Podcasts about Asian Art Museum

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee celebrates AAPINH Month by interviewing Filmmakers: Sara Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. We also cover a bunch of AAPINH month events happening throughout the Bay Area.   Calendar of Events Community Calendar May 3 2-6pm Daly City AAPI Fest celebrating local Asian American & Pacific Islander culture in Daly City and the Greater San Francisco Bay Area     May 10 10am-12pm PT Our Heritage 5K 2025  a FREE, family-friendly 5K fun walk/run honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city, passing by over 16+ historic AAPI landmarks—featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high! May 10th is also AAPI Mental Health Day! The Our Wellness Festival, will celebrate mental health, community, and joy. The festival will feature family-friendly activities, carnival-style games, music, dancing, wellness resources, and more! May 23 at 5:30 pm – 8:30 pm Asian American and Pacific Islander LGBTQ2S+ Mixer NJAHS Peace Gallery 1684 Post Street, San Francisco Children's Fairyland in Oakland, and Stanford's Asian American studies department host a series of events throughout the month that we will post in the show notes for you to check out.  Bay Area Public Libraries AAPI Month Oakland public libraries feature reading lists for all ages, a grab and grow seedling kit and events like watermelon kimchi making!San Francisco Public Libraries There will be events for all ages at Library locations throughout the City, including free author talks, book clubs, film screenings, crafts, food programs and musical and dance performances. San Jose Public libraries host a series of events with a highlights being Tapa Cloth making on May 6 and Vegan Filipino Cooking with Astig Vegan on May 7 Berkeley public libraries   CAAMFest 2025 United States of Asian America Through June 1    Transcript: Filmmakers Exploring Boundaries   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:57] Welcome to Apex Express and happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, we are focusing on Asian American filmmakers exploring boundaries. Host Mika Lee talks with filmmakers, creators, writers Sarah Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. Join us on Apex Express.    Miko Lee: [00:01:51] Welcome, Sarah Kambe Holland, the amazing young filmmaker, writer, director, here to talk about your very first film, egghead and Twinkie. Welcome to Apex Express.    Sarah Kambe Holland: [00:02:04] Thanks so much for having me.   Miko Lee: [00:02:06] So first I'm gonna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And my first question is, who are your people and what legacy do you carry with you?    Sarah Kambe Holland: [00:02:19] Oh wow. What a great question. , I think that I represent my family and my heritage. I'm mixed, so I'm half Japanese and half British. I grew up partially in Japan and partially in the States. I feel like those experiences, my family, they make up who I am and the stories that I wanna tell.   Miko Lee: [00:02:41] And what legacy do you carry with you?    Sarah Kambe Holland: [00:02:45] I think the legacy of my family, my grandparents on both sides have overcome so much, and, , they're a big inspiration to me. Funny enough, my grandparents play kind of a secret role in this film. My grandparents on my mom's side were incarcerated in the Japanese American camps. My grandmom, my British side overcame a lot of adversity as well in her life. , I think that's the legacy that I carry.    Miko Lee: [00:03:09] Thank you. Tell me a little more, what secret role do your grandparents play in the film?    Sarah Kambe Holland: [00:03:14] all my grandparents have always been very supportive of, my art and my filmmaking. But my grandparents on my mom's side, they passed away ahead of the making of this film. And I inherited my grandfather's car. And that car is the car in the movie that, Egghead Twinkie drive cross country. So I like to think that this is their way of supporting me. I think that they would get a kick out of the fact that their car is like a main character in the film,    Miko Lee: [00:03:41] literally carrying you on your journey. I had so much fun watching the film. Can you share with our audience a little bit about what the film is about and what inspired you to create this?    Sarah Kambe Holland: [00:03:52] So the film is called Egghead and Twinkie, and it's about this mixed Asian teenage lesbian named Twinkie who's coming out and her best friend Egghead, who unfortunately is in love with her and she does not feel the same. , and they end up going on this cross country road trip to meet Twinkie Online love interest IRL for the very first time. So it's kind of like a buddy comedy road trip movie. Coming of age queer story, , and it's one that's very personal to me, I think is a mixed Asian queer person. This was a story I was drawn to tell because it was a story that I didn't really see on screen when I was growing up.   Miko Lee: [00:04:30] Can you talk to me a little bit more about the use of the name Twinkie, which for many folks in the A API community is seen as a slur, and I know she talks about it a little in the film, but can you share more how you came up with that?    Sarah Kambe Holland: [00:04:44] Yes, it's a very nuanced thing and it's something I was kind of nervous to tackle, especially like in a comedy film. , but really with the creation of Twinkie's character, , I feel like she's going on this journey to embrace herself as a lesbian, as a gay woman, but then also I think that she's searching for herself as a mixed Asian person. I feel like within the Asian American community, if you're raised here in the US or if you're mixed or if you're adopted, I think that there can be this feeling of not feeling Asian enough. I think the word Twinkie was something that was kind of weaponized against her. Like, oh, you know, you're not Asian enough, you're a Twinkie. And her way of coping with that is to kind of reclaim that word and kind of own that. As her own name.    Miko Lee: [00:05:31] Thank you so much for sharing. I read online that this is the very first feature film to be crowdfunded on TikTok. Can you talk a little bit about, I know your background is in as a social media creator. Can you talk about that journey from social media creator to filmmaker?    Sarah Kambe Holland: [00:05:51] Yes. Yeah. TikTok and social media was such a big part of getting this film made. Uh, so for myself, yeah. I was a YouTuber before I was a filmmaker. I should be clear, I wasn't like PewDiePie or anything like that. I had like 40,000 followers. Um, but for me at that time when I was like 15, 16, that felt like the whole world. Um, and I think that YouTube was really my first introduction to. Storytelling, but also to making friends with people through the internet. And that ended up being a really big influence on this film because Twinkie is traveling cross country to meet a girl that she meets online. And I think that that is such a common story nowadays. Like people make friends online all the time. Um, and the ways that we find love and community has changed.Because of the internet. Um, so it felt very appropriate that we turned to TikTok turned to social media as a means to raise money for this film. Uh, we did a whole targeted crowdfunding campaign on TikTok and we raised over $20,000 from a lot of strangers that I will never meet, but I owe a lot of thanks to.   Miko Lee: [00:06:53] So now that the film has been going out to different festivals and being screened at different places, have any of those that participated in the crowdfund, have you met any of those kind of anonymous supporters?    Sarah Kambe Holland: [00:07:05] Yes. And that was crazy. it was awesome. We screened it over 40 festivals all around the world. Our international premiere was at the British Film Institute in London. And it was at that screening that someone raised their hand during the q and a and they were like, I just wanted you to know that I backed your movie, uh, and I found you on TikTok. And that just blew my mind that someone on the other side of the world, you know, had donated whatever, you know, 10, 20 bucks to making this thing a reality.   Miko Lee: [00:07:31] Oh, I love that when the anonymous becomes real like a person in front of you that you can actually meet. How fun. I'm wondering if your use of animation is, , been influenced by your social media background.    Sarah Kambe Holland: [00:07:45] Not really. Actually. I think the animation part of this film is just because I'm a total nerd. I really love animation, I love comics. And so that kind of bled into Twinkies character. You know, she loves comics, she wants to be an animator. And, uh, I think I've always been interested in the idea of combining 2D animation with live action footage. I feel like that's something that we see a lot in like children's movies or, um.Music videos, but it's not something that you really see in like, feature films all that often. So I was kind of excited to explore that, and it was a really fun collaboration with myself and our lead animator, Dylan Ello, who did most of the animations in the movie.   Miko Lee: [00:08:28] Oh, thank you for that. I, I, it was very delightful. Um, I'm wondering, because we're, our world right now is incredibly complicated and so conflicted. How do you feel filmmaking can make a difference?    Sarah Kambe Holland: [00:08:44] I feel like art is more important now than ever because I see even in just this film's journey how art literature and movies, it can change people's minds and they don't even realize that their minds are changing.I think especially with this film, 'cause it's so lighthearted and funny and silly, you'd be like, oh, it's just, you know, a good laugh and that's it. But, but not really. I've seen this film. Open doors and open conversations. And I think that that's really my hope is that maybe, you know, parents who have a queer kid and they're not sure what to do about it, maybe they'll watch this film and they'll be able to talk to their kid about things that maybe they're afraid to talk about. I think that art really has the power to, to change people's minds.    Miko Lee: [00:09:29] Have you experienced that with somebody that has actually seen your film, that you've had a conversation with them where they walked away, changed from seeing it?    Sarah Kambe Holland: [00:09:38] Well, on a very personal level, um, my parents, uh, are conservative and I think when I first came out to them, it was an adjustment for sure. Um, I. When I initially kind of pitched the idea of Egghead and Twinkie to them years, years ago, uh, as a short film, they were confused. They were like, why do you wanna make this film about being gay? Like, why do you have to make everything about being gay? And that's not really what it was. I just wanted to tell this story.  And it's been such an amazing journey to see my parents like fully embrace this movie. Like they are egghead and Twinkie biggest fans. They might love this movie more than me. Uh, so that has been really amazing to be able to kind of talk to them about queer issues in my identity through the making of this movie.   Miko Lee: [00:10:24] I love that. So let our audience know how they can see your film, egghead and Twinkie.    Sarah Kambe Holland: [00:10:31] So Egg and Twinkie is coming out on streaming platforms on April 29th. It'll be on Apple tv, Amazon Prime, uh, any video on demand streaming platform in North America.    Miko Lee: [00:10:43] Yay. And Sarah, what are you working on next?    Sarah Kambe Holland: [00:10:46] Oh boy, have a big question. Uh, I have a few screenplays in the works, one of which is a time traveling lesbian rom-com. So, uh, I'm waiting for when I get the big bucks so I can make my first period piece.    Miko Lee: [00:10:59] Love it. Sounds fun. , thank you so much for sharing with us. It was such a delight to see your film and I look forward to seeing more of your work.   Sarah Kambe Holland: [00:11:08] Thanks so much for having me, Miko. This was great.    Jalena Keane-Lee: [00:11:11] Listen to Kushimoto Bushi by Minyo crusaders, a Japanese cumbia band    MUSIC   Welcome back. This is the Powerleegirls on apex express, and that was Kushimoto Bushi by Minyo Crusaders    Miko Lee: [00:15:24] Welcome, Alleluia Panis, the Executive Director of Kularts to Apex Express.    Alleluia Panis: [00:15:30] Thank you. I'm so honored to be here.    Miko Lee: [00:15:34] I wanna talk with you about your film, but first I wanna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And that is, who are your people and what legacy do you carry with you?   Alleluia Panis: [00:15:49] Wow, that's deep who are my people? My people is my community. And so it is here in, in the diaspora, Filipino Americans, Asian Americans, and folks of color. And then of course the indigenous people in the Philippines. . What I carry with me and continues to inspire me on the daily is the knowing that we have been here for a long time. Our ancestors have survived eons of whether it's, good times and bad times. And so that keeps me going.   Miko Lee: [00:16:28] Thank you so much for sharing. you have been working in the field for a long time. You're really, , a trailblazer in terms of putting Filipino arts on the map and really lifting up the culture. Can you talk about your new film Memories of Mindanao, where that came from, what it's all about?   Alleluia Panis: [00:16:49] Is a leg of, , Tribo tour, which began in 2002. But actually inspired by my first trip to, , then the wild and being with in 1989 , and, , basically traveling and. Setting myself and my, my, my music and dance company at the time to just be with indigenous people. ,and how profoundly that particular experience really impacted me. For years I've been wanting to like, how can I bring this? Experience or share the experience with other diasporic folks. Fortunately I was able to connect with Carlo Abeo in the Philippines, who's been my tour manager, in 2001. And then in 2002 we embarked on the first, Tribo tour.   Miko Lee: [00:17:50] So this was an effort to really share this powerful kind of artistic travel journey with more folks. Is that right?    Alleluia Panis: [00:17:57] Yes. And it's actually beyond artistic. It's really about recognizing something deeper, right? Because our history of colonization is pretty intense. 500 years and or is it 400 years? Give or take, a century. And so there are a lot of things that had been co-opted. It has been erased, it has been gaslit. And fortunately, I feel like within the culture of the archipelago, there are, and even those. That are, of the, what is considered the colonized people or the Christianized people. there are practices that exist today that might have a different name, um, or but actually is indigenous and so, and only. Could I say that because I was able to really experience and be with folks and, uh, and it's years, you know, it's years of kind of like assessing and looking at you know, different, uh, practices. And so that is so I don't know. It's beyond gratifying. It's connecting. I mean, it seems so cliche. It's connecting with something so deep, you know, it's like connecting to, you know, to Mother Earth in, in that way our, our Mama Ocean. And recognizing yourself that, that you are bigger and have, and has agency, you know, in terms of just. What you are connected to, uh, what we are connected to. Um, and so it's, it's it, of course within the cultural practices, which is artistic practices that we see that connection.    Miko Lee: [00:19:40] You were looking at, the impact of colonization and how arts and culture has really spoke to that or fought back against that in the Philippines. Can you talk about bringing that over to our colonized United States and how you see that playing out?    Alleluia Panis: [00:19:58] Well, I think first of all as, um, as folks of color. And as former subjects of the United States, you know, 40 years of the US and still, still, um, you know, in some ways kind of soft power over the people of the Archipelago. It's, it's really, um, first and foremost knowing or getting that sense of connection and confidence and, um, self-identity. That leads, that would lead us to create, um, in the diaspora. And so what, what this pro with this project, this particular program does and, and I continue to prove it with so many folks, is that it's really. Kind of finding yourself, I mean, that, that seems so cliche and knowing your place in the world and how you are connected so deeply despite all the, you know, like all the brainwashing that you don't know anything. Everything is, uh, you know, everything that, that, that, um, that exists in terms of the cultural practices of the arch of the people of the archipelago are borrowed or, or, um. Basically borrowed or taken from another culture, um, really kind of diminishes that, that colonized thinking. And so I think the power of it is finding your stepping into your own power in this way. Um, and, and, um, you know, it is also not just the current, like in, in once lifetime do you get that abuse or trauma, but it's also all the. You know, the, the, the inheritance from our, you know, from our parents, from our grandparents, right? Great. Passed down the generation and, um, oftentimes construed as the real deal, unt true. And so, aside from the form. Aside from, um, the practices, because this trip is really a little, is is focused more on not learning or like, you know, we don't go to learn like dance music or. Weaving or, you know, design or anything like that. Yes, that happens. We do, we do have workshops, but you know, it's not like it's, it's more like opening the ice of each, you know, individual. I. To the, to the, the whole, the whole thing. What, what is the, the presence of nature is, are they water people? Well, how does the water impact the cultural practices and therefore the artistic practices, um, and understanding sort of like, oh, they, they do that kind of steps with the, you know, flat feet or whatever. Because the sound of the bamboo slats is just. Amazing, you know, uh, under their feet. And so it's not so much that I'm gonna learn, you know, x, y, Z dance or x, y, z music, music or gongs, or, but it's more like w. Through those practices, how do we see the people, how do they mirror our own existence? And what, what we can remember really is remembering, um, what my, what, what we have forgotten or what we know it's true, but we're not sure. So I dunno if I'm answering your question. It's a roundabout response.    Miko Lee:[00:23:26]  I feel like you're talking about how we step into our ancestral wisdom and power.    Alleluia Panis: [00:23:33] Correct.    Miko Lee: [00:23:33] And I'm wondering if you can expand on that,, to talk a little bit more about this time of oligarchy we are living in, which is really built in colonization. How do we both as artists use our superpowers to fight back against that and then encourage other people? How do we use our artist beings to encourage other people to fight back against the world that we're living in right now?  Alleluia Panis: [00:24:00] One of the most powerful impact on me , in experiencing, indigenous practices and culture is the practice of spirituality, the rituals, the ceremonies. There's one specific ceremony from Ana as a magana on ceremony, um, that really, It was just such a profound experience in opening up, my senses and my sense of connection to something larger than this. And, and the EPO and, um, there's several, um. Ritual practices with different names. It's basically similar, uh, practice, uh, is the connection to the five elements and the basic, um, um, and fundamental elements of life. You know, water, earth, wind, fire, and the darkness. The, there's a transcendence. Um. And that that discovery is a, or that connection, um, is something that's, it sounds really woo woo, right? I mean, um, but it really becomes kind of a, a, an experience, an embodiment experience, a belief in your own kind of intuition, your gut feeling. My, uh, my. Um, response, you know, to it, a physical response. And, um, that, that's become like a, a guide for, for everything that I do. And so, um, to me that that is the grounding that, um, has allowed me to continue the work that that. That I've been doing, continue living, period. And so it's really, I think the, a matter of really kind of like, knowing yourself, it just sounds all so cliche, you know? And, and, the power of, Really understanding that you have or I have a depth of connection, that I can draw from in terms of energy and spirit and love, that is beyond kind of the physical, but also the physical. And so for me, that sense of knowing. Is what is allowing me to continue doing what I do despite all the, you know, challenges and difficulties and, you know, the insanity of these times or any time. and having kind of that grounding, I mean, you, you, the, the, clarity, is everything. it allows me to. follow what seems to be the correct route to wherever I was going. it doesn't mean that it's, it's, I'm, I'm not working on it, you know, but I'm also not, not pushing in a way that, you know, I'm, I'm gonna make you believe in me and I'll, you know, like, sort of like, I will tell you what is the right thing and, and, and I will make you, um, agree with me. It, it's, it's not that. Um, I is, I dunno. Is that making any sense? Do you have any other,    Miko Lee: [00:27:24] you totally make sense to me. I'm wondering how people can find out how, how can people find out more about your film and about all of your work?    Alleluia Panis: [00:27:34] Oh, sure. people can find out about, my work and the film through, um, the website. It's, uh, KulArts SF dot org and, most of, if not all of my work, uh, and the work of others, are actually on there. There's a lot of information there. the, the film is gonna be shown at the Los Angeles Asian Pacific, film Festival May 3rd at, uh, a MC. Eight or 14 or is it in, Monterey Park and, folks can actually just find that information on our website as well.    