Podcasts about Asian Art Museum

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993.  She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website:  RanuMukherjee.comFollow  on Instagram:  @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

If you work across time zones, borders, and cultures, this is the show for you. This is your host Leonardo, welcome to the international business podcast.     What are the major differences between U.S. and Chinese business dealings and practices?   What questions do today's business leaders need to ask to work successfully and carefully with China?   How does the CCP operate, including their use of flattery to manipulate and replicate business models?   Join Leonardo on Patreon for:⁠⁠ Podcast Archive: 102 episodes (40+ hours). Podcast Bonus Episodes: New exclusive content. Early Access: Upcoming YouTube videos and newsletters. Thinking Process Journal: Insights into Leonardo's content preparation, including a curated reading list and personal reflections. Q&A: Submit questions for future episodes, and receive a shoutout when they are answered. Joining Leonardo we have Ken Wilcox. He was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and an Adjunct Professor at U.C. Berkeley.   Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. His account of establishing an innovation bank in China, “The China Business Conundrum: Ensure that Win-Win Doesn't Mean Western Companies Lose Twice”, was published in November 2024 from Wiley.   For an extra 20 minutes episode with Ken, check out the PLUS episode that is coming out tomorrow. It is available for Patreon subscribers.   You can purchase Ken's book on Amazon here. This will contribute to The International Business Podcast.   If you work across time zones, borders, and cultures, come on the show to share your story. Connect with the host Leonardo Marra

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, we are replaying a conversation from December 2023, as our final drop of the year. It features Emily chatting with artist Rupi C. Tut, whose work focuses on capturing the stories of women like herself and her family. Rupy shares her journey from moving to the U.S. from India, studying pre-med at UCLA, to deciding to pursue art and successfully exhibiting her work in renowned museums, such as the De Young Open and the Institute of Contemporary Art in San Francisco. Rupy discusses her dedication to portraying everyday heroism, belonging, and cultural identity through her art, emphasizing the importance of representation and the significant influence of her background in her creative process. The episode also highlights her training in Pahati painting and her latest show, 'Out of Place,' reflecting on the broader impact of her work on diverse audiences.Rupy is a recent 2024 SECA Art Award recipient, and her work is currently being featured at the SFMOMA with other SECA Award winners. Art is Awesome will return on January 1st with brand new Episodes, featuring artists Carrie Ann Plank and Tricia Rainwater.About Artist Rupy C. Tut:Rupy C. Tut is a painter dissecting historical and contemporary displacement narratives around identity, belonging, and gender. As a descendant of refugees and a first generation immigrant, Rupy's family narrative of movement, loss, and resilience is foundational to her creative inquiries. Tut's artistic practice expands, innovates, and reframes the traditions of Indian miniature painting. She mixes her own pigments and turns to hemp paper and linen to contend and make visible one's place in the world. ​Rupy C. Tut lives and works in Oakland, California. Her work has been presented through exhibitions and talks at the de Young Museum, San Francisco; Asian Art Museum, San Francisco; London City Hall; Stanford University; The Peel Art Gallery and Museum Archives, Toronto; a solo exhibition Rupy C. Tut: A Recipe for Brown Skin at the Triton Museum of Art, Santa Clara; and a solo exhibition Rupy C. Tut: Search and Rescue at Jessica Silverman, San Francisco. Rupy C. Tut is represented by Jessica Silverman.Visit Rupy's Website: RupyCTut.comFollow Rupy on Social Media: @RupyCTutFor more on Rupy's SECA Art Award Exhibit at SFMOMA, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices

The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice (Wiley, 2024) describes former CEO of Silicon Valley Bank (SVB) Ken Wilcox's firsthand challenges he encountered in four years “on the ground” trying to establish a joint venture between SVB and the Chinese government to fund local innovation design―and the Chinese Communist Party (CCP) efforts to systematically sabotage the project and steal SVB's business model. This book provides actionable advice drawn from meticulous notes Wilcox took from interviews with people from all walks of Chinese life, including Party and non-Party members, the business elite, and domestic workers. Describing a China he found fascinating and maddeningly complex, this book explores topics including: Difficulties in transplanting SVB's model to China, from misunderstandings about titles and responsibilities to pitched battles over toilet design Ethics and practices widely adopted by Chinese businesses today and why China must be met with realistic expectations Wilcox's own honest missteps and the painfully learned lessons that came afterwards Engrossing, enlightening, and entertaining, The China Business Conundrum: Ensure That "Win-Win" Doesn't Mean Western Companies Lose Twice is an essential cautionary tale and guidebook for anyone seeking to do business in or with China, and an essential first-person account for academics trying to understand China's unique political economy and development trajectory. Ken Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the Asia Society of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and teaches as an Adjunct Professor at U.C. Berkeley. Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He is a former member of the board of directors of the Federal Reserve Bank of San Francisco. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book “Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things” (Waterside Productions, 2020) and its accompanying workbook, “How About You?” (Waterside Productions, 2023). The father of two sons, he lives in San Francisco with his wife, Ruth, and several antique cars. For more of Ken's insights, follow his substack. Interviewer Peter Lorentzen is an Associate Professor of Economics at the University of San Francisco, a nonresident scholar at the UCSD 21st Century China Center, an alumnus of the Public Intellectuals Program of the National Committee on US-China Relations, and is currently a visiting scholar at the Stanford Center on China's Economy and Institutions. His research focuses on the economics of information, incentives, and institutions, primarily as applied to the development and governance of China. He created the unique Master's of Science in Applied Economics at the University of San Francisco, which teaches the conceptual frameworks and practical data analytics skills needed to succeed in the digital economy. Lorentzen's other NBN interviews relating to China's tech sector include From Click to Boom, on the political economy of e-commerce in China, Trafficking Data, on how Chinese and American firms exploit user data, The Tao of Alibaba, on Alibaba's business model and organizational culture, Surveillance State, on China's digital surveillance, Prototype Nation, on the culture and politics of China's innovation economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

San Francisco'daki Asian Art Museum küratörü Naz Cuguoğlu ile hem müzenin koleksiyonu ve programlarından, hem de Gwangju Bienali için küratörlüğünü yaptığı ABD Pavyonu sergisinden bahsediyoruz.  

In this episode, we discuss the new exhibition "Hallyu! The Korean Wave" at the Asian Art Museum of San Francisco, featuring Yoon-Jee Choi, the assistant curator of the Korean Art Department. Our conversation explores several questions, including where we should draw the line for what counts as "Hallyu" or "K-pop," whether K-pop is inherently linked to capitalism, and who the target audience is for an exhibit like this.The exhibition features approximately 250 objects—costumes, props, photographs, videos, pop culture ephemera, and contemporary works—providing an immersive and multisensory journey through a fascinating history, and a celebration of a vibrant creative force that bridges cultural, societal, and linguistic divides and continues to reach new heights today.Visit the Asian Art Museum website to learn more about the exhibition and book tickets:https://exhibitions.asianart.org/exhibitions/hallyu-the-korean-wave/ Hosted on Acast. See acast.com/privacy for more information.

Hallyu means the Korean Wave, which is the nickname given to the phenomenal embrace of South Korean pop culture around the world!  The Asian Art Museum of San Francisco is surfing that wave by bringing in a collection of pop culture pieces. Costumes from your favorite K-dramas, a recreated set from the movie Parasite, stage outfits worn by K-Pop stars, and much more grace the galleries in the museum.   I was lucky enough to meet up with the museum's Korean Art curator, Yoon Jee Choi, and she gave me an after-hours VIP tour. And lucky for you, I was able to record it, so you get to come along too! The Hallyu exhibition is going on only until January 6th.  So hurry and come down.  The Asian Art Museum is located in the Civic Center of San Francisco.  The days/hours of operation are Thursday-Monday usually from 10-5 PM, but on Thursdays, the museum is open from 1-8 PM. It's free to go on the 1st Sunday of every month.  You can get a membership for under $120, which lasts a year and allows you to bring another person with you, so that's a great deal! You can find out more over at https://asianart.org/ or follow their Instagram @asianartmuseum  Special thanks to my favorite curator Yoon Jee Choi!  And thanks also to Freesia from the Media Relations Department. As I always mention, you can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianart #hallyu #Koreanart #asianartmuseum #KPOP #Kdramas #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters

Ken Wilcox, former CEO of Silicon Valley Bank, discusses his book "The China Business Conundrum" and the challenges of doing business in China. He explains the concept of "one bed, two dreams," highlighting the disparity in goals between western and Chinese joint venture partners. Wilcox details his bank's entry into China, emphasizing the strategic invitations and control exerted by the Chinese Communist Party. He recounts the extensive regulations and control mechanisms, including a three-year restriction on using Chinese currency. Despite the challenges, Wilcox values the experience, noting the complex interdependence between the U.S. and China.If you have any questions, comments, or suggestions for Gene, please email him at contact@economicsexplored.com  or send a voice message via https://www.speakpipe.com/economicsexplored. About this episode's guest: Ken WilcoxKen Wilcox was the CEO of Silicon Valley Bank (SVB) from 2001 to 2011, then the CEO of SVB's joint venture with Shanghai Pudong Development Bank (SPDB-SVB) in Shanghai until 2015, followed by four years as its Vice Chairman. He currently serves on the boards of the AsiaSociety of Northern California, the Asian Art Museum, and UC San Diego's 21st Century China Center, as well as Columbia Lake Partners, a European venture-debt fund. He is on the Board of Advisors of the Fudan University School of Management in Shanghai and an Adjunct Professor at U.C. Berkeley.Ken holds a PhD in German from Ohio State University and an MBA from Harvard Business School. He has given numerous speeches in both English and Chinese, published a variety of articles in the banking press, and recently wrote the management book Leading Through Culture: How Real Leaders Create Cultures That Motivate People to Achieve Great Things (Waterside Productions, 2020) and its accompanying workbook, How About You? (Waterside Productions, 2023). His account of establishing an innovation bank in China, The China Business Conundrum: Ensure that Win-Win Doesn't Mean Western Companies Lose Twice, is forthcoming from Wiley.To connect with Ken, please visit: www.linkedin.com/in/kenwilcoxsvb/Timestamps for EP259Introduction and Overview of the Podcast (0:00)Ken Wilcox's Journey into China (4:40)Challenges and Strategic Invitations in China (8:10)Guanxi and Corruption in Business Relationships (14:13)State Control and Joint Venture Challenges (20:42)Impact of SVB's Collapse and Final Reflections (40:02)TakeawaysJoint ventures in China often suffer from differing goals between Western companies and their Chinese partners, a phenomenon Ken Wilcox refers to as "One Bed, Two Dreams."The Chinese Communist Party (CCP) holds significant control over both private and state-owned companies, making it difficult for foreign businesses to operate independently.Guanxi, a system of mutual obligation and trust, plays a critical role in business relationships in China, but it often involves navigating corruption and complex social expectations.Foreign companies entering China are often targeted for their intellectual property, and the CCP uses strategic partnerships to gain technological insights.Ken Wilcox's experience with Silicon Valley Bank in China illustrates the frustrations foreign firms face due to slow regulatory processes and overwhelming state control.Links relevant to the conversationKen's book “The China Business Conundrum”:https://www.amazon.com.au/China-Business-Conundrum-Win-Win-Companies/dp/1394294166Previous Economics Explored episodes on China:China's Economic Future Under Xi & the Australia-China Relationship w/ Emmanuel Daniel – EP253 https://economicsexplored.com/2024/09/17/chinas-economic-future-under-xi-the-australia-china-relationship-w-emmanuel-daniel-ep253/Enterprise China: what western businesses need to know w/ Prof. Allen Morrison  – EP171https://economicsexplored.com/2022/12/26/enterprise-china-what-western-businesses-need-to-know-w-prof-allen-morrison-ep171/Why we're in the Decisive Decade with China & what the West should do w/ Dr Jonathan D. T. Ward – EP182https://economicsexplored.com/2023/04/09/why-were-in-the-decisive-decade-with-china-what-the-west-should-do-w-dr-jonathan-d-t-ward-ep182/China, Taiwan & the Indo-Pacific w/ Dr Greta Nabbs-Keller – EP146https://economicsexplored.com/2022/07/04/china-taiwan-the-indo-pacific-w-dr-greta-nabbs-keller-ep146/Lumo Coffee promotion10% of Lumo Coffee's Seriously Healthy Organic Coffee.Website: https://www.lumocoffee.com/10EXPLOREDPromo code: 10EXPLORED 

