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In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia's Humanities Course, covering Virgil's The Aeneid (Books 1–2), Ovid's Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.Key Discussion Points: Virgil's The Aeneid (Robert Fagles' Translation): Written between 29–19 BCE, The Aeneid serves as Rome's foundational epic, modeled on Homer's Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage's shore due to Juno's interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy's fall, including the Trojan Horse stratagem and Aeneas' escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas' pietas (duty to gods, family, state). Divine rivalries, notably Juno's grudge from the Judgment of Paris and Venus' protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility. Ovid's Metamorphoses (David Raeburn's Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid's era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity's decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity. The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome's Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport's notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study. Contextual Notes: The texts reflect Rome's engagement with Greek literary traditions, adapting gods' names (e.g., Hera to Juno) and themes. The course's schedule prioritizes rapid coverage to identify key works and connections.Takeaways:I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people. The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.This is a year-long challenge! Join me next week for WHATEVER IS NEXTLINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Spotify Play List of Puccini and Verdi without wordsCave...
The Gospel Manifesto in the Book of Romans Pt. 2: The Bad News, Romans 1:18-3:20 By Louie Marsh, 5-4-2025 3 Cartoons, And Finally… Doctor: "I have good news and bad news." Patient: "Go with the good news first." Doctor: "You have 24 hours to live." Patient: "What?! How about the bad news?" Doctor: Um... I forgot to tell you yesterday." 1) God wrath (anger) is stirred when I REPRESS the truth. 18 For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who by their unrighteousness suppress the truth. 19 For what can be known about God is plain to them, because God has shown it to them. 20 For his invisible attributes, namely, his eternal power and divine nature, have been clearly perceived, ever since the creation of the world, in the things that have been made. So they are without excuse. 21 For although they knew God, they did not honor him as God or give thanks to him, but they became futile in their thinking, and their foolish hearts were darkened. 22 Claiming to be wise, they became fools, 23 and exchanged the glory of the immortal God for images resembling mortal man and birds and animals and creeping things. Romans 1:18-23 (ESV) 2) God honors my free will by allowing me to SIN. 24 Therefore God gave them up in the lusts of their hearts to impurity, to the dishonoring of their bodies among themselves, 25 because they exchanged the truth about God for a lie and worshiped and served the creature rather than the Creator, who is blessed forever! Amen. Romans 1:24-25 (ESV) 26 For this reason God gave them up to dishonorable passions. For their women exchanged natural relations for those that are contrary to nature; Romans 1:26 (ESV) HOMOSEXUALITY IN ANCIENT ROME: The primary dichotomy of ancient Roman sexuality was active/dominant/masculine and passive/submissive/"feminized". In Roman society the freeborn male citizen possessed political liberty and the right to rule both himself and his household. "Virtue" was seen as an active quality through which a man defined himself. The conquest mentality and "cult of virility" shaped same-sex relations. Roman men were free to enjoy sex with other males without a perceived loss of masculinity or social status, as long as they took the dominant role. Acceptable male partners were slaves, prostitutes, and entertainers, Although Roman men in general seem to have preferred youths between the ages of 12 and 20 as sexual partners, freeborn male minors were strictly off-limits, and professional prostitutes and entertainers might be considerably older. Same-sex relations among women are less documented. The Augustan poet Ovid takes an exceptionally keen interest, but advocates for a heterosexual lifestyle contrary to Roman sexual norms. 28 And since they did not see fit to acknowledge God, God gave them up to a debased mind to do what ought not to be done. 29 They were filled with all manner of unrighteousness, evil, covetousness, malice. They are full of envy, murder, strife, deceit, maliciousness. They are gossips, 30 slanderers, haters of God, insolent, haughty, boastful, inventors of evil, disobedient to parents, 31 foolish, faithless, heartless, ruthless. 32 Though they know God's righteous decree that those who practice such things deserve to die, they not only do them but give approval to those who practice them. Romans 1:28-32 (ESV) Ways We Suppress the Truth: · DENIAL · No one's PERFECT · I was BORN that way. Dear Dr. Roach: I read your recent column regarding identical twins where one of the two was balding while his twin was not. Within my family, there are identical twin brothers, who also were almost impossible for family members to differentiate. If their DNA genes are “identical,” now that they are adults, how can one be homosexual, while his twin is married with children? Studies have shown that in identical twins, if one twin is gay (the term “homosexual” is used in clinical studies but is considered offensive, so I won't use it further), then 30 per cent to 66 per cent of the identical twins also will be gay. As this is much higher than the overall rate in the population, this suggests some, but not absolute, genetic influence. However, an adopted sibling of a gay person is also more likely to be gay (11 per cent in one study), suggesting that the familial environment also plays a significant role. Some people who are attracted to the same gender can be so afraid of, or put off by, the social stigma against same-sex couples that they marry and have children with a person of the opposite sex despite being primarily or uniquely attracted to those of the same gender. Some people have found that they may be attracted to a person of either gender; their choice of life partner depends more on the partner's personality and their unique situation than on his or her biological sex. Sexual identity is not a choice. We cannot choose to whom we will be attracted. I'm afraid many people fundamentally misunderstand this point. *** Dramatic confirmation that the sea ice in the Arctic has been stable for nearly two decades is contained in a recently published science paper from a team led by Dr Mark England from the University of Exeter. The finding is of course obvious to anyone who studies the data but it will inconvenience the activist cranks who continue to promote supposed reductions in Arctic sea ice as an important sign of their imaginary ‘tipping points' and their fake climate crisis. Despite the data showing the ice has been stable over every month in the year since around 2007. ************ Living together before marriage increasing the changes of getting a divorce. 3) When I condemn others I'm really just condemning MYSELF. 1 Therefore you have no excuse, O man, every one of you who judges. For in passing judgment on another you condemn yourself, because you, the judge, practice the very same things… 3 Do you suppose, O man—you who judge those who practice such things and yet do them yourself—that you will escape the judgment of God? 4 Or do you presume on the riches of his kindness and forbearance and patience, not knowing that God's kindness is meant to lead you to repentance? Romans 2:1, 3-4 (ESV) 4) I must be PERFECT to be good enough for heaven. 12 For all who have sinned without the law will also perish without the law, and all who have sinned under the law will be judged by the law. 13 For it is not the hearers of the law who are righteous before God, but the doers of the law who will be justified. Romans 2:12-13 (ESV) 5) I'm just as much a sinner as EVERYONE ELSE. 9 What then? Are we Jews any better off? No, not at all. For we have already charged that all, both Jews and Greeks, are under sin, 10 as it is written: “None is righteous, no, not one; 11 no one understands; no one seeks for God…20 For by works of the law no human being will be justified in his sight, since through the law comes knowledge of sin. Romans 3:9-11, 20 (ESV) 6) God's answer to sin is FAITH in Jesus. 16 yet we know that a person is not justified by works of the law but through faith in Jesus Christ, so we also have believed in Christ Jesus, in order to be justified by faith in Christ and not by works of the law, because by works of the law no one will be justified. Galatians 2:16 (ESV) 11 Now it is evident that no one is justified before God by the law, for “The righteous shall live by faith.” 12 But the law is not of faith, rather “The one who does them shall live by them.” 13 Christ redeemed us from the curse of the law by becoming a curse for us—for it is written, “Cursed is everyone who is hanged on a tree”— 14 so that in Christ Jesus the blessing of Abraham might come to the Gentiles, so that we might receive the promised Spirit through faith. Galatians 3:11-14 (ESV)
Plants, Politics and Empire in Ancient Rome (Cambridge University Press, 2022) by Dr. Annalisa Marzano investigates the cultural and political dimension of Roman arboriculture and the associated movement of plants from one corner of the empire to the other. It uses the convergent perspectives offered by textual and archaeological sources to sketch a picture of large-scale arboriculture as a phenomenon primarily driven by elite activity and imperialism. Arboriculture had a clear cultural role in the Roman world: it was used to construct the public persona of many elite Romans, with the introduction of new plants from far away regions or the development of new cultivars contributing to the elite competitive display. Exotic plants from conquered regions were also displayed as trophies in military triumphs, making plants an element of the language of imperialism. Dr. Marzano argues that the Augustan era was a key moment for the development of arboriculture and identifies colonists and soldiers as important agents contributing to plant dispersal and diversity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there aredumb. NBN features scholars (like you!), providing an enriching alternative tostudents. We partner with presses like Oxford, Princeton, and Cambridge to makeacademic research accessible to all. Please consider sharing the New BooksNetwork with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn,or Bluesky. Don't forget to subscribe to our Substack here toreceive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food
