Podcast appearances and mentions of Victor Hugo

Le personnage de ce sonneur de cloches au physique ingrat amoureux fou de la belle gitane Esmeralda, Victor Hugo l'a sans doute rencontré en vrai avant d'écrire son chef-d'œuvre car oui il y avait bien un Bossu à Notre-Dame. C'est ce qu'on a découvert par hasard en 1999 dans les mémoires d'Henry Sibson, un sculpteur anglais qui a participé à la rénovation de Notre-Dame de Paris dans les années 1820. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Vous vous souvenez de l'exposition "Victor Hugo" décorateur que je suis allée voir en février avec Pauline, place des Vosges?  A l'occasion de l'exposition, nous pouvions assister, la semaine dernière, à une masterclass et à un concert de musique du XIXe siècle.  Je vous raconte cela dans cet épisode et je vous emmène ainsi avec moi à Paris, dans la période de la musique romantique du XIXe siècle, autour d'un piano carré.  Cet épisode sera pour vous l'occasion de découvrir de nouveaux mots de vocabulaire, mais aussi des sensations bien parisiennes !  Des sensations à cultiver en vous abonnant aux lettres qui accompagnent les épisodes du podcast sur www.onethinginafrenchday.com  

Merci à Fabrice Luchini d'être venu sur Legend.Acteur incontournable du cinéma et du théâtre français, Fabrice Luchini est venu raconter, sans filtre, les coulisses de sa vie. Addictions, s*xe, rencontres marquantes… il se confie comme jamais sur Legend.Retrouvez toutes les informations concernant notre invité ⬇️Son dernier film : Victor, comme tout le monde ➡️ https://victor-comme-tout-le-monde.lefilm.co/Sa pièce de théâtre : Fabrice Luchini lit Victor Hugo ➡️ https://www.portestmartin.com/fabrice-luchini-lit-victor-hugo-copie-6780373aRetrouvez l'interview complète sur YouTube ➡️ https://youtu.be/jCrscZXkjKsPour prendre vos billets pour le LEGEND TOUR c'est par ici ➡️ https://www.legend-tour.fr/ Retrouvez la boutique LEGEND ➡️ https://shop.legend-group.fr/Pour toutes demandes de partenariats : legend@influxcrew.com Retrouvez-nous sur tous les réseaux LEGEND !Facebook : https://www.facebook.com/legendmediafr Instagram : https://www.instagram.com/legendmedia/ TikTok : https://www.tiktok.com/@legend Twitter : https://twitter.com/legendmediafr Snapchat : https://www.snapchat.com/@legendcm75017 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:51:21 - Les Nuits de France Culture - par : Albane Penaranda - "Les Misérables" fiction radiophonique d'après Victor Hugo. En 2012, France Culture fête les 150 ans de la publication des "Misérables" par une adaptation radiophonique en dix épisodes. - réalisation : Virginie Mourthé

L'Oeil de Pierre Lescure s'intéresse à l'odonymie, l'étude des noms de rues. Il remarque que Victor Hugo est le troisième français le plus présent dans les noms de voies.Tous les soirs, du lundi au jeudi à 20h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent les personnalités et artistes qui font l'actualité.

Don't forget to Like & Subscribe to GET SIMPLIFIED!Join the guys in the home studio in Austin, TX for UFC, grappling, quads, and more!InstagramThe Podcast: @thesimplemanpodcast Come Train with Us: @simplemanmartialartsHosts:@bjjdamien@nickyrod247@ethan.crelinsten@nickyryanbjjProducer:@allywolskiC4 :@c4energyhttps://glnk.io/44o9/bjjdamienCode: SIMPLEMAN for 15% off your order!Marek Health:

Francouzský císař Napoleon III. je oproti svému proslulému strýci u nás dnes velmi málo známý. V to přesto, že nechyběl u žádného z hlavních konfliktů té doby, které se dotýkaly Rakouska, jako byla Krymská válka, sjednocení Itálie nebo pošťuchování obou německých mocností – tedy Rakouska a Pruska – proti sobě v šedesátých letech.Na naše vnímání Napoleona III. má větší vliv beletrie než historiografie. Victor Hugo napsal sžíravou kritiku „Malý Napoleon: dějiny jednoho zločinu“. Už název je vypovídající. Je to příběh malého muže s velkými ambicemi, který zničil republiku, příběh politika bez skutečného talentu, člověka průměrného ducha, který se opíral o represivní aparát.A Karel Marx viděl Napoleona III. jen jako slabý, groteskní odraz svého slavného strýce a už na počátku jeho císařství slavně tvrdil, že dějiny se opakují „jednou jako tragédie, podruhé jako fraška“.Dá se ale říci, že Napoleon III. měl smůlu. Kdyby zemřel o pár let dříve, byl by dnes určitě uctíván jako hrdina.