South Korea is living in the future. It has the fastest internet on the planet. Nearly 100% of its population owns a smartphone. And for the last decade it has become a center of global pop culture. The popularity of Korean drama, cinema, beauty and pop music has given Korea a soft power that has allowed it to emerge as a cultural and economic leader among Asian nations. A new exhibit at the Asian Art Museum “Hallyu! The Korean Wave” picks up on this theme, exploring all things K-culture. We'll talk to its curator, experts, and you: are you a K-fan? Guests: Yoon-Jee Choi, assistant curator for Korean art, Asian Art Museum. Choi is overseeing the "Hallyu: The Korean Wave" exhibition. Todd Inoue, freelance music journalist Kyung Hyun Kim, professor and chair, East Asian Studies, UC Irvine; author, "Virtual Hallyu: Korean Cinema of the Global Age" and "Hegemonic Mimicry: Korean Popular Culture of the 21st Century" Chesca Rueda, co-founder and co-owner of Sarang Hello, a retail shop that focuses on K-pop

Jessica speaks with Jenny Qi, poet, writer, & scientist. She is the author of Focal Point, winner of the 2020 Steel Toe Books Poetry Award. A freelance writer, her essays and poems have appeared in The New York Times, The Atlantic, San Francisco's Asian Art Museum, and numerous other publications. She is working on a hybrid collection titled Liminal Bodies and a memoir in essays in conversation with her late mother's memoirs of the Cultural Revolution and life in Las Vegas. Jenny holds a Ph.D. in Biomedical Science from UCSF and has worked as a cancer researcher and medical writer. Find Jenny's work at www.jqiwriter.com or on Instagram  ~ Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work? For high-achieving professionals, Jessica Wan's executive coaching services stand out as a rare gem. She provides strategic guidance and practical solutions, a unique offering that not only propels her clients' careers forward but also builds their capacity for significant leadership roles in their respective sectors. Her innovative coaching techniques and personalized approach set her apart from the rest. BOOK AN INTRO CALL: ⁠https://calendly.com/jessicawancoaching/intro-call-coaching⁠⁠ Follow Jessica on LinkedIn Credits Produced and Hosted by ⁠⁠Jessica Wan⁠⁠ Co-produced, edited, and sound design by ⁠⁠⁠⁠Carlos Schmitt⁠ Theme music by ⁠⁠Denys Kyshchuk⁠⁠ and ⁠⁠Stockaudios⁠⁠ from ⁠⁠Pixaba⁠y

Jessica speaks with Pamela Mendoza Brasunas, People Ops Leader for early stage startups & Birth Doula. As a startup leader, Pamela creates and nurtures company culture for startups with an ambitious mission. She currently serves as the Head of People Ops at PayZen, and she previously helped grow startups like Udemy and Carbon Health, as well as the Asian Art Museum of San Francisco. A trained birth doula, Pamela founded her doula business Butterfly Birthing, inspired by her work with Planned Parenthood, where she guided and supported pregnant teens. Butterfly Birthing educates women by preparing them for labor, and laying the foundation for empowered birth experiences. Pamela earned her BA in Ethnic Studies from UC Berkeley, and she's a graduate of The Art of Leadership Mastery Program. She's an avid backpacker who completed the Pacific Crest Trail. She loves to dance, support the arts, and spend time in nature and with her family. Find Pamela on LinkedIn and learn more about Butterfly Birthing ~ Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work? For high-achieving professionals, Jessica Wan's executive coaching services stand out as a rare gem. She provides strategic guidance and practical solutions, a unique offering that not only propels her clients' careers forward but also builds their capacity for significant leadership roles in their respective sectors. Her innovative coaching techniques and personalized approach set her apart from the rest. BOOK AN INTRO CALL: ⁠https://calendly.com/jessicawancoaching/intro-call-coaching⁠⁠ Follow Jessica on LinkedIn Credits Produced and Hosted by ⁠⁠Jessica Wan⁠⁠ Co-produced, edited, and sound design by ⁠⁠⁠⁠Carlos Schmitt⁠ Theme music by ⁠⁠Denys Kyshchuk⁠⁠ and ⁠⁠Stockaudios⁠⁠ from ⁠⁠Pixaba⁠y⁠

What are some quick and easy activities that could help you bring creativity into your life? In this episode of the Fueling Creativity in Education Podcast, co-hosts Dr. Matthew Worwood and Dr. Cyndi Burnett are joined by guests Josh Seidenfeld and Mark Lion in a special discussion centered on overcoming creative blocks and integrating playful, creative practices into education. Josh and Mark, founders of the Messier platform, share their journey of creating a space for consistent creative practice and how they collaborated with creativity scholars like Dr. James Kaufman to develop their innovative app. The conversation delves into the significance of retaining a sense of play and the necessity of looking at creativity beyond traditional arts. A unique exercise, coming up with excuses for not attending a friend's wedding, serves as a practical and amusing demonstration of divergent thinking. The episode also highlights the importance of facilitating fun experiences in educational settings and the role of skills such as shifting perspectives and staying curious. Listeners are introduced to various creative exercises, including taking pictures from different perspectives, creating thematic playlists, and writing poems from unique viewpoints, illustrating practical ways to foster creativity in classrooms. Mark emphasizes that even five-minute creative activities can prompt deeper creative exploration, and Josh underscores the value of incremental creativity in our daily lives and the app's role in encouraging these moments. This final pre-summer episode encourages educators to use the discussed exercises and resources over the break to cultivate a lifelong commitment to creativity. Download the Messier App here for free! About Josh Seidenfeld and Mark Lion: Josh Seidenfeld and Mark Lion are founders of Messier, a platform to help people enjoy the benefits of a consistent creative practice. Messier advisors include some of the leaders in creativity psychology research, including James C. Kaufman, Zorana Ivcevic Pringle, and Roni Reiter-Palmon. Josh is a longtime creative person, having produced two albums with his band, Boy in the Bubble. Day jobs most recently included climate projects at Apple and Meta. He lives in Oakland with his wife and two daughters, whose creativity constantly inspires him. Mark founded and led Lion Interactive, a digital design agency in the San Francisco area, for 25 years. Clients have included McKinsey and the Asian Art Museum. Notable projects include design leadership in Texture, which was acquired by Apple and incorporated into Apple News. Mark (also) lives in Oakland with his wife and son, where their weekends are usually filled with maker projects. Eager to bring more creativity into your school district? Check out our sponsor Curiosity2Create.org and CreativeThinkingNetwork.com What to learn more about Design Thinking in Education?  Do you want to build a sustained culture of innovation and creativity at your school? Visit WorwoodClassroom.com to understand how Design Thinking can promote teacher creativity and support professional growth in the classroom.  Subscribe to our monthly newsletter!    

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with NorCal based artist Tucker Nichols as he shares stories about his spontaneous move to Taiwan, where he immersed himself in a vibrant artistic community. He discusses his extensive body of work, including children's books and the initiative 'Flowers for Sick People.' He reflects on his background, including his mother's influence and his intense study of East Asian art. Tucker's journey includes struggling with Crohn's disease and a career shift to become a full-time artist, supported by his wife. He talks about influential works and places, emphasizing his lifelong passion for art. The podcast concludes with three thought-provoking questions Emily asks every guest.About Artist  Tucker Nichols:Tucker Nichols is an artist based in Northern California. His work has been featured at the Drawing Center in New York, the San Francisco Museum of Modern Art, the Denver Art Museum, Den Frie Museum in Copenhagen, and the Asian Art Museum in San Francisco. A show of his sculpture, Almost Everything On The Table, was recently on view at the Aldrich Contemporary Art Museum. He is currently an Artist Trustee at SFMOMA.His drawings have been published in The New Yorker, The New York Review of Books, McSweeney's, The Thing Quarterly, and the Op-Ed pages of The New York Times. He is co-author of the books, Crabtree (with Jon Nichols) and This Bridge Will Not Be Gray (with Dave Eggers). Flowers for Things I Don't Know How to Say  was released in March 2024. Flowers for Sick People, his ongoing multimedia project, can be viewed here.Visit Tucker's Website:  TuckerNichols.comFollow Tucker  on Instagram:  @TuckerNichols--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Veronika Trufanova always had a passion for environmental sustainability, making her the perfect fit for her role as Director of Development at the Emerald Necklace Conservancy, a historic linear park system in Boston that introduced one the first example of green infrastructure in the nation. Nika now works to sustain the parks impact on the city while growing awareness for its rich history, a huge task in a city with over 650,000 residents.  Nika discusses how Sherry's fresh perspective has revamped her team's strategic plan while generating morale throughout her organization. The two share about the power of curiosity in young fundraisers, and how that energy can translate to your relationships with donors.   What You Will Discover:  ✔️ A well-thought-out, purpose driven strategic plan can unlock the spark your organization needs to take on that big capital campaign ✔️ It's important to take a step back from the everyday grind and celebrate wins, even the smallest victories, to boost morale in your staff and donors ✔️ The most important trait a young fundraiser can have is a curiosity for understanding their organization's mission ✔️ By truly understanding the needs of your organization, you can create a personal and generous atmosphere that allows your donors to really feel like they're making an impact —————————————— Veronika (Nika) directs the Conservancy's fundraising program, including individual, corporate, foundation and government grants, the annual giving program, and other special fundraising initiatives. Nika previously worked at the Asian Art Museum of San Francisco, where she led the Institutional Giving program for over six years, raising unrestricted, project-based and campaign support from corporations, foundations and government granting agencies. She also held several roles on the development team at the Harvard Art Museums, encompassing database management, development operations and donor and member events. Nika holds a bachelor's degree in Art History from Haverford College. She is an avid tea drinker and an unabashed Italophile. LinkedIn: https://www.linkedin.com/in/veronika-trufanova-5770bb8/ Website: https://www.emeraldnecklace.org/ —————————————— Welcome to the Business Behind Fundraising podcast, where you'll discover how to raise the kind of money your big vision requires without adding more events, appeals, or grant applications. Learn how to stop blocking overall revenue growth and start attracting investment-level donors with Sherry Quam Taylor. Sherry Quam Taylor's unique approach and success combine her background of scaling businesses with her decade-long experience advising nonprofit leadership teams. With out-of-the-box principles and a myth-busting methodology, proven results, and an ability to see solutions to revenue problems that others overlook, her clients regularly add 7-figures of revenue to their bottom line. If you need a true partner to show you how to fully finance your entire mission, both programs, AND overhead, year after year… You're in the right place!   #nonprofits #podcast

