Podcasts about DVD

We confess our feelings about Wake Up Dead Man: A Knives Out Mystery plus we also discuss Oh. What. Fun., Reflection in a Dead Diamond and Metropolitan. 0:00 - Intro 21:22 - Review: Wake Up Dead Man: A Knives Out Mystery 48:50 - What We Watched: Oh. What. Fun., Metropolitan, Reflection in a Dead Diamond, Night Court, Jackie Brown, The Lowdown 1:10:20 - This Week on DVD, Blu-ray and VOD 1:20:25 - Outro

Proverbs 18:22–24 highlights God's design for blessing through relationships. Finding a wife is described as finding a good thing and receiving favor from the Lord, reminding us that covenant companionship is a divine gift, not a mere achievement. Yet the passage also warns that many acquaintances do not equal true friendship, while one faithful friend can be closer than a brother. In today's Morning Manna, Rick Wiles and Doc Burkhart explore the difference between God-given relationships and shallow connections, the blessing of covenant faithfulness, and the enduring strength found in loyal, godly friendship. Teachers: Rick Wiles and Doc Burkhart You can partner with us by visiting FaithandValues.com, calling 1-888-519-4935, or by mail at PO Box 399 Vero Beach, FL 32961. MEGA FIRE reveals the ancient recurring cycles of war and economic collapse that have shaped history for 600 years. These patterns predict America is now entering its most dangerous period since World War II. Get your copy today! www.megafire.world Get high-quality emergency preparedness food today from American Reserves! www.AmericanReserves.com It's the Final Day! The day Jesus Christ bursts into our dimension of time, space, and matter. Now available in eBook and audio formats! Order Final Day from Amazon today! www.Amazon.com/Final-Day Apple users, you can download the audio version on Apple Books! www.books.apple.com/final-day Purchase the 4-part DVD set or start streaming Sacrificing Liberty today. www.Sacrificingliberty.com

Dedans, une collection d'objets de la région, comme le DVD du film érotique "Les nuits chaudes de Bétharram". Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Come fly with us to the isle of Berk, where we will get our 2nd lesson in dragon training. We watched the live action remake of How To Train Your Dragon (2025) and remembered how much we enjoyed the original. We also discuss why so many animated films of our youth are getting the live action treatment. Leave a review and give us 5 stars. Also Play:Cinema Chain Game--------------------------------------------Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersYouTube: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter / X: @ourfilmfathersEmail: ourfilmfathers@gmail.com

In the final hour, OutKick Sports Jonathan Hutton joins DVD to discuss all things Titans, Diego Pavia, Cam Ward and more. They als went back on Cam Ward wanting to be involved with the HC Search 

Volker Türk is the United Nations High Commissioner on human rights. We talk to him about the agency's continued campaign against human rights violations worldwide, despite the U.S. pulling back support.Harvard national security expert Juliette Kayyem on the latest in the Brown University shooting investigation, as detectives scramble for footage of a possible suspect. Plus her thoughts on that Susie Wiles Vanity Fair article.Step aside vinyl, CDs and DVDs are BACK — at least for Gen-Z. We talk to The Culture Show's Jared Bowen about that, plus the mythology of Hamnet and its connection to the Bard's most famous soliloquy.While State auditor Diana DiZoglio's effort to audit the legislature still hasn't happened, despite the voters' will, she's launching a new ballot question that would subject both the Legislature and the governor's office to the state public records law. She joins us.

Proverbs 18:17–21 reveals the necessity of discernment and the life-shaping force of the tongue. The first to present his case may seem right until another examines him, showing that wisdom listens before it judges. Casting lots can settle disputes when human judgment reaches its limits. A brother offended becomes harder to win than a fortified city—yet this verse reads very differently in the Septuagint, which speaks instead of help from a brother. In today's Morning Manna, Rick Wiles and Doc Burkhart explore this striking contrast between the KJV and the LXX, why the interpretations diverge, and what each tradition emphasizes. The study concludes with Proverbs 18:20–21, reminding listeners that every word we speak returns to feed us—either with life or with death. Teachers: Rick Wiles and Doc Burkhart You can partner with us by visiting FaithandValues.com, calling 1-888-519-4935, or by mail at PO Box 399 Vero Beach, FL 32961. MEGA FIRE reveals the ancient recurring cycles of war and economic collapse that have shaped history for 600 years. These patterns predict America is now entering its most dangerous period since World War II. Get your copy today! www.megafire.world Get high-quality emergency preparedness food today from American Reserves! www.AmericanReserves.com It's the Final Day! The day Jesus Christ bursts into our dimension of time, space, and matter. Now available in eBook and audio formats! Order Final Day from Amazon today! www.Amazon.com/Final-Day Apple users, you can download the audio version on Apple Books! www.books.apple.com/final-day Purchase the 4-part DVD set or start streaming Sacrificing Liberty today. www.Sacrificingliberty.com

