Podcast appearances and mentions of Victor Hugo

Si Louise Bertin n'a pas eu la reconnaissance qu'elle méritait en tant que femme et handicapée, on redécouvre aujourd'hui sa musique avec des oreilles neuves, notamment son opéra Esmeralda sur un livret de Victor Hugo. Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:59:22 - Les émissions culturelles de France Culture - par : Marie Richeux - À l'affiche du film "La petite cuisine de Mehdi", l'acteur et producteur de musique Younès Boucif a accepté de partager sa bibliothèque. Une traversée à travers le temps et les continents avec Victor Hugo, Milan Kundera, Charles Bukowski, Louisa Yousfi ou encore Yasuhisa Hara et Marie-Aude Murail. - équipe : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Vivien Demeyère, Julie Gastal Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Les Misérables || The Grave | The Barricade | August 20, 1937; August 27, 193701:15 .. The Grave28:26 .. The Barricade#VictorHugo #LesMisérables #LesMiserables: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Zhubin Parang, who has been with The Daily Show since the first time around with Jon Stewart, fully recognizes that among the many characters in the musical Les Misérables, only Javert really has an actual character arc. Only he goes somewhere over the course of the story. The rest kind of hold their ground, face grim adversity, and sing sing sing. That's all good with Zhubin, he loves the crap out of Les Mis and has seen it many times and, in order to put you to sleep, Zhubin is hear to tell you EVERYTHING THAT HAPPENS IN LES MIS. I mean, that ought to do it, right? Les Mis without the singing or the acting or the sets and costumes? Just... plot points? We're dreaming a dream of you dreaming, Sleepyheads. Get your copy of Lindsay Champion's The Show Must Go On (Cast vs. Crew) wherever books are sold. Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber? Email us at: sleepwithcelebs@maximumfun.org. Follow the Show on: Instagram @sleepwcelebs Bluesky @sleepwithcelebs TikTok @SleepWithCelebs John is on Bluesky @JohnMoe John's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback. _________________________________________________________________________ Join | Maximum Fun Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinsleeping

durée : 00:30:35 - Les Nuits de France Culture - par : Albane Penaranda - "Walter Scott, une gloire européenne" tel était le titre de la grande conférence donnée par Raymond Las Vergnas, le 17 août 1971, sur France Culture. Elle permettait d'appréhender la gloire exceptionnelle que connue l'écrivain écossais auteur de "Quentin Durward" et "Ivanhoé". - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Les Misérables || The Trial | Cosette || August 6, 1937; August 13, 193701:16 ... The Trial30:34 ... Cosette#VictorHugo #LesMisérables #LesMiserables: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

REDIFF - Après le coup d'État de Louis-Napoléon Bonaparte, Hugo, révolté de voir sombrer la République, entre en clandestinité. De Bruxelles à Jersey, puis à Guernesey, il consacre ses années d'exil à bâtir une œuvre monumentale. Et en 1859 paraît "La Légende des siècles". Refusant l'amnistie impériale, il promet de ne rentrer qu'avec le retour de la liberté. Sa voix, puissante, résonne dans toute l'Europe au service des opprimés. Suivez Victor Hugo dans son exil devenu un combat pour la justice. Crédits : Lorànt Deutsch, Bruno Calvès. Tout l'été, retrouvez l'inimitable Lorànt Deutsch pour vous révéler les secrets des personnages historiques les plus captivants ! Tout l'été, retrouvez l'inimitable Lorànt Deutsch pour vous révéler les secrets des personnages historiques les plus captivants ! Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