May 16, 2024 - Today, South Korea is a cultural superpower—a global trendsetter producing award-winning films like Parasite, riveting dramas like Squid Game, and chart-topping music by K-pop groups such as BTS and BLACKPINK. But behind the country's meteoric rise to the world stage, a phenomenon known as the Korean Wave, or hallyu, is the story of remarkable resilience and innovation. Just a century ago, Korea was in search of a new national identity, following its occupation by Japan and the Korean War. Harnessing cutting-edge technology, the country has rapidly transformed its economy and international reputation. At the same time, its creative outputs are deeply rooted in its past, with many contemporary artists, filmmakers, musicians, and fashion designers paying tribute to traditional values and art forms dating back to Korea's dynastic kingdom days. Hallyu! The Korean Wave features approximately 250 objects—costumes, props, photographs, videos, pop culture ephemera, and contemporary works—providing an immersive and multisensory journey through a fascinating history, and a celebration of a vibrant creative force that bridges cultural, societal, and linguistic divides and continues to reach new heights today.  First presented at Victoria and Albert Museum, London, the exhibition is currently at Museum of Fine Arts, Boston, and will travel to Asian Art Museum, San Francisco. Three curators—Rosalie Kim, Victoria and Albert Museum; Christina Yu Yu, Museum of Fine Arts, Boston; and Yoon-Jee Choi, Asian Art Museum, San Francisco—discuss this captivating exhibition and South Korea's rise as a cultural superpower. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/item/1826-hallyu-the-korean-wave-the-exhibition

As France and China celebrate the strong ties between the two countries with the state visit of Chinese President Xi Jinping to Paris last week, France's main Asian art museum – Guimet Museum – is marking the 60th anniversary of France's recognition of the People's Republic of China with a whole year of exhibitions and events lined up. We spoke to the museum's director Yannick Lintz, and the world-renowned Franco Chinese artist and designer, Jiang Qiong Er in Perspective.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Iranian born artist and current UC Davis professor Shiva Ahmadi. About Artist Shiva Ahmadi:Shiva Ahmadi's practice borrows from the artistic traditions of Iran and the Middle East to critically examine global political tensions and social concerns. Having come of age in the tumultuous years following the Iranian Revolution and subsequent Iran-Iraq War of the 1980s, Ahmadi moved to the United States in 1998, and has been based in California since 2015.Ahmadi works across a variety of media, including watercolor painting, sculpture, and video animation; consistent through her pieces are the ornate patterns and vibrant colors drawn from Persian, Indian and Middle Eastern art. In her carefully illustrated worlds, formal beauty complicates global legacies of violence and oppression. These playful fantasy realms are upon closer inspection macabre theaters of politics and war: watercolor paint bloodies the canvas, and sinister global machinations play out in abstracted landscapes populated by faceless figures and dominated by oil refineries and labyrinthine pipelines.Shiva Ahmadi studied at the Cranbrook Academy of Art, Bloomfield Hills, MI; Wayne State University, Detroit, MI; and Azad University, Tehran, Iran. In addition to recent solo exhibitions at the Asian Art Museum, San Francisco, CA (2017) and Asia Society Museum, New York, NY (2014), her work has been included in major group shows including Home Land Security, For-Site Foundation, San Francisco, CA (2016); Fireflies in the Night Take Wing, Stavros Niarchos Foundation, Athens, Greece; and Global/Local 1960-2015: Six Artists from Iran, Grey Art Gallery, New York University, NY (all 2016); Catastrophe and the Power of Art, Mori Art Museum, Tokyo, Japan (2018); and Revolution Generations, Arab Museum of Modern Art, Doha, Qatar. Her work is included in the collections of the Metropolitan Museum of Art, New York, NY; Asia Society Museum, New York, NY; Grey Art Gallery, New York University, NY; Asian Art Museum, San Francisco, CA; Museum of Contemporary Art, Los Angeles, CA; Detroit Institute of Arts, MI; DePaul Art Museum, Chicago, IL; Farjam Collection, Dubai, UAE; TDIC Corporate Collection, Abu Dhabi, UAE; and the private collection of His Highness Sheikh Mohammed Bin Zayed Al Nahyan, Crown Prince of Abu Dhabi, among others. In 2016, Ahmadi was awarded the ‘Anonymous Was A Woman' Award and a Pollock-Krasner Foundation Grant. Shiva Ahmadi, a new monograph of her work, was published by Skira in Spring 2017. She is currently an Associate Professor of Art at University of California Davis.Visit  Shiva's Website:  ShivaAhmadiStudio.comFollow  Shiva on Instagram:  @ShivaAhmadi_StudioFor more on her current exhibit at the Manetti Shrem Museum of Art, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Iraqi born, Los  Angeles based artist Hayv Kahraman...About Artist Hayv Kahraman:Hayv Kahraman was born in Baghdad, Iraq 1981, now lives and works in Los Angeles. A vocabulary of narrative, memory and dynamics of non-fixity found in diasporic cultures are the essence of her visual language and the product of her experience as an Iraqi refugee/come émigré. The body as object and subject have a central role in her painting practice as she compositely embodies the artist herself and a collective.Kahraman's recent solo exhibitions include; “Acts of Reparation“, CAM St Louis; “Audible Inaudible“, Joslyn Museum of Art, Omaha; “Sound Wounds“, Asian Art Museum, San Francisco; “Gendering Memories of Iraq- a Collective Performance” which has been staged at CAM St Louis, Birmingham Museum of Art, Nelson-Atkins museum of art and Duke University; “Reweaving Migrant Inscriptions” Jack Shainman, New York; “Audible Inaudible“, The Third Line gallery, Dubai; “How Iraqi are you?“, Jack Shainman, New York. Recent group exhibitions include: “No Man's Land: Women Artists from the Rubell Family Collection”, Miami; “UNREALISM: Presented by Larry Gagosian and Jeffrey Deitch”, Miami Design District; “June: A Painting Show”, Sadie Coles HQ, London. Hayv was shortlisted for the 2011 Jameel Prize at the Victoria and Albert Museum and has received the award “Excellence in Cultural Creativity”, Global Thinkers Forum.Visit Hayv's Website: HayvKahraman.comFollow Hayv on Instagram: @HayvKahramanFor more on Hayv's exhibition, "Look Me In The Eyes" at the ICA San Francisco, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Join Rob Mintz, chief curator at the Asian Art Museum, and Laura Allen, the museum's Senior Curator of Japanese Art for an engaging conversation about Murakami's blockbuster exhibition Unfamiliar People: The Swelling of Monsterized Human Ego. The show, four years in the making, takes anime and manga to new heights. This is Takashi Murakami's first solo exhibition in San Francisco. The exhibit is not only a commentary on our society, it's a nuanced examination of human behavior within an extraordinary artistic framework. Laura Allen has known Murakami since the Fall of 2019, when she visited the artist in his Tokyo studio. Together with Rob Mintz, she'll provide insight into Murakami's personality, both as an artist as well as a social scientist. She'll also talk about her collaboration with Murakami; discuss the many pitfalls she encountered along the way as well as what finally convinced him to create this extraordinary exhibit and display it at the Asian Art Museum. About the Speaker Dr. Laura W. Allen is senior curator of Japanese art at the Asian Art Museum of San Francisco. After receiving a doctorate in Japanese art history at UC Berkeley, Dr. Allen spent more than two decades teaching, consulting, and publishing on Japanese art before joining the Asian Art Museum staff in 2012. Since then, she has overseen an ambitious program of exhibitions, including two very different shows opening in the fall of 2023, Takashi Murakami: Unfamiliar People – Swelling of Monsterized Human Ego and The Heart of Zen.  Dr. Robert Mintz is the chief curator at the Asian Art Museum of San Francisco. He oversees the curatorial research program and guides the growth and preservation of the museum's art collections. Mintz is a specialist in Japanese art history with a keen interest in painting. With degrees from the University of Michigan and the University of Washington, he has spent his career working in public art museums trying to make the arts of Asia accessible and inspirational to the widest possible range of audiences. Main image: Bacon: Scream, 2019, by Takashi Murakami (Japanese, b. 1962). Acrylic, gold leaf, and platinum leaf on canvas mounted on aluminum frame. Collection of D.K., courtesy of the artist and Perrotin. © 2019 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. MLF ORGANIZER: Jim Brown An Asia Pacific Affairs Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with India-born, Oakland based painter Rupy C. Tut. About Artist Rupy C. Tut:Rupy C. Tut is a painter dissecting historical and contemporary displacement narratives around identity, belonging, and gender. As a descendant of refugees and a first generation immigrant, Rupy's family narrative of movement, loss, and resilience is foundational to her creative inquiries. Tut's artistic practice expands, innovates, and reframes the traditions of Indian miniature painting. She mixes her own pigments and turns to hemp paper and linen to contend and make visible one's place in the world. ​Rupy C. Tut lives and works in Oakland, California. Her work has been presented through exhibitions and talks at the de Young Museum, San Francisco; Asian Art Museum, San Francisco; London City Hall; Stanford University; The Peel Art Gallery and Museum Archives, Toronto; a solo exhibition Rupy C. Tut: A Recipe for Brown Skin at the Triton Museum of Art, Santa Clara; and a solo exhibition Rupy C. Tut: Search and Rescue at Jessica Silverman, San Francisco. Rupy C. Tut is represented by Jessica Silverman.Visit Rupy's Website: RupyCTut.comFollow Rupy on Social Media: @RupyCTutFor more on Rupy's current & upcoming exhibits: Insitute of Contemporary Art San FranciscoAsian Art MuseumUCLA Fowler Museum--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