Miko Lee: [00:28:13] And what would you like audience to walk away from your film with an understanding of?   Alleluia Panis: [00:28:21] I want the audience to feel the. Power of being there in TT T is the southernness most islands of, of the Philippines. And, not too many people actually go there. If you have seen the Sam Baja, um, you know, divers, uh, where they can dive for, I think they can stay from five to 15 minutes underwater without any, you know, oxygen or assistance. These are, these are the people who, who, uh, these islands belong to. and as usual, their, you know, their live livelihood is being challenged by everything that's happening in the world. And what the, the film itself, itself, is really trying to put, put the audience within the, you know, like the, I guess the, the shoe of the there and how, you know, their experiences. there's not a lot of explanation to it because we really want it to be a more visceral experience. for the audience,    Miko Lee: [00:29:22] is there anything else you'd like to share with us?    Alleluia Panis: [00:29:26] Let's keep on going. Let's, you know, we, we all, we all need to be in community to uplift each other and keep hope alive.    Miko Lee: [00:29:38] Thank you so much for joining us today and sharing a little bit more about your film and about your work and your connection to the ancestors and the need to move forward.   Alleluia Panis: [00:29:47] Appreciate you. Thank you, Miko.   Miko Lee: [00:29:51] Welcome Kyle Casey, Chu, also known as Panda Dulce to Apex Express.    Kyle Casey Chu: [00:29:57] Hi so much for having me.    Miko Lee: [00:29:59] We're so happy to have you back here, onto Apex Express Land and you have a bunch of new things happening, not just a new film, but also a new book. First off, I'm gonna just start with a personal question, which I ask everyone. Who are your people and what legacy do you carry with you?    Kyle Casey Chu: [00:30:16] Ooh, that's a juicy one. Um, my people, I would say my people are the weirdos and the art freaks of the world. Uh, queer and trans people, Asian Americans, queer and trans Asian Americans, people of color, people from the Bay Area. Um, people who have noticed the boxes that they're in and are pushing the walls and the boundaries of that. I feel like these are the people who really inspire me the most. In terms of the legacy I bring, I am a fourth generation Chinese American, uh, queer and trans femme person living in the San Francisco Bay area where I was born and raised.   Miko Lee: [00:30:56] Thanks so much for sharing. , first let's start with just finding out more about your film, which was based on a true story called After What Happened at the Library. This was a national story, I remember hearing about it, but for folks that don't know, can you describe the real incident that inspired the film?    Kyle Casey Chu: [00:31:14] So, I'm one of the founders of Drag Story Hour, which is exactly what it sounds like., drag queens reading stories to, , children and their families and libraries, bookstores and schools. In 2022, I took a gig in Pride Month at San Lorenzo Public Library, , where I was doing a drag story hour and the Proud Boys stormed in. They called me a tranny, a groomer and an it. They wore shirts saying, kill your local pedophile and I had to retreat to the back and lock myself in the back room. They scoured the premises looking for me. , the authorities showed up and didn't get any of their names or information, um, and just. Dispersed them. And after the incident, I came back to the reading room where the children and families were there, but shaken and I completed the reading.    Miko Lee: [00:32:05] Incredibly traumatic. What happened after that in real life?    Kyle Casey Chu: [00:32:10] It's funny that you, uh, because the short film is called After What Happened at the Library, uh, for a reason because I feel like it's natural as social creatures for humans to focus on the incident itself. We want to approach people with empathy and we want to, really put ourselves in their shoes, uh, to kind of be there as a support for them. What I wasn't prepared for was the gauntlet of media attention, how people would be coming out of the woodwork to ask me about the situation. They would send gushing praise, hate mail, death threats, love letters, care packages, and this wave of attention. Almost added to the overwhelm of the experience and the fact that I had suddenly become a figure and a lightning rod in a culture war when I just wanted to read a book in a library. 'cause that's what I was doing. Um, and not only this, but in the coverage of the event. Because the authorities were so slow to act on this and only started investigating it as a hate crime after it blew up on Instagram and they suddenly felt the heat of media attention. Um, I felt the, my only recourse was to go to the media and was to talk, and especially as a writer and a storyteller, I felt I needed to kind of sound the alarm because it was pride month.  This was the first, this was the inciting incident of a national, even international anti-D drag wave of right wing extremism. Um, it was a couple days later that the oath keepers were found planning some kind of resistance, like violent insurrection in before Ohio Pride. And so I would talk to these journalists and. I felt in the beginning I trusted them because, you know, I trusted that they wanted to get the word out, that they had the same intentions that I did in protecting my people. And what I found instead was that they kind of almost, they tried to elicit the most emotional response from me, which often involved asking me to relive the most excruciating aspects of that time and that experience. So I had to go back and revisit it over and over again. And when the stories actually came out, I'd found that my story was edited to suit another preconceived formula that they had already pitched a certain idea for how the story was would go. That painted me as this static monolithic victim. And they would just plug in one tearful soundbite and the rest of the story, they could just say whatever they wanted with.And there's a certain violence in that. There's a certain. Greater injustice to going through something like that, number one. But number two, telling your story and having that be distorted to suit other political aims or to, you know, buttress a call for public safety. And that specific dynamic of the direct aftermath of notoriety is what the short film gets at.   Miko Lee: [00:35:11] Oh so you're taking back your own story.    Kyle Casey Chu: [00:35:14] Absolutely. So after what happened at the library, the short film is a very much a radical reclamation of my own voice and my own story. Um, prying it back from the hands of the media and telling it on my own terms.    Miko Lee: [00:35:26] Thank you for that. And how has it been received   Kyle Casey Chu: [00:35:29] So far it's been received very well. The short film World premiered at Florida Film Festival in Orlando. Received a special jury prize for courageous voice in a time of great need, which is incredible. It's our first screening and we already got an award, which is so exciting. It just screened at SF Film on April 23rd as part of the shorts block. SF film is an Academy Award qualifying festival, and it is going to screen again at Can Fest, one of my favorite local festivals, the world's largest Asian and Asian American film showcase it's screening on Friday, May 9th at Kabuki and tickets are on sale.   Miko Lee: [00:36:11] Thank you for that. And can you tell us about your new book? This is very exciting. You have a coming of age story, the Queen Bees of Tybee County. Can you tell us about your book?   Kyle Casey Chu: [00:36:22] Absolutely. When it rains, it pours in creative worlds. I had a lot of irons on the fire and it just so happened that all of them were exhibiting or debuting or hitting shelves in the same week of April, which is last week. The Queen Bees of Tybee County is my debut novel. It's middle grade, so for ages eight through 12, though like a Pixar movie, it's for all ages really. Um, and it is a hopeful drag coming out story about a queer Chinese American seventh grade basketball star. Derek Chan, who is unceremoniously shipped off to his grandma Claudia's in rural Georgia, and she is volunteering for a local pageant. And so he. Explores his queer identity and his love for drag via Southern pageant culture.    Miko Lee: [00:37:09] Ooh, do we see a film of this in the future?    Kyle Casey Chu: [00:37:12] Actually, Queen Bees of Tybee County was optioned by Lambert Productions, which put on the Hardy Boys on Hulu. So it is on its way to becoming a TV show if every, if all the stars align, it'll be on TVs in the uk. Fingers and toes crossed for that.    Miko Lee: [00:37:27] Amazing. I'm looking forward to that. Can we pull ourselves out a little bit and talk about the times that we're living in right now and how artists use our super powers to fight back against the oligarchy that we're living in?    Kyle Casey Chu: [00:37:43] We all know, or perhaps should know that the beginnings of fascism involve suppressing intellectuals and artistic voices, increasing police presence and trying to maintain a stiff and consistent lid on the voices of the people. And so this type of suppression is happening right now. There are book bans across the country. , there are state and federal efforts legislatively to curtail the rights of trans kids and trans athletes, and Intellectuals, diplomats and scholars are all being expelled or suppressed, and I think something that I've learned is that, and it sounds really cheesy, but that quote is so real where it's like being brave isn't the absence of fear, but it's doing things in spite of it. I know it feels very scary to speak out right now, but now is the exact time to speak out because any. Ground that is seated cannot be taken back. And so holding of the line by way of protest, by way of publication, by way of dissenting is how we crack this. The armor of fascism.    Miko Lee: [00:38:55] And can you talk a little bit about the moment of joy or celebrating joy within the context of the strife that we're living in? I bring that up because , you've given me much joy as part of the rice rocketts and a lot of the work that you do. So I wonder if you could just talk about what does joy mean in the moment like this?    Kyle Casey Chu: [00:39:16] Yeah. I think. I have a background in social work and one of the first things that we learned is this is hard work. It is hard to always start on your back foot and to have to argue your own humanity and justify your existence as an artist or as a person. I found myself doing that when coverage of the library incident was happening and. One of the things that they tell you is the way that you do your best work and the way that you best serve your communities is by keeping your own self afloat. And what this means is maintaining a balance. When you have hard work, you also need to reward yourself. You also need to take care of yourself. And I don't think it's enough to just say self-care. You need to expose yourself, and you need to fully embrace the full spectrum of human emotion, which necessarily includes joy. And so. After completing such an intense project, like after what happened at the library, I knew that I needed to engage in something that was hopeful and that really struck the cord of why community is so vital and important, and why social support is integral to all of us thriving. And so the Queen Bees of Tubby County, I was told by a reviewer, and this is my favorite review, they said that it's like Chapel R'S Pink Pony Club. If it were a book. Um, and I'm going with that 'cause I love that. But this story is really just about hope. It's about friendship, it's about, it's about dancing towards the future we want. And I don't think it is enough for us to react. I don't think it's enough for us to strike down. Terrible and horrifying regimes. We also must have a vision for the future that includes ourselves thriving and enjoying ourselves. And I think a part of that practice for me is making art and scaffolding a vision for the future that is positive.    Miko Lee: [00:41:20] And what would you like people to walk away from after either reading your book or seeing your short film?   Kyle Casey Chu: [00:41:29] I think after seeing the short film. What this gets at is whenever there's a flashpoint of a culture war and it's localized on one person, whenever a culture war is personified in one singular person, like for example, ma Moon kil. There's only so much of his life that we get to see, and it's through the headlines and this viral moment of like a flash on the pan. And I want people to realize that the way that you interact with these people in that fleeting moment is going to stick with them long after this moment of notoriety passes. And. To be conscientious and aware of what impact you're bringing to that person because it may just be a moment or a blip in your feed, but the impact is enduring for the person who's living it. And I also want us to be critical of how we consume trauma and violence in the media, and to ask ourselves if. We really, truly need to get all the details if we really, truly need to be put, put that victim in the position of reliving their experience just so we can relive it for a moment. Whereas they will have to relive it for the rest of their lives. And I think survivor narratives and victim narratives are way more messy and complicated and sometimes funny than people give it credit for or realize. And to realize that when you are reading something. That is just one dimension in one shade. Uh, yeah. So that was a lot, sorry. But, um, the other thing is for the Queen Bees of Tybee County. And the reason why I wanted to end on that is because it's uplifting is as dark as the world can be. It can also be as dazzling and bright and hopeful, and that the future that we are fighting for is worth fighting for. And we need to remind ourselves of that. Especially in times like these, and I know it might seem counterintuitive for us to celebrate or to be around each other when it feels earth shatteringly bleak, but it is essential to our survival, and don't be afraid to embrace that.   Miko Lee: [00:44:00] Kyle, thank you so much. Kyle, Casey Chu, thank you so much for joining us on Apex Express. I encourage people to check the film out and the book out and we appreciate chatting with you.    Kyle Casey Chu: [00:44:11] Thanks so much.    Ayame Keane-Lee: [00:44:14] Kyle's film will be showcased at Cam Fest, the nation's largest showcase for new Asian American and Asian films, which runs from May 8th to 11th in San Francisco at a time when it feels particularly fraught to express stories from communities of color. Cam is doing what we've done for over 40 years, sharing films from Asian America to a wide array of audiences. It says, Cam's, director of programs, Dawn Young. Watching these stories in a theater full of friends and neighbors is an opportunity to laugh and cry, and ultimately to celebrate human experiences that transcend bounds. This year's festival will return to the A MC Kabuki in San Francisco's Japan town for opening night, and a total of four days of screenings in the historic neighborhood that is undergoing its own resurgence with new restaurants, cafes, and boutiques, highlighting both traditional and youth oriented culture. The Roxy Theater will also host three days of screenings. Cam Fest continues to strengthen ties with other local arts institutions with the Asian Art Museum hosting the Cam Fest gala. Following the opening night film on Thursday May 8th and SF M Om a opening the Phyllis Wa Theater for Mother's Day programming on Sunday, May 10th. Turning a lens on history, whether it's the end of the Vietnam War or the trailblazing women in the Bay Area, offers a chance to reconsider the stories through which we come to understand ourselves. Says Cam Fest program Manager Del Holton, ranging from intimate narratives of family and memory to experimental work that bends the conventions of storytelling. These films illuminate the many perspectives of Asian America.    CAAM Fest 2025 wraps up on Mother's Day with dedicated events that highlight strength and visionary artistry of Asian American women. You can also catch my sister Jalena Keane-Lee's film Standing Above the Clouds at 5:00 PM at the Kabuki. Honoring Mothering also includes celebrating the nurturing of community and pioneering of aesthetics. Cam's final day reflects on the contributions of Asian American women's work while looking to the future of storytelling. Another major multimedia arts, dance and music festival to check out is the annual United States of Asian America which runs through June 1st at venues around the Bay Area. This year's theme Critical Refuge asks us to reflect on our journey as immigrants, refugees, and generations of descendants and or mixed raced people in the diaspora as we seek necessary sanctuary within ourselves and in our communities in times of unrest and uncertainty. The festival will honor a API Arts and Culture, reflecting on where we have been, where we are now, and what our collective future holds, while acknowledging our roots as immigrants, refugees, and mixed race descendants. Also check out the 42nd annual Himalayan Fair in Berkeley's Live Oak Park happening May 17th and 18th. There will be Himalayan Food, handicrafts, music, and Dance. There are so many events happening in celebration of Asian American and Pacific Islander Heritage Month. Check out our show notes for links to all the wheelchair accessible events In addition to the films we featured tonight, camp Fest and United States of Asian America, there is also May 3rd, two to 6:00 PM daily city AAPI fest celebrating local Asian American and Pacific Islander culture in daily city in the greater San Francisco Bay area.    May 10th, 10:00 AM to 12:00 PM Our heritage, 5K 2025. A free family friendly, 5K fun walk slash run. Honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city. Passing by over 16 plus historic A API Landmarks featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high. May 10th is also a API Mental Health Day. The Our Wellness Festival will celebrate mental health, community and joy. The festival will feature family friendly activities, carnival style games, music, dancing, wellness resources, and more. May 23rd at 5:30 PM to 8:30 PM Asian American and Pacific Islander, LGBT Q2 s plus Mixer, NJAHS, peace Gallery 1684 Post Street in San Francisco. Children's Fairyland in Oakland and Stanford's Asian American Studies apartment will also host a series of events throughout the month that we will post in the show notes for you to check out in Bay Area Public Library News. Oakland Public Libraries feature reading lists for all ages, a grab and grow seedling kit and events like Watermelon Kimchi making. San Francisco Public Libraries will have events for all ages at library locations throughout the city, including free author talks, book clubs, film screenings, crafts, food programs, and musical and dance performances. Highlights for adults include the launch of Corky Lee's Asian America at the main library on May 23rd. The new book features over 200 breathtaking photos celebrating the history and cultural impact of the Asian American Social Justice movement. We've covered Corky Lee's work in multiple previous Apex episodes.    Additionally, four members of the Asian American Journalist Association, AAJA, who cover the Asian American and Pacific Islander News beat will discuss how authentic local reporting happens, important stories they've reported recently, and how having reporters dedicated to the BEAT impacts the A API community on May 8th, moderated by the interim president of the AAJA-SF Bay Area chapter Harry Mock. The panel features Ko Lyn Chang from the San Francisco Chronicle, Han Lee from the San Francisco Standard, and Ravi Kapoor, CEO of Dia, TV on May 25th. The library partners with the Chinese Cultural Center of San Francisco to welcome Curtis Chin, author of everything I Learned, I learned in a Chinese restaurant for a book talk and library popup. For youth on May 25th, join June Jo Lee Food ethnographer and award-winning children's book author for a kimchi demo. Read aloud and krautchy making activity. Experience a read aloud of New Picture Storybooks for Children and participate in a drawing workshop on comics with illustrators mini fan and Sophie Dialo on May 23rd at Excelsior Branch Library. Katie Kwan, who has been featured on Apex dives into the world of comics and zines through the lens of an Asian American artist and educator, and teaches the community how to make their own comics and zines at multiple locations throughout May. San Jose Public Libraries host a series of events with highlights being top of cloth making on May 6th and vegan Filipino cooking with Aztec Vegan on May 7th. Once again, happy Asian American and Pacific Islander Heritage Month from us at Apex Express. Please do checkout CAAM Fest. May 8th through 11th in San Francisco. If you get the chance and you'll be able to see Kyle's film. As well as many other incredible AAPI, histories and stories. You can check out all of that community calendar info in our show notes, as well as information on all of the guests you heard from tonight.   Miko Lee: [00:51:55] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.        The post APEX Express – 5.1.25 – Filmmakers Exploring Boundaries appeared first on KPFA.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993.  She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website:  RanuMukherjee.comFollow  on Instagram:  @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

