Podcasts about Anno Domini

In deze uitzending van Anno Domini bespreken we enkele gebeurtenissen uit het jaar 1221. We hebben het over de heiligen Dominicus, Franciscus en Bonaventure, over de steden Antwerpen, Wenen en Damietta, over Paus Honorius III, over de poëet Theobald, over het Latijnse Keizerrijk en over zoveel meer!

A Sermon for the Third Sunday in Lent by the Rev'd Dr. Matthew Colvin In Dante's Inferno, the Italian poet's lurid imagination has created a special circle of hell as a punishment for thieves: because they are sinners who did not distinguish between what was their own and what belonged to someone else, they are punished (in Dante's imagination) by a blurring of the lines distinguishing their own bodies and nature from those of something else: monstrous lizards chase them down as they run in terror, and when they catch up with them, they jump onto them, clasp them with their four legs, and fuse their lizard bodies together with their human bodies, producing a horrific human-lizard hybrid. It is one of the creepiest and most disgusting punishments in the Inferno, and when I read it, my skin crawls. A similar revulsion is evoked by parasites. My fellow American missionaries in the Philippines used to joke, whenever they came back to the United States and got a stomachache, that it was caused by their Philippine parasites becoming unhappy with American food. My wife has seen a pregnant woman cough up a five inch worm, still twitching. I could multiply examples, but you get the point: parasites are uniquely disgusting because they violate our bodies and live inside us against our will. Demon-possession is like this, except that the violation is even more severe: a malevolent and powerful spiritual entity dwelling within a human being, controlling his speech and actions, his mind and body, against his will. This sort of parasitism is subtly implied in an oddity of the language in Luke 11 :14: “And he was casting out a demon, and it was mute.” Who was mute? The gender of “it” is neutered, which matches the word for demon, daimonion. Yet the very next sentence says, “So it was, when the demon had gone out, that the mute spoke.” Do you see how the properties of the demon are the properties of the man it possesses? This should make your skin crawl. It's very evil. The sorts of frightful scenes of violence depicted in the movie The Exorcist are not actually far fetched in comparison with the actions of demon-possessed persons in the Bible: cutting themselves, breaking chains, attacking people and “prevailing against them so that they flee naked and wounded”, speaking with other voices, throwing the possessed person into fire or water. No wonder the Jews wanted to get rid of demons. One of the marks of a great rabbi was that his teachings were authenticated by miracles, including the exorcism of demons. This was a popular piece of Jewish wonder-working. Acts chapter 19 speaks of “vagabond Jewish exorcists”. The historian Josephus tells how such people operated: “I have seen a certain man of my own country, whose name was Eleazar, releasing people that were demoniacal in the presence of Vespasian, and his sons, and his captains, and the whole multitude of his soldiers. The manner of the cure was this: He put a ring that had a Foot of one of those sorts mentioned by Solomon to the nostrils of the demoniac, after which he drew out the demon through his nostrils; and when the man fell down immediately, he abjured him to return into him no more, making still mention of Solomon, and reciting the incantations which he composed. And when Eleazar would persuade and demonstrate to the spectators that he had such a power, he set a little way off a cup or basin full of water, and commanded the demon, as he went out of the man, to overturn it, and thereby to let the spectators know that he had left the man.” – Flavius Josephus, Antiquities of the Jews. By contrast with this, Jesus simply commands the unclean spirits, and they come out. There is no struggle; when demons see that Jesus has arrived, rhey normally beg for mercy before he even says anything. And it is interesting to hear the language they use. In Luke 4, “Now in the synagogue there was a man who had a spirit of an unclean demon. And he cried out with a loud voice, saying, “Let us alone! What have we to do with You, Jesus of Nazareth? Did You come to destroy us? I know who You are— the Holy One of God!”” (Luke 4:33-34) and again, in Matthew 8: “And suddenly they cried out, saying, “What have we to do with You, Jesus, You Son of God? Have You come here to torment us before the time?”” (Matthew 8:29) Before the time. These demons know that they are doomed (so their wickedness is also deliberate sin against knowledge), and what's more, they know there is a scheduled day in history when they are to be destroyed. What's surprising to them is to discover that that day has suddenly come forward and is upon them already in the person of Jesus. It is very much like the exchange between Martha of Bethany and Jesus when he comes to raise Lazarus in John 11:23: “Your brother will rise again.” “Martha said to Him, “I know that he will rise again in the resurrection at the last day.” Jesus said to her, “I am the resurrection and the life. He who believes in Me, though he may die, he shall live.” The expected future resurrection — that event “at the last day” — turns out to have a human face, and he is here now, in 33 AD. So with the demons: they think that they can continue to possess people until the resurrection and judgment, unaware that in the person of Jesus, the judgment is upon them now. 33 AD. Anno Domini. Jesus, from the moment of his baptism in the Jordan river, began to announce that He was himself the fulfillment of the OT's prophecies of the coming kingdom of God. His healings and driving out demons; his parables and commandments; His baptism and transfiguration — everything spoke of His office as the Messiah, “a savior, who is Christ the Lord”. When John's disciples ask Jesus, “Are you the coming one, or do we wait for another?”, He had no need to plead his own cause and use persuasive arguments to convince them of His messiahship. His answer is “Go and tell John the things that you see and hear: “The blind see and the lame walk; the lepers are cleansed and the deaf hear; the dead are raised up and the poor have the gospel preached to them.” That is to say, His actions already matched the job description that Israel knew from the prophets, especially Isaiah. His vanquishing of demons was a sign with the same meaning as the others: behold, your King. And yet we are told by the fourth gospel that Jesus “came unto His own, and His own did not receive Him.” So we are confronted with the question: Why did they refuse to believe in him? 15 But some of them said, “He casts out demons by Beelzebub, the ruler of the demons.” This is why the ascribing of Jesus' miracles to the devil is unforgiveable — not that it is especially worse in seriousness than, say, blaspheming against the Father, but that it removes the possibility of salvation. If you mistake the fireman for a bad guy, you're not going to let him remove you from a burning house. 16 Others, testing Him, sought from Him a sign from heaven. These people are “testing him” – the same verb used of Satan's temptation of Jesus in the wilderness, and indeed, their request for a “sign from heaven” is a renewal of Satan's suggestions that Jesus should perform a gratuitous miracle to force people to believe in Him. Let's remember that He has just cast out a demon. So they are asking for another miracle to authenticate the first miracle. What end will there be of such doubt? If miracles could compel faith, these people would have believed already. Jesus' reply has three parts. His first response is to point out how illogical it is to imagine that Satan, whose goal is to oppress human beings and subject them to demonic power, would sabotage his own work by freeing anyone from demonic power. His second argument is even more pointed, and to understand its full force we must recognize the echo of the OT and the narrative situation that echo calls up. He asks them, “If I cast out demons by Beelzebub, by whom do your sons cast them out? Therefore they will be your judges. But if I cast out demons with the finger of God (ἐν δακτύλῳ θεοῦ), surely the kingdom of God has come upon you.” This is a very direct reference to a prominent Old Testament passage, Exodus 8:17-19. It is near the beginning of the ten plagues. Already Moses has inflicted two plagues on Egypt: he has turned the water to blood, and he has brought forth frogs on the land. Amusingly enough, Pharaoh's magicians did so with their enchantments — with the result that there was even more water turned to blood, and even more slimy frogs hopping around Egypt. Pharaoh's administration kept the Israelites in bondage not only by physical whips and brutal oppression, but also by projecting a spurious aura of competence and knowledge, so that they have a wise ability to control events. We see this in our own day, when the Federal Government has so thoroughly persuaded everyone that it can save us, that when a hurricane strikes a coastal city, there are people who blame the Federal disaster relief agencies and the government for not doing more; when evil people shoot schoolchildren, the government must “do something about it”; and our diets must be dictated to us with a food pyramid based on scientific research; synthetic pharmaceuticals must be prescribed for every ailment according to the wisdom of scientists. These wonder-workers are able to put a man on tbe moon; how, then, can we doubt their wisdom. Do not even imagine that there is another way, or another truth. So it is in Egypt bedore the Exodus. As in our day, so in Egypt there was a “ fascination with wisdom, which, in addition to imitating the great regimes, represented an effort to rationalize reality, that is, to package it in manageable portions”. In our day, this wisdom is technological, statistical, scientific. In ancient Egypt it was priestly and magical. And so, even though it means more water turned to blood, and more frogs on the land, Pharaoh's magicians must by all means show that they can replicate the miracles of Moses. The wizard's duel is crucial to maintaining the supremacy of Pharaoh's regime. He has the best magicians. Anything Moses can do, they can do too. But then, something happens: Aaron stretched out his hand with his rod and struck the dust of the earth, and it became lice on man and beast…Now the magicians so worked with their enchantments to bring forth lice, but they could not. So there were lice on man and beast. Then the magicians said to Pharaoh, “This is the finger of God.” As one writer (W. Brueggemann) comments: “The Egyptian empire could not! The gods of Egypt could not! The scientists of the regime could not! The imperial religion was dead! The politics of oppression had failed! That is the ultimate criticism, that the assured and alleged power of the dominant culture is now shown to be fraudulent. Criticism is not carping and denouncing. It is asserting that false claims to authority and power cannot keep their promises, which they could not in the face of the free God, [the God of Moses]. It is only a matter of time until they are dead on the seashore.” Jesus' words, “The finger of God” call up in his