Plants, Politics and Empire in Ancient Rome (Cambridge University Press, 2022) by Dr. Annalisa Marzano investigates the cultural and political dimension of Roman arboriculture and the associated movement of plants from one corner of the empire to the other. It uses the convergent perspectives offered by textual and archaeological sources to sketch a picture of large-scale arboriculture as a phenomenon primarily driven by elite activity and imperialism. Arboriculture had a clear cultural role in the Roman world: it was used to construct the public persona of many elite Romans, with the introduction of new plants from far away regions or the development of new cultivars contributing to the elite competitive display. Exotic plants from conquered regions were also displayed as trophies in military triumphs, making plants an element of the language of imperialism. Dr. Marzano argues that the Augustan era was a key moment for the development of arboriculture and identifies colonists and soldiers as important agents contributing to plant dispersal and diversity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there aredumb. NBN features scholars (like you!), providing an enriching alternative tostudents. We partner with presses like Oxford, Princeton, and Cambridge to makeacademic research accessible to all. Please consider sharing the New BooksNetwork with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn,or Bluesky. Don't forget to subscribe to our Substack here toreceive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Plants, Politics and Empire in Ancient Rome (Cambridge University Press, 2022) by Dr. Annalisa Marzano investigates the cultural and political dimension of Roman arboriculture and the associated movement of plants from one corner of the empire to the other. It uses the convergent perspectives offered by textual and archaeological sources to sketch a picture of large-scale arboriculture as a phenomenon primarily driven by elite activity and imperialism. Arboriculture had a clear cultural role in the Roman world: it was used to construct the public persona of many elite Romans, with the introduction of new plants from far away regions or the development of new cultivars contributing to the elite competitive display. Exotic plants from conquered regions were also displayed as trophies in military triumphs, making plants an element of the language of imperialism. Dr. Marzano argues that the Augustan era was a key moment for the development of arboriculture and identifies colonists and soldiers as important agents contributing to plant dispersal and diversity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there aredumb. NBN features scholars (like you!), providing an enriching alternative tostudents. We partner with presses like Oxford, Princeton, and Cambridge to makeacademic research accessible to all. Please consider sharing the New BooksNetwork with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn,or Bluesky. Don't forget to subscribe to our Substack here toreceive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Plants, Politics and Empire in Ancient Rome (Cambridge University Press, 2022) by Dr. Annalisa Marzano investigates the cultural and political dimension of Roman arboriculture and the associated movement of plants from one corner of the empire to the other. It uses the convergent perspectives offered by textual and archaeological sources to sketch a picture of large-scale arboriculture as a phenomenon primarily driven by elite activity and imperialism. Arboriculture had a clear cultural role in the Roman world: it was used to construct the public persona of many elite Romans, with the introduction of new plants from far away regions or the development of new cultivars contributing to the elite competitive display. Exotic plants from conquered regions were also displayed as trophies in military triumphs, making plants an element of the language of imperialism. Dr. Marzano argues that the Augustan era was a key moment for the development of arboriculture and identifies colonists and soldiers as important agents contributing to plant dispersal and diversity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there aredumb. NBN features scholars (like you!), providing an enriching alternative tostudents. We partner with presses like Oxford, Princeton, and Cambridge to makeacademic research accessible to all. Please consider sharing the New BooksNetwork with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn,or Bluesky. Don't forget to subscribe to our Substack here toreceive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology
Plants, Politics and Empire in Ancient Rome (Cambridge University Press, 2022) by Dr. Annalisa Marzano investigates the cultural and political dimension of Roman arboriculture and the associated movement of plants from one corner of the empire to the other. It uses the convergent perspectives offered by textual and archaeological sources to sketch a picture of large-scale arboriculture as a phenomenon primarily driven by elite activity and imperialism. Arboriculture had a clear cultural role in the Roman world: it was used to construct the public persona of many elite Romans, with the introduction of new plants from far away regions or the development of new cultivars contributing to the elite competitive display. Exotic plants from conquered regions were also displayed as trophies in military triumphs, making plants an element of the language of imperialism. Dr. Marzano argues that the Augustan era was a key moment for the development of arboriculture and identifies colonists and soldiers as important agents contributing to plant dispersal and diversity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there aredumb. NBN features scholars (like you!), providing an enriching alternative tostudents. We partner with presses like Oxford, Princeton, and Cambridge to makeacademic research accessible to all. Please consider sharing the New BooksNetwork with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn,or Bluesky. Don't forget to subscribe to our Substack here toreceive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Plants, Politics and Empire in Ancient Rome (Cambridge University Press, 2022) by Dr. Annalisa Marzano investigates the cultural and political dimension of Roman arboriculture and the associated movement of plants from one corner of the empire to the other. It uses the convergent perspectives offered by textual and archaeological sources to sketch a picture of large-scale arboriculture as a phenomenon primarily driven by elite activity and imperialism. Arboriculture had a clear cultural role in the Roman world: it was used to construct the public persona of many elite Romans, with the introduction of new plants from far away regions or the development of new cultivars contributing to the elite competitive display. Exotic plants from conquered regions were also displayed as trophies in military triumphs, making plants an element of the language of imperialism. Dr. Marzano argues that the Augustan era was a key moment for the development of arboriculture and identifies colonists and soldiers as important agents contributing to plant dispersal and diversity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there aredumb. NBN features scholars (like you!), providing an enriching alternative tostudents. We partner with presses like Oxford, Princeton, and Cambridge to makeacademic research accessible to all. Please consider sharing the New BooksNetwork with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn,or Bluesky. Don't forget to subscribe to our Substack here toreceive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Plants, Politics and Empire in Ancient Rome (Cambridge University Press, 2022) by Dr. Annalisa Marzano investigates the cultural and political dimension of Roman arboriculture and the associated movement of plants from one corner of the empire to the other. It uses the convergent perspectives offered by textual and archaeological sources to sketch a picture of large-scale arboriculture as a phenomenon primarily driven by elite activity and imperialism. Arboriculture had a clear cultural role in the Roman world: it was used to construct the public persona of many elite Romans, with the introduction of new plants from far away regions or the development of new cultivars contributing to the elite competitive display. Exotic plants from conquered regions were also displayed as trophies in military triumphs, making plants an element of the language of imperialism. Dr. Marzano argues that the Augustan era was a key moment for the development of arboriculture and identifies colonists and soldiers as important agents contributing to plant dispersal and diversity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there aredumb. NBN features scholars (like you!), providing an enriching alternative tostudents. We partner with presses like Oxford, Princeton, and Cambridge to makeacademic research accessible to all. Please consider sharing the New BooksNetwork with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn,or Bluesky. Don't forget to subscribe to our Substack here toreceive our weekly newsletter.
Plants, Politics and Empire in Ancient Rome (Cambridge University Press, 2022) by Dr. Annalisa Marzano investigates the cultural and political dimension of Roman arboriculture and the associated movement of plants from one corner of the empire to the other. It uses the convergent perspectives offered by textual and archaeological sources to sketch a picture of large-scale arboriculture as a phenomenon primarily driven by elite activity and imperialism. Arboriculture had a clear cultural role in the Roman world: it was used to construct the public persona of many elite Romans, with the introduction of new plants from far away regions or the development of new cultivars contributing to the elite competitive display. Exotic plants from conquered regions were also displayed as trophies in military triumphs, making plants an element of the language of imperialism. Dr. Marzano argues that the Augustan era was a key moment for the development of arboriculture and identifies colonists and soldiers as important agents contributing to plant dispersal and diversity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there aredumb. NBN features scholars (like you!), providing an enriching alternative tostudents. We partner with presses like Oxford, Princeton, and Cambridge to makeacademic research accessible to all. Please consider sharing the New BooksNetwork with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn,or Bluesky. Don't forget to subscribe to our Substack here toreceive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Situated on the cusp of the Romantic era, Thomas Gray's work is a mixture of impersonal Augustan abstraction and intense subjectivity. ‘Elegy Written in a Country Churchyard' is one of the most famous poems in the English language, and continues to exert its influence on contemporary poetry. Mark and Seamus explore three of Gray's elegiac poems and their peculiar emotional power. They discuss Gray's ambiguous sexuality, his procrastination and class anxieties, and where his humour shines through – as in his elegy for Horace Walpole's cat.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrldIn other podcast apps: https://lrb.me/closereadingsldFurther reading in the LRB:John Mullan: Unpranked Lyrehttps://www.lrb.co.uk/the-paper/v23/n24/john-mullan/unpranked-lyreTony Harrison: ‘V.'https://www.lrb.co.uk/the-paper/v07/n01/tony-harrison/vGet the books: https://lrb.me/crbooklistRead the texts online:https://www.thomasgray.org/texts/poems/sorwhttps://www.thomasgray.org/texts/poems/elcchttps://www.thomasgray.org/texts/poems/odfcNext episode: Mid-20th century elegies: Betjeman, Lowell, Bishop Hosted on Acast. See acast.com/privacy for more information.