If you work across time zones, borders, and cultures, this is the show for you. This is your host Leonardo, welcome to the international business podcast.     What are the major differences between U.S. and Chinese business dealings and practices?   What questions do today's business leaders need to ask to work successfully and carefully with China?   How does the CCP operate, including their use of flattery to manipulate and replicate business models?   Join Leonardo on Patreon for:⁠⁠ Podcast Archive: 102 episodes (40+ hours). Podcast Bonus Episodes: New exclusive content. Early Access: Upcoming YouTube videos and newsletters. Thinking Process Journal: Insights into Leonardo's content preparation, including a curated reading list and personal reflections. Q&A: Submit questions for future episodes, and receive a shoutout when they are answered. Joining Leonardo we have Ken Wilcox. He was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and an Adjunct Professor at U.C. Berkeley.   Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. His account of establishing an innovation bank in China, “The China Business Conundrum: Ensure that Win-Win Doesn't Mean Western Companies Lose Twice”, was published in November 2024 from Wiley.   For an extra 20 minutes episode with Ken, check out the PLUS episode that is coming out tomorrow. It is available for Patreon subscribers.   You can purchase Ken's book on Amazon here. This will contribute to The International Business Podcast.   If you work across time zones, borders, and cultures, come on the show to share your story. Connect with the host Leonardo Marra

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, we are replaying a conversation from December 2023, as our final drop of the year. It features Emily chatting with artist Rupi C. Tut, whose work focuses on capturing the stories of women like herself and her family. Rupy shares her journey from moving to the U.S. from India, studying pre-med at UCLA, to deciding to pursue art and successfully exhibiting her work in renowned museums, such as the De Young Open and the Institute of Contemporary Art in San Francisco. Rupy discusses her dedication to portraying everyday heroism, belonging, and cultural identity through her art, emphasizing the importance of representation and the significant influence of her background in her creative process. The episode also highlights her training in Pahati painting and her latest show, 'Out of Place,' reflecting on the broader impact of her work on diverse audiences.Rupy is a recent 2024 SECA Art Award recipient, and her work is currently being featured at the SFMOMA with other SECA Award winners. Art is Awesome will return on January 1st with brand new Episodes, featuring artists Carrie Ann Plank and Tricia Rainwater.About Artist Rupy C. Tut:Rupy C. Tut is a painter dissecting historical and contemporary displacement narratives around identity, belonging, and gender. As a descendant of refugees and a first generation immigrant, Rupy's family narrative of movement, loss, and resilience is foundational to her creative inquiries. Tut's artistic practice expands, innovates, and reframes the traditions of Indian miniature painting. She mixes her own pigments and turns to hemp paper and linen to contend and make visible one's place in the world. ​Rupy C. Tut lives and works in Oakland, California. Her work has been presented through exhibitions and talks at the de Young Museum, San Francisco; Asian Art Museum, San Francisco; London City Hall; Stanford University; The Peel Art Gallery and Museum Archives, Toronto; a solo exhibition Rupy C. Tut: A Recipe for Brown Skin at the Triton Museum of Art, Santa Clara; and a solo exhibition Rupy C. Tut: Search and Rescue at Jessica Silverman, San Francisco. Rupy C. Tut is represented by Jessica Silverman.Visit Rupy's Website: RupyCTut.comFollow Rupy on Social Media: @RupyCTutFor more on Rupy's SECA Art Award Exhibit at SFMOMA, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices

San Francisco'daki Asian Art Museum küratörü Naz Cuguoğlu ile hem müzenin koleksiyonu ve programlarından, hem de Gwangju Bienali için küratörlüğünü yaptığı ABD Pavyonu sergisinden bahsediyoruz.  

In this episode, we discuss the new exhibition "Hallyu! The Korean Wave" at the Asian Art Museum of San Francisco, featuring Yoon-Jee Choi, the assistant curator of the Korean Art Department. Our conversation explores several questions, including where we should draw the line for what counts as "Hallyu" or "K-pop," whether K-pop is inherently linked to capitalism, and who the target audience is for an exhibit like this.The exhibition features approximately 250 objects—costumes, props, photographs, videos, pop culture ephemera, and contemporary works—providing an immersive and multisensory journey through a fascinating history, and a celebration of a vibrant creative force that bridges cultural, societal, and linguistic divides and continues to reach new heights today.Visit the Asian Art Museum website to learn more about the exhibition and book tickets:https://exhibitions.asianart.org/exhibitions/hallyu-the-korean-wave/ Hosted on Acast. See acast.com/privacy for more information.

Hallyu means the Korean Wave, which is the nickname given to the phenomenal embrace of South Korean pop culture around the world!  The Asian Art Museum of San Francisco is surfing that wave by bringing in a collection of pop culture pieces. Costumes from your favorite K-dramas, a recreated set from the movie Parasite, stage outfits worn by K-Pop stars, and much more grace the galleries in the museum.   I was lucky enough to meet up with the museum's Korean Art curator, Yoon Jee Choi, and she gave me an after-hours VIP tour. And lucky for you, I was able to record it, so you get to come along too! The Hallyu exhibition is going on only until January 6th.  So hurry and come down.  The Asian Art Museum is located in the Civic Center of San Francisco.  The days/hours of operation are Thursday-Monday usually from 10-5 PM, but on Thursdays, the museum is open from 1-8 PM. It's free to go on the 1st Sunday of every month.  You can get a membership for under $120, which lasts a year and allows you to bring another person with you, so that's a great deal! You can find out more over at https://asianart.org/ or follow their Instagram @asianartmuseum  Special thanks to my favorite curator Yoon Jee Choi!  And thanks also to Freesia from the Media Relations Department. As I always mention, you can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianart #hallyu #Koreanart #asianartmuseum #KPOP #Kdramas #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters

Ken Wilcox, former CEO of Silicon Valley Bank, discusses his book "The China Business Conundrum" and the challenges of doing business in China. He explains the concept of "one bed, two dreams," highlighting the disparity in goals between western and Chinese joint venture partners. Wilcox details his bank's entry into China, emphasizing the strategic invitations and control exerted by the Chinese Communist Party. He recounts the extensive regulations and control mechanisms, including a three-year restriction on using Chinese currency. Despite the challenges, Wilcox values the experience, noting the complex interdependence between the U.S. and China.If you have any questions, comments, or suggestions for Gene, please email him at contact@economicsexplored.com  or send a voice message via https://www.speakpipe.com/economicsexplored. About this episode's guest: Ken WilcoxKen Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the AsiaSociety of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and an Adjunct Professor at U.C. Berkeley.Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things (Waterside Productions, 2020) and its accompanying workbook, How About You? (Waterside Productions, 2023). His account of establishing an innovation bank in China, The China Business Conundrum: Ensure that Win-Win Doesn't Mean Western Companies Lose Twice, is forthcoming from Wiley.To connect with Ken, please visit: www.linkedin.com/in/kenwilcoxsvb/Timestamps for EP259Introduction and Overview of the Podcast (0:00)Ken Wilcox's Journey into China (4:40)Challenges and Strategic Invitations in China (8:10)Guanxi and Corruption in Business Relationships (14:13)State Control and Joint Venture Challenges (20:42)Impact of SVB's Collapse and Final Reflections (40:02)TakeawaysJoint ventures in China often suffer from differing goals between Western companies and their Chinese partners, a phenomenon Ken Wilcox refers to as "One Bed, Two Dreams."The Chinese Communist Party (CCP) holds significant control over both private and state-owned companies, making it difficult for foreign businesses to operate independently.Guanxi, a system of mutual obligation and trust, plays a critical role in business relationships in China, but it often involves navigating corruption and complex social expectations.Foreign companies entering China are often targeted for their intellectual property, and the CCP uses strategic partnerships to gain technological insights.Ken Wilcox's experience with Silicon Valley Bank in China illustrates the frustrations foreign firms face due to slow regulatory processes and overwhelming state control.Links relevant to the conversationKen's book “The China Business Conundrum”:https://www.amazon.com.au/China-Business-Conundrum-Win-Win-Companies/dp/1394294166Previous Economics Explored episodes on China:China's Economic Future Under Xi & the Australia-China Relationship w/ Emmanuel Daniel – EP253 https://economicsexplored.com/2024/09/17/chinas-economic-future-under-xi-the-australia-china-relationship-w-emmanuel-daniel-ep253/Enterprise China: what western businesses need to know w/ Prof. Allen Morrison  – EP171https://economicsexplored.com/2022/12/26/enterprise-china-what-western-businesses-need-to-know-w-prof-allen-morrison-ep171/Why we're in the Decisive Decade with China & what the West should do w/ Dr Jonathan D. T. Ward – EP182https://economicsexplored.com/2023/04/09/why-were-in-the-decisive-decade-with-china-what-the-west-should-do-w-dr-jonathan-d-t-ward-ep182/China, Taiwan & the Indo-Pacific w/ Dr Greta Nabbs-Keller – EP146https://economicsexplored.com/2022/07/04/china-taiwan-the-indo-pacific-w-dr-greta-nabbs-keller-ep146/Lumo Coffee promotion10% of Lumo Coffee's Seriously Healthy Organic Coffee.Website: https://www.lumocoffee.com/10EXPLOREDPromo code: 10EXPLORED 

South Korea is living in the future. It has the fastest internet on the planet. Nearly 100% of its population owns a smartphone. And for the last decade it has become a center of global pop culture. The popularity of Korean drama, cinema, beauty and pop music has given Korea a soft power that has allowed it to emerge as a cultural and economic leader among Asian nations. A new exhibit at the Asian Art Museum “Hallyu! The Korean Wave” picks up on this theme, exploring all things K-culture. We'll talk to its curator, experts, and you: are you a K-fan? Guests: Yoon-Jee Choi, assistant curator for Korean art, Asian Art Museum. Choi is overseeing the "Hallyu: The Korean Wave" exhibition. Todd Inoue, freelance music journalist Kyung Hyun Kim, professor and chair, East Asian Studies, UC Irvine; author, "Virtual Hallyu: Korean Cinema of the Global Age" and "Hegemonic Mimicry: Korean Popular Culture of the 21st Century" Chesca Rueda, co-founder and co-owner of Sarang Hello, a retail shop that focuses on K-pop