durée : 00:24:11 - L'invité de 8h20 : le grand entretien - par : Alexandra Bensaid, Simon Le Baron - Dans son nouveau film, "Victor comme tout le monde", Fabrice Luchini joue un comédien habité par l'œuvre de Victor Hugo, confronté au retour de sa fille et à certains débats féministes. - invités : Fabrice Luchini - Fabrice Luchini : Comédien Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:24:11 - L'invité de 8h20 : le grand entretien - par : Alexandra Bensaid, Simon Le Baron - Dans son nouveau film, "Victor comme tout le monde", Fabrice Luchini joue un comédien habité par l'œuvre de Victor Hugo, confronté au retour de sa fille et à certains débats féministes. - invités : Fabrice Luchini - Fabrice Luchini : Comédien Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ahead of her new book What's So Great About the Great Books? coming out in April, Naomi Kanakia and I talked about literature from Herodotus to Tony Tulathimutte. We touched on Chaucer, Anglo-Saxon poetry, Scott Alexander, Shakespeare, William James, Helen deWitt, Marx and Engels, Walter Scott, Les Miserables, Jhootha Sach, the Mahabharata, and more. Naomi also talked about some of her working habits and the history and future of the Great Books movement. Naomi, of course, writes Woman of Letters here on Substack.TranscriptHenry Oliver: Today, I am talking with Naomi Kanakia. Naomi is a novelist, a literary critic, and most importantly she writes a Substack called Woman of Letters, and she has a new book coming out, What's So Great About the Great Books? Naomi, welcome.Naomi Kanakia: Thanks for having me on.Oliver: How is the internet changing the way that literature gets discussed and criticized, and what is that going to mean for the future of the Great Books?Kanakia: How is the internet changing it? I can really speak to only how it has changed it for me. I started off as a writer of young adult novels and science fiction, and there's these very active online fan cultures for those two things.I was reading the Great Books all through that time. I started in 2010 through today. In the 2010s, it really felt like there was not a lot of online discussion of classic literature. Maybe that was just me and I wasn't finding it, but it didn't necessarily feel like there was that community.I think because there are so many strong, public-facing institutions that discuss classic literature, like the NYRB, London Review of Books, a lot of journals, and universities, too. But now on Substack, there are a number of blogs—yours, mine, a number of other ones—that are devoted to classic literature. All of those have these commenters, a community of commenters. I also follow bloggers who have relatively small followings who are reading Tolstoy, reading Middlemarch, reading even much more esoteric things.I know that for me, becoming involved in this online culture has given me much more of an awareness that there are many people who are reading the classics on their own. I think that was always true, but now it does feel like it's more of a community.Oliver: We are recording this the day after the Washington Post book section has been removed. You don't see some sort of relationship between the way these literary institutions are changing online and the way the Great Books are going to be conceived of in the future? Because the Great Books came out of a an old-fashioned, saving-the-institutions kind of radical approach to university education. We're now moving into a world where all those old things seem to be going.Kanakia: Yes. I agree. The Great Books began in the University of Chicago and Columbia University. If you look into the history of the movement, it really was about university education and the idea that you would have a common core and all undergraduates would read these books. The idea that the Great Books were for the ordinary person was really an afterthought, at least for Mortimer Adler and those original Great Books guys. Now, the Great Books in the university have had a resurgence that we can discuss, but I do think there's a lot more life and vitality in the kind of public-facing humanities than there has been.I talked to Irina Dumitrescu, who writes for TLS (The Times Literary Supplement), LRB (The London Review of Books), a lot of these places, and she also said the same thing—that a lot of these journals are going into podcasts, and they're noticing a huge interest in the humanities and in the classics even at the same time as big institutions are really scaling back on those things. Humanities majors are dropping, classics majors are getting cut, book coverage at major periodicals is going down. It does seem like there are signals that are conflicting. I don't really know totally what to make of it. I do think there is some relation between those two things.Ted Gioia on Substack is always talking about how culture is stagnant, basically, and one of the symptoms of that is that “back list” really outsells “front list” for books. Even in 2010, 50 percent of the books that were sold were front-list titles, books that had been released in the last 18 months. Now it's something like only 35 percent of books or something like that are front-list titles. These could be completely wrong, but there's been a trend.I think the decrease in interest in front-list books is really what drives the loss of these book-review pages because they mostly review front-list books. So, I think that does imply that there's a lot of interest in old books. That's what our stagnant culture means.Oliver: Why do you think your own blog is popular with the rationalists?Kanakia: I don't know for certain. There was a story I wrote that was a joke. There are all these pop nonfiction books that aim to prove something that seems counterintuitive, so I wrote a parody of one of those where I aim to prove that reading is bad for you. This book has many scientific studies that show the more you read, the worse it is because it makes you very rigid.Scott Alexander, who is the archrationalist, really liked that, and he added me to his blog roll. Because of that, I got a thousand rationalist subscribers. I have found that rationalists at least somewhat interested in the classics. I think they are definitely interested in enduring sources of value. I've observed a fair amount of interest.Oliver: How much of a lay reader are you really? Because you read scholarship and critics and you can just quote John Gilroy in the middle of a piece or something.Kanakia: Yeah. That is a good question. I have definitely gotten more interested in secondary literature. In my book, I really talk about being a lay reader and personally having a nonacademic approach to literature. I do think that, over 15 years of being a lay reader, I have developed a lot of knowledge.I've also learned the kind of secondary literature that is really important. I think having historical context adds a lot and is invaluable. Right now I'm rereading Les Miserables by Victor Hugo. When I first read it in 2010, I hardly knew anything about French history. I was even talking online with someone about how most people who read Les Miserables think it's set in the French Revolution. That's basically because Americans don't really know anything about French history.Everything makes just a lot more sense the more you know about the time because it was written for people in it. For people in 1860s France, who knew everything about their own recent history, that really adds a lot to it. I still don't tend to go that much into interpretive literature, literature that tries to do readings of the stories or tell me the meaning of the stories. I feel like I haven't really gotten that much out of that.Oliver: How long have you been learning Anglo-Saxon?Kanakia: I went through a big Anglo-Saxon phase. That was in 2010. It started because I started reading The Canterbury Tales in Middle English. There is a great app online called General Prologue created by one of your countrymen, Terry Richardson [NB it is Terry Jones], who loved Middle English. In this app, he recites the Middle English of the General Prologue. I started listening to this app, and I thought, I just really love the rhythms and the sounds of Middle English. And it's quite easy to learn. So then, I got really into that.And then I thought, but what about Anglo-Saxon? I'm very bad at languages. I studied Latin for seven years in middle school and high school. I never really got very far, but I thought, Anglo-Saxon has to be the easiest foreign language you can learn, right? So, I got into it.I cannot sight read Anglo-Saxon, but I really got into Anglo-Saxon poetry. I really liked the Anglo-Saxon Chronicle. Most people probably would not like the Anglo-Saxon Chronicle because it's very repetitive, but that makes it great if you're a language learner because every entry is in this very repetitive structure. I just felt such a connection. I get in trouble when I say this kind of stuff, because I'm never quiet sure if it's 100 percent true. But it's certainly one of the oldest vernacular literatures in Europe. It's just so much older than most of the other medieval literature I've read. And it just was such a window into a different part of history I never knew about.Oliver: And you particularly like “The Dream of the Rood”?Kanakia: Yeah, “The Dream of the Rood” is my favorite Anglo-Saxon poem. “The Dream of the Rood” is a poem that is told from the point of view of Christ's cross. A man is having a dream. In this dream he encounters Christ's cross, and Christ's cross starts reciting to him basically the story of the crucifixion. At the end, the cross is buried. I don't know, it was just so haunting and powerful. Yeah, it was one of my favorites.Oliver: Why do you think Byron is a better poet than Alexander Pope?Kanakia: This is an argument I cannot get into. I think this is coming up because T. S. Eliot felt that Alexander Pope was a great poet because he really exemplified the spirit of the age. I don't know. I've tried to read Pope. It just doesn't do it for me. Whereas with Byron, I read Don Juan and found it entertaining. I enjoyed it. Then, his lyric poetry is just more entertaining to read. With Alexander Pope, I'm learning a lot about what kind of poetry people wrote in the 18th century, but the joy is not there.Oliver: Okay. Can we do a quick fire round where I say the name of a book and you just say what you think of it, whatever you think of it?Kanakia: Sure.Oliver: Okay. The Odyssey.Kanakia: The Odyssey. Oh, I love The Odyssey. It has a very strange structure, where it starts with Telemachus and then there's this flashback in the middle of it. It is much more readable than The Iliad; I'll say that.Oliver: Herodotus.Kanakia: Herodotus is wild. Going into Herodotus, I really thought it was about the Persian war, which it is, but it's mostly a general overview of everything that Herodotus knew, about anything. It's been a long time since I read it. I really appreciate the voice of Herodotus, how human it is, and the accumulation of facts. It was great.Oliver: I love the first half actually. The bit about the Persian war I'm less interested in, but the first half I think is fantastic. I particularly love the Egypt book.Kanakia: Oh yeah, the Egypt book is really good.Oliver: All those like giant beetles that are made of fire or whatever; I can't remember the details, but it's completely…Kanakia: The Greeks are also so fascinated by Egypt. They go down there like what is going on out there? Then, most of what we know about Egypt comes from this Hellenistic period, when the Greeks went to Egypt. Our Egyptian kings list comes from the Hellenistic period where some scholar decided to sort out what everybody was up to and put it all into order. That's why we have such an orderly story about Egypt. That's the story that the Greeks tried to tell themselves.Oliver: Marcus Aurelius.Kanakia: Marcus Aurelius. When I first read The Meditations, which I loved, obviously, I thought, “being the Roman emperor cannot be this hard.” It really was a black pill moment because I thought, “if the emperor of Rome is so unhappy, maybe human power really doesn't do it.”Knowing more about Marcus Aurelius, he did have quite a difficult life. He was at war for most of his—just stuck in the region in Germany for ages. He had various troubles, but yeah, it really was very stoic. It was, oh, I just have to do my duty. Very “heavy is the head that wears the crown” kind of stuff. I thought, “okay, I guess being Roman emperor is not so great.”Oliver: Omar Khayyam.Kanakia: Omar Khayyam. Okay, I've only read The Rubaiyat of Omar Khayyam by Edward Fitzgerald, which I loved, but I cannot formulate a strong opinion right now.Oliver: As You Like It.Kanakia: No opinions.Oliver: Boswell's Life of Samuel Johnson.Kanakia: Boswell's Life of Samuel Johnson. I do have an opinion about this, which is that they should make a redacted version of Boswell's Life of Samuel Johnson. I normally am not a big believer in abridgements because I feel like whatever is there is there. But, Boswell's Life of Samuel Johnson, first of all, has a long portion before Boswell even meets Johnson. That portion drags; it's not that great. Then it has all these like letters that Johnson wrote, which also are not that great. What's really good is when Boswell just reports everything Johnson ever said, which is about half the book. You get a sense of Johnson's conversation and his personality, and that is very gripping. I've definitely thought that with a different presentation, this could still be popular. People would still read this.Oliver: The Communist Manifesto.Kanakia: The Communist Manifesto. It's very stirring. I love The Communist Manifesto. It has very haunting, powerful lines. I won't try to quote from it because I'll misquote them.Oliver: But it is remarkably well written.Kanakia: Oh yeah, it is a great work of literature.Oliver: Yeah.Kanakia: I read Capital [Das Kapital], which is not a great work of literature, and I would venture to say that it is not necessarily worth reading. It really feels like Marx's reputation is built on other political writings like The Eighteenth Brumaire of Louis Bonaparte and works like that, which really seem to have a lot more meat on the bone than Capital.Oliver: Pragmatism by William James.Kanakia: Pragmatism. I mean, I've mentioned that in my book. I love William James in general. I think William James was writing in this 19th-century environment where it seemed like some form of skepticism was the only rational solution. You couldn't have any source of value, and he really tried to cut through that with Pragmatism and was like, let's just believe the things that are good to believe. It is definitely at least useful to think, although someone else can always argue with you about what is useful to believe. But, as a personal guide for belief, I think it is still useful.Oliver: Major Barbara by George Bernard Shaw.Kanakia: No strong opinions. It was a long time ago that I read Major Barbara.Oliver: Tell me what you like about James Fenimore Cooper.Kanakia: James Fenimore Cooper. Oh, this is great. I have basically a list of Great Books that I want to read, but four or five years ago, I thought, “what's in all the other books that I know the names of but that are not reputed, are not the kind of books you still read?”That was when I read Walter Scott, who I really love. And I just started reading all kinds of books that were kind of well known but have kind of fallen into literary disfavor. In almost every case, I felt like I got a lot out of these books. So, nowadays when I approach any realm of literature, I always look for those books.In 19th-century American literature, the biggest no-longer-read book is The Last of the Mohicans by James Fenimore Cooper, which was America's first bestseller. He was the first American novelist that had a high reputation in Europe. The Last of the Mohicans is kind of a historical romance, à la Walter Scott, but much more tightly written and much more tightly plotted.Cooper has written five novels, the Leatherstocking Tales, that are all centered around this very virtuous, rough-hewn frontiersman, Natty Bumppo. He has his best friend, Chingachgook, who is the last of the Mohicans. He's the last of his tribe. And the two of these guys are basically very sad and stoic. Chingachgook is distanced from his tribe. Chingachgook has a tribe of Native Americans that he hates—I want to say it's the Huron. He's always like, “they're the bad ones,” and he's always fighting them. Then, Natty Bumppo doesn't really love settled civilization. He's not precisely at war with it, but he does not like the settlers. They're kind of stuck in the middle. They have various adventures, and I just thought it was so haunting and powerful.I've been reading a lot of other 19th-century American literature, and virtually none of it treats Native Americans with this kind of respect. There's a lot of diversity in the Native American characters; there's really an attempt to show how their society works and the various ways that leadership and chiefship works among them. There's this very haunting moment in The Last of the Mohicans, where this aged chief, Tamenund, comes out and starts speaking. This is a chief who, in American mythology, was famous for being a friend to the white people. But, James Fenimore Cooper writing in the 1820s has Tamenund come out at 80 years old and say, “we have to fight; we have to fight the white people. That's our only option.” It was just such a powerful moment and such a powerful book.I was really, really enthused. I read all of these Leatherstocking Tales. It was also a very strange experience to read these books that are generally supposed to be very turgid and boring, and then I read them and was like, “I understand. I'm so transported.” I understand exactly why readers in the 1820s loved this.Oliver: Which Walter Scott books do you like?Kanakia: I love all the Walter Scott books I've read, but the one I liked best was Kenilworth. Have you ever read Kenilworth?Oliver: I don't know that one.Kanakia: Yeah, it's about Elizabeth I, who had a romantic relationship with one of her courtiers.Oliver: The Earl of Essex?Kanakia: Yeah. She really thought they were going to get married, but then it turned out he was secretly married. Basically, I guess the implication is that he killed his wife in order to marry Queen Elizabeth I. It's a novel all about him and that situation, and it just felt very tightly plotted. I really enjoyed it.Oliver: What did you think of Rejection?Kanakia: Rejection by Tony Tulathimutte? Initially when I read this book, I enjoyed it, but I was like, “life cannot possibly be this sad.” It's five or six stories about these people who just have nothing going on. Their lives are so miserable, they can't find anyone to sleep with, and they're just doomed to be alone forever. I was like, “life can't be this bad.” But now thinking back over it, it is one of the most memorable books I've read in the last year. It really sticks with you. I feel like my opinion of this book has gone up a lot in retrospect.Oliver: How antisemitic is the House of Mirth?Kanakia: That is a hotly debated question, which I mentioned in my book. I think there has been a good case made that Edith Wharton, the author of House of Mirth, who was from an old New York family, was herself fairly antisemitic and did not personally like Jewish people. What she portrays in this book is that this old New York society also was highly suspicious of Jewish people and was organized to keep Jewish people out.In this book there is a rich Jewish man, Simon Rosedale, and there's a poor woman, Lily Bart. Lily Bart's main thing is whether she's going to marry the poor guy, Lawrence Selden, or the rich guy, Percy Gryce. She can't choose. She doesn't want to be poor, but she also is always bored by the rich guys. Meanwhile, through the whole book, there's Simon Rosedale, who's always like, “you should marry me.” He's the rich Jewish guy. He's like, “you should marry me. I will give you lots of money. You can do whatever you want.”Everybody else kind of just sees her as a woman and as a wife; he really sees her as an ally in his social climbing. That's his main motivation. The book is relatively clear that he has a kind of respect for her that nobody else does. Then, over the course of the book, she also gains a lot more respect for him. Basically, late in the book, she decides to marry him, but she has fallen a lot in the world. He's like, “that particular deal is not available anymore,” but he does offer her another deal that—although she finds it not to her taste—is still pretty good.He basically is like, “I'll give you some money, you'll figure out how to rehabilitate your reputation, and later down the line, we can figure something out.” So, I think with a great author like Edith Wharton, there's power in these portrayals. I felt it hard to come away from it feeling like the book is like a really antisemitic book.Oliver: Now, you note that the Great Books movement started out as something quite socially aspirational. Do you think it's still like that?Kanakia: I do think so. Yeah. For me, that's 100 percent what it was because I majored in econ. I always felt kind of inadequate as a writer against people who had majored in English. Then I started off as a science fiction writer, young adult writer, and I was like, “I'm going to read all these Great Books and then I'll have read the books that everybody else has read.” In my mind, that's also what it was—that there was some upper crust or literary society that was reading all these Great Books.That's really what did it. I do think there's still an element of aspiration to it because it's a club that you can join, that anyone can join. It's very straightforward to be a Great Books reader, and so I think there's still something there. I think because the Great Books movement has such a democratic quality to it, it actually doesn't get you to the top socially, which has always been the true, always been the case. But, that's okay. As long as you end up higher than where you started, that's fine.Oliver: What makes a book great?Kanakia: I talk about it this in the book, and I go through many different authors' conceptions of what makes a book great or what constitutes a classic. I don't know that anyone has come up with a really satisfying answer. The Horatian formulation from Horace—that a book is great or an author is great if it has lasted for a hundred years—is the one that seems to be the most accurate. Like, any book that's still being read a hundred years after it was written has a greatness.I do think that T. S. Eliott's formulation—that a civilization at its height produces certain literature and that literature partakes of the greatness of the civilization and summarizes the greatness of the civilization—does seem to have some kind of truth to it.But it's hard, right? Because the greatest French novel is In Search of Lost Time, but I don't know that anyone would say that the France in the 1920s was at its height. It's not a prescriptive thing, but it does seem like the way we read many of these Great Books, like Moby Dick, it feels like you're like communing with the entire society that produced it. So, maybe there's something there.Oliver: Now, you've used a list from Clifton Fadiman.Kanakia: Yes.Oliver: Rather than from Mortimer Adler or Harold Bloom or several others. Why this list?Kanakia: Well, the best reason is that it's actually the list I've just been using for the last 15 years. I went to a science fiction convention in 2009, Readercon, and at this science fiction convention was Michael Dirda, who was a Washington Post book critic. He had recently come out with his book, Classics for Pleasure, which I also bought and liked. But he said that the list he had always used was this Clifton Fadiman book. And so when I decided to start reading the Great Books, I went and got that book. I have perused many other lists over time, but that was always the list that seemed best to me.It seemed to have like the best mix. There's considerable variation amongst these lists, but there's also a lot of overlap. So any of these lists is going to have Dickens on it, and Tolstoy, and stuff like that. So really, you're just thinking about, “aside from Dickens and Tolstoy and George Eliot and Walt Whitman and all these people, who are the other 50 authors that you're going be reading?”The Mortimer Adler list is very heavy on philosophy. It has Plotinus on it. It has all these scientific works. I don't know, it didn't speak to me as much. Whereas, this Clifton Fadiman and John Major list has all these Eastern works on it. It has The Tale of Genji, Romance of the Three Kingdoms, Story of the Stone, and that just spoke to me a little bit more.Oliver: What modern books will be on a future Great Books list, whether it's from someone alive or someone since the war.Kanakia: Have you ever heard of Robert Caro?Oliver: Sure.Kanakia: Yeah. I think his Lyndon Johnson books are great books. They have changed the field of biography. They're so complete, they seem to summarize an entire era, epoch. They're highly rated, but I feel like they're underrated as literature.What else? I was actually a little bit surprised in this Clifton Fadiman-John Major book, which came out in 1999, that there are not more African Americans in their list. Like, Invisible Man definitely seemed like a huge missed work. You know, it's hard. You would definitely want a book that has undergone enough critical evaluation that people are pretty certain that it is great. A lot of things that are more recent have not undergone that evaluation yet, but Invisible Man has, as have some works by Martin Luther King.Oliver: What about The Autobiography of Malcolm X?Kanakia: I would have to reread. I feel like it hasn't been evaluated much as a literary document.Oliver: Helen DeWitt?Kanakia: It's hard to say. It's so idiosyncratic, The Last Samurai, but it is certainly one of the best novels of the last 25 years.Oliver: Yeah.Kanakia: It is hard to say, because there's nothing else quite like it. But I would love if The Last Samurai was on a list like this; that would be amazing.Oliver: If someone wants to try the Great Books, but they think that those sort of classic 19th-century novels are too difficult—because they're long and the sentences are weird or whatever—what else should they do? Where else should they start?Kanakia: Well, it depends on what they're into, or it depends on their personality type. I think like there are people who like very, very difficult literature. There are people who are very into James Joyce and Proust. I think for some people the cost-benefit is better. If they're going to be pouring over some book for a long time, they would prefer if it was overtly difficult.If they're not like that, then I would say, there are many Great Books that are more accessible. Hemingway is a good one and Grapes of Wrath is wonderful. The 19th-century American books tend to be written in a very different register than the English books. If you read Moby Dick, it feels like it's written in a completely different language than Charles Dickens, even though they're writing essentially at the same time.Oliver: Is there too much Freud on the list that you've used?Kanakia: Maybe. I know that Interpretation of Dreams is on that list, which I've tried to read and have decided life is too short. I didn't really buy it, but I have read a fair amount of Freud. My impression of Freud was always that I would read Freud and somehow it would just seem completely fanciful or far out, like wouldn't ring true. But then when I started reading Freud, it was more the opposite. I was like, oh yeah, this seems very, very true.Like this battle between like the id and the ego and the super ego, and this feeling that like the psyche is at war with itself. Human beings really desire to be singular and exceptional, but then you're constantly under assault by the reality principle, which is that you're insignificant. That all seemed completely true. But then he tries to cure this somehow, which does not seem a curable problem. And he also situates the problem in some early sexual development, which also did not necessarily ring true. But no, I wouldn't say there's too much. Freud is a lot of fun. People should read Freud.Oliver: Which of the Great Books have you really not liked?Kanakia: I do get asked this quite a bit. I would say the Great Book that I really felt like—at least in translation—was not that rewarding in an unabridged version was Don Quixote. Because at least half the length of Don Quixote is these like interpolated novellas that are really long and tedious. I felt Don Quixote was a big slog. But maybe someday I'll go back and reread it and love it. Who knows?Oliver: Now you wrote that the question of biography is totally divorced from the question of what art is and how it operates. What do you think of George Orwell's supposition that if Shakespeare came back tomorrow, and we found out he used to rape children that we should—we would not say, you know, it's fine to carry on to doing that because he might write another King Lear.Kanakia: Well, if we discovered that Shakespeare was raping children, he should go to prison for that. No. It's totally divorced in both senses. You don't get any credit in the court of law because you are the writer of King Lear. If I murdered someone and then I was hauled in front of a judge and they were like, oh, Naomi's a genius, I wouldn't get off for murder. Nor should I get off for murder.So in terms of like whether we would punish Shakespeare for his crime of raping children, I don't think King Lear should count at all, but it's never used that way. It's never should someone go to prison or not for their crimes, because they're a genius. It's always used the other way, which is should we read King Lear knowing that the author raped children, but I also feel like that is immaterial. If you read King Lear, you're not enabling someone to rape children.Oliver: There's an almost endless amount of discussion these days about the Great Books and education and the value of the humanities, and what's the future of it all. What is your short opinion on that?Kanakia: My short opinion is that the Great Books at least are going to be fine. The Great Books will continue to be read, and they would even survive the university. All these books predate the university and they will survive the university. I feel like the university has stewarded literature in its own way for a while now and has made certain choices in that stewardship. I think if that stewardship was given up to more voluntary associations that had less financial support, then I think the choices would probably be very different. But I still think the greatest works would survive.Oliver: Now this is a quote from the book: “I am glad that reactionaries love the Great Books. They've invited a Trojan horse into their own camp.” Tell us what you mean by that.Kanakia: Let's say you believed in Christian theocracy, that you thought America should be organized on explicitly Christian principles. And because you believe in Christian theocracy, you organize a school that teaches the Great Books. Many of these schools that are Christian schools that have Great Books programs will also teach Nietzsche. They definitely put some kind of spin on Nietzsche. But they will teach anti-Christ, and that is a counterpoint to Christian morality and Christian theology. There are many things that you'll read in the Great Books that are corrosive to various kinds of certainties.If someone who I think is bad starts educating themselves in the Great Books, I don't think that the Great Books are going to make them worse from my perspective. So it's good.Oliver: How did reading the Mahabharata change you?Kanakia: Oh yeah, so the Mahabharata is a Hindu epic from, let's say, the first century AD. I'm Indian and most Indians are familiar with the basic outline of the Mahabharata story because it's told in various retellings, and there's a TV serial that my parents would rent from the Indian store growing up and we would watch it tape by tape. So I'm very familiar with it. Like there's never been a time I have not known this story.But I was also familiar with the idea that there is a written version in Sanskrit that's extremely long. It is 10 times as long as the Iliad and the Odyssey combined. This Mahabharata story is not that long. I've read a version of it that's about 800 pages long. So how could something that's 10 times this long be the same? A new unabridged translation came out 10 years ago. So I started reading it, and it basically contains the entire Sanskrit Vedic worldview in it.I had never been exposed to this very coherently laid-out version of what I would call Hindu cosmology and ethics. Hindus don't really get taught those things in a very organized way. The book is basically about dharma, the principle of rightness and how this principle of rightness orders the universe and how it basically results in everybody getting their just deserts in various ways. As I was reading the book, I was like, this seems very true that there is some cosmic rebalancing here, and that everything does turn out more or less the way it should, which is not something that I can defend on a rational level.But just reading the book, it just made me feel like, yes, that is true. There is justice, the universe is organized by justice. It took me about a year to read the whole thing. I started waking up at 5:00 a.m. and reading for an hour each morning, and it just was a really magical, profound experience that brought me a lot closer to my grandmother's religious beliefs.Oliver: Is it ever possible to persuade someone with arguments that they should read literature, or is it just something that they have to have an inclination toward and then follow someone's example? Because I feel like we have so many columns and op-eds and “books are good because of X reason, and it's very important because of Y reason.” And like, who cares? No one cares. If you are persuaded, you take all that very seriously and you argue about what exactly are the precise reasons we should say. And if you're not persuaded, you don't even know this is happening.And what really persuades you is like, oh, Naomi sounds pretty compelling about the Mahabharata. That sounds cool. I'll try that. It's much more of a temperamental, feelingsy kind of thing. Is it possible to argue people into thinking about this differently? Or should we just be doing what we do and setting an example and hoping that people will follow.Kanakia: As to whether it's possible or not, I do not know. But I do think these columns are too ambitious. A thousand-word column and the imagined audience for this column is somebody who doesn't read books at all, who doesn't care about literature at all. And then in a thousand-word column, you're going to persuade them to care about literature. This is no good. It's so unnecessary.Whereas there's a much broader range of people who love to read books, but have never picked up Moby Dick or have never picked up Middlemarch, or who like maybe loved Middlemarch, but never thought maybe I should then go on and read Jane Austen and George Eliot.I think trying to shift people from “I don't read books at all; reading books is not something I do,” to being a Great Books card-carrying lover of literature is a lot. I really aim for a much lower result than that, which is to whatever extent people are interested in literature, they should pursue that interest. And as the rationalists would say, there's a lot of alpha in that; there's a lot to be gained from converting people who are somewhat interested into people who are very interested.Oliver: If there was a more widespread practice of humanism in education and the general culture, would that make America into a more liberal country in any way?Kanakia: What do you mean by humanism?Oliver: You know, the old-fashioned liberal arts approach, the revival of the literary journal culture, the sort of depolitical approach to literature, the way things used to be, as it were.Kanakia: It couldn't hurt. It couldn't hurt is my answer to that question.Oliver: Okay.Kanakia: What you're describing is basically the way I was educated. I went to Catholic school in DC at St. Anselm's Abbey School, in Northeast, DC, grade school. Highly recommend sending your little boys there. No complaints about the school. They talked about humanism all the time and all these civic virtues. I thought it was great. I don't know what people in other schools learn, but I really feel like it was a superior way of teaching.Now, you know, it was Catholic school, so a lot of people who graduated from my school are conservatives and don't really have the beliefs that I have, but that's okay.Oliver: Tell us about your reading habits.Kanakia: I read mostly ebooks. I really love ebooks because you can make the type bigger. I just read all the time. They vary. I don't wake up at 5:00 a.m. to read anymore. Sometimes if I feel like I'm not reading enough—because I write this blog, and the blog doesn't get written unless I'm reading. That's the engine, and so sometimes I set aside a day each week to read. But generally, the reading mostly takes care of itself.What I tend to get is very into a particular thing, and then I'll start reading more and more in that area. Recently, I was reading a lot of New Yorker stories. So I started reading more and more of these storywriters that have been published in the New Yorker and old anthologies of New Yorker stories. And then eventually I am done. I'm tired. It's time to move on.Oliver: But do you read several books at once? Do you make notes? Do you abandon books? How many hours a day do you read?Kanakia: Hours a day: Because my e-reader keeps these stats, I'd say 15 or 20 hours a week of reading. Nowadays because I write for the blog, I often think as I'm reading how I would frame a post about this. So I look for quotes, like what quote I would look at. I take different kinds of notes. I'll make more notes if I'm more confused by what is going on. Especially with nonfiction books, I'll try sometimes to make notes just to iron out what exactly I think is happening or what I think the argument is. But no, not much of a note taker.Oliver: What will you read next?Kanakia: What will I read next? Well, I've been thinking about getting back into Indian literature. Right now I'm reading Les Miserables by Victor Hugo. But there's an Indian novel called Jhootha Sach, which is a partition novel that is originally in Hindi. And it's also a thousand pages long, and is frequently compared to Les Miserables and War and Peace. So I'm thinking about tackling that finally.Oliver: Naomi Kanakia, thank you very much.Kanakia: Thanks for having me. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