REDIFF - Après le coup d'État de Louis-Napoléon Bonaparte, Hugo, révolté de voir sombrer la République, entre en clandestinité. De Bruxelles à Jersey, puis à Guernesey, il consacre ses années d'exil à bâtir une œuvre monumentale. Et en 1859 paraît "La Légende des siècles". Refusant l'amnistie impériale, il promet de ne rentrer qu'avec le retour de la liberté. Sa voix, puissante, résonne dans toute l'Europe au service des opprimés. Suivez Victor Hugo dans son exil devenu un combat pour la justice. Crédits : Lorànt Deutsch, Bruno Calvès. Tout l'été, retrouvez l'inimitable Lorànt Deutsch pour vous révéler les secrets des personnages historiques les plus captivants ! Tout l'été, retrouvez l'inimitable Lorànt Deutsch pour vous révéler les secrets des personnages historiques les plus captivants ! Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les Misérables by Victor Hugo单词提示1.Monsieur 先生2.Inspector 探长原文Chapter 2: FantineNow we meet Fantine.She is young and beautiful and in love with a man in Paris, but she has no family and no money.For Fantine, this is the love of her life.For the man in Paris, it is just a summer of love.Men are not kind to women, they have their fun and then they walk away.The man in Paris goes home to his rich family and leaves poor Fantine, and with a child, a little girl called Cosette.Fantine must find work, but how?Fantine has a child but no husband, and a woman without a husband is nothing, worse than nothing.People are not kind to a woman with a child but no husband.They turn their faces away, they close their doors, they say there's no work here for a woman like you.Fantine loves her daughter dearly, but what can she do?So in 1818, in a village near Paris, she leaves her little daughter with Monsieur and Madame Thenardier.They ask for 7 francs a month.Fantine pays the money, holds her daughter in her arms for the last time, and leaves.She takes the road for her home town of Montroy,and tears are running down her face.There is misery in her heart. Poor Fantine, poor Cosette.In Montroy, Fantinefinds work in a factory.This is the factory of Monsieur Madeleine, an important man in the town and very rich.Everybody likes him, because he is a good man.He is kind to his workers, he helps people,and his factory gives many jobs to the townspeople.But who is he, this Monsieur Madeleine?Where did he come from?He arrived in Montroy at the end of 1815,but nobody knows his family or anything about him.Fantine sent money every month to the Thenardiers.They were not good people, and they used the money for their own daughters.Poor little Cosette was a hungry, dirty,unloved child.She worked all day, she cleaned the house,she carried water, she washed the clothes.But Fantine knew nothing of this, and she worked long hours to make money for Cosette.The next year, the Thenardiers asked for 12 francs a month.The year after that, they wanted 15 francs.Then Fantine lost her job at the factory because the women did not like her. “She has achild in a village somewhere near Paris.”“Yes, and where's her husband.”“She doesn't have one.”“We don't want that kind of woman here. She must go.”Fantine found work making shirts.It was hard work for little money.She was often ill with a small dry cough.The Thenardiers wrote again, “Your daughter needs a warm dress for winter, send 10 francs at once.”Fantine did not have 10 francs.She thought long and hard, and went to the barber in the town.She took off her hat, and her golden hair fell down her back.“That's beautiful hair,” said the barber.“What can you give me for it?”“10 francs.”“Then cut it off.”She sent the money to the Thenardiers.“My daughter's not cold now,” she thought, “She'swearing my hair.”Soon, another letter came from the Thenardiers,“Send 100 francs, or Cosette must leave our house.”100 francs? How can a poor woman get that kind of money? There was only one way.One cold winter evening, outside a restaurant in the center of Montroy, a woman walked up and down.There was snow on the ground, but the woman wore an evening dress with flowers in her hair.Some young men came out of the restaurant,saw her, and began to call her bad names.They laughed and shouted, but the woman did not look at them.Then one young then took some snow and put it down the back of the woman's dress.The woman was Fantine.She gave a cry, turned, and hit the young man's face with her hands.People came to watch, laughing.A tall policeman arrived, took the woman by the arm and pulled her away.“Come with me,” he said.This policeman was Inspector Javert.He was new to Montroy, and he was a hard man.To him, the law was the only important thing in life.He hated criminals.The law in France at that time was not kind to women like Fantine.Javert took Fantine to the office of police.“You hit a man in the street and that's a crime,” He told her, “You're getting six months.”“Six months in prison?” Fantine cried, “no,I'm not a bad woman, monsieur, please, I must work. I need the money for my little daughter. Please, please don't send me to prison.”She fell to the floor crying.“Take her away,” Javert said to a policeman.“One moment, please,” said a new voice.Everybody turned to look at the door, and there stood the good, the great Monsieur Madeleine.He was an important man in Montroy.“Inspector,” he said, “I was outside the restaurant, too. And I can tell you the true story.”“The young man began the fight, and this poor woman,” he looked at Fantine on the floor, “must go free. She did nothing wrong.”“The woman is a criminal,” said Javert angrily.“She must go free,” said Monsieur Madeleine,“Ask the other people at the restaurant. We all saw the same thing.”Fontain stood up slowly, she began to cough,a hard dry noise.Monsieur Madeleine took her arm gently.“My dear child, you are not well,” he said.Javert's cold eyes stared at Monsieur Madeleine.“Do I know you from somewhere?” he said, “Were you ever at Toulon?”Monsieur Madeleine looked at him.His face did not change, but his eyes were suddenly very watchful.“No, I don't know Toulon.” he said.Monsieur Madeleine took Fantine to the little hospital in Montroy.She lay in bed and coughed and coughed.Monsieur Madeleine listened to her sad story, and the next day he sent money to the Thenardiers.“Now you must get better,” he told Fantine, “Cosette needs you.”But Fantine did not get better.She was now very ill, and five days later the doctor spoke to Monsieur Madeleine.“Does she have a child, this poor woman?”He said, “Yes, a small daughter.”“You must bring the child here soon.”Monsieur Madeleine went to sit by Fountain's bed.“Monsieur madeleine, you are so kind to me. I want to see my daughter one last time.Please, can you? Bring Cosette to me, please, monsieur.”Monsieur Madeleine took her hand.“Of course, I can,” he said gently.And then, the door of the room suddenly opened behind him, and Fantine cried out “No, monsieur.”Madeleine looked round quickly.InspectorJavert came into the room with four policemen.“Jean Valjean, prisoner at Toulon, I am arresting you,” Javert said, “After you left the prison, you stole money from a child in Toulon. You are still a thief, and now you must go to prison for life.”Fantine sat up in bed.“No,” she cried, “Cosette!”Monsieur Madeleine stood up slowly.“Inspector, give me three days.” He said.He was a big man, much bigger than Javert.“Three days to bring this poor woman's child to her before she dies, then you can take me.”Javert laughed loudly, “Three days, you're going to run away?”Behind the two men, Fantine cried out, “Monsieur Madeleine, please take care of Cosette. Please.”Javert turn to her, “Be quiet, woman,there's no Monsieur Madeleine here. This man is a criminal called Jean Valjean,and he's going to prison.”Fantine stared at Javert and tried to speak,but she could not.She fell back in the bed and lay still. She was dead.The people of Montroy talked about that day for a long time, the death of the woman Fantine,the arrest of Monsieur Madeleine.Javert put Monsieur Madeleine in a locked room in the police office, but in the night, he broke down the door and escaped.Where did he go? Did he go to his house in the town?His old servant said “no”, she saw nobody and heard nothing.She said she loved Monsieur Madeleine very much.So where did Monsieur Madeleine go?Nobody in Montroy saw him again.One thing was certain.In Monsieur Madeleine's house, there were two beautiful old silver candlesticks.The next day they were gone.翻译第二章：芳汀现在，我们来认识芳汀。她年轻貌美，在巴黎与一个男人坠入爱河，但她没有家人，也没有钱。对芳汀来说，这是她一生的挚爱；但对那个巴黎男人而言，这不过是一场夏日恋情罢了。男人们对待女人并不仁慈，他们寻欢作乐之后，便一走了之。那个巴黎男人回到了他富有的家族，留下了可怜的芳汀，以及他们的孩子——一个名叫珂赛特的小女孩。芳汀必须找到工作，可她能怎么办呢？芳汀有个孩子却没有丈夫，而在那个时代，没有丈夫的女人什么都不是，甚至比什么都不是还要不堪。人们对带着孩子却没有丈夫的女人毫不留情。他们对她冷眼相待，对她紧闭大门，还会说：“像你这样的女人，我们这儿没有工作。”芳汀深爱着她的女儿，可她又能做些什么呢？于是，在1818年，在巴黎附近的一个村庄里，她把小女儿托付给了德纳第夫妇。他们要求每个月付7法郎。芳汀付了钱，最后一次将女儿紧紧抱在怀里，然后转身离开。她踏上了返回故乡蒙特勒伊的路，泪水顺着脸颊不断滑落。她的心中充满了无尽的苦难。可怜的芳汀，可怜的珂赛特。在蒙特勒伊，芳汀在一家工厂找到了工作。这家工厂的老板是马德兰先生，他是镇上的大人物，非常富有。大家都很喜欢他，因为他是个大好人。他对工人们很仁慈，乐于助人，而且他的工厂为镇上的许多人提供了工作。可是，这位马德兰先生究竟是谁？他又从何而来？他是在1815年底来到蒙特勒伊的，但没有人知道他的身世，对他一无所知。芳汀每个月都会按时寄钱给德纳第夫妇。可他们并非善类，竟把芳汀寄来的钱全用在了自己亲生女儿的身上。可怜的小珂赛特成了一个挨饿、肮脏、无人疼爱的孩子。她整天干活，打扫屋子，提水，洗衣服。但芳汀对此一无所知，她只能拼命工作，为珂赛特多挣些钱。第二年，德纳第夫妇要求每月寄12法郎。再往后一年，他们又要15法郎。后来，芳汀失去了工厂的工作，因为厂里的女工们不喜欢她。“她有个孩子，寄养在巴黎附近的某个村子里。”“是啊，可她丈夫在哪儿呢？”“她没有丈夫。”“我们这儿不想要那种女人。她必须走人。”芳汀只好靠做衬衫来谋生。活儿很累，挣的钱却很少。她经常生病，总是干咳不止。德纳第夫妇又写信来：“你女儿冬天需要一件暖和的裙子，马上寄10法郎来。”芳汀拿不出10法郎。她思前想后，最终走进了镇上的理发店。她摘下帽子，一头金发垂落在背上。“多漂亮的头发啊，”理发师说。“这头发你能给我多少钱？”“10法郎。”“那就剪了吧。”她把换来的钱寄给了德纳第夫妇。“我的女儿现在不会挨冻了，”她想，“她穿着我的头发呢。”没过多久，德纳第夫妇又来信了：“寄100法郎来，不然珂赛特就得滚出我们家。”100法郎？一个穷苦女人上哪儿去弄这么一大笔钱？只剩下最后一条路了。在一个寒冷的冬夜，蒙特勒伊市中心的一家餐馆外，一个女人正来回踱步。地上满是积雪，可她却穿着晚礼服，头上还戴着花。几个年轻男人从餐馆里走出来，看见她，便开始用下流的话辱骂她。他们又笑又叫，但那个女人连看都没看他们一眼。接着，其中一个年轻男人抓起一把雪，顺着那个女人的衣领塞进了她的后背。那个女人正是芳汀。她惊叫一声，转过身，一巴掌狠狠打在那个年轻男人的脸上。人们围过来看热闹，哈哈大笑。这时，一个高大的警察走了过来，一把抓住女人的胳膊，将她拉开。“跟我走。”他说。这个警察是沙威警长。他刚到蒙特勒伊不久，是个冷酷无情的人。在他看来，法律是生命中唯一重要的东西。他痛恨罪犯。而当时法国的法律，对芳汀这样的女人是毫不留情的。沙威把芳汀带到了警察局。“你在大街上打了一个男人，这是犯罪，”他告诉她，“你要被判六个月的监禁。”“六个月？”芳汀哭喊道，“不，我不是坏女人，先生，求求您，我必须工作。我需要钱养活我的小女儿。求求您，千万别把我送进监狱。”她倒在地上痛哭起来。“把她带走。”沙威对另一名警察说。“请等一下。”一个陌生的声音响起。所有人都转头看向门口，只见那位善良、伟大的马德兰先生正站在那里。他是蒙特勒伊的显要人物。“警长，”他说，“我当时也在餐馆外面。我可以告诉你事情的真相。”“是那个年轻人先挑起事端的，而这个可怜的女人，”他看了一眼倒在地上的芳汀，“必须被释放。她没有任何过错。”“这个女人是个罪犯！”沙威愤怒地说。“她必须被释放，”马德兰先生说，“去问问餐馆里的其他人吧。我们大家看到的都是一样的。”芳汀慢慢站起身，开始剧烈地咳嗽，发出沉闷干涩的声音。马德兰先生温柔地扶住她的胳膊。“我可怜的孩子，你身体不好。”他说。沙威冰冷的双眼死死盯着马德兰先生。“我是不是在哪儿见过你？”他说，“你以前去过土伦吗？”马德兰先生看着他。他的面庞毫无波澜，但眼神突然变得极度警觉。“不，我不知道什么土伦。”他说。马德兰先生把芳汀送到了蒙特勒伊的小医院。她躺在床上，不停地咳嗽。马德兰先生听完了她悲惨的身世，第二天便派人把钱寄给了德纳第夫妇。“现在你必须好起来，”他告诉芳汀，“珂赛特需要你。”但芳汀并没有好转。她的病情已经非常严重了，五天后，医生对马德兰先生说：“这个可怜的女人有孩子吗？”“有，一个小女儿。”“你必须尽快把孩子接来。”马德兰先生走到芳汀的床边坐下。“马德兰先生，您对我太好了。我想再看一眼我的女儿。求求您，您能办到吗？把珂赛特带到我身边来吧，先生。”马德兰先生握住她的手。“我当然能办到。”他温和地说。就在这时，身后的房门突然被猛地推开，芳汀惊叫一声：“不，先生！”马德兰先生迅速回过头。沙威警长带着四名警察走进了房间。“冉阿让，土伦的囚犯，我现在逮捕你，”沙威说，“你出狱后，在土伦偷了一个孩子的钱。你依然是个贼，现在你必须被判终身监禁。”芳汀在床上猛地坐直身子。“不！”她哭喊道，“珂赛特！”马德兰先生缓缓站起身。“警长，给我三天时间。”他说。他是个大块头，比沙威高大得多。“给我三天时间，让我把这个可怜女人的孩子带到她面前，等她见上最后一面，你再抓我。”沙威放声大笑：“三天？你是打算趁机逃跑吗？”在两个男人身后，芳汀哭喊道：“马德兰先生，求您照顾珂赛特。求求您了。”沙威转过头对她吼道：“闭嘴，女人！这里没有什么马德兰先生。这个人是个叫冉阿让的罪犯，他马上就要进监狱了。”芳汀死死盯着沙威，试图开口说话，却发不出一点声音。她重重地倒回床上，再也没有动弹。她死了。蒙特勒伊的人们谈论那一天谈了很久很久，谈论着芳汀的死，以及马德兰先生被捕的事。沙威把马德兰先生关在警察局的一间密室里，但在夜里，他撞破房门逃跑了。他去了哪里？他回镇上的家了吗？他的老女仆说“没有”，她什么也没看见，什么也没听见。她说她非常敬爱马德兰先生。那么，马德兰先生到底去了哪里？蒙特勒伊再也没有人见过他。但有一件事是肯定的。在马德兰先生的家里，原本放着两只漂亮的老银烛台。第二天，它们就不见了。

