPLE SINGERS – I’ll Take You There – 7″ – Stax – 1972 They never let on where exactly ‘there’ is but with their gospel background we can maybe guess. Good luck with it. 55.30 CARLA THOMAS – Things Ya Make Me Do (Summer Mix) – 12″ – Ruff Justice – 1994 Not the ’60s Stax label Carla Thomas but it’d be nice to think this CT’s parents had that lady in mind when naming this lady. What might have been tagged ‘street soul’… and possibly out of Manchester, UK. 59.06 THOMAS DYBDAHL – All’s Not Lost – That Great October Sound, CD only – Checkpoint Charlie Audio Productions – 2001 Delicate sounds from Norway. 01.04.06 PURESSENCE – Don’t Know Any Better – 7″ – Reaction Records – 2008 James Mudriczki’s vocal… 01.07.22 DAVID SYLVIAN – Nostalgia – Brilliant Trees, LP – Virgin – 1994 Post Japan, his first solo album making its mark in fine style. It was unlikely to do otherwise. 01.12.57 JOY DIVISION – Insight – The Peel Sessions, 12″EP – Strange Fruit – 1986 Peel sessions sort of mimicked a live gig recording at its crystal clear best… this one included. 01.16.50 SIOUXSIE and THE BANSHEES – Christine (Warner Chappell demo) – Kaleidoscope, CD only – Polydor – 2006 With everyone and everything here ‘battling’ to be the most understated – and with it all quite possibly recorded in a rehearsal room, on the likes of (say) a 4-track Portastudio – this is as demo’ish as a major act’s demo could sound back then. 01.19.32 THE FLAMINGOS – Shone Like The Sun #3 (unreleased demo) – 1984 With Cliff (Peacock) in Scott Walker-mode there were a few versions of this tune and to these ears it sounds even better now than it did back then. In effect the above might have doubled as my 27th birthday party and Shone Like The Sun was very likely on the Flamingos set list. 01.24.12 THE WAKE – Make You Understand – Here Comes Everybody, CD only comp – Factory Benelux – 2015 Recorded for a Feb ’84 BBC Radio 1 session for David/Kid Jensen and played live but the former only ever surfaced on the above. Stephen, Mac, Carolyn and Caesar: Winkles, Bedford, 13.11.83 Photo credit/copyright: Dec Hickey 01.26.33 LITTLE NEMO – Bed In Summer – La Cassette Froide, split cassette (with Rain Culture) – self released – 1986 Not the first European band in the mid to late ’80s to have sounded as if heavily influenced by UK bands of the early ’80s and with a track only to be found on this cassette. I won’t be acquiring one any time soon. 01.30.27 THE STRANGLERS – London Lady – 7″ – United Artists – 1977 Yep, Jean-Jacques Burnel with a lyric or two (well, one in particular) that we youth most probably laughed through back in the day but now would maybe slightly wince at. The times… 01.32.52 ELVIS COSTELLO – (I Don’t Want To Go To) Chelsea – 7″ – Radar – 1978 I had a brief moment with Declan’s singles around this time… and you had to admire the balls of a musician who wanted to strike out as an Elvis. 01.35.53 THE SUB ENSEMBLE – Faster Than The Sun (Domu Remix) – Download only – 2008 Very short-lived crew aided and abetted here by acclaimed Bedford-based (then, anyway) DJ, producer, remixer, Domu. 01.41.01 JAZZ THE GLASS – 16 Seconds – Download only, Soundcloud – 2019 A 41 Rooms regular, with another winner. Dave reminded me it uses a sample from a US boy band. I think it was a white label 12″ with anonymous writing (just initials?), that I took a punt on at no more than 20p. 01.44.47 FPI PROJECT – Come On (And Do It) (TC Funky Mix) – 12″ – Synthetic Records – 1993 ‘Tremendous funky Italian offering as ever from those talented members of Ital’s most consistent band. Chocca full of good alternative mixes, including a wicked