This week on the show, Maine and Miranda break down the 2026 IBJJF NoGi Grand Prix. Plus preview Polaris 36.In the news section of the show, we discussed the recent news that athletes in the UFC BJJ will not be allowed to compete in ADCC in 2027. We also discussed them with a recent news across the sport. In the recap section of the show, we breakdown all of the super fights and every single match in the men's NoGi Grand Prix. We breakdown Quarter-Finals starting with Victor Hugo vs Marlon Tajik, then Javier Barter vs Nick Hartman with an impressive Rear Naked Choke from Barter. We move into Pedro Marinho vs Diego Pato where Pedros early 2 points take him the match. In the last quarterfinals matchup we discussed Gustavo Batista vs Michael Pixley and Pixleys inactivity in passing range. In the Semi-Finals we discussed Victor Hugo vs Javier Barter that saw Victor able to get the rear naked choke quickly. We also talked about Pedro Marinho vs Gustavo Batista I saw another quick finish in the quarterfinals for Pedro via Inside heel hook In the finals we broke down the strategy in Victor Hugo vs Pedro Marinho and talk about the potential momentary lapse of judgment from Pedro that led to a 15×2 points victory for Victor Hugo.In a recap of the super fights, we discussed the big black belt, super fights on the card. We briefly discussed the results of this weekend's Grapplefest. In the preview section of the show we run down the main card for Polaris 36.Recorded 3-2-2026