https://www.iservalan.com https://www.taletellerclub.comChapter 2: Classical Antiquity – Pleasure, Power, and Myth(Greece, Rome, India, China, Japan)Erotic Art in the Classical World: Sensuality, Divinity, and the Human FormThe civilizations of Greece and Rome profoundly shaped Western attitudes toward eroticism, beauty, and the human body. Meanwhile, in Asia, India, China, and Japan developed their own rich traditions of erotic art, where sexuality was intertwined with spirituality, aesthetics, and philosophy. Across these cultures, erotic imagery was not just about desire—it was deeply connected to mythology, religious devotion, and social identity.The Greek Celebration of the Nude and the DivineAncient Greek art (c. 800–146 BCE) is renowned for its idealized representations of the human form, including sensual and erotic depictions. Unlike later Western traditions, which often moralized sexuality, the Greeks saw eroticism as an essential aspect of life, closely tied to their gods, heroes, and social structures.The Male Nude and Homoeroticism in Greek ArtGreek sculptures and vase paintings frequently depicted the nude male body as a symbol of beauty, strength, and divine perfection. The kouroi (statues of young men) and later the works of sculptors like Phidias, Polykleitos, and Praxiteles showcased a balance of realism and idealism.Homoeroticism played a significant role in Greek culture, particularly in the institution of pederasty, where older men (erastai) mentored and formed relationships with younger men (eromenoi). While controversial today, these relationships were embedded in Greek education, social bonding, and military camaraderie. Erotic vase paintings and sculptures, such as those on the Warren Cup, openly depicted same-sex relationships without stigma.Aphrodite and the Feminine EroticThe goddess Aphrodite, associated with love and beauty, was a central figure in Greek erotic art. The first known fully nude female sculpture, Aphrodite of Knidos by Praxiteles (c. 360 BCE), marked a shift in the portrayal of female sensuality. While earlier depictions of women were clothed, this work introduced the eroticized nude female body as an artistic norm in Western art.Rome: Eroticism, Excess, and Moral ContradictionsThe Romans inherited much from Greek artistic traditions but added their own flair for luxury, satire, and explicit eroticism. Roman erotic art ranged from refined frescoes in wealthy villas to bawdy graffiti in brothels, revealing a culture that embraced sexuality in both elite and everyday contexts.Pompeii and Herculaneum: A Window into Roman EroticismThe eruption of Mount Vesuvius in 79 CE preserved vast amounts of erotic art in Pompeii and Herculaneum, offering an unparalleled glimpse into Roman attitudes toward sexuality. Frescoes from the Villa of the Mysteries and Lupanar (brothel) depict explicit scenes, suggesting that sexuality was not hidden but woven into public and private life.One of the most famous artifacts, the Priapus fresco, shows the god Priapus weighing his exaggerated phallus against a bag of money—a humorous but symbolic image of fertility and prosperity. Romans often associated large phallic imagery with protection, luck, and virility.Satire and Social Commentary in Roman EroticaWhile erotic art was common, Rome also saw moral pushback against sexual excess. Writers like Ovid (Metamorphoses, Ars Amatoria) celebrated love and seduction, while others, like Juvenal, satirized the decadence of Roman society. The Augustan moral reforms (1st century BCE) attempted to impose sexual restraint, yet erotic art continued to flourish, reflecting the contradictions within Roman attitudes toward pleasure.Erotic Art in Ancient India: The Sacred and the SensualEroticism in ancient India was deeply entwined with spirituality, particularly through Hinduism and Tantra. Unlike in the West, where sexuality was often seen in opposition to religious purity, Indian art frequently depicted sensuality as an extension of divine energy.Temple Eroticism: Khajuraho and KonarkThe Khajuraho temple complex (c. 950–1050 CE) and the Konark Sun Temple (c. 13th century CE) feature intricate sculptures of deities, lovers, and erotic acts. These reliefs, far from being mere decoration, reflect the Hindu belief that sexual union mirrors cosmic unity and divine creation.The Kama Sutra and Indian Erotic TextsAttributed to Vātsyāyana, the Kama Sutra (3rd century CE) is one of the most famous texts on love and eroticism. Contrary to its popular perception as a sex manual, it is a sophisticated treatise on pleasure, relationships, and aesthetics. Accompanying illustrations in later manuscripts helped visualize its teachings, making it one of the most influential works of erotic literature.Erotic Art in Ancient China: Daoism and Sensual BalanceIn China, erotic art was shaped by Confucian ideals, Daoist philosophy, and later Buddhist influences. While Confucianism promoted restraint, Daoism embraced sexuality as a path to harmony and longevity.Daoist Sexual Arts and Painted ScrollsDaoist texts, such as the "Art of the Bedchamber", describe sexual practices believed to extend life and health. Erotic scroll paintings from the Tang (618–907 CE) and Song (960–1279 CE) dynasties often depicted intimate scenes with poetic inscriptions, emphasizing sensuality rather than crude explicitness.Later, during the Ming (1368–1644) and Qing (1644–1912) dynasties, erotic books known as "spring pictures" (春宫图) became popular among the elite, blending humor, philosophy, and eroticism.Japan's Shunga: The Floating World of SensualityJapanese erotic art, or Shunga (春画), flourished during the Edo period (1603–1868). These woodblock prints, created by masters such as Hokusai and Utamaro, depicted erotic encounters with both aesthetic refinement and explicit detail. Unlike in the West, where erotic art often faced suppression, Shunga was widely enjoyed across social classes.Shunga as Art, Satire, and InstructionShunga prints were not just pornographic; they served multiple purposes, including sexual education, humor, and even political satire. Some depicted fantastical elements, such as Hokusai's famous "The Dream of the Fisherman's Wife", blending eroticism with mythology.Conclusion: Classical Eroticism as a Reflection of CultureThe erotic art of classical antiquity reveals a diversity of attitudes toward sexuality:Idealized beauty and divine connection – Greek and Roman art celebrated the nude as an emblem of perfection.Religious and cosmic symbolism – Hindu and Daoist traditions saw sexuality as a path to spiritual enlightenment.Humor and satire – Roman and Japanese art often infused eroticism with wit and social commentary.While some traditions embraced erotic art as sacred, others saw it as a source of indulgence or controversy. The tension between openness and censorship would continue to shape erotic art in the centuries to come.The Warren Cup (1st century CE, Roman) A silver drinking cup featuring detailed homoerotic scenes, the Warren Cup provides insight into Roman attitudes toward male-male relationships. Hidden for centuries, it is now a key artifact in LGBTQ+ art history.Khajuraho Temple Reliefs (10th–11th century CE, India)These intricate sculptures depict a range of erotic acts, reinforcing the Hindu belief in sexuality as a divine force. Unlike Western art, which often separated the sacred from the sensual, Khajuraho integrates both seamlessly.The Frescoes of the Villa of the Mysteries (1st Century BCE, Pompeii, Roman Empire)The Villa of the Mysteries in Pompeii contains one of the most famous and enigmatic fresco cycles from ancient Rome. While not explicitly erotic, many scholars believe the images depict a Dionysian initiation ritual, potentially related to sacred sexuality and mystery cults. The frescoes feature semi-nude figures, suggestive interactions, and themes of divine ecstasy, linking sexuality to spiritual transformation. This example highlights how Romans often blended eroticism with religious and ritualistic themes rather than treating it as purely physical pleasure.Shunga by Kitagawa Utamaro (1753–1806, Edo Period, Japan)Kitagawa Utamaro, one of the most celebrated ukiyo-e artists, created numerous Shunga (春画, "spring pictures"), which depicted intimate encounters with exquisite detail and elegance. His prints, such as Poem of the Pillow, emphasized the sensuality of touch, fabric, and movement, offering a refined and almost poetic take on erotic imagery. His work also often featured women's pleasure and agency, making it a significant contribution to the study of feminine desire in erotic art.#stencilart #originalart #investment art #blinkfrictionart #blinkfrictionfashion #reclaimart #reclaimfashion
CAS 11 - 18 - 2-2024 Tracy Hellman-Augustan Track/CC Coach and Shawn Flanagan-Lennox Football Coach by Calling All Sports