guitar ladened TC Funky mix… ‘ – Kenny Grogan, Mixmag Update, 28.4.93 ‘Everything you love/hate about Italian records in double helpings. Very FPI Project but bang on time with its riffing flamenco-style guitar and a bundle of irresistibly funked up mixes firm Mother-man Lee Fisher, which include a wonderful reinvention of the bouncy original into a big booming beast of a track‘. Matthew Cole, Record Mirror (Music Week), 10.7.93 ‘Girl chanted powerful Hamilton Bohannon-ish happy party pounder’s original Gypsy Kings-like guitars strummed 125bpm Official, 125.2bpm Gipsy, TC 1993 wukka-wukked 125.2bpm TC Funky Mixes, new sax squawked jerkily percussive building 124.9bpm Mothers At Work Remix and Dub‘. – James Hamilton, Record Mirror (Music Week), 7.8.93 As mentioned on the show, a one and a bit trick pony but sometimes a funky break and some vocal snippets is all you need for some head nodding bizniz. 01.49.36 CHEZ DAMIER & CO-INSIDE – Give A Little Love (Made In Detroit Mix) – The United States EP, 12″ – t:ime – 1993 ‘Nottingham’s Sine boys have always (worn) worthier US influences on their sleeves. This time they make a more permanent connection with two excellent transatlantic collaborations. Their Made In Detroit Mix of Give A Little Love by Chez Damier & Co-Inside is a supremely cool organ-washed garage groove with the repeated title line drifting in and out of the mix. It becomes less mellow and more dubby as it progresses…‘ – Andy Beevers, Record Mirror (Music Week), 4.9.93 And yet another tune with a minimal use of different lyrics… and here you’re not getting the full nine minutes they’re spread over on the 12″. Still, jaunty US house with a bit of a UK ’90s garage’y feel… and I think I edited out some frogs sounds. 01.53.15 THE REESE PROJECT – The Colour of Love (Groove Corporation Trance Mix) * – 12″ – Network – 1992 ‘Even by his own standards, Kevin Saunderson is having a good year. With Inner City firmly re-established as one of the world’s leading dance acts, he now takes the limelight under his alter-ego for what will be one of the biggest tunes of the year. The Deep Reese mix (featured on the Network ‘Elixir Vitae’ double pack extravaganza that some might say is their apology for KWS) is still the one for me. The coffee table intro soaring into a menacing groove with the hookiest of vocal samples… bliss. But wait, let us not forget Groove (aka Electribe 101) Corporation’s four mixes full of true British grit and trance appeal… ‘ – Dave Seaman ****1/2 Mixmag Update, July 9, ’92. ‘Kevin ‘Master Reese’ Saunderson’s powerful Rachel Kapp wailed Club Chart topper is now out on one single in brilliant swimming bass pulsed wriggly warbling 121.6bpm Magic Juan Atkins Mix, gospelishly started hypnotically chugging (0-)123.4bpm Deep Reese Mix, piano plonked 121.6-121.5bpm Underground Resistance Mix, repetitively stuttered Kym Sims-ish 122-122.1bpm MK Deep Dub, good insistently rolling 114.7-114.8bpm Groove Corporation Trance Mix and bass bubbled blippy 114.9-114.8bpm Groove Corporation Wobble Dub, while the first of the separate promos had its throbbing somehow then steady 115bpm Vocal (Trance Mix) and 115-114.9bpm Acid Revival (Wobble Dub), plus alternative swirlingly chugging 115bpm Plae Blue Mix and Instrumental Groove Corporation 021 Remixes‘. – James Hamilton, Record Mirror (Music Week), 1.8.92 Slinky Saunderson… and albeit it the same theme, a thousand miles from Terry Callier’s What Colour Is Love in every other way. Show 148 should surface here Feb 1. Dec x The post Post Punk Plus Podcast Playlist 147 – Original upload 4.1.26 appeared first on 41Rooms.