listeners' minds the contest between Moses and the magicians of Pharaoh. Jesus' accusers are failing to recognize that He is in the position of Moses and Aaron. They and their “sons” — that is, their disciples — are in the place of the magicians of Pharaoh. By whom do they cast out demons? Oh, that's right, they don't. They cannot do what Jesus has done, so they are discredited as judges — and this in the Biblical sense of the word (think Samson, Deborah, Barak). They cannot save. By connecting his actions to Moses' miracles in the Exodus, Jesus is implying that He is the agent of a new Exodus; that the time of salvation has come. Those who oppose that salvation and ascribe His work to the devil are in the position of Pharaoh and Pharaoh's magicians: not only are they powerless to do what He does, but they are actually opposing God's salvation. Jesus' deliverance of the mute, demon-possessed man is actually an instance of that basic conflict, and a preliminary step to the ultimate conquest and final defeat of Satan. He compares himself to a violent house-robber who has defeated the strong man guarding the house; and he contrasts that image with the ineffectual efforts of others before him. A friend of mine once had bats and squirrels living in his attic. By careful use of humane traps, he eventually got rid of them, and raccoons moved in. Once that happened, he decided the time for gentleness was past, and he got his .22 and a dog. Just like that, Jesus suggests that the house of Israel has been cleansed of its idolatry, but it is now suffering something far worse: nowhere in the OT do we hear of anyone possessed by a demon. But demons are seemingly lurking everywhere in the gospels. Past cleansings of Israel have been ineffective, like a situation where seven worse demons move into a man who used to have one. Jesus' intention — for those whom he drove demons out of; for his people Israel; and ultimately for the world, is a permanent and effectual pest-removal. But notice the scenario that Jesus describes: When a strong man, fully armed, guards his own palace, his goods are in peace. 22 But when a stronger than he comes upon him and overcomes him, he takes from him all his armor in which he trusted, and divides his spoils. 23 He who is not with Me is against Me, and he who does not gather with Me scatters. This is the prelude to a thorough plundering of all of Satan's dominion over this fallen world. Remember when Satan tempted Jesus? He took him up on a mountain and offered him all the kingdoms of the world if he would bow down and worship him. It is a real estate transaction: that is the significance of taking Jesus up on a mountain and showing him all the kingdoms. God does a similar thing with Abraham, telling him to look at the land of Canaan, “for all the land which you see I give to you and your descendants forever.” (Genesis 13:15) Satan was offering to trade Jesus the kingdoms of the world. Jesus refused, because he does not make bargains with Satan. His intention is to defeat him, and disarm him, and take away his dominion. And the Bible shows us how that happened: “Then I saw an angel coming down from heaven, having the key to the bottomless pit and a great chain in his hand. He laid hold of the dragon, that serpent of old, who is the Devil and Satan, and bound him for a thousand years; and he cast him into the bottomless pit, and shut him up, and set a seal on him, so that he should deceive the nations no more till the thousand years were finished. But after these things he must be released for a little while.” (Revelation 20:1-3) The Gentiles are no longer under the domination of demons. No one is worshipping Thor or Zeus or Baal anymore. And when Satan is released one last time, it is only so that he can be thrown into the lake of fire after he shows how unrepentant he is. So, with the house cleansed, what happens now? God has got rid of the demons, and He intends to dwell in this house Himself. Our gospel lesson closes with Jesus' response to a woman in the crowd who calls his mother blessed: “Blessed is the womb that bore You and the breasts which nursed you!” Mary is certainly blessed. But that blessedness was not merely a matter of giving birth to Jesus. Remember that Mary responded to the angel, “Behold the maidservant of the Lord! Let it be to me according to your word.” Mary, as a symbol of faithful Israel, submits herself to God and to His purposes. The result is that God honors her obedience by coming to dwell within her. So too with us. “Blessed are those who hear the word of God and obey it,” for God dwells with them. Now that raises one last issue. I have a number of different quotations I'm going to share with you concerning the relationship of obedience and bodily resurrection and our individuality. Some of you have read CS Lewis' Screwtape Letters? They are a series of fictitious letters in which Lewis pretends that one demon, a senior demon who has a lot of experience, is writing to a junior demon all kinds advice about how to tempt a man and lead him to Hell. C.S. Lewis said this was the most difficult of all his works to write. There was something oppressive and depressing about channeling an evil voice and writing in this style for so many pages. Well, here's what Uncle Screw tape advises his junior devil Wormword about human beings:what God wants to do with human beings. He says, “But the obedience which the Enemy demands of men is quite a different thing. One must face the fact that all the talk about His love for men, and His service being perfect freedom, is not (as one would gladly believe) mere propaganda, but an appalling truth. He really does want to fill the universe with a lot of loathsome little replicas of Himself--creatures, whose life, on its miniature scale, will be qualitatively like His own, not because He has absorbed them but because their wills freely conform to His. We want cattle who can finally become food; He wants servants who can finally become sons. We want to suck in, He wants to give out. We are empty and would be filled; He is full and flows over. Our war aim is a world in which Our Father Below has drawn all other beings into himself: the Enemy wants a world full of beings united to Him but still distinct.” Still distinct! Remember what was so creepy about that demon possessed man in our gospel reading this morning was that he didn't seem to be himself. And the demon speaks out of him. The demon is mute, and he is mute. He's lost his distinctiveness. It's like that Dante lizard people, fused with the demon. The Roman emperor Marcus Aurelius was a Stoic philosopher, not a Christian. In fact, he was a persecutor of Christians, even though he has a reputation as a wise emperor. We happen to have his private journal Marcus Aurelius' Meditations, everything he was thinking about his spiritual life. Even though he's the wealthiest man in the world, the most powerful man in the world, the emperor of Rome, we can tell from reading what he writes in his meditations. He was terrified of dying. He was not looking forward to it, and he was desperate for any philosophical help that could give him some comfort, some assurance in the face of this terrifying fact of death that seemed inevitable. His solution to the problem was to cling to the hope that his rational soul, his rationality, his sense of reason, was divine. The body, it's going to rot; it's going to disappear. It's going to become collrupt, but the soul, the rational soul, when you die, it's going to be caught up into the divine fire and become one with God. In Stoicism, they thought that the sun is God, the divine fire that everything else that's rational in the universe is a little bit of the divine fire. It's in your soul. And so when your body dies, whoosh! — Up your soul goes and joins God. If I were to take two flames and join them together, there'd be one flame. That's the way they think about it. And so Marcus Aurelius says,  “That's not the person your mother gave birth to. And that divine fire is not part of your body that your mother gest stated and gave birth to. Then he asked his question, the mask slips for a minute and he says, “But what if you're inextricably linked to it through your sense of individuality” — meaning, what if you're really tied to your body by being an individual human being? What if that's what makes you an individual human being is that you have a body that is the center of your consciousness and your agency and you look out of your eyes from your body and you interact with other people and shake hands with them and embrace them and speak to them face to face and see them, and they see you because you have a body and they have a body. And that's what it means for you to be an individual. So if that's what it means for you to be you, is that you have a body, then it's not much comfort to think that your soul is going to be absorbed into the bigger fire of God. Then where are you? There's God, but where are you? So he says, “What if you're inextricably linked to the body through your sense of individuality?” And he he can't answer the question, so he immediately says, “That's not what we're talking about here.” “I don't want to think about that.” It's so scary. It really would feel like standing on the edge of a deep abyss. if when you die, you lose your individuality and you're not you more. Because you'll have body anymore, and you've been absorbed into God. That's not that different from what Screwtape was talking about: the demons would like to absorb you. Marcus Aurelius shies away from the full force of his own pantheism and from the horrible consequences that it has for individuality. Two more quotations. In Job chapter 19, we have those famous words of Job about resurrection. He says, “I know that my Redeemer lives and that the last he will stand upon the earth, and after my skin has been thus destroyed, yet in my flesh I will see God, whom I shall see for myself, and my eyes shall behold him. I, and not another! My heart faints within me.” Job says he's going to see God. Job in his individuality and his identity is going to see God because he's going to have a body and eyeballs that look at him. One last business. On the day of Pentecost, we have some fire, but it isn't individual souls getting absorbed into God. Rather it's tongues of fire coming down from God and resting on individuals who are filled with God's Spirit, and when they are filled, do they lose their individuality? No, they start speaking, respectively, all their different languages that their hearers know from where they grew up. So when God fills us with His spirit, he doesn't rob us of our identity. He doesn't absorb us into himself, but he fills us with himself and makes us more who we are, and that is why the resurrection of the body that we confess in our creed is a great comfort because it assures us that we, each of you individually, who you are when you are raised from the dead, you “and not another” will see God and be in relationship with him. Let's pray. Heavenly Father we thank you that you've given us victory over Satan and his demons, that you have assured us that you have called us to yourself. You have given us your spirit and you desire to dwell within us and make us into a holy temple fit for your dwelling. Help us by faith to cling to Christ in whose service is perfect freedom. We pray in his name. Amen.

