Podcasts about Reprise

This Hump Day, we're embracing the boring bits!

Every year during the holiday season, we chat with Guru Singh, a third-generation yogi and spiritual teacher who also happens to live and breathe guitars. On this installment (Guru Singh's third visit), we go deep. This former Reprise artist and friend of Janis Joplin talks to us about the spirit of giving, the benefits of A.I. (even for musicians), how he stays optimistic during difficult times, and so much more. We'll be sharing the video from this interview on our YouTube channel soon. https://gurusingh.com/ https://www.fretboardjournal.com/ https://fretboardsummit.org/ Check out Rhett Shull's video from our 2025 Fretboard Summit here. Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. https://fretboardsummit.org Our 58th issue of the Fretboard Journal will mail later this month. Subscribe here to get it. We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com We are also brought to you by Seattle's own Mike & Mike's Guitar Bar. https://mmguitarbar.com

Want to know the origin story of The Sable Collective? In episode 47, Shanti talks all things The Sable Collective. She discusses her new role as sole owner of The Sable Collective and how she is channeling some of her gangster energy from her past. As a result, she also shares her top business practices for entrepreneurs, what it's like to step out on faith, and how she is choosing to define "failure and success". Join us and be sure to shop The Sable Collective online https://www.thesablecollective.com/Use Code ATWC15 for 15% off your online purchase.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Emily Kircher-Morris and Dr. William Dodson have a conversation about the complexities of ADHD, in which they discuss emotional dysregulation, Rejection Sensitivity Dysphoria (RSD), and social anxiety. They talk about how RSD manifests in ADHDers, and how we can distinguish it from social anxiety. They also explore the impact of childhood experiences, the vital role of relationships, and the need for updated diagnostic criteria. This conversation was taken from a two-part series earlier in 2025. TAKEAWAYS Emotional dysregulation is often overlooked in ADHD diagnoses. RSD is a specific condition affecting many with ADHD; the pain can be both emotional and physical, leading to significant life impairments. Social anxiety is anticipatory, while rejection sensitivity is reactive; they can coexist but are distinct. Childhood experiences can exacerbate RSD but are not the sole cause. Medication, alongside sleep, nutrition, structure, and routine, plays a vital role in emotional regulation. Mood disorders can manifest independently of external events, and a significant percentage of individuals with ADHD have coexisting psychiatric diagnoses. Understanding RSD is essential for clinicians, and psychoeducation is key to self-advocacy. Here's the research project Emily mentions in her closing thoughts. Dr. Bill Dodson is a board-certified adult psychiatrist who has specialized in adults with Attention Deficit/Hyperactivity Disorder for the last 27 years. In recognition of his clinical contributions to the field of ADHD he was named a Life Fellow of the APA in 2012. He was the 2006 recipient of the national Maxwell J. Schleifer Award for Distinguished Service to Persons with Disabilities. His contributions to the field of ADHD include: The only currently available methodology for the fine-tuning of ADHD medications. The concept of Rejection Sensitivity Dysphoria and its treatment with medications. The first non-behavioral theory of what ADHD is and how it can be treated successfully with an emphasis on what goes right rather than what goes wrong. BACKGROUND READING Bill Dodson's website, Dr Dodson's contributions to ADDitude magazine

Vous avez manquez le match des Voltigeurs dimanche face aux Wildcats ? Pas de problèmes ! Voici la reprise partielle du match du 30 novembre 2025 avec Simon Laliberté à la description et Guillaume Lemieux-Noël à l'analyse.See omnystudio.com/listener for privacy information.

Vous avez manquez le match des Voltigeurs vendredi face au Phoenix ? Pas de problèmes ! Voici la reprise complète du match du 28 novembre 2025 avec Guillaume Lemieux-Noël à la description et Gilles Noël à l'analyse.See omnystudio.com/listener for privacy information.

This week we talk about finding gratitude even when things are rough. Join us.Contact Us:IG: @aroundthewaycurlsPhone: (215) 948-2780Email: aroundthewaycurls@gmail.comPatreon: www.patreon.com/aroundthewaycurlsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Up in the air with a missing wheel. Life on the line. And a stranger steps in and helps rescue you. Jan shares the true story of Taylor Hash and Chris Yates and reveals how each of us both need guardian angels at moments in life, and, maybe more importantly, we can each be one! Enjoy this reprise!

Vi republiserer en klassiker som holder seg like godt nå som for noen år siden;Julen er full av motstridende følelser for mange. Spesielt hvis man sliter med en spiseforstyrrelse eller har et vanskelig forhold til mat, kropp og vekt. Hva svarer du når tante Trude kommenterer vekten din, eller bestefar påpeker at du kanskje ikke bør spise flere pepperkaker? Og hva skal en egentlig gjøre som pårørende i julen, burde en overvåke den som er syk, eller gi «frie tøyler»?Sammen med Io Toft, som jobber som rådgiver i ROS skal vi dykke ned i, og diskutere julens mange dilemmaer.

Chikungunya : reprise active de la circulation du virus à La Réunion, vigilance renforcée à Maurice by TOPFM MAURITIUS

Reprise! Denne er visstnok på blåroy nå. Dere lyttere som ser den slik nå får rapportere om hvordan skiltsensuren ser ut i denne versjonen. Over og ut!

Quand Thomas Parrain reprend Marlette, ce coffee shop iconique de la rue des Martyrs, il ne reprend pas qu'un fond de commerce : il reprend une histoire, une communauté, une marque aimée. Surtout, il reprend un actif fragile à remettre à flot, un lieu à faire grandir, un héritage à honorer… en douceur.Ancien marketeur amoureux des bons produits, Thomas raconte la reprise comme on raconte un chantier minutieux : un audit express entre finances, RH et atelier de production, des montagnes russes émotionnelles, puis le « jour 1 », celui où tout est à faire… sans rien brusquer.Au menu de cet épisode☕ Le parcours de Thomas, de l'industrie agroalimentaire à la reprise d'un coffee shop.☕ Les coulisses de la reprise de Marlette, entre audit, dossier, tribunal et reprise express.☕ Comment analyser un dossier, se démarquer et gagner un appel d'offres,☕  Comment créer (ou recréer) des habitués et stimuler une communauté.☕ Ouvrir un deuxième lieu : ce qui change, ce qui surprend et ce qui ne s'anticipe jamais.☕ Et surtout : comment créer un café qui devient chez eux pour ceux qui y passent chaque matin.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Happy Holiday week everyone! This week we're visiting the Pop Mystery vault for a look at “Cats” an absurd show that really keeps giving. Highly recommend the movie version for that post-meal fever dream period if your Friendsgivign is cool. “Cats” is a musical so ridiculous that it often drives people to anger. So why has this absurd show made so much money, and how does it keep taunting us all with its reemergence into culture? Jellicle journalist, comic, and pop culture junkie Tess Barker is on the case. Featuring interviews with actress Sara Jean Ford (On Broadway: “Phantom of the Opera; “Finian's Rainbow;” “How to Succeed in Business Without Really Trying;” “Cats:” ) and musicologist and dramaturg Dr. Lynda Paul (professor, Yale University; PhD music history/ethnomusicology/performance studies). Follow Pop Mystery Pod on Twitter, Instagram, and TikTok @popmysterypod Pop Mystery Pod is written and produced by Tess Barker @tesstifybarker. Produced by Tyler Hill.Theme song by Rick Wood @Rickw00d.Abigail Keel was a consulting producer on this episode. Special thanks to voice actors Sean Green and Babs Gray. Clearance Counsel is Dale Nelson and Jacqueline Swett at Donaldson Callif Perez, LLPSupport independent pop journalism and join us on Patreon at Pop Mystery Pod. Get access to ad free episodes, bonus content, and polls about upcoming topics. patreon.com/PopMysteryPodFollow Tess's other podcasts Lady to Lady and Toxic wherever you get your pods. Make sure to leave us a review! And tell a friend about the show! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episódio publicado originalmente em 14 de dezembro de 2022.No começo do século passado, um homem chamado Thomas Midgley revolucionou a indústria automotiva. Na época, ele trabalhava para uma empresa de engenharia que prestava serviço para a General Motors. Midgley descobriu que, ao adicionar uma pequena quantidade de chumbo na gasolina, os motores ganhavam muito em potência e em eficiência, e quebravam menos.A descoberta permitiu carros maiores e mais confortáveis. Ajudou a criar os Estados Unidos das autoestradas e a moldar o fascínio do mundo inteiro pelos automóveis. Mas, ao mesmo tempo, envenenou o planeta com um metal pesado e nocivo à saúde humana.Anos mais tarde, ainda trabalhando para a GM, Midgley fez outra descoberta que revolucionaria a indústria. Ele foi o primeiro a usar o gás clorofluorcarbono na refrigeração. Os carros ganharam aparelhos de ar-condicionado, as casas ganharam geladeiras mais seguras e a humanidade ganhou latinhas de aerosol.Como consequência, o céu sobre a Antártica ganhou um buraco na camada de ozônio que tornou o câncer de pele e outras doenças mais comuns.A partir das invenções de Thomas Midgley, este episódio reflete sobre o impacto muitas vezes nocivo que nossas invenções causam no planeta. E sobre a postura da humanidade diante de questões atuais, como as mudanças climáticas provocadas pelo aquecimento global.Mergulhe mais fundo⁠Breve história de quase tudo⁠⁠Prometheans in the Lab: Chemistry and the Making of the Modern World (em inglês)⁠⁠Cautionary Tales – The inventor who almost ended the world (podcast em inglês)⁠⁠Radiolab - Heavy Metal (podcast em inglês)⁠⁠Ozone Crisis: The 15-Year Evolution of a Sudden Global Emergency (em inglês)⁠⁠Joe Farman (1930–2013)⁠⁠Susan Solomon and Stephen Andersen on Saving the Ozone Layer (podcast em inglês)⁠Episódios relacionados⁠08: Bem-vindo ao churrasco do apocalipse⁠⁠29: E se a gente fosse índio?⁠Entrevistados do episódio⁠Alberto Setzer⁠Graduado em engenharia mecânica pela Escola de Engenharia Mauá, com mestrado em engenharia ambiental - Technion Institute of Technology, doutorado em engenharia ambiental - Purdue University (1982) e pós-doutorado no Joint Research Center/EEC. Pesquisador do INPE, Instituto Nacional de Pesquisas Espaciais.⁠Giovana Girardi⁠Jornalista de ambiente e ciência. Repórter e apresentadora do podcast ⁠Tempo Quente.⁠Ficha técnicaTrilha sonora tema: ⁠Paulo Gama,⁠Mixagem: ⁠João Victor Coura⁠Design das capas: ⁠Cláudia Furnari⁠Concepção, produção, roteiro, edição e apresentação: ⁠Tomás Chiaverini⁠Trilha incidental: Blue Dot