In this essential episode, Bryan Orr sits down with Elliot, the residential install supervisor at Kalos Services, to unpack a critical issue that's causing confusion among HVAC technicians, electricians, and inspectors alike: the new standards for breaker and conductor sizing on inverter-driven equipment. The conversation was sparked by Elliot's frustrating experience of having two inspectors in the same county fail the same installation for opposite reasons—one for an oversized breaker and another for an undersized breaker. This contradiction led to a deep dive into recent changes in UL standards and how they affect everyday HVAC installations. The heart of the issue stems from the transition to low-GWP refrigerants and the updated UL 60335-2-40 Edition 3 standard, which replaced the 1995 certification approach. This new standard introduced more conservative calculations for electrical characteristics, particularly affecting equipment using A2L refrigerants. The result? Data tags now show higher Minimum Circuit Ampacity (MCA) ratings than before, even though the equipment itself hasn't changed—only the math used to calculate these values has shifted. This has created a puzzling situation where the MCA can be higher than the recommended breaker size, which seems counterintuitive to anyone familiar with traditional electrical principles. Bryan and Elliot clarify the fundamental rule that still applies: size your wire to the MCA and your breaker to the MOCP (Maximum Overcurrent Protector). The confusion arises because manufacturers like Mitsubishi are now including "recommended breaker" sizes on data tags that are lower than the MCA—a courtesy to contractors, not a code requirement. The higher MCA reflects conservative safety margins that account for extreme operating conditions, but in practice, inverter-driven systems have multiple built-in protections that prevent them from ever actually reaching these calculated amperage levels. The key takeaway is that contractors can safely install breakers at the recommended size without safety concerns, as long as the breaker's lugs are rated to accept the wire size required by the MCA. The episode also explores how inverter-driven equipment fundamentally differs from traditional PSC motors, particularly regarding locked rotor amps (now more accurately termed "inverter input") and voltage drop considerations. Unlike conventional motors that simply run slower with reduced voltage, inverter-driven compressors and ECM motors compensate by drawing more current to maintain performance, creating a potential compounding effect with voltage drop that installers need to understand—even though voltage drop itself isn't an enforceable NEC code requirement. Topics Covered: New UL 60335-2-40 Edition 3 standards and their impact on electrical calculations for HVAC equipment The relationship between MCA (Minimum Circuit Ampacity) and MOCP (Maximum Overcurrent Protector) and why they can now seem contradictory Recommended breaker sizes on modern data tags and why they may be lower than the MCA Handling inspector conflicts and failed inspections related to breaker sizing Differences between inverter-driven equipment and traditional PSC motors in electrical behavior The transition from "locked rotor amps" to "inverter input" terminology for modern equipment Voltage drop considerations with inverter-driven systems (NEC 210.19A and 215.2A) Why inverter-driven equipment draws more current at lower voltages compared to traditional motors Proper wire and breaker sizing for A2L refrigerant equipment (454B systems) NEC Section 440 requirements specific to air conditioning and refrigeration equipment Breaker lug ratings and ensuring they can accept the required wire size Practical advice for communicating with inspectors and resolving code disputes   Read the tech tip on this topic HERE. Have a question that you want us to answer on the podcast? Submit your questions at https://www.speakpipe.com/hvacschool. Purchase your tickets or learn more about the 7th Annual HVACR Training Symposium at https://hvacrschool.com/symposium. Subscribe to our podcast on your iPhone or Android. Subscribe to our YouTube channel. Check out our handy calculators here or on the HVAC School Mobile App for Apple and Android.

Episode No. 738 is a holiday clips episode featuring artist Wafaa Bilal. Earlier this year the MCA Chicago presented "Wafaa Bilal: Indulge Me," the first major survey of Bilal's work. Across his genres-busting career, the Iraqi-American Bilal has made performances, sculptures and related digital presentations that have interrogated the United States' relationship with and conduct within Iraq, the Middle East, and broader geopolitics. Bilal's work also investigates the notion of cultural cannibalism, the ways in which the culture of one people may be used, disassembled, and consumed by another. "Indulge Me" was curated by Bana Kattan. An invaluable catalogue was published by the MCA. Amazon and Bookshop offer it for $20-32. Bilal's work is in the collections of museums as unalike as the Los Angeles County Museum of Art and Mathaf: Arab Museum of Modern Art Qatar. His work has been included in exhibitions at the Sharjah Art Foundation, Sharjah UAE; the Art Gallery at NYU Abu Dhabi; and the 2015 Venice Biennale. For images, please see Episode No. 704. Instagram: Wafaa Bilal, Tyler Green.