Jessica speaks with Jenny Qi, poet, writer, & scientist. She is the author of Focal Point, winner of the 2020 Steel Toe Books Poetry Award. A freelance writer, her essays and poems have appeared in The New York Times, The Atlantic, San Francisco's Asian Art Museum, and numerous other publications. She is working on a hybrid collection titled Liminal Bodies and a memoir in essays in conversation with her late mother's memoirs of the Cultural Revolution and life in Las Vegas. Jenny holds a Ph.D. in Biomedical Science from UCSF and has worked as a cancer researcher and medical writer. Find Jenny's work at www.jqiwriter.com or on Instagram  ~ Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work? For high-achieving professionals, Jessica Wan's executive coaching services stand out as a rare gem. She provides strategic guidance and practical solutions, a unique offering that not only propels her clients' careers forward but also builds their capacity for significant leadership roles in their respective sectors. Her innovative coaching techniques and personalized approach set her apart from the rest. BOOK AN INTRO CALL: ⁠https://calendly.com/jessicawancoaching/intro-call-coaching⁠⁠ Follow Jessica on LinkedIn Credits Produced and Hosted by ⁠⁠Jessica Wan⁠⁠ Co-produced, edited, and sound design by ⁠⁠⁠⁠Carlos Schmitt⁠ Theme music by ⁠⁠Denys Kyshchuk⁠⁠ and ⁠⁠Stockaudios⁠⁠ from ⁠⁠Pixaba⁠y

Jessica speaks with Pamela Mendoza Brasunas, People Ops Leader for early stage startups & Birth Doula. As a startup leader, Pamela creates and nurtures company culture for startups with an ambitious mission. She currently serves as the Head of People Ops at PayZen, and she previously helped grow startups like Udemy and Carbon Health, as well as the Asian Art Museum of San Francisco. A trained birth doula, Pamela founded her doula business Butterfly Birthing, inspired by her work with Planned Parenthood, where she guided and supported pregnant teens. Butterfly Birthing educates women by preparing them for labor, and laying the foundation for empowered birth experiences. Pamela earned her BA in Ethnic Studies from UC Berkeley, and she's a graduate of The Art of Leadership Mastery Program. She's an avid backpacker who completed the Pacific Crest Trail. She loves to dance, support the arts, and spend time in nature and with her family. Find Pamela on LinkedIn and learn more about Butterfly Birthing ~ Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work? For high-achieving professionals, Jessica Wan's executive coaching services stand out as a rare gem. She provides strategic guidance and practical solutions, a unique offering that not only propels her clients' careers forward but also builds their capacity for significant leadership roles in their respective sectors. Her innovative coaching techniques and personalized approach set her apart from the rest. BOOK AN INTRO CALL: ⁠https://calendly.com/jessicawancoaching/intro-call-coaching⁠⁠ Follow Jessica on LinkedIn Credits Produced and Hosted by ⁠⁠Jessica Wan⁠⁠ Co-produced, edited, and sound design by ⁠⁠⁠⁠Carlos Schmitt⁠ Theme music by ⁠⁠Denys Kyshchuk⁠⁠ and ⁠⁠Stockaudios⁠⁠ from ⁠⁠Pixaba⁠y⁠

What are some quick and easy activities that could help you bring creativity into your life? In this episode of the Fueling Creativity in Education Podcast, co-hosts Dr. Matthew Worwood and Dr. Cyndi Burnett are joined by guests Josh Seidenfeld and Mark Lion in a special discussion centered on overcoming creative blocks and integrating playful, creative practices into education. Josh and Mark, founders of the Messier platform, share their journey of creating a space for consistent creative practice and how they collaborated with creativity scholars like Dr. James Kaufman to develop their innovative app. The conversation delves into the significance of retaining a sense of play and the necessity of looking at creativity beyond traditional arts. A unique exercise, coming up with excuses for not attending a friend's wedding, serves as a practical and amusing demonstration of divergent thinking. The episode also highlights the importance of facilitating fun experiences in educational settings and the role of skills such as shifting perspectives and staying curious. Listeners are introduced to various creative exercises, including taking pictures from different perspectives, creating thematic playlists, and writing poems from unique viewpoints, illustrating practical ways to foster creativity in classrooms. Mark emphasizes that even five-minute creative activities can prompt deeper creative exploration, and Josh underscores the value of incremental creativity in our daily lives and the app's role in encouraging these moments. This final pre-summer episode encourages educators to use the discussed exercises and resources over the break to cultivate a lifelong commitment to creativity. Download the Messier App here for free! About Josh Seidenfeld and Mark Lion: Josh Seidenfeld and Mark Lion are founders of Messier, a platform to help people enjoy the benefits of a consistent creative practice. Messier advisors include some of the leaders in creativity psychology research, including James C. Kaufman, Zorana Ivcevic Pringle, and Roni Reiter-Palmon. Josh is a longtime creative person, having produced two albums with his band, Boy in the Bubble. Day jobs most recently included climate projects at Apple and Meta. He lives in Oakland with his wife and two daughters, whose creativity constantly inspires him. Mark founded and led Lion Interactive, a digital design agency in the San Francisco area, for 25 years. Clients have included McKinsey and the Asian Art Museum. Notable projects include design leadership in Texture, which was acquired by Apple and incorporated into Apple News. Mark (also) lives in Oakland with his wife and son, where their weekends are usually filled with maker projects. Eager to bring more creativity into your school district? Check out our sponsor Curiosity2Create.org and CreativeThinkingNetwork.com What to learn more about Design Thinking in Education?  Do you want to build a sustained culture of innovation and creativity at your school? Visit WorwoodClassroom.com to understand how Design Thinking can promote teacher creativity and support professional growth in the classroom.  Subscribe to our monthly newsletter!    

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with NorCal based artist Tucker Nichols as he shares stories about his spontaneous move to Taiwan, where he immersed himself in a vibrant artistic community. He discusses his extensive body of work, including children's books and the initiative 'Flowers for Sick People.' He reflects on his background, including his mother's influence and his intense study of East Asian art. Tucker's journey includes struggling with Crohn's disease and a career shift to become a full-time artist, supported by his wife. He talks about influential works and places, emphasizing his lifelong passion for art. The podcast concludes with three thought-provoking questions Emily asks every guest.About Artist  Tucker Nichols:Tucker Nichols is an artist based in Northern California. His work has been featured at the Drawing Center in New York, the San Francisco Museum of Modern Art, the Denver Art Museum, Den Frie Museum in Copenhagen, and the Asian Art Museum in San Francisco. A show of his sculpture, Almost Everything On The Table, was recently on view at the Aldrich Contemporary Art Museum. He is currently an Artist Trustee at SFMOMA.His drawings have been published in The New Yorker, The New York Review of Books, McSweeney's, The Thing Quarterly, and the Op-Ed pages of The New York Times. He is co-author of the books, Crabtree (with Jon Nichols) and This Bridge Will Not Be Gray (with Dave Eggers). Flowers for Things I Don't Know How to Say  was released in March 2024. Flowers for Sick People, his ongoing multimedia project, can be viewed here.Visit Tucker's Website:  TuckerNichols.comFollow Tucker  on Instagram:  @TuckerNichols--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Veronika Trufanova always had a passion for environmental sustainability, making her the perfect fit for her role as Director of Development at the Emerald Necklace Conservancy, a historic linear park system in Boston that introduced one the first example of green infrastructure in the nation. Nika now works to sustain the parks impact on the city while growing awareness for its rich history, a huge task in a city with over 650,000 residents.  Nika discusses how Sherry's fresh perspective has revamped her team's strategic plan while generating morale throughout her organization. The two share about the power of curiosity in young fundraisers, and how that energy can translate to your relationships with donors.   What You Will Discover:  ✔️ A well-thought-out, purpose driven strategic plan can unlock the spark your organization needs to take on that big capital campaign ✔️ It's important to take a step back from the everyday grind and celebrate wins, even the smallest victories, to boost morale in your staff and donors ✔️ The most important trait a young fundraiser can have is a curiosity for understanding their organization's mission ✔️ By truly understanding the needs of your organization, you can create a personal and generous atmosphere that allows your donors to really feel like they're making an impact —————————————— Veronika (Nika) directs the Conservancy's fundraising program, including individual, corporate, foundation and government grants, the annual giving program, and other special fundraising initiatives. Nika previously worked at the Asian Art Museum of San Francisco, where she led the Institutional Giving program for over six years, raising unrestricted, project-based and campaign support from corporations, foundations and government granting agencies. She also held several roles on the development team at the Harvard Art Museums, encompassing database management, development operations and donor and member events. Nika holds a bachelor's degree in Art History from Haverford College. She is an avid tea drinker and an unabashed Italophile. LinkedIn: https://www.linkedin.com/in/veronika-trufanova-5770bb8/ Website: https://www.emeraldnecklace.org/ —————————————— Welcome to the Business Behind Fundraising podcast, where you'll discover how to raise the kind of money your big vision requires without adding more events, appeals, or grant applications. Learn how to stop blocking overall revenue growth and start attracting investment-level donors with Sherry Quam Taylor. Sherry Quam Taylor's unique approach and success combine her background of scaling businesses with her decade-long experience advising nonprofit leadership teams. With out-of-the-box principles and a myth-busting methodology, proven results, and an ability to see solutions to revenue problems that others overlook, her clients regularly add 7-figures of revenue to their bottom line. If you need a true partner to show you how to fully finance your entire mission, both programs, AND overhead, year after year… You're in the right place!   #nonprofits #podcast

May 16, 2024 - Today, South Korea is a cultural superpower—a global trendsetter producing award-winning films like Parasite, riveting dramas like Squid Game, and chart-topping music by K-pop groups such as BTS and BLACKPINK. But behind the country's meteoric rise to the world stage, a phenomenon known as the Korean Wave, or hallyu, is the story of remarkable resilience and innovation. Just a century ago, Korea was in search of a new national identity, following its occupation by Japan and the Korean War. Harnessing cutting-edge technology, the country has rapidly transformed its economy and international reputation. At the same time, its creative outputs are deeply rooted in its past, with many contemporary artists, filmmakers, musicians, and fashion designers paying tribute to traditional values and art forms dating back to Korea's dynastic kingdom days. Hallyu! The Korean Wave features approximately 250 objects—costumes, props, photographs, videos, pop culture ephemera, and contemporary works—providing an immersive and multisensory journey through a fascinating history, and a celebration of a vibrant creative force that bridges cultural, societal, and linguistic divides and continues to reach new heights today.  First presented at Victoria and Albert Museum, London, the exhibition is currently at Museum of Fine Arts, Boston, and will travel to Asian Art Museum, San Francisco. Three curators—Rosalie Kim, Victoria and Albert Museum; Christina Yu Yu, Museum of Fine Arts, Boston; and Yoon-Jee Choi, Asian Art Museum, San Francisco—discuss this captivating exhibition and South Korea's rise as a cultural superpower. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/item/1826-hallyu-the-korean-wave-the-exhibition

As France and China celebrate the strong ties between the two countries with the state visit of Chinese President Xi Jinping to Paris last week, France's main Asian art museum – Guimet Museum – is marking the 60th anniversary of France's recognition of the People's Republic of China with a whole year of exhibitions and events lined up. We spoke to the museum's director Yannick Lintz, and the world-renowned Franco Chinese artist and designer, Jiang Qiong Er in Perspective.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Iranian born artist and current UC Davis professor Shiva Ahmadi. About Artist Shiva Ahmadi:Shiva Ahmadi's practice borrows from the artistic traditions of Iran and the Middle East to critically examine global political tensions and social concerns. Having come of age in the tumultuous years following the Iranian Revolution and subsequent Iran-Iraq War of the 1980s, Ahmadi moved to the United States in 1998, and has been based in California since 2015.Ahmadi works across a variety of media, including watercolor painting, sculpture, and video animation; consistent through her pieces are the ornate patterns and vibrant colors drawn from Persian, Indian and Middle Eastern art. In her carefully illustrated worlds, formal beauty complicates global legacies of violence and oppression. These playful fantasy realms are upon closer inspection macabre theaters of politics and war: watercolor paint bloodies the canvas, and sinister global machinations play out in abstracted landscapes populated by faceless figures and dominated by oil refineries and labyrinthine pipelines.Shiva Ahmadi studied at the Cranbrook Academy of Art, Bloomfield Hills, MI; Wayne State University, Detroit, MI; and Azad University, Tehran, Iran. In addition to recent solo exhibitions at the Asian Art Museum, San Francisco, CA (2017) and Asia Society Museum, New York, NY (2014), her work has been included in major group shows including Home Land Security, For-Site Foundation, San Francisco, CA (2016); Fireflies in the Night Take Wing, Stavros Niarchos Foundation, Athens, Greece; and Global/Local 1960-2015: Six Artists from Iran, Grey Art Gallery, New York University, NY (all 2016); Catastrophe and the Power of Art, Mori Art Museum, Tokyo, Japan (2018); and Revolution Generations, Arab Museum of Modern Art, Doha, Qatar. Her work is included in the collections of the Metropolitan Museum of Art, New York, NY; Asia Society Museum, New York, NY; Grey Art Gallery, New York University, NY; Asian Art Museum, San Francisco, CA; Museum of Contemporary Art, Los Angeles, CA; Detroit Institute of Arts, MI; DePaul Art Museum, Chicago, IL; Farjam Collection, Dubai, UAE; TDIC Corporate Collection, Abu Dhabi, UAE; and the private collection of His Highness Sheikh Mohammed Bin Zayed Al Nahyan, Crown Prince of Abu Dhabi, among others. In 2016, Ahmadi was awarded the ‘Anonymous Was A Woman' Award and a Pollock-Krasner Foundation Grant. Shiva Ahmadi, a new monograph of her work, was published by Skira in Spring 2017. She is currently an Associate Professor of Art at University of California Davis.Visit  Shiva's Website:  ShivaAhmadiStudio.comFollow  Shiva on Instagram:  @ShivaAhmadi_StudioFor more on her current exhibit at the Manetti Shrem Museum of Art, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Iraqi born, Los  Angeles based artist Hayv Kahraman...About Artist Hayv Kahraman:Hayv Kahraman was born in Baghdad, Iraq 1981, now lives and works in Los Angeles. A vocabulary of narrative, memory and dynamics of non-fixity found in diasporic cultures are the essence of her visual language and the product of her experience as an Iraqi refugee/come émigré. The body as object and subject have a central role in her painting practice as she compositely embodies the artist herself and a collective.Kahraman's recent solo exhibitions include; “Acts of Reparation“, CAM St Louis; “Audible Inaudible“, Joslyn Museum of Art, Omaha; “Sound Wounds“, Asian Art Museum, San Francisco; “Gendering Memories of Iraq- a Collective Performance” which has been staged at CAM St Louis, Birmingham Museum of Art, Nelson-Atkins museum of art and Duke University; “Reweaving Migrant Inscriptions” Jack Shainman, New York; “Audible Inaudible“, The Third Line gallery, Dubai; “How Iraqi are you?“, Jack Shainman, New York. Recent group exhibitions include: “No Man's Land: Women Artists from the Rubell Family Collection”, Miami; “UNREALISM: Presented by Larry Gagosian and Jeffrey Deitch”, Miami Design District; “June: A Painting Show”, Sadie Coles HQ, London. Hayv was shortlisted for the 2011 Jameel Prize at the Victoria and Albert Museum and has received the award “Excellence in Cultural Creativity”, Global Thinkers Forum.Visit Hayv's Website: HayvKahraman.comFollow Hayv on Instagram: @HayvKahramanFor more on Hayv's exhibition, "Look Me In The Eyes" at the ICA San Francisco, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Join Rob Mintz, chief curator at the Asian Art Museum, and Laura Allen, the museum's Senior Curator of Japanese Art for an engaging conversation about Murakami's blockbuster exhibition Unfamiliar People: The Swelling of Monsterized Human Ego. The show, four years in the making, takes anime and manga to new heights. This is Takashi Murakami's first solo exhibition in San Francisco. The exhibit is not only a commentary on our society, it's a nuanced examination of human behavior within an extraordinary artistic framework. Laura Allen has known Murakami since the Fall of 2019, when she visited the artist in his Tokyo studio. Together with Rob Mintz, she'll provide insight into Murakami's personality, both as an artist as well as a social scientist. She'll also talk about her collaboration with Murakami; discuss the many pitfalls she encountered along the way as well as what finally convinced him to create this extraordinary exhibit and display it at the Asian Art Museum. About the Speaker Dr. Laura W. Allen is senior curator of Japanese art at the Asian Art Museum of San Francisco. After receiving a doctorate in Japanese art history at UC Berkeley, Dr. Allen spent more than two decades teaching, consulting, and publishing on Japanese art before joining the Asian Art Museum staff in 2012. Since then, she has overseen an ambitious program of exhibitions, including two very different shows opening in the fall of 2023, Takashi Murakami: Unfamiliar People – Swelling of Monsterized Human Ego and The Heart of Zen.  Dr. Robert Mintz is the chief curator at the Asian Art Museum of San Francisco. He oversees the curatorial research program and guides the growth and preservation of the museum's art collections. Mintz is a specialist in Japanese art history with a keen interest in painting. With degrees from the University of Michigan and the University of Washington, he has spent his career working in public art museums trying to make the arts of Asia accessible and inspirational to the widest possible range of audiences. Main image: Bacon: Scream, 2019, by Takashi Murakami (Japanese, b. 1962). Acrylic, gold leaf, and platinum leaf on canvas mounted on aluminum frame. Collection of D.K., courtesy of the artist and Perrotin. © 2019 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. MLF ORGANIZER: Jim Brown An Asia Pacific Affairs Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with India-born, Oakland based painter Rupy C. Tut. About Artist Rupy C. Tut:Rupy C. Tut is a painter dissecting historical and contemporary displacement narratives around identity, belonging, and gender. As a descendant of refugees and a first generation immigrant, Rupy's family narrative of movement, loss, and resilience is foundational to her creative inquiries. Tut's artistic practice expands, innovates, and reframes the traditions of Indian miniature painting. She mixes her own pigments and turns to hemp paper and linen to contend and make visible one's place in the world. ​Rupy C. Tut lives and works in Oakland, California. Her work has been presented through exhibitions and talks at the de Young Museum, San Francisco; Asian Art Museum, San Francisco; London City Hall; Stanford University; The Peel Art Gallery and Museum Archives, Toronto; a solo exhibition Rupy C. Tut: A Recipe for Brown Skin at the Triton Museum of Art, Santa Clara; and a solo exhibition Rupy C. Tut: Search and Rescue at Jessica Silverman, San Francisco. Rupy C. Tut is represented by Jessica Silverman.Visit Rupy's Website: RupyCTut.comFollow Rupy on Social Media: @RupyCTutFor more on Rupy's current & upcoming exhibits: Insitute of Contemporary Art San FranciscoAsian Art MuseumUCLA Fowler Museum--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