This is the fourth episode in a series based on my upcoming book, The Friend at the End, which tells the story of the major stroke that I suffered in 2011, which very nearly killed me. In the last episode, I had continued my inner conversation with an unseen presence who had begun to introduce me to the idea that I might be dying.           He suggested that I make the effort to get ready, but as I started to consider the idea, I had some trouble with it and felt like I was failing. Then the presence said to me, "Here, let me help you with this. Did 'ja learn anything?           Now, the story continues…   "Did I learn anything?" My God, what a simple little question! And asked in the most casual, way. Like from his tone, he could've just as well asked me if I had eaten a lot of pizza in my life, that's about how important it seemed. My initial reaction was no reaction at all, and I drew a complete blank. But then, something unexpected happened. Suddenly, a series of pictures began appearing in my mind's eye. The pictures were all of me, in different stages of my life. They went through linear time, beginning on the day I was born. There were so many of them, it almost seemed like there was one for every day of my life.  It was weird because they seemed to be moving very fast and very slow at the same time.   Although I clearly recognized each one of them and remembered the experiences they showed, rather than stirring up memories, I was just extracting the essence of the feelings that I'd had during them - happy, sad, amazed, confused, and on and on. Finally, after every age of my life and every role that I had played had been presented, the last picture I saw was of me at this very second, sitting in my bathing suit at the swimming pool, looking at all these pictures. Then my mind went back to normal and the episode, or whatever it was, ended. I guess you could call it a life review of some kind. But before I could give it any thought, another image came into my mind's eye. This time, it wasn't a still picture, it was more like a movie, and I was in it and watching it at the same time. I was in a small boat on a river and the boat kept changing forms.  For a little while, it was a standard row boat and I was rowing it. Then it changed to a canoe and I was paddling it. Then it became a small motor boat and I was in the back, steering it by moving the motor. Then it went back to being a row boat again, and it just kept switching forms. All of a sudden, I was teleported up to the inside of an airplane that was flying high above the river. I kept switching viewpoints, from being on the boat to being on the plane. Then, in the next instant, I was rowing the boat down the river and flying in the plane above it, both at the same time. I was in two places at once, and fully conscious of each. The river had a lot of twists and turns to it, and from the viewpoint of being in the boat, you could only see what was in front of you. You couldn't see beyond the next bend. But the vantage point from the plane was totally different. I could see the whole river, all at once. I could look back to where it had begun, I could see all the way forward to the point where it finally merged into the ocean. Then, at one point, all of the pictures of my life that I had reviewed earlier, flashed in front of me once again. But this time, the scenes went by in what seemed like just a few seconds. Then it all vanished from my mind and I was back in normal life, sitting on my chair near the pool. The whole thing had taken me by surprise and it left me with a lot to absorb. Slowly, a series of realizations and understandings began to dawn on me. The first one was that even though I knew that I might be dying and I had just seen pictures from every stage of my life, I felt no real attachment to any of it. It may seem odd, but it's pretty simple. My father had died from a massive heart attack when I was sixteen, and his sudden death forced me to accept the harsh reality of the impermanence of all life on earth. I had no other choice. We all have to go one day, and I had been living with that understanding for almost fifty years, knowing that you just have to surrender to it, come what may. After reviewing all the pictures I had seen, although I felt a lot of happiness and appreciation for the days gone by, they clearly belonged to the past. Looking at them had been like revisiting fond memories of a place that didn't exist anymore, and from experience I knew that there is no real power in memories. The power is in the intelligence that is doing the remembering. So, from the perspective of looking back on my life, if my time had actually come, I had no regrets about it. There was nothing left undone and what will be, will be. I moved from thinking about the pictures to reflecting on the whole sequence with the boat on the river and the plane flying above it, and some profound realizations came to me. While riding in the boat, the turns in the river were like going through all the day-to-day experiences of my life. Like everything else that is subject to time, they all came and went, seeming so real while they lasted, only to eventually fade away, like a passing dream.  And the fact that the boat kept changing forms represented the way that my body and mind had kept changing forms as I went through the natural growth cycle from baby to adult and beyond. The fact that I could never see beyond the next bend in the river was a reminder of the uncertainty we all face in our lives. No matter what we hope or expect, we can never really know what's coming around the next corner. But the view from the plane was the opposite. From there, I could see the whole river from beginning to end, and my intuition told me that the entirety of the river itself represented my conscious awareness, my essential self, as it passed through all the twists and turns of my life. This was critically important for me because I had always felt that there must be some higher purpose to life other than just running around trying to fulfill your dreams and desires. Otherwise, it just didn't make any sense, because no matter what you end up getting, you lose it all in the end anyway.   Of course, we all have our own personal views, but for me, the idea really got driven home by my father's death. Not only was it a major shock, but there were also some very unusual and rather metaphysical things that happened to me during it that made me feel that there was more to life than meets the eye. By the age of twenty-two, I had begun a serious study of all the higher understandings about life that I could find, including practicing a powerful form of mediation that helped accelerate my inner growth. Nurturing and expanding my higher awareness had remained the primary focus of my entire adult life. Now, as I was pondering the idea of the flow of the whole river representing the evolution of my consciousness, I realized how much I had grown as a human being in my life. I had gone from having the dull consciousness of a shallow creature, almost robotically programmed into ignorance by an unenlightened society, into one who had explored the depths of his being, connected with the higher awareness within, and had led a profound life, filled with meaning, freedom, fulfillment and ever-expanding inner growth and happiness. Of course, there had been an endless amount of twist and turns along the way, but because I had been growing, the challenging ups and downs had only made me stronger. And now, like a farmer who had been nurturing his crops for a very long season, I was deeply gratified with the yield. "My God, this certainly wasn't a wasted trip," I thought. "What a life of learning!" And with that thought, the unseen power of my unseen friend's casual question really hit me. His simple, off-hand inquiry, "Did 'ja learn anything" had triggered all this, bringing the value of inner growth to the forefront and making it clear that while you may have to leave it all at the end, you do get to keep what you learn, because that evolution of your consciousness becomes an actual part of you. Now, the most important point became clear to me. I was deeply grateful for the life I had been given and had made the most of it. I had grown into a better human being and was satisfied with the person I had become. I felt complete.  Then I thought of the image of the river again and pictured it merging into the ocean, and I recalled something I once learned in school. The ocean has a powerful, magnetic attraction that draws the river towards it, pulling it back into its source.  As it gets closer to the ocean, the current of the river gets stronger and it starts flowing faster and faster, almost like it can't wait for the merging to happen. There was something not only comforting, but also enticing about the idea, and I felt that if my personal river was about to merge into the vastness of its original source, I was ready for it. Bring it on. Then, with a sublimely steady sense of clarity in my heart and mind, I finally turned my attention to my unseen friend and said with calm assurance, "OK. If this really is the end of my life, then the answer is - yes, I am ready,"            "Good," it said. "Good."           Once again, everything went quiet and still. I figured my life was over and we'd be leaving soon for whatever came next. "OK, now listen," it said, somewhat softly "This may not make sense to you now, but the truth is, no one knows whether you're going to live or die from what's happening to you.  It's just not known at this time. It can go either way. You could get better quickly or you could get taken out just as quickly. It's just not determined yet. But either way, you know how to handle this," it said calmly. "You know what to do now." My awareness shifted and once again I became fully conscious of my body as I was lying on the lounge chair. Although my vision was still seriously impaired, it had gotten slightly better and I could see a little bit.   I could feel the breath coming in and going out of me, like it always does, but now, I started focusing on it much more deeply. Being in tune with the breath was always a major part of my practice and I had done it for decades, but it was different now. Now, it wasn't just about relaxation, clarity of mind, or elevation of consciousness. Now it was about survival.  As I felt the rise and fall of each breath, the presence of my unseen friend remained clear. It felt more familiar to me now than ever, but I still couldn't put my finger on how or why. It just seemed to be a part of me, but not a part of me at the same time. I knew that my fate was undetermined, so, I just let go and surrendered to the power that was sustaining me through the lifeline of my breath. "Good," the presence said, encouragingly.  "By the bridge of your breath, just stay in the safety of the Divine Presence that's within you. No matter what happens now, whether you live or die, that's always where your real shelter is." In the next instant, the presence was gone and I knew it. I was on my own now, just taking each breath as it came to me, one at a time.   Well, that's the end of this episode. As always, keep your eyes, mind and heart opened, and let's get together in the next one.

Olivier Colcombet est l'invité de ce nouvel épisode de Mon Podcast Immo. Au micro d'Ariane Artinian, le président de DigiteRE – maison mère de Capifrance et Optihome – analyse un marché en plein rebond. Malgré un climat politique instable, il observe une dynamique solide : « Les acheteurs sont là, les projets se débouclent ». Depuis la rentrée, les réseaux enregistrent plus de 22 % de croissance, signe d'un retour marqué des acquéreurs et d'une confiance qui résiste aux turbulences.Cette reprise, largement portée par l'accession, devrait se poursuivre tant que la visibilité reste suffisante. L'investissement, lui, reste en retrait, freiné par la fin des dispositifs fiscaux. Pour 2026, DigiteRE vise un marché entre 950 000 et 1 million de transactions, tout en misant sur sa propre surperformance grâce à trois ans d'investissements massifs : modernisation des outils, renforcement du CRM basé sur Salesforce, stratégie lead renforcée et 120 000 heures de formation.« Notre modèle est gagnant, il l'a prouvé », affirme Olivier Colcombet, convaincu que la montée en puissance de Capifrance et d'Optihome s'accélérera encore avec des conseillers mieux formés, mieux outillés et recentrés sur l'essentiel : la relation humaine et l'émotion des projets de vie.Animé par Ariane Artinian, journaliste et fondatrice du média MySweetImmo

Hosts Jim DeRogatis and Greg Kot revisit a Sound Opinions classic— Songs About Giving Thanks. The hosts will share some of their favorite songs in celebration of the Thanksgiving holiday, and they'll hear selections from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Natalie Merchant, "Kind and Generous," Ophelia, Elektra, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Big Star, "Thank You Friends," Third, PVC, 1977Sister Sledge, "We Are Family," We Are Family, Atlantic, 1979Earth, Wind & Fire, "Gratitude," Gratitude, Columbia, 1975Tyler, The Creator, "GONE, GONE / THANK YOU," IGOR, Columbia, 2019Bonnie Raitt, "Thank You," Bonnie Raitt, Warner Bros., 1971Lucinda Williams, "Stowaway in Your Heart," Down Where the Spirit Meets the Bone, Highway 20, 2014Led Zeppelin, "Thank You," Led Zeppelin II, Atlantic, 1969Fall Out Boy, "Thnks Fr Th Mmrs," Infinity On High, Island, 2007Chance The Rapper, "Blessing (feat. Jamila Woods)," Coloring Book, Self-Released, 2016 Andrew Gold, "Thank You For Being A Friend," All This and Heaven Too, Asylum, 1978The Kinks, "Days," Days (Single), Pye 7N 17573, 1968Dido, "Thank You," No Angel, Cheeky, 1999Descendants, "Thank You," Everything Sucks, Epitaph, 1996Third Eye Blind, "Thanks a Lot," Third Eye Blind, Elektra, 1997Alanis Morissette, "Thank U," Supposed Former Infatuation Junkie, Maverick, Reprise, 1998The Flaming Lips, "Do You Realize??," Yoshimi Battles the Pink Robots, Warner, 2002The Intruders, "Be Thankful For What You Got," Energy of Love, TSOP, Philadelphia International, 1974Yes, "Going for the One," Going for the One, Atlantic, 1977See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Needles to Say - Reprise by DJ Homewrecker

We can often be haunted by the ghosts of projects past, and create stories to trick ourselves into thinking we're people who don't get things done. But we are! 

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Joshua Gale and Sean MonahanFleetwood Mac “Landslide” from the 1975 album "Fleetwood Mac" released on Reprise. Written by Stevie Nicks and produced by Fleetwood Mac and Keith Olsen.Personel:Stevie Nicks - vocalsLindsey Buckingham - guitarsCover:Performed by Neal Marsh and Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists:Stevie Nicks "Edge of Seventeen"Fleetwood Mac "Rhiannon"

This is the third episode in a series based on my upcoming book, The Friend at the End, which tells the story of the major stroke that I suffered in 2011, which very nearly killed me. In the last episode, I had gone down to the pool at our condo for the first day of summer, but I started feeling kind of queasy. My condition worsened, and at one point, to my shock, I lost my eyesight and thought I was going blind.           I soon realized that not only was I in the midst a truly serious health crisis, I was also having a seemingly telepathic communication with an inner presence of some kind. And this presence kept suggesting to me that I might be in the process of dying. As I began to accept the idea, it casually asked me, "Are you ready?"     That was the end of the last episode. This one begins with my reaction to that unexpected question.           "Am I ready? What? Am I ready?"  I responded to myself.             The question caught me completely off-guard and it really threw me. What I thought had been a theoretical conversation had suddenly become a reality and I felt like I'd been shoved off the boat into a freezing ocean and was now in hostile water, surrounded by unknown dangers.           Of course, I knew that things were serious. My vision was shot and being involved in a telepathic communication within my own mind was beyond strange, to say the least. But, as distressing as it was, up until then, it was all just talk. Suddenly, these three little words – are you ready - brought me face to face with my own death, and basically, it scared me out of my wits.           But then, the next thing I knew, my fear quickly turned into anger. And it felt like righteous anger. I didn't want to die. I wanted to live. It was a simple as that. Things were going great; I was in the prime of my life and I didn't see any reason why it should have to end.           After a few more moments, my survival instinct took over and with a strong sense of resolve, I decided to stand and fight. I was done with this whole death thing and I didn't want to hear any more about it. Who was this guy, anyway? And why should I listen to him? I would give this unseen and unwelcomed visitor a piece of my mind.            "Look, whoever or whatever you are," I said to whoever or whatever it was, "Now you listen to me. If you're asking me if I want to die, the answer is no! There is not one atom in my being that wants to die! I don't want to die. I want to live."           Then, having studied the power of crafting a pure intention and clearly expressing it, I decided to make a strong affirmative decree into the universe, of my desire and intention to live.           "I declare that any and all thoughts and fears of death have no part of me whatsoever. I banish them from my consciousness and negate them entirely. I affirm now and forever, my unshakable oneness with the infinite power of the divine energy that is within me."           Then, with every part of my being and from the very depths of my soul, I firmly declared, "I CHOOSE LIFE!!!"           It felt like I had tapped into the faith that can move mountains, and I could feel the power of my intention resonate out into infinity. There was an inherent rightness to it and it was followed by a deeply profound and satisfying sense of inner peace.            "Good answer!" this whatever-it-was said to me a few moments later. "Well done! Very well done indeed!"           "Wow!" I thought, resting in the afterglow of the affirmation. "Okay!"           It was all so simple. Sometimes you just have to stand your ground. You align yourself with the integrity of your being, connect with the power of the universe and make your intention clearly known. Then, everything can change in an instant.             As I thought about it, maybe this whole dying thing had actually been a test of some kind. And maybe I had just passed through an initiation and would be moving into a greater level of consciousness, with a deeper understanding of life. Anyway, whatever it was, test or not, I felt like I had passed with flying colors. My confidence was back. I was on track and I felt great.           "So, look," the presence said, "you've obviously done a lot of inner work in your life and it's clear that you've learned a lot. You made a powerful expression of your intent and will to live, and you did it from your heart. Again, well done! Very well done!           "But David," it continued calmly, "Although, in its place, there is tremendous power in this kind of method, it's only valid up to a point. There's a very important level that's beyond all that."           I didn't know where things were heading, but suddenly something inside of me said, "Uh-oh."           "In the physical world, you do get to choose a lot of things," it continued. "But you don't get to choose the length of your life and you don't get to choose how and when it will end.           "Some flies live for one day, a butterfly for two weeks. Some trees live for thousands of years and stars like the sun can shine for ten billion. But it's all just a matter of degree, because this is a realm of impermanence and nothing here lasts. Sooner or later, one way or another, everything here ends.           "But the source of it all never ends. You can call it God, the Higher Power, or any of the thousands of other terms that people have come up with over the years. Call it what you want, or don't call it anything at all, but this universal power is what is keeping you alive, as well as the rest of creation. And it will decide when it's time for you to go.           "Of course, it's great that you're aware of it, but don't make the silly mistake of thinking that you control it, because you don't. No one does. It's not even close. And by the way, you didn't come here to control it, you came here to surrender to it."           It was a short, concise little talk, but it took the wind right out of my sails. My personal power vanished immediately, like a balloon that was burst by a sharp needle. The presence paused a little to let the information sink in and then continued.           "Now, although you just made a very strong, clear and firm statement, you didn't answer the question that I asked you. I didn't ask what you wanted. I asked you if you were ready. So, let me ask you again – Are you ready? And if you're not, then you better get ready. Because even though on one level, time is just an illusion, on another, it's very real. And the truth is - you're running out of it. So, are you ready?"           The situation had obviously become crystal clear. I had to face facts and let go of the idea that I had any choice left in the matter. That ship had sailed, if it had ever been there in the first place. Clearly, things were in motion now and I had to get my inner affairs in order.           So, was I ready for this? If this really is the end, would anything major be left undone? Might I have regrets? Or even remorse? Whatever. I had to decide if I was ready and supposedly, time was getting short.           It seemed like a ridiculously tall order and I had no idea how to approach it. So, I just asked myself, "Okay, so am I ready?" and I waited to see what happened next.            Something came to mind immediately. It seemed unfair to me that I should have to die so young. Why such a short life? After all, I was only 62 years old and other than today's crazy episode, I seemed to be in great health. And it was all so sudden.           But my thoughts went straight to what happened to my father.  He was only 52 years old when he instantly dropped dead from a massive heart attack, which means that I would still be getting a full ten years more than he got. And talk about sudden, he literally died in a heartbeat. In another moment, the whole unfairness argument went right out the window.           I relaxed a little and waited to see what came up next. Out of nowhere, I felt an enormous wave of gratitude and relief wash over me. The feeling seemed to exist on its own, with no apparent connection to any form of thought. I just felt incredibly grateful and unbelievably relieved, for no noticeable reason.             Then suddenly I realized a critical fact that hadn't occurred to me before - my life insurance policy was in full force and if I did die, my wife and daughter would be well taken care of after I was gone. The feelings of gratitude and relief suddenly made perfect sense. They had just hit my consciousness before any thoughts of explanation had caught up to them. In reality, I can never overstate how much this fact meant to me at this point in time. The relief was far beyond words.           As a writer, I had led a somewhat unconventional life and my financial fortunes had ebbed and flowed over the years - sometimes up and sometimes not so up.           But fortunately, I had always been able to maintain a fairly substantial life insurance policy for them.  To me, this contingency planning had always represented a monument to sane responsibility. From where I was standing now, when it comes to monuments, it made Mt. Rushmore look like a little sand castle.             Thank God my wife and daughter would be financially secure after I died! I knew they would be safe after I was gone, and a deep sense of peace came over me.              It's funny looking back on it, but I didn't feel any anxiety over what would happen to them emotionally after I died. I had learned from experience that death and separation are an inevitable part of life, and we all have a built-in human capacity to recover from them.  I knew that although it would be tough, eventually they'd recover. That's the just way we're made.             But the fact that they weren't going to have to face a financial catastrophe on top of the sudden shock and grief was enormously soothing and the gratitude and relief I felt came from the very depths of my being.           At that point, I felt complete about my external responsibilities in life. As far as being ready, that area was covered and I waited for whatever else came up next. But to my surprise, nothing did. My mind kind of went silent and I seemed to be in a state of nothingness. I continued to wait.           "Could that be it?" I finally asked myself. "That's all you've got? Come on, here you are, trying to see if you're ready to die, and all you can come up with are these two things – that you think your life was cut too short and that you're glad your life insurance policy is in force. That's it? Nothing else? Come on man, there's gotta be more."           Still, nothing else came up. My mind was a complete blank, which seemed incredible. All my life, it had been churning out thought after thought of never-ending chatter, and now, at this critical moment, all of a sudden it goes radio-silent?           I was stuck and I felt like something was wrong. It seemed like I wasn't doing this right and I got worried. "I don't want to blow this," I thought, "My God, of all things, I don't want to be a failure when it comes to dying!"           "Here, let me help you with this a little," the voice, or whatever it was, chimed in. It was a pleasant surprise. I had actually completely forgotten all about it and was very happy that it was still there. Once again, I felt how familiar it seemed to be. I couldn't see it, but I could sense it, like a wise old friend with only my best interests at heart, giving me a kind, reassuring smile.             Then, in a most relaxed and casual tone, it asked me, "Did 'ja learn anything?"

We're kicking this week off on The Daily Pep! with an important reminder.

Each of us has experiences that shape the way we see ourselves and the role we want to play in life. Jan shares the story of a welding genius, Richard Hunt, whose art has taught the world what freedom can look like when you fashion with your hands the visions of your heart.

Jonathan Le Corronc Clady est l'invité de ce nouvel épisode de Mon Podcast Immo. Au micro de Baptiste Julien Blandet, le président de la FNAIM du Vaucluse et vice-président de la FNAIM Région Sud dresse un état des lieux très attendu d'un marché qui passe enfin « de la crise à la reprise ». Au niveau national, 2025 s'annonce nettement meilleure avec 930 000 transactions, soit +10 % en volume, portées par la baisse des taux d'intérêt : de 4,21 % à 3,12 %, les particuliers empruntent désormais moins cher que l'État.La région Sud suit cette trajectoire : +9 % de volumes et +2,5 % sur les prix. Dans le Vaucluse, la reprise est bien palpable avec +6,7 % de transactions et une hausse modérée des prix (+1,6 %). Pour Jonathan Le Corronc Clady, la pierre reste une valeur refuge dans un contexte de confiance érodée : réforme des retraites, incertitudes budgétaires… autant d'éléments qui incitent les ménages à sécuriser leur avenir en devenant propriétaires.Cette reprise impose aux professionnels d'ajuster leurs pratiques. Les acheteurs arrivent mieux informés, notamment grâce à l'IA, désormais incontournable. « Ce n'est plus de la science-fiction : c'est une révolution », rappelle-t-il. La région Sud, véritable laboratoire immobilier réunissant mer, montagne, ruralité et zones denses, accélère d'ailleurs l'innovation. Nouveauté majeure : la création d'une centrale d'achat FNAIM pour mutualiser la diffusion d'annonces sur les grands portails et offrir des tarifs négociés aux 1 500 agences adhérentes.Le cube jaune, identifié par 82 % des Français, reste un puissant marqueur de confiance et de professionnalisme, essentiel pour renforcer la visibilité des agences dans un marché en mouvement.Animé par Ariane Artinian, journaliste et fondatrice du média MySweetImmo

Zurück in die Zukunft! In dieser Ausgabe von «Musik für einen Gast» hören wir, wie Christian Lutz, der damalige Direktor des Gottlieb Duttweiler Instituts, sich Ende der 90er die Zukunft vorstellte. Und wir erfahren, was derselbe Christian Lutz heute, 27 Jahre später, zu diesen Szenarien sagt. Fast zwanzig Jahre lang hat Christian Lutz das Gottlieb Duttweiler Institut (GDI) in Rüschlikon geleitet. Er analysierte gesellschaftlicher Trends und formulierte auf dieser Basis mögliche Zukunftsszenarien. Von dieser Arbeit erzählte er 1998 Moderatorin Ellinor von Kauffungen in «Musik für einen Gast». Sie sprachen über Veränderungen in der Arbeitswelt, über Biografien, die laut Lutz zusehends individueller und vielfältiger werden und über dieses wundersame, neue System, das damals von immer mehr Menschen im Alltag genutzt wurde: das Internet. Heute ist Christian Lutz 85 Jahre alt und lebt in einem umgebauten Landhaus im Département Gard in Südfrankreich. Wie beurteilt er seine damaligen Analysen? Welche Voraussagen traten ein, was kam ganz anders? Und wie blickt er persönlich auf das Kapitel seines Lebens als GDI-Direktor zurück? Die Musiktitel: 1. The King Singers – Chi la gagliarda (Vocal Version) 2. Johann Sebastian Bach – Matthäus Passion: Aria. Erbarme dich, mein Gott Michael Chance, Countertenor / Englisch Baroque Soloists / John Eliot Gardiner, Dirigent 3. Paul Hindemith – Mathis der Maler. Sinfonie. Versuchung des heiligen Antonius Philadelphia Orchestra / Wolfgang Sawallisch, Dirigent 4. Franz Schubert – Sinfonie Nr. 4 c-Moll. Tragische: Adagio molto – Allegro vivace WDR Sinfonieorchester Köln / Günter Wand, Dirigent Der neue Musikwunsch: Antonin Dvorák - Sinfonie Nr. 9 e-Moll op. 95 «Aus der Neuen Welt»: 1. Adagio - Allegro molto Tschechische Philharmonie / Jiri Belohlavek, Dirigent

C'est le rendez-vous du week-end à ne pas manquer pour tous les fans de sport ! Rugby, natation, Formule 1… tous les sports et grands événements sont à suivre en live sur RMC, et c'est Flora Moussy qui sera désormais aux commandes de ce show ! Le samedi à partir de 16h, elle sera aux côtés de Benoit Boutron, Christophe Cessieux et Thibaut Giangrande qui continueront de se succéder au micro.

Hosts Jim DeRogatis and Greg Kot talk with journalist and author Alan Light about his book “Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours.” They discuss the music, history and why younger generations are still listening to this record almost 50 years after its release.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Fleetwood Mac, "I Don't Want to Know," Rumours, Warner Bros., 1977The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Fleetwood Mac, "Don't Stop," Rumours, Warner Bros., 1977Fleetwood Mac, "Second Hand News," Rumours, Warner Bros., 1977Fleetwood Mac, "Silver Springs (Live)," The Dance, Reprise, 1997Fleetwood Mac, "You Make Loving Fun," Rumours, Warner Bros., 1977Fleetwood Mac, "Gold Dust Woman," Rumours, Warner Bros., 1977Fleetwood Mac, "Go Your Own Way," Rumours, Warner Bros., 1977Buckingham Nicks, "Frozen Love," Buckingham Nicks, Polydor, 1973Fleetwood Mac, "Tusk," Tusk, Warner Bros., 1979Fleetwood Mac, "The Chain," Rumours, Warner Bros., 1977Fleetwood Mac, "Dreams," Rumours, Warner Bros., 1977Fleetwood Mac, "Never Going Back," Rumours, Warner Bros., 1977Fleetwood Mac, "Songbird," Rumours, Warner Bros., 1977Fleetwood Mac, "Landslide (Live)," The Dance, Reprise, 1997Alanis Morissette, "Thank U," Supposed Former Infatuation Junkie, Maverick, 1998See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Joshua Gale and Sean MonahanFleetwood Mac “Landslide” from the 1975 album "Fleetwood Mac" released on Reprise. Written by Stevie Nicks and produced by Fleetwood Mac and Keith Olsen.Personel:Stevie Nicks - vocalsLindsey Buckingham - guitarsCover:Performed by Neal Marsh and Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Lord HuronJump Little ChildrenHootie and the BlowfishGrateful DeadGale Bird “Roses”Holy City MusicGale Bird “Crumble Down”Ryan Adams “Cold Roses”Gale Bird “I Can't Wait”Brandon LakeGale Bird “You'll Come Home”Whitney HoustonAlan JacksonJohn MaherThe Counting CrowsCoheed and CambriaQueen “Live at Wembly”ForeignerGale Bird “I Still Do”Gale Bird “Lookie Here”George Benson “Breezing”George Benson “Talking Verve”George Benson “Giblet Gravy”George Benson “Lucky Ole Sun”Curtis MayfieldNeed to BreatheTim TebowJosh GarrelsFleetwood Mac “Rumours”Fleetwood Mac “The Dance”Fleetwood Mac “Silver Springs”The ChicksFleetwood Mac “Rhiannon”The Beatles “Love Me Do”Gerry RaffertyMozartOzzy OsbourneRick SpringfieldBuckingham NicksJim Croce “Time in a Bottle”James TaylorAvett BrothersCSNY “Helplessly Hoping”Pink Floyd “Wish You Were Here”Dolly Parton “Jolene”Miley CyrusLucy DacusPhoebe BridgersTaylor SwiftKacey MusgravesJill AndrewsIngrid MichaelsenStyx “Come Sail Away”Smashing PumpkinsBushFlatland CavalryBob MarleyJimmy CliffTori AmosThe Clash

(Reprise Episode) This episode is the second in a series of excerpts from my upcoming book, "The Friend at the End," which tells the story of the major stroke that I suffered in 2011. As the first episode began, I was 62 years old, at a wonderful stage in my life, with everything safe and secure. It was the Saturday of Memorial Day weekend and I was looking forward to the summer, which was just over the horizon.       But when I had gone down to the pool at our condo, after a short while, I started feeling a little nauseous. Soon after, an unusual and disturbing white light appeared in my upper left peripheral vision. At first, I thought the light was coming from somewhere on the outside, but I soon realized that it was coming from within me, which was extremely alarming.  So, that marked the end of the first episode, now the story continues…     In reality, vision impairment is a classic symptom of a stroke, but I just didn't know that at the time. If I had, I would have dropped everything and gone straight to the emergency room. But I didn't have that information.  That's the real   Catch-22 when it comes to knowledge. You never know what you don't know. You just can't. By definition, the unknown remains unknown until you finally find it out. And hopefully, by then, it's not too late.      Anyway, I felt a little tired and laid back down on my lounge chair and tried to relax. I'm not sure what happened next, but I must have drifted off to sleep. I don't know how long I was out, but when I woke up and opened my eyes, I was met with a complete shock.  My entire field of vision had radically changed.     I could still see, but it was like looking at the world through a splintered kaleidoscope, a bizarre Picasso painting of bright colors and random fractal patterns. I had never experienced anything like it before and obviously, things had taken a major turn for the worse. It was seriously disconcerting. Oddly though, the feeling of nausea was gone completely. Other than this bizarre vision issue, I felt fine.  I opened and closed my eyes a few times, but nothing changed. I still saw the world in the same splintered, fractal way. I closed my eyes for a moment to try to stabilize myself and the vision suddenly appeared within.    I opened my eyes again, and to my shock and dismay, I couldn't tell whether my eyes were opened or closed. It didn't matter. Opened or closed, my field of vision remained exactly the same. I still saw the same set of broken, fractal lights. What had been bad had suddenly gotten much worse. This was, by far, the most alarming thing that had ever happened to me physically in my life, and immediately, a chilling fear came over me. "Oh my God! I'm going blind!" I thought.  It was earth-shattering. I felt like a bug splattered on a speeding windshield, and my mind went wild with a flood of terrifying images of me, living my life as a blind man. The horrible scene went on for quite a while, before I could finally pull myself together.   "Whatever's going on, this is much worse than I thought," I said to myself, as I recognized how seriously things had deteriorated. "This is bad. This is really bad."  I was stunned and had no idea what to do.  "Yeah, this is definitely much worse than you thought," I thought. "And you know what, it might actually be much worse than you think it is now. Forget about going blind. You might actually be dying. This could be the beginning of the end."  The unwelcomed idea hadn't occurred to me before and it stopped me dead in my tracks. "Now wait a second," I responded, "Let's not go to extremes here."   I quickly tried to pull myself together. Even though I was definitely in bad shape, I certainly didn't want to entertain any thoughts of dying. Why let that in? It couldn't possibly help. So, I quickly decided to put it out of my mind. But a few moments later, it came back again.  "Look, of course, the idea is upsetting to you, to say the least. And obviously dying is the last thing in the world you want to think about. But still…" "But still, what?" I countered, sharply. "Still, you don't really have a choice. The way things are going, at this point you have to consider everything. You really do." Okay, so this was the rational, non-emotional side of my mind talking to me in its rational, non-emotional way. And it was probably right to consider the worst-case scenario. But I instantly dismissed the idea again. Sure, it was normal for me to have had a passing thought that I might be dying, but that's all I wanted it to be - just a passing thought.  As far as the actual reality of it was concerned, I would have none of it.  "No. It can't be. Not like this. Not now. No way." "Well, why not?" Mr. Rationality responded rationally. "You know it's going to happen someday; it has to. There's no way around it. It's written in stone. So why not now? And why not like this? Just because it's sudden and you weren't expecting it, that doesn't mean anything. Look what happened to Daddy."   There was no refuting the logic of it. And bringing up my father was a major factor for me. He had died instantaneously of a massive heart attack at the age of 52, and I'm sure he never knew what hit him. Here one minute, gone the next. I was sixteen years old and along with the terrible shock and grief, it really drove the point home that any one of us can go at any time. Nobody operates with any guarantees here. That's not the way it works.  "You have to understand something," this part of me went on. "There are no rules now and anything can happen." It paused for a moment. "Face it. This really could be the end of the line for you. You very well might be dying." The weight of the reality of death began to sink into me like a ton of wet concrete sliding out of a cement mixer, and it rattled me to the core. Just a few minutes ago, I was facing the fear that I was might be going blind, and that was absolutely devastating. Still, you can learn how to live with it. Millions of people have. But while you can learn how to live with being blind, you can't learn how to live with being dead. No. This wasn't about coming to a major crossroads in my life. This was about coming to the actual end of it, and it was staggering. I was in a whole new world and I knew it.  I started to feel disoriented. "Oh my God!" was the last thing that came into my mind before it went blank. I think I went thoughtless, and it might have been for fifteen seconds, fifteen minutes, or even more.  In that state, who knows? Anyway, at some point, I could think again.  "Could it really be true?" I asked myself, soberly "I mean, could this really be it?" "Well, you can't rule it out," I answered myself. "Look, you've never experienced anything like this before. Things are obviously getting worse, and there's no telling where this might lead. Anything can happen. You just have to face facts."  "Yeah. Okay," I thought, still stunned.  "Listen, Dying isn't a question of 'if,' it's only a matter of 'when.' And as far as what it's going to be like when it actually does happen, well, nobody really knows that until they get there," the rational side said.  "Then you find out for sure."  It was obviously true. We have no idea of what our actual death is going to be like. We have no frame of reference for it. It's not like you're going to a new beach where you've never been before. But you know what to expect from a day at the beach, so you throw a bathing suit and a towel into a bag, grab a beach chair, and you're good to go. No, it's nothing like that. This is 100% uncharted territory. And although we may all have our ideas about it, that's all they are – just ideas.  At that point, I realized that I had no idea what to do. So, I just sat there, with this bizarre field of colored. fractal vision filling my head, whether my eyes were opened or closed. I was stuck. Checkmate.  Then something hard to describe happened. Call it a stroke of insight or a flash of intuition, but suddenly two critical points became unmistakably clear to me. And they were both seriously disconcerting.   The first one was that I knew for sure that I was in serious trouble and that my life was on the line. I knew that I very well might be dying and it was beyond any doubt to me. I had no further questions about it at all.  The second one was more subtle and much harder to grasp. I knew intuitively that some of the thoughts I had been thinking weren't actually coming from me. This little conversation that had been going on inside my mind wasn't just between me, myself, and I. I felt like there was something or someone else, a presence of some kind, speaking to me through the instrument of my own mind.  Now, the very idea that I was receiving some form of mental telepathy was deeply unnerving, to say the least, and I hoped I wasn't just losing my mind. I mean, after all, dying is bad enough, but I didn't want to go nuts on top of it.   It was quite an intense moment and a strong wave of anxiety washed over me. But still, almost within that wave, there was another feeling that was equally as strong. I felt that this presence, or whatever it was that was talking to me, was somehow familiar. It was like an old friend that I had forgotten so long ago that I didn't even have a distant memory of it. Just a vague feeling that I had forgotten something, but I couldn't remember what it was. The only thing I could remember was that I had forgotten. But whatever this thing was, I knew that I knew it.  I just didn't know how. It was too out of reach.   As this wave of familiarity kept radiating to me from just beyond my awareness, somehow, I could sense a rightness to it and something within me seemed to surrender to the situation. Any remaining doubts I had got set aside and I felt myself go all in. It felt uncomfortably strange, yet strangely comfortable at the same time.  "Ok, good," it finally said, seeming to respond to my new state of mind. "You're getting clear now. Stay as clear as you can. There may be a lot different things coming up for you soon, and clarity will help you stay focused on what's important. Clarity will keep you strong." Another long pause seemed to happen, then it continued, "So, you have to understand where things are now. You are coming to a major turning point." Somehow the level of communication had crystalized considerably. Like a cell phone that suddenly becomes static-free, my reception was much more clear.   "This truly is the possible end of your life on earth," it continued.  "And it's time to start wrapping things up. And at this point, one question becomes critically important for you."  We sat in silence for an endless moment of eternity. Then a very firm, but very kind voice, it asked me, "Are you ready?"   So that's the end of this episode. As always, keep your eyes, mind and heart opened, and let's get together in the next one.

Die Sekretärin von C.G. Jung: So wurde Aniela Jaffé häufig wahrgenommen. Dabei war sie selbst Psychoanalytikerin, Autorin und sogar Verfasserin eines der bekanntesten Werke, das Jung zugeordnet wird. Wer war diese kluge, einfühlsame Frau, die ihren Beruf «aus Menschenliebe» ausübte? Anfang der 30er-Jahre lebte Aniela Jaffé in Hamburg und stand kurz davor, ihren Doktortitel in Psychologie zu erlangen. Doch als Tochter jüdischer Eltern sah sie sich gezwungen, vor den Nationalsozialisten zu flüchten und sich ohne universitären Abschluss in der Schweiz ein neues Leben aufzubauen. Und dennoch sollte es ihr gelingen, auf dem Gebiet der Psychologie wichtige Beiträge zu leisten: Sie lernte C.G. Jung kennen, ging zu ihm in die Analyse und begann schliesslich mit ihm zusammenzuarbeiten. Jung hielt derart hohe Stücke auf sie, dass er sie mit dem Verfassen seiner Biografie betraute – die jedoch bis heute häufig als seine Autobiografie wahrgenommen wird. Jaffé war auch selbst bis ins hohe Alter als Psychoanalytikerin tätig und hat so das Leben vieler Menschen geprägt. 1975 wurde Aniela Jaffé von Roswitha Schmalenbach für «Musik für einen Gast» interviewt. Wir hören eine gekürzte Fassung dieser historischen Sendung, kombiniert mit einem Gespräch mit Robert Hinshaw: Der am C.G. Jung Institut ausgebildete Psychoanalytiker war ein enger Freund Aniela Jaffés und verwaltet heute ihren Nachlass. Die Musiktitel: 1. Wolfgang Amadeus Mozart – Quintett für Klarinette, KV 581: Allegro Gervase de Peyer, Klarinette / Mitglieder des Melos Ensemble 2. Richard Strauss – Vier Letzte Lieder für Sopran und Orchester: Beim Schlafengehen Lisa Della Casa, Sopran / Wiener Philharmoniker / Karl Böhm, Dirigent 3. Kapelle Heirassa - Im schönen Schwyzerland, Schottisch 4. Mani Matter – Bim Coiffeur Musiktitel von Robert Hinshaw: 5. Arvo Pärt: «Spiegel im Spiegel» für Viola und Klavier Benjamon Hudson, Viola / Jürgen Kruse, Klavier Das besprochene Buch: Streiflichter - Zu Leben und Denken C.G. Jungs Aniela Jaffé nach Gesprächen mit C.G. Jung Mit einem historischen Kommentar von Elena Fischli Daimon Verlag: ISBN 9783856307783

Face à l'appropriation des terres agricoles, urbaines et forestières aux mains d'une minorité d'acteurs privés qui les exploitent afin d'en tirer un profit, des collectifs s'organisent pour reprendre ces terres et proposer d'autres usages, d'autres finalités.Quelle est la situation des terres en France ?Pourquoi la reprise de terres est-elle une stratégie importante pour vivre mieux ?Quelles sont les tactiques expérimentées pour mener à bien cet objectif ?Pour répondre à ces questions, je reçois Flaminia Paddeu et Tanguy Martin membres du collectif Reprise de terres.Crédit photo La friche du 6b à Saint-Denis _ © Le 6b

Send us a textTim is joined by actor, writer, and comedian Laurence Rickard (Ghosts, Horrible Histories) to explore “Sgt. Pepper's Lonely Hearts Club Band” (and its Reprise). They dig into the album's “new band” concept, that razor-edged guitar tone, Edwardian brass colour, the art and conspiracies of the cover, and how the reprise frames the album like a live show.Guest links•Website: https://laurencerickard.com•Instagram: https://www.instagram.com/lazbotron•Amandaland Christmas Special (BBC announcement): https://www.bbc.co.uk/mediacentre/2025/amandaland-christmas-special-series-2-filming-beginsFollow My Favourite Beatles Song- Bluesky: https://bsky.app/profile/myfavebeatles.bsky.social- X (Twitter): https://twitter.com/myfavebeatles- Facebook: https://www.facebook.com/MyFavouriteBeatlesSong- Instagram: https://www.instagram.com/myfavouritebeatlessongOriginal music by Joe KaneLogo design by Mark Cunningham

Today I'm diving into the beauty that can come with imperfections, and sharing a reminder I think we all might need to hear!