Les Misérables || The Bishop | Javert || July 23, 1937; July 30, 193701:14 ... The Bishop == Orson Welles (Jean Valjean), Alan Devitt (Judge), Agnes Moorehead (Old Woman, Madame Magloire), Frank Readick (Bishop of Digne)31:48 ... Javert -- Hiram Sherman (Letter Deliverer, Factory Official, Idler who torments Fantine), Betty Garde (Favourite), Alice Frost (Fantine), Agnes Moorehead (Marguerite), Ray Collins (Traveling Dentist, Fauchelevent), Martin Gabel(Inspector Javert), Orson Welles (Jean Valjean, Monsieur Madeleine)#VictorHugo #LesMisérables #LesMiserables: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Can people really change? Or do we simply become more of who we've always been? In this episode of Wisdom of the Body, Heather Grzych explores this timeless question through Victor Hugo's Les Misérables and the transformation of Jean Valjean, a man whose life is changed by an unexpected act of mercy. Drawing from Christianity, Greek mythology, and Ayurveda, Heather explores the forces that shape who we become—from grace and choice to our environments, habits, and experiences. She reflects on why some people are able to transform while others remain trapped in old patterns, and why lasting change requires not just different actions, but a different relationship with who we believe we can become.   Heather Grzych, ADLC is an American author and teacher of Ayurvedic medicine who was formerly the president of the National Ayurvedic Medical Association and the head of product development for a multi-billion-dollar health insurance company. Heather's first book, The Ayurvedic Guide to Fertility, has sold thousands of copies worldwide, and her writing has been featured in Sports Illustrated, Yoga Journal, and the Sunday Independent. Her podcast, Wisdom of the Body, holds an average rating of 5 stars on Apple Podcasts and is in the top 2.5% of podcasts globally.    Connect with Heather:  Learn more at www.heathergrzych.com  Instagram.com/heathergrzych  Facebook.com/grzychheather    Read the first six pages of The Ayurvedic Guide to Fertility for FREE: https://www.heathergrzych.com    Connect with Heather to balance your health with Ayurveda: https://www.heathergrzych.com/book-online

Les Misérables by Victor Hugo单词提示1.misery 苦难2.bishop 主教3.candlestick 蜡烛台原文Chapter 1: Jean ValjeanIt is the year 1796, and the people of France are hungry; not the rich people, of course, they have food, they have warm clothes, they have beautiful houses; no, it is the poor people of France.Jean Valjean is one of these poor people.He is a young man, big, strong, and a good worker, but he has no work.He cannot find work, and he is hungry.He lives with his sister in the village of Bree, her husband is dead and she has seven children.It is a cold, hard winter and there is no food in the house, no bread.Nothing and seven children.Jean Valjean is a good man; he is not a thief.But how can a man just sit there when his sister's children cry all night because they are hungry?What can a man do?He leaves his house at night and goes down the village night.He puts his hand through the window of the bakery.“Crash!”,he takes a loaf of bread and he runs.He runs fast, but other people run faster.France is not kind to poor people.France send Jean Valjean to prison for five years.After four years, he escapes.They find him and bring him back.They give him six more years.Once again, he escapes, and two days later they find him and they give him another eight years,19 years in prison for a loaf of bread.In 1815, when he leaves prison, Jean Valjean is a different man.Prison changes people.Years of misery, years of back breaking work,years of cruel prison guards, these things change a man once.There was love in Jean Valjean's heart, now there is only hate.One evening in October in the year 1815,there was a knock on the door of the Bishop of Denya's house.“Come in”, said the bishop.The bishop was a kind man.Everyone in the town of Denya knew that poor people, hungry people, miserable people, they all came to the door of the bishop's house.The bishop's sister looked at the man at the door that night, and she was afraid.“Look at him,” she whispered to the bishop, “he is a big man and a dangerous one. He carries a yellow card, so he was once a prisoner, a bad man.”But the bishop did not listen.“Come in, my friend,” he said to the man at the door, “come in, you must eat dinner with us and sleep in a warm bed tonight.”The man stared at the bishop.“My name is Jean Valjean,” he said, “I was a prisoner in Toulon for 19 years. Here is my yellow card, see, people everywhere shut their doors in my face, but not you, why not?”“Because my friend, in the eyes of God, you are my brother,”said the bishop smiling, “So come in and sit by our fire.”The bishop turned to his sister, “Now sister, our friend Jean Valjean needs a good dinner. Bring out the silver dinner plates. It's a special night tonight.”“Not the silver plates,” whispered the bishop's sister.Her eyes went quickly to Jean Valjean, then back to the bishop's face.“Yes, the silver plates,” said the bishop, “and the silver candlesticks, too. The church has these beautiful things, but they are for our visitors, and our visitor tonight must have only the best.”And so, Jean Valjean sat down with the bishop and his sister, and ate from silver plates.He ate hungrily. It was his first good meal for weeks.“You're a good man,” he said to the bishop, “perhaps the only good man in France.”But Valjean could not take his eyes away from the silver plates.After the meal, the bishop's sister put the silver plates away, and Valjean's eyes watched.He saw the place, and he remembered it in the night, in his warm bed in the bishop's house.He thought about the plates, they were big,heavy, so much silver in them.“I can sell those plates,” he thought, “for just one of them. I can eat well for months.”19 years in prison is a long time, and 19 hard years change a man.By morning, Valjean was a long way from the bishop's house.But how do you carry big silver plates? How do you hide them?People in Denya began to whisper.“Did you see him? That big man carrying six silver plates? Where did he get them from? Those plates came from the church. A man like that doesn't have silver plates, no, and he carries a yellow card, did you see? So he was a prisoner once, he's a thief, he stole those plates.”The police heard the whispers, they went after Jean Valjean, found him and took him back to the bishop's house in the afternoon.But there, they had a surprise.“My dear friend,” the bishop, said to Jean Valjean, “I am so pleased to see you. You forgot the candlesticks, I gave you the silver plates and the candlestick, you remember, but you forgot to take the candlesticks when you left.”“But this man is a thief.” said one of the policemen.“No, no, of course not,” said the bishop smiling, “I gave the silver to Monsieur Valjean.”“You mean he can go? He is free?” said the policeman.“Of course,” the bishop said.All this time Jean Valjean stared at the bishop, and said not one word.The policeman went away, and the Bishop of Denya went into his house and came out again with the two silver candlesticks.They were tall and heavy and beautiful.The bishop put the candlesticks into Jean Valjean's hands.“Jean Valjean, my brother,” he said, “you must leave your bad life behind you. This is God's silver, and I am giving it to you. With it, you can begin a new good life. I am buying your soul for God.”Jean Valjean left the town of Denya with his silver plates and his silver candlesticks.Suddenly he was a rich man, but he did not understand why.“What's happening to me,” he thought, “everything is changing. How can I hate people when this bishop is so good to me? What shall I do, how shall I live?”Prisoner Valjean did not understand anything.He sat down by the road with his head in his hands and cried.He cried for the first time in 19 years.How long did he sit there crying? What didhe do next and where did he go?Nobody knows, but when the sun came up on anew day, he was a changed man.翻译第一章：冉阿让那是1796年，法国人民正饱受饥饿之苦；当然，富人不在其列，他们有充足的食物、温暖的衣物和漂亮的房子；挨饿的，是法国的穷苦百姓。冉阿让就是这些穷人中的一员。他是个年轻人，身材高大，体格强壮，也是个勤快的好工人，但他就是找不到工作。他找不到活儿干，只能忍饥挨饿。他和姐姐住在布里村，姐夫已经去世，留下姐姐独自抚养七个孩子。那是一个寒冷而严酷的冬天，家里已经揭不开锅，连一点面包都没有了。家里空空如也，却还有七张嗷嗷待哺的嘴。冉阿让是个好人，他本不是贼。可是，当姐姐的孩子们因为饥饿整夜整夜地啼哭时，一个男人怎么能干坐着无动于衷呢？他又能做些什么呢？他在夜里离开家，摸黑走进村庄。他把手伸进面包房的窗户。“哐当！”他抓起一条面包，拔腿就跑。他跑得很快，但别人追得更快。法国对穷人并不仁慈。法国把冉阿让送进监狱，判了五年。四年后，他越狱了。他们抓回了他，又给他加了六年刑期。他再次越狱，两天后又被抓了回来，这次又加了八年。仅仅为了一条面包，他在监狱里整整熬了十九年。1815年，当他走出监狱时，冉阿让已经变成了另一个人。监狱是会改变人的。多年的苦难、多年的苦役、多年残酷狱卒的折磨，这些经历彻底改变了一人。冉阿让的心里曾经有过爱，如今却只剩下仇恨。1815年10月的一个傍晚，迪涅主教的宅邸响起了敲门声。“请进。”主教说道。主教是个仁慈的人。迪涅镇上的每个人都知道，穷人、饿着肚子的人、走投无路的人，都会来到主教家门前求助。那天晚上，主教的姐姐看着门外的男人，心里十分害怕。“你看看他，”她低声对主教说，“他是个大块头，看着很危险。他带着黄护照，说明他曾经是个囚犯，是个坏人。”但主教没有听她的。“请进吧，我的朋友，”他对门外的男人说，“请进来，你必须和我们一起吃顿晚饭，今晚还要睡在温暖的床上。”男人死死盯着主教。“我叫冉阿让，”他说，“我在土伦的监狱里蹲了十九年。这是我的黄护照，你看，走到哪里人们都对我闭门不见，但你却没有，为什么？”“因为我的朋友，在上帝眼里，你就是我的兄弟，”主教微笑着说，“所以请进来，在炉火旁坐下吧。”主教转过头对姐姐说：“姐姐，我们的朋友冉阿让需要一顿丰盛的晚餐。把那些银餐盘拿出来吧。今晚是个特别的夜晚。”“别拿银餐盘。”主教的姐姐低声说。她的目光迅速瞥向冉阿让，又马上转回主教的脸上。“就要拿银餐盘，”主教说，“还有银烛台也要拿出来。教堂拥有这些精美的器物，但它们本就是为客人们准备的，而我们今晚的客人，理应享受最好的待遇。”于是，冉阿让和主教以及他的姐姐坐在一起，用银餐盘吃着饭。他狼吞虎咽地吃着。这是他几周来吃的第一顿饱饭。“你是个好人，”他对主教说，“也许是法国唯一的好人。”但冉阿让的目光始终无法从那些银餐盘上移开。饭后，主教的姐姐把银餐盘收了起来，冉阿让的眼睛一直盯着。他看清了存放的位置，并在当晚、在主教家温暖的床上，将这一切牢牢记在心里。他想着那些盘子，它们又大又沉，里面全是实打实的银子。“我可以把那些盘子卖掉，”他想，“哪怕只卖一个，也够我舒舒服服吃上好几个月了。”十九年的牢狱之灾太漫长了，十九年的苦难足以改变一个人。到了第二天清晨，冉阿让已经离开主教的宅邸，走出了很远。可是，那么大的银餐盘怎么带走？又该怎么藏匿呢？迪涅镇上的人们开始窃窃私语。“你看见他了吗？那个大块头带着六个银餐盘？他从哪儿弄来的？那些盘子是教堂的。像他这种人不可能有银餐盘，不可能，而且他带着黄护照，你看见了吗？所以他以前是个囚犯，他是个贼，那些盘子是他偷的。”警察听到了这些议论，他们追上冉阿让，在下午将他押回了主教的家。但在那里，他们却迎来了一个意想不到的转折。“我亲爱的朋友，”主教对冉阿让说，“见到你回来我太高兴了。你把烛台落下了。我给了你银餐盘和烛台，你记得的，但你走的时候忘了把烛台带走。”“可这个人是个贼啊。”一名警察说道。“不，不，当然不是，”主教微笑着说，“那些银器是我送给冉阿让先生的。”“您的意思是，他可以走了？他自由了？”警察问。“当然。”主教说。在这整个过程中，冉阿让一直呆呆地盯着主教，一句话也没说。警察离开后，迪涅主教走进屋里，拿着那两只银烛台走了出来。它们又高又沉，十分精美。主教把烛台放进冉阿让的手里。“冉阿让，我的兄弟，”他说，“你必须把过去的罪恶生活抛在脑后。这是属于上帝的银器，现在我把它送给你。有了它，你可以开始一段崭新而向善的人生。我是在替上帝买下你的灵魂。”冉阿让带着银餐盘和银烛台离开了迪涅镇。突然间，他成了一个富人，但他自己都不明白为什么。“我到底怎么了，”他想，“一切都在改变。当这位主教对我如此仁慈时，我怎么能继续去恨别人呢？我该怎么办，我又该怎样活下去？”作为囚犯的冉阿让，对这一切感到茫然不解。他坐在路边，双手捂着脸，哭了起来。这是十九年来，他第一次流泪。他在那里坐了多久？接下来他又做了什么，去了哪里？没有人知道。但当新的一天太阳升起时，他已脱胎换骨，变成了一个全新的人。