Acts 27 (NASB) 1 When it was decided that we would sail for Italy, they proceeded to deliver Paul and some other prisoners to a centurion of the Augustan cohort named Julius. 2 And embarking in an Adramyttian ship, which was about to sail to the regions along the coast of Asia, we put out to sea accompanied by Aristarchus, a Macedonian of Thessalonica. 3 The next day we put in at Sidon; and Julius treated Paul with consideration and allowed him to go to his friends and receive care. 4 From there we put out to sea and sailed under the shelter of Cyprus because the winds were contrary. 5 When we had sailed through the sea along the coast of Cilicia and Pamphylia, we landed at Myra in Lycia. 6 There the centurion found an Alexandrian ship sailing for Italy, and he put us aboard it. 7 When we had sailed slowly for a good many days, and with difficulty had arrived off Cnidus, since the wind did not permit us to go farther, we sailed under the shelter of Crete, off Salmone; 8 and with difficulty sailing past it we came to a place called Fair Havens, near which was the city of Lasea. 9 When considerable time had passed and the voyage was now dangerous, since even the fast was already over, Paul began to admonish them, 10 and said to them, "Men, I perceive that the voyage will certainly be with damage and great loss, not only of the cargo and the ship, but also of our lives." 11 But the centurion was more persuaded by the pilot and the captain of the ship than by what was being said by Paul. 12 Because the harbor was not suitable for wintering, the majority reached a decision to put out to sea from there, if somehow they could reach Phoenix, a harbor of Crete, facing southwest and northwest, and spend the winter there. 13 When a moderate south wind came up, supposing that they had attained their purpose, they weighed anchor and began sailing along Crete, close inshore. 14 But before very long there rushed down from the land a violent wind, called Euraquilo; 15 and when the ship was caught in it and could not face the wind, we gave way to it and let ourselves be driven along. 16 Running under the shelter of a small island called Clauda, we were scarcely able to get the ship's boat under control. 17 After they had hoisted it up, they used supporting cables in undergirding the ship; and fearing that they might run aground on the shallows of Syrtis, they let down the sea anchor and in this way let themselves be driven along. 18 The next day as we were being violently storm-tossed, they began to jettison the cargo; 19 and on the third day they threw the ship's tackle overboard with their own hands. 20 Since neither sun nor stars appeared for many days, and no small storm was assailing us, from then on all hope of our being saved was gradually abandoned. 21 When they had gone a long time without food, then Paul stood up in their midst and said, "Men, you ought to have followed my advice and not to have set sail from Crete and incurred this damage and loss. 22 Yet now I urge you to keep up your courage, for there will be no loss of life among you, but only of the ship. 23 For this very night an angel of the God to whom I belong and whom I serve stood before me, 24 saying, 'Do not be afraid, Paul; you must stand before Caesar; and behold, God has granted you all those who are sailing with you.' 25 Therefore, keep up your courage, men, for I believe God that it will turn out exactly as I have been told. 26 "But we must run aground on a certain island." 27 But when the fourteenth night came, as we were being driven about in the Adriatic Sea, about midnight the sailors began to surmise that they were approaching some land. 28 They took soundings and found it to be twenty fathoms; and a little farther on they took another sounding and found it to be fifteen fathoms. 29 Fearing that we might run aground somewhere on the rocks, they cast four anchors from the stern and wished for daybreak. 30 But as the sailors were trying to escape from the ...
Virgil's Eclogues are a fundamental text of Western literature that served as a model for the nascent poetry of the Augustan and later of the Imperial Age. Inspired by the bucolic poetry of Theocritus, the work uses the apparent simplicity of rural settings to explore complex elements of poetic, literary, philosophical, and even figurative culture, and to express the drama of civil war and expropriations. In A Commentary on Virgil's Eclogues (Oxford UP, 2023), accompanied by a detailed introduction, Andrea Cucchiarelli analyses the Eclogues in depth, establishing comparisons with both Greek and Roman poetic models, with philosophical texts, and with significant later texts from the Roman poetic tradition. The commentary is the first to offer a systematic account of the poem in its historical context, between the end of the Republic and the Age of Augustus: particular attention is also paid to the language of the figurative arts, which for Roman readers constituted an important complement to literary knowledge of myths and stories. The volume offers the reader a reliable and concise interpretation of the text, which is systematically lemmatized and annotated throughout; each eclogue is additionally accompanied by an introductory overview and a detailed bibliography to direct further reading. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Virgil's Eclogues are a fundamental text of Western literature that served as a model for the nascent poetry of the Augustan and later of the Imperial Age. Inspired by the bucolic poetry of Theocritus, the work uses the apparent simplicity of rural settings to explore complex elements of poetic, literary, philosophical, and even figurative culture, and to express the drama of civil war and expropriations. In A Commentary on Virgil's Eclogues (Oxford UP, 2023), accompanied by a detailed introduction, Andrea Cucchiarelli analyses the Eclogues in depth, establishing comparisons with both Greek and Roman poetic models, with philosophical texts, and with significant later texts from the Roman poetic tradition. The commentary is the first to offer a systematic account of the poem in its historical context, between the end of the Republic and the Age of Augustus: particular attention is also paid to the language of the figurative arts, which for Roman readers constituted an important complement to literary knowledge of myths and stories. The volume offers the reader a reliable and concise interpretation of the text, which is systematically lemmatized and annotated throughout; each eclogue is additionally accompanied by an introductory overview and a detailed bibliography to direct further reading. Learn more about your ad choices. Visit megaphone.fm/adchoices
Thursday, 18 April 2024 And when it was decided that we should sail to Italy, they delivered Paul and some other prisoners to one named Julius, a centurion of the Augustan Regiment. Acts 27:1 Much more literally, the words read, “And when our sailing away to Italy was decided, they delivered both Paul and certain others, prisoners, to a centurion by name Julius, of the Augustan cohort” (CG). Chapter 26 ended with the words of Agrippa noting that if Paul had not appealed to Caesar, he could have been released. However, he did appeal, and so Chapter 27 begins with, “And when our sailing away to Italy was decided.” The narrative includes the first-person pronoun “our.” This connects the account all the way back to Acts 21:17. What we can infer is that Luke was probably there with Paul the entire time that he was in Caesarea. He may have even used this time in the compilation of the Gospel of Luke. As for the travel to Rome, how the decision to sail was made isn't explained. It could be that it was cheaper, quicker, safer, requiring less manpower, or for some other reason. Probably it was just the common way of delivering prisoners from this area as it was a seaport. The fact that other prisoners were on board with him lends itself to the thought of traveling by ship. They could be more easily contained than going by land. The word apopleo is used here. It is from a compound word exactly meaning “sail away.” This is the fourth and last time it is seen. All have been in Acts in connection with Paul's travels. In preparation for this sailing away, it next says, “they delivered both Paul and certain others, prisoners.” The word translated as “others” as in “certain others, prisoners” is heteros. It means “another of a different kind.” In other words, Paul is singled out from the rest. Translating this as “certain other prisoners” as the NKJV does, fails to provide any distinction. However, in saying “certain others, prisoners,” it helps the mind consider that there is, in fact, a distinction. The choice of words used by Luke carries a note of his being conducted to Rome for a different reason than the others. His innocence has already been established, but his appeal made his appearance before Caesar a requirement, regardless of his innocence or guilt. Understanding that, it next says, “to a centurion by name Julius, of the Augustan cohort.” In the Greek, Luke uses four nouns and an adjective – centurion name Julius cohort Augustan. Therefore, a bit of insertion needs to take place for clarity. Julius is introduced here, and he is noted as a centurion of the Augustan Regiment. There is much dispute as to exactly what this regiment is. The Greek reads, speirēs Sebastēs, or the cohort of Sebastos. Sebastos means venerated or august. It is a title of the Roman emperors. Thus, secondarily, it signifies Augustan, imperial. Albert Barnes gives his thought on this band, which is as logical and probable as any other view – “It was a division in the Roman army consisting of from 400 to 600 men. This was called ‘Augustus' band' in honor of the Roman emperor Augustus, and was probably distinguished in some way for the care in enlisting or selecting them. The Augustine cohort or band is mentioned by Suetonius in his Life of Nero, 20.” Life application: Bible study is something that doesn't just have to happen on Wednesday night at church. It can happen right in your own home each day as you pull out a commentary and read it along with the passage you are presently reading in the Bible. As for Acts 27, there are 44 verses in the chapter. Following along for the next 44 days with this commentary will provide insights into the contents of the chapter, the original Greek context of various words, the intent of the author, the life of Paul as he heads to Rome – including getting lost at sea in a great storm and getting shipwreck on an island – and so much more. After that, Chapter 28 is comprised of just 31 more verses. Be sure to spend the next 75 days with us as we search out the wonderful words of Scripture concerning the adventures of Paul as he shares the gospel to the Gentile world. Lord God Almighty, what a wonderful gift Your word is. Thank You for the exciting details of people who have gone before and of stories of times past that lead us to a better understanding of Your great work of redemption as it is revealed in and through the Person of Jesus Christ our Lord. Yes, Lord, thank You for this precious gift. Amen.
