Podcasts about olbe

Nicole Olbe is the Managing Director - Adyen UK. 

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra's Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra's Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra’s Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra’s Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra’s Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra’s Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra’s Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra’s Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the most part women in the classical world have suffered from what Duane W. Roller terms “near-invisibility,” obscuring the consequential roles that at times they played in government and politics. In his book Cleopatra's Daughter: And Other Royal Women of the Augustan Era (Oxford University Press, 2018), Roller recounts the lives of more than a half-dozen women in the last decades of the 1st century BC and early decades of the 1st century AD to show how they exercised power during the early years of the Roman Empire. Drawing upon a tradition of royal women in the ancient Near East, these women – Cleopatra Selene, Glaphyra of Cappadocia, Salome of Judaea, Dynamis of Bosporous, Pythodoris of Pontos, Aba of Olbe, and Mousa of Parthia – all played crucial roles as rulers in kingdoms on the periphery of the Augustan empire. As Roller explains, their success in maintaining their positions both depended in part upon the support of powerful women in the Augustan family and, in turn, served as role models for royal women in the Roman imperial courts for centuries afterward.

La Orquesta Sinfónica Verum será quien protagonice la próxima ópera de la ABAO-OLBE. Tras la huelga realizada por parte de la Orquesta Sinfónica de Euskadi (OSE), la Asociación Bilbaína de Amigos de la Ópera dice haberse visto obligada a realizar este cambio en el programa inicial. En entrevista con Onda Vasca su presidente, Juan Carlos Matellanes, además de defender el talento de quienes asumirán la partitura de la ópera 'Manon' a partir del próximo 20 de enero, ha dejado la puerta a futuras colaboraciones con la OSE: “Todo en esta vida tiene vuelta atrás aunque habrá que extremar las precauciones para que lo sucedido con Don Pascuale no se repita en un futuro”, afirma Matellanes. Al 2018 le pide "mayor apoyo económico de las instituciones" y que les respeten las sustituciones, y es que del cartel de 'Manon' se ha caído el tenor Celso Albelo.

La Orquesta Sinfónica Verum será quien protagonice la próxima ópera de la ABAO-OLBE. Tras la huelga realizada por parte de la Orquesta Sinfónica de Euskadi (OSE), la Asociación Bilbaína de Amigos de la Ópera dice haberse visto obligada a realizar este cambio en el programa inicial. En entrevista con Onda Vasca su presidente, Juan Carlos Matellanes, además de defender el talento de quienes asumirán la partitura de la ópera 'Manon' a partir del próximo 20 de enero, ha dejado la puerta a futuras colaboraciones con la OSE: “Todo en esta vida tiene vuelta atrás aunque habrá que extremar las precauciones para que lo sucedido con Don Pascuale no se repita en un futuro”, afirma Matellanes. Al 2018 le pide "mayor apoyo económico de las instituciones" y que les respeten las sustituciones, y es que del cartel de 'Manon' se ha caído el tenor Celso Albelo.