Narrated by Andy Garcia. At the turn of the century until the 1930s in the cigar factories of Tampa and Ybor City, a well dressed man in a panama hat with a loud and beautiful voice sat atop a platform and read to the cigar workers as they rolled. These readers, known as Lectores de Tabaqueres, read Cervantes, Zola, Victor Hugo, Karl Marx, Jules Verne…. It was the voices and words of these lectores, before radio and mechanization, who informed, organized, and incited the cigar workers, who labored by hand until the 1930s, when both the rollers and readers were replaced by mechanization. A lost tradition of story and smoke.From the Lost & Found Sound series on NPR. Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Jay Allison. The Kitchen Sisters Present is part of Radiotopia from PRX.

Fuhrig, Dirk www.deutschlandfunkkultur.de, Lesart

Fuhrig, Dirk www.deutschlandfunkkultur.de, Lesart

Fuhrig, Dirk www.deutschlandfunkkultur.de, Lesart

durée : 00:02:14 - Le Billet de François Morel - Parler comme un poète, écrire comme Victor Hugo : un projet estival, qui passe à la radio. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:28:24 - Une histoire particulière - Les Écréhou, ce sont « des cailloux très mauvais ». Tels sont les mots de Victor Hugo alors en exil. - équipe : Emmanuel Laurentin, Sandrine Chapron Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Dans ce sixième épisode de la série de l'été, direction le 16e arrondissement avec Pauline pour visiter la maison de Balzac — un petit coin de campagne en plein Paris, avec vue sur la Tour Eiffel. Le 90 se glisse distinctement dans cet épisode très parisien — à vous de tendre l'oreille ! A real, unscripted visit to the house where Balzac once lived in hiding from his creditors – a hidden garden tucked into the 16th arrondissement, with an unexpected view of the Eiffel Tower. Pauline and I wander through, talking about the writer, his sprawling body of work, and what it felt like to spend a morning somewhere that feels like the countryside in the middle of Paris. This episode is packed with the kind of casual, natural French you'd actually hear between two friends on a day out – full of small conversational habits that rarely make it into textbooks. This summer, no pen, no notebook – just listening and speaking. Subscribers receive a podcast letter with this episode: a question to think about before pressing play, cultural markers to go deeper into the episode, natural turns of phrase to notice on a close relisten, and a comprehension question to answer once you've heard the whole story. A different way to make progress in French. D'autres épisodes à écouter aujourd'hui :  2133 — Quitter la maison de Balzac et découvrir le quartier de Passy
https://onethinginafrenchday.podbean.com/e/2133-%e2%80%94-quitter-la-maison-de-balzac-et-decouvrir-le-quartier-de-passy-%e2%80%94-vendredi-17-juin-2022/ Que pense Pauline de Victor Hugo décorateur ? (Victor Hugo's Interior Design)
https://onethinginafrenchday.podbean.com/e/que-pense-pauline-de-victor-hugo-decorateur-victor-hugos-interior-design/ What is the Maison de Balzac? Where is the Maison de Balzac located in Paris? Things to do in the 16th arrondissement Paris Who was Honoré de Balzac? Hidden gardens in Paris to visit French podcast walking tour of Paris What is La Comédie humaine by Balzac? French podcast for advanced learners Real French conversation podcast Paris Best museums in the 16th arrondissement 
Maison de Balzac · Passy · 16e arrondissement · littérature française · Tour Eiffel · Paris · french podcast · real french · spoken french · walking tour paris · french culture

Chaque époque choisit les modèles qu'elle souhaite transmettre aux générations suivantes. Lorsque la IIIe République panthéonise Victor Hugo, elle célèbre la République des écrivains. Lorsqu'elle fait entrer Émile Zola, elle célèbre le courage de l'intellectuel face à l'injustice. Plus tard, lorsque le général de Gaulle fait entrer Jean Moulin au Panthéon, c'est évidemment toute la Résistance qu'il y fait entrer. Lorsque François Hollande choisit Jean Zay, Geneviève de Gaulle-Anthonioz, Pierre Brossolette et Germaine Tillion, il réaffirme les valeurs de la Résistance dans une France confrontée au terrorisme. Lorsque Emmanuel Macron fait entrer Simone Veil, Joséphine Baker, Missak Manouchian, Robert Badinter puis Marc Bloch, il dessine progressivement une certaine idée de la République : une République fondée sur le courage, l'universalisme, la connaissance, la liberté et la fidélité aux valeurs démocratiques. Aujourd'hui, nous consacrons ce podcast à l'entrée de Marc Bloch au Panthéon. À première vue, on pourrait penser qu'il s'agit simplement d'un hommage rendu à un immense historien. En réalité, c'est beaucoup plus que cela. Cette cérémonie nous renvoie à de grandes questions de sociétés : nous allons revenir notamment sur la question de savoir comment une nation choisit ses héros ? Déjà abordée dans un podcast il y a peu avec Samir Hammal. Mais nous allons aussi aller plus loin dans cette approche de l'histoire et de la panthéonisation de Marc Bloch. Pourquoi certains morts deviennent-ils des modèles pour les vivants ? À quoi sert l'histoire, l'histoire d'une nation ? Quel rôle jouent les intellectuels dans une démocratie ? Pour répondre à toutes ces questions, nous recevons aujourd'hui Philippe Mazet (ENA, promotion…. Marc Bloch) et professeur de culture Gé de la Prépa ISP.

durée : 00:59:35 - Les émissions culturelles de France Culture - par : Marie Richeux - Rosemary Standley et Dom la Nena, le duo musical de “Birds on a Wire”, déballent pour nous leurs rayonnages. Y cohabitent notamment : Victor Hugo, Jorge Amado, Jules Michelet, Julio Cortázar et Alexandre Papadiamantis. - équipe : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Vivien Demeyère, Julie Gastal Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Nous sommes le 8 janvier 1850. Victor Hugo qui, séjourne à Bruxelles, note dans ses carnets : «Le soir, on voit attablés dans des bouges, au milieu d'une fumée rousse où l'on se meut presque à tâtons, les bourgmestres qui boivent des verres de faro et les premiers présidents qui fument leurs pipes. Nul ne se cache de hanter la rue des Crombras. Il y a dans cette rue-là un lupanar fameux, parmi beaucoup d'autres, dans le salon duquel resplendit, dans un gros cadre doré, le portrait en pied du feu roi des Pays-Bas, Guillaume Ier, donné par lui-même. Il venait là tous les jours ; son nom fait larmoyer la matrone. » Quels étaient les lieux de sexe ou de plaisir, au dix-neuvième siècle, à Bruxelles, c'est ce que nous allons voir. Avec Gonzague Pluvinage, collaborateur scientifique aux Archives de la Ville de Bruxelles. Auteur de : « Sex in the city, les lieux du plaisir à Bruxelles du 19e siècle à la révolution sexuelle. », Historia Bruxellae. sujets traités : Lieux, plaisirs, prostitution, Bruxelles, Victor Hugo Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Why is comparison so hard to escape?In this reflection on Psalm 37, John Ortberg explores the hidden power of envy and why it quietly robs us of joy, gratitude, and peace.Drawing on insights from Rebecca Konyndyk DeYoung, John explains the difference between jealousy and envy, why comparison always leaves us feeling deficient, and how God's care frees us from measuring our lives against everyone else's.This episode explores:- Psalm 37 and overcoming envy- Why comparison is so destructive- The difference between jealousy and envy- Biblical stories of envy- Social media and the comparison trap- Living each day under God's loving careScriptures:- Psalm 37- Genesis 4- Genesis 25–30- Genesis 37- Matthew 5:5#Psalm37 #JohnOrtberg #Envy #Comparison #Prayer #SpiritualFormation #ChristianFaith #BibleStudy #Contentment #Faith