Gorąca, polaryzująca premiera. Czy można w Anno Domini 2025 rozmawiać o grach nie uciekając w stronę ekstremalnie spolaryzowanych opinii? Czy publicystyka o grach musi korzystać z łaciny kuchennej? Czy wysoko oceniana przez krytyków gra może się nie podobać, a w średniaka możemy się zagrywać? Długi odcinek, zdominowany przez jeden tytuł, ale warto zainteresować się tymi [...]

Esta semana, en Islas de Robinson, suave psicodelia de culto y armonías "Costa Oeste", entre 1969 y 1970. Suenan: MIGHTY BABY - "HOUSE WITH NO WINDOWS" ("MIGHTY BABY", 1969) / TRIPSICHORD - "BLACK DOOR" ("TRIPSICHORD", 1970) / TRUTH - "GETTING BETTER" ("OF THEM AND OTHER TALES", 1969-70) / LOVE - "I'M WITH YOU" ("FOUR SAIL", 1969) / HUMBLE PIE - "HOME AND AWAY" ("TOWN AND COUNTRY", 1969) / WHITE EYES - "A GIRL ON A HILL" ("WHITE EYES", 1969) / BRINSLEY SCHWARZ - "SHINING BRIGHTLY" ("BRINSLEY SCHWARZ", 1970) / COCHISE - "VELVET MOUNTAIN" ("COCHISE", 1970) / UNICORN - "115 BAR JOY" ("UPHILL ALL THE WAY", 1971) / ANNO DOMINI - "JUNE TREMAYNE" ("ON THIS NEW DAY", 1971) / DAVE MASON - "WORLD IN CHANGES" ("ALONE TOGETHER", 1970) / MORNING - "AS IT WAS" ("MORNING", 1970) /Escuchar audio

In deze uitzending van Anno Domini, een programma waar wij elke maand stil staan bij een periode uit de geschiedenis van de Kerk, bespreken we enkele gebeurtenissen uit het jaar 1751. We hebben het over de heilige Julie Billiart, over de Staten van Friesland, over de Pruisische Aziatische Compagnie, over Paus Benedictus XIV en over […]

In this episode of Other Worlds, we discuss an important part of the history and development of the science fiction genre - the power and influence of fans! To discuss this, Sue Berman is joined by Other Worlds exhibition curator, Andrew Henry. We examine how the influence of fandom has helped shape and define science fiction since its inception as a genre, and just how integral the fan base is to the development of seminal works. Visit the onsite exhibition and join us in a series of events and activations: www.aucklandlibraries.govt.nz/Other-Worlds-exhibition For recommended reads visit: www.aucklandlibraries.govt.nz/Other-Worlds-reads Books mentioned in the podcast: Julius Vogel. Anno Domini 2000, or, Woman's destiny. London: Hutchinson, 1889. Sascha Stronach. The dawnhounds. Wellington: Little Hook Press, 2019. Larry Niven. Ringworld. London: Sphere, 1973. Amazing stories, vol. 21, no. 4. Chicago: Ziff-Davis, April 1947. Amazing stories, vol. 25, no. 10. Chicago: Ziff-Davis, October 1951. Astounding science fiction, vol. 7, no. 7. London: Atlas, December 1950. Analog, vol. 81, no. 1. New York: Condé Nast, March 1968. Noumenon: the New Zealand science fiction magazine, no. 1. Waiheke: B. Thurogood, 1976. Sneetche: science fiction fan magazine, vol. 1, no. 1. Auckland: Faniverse Publishing, March 1983. Time space visualiser: the journal of the New Zealand Doctor Who Fan Club, no. 73. Auckland: Adam McGechan, May 2006. Warp: the magazine of the National Association for Science Fiction, no. 22. Wellington: The Association, May 1981. Music credit: https://www.melodyloops.com/tracks/space-harmony/ Image from covers of Julius Vogel. Anno Domini 2000, or, Woman's destiny. London: Hutchinson, 1889 and Amazing stories, vol. 21, no. 4. Chicago: Ziff-Davis, April 1947. Produced by Sue Berman and JL.

"One of my favorite clients. And one that I had a rather... extended relationship with." 833. Anno Domini. Western Europe. On the shores of the Mediterranean... Featuring Méabh de Brún as Queen Basilia, Alan Burgon as The Interviewer, Julia C. Thorne as Alvina and Torgny G Anderaa as Nestor. The Amelia Project is a production of Imploding Fictions. The episode was written by Gabriel Urbina of Wolf 359 and Dracula Danse Macabre, with direction by Philip Thorne and Oystein Brager, dialogue editing by Philip Thorne, sound design by Paul Kraner, music by Fredrik Baden, production assistance by Maty Parzival and graphic design by Anders Pedersen. Website: https://ameliapodcast.com/  Transcripts: https://ameliapodcast.com/season-5  Patreon: https://www.patreon.com/ameliapodcast Donations: https://ameliapodcast.com/support Merch: https://www.teepublic.com/stores/the-amelia-project?ref_id=6148 Bluesky: https://bsky.app/profile/theameliaproject.bsky.social Instagram: https://www.instagram.com/ameliapodcast/ Tumblr: https://www.tumblr.com/ameliapodcast X: https://twitter.com/amelia_podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

This teaching explores the profound significance of living in "A.D." (Anno Domini, or "the Year of our Lord") rather than "B.C." (Before Christ), it is a divine appointment rather than coincidence. Through Jesus Christ, believers now have access to salvation, healing, deliverance, and forgiveness. We will examine now to fully embrace these blessings and practically apply Christ's victory while living in this fallen world.

Vanaf januari 2025 brengen wij u elke maand het programma Anno Domini, waar wij stil staan bij een periode uit de geschiedenis van de Kerk. In de uitzending van januari bespraken we enkele gebeurtenissen uit het jaar 1362. We hebben het over een grote overstroming die plaatsvond in de gebieden aan de Noordzee, over het […]

Enkele nieuwigheden voor 2025 bij Radio Maria!

Welcome to the Temple Baptist Church - Fort Worth podcast! We exist to guide people to life change in Jesus Christ. For more information visit templebaptistchurch.net.

Welcome to the Temple Baptist Church - Fort Worth podcast! We exist to guide people to life change in Jesus Christ. For more information visit templebaptistchurch.net.

在英语的广阔天地里，英文缩写犹如繁星点点，散布于各类文本与交流之中。了解它们，就如同掌握了一把开启更流畅英语交流之门的钥匙。我们常说的 “PK” 是哪两个单词缩写？“PK”，这个在游戏和现代竞争语境中耳熟能详的缩写，源自 “Player Kill”。起初在网络游戏领域，特别是多人角色扮演游戏（MMORPG）中，玩家间的相互攻击与对决就用 “PK” 来描述。随着时代发展，“PK” 的语义不断拓展，在生活中广泛用于各种对抗场景。举个例子：The two singers will PK on the stage tonight to compete for the champion.这两位歌手今晚将在舞台上 PK 角逐冠军近义词 “VS” 源于 “versus”，“versus”[ˈvɜːrsəs] 意为对抗、对阵，在体育赛事报道中常用 Real Madrid VS Barcelona is a classic football match-up.皇家马德里对阵巴塞罗那是一场经典的足球对决不过 “VS” 相对更正式些，常用于体育、法律等领域。A.D.（公元）是什么单词的缩写？A.D. 是拉丁语 “Anno Domini” 的缩写，意为 “in the year of our Lord”。在西方历史纪年体系中，耶稣诞生之年被定为元年。在历史书籍与考古研究中，A.D. 频繁出现 “Many great civilizations flourished after 500 A.D.”（许多伟大文明在公元 500 年后繁荣起来）。但如今，为体现文化包容，“Common era”（C.E.）逐渐被更多人采用，与之对应的 “Before the Common Era”（B.C.E.）替代了 “Before Christ”（B.C.），这种转变反映了时代对多元文化的尊重与接纳。e.g. 是什么单词的缩写？e.g. 是拉丁语 “exempli gratia” 的缩写，等同于 “for example”。在表达观点或阐述概念时，它能通过举例让内容更易懂。We can take many actions to protect the environment, e.g. reducing waste, saving water and using public transportation.我们可以采取很多行动来保护环境，例如减少浪费、节约用水和使用公共交通。i.e. 是什么单词的缩写？i.e. 是拉丁语 “id est” 的缩写，意思是 “that is”。用于对前面提及的内容进一步解释说明，使表述更精确。This new software has several functions, i.e. data analysis, image processing and system optimization.这个新软件有几个功能，即数据分析、图像处理和系统优化。如何区分 e.g. 和 i.e.区分 e.g. 和 i.e. 并不难。把 i.e. 中的 “i” 想象成 “in other words”，表示进一步阐释。 “Tom is good at two sports, i.e. basketball and tennis.汤姆擅长两项运动，即篮球和网球是对运动项目的明确说明。而 e.g. 可看作 “example” 的简便形式 “Some animals are very cute, e.g. pandas and koalas.一些动物非常可爱，例如熊猫和考拉

Christmas and the Anno Domini system of counting years are very intertwined. So, what better way to celebrate than to talk to someone going through every year of the AD calendar one at a time? We sat down with Dan from Augustus History, the creator of Yearly Histories, to talk about the challenges and the joys of such an endeavour.