Réécoutez FG Chic invite Café Mulot by DJ' PYL du dimanche 1er mars 2026FG CHIC avec DJ' PYL se posent pour une pause Brunch, Déjeuner ou Goûter pour une instant de douceurs de gustatives pour vivre un moment suspendu entre le sucré ou le salé. Au cœur de Paris, dans un endroit magique d'une ancienne cour d'école qui a été transformée en paisible terrasse. DJ' PYL sera au platine avec un son Funk, Disco, Soul & Groove avec une sélection de remix rare. L'espace Café MULOT, Place des Vosges s'étend le long du jardin, transition lumineuse, colorée et végétalisée, entre la sortie du musée, la cour et l'entrée. Dans la cour intérieure, la fontaine y chante jour et nuit pour apporter sa douceur et son énergie. Un écrin romantique, chic et serein comme un hommage à celui qui deviendra le chantre du mouvement littéraire romantique français au XIXe siècle, Victor Hugo.

Maintenant Vous Savez, c'est aussi ⁠Maintenant Vous Savez - Santé⁠ et ⁠Maintenant Vous Savez - Culture⁠. “Tant que l'asphyxie sociale sera possible, tant qu'il y aura sur la terre existence et misère, des livres de la nature de celui-ci pourront ne pas être inutiles.” Cette citation est tirée de la préface des Misérables, l'un des plus grands chefs-d'œuvre de Victor Hugo. Une phrase qui résonne avec l'actualité de notre époque. Gilets Jaunes, Black Lives Matter, réforme des retraites, marches pour l'écologie, quoiqu'on en dise, la révolte sociale est dans l'air. De son côté, l'art est un formidable véhicule à idées, à concepts et à messages. Rien de surprenant à ce que tout ça se nourrisse et s'influence. Quels sont les œuvres marquantes qui traitent des mouvements sociaux ? Et plus récemment, le cinéma s'est aussi emparé du sujet, non ? Ecoutez la suite de cet épisode dans "Maintenant vous savez culture" Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. Première diffusion : avril 2023 A écouter aussi : ⁠Pourquoi appelle-t-on les danseurs les “petits rats de l'Opéra” ?⁠ ⁠La cuisine est-elle un art ?⁠ ⁠Qui est cette actrice de cinéma qui a inventé le Wifi ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez culture "⁠. Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

By the age of 30, George Sand's literary career was soaring. She was internationally renowned, outselling Victor Hugo in English. So why is she now better known for wearing mens clothes and having a relationship with Chopin?In this episode, Kate is joined once again by Fiona Sampson to meet the woman behind the name. Who was Aurore Dupin? Why did she dress in men's clothes? And why have her literary achievements been overwritten in the history books by her personal life?Fiona's book on this is 'Becoming George: The invention of George Sand'.This episode was edited by Hannah Feodorov. The producer was Sophie Gee. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Nereden Edebiyat'ın bu bölümünde konuğumuz romantizm akımına bağlı şair, romancı, oyun yazarı ve en büyük Fransız yazarlardan biri kabul edilen Victor Hugo.