If you're working on your own habits and routines, and struggling to find a way to make things stick, this one's for you!

As you may recall, we are in the process of preparing for the release of our new program which will be called The NeuroHarmonic Method – Harmonize Your Intelligence – Transform Your Life, and one of the key parts of the method is learning  how to learn the higher lessons that we are currently learning in our lives.  Now, we don't have time here to go deeply into what this idea means. Let's just say that Timeless Wisdom tells us that we are each here to learn how to be better human beings and that we each have lessons that we are currently learning that will help take us in that direction.  With that in mind, as far as the podcasts are concerned, we are about to embark on a five-episode retrospective series that concerns the major stroke that I suffered during Memorial Day Weekend of 2011. It's important to understand that this was a major neurological episode that could have killed me in less than five seconds or maimed me significantly for the rest of my life. Fortunately, I was able to come away from it unscathed, which is a key part of the series, along with the major near-death experience that began it all.  I don't want to give too much away here. Suffice it to say that in essence, this was a major learning experience for me and we'll examine that in the final episode. So, relax, let the story unfold and see where it might take you. And I'll leave you with this one teaser – one of the biggest lessons has a lot to go with having gratitude for being alive… PART I

If you always feel an urge to reinvent the wheel, today I'm giving you a huge permission slip!

Hosts Jim DeRogatis and Greg Kot follow up a recent episode paying tribute to the sun with another set of songs about a celestial body. This time, they share their favorite songs about the moon — along with picks from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "Mr. Moonlight," Beatles for Sale, Parlophone, 1964The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Wire, "A Mutual Friend," 154, Harvest, 1979R.E.M., "Nightswimming," Automatic For The People, Warner Bros, 1992Songs:Ohia, "Blue Chicago Moon," Didn't It Rain, Secretly Canadian, 2002Credence Clearwater Revival, "Bad Moon Rising," Green River, Fantasy, 1969Janelle Monáe, "Many Moons," Metropolis: Suite I (The Chase), Bad Boy, 2007Brian Eno, "St. Elmo's Fire," Another Green World, Island, 1975Tom Petty and the Heartbreakers, "Luna," Tom Petty and the Heartbreakers, Shelter, 1976Mitski, "My Love Mine All Mine," The Land Is Inhospitable and So Are We, Dead Oceans, 2023David Bowie, "Moonage Daydream," The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA, 1972Thin Lizzy, "Dancing in the Moonlight - Live," Live and Dangerous', Philips, 1978Los Lobos, "Kiko and the Lavendar Moon," Kiko, Slash, 1992The Rolling Stones, "Child of the Moon," Jumpin' Jack Flash / Child Of The Moon (Single), Decca, 1968Nick Drake, "Pink Moon," Pink Moon, Island, 1972Willie Nelson, "Darkness on the Face of the Earth," ...And Then I Wrote, Liberty, 1962Emmylou Harris, "Luxury Liner," Luxury Liner (Expanded & Remastered), Reprise, 2003Emmylou Harris, "Crescent City," Cowgirl's Prayer, The Grapevine, 1994SOFT PLAY, "Punk's Dead," HEAVY JELLY, BMG, 2024The Beach Boys, "Surf's Up," Surf's Up, Reprise, 1971The Cars, "Drive," Heartbeat City, Elektra, 1984See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode discusses the varied etiologies and a basic workup for a common gynecologic complaint: abnormal uterine bleeding. (Originally released July 2019)  Twitter: @creogsovercoff1 Instagram: @creogsovercoffee Facebook: www.facebook.com/creogsovercoffee Website: www.creogsovercoffee.com Patreon: www.patreon.com/creogsovercoffee Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025.

This episode focuses on what ob-gyns should be looking for on ultrasound when examining adnexal masses. The discussion references a publication from the Radiological Society of North America that provides guidance on the imaging features and management of adnexal masses. (Originally released August 2019)   Twitter: @creogsovercoff1 Instagram: @creogsovercoffee Facebook: www.facebook.com/creogsovercoffee Website: www.creogsovercoffee.com Patreon: www.patreon.com/creogsovercoffee Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025.

The episode discusses adnexal masses, specifically epithelial neoplasms. The conversation also highlights the importance of understanding these neoplasms for effective management. (Originally released August 2019) Twitter: @creogsovercoff1 Instagram: @creogsovercoffee Facebook: www.facebook.com/creogsovercoffee Website: www.creogsovercoffee.com Patreon: www.patreon.com/creogsovercoffee Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025.

This episode discusses the etiology, risk factors, and diagnosis of endometriosis. (Originally released October 2021) Twitter: @creogsovercoff1  Instagram: @creogsovercoffee  Facebook: www.facebook.com/creogsovercoffee  Website: www.creogsovercoffee.com  Patreon: www.patreon.com/creogsovercoffee  Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025. 

This episode discusses treatment options for endometriosis. (Originally released October 2021) Twitter: @creogsovercoff1  Instagram: @creogsovercoffee  Facebook: www.facebook.com/creogsovercoffee  Website: www.creogsovercoffee.com  Patreon: www.patreon.com/creogsovercoffee  Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025. 

This episode discusses strategies for preventing preterm birth, highlighting the importance of cervical length screening, particularly in the second trimester. (Originally released December 2021) Twitter: @creogsovercoff1  Instagram: @creogsovercoffee  Facebook: www.facebook.com/creogsovercoffee  Website: www.creogsovercoffee.com  Patreon: www.patreon.com/creogsovercoffee  Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025. 

This episode reviews definitions and guidance on labor management changes from Clinical Practice Guideline 8. (Originally released February 2024) Twitter: @creogsovercoff1  Instagram: @creogsovercoffee  Facebook: www.facebook.com/creogsovercoffee  Website: www.creogsovercoffee.com  Patreon: www.patreon.com/creogsovercoffee  Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025.   

This episode discusses the ACOG Clinical Practice Guideline 8 and the first stage of labor. (Originally released February 2024) Twitter: @creogsovercoff1  Instagram: @creogsovercoffee  Facebook: www.facebook.com/creogsovercoffee  Website: www.creogsovercoffee.com  Patreon: www.patreon.com/creogsovercoffee  Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025. 

This episode discusses the new ACOG Clinical Practice Guideline 8 on labor and delivery. (Originally released February 2024) Twitter: @creogsovercoff1  Instagram: @creogsovercoffee  Facebook: www.facebook.com/creogsovercoffee  Website: www.creogsovercoffee.com  Patreon: www.patreon.com/creogsovercoffee  Visit www.acog.org to learn more about the CREOG National Residency Curriculum coming Fall 2025.