As a collector of mokuhanga, I am constantly exploring the reasons behind my love of collecting mokuhanga and why I make it and educate myself about it; it seems to be layered, even for my modest collection. So it is always fascinating to speak to someone who has been collecting for many years, with a deep understanding of why they collect and how they do.    I speak with mokuhanga collector Darrel C. Karl about his collection of prints, paintings and scrolls. It's one to admire. Collecting for years now, Darrel was kind enough to speak to me about his collection, how he began it, his love of preparatory drawings, collecting ukiyo-e, shin hanga, and we discussed in length his blogs, Eastern Impressions and Modern Japanese Theatre Art Prints.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Darrel C. Karl - Eastern Impressions & Modern Japanese Theatre Art Prints. Hashiguchi Goyō (1880-1921) - a woodblock print designer who also worked, albeit shortly, with Watanabe Shōzaburō. In his short life Goyō designed some of the most iconic woodblock prints ever made. “Kamisuki” 1920, and “Woman Applying Powder” 1918.  Woman Applying Make-up (Hand Mirror) 1970's/80's reprint Ishikawa Toraji (1875-1964) -trained initially as a painter, having travelled to Europe and The States early in his professional life. Painted primarily landscapes while exhibiting at the fine art exhibitions in Japan Bunten and Teiten. Famous for designing Ten Types of Female Nudes from 1934-35. He finished his career as a painter and educator.  Morning from Ten Types of Female Nudes (1934) Charles W. Bartlett (1860-1940) - was a British painter, watercolorist and printmaker. Travelling the world in 1913, Bartlett ended up in Japan two years later. Having entered Japan, Bartlett already had a reputation as an artist. Bartlett's wife, Kate, had struck up a friendship with printmaker and watercolorist Elizabeth Keith. Watanabe Shōzaburō was acutely aware of foreign artists coming to Japan, having worked with Fritz Capelari and Helen Hyde. Watanabe published 38 designs with Charles Bartlett. Bartlett's themes were predominantly of his travels.  Udaipur (1916) 8" x 11"  Paul Binnie - is a Scottish painter and mokuhanga printmaker based in San Diego, USA. Having lived and worked in Japan in the 1990s, studying with printmaker Seki Kenji whilst there, Paul has successfully continued to make mokuhanga and his paintings to this day. You can find Paul's work at Scholten Gallery in Manhattan, and Saru Gallery in The Netherlands.  Butterly Bow (2005) 15" x 11" Yamakawa Shuhō (1898-1944) - was a Nihon-ga painter and printmaker. His prints were published by Watanabe Shōzaburō and he created the Blue Collar Society in 1939 with Itō Shinsui. Made famous for his bijin-ga prints.  Dusk (1928) 14.3" x 9.5" Red Collar (1928) Otojirō Kawakami (1864-1911) - was a Japanese actor and comedian. His wife was geisha, and actress Sadayako (Sada Yakko).  Impressions - is a biannual magazine published by The Japanese Art Society of America.  Andon - is a biannual magazine published by The Society of Japanese Art.  Gallaudet University - is a private federally charted university located in Washington D.C., USA for the deaf and hard of hearing. More info can be found here.  National Museum of Asian Art - is a museum within the Smithsonian group museums and was the first fine art museum by The Smithsonian in 1923. More info can be found, here.  Vincent Hack (1913-2001) - was an American printmaker and Colonel in the United States Army. He produced mokuhanga from ca. 1950-1960. He studied in the Yoshida atelier while living in Tokyo. More information about VIncent Hack can be found in Eastern Impressions, here.  Chinese beauty and Dragon (not dated) Elizabeth Keith (1887-1956) - was a Scottish born printmaker, watercolorist, and painter. She travelled extensively before living in Japan  from 1915-1924. In 1917 she was introduced to print published Watanabe Shōzaburō and by 1919 after some work with Watanabe's skilled artisans Keith started to see some of her designs printed. Over 100 prints were published of Keith's designs. More information can be found, here.  Little Pavillion, Coal Oil, Peking (1935) Lillian May Miller (1895-1943) - was a Japan born American printmaker. Studying under painter Kanō Tomonobu (1853-1912). Miller began carving and printing her own prints by 1925 having studied under Nishimura Kumakichi.  Rain Blossoms (1928) 10" x 15" Nöel Nouët  (1885-1969) - was a French painter, illustrator and designer who designed prints for Doi Hangaten between 1935 and 1938 when Nouët was teaching in Shizuoka City, Shizuoka, Japan.  Haruna Lake (1938) Helen Hyde (1868-1919) - was an American etcher, and printmaker who studied in Japan with artists such as Emil Orlik (1870-1932). Hyde was influenced by French Japonisme and lived in Japan from 1903-1913.  A Japanese Madonna (1900) 14.5" x 3" Kataoka Gadō V (1910-1993) - was a Kabuki actor who specialized in female roles or onnagata in Japanese. He became Kitaoka Nizaemon XIV posthumously.  Natori Shunsen (1886-1960) - was a Nihon-ga painter and woodblock print designer who worked with Watanabe Shōzaburō. Shunsen's prints focused on kabuki actors, mainly ōkubi-e , large head prints.  Ichikawa Ennosuke as Kakudayu (1928) 15" x 10" Kabuki-za - is the main theatre in Tōkyō which shows kabuki performances. It was opened in 1889 and has been rebuilt several times in its history.  Kabuki Costume - is a book written by Ruth M. Shaver with illustrations by Sōma Akira and Ōta Gakkō (1892-1975). It is an in-depth book about the costuming in kabuki theatre. It was published by Charles E. Tuttle in 1966. Ōta Gakkō - was an artist and designer who also designed woodblock prints in the 1950's.  Ichikawa Jukai III (1886-1971) as Shirai Gonpachi  from Figures of the Modern Stage: no. 3 (1954) Tsuruya Kōkei - is a mokuhanga artist who lives and works in Tokyo, Japan. His prints have focused on kabuki actors; in the 1980s, he was commissioned to produce kabuki portraits by the Kabuki-za theatre in Tokyo. Recently, he has focused on cats and the masters of mokuhanga such as Hokusai (1760-1849). He printed on very thin gampi paper.  Five Styles of Banzai-Ukiyoe / Katsushika Hokusai (2017)  Yamamura Toyonari (1885-1942) - also known as Kōka, is a painter, and print designer known for his theatrical prints, actor prints, landscapes and beautiful women. He studied under printmaker Ogata Gekkō (1859-1920). Toyonari worked with carvers and printers to create his prints such as those at Watanabe's studio and also printed and carved his own prints.  February/Winter Sky (1924) 16.35" x 10.5" Sekino Jun'ichirō (1914-1988) - was a mokuhanga printmaker who helped establish the sōsaku hanga, creative print movement in Japan. His themes were of landscapes, animals and the abstract. Sekino exhibited and became a member with Nihon Hanga Kyōkai and studied with Ōnchi Kōshirō (1891-1955) and Maekawa Senpan (1888-1960).  Woman In A Snowy Village (1946) 13" x 10" Bertha Lum (1869-1954) - was born in Iowa. Having begun travelling to Japan in 1903, Bertha Lum noticed the decline of the Japanese woodblock print in Japan in the early 20th Century, deciding to take up the medium. Lum began making woodblock prints after learning in Japan from an unknown teacher during her first trip to Japan. Japan, Lafcadio Hearn (1850-1904), and China influenced Bertha Lum's prints. Lum's work focused on these themes through an American lens.  Winter (1909) 8" x 14" Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.  Scholten Japanese Art - is a mokuhanga-focused art gallery in midtown Manhattan. René Scholten, an avid collector of the Japanese print, founded it. You can find more info here. Katherine Martin is the managing director of Scholten Japanese Art. Katherine has written extensively for the gallery and conducted lectures about Japanese prints. Her interview with The Unfinished Print can be found, here.  Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.  Kataoka Jūzō I as Hanako from the play Yakko Dōjōji at the Kabuki-za (1906). chūban - 10.4” x 7.5” senjafuda - are the votive slips Claire brings up in her interview. These were hand printed slips pasted by the worshipper onto the Buddhist temple of their choosing. These slips had many different subjects such as ghosts, Buddhist deities, and written characters. Japan Experience has bit of history of senjafuda, here.   Shintomi-za -built in 1660 and also known as the Morita-za was a kabuki theatre located in the Kobiki-chō area of Tokyo, today the Ginza District. It was famous for taking risks with its productions.    Meiji-za - was a kabuki-specific theatre built in 1873 and underwent several name changes until finally being named the Meiji-za in 1893. The theatre continues to this day.    Imperial Theatre - is the first Western theatre to be built in Japan in 1911 and is located in Marunouchi, Chiyoda, Tokyo. It continues to show Western operas and plays.    The John F. Kennedy Center For The Performing Arts - was built in 1971, and named after the 35th President of the United States, John F. Kennedy. The theatre is located in Washington D.C. and hosts many different types of theatre, dance, orchestras and music. More information can be found, here.    The Subscription List - also known as Kanjichō in Japanese, is a kabuki play derived from the noh play Ataka. The modern version of this play was first staged in 1840. It is performed as the 18 Famous Plays as performed by the Danjurō family of actors.     The Subscription List designed by Toyohara Kunichika (1835-1900)   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.      Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.    Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.      Kiso River (1927)   Toyohara Chikanobu (1838-1912) - was a painter and designer of mokuhanga. He was a samurai during the final years of the Tokugawa shogunate rule in Japan. As Chikanobu began to look more to art as a living, he studied under Utagawa Kuniyoshi where he learned Western painting and drawing techniques. He also studied under Utagawa Kunisada and Toyohara Kunichika. His print designs were of many different types of themes but Chikanobu is well known for his war prints (sensō-e), kabuki theatre prints, current events and beautiful women.      Enpo- Jidai Kagami (1897)   32 Aspects of Women - is a series of prints designed by Tsukioka Yoshitoshi (1839-1892). It was his first series of bijin-ga designs.    shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945).   Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here.   Composition in Red and Brown (1950) 19" x 15"   Saru Gallery - is a mokuhanga gallery, from ukiyo-e to modern prints, and is located in Uden, The Netherlands. Their website can be found, here.   ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.    surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.   Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.     Poem by Sōsei Hōshi, from the series One Hundred Poems Explained by the Nurse. Taishō period (1912–26)s reproduction.    Kitagawa Utamaro (1753-1806) - was a painter and ukiyo-e designer during the Edo Period of Japan. His portraits of women are his most famous designs. After getting into trouble with the shogunate during the early 19th Century with some offensive images of deceased shogun Toyotomi Hideyoshi (1536/37-1598), Utamaro was jailed and passed away shortly after that.    The Courtesan Umegawa and Chubei of the Courier Firm   Tokyo University of the Arts (Geidai) - founded during the merger of the Tokyo Fine Arts School and the Tokyo Music School in 1949, TUA offers Masters's and Doctorate degrees in various subjects such as sculpture, craft and design as well as music and film. It has multiple campuses throughout the Kantō region of Japan. More information regarding the school and its programs can be found here.    Honolulu Museum of Art - dedicated to art and education focusing on arts from around the world and Hawaiian culture itself. More info, here.   Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here.   Enami Shirō (1901-2000) - was a printmaker who is associated with ephemeral prints such as greeting cards. Also created his own larger format prints during the burgeoning sōsaku hanga movement of the early to mid Twentieth Century.      The Benkei Moat (1931) 12.5" x 9"   Kitano Tsunetomi (1880-1947) - was an illustrator, Nihon-ga painter, carver and print designer. Lived and worked in Osaka where he apprenticed carving with Nishida Suketaro. Founded the Taishō Art Society and the Osaka Art Society. Painted and created prints of beautiful women as well as mokuhanga for magazines such as Dai Osaka. The most famous of his prints and paintings is Sagimusume, The Heron Maiden.        Umekawa - Complete Works of Chikamatsu (1923)   Hamada Josen (1875 - ?) - was a painter and mokuhanga designer and studied with Tomioka Eisen (1864-1905). Designed bijin, shunga,  and landscapes after the Great Kantō Earthquake of 1923. Designed prints for Collection of New Ukiyo-e Style Beauties (1924).     December - Clear Weather After Snow from the series New Ukiyo-e Beauties (1924) 17.50" x 11.12"   Ikeda Shoen (1886-1917) - was a Nihon-ga painter who's paintings also became mokuhanga prints. Her paintings are quite rare because of her early death.      School Girls Going Home (1900) 13" x 9"   Igawa Sengai (1876-1961) - was a painter, illustrator and print designer. After serving in the Russo-Japanese war (1904-1905), he joined the Miyako Shinbun in Nagoya City. Designing prints in the 1926 he designed prints for Collected Prints of the Taishō Earthquake and in the 1930's he designed propaganda prints for the Japanese war effort. His contribution to the 1924 Collection of New Ukiyo-e Style Beauties (1924).     April - Rain of Blossoms (1924) from New Ukiyo-e Beauties.   Asian Art Museum San Fransisco - with over 18,000 pieces of art the Asian Art Museum of San Fransisco has one of the largest collections of Asian art in the United States. More information can be found, here.    Freer Gallery of Art - is a museum within the Smithsonian group of museums in Washington D.C, with a collection of Chinese paintings, Indian sculpture; Islamic painting and metalware; Japanese lacquer; Korean ceramics.    Arthur M. Sackler Gallery - is a museum within the Smithsonian group of museums in Washington D.C. It's collection contains some important Chinese jades and bronzes.    Yoshida Hiroshi: The Outskirts of Agra Number 3 from the series India and Southeast Asia (1932)     Yoshida Hiroshi: Cave of Komagatake from the series Southern Japan Alps (1928)   © Popular Wheat Productions opening and closing musical credit - The Crystal Ship by The Doors from their self-titled album The Doors (1967). Release by Elektra Records.   logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                    