Wird das die verzwickteste Podcastfolge aller Zeiten Jonoir_fragrance und RiotScents haben zweifellos ein feines Näschen – doch reicht das aus, um in dieser Folge zu bestehen? Ich habe den beiden Duftdetektiven sechs knifflige Dufträtsel gestellt, die es in sich haben. Sollten sie einmal nicht weiterwissen, wartet zu jedem Rätsel ein passendes Sample als zusätzliche Spur. Doch wird das genügen? Schaffen es Jona und Riot, alle Düfte zu entlarven oder scheitern sie kläglich an den ausgeklügelten Rätseln, die Luke für sie vorbereitet hat? Und auch ihr seid gefragt!Die Community darf natürlich fleißig miträtseln – und für den/die Klügsten und Schnellsten unter euch gibt es sogar eine Belohnung. Also knobelt mit, stellt eure Vermutungen an und findet den gesuchten Duft.Viel Spaß bei der wohl rätselhaftesten Folge der Parfümwelt!Account von Parfümwelt (aka Luke):https://wonderl.ink/@parfuemweltZum Account von Jona:https://wonderl.ink/@jonoir_fragranceAccount von RiotScents:https://wonderl.ink/@riotscentsDie Rätsel:Den Namen des Duftes, das sei euch klar,verrate ich nur zum Teil – sonst wär die Lösung zu nah.Ich bin ein kleines Land, doch meine orange Krone steht heute fern, vor einem großen Festland liege ich, dem Meer sehr nah und gern. Von Wasser umgeben, doch Regen ist rar,Sonne und Sand bestimmen mein Jahr.Mein großer Nachbar, erst überfallen,um sich die Ressourcen gänzlich zu krallen.Wisst ihr nicht, wer ich bin? Sucht mich auf den Karten, das macht doch Sinn! Nicht von der Schönheit geformt, wie oft benannt, sondern von Pilkington, dem original jGangster und geübter Meisterhand.Es ist nicht ihrer, auch nicht seiner,also ist es …?Quelle est la solution? Doch das Rätsel ist hier nicht zu Ende,doch lesen müsst ihr nur dies hier – keine ganzen Bände.Ich komme aus Indonesien, Indien oder Haiti,nicht jeder findet, dass ich rieche sehr pretty.Ein bis zwei Meter meine Länge,doch die wahre Power steckt –wie beim Manne – im Gehänge.Trockne mich und mach mich heiß,so wie es schon die Urväter machten einst.Holzig, rauchig, erdig, schön,kannst du mich in vielen grundlegenden Düften sehn.Mein Vater Poseidon, mein Bruder Krisaor,meine Heimat die Erde – und zwar überall dort.Ich stehe für Freiheit, hoch oben im Licht,die Amazonen einst liebte ich nicht.Wenn es heute Nacht wird, dann blicke nach oben,dort trug ich die Blitze von Götternund wurde zum Dank in den Himmel gehoben.Rousseau, Voltaire und Victor Hugo kenne ich gut,denn durch sie fließt ein ähnliches Blut.Auch aus dem Lande, da komme ich her,nur ein Mensch bin ich nicht, jetzt wird das Rätsel gar schwer.Ich stelle den Menschen in mein Zentrum hinein,Vernunft ist mein Maßstab, mein Denken, mein Sein.Ich wähle die Freiheit, nicht blindes Gesetz,und trage Verantwortung – bewusst bis zuletzt.Mein Haus ist ein großes, im Lande bekannt,brannten erst Cognacs, bevor Parfüm hier entstand.Ich bin kein Acker und auch kein Feld,doch kennt ihr mich gut, denn euch gefällt's.Für Mensch, Tier und Natur bin ich wichtig und breit,mehr als nur Fläche – voll Dauer und Zeit.Ich bin nicht einer, ich bin sehr viele,mein Alter liest man in den Zuwachslinien.Was jedes Kind schon früh versteht:Hier ist man leis, wenn man mich betritt.Kein Rufen, Brüllen oder Kreischen,Achtsamkeit müsst ihr hier leisten.Nun sprecht die beiden, die euch bekannt,leise in Sprache, die euch wohlbekannt.Gesucht ist ein konzentrierter Auszug aus der Substanz,doch riecht er für euch sehr intensiv mit viel Glanz.Kommt ihr nicht drauf, was ich wohl meine,dann schließt eure Augen – das Gesehene notiere ich als das Zweite, Feine.Manchmal hilft es, ein Stück zurückzugehen,um Erisile schließlich auch zu verstehen.Werbung | TransparenzhinweisIn dieser Folge werden Marken genannt und Produkte vorgestellt. Es können Kooperationen mit genannten Marken oder Unternehmen bestehen oder bestanden haben. Die Kennzeichnung erfolgt vorsorglich und aus Gründen der Transparenz.

Today, John Ortberg uses Les Misérables by Victor Hugo to explore two ways of living:• the condemning life (Javert)• the blessing life (the Bishop)• and the transformed life (Jean Valjean)Drawing on Romans 8, 2 Corinthians 3, and insights from Dallas Willard, John explains:- why condemnation feels powerful- what the “ministry of condemnation” really does- how grace humiliates before it heals- why pride resists light- how blessing rewires the soulThrough the unforgettable moment of the candlesticks, we see how self-giving love defeats condemnation. One man bends the knee and is transformed. One refuses grace and collapses under its weight.“To love another person is to see the face of God.”That is the blessing life.That is the transformed life.And there is now no condemnation for those who are in Christ Jesus.

durée : 01:00:57 - Les Nuits de France Culture - par : Albane Penaranda - Victor Hugo, immense écrivain, était aussi un dessinateur et un peintre singulier. En 2013, une émission est consacrée à ce chapitre de sa vie. Jean de Loisy analyse, avec Jean-Jacques Lebel, l'œuvre graphique de Victor Hugo, à travers l'un de ses dessins les plus célèbres, "Tête de diable". - réalisation : Virginie Mourthé - invités : Jean-Jacques Lebel Artiste plasticien, écrivain; Gérard Audinet Directeur des Maisons de Victor Hugo, Paris / Guernesey

Attaquez-vous à la vie de Victor Hugo avec la BD "Victor Hugo" de Jean-Michel Coblence et Sara Quod

Une maison décorée au XIXe siècle peut-elle plaire à une Parisienne du XXIe siècle? C'est ce que nous allons découvrir aujourd'hui dans cette conversation avec Pauline. Nous nous sommes enregistrées après notre visite de l'exposition « Hugo décorateur » à la Maison de Victor Hugo, place des Vosges, dans le centre historique de Paris.  Pauline va nous dire si le style de l'écrivain, en tant que décorateur, lui a plu.  Dans la lettre qui accompagne cet épisode, nous nous arrêterons sur l'histoire de l'exil de Victor Hugo et pourquoi c'est particulièrement sa maison de Guernsey qui est montrée lors de l'exposition.  Ce sera un excellent moyen d'avoir quelques repères historiques sur l'histoire de la France au XIXe siècle et celle du grand écrivain. Ainsi, nous cultiverons notre curiosité.  www.onethinginafrenchday.com  

Une maison décorée au XIXe siècle peut-elle plaire à une Parisienne du XXIe siècle? C'est ce que nous allons découvrir aujourd'hui dans cette conversation avec Pauline. Nous nous sommes enregistrées après notre visite de l'exposition « Hugo décorateur » à la Maison de Victor Hugo, place des Vosges, dans le centre historique de Paris.  Si j'ai proposé à Pauline d'aller voir cette exposition, c'est que je sais qu'elle aime beaucoup la décoration. Mais la décoration de Victor Hugo, au XIXe siècle est-elle du goût de la jeune femme parisienne du XXIe siècle?  Dans la lettre qui accompagne cet épisode, nous nous arrêterons sur l'histoire de l'exil de Victor Hugo et pourquoi c'est particulièrement sa maison de Guernesey qui est montrée lors de l'exposition.  Ce sera un excellent moyen d'avoir quelques repères historiques sur l'histoire de la France au XIXe siècle et celle du grand écrivain. Ainsi, nous cultiverons notre curiosité.  Vous pouvez vous abonner sur www.cultivateyourfrench.com

This week on the show Maine and Miranda preview the 2026 IBJJF No-Gi GP we break down all of the big black belt, super fights, and every single athlete in the Grand Prix. In the preview section of the show, we discussed every single first round matchup in the IBJJF absolute No-Gi GP. We kick it off discussing the quarterfinal matchups that kickoff the event with the top seed Victor Hugo vs Marlon Tajik, we discussed the recent performances that we've seen from both athletes and how Marlons most recent ADCC European trials performance and brand new black belt will affect him going into this matchup against potential number one seed Victor Hugo.On the same side of the bracket we discussed Javier Barter vs Nick Hartman, with Hartman, coming off of an impressive ADCC trials performance of his own we talk about his guard work and how it may play a factor versus the Panamanian in Barter.In Pedro Marinho vs Diego Pato we discussed the stylistic matchup with Diego being by far the smallest competitor in the entire tournament. We discuss how Pedro will most likely play the Ranger game and leverage his wrestling and guillotine game versus the quick speed and leg locks of Pato. In the final quarterfinals matchup we discussed Michael Pixley vs Gustavo Batista, we talked about the guard work from Gustavo and how it may potentially play an issue with Pixley's passing game we also discussed some potential strategic avenues for Pixley and Gustavo to potentially leverage the IBJJF points in order to come out on top.We also preview the second round and potential finals matchups on each side of the bracket, discussing Victor Hugo's potential pathway to victory as the number one seed in the event. We preview the black belt, super fights on the card as well.With Cole Abate vs Will Wilson a rematch from an earlier event with both coming off of very strong performances at the Europeans will taking the lightweight division and Cole taking silver against Kennedy in the division below.We discussed Helena Crevar vs Aghata Rabelo another rematch that took place in the Gi at the colored belts we discuss Helena's argument for the slot as the number one No-Gi woman in the world.We briefly discuss Sarah Galvão vs Maria Vicentini, and how the recent Atos situation may play into the preparation that Sarah is able to do in the lead up to this match. We also discuss Leo Souza vs Mateo Cardona and Ashlee Funegra vs Yasmyn Castro.In the outro of the show, we discuss recent travel and the upcoming promotion for Corey of the Grappling Rewind later that night.  Recorded 2-23-2026

Certaines malformations du pied sont congénitales, c'est-à-dire qu'elles sont présentes à la naissance. C'est le cas par exemple du pied-bot, qui touche un à deux bébés sur 1 000 naissances. D'autres malformations et déformations du pied peuvent survenir au fil des ans. Les pieds étant particulièrement sollicités tout au long de la vie, ils peuvent subir des déformations des orteils (cor, durillon) ou de la voûte plantaire. Ces déformations du pied peuvent donc être provoquées par de multiples causes, quels sont les principaux diagnostics ? Pourquoi certaines de ces atteintes ont-elles un caractère héréditaire ?  Avec : Dr Christophe Piat, Chirurgien orthopédiste et traumatologue à la clinique Victor Hugo, à Paris et ancien chirurgien des hôpitaux de Paris À lire aussiMalformations et déformations des pieds

Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pilar Fraile conjuga, y lo hace con acierto, el periodismo y la ficción. Se podría decir que toda todos los palos. Y en el terreno de la narrativa publica Las leyes de la caza, donde nos presenta a Jana, que decide cambiar radicalmente su vida y perderse en medio de una región montañosa. La novela ha sido publicada por Candaya.David Uclés está de moda. Desde que el boca-oído hizo que La península de las casas vacías se convirtiera en un fenómeno nacional, todos hemos caído hechizados por su novela. Pero no se ha quedado ahí. Es el ganador del Premio Nadal, con una obra íntimamente conectada a Barcelona. Se titula La ciudad de las luces muertas.Mario Vargas Llosa no dejó de sorprendernos. El autor peruano, cuando parecía que ya había escrito todas sus obras maestras (y eran unas cuantas), nos dejó con la boca abierta con la recuperación de un hecho histórico, que él pasó por el tamiz creativo de su prosa: el tiranicio que acabó con la vida de Trujillo, el dictador que durante décadas gobernó la República Dominicana. En este Club releemos La fiesta del Chivo. Y además, Victor Hugo y su afición desmesurada por el sexo.