An alternative to postbac programs? Postbac programs are okay, but what if there was another path to medical school? M2s Sarah Upton, Alec Marticoff, and Kevin Gubner host the program directors of the Carver College of Medicine’s Masters of Clinical Anatomy Program. Interestingly, each co-host decided to get a MCA to make up for some shortcomings in their med school applications, whether it was soft a GPA or a lack of applicable hard science education. To do that, they could have done any number of things–like an expensive post-baccalaureate program that offers no degree–but instead they chose to seek an MCA degree to pave their way to medical school. Co-directors Marc Pizzimenti and Emma Handler visited with The Short Coat to discuss the program, what it’s like for students, and the additional skills that they got, including instruction in teaching…something they wouldn’t have gotten in a postbac program. In the end, the MCA program not only taught them anatomy–something they’d definitely need as physicians someday–but also helped them fix their undergrad shortcomings, readied them for the rigors of studying medicine, and built their teaching skills–all with an incredible student-faculty ratio they wouldn’t have gotten in many other degree programs. Plus they get to tack on some sweet letters after their names! Episode credits: Producer: Sarah Upton Co-hosts: Alec Marticoff, Kevin Gubner Guests: Marc Pizzimenti, PhD, MA, BEd; Emma Handler, PhD The views and opinions expressed on this podcast belong solely to the individuals who share them. They do not represent the positions of the University of Iowa, the Carver College of Medicine, or the State of Iowa. All discussions are intended for entertainment purposes only and should not be taken as professional, legal, financial, or medical advice. Nothing said on this podcast should be used to diagnose, treat, or prevent any medical condition. Always seek qualified professional guidance for personal decisions. We Want to Hear From You: YOUR VOICE MATTERS! We welcome your feedback, listener questions, and shower thoughts. Do you agree or disagree with something we said today? Did you hear something really helpful? Can we answer a question for you? Are we delivering a podcast you want to keep listening to? Let us know at https://theshortcoat.com/tellus and we'll put your message in a future episode. Or email theshortcoats@gmail.com. We need to know more about you! https://surveys.blubrry.com/theshortcoat (email a screenshot of the confirmation screen to theshortcoats@gmail.com with your mailing address and Dave will mail you a thank you package!) The Short Coat Podcast is FeedSpot’s Top Iowa Student Podcast, and its Top Iowa Medical Podcast! Thanks for listening! We do more things on… Instagram: https://www.instagram.com/theshortcoat YouTube: https://www.youtube.com/theshortcoat You deserve to be happy and healthy. If you’re struggling with racism, harassment, hate, your mental health, or some other crisis, visit http://theshortcoat.com/help, and send additions to the resources there to theshortcoats@gmail.com. We love you.

Episode No. 737 features curators Beverly Adams and Jamillah James. With Christophe Cherix, Adams is the co-curator of "Wilfredo Lam: When I Don't Sleep, I Dream" at the Museum of Modern Art, New York. The exhibition includes more than 130 works made between the 1920s and 1970s, making it the most extensive Lam retrospective presented in the United States. "When I Don't Sleep, I Dream" argues that Lam, a Cuban-born artist who spent much of his life in Spain, France, and Italy, was a prototypical transnational artist. It is on view in New York through April 11, 2026. The exhibition catalogue was published by MoMA; Amazon and Bookshop offer it for $60-70. Jamillah James has organized the presentation of "Yoko Ono: Music of the Mind" at the Museum of Contemporary Art Chicago. The exhibition is one of the most comprehensive presentations to date of the pioneering Fluxus artist, musician, and world peace activist. "Music of the Mind" includes over 200 works across a vast array of media, including performance footage, music and sound recording, film, photography, installation, and more. It is on view at the MCA through February 22, 2026. An exhibition catalogue was published in North America by Yale University Press. Amazon and Bookshop offer it for $38-47. Air date: December 18, 2025.

Welcome to the Merry Month of Debts-cember!Part 2 - 8 Lazy Nights VI - On this week's show, because I just didn't have it in me to pull off another extended show, we're dialing it back with one of our shortest episodes of the year! 8 songs (one for each night of Chanukah) plus a bonus track to represent the starter candle.  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Recorded live at the Museum of Contemporary Art Chicago / CAB Tailgate In this live MCA tailgate episode, the Bad at Sports crew — Duncan MacKenzie, Ryan Peter Miller, Brian Andrews, and Jesse Malmed — sit down with Chicago Tribune and Hyperallergic critic Lori Waxman to dig into the past, present, and uncertain future of art criticism.   Lori Waxman speaks candidly about being one of the last remaining "paper critics" in the Midwest, the strange privilege and responsibility of writing for a general audience, and the realities of practicing criticism in a media ecosystem that has largely abandoned it. The conversation moves between the lightly chaotic and the deeply reflective: the team discusses accountability, gatekeeping, democratization, descriptive vs. evaluative criticism, and the uneasy role of critics in shaping a city's cultural memory. A major portion of the episode is devoted to Waxman's long-running performance project "The 60 WRD/Min Art Critic," which she describes as part-service, part-performance, part-publishing experiment — one that temporarily gives a community something most cities no longer have: a local critic writing about local work. From describing her process of writing in public (fully clothed), to fielding questions about dead artists, visibility, taste, and how critics navigate their own spreadsheets, Waxman opens up her practice with humor and clarity. The episode also includes reflections on Chicago's art ecology, journalism's collapse, how artists use reviews, and what it means to keep going when the platforms keep disappearing. Names Dropped — With Links Lori Waxman