This week, Brad and Havird Usry, the dynamic father and son duo behind Fat Man's Hospitality Group join us. With a portfolio boasting iconic eateries like Sno Cap Drive-In, Fat Man's, The Southern Salad, and the soon-to-open Bradley's Barbecue, Brad and Havird share insights into their journey, from family legacy to community support. As a proud alumnus and avid supporter of Augusta University, Brad reveals their special bond with the institution, discussing their roles as advocates and champions for AU Athletics. But that's not all—tune in as we welcome Sarah Childers, Experience and Community Development Manager for Destination Augusta, who shares insider tips on Authentic Augusta Experiences every Augustan should savor. From local gems to JagPerks partnerships, discover the vibrant tapestry of Augusta's offerings, enriching both residents and visitors alike. --- Send in a voice message: https://podcasters.spotify.com/pod/show/inthewildpodcast/message
Llewelyn Morgan, author of Horace: A Very Short Introduction, joins EI's Paul Lay to explore the Augustan poet's vast and complex legacy. Image: Bust of Horace. Credit: Cum Okolo / Alamy Stock Photo
On this day in 9 BC, the Altar of Peace was dedicated in Rome as a tribute to Caesar Augustus.See omnystudio.com/listener for privacy information.
The panel introduces one of the Graveyard Poets, Thomas Warton the Younger, and reads in full his most famous poem, "The Pleasures of Melancholy", with attention to how it prefigures the Romantics even as it remains part of the Augustan worldview.Continue reading
fWotD Episode 2414: Temple of Apollo Palatinus Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Thursday, 14 December 2023 is Temple of Apollo Palatinus.The Temple of Apollo Palatinus ('Palatine Apollo'), sometimes called the Temple of Actian Apollo, was a temple to the god Apollo in Rome, constructed on the Palatine Hill on the initiative of Augustus (known as "Octavian" until 27 BCE) between 36 and 28 BCE. It was the first temple to Apollo within the city's ceremonial boundaries and the second of four temples constructed by Augustus. According to tradition, the site for the temple was chosen when it was struck by lightning, which was interpreted as a divine portent. Augustan writers situated the temple next to Augustus's personal residence, which has been controversially identified as the structure known as the domus Augusti.The temple was closely associated with the victories of Augustus's forces at the battles of Naulochus and Actium, the latter of which was extensively memorialised through its decoration. The temple played an important role in Augustan propaganda and political ideology, in which it represented the restoration of Rome's 'golden age' and served as a signifier of Augustus's pietas (devotion to religious and political duty). It was used for the worship of Apollo and his sister Diana, as well as to store the prophetic Sibylline Books. Its precinct was used for diplomatic functions as well as for meetings of the Roman Senate, and contained the Portico of the Danaids, which included libraries of Greek and Latin literature considered among the most important in Rome.Augustan poets frequently mentioned and praised the temple in their works, often commenting on its lavish artistic decoration and statuary, which included three cult statues and other works by noted Greek artists of the archaic period and the fourth century BCE. These poets included Tibullus, Virgil and Horace, whose Carmen Saeculare was first performed at the temple on 3 June 17 BCE during the Secular Games. The Great Fire of Rome in 64 CE damaged the temple, but it was restored under the emperor Domitian (r. 81 – 96 CE). It was finally destroyed by another fire in 363 CE, which was rumoured to be an act of arson committed by Christians. The temple has been excavated and partially restored in various phases since the 1860s, though only partial remains survive and their documentation is incomplete. Modern assessments of the temple have variously treated it as an extravagant, Hellenising break with Roman tradition and as a conservative attempt to reassert the architectural and political values of the Roman Republic. It has been described by the archaeologist John Ward-Perkins as "one of the earliest and finest of the Augustan temples".This recording reflects the Wikipedia text as of 01:18 UTC on Thursday, 14 December 2023.For the full current version of the article, see Temple of Apollo Palatinus on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Salli Neural.
Episode 81: If thine fruit is ripe, pluck it! And if thy root beer doth chill, sip it! This is the kind of Augustan era philosophizing you're going to get in this week's bodacious episode of idiom history sleuthing. Yahs, the fellas really go the whole nine yards with fascinating rivulets that include stacked white tires and the depth of a rich man's grave. So carpe diem and enter the world of Don't Be An Idiom.
Post-Augustan Poetry From Seneca to Juvenal
Today we bring you the last part of Vol. I of “Moral Letters to Lucilius” or “Letters from a Stoic” by Seneca - in an audiobook/videobook with relaxing music, visuals, and captions to help you stay engaged. Letters from a Stoic playlist: https://www.youtube.com/playlist?list=PL6wZrAjRwk7cuolfm0Dfs0J1AkvoChWFd And don't forget to like and subscribe for more Chillbooks videobooks! #audiobook #philosophy #stoic #lofi About Seneca Lucius Annaeus Seneca the Younger, usually known as Seneca, was a Roman Stoic philosopher, statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature. (Wikipedia) About Moral Letters to Lucillius / Letters from a Stoic "Moral Letters to Lucilius", also known as the Moral Epistles and Letters from a Stoic, is a collection of 124 letters that Seneca the Younger wrote during his retirement, after he had worked for the Emperor Nero for more than ten years. Genre(s): Classics (Roman & Latin Antiquity), Philosophy, Stoicism Language: English Chapter List 00:00 Part 7 of Letters from a Stoic by Seneca 00:12 Letter 53: On the Faults of the Spirit 07:52 Letter 54: On Asthma and Death 12:22 Letter 55: On Vatia's Villa 20:06 Letter 56: On Quiet and Study 29:21 Letter 57: On the Trials of Travel 34:29 Letter 58: On Being 58:37 Letter 59: On Pleasure and Joy 1:11:35 Letter 60: On Harmful Prayers 1:14:13 Letter 61: On Meeting Death Cheerfully 1:16:36 Letter 62: On Good Company 1:18:34 Letter 63: On Grief for Lost Friends 1:27:43 Letter 64: On the Philosopher's Task 1:33:31 Letter 65: On the First Cause Make sure you leave a comment if you enjoy the content --- Support this podcast: https://podcasters.spotify.com/pod/show/chillbooks/support
Today we bring you letters 40 to 52 from “Moral Letters to Lucilius” or “Letters from a Stoic” by Seneca - in an audiobook/videobook with relaxing music, visuals, and captions to help you stay engaged. Letters from a Stoic playlist: https://www.youtube.com/playlist?list=PL6wZrAjRwk7cuolfm0Dfs0J1AkvoChWFd And don't forget to like and subscribe for more Chillbooks videobooks! #audiobook #philosophy #stoic #lofi About Seneca Lucius Annaeus Seneca the Younger, usually known as Seneca, was a Roman Stoic philosopher, statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature. (Wikipedia) About Moral Letters to Lucillius / Letters from a Stoic "Moral Letters to Lucilius", also known as the Moral Epistles and Letters from a Stoic, is a collection of 124 letters that Seneca the Younger wrote during his retirement, after he had worked for the Emperor Nero for more than ten years. Genre(s): Classics (Roman & Latin Antiquity), Philosophy, Stoicism Language: English Chapter List 00:00 Part 6 of Letters from a Stoic by Seneca 00:14 Letter 40: On the Proper Style for a Philosopher's 09:10 Letter 41: On the God within Us 15:23 Letter 42: On Values 21:20 Letter 43: On the Relativity of Fame 23:47 Letter 44: On Philosophy and Pedigrees 28:14 Letter 45: On Sophistical Argumentation 36:38 Letter 46: On a New Book by Lucilius 38:55 Letter 47: On Master and Slave 51:17 Letter 48: On Quibbling as Unworthy of the Philosopher 59:33 Letter 49: On the Shortness of Life 1:08:01 Letter 50: On our Blindness and its Cure 1:13:45 Letter 51: On Baiae and Morals 1:21:56 Letter 52: On Choosing our Teachers Make sure you leave a comment if you enjoy the content --- Support this podcast: https://podcasters.spotify.com/pod/show/chillbooks/support
Lexman and Rob discuss the sound of Augustan poetry and Klootchmans, a bizarre Southern Dutch folkloric figure.