"Ideas are more powerful than all the armies of the world. Nothing is as powerful as an idea whose time has come." Victor Hugo's observation resonates with Lawrence Reed, FEE's President Emeritus and author of the forthcoming Born of Ideas, who traces his liberty awakening to 1968 when Soviet tanks crushed Prague Spring. Then, he was a 14-year-old watching people who simply wanted to speak their minds get destroyed for demanding basic rights. Now, nearly 60 years into his "otherwise unemployable" career advancing liberty, Larry argues that July 4, 1776 was "this incredible combination...like a thunderclap" where "men and women of solid character" met "revolutionary ideas" about human rights. Larry teaches students that ideas—not institutions, media, or parents—determine "whether people live in a free society or an unfree society," but close behind ideas is character: "people who don't have high character...they're not likely to be free. They're not fit to be free." Free speech, he argues, is "the verbal manifestation of the freedom to think"—without it "you might as well be a robot," or in North Korea where "just thinking something and saying it can get you thrown in prison or worse." Addressing critics who dismiss the founders for not abolishing slavery immediately, Larry warns against "presentism"—judging the past by present standards, comparing it to putting the Wright Brothers in a courtroom asking "what good are you?" because their plane lacked tray tables and Wi-Fi. In closing, he offers inspiration from Valley Forge: those soldiers weren't freezing and starving for iPhones or gourmet meals but "for a principle of individual liberty. That's exciting stuff. Life without liberty is just absolutely unthinkable."Delve deeper into Larry's work at: https://www.lawrencewreed.com/

durée : 00:20:04 - Lectures du soir - "Nous avons pris le fatal quai. Dans le tumulte qui m'enveloppait, je ne distinguais plus les cris de pitié des cris de joie, les rires des plaintes, les voix du bruit ; tout cela était une rumeur qui résonnait dans ma tête comme dans un écho de cuivre." - réalisation : Sabine Zovighian

durée : 00:20:05 - Lectures du soir - "La combinaison de ces dix lettres, leur aspect, leur physionomie est bien faite pour réveiller une idée épouvantable, et le médecin de malheur qui a inventé la chose avait un nom prédestiné." - réalisation : Sabine Zovighian

durée : 00:20:00 - Lectures du soir - "Je suis calme maintenant. Tout est fini, bien fini. Je suis sorti de l'horrible anxiété où m'avait jeté la visite du directeur. Car, je l'avoue, j'espérais encore. – Maintenant, Dieu merci, je n'espère plus."

durée : 00:20:06 - Lectures du soir - "Un geôlier passa. Je me hasardai à l'appeler et à lui demander si c'était fête dans la prison. – Fête si l'on veut ! me répondit-il. C'est aujourd'hui qu'on ferre les forçats qui doivent partir demain pour Toulon. Voulez-vous voir, cela vous amusera" - réalisation : Sabine Zovighian

durée : 00:20:10 - Lectures du soir - "Mon corps est aux fers dans un cachot, mon esprit est en prison dans une idée. Une horrible, une sanglante, une implacable idée ! Je n'ai plus qu'une pensée, qu'une conviction, qu'une certitude : condamné à mort ! " - réalisation : Sabine Zovighian

Rubrique:documents Auteur: victor-hugo Lecture: Christiane-JehanneDurée: 12min Fichier: 11 Mo Résumé du livre audio: Le Livre de l'Anniversaire, 1835 _ 1882. Ce Livre de l'Anniversaire commémore la nuit du 16 au 17 Février 1833 où Victor Hugo et Juliette Drouet deviennent amants. Hugo y écrit chaque année une lettre d'amour, un poème. Ce livre en maroquin rouge est sous l'oreiller de Juliette. Il commence par l'invitation au bal du Mardi-gras auquel ils ne se rendirent pas… Puis il contient les écrits de Victor Hugo. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

O Davi contou a sua história aqui no Quem Ama Não Esquece e hoje a Evelyn vem falar o seu lado! Ela o conheceu aos 15 anos, eles se casaram e enfrentaram a perda de um bebê na gravidez. Eles tiveram bons momentos e dois filhos, Victor Hugo e Guilherme, mas o casamento perfeito era só por fora. No mesmo quintal, a Evelyn sofreu com a privacidade e momentos invasivos com o Pai dele. E desde que o filho mais velho tinha 4 meses, ela já sabia que ele tinha casos fora do casamento, mas nunca contou por medo. Cansada de viver com ansiedade, traições, humilhações, ela se divorciou e hoje busca a verdadeira Evelyn, focando na criação dos filhos e em apagar esse exemplo que eles tiveram dentro de casa.

durée : 00:59:57 - Les Nuits de France Culture - par : Albane Penaranda - Le metteur en scène et cinéaste Christophe Honoré explique en 2009, dans "Les Mercredis du théâtre" pourquoi il a choisi de monter au Festival d'Avignon 2009, "Angelo, tyran de Padoue" de Victor Hugo. De son côté, Marion Lécrivain présente son adaptation de "L'Homme qui rit". - réalisation : Virginie Mourthé - invités : Christophe Honoré Ecrivain, scénariste, critique et réalisateur de cinéma

O Davi conheceu a Evelyn na igreja e eles viveram um amor intenso marcado pela fé e os desafios da vida juntos. Eles chegaram a terminar durante o noivado por causa de ciúmes, mas voltaram mais fortes, certos de que Deus os havia unido. Eles se casaram e enfrentaram juntos a perda de um bebê, mas depois veio a benção com dois filhos, Victor Hugo e Guilherme. Anos depois, o Davi fez escolhas erradas e caiu na tentação e traiu a Evelyn. Mesmo após várias tentativas de recomeço, o casamento não se sustentou e terminou em divórcio. Hoje, ele reconhece seus erros, mantém o vínculo apenas pelos filhos e entende que amar também é desejar a felicidade do outro, mesmo à distância.

Au sommaire :Le livre de Gisèle Pelicot "Et la joie de vivre", qui témoigne de son calvaire suite aux viols dont elle a été victime. L'affaire a fait le tour du monde et son courage a inspiré des milliers de femmes. Elle décrit sa descente aux enfers et sa décision bouleversante de faire un procès public, malgré la crainte de se retrouver seule face à ses agresseurs.Donald Trump s'apprête à abroger le texte fondateur des réglementations climatiques, menaçant ainsi les efforts de lutte contre le changement climatique. Les associations écologistes préparent des recours en justice, mais la procédure risque de durer des années.En France, les mauvais chiffres du chômage semblent avoir condamné Emmanuel Macron à abandonner son objectif de plein emploi. Malgré les débats sur les causes de cette hausse, notamment chez les jeunes, il est clair que le défi de l'emploi reste d'actualité.Hommage à la figure emblématique de Victor Hugo, à travers un hors-série de la revue L'Éléphant. Au-delà du romancier, on découvre un homme aux multiples facettes : dessinateur, défenseur du patrimoine avant l'heure et féministe. Un monument de la littérature française, dont la passion pour la liberté a marqué son époque.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Rubrique:documents Auteur: victor-hugo Lecture: Christiane-JehanneDurée: 04min Fichier: 04 Mo Résumé du livre audio: Lettre d'amour à Juliette Drouet, 1838 Lettre d'amour de Victor Hugo à Juliette Drouet (1838) - Parler d'Amour Juliette Drouet a brûlé les lettres de Victor Hugo en 1833. Ici, une lettre d'amour de Victor Hugo en 1838. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Paris, 1871. The city is under siege. The government has fallen. And in the heart of the chaos, one woman stands defiant with a rifle in hand. Welcome to Louise Michel: The Fearless Revolutionary of the Paris Commune, an episode of Join Us in France that brings history to life like never before. Listen to this episode ad-free Host Annie Sargent and historian Elyse Rivin dive deep into the dramatic story of the Paris Commune—a radical uprising that shook France to its core. For 72 days in 1871, Paris was ruled not by kings or emperors, but by workers, artists, and revolutionaries. At the center of it all? Louise Michel, a schoolteacher turned anarchist whose courage and conviction made her a legend. This isn't just a history lesson. It's a story of defiance, feminism, and revolution that still echoes today. Louise Michel didn't just witness history—she shaped it. Born in 1830, she grew up with privilege but chose a life of activism. She fought on the barricades, organized ambulance stations during the Bloody Week, and even faced down the French army. When the Commune fell, she was arrested, tried, and exiled to New Caledonia. But exile didn't stop her. She learned the local Kanak language, taught indigenous girls, and even joined a revolt against French colonial rule. Later, she returned to France, where she became a feminist icon, traveling across Europe to spread her radical ideas. Annie and Elyse explore the myths and realities of the Commune, from the so-called Pétroleuses (women accused of burning Paris) to the destruction of landmarks like the Tuileries Palace. They discuss Louise's unlikely survival after being shot in the head, her correspondence with Victor Hugo, and her role in creating the black flag of anarchism. This episode also uncovers the Commune's lasting impact on Paris—from the Mur des Fédérés in Père Lachaise Cemetery to the renamed Square Louise Michel near Sacré-Cœur. But the conversation doesn't stop in the 19th century. After the interview, Annie shares updates on the legacy of the Paris 2024 Olympics and how the Olympic Village in Saint-Denis is transforming into a vibrant new neighborhood. It's a reminder that history isn't just about the past—it's about how we live today. If you love stories of bold women, forgotten revolutions, and the hidden layers of Paris, this episode is for you. Whether you're a history buff, a Francophile, or just curious about the untold stories of France, Louise Michel: The Fearless Revolutionary of the Paris Commune will leave you inspired. Subscribe to Join Us in France for more fascinating tales of French history, culture, and travel. New episodes drop every week, filled with the stories you won't find in guidebooks. Hit subscribe now and let's explore France together! Table of Contents for this Episode [00:00:15] Introduction [00:00:30] Today on the podcast [00:01:21] Podcast supporters [00:02:03] Magazine segment [00:03:03] Elyse and Annie about Louise Michel and La Commune de Paris [00:03:18] Understanding La Commune de Paris [00:03:47] The Paris Commune: Key Events and Figures [00:08:07] Commune Policies [00:08:56] The Fall of the Commune and Its Aftermath [00:11:47] La Commune's Significance Today [00:16:26] Louise Michel: Early Life and Education [00:22:15] Louise Michel: Activism and Legacy [00:26:25] Louise Michel's Role in the Commune [00:27:25] Arrest and Trial of Louise Michel [00:29:53] Exile to New Caledonia [00:34:36] Return to France and Continued Activism [00:41:23] Final Years and Legacy [00:49:03] Thank you Patrons [00:50:01] Join Us in France Boutique [00:51:37] After the Olympics 2024 [00:54:31] The Gers Area Trip [00:55:33] Next week on the podcast [00:56:03] Copyright More episodes about French history