This week Sarah talks with Ranu Mukherjee, a professor at California College of the Arts and a prolific artist in many different mediums including painting and new media installations.  During our chat they talk a lot about Ranu's Indian ancestry and how that has influenced her work and her outlook as an artist. They also talk about her more recent challenges with addiction in her family and the EMDR treatments that she did to heal from them. About Ranu Mukherjee Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2022); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others.  Reserve your spot for the upcoming live event in San Francisco at the ICA SF about creativity and what blocks it. November 5, 3-5pm https://www.eventbrite.com/e/the-side-woo-ica-sf-a-live-talk-about-creativity-and-what-blocks-it-tickets-729930229967 Show Notes Ranu's Website https://www.ranumukherjee.com/about A+P+I Residency at Mills College https://mcam.mills.edu/exhibitions/api-current1.php --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

VYS0028 | Psychic Jizz - Vayse to Face with Stephanie Quick - Show Notes Handing on a plate to Hine and Buckley the most potently inspired episode title in Vayse history is teacher, researcher, blogger and "the Julia Child of Sex Magic", Stephanie Quick. In an intense and varied conversation Stephanie takes Vayse through her near death experience, complete with a fall through the starlit sky, disembodied consciousnesses and sky-scraper sized entities, she talks about how to start off your own run of synchronicities and the conversation weaves itself around Carlos Castaneda, Gurdjieff, how to not lose yourself in your spiritual practice or join a cult... and, speaking of cults, enter the glowing orange 16-bit pineapple... Recorded 10 August 2023 Stephanie Quick Links Steph's blog, Ghost Dog is a Mystery Box (https://stephaniequick.home.blog/) Steph on Bluesky (https://bsky.app/profile/lunarose.bsky.social) Steph on Instagram (https://www.instagram.com/dashing_eccentric/) Steph on Twitter (https://x.com/WanderinBritchz) Steph on Facebook (https://www.facebook.com/stephanie.qich) Steph's YouTube channel (https://www.youtube.com/@stephaniequick2683/videos) Introduction Links Lovecraftian horror - Wikipedia page (https://en.wikipedia.org/wiki/Lovecraftian_horror) Julia Child - Wikipedia page (https://en.wikipedia.org/wiki/Julia_Child) Sex magic - Wikipedia page (https://en.wikipedia.org/wiki/Sex_magic) Cheese Board Collective - Wikipedia page (https://en.wikipedia.org/wiki/Cheese_Board_Collective) Chez Panisse, Wikipedia page (https://en.wikipedia.org/wiki/Chez_Panisse) Alice Waters - Wikipedia page (https://en.wikipedia.org/wiki/Alice_Waters) An Introduction to Western Sexual Mysticism, New Dawn Magazine article (https://www.newdawnmagazine.com/articles/an-introduction-to-western-sexual-mysticism) Refuge in Buddhism - Wikipedia page (https://en.wikipedia.org/wiki/Refuge_in_Buddhism) Ordo Templi Orientis (OTO) - Wikipedia page (https://en.wikipedia.org/wiki/Ordo_Templi_Orientis) Coven - Wikipedia page (https://en.wikipedia.org/wiki/Coven) Steph, the West Coast, and the ‘Spiritual Marketplace' Links Fresno, California - Wikipedia page (https://en.wikipedia.org/wiki/Fresno%2C_California) Bigfoot, Chupacabra, and…Fresno Nightcrawler? Walking pants bring Fresno freaky fame (https://www.fresnobee.com/news/local/article219755195.html) - Fresno Bee article The Fresno Nightcrawlers - sceptical, humorous (https://www.youtube.com/watch?v=QnCuPHAW1I8) North Fork, California - Wikipedia page (https://en.wikipedia.org/wiki/North_Fork%2C_California) The Chukchansi People - Coarsegold Historical Society article (https://coarsegoldhistoricalsociety.com/the-chukchansi-people/) Picayune Rancheria of Chukchansi Indians - Wikipedia page (https://en.wikipedia.org/wiki/Picayune_Rancheria_of_Chukchansi_Indians) East Bay - Wikipedia page (https://en.wikipedia.org/wiki/East_Bay) Oakland, California - Wikipedia page (https://en.wikipedia.org/wiki/Oakland,_California) Berkeley, California - Wikipedia page (https://en.wikipedia.org/wiki/Berkeley,_California) University of California, Santa Cruz - Wikipedia page (https://en.wikipedia.org/wiki/University_of_California%2C_Santa_Cruz) Napa, California - Wikipedia page (https://en.wikipedia.org/wiki/Napa%2C_California) Tibetan Buddhism - Wikipedia page (https://en.wikipedia.org/wiki/Tibetan_Buddhism) Zen (Buddhism) - Wikipedia page (https://en.wikipedia.org/wiki/Zen) Understanding the Spiritual Marketplace - From Monopoly to Open Access - Patheos article (https://www.patheos.com/blogs/spiritualitychannelseries/2016/10/understanding-the-spiritual-marketplace-from-monopoly-to-open-access/) Spiritual Marketplace: Baby Boomers and the Remaking of American Religion (https://press.princeton.edu/books/paperback/9780691089966/spiritual-marketplace) by Wade Clark Roof Lupus Psychosis and Brain Inflammation - Lupus Corner article (https://lupuscorner.com/lupus-psychosis-and-brain-inflammation/) Aphasia - Wikipedia page (https://en.wikipedia.org/wiki/Aphasia) Yoga - Wikipedia page (https://en.wikipedia.org/wiki/Yoga) Archangel Michael (channelled messages) - Sanada website (https://sananda.website/category/archangel-michael/) Pick‘n'mix: the 21st Century approach to religious affiliation, Walls Come Tumbling Down blog article (https://wallscometumblingdown.wordpress.com/2009/05/07/picknmix-the-21st-century-approach-to-religious-affiliation/) How did Steph find her way into weird stuff? Links Strangely Enough (https://www.goodreads.com/book/show/254947.Strangely_Enough) by C.B. Colby - Goodreads page C.B. Colby - Wikipedia page (https://en.wikipedia.org/wiki/C._B._Colby) Jersey Devil - Wikipedia page (https://en.wikipedia.org/wiki/Jersey_Devil) Near death experience - Wikipedia page (https://en.wikipedia.org/wiki/Near-death_experience) Lidocaine - Wikipedia page (https://en.wikipedia.org/wiki/Lidocaine) Bardo (liminal state between death and rebirth) - Wikipedia page (https://en.wikipedia.org/wiki/Bardo) Keith's Excellent Detective Work (gods bless you, Keith) - Based on SQ's mentions of her age now (61) and at later events, I reckon the exhibition she must have gone to was ‘Wisdom and Compassion: The Sacred Art of Tibet', held at the Asian Art Museum, San Francisco, in 1991. There is an exhibition catalogue available. Not sure if it's worth including, but there's a link to it here on Abe Books (https://www.abebooks.co.uk/book-search/title/wisdom-and-compassion-the-sacred-art-of-tibet/used/) I couldn't find anything else specific to that exhibition that wasn't behind a pay-wall or on a subscription site, but here's a short video trailer for that museum's similar exhibitions: San Francisco Asian Art Museum, Tibetan Buddhist exhibitions (https://www.youtube.com/watch?v=hh2yRQjaPyA) Tanka - Wikipedia Page (https://en.wikipedia.org/wiki/Tanka) Sand mandala - Wikipedia page (https://en.wikipedia.org/wiki/Sand_mandala) Tibetan Sand Mandala (construction and destruction) (https://www.youtube.com/watch?v=GzSi5sbSfZc) Synchronicity - Wikipedia page (https://en.wikipedia.org/wiki/Synchronicity) Steph's Near Death Experience Links Coma - Wikipedia page (https://en.wikipedia.org/wiki/Coma) Meningitis - Wikipedia page (https://en.wikipedia.org/wiki/Meningitis) Meningitis Research Foundation (https://www.meningitis.org/) - Excellent charity Near death, seeing dead people may be neither rare nor eerie - AP News article (https://apnews.com/article/5a33106183af4d22a51172e35e9104d5) PMH Atwater website (http://pmhatwater.com/) Psychopomp - Wikipedia page (https://en.wikipedia.org/wiki/Psychopomp) Last rites - Wikipedia page (https://en.wikipedia.org/wiki/Last_rites) Anointing of the Sick in the Catholic Church (Extreme Unction) - Wikipedia page (https://en.wikipedia.org/wiki/Anointing_of_the_Sick_in_the_Catholic_Church) Auto-immune disease - wikipedia page (https://en.wikipedia.org/wiki/Autoimmune_disease) Bronchoscopy - Wikipedia page (https://en.wikipedia.org/wiki/Bronchoscopy) Robert Monroe - Wikipedia page (https://en.wikipedia.org/wiki/Robert_Monroe) Mindfulness - Wikipedia page (https://en.wikipedia.org/wiki/Mindfulness) Whitley Strieber - Wikipedia page (https://en.wikipedia.org/wiki/Whitley_Strieber) A Wild and Wonderful Dialogue between Whitley and UFO Master Greg Bishop...and Gru! (https://www.youtube.com/watch?v=k5VtkR4ysb8) George Gurdjieff - Wikipedia page (https://en.wikipedia.org/wiki/George_Gurdjieff) Fourth Way (Gurdjieff) - Wikipedia page (https://en.wikipedia.org/wiki/Fourth_Way) Gurdjieff sensing exercises (https://www.endlesssearch.co.uk/exercises_sensing.htm) Alien abduction - Wikipedia page (https://en.wikipedia.org/wiki/Alien_abduction) Biocentrism Posits That Death Is Merely Transport into Another Universe - Big Think article (https://bigthink.com/articles/biocentrism-posits-that-death-is-merely-transport-into-another-universe/) Heaven - Wikipedia page (https://en.wikipedia.org/wiki/Heaven) Jung, Flying Saucers, and the Anxieties of Our Time (UFOs as mandala symbols) - Psychology Today article (https://www.psychologytoday.com/gb/blog/dreaming-in-the-digital-age/202012/jung-flying-saucers-and-the-anxieties-our-time) VYS0024: Between Being Real and Not Real - Vayse to Face with Nathan Paul