Podcasts about sabella nitti

In the musical Chicago, the foreign woman held prisoner on Murderess Row has only one line in English: "Uh-uh, not guilty."   In today's episode, we explore the real-life case that inspired that character, Sabella Nitti, who was accused of murdering her husband, and her fight to speak for herself and prove her innocence. "Crimes of the Centuries" is a podcast from the Obsessed Network exploring forgotten crimes from times past that made a mark and helped change history. Follow us on Instagram and Twitter: @centuriespod Episode Sponsors: Athena Club - Show your skin you care with the Athena Club Razor Kit! Head to www.athenaclub.com and use code CRIMES for 25% off your first order. Wildgrain - The first-ever, bake-from-frozen subscription box for breads, pastas, and pastries. Save $30 off your first box - plus free croissants in every box - when you go to www.wildgrain.com/COTC.  Blissy - The best silk pillowcases on the market.  Go to www.blissy.com/COTC and use code COTC to get an additional 30% off.

This week we cover two more cases that helped inspire the musical, Chicago. Nathalie starts with the story of Sabella Nitti, who was accused of murdering her husband, Peter Crudele. Even though the case against her was essentially non-existent, the prosecutor relied heavily on her looks as well as sexism, racism, and stereotypes to convince a jury that she was a murderer. After being found guilty, Sabella's case was taken over by a much more competent group of lawyers. One of her new lawyers was Helen Cirese. Helen not only helped with navigating appeals, but also helped give Sabella a makeover, making her more appealing to her new jury. It turns out a haircut and a wardrobe had a HUGE impact during her new trial. Next, Rachel tells the story of Kitty Malm, aka the Tiger Woman. Kitty was a young woman who had the misfortune of marrying the wrong man. After her first marriage, Kitty thought she had found a new love after meeting Otto Malm. Otto had a criminal background and soon Kitty was helping him rob shops all around the city. One night, Otto shot and killed a security guard. The authorities started to go after known criminal, Walter Bockelman, and pegged Ethel Beck, a sex worker, as his accomplice. However, perhaps in an attempt to clear his conscience, Otto sort of confessed to the crime. He claimed that he was there, but it was Kitty who killed the security guard. Kitty tried to escape but eventually turned herself in when she was ready to face her fate. Rachel's Source: The Wolf Woman by Douglas Perry Nathalie's Sources: https://www.librarything.com/character/Isabella+Nitti+Crudelle%2C+%E2%80%9CSabella%E2%80%9D https://news.wttw.com/2017/06/21/ugly-prey-tells-story-first-woman-sentenced-hang-chicago https://www.womansday.com/life/a58890/ugly-prey/ https://scandalsandsweets.com/sabella-nitti-saved-by-a-makeover/ https://www.racked.com/2018/1/26/16927682/makeover-death-penalty-sabella-nitti https://www.mentalfloss.com/article/508498/lawyer-who-fought-free-first-woman-sentenced-death-chicago

For something that seems so simple, the act of adorning one's face with a smudge of lip color or a flick of eyeliner can mean getting a promotion, getting home safely, and being taken seriously—or not. As journalist Rae Nudson writes in her new book, All Made Up: The Power and Pitfalls of Beauty Culture, from Cleopatra to Kim Kardashian, makeup has, for better or worse, shaped cultural narratives and standards of beauty for centuries. Red lipstick is patriotic—and it's an act of protest—and it's a sign of sex appeal—all depending on when you lived, and who and where you are. Nudson joins us on the podcast to talk about the choices we make when we wear makeup, and whether those choices are ever entirely ours to make.Go beyond the episode:Rae Nudson's All Made Up: The Power and Pitfalls of Beauty Culture, from Cleopatra to Kim KardashianNudson wrote about the camouflage paint industry and the the makeup mogul crafting the U.S. Army's exclusive supplyRead more about Sabella Nitti, whose 1920s makeover saved her from the death penaltyFor decades, women have been inspired by Elizabeth Taylor's iconic blue eyeshadow from Cleopatra–which she applied herself“Everything We Know About Beauty We Learned From Drag Queens,” writes Kristina Rodulfo in ElleTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! See acast.com/privacy for privacy and opt-out information.