As a collector of mokuhanga, I am constantly exploring the reasons behind my love of collecting mokuhanga and why I make it and educate myself about it; it seems to be layered, even for my modest collection. So it is always fascinating to speak to someone who has been collecting for many years, with a deep understanding of why they collect and how they do.    I speak with mokuhanga collector Darrel C. Karl about his collection of prints, paintings and scrolls. It's one to admire. Collecting for years now, Darrel was kind enough to speak to me about his collection, how he began it, his love of preparatory drawings, collecting ukiyo-e, shin hanga, and we discussed in length his blogs, Eastern Impressions and Modern Japanese Theatre Art Prints.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Darrel C. Karl - Eastern Impressions & Modern Japanese Theatre Art Prints. Hashiguchi Goyō (1880-1921) - a woodblock print designer who also worked, albeit shortly, with Watanabe Shōzaburō. In his short life Goyō designed some of the most iconic woodblock prints ever made. “Kamisuki” 1920, and “Woman Applying Powder” 1918.  Woman Applying Make-up (Hand Mirror) 1970's/80's reprint Ishikawa Toraji (1875-1964) -trained initially as a painter, having travelled to Europe and The States early in his professional life. Painted primarily landscapes while exhibiting at the fine art exhibitions in Japan Bunten and Teiten. Famous for designing Ten Types of Female Nudes from 1934-35. He finished his career as a painter and educator.  Morning from Ten Types of Female Nudes (1934) Charles W. Bartlett (1860-1940) - was a British painter, watercolorist and printmaker. Travelling the world in 1913, Bartlett ended up in Japan two years later. Having entered Japan, Bartlett already had a reputation as an artist. Bartlett's wife, Kate, had struck up a friendship with printmaker and watercolorist Elizabeth Keith. Watanabe Shōzaburō was acutely aware of foreign artists coming to Japan, having worked with Fritz Capelari and Helen Hyde. Watanabe published 38 designs with Charles Bartlett. Bartlett's themes were predominantly of his travels.  Udaipur (1916) 8" x 11"  Paul Binnie - is a Scottish painter and mokuhanga printmaker based in San Diego, USA. Having lived and worked in Japan in the 1990s, studying with printmaker Seki Kenji whilst there, Paul has successfully continued to make mokuhanga and his paintings to this day. You can find Paul's work at Scholten Gallery in Manhattan, and Saru Gallery in The Netherlands.  Butterly Bow (2005) 15" x 11" Yamakawa Shuhō (1898-1944) - was a Nihon-ga painter and printmaker. His prints were published by Watanabe Shōzaburō and he created the Blue Collar Society in 1939 with Itō Shinsui. Made famous for his bijin-ga prints.  Dusk (1928) 14.3" x 9.5" Red Collar (1928) Otojirō Kawakami (1864-1911) - was a Japanese actor and comedian. His wife was geisha, and actress Sadayako (Sada Yakko).  Impressions - is a biannual magazine published by The Japanese Art Society of America.  Andon - is a biannual magazine published by The Society of Japanese Art.  Gallaudet University - is a private federally charted university located in Washington D.C., USA for the deaf and hard of hearing. More info can be found here.  National Museum of Asian Art - is a museum within the Smithsonian group museums and was the first fine art museum by The Smithsonian in 1923. More info can be found, here.  Vincent Hack (1913-2001) - was an American printmaker and Colonel in the United States Army. He produced mokuhanga from ca. 1950-1960. He studied in the Yoshida atelier while living in Tokyo. More information about VIncent Hack can be found in Eastern Impressions, here.  Chinese beauty and Dragon (not dated) Elizabeth Keith (1887-1956) - was a Scottish born printmaker, watercolorist, and painter. She travelled extensively before living in Japan  from 1915-1924. In 1917 she was introduced to print published Watanabe Shōzaburō and by 1919 after some work with Watanabe's skilled artisans Keith started to see some of her designs printed. Over 100 prints were published of Keith's designs. More information can be found, here.  Little Pavillion, Coal Oil, Peking (1935) Lillian May Miller (1895-1943) - was a Japan born American printmaker. Studying under painter Kanō Tomonobu (1853-1912). Miller began carving and printing her own prints by 1925 having studied under Nishimura Kumakichi.  Rain Blossoms (1928) 10" x 15" Nöel Nouët  (1885-1969) - was a French painter, illustrator and designer who designed prints for Doi Hangaten between 1935 and 1938 when Nouët was teaching in Shizuoka City, Shizuoka, Japan.  Haruna Lake (1938) Helen Hyde (1868-1919) - was an American etcher, and printmaker who studied in Japan with artists such as Emil Orlik (1870-1932). Hyde was influenced by French Japonisme and lived in Japan from 1903-1913.  A Japanese Madonna (1900) 14.5" x 3" Kataoka Gadō V (1910-1993) - was a Kabuki actor who specialized in female roles or onnagata in Japanese. He became Kitaoka Nizaemon XIV posthumously.  Natori Shunsen (1886-1960) - was a Nihon-ga painter and woodblock print designer who worked with Watanabe Shōzaburō. Shunsen's prints focused on kabuki actors, mainly ōkubi-e , large head prints.  Ichikawa Ennosuke as Kakudayu (1928) 15" x 10" Kabuki-za - is the main theatre in Tōkyō which shows kabuki performances. It was opened in 1889 and has been rebuilt several times in its history.  Kabuki Costume - is a book written by Ruth M. Shaver with illustrations by Sōma Akira and Ōta Gakkō (1892-1975). It is an in-depth book about the costuming in kabuki theatre. It was published by Charles E. Tuttle in 1966. Ōta Gakkō - was an artist and designer who also designed woodblock prints in the 1950's.  Ichikawa Jukai III (1886-1971) as Shirai Gonpachi  from Figures of the Modern Stage: no. 3 (1954) Tsuruya Kōkei - is a mokuhanga artist who lives and works in Tokyo, Japan. His prints have focused on kabuki actors; in the 1980s, he was commissioned to produce kabuki portraits by the Kabuki-za theatre in Tokyo. Recently, he has focused on cats and the masters of mokuhanga such as Hokusai (1760-1849). He printed on very thin gampi paper.  Five Styles of Banzai-Ukiyoe / Katsushika Hokusai (2017)  Yamamura Toyonari (1885-1942) - also known as Kōka, is a painter, and print designer known for his theatrical prints, actor prints, landscapes and beautiful women. He studied under printmaker Ogata Gekkō (1859-1920). Toyonari worked with carvers and printers to create his prints such as those at Watanabe's studio and also printed and carved his own prints.  February/Winter Sky (1924) 16.35" x 10.5" Sekino Jun'ichirō (1914-1988) - was a mokuhanga printmaker who helped establish the sōsaku hanga, creative print movement in Japan. His themes were of landscapes, animals and the abstract. Sekino exhibited and became a member with Nihon Hanga Kyōkai and studied with Ōnchi Kōshirō (1891-1955) and Maekawa Senpan (1888-1960).  Woman In A Snowy Village (1946) 13" x 10" Bertha Lum (1869-1954) - was born in Iowa. Having begun travelling to Japan in 1903, Bertha Lum noticed the decline of the Japanese woodblock print in Japan in the early 20th Century, deciding to take up the medium. Lum began making woodblock prints after learning in Japan from an unknown teacher during her first trip to Japan. Japan, Lafcadio Hearn (1850-1904), and China influenced Bertha Lum's prints. Lum's work focused on these themes through an American lens.  Winter (1909) 8" x 14" Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.  Scholten Japanese Art - is a mokuhanga-focused art gallery in midtown Manhattan. René Scholten, an avid collector of the Japanese print, founded it. You can find more info here. Katherine Martin is the managing director of Scholten Japanese Art. Katherine has written extensively for the gallery and conducted lectures about Japanese prints. Her interview with The Unfinished Print can be found, here.  Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.  Kataoka Jūzō I as Hanako from the play Yakko Dōjōji at the Kabuki-za (1906). chūban - 10.4” x 7.5” senjafuda - are the votive slips Claire brings up in her interview. These were hand printed slips pasted by the worshipper onto the Buddhist temple of their choosing. These slips had many different subjects such as ghosts, Buddhist deities, and written characters. Japan Experience has bit of history of senjafuda, here.   Shintomi-za -built in 1660 and also known as the Morita-za was a kabuki theatre located in the Kobiki-chō area of Tokyo, today the Ginza District. It was famous for taking risks with its productions.    Meiji-za - was a kabuki-specific theatre built in 1873 and underwent several name changes until finally being named the Meiji-za in 1893. The theatre continues to this day.    Imperial Theatre - is the first Western theatre to be built in Japan in 1911 and is located in Marunouchi, Chiyoda, Tokyo. It continues to show Western operas and plays.    The John F. Kennedy Center For The Performing Arts - was built in 1971, and named after the 35th President of the United States, John F. Kennedy. The theatre is located in Washington D.C. and hosts many different types of theatre, dance, orchestras and music. More information can be found, here.    The Subscription List - also known as Kanjichō in Japanese, is a kabuki play derived from the noh play Ataka. The modern version of this play was first staged in 1840. It is performed as the 18 Famous Plays as performed by the Danjurō family of actors.     The Subscription List designed by Toyohara Kunichika (1835-1900)   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.      Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.    Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.      Kiso River (1927)   Toyohara Chikanobu (1838-1912) - was a painter and designer of mokuhanga. He was a samurai during the final years of the Tokugawa shogunate rule in Japan. As Chikanobu began to look more to art as a living, he studied under Utagawa Kuniyoshi where he learned Western painting and drawing techniques. He also studied under Utagawa Kunisada and Toyohara Kunichika. His print designs were of many different types of themes but Chikanobu is well known for his war prints (sensō-e), kabuki theatre prints, current events and beautiful women.      Enpo- Jidai Kagami (1897)   32 Aspects of Women - is a series of prints designed by Tsukioka Yoshitoshi (1839-1892). It was his first series of bijin-ga designs.    shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945).   Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here.   Composition in Red and Brown (1950) 19" x 15"   Saru Gallery - is a mokuhanga gallery, from ukiyo-e to modern prints, and is located in Uden, The Netherlands. Their website can be found, here.   ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.    surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.   Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.     Poem by Sōsei Hōshi, from the series One Hundred Poems Explained by the Nurse. Taishō period (1912–26)s reproduction.    Kitagawa Utamaro (1753-1806) - was a painter and ukiyo-e designer during the Edo Period of Japan. His portraits of women are his most famous designs. After getting into trouble with the shogunate during the early 19th Century with some offensive images of deceased shogun Toyotomi Hideyoshi (1536/37-1598), Utamaro was jailed and passed away shortly after that.    The Courtesan Umegawa and Chubei of the Courier Firm   Tokyo University of the Arts (Geidai) - founded during the merger of the Tokyo Fine Arts School and the Tokyo Music School in 1949, TUA offers Masters's and Doctorate degrees in various subjects such as sculpture, craft and design as well as music and film. It has multiple campuses throughout the Kantō region of Japan. More information regarding the school and its programs can be found here.    Honolulu Museum of Art - dedicated to art and education focusing on arts from around the world and Hawaiian culture itself. More info, here.   Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here.   Enami Shirō (1901-2000) - was a printmaker who is associated with ephemeral prints such as greeting cards. Also created his own larger format prints during the burgeoning sōsaku hanga movement of the early to mid Twentieth Century.      The Benkei Moat (1931) 12.5" x 9"   Kitano Tsunetomi (1880-1947) - was an illustrator, Nihon-ga painter, carver and print designer. Lived and worked in Osaka where he apprenticed carving with Nishida Suketaro. Founded the Taishō Art Society and the Osaka Art Society. Painted and created prints of beautiful women as well as mokuhanga for magazines such as Dai Osaka. The most famous of his prints and paintings is Sagimusume, The Heron Maiden.        Umekawa - Complete Works of Chikamatsu (1923)   Hamada Josen (1875 - ?) - was a painter and mokuhanga designer and studied with Tomioka Eisen (1864-1905). Designed bijin, shunga,  and landscapes after the Great Kantō Earthquake of 1923. Designed prints for Collection of New Ukiyo-e Style Beauties (1924).     December - Clear Weather After Snow from the series New Ukiyo-e Beauties (1924) 17.50" x 11.12"   Ikeda Shoen (1886-1917) - was a Nihon-ga painter who's paintings also became mokuhanga prints. Her paintings are quite rare because of her early death.      School Girls Going Home (1900) 13" x 9"   Igawa Sengai (1876-1961) - was a painter, illustrator and print designer. After serving in the Russo-Japanese war (1904-1905), he joined the Miyako Shinbun in Nagoya City. Designing prints in the 1926 he designed prints for Collected Prints of the Taishō Earthquake and in the 1930's he designed propaganda prints for the Japanese war effort. His contribution to the 1924 Collection of New Ukiyo-e Style Beauties (1924).     April - Rain of Blossoms (1924) from New Ukiyo-e Beauties.   Asian Art Museum San Fransisco - with over 18,000 pieces of art the Asian Art Museum of San Fransisco has one of the largest collections of Asian art in the United States. More information can be found, here.    Freer Gallery of Art - is a museum within the Smithsonian group of museums in Washington D.C, with a collection of Chinese paintings, Indian sculpture; Islamic painting and metalware; Japanese lacquer; Korean ceramics.    Arthur M. Sackler Gallery - is a museum within the Smithsonian group of museums in Washington D.C. It's collection contains some important Chinese jades and bronzes.    Yoshida Hiroshi: The Outskirts of Agra Number 3 from the series India and Southeast Asia (1932)     Yoshida Hiroshi: Cave of Komagatake from the series Southern Japan Alps (1928)   © Popular Wheat Productions opening and closing musical credit - The Crystal Ship by The Doors from their self-titled album The Doors (1967). Release by Elektra Records.   logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                    

