New Books in Women's History

Inequality in the workplace impacts all areas of our lives, from health and self-development to economic security and family life. But, despite the world's richest countries' long-avowed commitments to gender equality, there is still so much to fix - and so much we don't see.With perceptive and razor-sharp insight, in Patriarchy Inc.: What We Get Wrong About Gender Equality – and Why Men Still Win at Work (W.W. Norton, 2025) award-winning author Cordelia Fine reveals how the status quo - Patriarchy Inc. - is harming us all, in our working lives and beyond. Drawing on social and cultural history, examples from hunter-forager societies to high finance and the latest thinking in evolutionary science, she dismantles the existing, inadequate visions for gender equality and charts an inspiring path towards a fairer and freer society Cordelia Fine is a Canadian-born British philosopher of science, psychologist, and writer. She is a full professor in the History and Philosophy of Science programme at the University of Melbourne, Australia. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here  Learn more about your ad choices. Visit megaphone.fm/adchoices

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Jana Byars talks to Lucy Delap, Reader in Modern British and Gender History at Murray Edwards College, Cambridge University, about her new book Feminisms: A Global History (University of Chicago Press, 2020). This outstanding work, available later this year, takes a thematic approach to the topic of global feminist history to provide a unified vision that maintains appropriate nuance. Delap is a gender historian, writ large. Her first book, The Feminist Avant Garde (Cambridge 2007), examined the development of feminism in the Anglo-American context, tracing the ideas as developed in trans-Atlantic discourse. She then directed her gaze back to her homeland in subsequent publications, including Knowing their Place: Domestic Service in Twentieth Century Britain (Oxford 2011) and the 2013 Palgrave release, Men, Masculinities and Religious Change in Britain since 1890, Delap explore another expression of gender altogether. The breadth of her scholarship – women and men, intellectual elites and domestic servants, adults and children – prepared her to write this broad but fairly concise work of history. Enjoy our lively discussion! Learn more about your ad choices. Visit megaphone.fm/adchoices

For generations of Americans, the purse has been an essential and highly adaptable object, used to achieve a host of social, cultural, and political objectives. In the early 1800s, when the slim fit of neoclassical dresses made interior pockets impractical, upper-class women began to carry small purses called reticules, which provided them with a private place in a world where they did not have equal access to public space. Although many items of apparel have long expressed their wearer's aspirations, only the purse has offered carriers privacy, pride, and pleasure. This privacy has been particularly important for those who have faced discrimination because of their gender, class, race, citizenship, or sexuality. The Things She Carried: A Cultural History of the Purse in America (Oxford University Press, 2025) reveals how bags, sacks, and purses provided the methods and materials for Americans' activism, allowing carriers to transgress critical boundaries at key moments. It explores how enslaved people used purses and bags when attempting to escape and immigrant factory workers fought to protect their purses in the workplace. It also probes the purse's nuanced functions for Black women in the civil rights movement and explores how LGBTQ people used purses to defend their bodies and make declarations about their sexuality. Kathleen Casey closely examines a variety of sources--from vintage purses found in abandoned buildings and museum collections to advertisements, photograph albums, trade journals, newspaper columns, and trial transcripts. She finds purses in use at fraught historical moments, where they served strategic and symbolic functions for their users. The result is a thorough and surprising examination of an object that both ordinary and extraordinary Americans used to influence social, cultural, economic, and political change. Kathleen B. Casey is Director of the Women's, Gender, and Sexuality Studies Program and Professor of History at Furman University in South Carolina. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Offering a fresh perspective on the influence of the American southwest—and particularly West Texas—on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West (Texas A&M UP, 2022) aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a “decentered” modernism—demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices

While Hollywood's images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz's ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers' perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz's work troubles this facade by centering the work and challenges of the everyday laborers who produce it. Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices

On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor's life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs's murder birthed.So many Black women's lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs's life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother's brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now. Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women's, and urban histories. You can find her on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is not Egypt's 2011 revolution that opened a space for women's and feminist activism, but—as Biography of a Revolution: The Feminist Roots of Human Rights in Egypt (U of California Press, 2025) shows—the long history of women's activism that created the intellectual and political background for revolution. By centering the experiences and ideas of multiple generations of women activists and intellectuals, Lucia Sorbera traces the feminist genealogies of Egypt's nationalist, student, Marxist, labor, human rights, and democratic social movements. Biography of a Revolution gathers a series of interrelated intimate and relational stories, charting in vivid detail the entanglements between women's aspirations across a century of politics and friendships. This historical analysis innovatively deploys decolonial and indigenous feminist epistemologies, bringing women's, gender, and feminist history into the center of Egypt's political, social, and intellectual history. More than a decade after the 2013 military coup, women's intellectual and political activism remains crucial to keeping the embers of revolution aglow. Lucia Sorbera is Associate Professor and Chair of Arabic Language and Cultures at the University of Sydney. Learn more about your ad choices. Visit megaphone.fm/adchoices

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Think running an insurance company or a bank is hard?  Try doing it as an African-American woman in the Jim Crow South.  Shennette Garrett-Scott's new book, Banking on Freedom: Black Women in U.S. Finance Before the New Deal (Columbia University Press, 2019) tells the fascinating story of just such an endeavor, first the Independent Order of St. Luke, and then the St. Luke Penny Savings Bank, founded in Richmond in 1903.  Along the way, she tells the tale of force-of-nature strong women, particularly Maggie Lena Walker, who wouldn't take no for an answer as she built up a culture of business and entrepreneurship against incredibly long odds and never-ending efforts by regulators and competitors to thwart her efforts. It makes for gripping reading. Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @Back2BizBook or at http://www.strategicdividendinvestor.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era (University of Illinois Press, 2025), Dr. Marlee Bunch shared her research on Black female educators in Mississippi during the Civil Rights era and discussed how their experiences and wisdom continue to inform contemporary teaching practices and diversity initiatives. The conversation explored the importance of preserving and unearthing hidden histories through various forms of cultural expression, while examining the role of educators in creating inclusive learning environments. Marlee's work extends to her teaching philosophy and upcoming projects, including a National Academy of Education postdoc award project that will expand her oral history research to include Black male educators and explore the power of storytelling across generations. Despite significant challenges and powerful opposition, Black female teachers stood at the forefront of advocating for and providing education to Black students. Their dedication not only improved opportunities for Black communities but also influenced changes in U.S. laws and societal expectations. Bunch draws on a rich fund of oral histories to reveal the interior lives of Black female educators who taught before and after desegregation in Hattiesburg, Mississippi. In their own voices, these women detail the hurdles they faced guiding students through Jim Crow laws and Civil Rights-era desegregation. Bunch unearths the personal stories of teaching and activism during a historic time that included the Brown v. Board of Education decision and whites' massive resistance to desegregation. The educators explain the importance of the Black community and Black homes while discussing their part in priming students for success and creating community cohesion. In addition, Bunch looks at the legacies of Black educators and the work still to be done. A section of images and poetry compliments the text. Inspiring and immersive, Unlearning the Hush combines memory with Civil Rights history to document Black women's role in education during a tumultuous time. Bunch is an interdisciplinary educator, scholar, author, and preserver of oral histories dedicated to illuminating untold stories and fostering human-centered, inclusive learning spaces. With over a decade of teaching experience across secondary and post-secondary classrooms, she has consistently championed equitable, rigorous, and reflective education that honors the lived experiences of students and educators alike. A passionate advocate for justice-centered education, Bunch earned her doctoral degree in Education, Policy, Organization, and Leadership with an emphasis in Diversity and Equity from the University of Illinois. She also holds an M.Ed. in Secondary Education from DePaul University, an M.S. in Gifted Education, and an ESL certification — a testament to her commitment to meeting the diverse needs of learners. She is a National Academy of Education/Spencer Postdoctoral Fellow. At the heart of Bunch's work is the belief that history and storytelling hold transformative power. Her research centers on the oral histories of Black female educators in Mississippi who taught during the Civil Rights era (1954–1970), preserving their narratives as both historical record and source of contemporary wisdom. Through this work, she invites reflection on resistance and the enduring importance of educators as community leaders and cultural stewards.Her other publications include The Magnitude of Us (Teachers College Press, 2024), and Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12, co-authored with Brittany R. Collins (Routledge, 2025). Whether through scholarship, storytelling, or advocacy, Bunch continues to elevate voices too often left at the margins, reminding us that the most meaningful learning happens when we center humanity, history, and hope. Learn more about your ad choices. Visit megaphone.fm/adchoices

Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom. Forgotten for decades after its original, 19th century publication, Jacobs' story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history. In this latest edition published by W.W. Norton (2025), Jacobs' characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley. Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

Violence against women is out of control. Conviction rates for rape are so low that most survivors think it pointless to report, or later regret doing so. Ruthless trafficking gangs run the sex trade. Women have no confidence in the Metropolitan Police. The year is 1914. As the First World War began, a group of British campaigners founded the Women Police Volunteers, hoping to protect the vulnerable both from crime and from patriarchal policing and justice. The movement's pioneers included a militant suffragette who'd spent time behind bars, a moral purity activist, a blue-blooded radical, and a court reporter born in the workhouse to a single mother. In Controlling Women: The Untold Story of Britain's First Female Police Force (Hurst, 2025) Sandra Hempel follows their astonishing journey, through all of its troubling turns. Controlling Women is a vivid snapshot of rapid national change, and a rich tapestry of ethics and emotions among its fascinating characters. Reconciling political ideals with institutional compromise, these bold, complex women made history, despite establishment opposition and destructive infighting. They show us just how far we have to go in the fight for women's justice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

­A Glimpse of Ogoni Women's Activism: The Transnational Struggle for Justice (University of Illinois Press, 2025) with Mariam Olugbodi “Ogoni Women's Activism” is a democratic feminist movement, and a nonviolent struggle against oil spills and environmental destruction in the Niger-Delta Nigeria in the 90s. The Federation of Ogoni Women Activists (FOWA) emerges to charge forward the course of sovereignty for both humans and the Niger-Delta ecosystem. The nonviolent resistance of the Ogoni Women through prayer meetings, fasting, and singing for community mobilisation epitomises a "love in action" (Dube, 2025) strategy to identity negotiation in the face of dehumanisation. The book, Ogoni Women's Activism: The Transnational Struggle for Justice, is a voyage into the history of the Ogoni tribes of the Niger-Delta, their lives, their ordeals of racism in their home nation with highlights of experiences of African immigrant women, the racialised refugees abroad, who fled from their home nation to seek sovereignty. The book builds on contemporary frameworks and adopts interdisciplinary approaches to unveil the outstanding revolutionary efforts of the Ogoni women in the Niger-Delta. Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is assessesible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices

In Women's War: Fighting and Surviving the Civil War (Harvard UP, 2019), the award-winning author of Confederate Reckoning challenges the idea that women are outside of war, through a trio of dramatic stories revealing women's transformative role in the American Civil War. We think of war as a man's world, but women have always played active roles in times of violence and been left to pick up the pieces in societies decimated by war. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war. When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief.  Through a trio of dramatic stories, Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. We meet Clara Judd, a Confederate spy whose imprisonment for treason sparked heated controversy, defying the principle of civilian immunity and leading to lasting changes in the laws of war. Hundreds of thousands of enslaved women escaped across Union lines, upending emancipation policies that extended only to enslaved men. The Union's response was to classify fugitive black women as "soldiers' wives," regardless of whether they were married--offering them some protection but placing new obstacles on their path to freedom. In the war's aftermath, the Confederate grande dame Gertrude Thomas wrestled with her loss of status and of her former slaves. War, emancipation, and economic devastation affected her family intimately, and through her life McCurry helps us see how fundamental the changes of Reconstruction were. Women's War dismantles the long-standing fiction that women are outside of war and shows that they were indispensable actors in the Civil War, as they have been--and continue to be--in all wars. Jerrad P. Pacatte is a doctoral candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Melody Glenn was a burned-out emergency physician who had grown to resent the large population of opioid dependent patients passing through her ER. While working at a methadone clinic, she realized how effective harm reduction treatments could be and set out to discover why they weren't used more broadly. That's when she found Dr. Marie Nyswander.In the 1960s, Nyswander defied the DEA and medical establishment to co-develop methadone maintenance as a treatment for heroin addiction. According to some addiction specialists, its discovery could be considered as monumental as the discovery of penicillin. Yet, it still carries a stigma today.Deftly weaving together interviews, media coverage, and historical documents, Glenn recovers Nyswander's important legacy and reveals how the forces of racism, fearmongering politicians, and misinformation colluded to set us back decades in our understandings of opioids.With Nyswander as her guide, Glenn also shares her journey through addiction medicine as she confronts her own personal and philosophical quandaries around bias, ambition, and saviorism in the medical field.As the US continues to struggle with opioid and fentanyl use in communities, Mother of Methadone is a powerful reminder of the ways biases have prevented doctors from saving countless lives. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her second book, Addiction, Inc.: Medication-Assisted Treatment and America's Forgotten War on Drugs, will be released in 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices

Teenage Intimacies offers a new account of the ‘sexual revolution' in mid-twentieth century England. Rather than focusing on ‘Swinging London', the book reveals the transformations in social life that took place in school playgrounds, local cinemas, and suburban bedrooms. Based on over 300 personal testimonies, Teenage Intimacies traces the everyday experiences of teenage girls, illuminating how romance, sex and intimacy shaped their young lives. The book shows how sex became embedded in ideas about ‘growing up' and explores how heterosexuality influenced young women's social lives and vice versa. It offers new explanations of why sexual mores shifted in this period, revealing the pivotal role that young women played in changing sexual values, cultures and practices in the 1950s, 1960s and 1970s. Learn more about your ad choices. Visit megaphone.fm/adchoices

Camilla Fitzsimons teaches at Maynooth University and is the author of Community Education and Neoliberalism in 2017 as well as Repealed: Ireland's Unfinished Fight for Reproductive Rights in 2021 which won the American Conference for Irish Studies James S Donnelly Sr book award for History and Social Science – she talked to us in January 2022 about that book. In this interview, she discusses her new book Rethinking Feminism in Ireland Rethinking Feminism in Ireland offers a radical approach that sees feminism as a practical philosophy that seeks to combat all forms of oppression. Exploring a number of topics including political activism, the world of work, queer and trans-rights activism, gender-based violence, and reproductive rights, this open access book sets out a fresh approach to the future of feminism using case studies in Ireland to to illustrate global issues. Including interviews with 30 people involved in feminist activism in Ireland, this book uses Irish history and political developments to create a collaborative, collective feminist effort with a global outlook. Rethinking Feminism in Ireland articulates a vision for the future that encourages solidarity across lines of difference and that makes the case for a politically charged, praxis-oriented approach that refuses to strip feminism of its substance and potential to contribute to radical change. Rethinking Feminism in Ireland is published with Bloomsbury and is also available as a free open access e-book Aidan Beatty is a lecturer in history at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women's movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality. In Our Science, Ourselves: How Gender, Race, and Social Movements Shaped the Study of Science (University of Massachusetts Press, 2024), Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures--Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area--to Harvard, MIT, and other universities--to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women's movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson's sociobiology in 1975 and Larry Summers' comments about women in science thirty years later. Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world. Christa Kuljian grew up in the Boston area, and has lived in Johannesburg, South Africa for the past thirty years. She is a science writer and the author of Sanctuary and Darwin's Hunch: Science, Race and the Search for Human Origins, which was short listed for the Sunday Times Alan Paton Award for Non-Fiction. Currently a Research Associate at the Wits Institute for Social and Economic Research (WiSER) at Wits University, she is also a fellow with the Consortium for History of Science, Medicine and Technology (CHSMT) in Philadelphia. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joan Riviere (1883-1962) is best known for her role in promoting the ideas of others. She came to prominence in the world of psychoanalysis as Freud's favorite translator and Melanie Klein's earliest and most loyal supporter. In her new book The Life and Work of Joan Riviere: Freud, Klein and Female Sexuality (Routledge, 2018), Marion Bower puts Joan Riviere herself, the woman and the psychoanalyst, in the spotlight. She shows how Riviere made use of the latest psychoanalytic ideas in a highly creative and original way, expressing herself with clarity and emotional depth in seminal works about the inner life of female sexuality and treatment impasses. She was able to draw from a lifetime of challenging and fruitful experiences. After a childhood rife with emotional neglect, she stepped into the rich ferment of the dying Victorian era and came in touch with major progressive forces of the time like the suffragettes and the Society for Psychical Research. As a dressmaker's apprentice, she was among the first wave of women entering the work force. When the shifting soil of her childhood proved unstable, she entered analysis with Ernest Jones and, after becoming an analyst, with Freud himself. This personal connection proved fortuitous to the newly formed British Psychoanalytic Society, as it provided a solid anchor against the dividing drift between Anna Freud and Melanie Klein. Bower paints an intimate portrait of a woman with a stern and sometimes vitriolic public persona and a shy and fragile personality that was saved by her involvement in psychoanalysis. In her best moments she was able to bridge that gap in her psychoanalytic writing, revealing herself through her theoretical musings. Marion Bower has trained as a teacher, social worker and psychoanalytic psychotherapist. She has worked for many years in the child mental health services, including the Tavistock Clinic, and has edited and co-edited four books on various applications of psychoanalysis. She is currently co-editing a book on sexual exploitation. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices

Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices

Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Today I'm speaking with Marcus Golding, historian and Director of Educational Operations at ClioVis. ClioVis is an incredible software and learning tool that allows educators and studies to create digital timelines, network visualizations, and interactive presentations. Founded by UT Austin history professor Erika Bsumek, ClioVis is made for professors and teachers by current professors and scholars. I'm thrilled to get the chance today to speak with Marcus about this software to share with our listeners how they can enhance their own work and teaching. Visit ClioVis' website to learn more: Click Here Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early hours of March 24, 1976, the streets of Buenos Aires rumble with tanks as soldiers seize the presidential palace and topple Argentina's leader. The country is now under the control of a military junta, with army chief Jorge Rafael Videla at the helm. With quiet support from the United States and tacit approval from much of Argentina's people, who are tired of constant bombings and gunfights, the junta swiftly launches the National Reorganization Process or El Proceso—a bland name masking their ruthless campaign to crush the political left and instill the country with “Western, Christian” values. The junta holds power until 1983 and decimates a generation. One of the military's most diabolical acts is kidnapping hundreds of pregnant women. After giving birth in captivity, the women are “disappeared,” and their babies secretly given to other families—many of them headed by police or military officers. For mothers of pregnant daughters and daughters-in-law, the source of their grief is twofold—the disappearances of their children, and the theft of their grandchildren. A group of fierce grandmothers forms the Abuelas de Plaza de Mayo, dedicated to finding the stolen infants and seeking justice from a nation that betrayed them. At a time when speaking out could mean death, the Abuelas confront military officers and launch protests to reach international diplomats and journalists. They become detectives, adopting disguises to observe suspected grandchildren, and even work alongside a renowned American scientist to pioneer groundbreaking genetic tests. A Flower Traveled in My Blood: The Incredible True Story of the Grandmothers Who Fought to Find a Stolen Generation of Children (Simon & Schuster, 2025) by Haley Cohen Gilliland is the rarest of nonfiction that reads like a novel and puts your heart in your throat. It is the product of years of extensive archival research and meticulous, original reporting. It marks the arrival of a blazing new talent in narrative journalism. In these pages, a regime tries to terrorize a country, but love prevails. The grandmothers' stunning stories reveal new truths about memory, identity, and family. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Papusza / Bronisława Wajs. Tears of Blood: A Poet's Witness Account of the Nazi Genocide of Roma (Brill, 2024) is nothing less of an academic, literary, and historical miracle. It is dedicated to a key figure of Romani literature, Bronisława Wajs, also known as Papusza. This book offers—for the very first time in history—the full version of Papusza's key work, Tears of Blood, which was considered lost for seventy years and circulated only in a highly reduced copy. This poem is a unique account by a woman about the Roma Holocaust in Eastern Europe during WWII. Beyond this important historical and literary document, the book also provides literary translations of this manuscript into several languages, including English, and has chapters written by leading researchers of Romani Studies who comment on the history of this text and the challenges behind making it available to the broader public. It took the team over three decades to locate the manuscript, transcribe it, translate it, and fill in the gaps in its history. Volha Bartash is a postdoctoral researcher at the University of Münster in Germany and a co-convenor of the network “Margins of Memory: Cultures and Politics of Non-Hegemonic Remembrance.”  Tomasz Kamusella is Reader in Modern Central and Eastern European History at the University of St Andrews, whose work focuses on language politics and nationalism. Host: Tatiana Klepikova is a Freigeist Fellow of the Volkswagen Foundation and leads a research group on queer literatures and cultures under socialism at the University of Regensburg. Learn more about your ad choices. Visit megaphone.fm/adchoices

Picture Bride, War Bride examines how the institution of marriage created pockets of legal and social inclusion for Japanese women during the period of Japanese exclusion. Gomez's work joins together an analysis of picture brides, or Japanese women who migrated to the United States to join husbands whom they married [in absentia] in the early 20th century, with war brides, or Japanese women who married American military servicemen after World War II. By combining the analysis of these two categories, Gomez centralizes the overlapping and conflicting logics to either racially exclude Japanese or facilitate their inclusion via immigration legislation that privileged wives and mothers. In short, the book tells a story of how the interplay between societal norms and political interests can both harness and contradict the interconnected frameworks of race, gender, and sexuality. Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices

At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.Get It Out: On the Politics of Hysterectomy (NYU Press, 2025) by Dr. Andréa Becker weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Dr. Becker reveals how America's healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the moment Mary, Queen of Scots set foot on English soil in 1568 until her execution at Fotheringhay Castle on 8 February 1587, she was the prisoner of her cousin, Elizabeth I. Unlike Mary's time on the Scottish throne, the dramatic events of these years – almost half her life – took place while she was a captive. But while trouble was perpetually simmering beyond her prison walls, within them Mary was constantly plotting. Only towards the end did she lose faith in returning to her homeland as rightful ruler. Exile: The Captive Years of Mary, Queen of Scots (Birlinn, 2025) by Rosemary Goring is the story of Mary's tumultuous later years, told through the many atmospheric locations where she was confined. Drawing on the latest research, including a treasure trove of recently decoded letters, Exile sheds fascinating new light on her captivity and the charged political climate of the period. Reading like a 16th-century thriller, this account of treachery, deceit, hope and despair is a penetrating and enthralling psychological portrait of one of history's endlessly fascinating queens. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Women and the Jet Age: A Global History of Aviation and Flight Attendants (Cornell University Press, 2025) is a global history of postwar aviation that examines how states nurtured airlines for competing political and economic goals during the Cold War. While previous histories almost exclusively stress US and Western European aviation progress, Dr. Phil Tiemeyer examines how smaller, poorer states in socialist Eastern Europe and in the postcolonial Global South utilized airlines of their own to forge rival pathways to modernization. Part of this modernization involved norms for working women. Stewardesses at airlines around the globe encountered novel threats to their dignity as the Jet Age approached. By the late 1960s, stewardesses endured harsh objectification: High hemlines, tight uniforms, and raunchy marketing were touted as modern and liberated. These women, whether from the West, East, or South, forged their own pathways to achieve greater dignity at work. In Women and the Jet Age, Dr. Tiemeyer's global account of the rise of air travel and of early feminist strivings among stewardesses is one of the first histories to place such developments—political, economic, and feminist—in dialogue with each other. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma. This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

An engaging history of motherhood, demography, and infertility in twentieth-century France, Fertile expectations: The politics of involuntary childlessness in twentieth-century France (Manchester University Press, 2025) by Dr. Margaret Andersen explores fraught political and cultural meanings attached to the notion of an "ideal" family size. When statistics revealed a sustained drop in France's birthrate, pronatalist activists pushed for financial benefits, propaganda, and punitive measures to counter declining fertility. Situating infertility within this history, the author details innovations in fertility medicine, cultural awareness of artificial insemination, and changing laws on child adoption. These practices offered new ways of responding to infertility and formed part of a growing expectation of being able to control one's fertility and family size. This book presents the political and cultural context for understanding why private questions about when to start a family, how many children to have, and how to cope with involuntary childlessness, evolved and became part of state demographic policies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Political Scientist Angela K. Lewis-Maddox has pulled together an important and useful edited volume focusing on black women political scientists and their experiences in the discipline itself and in studying topics that include race and gender. Political Science, as a discipline, is a bit more than 100 years old, and studies politics, power, institutions, policy, methodology, and theory. These are the over-arching umbrellas within the discipline and many of the specific areas within political science take up questions that are connected to these broad concepts. As with many dimensions of our society, race and gender play a role in the discipline itself and in what we study as political scientists. But race and gender have also been considered tertiary issues within the discipline in terms of research. Disrupting Political Science: Black Women Reimagining the Discipline (SUNY Press, 2025) is both autobiographical for some of the contributors as well as a rigorous interrogation of political science as a discipline. Lewis-Maddox has assembled a group of scholars across rank and position, region and geography, kinds of institutions, and scholarly emphasis. This diverse assembly of contributors have reflected on their particular experience within political science and have written about that experience from a variety of perspectives and approaches. This is a rich and deep study of those who have found themselves to be “space invaders”—black women in spaces and places that are not designed for them. These women all bring the experience of interposing themselves in a place or in places where they are not accepted. And yet they have also persevered in these spaces, in institutions, and within the discipline, and they have considered how they operate professionally and personally in “hostile” territory. Part of the thrust of Disrupting Political Science is to encourage the reimagining of political science as a discipline, to challenge the norms and expectations that have remained in place for over a century. Angela K. Lewis-Maddox and her assembly of contributing authors have done a great service to the discipline of Political Science in publishing these analyses and considerations. Disrupting Political Science: Black Women Reimagining the Discipline is shining a light on those who have often been obscured within the boundaries of the academic discipline—either because of who they are or because of what they study. Political Science is truly an expansive discipline, and to understand the world in which we live, individuals or groups should not be marginalized or erased, but re-centered and engaged. This book goes far in helping to refocus and consider otherwise obscured dimensions of political science and political scientists. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Hair is always and everywhere freighted with meaning. In nineteenth-century America, however, hair took on decisive new significance as the young nation wrestled with its identity. During the colonial period, hair was usually seen as bodily discharge, even “excrement.” But as Dr. Sarah Gold McBride shows in Whiskerology: The Culture of Hair in Nineteenth-Century America (Harvard University Press, 2025), hair gradually came to be understood as an integral part of the body, capable of exposing truths about the individuals from whom it grew—even truths they wanted to hide. As the United States diversified—intensifying divisions over race, class, citizenship status, and region—Americans sought to understand and classify one another through the revelatory power of hair: its color, texture, length, even the shape of a single strand. While hair styling had long offered clues about one's social status, the biological properties of hair itself gradually came to be seen as a scientific tell: a reliable indicator of whether a person was a man or a woman; Black, white, Indigenous, or Asian; Christian or heathen; healthy or diseased. Hair was even thought to illuminate aspects of personality—whether one was courageous, ambitious, or perhaps criminally inclined. Yet if hair was a teller of truths, it was also readily turned to purposes of deception in ways that alarmed some and empowered others. Indeed, hair helped many Americans to fashion statements about political belonging, to engage in racial or gender passing, and to reinvent themselves in new cities. A history inscribed in bangs, curls, and chops, Whiskerology illuminates a period in American history when hair indexed belonging in some ways that may seem strange—but in other ways all too familiar—today. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wendy Doniger's An American Girl in India: Letters and Recollections, 1963–64 (SUNY Press, 2023) is a memoir-style collection of letters and reflections from her first trip to India as a young scholar. It offers a rare glimpse into the formative experiences that shaped her future career in Indology. The personal letters of her younger self are in conversation with reflections of her older self. Using this work as a launchpad, this interview broaches Doniger's personal and professional life learning through the course of her prominent career, spanning over five decades. This conversation commemorates Raj Balkaran's 400th New Books Network interview.  Wendy Doniger is Mircea Eliade Distinguished Service Professor of the History of Religions in the Divinity School, University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money (University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do feminist movements develop and organise in ethno-nationally divided societies? How does this challenge our understandings of contemporary fourth wave feminism? Women's Troubles: Gender and Feminist Politics in Post-Agreement Northern Ireland (Manchester University Press, 2025) by Dr. Claire Pierson sets out to answer these questions using rich empirical data and analysis in an examination of feminist activism after the Northern Irish peace agreement. Utilising feminist frameworks and debates on movement building, policymaking, abortion rights, gender-based violence and the UN women, peace and security agenda, Dr. Pierson interrogates the opportunities and challenges in articulating a feminist voice and creating feminist spaces in the conflict transformational politics and society. Capturing the complexities of contemporary feminist movement building in a divided society, Women's Troubles contributes to ongoing analysis of contemporary global feminisms. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women's public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women's ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long. In Penelope's Bones: A New History of Homer's World through the Women Written Out of It (University of Chicago Press, 2025), award-winning classicist and historian Dr. Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer's heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer's world, Dr. Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women's work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean. Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Soma Chaudhuri and Jane Ward, eds. The Witch Studies Reader. (Duke University Press, 2025). Stories about witches are by their nature stories about the most basic and profound of human experiences—healing, sex, violence, tragedies, aging, death, and encountering the mystery and magic of the unknown. It is no surprise, then, that witches loom large in our cultural imaginations. In academia, studies of witches rarely emerge from scholars who are themselves witches and/or embedded in communities of witchcraft practitioners. The Witch Studies Reader brings together a diverse group of scholars, practitioners, and scholar-practitioners who examine witchcraft from a critical decolonial feminist perspective that decenters Europe and departs from exoticizing and pathologizing writing on witchcraft in the global South. The authors show how witches are keepers of suppressed knowledges, builders of new futures, exemplars of praxis, and theorists in their own right. Throughout, they account for the vastly different national, political-economic, and cultural contexts in which “the witch” is currently being claimed and repudiated. Offering a pathbreaking transnational feminist examination of witches and witchcraft that upends white supremacist, colonial, patriarchal knowledge regimes, this volume brings into being the interdisciplinary field of feminist witch studies. Contributors. Maria Amir, Ruth Asiimwe, Bernadette Barton, Ethel Brooks, Shelina Brown, Ruth Charnock, Soma Chaudhuri, Carolyn Chernoff, Saira Chhibber, Simon Clay, Krystal Cleary, Adrianna L. Ernstberger, Tina Escaja, Laurie Essig, Marcelitte Failla, D Ferrett, Marion Goldman, Jaime Hartless, Margaretha Haughwout, Patricia Humura, Apoorvaa Joshi, Govind Kelkar, Oliver Kellhammer, Ayça Kurtoğlu, Helen Macdonald, Isabel Machado, Brandy Renee McCann, Dev Nathan, Mary Jo Neitz, Amy Nichols-Belo, Allison (or AP) Pierce, Emma Quilty, Anna Rogel, Karen Schaller, Jacquelyn Marie Shannon, Shashank Shekhar Sinha, Gabriella V. Smith, Nathan Snaza, Shannon Hughes Spence, Eric Steinhart, Morena Tartari, Nicole Trigg, Katie Von Wald, Tushabe wa Tushabe, Jane Ward Learn more about your ad choices. Visit megaphone.fm/adchoices