Isaac (https://www.vayse.co.uk/vys0024) Is Consciousness a Fundamental Quality of the Universe? - Sci News article and video (https://www.sci.news/othersciences/psychology/consciousness-fundamental-quality-universe-07291.html) Are we really made of 'star stuff' and what does that even mean? - Space article and video (https://www.space.com/we-are-made-of-star-stuff-meaning-truth) Steph's encounter with skyscraper-sized entities and its impact on her spiritual practice - Links Rinpoche - Wikipedia page (https://en.wikipedia.org/wiki/Rinpoche) Kensington, California - Wikipedia page (https://en.wikipedia.org/wiki/Kensington%2C_California) Ewam Choden Tibetan Buddhist Centre, Kensington website (https://www.ewamchoden.org/) 24 years on retreat (Judith Skinner) - The New Fillmore article and ‘On Retreat' documentary trailer (https://newfillmore.com/2019/06/01/24-years-on-retreat/) Tathāgata (Buddhism) - Wikipedia page (https://en.wikipedia.org/wiki/Tath%C4%81gata) The X Files - Wikipedia page (https://en.wikipedia.org/wiki/The_X-Files) The X-Files (https://www.youtube.com/watch?v=b_D3ysY_QCA) Allen Greenfield on Twitter (https://twitter.com/allengreenfield) Secrets of the Real Black Lodge Revealed! (https://bookshop.org/p/books/secrets-of-the-real-black-lodge-revealed-olav-phillips/20509167) by Allen Greenfield and Olav Phillips Black and White Lodges, Twin Peaks - Wikipedia page section (https://en.wikipedia.org/wiki/Twin_Peaks_(fictional_town)#Black_and_White_Lodges) Empire State Building - Wikipedia page (https://en.wikipedia.org/wiki/Empire_State_Building) Grey alien - Wikipedia page (https://en.wikipedia.org/wiki/Grey_alien) Marian apparition - Wikipedia page (https://en.wikipedia.org/wiki/Marian_apparition) Emergency medical technician (EMT) - Wikipedia page (https://en.wikipedia.org/wiki/Emergency_medical_technician) Plaid Moon Rising - The Flannel Man - Birdy Magazine article (https://www.birdymagazine.com/text/werewolf-radar-the-flannel-man-by-nate-balding/) Ontological security - Wikipedia page (https://en.wikipedia.org/wiki/Ontological_security) Meditation for awareness - Headspace article (https://www.headspace.com/meditation/awareness) Shavasana (Yoga) - Wikipedia page (https://en.wikipedia.org/wiki/Shavasana) Sacred Space: How to Make an Altar in Your Home - Chopra article (https://chopra.com/articles/sacred-space-how-to-make-an-altar-in-your-home) Leslie Temple Thurston - website (https://www.corelight.org/leslie-temple-thurston/) Native American religions - Britannica.com (https://www.britannica.com/topic/Native-American-religion) Sweat lodge - Wikipedia page (https://en.wikipedia.org/wiki/Sweat_lodge) Astrology - Wikipedia page (https://en.wikipedia.org/wiki/Astrology) Acupuncture - Wikipedia page (https://en.wikipedia.org/wiki/Acupuncture) Acupressure - Wikiepdia page (https://en.wikipedia.org/wiki/Acupressure) Wuxing (Chinese Philosophy, Five Element System) - Wikipedia Page (https://en.wikipedia.org/wiki/Wuxing_(Chinese_philosophy)) New Thought - Wikipedia page (https://en.wikipedia.org/wiki/New_Thought) Synchronicity, the Sandown Clown, and Psychic Jizz - Links Anthony Nine on Twitter (https://twitter.com/spaceweather9) Synchronicity - Wikipedia page (https://en.wikipedia.org/wiki/Synchronicity) AP Strange - website (https://www.apstrange.com/) AP Strange on Twitter (https://twitter.com/AProdigiosus?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor) The Sandown Clown: Exploring Sam, the Isle of Wight's surreal 1973 encounter, On the Wight article and videos (https://onthewight.com/the-sandown-clown-exploring-sam-the-isle-of-wights-surreal-1973-encounter/) Our Strange Skies podcast, 151: Clowning Around with Stephanie Quick & AP Strange (Sam, the Sandown Clown) (https://audioboom.com/posts/8373390-151-clowning-around-with-stephanie-quick-ap-strange-sam-the-sandown-clown) How To Induce Synchronicities, Stephanie Quick blog post (https://stephaniequick.home.blog/2019/01/23/how-to-induce-synchronicities/) Radio Misterioso - Greg Bishop bio (https://radiomisterioso.com/greg-bishop/) Quick and Ray – A Psychic Influencing Experiment - Radio Mysterioso post (https://radiomisterioso.com/2016/11/23/quick-and-ray-a-psychic-influencing-experiment/) (Lama) Kunga Rinpoche - Wikipedia page (https://en.wikipedia.org/wiki/Kunga_Rinpoche) Buddhist Symbols - Faith Inspires article (https://faithinspires.org/buddhist-symbols/) Synchronicity and symbols as the base level of magic and entity encounters - Links VYS0026 | It's a Wand-erful Life - Vayse to Face with Douglas Batchelor Pt. 1 (https://www.vayse.co.uk/vys0026) VYS0027 | Batchelor of Dark Arts - Vayse to Face with Douglas Batchelor Pt. 2 (https://www.vayse.co.uk/vys0027) Birdwatching - Wikipedia page (https://en.wikipedia.org/wiki/Birdwatching) Bird symbolism - World Birds article (https://worldbirds.com/bird-symbolism/) Bird vocalisation - Wikipedia page (https://en.wikipedia.org/wiki/Bird_vocalization) Paramecium - Wikipedia page (https://en.wikipedia.org/wiki/Paramecium) Robert Monroe - Wikipedia page (https://en.wikipedia.org/wiki/Robert_Monroe) Dodechahedron - Wikipedia page (https://en.wikipedia.org/wiki/Dodecahedron) Chakra - Wikipedia page (https://en.wikipedia.org/wiki/Chakra) Spreading the weird word, sweeping statements, and the teacher-trickster - Links Julia Child - Wikipedia page (https://en.wikipedia.org/wiki/Julia_Child) What Magic is This? website (https://whatmagicisthis.com/) VYS0024 | Between Being Real and Not Real - Vayse to Face with Nathan Paul Isaac (https://www.vayse.co.uk/vys0024) VYS0025 | Truth with a Capital "T" - Vayse to Face with Sequoyah Kennedy (https://www.vayse.co.uk/vys0025) VYS0010 | Amazing Stories - Vayse to Face with Dr Allen H Greenfield Pt.1 (https://www.vayse.co.uk/vys0010) VYS0011 | Weird Tales - Vayse to Face with Dr Allen H Greenfield Pt.2 (https://www.vayse.co.uk/vys0011) AP Strange - website (https://www.apstrange.com/) George Gurdjieff - Wikipedia page (https://en.wikipedia.org/wiki/George_Gurdjieff) Teacher as trickster on the learner's journey - Journal of the Scholarship of Teaching and Learning article (https://files.eric.ed.gov/fulltext/EJ854900.pdf) Whitley Strieber - Wikipedia page (https://en.wikipedia.org/wiki/Whitley_Strieber) Communion (book) - Wikipedia page (https://en.wikipedia.org/wiki/Communion_(book)) Project Archivist podcast (https://projectarchivist.podbean.com/) Sex Magic with Allen Greenfield - SQ blog post and link to podcast audio (https://stephaniequick.home.blog/2020/05/27/sex-magic-with-allen-greenfield/) Carlos Castaneda, Amy Wallace, and Steph's Rules for Sex Magic with Others - Links Carlos Castaneda - Wikipedia page (https://en.wikipedia.org/wiki/Carlos_Castaneda) Trickster: The Many Lives of Carlos Castaneda, podcast (https://podcasts.apple.com/us/podcast/trickster-the-many-lives-of-carlos-castaneda/id1543278419) Destructive cults - Wikipedia page section (https://en.wikipedia.org/wiki/Cult#Destructive_cults) Amy Wallace - Wikipedia page (https://en.wikipedia.org/wiki/Amy_Wallace) Sorcerer's Apprentice: My Life with Carlos Castaneda by Amy Wallace - Goodreads page (https://www.goodreads.com/book/show/623197.Sorcerer_s_Apprentice) Sorcerer's Apprentice : My Life with Carlos Castaneda (https://www.abebooks.co.uk/servlet/BookDetailsPL?bi=31580133594&searchurl=an%3Dwallace%2Bamy%26sortby%3D17%26tn%3Dsorcerers%2Bapprentice%2Blife%2Bcarlos&cm_sp=snippet-_-srp1-_-title1) by Amy Wallace Irving Wallace - Wikipedia page (https://en.wikipedia.org/wiki/Irving_Wallace) Rodeo Drive - Wikipedia page (https://en.wikipedia.org/wiki/Rodeo_Drive) Florinda Donner - Wikipedia page (https://en.wikipedia.org/wiki/Florinda_Donner) John Lennon - Wikipedia page (https://en.wikipedia.org/wiki/John_Lennon) George Lucas - Wikipedia page (https://en.wikipedia.org/wiki/George_Lucas) Aleister Crowley - Wikipedia page (https://en.wikipedia.org/wiki/Aleister_Crowley) My Rules for Sex Magic with Others - Stephanie Quick blog post (https://stephaniequick.home.blog/2019/09/15/my-rules-for-sex-magic-with-others/) Steph's recommendations - Links Women of the Paranormal Vol I (https://alexmatsuo.com/women-of-the-paranormal/) by Alex Matsuo The Spooky Stuff podcast with Alex Matsuo (https://alexmatsuo.com/podcast/) The Spooky Stuff with Alex Matsuo on YouTube (https://www.youtube.com/@AlexMatsuo/videos) Personal Pans podcast with Vanessa Walilko (https://podcasts.apple.com/us/podcast/personal-pans/id1596186864) Pan Paracon/Personal Pans on YouTube (https://www.youtube.com/@PanParacon/videos) Vanessa Walilko's Jewellery and Wearable Art (https://www.kalibutterfly.com/) Necronomicast podcast (https://www.necronomicast.com/) Some Other Sphere podcast (https://someothersphere.podbean.com/) Church of Mabus Radio on YouTube (https://www.youtube.com/@churchofmabusradio1774/videos) John E.L. Tenney's website (http://weirdlectures.com/) Eric Wargo's website (https://www.ericwargo.com/) *Vayse * Vayse website (https://www.vayse.co.uk/) Vayse on Twitter (https://twitter.com/vayseesyav) Vayse on Instagram (https://www.instagram.com/vayseesyav/) Music From Vayse - Volume 1 by Polypores (https://vayse.bandcamp.com/album/music-from-vayse-volume-1) Vayse on Ko-Fi (https://ko-fi.com/vayse#checkoutModal) Special Guest: Stephanie Quick.