This week Sarah talks with Ranu Mukherjee, a professor at California College of the Arts and a prolific artist in many different mediums including painting and new media installations.  During our chat they talk a lot about Ranu's Indian ancestry and how that has influenced her work and her outlook as an artist. They also talk about her more recent challenges with addiction in her family and the EMDR treatments that she did to heal from them. About Ranu Mukherjee Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2022); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others.  Reserve your spot for the upcoming live event in San Francisco at the ICA SF about creativity and what blocks it. November 5, 3-5pm https://www.eventbrite.com/e/the-side-woo-ica-sf-a-live-talk-about-creativity-and-what-blocks-it-tickets-729930229967 Show Notes Ranu's Website https://www.ranumukherjee.com/about A+P+I Residency at Mills College https://mcam.mills.edu/exhibitions/api-current1.php --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

VYS0028 | Psychic Jizz - Vayse to Face with Stephanie Quick - Show Notes Handing on a plate to Hine and Buckley the most potently inspired episode title in Vayse history is teacher, researcher, blogger and "the Julia Child of Sex Magic", Stephanie Quick. In an intense and varied conversation Stephanie takes Vayse through her near death experience, complete with a fall through the starlit sky, disembodied consciousnesses and sky-scraper sized entities, she talks about how to start off your own run of synchronicities and the conversation weaves itself around Carlos Castaneda, Gurdjieff, how to not lose yourself in your spiritual practice or join a cult... and, speaking of cults, enter the glowing orange 16-bit pineapple... Recorded 10 August 2023 Stephanie Quick Links Steph's blog, Ghost Dog is a Mystery Box (https://stephaniequick.home.blog/) Steph on Bluesky (https://bsky.app/profile/lunarose.bsky.social) Steph on Instagram (https://www.instagram.com/dashing_eccentric/) Steph on Twitter (https://x.com/WanderinBritchz) Steph on Facebook (https://www.facebook.com/stephanie.qich) Steph's YouTube channel (https://www.youtube.com/@stephaniequick2683/videos) Introduction Links Lovecraftian horror - Wikipedia page (https://en.wikipedia.org/wiki/Lovecraftian_horror) Julia Child - Wikipedia page (https://en.wikipedia.org/wiki/Julia_Child) Sex magic - Wikipedia page (https://en.wikipedia.org/wiki/Sex_magic) Cheese Board Collective - Wikipedia page (https://en.wikipedia.org/wiki/Cheese_Board_Collective) Chez Panisse, Wikipedia page (https://en.wikipedia.org/wiki/Chez_Panisse) Alice Waters - Wikipedia page (https://en.wikipedia.org/wiki/Alice_Waters) An Introduction to Western Sexual Mysticism, New Dawn Magazine article (https://www.newdawnmagazine.com/articles/an-introduction-to-western-sexual-mysticism) Refuge in Buddhism - Wikipedia page (https://en.wikipedia.org/wiki/Refuge_in_Buddhism) Ordo Templi Orientis (OTO) - Wikipedia page (https://en.wikipedia.org/wiki/Ordo_Templi_Orientis) Coven - Wikipedia page (https://en.wikipedia.org/wiki/Coven) Steph, the West Coast, and the ‘Spiritual Marketplace' Links Fresno, California - Wikipedia page (https://en.wikipedia.org/wiki/Fresno%2C_California) Bigfoot, Chupacabra, and…Fresno Nightcrawler? Walking pants bring Fresno freaky fame (https://www.fresnobee.com/news/local/article219755195.html) - Fresno Bee article The Fresno Nightcrawlers - sceptical, humorous (https://www.youtube.com/watch?v=QnCuPHAW1I8) North Fork, California - Wikipedia page (https://en.wikipedia.org/wiki/North_Fork%2C_California) The Chukchansi People - Coarsegold Historical Society article (https://coarsegoldhistoricalsociety.com/the-chukchansi-people/) Picayune Rancheria of Chukchansi Indians - Wikipedia page (https://en.wikipedia.org/wiki/Picayune_Rancheria_of_Chukchansi_Indians) East Bay - Wikipedia page (https://en.wikipedia.org/wiki/East_Bay) Oakland, California - Wikipedia page (https://en.wikipedia.org/wiki/Oakland,_California) Berkeley, California - Wikipedia page (https://en.wikipedia.org/wiki/Berkeley,_California) University of California, Santa Cruz - Wikipedia page (https://en.wikipedia.org/wiki/University_of_California%2C_Santa_Cruz) Napa, California - Wikipedia page (https://en.wikipedia.org/wiki/Napa%2C_California) Tibetan Buddhism - Wikipedia page (https://en.wikipedia.org/wiki/Tibetan_Buddhism) Zen (Buddhism) - Wikipedia page (https://en.wikipedia.org/wiki/Zen) Understanding the Spiritual Marketplace - From Monopoly to Open Access - Patheos article (https://www.patheos.com/blogs/spiritualitychannelseries/2016/10/understanding-the-spiritual-marketplace-from-monopoly-to-open-access/) Spiritual Marketplace: Baby Boomers and the Remaking of American Religion (https://press.princeton.edu/books/paperback/9780691089966/spiritual-marketplace) by Wade Clark Roof Lupus Psychosis and Brain Inflammation - Lupus Corner article (https://lupuscorner.com/lupus-psychosis-and-brain-inflammation/) Aphasia - Wikipedia page (https://en.wikipedia.org/wiki/Aphasia) Yoga - Wikipedia page (https://en.wikipedia.org/wiki/Yoga) Archangel Michael (channelled messages) - Sanada website (https://sananda.website/category/archangel-michael/) Pick‘n'mix: the 21st Century approach to religious affiliation, Walls Come Tumbling Down blog article (https://wallscometumblingdown.wordpress.com/2009/05/07/picknmix-the-21st-century-approach-to-religious-affiliation/) How did Steph find her way into weird stuff? Links Strangely Enough (https://www.goodreads.com/book/show/254947.Strangely_Enough) by C.B. Colby - Goodreads page C.B. Colby - Wikipedia page (https://en.wikipedia.org/wiki/C._B._Colby) Jersey Devil - Wikipedia page (https://en.wikipedia.org/wiki/Jersey_Devil) Near death experience - Wikipedia page (https://en.wikipedia.org/wiki/Near-death_experience) Lidocaine - Wikipedia page (https://en.wikipedia.org/wiki/Lidocaine) Bardo (liminal state between death and rebirth) - Wikipedia page (https://en.wikipedia.org/wiki/Bardo) Keith's Excellent Detective Work (gods bless you, Keith) - Based on SQ's mentions of her age now (61) and at later events, I reckon the exhibition she must have gone to was ‘Wisdom and Compassion: The Sacred Art of Tibet', held at the Asian Art Museum, San Francisco, in 1991. There is an exhibition catalogue available. Not sure if it's worth including, but there's a link to it here on Abe Books (https://www.abebooks.co.uk/book-search/title/wisdom-and-compassion-the-sacred-art-of-tibet/used/) I couldn't find anything else specific to that exhibition that wasn't behind a pay-wall or on a subscription site, but here's a short video trailer for that museum's similar exhibitions: San Francisco Asian Art Museum, Tibetan Buddhist exhibitions (https://www.youtube.com/watch?v=hh2yRQjaPyA) Tanka - Wikipedia Page (https://en.wikipedia.org/wiki/Tanka) Sand mandala - Wikipedia page (https://en.wikipedia.org/wiki/Sand_mandala) Tibetan Sand Mandala (construction and destruction) (https://www.youtube.com/watch?v=GzSi5sbSfZc) Synchronicity - Wikipedia page (https://en.wikipedia.org/wiki/Synchronicity) Steph's Near Death Experience Links Coma - Wikipedia page (https://en.wikipedia.org/wiki/Coma) Meningitis - Wikipedia page (https://en.wikipedia.org/wiki/Meningitis) Meningitis Research Foundation (https://www.meningitis.org/) - Excellent charity Near death, seeing dead people may be neither rare nor eerie - AP News article (https://apnews.com/article/5a33106183af4d22a51172e35e9104d5) PMH Atwater website (http://pmhatwater.com/) Psychopomp - Wikipedia page (https://en.wikipedia.org/wiki/Psychopomp) Last rites - Wikipedia page (https://en.wikipedia.org/wiki/Last_rites) Anointing of the Sick in the Catholic Church (Extreme Unction) - Wikipedia page (https://en.wikipedia.org/wiki/Anointing_of_the_Sick_in_the_Catholic_Church) Auto-immune disease - wikipedia page (https://en.wikipedia.org/wiki/Autoimmune_disease) Bronchoscopy - Wikipedia page (https://en.wikipedia.org/wiki/Bronchoscopy) Robert Monroe - Wikipedia page (https://en.wikipedia.org/wiki/Robert_Monroe) Mindfulness - Wikipedia page (https://en.wikipedia.org/wiki/Mindfulness) Whitley Strieber - Wikipedia page (https://en.wikipedia.org/wiki/Whitley_Strieber) A Wild and Wonderful Dialogue between Whitley and UFO Master Greg Bishop...and Gru! (https://www.youtube.com/watch?v=k5VtkR4ysb8) George Gurdjieff - Wikipedia page (https://en.wikipedia.org/wiki/George_Gurdjieff) Fourth Way (Gurdjieff) - Wikipedia page (https://en.wikipedia.org/wiki/Fourth_Way) Gurdjieff sensing exercises (https://www.endlesssearch.co.uk/exercises_sensing.htm) Alien abduction - Wikipedia page (https://en.wikipedia.org/wiki/Alien_abduction) Biocentrism Posits That Death Is Merely Transport into Another Universe - Big Think article (https://bigthink.com/articles/biocentrism-posits-that-death-is-merely-transport-into-another-universe/) Heaven - Wikipedia page (https://en.wikipedia.org/wiki/Heaven) Jung, Flying Saucers, and the Anxieties of Our Time (UFOs as mandala symbols) - Psychology Today article (https://www.psychologytoday.com/gb/blog/dreaming-in-the-digital-age/202012/jung-flying-saucers-and-the-anxieties-our-time) VYS0024: Between Being Real and Not Real - Vayse to Face with Nathan Paul Isaac (https://www.vayse.co.uk/vys0024) Is Consciousness a Fundamental Quality of the Universe? - Sci News article and video (https://www.sci.news/othersciences/psychology/consciousness-fundamental-quality-universe-07291.html) Are we really made of 'star stuff' and what does that even mean? - Space article and video (https://www.space.com/we-are-made-of-star-stuff-meaning-truth) Steph's encounter with skyscraper-sized entities and its impact on her spiritual practice - Links Rinpoche - Wikipedia page (https://en.wikipedia.org/wiki/Rinpoche) Kensington, California - Wikipedia page (https://en.wikipedia.org/wiki/Kensington%2C_California) Ewam Choden Tibetan Buddhist Centre, Kensington website (https://www.ewamchoden.org/) 24 years on retreat (Judith Skinner) - The New Fillmore article and ‘On Retreat' documentary trailer (https://newfillmore.com/2019/06/01/24-years-on-retreat/) Tathāgata (Buddhism) - Wikipedia page (https://en.wikipedia.org/wiki/Tath%C4%81gata) The X Files - Wikipedia page (https://en.wikipedia.org/wiki/The_X-Files) The X-Files (https://www.youtube.com/watch?v=b_D3ysY_QCA) Allen Greenfield on Twitter (https://twitter.com/allengreenfield) Secrets of the Real Black Lodge Revealed! (https://bookshop.org/p/books/secrets-of-the-real-black-lodge-revealed-olav-phillips/20509167) by Allen Greenfield and Olav Phillips Black and White Lodges, Twin Peaks - Wikipedia page section (https://en.wikipedia.org/wiki/Twin_Peaks_(fictional_town)#Black_and_White_Lodges) Empire State Building - Wikipedia page (https://en.wikipedia.org/wiki/Empire_State_Building) Grey alien - Wikipedia page (https://en.wikipedia.org/wiki/Grey_alien) Marian apparition - Wikipedia page (https://en.wikipedia.org/wiki/Marian_apparition) Emergency medical technician (EMT) - Wikipedia page (https://en.wikipedia.org/wiki/Emergency_medical_technician) Plaid Moon Rising - The Flannel Man - Birdy Magazine article (https://www.birdymagazine.com/text/werewolf-radar-the-flannel-man-by-nate-balding/) Ontological security - Wikipedia page (https://en.wikipedia.org/wiki/Ontological_security) Meditation for awareness - Headspace article (https://www.headspace.com/meditation/awareness) Shavasana (Yoga) - Wikipedia page (https://en.wikipedia.org/wiki/Shavasana) Sacred Space: How to Make an Altar in Your Home - Chopra article (https://chopra.com/articles/sacred-space-how-to-make-an-altar-in-your-home) Leslie Temple Thurston - website (https://www.corelight.org/leslie-temple-thurston/) Native American religions - Britannica.com (https://www.britannica.com/topic/Native-American-religion) Sweat lodge - Wikipedia page (https://en.wikipedia.org/wiki/Sweat_lodge) Astrology - Wikipedia page (https://en.wikipedia.org/wiki/Astrology) Acupuncture - Wikipedia page (https://en.wikipedia.org/wiki/Acupuncture) Acupressure - Wikiepdia page (https://en.wikipedia.org/wiki/Acupressure) Wuxing (Chinese Philosophy, Five Element System) - Wikipedia Page (https://en.wikipedia.org/wiki/Wuxing_(Chinese_philosophy)) New Thought - Wikipedia page (https://en.wikipedia.org/wiki/New_Thought) Synchronicity, the Sandown Clown, and Psychic Jizz - Links Anthony Nine on Twitter (https://twitter.com/spaceweather9) Synchronicity - Wikipedia page (https://en.wikipedia.org/wiki/Synchronicity) AP Strange - website (https://www.apstrange.com/) AP Strange on Twitter (https://twitter.com/AProdigiosus?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor) The Sandown Clown: Exploring Sam, the Isle of Wight's surreal 1973 encounter, On the Wight article and videos (https://onthewight.com/the-sandown-clown-exploring-sam-the-isle-of-wights-surreal-1973-encounter/) Our Strange Skies podcast, 151: Clowning Around with Stephanie Quick & AP Strange (Sam, the Sandown Clown) (https://audioboom.com/posts/8373390-151-clowning-around-with-stephanie-quick-ap-strange-sam-the-sandown-clown) How To Induce Synchronicities, Stephanie Quick blog post (https://stephaniequick.home.blog/2019/01/23/how-to-induce-synchronicities/) Radio Misterioso - Greg Bishop bio (https://radiomisterioso.com/greg-bishop/) Quick and Ray – A Psychic Influencing Experiment - Radio Mysterioso post (https://radiomisterioso.com/2016/11/23/quick-and-ray-a-psychic-influencing-experiment/) (Lama) Kunga Rinpoche - Wikipedia page (https://en.wikipedia.org/wiki/Kunga_Rinpoche) Buddhist Symbols - Faith Inspires article (https://faithinspires.org/buddhist-symbols/) Synchronicity and symbols as the base level of magic and entity encounters - Links VYS0026 | It's a Wand-erful Life - Vayse to Face with Douglas Batchelor Pt. 1 (https://www.vayse.co.uk/vys0026) VYS0027 | Batchelor of Dark Arts - Vayse to Face with Douglas Batchelor Pt. 2 (https://www.vayse.co.uk/vys0027) Birdwatching - Wikipedia page (https://en.wikipedia.org/wiki/Birdwatching) Bird symbolism - World Birds article (https://worldbirds.com/bird-symbolism/) Bird vocalisation - Wikipedia page (https://en.wikipedia.org/wiki/Bird_vocalization) Paramecium - Wikipedia page (https://en.wikipedia.org/wiki/Paramecium) Robert Monroe - Wikipedia page (https://en.wikipedia.org/wiki/Robert_Monroe) Dodechahedron - Wikipedia page (https://en.wikipedia.org/wiki/Dodecahedron) Chakra - Wikipedia page (https://en.wikipedia.org/wiki/Chakra) Spreading the weird word, sweeping statements, and the teacher-trickster - Links Julia Child - Wikipedia page (https://en.wikipedia.org/wiki/Julia_Child) What Magic is This? website (https://whatmagicisthis.com/) VYS0024 | Between Being Real and Not Real - Vayse to Face with Nathan Paul Isaac (https://www.vayse.co.uk/vys0024) VYS0025 | Truth with a Capital "T" - Vayse to Face with Sequoyah Kennedy (https://www.vayse.co.uk/vys0025) VYS0010 | Amazing Stories - Vayse to Face with Dr Allen H Greenfield Pt.1 (https://www.vayse.co.uk/vys0010) VYS0011 | Weird Tales - Vayse to Face with Dr Allen H Greenfield Pt.2 (https://www.vayse.co.uk/vys0011) AP Strange - website (https://www.apstrange.com/) George Gurdjieff - Wikipedia page (https://en.wikipedia.org/wiki/George_Gurdjieff) Teacher as trickster on the learner's journey - Journal of the Scholarship of Teaching and Learning article (https://files.eric.ed.gov/fulltext/EJ854900.pdf) Whitley Strieber - Wikipedia page (https://en.wikipedia.org/wiki/Whitley_Strieber) Communion (book) - Wikipedia page (https://en.wikipedia.org/wiki/Communion_(book)) Project Archivist podcast (https://projectarchivist.podbean.com/) Sex Magic with Allen Greenfield - SQ blog post and link to podcast audio (https://stephaniequick.home.blog/2020/05/27/sex-magic-with-allen-greenfield/) Carlos Castaneda, Amy Wallace, and Steph's Rules for Sex Magic with Others - Links Carlos Castaneda - Wikipedia page (https://en.wikipedia.org/wiki/Carlos_Castaneda) Trickster: The Many Lives of Carlos Castaneda, podcast (https://podcasts.apple.com/us/podcast/trickster-the-many-lives-of-carlos-castaneda/id1543278419) Destructive cults - Wikipedia page section (https://en.wikipedia.org/wiki/Cult#Destructive_cults) Amy Wallace - Wikipedia page (https://en.wikipedia.org/wiki/Amy_Wallace) Sorcerer's Apprentice: My Life with Carlos Castaneda by Amy Wallace - Goodreads page (https://www.goodreads.com/book/show/623197.Sorcerer_s_Apprentice) Sorcerer's Apprentice : My Life with Carlos Castaneda (https://www.abebooks.co.uk/servlet/BookDetailsPL?bi=31580133594&searchurl=an%3Dwallace%2Bamy%26sortby%3D17%26tn%3Dsorcerers%2Bapprentice%2Blife%2Bcarlos&cm_sp=snippet-_-srp1-_-title1) by Amy Wallace Irving Wallace - Wikipedia page (https://en.wikipedia.org/wiki/Irving_Wallace) Rodeo Drive - Wikipedia page (https://en.wikipedia.org/wiki/Rodeo_Drive) Florinda Donner - Wikipedia page (https://en.wikipedia.org/wiki/Florinda_Donner) John Lennon - Wikipedia page (https://en.wikipedia.org/wiki/John_Lennon) George Lucas - Wikipedia page (https://en.wikipedia.org/wiki/George_Lucas) Aleister Crowley - Wikipedia page (https://en.wikipedia.org/wiki/Aleister_Crowley) My Rules for Sex Magic with Others - Stephanie Quick blog post (https://stephaniequick.home.blog/2019/09/15/my-rules-for-sex-magic-with-others/) Steph's recommendations - Links Women of the Paranormal Vol I (https://alexmatsuo.com/women-of-the-paranormal/) by Alex Matsuo The Spooky Stuff podcast with Alex Matsuo (https://alexmatsuo.com/podcast/) The Spooky Stuff with Alex Matsuo on YouTube (https://www.youtube.com/@AlexMatsuo/videos) Personal Pans podcast with Vanessa Walilko (https://podcasts.apple.com/us/podcast/personal-pans/id1596186864) Pan Paracon/Personal Pans on YouTube (https://www.youtube.com/@PanParacon/videos) Vanessa Walilko's Jewellery and Wearable Art (https://www.kalibutterfly.com/) Necronomicast podcast (https://www.necronomicast.com/) Some Other Sphere podcast (https://someothersphere.podbean.com/) Church of Mabus Radio on YouTube (https://www.youtube.com/@churchofmabusradio1774/videos) John E.L. Tenney's website (http://weirdlectures.com/) Eric Wargo's website (https://www.ericwargo.com/) *Vayse * Vayse website (https://www.vayse.co.uk/) Vayse on Twitter (https://twitter.com/vayseesyav) Vayse on Instagram (https://www.instagram.com/vayseesyav/) Music From Vayse - Volume 1 by Polypores (https://vayse.bandcamp.com/album/music-from-vayse-volume-1) Vayse on Ko-Fi (https://ko-fi.com/vayse#checkoutModal) Special Guest: Stephanie Quick.