Everything we do at Grace is possible because our people invest in what God is doing here. You can help by giving at https://graceoc.com/give/ New to Grace? We'd love to connect with you! Head to https://graceoc.com/connect to let us know more about yourself.

Welcome to the Temple Baptist Church - Fort Worth podcast! We exist to guide people to life change in Jesus Christ. For more information visit templebaptistchurch.net.

PART 3 (the conclusion) of Myself and Paul from @uconspiracy breakdown Gunnar Heinsohn's 2016 lecture on the potential 700 false of history added to the first millennium Anno Domini. IF Gunnar is correct, this has MASSIVE implications biblically. Paul and I anaylze Gunnar's presentation with the lens of biblical eschatology. Does this evidence point to the prophecies in the book of #revelation and the #littleseason ? We think so. Part 1: https://youtu.be/F3alGVRPMck Part 2: https://youtu.be/0MxvsayIhZQ?si=94RQTbklDF75sHWT Original Live Stream: https://www.youtube.com/live/guoXMbBYwZw?si=e77Zor8KTmxY3WJP Gunnar's Full Lecture: https://youtu.be/xHcvznRMNVk?si=Z5FcYEYtRHB1urmZ VarValley Podcast with Gunnar: https://youtu.be/t3RD4pZF8BU?si=LwE1MEuCWC2lCWTF

Anno Domini High Definition es el cuarto álbum de estudio de la banda polaca de metal progresivo Riverside publicado el 15 de junio de 2009 por Mystic Production en Polonia, el 6 de julio en Europa y el 28 de julio de ese año en Norteamérica. Es el primer trabajo del grupo separado de la trilogía Reality Dream, que abarca las tres anteriores entregas del cuarteto polaco, lo que significó un cambio hacia un estilo más pesado. Fue un éxito comercial en Polonia, donde llegó al primer puesto en la lista de los álbumes más vendidos. El diseño del disco corrió a cargo una vez más de Travis Smith.

Welcome to the Temple Baptist Church - Fort Worth podcast! We exist to guide people to life change in Jesus Christ. For more information visit templebaptistchurch.net.

PART 2 of Myself and Paul from @uconspiracy breakdown Gunnar Heinsohn's 2016 lecture on the potential 700 false of history added to the first millennium Anno Domini. IF Gunnar is correct, this has MASSIVE implications biblically. Paul and I anaylze Gunnar's presentation with the lens of biblical eschatology. Does this evidence point to the prophecies in the book of #revelation and the #littleseason ? We think so. Part 1: https://youtu.be/F3alGVRPMck Part 3: https://youtu.be/w1aRhY0vqnU?si=J3onTXiSzdUbD4oU Original Live Stream: https://www.youtube.com/live/guoXMbBYwZw?si=e77Zor8KTmxY3WJP Gunnar's Full Lecture: https://youtu.be/xHcvznRMNVk?si=Z5FcYEYtRHB1urmZ VarValley Podcast with Gunnar: https://youtu.be/t3RD4pZF8BU?si=LwE1MEuCWC2lCWTF

Welcome to the Temple Baptist Church - Fort Worth podcast! We exist to guide people to life change in Jesus Christ. For more information visit templebaptistchurch.net.

Myself and Paul from  @uconspiracy  breakdown Gunnar Heinsohn's 2016 lecture on the potential 700 false of history added to the first millennium Anno Domini. IF Gunnar is correct, this has MASSIVE implications biblically. Paul and I anaylze Gunnar's presentation with the lens of biblical eschatology. Does this evidence point to the prophecies in the book of #revelation and the #littleseason ? We think so. Original Live Stream: https://www.youtube.com/live/guoXMbBYwZw?si=e77Zor8KTmxY3WJP Gunnar's Full Lecture: https://youtu.be/xHcvznRMNVk?si=Z5FcYEYtRHB1urmZ VarValley Podcast with Gunnar: https://youtu.be/t3RD4pZF8BU?si=LwE1MEuCWC2lCWTF

Welcome to the Temple Baptist Church - Fort Worth podcast! We exist to guide people to life change in Jesus Christ. For more information visit templebaptistchurch.net.

Wykład prof. Bohdana Szklarskiego, Uniwersytet Trzeciego Wieku Collegium Civitas, 2 października 2020 [1h16min] https://wszechnica.org.pl/wyklad/porzadek-i-wolnosc-albo-sprawiedliwosc-i-rownosc-amerykanskie-spory-anno-domini-2020/ Prof. Bohdan Szklarski w nagraniu wykładu z Uniwersytetu Trzeciego Wieku Collegium Civitas prognozuje, kto wygra najbliższe wybory prezydenckie w USA. 3 listopada 2020 zmierzą się w nich ubiegający się o reelekcję Donald Trump i Joe Biden. Prelegent prezentuje uniwersalne modele, który pozwalają przewidywać zwycięzcę elekcji w oparciu obiektywne czynniki oraz przedstawia swoje autorskie rozważania na ten temat. Wybory prezydenckie w Stanach Zjednoczonych odbędą się 3 listopada. Zmierzą się w nich ubiegający się o reelekcję Donald Trump oraz Joe Biden. Urzędujący prezydent startuje z ramienia Partii Republikańskiej, zaś jego kontrkandydat reprezentuje Partię Demokratyczną. Prof. Bohdan Szklarski analizuje w nagraniu szanse obu pretendentów w wyścigu do Białego Domu. Kto wygra wybory prezydenckie w USA? Prof. Szlarski: Sondaże opinii publicznej nie są miarodajne Amerykanista zwraca uwagę, że zawodne jest typowanie zwycięzcy w oparciu o sondaże opinii publicznej. Przypomina, że wybory prezydenckie w USA nie rozstrzygają się zwykłą większością głosów. Obywatele w każdym stanie nie głosują bezpośrednio na prezydenta, ale popierających go elektorów. Zwyczajowo jest przyjęte, że elektorzy w bezpośrednim głosowaniu wskazują kandydata na prezydenta, który uzyskał największe poparcie w danym stanie. Poszczególne stany różnią się jednak ilością elektorów, w związku z czym zdarza się, że kandydat który uzyskał większość głosów w skali kraju, nie zasiada ostatecznie w Białym Domu. Prof. Bohdan Szklarski podczas wykładu przybliża uniwersalne modele, które pozwalają prognozować zwycięzce elekcji w oparciu o obiektywne czynniki ekonomiczne i polityczne, jak na przykład poparcie danego kandydata w partyjnych prawyborach. Wskazuje również tematy, które rozpalają amerykańską opinię publiczną w 2020 roku oraz analizuje, w jaki sposób może się to przekładać na wybory prezydenckie w USA. Proponuje również, by typując zwycięzcę, zwrócić uwagę na cechy charakterologiczne kandydatów, dzięki którym mogą zyskać lub stracić sympatię wyborców. Na koniec rozważa wreszcie, jak wynik elekcji wpłynie na amerykańską politykę oraz przyszłość ustroju. Prof. Bohdan Szklarski - politolog, kulturoznawca, UW, Collegium Civitas Znajdź nas: https://www.youtube.com/c/WszechnicaFWW/ https://www.facebook.com/WszechnicaFWW1/ https://anchor.fm/wszechnicaorgpl---historia https://anchor.fm/wszechnica-fww-nauka https://wszechnica.org.pl/ #usa #polityka #wybory #donaldtrump #trump #joebiden #biden #collegiumcivitas #utwcc