Guitar pioneer Randy Holden reveals how record label incompetence destroyed his 1970 masterpiece Population II, leading to depression, exile in Hawaii, and eventual vindication through cult status. Get Population II and III at Riding Easy Records or preorder Population II reissue at Noble Records online Topics Include: Randy Holden is surprised Population II remains influential after recording it in 1970 He knew it would be big—there was nothing like it musically then Population II was ready to release with Sun Amplifiers sponsoring monthly magazine ads National promoters wanted to book shows but needed the album released first Hobbit Records delayed release for eight or nine months, destroying Randy's career The label wouldn't release the record or let Randy out of his contract Owner Leonard Poncher's background was Latino music and auto parts wholesaling Randy was creating a new form of music that became known as heavy metal Poncher's lawsuit with MCA distribution completely tied up the album's release Recording Population II went smoothly with Randy overdubbing all bass parts himself He used four to eight amps recording through a Fender Jazz Bass Engineer Hank Cicalo placed three mics at different distances for guitar tone Randy pioneered mixing through car speakers instead of massive studio monitors His original mix had full dynamics with sweeping highs and lows Mastering engineers destroyed the mix, cutting frequencies to prevent needle skips Randy joined Blue Cheer replacing Dickie Peterson but left over musical differences Blue Cheer wanted shorter songs while Randy pursued extended musical compositions He formed Population II with Chris Lockheed on keyboards and organ bass pedals The name meant two people creating massive sound usually requiring four musicians Randy's guitar journey began with Fender IV, then Sons of Adam The Other Half featured Randy's early heavy guitar work before Blue Cheer He recorded Guitar God album in 1997 after decades away from music Nobody knows the original Population II pressing number Recent remasters by engineers in New York and Smokey Taylor improved the sound Randy's broken ring finger now prevents him from playing guitar properly He manipulated audiences' emotions playing solos through walls of amps for thousands Randy considers music like movies—"Land of the Sun" is theatrical drama Playing live was his reason for living, creating heavenly musical moments His legacy continues through reissues on Riding Easy Records reaching new generations Extended and High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

In this heartfelt, humorous, and deeply human conversation, Ian sits down with longtime friend — artist, filmmaker, professor, and Enneagram Seven — Steve Taylor. You may know him as the legendary provocateur who "invented irony for Christians," but in this episode, we explore the terrain beneath the creativity, the energy, and the relentless forward motion that has defined so much of his life. Together we wade into the deeper waters of the second half of life — aging, character, grief, spiritual maturity, limitations, and the sacred invitation to move from doing to being. Steve speaks candidly about the shifting landscape of life at 67: the habits that no longer serve him the tender emergence of compassion learning to sit with grief rather than outrun it the uncomfortable art of slowing down how filmmaking and teaching have reshaped his inner life and the courageous (and often comical) struggle of a Seven learning to live in the present moment We talk about marriage, mortality, the ache of unfinished dreams, the sweetness of gratitude, the pains and gifts of aging, and the spiritual practices that are slowly rewiring Steve's relationship with presence. Tune in to hear this rich conversation about Enneagram transformation, emotional intelligence, creativity, and the inner work of becoming whole.     ABOUT STEVE TAYLOR Steve Taylor is a filmmaker, writer, producer and recording artist who earned his "Renaissance Man" stripes (Prism Magazine) from a body of work that's garnered him multiple Grammy, Billboard, Telly, Addy and Dove awards and nominations. A southern California native, he was raised in Denver, Colo., and studied music and film at Colorado University. In 1983, Taylor began a career as a recording artist that spanned 12 years, selling over one million albums worldwide and garnering him two Grammy nominations for "Meltdown" (1984) and "Squint" (1993). In the process, he made history as the only artist to twice win Billboard Music Video Awards for self-directed music videos. As a concert artist, Taylor headlined four international tours, including acclaimed appearances at L.A.'s Universal Amphitheater and London's Hammersmith Odeon. He was also lead singer in the MCA-signed modern rock band Chagall Guevara. Follow on Facebook or Instagram Sketch Film Website  

Episode No. 728 features curators Anna Lovatt and Kelly Montana, and artist/curator Pablo Helguera. Lovatt and Montana are the curators of "Lines of Resolution: Drawing at the Advent of Television and Video" at the Menil Drawing Institute, Houston. The exhibition examines the intersection of drawing, television, and video from the late 1950s into the 1980s. "Lines of Resolution" features the work of 25 artists, including Nam June Paik, Howardena Pindell, Sigmar Polke, and Joan Jonas. It is on view through February 8, 2026. A fascinating catalogue was published by the Menil. Amazon and Bookshop offer it for about $35-40. In addition to the works shown below, works discussed on the program include: Ulrike Rosenbach, Bonnet Drawing, 1972. Catherine Elwes, Two Drawings on Glass, 1978. Along with representatives from the Museum of Contemporary Art Chicago's curatorial and learning teams, Helguera is the co-curator of "Collection in Conversation with Pablo Helguera," which is at the MCA through July 5, 2026. The exhibition is the product of questions that Helguera, a New York-based artist and educator, posed to a group of 20 Chicago artists, writers, activists, and educators in the fall of 2024. It's on view through July 5, 2026. In addition to the works shown below, works discussed on the program include: Susan Philipsz, We Shall Be All, 2011.  Public Collectors, QUARANZINE: A printed space for work produced during the COVID-19 pandemic, 2020.  Instagram: Pablo Helguera, Tyler Green.