For something that seems so simple, the act of adorning one's face with a smudge of lip color or a flick of eyeliner can mean getting a promotion, getting home safely, and being taken seriously—or not. As journalist Rae Nudson writes in her new book, All Made Up: The Power and Pitfalls of Beauty Culture, from Cleopatra to Kim Kardashian, makeup has, for better or worse, shaped cultural narratives and standards of beauty for centuries. Red lipstick is patriotic—and it's an act of protest—and it's a sign of sex appeal—all depending on when you lived, and who and where you are. Nudson joins us on the podcast to talk about the choices we make when we wear makeup, and whether those choices are ever entirely ours to make.Go beyond the episode:Rae Nudson's All Made Up: The Power and Pitfalls of Beauty Culture, from Cleopatra to Kim KardashianNudson wrote about the camouflage paint industry and the the makeup mogul crafting the U.S. Army's exclusive supplyRead more about Sabella Nitti, whose 1920s makeover saved her from the death penaltyFor decades, women have been inspired by Elizabeth Taylor's iconic blue eyeshadow from Cleopatra–which she applied herself“Everything We Know About Beauty We Learned From Drag Queens,” writes Kristina Rodulfo in ElleTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! See acast.com/privacy for privacy and opt-out information.

Part 2 of our "Chicago" musical series. Description coming soon.

In the 1920's Chicago, Sabella Nitti is arrested and charged with the murder of her husband. But how she gets away with murder is a very remarkable story. Did she do it? You decide.

My guest is Dr. Emilie La Beau Lucchesi, author of Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago. She discusses the case of Sabella Nitti, a poor Italian immigrant woman accused by police of murdering her husband, with help from her farmhand lover. Dr. Lucchesi's investigation offers new evidence that she helps further exonerate Nitti, who is probably most well known in modern day culture as one of the characters in the Chicago musical and film. Brought to you by Audible, with the largest selection of audiobooks on the planet. Start your 30-day trial and get your first audiobook free by going to Audible.com/Erik, or texting Erik to 500500. Also, try the commission-free investment app, Robinhood. Go to notorious.robinhood.com to sign up!  Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella's case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi's book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella's fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella's appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book, Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago (Chicago Review Press, 2017), Emilie Le Beau Lucchesi presents the story of Sabella Nitti, an Italian immigrant arrested in 1923 an accused of murdering her husband. Sabella was found guilty and became the first woman in Chicago sentenced to hang. Through meticulous research into court documents and other public records, Lucchesi shares the riveting narrative of Sabella’s case. Situating Sabella in the 1920s, and looking at the ways in which this case shows how the legal system set up to defend her failed Sabella at every turn, Lucchesi’s book walks readers through the trial where there was no evidence and no witnesses, but reporters and the jury knew one thing for certain, Sabella must be guilty: she was ugly. Describing how the press, judges, and juries decided the guilt or innocence of women based on their looks, Lucchesi examines how Sabella’s fellow inmates such as Beulah and Belva were able to charm their juries into acquitting them. She examines the role of Helen Cirese, the young lawyer who lead Sabella’s appeal giving her a jailhouse makeover in order to be more credible. Told with deep description, Ugly Prey makes sure that the story of Sabella Nitti is not lost. Instead, it is one that shows how the present day American justice system is not dissimilar to the system of the past in the ways that gender, class, and ethnicity are impact how individuals are treated throughout the justice system. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Journalist Emilie Lucchesi talks about her new book, UGLY PREY: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago with Host Libby Hellmann Sunday, Sept 10, at 6 PM CDT. UGLY PREY is A true crime tale about  a poor immigrant woman with very little English – and a very dead husband during the 1920s in Chicago. The criminal justice system that sentenced her to hang, and the media circus that made her face the most hated in the nation. Struggling to scrape together a living on her primitive family farm outside Chicago, immigrant Sabella Nitti was arrested in 1923 for the murder of her missing husband. Within two months, she was found guilty and became the first woman ever sentenced to hang in Chicago. Journalist Emilie Le Beau Lucchesi leads readers through Sabella's sensational case, showing how, with no evidence and no witnesses, she was the target of an obsessed deputy sheriff and the victim of a faulty legal system. She was also—to the men who convicted her and the reporters fixated on her—ugly. For that unforgiveable crime, the media painted her as a hideous, dirty, and unpredictable immigrant, almost an animal.Lucchesi brings to life the sights and sounds of 1920s Chicago—its then-rural outskirts, downtown halls of power, and headline-making crimes and trials, including those of two other women (who would inspire the musical and film Chicago) also accused of killing the men in their lives. Featuring an ambitious and ruthless journalist who helped demonize Sabella through her reports, and the brilliant, beautiful, twenty-three-year-old lawyer who helped humanize her with a jailhouse makeover, Ugly Prey is not just a page-turning courtroom drama but also a thought-provoking look at the intersection of gender, ethnicity, class, and the American justice system.