Whisper asian art museum chinese painting --- Support this podcast: https://podcasters.spotify.com/pod/show/haiying-yang/support

We're on location at the Asian Art Museum in San Francisco to talk about the exciting new Disney+ comedy/action series, American Born Chinese.Executive Producer/graphic novelist Gene Luen Yang and actor Daniel Wu sit down with us to talk about the audience reaction at the series premiere at SXSW, how the casting and timing of the show created a perfect storm (in the best way possible), their collective roots in the Bay, and the fact that the Asian American story has something to say for everyone.American Born Chinese is streaming right now on Disney+Follow graphic novelist Gene Luen Yang on IG & FB & TwitterFollow actor Daniel Wu on IG & Twitter--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every Tuesday at 9 - 10 am on BFF.FM

Robert Del Bonta will share how Shiva's Many Dances and the celebrated ‘Nataraja' pose is a culmination of how the ultimate depiction of Shiva's essence evolves over time in a dynamic conception among the Hindu trinity of gods (the Trimürti). Del Bonta creates an engaging aspect of one of the Hindu trinity gods, reflecting on how the iconic image of Shiva Nataraja the "Lord of Dance" illustrates a creative and destructive power over eons of time. Shiva's nature as both male and female is also a constant theme. Shiva manifests many other forms suggestive of power and mythological stories of dance or in prayers. It's but a tiny introduction to a major dance visualization heritage. Teacher and curator Dr. Robert Del Bonta's work has been presented in exhibition venues such as San Francisco's Asian Art Museum, Berkeley Art Museum, University of Michigan Museum of Art, Mills College, Notre Dame de Namur University, Art Passages in San Francisco and New York City, Portland Museum of Art and the New Orleans Museum of Art. He has lectured widely at museums and institutions in the United States, and published numerous articles and exhibition catalogue contributions on South Asian art with thematic focus largely on Indian art of the Jainas. MLF ORGANIZER Anne W. Smith and George Hammond Learn more about your ad choices. Visit megaphone.fm/adchoices

Whisper asian art museum in party night --- Support this podcast: https://podcasters.spotify.com/pod/show/haiying-yang/support

Forrest and J. Andrew World talk about Ringo Lam's 1987 City on Fire (which inspired Reservoir Dogs) with Dr. Robert Mintz, Deputy Director of the Asian Art Museum of San Francisco

After pandemic closures and slowdowns the Bay Area is facing a fall packed with exciting events. From Lear at CalShakes to the Bernice Bing collection at the Asian Art Museum to the return of Oakland hometown hero Kehlani, we'll talk with KQED's art reporters about their best picks for the coming season and their new Fall Arts Preview. Guests: Gabe Meline, senior editor, KQED Arts & Culture Sarah Hotchkiss, Senior Associate Editor, KQED Arts & Culture David John Chávez, theatre critic, author of the theater portion of KQED's fall arts preview Kristie Song, KQED Arts Intern, author of the fall book guide

Episode No. 553 features artist Hayv Kahraman and conservator and author Susan Lake. Hayv Kahraman is included in "Women Painting Women" at the Modern Art Museum of Fort Worth. The exhibition features 46 female artists who choose women as subject matter in their works. It was curated by Andrea Karnes and is on view through September 25. The exhibition catalogue was published by Delmonico Books. Indiebound and Amazon offer it for $39-50. Kahraman is a Baghdad-born, Los Angeles-based painter whose work explores the non-fixity of diasporic culture. Her work has been featured in solo exhibitions at the Contemporary Art Museum Saint Louis, the Joslyn Museum of Art, Omaha and the Asian Art Museum, San Francisco. On the second segment, Lake discusses "Clyfford Still," a new book in the Getty Conservation Institute's "The Artists Materials" series. Lake co-authored the book with Barbara A. Ramsay. Built from unprecedented access to art in the Clyfford Still estate and later in the Clyfford Still Museum, Denver, the book offers a detailed account of Still's materials, working methods and techniques. Indiebound and Amazon offer it for $40.

Have you ever wondered what an independent curator does? Recently I spoke with Trisha Lagaso-Goldberg, a self proclaimed "accidental arts administrator and curator" about her impressive career.Listen to find out how she went from volunteering at Southern Exposure Gallery in San Francisco after art school at the San Francisco Art Institute and San Francisco State to working on the Carlos Villa exhibition "Worlds in Collision" traveling from the Newark Museum to the Asian Art Museum in San Francisco as well as the incredible show "Land's End" with the For-Site Foundation at the historic Cliff House in San Francisco in 2022. See acast.com/privacy for privacy and opt-out information.

Episode No. 541 of The Modern Art Notes Podcast features artist Shahzia Sikander. This weekend the Museum of Fine Arts Houston opens "Shahzia Sikander: Extraordinary Realities," a survey of the first 15 years of Sikander's career, from roughly the mid-to-late 1980s and until the early 2000s. It was curated by Jan Howard and Marny Kindness, and at the MFAH by Dena M. Woodall. The exhibition will remain on view through June 5, when it will travel to the RISD Museum in Providence, RI. The RISD Museum and Hirmer have published an excellent book of the same title in association with the exhibition. It was edited by Sadia Abbas and Jan Howard. Indiebound and Amazon each offer it for about $45. Sikander came to prominence by melding Indo-Persian manuscript painting traditions with contemporary life and issues such as feminism, cultural identity, and more. Among the dozens of museums that have presented solo shows of her work are the Perez Art Museum in Miami, the Asian Art Museum in San Francisco, the Smithsonian American Art Museum, and the Museum of Contemporary Art in Tokyo.

Sometimes artists help us discuss things that are tough to talk about. In this second episode of “Sights +Sounds Magazine” Jeneé Darden chats with podcast host and author, Anna Sale, and takes us to the Chanel Miller exhibit at the Asian Art Museum.

Show Notes:0.58 - Bojagi1.00 - Jogakbo 1:01 - Saeksilnubi1:02 - Maedeup1:05 - San Francisco, Bay Area1:12 - Korea1:26 - Bojagi4:13 - P'ok7:04 - Jogakbo 7:07 and 7:10 - Subo7:32 - Examples of subo 8:40 - 100 day celebration of life9:37 and 10:16 - Jogakbo 10:26 - Ssam sol10:31 - Flat fell seam10:43 - Selvedge 12:26 - Hoop12:37 - Subo13:00 - Korean story on 7 sewing friends14:07 - Thread weight16:57 - Jogakbo 17:59 - Natural fabric dyeing 18:06 - Indigo 18:13 - Silk velvet fabric19:43 - Indigo fabric dyeing 19:53 - A Verb for Keeping Warm21:52 - Log Cabin quilt block 21:56 - Pinwheel quilt block21:58 - Prairie points22:48 - Cathedral window quilt block 22:48 - Cathedral window bojagi23:08 - Prairie points25:55 - Asian Art Museum, San Francisco 25:57 - Los Angeles County Museum of Art27:45 - Asian Art Museum, San Francisco 30:13 and 30:41 - Korean Textile Tour (Youngmin's textile tours to Korea)33:10 - Harry Potter33:33 - Dr Huh Dong-hwa33:45 - Ramie fabric 34:17 - Dharma Trading Company 34:34 - A Verb for Keeping Warm34:58 - Jogakbo 35:00 - Prairie points35:43 - Clover silk thread35:49 - Mettler cotton thread35:54 - Wonderfil thread36:07 - Ssam sol36:08 - Flat fell seam37:23 - Seoul, Korea37:26 - Seoul Museum of Craft 37:33 - Dr Huh Dong-hwa37:43 - @chaedumjung38:13 - Youngmin's Hovea jacket designed by Megan Nielsen Patterns 38:15 - Megan Nielsen Patterns39:29 - @Nantejoo39:51 - Naiomi Glasses (@naiomiglasses)40:34 - @Rifatto_Handmade40:43 - Youngmin's stitch sampler book40:49 - Youngmin's stitch sampler online class41:00 - Ramie fabric Follow Youngmin:Instagram - @youngminlee_bojagihttp://www.youngminlee.com/Follow us:Amanda: @broadclothstudio https://broadclothstudio.com/Wendy: @the.weekendquilter https://the-weekendquilter.com/Anna: @waxandwanestudiohttps://www.waxandwanestudio.com/Quilt Buzz: @quilt.buzzhttps://quiltbuzzpodcast.com/Intro/Outro Music:Golden Hour by Vlad Gluschenko

In this bonus episode, we're thrilled to welcome His Excellency The Honourable Kim Beazley AC (Governor of Western Australia) on the show! Mr. Beazley speaks about his career, including his time as Australia's Ambassador to the United States of America, along with his thoughts on his home state, the evolution of news and politics and how technology shapes work and public discourse. Beyond Hemispheric Views (https://hemisphericviews.com), you can hear Kim Beazley AC on his own podcast, Conversations at Government House (https://www.spreaker.com/show/conversations-at-government-house). Thanks for your sympathy with the audio quality of this episode, as it was recorded with a different set-up from usual. Introducing His Excellency The Honourable Kim Beazley AC! 00:00:00 Kim Beazley (https://govhouse.wa.gov.au/about-the-governor/) Kim Beazley - Wikipedia (https://en.wikipedia.org/wiki/Kim_Beazley) The Queen (https://www.royal.uk/her-majesty-the-queen)

Jessie Wayburn dives deep into spirituality with Dhaya Lakshminarayanan. Dhaya Lakshminarayanan is the 2016 winner of the Liz Carpenter Political Humor Award (previously awarded to Samantha Bee, Wanda Sykes and satirist/humorist Mark Russell) presented by the National Women's Political Caucus. Comedy Central Asia crowned her the Grand Prize Winner of “The Ultimate Comedy Challenge” filmed in Singapore. She is the sole subject of the documentary “NerdCool” which premiered at the LA Comedy Festival in 2018 KQED named her one of the twenty “Women to Watch” a series celebrating women artists, creatives and makers in the San Francisco Bay Area who are pushing boundaries in 2016. She was named one of “The Bay Area's 11 Best Standup Comedians” in 2016 and “13 San Francisco Standup Comedians to Go See Now” in 2018 by SFist. The SF Weekly named her one of the “16 Bay Area performers to watch in 2016.” The San Francisco Bay Guardian named her Best Comedian 2013 in the “Best of the Bay” Readers' Poll. She has opened/featured for or worked with the following: Janeane Garofalo, Marc Maron, Greg Behrendt, Jello Biafra, the late Dick Gregory, Anthony Jeselnik, Maz Jobrani, and Greg Proops. Dhaya introduced former Vice President Al Gore at an event. He then laughed onstage at her joke, so technically she once opened for Al Gore. She has performed internationally in Shanghai, China; Kuala Lumpur Malaysia, and Singapore. In the US she has been an invited performer at Bridgetown Comedy Festival (Portland, OR), San Francisco Sketchfest, the Boston Comedy Festival (semifinalist), the Limestone Comedy Festival (Bloomington, IN) and Laugh Your Asheville Off (Asheville, NC). Dhaya was one of the chosen artists by The Asian Art Museum of San Francisco to take the entire museum over for one night. During Takeover:Dhaya Lakshminarayanan, she programmed content including stand-up comedy, humorous fake tours of the museum, and an absurdist interpretation of Indian mythological comic books. The only other artist invited to takeover the museum in 2017 was RZA from the Wu-Tang Clan Dhaya is also a TV host and storyteller. She hosted the premier year of the Emmy award-winning series High School Quiz Show on PBS's WGBH. She is a frequent comedic storyteller on NPR's Snap Judgment and has appeared live in Austin on The Risk podcast. She is currently the host of San Francisco's monthly Moth StorySLAM after winning a Moth StorySLAM and competing in the GrandSLAM at the Castro Theater (capacity 1400). ON24 awarded her the grand prize for “Best Travel Disaster Story.” Dhaya is a solo performer, and her first play “Nerd Nation” was funded in parts by The Asian Pacific Islander Cultural Center of San Francisco and support from DIVAfest which supports new and developing works by female playwrights. Her workshop run in San Francisco sold out. The Boston Globe, The Bay Guardian, and The San Jose Mercury News have all run profiles about her. Prior to funny and show business Dhaya was a venture capitalist, management consultant, and two-time MIT graduate. You can indeed call her a nerd. Taking Dadplications is an Opus Nox Media production. Music and cover art by Nick Jenkins. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/taking-dadplications/support