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Acts 27:1-8 27 And when it was determined that we should sail for Italy, they delivered Paul and certain other prisoners to a centurion named Julius, of the Augustan band. 2 And embarking in a ship of Adramyttium, which was about to sail unto the places on the coast of Asia, we put to sea, […]
Cleopatra XII is one of the most famous individuals from the ancient world. The final Queen of Ancient Egypt, and a woman who used her position to directly influence Roman politics and society, there's more to her than Shakespeare plays would suggest. And while Cleopatra's story ended in tragedy, what about her children who survived? Cleopatra Selene, named after her mother, is a story lost to history - the true, final ruler of the Ptolemaic dynasty, what do we know about her today?In this episode Tristan is joined by Dr Jane Draycott from the University of Glasgow, to learn about the astonishing life of this other Cleopatra. Cleopatra Selene II grew up during the last days of Ancient Egypt, and in Rome during the first years of its new Empire. She would go on to rule as Queen of Numidia, Mauretania and finally Cyrenaica, becoming one of the most important women of the Augustan age. So what can we learn from Cleopatra Selene, and is it time she's recognised as a giant of the ancient world?The Senior Producer was Elena GuthrieThe Assistant Producer was Annie ColoeEdited by Aidan LonerganFor more Ancients content, subscribe to our Ancients newsletter here. If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! Hosted on Acast. See acast.com/privacy for more information.
Today we bring you letters 29 to 39 from “Moral Letters to Lucilius” or “Letters from a Stoic” by Seneca - in an audiobook/videobook with relaxing music, visuals, and captions to help you stay engaged. Letters from a Stoic playlist: https://www.youtube.com/playlist?list=PL6wZrAjRwk7cuolfm0Dfs0J1AkvoChWFd And don't forget to like and subscribe for more Chillbooks videobooks! #audiobook #philosophy #stoic #lofi About Seneca ---------------------------------- Lucius Annaeus Seneca the Younger, usually known as Seneca, was a Roman Stoic philosopher, statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature. (Wikipedia) About Moral Letters to Lucillius / Letters from a Stoic ---------------------------------- "Moral Letters to Lucilius", also known as the Moral Epistles and Letters from a Stoic, is a collection of 124 letters that Seneca the Younger wrote during his retirement, after he had worked for the Emperor Nero for more than ten years. Genre(s): Classics (Roman & Latin Antiquity), Philosophy, Stoicism Language: English Chapter List ---------------------------------- 00:00 Letters from a Stoic by Seneca 00:12 Letter 29: On the critical condition of Marcellinus 06:14 Letter 30: On conquering the conqueror 14:51 Letter 31: On siren songs 20:47 Letter 32: On progress 23:31 Letter 33: On the futility of learning maxims 29:29 Letter 34: On a promising pupil 31:09 Letter 35: On the friendship of kindred minds 33:26 Letter 36: On the value of retirement 39:26 Letter 37: On allegiance to virtue 41:49 Letter 38: On quiet conversation 43:18 Letter 39: On noble aspirations - Do you like Chillbooks audiobooks? Let us know in the comments! --- Support this podcast: https://podcasters.spotify.com/pod/show/chillbooks/support
Egypt was a valuable province to Rome, with natural wealth and successful agriculture. Thanks to an arid climate there's also a number of preserved papyri from that era, providing modern scholarship with an invaluable paper-trail on the administration at the time. One papyri has led to the belief that Augustus confiscated lands of the Egyptian temples, and ultimately the decline of Egypt's religions. Andrew Connor is the author of Confiscation or Coexistence: Egyptian Temples in the Age of Augustus published by University of Michigan Press. Guest: Dr Andrew Connor (Lecturer, Centre for Ancient Cultures, Monash University)
Today we bring you letters 22 to 28 from “Moral Letters to Lucilius” or “Letters from a Stoic” by Seneca - in an audiobook/videobook with relaxing music, visuals, and captions to help you stay engaged. Letters 1 to 7: https://youtu.be/BoziWV8bwto Letters 8 to 14: https://youtu.be/L-QJRcfn_bw Letters 15 to 21: https://youtu.be/PJ2C1pt8MQI And don't forget to like and subscribe for more Chillbooks videobooks! #audiobook #philosophy #stoic #lofi
Today we bring you letters 15 to 21 from “Moral Letters to Lucilius” or “Letters from a Stoic” by Seneca - in an audiobook/videobook with relaxing music, visuals, and captions to help you stay engaged. Letters 1 to 7: https://youtu.be/BoziWV8bwto Letters 8 to 14: https://youtu.be/L-QJRcfn_bw And don't forget to like and subscribe for more Chillbooks videobooks! #audiobook #philosophy #stoic #lofi
Today we bring you letters 8 to 14 from “Moral Letters to Lucilius” or “Letters from a Stoic” by Seneca - in an audiobook/videobook with relaxing music, visuals, and captions to help you stay engaged. For letters 1 to 7: https://youtu.be/BoziWV8bwto And don't forget to like and subscribe for more Chillbooks videobooks! #audiobook #philosophy #stoic #lofi
Today we bring you “Of A Happy life - De Vita Beata“ from “The Dialogues of Seneca'' - this book features a collection of quotes in audiobook format with relaxing music, visuals, and subtitles to help you stay engaged. And don't forget to like and subscribe for more Chillbooks!
Today we bring you letters 1 to 7 from “Moral Letters to Lucilius” or “Letters from a Stoic” by Seneca - in an audiobook/videobook with relaxing music, visuals, and captions to help you stay engaged. And don't forget to like and subscribe for more Chillbooks videobooks! #audiobook #philosophy #stoic
Today: Rafi Salazar, an Augustan from one of our big Ms that we haven't had many episodes about: medicine. Rafi started his career as an ambitious PT and has now created a podcast, a book, and runs his own practice. We drop some serious healthcare knowledge and talk about how and why he does all of this right out of Augusta. Keep up with him & the Better Outcomes Media Family: https://podcasts.apple.com/us/podcast/the-better-outcomes-show/id1521529076 https://www.amazon.com/Better-Outcomes-Guide-Humanizing-Healthcare/dp/163742311X Presented By Nancy Powell Real Estate Broker @DowntownAugustaBroker (Nancy20201!) DropTheDis Question Presented by Tranter Grey Media (TranterGrey.com) Community Partners: TheClubhou.se at the Cyber Center & Augusta Podcasts, LLC. Also Featuring: @AllEqualParts, 2nd City Distilling & Durty Gurl Cocktail Mixers. Music by C. Lark. Find him wherever you listen to music! Beer is Brought to You by Savannah River Brewery (Follow them on Facebook!) SavannahRiverBrew.Com Want to Support the Show & Get Free Stuff & Cool, Unique Bonus Content? Check out our Patreon! Learn More and Shop Merch @ AugustaPodcasts.com & Check Out Our Next Show @ AugustaRocks.com Produced at Augusta Podcasts Studio
The guys are back in studio to talk some golf and there's lots of "Fairway Files" on this week's episode! JT starts things off with a recap from the "405 Classic," benefitting friends of the pod Betsy King and Kendall Dye's Golf Fore Africa as the YSO pod was serving as a sponsor! Next, the boys chop it up about Keeg's big win at the ZOZO in Japan, and make picks on whether Rickie Fowler or Vik Hovland win next on Tour. There's a little LIV talk (congrats, Brooksie), a Freddie Couples sighting, and a brief mention of the Masters (the Andalucian variety, not the Augustan).... We talk Big 12 Match Play down in Hockley, TX and try and figure out the pool play format but a big chunk of this pod is tootin' our own horns, as Scooter talks lifting the MGA Cup at the Greens, JT gets reinvigorated (yikes) for golf at Dornick with his new role on the Maxwell Society, and Keith says "aloha" to the studio as he's getting ready to board a plane and head to Hawaii to play golf for the next 10 days on the islands! And oh yeah, the CJ Cup at Congaree with a loaded field as well! All that and so much more on this week's YSO podcast!!! https://fantasysportsprose.com/ https://chalkokc.com/ https://golfforeafrica.org/ @ysogolf @sports_prose @ScottyG21 @DirtyBirdiesDFS @chalkokc
Paraklausithyron (Ancient Greek: παρακλαυσίθυρον) is a motif in Greek and especially Augustan love elegy, as well as in troubadour poetry.