Victor Hugo was an irredeemable womaniser who fought for the poor, hated the English, and wrote some of the greatest works of literature of the 19th century.

durée : 00:42:19 - En pistes, contemporains ! du dimanche 01 février 2026 : Orchestres de passage - par : Emilie Munera - Ce soir l'orchestre Victor Hugo accompagne la mandoline concertante de Julien Martineau dans une oeuvre de Karol Beffa, tandis que l'Orchestre Philharmonique de Londres met à l'honneur la compositrice Tania León, récompensée du Prix Pulitzer en 2021, dans un disque monographique. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:48 - Classic & Co - par : Anna Sigalevitch - Ce matin Anna Sigalevitch nous parle de la 10e édition du festival « Le bruit qui pense » , titre en référence à la définition de Victor Hugo de la musique, qui aura lieu à Louveciennes dans les Yvelines du 7 au 15 février , un festival crée et dirigé par un jeune pianiste, Ingmar Lazar. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

EP614Conspiracy, cults, and canceled “truth tellers”. Michael Decon sits down with maverick artist and “Art Gonzo journalist” Victor Hugo Vaca Jr. to unpack beefs, death threats, and the circus of alternative media.From alleged controlled‑op psy‑ops and Q‑era grifters, to shadowbanned platforms, gay‑stripper‑turned‑Jesus‑influencers, and a 12‑year‑old whistleblowing on woke schools, nothing is off limits in this brutally honest, darkly funny, and completely uncensored conversation.

Christopher Kelly et Hélène Ramin partagent la même passion pour la Basilique Marie-Madeleine de Vézelay. Historien de formation, Christopher Kelly, d'origine anglaise, guide du patrimoine, est venu répondre à l'appel de la colline inspirée de Bourgogne depuis une vingtaine d'années. Hélène Ramin, formée à l'école du Louvre, guide conférencière, y habite depuis trente ans. Tous les deux font partie de l'équipe qui anime la Maison du Visiteur dont Hélène Ramin est cofondatrice.Situé à quelques mètres seulement de la Basilique, ce musée interactif et innovant offre une expérience de préparation et d'initiation, pour une découverte inspirée et éclairée du merveilleux édifice d'Art Roman érigé au XIIème siècle.Avec Christopher Kelly et Hélène Ramin, nous sommes invités à la rencontre d'une spiritualité chrétienne formidablement exprimée par le génie des bâtisseurs, des artistes et des mystiques qui ont construit ce vaisseau de pierre blanche porteur de lumière.Avec eux, nous découvrons l'histoire de Vézelay, et les liens de la colline avec Marie-Madeleine, qui a vécu quelques dizaines d'années en France avant de rejoindre l'Amour éternel.Nous découvrons le savoir symbolique immense de nos lointains ancêtres qui, hérité des sagesses premières, antiques et médiévales, se révèle particulièrement éclairant pour notre monde actuel.Nous découvrons notamment quels sont les jeux inouïs de la lumière qui, en toutes saisons, fait vibrer la pierre. À l'image de Marie-Madeleine, qui a vaincu ses sept démons, Vézelay est un lieu de combat, à l'image aussi de la lutte de Jacob avec l'ange. La lumière creuse nos ombres dans toutes leurs profondeurs, elle les épouse, et elle les transforme.Nous découvrons encore une spiritualité proche des premiers siècles du Christianisme, tournée vers la joie, la miséricorde et la résurrection, à l'inspiration de Marie-Madeleine : L'Apôtre des apôtres, la première à avoir rencontré le Christ ressuscité.Vézelay, la colline de la lumière, nous appelle tous à une expérience bouleversante avec un lieu cosmique et un édifice sacré exceptionnels. Celle-ci se vit comme une rencontre d'amour ineffable.  À Vézelay, les bruits et les tumultes du monde s'effacent vite, pour laisser la place à la beauté, à l'émerveillement, et au silence de l'effusion vraie.Pour découvrir La Maison du Visiteur, animée notamment par Christopher Kelly et Hélène Ramin, cliquer ici.Enfin, ne manquez pas de contempler les magnifiques photos de la Basilique de Vézelay qui illustrent cet épisode. Elles sont disponibles sur l'article dédié à cet épisode, sur le site de Zeteo, en cliquant ici. Pour en savoir plus au sujet de Juliette, Victor Hugo mon fol amour, la pièce interprétée par Marie Lussignol qui est annoncée au début de cet épisode, cliquer ici.OMBRES ET LUMIÈRESChers amis, chers auditeurs de Zeteo,Dans une semaine, le cycle d'épisodes consacrés à la merveilleuse colline de Vézelay s'achèvera sur une révélation. Celle qui démontre à quel point la lumière divine œuvre pour le retournement de chacun, jusqu'à la transfiguration.En même temps, ne nous trompons pas. Cela n'est pas de notre vivant terrestre que cette transfiguration s'accomplit pleinement. Ici, nous avons à monter ce chemin quotidien qui nous mène à l'amour éternel. Jusqu'au dernier souffle.C'est ce que nous apprend le dernier chapiteau de la Basilique. On aurait pu s'attendre à une œuvre en progression, commençant par les tourments et finissant par la joie. Cela n'est pas le cas, comme l'expliquent Christopher Kelly et Hélène Ramin. C'est lorsqu'ils commentent, au cours de l'épisode que nous diffusons dès aujourd'hui, cette sculpture ultime. Ils nous disent qu'elle est mystérieusement tourmentée et, en même temps, apaisée. Comme beaucoup d'entre nous, aux différentes heures de nos vies. Et parfois, pour certains, en même temps.La Basilique de Marie-Madeleine est un lieu de combat. À l'image de cette femme qui a dû vaincre ses sept démons, ou de Jacob qui a lutté toute une nuit contre (ou plutôt avec ?) l'ange.En chacun de nous, il y a le combat entre nos ombres et nos lumières. Ce combat à l'intérieur de chacun, il est si important, qu'il semble incompréhensible que nous perdions tant de temps à chercher ou à inventer des ennemis extérieurs.Ce qui est merveilleux à Vézelay, et dans le rayonnement des personnes inspirées qui y témoignent pour Zeteo, c'est la lumière. Nous ne sommes pas seuls et abandonnés dans notre combat. Nous sommes aidés, et même déjà vainqueurs, sans le savoir. Jusque dans les cas les plus désespérés, comme celui de Judas. C'est ce que nous dit Vézelay depuis le XIIème siècle, en ce XXIème siècle qui semble avoir tant besoin de sa lumière de résurrection, de joie, de beauté et d'amour.À Vézelay, la lumière nous est donnée. Elle vient de l'extérieur, en résonance avec notre lumière intérieure. Elle nous vient du divin, de l'univers et du cosmos, des étoiles, des astres, de la nature, des minéraux et des végétaux. Elle nous vient aussi de nos ancêtres, qui nous ont transmis une sagesse incroyable.Cette lumière, et c'est une présence divine, est à la fois forte et douce. Elle éclaire tout en nous et autour de nous. Et elle nous permet, au final, d'accueillir et d'épouser toutes nos ombres. Pour l'illumination entière dans l'amour, pour la transfiguration.La lumière est énergie et joie divine.Fraternellement,Guillaume DevoudPour soutenir l'effort de Zeteo, podcast sans publicité et d'accès entièrement gratuit, vous pouvez faire un don. Il suffit pour cela de cliquer sur l'un des deux boutons ci-dessous, pour le paiement de dons en ligne au profit de l'association Telio qui gère Zeteo.Cliquer ici pour aller sur notre compte de paiement de dons en ligne sécurisé par HelloAsso.Ou cliquer ici pour aller sur notre compte Paypal.Vos dons sont défiscalisables à hauteur de 66% : par exemple, un don de 50€ ne coûte en réalité que 17€. Le reçu fiscal est généré automatiquement et immédiatement à tous ceux qui passent par la plateforme de paiement sécurisé en ligne de HelloAssoNous délivrons directement un reçu fiscal à tous ceux qui effectuent un paiement autrement (Paypal, chèque à l'association Telio, 76 rue de la Pompe, 75016 Paris – virement : nous écrire à info@zeteo.fr ).  Pour lire d'autres messages de nos auditeurs : cliquer ici.Pour en savoir plus au sujet de Zeteo, cliquer ici.Pour lire les messages de nos auditeurs, cliquer ici.Nous contacter : contact@zeteo.frProposer votre témoignage ou celui d'un proche : temoignage@zeteo.fr