Episode Notes Show Highlights (0:11:38) The concept of generations in Kathak (0:13:05) How Rachna Di Teaches Differently (0:21:50) How Gurus used to teach (0:27:02) Starting Teaching (0:32:23) Balancing being an active performer and teaching (0:34:15) The responsibility of education (0:40:07) Dance Critics (0:46:04) Pride and South asian culture (0:52:56) Compensation in the arts (1:06:47) The concept of Endowments in the Arts (1:25:41) The story of Rachna di and the Harmonium Bio RACHNA NIVAS (@rachnanivas) is an artist, choreographer, educator, and activist in Indian classical dance, bringing a relevant voice to kathak. Deemed “charismatic” and “revelatory” by the San Francisco Chronicle and featured in 2021 by Dance Magazine, she is one of the most sought-after kathak artists and educators of her generation. A distinguished torchbearer of legendary master Pandit Chitresh Das' treasured lineage .Rachna is a fierce and passionate performer, a technical powerhouse with masterful creativity and infectious charm. She is a founding artist and artistic director of Leela Dance Collective, a nationally-based women-led and artist-led collective, producing powerful works by forward-thinking trailblazers in kathak dance. Rachna's original works include her collaboration SPEAK, which brings together leading women in kathak and tap, bridging Indian and African-American art and heritage along with co-creators Rina Mehta, Michelle Dorrance, and Dormeshia. Some notable SPEAK _tour stops have been Broad Stage in Los Angeles, Yerba Buena Center for the Arts in San Francisco, Mumbai Royal Opera House in India, Maui Arts and Cultural Center and University of Hawaii. Rachna is also co-creator of the large scale dance ballad, _Son of the Wind, featuring 20 dancers and a live orchestra. Tour highlights include Ford Theater in Los Angeles, Kimmel Center in Philadelphia, and Bhramara Festival in Mumba, India. Her original solo work, Meera, was featured at the ODC Walking Distance Festival in San Francisco and at Salvatore Capezio Theater in New York City. Her original work Stir, choreographed for Leela Youth Dance Company, was featured at the WorldWideWomen's Girls Festival. Her works have been funded by the National Endowment for the Arts, New Music USA, Mid-Atlantic Arts Foundation, California Arts Council, and Zellerbach Family Foundation. Prior to work with Leela Dance Collective, Rachna was principal dancer with the Chitresh Das Dance Company for 15 years and received two nominations for an Isadora Duncan Dance Award while performing worldwide in productions such as Shiva, Sita Haran, Pancha Jati, Darbar, Shabd and many more. Some notable venues she performed at with CDDC, include Cal Performances at UC Berkeley, Roy and Edna Disney/Cal Arts Theater in Los Angeles, Asian Art Museum in San Francisco, Kohler Arts Center in Wisconsin, Scottsdale Center for Performing Arts in Arizona, National Center for Performing Arts in Mumbai, Birla Sabhagar in Kolkata, National Institute of Kathak Dance in New Delhi, and Shaniwarwada Festival in Pune, India. Rachna was also instrumental in building the Chhandam School of Kathak in San Francisco (founded by Pandit Chitresh Das in 1980). Pandit Das himself appointed Rachna to be Co-Director of the Chhandam School in 2009 (along with Seibi Lee). Rachna worked tirelessly under Pandit Das to institutionalize curriculum, build infrastructure, train teachers, direct school-wide dance dramas, and flourish the school into one of the world's leading and most influential academies of North Indian classical dance. Her passion and commitment to her own journey of the art and to building pride of Indian classical art amongst the South Asian community led her to emerge as a powerful role model amongst the Indian diaspora. In particular, Rachna has exceptional talent in teaching and training youth, making the art relevant, inspiring, and empowering to girls. Rachna was the successor to Pandit Das as Co-Artistic Director of the Chhandam School and Artistic Director of the Chhandam Youth Dance Company (now the Leela Youth Dance Company), shepherding excellence, leadership, and creative discovery amongst teens. Rachna has also taught numerous kathak workshops, after-school programs, and outreach events/residencies to communities of all backgrounds, including at the San Francisco Asian Art Museum, Treme Center of New Orleans, Conservatory of Arts in Miami, Musical Instrument Museum in Phoenix, LA Tap Fest at Debbie Allen Dance Academy, National Center for Kathak Dance in New Delhi, and many more. Currently, Rachna is leading and directing Leela New York, the newest chapter of Leela Institute of Kathak, bringing the teachings of her lineage for the first time to the greater New York Metro area. Title Track Audio Credit: Doug Maxwell | Bansure Raga

Tonight, we rebroadcast Salima Hamarani's segment on the Rohingya refugee crisis. We visit Bindlestiff Studio to learn about Welga, their latest production that weaves labor rights, educational rights, and family into a coming of age story set in SOMA Pilipinas. Welga playwright Conrad Panganiban and labor activst Daz Lamparas. And we talk with artists participating in Kearny Street Workshop's annual showcase of Asian Pacific American artists, APAture. Interviews include Focus Artist Award recipient, Kristina Wong; visual artist Selena Ching; featured literary artist Vanessa Huang, author of Deceit and Other Possibilities; and featured book artist Innosanto Nagara, author of the popular children's book, A is for Activist. Books illustrated by APAture featured artist Innosanto Nagara. Community Calendar Welga continues through October 21 at Bindlestiff Studio. Kearny Street Workshop is also participating in at Lit Crawl at Five and Diamond in San Francisco featuring alumni from their three month summer program for writers of color. Also on Saturday, El Rio hosts a punk and hip hop benefit for Migrante SoMa/TL- San Francisco, a grassroots community organization that advocates and organizes Filipino migrants and workers in San Francisco and the Bay Area. APAture programs continue this week with the Book Arts Showcase featuring Innosanto Nagara on Sunday, October 15 at Arc Gallery and Studios in San Francisco. And save the date for the Performing Arts showcase on Saturday, October 21 at the Asian Art Museum featuring Zulfikar Ali Bhutto.   The post APEX Express – Rohingya, Welga, and APAture appeared first on KPFA.

John Zipperer of Commonwealth Club of CA and I interview David Lei of Asian Art Museum about how the Dragon Boat Festival could be considered a Chinese Gay Festival.

A proposed San Francisco ordinance could make a big difference for breastfeeding mothers at work. Political consciousness about Asian American identity informed Francis Wong's music.A peek inside the "Tomb Treasures" exhibit currently at San Francisco's Asian Art Museum.

Tonight we welcome a new voice to APEX, Sierra Lee who daylights at the Center for Asian American Media. Salima Hamarani talks with Hyun Lee with Working Group on Peace and Demilitarization in Asia and the Pacific and Arnie Saiki with the Moana Nui Action Alliance speaking about the potential impact of the Terminal High Altitude Area Defense System on US-East Asia relations. We talk with artist Sita Kuratomi Bhaumik about her upcoming exhibit Estamos contra el muro: We Are Against the Wall at Southern Exposure where you can pummel a wall of piñatas that represents Trump's proposed border wall with Mexico. And we flashback to 2006 when local punk band La Plebe was embarking on its biggest tour yet–to Eastern Europe. Community Calendar Estamos contra el muro: We Are Against the Wall  Opening Sept 9th | Talk Sept 22nd | Community Demolition Oct 15th La Plebe's final shows are this Friday in Watsonville, Saturday at Gilman, October 14 at Bottom of the Hill, and October 15 at El Rio. On Saturday, at 7 p.m. spend your evening with the indie, action, Filipino vampire film, Vampiriah! It screens at San Francisco Chinatown's Historic Great Star Theater at 7 p.m. And next Thursday, don't miss out! Mass Bass is playing at 12:30 at the Yerba Buena Gardens Festival! You thought they broke up, you thought that frontman Kiwi left the country! Be there on August 8. It may be your last chance to catch this seven-piece radical hip-hop soul collective from Oakland. Next Thursday after 5 p.m. is “Kristina Night” at the Asian Art Museum! Comedian Kristina Wong joins filmmaker Jeff Adachi, performer Khmera Rouge, and other local artists and museum docents to reinterpret famous pieces of performance art from Yoko Ono, Shia Lebeouf and more. You won't want to miss this hilarious, one-night only takeover. The post We Are Against the Wall, Goodbye to La Plebe, and Resistance to THAAD appeared first on KPFA.

A few weeks ago, it was my pleasure to have filmmaker Pamela Tom in the Lounge to talk about her documentary Tyrus, the story of Chinese-American artist and Disney Legend Tyrus Wong. Last Thursday, I had the opportunity to finally see Tyrus on the big screen. The film opened CAAMFest, an annual film festival in the San Francisco Bay Area that supports and celebrates Asian art and culture. It was a delightful evening, with the screening held at San Francisco's historic Castro Theatre. It was followed by a gala at the Asian Art Museum. On display at the event was an 80-year old watercolor masterpiece by Tyrus Wong called "Chinese Jesus." It depicts an ethereal Christ-like figure floating in a partially clouded sky. For decades, the painting was thought to have been lost, only to be rediscovered a few years ago stashed away in a San Francisco church. The painting came full circle on March 9, when, during a ceremony designating the day as “Tyrus Wong Day” in San Francisco, Tyrus Wong, at 105-years old, signed the painting. Last Friday, since I was in the neighborhood, I dropped by the Walt Disney Family Museum and spent time with Michael Labrie, the museum's director of collections. In 2013, Michael curated Water to Paper, Paint to Sky an exhibition of Tyrus Wong's work. In our conversation, Michael and I talked about Tyrus, as well as a contemporary of Tyrus's at Disney, Mel Shaw. Mel is the subject of a current retrospective at the Museum, Mel Shaw: An Animator on Horseback.  After talking with Michael, imagine my surprise to run into none other than Tyrus Wong at the Museum. He was the guest of honor at a member event later that evening, but he had arrived early to take in the Mel Shaw exhibition. We only chatted briefly, but as always, Tyrus was charming, good humored and an absolute pleasure to talk with. CAAMFest runs through March 20, so if you're in the San Francisco Bay Area this week, I highly recommend seeing one of the many fascinating films screening during the festival. In fact, the Walt Disney Family Museum, in celebration of Tyrus Wong, is showing Bambi this Saturday and Sunday. Plus, you can catch an encore showing of Tyrus at the New Parkway Theater in Oakland also on Sunday. For times and ticket information, visit caamfest.com/2016/schedule. Michael Labrie is my guest today in The Mouse Castle Lounge. Enjoy!www.TheMouseCastle.comRSS Feed: http://themousecastle.libsyn.com/rss

New law gives undocumented Californians a chance to apply for driver's licenses, Walking like a Radical: A tour through a century of progressive South Asian's in the Bay Area, "Roads of Arabia": touring the ancient birthplace of Islam at the Asian Art Museum, and local musicians Taraf de Locos.