With Antony distracted with developments in the east, Fulvia finds herself in the familiar position of advocating for her husband's interests. This escalated to a war with Octavian, the outcome of which would leave Fulvia isolated. Guest: Dr Rhiannon Evans (Associate Professor in Classics and Ancient History at La Trobe University). Content warning: There is rude Augustan poetry in this episode, as well as some rather insulting missiles. Please be advised. Emperors of Rome will celebrate its 200th episode with a live recording in Melbourne on October 4th. Get your free tickets!
Most of our information about Herod the Great derives from the accounts found in Josephus' Jewish War and Jewish Antiquities. Together they constitute a unique resource on one of the most famous personalities of ancient history. But from where did Josephus get his information? It is commonly agreed that his primary source was Nicolaus of Damascus, Herod's court historian, though the extent to which Josephus adapted his material remains disputed. Herod in History: Nicolaus of Damascus and the Augustan Context (Oxford UP, 2021) takes a modern, source-critical approach to Josephus' extensive account of Herod's reign to suggest that Josephus did indeed rely heavily on Nicolaus's work, but that previous scholarship was mistaken in seeing Nicolaus as a mere propagandist. Nicolaus may have begun his Universal History while Herod was alive, but he finished it after his death and so had no reason to write propaganda. This makes his work all the more interesting, for what we have instead is something rather different: a Syrian intellectual claiming a place in Augustan Rome, by telling a story about what the Augustan World looks like on the Eastern periphery. Kimberley Czajkowski and Benedikt Eckhardt delineate Nicolaus' approach to various critical topics in Herod's reign in order to reveal his perception of client kingship, the impact of empire, and the difficulties involved in ruling Judaea. This study uncovers an Eastern intellectual's view on how to succeed and how to fail in the new Augustan world order. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Most of our information about Herod the Great derives from the accounts found in Josephus' Jewish War and Jewish Antiquities. Together they constitute a unique resource on one of the most famous personalities of ancient history. But from where did Josephus get his information? It is commonly agreed that his primary source was Nicolaus of Damascus, Herod's court historian, though the extent to which Josephus adapted his material remains disputed. Herod in History: Nicolaus of Damascus and the Augustan Context (Oxford UP, 2021) takes a modern, source-critical approach to Josephus' extensive account of Herod's reign to suggest that Josephus did indeed rely heavily on Nicolaus's work, but that previous scholarship was mistaken in seeing Nicolaus as a mere propagandist. Nicolaus may have begun his Universal History while Herod was alive, but he finished it after his death and so had no reason to write propaganda. This makes his work all the more interesting, for what we have instead is something rather different: a Syrian intellectual claiming a place in Augustan Rome, by telling a story about what the Augustan World looks like on the Eastern periphery. Kimberley Czajkowski and Benedikt Eckhardt delineate Nicolaus' approach to various critical topics in Herod's reign in order to reveal his perception of client kingship, the impact of empire, and the difficulties involved in ruling Judaea. This study uncovers an Eastern intellectual's view on how to succeed and how to fail in the new Augustan world order. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Most of our information about Herod the Great derives from the accounts found in Josephus' Jewish War and Jewish Antiquities. Together they constitute a unique resource on one of the most famous personalities of ancient history. But from where did Josephus get his information? It is commonly agreed that his primary source was Nicolaus of Damascus, Herod's court historian, though the extent to which Josephus adapted his material remains disputed. Herod in History: Nicolaus of Damascus and the Augustan Context (Oxford UP, 2021) takes a modern, source-critical approach to Josephus' extensive account of Herod's reign to suggest that Josephus did indeed rely heavily on Nicolaus's work, but that previous scholarship was mistaken in seeing Nicolaus as a mere propagandist. Nicolaus may have begun his Universal History while Herod was alive, but he finished it after his death and so had no reason to write propaganda. This makes his work all the more interesting, for what we have instead is something rather different: a Syrian intellectual claiming a place in Augustan Rome, by telling a story about what the Augustan World looks like on the Eastern periphery. Kimberley Czajkowski and Benedikt Eckhardt delineate Nicolaus' approach to various critical topics in Herod's reign in order to reveal his perception of client kingship, the impact of empire, and the difficulties involved in ruling Judaea. This study uncovers an Eastern intellectual's view on how to succeed and how to fail in the new Augustan world order. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
Most of our information about Herod the Great derives from the accounts found in Josephus' Jewish War and Jewish Antiquities. Together they constitute a unique resource on one of the most famous personalities of ancient history. But from where did Josephus get his information? It is commonly agreed that his primary source was Nicolaus of Damascus, Herod's court historian, though the extent to which Josephus adapted his material remains disputed. Herod in History: Nicolaus of Damascus and the Augustan Context (Oxford UP, 2021) takes a modern, source-critical approach to Josephus' extensive account of Herod's reign to suggest that Josephus did indeed rely heavily on Nicolaus's work, but that previous scholarship was mistaken in seeing Nicolaus as a mere propagandist. Nicolaus may have begun his Universal History while Herod was alive, but he finished it after his death and so had no reason to write propaganda. This makes his work all the more interesting, for what we have instead is something rather different: a Syrian intellectual claiming a place in Augustan Rome, by telling a story about what the Augustan World looks like on the Eastern periphery. Kimberley Czajkowski and Benedikt Eckhardt delineate Nicolaus' approach to various critical topics in Herod's reign in order to reveal his perception of client kingship, the impact of empire, and the difficulties involved in ruling Judaea. This study uncovers an Eastern intellectual's view on how to succeed and how to fail in the new Augustan world order. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
Most of our information about Herod the Great derives from the accounts found in Josephus' Jewish War and Jewish Antiquities. Together they constitute a unique resource on one of the most famous personalities of ancient history. But from where did Josephus get his information? It is commonly agreed that his primary source was Nicolaus of Damascus, Herod's court historian, though the extent to which Josephus adapted his material remains disputed. Herod in History: Nicolaus of Damascus and the Augustan Context (Oxford UP, 2021) takes a modern, source-critical approach to Josephus' extensive account of Herod's reign to suggest that Josephus did indeed rely heavily on Nicolaus's work, but that previous scholarship was mistaken in seeing Nicolaus as a mere propagandist. Nicolaus may have begun his Universal History while Herod was alive, but he finished it after his death and so had no reason to write propaganda. This makes his work all the more interesting, for what we have instead is something rather different: a Syrian intellectual claiming a place in Augustan Rome, by telling a story about what the Augustan World looks like on the Eastern periphery. Kimberley Czajkowski and Benedikt Eckhardt delineate Nicolaus' approach to various critical topics in Herod's reign in order to reveal his perception of client kingship, the impact of empire, and the difficulties involved in ruling Judaea. This study uncovers an Eastern intellectual's view on how to succeed and how to fail in the new Augustan world order. Learn more about your ad choices. Visit megaphone.fm/adchoices
“August rain: the best of the summer gone, and the new fall not yet born. The odd uneven time." Sylvia Plath Paul and Mikey explore all things August, Augustan and even Augustine! But where did this month come from and how did we survive for so long without it?See omnystudio.com/listener for privacy information.