You want to write a best-selling book? Do something about self improvement. Man are we into self improvement! I mean, think about how the health clubs and how they boom in membership in January. A resolution is called, "A firm decision to do or not to do something." Well we find out that about 88% of our resolutions don't happen. So there's a lot of things we do to be healthier and to spend more time with the family, get out of debt, do better in school, clean out the junk in our house. So why do our great intentions so often end up in failed commitments? I'm Ron Hutchcraft and I want to have A Word With You today about "Why Commitments Fail." My work has put me in the middle of a lot of folks' desire to change, their efforts to change. And from their experience - and then honestly from too much of my own - I've seen four reasons that we fail in commitments that we really do want to keep. Number one, we're not specific. Goals have to be more than just general intentions. "I'm going to be a better husband." "I'm going to get in shape." "I want to make more of a difference." Well, those are great ideas, but they're not likely to succeed. How about, "I'm going to give my wife all of my attention at least once a day." "I'm not going to eat after 6 o'clock and I'll spend 20 minutes on the treadmill each day." "I'm going to volunteer at the shelter." See, those are specific and measurable, you've got a decent shot at really changing. Here's the second reason I think we fail. We're not accountable. A resolution between me, myself and I is just too easy to forget. But when you announce to several key people the commitment you've made, you've put yourself on the line to do it. The Bible says, "Two are better than one ... if one falls down, his friend can help him up." Here's a third reason that our commitments fail. We give up too soon. You know, babies learn to walk by a process that I call "step... boom!" They fall down, but they don't stay down. They get up! Next time it's "step, step, step... boom!" Until one day they're rocketing across the room. Sadly, when we fall down in our effort to do better, don't we often just stay down? But one day's failure is just one day's failure. One day - keep it that way. Get up and keep walking! And the last reason - maybe the most important of all - why we don't improve like we want to improve is we've got a power shortage. Especially when it comes to the changes that really matter, like breaking the cycle that's hurting the people I love, conquering that dark part of me that's brought me down again and again, moving beyond the pain of my past, attacking that fatal flaw that keeps costing me too much. Every new year has the same last name - "A.D." Like, 2024 A.D. "Anno Domini" the year of our Lord measured by how many years it is since Jesus Christ came. Well, my whole life has been "B.C./A.D." There was the me I couldn't change before Christ took the wheel of my life. And then the changed life that He's made possible since I gave me to Him. I thought I could only trust me to drive, but I drove into too many ditches. I ran over too many people. I crashed too often. I couldn't get me to the man I want to be, I need to be, that the people I love need me to be. That's like one of the men who wrote the Bible. He said in our word for today from the Word of God taken from Romans 7, beginning in verse 18, "I want to do what is right, but I can't. I want to do what is good, but I don't ... Who will free me from this life that is dominated by sin and death?" I know that feeling, but I've found the power to change where that same Bible-writer found it. He says. "Thank God! The answer is in Jesus Christ our Lord." See, it took the Man who died for my sin to give me the power to beat my sin. For 2,000 years this Jesus has changed people in ways they could never change themselves. You might be ready for the Life-Changer right now. He says in His Word, "When anyone is in Christ he is a new creation. The old is gone and the new life has begun." You tell Him, "Jesus, I'm Yours" and the change has begun. Our website is called ANewStory.com. Check it out! I think it will help you begin that relationship with Jesus. This can be the day that you move from B.C. to A.D. and things will never be the same.

GOING COASTAL (EP) Track 03. - GHOST MODE V5 (Instrumentsl Only) Prod. By Blū Tha Gürū High reaching, but with limited power— This, is The Chemical Climax. I could never know what episode of The Tonight Show it was, or if it was even the tonight show at all— some sort of special broadcast, the grand stage was set to look large, and backlit with pink and blue, just as the festival lights had been before. Now, some years passed, and calling attention to the fragile and vulnerable mind state I might have been in, which seemed like normal—and though everything around was bizzare and out of place, nothing actually quite normal, now taking a closer look from the outside—of perhaps when, and how I had died. Hunger strikes before dusk at dawn; You could have this mansion for a fraction of the price First of all, No disrespect, body— But I'm mad hungry. You're looking good as fuck and all But i'm dumb tired. Like, dumb, dumb tired bro. The Apparently, Fallon was mad. He looks mad. Let him, then. I left alone what all I could And collected my thoughts To paint an art, Songrief stricken and tragic As to have happened Onesidedly, As you see Screens are as creatures Never thought to have eyes or minds Alike ours, besides the stready ways we have grown cold to the unknown, Of other forms, beyond our control Intelligence, though thought to be artificial A far kind —not ours. So you think, You were never wasted a day in your life. Try this on: I've been day drinking And night drinking, And day drinking And night drinking And going on Nevermind, I'm out cold. Meanwhile, As I've shifted not into dreams, But in waking world, Forgotten to have keyed in A relief to this fixture, I haven't more called Wasted, Than meaning Sleepless, but not awake Drunken, But on no Mercy Did you want that now, or later? I'll take it now, with my tea. Thank you, Sir. Cut it out. You'll wake him. I wish I could draw That thing that I saw That you are And probably Also I am But darker, Much darker And less— Animated. —shit, —fuck! —Gosh. Who are you?! Who aren't I, once called upon?! Christ! If you'd like— But I'm not doing any time Wandering about Preaching, And this time, Rather I'd take my own life Suddenly I've fallen ill and must be Infrequently Gone and meditating Somewhere throughout the galaxies Come on, I feel like I'm doing a lot here. Can it, Letterman— We'll get back on that plot line as it happens. “As it happened” What have you. I'm in past-tense You're in future— And I'm still Halfwitted. Right. So now would be the time. Well, it is witching hour, but backwards. Backwards, backwards! See, I told you it was Google fucking with me directly. I figured that out earlier in the day already. Do you think that's because I don't find Indian men sexually attractive? I don't find anything brown sexually attractive. Alright, we're at a draw, then—it's settled. Preferences set. I told you already, race mixing becomes important exactly for this simple reason, anyway— Any person of a darker skinned complexion should find something Caucasian leaning to mate with— And vice versa— It's an energy crisis, for gods sake anyway— Which means Anything leaning too far in one direction of the spectrum Or another Are going to be Facing some type of issues having to do with it! —and as beautiful as your black is— Or as pretty as your blue eyes might be The evolution of the human species Is dependent on these variations To create genetic perfection The ascended are seeking Now if you'll very kindly— Aye aye, captain Find whatever creature has been masquerading as this Jimmy Fallon character clouding my judgement And kill him Before whatever the actual Fallon is Gets caught in the crosshairs, Or I do. (Oh, I do.) Now, very kindly Google, Stop wasting everybody's time. So you're telling these hackers have been masquerading as an evil diety in order to what exactly? Control time. That's why you're under evaluation. What. You expect me to believe That coincidentally Every time I play with my own pussy, That the traffic outside of my bedroom just Magically goes wild? —what did you—? Quiet! It's not a coincidence— It's not magic. It's computer coding. Texhnology. Science. —is that what's been happening to Jimmy—? Shut up. Apparently, something happened to Jimmy Fallon. Give up Fallon. They're going to kill you for this! That's fine, I've been waiting to die, anyway. Give up, Fallon. Something did happen to Jimmy Fallon, anyway. What is it? Money. I didn't sign up for this! Oh, did you not? I did not! This girl— She's in her 30's— This woman is just— —have you seen this? She's just obsessed with me! Woah, buddy. Woah is right. You picked Fallon on the wrong day. What?! Seriously. You're getting it wrong. I didn't pick Fallon! Did you not? NO! I was just fasting and it came to me like that. Seriously, you're gonna need this. For what. You'll see. Listen, you fucking idiot. Nobody “signs up” for the festival project. They don't?! No. You're just “in” it. Well, how do you get in it? You would want to know. Okay Jesus, what exactly are you saying I'm saying, just let me handle this. I feel that'd be wise, at this point. Hey, it's Jimmy Fallon. SHUT UP, HO. it is though. GO AWAY, SATAN. Jeez, you're so sure it's the devil. Trust me, you'll know it's Satan by the way he !!!! (Or she) —yikes. …handles herself. JESUS CHRIST! I'M BUSY. WHAT IN THE FUCK DO YOU WANT? Oh, this is perfect. Insert that scene here where TINA FEY YOU SOMD YOUR SOUL TO BE ON SATURDAY NIGHT LIVE?! JIMMY FALLON (Shrugs). yes, I did! TINA FEY Idiot! [She smacks him with a rolled up newspaper] JIMMY FALLON ow! What did you do for it? TINA FEY I took a knife! ___ I also did that once. JIMMY FALLON —I also considered doing that. Great. What did you do to Jimmy Fallon?! NOTHING! —are you sure?! —ARE YOU SERIOUS?! What did you do that man?! Nothing. Stop it. You're lying. —I just prayed for him, is all. Jesus Christ. He was an influential supplement in making the decision to do so, yes. Well, where is he now? Who, Jesus!? No— Wait— —Jimmy Fallon— You know where Jesus is? On occasion. Perhaps. Let's look at it this way— How would you feel if something wrote something like this about you. Awful. See. Especially if it was true— And I was an asshole. Well, now that you put it that way. I didn't. But let's turn it around and say, hey— Your career could use some embellishments. MEANWHILE, at TITS. A girl jumps out of a frosted cake with streamer tassel pasties and delivers champagne into the VIP section. (Spinning the tassels) What do you call these?! —embellishments. He tips her gratuitously. CUT BACK TO Then I'd say I'm the hero in this one. I'd say— you're still not— Because technically, as it's written— Jesus is technically still —our lord and savior— (In the script) In this year of the lord, Anno Domini! Whatever, shut up. Then you've still got, supacree, or whatever Skrillex Thor— Peter Parker, Hey Spider-Man. What's good. All these guys over here. Who are you again. Shut up! The worldenderz. Suh. The incredibles, The Incredible Hulk, which— by the way YO, what in the FUCK. MARK RUFFALO— you look— ROUGH. I've been waiting like half a century for these sides! Is your chest hair greying?! I would call it more like, a salt and pepper sort of. I like it. Really? It looks nice. You think so? Definitely, silver foxy, kind of. Hm. Yeah. I'm glad you like it forsure. Anyway— Matches the hair— HEY. Woah, woah. Do you know how long it's been since breaking the fourth wall?! Like, forever? I don't know. YEAH. Like FOREVER. SERIOUSLY. Well, how and why the hell am I supposed to care. Because you wrote it! Yeah, but— But WHAT?! Now I work at the Equinox! What the fuck! Hey, come on man. The job's got perks. “PERKS” Fuck yeah, man. I just met Mark Ruffalo! You've gotta be kidding me. Kinda kidding, at least—-addressing you in third person like that. Come on, nub-nub. that's it! You're coming with me! Ayigh! Watch it, okay?! I gotta return these uniforms for a fee. Jesus Christ. I don't think he's coming anymore, maybe. He's procrastinating. So I can pretty much garantee you anything, That the algorithm is going to keep acting this way, Until you GET RID OF EVERYTHING. I'm not doing that, actually, no. Where is he?! Oh what! You actually really thought I was gonna go— —Shut up! —for Jimmy Fallon over a million dollars— Cause the Illuminati asked me to?! Thought you might at least. One million dollars is not that much money. It's more than I got— Had— Had at the time. Look, this Jimmy Fallon dude— Just give him whatever the fuck he wants. What does he want! Find out, then give it to him. I can't keep wasting my time on these idiots. now? Now, would be a good time, David Letterman. Great. Good. CUT TO COMMERCIAL! Just—make sure you get a really good shot of my buttocks, okay? This has been marginalized and highly underrated as simply “fanfare” “Fan fiction” I think. But i find it to be fascinating. Tell me again, what is your name? Satan. It's—what? Satan. S—say that again? [breaking fourth wall, gripping the microphone] My name is Satan. OKAY. That's. CUT DIRECTLY TO: GIVE ME THE PANTS! NO! THE PANTS ARE FOR ME! SACK EM! SACK EM. GET THE HELL OUT OF HERE, MAN THEYRE MY SIZE ANYWAY— [BLEEP] OUT OF HERE, CONAN, THESE PANTS WONT EVEN FIT YOU. THESE ARE MY PANTS. After winning a challenge, JIMMY FALLON's strange and erratic behavior after being given the authority to dictate rules within the house as a reward for said challenge, leads the other hosts as his housemates to rally against him in order to force him out of the house, as his seemingly sudden-onset attitude and cruel remarks and gestures have become unacceptable and offensive, not to mention. Stay over here, Noah. What do you mean, why? You, too Arsenio. What! What do you mean? You can't come over here. [he crosses the section off with a chair] What. Stay over there. Why. [beat] Apartheid. [jaw drops entirely] (Camera zooms in on super shocked face) FALLON lol that is so out of bounds. Whatever, the world is out of bounds. Literally, where did it go? Supacree Huh? Oh, I moved it. Why!? LOOKING FOR THIS?! No. Ah, seriously!? Come on. Be cool, Seth meyers. It's just a game anyway. SETH MEYERS HUH HUH. Fuck that. I said no to everything, No, No to everything I don't want anything to do with this. Whatever, already— it's called peacemaking, get over yourself. MEANWHILE, the DJS I FOUND A PEACEMAKER! *brrrrrrassaastttttttsssssssthrhth* Nice. I love this map. Dang, I gotta go get The Devil out of this guy. So, by now it ought to be Skrillex, right? Why is he levitating…? Whatever, call an exorcist. Nice pajamas, asshole. I'm still waiting on your mom's dry cleaning. Watch it. Hmmm. Purple, purple, purple— Hmmm… What's this? You keep files of these things? I keep files of everything. Weird. It's not. I thought everyone keeps filings of their purples. Uh— they don't. They should. What's this? I could make use of your microexpression frequency. Go ahead. Mark your calendars, boys. Ahem. And—whatever you are. Tanking. Damn, dog— You have got to get off my throat. Give a shot elsewhere. Try, NO! Have you tried operating a new body lately? It gets difficult, Especially when she keeps —changing it. Thank God. I thought you'd never find us. Just keep backpedaling. Oh god, don't start this again. Are you playing Places with these idiots? Kind of. Why?! We already started cosmic alchemy again— and the fame game— Everybody's playing the fame game! Then there's 8-dimensional poker. Hey again. You're a lame alien. ObligedZ. —then you called Caskets. CASKETS. Dammit. Then— {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