At long last it's the Rover's Return… What are the burning issues that will be taking up Andy Burnham's time when he takes over No.10 next week? OGWN listeners bombard us with questions and we do our best to answer them. What can Burnham do that Starmer couldn't? Does he need to do more than move stuff to the North? And why did Labour give Starmer a carriage clock, of all things?  Plus, Climate of Fear: Kemi Badenoch chooses the hottest moments of our Hell Summer (a period which is actually killing people) to purge Tory MPs who back Net Zero. WTF is she playing at? We look at this terrifying moment and whether the summer's frightening scenes can push back the tide of climate change denialism.  • Questions for But Your Emails? Thoughts? Comments? Email us at ogwn@podmasters.co.uk.  ESCAPE ROUTES • Jason bought George Martin: The Scores – the collected musical works of that chap who did The Beatles.  • Seth has been watching old episodes of Frasier – specifically S2 E18, The Club, with the 1896 vintage bottle of port.  • Ava went to see a series of Scorsese re-runs at the cinema.  • Ros has been re-reading Victor Hugo's Les Misérables. Buy through our affiliate bookshop and you'll help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too.  www.patreon.com/ohgodwhatnow Presented by Ros Taylor with Jason Hazeley, Seth Thévoz and special guest Ava Santina. Audio Production by: Tom Taylor. Art direction: James Parrett. Theme tune by Tom Taylor and Simon Williams. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hoy hablaremos de Francia: comenzaremos haciendo algunas recomendaciones gastronómicas en la CDMX, viajaremos hasta la luminosa Côte d’Azur, recordaremos al temido e incorruptible Robespierre y nos adentraremos en el París de Victor Hugo y Los miserables; todo, en un banquete de sabores, historia, revolución y literatura.See omnystudio.com/listener for privacy information.

O que será que achamos do 7º episódio (Top 14) da 13ª temporada do MasterChef Brasil? Fracasso na prova em equipe, intrigas nas redes sociais, chocolate, dramas, teorias, destaques e mais! Vem ouvir para concordar - ou não - com a gente! ;) | Essa semana nossos convidados são Gloria Pai, participante do reality em 2025 e Victor Hugo, que esteve nas seletivas deste ano.Redes Sociais: Instagram (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@xtrapodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ricardolscosta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠@gabiiassmann⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠@isabela_costab⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@laurabaps⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ e ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@antoniosabenca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), Twitter: (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@xtrapodcastbr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rapidoricardo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠@isthatgabii⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠@isabela_costab⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@laurabaptista⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ e ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@antoniosabenca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) e BlueSky (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@xtrapodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Convidados: Instagram (@vovohgloria e @victorhugoez_⁠⁠⁠⁠)E-mail para contato: xtrapodcast@gmail.com

Du 3 juillet au 8 août 2026, La 8è édition de l'opération « Lire, c'est voyager ; voyager, c'est lire », organisée par la Fondation VINCI Autoroutes, s'installe sur 12 aires du réseau VINCI Autoroutes du 3 juillet au 8 août 2026 ! Le but ? Inciter les vacanciers à faire une pause en leur proposant de proposer de repartir avec un livre... Cette 8è édition de l'opération « Lire, c'est voyager ; voyager, c'est lire » qui reprend un aphorisme de Victor Hugo, est menée en partenariat avec Folio (Gallimard), le Centre national du livre (CNL) avec son opération « Partir en Livre », le ministère de l'Éducation nationale avec son opération « Cet été, je lis » et l'association « Lire et faire lire ». Elle est parrainée par l'auteur Hervé Le Tellier très attaché à ces « livres de vacances ».  « Je trouve que c'est un très joli projet de faire lire des livres à des gens qui ne vont pas être forcément ceux qui entrent dans les librairies ».  Parmi cette sélection de quatorze livres en format poche et dont les thèmes gravitent autour du thème du voyage:  des récits, reportages, romans ou poésie « pour faire voyager le lecteur ! ». Est proposé l'un des premiers romans de Hervé Le Tellier, Le Voleur de nostalgie qui est un hommage à Italo Calvino, un des auteurs préférés de Hervé Le Tellier. A retrouver également : Alors c'est bien de l'autrice Clémentine Mélois sur les derniers jours de la vie son père mais également pas mal de classiques : Les Voyages de Gulliver, de Jonathan Swift, Les neiges du Kilimandjaro de Joseph Kessel, La tour de la prison de Marguerite Yourcenar, Miss Dalloway de Virginia Wolf... Mais on tpeut aussi découvrir la poésie persane, avec le recueil J'irai jusqu'au rivage du soleil de Forough Farrokhzâd, une poétesse iranienne, icône de l'émancipation féminine, disparue prématurément à l'âge de 32 ans dans un accident de voiture.Selon Hervé Le Tellier, cette diversité permet de faire dénicher des livres qu'on n'aurait jamais eu l'idée ou - l'envie ! - d'ouvrir « On voyage dans la langue de l'autre ! ».  Invité : Hervé Le Tellier, écrivain français né en 1957 et membre de l'Oulipo. Il a publié une trentaine d'ouvrages, dont le roman L'Anomalie qui a obtenu le prix Goncourt en 2020. Il est le parrain de cette huitième opération  « Lire, c'est voyager ; voyager, c'est lire ».  Il vient également de publier Jardin sauvage et autres parcs parisiens, une promenade dans quinze jardins et parcs de Paris. Et, comme chaque mercredi, Lucie Bouteloup revient sur les origines et la signification d'une expression française bien connue (ou pas !) en complicité avec la lexicographe Géraldine Moinard des éditions Le Robert et les CM1 A de l'École Arago, située dans le 13è arrondissement de Paris. Et si jamais, vous vous sentez « dans vos petits souliers » quand vous entendez une expression, alors cette chronique est vraiment faite pour vous !    Programmation musicale : L'artiste Pomme avec le titre Le village.

Du 3 juillet au 8 août 2026, La 8è édition de l'opération « Lire, c'est voyager ; voyager, c'est lire », organisée par la Fondation VINCI Autoroutes, s'installe sur 12 aires du réseau VINCI Autoroutes du 3 juillet au 8 août 2026 ! Le but ? Inciter les vacanciers à faire une pause en leur proposant de proposer de repartir avec un livre... Cette 8è édition de l'opération « Lire, c'est voyager ; voyager, c'est lire » qui reprend un aphorisme de Victor Hugo, est menée en partenariat avec Folio (Gallimard), le Centre national du livre (CNL) avec son opération « Partir en Livre », le ministère de l'Éducation nationale avec son opération « Cet été, je lis » et l'association « Lire et faire lire ». Elle est parrainée par l'auteur Hervé Le Tellier très attaché à ces « livres de vacances ».  « Je trouve que c'est un très joli projet de faire lire des livres à des gens qui ne vont pas être forcément ceux qui entrent dans les librairies ».  Parmi cette sélection de quatorze livres en format poche et dont les thèmes gravitent autour du thème du voyage:  des récits, reportages, romans ou poésie « pour faire voyager le lecteur ! ». Est proposé l'un des premiers romans de Hervé Le Tellier, Le Voleur de nostalgie qui est un hommage à Italo Calvino, un des auteurs préférés de Hervé Le Tellier. A retrouver également : Alors c'est bien de l'autrice Clémentine Mélois sur les derniers jours de la vie son père mais également pas mal de classiques : Les Voyages de Gulliver, de Jonathan Swift, Les neiges du Kilimandjaro de Joseph Kessel, La tour de la prison de Marguerite Yourcenar, Miss Dalloway de Virginia Wolf... Mais on tpeut aussi découvrir la poésie persane, avec le recueil J'irai jusqu'au rivage du soleil de Forough Farrokhzâd, une poétesse iranienne, icône de l'émancipation féminine, disparue prématurément à l'âge de 32 ans dans un accident de voiture.Selon Hervé Le Tellier, cette diversité permet de faire dénicher des livres qu'on n'aurait jamais eu l'idée ou - l'envie ! - d'ouvrir « On voyage dans la langue de l'autre ! ».  Invité : Hervé Le Tellier, écrivain français né en 1957 et membre de l'Oulipo. Il a publié une trentaine d'ouvrages, dont le roman L'Anomalie qui a obtenu le prix Goncourt en 2020. Il est le parrain de cette huitième opération  « Lire, c'est voyager ; voyager, c'est lire ».  Il vient également de publier Jardin sauvage et autres parcs parisiens, une promenade dans quinze jardins et parcs de Paris. Et, comme chaque mercredi, Lucie Bouteloup revient sur les origines et la signification d'une expression française bien connue (ou pas !) en complicité avec la lexicographe Géraldine Moinard des éditions Le Robert et les CM1 A de l'École Arago, située dans le 13è arrondissement de Paris. Et si jamais, vous vous sentez « dans vos petits souliers » quand vous entendez une expression, alors cette chronique est vraiment faite pour vous !    Programmation musicale : L'artiste Pomme avec le titre Le village.