LightSpeed VT: https://www.lightspeedvt.com/ Dropping Bombs Podcast: https://www.droppingbombs.com/ In this hard-hitting Dropping Bombs episode, Ken Goodrich shows exactly how he went from an IRS wipeout with only a two-man crew to orchestrating multi-million-dollar exits. From the flashlight-with-Dad origin story and reading The E-Myth 33 times (and later co-authoring the trades edition with Michael Gerber) to teaming with the Wizard of Ads, Ken reveals why most owners crash before they cash out—and the 3-year plan he uses to sprint a business from busted to bankable. Here's the real playbook: join a best-practice group, quantify everything, and buy momentum—if the phone's ringing, there's value. Tell a story that sells so buyers line up. Steer clear of MCA debt (or renegotiate fast), remove bottlenecks, recruit killers, and spot nine-figure opportunities hiding in plain sight. If you're serious about scaling—or selling—this is your wake-up call to document, differentiate, and sprint for 1,000 days.

Hosts Jim DeRogatis and Greg Kot speak with David Browne, author of the book Talkin' Greenwich Village: The Heady Rise and Slow Fall of America's Bohemian Music Capital.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Phil Ochs, "Here's to the State of Mississippi," I Ain't Marching Anymore, Elektra, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sonny Rollins, "Softly As In A Morning Sunrise (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013Miles Davis, "Stablemates," Miles: The New Miles Davis Quintet, Prestige, 1956Joan Baez, "Wildwood Flower," Joan Baez, Vanguard, 1960John Coltrane, "Greensleeves," Evenings at the Village Gate: John Coltrane with Eric Dolphy, Impulse!, 2023Paul Butterfield, "Everything Gonna Be Alright," Live New York 1970, RockBeat, 2015Phil Ochs, "Talking Vietnam Blues," All the News That's Fit to Sing, Elektra, 1964Dave Van Ronk, "He Was a Friend of Mine," Folksinger, Prestige, 1962Dave Van Ronk, "Dink's Song," Dave Van Ronk Sings, Folkways, 1961Bob Dylan, "House of the Risin' Sun," Bob Dylan, Columbia, 1962Dave Van Ronk, "House of the Rising Sun," Just Dave Van Ronk, Mercury, 1964The Blues Project, "Catch the Wind," Live at the Cafe Au Go Go, Verve Folkways, 1966Bob Dylan, "It Ain't Me Babe," Another Side of Bob Dylan, Columbia, 1964Bob Dylan, "Hurricane (Live at Memorial Auditorium, Worcester, MA, November 1975)," The Rolling Thunder Revue: The 1975 Live Recordings, Columbia, 2019Len Chandler, "Bellevue," To Be a Man, Columbia, 1966Peter, Paul and Mary, "Where Have All the Flowers Gone," Peter, Paul and Mary, Warner Bros., 1962Sonny Rollins, "I Can't Get Started (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013The Roches, "Speak," Speak, MCA, 1989Buffy Sainte-Marie, "It's My Way," It's My Way!, Vanguard, 1964Odetta, "I Never Will Marry," Odetta Sings Folk Songs, RCA Victor, 1963Drive-By Truckers, "Ronnie and Neil," Southern Rock Opera, Soul Dump, 2001See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.