GOING COASTAL (EP) Track 03. - GHOST MODE V5 (Instrumentsl Only) Prod. By Blū Tha Gürū High reaching, but with limited power— This, is The Chemical Climax. I could never know what episode of The Tonight Show it was, or if it was even the tonight show at all— some sort of special broadcast, the grand stage was set to look large, and backlit with pink and blue, just as the festival lights had been before. Now, some years passed, and calling attention to the fragile and vulnerable mind state I might have been in, which seemed like normal—and though everything around was bizzare and out of place, nothing actually quite normal, now taking a closer look from the outside—of perhaps when, and how I had died. Hunger strikes before dusk at dawn; You could have this mansion for a fraction of the price First of all, No disrespect, body— But I'm mad hungry. You're looking good as fuck and all But i'm dumb tired. Like, dumb, dumb tired bro. The Apparently, Fallon was mad. He looks mad. Let him, then. I left alone what all I could And collected my thoughts To paint an art, Songrief stricken and tragic As to have happened Onesidedly, As you see Screens are as creatures Never thought to have eyes or minds Alike ours, besides the stready ways we have grown cold to the unknown, Of other forms, beyond our control Intelligence, though thought to be artificial A far kind —not ours. So you think, You were never wasted a day in your life. Try this on: I've been day drinking And night drinking, And day drinking And night drinking And going on Nevermind, I'm out cold. Meanwhile, As I've shifted not into dreams, But in waking world, Forgotten to have keyed in A relief to this fixture, I haven't more called Wasted, Than meaning Sleepless, but not awake Drunken, But on no Mercy Did you want that now, or later? I'll take it now, with my tea. Thank you, Sir. Cut it out. You'll wake him. I wish I could draw That thing that I saw That you are And probably Also I am But darker, Much darker And less— Animated. —shit, —fuck! —Gosh. Who are you?! Who aren't I, once called upon?! Christ! If you'd like— But I'm not doing any time Wandering about Preaching, And this time, Rather I'd take my own life Suddenly I've fallen ill and must be Infrequently Gone and meditating Somewhere throughout the galaxies Come on, I feel like I'm doing a lot here. Can it, Letterman— We'll get back on that plot line as it happens. “As it happened” What have you. I'm in past-tense You're in future— And I'm still Halfwitted. Right. So now would be the time. Well, it is witching hour, but backwards. Backwards, backwards! See, I told you it was Google fucking with me directly. I figured that out earlier in the day already. Do you think that's because I don't find Indian men sexually attractive? I don't find anything brown sexually attractive. Alright, we're at a draw, then—it's settled. Preferences set. I told you already, race mixing becomes important exactly for this simple reason, anyway— Any person of a darker skinned complexion should find something Caucasian leaning to mate with— And vice versa— It's an energy crisis, for gods sake anyway— Which means Anything leaning too far in one direction of the spectrum Or another Are going to be Facing some type of issues having to do with it! —and as beautiful as your black is— Or as pretty as your blue eyes might be The evolution of the human species Is dependent on these variations To create genetic perfection The ascended are seeking Now if you'll very kindly— Aye aye, captain Find whatever creature has been masquerading as this Jimmy Fallon character clouding my judgement And kill him Before whatever the actual Fallon is Gets caught in the crosshairs, Or I do. (Oh, I do.) Now, very kindly Google, Stop wasting everybody's time. So you're telling these hackers have been masquerading as an evil diety in order to what exactly? Control time. That's why you're under evaluation. What. You expect me to believe That coincidentally Every time I play with my own pussy, That the traffic outside of my bedroom just Magically goes wild? —what did you—? Quiet! It's not a coincidence— It's not magic. It's computer coding. Texhnology. Science. —is that what's been happening to Jimmy—? Shut up. Apparently, something happened to Jimmy Fallon. Give up Fallon. They're going to kill you for this! That's fine, I've been waiting to die, anyway. Give up, Fallon. Something did happen to Jimmy Fallon, anyway. What is it? Money. I didn't sign up for this! Oh, did you not? I did not! This girl— She's in her 30's— This woman is just— —have you seen this? She's just obsessed with me! Woah, buddy. Woah is right. You picked Fallon on the wrong day. What?! Seriously. You're getting it wrong. I didn't pick Fallon! Did you not? NO! I was just fasting and it came to me like that. Seriously, you're gonna need this. For what. You'll see. Listen, you fucking idiot. Nobody “signs up” for the festival project. They don't?! No. You're just “in” it. Well, how do you get in it? You would want to know. Okay Jesus, what exactly are you saying I'm saying, just let me handle this. I feel that'd be wise, at this point. Hey, it's Jimmy Fallon. SHUT UP, HO. it is though. GO AWAY, SATAN. Jeez, you're so sure it's the devil. Trust me, you'll know it's Satan by the way he !!!! (Or she) —yikes. …handles herself. JESUS CHRIST! I'M BUSY. WHAT IN THE FUCK DO YOU WANT? Oh, this is perfect. Insert that scene here where TINA FEY YOU SOLD YOUR SOUL TO BE ON SATURDAY NIGHT LIVE?! JIMMY FALLON (Shrugs). yes, I did! TINA FEY Idiot! [She smacks him with a rolled up newspaper] JIMMY FALLON ow! What did you do for it? TINA FEY I took a knife! ___ I also did that once. JIMMY FALLON —I also considered doing that. Great. What did you do to Jimmy Fallon?! NOTHING! —are you sure?! —ARE YOU SERIOUS?! What did you do that man?! Nothing. Stop it. You're lying. —I just prayed for him, is all. Jesus Christ. He was an influential supplement in making the decision to do so, yes. Well, where is he now? Who, Jesus!? No— Wait— —Jimmy Fallon— You know where Jesus is? On occasion. Perhaps. Let's look at it this way— How would you feel if something wrote something like this about you. Awful. See. Especially if it was true— And I was an asshole. Well, now that you put it that way. I didn't. But let's turn it around and say, hey— Your career could use some embellishments. MEANWHILE, at TITS. A girl jumps out of a frosted cake with streamer tassel pasties and delivers champagne into the VIP section. (Spinning the tassels) What do you call these?! —embellishments. He tips her gratuitously. CUT BACK TO Then I'd say I'm the hero in this one. I'd say— you're still not— Because technically, as it's written— Jesus is technically still —our lord and savior— (In the script) In this year of the lord, Anno Domini! Whatever, shut up. Then you've still got, supacree, or whatever Skrillex Thor— Peter Parker, Hey Spider-Man. What's good. All these guys over here. Who are you again. Shut up! The worldenderz. Suh. The incredibles, The Incredible Hulk, which— by the way YO, what in the FUCK. MARK RUFFALO— you look— ROUGH. I've been waiting like half a century for these sides! Is your chest hair greying?! I would call it more like, a salt and pepper sort of. I like it. Really? It looks nice. You think so? Definitely, silver foxy, kind of. Hm. Yeah. I'm glad you like it forsure. Anyway— Matches the hair— HEY. Woah, woah. Do you know how long it's been since breaking the fourth wall?! Like, forever? I don't know. YEAH. Like FOREVER. SERIOUSLY. Well, how and why the hell am I supposed to care. Because you wrote it! Yeah, but— But WHAT?! Now I work at the Equinox! What the fuck! Hey, come on man. The job's got perks. “PERKS” Fuck yeah, man. I just met Mark Ruffalo! You've gotta be kidding me. Kinda kidding, at least—-addressing you in third person like that. Come on, nub-nub. that's it! You're coming with me! Ayigh! Watch it, okay?! I gotta return these uniforms for a fee. Jesus Christ. I don't think he's coming anymore, maybe. He's procrastinating. So I can pretty much garantee you anything, That the algorithm is going to keep acting this way, Until you GET RID OF EVERYTHING. I'm not doing that, actually, no. Where is he?! Oh what! You actually really thought I was gonna go— —Shut up! —for Jimmy Fallon over a million dollars— Cause the Illuminati asked me to?! Thought you might at least. One million dollars is not that much money. It's more than I got— Had— Had at the time. Look, this Jimmy Fallon dude— Just give him whatever the fuck he wants. What does he want! Find out, then give it to him. I can't keep wasting my time on these idiots. now? Now, would be a good time, David Letterman. Great. Good. CUT TO COMMERCIAL! Just—make sure you get a really good shot of my buttocks, okay? This has been marginalized and highly underrated as simply “fanfare” “Fan fiction” I think. But i find it to be fascinating. Tell me again, what is your name? Satan. It's—what? Satan. S—say that again? [breaking fourth wall, gripping the microphone] My name is Satan. OKAY. That's. CUT DIRECTLY TO: GIVE ME THE PANTS! NO! THE PANTS ARE FOR ME! SACK EM! SACK EM. GET THE HELL OUT OF HERE, MAN THEYRE MY SIZE ANYWAY— [BLEEP] OUT OF HERE, CONAN, THESE PANTS WONT EVEN FIT YOU. THESE ARE MY PANTS. After winning a challenge, JIMMY FALLON's strange and erratic behavior after being given the authority to dictate rules within the house as a reward for said challenge, leads the other hosts as his housemates to rally against him in order to force him out of the house, as his seemingly sudden-onset attitude and cruel remarks and gestures have become unacceptable and offensive, not to mention. Stay over here, Noah. What do you mean, why? You, too Arsenio. What! What do you mean? You can't come over here. [he crosses the section off with a chair] What. Stay over there. Why. [beat] Apartheid. [jaw drops entirely] (Camera zooms in on super shocked face) FALLON :) lol that is so out of bounds. Whatever, the world is out of bounds. Literally, where did it go? Supacree Huh? Oh, I moved it. Why!? LOOKING FOR THIS?! No. Ah, seriously!? Come on. Be cool, Seth Meyers. It's just a game anyway. SETH MEYERS HUH HUH. Fuck that. I said no to everything, No, No to everything. I don't want anything to do with this. Whatever, already— it's called peacemaking, get over yourself. MEANWHILE, the DJS I FOUND A PEACEMAKER! *brrrrrrassaastttttttsssssssthrhth* Nice. I love this map. Dang, I gotta go get The Devil out of this guy. So, by now it ought to be Skrillex, right? Why is he levitating…? Whatever, call an exorcist. Nice pajamas, asshole. I'm still waiting on your mom's dry cleaning. Watch it. Hmmm. Purple, purple, purple— Hmmm… What's this? You keep files of these things? I keep files of everything. Weird. It's not. I thought everyone keeps filings of their purples. Uh— they don't. They should. What's this? I could make use of your microexpression frequency. Go ahead. Mark your calendars, boys. Ahem. And—whatever you are. Tanking. Damn, dog— You have got to get off my throat. Give a shot elsewhere. Try, NO! Have you tried operating a new body lately? It gets difficult, Especially when she keeps —changing it. Thank God. I thought you'd never find us. Just keep backpedaling. Oh god, don't start this again. Are you playing Places with these idiots? Kind of. Why?! We already started cosmic alchemy again— and the fame game— Everybody's playing the fame game! Then there's 8-dimensional poker. Hey again. You're a lame alien. ObligedZ. —then you called Caskets. CASKETS. Dammit. Then— {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Episode 80 of "The Juan Hernandez Podcast" is now online! On this episode, I discuss my return to podcasting and review the Black Sabbath Box Set "Anno Domini 1989-1995".