Episode 116p Retrieving the Real North African Church with Dr. David WilhiteDescription: Today is the last episode in our Summer of Scholars series. It lasted a bit more than just the summer, but it also started late in summer! Dr. David Wilhite, Ph.D., of Baylor University Truett Theological Seminary joins us today to talk about the Church of North Africa during antiquity. We have talked a lot about North African Christianity in this series, so I highly suggest you go back and listen to our episodes with Dr. David Eastman for more background and context. In this episode, Dr. Wilhite will lead us through a specific text and issue in the North African Church between the Donatists and the Catholic party about a generation before Augustine. It is a fascinating time and place in Church history. About Today's Guest:David Wilhite, Ph.d author of The True Church: Retrieving a North African Sermon on the Song of Songs and many other books.https://www.baylor.edu/truett/index.php?id=927830#wilhiteYou can learn more about the History of Papacy and subscribe at all these great places:http://atozhistorypage.com/https://www.historyofthepapacypodcast.comemail: steve@atozhistorypage.comhttps://www.patreon.com/historyofthepapacyparthenonpodcast.comBeyond the Big Screen:Beyondthebigscreen.comThe History of the Papacy on YouTube:https://www.youtube.com/channel/UC6DO2leym3kizBHW0ZWl-nAGet Your History of the Papacy Podcast Products Here: https://www.atozhistorypage.com/productsHelp out the show by ordering these books from Amazon!https://amzn.com/w/1MUPNYEU65NTFMusic Provided by:"Danse Macabre" Kevin MacLeod (incompetech.com)"Virtutes Instrumenti" Kevin MacLeod (incompetech.com)"Virtutes Vocis" Kevin MacLeod (incompetech.com)"Funeral March for Brass" Kevin MacLeod (incompetech.com)"String Impromptu Number 1" Kevin MacLeod (incompetech.com)Agnus Dei X - Bitter Suite Kevin MacLeaod (incomptech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Image Credits:By Ariely - Own work, CC BY 3.0, ttps://commons.wikimedia.org/w/index.php?curid=4533576By Pam Brophy, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=9124089By ACBahn - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=33810833Begin Transcript:[00:00:00] Thank you for listening to the history of the papacy. I am your host, Stephen. We are a member of the Parthenon podcast network, including Scott ranks, history unplugged James earliest key battles of American history, Richard Lim's, this American president, and more go to Parthenon podcast.com to learn more.I'd like to quickly mention Patrion, of course, and your support really, really, really helps this whole operation keep going in. And I just love it. If you just consider two. Donate on patrion.com forward slash history of the papacy in the new year. There's four tiers, Alexandria, Antioch, Constantinople, and Rome.You get inclusion on the history of the papacy diptychs bonus audio, video [00:01:00] content, and much more just head over to patrion.com forward slash history of the papacy to learn more. Now, let us commemorate the Patrion patrons on the history of the papacy. Diptychs we have Roberto Yoren, William Bryan, Jeffrey, Christina, and John and Sarah at the Alexandria level.We have Dapo Paul, Justin, and Launa all of whom are magnificent at Constantinople and reaching that ultimate power and prestige that of the sea of Rome. We have Peter the great. Today is the last episode. And our summer of scholar series, it lasted a bit more than just the summer, but it also started late in summer.So I'll take it that we got a little bit of a late ending too. But anyways, for today, we are interviewing a great scholar, Dr. David Wilhite of Baylor university's Truett, theological seminary to talk to us today about the church in north Africa, during antiquity, we've talked a lot about [00:02:00] the north African church in this series.So I highly suggest you go back and listen to our episodes with Dr. David Eastman and even go way, way back to the episode that I did on the north African church. And you can kind of explore. Not only my changing understanding of north African Christianity, but also some older scholarship and how the whole church and north Africa was viewed because really up until the seven hundreds, the history of Western Christianity was the church in north Africa.And I it's just endlessly fascinating. And I think you really can't understand Western Latin Christianity without understanding the north African church. Now for this episode, Dr. Wilhite will lead us through a specific text and issue in the north African church between the Donna tests and the Catholic party about a generation before Augustan.It is a [00:03:00] fascinating time and place in church history. And with that, here's the next piece of the mosaic of the history of the Pope's of Rome and Christian Church.I'd like to welcome our very special guests today, Dr. David Wilhite, Dr. Willhite is a professor of theology at Truet seminary at Baylor university in Waco. He's the author of numerous books, including Tertullian, the African and ancient African Christianity. The topic for today's episode is his book, the true church, retrieving north African sermon on the song of songs.This is a short and readable book on a really incredible, interesting topic. And I think people should definitely pick it up and I'm excited to talk about it because I think it gives the reader a really close look at all these things we've been kind of talking about with the African church, with the Donna tests and the Catholics that gives us a [00:04:00] more of a personal view of the topic, I think.But so I think to start off, what were the theoretical frameworks you use to study these sermons? Yeah. Well, thanks Stephen. It's an honor to be talking to you about all of this. Um, let's say the theoretical framework. So this really began as an, uh, a journal article that I wrote, and I would say I was using pretty traditional methodology just as far as, you know, kind of trying to reexamine texts, trying to sort of create a chronological order and see what assumptions have been, um, uh, made in the past by previous scholars and what assumptions probably need to be challenged.And then I sort of tested them against archeological remains and again, just sort of, sort of traditional, uh, historical sources. Now, the truth is what was really driving that research was a theoretical framework that I had used in my, in my doctorate, which was, um, in most general terms post-colonialism, uh, more specifically.[00:05:00] Adopted some of the, sort of, uh, from the, from the field of social anthropology, sort of how to get around some of the ethnocentric assumptions that we make. So again, and challenge those, you know, the assumptions of earlier historians, what, uh, what were people's identities, what identity politics, where I play things like that.Um, power dynamics with, with Roman colonization, um, Apollo that, so with post-colonial theory in particular, there's one author named Homi Bhabha who has a book called the location of culture. And he takes up this idea known as third space. And since, um, that's already widespread and post-colonial theory is sort of the helping people who inhabit the so-called third space.They're not necessarily colonizer nor colonize, like that's too binary. They live in this sort of hybrid world. So, so what are their identities in that space? And then with, with this project, I was actually. Examining concrete spaces, the silica buildings. And so that, that [00:06:00] I sort of dove back into that realm of what is third space.Um, there, there is a person named Edwards. So high, I think is how you say it. So Jake who has taken on, I mean, this, this way of thinking from Michael Miguel, Michelle Fuko, and others, and saying like, how do we understand actual inhabited places where people sit and interact, um, especially when they're sort of power dynamics and, uh, one view versus another view and what emerges out of that, it's this third space.So I used all of that, trying to narrow laser-focused that on, on this one particular text. So we look at the. This text, there's the two, the dueling sermons. You might call them. Who were these two people who were writing these sermons about this, this space? Yeah. So the, the sort of last texts to us is by Armenian of Carthage.He's the Bishop of Carthage after Donotos and Donald tests. Your listeners probably remember from the great Donald to schism, he's the sort of the Bishop that was at the head of all of that for [00:07:00] 40 years, 40 plus years. So when he finally dies Permian as his successor, and he's also a long-term because over 40 years, he's the Bishop of Carthage, even though he was exiled, he was the leader of his party.So he's hugely influential. Um, and he, we know that he gives a sermon or some sort of speech, um, when. Uh, the emperor Julian who's a history remembers as Julian, the apostate, because he was not gonna continue the line of Christianity like Constantine and the other Christian emperors. Julian allows the so-called pagans to come back and have their temples and shrines back.And that means that all of the, um, the, you know, the, the losing parties, the heretics, uh, of the early church. We've been ousted from their churches and their, their places, uh, we're allowed back. And so the donotist party had lost control in terms of the Imperial sanction, uh, after Constantine. But then when emperor, Julian allows the donotist to [00:08:00] reclaim their church buildings, their basilicas Armenian has this text that is celebrating that event.So that texts that says lost to us, fortunately, even though like most heretics, you know, once you become a heritage, your books are burned. Like most of the heretic sources are lost, but, uh, there's a
Join us this week with special guest, Tony Aaron Hambrick, the 31-year-old vocalist is a life-long Augustan,Ga native and is competing for a spot on this year's season of the hit TV show "The Voice."
In the third episode of Winds of the West, the Moroccan History Podcast, we meet one of the most important Roman client Kings of Antiquity: Juba II, who is remembered not only as a great king but also as an incredibly gifted scholar. Of Numidian origin, Juba II was raised as a Roman in the Augustan household before he became client King of Mauretania and married Cleopatra Selene II, daughter of the famous Cleopatra VII and Mark Antony.
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
In this special episode devoted to even more on the queen of Carthage, Dido, Liv teams up with Genn and Jenny of Ancient History Fangirl for a rundown of why Rome "needed" so much Augustan propaganda, and what that means for the real Carthage and the mythological Dido. There's drunken elephants, loathing of Julius Caesar, gossip about Augustus's family, Cleopatra, Ovid, and of course, Dido.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.To listen to more of Genn and Jenny, subscribe to Ancient History Fangirl wherever you get your podcasts! ancienthistoryfangirl.comAttributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.