Few novels have shaped readers' hearts and imaginations like Les Misérables. In this episode, we discuss why Victor Hugo's masterpiece has endured for generations and why we believe it remains one of the greatest works of fiction ever written. We explore Hugo's remarkable insight into the human condition, the beauty and richness of his prose, and the unforgettable characters that have made this novel an immortal classic.Along the way, we reflect on the tensions between Hugo's own life and the themes of his work, the social issues woven throughout the story, and the profound truths about justice, mercy, suffering, redemption, and hope that continue to resonate today. We also make the case for reading great fiction—especially the classics—and consider why these timeless stories are essential for cultivating wisdom, empathy, and a deeper understanding of both ourselves and the world around us.ResourcesLes Miserables by Victor Hugo

Comment un objet emblématique du 19e siècle redevient-il aujourd'hui un accessoire de mode à part entière ? Direction la maison Duvelleroy, où Inès nous ouvre les portes des collections et nous raconte l'histoire de l'éventail. In this episode, Pauline and I continue our visit to a historic Parisian fan house, where Inès — who works at the boutique — walks us through the different collections, materials, and craftsmanship behind each fan. It's part of my ongoing series of real, unscripted conversations recorded in Paris — made for learners who want to hear authentic spoken French. This episode works well for B1 through C1 learners, though for different reasons. For B1-B2 listeners, the value is in following a guided explanation — new vocabulary (materials, techniques, collections) introduced naturally and repeated in context, which makes it easier to absorb. For C1 listeners, the real payoff is in the unscripted back-and-forth between Pauline and Inès: overlapping questions, spontaneous clarifications ("on appelle ça comment ?"), and the kind of cultural subtext — like the historical "language of the fan" — that rarely comes up in graded material. Want to go further into the world of Parisian chic and historic houses? Quel est l'accessoire élégant de l'été à Paris ? : l'épisode précédent, où Pauline et moi partions à la découverte de cet accessoire mystère avant de pousser la porte de Duvelleroy → https://onethinginafrenchday.podbean.com/e/quel-est-laccessoire-elegant-de-lete-a-paris-paris-chic-summer-accessory/ Quel cadeau chez Design & Nature : une autre balade shopping avec Pauline, entre objets inattendus et déco parisienne → https://onethinginafrenchday.podbean.com/e/quel-cadeau-chez-design-nature-paris-inattendu-genuine-paris-conversation/ Que pense Pauline de Victor Hugo décorateur ? : le regard de Pauline sur le goût et le style d'un autre siècle → https://onethinginafrenchday.podbean.com/e/que-pense-pauline-de-victor-hugo-decorateur-victor-hugos-interior-design/ Saint-Germain-des-Prés, petites rues, lieux et cafés : flânerie dans un autre quartier chic et historique → https://onethinginafrenchday.podbean.com/e/2197-%e2%80%94-saint-germain-des-pres%c2%a0-petites-rues-lieux-et-les-cafes-%e2%80%94-mercredi-21-decembre-2022/ La Maison de Balzac en plein 16e arrondissement : une autre "maison" chargée d'histoire à découvrir → https://onethinginafrenchday.podbean.com/e/2132-%e2%80%94-la-maison-de-balzac-en-plein-16e-arrondissement-%e2%80%94-mercredi-15-juin-2022/ spoken french, learn french, french stories, paris stories, authentic french, real french, life in paris — mots-clés épisode : Duvelleroy, éventail, artisanat français, savoir-faire, maison française, French fan house, French craftsmanship, 19th century fashion accessory Frequently asked questions: Where to find Marin Montagut fans? Where to find a fan with a cord/strap? Looking for a mini fan Which fan to buy in Paris? How to store a fan? Looking for a peacock feather fan Where to find a haute couture fan? What is the language of the fan? What is the difference between prêt-à-porter and couture fan collections? Why did fans become fashionable again in modern Paris?

La imagen de Lucrecia Borgia ha sido muchas veces vapuleada. Desde que Victor Hugo la deformara, han sido muchos autores los que la han maltratado. Y Juanjo Braulio actualiza la figura de esta mujer, hija del que sería papa Alejandro VI y hermana del temible César Borgia. La novela se titula El mirto y el puñal, y la ha publicado el sello Istoria, del grupo Planeta. Es una delicia escuchar y leer a Juanjo Braulio. Novelón.  Con la física cuántica también se pueden hacer grandes obras de ficción. Lo demuestra Sonia Fernández-Vidal en La puerta de los tres cerrojos, una novela de divulgación científica, que narra la historia de Niko, un chico de 14 años que descubre una misteriosa casa al cambiar su ruta que le lleva al instituto. Todo un fenómeno editorial.En la sección de Audiolibros, volvemos a las páginas de El tiempo de los héroes, del gran Javier Reverte, que no solo escribió libros de viajes convertidos en clásicos, sino también novelas.En pequeñas historias de los clásicos, el día en el que Lord Byron llevó a la universidad de Cambridge un oso domesticado.

Pourquoi Pauline et moi allons chez Duvelleroy? Nous sommes à la recherche de l'accessoire de l'été, celui qui est entre les mains de toutes et tous depuis queqlues semaines : il est élégant, léger et procure de l'air. Nous sommes rue Saint-Dominique dans le 7e pour découvrir une maison parisienne qui fabrique cet objet depuis 1827. In this episode, my friend Pauline and I head to a historic Parisian boutique to discover a summer accessory that's been spotted everywhere in the city this past week. It's part of my ongoing series of real, unscripted conversations recorded on the go in Paris — made for learners who want to hear authentic spoken French, not textbook dialogue. This episode works well for B1 through C1 learners, though for different reasons. For B1-B2 listeners, the value is in following Pauline explain and justify her choice out loud — why the object interests her, why it would make a good gift. For C1 listeners, the real payoff is the natural rhythm of an unscripted two-person conversation: overlapping turns, mid-sentence reformulations, and the kind of cultural subtext (what "une maison" implies versus "une boutique", the weight of a date like 1827) that rarely comes up in graded material. Want to go further with Pauline into the world of Parisian chic? Quel cadeau chez Design & Nature : une autre balade shopping avec Pauline, entre objets inattendus et déco parisienne → https://onethinginafrenchday.podbean.com/e/quel-cadeau-chez-design-nature-paris-inattendu-genuine-paris-conversation/ Que pense Pauline de Victor Hugo décorateur ? : le regard de Pauline sur le goût et le style d'un autre siècle → https://onethinginafrenchday.podbean.com/e/que-pense-pauline-de-victor-hugo-decorateur-victor-hugos-interior-design/ Saint-Germain-des-Prés, petites rues, lieux et cafés : flânerie dans un autre quartier chic et historique → https://onethinginafrenchday.podbean.com/e/2197-%e2%80%94-saint-germain-des-pres%c2%a0-petites-rues-lieux-et-les-cafes-%e2%80%94-mercredi-21-decembre-2022/ La Maison de Balzac en plein 16e arrondissement : une autre "maison" chargée d'histoire à découvrir → https://onethinginafrenchday.podbean.com/e/2132-%e2%80%94-la-maison-de-balzac-en-plein-16e-arrondissement-%e2%80%94-mercredi-15-juin-2022/ Quitter la maison de Balzac et découvrir le quartier de Passy : suite de la balade dans un quartier élégant → https://onethinginafrenchday.podbean.com/e/2133-%e2%80%94-quitter-la-maison-de-balzac-et-decouvrir-le-quartier-de-passy-%e2%80%94-vendredi-17-juin-2022/ spoken french, learn french, french stories, paris stories, authentic french, real french, life in paris éventail, Duvelleroy, accessoire parisien, mode française, rue Saint-Dominique, French fan, Paris fashion accessory, French heritage brand What is a "duvelleroy" fan and where can you buy one in Paris? Where is Duvelleroy's flagship boutique located? What is the history of the Duvelleroy fan house? Which European royals were historically clients of French fan makers? What are the most popular summer fashion accessories in Paris right now? Where is Rue Saint-Dominique and what is it known for? What does "chic" really mean in French fashion culture? How do Parisians accessorize simple outfits to look elegant? What French luxury brands date back to the 19th century? Why do French speakers say "une maison" instead of "une boutique" for heritage brands?

durée : 00:59:27 - Les émissions culturelles de France Culture - par : Marie Richeux - Avocat, garde des Sceaux, historien, dramaturge, Robert Badinter fut tout cela à la fois, dialoguant avec Foucault, Camus, Oscar Wilde et Victor Hugo. Le magistrat Denis Salas lui consacre une biographie intellectuelle et retrace le parcours de l'homme à travers ses écrits. - équipe : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Vivien Demeyère, Julie Gastal - invités : Denis Salas Magistrat et essayiste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Victor Hugo Pontes, o nome do mais recente convidado do nosso TEATRA, escreve-se com "c" de coreógrafo. É ainda encenador, ator, professor, artista no sentido mais amplo da palavra e, mais recentemente, diretor artístico do Teatro Nacional São João. Neste novo episódio conversa com Mariana Maia de Oliveira sobre percursos improváveis, identidades artísticas e o lugar do teatro nos dias de hoje. Partindo da infância em Guimarães, das primeiras experiências no teatro e no rancho folclórico, conhecemos um percurso que nunca se deixou definir por uma única disciplina. Entre o teatro e a dança, rejeita rótulos e fala-nos da importância de construir uma linguagem própria. "Eu não sei se faço espetáculos de dança, se faço espetáculos de teatro, se faço espetáculos de dança com texto ou de texto com movimento." Ao longo do episódio, fala com carinho sobre o desafio de assumir a direção artística de um teatro nacional, a responsabilidade de pensar uma programação para públicos diversos e a vontade de abrir o teatro a novas gerações. Pelo meio, recorda Manuel António Pina, do seu novo espetáculo "Falsas Histórias Verdadeiras" e dos músicos com quem se cruzou ao longo do caminho. Uma conversa para ouvir na íntegra, nas plataformas digitais. Sugestão Cultural:

Nous sommes le 19 avril 1839, à Londres où les grandes puissances européennes ont décidé d'en finir avec la “question du Luxembourg”. C'est ainsi que Royaume-Uni, France, Prusse, Autriche, Russie signent un Traité stipulant que : « Le Grand-Duché de Luxembourg sera désormais un État autonome et souverain, placé sous la garantie des Grandes Puissances. » Le traité de Londres impose aussi la division du territoire, une partie devenant la province belge de Luxembourg, tandis que le reste forme le Grand-Duché actuel. Avec des origines remontant au Xe siècle et des princes ayant porté la couronne du Saint Empire romain, le pays a vécu sous diverses souverainetés européennes avant d'accéder progressivement à son autonomie au XIXe siècle. Sa création par le congrès de Vienne en 1815 et le partage définitif de 1839 ont finalement dessiné ses frontières actuelles et consolidé son indépendance nationale Parallèlement à cette quête de souveraineté, le Luxembourg a connu une révolution industrielle fulgurante grâce à l'essor de sa sidérurgie, devenant l'un des premiers producteurs mondiaux d'acier à la veille de 1914. Après les épreuves des deux guerres mondiales, l'État abandonnera sa neutralité pour devenir un membre fondateur de l'Union européenne et le siège permanent de nombreuses institutions communautaires. Aujourd'hui, l'image du Grand-Duché est étroitement associée à son rôle de centre financier international de premier plan. Dès le début des années 1860, Victor Hugo, alors en exil, découvre la région qu'il décrira dans ses carnets, évoquant un « paysage de Vianden (…) grand, sauvage et charmant », des « vallées profondes (…) composant « une nature fantastique », un « refuge pour l'âme et pour la pensée ». Revenons à la riche histoire du Grand-Duché de Luxembourg, cheminons dans les méandres de l'histoire européenne… Avec Benoît Beyer de Ryke, historien et philosophe, collaborateur scientifique à l'ULB. sujets traités : Grand-Duché, Luxembourg , méandres, Europe, histoire Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les Misérables by Victor Hugo w/Jesan Sorrells & Libby Unger---Jesan Sorrells and Libby Unger explore Victor Hugo's masterpiece Les Misérables, examining its insights on moral authority, the impact of historical trauma, and the power of redemption in leadership. They discuss Hugo's romanticism, the enduring influence of French history on civic institutions, and how individual heroism still inspires contemporary audiences. The episode also draws parallels between Les Misérables' characters, modern social issues, and the necessity of aligning leadership values with virtuous action.Book Title: Les MisérablesAuthor: Victor HugoGuests: Jesan Sorrells, Libby Unger---Time-Stamped Overview---00:00 Introduction to a Classic Book06:31 Discovering French history through Les Mis13:15 European influence and historical trends17:10 Victor Hugo's impact on France26:14 Moral authority in leaders and characters27:34 Ben Hur and themes of revenge36:57 Monsignor Bienvenue's isolating virtue42:19 Life after prison struggles42:58 The power of small kindnesses49:50 Perceptions of America through the FIFA World Cup (2026)58:02 Discussing political candidates' solutions59:35 Consequences in a democratic republic01:07:35 Populism and public sacrifice01:12:55 Valjean's transformation through grace01:17:16 Reflections on Waterloo's aftermath01:23:54 Impact of Waterloo on French psyche01:28:57 Napoleon crowns himself emperor01:33:13 Understanding homelessness as a human issue01:39:34 Discussing poverty in Les Misérables01:45:57 Unexpected performance sparks epiphany01:48:24 Lessons on being heroic---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Gutherzige, behütete Tochter trifft auf konsumsüchtigen Lebemann und opfert sich für ihn: Verdi vertonte ein politisch brisantes Drama von Victor Hugo. Am Staatstheater Regensburg macht Regisseur Carlos Wagner daraus eine sehr plausible Kapitalismus-Kritik.

Nous sommes au début du mois de décembre 1830, dans le Berry, au domaine de Nohant. C'est en cherchant quelque chose dans le secrétaire de son mari, qu'Aurore Dupin, devenue, par son mariage, Aurore Dudevant, tombe sur une enveloppe qui lui est adressée et portant l'inscription : « Ne l'ouvrez qu'après ma mort. » La future George Sand n'attend pas pour ouvrir le testament de son mari Casimir. « Quel testament !, écrira-t-elle plus tard, des malédictions et c'est tout ! Il avait rassemblé là tous ses mouvements d'humeur et de colère contre moi, toutes ses réflexions sur ma perversité, tous ses sentiments de mépris […]. Je me suis dit que vivre avec un homme qui n'avait pour sa femme ni estime ni confiance, c'était vouloir rendre la vie aux morts. » Dès lors, Aurore décide de partir vivre à Paris six mois de l'année et réclame la pension de 3 000 francs qui lui revient de droit. C'est peu dire que son éducation berrichonne solide et rigoureuse, son passage au couvent, ont forgé très tôt l'esprit indépendant et la soif de liberté de celle qui va scandaliser son siècle. En 1832, elle publie « Indiana » qui dénonce l'oppression des femmes. Sa vie est jalonnée de passions célèbres avec de grands artistes romantiques tels que le poète Alfred de Musset et le musicien Frédéric Chopin. Engagée corps et âme en politique, elle défend les idéaux socialistes et joue un rôle actif lors de la révolution de 1848 en rédigeant des circulaires officielles. Sa demeure de Nohant deviendra un centre artistique majeur où elle accueillera les génies de son temps comme Liszt ou Delacroix. Au crépuscule de sa vie, devenue la « bonne dame de Nohant », elle se consacre alors à ses petits-enfants tout en militant pour la préservation de la nature et de la forêt de Fontainebleau. À sa mort en 1876, Victor Hugo saluera en elle « la grande femme » de son siècle. Elle laisse derrière elle une œuvre monumentale. Revenons à George Sand, la passionnée, l'idéaliste, la réaliste … ___________________________________________________________ Avec Marie-Hélène Baylac. « George Sand, La passion de la vie » ; Perrin Sujets traités : Georges Sand , passionnée, idéaliste, réaliste, Aurore Dupin, Alfred de Musset , Frédéric Chopin, Nohant, Victor Hugo, Indiana,romancière Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

New Guest Expert! On this week's Aftermath, Rebecca speaks with journalist and author Leslie Smith about the life of Adèle Hugo. A tragic story that only gets worse once Leslie dives deep into the family dynamic and the impact her father Victor Hugo had on her life. Author of the award-winning historical biography Adèle Hugo: La Miserable, Leslie has plenty to add to this heartbreaking story. Afterward, Patreon subscribers can revisit the board with Fact Checker Faryn Einhorn and Producer Clayton Early to see if the verdict holds up. Not on Patreon yet? Click below and join us!Join our Patreon!Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on TikTok @thealarmistpodcastSupport this show http://supporter.acast.com/alarmist. Hosted on Acast. See acast.com/privacy for more information.

We're back after our May Miniseries and it's Tonys week! Rather than a musical, we're talking about a movie that disappointed in part because it wasn't a big screen version of the Broadway smash… In 1998, director Bille August brought a condensed version of Victor Hugo's Les Miserables to the screen. With Liam Neeson headlining … Continue reading "390 – Les Miserables (1998)"

It took Robin Emdon 10 years to finish a six-year degree. On the 20-minute drive home from celebrating with his brother, he started counting what procrastination had actually cost him: relationships, finances, career, health. By the time he pulled into his driveway, he was furious. He was a trained life coach. And he didn't have the cure. That moment sent him into 900 research studies on procrastination and what he found will completely change how you think about why you delay, avoid, and stall on the things that matter most. Procrastination isn't a character flaw or a discipline problem. It's hardwired into your brain and there's a science-backed way to work with it instead of against it. In this high-energy, deeply practical conversation, George sits down with Robin J. Emdon, accountability coach, creator of GetResultsology®, and host of the GoalBusters Podcast, to unpack the real psychology behind why entrepreneurs stay stuck and exactly what to do about it. This one is equal parts neuroscience and permission slip. You'll leave with a completely new framework for productivity and the clarity to finally stop mistaking busyness for progress. What You'll Learn In This Episode: Why procrastination and productivity are just vehicles and what you're actually driving toward The brain science behind why we're hardwired to procrastinate (and why it's not your fault) The three neurotransmitters that determine your productivity state and how to activate them Robin's Inner Productivity Team: the Conductor, the Scholar, and the Fun-Sized Warrior Why setting big goals can actually trigger procrastination and what to use instead How external accountability can raise goal achievement by up to 33% The Pomodoro technique and how to use it to break patterns and build momentum fast Why the most productive environment isn't always the tidiest one The four questions that cut through any form of self-deception around avoidance How to connect your daily micro-actions to your Personal Life Vision Key Takeaways: ✔️Procrastination is what stops you from living the life of your dreams. Productivity is what gets you there. ✔️We're hardwired to procrastinate. The brain's limbic system is designed for survival, not creativity.  ✔️To get into the groove of productivity, you need three neurotransmitters present: dopamine (the Conductor), acetylcholine (the Scholar), and noradrenaline (the Fun-Sized Warrior). When all three are active, you're in flow. ✔️Goals create obligation. Obligation creates anxiety. Anxiety triggers threat modality which shuts down your prefrontal cortex entirely. Use micro-deadlines and clear next steps instead ✔️External accountability is one of the most powerful productivity tools available.  ✔️One POM (25-minute focused block) is enough to start. You don't have to solve everything today. You just have to begin. ✔️The four questions that cut through any avoidance:  What are you pretending not to know?  What are you pretending not to see?  Where else does this show up in your life?  And what is it costing you? Timestamps & Highlights: [00:00] — Robin's origin story: 10 years for a six-year degree and the 20-minute drive that changed everything [01:09] — Welcome and intro: the Procrastination Slayer enters the building [04:23] — Room 100 and the most useless-but-entertaining fact you'll hear today [05:40] — Why Robin doesn't actually care about procrastination or productivity [08:13] — The Personal Life Vision: what you're really working towards [09:02] — 900 research studies, one cold coffee shop, and a furious life coach [13:20] — What procrastination actually costs: relationships, finances, career, and health [17:39] — Turning the science into plain English and why that's Robin's superpower [19:00] — Why goals can cause procrastination (and what to use instead) [22:12] — You're hardwired to procrastinate: the limbic system explained [26:29] — The prefrontal cortex: where rational thinking lives and why it shuts down under stress [30:34] — The three neurotransmitters you need to get in the groove [31:32] — Meet the Conductor: dopamine and the music of your life [33:29] — Meet the Scholar: acetylcholine and the lost superpower of childhood focus [35:58] — Meet the Fun-Sized Warrior: noradrenaline and productive pressure [38:31] — George's Marine brain, the Fun-Sized Warrior, and "put them away" [39:29] — Environmental design: why George's clean garage unlocks 10 hours of focus [41:39] — What to do when you're procrastinating: structure, next steps, and feedback loops [43:03] — Why we're herd animals and why AI accountability will never replace a human [44:30] — The procrastination disguised as preparation (and the printer Robin didn't need) [46:05] — Productivity meter: how to tell the difference between real work and rearranging deck chairs [54:44] — What to do today: just do something, even for five minutes [57:00] — The Pomodoro technique and Robin's POM system for daily momentum [58:46] — Why goals trigger threat modality and what the science actually recommends [1:00:14] — Victor Hugo, Les Misérables, and the extreme distraction-free environment that worked [1:01:37] — George's 10-minute POM pattern interrupt and how to build from there [1:04:53] — Robin shares free resources and how to connect [1:06:04] — George's challenge: set a 20-minute timer the moment the episode ends Connect with Robin Website: getresultsology.com  GoalBusters Podcast: getresultsology.com/podcast  Instagram: @robinjemdon — instagram.com/robinjemdon  LinkedIn: linkedin.com/in/robinjemdon Free video course: skyrocketyourproductivitychallenge.com  Free book: reallyusefultips.com Your Challenge This Week: Robin answers his messages. That's the point. If something from this episode landed send him a message and tell him what it was.  And if you have a burning question for Round 2 (because George is already planning it) send George a DM on Instagram. He's building an arsenal for the next conversation. The Alliance: George's community for entrepreneurs who are done with distraction and ready to build with intention. Real strategy, real people, real accountability. 1:1 Private Coaching: Limited availability. If you want George on the field with you, not coaching from the sideline, apply to work together directly. Live Retreats: Immersive in-person experiences for entrepreneurs ready to stop performing and start executing on what actually matters.

Today I revisit one of my favorite singers of all time, the extraordinary Norwegian lyric-coloratura soprano Eidé Noréna (1884-1968), whose voice and artistry hit me like a bolt out of the blue when I first discovered her recordings several decades ago. Born Karoline Hansen, she made her concert debut at the age of 19 and in 1907 began her operatic career as Amor in Orfeo ed Euridice. In 1909 she married the actor Egil Eide, through whose coaching she became celebrated for her dramatic portrayals. Under her married name Kaja Eide she became one of the Norway's most famous singers, though her career was essentially a provincial one until, mid-career, she restudied her technique and rebuilt her voice, which led to her La Scala debut as Gilda under the baton of Arturo Toscanini (and under her new professional name, Eidé Noréna). She went on to an international career, performing in the world's most celebrated opera houses, including the Metropolitan Opera, Covent Garden, the Salzburg Festival, and, particularly, the Paris Opéra. Her repertoire was a wide one, ranging from Ophélie to Desdemona, and her vocal technique was solid to the point of near-perfection, her legato singing being particularly remarkable. What sets her apart, and what makes her one of my favorite singers, is her profoundly musical interpretations allied to a keen dramatic sense, perhaps instilled in her by her husband. I originally introduced her to my listeners in Episode 71, and I think it's high time we spend some more time with her. In this episode I feature her exclusively in the music of Charles Gounod, beginning with the charming song “Sérénade” set to a Victor Hugo text and continuing with the Roi de Thulé and Jewel Song from Faust, concluding with extended excerpts from Roméo et Juliette. We are lucky that there exists a live recording of a complete (albeit heavily cut) performance from January 1935 of Noréna as Juliette, with the American tenor Charles Hackett (1887-1942) as her Roméo. Excerpts of that recording are supplemented by studio recordings from 1929 of duets from the opera with the Corsican tenor Gaston Micheletti (1892-1959) as her Roméo. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

durée : 01:26:15 - Les Nuits de France Culture - par : Albane Penaranda - En 1985, Hubert Juin réunissait à son micro plusieurs experts de la vie et de l'œuvre de Victor Hugo afin d'éclaircir le mystère de son intérêt pour les tables tournantes, lors de sa période d'exil à Jersey. Un mystère indissociable de son inspiration très féconde à cette époque. - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Who's to blame for the tragic story of Adèle Hugo?This week, The Alarmist (Rebecca Delgado Smith) covers the story of Adèle Hugo, a tragic story of unrequited love and mental decline. Daughter of the famous writer Victor Hugo, described as more interested in public affairs than his nearest and dearest, did being the child of a star lead to her demise? Was Adèle experiencing an extreme case of Limerence, a term uncoined at the time? Or perhaps it was her own unrealistic expectations of love that's to blame. Fact Checker Faryn Einhorn and Producer Clayton Early join the conversation. Join our Patreon!Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on TikTok @thealarmistpodcastSupport this show http://supporter.acast.com/alarmist. Hosted on Acast. See acast.com/privacy for more information.

Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

EP.630Join host Michael Decon for an unfiltered, high energy live broadcast featuring co-host Daniel from End of Days and special guest Victor Hugo Vaca Jr. This episode delivers raw, spontaneous conversation filled with humor, personal anecdotes, and candid banter that keeps listeners engaged from start to finish. Experience the authentic chemistry between these familiar faces as they tackle current events with their signature blend of insight and comedy. Hear the shocking reality about "Social Influencers, the alt news media". In this explosive episode, the trio addresses the elephant in the room: the conspicuous absence of Epstein news coverage despite mounting evidence that should be headline material. They question why the war between Iran and Israel has seemingly vanished from mainstream discourse despite ongoing conflicts that continue to shape geopolitics. The conversation takes a turn toward the extraterrestrial as they discuss the lack of meaningful alien disclosure despite mounting evidence and public interest. The hosts also tackle the puzzling silence around hantavirus developments, questioning what information might be being withheld from the public.

Ep.628This episode is a long, volatile live conversation built around Victor Hugo Vaca Jr. and Myke Hideous, with Michael steering a broadcast that repeatedly swings between political outrage, free speech conflict, conspiracy claims, personal feuds, and surreal off the rails call ins. The tone is combative, chaotic, and intentionally provocative, with the guests often treating the show like a battleground for exposing liars, calling out institutions, and attacking public figures they believe are corrupt or misleading.A major early thread is the fallout around Jim Fetzer. The show revisits prior conflict, then Fetzer himself calls in, leading to a heated stretch packed with accusations, insults, and bizarre claims about religion, identity, research credibility, and censorship. The hosts frame the call as both a “train wreck” and a revealing example of the type of drama the program thrives on.From there, the discussion broadens into a larger worldview: politicians are portrayed as “selected” rather than elected, media narratives are treated as manipulation, and public systems are described as tools of control. The conversation repeatedly returns to themes of propaganda, mind control, weather warfare, poisoned food and water, transhumanism, and hidden power structures, with the speakers arguing that much of what people believe is engineered to keep them docile or distracted.The political commentary becomes increasingly expansive and intense. Trump, Biden, Kennedy, Obama, and other figures are all discussed through a lens of betrayal, broken promises, or hidden agendas. The conversation also moves into Iran, Israel, Hamas, radical Islam, the NPT, and geopolitical deception, often blending firsthand travel impressions with broad claims about intelligence operations, false flags, and elite influence.The middle and later portions of the show drift deeper into conspiracy heavy territory. The speakers discuss 9/11 inconsistencies, the Smith Mundt Act, Epstein, alleged propaganda systems, alleged state sponsored trauma, Bigfoot, Nephilim, aliens, and claims about staged deaths or media coverups. A number of caller segments amplify the unpredictability, including crude, shocking, and sometimes openly hateful remarks that further intensify the show's chaotic energy.At the same time, there are smaller moments of humanity and relief: a New Zealand caller praises the hosts, some discussion turns to art and creative life, and the host briefly acknowledges technical issues and the length of the program. By the end, the episode feels like a marathon of confrontation, anti establishment ranting, and bizarre freewheeling commentary, ending with thanks to the guests, callers, and audience for sticking through the ride.

Après s'être produit sur scène en lisant les textes de Victor Hugo, Fabrice Luchini a décidé de lancer un nouveau spectacle dans lequel il fera la lecture... du magazine Madame Figaro ! L'acteur explique ce choix osé sur RTL. Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week on the show Maine and Josh preview Main Character Jiu Jitsu 9 and all the title fights on the card as well as some of the other compelling matchups on the rest of the cardWe kick off the preview, take a look at every single title fight, starting off with the Women's Bantamweight match which is a rematch between Amanda Bruse vs Jasmine Rocha.  We discussed their most recent matchup at WNO and how the late finish from Jasmine sealed her the match. We talked about some of the game plan that Amanda might change and how the match time may play a factor in this rematch.In our preview of the Men's Middleweight Nick Mataya vs Marlon Taji, we discussed next most recent performance against Jacob Boreman at WNO, and Marlons European trials win and recent IBJJF Crown performance against Victor Hugo.In the Men's Welterweight title Kade Tsitos vs Josh Cisneros, we talked about the leg lock and wrestling offense from Kade coupled against the diligent positional work from Josh. In the Women's Lightweight title Helena Crevar vs Kennedy Franklin, we discussed the difficulty in matching up Helena and the strength of her recent performances at the top level.In the Men's Lightweight title we previewed Gianni Grippo vs Reese LaFever, we talked about the recent strength of Grippos performances at West Coast trials, coupled against the hot prospect in LaFever. We discussed the longevity of Gianni game and how he is still competing at the top level for nearly the last 15 years.We briefly discussed the Women's Flyweight title with Natasha Druggan vs Jaine Fragoso.We previewed Felipe Costa vs Jon "Thor" Blank, discussing the guard work from Jon coupled against the top pressure and Xande Six Blades Lovato style pressure passing in a dichotomy match. We also briefly talked about the style matchups in Austin Oranday vs Max Hanson, Francisco Lo vs Logan Smith, and Hunter Colvin vs Pat Shagholi. Recorded 4-27-2026