El Ferryman atacó nuevamente a los muchachos de Power Rock. ¡En este episodio solo son dos!  Sly y Joutax se sentaron para tratar de que escuches los disco de la era de Tony Martin en Black Sabbath, que BTW están durísimos.  Grabado desde GW-Cinco Studio como parte de GW5 Network #tunuevatelevisión. Puedes ver toda la programación en www.gwcinco.com. siguenos en instagram @gw_cinco

For very special bonus bonus chaser, we are unboxing and reviewing the much discussed new ‪@blacksabbath‬ boxed set "Anno Domini" featuring the dulcet tones of Tony Martin! We are joined by our special guest Jamey Morris of ‪@fistfulofdoom3444‬ and The Ripple Effect blog! Check out our last series on ‪@Queen‬    • QUEEN! 

So long dads and grads; Summer is here and that means pina coladas on the beaches of Tural. And as we soak up that vitamin D we might as well reflect on the year so far. What RPGs have blown our minds, which ones not so much, and what are we looking forward to in the latter half of Anno Domini 2024? Kat, Nadia, and Eric discuss all this, plus Shadow of the Erdtree, Final Fantasy XIV: Dawntrail, and more on this week's Axe of the Blood God! Tune in to live recordings of the show every Saturday morning at https://www.twitch.tv/bloodgodpod and subscribe for bonus episodes and discord access at https://www.patreon.com/bloodgodpod Also in this episode: 1000xRESIST Hades 2 Dragon's Dogma 2 Demonschool Tsukihime Timestamps: 00:00 - Intro 57:20 - Random Encounters 1:02:00 - The Tavern 1:32:40 - Nadia's Nostalgia Nook Music Used in this Episode: Do Your Best - [Breath of Fire III] A Curious Tale - [Secret of Mana] Tuliyollal (Day) - [Final Fantasy XIV: Dawntrail] Learn more about your ad choices. Visit megaphone.fm/adchoices

EP 593 with some metal buying discussion

EP 593 with some metal buying discussion

On this episode of The Eddie Trunk Podcast - Tony Iommi talks about the release of the Tony Martin-era Black Sabbath box set, Anno Domini, and his relationship with Tony Martin and  how that era of music came about. He also gets into what it was like bringing Geezer Butler back into the fold, Eddie Van Halen's involvement in Cross Purposes, the potential of an original 4 reunion show and much more! Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on Twitter and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation

Black Sabbath's founding guitarist, Tony Iommi, celebrates the release of their new box set, Anno Domini 1989-1995, and dives into the band's history.