Whisper asian art museum chinese painting --- Support this podcast: https://podcasters.spotify.com/pod/show/haiying-yang/support

We're on location at the Asian Art Museum in San Francisco to talk about the exciting new Disney+ comedy/action series, American Born Chinese.Executive Producer/graphic novelist Gene Luen Yang and actor Daniel Wu sit down with us to talk about the audience reaction at the series premiere at SXSW, how the casting and timing of the show created a perfect storm (in the best way possible), their collective roots in the Bay, and the fact that the Asian American story has something to say for everyone.American Born Chinese is streaming right now on Disney+Follow graphic novelist Gene Luen Yang on IG & FB & TwitterFollow actor Daniel Wu on IG & Twitter--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every Tuesday at 9 - 10 am on BFF.FM

Robert Del Bonta will share how Shiva's Many Dances and the celebrated ‘Nataraja' pose is a culmination of how the ultimate depiction of Shiva's essence evolves over time in a dynamic conception among the Hindu trinity of gods (the Trimürti). Del Bonta creates an engaging aspect of one of the Hindu trinity gods, reflecting on how the iconic image of Shiva Nataraja the "Lord of Dance" illustrates a creative and destructive power over eons of time. Shiva's nature as both male and female is also a constant theme. Shiva manifests many other forms suggestive of power and mythological stories of dance or in prayers. It's but a tiny introduction to a major dance visualization heritage. Teacher and curator Dr. Robert Del Bonta's work has been presented in exhibition venues such as San Francisco's Asian Art Museum, Berkeley Art Museum, University of Michigan Museum of Art, Mills College, Notre Dame de Namur University, Art Passages in San Francisco and New York City, Portland Museum of Art and the New Orleans Museum of Art. He has lectured widely at museums and institutions in the United States, and published numerous articles and exhibition catalogue contributions on South Asian art with thematic focus largely on Indian art of the Jainas. MLF ORGANIZER Anne W. Smith and George Hammond Learn more about your ad choices. Visit megaphone.fm/adchoices

Whisper asian art museum in party night --- Support this podcast: https://podcasters.spotify.com/pod/show/haiying-yang/support

Forrest and J. Andrew World talk about Ringo Lam's 1987 City on Fire (which inspired Reservoir Dogs) with Dr. Robert Mintz, Deputy Director of the Asian Art Museum of San Francisco

After pandemic closures and slowdowns the Bay Area is facing a fall packed with exciting events. From Lear at CalShakes to the Bernice Bing collection at the Asian Art Museum to the return of Oakland hometown hero Kehlani, we'll talk with KQED's art reporters about their best picks for the coming season and their new Fall Arts Preview. Guests: Gabe Meline, senior editor, KQED Arts & Culture Sarah Hotchkiss, Senior Associate Editor, KQED Arts & Culture David John Chávez, theatre critic, author of the theater portion of KQED's fall arts preview Kristie Song, KQED Arts Intern, author of the fall book guide

Episode No. 553 features artist Hayv Kahraman and conservator and author Susan Lake. Hayv Kahraman is included in "Women Painting Women" at the Modern Art Museum of Fort Worth. The exhibition features 46 female artists who choose women as subject matter in their works. It was curated by Andrea Karnes and is on view through September 25. The exhibition catalogue was published by Delmonico Books. Indiebound and Amazon offer it for $39-50. Kahraman is a Baghdad-born, Los Angeles-based painter whose work explores the non-fixity of diasporic culture. Her work has been featured in solo exhibitions at the Contemporary Art Museum Saint Louis, the Joslyn Museum of Art, Omaha and the Asian Art Museum, San Francisco. On the second segment, Lake discusses "Clyfford Still," a new book in the Getty Conservation Institute's "The Artists Materials" series. Lake co-authored the book with Barbara A. Ramsay. Built from unprecedented access to art in the Clyfford Still estate and later in the Clyfford Still Museum, Denver, the book offers a detailed account of Still's materials, working methods and techniques. Indiebound and Amazon offer it for $40.

Have you ever wondered what an independent curator does? Recently I spoke with Trisha Lagaso-Goldberg, a self proclaimed "accidental arts administrator and curator" about her impressive career.Listen to find out how she went from volunteering at Southern Exposure Gallery in San Francisco after art school at the San Francisco Art Institute and San Francisco State to working on the Carlos Villa exhibition "Worlds in Collision" traveling from the Newark Museum to the Asian Art Museum in San Francisco as well as the incredible show "Land's End" with the For-Site Foundation at the historic Cliff House in San Francisco in 2022. See acast.com/privacy for privacy and opt-out information.

Episode No. 541 of The Modern Art Notes Podcast features artist Shahzia Sikander. This weekend the Museum of Fine Arts Houston opens "Shahzia Sikander: Extraordinary Realities," a survey of the first 15 years of Sikander's career, from roughly the mid-to-late 1980s and until the early 2000s. It was curated by Jan Howard and Marny Kindness, and at the MFAH by Dena M. Woodall. The exhibition will remain on view through June 5, when it will travel to the RISD Museum in Providence, RI. The RISD Museum and Hirmer have published an excellent book of the same title in association with the exhibition. It was edited by Sadia Abbas and Jan Howard. Indiebound and Amazon each offer it for about $45. Sikander came to prominence by melding Indo-Persian manuscript painting traditions with contemporary life and issues such as feminism, cultural identity, and more. Among the dozens of museums that have presented solo shows of her work are the Perez Art Museum in Miami, the Asian Art Museum in San Francisco, the Smithsonian American Art Museum, and the Museum of Contemporary Art in Tokyo.

Sometimes artists help us discuss things that are tough to talk about. In this second episode of “Sights +Sounds Magazine” Jeneé Darden chats with podcast host and author, Anna Sale, and takes us to the Chanel Miller exhibit at the Asian Art Museum.