What does it actually take to become unbreakable in jiu-jitsu — mentally, physically, and over an entire career?I(@thejoshmckinney) recorded this conversation live at the Fuji BJJ Expo with Victor Hugo (victorhugojj), right in the middle of a tournament atmosphere, with matches happening, crowds moving, and pressure everywhere. No studio. No edits. Just a real, unfiltered conversation with one of the most dominant and respected competitors of this generation.Victor Hugo doesn't talk about techniques here.He talks about how he lives his life and how it applies to jiu-jitsu.In this live interview, Victor breaks down:- Why flow matters more than force at the highest level- How he trains without burning out or getting stuck- What actually goes through his head before world championship finals- How early losses shaped him instead of breaking him- Why adaptability beats having “one best move” - How he stays calm when everything is on the line- And what most athletes get wrong about longevity, pressure, and winningThis was filmed tableside at Fuji BJJ Expo, during a live tournament weekend — the noise, the distractions, the energy — and Victor stayed exactly who he is: calm, thoughtful, and intentional.If you've ever:- Felt stuck in your training- Burned out chasing results- Struggled with pressure in competition- Or wondered how elite athletes stay composed while everyone else panicsThis conversation will change how you think about jiu-jitsu.This isn't hype.This is Big Man Flow — explained by the man who lives it.I Suck at Jiu Jitsu Experience: https://kick.site/rxi0b3vo ($100 OFF with Promo Code "Fuji Expo")Jiu-Jitsu for Imbeciles, feat. Rob Biernacki(FREE): https://www.bjjmentalmodels.com/isucksportshygiene.com Promo Code “ISUCK”Datsusara 10% OFF with Promo Code “ISUCK”: https://www.dsgear.com/ he Competitor's Journey: https://www.simplifyingjiujitsu.com/compChampion's Stay Present: https://www.simplifyingjiujitsu.com/cspJoin ISAJJ PRO(ALL of Josh's Courses in One Place): https://www.simplifyingjiujitsu.com/suckFollow the show on Instagram: https://www.instagram.com/isuckatjiujitsushow Check out the ISAJJ Youtube Channel: https://www.youtube.com/@JoshMcKinney

durée : 01:26:32 - Toute une vie - par : Pascale Lismonde - Gustave Courbet, peintre réaliste du 19e siècle est marqué par des influences familiales libérales, des engagements politiques ardents et une carrière artistique révolutionnaire. À travers ce documentaire, nous partons sur ses traces, dans sa petite ville natale d'Ornans, et au musée d'Orsay. - réalisation : Marie-Ange Garrandeau - invités : Paul Rebeyrolle; Bruno Mathon Peintre et critique d'art.; Pierre Georgel Conservateur général du patrimoine, auteur de "Victor Hugo, Dessin", Gallimard, 2002; Laurence des Cars Directrice du musée du Louvre (à partir du 1er septembre 2021); Stéphane Guégan Historien, critique d'art, Conseiller scientifique auprès de la Présidence du musée d'Orsay et du musée de l'Orangerie.; Françoise Gaillard Philosophe, critique littéraire française et traductrice, également maître de conférences à l'université Paris-VII spécialisée sur Flaubert ainsi que sur la littérature française, l'esthétisme et l'art de fin de siècle.; Jacques Henric Critique, essayiste, romancier; Gaston Bordet

Nous sommes en 1757, chez le duc d'Ayen à Saint-Germain-en-Laye, à une vingtaine de kilomètres, à l'ouest de Paris. Ce jour-là a lieu la première représentation du « Fils naturel, ou Les épreuves de la vertu ». Il s'agit d'un drame en cinq actes et en prose écrit par Denis Diderot. L'histoire est celle de deux amis dont l'un demande à l'autre de plaider sa cause auprès d'une jeune fille qu'il adore. Le texte contient un phrase qui va faire bouillir Jean-Jacques Rousseau, ami de Diderot. « Il n'y a que le méchant qui soit seul ». Rousseau prendra pour lui cette critique et s'en ouvrira dans « Les Confessions », son autobiographie. Un peu moins d'un siècle plus tard, dans son poème intitulé « La fin de Satan », Victor Hugo écrit à propos de la solitude : « L'enfer est tout entier dans ce mot » , alors qu'en 1903, Rainer Maria Rilke, dans une de ses « Lettres à un jeune poète » rêve à « Être seul, seul comme l'enfant est seul ». Silencieuse, inquiétante, sournoise, la solitude a longtemps, et peut-être encore toujours, été connotée négativement, provoquant la méfiance et même le rejet. Elle s'abat sur les plus faibles, pense-t-on : les malades, les pauvres, les veuves, les célibataires, les fous, les victimes de guerres ou de famines. Mais vint un temps où la solitude s'est imposée comme une condition nécessaire à l'accomplissement de soi. Un long processus qui s'étend sur tant de siècles… Revenons sur quelques étapes essentielles pour comprendre… Avec nous : Sabine Melchior-Bonnet « Histoire de la solitude – de l'ermite à la célibattante » ; PUF. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Age of Victoria returns for the 2026 season with a high-energy prologue to our new series, “Hunger and Revolution”. In this episode, we follow the “magnificent, terrible, magnetic” Lola Montez as she transitions from the stage to the high-stakes world of European politics. Lola becomes an “accidental bunch of dynamite,” moving through the bohemian circles of Paris and the royal halls of Munich. Her volatile relationship with the “rockstar” composer Franz Liszt and her scandalous influence over King Ludwig I of Bavaria serve as a sparking point for the unrest that would soon consume the continent. Against the grim backdrop of the “Continental Famine” and rising industrial tensions, we examine how one woman's individual actions could help bring the curtain down on the pre-modern age. Key Topics Covered: Bohemian Paris in the 1840s: A city of romance and industry undergoing a transformation marked by early railway stations, gas streetlights, and artistic experimentation. Lisztomania and the Great Composers: Exploring the electric performances and scandalous love life of Franz Liszt—the “rockstar” of the 19th century—who redefined the status of the artist in society. The Duel of Dujarier: Lola's time in the French literary scene alongside figures like Victor Hugo ended in tragedy when her lover, journalist Alexandre Henri Dujarier, was killed in a reluctant pistol duel. The “Gallery of Beauties”: A look at the 36 oil paintings in King Ludwig's collection, where Lola's portrait eventually sparked a national scandal. The Continental Famine: Examining the “parallel story” of the 1845–1847 potato blight across Europe that fueled the urban discontent leading to the 1848 revolutions. The Fall of Munich: The student riots at the University of Munich involving the “Lolamannen,” the exile of Montez, and King Ludwig I's ultimate abdication. “The Battle of Ballarat”: A summary of Lola's later years, including her infamous whip-fight with a newspaper editor in the Australian goldfields. Works Cited & Sources: Edmund B. d'Auvergne: Lola Montez: An Adventuress of the 'Forties (Project Gutenberg). Dictionary of Irish Biography: “Gilbert, Eliza Rosana (Lola Montez)” by Lawrence William White. Schloss Nymphenburg: “King Ludwig I's Gallery of Beauties (Room 15).” Interlude.hk: “Life of Chopin: The Controversial Chopin Biography by Liszt” by Emily E. Hogstad . Interlude.hk: “The Spy who loved me! Liszt and Agnes Street-Klindworth”. Dance Biographies: “Alexandre Henri Dujarier” & “The Fascinating Lola Montez: The European Years.” State Library Victoria: “Wild times with Lola Montez” (The Battle of Ballarat). Elizabeth Kerri Mahon: “Whatever Lola Wants, Lola Gets: The Racy Life of Lola Montez.” Oktoberfest.de: “The History of Oktoberfest”. Encyclopedia of 1848 Revolutions: “Economic Crisis in the first half of 1847” (Ohio.edu). The post EP065 SETTING EUROPE ON FIRE appeared first on AGE OF VICTORIA PODCAST.

Et si vous vous laissiez à nouveau emporter par les récits qui vous ont le plus marqué cette année ?Aujourd'hui, réécoutez les 10 podcasts les plus écoutés d'Au Coeur de l'Histoire ! À travers ces épisodes incontournables, redécouvrez vos histoires préférées. A la 10ème place : Victor Hugo et le spiritisme, quand le poète fait tourner les tables !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour finir l'année en beauté, pirates, prophètes, explorateurs, artistes et saints se croisent dans cette semaine spéciale d'Au Cœur de l'Histoire version fêtes.De Zarafa la girafe à Houdini le roi des évasions, de la naissance du Père Noël à l'art de la table de François Vatel, du mystère de l'expédition Lapérouse à la route de la soie, embarquez pour deux semaines spéciales où l'Histoire se pare de magie, de mystères et d'émotions !Le 5 décembre 1870, Alexandre Dumas disparaissait. Dans ce double épisode récit d'Au coeur de l'Histoire, Jean des Cars vous raconte la vie de ce colosse de la littérature dont son ami Victor Hugo disait "qu'aucune popularité n'avait dépassé la sienne, que ses succès étaient mieux que des succès, c'étaient des triomphes qui avaient l'éclat de la fanfare". Un véritable roman ! Ce premier épisode revient sur le début de carrière et les premiers éclats de ce géant incontournable de la littérature française. (rediffusion)Au Cœur de l'Histoire est un podcast Europe 1.- Auteur et présentation : Jean des Cars- Production, diffusion et édition : Timothée Magot et Clara Ménard- Réalisation : Jean-François Bussière Bibliographie : - André Maurois, de l'Académie française, Les trois Dumas, Hachette, 1957- Claude Schopp, Alexandre Dumas, le génie de la vie, Fayard, 2002- Alain Decaux, de l'Académie française, Dictionnaire Amoureux d'Alexandre Dumas, Plon, 2010Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On this episode of Currently Reading, Kaytee and Meredith are discussing: Bookish Moments: book advent and making wood bookends Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: how Meredith and Kaytee have both changed for good due to the podcast and each other The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). .  .  .  1:12 - Ad For Ourselves 1:41 - Currently Reading Patreon 8:13 - Our Bookish Moments of the Week 8:27 - 25 Days by Per Jacobson 14:10 - Our Current Reads 14:33 - North Sun by Ethan Rutherford (Meredith) 16:14 - The Terror by Dan Simmons 21:29 - Wrong Place, Wrong Time by Gillian McCallister (Kaytee) 26:39 - And the World Spins Anyway by Georgie Jones (Meredith) 26:47 - georgie_jonez on instagram 32:56 - Awake by Jen Hatmaker (Kaytee) 33:23 - 7 by Jen Hatmaker 37:49 - Lady Tremaine by Rebecca Hochhauser (Meredith) 39:39 - Clytemnestra by Costanza Casati 42:23 - Fabled Bookshop 42:37 - A Wish in the Dark by Christina Soontornvat (Kaytee) 42:52 - Les Miserables by Victor Hugo 45:58 - CR Season 4: Episode 45 46:46 - How We've Been Changed For Good  59:09 - Meet Us At The Fountain 59:38 - I wish that you would follow @mondaynextpodcast on instagram for a limited series for business minded individuals! 59:40 - @mondaynextpodcast on Instagram 1:01:17 - I wish for us to finish the year strong in our reading lives. (Kaytee) 1:02:39 - The Never King by Nikki St. Crow   Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. December's IPL is a recap of the year with Kaytee and Meredith. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!