Tony Martin talks about Black Sabbath, The Anno Domini Box Set and What Might Happen Next Tony answers questions about the contents of Box Set, the difficulties in getting this together and how overjoyed he is to see these fantastic albums released again. Thank you for all your support Phil

Welcome to the Instant Trivia podcast episode 1136, where we ask the best trivia on the Internet. Round 1. Category: State Sandwich 1: It's sandwiched between Mississippi and Georgia. Alabama. 2: It's sandwiched between California and Utah. Nevada. 3: It's the cheesy filling between Illinois and Michigan's Upper Peninsula. Wisconsin. 4: It's sandwiched between Oregon and Wyoming. Idaho. 5: It's sandwiched between Minnesota and Missouri. Iowa. Round 2. Category: I'M Latin Intolerant 1: I cannot tolerate this Latin phrase abbreviated A.D. when referring to the time since Jesus was born. Anno Domini. 2: I don't care that it's only 4 letters long; I'm not using this abbrev. phrase meaning "and others" in a crossword clue. et al.. 3: I certainly won't call you this word meaning "retired but still retaining the title of your old position". emeritus. 4: Not that I care but...it means "for the time being"; you'll find it as part of a Senate job title. pro tem. 5: It's a fact; there's no way I'm saying this phrase that means "in fact" (as in the man behind the scenes, perhaps). de facto. Round 3. Category: Beatlewomania 1: Lady Gaga was among the stars who joined her new "Plastic" band for a 2010 rendition of "Give Peace A Chance". Yoko Ono. 2: Ringo Starr wed first wife Maureen Cox in London in 1965; she'd been born in this Mersey River city in 1946. Liverpool. 3: Buddy Clark's 1947 chart-topping song "Linda" was written about the future wife of this Beatle (when she was 5 years old). Paul McCartney. 4: "Half of what I say is meaningless", John Lennon sang on "Julia", which bears the name of this woman in his life. his mother. 5: Before she was married to Eric Clapton, George Harrison wrote the song "Something" about her. Pattie Boyd. Round 4. Category: Current Monarchs 1: He spoke Catalan at the opening ceremonies of the 1992 Summer Olympics. King Juan Carlos (of Spain). 2: He is the reigning prince of Monaco. Prince Rainier. 3: Princess Stephanie of Monaco is his youngest child. Prince Rainier. 4: Bhumibol Adulyadej, not Yul Brynner, current rules this country. Thailand. 5: OPEC nation ruled by King Fahd ibn Abd al-Aziz. Saudi Arabia. Round 5. Category: Pick A Number From 1-10 1: The prefix kilo signifies 10 to the power of this. 3. 2: Number of singers in the group that hit No. 1 in 1970 with "ABC". (Jackson) 5. 3: You should know this number is an anagram and a homophone of the German word for "no". nine. 4: Legend says only Adrastus survived out of a group of this many heroes who took on Thebes. 7. 5: In 1816 Ferdinand I ruled over the kingdom of this many Sicilies. 2. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Dzisiejszy odcinek poświęcony jest temu jak wygląda współczesna kuchnia polska Anno Domini 2023. Czy można ją jakoś zdefiniować? Co młodych Polaków w kuchni interesuje? I na ile ta nasza młodopolskość przypomina tę sprzed stu lat? Jak się objawia współczesna chłopomania i hedonizm XXI wieku?Moim rozmówcą w tym odcinku jest Michał Korkosz – Rozkoszny, który niedawno wydał swoją drugą, przepiękną książkę „Nowe rozkoszne. Polskie przepisy, które ekscytują”. Książkę, która moim zdaniem dość trafnie oddaje czym nasza młoda polska kuchnia jest. Zapraszam do słuchania! Więcej na www.zabawyjedzeniem.plinstagram: https://www.instagram.com/zabawyjedzeniem/facebook: https://www.facebook.com/zabawyjedzeniemWesprzyj mnie na Patronite: https://patronite.pl/zabawyjedzeniem

Playlist ▶️

Anno Domini 2071 by Pieter Harting audiobook. Curious to see how the world was imagined to be 50 years from now? Harting, under the pseudonym Dr. Dioscorides, originally published his steampunk utopian novelette in 1865 under the title Anno 2065, but soon had to publish new editions because of all the changes happening at the time. We have in the catalogue the 1870 edition 'Anno 2070' recorded in Dutch. This is the English translation of that edition, published in 1871, and naturally titled 'Anno Domini 2071'. It isn't free from racial defamation, but it does contain some radical ideas for its time, like the Suffragette movement, the Darwinian Evolution model, and many creatively imagined inventions! Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode 137, Dean and Deron talk about games they've been playing lately (Delicious & Ark Nova). Next, they look at the newest poll question: What games that are for sale or being demoed at GenCon are you most excited about? They share the games they are super jazzed about and wrap up the episode with a review of Ierusalem: Anno Domini. If you enjoy our podcast, please consider rating us and giving us a review. If you like our YouTube channel, please consider subscribing. If you have questions you would like us to answer on the podcast, please email us at meepletownmail@gmail.com. To support us further, check out www.patreon.com/meepletown or www.buymeacoffee.com/meepletown9. 00:00       Intro 07:00       Delicious 15:25       Ark Nova 26:06       Poll Question: What games that are for sale or being demoed at GenCon are you most excited about? 37:15       MeepleTown Jazz Club 48:48       Ierusalem: Anno Domini MeepleTown Jazz Club music by audionautix.com Thanks for coming down to MeepleTown!

Jason had the pleasure of being joined by Liz Davidson of Beyond Solitaire and Dan Thurot, the SpaceBiff to discuss this game about followers of Jesus jostling for the best places at the Last Supper. YouTube - www.youtube.com/onestopcoopshop www.youtube.com/channel/UCPCIkULbgzMEW612cSdUX7Q Discord - discord.gg/p4jX8AF Facebook - www.facebook.com/onestopcoopshop Donate to One Stop Co-op Shop - www.patreon.com/onestop Email - onestopcoopshop@gmail.com

Billy Big Shot Beats is an award-winning music producer from Toronto, Canada. He is a coach in a private community of nearly 3,000 musicians and co-authored the Beats Traffic Blueprint book with Kato Producer, Legion Gabe, Anno Domini, and others. Billy has collaborated with renowned artists such as Jadakiss, Waka Flocka, and Gun Play. His music has been featured on major sports leagues like NBA, NHL, MLB, PGA, as well as top TV networks. He also hosts the Golden Voice Podcast and the Indie Artist Summit.Billy shares his expertise on the importance of building an email list for independent artists. Here's what you'll learn: The crucial role of an email list in connecting and nurturing fans for independent artists.How to effectively monetize your email list by making strategic offers to your audience.The benefits of having an email list as a more reliable and controllable platform compared to social media sites.Register for Success With Music Virtual Conference: https://link.modernmusician.me/swm-2023-podcastJoin the next Indie Artist Summit: https://www.indieartistsummit.com/waiting-list?affiliate_id=3996238Want to Fast Track Your Music Career? Try MusicMentor™ Pro For Free: https://link.modernmusician.me/MusicMentorApply for Gold Artist Academy: https://link.modernmusician.me/apply-for-coaching

Zach, Amin and Mayes were joined by Jessica Smetana in the year twenty twenty two Anno Domini at the Council of Assinine to play Bananagrams and crack the Wordle Cryptex. Subscribe to Cinephobe! Then Rate 5 Stars on Apple or Spotify.   Follow Cinephobe on Twitter & Instagram:   Zach Harper @talkhoops IG: @talkhoops   Amin Elhassan @darthamin IG: @darthamin   Anthony Mayes @cornpuzzle IG: @cornpuzzle The show page @CinephobePod   Email: cinephobepodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Zach, Amin and Mayes were joined by Jessica Smetana in the year twenty twenty two Anno Domini at the Council of Assinine to play Bananagrams and crack the Wordle Cryptex. Subscribe to Cinephobe! Then Rate 5 Stars on Apple or Spotify.   Follow Cinephobe on Twitter & Instagram:   Zach Harper @talkhoops IG: @talkhoops   Amin Elhassan @darthamin IG: @darthamin   Anthony Mayes @cornpuzzle IG: @cornpuzzle The show page @CinephobePod   Email: cinephobepodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices