Podcasts about white bear pr

Composers Amin Bhatia and Ari Posner discuss scoring ANNE WITH AN E, CBC and Netflix's recent production of L.M. Montgomery's ANNE OF GREEN GABLES, as adapted by BREAKING BAD's Moira Walley-Beckett. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. Special Thanks to Amin Bhatia and Ari Posner, and Maike Eilert at White Bear PR. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter and Instagram.

Composer Austin Wintory discusses scoring the new interactive full motion video game ERICA from Flavourworks, and published by Sony, and his compilation album REMNANTS. Music from both albums are available via Bandcamp. A prior interview from 2010 regarding Paul Solet's psychological shocker GRACE (2009) is also available. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. Special Thanks to Austin Wintory, and Maike Eilert at White Bear PR. Visit Austin Wintory's website for music samples, news, and media links. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Composer John Murphy (28 DAYS LATER, MIAMI VICE) discusses scoring the BBC's lavish new 6-part mini-series LES MISERABLES (2018), based on Victor Hugo's epic novel; his main themes & use of the viola; and taking a break from scoring in 2015 after the album ANONYMOUS. Prior interviews with the composer from 2010 (regarding ARMORED) and 2015 (regarding ANONYMOUS)are also available. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. Special Thanks to John Murphy, and Adrianna Perez at White Bear PR. Visit John Murphy's website for more info on the composer. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Composer Peter Nashel has paved a unique path for himself, and his career has seen him helm the scores to film and television across many genres. His most recent score is to the critically-acclaimed I, Tonya starring Margot Robbie. In this interview Peter shares his background and how he found himself working in film and television by taking an unconventional path. We dive in and dissect I, Tonya and how Peter had to navigate a film that primarily used songs throughout. I, Tonya also challenged Peter to find the right tone and cement some of the darker moments of the story together. Enjoy the special insights of composer Peter Nashel in this enlightening interview.   Interview Produced & Presented By: Kaya Savas   Special Thanks: Peter Nashel, Adrianna Perez, Chandler Poling, White Bear PR

[Watch the video interview on our YouTube Channel] Composer Austin Wintory joins us for an incredibly in-depth and engaging discussion on this All Access. Austin talks about his unique path to film scoring and how early on in his career he scored shorts and formed relationships that would lead to great projects such as Captain Abu Raed and Flow. We go into great depth on projects like Journey, ABZÛ, Assassin's Creed: Syndicate, Tooth and Tail and more. Austin describes his writing process and how each project comes to him in a different manner. We also talk about the state of video game storytelling and how the medium is evolving, and how games are gaining more and more respect as storytelling art. Austin also reflects on some of the headline-making news when he and the AFM (American Federation of Musicians) had some friction. We go over many details and many topics in this chat, and while it's one of our longest interviews on Film.Music.Media there's so much valuable information within it. It was a great honor to have the fantastic Austin Wintory as a guest!  Interview Produced & Presented By: Kaya Savas    Special Thanks: Austin Wintory, Chandler Poling, Adrianna Perez, White Bear PR

In this week's composer interview, Joe Kraemer discusses his latest work, the Amazon production Comrade Detective, a satire of a fake Soviet era detective series; and King Cohen: The Wild World of Filmmaker Larry Cohen.  Also discussed are DVD audio commentaries and vinyl, and a lengthy editorial on classic Canadian detective shows set in Any City, U.S.A., plus some teasing details on Video Store Day, coming Saturday October 21st to a bricks & mortar video shop near you. Visit KQEK.com for more info, links, and a review of Comrade Detective: Season 1. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. Special Thanks to Joe Kraemer, and Adrianna Perez and Molly McIsaac at White Bear PR for facilitating this interview. Visit Joe Kraemer's website for more info on the composer and his vast C.V.

Busy composing music for TV series such as DirectTV’s Rogue, Jeff Toyne’s latest project is the suspense film The Privileged, his third score for writer / director Leah Walker. The film score also offered Canadian composer Toyne a plum opportunity to score a film set in his home province of Ontario, and use its premiere at the Canadian Film Fest in March of 2014 to discuss the recent talks regarding an alliance between the Canadian Directors Guild and Composers Guild. The soundtrack to The Privileged is available as a digital album from Jagged Edge Music. Also available: a prior interview with Jeff Toyne discussing the music for Season 1 of Rogue. Special thanks to Jeff Toyne for making time during his busy schedule, and Chandler Poling at White Bear PR.   If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.

Podcast with up & coming composer John Piscitello regarding his work on the documentary No Place on Earth (2012). Special thanks to John Piscitello for discussing his latest work, and Chandler Poling at White Bear PR. The digital soundtrack album is available from Varese Sarabande Records, and the DVD is available from Magnolia Home Entertainment.   If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.