Show Notes:0.58 - Bojagi1.00 - Jogakbo 1:01 - Saeksilnubi1:02 - Maedeup1:05 - San Francisco, Bay Area1:12 - Korea1:26 - Bojagi4:13 - P'ok7:04 - Jogakbo 7:07 and 7:10 - Subo7:32 - Examples of subo 8:40 - 100 day celebration of life9:37 and 10:16 - Jogakbo 10:26 - Ssam sol10:31 - Flat fell seam10:43 - Selvedge 12:26 - Hoop12:37 - Subo13:00 - Korean story on 7 sewing friends14:07 - Thread weight16:57 - Jogakbo 17:59 - Natural fabric dyeing 18:06 - Indigo 18:13 - Silk velvet fabric19:43 - Indigo fabric dyeing 19:53 - A Verb for Keeping Warm21:52 - Log Cabin quilt block 21:56 - Pinwheel quilt block21:58 - Prairie points22:48 - Cathedral window quilt block 22:48 - Cathedral window bojagi23:08 - Prairie points25:55 - Asian Art Museum, San Francisco 25:57 - Los Angeles County Museum of Art27:45 - Asian Art Museum, San Francisco 30:13 and 30:41 - Korean Textile Tour (Youngmin's textile tours to Korea)33:10 - Harry Potter33:33 - Dr Huh Dong-hwa33:45 - Ramie fabric 34:17 - Dharma Trading Company 34:34 - A Verb for Keeping Warm34:58 - Jogakbo 35:00 - Prairie points35:43 - Clover silk thread35:49 - Mettler cotton thread35:54 - Wonderfil thread36:07 - Ssam sol36:08 - Flat fell seam37:23 - Seoul, Korea37:26 - Seoul Museum of Craft 37:33 - Dr Huh Dong-hwa37:43 - @chaedumjung38:13 - Youngmin's Hovea jacket designed by Megan Nielsen Patterns 38:15 - Megan Nielsen Patterns39:29 - @Nantejoo39:51 - Naiomi Glasses (@naiomiglasses)40:34 - @Rifatto_Handmade40:43 - Youngmin's stitch sampler book40:49 - Youngmin's stitch sampler online class41:00 - Ramie fabric Follow Youngmin:Instagram - @youngminlee_bojagihttp://www.youngminlee.com/Follow us:Amanda: @broadclothstudio https://broadclothstudio.com/Wendy: @the.weekendquilter https://the-weekendquilter.com/Anna: @waxandwanestudiohttps://www.waxandwanestudio.com/Quilt Buzz: @quilt.buzzhttps://quiltbuzzpodcast.com/Intro/Outro Music:Golden Hour by Vlad Gluschenko

Jessie Wayburn dives deep into spirituality with Dhaya Lakshminarayanan. Dhaya Lakshminarayanan is the 2016 winner of the Liz Carpenter Political Humor Award (previously awarded to Samantha Bee, Wanda Sykes and satirist/humorist Mark Russell) presented by the National Women's Political Caucus. Comedy Central Asia crowned her the Grand Prize Winner of “The Ultimate Comedy Challenge” filmed in Singapore. She is the sole subject of the documentary “NerdCool” which premiered at the LA Comedy Festival in 2018 KQED named her one of the twenty “Women to Watch” a series celebrating women artists, creatives and makers in the San Francisco Bay Area who are pushing boundaries in 2016. She was named one of “The Bay Area's 11 Best Standup Comedians” in 2016 and “13 San Francisco Standup Comedians to Go See Now” in 2018 by SFist. The SF Weekly named her one of the “16 Bay Area performers to watch in 2016.” The San Francisco Bay Guardian named her Best Comedian 2013 in the “Best of the Bay” Readers' Poll. She has opened/featured for or worked with the following: Janeane Garofalo, Marc Maron, Greg Behrendt, Jello Biafra, the late Dick Gregory, Anthony Jeselnik, Maz Jobrani, and Greg Proops. Dhaya introduced former Vice President Al Gore at an event. He then laughed onstage at her joke, so technically she once opened for Al Gore. She has performed internationally in Shanghai, China; Kuala Lumpur Malaysia, and Singapore. In the US she has been an invited performer at Bridgetown Comedy Festival (Portland, OR), San Francisco Sketchfest, the Boston Comedy Festival (semifinalist), the Limestone Comedy Festival (Bloomington, IN) and Laugh Your Asheville Off (Asheville, NC). Dhaya was one of the chosen artists by The Asian Art Museum of San Francisco to take the entire museum over for one night. During Takeover:Dhaya Lakshminarayanan, she programmed content including stand-up comedy, humorous fake tours of the museum, and an absurdist interpretation of Indian mythological comic books. The only other artist invited to takeover the museum in 2017 was RZA from the Wu-Tang Clan Dhaya is also a TV host and storyteller. She hosted the premier year of the Emmy award-winning series High School Quiz Show on PBS's WGBH. She is a frequent comedic storyteller on NPR's Snap Judgment and has appeared live in Austin on The Risk podcast. She is currently the host of San Francisco's monthly Moth StorySLAM after winning a Moth StorySLAM and competing in the GrandSLAM at the Castro Theater (capacity 1400). ON24 awarded her the grand prize for “Best Travel Disaster Story.” Dhaya is a solo performer, and her first play “Nerd Nation” was funded in parts by The Asian Pacific Islander Cultural Center of San Francisco and support from DIVAfest which supports new and developing works by female playwrights. Her workshop run in San Francisco sold out. The Boston Globe, The Bay Guardian, and The San Jose Mercury News have all run profiles about her. Prior to funny and show business Dhaya was a venture capitalist, management consultant, and two-time MIT graduate. You can indeed call her a nerd. Taking Dadplications is an Opus Nox Media production. Music and cover art by Nick Jenkins. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/taking-dadplications/support

Episode Notes Show Highlights (0:11:38) The concept of generations in Kathak (0:13:05) How Rachna Di Teaches Differently (0:21:50) How Gurus used to teach (0:27:02) Starting Teaching (0:32:23) Balancing being an active performer and teaching (0:34:15) The responsibility of education (0:40:07) Dance Critics (0:46:04) Pride and South asian culture (0:52:56) Compensation in the arts (1:06:47) The concept of Endowments in the Arts (1:25:41) The story of Rachna di and the Harmonium Bio RACHNA NIVAS (@rachnanivas) is an artist, choreographer, educator, and activist in Indian classical dance, bringing a relevant voice to kathak. Deemed “charismatic” and “revelatory” by the San Francisco Chronicle and featured in 2021 by Dance Magazine, she is one of the most sought-after kathak artists and educators of her generation. A distinguished torchbearer of legendary master Pandit Chitresh Das' treasured lineage .Rachna is a fierce and passionate performer, a technical powerhouse with masterful creativity and infectious charm. She is a founding artist and artistic director of Leela Dance Collective, a nationally-based women-led and artist-led collective, producing powerful works by forward-thinking trailblazers in kathak dance. Rachna's original works include her collaboration SPEAK, which brings together leading women in kathak and tap, bridging Indian and African-American art and heritage along with co-creators Rina Mehta, Michelle Dorrance, and Dormeshia. Some notable SPEAK _tour stops have been Broad Stage in Los Angeles, Yerba Buena Center for the Arts in San Francisco, Mumbai Royal Opera House in India, Maui Arts and Cultural Center and University of Hawaii. Rachna is also co-creator of the large scale dance ballad, _Son of the Wind, featuring 20 dancers and a live orchestra. Tour highlights include Ford Theater in Los Angeles, Kimmel Center in Philadelphia, and Bhramara Festival in Mumba, India. Her original solo work, Meera, was featured at the ODC Walking Distance Festival in San Francisco and at Salvatore Capezio Theater in New York City. Her original work Stir, choreographed for Leela Youth Dance Company, was featured at the WorldWideWomen's Girls Festival. Her works have been funded by the National Endowment for the Arts, New Music USA, Mid-Atlantic Arts Foundation, California Arts Council, and Zellerbach Family Foundation. Prior to work with Leela Dance Collective, Rachna was principal dancer with the Chitresh Das Dance Company for 15 years and received two nominations for an Isadora Duncan Dance Award while performing worldwide in productions such as Shiva, Sita Haran, Pancha Jati, Darbar, Shabd and many more. Some notable venues she performed at with CDDC, include Cal Performances at UC Berkeley, Roy and Edna Disney/Cal Arts Theater in Los Angeles, Asian Art Museum in San Francisco, Kohler Arts Center in Wisconsin, Scottsdale Center for Performing Arts in Arizona, National Center for Performing Arts in Mumbai, Birla Sabhagar in Kolkata, National Institute of Kathak Dance in New Delhi, and Shaniwarwada Festival in Pune, India. Rachna was also instrumental in building the Chhandam School of Kathak in San Francisco (founded by Pandit Chitresh Das in 1980). Pandit Das himself appointed Rachna to be Co-Director of the Chhandam School in 2009 (along with Seibi Lee). Rachna worked tirelessly under Pandit Das to institutionalize curriculum, build infrastructure, train teachers, direct school-wide dance dramas, and flourish the school into one of the world's leading and most influential academies of North Indian classical dance. Her passion and commitment to her own journey of the art and to building pride of Indian classical art amongst the South Asian community led her to emerge as a powerful role model amongst the Indian diaspora. In particular, Rachna has exceptional talent in teaching and training youth, making the art relevant, inspiring, and empowering to girls. Rachna was the successor to Pandit Das as Co-Artistic Director of the Chhandam School and Artistic Director of the Chhandam Youth Dance Company (now the Leela Youth Dance Company), shepherding excellence, leadership, and creative discovery amongst teens. Rachna has also taught numerous kathak workshops, after-school programs, and outreach events/residencies to communities of all backgrounds, including at the San Francisco Asian Art Museum, Treme Center of New Orleans, Conservatory of Arts in Miami, Musical Instrument Museum in Phoenix, LA Tap Fest at Debbie Allen Dance Academy, National Center for Kathak Dance in New Delhi, and many more. Currently, Rachna is leading and directing Leela New York, the newest chapter of Leela Institute of Kathak, bringing the teachings of her lineage for the first time to the greater New York Metro area. Title Track Audio Credit: Doug Maxwell | Bansure Raga

Tonight, we rebroadcast Salima Hamarani's segment on the Rohingya refugee crisis. We visit Bindlestiff Studio to learn about Welga, their latest production that weaves labor rights, educational rights, and family into a coming of age story set in SOMA Pilipinas. Welga playwright Conrad Panganiban and labor activst Daz Lamparas. And we talk with artists participating in Kearny Street Workshop's annual showcase of Asian Pacific American artists, APAture. Interviews include Focus Artist Award recipient, Kristina Wong; visual artist Selena Ching; featured literary artist Vanessa Huang, author of Deceit and Other Possibilities; and featured book artist Innosanto Nagara, author of the popular children's book, A is for Activist. Books illustrated by APAture featured artist Innosanto Nagara. Community Calendar Welga continues through October 21 at Bindlestiff Studio. Kearny Street Workshop is also participating in at Lit Crawl at Five and Diamond in San Francisco featuring alumni from their three month summer program for writers of color. Also on Saturday, El Rio hosts a punk and hip hop benefit for Migrante SoMa/TL- San Francisco, a grassroots community organization that advocates and organizes Filipino migrants and workers in San Francisco and the Bay Area. APAture programs continue this week with the Book Arts Showcase featuring Innosanto Nagara on Sunday, October 15 at Arc Gallery and Studios in San Francisco. And save the date for the Performing Arts showcase on Saturday, October 21 at the Asian Art Museum featuring Zulfikar Ali Bhutto.   The post APEX Express – Rohingya, Welga, and APAture appeared first on KPFA.

John Zipperer of Commonwealth Club of CA and I interview David Lei of Asian Art Museum about how the Dragon Boat Festival could be considered a Chinese Gay Festival.

A proposed San Francisco ordinance could make a big difference for breastfeeding mothers at work. Political consciousness about Asian American identity informed Francis Wong's music.A peek inside the "Tomb Treasures" exhibit currently at San Francisco's Asian Art Museum.

Tonight we welcome a new voice to APEX, Sierra Lee who daylights at the Center for Asian American Media. Salima Hamarani talks with Hyun Lee with Working Group on Peace and Demilitarization in Asia and the Pacific and Arnie Saiki with the Moana Nui Action Alliance speaking about the potential impact of the Terminal High Altitude Area Defense System on US-East Asia relations. We talk with artist Sita Kuratomi Bhaumik about her upcoming exhibit Estamos contra el muro: We Are Against the Wall at Southern Exposure where you can pummel a wall of piñatas that represents Trump's proposed border wall with Mexico. And we flashback to 2006 when local punk band La Plebe was embarking on its biggest tour yet–to Eastern Europe. Community Calendar Estamos contra el muro: We Are Against the Wall  Opening Sept 9th | Talk Sept 22nd | Community Demolition Oct 15th La Plebe's final shows are this Friday in Watsonville, Saturday at Gilman, October 14 at Bottom of the Hill, and October 15 at El Rio. On Saturday, at 7 p.m. spend your evening with the indie, action, Filipino vampire film, Vampiriah! It screens at San Francisco Chinatown's Historic Great Star Theater at 7 p.m. And next Thursday, don't miss out! Mass Bass is playing at 12:30 at the Yerba Buena Gardens Festival! You thought they broke up, you thought that frontman Kiwi left the country! Be there on August 8. It may be your last chance to catch this seven-piece radical hip-hop soul collective from Oakland. Next Thursday after 5 p.m. is “Kristina Night” at the Asian Art Museum! Comedian Kristina Wong joins filmmaker Jeff Adachi, performer Khmera Rouge, and other local artists and museum docents to reinterpret famous pieces of performance art from Yoko Ono, Shia Lebeouf and more. You won't want to miss this hilarious, one-night only takeover. The post We Are Against the Wall, Goodbye to La Plebe, and Resistance to THAAD appeared first on KPFA.

A few weeks ago, it was my pleasure to have filmmaker Pamela Tom in the Lounge to talk about her documentary Tyrus, the story of Chinese-American artist and Disney Legend Tyrus Wong. Last Thursday, I had the opportunity to finally see Tyrus on the big screen. The film opened CAAMFest, an annual film festival in the San Francisco Bay Area that supports and celebrates Asian art and culture. It was a delightful evening, with the screening held at San Francisco's historic Castro Theatre. It was followed by a gala at the Asian Art Museum. On display at the event was an 80-year old watercolor masterpiece by Tyrus Wong called "Chinese Jesus." It depicts an ethereal Christ-like figure floating in a partially clouded sky. For decades, the painting was thought to have been lost, only to be rediscovered a few years ago stashed away in a San Francisco church. The painting came full circle on March 9, when, during a ceremony designating the day as “Tyrus Wong Day” in San Francisco, Tyrus Wong, at 105-years old, signed the painting. Last Friday, since I was in the neighborhood, I dropped by the Walt Disney Family Museum and spent time with Michael Labrie, the museum's director of collections. In 2013, Michael curated Water to Paper, Paint to Sky an exhibition of Tyrus Wong's work. In our conversation, Michael and I talked about Tyrus, as well as a contemporary of Tyrus's at Disney, Mel Shaw. Mel is the subject of a current retrospective at the Museum, Mel Shaw: An Animator on Horseback.  After talking with Michael, imagine my surprise to run into none other than Tyrus Wong at the Museum. He was the guest of honor at a member event later that evening, but he had arrived early to take in the Mel Shaw exhibition. We only chatted briefly, but as always, Tyrus was charming, good humored and an absolute pleasure to talk with. CAAMFest runs through March 20, so if you're in the San Francisco Bay Area this week, I highly recommend seeing one of the many fascinating films screening during the festival. In fact, the Walt Disney Family Museum, in celebration of Tyrus Wong, is showing Bambi this Saturday and Sunday. Plus, you can catch an encore showing of Tyrus at the New Parkway Theater in Oakland also on Sunday. For times and ticket information, visit caamfest.com/2016/schedule. Michael Labrie is my guest today in The Mouse Castle Lounge. Enjoy!www.TheMouseCastle.comRSS Feed: http://themousecastle.libsyn.com/rss

New law gives undocumented Californians a chance to apply for driver's licenses, Walking like a Radical: A tour through a century of progressive South Asian's in the Bay Area, "Roads of Arabia": touring the ancient birthplace of Islam at the Asian Art Museum, and local musicians Taraf de Locos.