This week we dig full force into some interesting listener questions. Noah talks about an open source hardware synth, and Steve walks through some of his hardware choices to help you! -- During The Show -- 00:50 Intro Weather Cooling IT rooms in winter 05:00 Printers, DVD ripping and more - James Steve has 2 brother printers Auto Duplexing Separate printer and scanner Large business grade units Ask Noah Show 368 (https://podcast.asknoahshow.com/368) All in One Brother DCP-L2640DW Amazon (https://www.amazon.com/dp/B0CPLFTPCV) Budget Brother HL-L2460DW Amazon (https://www.amazon.com/dp/B0CPL2N5H6) Monochrome Brother HL-6210DW Amazon (https://www.amazon.com/dp/B0CGC9HPNH) Color Brother HL-L3280CDW Amazon (https://www.amazon.com/dp/B0CFD1G1VT) Trouble with auto duplexing Stay away from Lexar HP printers Manually add the printer Change to Jetdirect or IP printer Pay attention to exact model or most similar When it goes wrong, it goes really wrong Your mileage may vary Canon Color Image Class LBP622Cdw Amazon (https://www.amazon.com/dp/B07QBR7JFV) Scanner Brother ADS-1200 Amazon (https://www.amazon.com/dp/B07WSJQWVQ) Containers vs Codecs MKV vs MP4 Avidemux (https://avidemux.sourceforge.net/) Ripping as ISOs vs video files MakeMKV (https://www.makemkv.com/) MakeMKV Docker Image (https://github.com/jlesage/docker-makemkv) ``` # sudo modprobe sg services: makemkv: image: ghcr.io/jlesage/makemkv:latest ports: "5800:5800" volumes: "./makemkv:/config:rw" "./storage:/storage:ro" "./output:/output:rw" security_opt: # Fix for apparmor enabled systems apparmor:unconfined environment: USER_ID=1000 GROUP_ID=1000 devices: "/dev/sr0:/dev/sr0" "/dev/sg0:/dev/sg0" ``` Christmas movies Handbrake (https://handbrake.fr/) FFmpeg (https://ffmpeg.org/) Transcoding Run controller at each site Ubiquiti Cloud Key (https://store.ui.com/us/en/products/uck-g2) Lots of problems OVH server Put basic auth in front Inbox Zero Paperless NGX (https://docs.paperless-ngx.com/) Dump to eml file then import into special Thunderbird 45:14 News Wire Firefox 146 - firefox.com (https://www.firefox.com/en-US/firefox/146.0/releasenotes/) Thunderbird 146 - thunderbird.net (https://www.thunderbird.net/en-US/thunderbird/146.0/releasenotes/) KDE Frameworks 6.12 - kde.org (https://kde.org/info/kde-frameworks-6.21.0/) Cinnamon Desktop 6.6 - itsfoss.com (https://itsfoss.com/news/cinnamon-6-6/) Mir 2.25 - github.com (https://github.com/canonical/mir/releases/tag/v2.25.0) Rust 1.92 - blog.rust-lang.org (https://blog.rust-lang.org/2025/12/11/Rust-1.92.0/) AerynOS 2025.12 - phoronix.com (https://www.phoronix.com/news/AerynOS-2025.12) Kali Linux 2025.4 - kali.org (https://www.kali.org/blog/kali-linux-2025-4-release/) Pop!_OS 24.04 - itsfoss.com (https://itsfoss.com/news/pop-os-24-04-review/) PearOS - pearos.xyz (https://pearos.xyz) MaboxLinux 2025.12 - maboxlinux.org (https://maboxlinux.org/mabox-25-12-improvements-fixes-and-gtk2-farewell/#google_vignette) Papermoon - thenewstack.io (https://thenewstack.io/papermoon-a-space-grade-linux-for-the-newspace-era/) 01flip Ransomware - esecurityplanet.com (https://www.esecurityplanet.com/threats/rust-based-01flip-ransomware-hits-windows-and-linux/) React2Shell - thehackernews.com (https://thehackernews.com/2025/12/react2shell-vulnerability-actively.html) Nomos 1 - venturebeat.com (https://venturebeat.com/ai/nous-research-just-released-nomos-1-an-open-source-ai-that-ranks-second-on) Nemotron Model - reuters.com (https://www.reuters.com/world/china/nvidia-unveils-new-open-source-ai-models-amid-boom-chinese-offerings-2025-12-15/) Quilter's AI - venturebeat.com (https://venturebeat.com/ai/quilters-ai-just-designed-an-843-part-linux-computer-that-booted-on-the) Chatterbox Labs - redhat.com (https://www.redhat.com/en/blog/red-hat-acquire-chatterbox-labs-frequently-asked-questions) Agentic AI Group - hackernoon.com (https://hackernoon.com/linux-foundation-launches-agentic-ai-group-to-set-standards-for-autonomous-systems) Firefox AI Browser - phoronix.com (https://www.phoronix.com/news/Mozilla-New-CEO-AI) 47:47 Zynthian Open hardware device We want your feedback! Are you comfortable with software VST Zynthian.org (https://zynthian.org/) 50:30 Family Resistant to Self Hosting - David Ovens house hold approach Watching for pain points Making responsible path easy Making irresponsible path hard Value driven decisions Supporting where your paycheck comes from -- The Extra Credit Section -- For links to the articles and material referenced in this week's episode check out this week's page from our podcast dashboard! This Episode's Podcast Dashboard (http://podcast.asknoahshow.com/471) Phone Systems for Ask Noah provided by Voxtelesys (http://www.voxtelesys.com/asknoah) Join us in our dedicated chatroom #GeekLab:linuxdelta.com on Matrix (https://element.linuxdelta.com/#/room/#geeklab:linuxdelta.com) -- Stay In Touch -- Find all the resources for this show on the Ask Noah Dashboard Ask Noah Dashboard (http://www.asknoahshow.com) Need more help than a radio show can offer? Altispeed provides commercial IT services and they're excited to offer you a great deal for listening to the Ask Noah Show. Call today and ask about the discount for listeners of the Ask Noah Show! Altispeed Technologies (http://www.altispeed.com/) Contact Noah live [at] asknoahshow.com -- Twitter -- Noah - Kernellinux (https://twitter.com/kernellinux) Ask Noah Show (https://twitter.com/asknoahshow) Altispeed Technologies (https://twitter.com/altispeed)

In the final hour, Nashville Predators General Manager Barry Trotz joins DVD for his weekly chat. They gave reactions to what Barry said and more on the preds. Also, they talked about Nick Saban becoming an Minority owner for Preds. 

In the first hour, DVD discusses Cam Ward this morning, saying he wants to be involved with the Titans Head Coaching search after the season. Willy and Dmase had a BIG debate on whether it's a good or bad idea to do it. 

In the second hour, DVD discusses what Arden Key said after the Titans' loss to the 49ers and Dennard Wilson's response to tha,t and more reactions 

The December 19th, 2025 new moon in Sagittarius opens a powerful global reset. in this video, psychic Debbie explore what this new moon is revealing about world events, leadership shifts, markets, travel, weather patterns, and collective truth coming to light. Through astrology, intuitive insight and the Akashic Records, we look at what to watch for globally, where the energy feels heightened, and how this cycle may affect countries, economies, and humanity as a whole. Psychic Debbie will also be doing new moon exercises to bring peace, health, wealth, and love to you and the world. If you enjoyed this video and would like to make a donation, please use the following link. Thank You. https://psychicdebbie.com/donations/ ENTERTAINMENT ONLY Debbie's Links= https://linktr.ee/psychicdebbiegriggs email= photopsychicdebbie@gmail.com email= ghosthuntinggrandmas@gmail.com Timberwolf documentary DVD: https://ebay.us/m/zGs02C Debbie's P.O. Box: P.O. Box 5882, Oxnard, CA 93031, or for street addressing: 1961 N. C Street, #5882, Oxnard, CA 93031

The start of our final season!Adam Griffiths is a cartoonist and arts administrator based in the Washington, DC area. He received his BA from the Maryland Institute College of Art in Baltimore and has also continued education at the Center for Cartooning Studies in White River Junction VT, where he took classes and received a BIPOC Scholarship.  Between exhibiting his art at various DMV region galleries such as transformer, Rhizome DC, Strathmore Mansion and Washington Project for the Arts, and sharing numerous conceptual illustrations, webcomics, animations, sketches, and photography series online, he authored Washington White, a surrealistic graphic novel reimagining his grandmother's landmark Civil Rights case as a science-fiction spy thriller. In 2022, Griffiths opened DwightMess, a comics 'compound' in his Silver Spring, MD home that includes several  gallery spaces, screen-printing workshop, an extensive library of comics, zines and periodicals, a 'video vault' collection of hard-to-find films on DVD and VHS, and Halcyon Scene, a thrifting boutique of 80's vintage tchotchkes and furniture. DwightMess has mounted over 25 exhibitions since opening, sponsors an annual artist residency program, hosts a regularly-convening comic book readers' club, organizes an artists' summer retreat program in West Virginia and has thrice hosted the StoryBox Comics Fair, a 2-day mini-convention for area creators to showcase their artwork to the general public. “Paper Cuts Theme” by The Early@theearly_band // http://theearly.net

Send us a textIn this episode Matt and Matt discuss DVD is 100 and Matt feels it, A staff birthday, The legacy of Lord Gallagher, and a sad end to a shining light.Weird News Game Stop is taking whatever you've got, Pets= people?, A doner gives twice, Science slips the slide, and A chilly quicksand debacles wit ol' man Marshall.Hugs to you all xoxo

Proverbs 18:13–16 highlights the sharp contrast between foolish haste and wise restraint. Answering a matter before hearing it brings shame and folly, while a wounded spirit can crush even a strong man. The discerning heart seeks knowledge, pursuing understanding rather than reacting impulsively. A person's gift makes room for him, opening doors even to great men. In today's Morning Manna, Rick Wiles and Doc Burkhart explore how careful listening, humility, and cultivated insight shape a life of influence and stability. This passage calls believers to slow their speech, deepen their understanding, and allow God to use their gifts to advance His purposes. Teachers: Rick Wiles and Doc Burkhart You can partner with us by visiting FaithandValues.com, calling 1-888-519-4935, or by mail at PO Box 399 Vero Beach, FL 32961. MEGA FIRE reveals the ancient recurring cycles of war and economic collapse that have shaped history for 600 years. These patterns predict America is now entering its most dangerous period since World War II. Get your copy today! www.megafire.world Get high-quality emergency preparedness food today from American Reserves! www.AmericanReserves.com It's the Final Day! The day Jesus Christ bursts into our dimension of time, space, and matter. Now available in eBook and audio formats! Order Final Day from Amazon today! www.Amazon.com/Final-Day Apple users, you can download the audio version on Apple Books! www.books.apple.com/final-day Purchase the 4-part DVD set or start streaming Sacrificing Liberty today. www.Sacrificingliberty.com

ESPN NFL/CFB Analyst joins DVD to discuss all things Titans, CFB, Ward, Pavia, Heisman, and more. 

In the final hour, DVD ask the question, what is your vibe so far from Cam Ward with three games left in the season. They got a lot of reactions and more 

In the second hour, DVD continues the conversation on is a Titans turnaround as simple as hiring the right coach? ESPN NFL/CFB Analyst joins DVD to discuss all things Titans, CFB, Ward, Pavia, Heisman, and more. Willy got a chance to give his thoughts on Diego Pavia's comments and his apology after the fact 

In the first hour, DVD discusses is a Titans turnaround as simple as hiring the right coach? They got a lot of reactions from texters and listeners on this topic 

Nashville Predators General Manager Barry Trotz joins DVD for his weekly chat 

Soul Food That's Good for the Soul The best of soul food's origins are tied to the plant-centric West African diet. And that's soul food that's good for the soul! Listen to today's 7-min episode by Dr. Michael Greger at @NutritionFacts.org #vegan #plantbased #Plantbasednutrition #veganpodcast #plantbasedpodcast #plantbasedbriefing #nutritionfacts #wfpb #soulfood #blackvegan #vegansoulfood ===================== Original post: https://nutritionfacts.org/video/soul-food-thats-good-for-the-soul/  ====================== Dr. Michael Greger is a physician, New York Times bestselling author, and internationally recognized speaker on nutrition, food safety, and public health issues. A founding member and Fellow of the American College of Lifestyle Medicine, Dr. Greger is licensed as a general practitioner specializing in clinical nutrition. He is a graduate of the Cornell University School of Agriculture and Tufts University School of Medicine. He founded NUTRITIONFACTS.ORG is a non-profit, non-commercial, science-based public service provided by Dr. Michael Greger, providing free updates on the latest in nutrition research via bite-sized videos. There are more than a thousand videos on nearly every aspect of healthy eating, with new videos and articles uploaded every day.   His latest books —How Not to Die, the How Not to Die Cookbook, and How Not to Diet — became instant New York Times Best Sellers. His two latest books, How to Survive a Pandemic and the How Not to Diet Cookbook were released in 2020.  100% of all proceeds he has ever received from his books, DVDs, and speaking engagements have always and will always be donated to charity.   FOLLOW THE SHOW ON: YouTube: https://www.youtube.com/@plantbasedbriefing     Spotify: https://open.spotify.com/show/2GONW0q2EDJMzqhuwuxdCF?si=2a20c247461d4ad7 Apple Podcasts: https://podcasts.apple.com/us/podcast/plant-based-briefing/id1562925866 Your podcast app of choice: https://pod.link/1562925866 Facebook: https://www.facebook.com/PlantBasedBriefing   LinkedIn: https://www.linkedin.com/company/plant-based-briefing/   Instagram: https://www.instagram.com/plantbasedbriefing/   

Join Mezza & Craig as they break open the eggnog and welcome Darren Moore, Barnsley Wood, James Levey & Neil McCrystal to look back on the 2002 Marillion gig at Union Chapel in London - later released as "Christmas in the Chapel" DVD and audio download.Chat includes discussion about what was going on in Marillo world at the close of 2002, the lead up to the Union Chapel date, the venue and the gig itself.

Sparks Nevada, Marshal on Mars, "The Quick and the Sand"Written by Ben Acker & Ben BlackerStarring Marc Evan Jackson as Sparks Nevada; Mark Gagliardi as Croach the Tracker; Busy Philipps as The Red Plains Rider; Annie Savage as The Marshal Station AI; Joshua Malina and John Hodgman as the President Face Gang; and Hal Lublin as the Folksy Narrator.THE THRILLING ADVENTURE HOUR IS 100% INDEPENDENT.Want every episode and more, including never-released audio, ad free? Want exclusive videos, including rehearsal videos?To support the show and the people who make it, and to gain access to our complete back catalogue including never-released episodes (from as far back as 2005!), early access to the podcast, early access to tickets to our live shows, and more, join our Patreon community: https://www.patreon.com/thrillingadventurehourVisit our store for Beyond Belief concert film DVDs!Visit our video vault to stream a ton of live and live-to-Zoom TAH shows!Produced by Ben Acker & Ben BlackerMusic by Jonathan DinersteinSound effects by Cayenne Chris ConroyPodcast produced and engineered by Jordan KatzSparks theme by Eban Schletter Hosted on Acast. See acast.com/privacy for more information.

August 27th - September 2, 1994 This week Ken welcomes wholesome, midwest superstar and host of the Catered Quiz Podcast Rick Katschke to the show. Ken and Rick discuss the Catered Quiz, The Monroeville Mall's imminent demise, working at Walmart, getting jacked in a warehouse, department stores, new shows airing after a Fall Preview, the weird TV landscape of the end of August, physically writing letters, channel flipping, Harvey Firestein, pre-out of the closet Ellen's bad fashion sense, Billy Bob Thornton, asking Tom Petty that, Letterman, making Letterman laugh, Staying at the Fister, what the hell is the Wisconsin Dells, water slides, what the Step by Step roller coaster is, arcades, Water Country's Geronimo, the bizarre HBO travel prize, exactly how much a lifetime of free HBO is worth, how creepy it was that a 14  year old Claire Danes was starring opposite a 22 year old Jared Leto, My So-Called Life, Jeanie vs. Samantha, TNN's Club Dance, being in the audience for The Chew, refusing to be an audience plants, TV tapings, Rick's parents' murder mystery theater business, when WWE wrestlers steal your props, SNICK, TGIF, riding your bike to the gas station to buy junk food, generic Dr. Pepper, Super America Gas, missing WWF Superstar ice cream bars, how Ken is going to track down that stolen prop and get it back, Bob Hope, Dana Gould on Bob Hope's special, The Adventures of Pete and Pete, made for TV movies, terrifying all porcelain dolls, The Dolls Award of Excellence, Coach, when Rick attended Super Slam 94 and go on television (again), Leslie Neilson, being name checked on Breaking Bad, how Ken made with with She-Hulk in Official MCU canon, unexplained encounters with angels, SCUBA diving disappearances, one star sequels, Hello Mary Lou: Prom Night II, Phantasm II, Freaks and Geeks, the early days of TV on DVD, Warlock II The Armageddon getting two stars, Summer School, Chainsaw and Dave, looking like Dean Cameron, the short lived European football league, celebrity voice overs, retooled shows, and how watching Baywatch can help you give mouth to mouth to bunnies.

(December 15,2025) California leaders look away as vehicle deaths skyrocket. Nearly one-quarter of Americans say the healthcare system is in crisis. How DVDs and CDs are becoming cool again in the age of streaming. See omnystudio.com/listener for privacy information.

Proverbs 18:9–12 contrasts careless living with steadfast trust in the Lord. The slothful person—slow in duty and effort—is counted as a brother to the destroyer, for negligence tears down what diligence builds. Yet the name of the Lord stands as a strong tower where the righteous find refuge and safety. Meanwhile, the rich man trusts in his wealth as a high wall, though it is only imagination. Pride lifts a man toward destruction, but humility prepares the heart for honor. In today's Morning Manna, Rick Wiles and Doc Burkhart explore how diligence preserves, how God protects, and how humility positions a person for true exaltation under the Lord's care. Teachers: Rick Wiles and Doc Burkhart You can partner with us by visiting FaithandValues.com, calling 1-888-519-4935, or by mail at PO Box 399 Vero Beach, FL 32961. MEGA FIRE reveals the ancient recurring cycles of war and economic collapse that have shaped history for 600 years. These patterns predict America is now entering its most dangerous period since World War II. Get your copy today! www.megafire.world Get high-quality emergency preparedness food today from American Reserves! www.AmericanReserves.com It's the Final Day! The day Jesus Christ bursts into our dimension of time, space, and matter. Now available in eBook and audio formats! Order Final Day from Amazon today! www.Amazon.com/Final-Day Apple users, you can download the audio version on Apple Books! www.books.apple.com/final-day Purchase the 4-part DVD set or start streaming Sacrificing Liberty today. www.Sacrificingliberty.com

David and Trevor continue their conversation, focusing on two medium-length narratives about adolescence and poverty: Experience and A Wedding Suit.

Today I'm joined by the founder of Detrans.AI, an innovative chatbot and data tool designed to amplify the perspectives of detransitioners. A young web developer from Wellington, New Zealand, Peter shares how his journey began with trying to understand a loved one, and how his search for answers led him to discover the largely silenced stories of those with transition regret.We dive deep into the technical and ethical decisions Peter made while building Detrans.ai, including his choice to use a Chinese AI model (Kimi K2) to avoid the pro-gender ideology bias baked into Western AI systems like ChatGPT. Peter walks us through the site's powerful data visualizations, which reveal striking patterns: the peak ages for transition and detransition, the gender differences in why people transition (with autogynephilia prominent for males and internalized misogyny for females), and perhaps most importantly—that proper psychotherapy is the number one factor leading to detransition for females.We explore how parents and questioning individuals can use this tool, the social backlash Peter has faced for creating it, and why dismantling the "born this way" narrative is essential for protecting young people experiencing gender distress. This conversation offers hope that ethical therapists are beginning to step forward and that tools like Detrans.ai can help bridge the gap between concerned parents and the truth about what's really driving the gender crisis.Peter James Steven is a developer and designer from Wellington, New Zealand. He recently developed a sited called detrans.ai to promote the experiences and perspectives of detransitioners. Detrans.ai is primarily a chatbot that deconstructs gender concepts and to promotes holistic, non-medical approaches to healing gender distress. It integrates knowledge from the /r/detrans subreddit, which is the largest open collection of detrans experiences on the internet. Follow him on X @pjamessteven.[00:00:00] Start[00:03:45] Why the "Born This Way" Narrative Is Toxic[00:09:30] Building AI Without Gender Ideology Bias[00:17:45] The 5000% Increase in Gender Dysphoria Referrals[00:27:30] Analyzing 2,700 Detransitioner Stories[00:35:00] Male vs Female Transition Reasons Compared[00:42:32] What Actually Causes People to Detransition[00:49:27] Tour of the Detrans.ai Platform[00:57:45] Debunking Common Gender Ideology Myths[01:02:35] Message to Detransitioners and Closing ThoughtsROGD REPAIR Course + Community gives concerned parents instant access to over 120 lessons providing the psychological insights and communication tools you need to get through to your kid. Now featuring 24/7 personalized AI support implementing the tools with RepairBot! Use code SOMETHERAPIST2025 to take 50% off your first month.PODCOURSES: use code SOMETHERAPIST at LisaMustard.com/PodCoursesTALK TO ME: book a meeting.PRODUCTION: Looking for your own podcast producer? Visit PodsByNick.com and mention my podcast for 20% off your initial services.SUPPORT THE SHOW: subscribe, like, comment, & share or donate.Watch NO WAY BACK: The Reality of Gender-Affirming Care. Use code SOMETHERAPIST to take 20% off your order.MUSIC: Thanks to Joey Pecoraro for our song, “Half Awake,” used with gratitude & permission.ALL OTHER LINKS HERE. To support this show, please leave a rating & review on Apple, Spotify, or wherever you get your podcasts. Subscribe, like, comment & share via my YouTube channel. Or recommend this to a friend!Learn more about Do No Harm.Take $200 off your EightSleep Pod Pro Cover with code SOMETHERAPIST at EightSleep.com.Take 20% off all superfood beverages with code SOMETHERAPIST at Organifi.Check out my shop for book recommendations + wellness products.Show notes & transcript provided with the help of SwellAI.Special thanks to Joey Pecoraro for our theme song, “Half Awake,” used with gratitude and permission.Watch NO WAY BACK: The Reality of Gender-Affirming Care (our medical ethics documentary, formerly known as Affirmation Generation). Stream the film or purchase a DVD. Use code SOMETHERAPIST to take 20% off your order. Follow us on X @2022affirmation or Instagram at @affirmationgeneration.Have a question for me? Looking to go deeper and discuss these ideas with other listeners? Join my Locals community! Members get to ask questions I will respond to in exclusive, members-only livestreams, post questions for upcoming guests to answer, plus other perks TBD. ★ Support this podcast on Patreon ★

Brad and Tyler welcome back Mike Steph to discuss John Cena's retirement match and the fallout from WWE Saturday Night's Main Event. They also talk about the Babes of Wrath's surprise win on AEW Dynamite, a TNA stock watch, and more. Other topics include:Finals WeekMichigan fires Sherrone Moore “Sean Combs: The Reckoning”0:00 Intro2:30 What Happened Here — Michigan Football11:41 Steph Watch — A Kansas City Ambush23:55 WWE — Soliloquy City, SNME Takeaways, Cena's Retirement56:12 At the Movies — “Sean Combs: The Reckoning”1:10:42 AEW — Babes of Wrath, Speedball upsets Fletcher1:26:40 WDWM — Hey! EW, AEW Dark, DVD's 100th, TNA, Will Smith Cameo, Finals1:32:47 ClosingFollow the show for exclusive updates.Social: @gipod19 Web: gimmickinfringementpod.com, 19mediagroup.comGoods: https://19-media-group.myspreadshop.comFollow Mike Steph and his projects.Social: @mike__stephSoundCloud: Stream Mike Steph | Listen to Mike Steph Summer of Steph Mixtape playlist online for free on SoundCloudBandcamp: The Trials and Tribulations of Mike Steph EP | Mike StephFollow 19 Media Group:Twitter: @19MGroupInstagram: 19mediagrouphttps://www.19MediaGroup.comDiscover our favorite podcast gear and support the show—shop our studio must-haves on our Amazon Affiliate page! https://www.amazon.com/shop/19mediagroupWant to join the conversation or invite us to your platform? Connect with us and share your vision (budget-friendly collaborations welcome)!  https://bit.ly/19Guest

ESPN NFL Nation Titans reporter Turron Davenport joined DVD to recap the Titans' 37-24 loss, Cam Ward's performance, Simmons, and more 

In the second hour, DVD discusses Diego Pavia finishing second for the Heisman Trophy and how we thought it would've been closer. They also discuss the post he made after finishing second. He then made an apology post after backlash from his instagram story post. We got a lot of reaction from it 

In the first hour, DVD discusses the Titans 37-24 loss to the 49ers and reacts to Can Wards performance. They got a lot of reactions to Cam, his performance, and more. ESPN NFL Nation Titans reporter Turron Davenport joined DVD to recap the Titans' 37-24 loss, Cam Ward performance, Simmons, and more 

Nelson and Alexandra wrap up Season 3 with a look back at the wonderful conversations they've had this year.LISTEN AGAIN TO ~The Amazon Prime release of Ship of Dreams: Titanic Movie Diaries The release of Nelson's book Kindred Spirits: A Titanic TaleTitanic exhibition organizer, Joe GoldAuthor of The Six, Steven SchwankertSpecial Round table episode on The Queen Mary for the 113th AnniversaryTitanic actress Fannie Brett Brittany Butler and Zach Douglas musing on Rose's life post Jack/Titanic and before she met Brock in an episode called 'Rose's Heart Will Go On'The recovery of bodies with death care expert, Clinton BonelliDavid Scott-Beddard of the British Titanic Society Kelly Skwarkan on the failed of leadership of the captain of the CalifornianDan E Parkes author. The Captain, The Daughter & the SpyAlex 0wens-Sarno - Cora in TitanicWe took time to remember one of our Titanic family who passed away on Thanksgiving Day. Ellen Mower O'Brien is the frozen Mother with Baby in James Cameron's film. Here's a link to her Go Fund MeSHIP OF DREAMS: TITANIC MOVIE DIARIES is on Amazon Prime, Apple TV etc DVD available on Amazon LINKS ~shipofdreamsfilm.com Facebook TikTok @titanic_talk_podcastYouTube...

The Dirt Gang (1972) AIP Production #7221  Jeff and Cheryl roll with a criminal biker gang to a Western movie set in The Dirt Gang. Written by William Mercer and Michael C. Healy Produced by Joseph E. Bishop and Art Jacobs Directed by Jerry Jameson  Starring: Paul Carr as Monk  Michael Forest as Zeno Michael Pataki as Snake Lee de Broux as Jesse  Nanci Beck as Mary Ben Archibek as Jason  Nancy Harris as Big Beth Charles Macaulay as Curt Jo Anne Meredith as Dawn Christian Hal England as Sidney William Benedict as Station Attendant Jessica Stuart as Stormy Jon Shank as Padre Tom Anders as Marty Joe Mosca as Willie T.J. Escott as Biff  An American International Release Find The Dirt Gang on DVD or stream it on YouTube.Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

 When it just touches on these really profound themes and it's moving in a way that catches you off guard. Matt Nothelfer is a Committee Member of the Borrego Springs Film Festival and working documentary filmmaker.In this conversation, Matt talks:* Why small, community-driven festivals like Borrego Springs offer some of the best experiences for indie filmmakers.* How the festival creates a filmmaker-friendly environment: lounge, home-baked food, networking, and long Q&As.* The “secret weapon” of Borrego Springs: a local audience that fills a 180-seat theater from morning to night.* Why early-bird submissions matter—and when they don't.* How to spot scammy or low-value festivals on FilmFreeway through community presence, transparency, and online footprint.* Why filmmakers should focus more on storytelling and theme than technical perfection.* The blind-submission, five-category review process Borrego uses to evaluate films fairly.* Why small festivals often have the highest acceptance chances—300 submissions, 70–80 selections.* How writing a thoughtful, festival-specific cover letter can move a film from “maybe” to “yes.”* Advice to emerging filmmakers: avoid chasing 100 meaningless laurels and instead pursue festivals aligned with your goals.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Hi everyone. This is Ben Guest and this is The Creativity Education and Leadership Podcast. Today my guest is Matt Telfer, who is a committee member for the Borrego Springs Film Festival. In this interview, we talk all things film festival, how to run a filmmaker friendly festival, and tips and tricks for submitting to film festivals.Enjoy.Matt, thanks so much for joining the podcast today.MATT: My pleasure. Happy to be here.BEN: So, I always like to start with a fun question, senior year of high school, what music were you listening toMATT: right off the bat with a curve ball? Alright, let's lay it out. I got the Talking Heads,BEN: the Cure,MATT: Like, let's see, what else?BEN: New Wave.MATT: Yeah, a little bit of the punk stuff. I mean, we got Pixies were, was I listening to the Pixies then? I can't remember. Yeah, so, uh, the Dead Milkman, stuff like that. The pubs, um, yeah, I had some of their records. You know, it's really frustrating ‘cause I had those records up until like five years ago and I left them at a colleague's house and they scattered to the wind.All that good stuff. Yeah. Anyway, I'm still a little bitter about that, but That's okay. My colleagues, my colleague was a friend and he, he deserved them.BEN: So you are a committee member at the Borrego Springs Film Festival. What? Yes, sir. And, and you've, you've held a variety of roles there and, and off air, you're saying sort of lately you've been focused on.You know, the pre-production of the festival, the website, getting the materials together. Correct? Correct. Reaching out to filmmakers, et cetera. Talk to me, talk to us about what are the fundamentals of running a good festival?MATT: Well, our context is that we're super small and modest. Uh, like we were saying before the interview, uh, officially started, we are literally a, a tiny little village in the middle of a giant state park.Actually the biggest state park in the lower 48 states desert community. We're actually just south of Palm Springs and, uh, there's like 3000 full-time residents here and, uh. So running a film festival in a place where there's literally. Not really a commercial market, it's a different type of animal.And um, so we kind of do everything on a very tight budget and we try to personalize stuff as much as we possibly can. We, since we can't really throw a lot of money at stuff, we just do everything we can in other dimensions.BEN: What's an example of that?MATT: Just trying to be considerate about stuff, uh, being friendly to filmmakers that are willing to submit and to get, and that also get accepted. So when they come here, it's a personalized experience. We work pretty hard on creating a filmmaker's lounge where folks can gather and network with each other throughout the entire uh.Five days of our film festival and while they're at the film festival and they're talking to each other, we also have food available for ‘em. One of our great committee members, her name's Pam, she literally will bake stuff in the evening and bring it in in the morning. So you have fresh pastries, cookies, coffee, like fruit vegetables, just everything laid out.And you know, there's really not a huge expense to do that, but you need like the right people to do that, so that's the thing that kind of makes our festival a little bit. Different, I guess in a way is like there's a personalized aspect to it and we spread that type of attitude across all our stuff.So we're gonna have like four parties during the entire festival, and all those parties have similar type of vibe.BEN: The reviews that I read online, um, on film freeway filmmakers were saying that it is, it's a film, it's a filmmaker friendly. Festival.MATT: Yeah. Because, you know, that's what we can do. Mm-hmm. Like, you're not gonna travel to a remote place in the desert and, you know, run into a bunch of industry folks.Usually there are exceptions to that. And, uh, as our. Film festival has gotten a little more solid, and we occasionally have some industry people coming in. Most of the time it's indie filmmakers. You know, we might have some elbow rubbing that this kind of neat. But for the most part, you know, these are just small independent filmmakers trying to do their thing and.Wanting to share their films with an appreciative audience. And aside from, being very personable, uh, with the committee and with the staff that run the film festival, one of the great things about our particular film festival is that the community is a huge part of what we do. The event they show up, we have 180 seat theater and it's full from 10:00 AM in the morning until eight o'clock at night.Oh wow. Every block and wow. It's been that way since the beginning, and it's not because of anything that we do on the committee, it's simply because the community wants to be a part of it. And so that's kind of our secret weapon, is like you show up as a filmmaker and like, oh man, I got, I got scheduled for the 10:00 AM block.They, and then they, they show up and like, what's going on here? This is look back. And then at the end of it, you know, there's an extended q and a. We don't. Push our blocks back to back really tight and there's plenty of time just to like relax and having interaction with folks and some q and as will go on for like a half an hour, if not more.And it's just, you know, so that's a unique thing that just kind of emerged without effort. And we take credit for it and we're excited that we can offer that. But you know, it wasn't any, it wasn't by design, it was just kind of like, cool. This is working.BEN: As far as festivals go, it sounds like filmmaker heaven.MATT: Well, you try to, we definitely try to be. And the dude that got this whole thing rolling, his name's Fred G and he has lived in this little community for a really long time, and he's a great guy and he's one of the reasons why a lot of people show up because, you know, he's just one of those kind of like community, uh, he's, he'll be really upset if I use this phrase, but he's like a town elder. Mm-hmm. You know what I mean? Mm-hmm. Mm-hmm. So just having that type of guidance and having that type of person that can kind of unify the entire event, I. Is really great. And again, like I said before, it's kind of our secret weapon is that we have like this great community that's willing to be a part of a filmmaker's storytelling in so much as like they'll sit there, they'll react to it, they'll ask questions about it afterwards.So yeah, if you're. A filmmaker that wants your film to be seen by actual eyeballs and actual people that are engaged. Mm-hmm. Then film festivals like ours, which there are many around, around the world. You gotta search ‘em out. As a filmmaker, you've gotta. Start getting discriminating. You've gotta really pay attention to what films are film festivals are offering and try to be a part of those kinds of environments, if that's what you want.BEN: So this is great because you're, um, you are part of the Bgo Springs Film Festival, you're also a working filmmaker. What are some other festivals that you've attended or know about that have a similar sort of filmmaker friendly vibe?MATT: Full Bloom film festival in North Carolina for sure. The WYO Film Festival in Wyoming, we enjoyed that a lot.My wife and I who are documentary filmmakers, we've taken our film films there. And again, you know, it's the exact same recipe basically, you have a core group of citizens that are willing and able to show up and be a part of an event. So when you sh, when you arrive as a filmmaker and you sit in the audience, you're not alone with, or if you're in the audience and you're only with other filmmakers there to screen their movie, you know?Yeah. You know that, you know that feeling. We've been there, right? We've been, we've all been there and, and we don't. Film festival is like what we're talking about right now. They don't wanna offer that. They want it to be something, even if they sometimes fall short, which has happened with us, we've had blocks where, maybe there's only 50 people in the audience and, you know, half of the audience might be filmmakers.But that is such a rare thing anymore. You just wanna be offering something to filmmakers. Make them feel appreciated because we know how hard it is to make these things and even and to be willing to share that in front of other people and, ask and answer questions it's a special thing and we wanna nurture that as much as possible and sort of those other film festivals.Love it. Yeah.BEN: Yeah. So we, I, I first came across you on Reddit on the film festival subreddit, and you were offering good advice and thoughts on, for filmmakers applying to festivals, how to think through strategy. So I guess for all, yeah. I mean, did you hear Yeah, help us out.MATT: Yeah. Did you, when you were reading that stuff, I mean, what kind of hit you as like the most relevant?BEN: I think it's two things and since I, I just have a documentary. I finished and am submitted a film festivals. I've read a bunch of stuff. Seen a bunch of stuff, so I may conflate some of the things that you said versus something I saw elsewhere. But two things. That's all right. I'llMATT: take credit for it.BEN: One is know what your goal is ahead of time, right? Oh, yeah, absolutely. To, be it the, be it a filmmaker friendly festival with good parties and events and networking. Is your goal to get exposure? Is your goal to meet people in the industry? Is your goal mm-hmm. To get laurels? Those are all different worthy goals, but they all will change your strategy and your approach for film festivals.And the second is, you know, submit to, don't submit to 50 festivals. Submit to 5, 6, 7, see what the results are and then adjust from there.MATT: Oh, absolutely. Yeah. So yeah, when we're talking strategy, that's so important and, and we can speak about it from the perspective of the Borrego Springs Film Festival because, you know, knowing the context of the type of festival we are now, if you were a filmmaker that was searching out, let's say.A bunch of like publicity for, you know, some type of, media push. It's like, would you necessarily want to come to Bgo Springs? Maybe yes, maybe no. It depends on how you played it, but. The main reason you would be coming to Borrego Springs, we feel is because you want that personal interaction and you want feel special as a filmmaker and you want to share your stuff with us, and we want you to share your stuff with us, right?So you're absolutely right when you're initial initiating your kind of film festival search as a filmmaker, you really gotta narrow down what your expectations are. And figure that out. I can speak as a filmmaker as well. It's like if you're gonna go someplace and spend money to do so, I mean, at the very minimum you squeak by on a budget of 500 bucks, then that's kind of like dirt cheap to go someplace and then return home.You know? That's still a lot of money. Mm-hmm. And that's, that's probably like. The least amount that you would ever be able to spend and you would need help, like getting lodging, which we try to offer to our filmmakers. Um, you know, how are you gonna, what are you gonna do? What are you going to eat when you get there, which we try to offer to our filmmakers.And, you know, all those things become part of the calculus, right? Mm-hmm. Especially when you're independent, mm-hmm. I would ask you is like when you're trying to submit, what are you aiming for right now?BEN: So great question. So I'm aiming for trying to get multiple laurels and I'm in, in a little bit of a different situation, I think, than most filmmakers.So I, I have an academic background, I have a PhD, and ideally I'd like to I've worked at various universities. In the ideal world, I'd like to go back overseas and teach film at a university. And so in the world, in the world of academia, you know, there's this phrase, publish or perish, right? You have to publish academic journal articles, publish.Mm-hmm. In film, in the world of filmmaking, academia, a film festival run. A film festival. Acceptance is like a journal article, right? Um, maybe if you do a feature film that's like publishing a book, this is sort of, uh, roughly equivalent to getting a, a journal article published. So I want to sort of garner a number of laurels so that I can indicate, you know, this, this short plate at these 10 different film festivals.MATT: Okay, so the credentials matter, right? Correct. It's kind of like that kind of that'sBEN: exactly right. LittleMATT: trophy on the mantle, as it were. Mm-hmm. Yeah. Yeah. Okay. So, um, I'm gonna ask you another question if that's okay.BEN: Yes. I feel like I'm getting a All right. Free film festival, um, consulting.MATT: Perhaps, I don't know about that, but when you are pursuing the laurels and, you know, everything's kind of like filtering through film freeway these days. Mm-hmm. So what's your strategy as far as like finding those types of film festivals that you think are going to, allow you to get those laurels on your poster or whatever?BEN: Yeah. Another great question. So couple things. One is it's a doc. My latest is a documentary short, and it's, it takes place in the world of improv comedy. And the two subjects are two black women. So looking at festivals that either are geared towards comedy, towards documentary shorts or towards black themes and African American themes. One of those three or, or, um. Themes of uh, women in, in general. Sure. Well, if I couldMATT: interrupt real quick, please. Yeah. So it seems like you're trying to basically still maintain some integrity as far as that goes. It's like, yeah, I'm not relevantBEN: all like the fly by night, if you submit, we'll give you the, you know, the UP award.Yeah, exactly. Well, that, that's why I'mMATT: asking because. Okay. Because that's why I'm asking because, there are plenty of, you know, weird little festivals that are floating around the mill fly by night, that,BEN: thatMATT: come, that come and go. And if you want to get a hundred laurels on your poster, if that's, you know, what makes you feel good, then you could definitely do that.But at least what you're saying is like, okay, let's make sure that what's happening with my film has integrity, has, has a shape, and has, something that means something after, you get accepted.BEN: Yes. Oh, a hundred percent.MATT: And the reason I bring that up is because, you know, as a small film festival we struggle with getting we just struggle competing with what's out there on film Freeway, let's put it that way.BEN: You know, because Talk about that. Break itMATT: down. Yeah. You know, it's just, as anyone knows that's trying to do this thing, it's like you hit film freeway and they're a great platform. I'm not, complaining about them at all, but there's just a lot of stuff on there that is more or less as a filmmaker or relevant.I mean, would you agree with that?BEN: Oh, a hundred percent.MATT: Unless all you're wanting to do is just get one laurel to put on your, on your poster, so you know. Maybe they offer a little bit of something. But as a filmmaker, I've been to the ones that don't offer much anything aside from a screening and even, and it's like I'm lucky enough to even go to ones that have physical screenings.A lot these days are just like, oh, we'll slap it online and call it good. So, you know, uh, let's be honest, there's a lot that are just out there and they're just trying to churn. Make some money. So as a small film festival, we're competing with that stuff and we've seen our, uh, submission rate decline, not necessarily a bad thing for us.Mm-hmm. But for other film festivals, I imagine they might be getting frustrated with it. We are actually perfectly comfortable with where we've kind of landed and the groove we've been in since the pandemic. Even a little few years before then, and we haven't tried to kind of like change our recipe much.So we're just happy with the amount that we're getting. We're happy with the amount that we're accepting and we're pleased with how we're screening stuff and the opportunities we're giving people. But I do feel, from what I've seen, it's becoming. Uh, it's just, it's a bit, it's a bit difficult to navigate the slop.Let's just break it down like that. Yeah. And I don't know if you're feeling if you're experiencing the same thing or not. I'd be curious to, to see what you, what you say.BEN: For a hundred percent, so I, I made a few documentaries in the late 20, 2011, 2012, and that was right when Without a box, which was filmed free, right withoutMATT: a box.BEN: Started and it was great because instead of having to burn a bunch of DVDs and physically mail them, you could just upload your film and then submit it to a bunch of festivals. Research a bunch of festivals. Great. Coming back to it now in 2025, it's Scam Central and I think unfortunately one of the things you, you have to spend a bunch of time doing is trying to figure out which of these festivals.First of all, which of these festivals are just legit in that they're not trying to just mm-hmm. Get money from you. They're gonna do a virtual screening and that's it. And then once you even get that breakdown, kinda like you said, which are festivals that are legit, that, that have good people working hard, good intentions, you're proud to show your film there versus they're just churning through submissions and fees.And chart, have a bunch of deadlines and a bunch of different slots you can apply for. They're not the exact opposite of how you describe Borrego Springs.MATT: Yeah. And you have to, as a film festival, at least in our opinion over here, it's like you have to bring that value to the table or else why?Why are you really doing it? And if that answer is like, you're just some guy sitting in an apartment somewhere trying to make a lot of money or a living, I don't know if you can make a lot of money doing this.BEN: Mm-hmm.MATT: Um, but. If you're just doing a film festival that is literally fly by night because you want to cash in, it's like, that's really unfortunate.Now the other side of that coin is like we see a lot of very earnest filmmakers submitting and, uh, they might not be the most technically adept. And they're fresh out of the gate as far as like trying to be a filmmaker. So they're very eager and you know, they just want to tackle everything all at once, and they end up you know, they're not really exercising any discrimination about where their films are going and they end up, you know mm-hmm.Kind of wasting a lot of money in that regard. Submitting, the, submitting, submitting without much, kind of emotional reward from it. And I think,BEN: yeah.MATT: Having some type of like positive feedback about what you're doing is great, even if it's whatever.But. It really helps to have a place to land where you feel like super special and cared for and considered and not just like, oh, I showed up and, it cost me $10 to get into my own movie and it's costing me $20 to, buy a cocktail over here and, you know, those kinds of things.If you're even lucky enough to get that, honestly.BEN: Right. What's your advice on spotting scams when you're applying to festivals?MATT: How to be discriminating as far as like submitting?BEN: Yeah,MATT: I mean I can only approach that from our, my wife and i's own experience trying to get our films into festivals. And with the insight like working on a film festival, I think that helps.But trying to spot ‘em is really, you got to. Try to get a sense if there's any type of community involvement going on mm-hmm. With the festival. And you can usually track that online if you're, you know, if you're a bit sleuthy, and you can find out if it's being supported by the community in some sort of way.Mm-hmm. And it shouldn't take you too long to figure that out with a couple of decent, online searches and follow in a few threads of information. Another thing is, is like if they're kind of nurturing their online presence, you know, it doesn't have to be super sophisticated. You just have to get a vibe that they're trying.And if, if you get that kind of sense, then it's worth the effort. Typically the other thing is you gotta really know what type of film festival that you're submitting to, right? If you're making documentaries, you're not submitting to, you know, a feature film, festival Right. In every festival.So yeah. Core effects. So I, yeah. You know, it's just being, making those obvious decisions. But when you dig beneath that superficial stuff and you get past like the obvious. Really try to get a sense about what you want yourself as a filmmaker when you go to a film festival. And for us it's like getting appreciative eyeballs on the film and giving us fun feedback and having a good time and interacting and, and doing some networking, uh, basically having a party and celebrating your film.Mm-hmm. And I think that weBEN: think about, yeah, sorry, go ahead.MATT: I think that this, that's important for us, so I imagine, and I, I would think that it's important for other people that are making movies as well. Yeah. If we, about, especially independently.BEN: Yeah. Yeah. You know, there's you were alluding to very little money in it, but, um, there are, there are rewards.Yes. One of the biggest of which is seeing your film in a packed house with an engaged audience. What from a screener perspective, from a film festival perspective, what are some tips you would give up and coming filmmakers, young filmmakers on their short films in particular mistakes that you see et cetera, et cetera.MATT: I would say the biggest mistake, especially as a, a young filmmaker, is concentrating so much on the technicalities of the craft and ignoring the storytelling. Um, you know, we, you mentioned, and we mentioned before about like when we started, uh. Kind of submitting to film festivals. This was basically what, like 15 years ago for both of us now, right?2010s, 2012, whatever. Mm-hmm. The technical back then could elevate you above everything else back then. Like today. You know, look, anyone that has a, has a mobile telephone, essentially has the skillset it takes, or not the skillset, but the technical wherewithal.AnBEN: outstanding camera.MATT: Yeah. Yeah. And the point being is like you can go out and you can create something compelling without the gate of the technical getting in the way. Uh, you can capture it. And it doesn't have to look like a million bucks. It's nice if it looks like, you did a big budget thing on a small budget.I'm not knocking the craft of anything. I'm just saying don't be so intent. Or maybe even don't even worry if like, it falls short technically a little bit. ‘cause I will. Guarantee you that a film is gonna get into a film festival based on if it's a compelling story with a good theme or not. And theme is another thing that a lot of folks don't necessarily appreciate, I don't believe.Just to give you a little bit of insight, our film festival. Is the selection committee are not industry professionals. They are regular citizens. They're just watching movies to help out our film festival. Now, try to imagine what that means. It's like folks don't focus on the technical unless it's an absolute train wreck.They will literally sit down and say, is this something I'm interested in and am, am I engaged with the story? Full stop. So that's where, that's the thing you have to focus on. And if you're not doing that as a filmmaker, okay, maybe you're just, you know, maybe your thing is gonna be, you're just a cinematographer, you're just a sound guy.You know, you're more crafty than you are. You know, a storytellers you gotta find that. You gotta find that place. That would be the main thing, because I know we, we. This, I think this is a good thing about our particular film festival is that we have taken in some films that probably weren't like technically as good as they should have been, but because they are just so.Compelling. We don't ignore it like we do pay attention to the craft, but if a story elevates beyond the craft, we're more than happy to bring those folks in. And when those folks come in, they're like, oh my gosh. You know, it was like we're having a hard time getting accepted to film festivals and we're so grateful that you took our film and we can't believe the response that we're getting.Um, they tend to be the best. Most enthusiastic filmmakers and attendance of anybody. Mm-hmm. They're not cynical, you know, they're not burnt out, they're just like over the moon.BEN: They're happy to be there.MATT: Yeah. And it, and they should be. And they're gonna spread the word ‘cause they, they've created something.Yeah. Wonderful. Now, you know, maybe it's underexposed, maybe it's overexposed. Maybe the audio's not great here and maybe the audio's okay there, whatever. It's compelling. That's the main thing. And you and you as a filmmaker really need to start analyzing. My wife and I do this all the time. It's like, what the heck are we making here?Are we making something that is compelling to us personally? Mm-hmm. Are we making something that's compelling to other people? Mm-hmm. It's two different things.BEN: Mm-hmm.MATT: I mean, that's right. So storytelling is hard.BEN: Yeah. That's the craft. It's storytelling.MATT: Yeah.BEN: Yeah, yeah. What does your, so you've got screeners, not industry folks, people just who appreciate films and filmmaking.What does your judging sheet or criteria sheet look like with your screeners, and what's the process that a film goes through?MATT: Here's another thing about our particular film festival. We're completely blind. Submissions. You know, we do not solicit anything. It's like early days we were kind of like poking around and asking for some folks to kind of consider us, but we've kind of let that fall by the wayside.Maybe that's one of the reasons our submissions have declined a little bit over the years. One of the factors, but regardless completely blind submission. So. Stuff comes in. We have a bunch of people that are at the ready and they start watching it, and we basically have a five step process.It's like, consider this, consider this, consider this, consider this. And they do that. And they mark it from scale of one to 10. And, uh, from that we kind of start our, fundamentallyBEN: what are, what are the different, consider this. Like what are the categories?MATT: Let's see. I gotta look it up, but it, it basically breaks down to, okay.Are you sentimentally engaged with this? Meaning, is it, is it a subject matter? I love that questionBEN: that,MATT: yeah, it is a subject matter that you. Like just offhand, like, okay. It's a, it's a nature movie. See, I love nature movies. Oh, I see. Are you, you see what I'm saying?BEN: Predispose, I thought, I thought you meant was the film engagement.MATT: No, no. It, no, it's, it's, it becomes both. It becomes both, right? Yeah. Because your sentimental attraction to something is going to create an engagement. So we kind of wanna know if, uh, our regular folks are like just locking into something because they just love the subject matter.BEN: They make the topic.Yeah.MATT: Yeah. Um. Then from there we do actually talk about craft, even though I was saying before, like, uh, don't worry so much filmmakers about the craft anymore, but we wanna make sure that you can hear it. Okay. It's not a total disaster with the audio and you can see everything. Okay. So we ask them to rate it on that scale.And then, um, other, you know, just more nuancey things is like, okay, is the pacing cool? In other words. Did you find it like it was dragging a lot or it was, too fast? How's the editing style? Those kinds of metrics. And there's actually a few other ones in there as well. So all that is just kind of thrown into the pile.Mm-hmm. And then from there we start to weed that out as we come to after like all the submissions come in and from. Once all the submissions come in and our, our deadline has passed, then the committee jumps in and starts doing a more nuanced type of an analytical thing to the films that have been submitted.But I will say that regardless of how we kind of shuffle things, once the deadline is closed, the people that watch our films and the committee members are usually. Copacetic. There's hardly anything that that changes. And, um. The nice thing about our particular film festival too, is like if you're a filmmaker submitting, you know, I'll just, I'll give you the numbers.We essentially get like 300 submissions, so it's not a lot. Mm-hmm. Um, and out of that 300 we are running a sub, we're running a screening rate anywhere between like 70 to 80 movies a season. Mm-hmm. So that's a really good. That's a really good, uh, opportunity to get accepted at a film festival, and that's why small film festivals might be the best bet for a lot of independent filmmakers, I think.Mm-hmm. You know, because you have that opportunity to get noticed. So I think I might have tangent, I went off tangentially a little bit there, so if you wanna pull me back in.BEN: Yeah. You went off tangentially, but in a great way. I mean that I want to appreciate the transparency with the numbers. I interviewed, um, the director of the Wyoming International Film Festival, a guy named Rudy Womack, and he was the same.He was like, here's our numbers, we publish ‘em. He's like, most festivals don't, but it just demystifies the process. So it's very helpful.MATT: Yeah. And I'll give film pre credit because they allow film festivals like ours to put those numbers online. Mm-hmm. And, and we've done that. If you hit our page on film Freeway, you can start to figure out what we're about without too much trouble.BEN: What are the, what are the different blocks you run?MATT: As far as like thematically?BEN: Yeah. Yeah. Like at a festival. What are the different categories and blocks.MATT: Aha. See now you touched on something that's kind of unique to us. Okay. So, you know, you go to a film festival and it's like, oh, this is the, this is our dog block.Every movie's about dogs.BEN: Right, right.MATT: Or something like that. We don't do that. At all. So we kind of grab bag, the whole thing. It becomes a very eclectic mix of stuff. Mm-hmm. And one of the reasons we've ended up doing that is because our community has kind of demanded it. Whoa.Interestingly enough. Yeah, so they drove the decision to kind of like stop doing thematic blocks and they wanted a better mix of things because they, again, our folks here, they show up for every single block place is packed.BEN: I just, and sorry to interrupt before you finish, like everything you're saying, it just sounds like there's an iter iterative feedback loop.Between the community in the festival, the film? Absolutely in the festival. The volunteers in the festival. So I just wanna highlight that ‘cause I'm loving everything you're saying.MATT: Well, again, like I said, it's the secret sauce. It's our, it's our weapon that we have our secret weapon that allows us to kind of like elevate beyond our like humble budget.Right.BEN: The community is, but community is letting you know, we don't want thematic blocks.MATT: Yeah. The community came in and said, we, we want mix. So when we sit down and we're sitting through movies, it's like. If we're watching something that we're not in tune with thematically, then you know, you would have to sit there for like an hour and a half and just kind of tolerate it.Whereas now, if like a movie comes on about dogs and for some reason you're just a weirdo and you don't like dogs, that movie will come and go and now you're onto something else, right? Mm-hmm. So. Yeah like you just mentioned, it, it really becomes a cooperative effort between the community, the film festival itself and, and even the filmmakers.And we're kind of proud that it is a little bit ramshackle in that way ‘cause it creates a very organic vibe and weirdly enough. Like at the end of it all because it, it's a little bit random. It is like how folks get scheduled.BEN: Mm-hmm.MATT: Themes are emergent anyway.BEN: Mm-hmm. It's, peopleMATT: start creating patterns that didn't exist and then it sometimes that becomes really profound.It's like, didn't even think of that. It's brilliant. However oh, the other thing about programming too, that we do specifically for our film festival is that we. We ask our filmmakers, say like, Hey, are you planning on coming here? And if they, if they are planning on coming here, we try our, our level hardest to make sure that we program their films to match their schedule, right?So we don't lay out our program and say, okay, you were scheduled for, you know, Wednesday at 2:00 PM. It's like, well, I'm only free on the weekend. You know, and you wouldn't, you would never be able to attend. We ask first to say, do you think you're gonna be able to be here? And if they say yes, then we try to accommodate as best we can.So again, it's, it's collaboration across the board from filmmakers down to the, to the citizens of our small town.BEN: One of the things I read somewhere, or heard somewhere, is that it's much more advantageous to apply for the early bird deadline. What's your take on that?MATT: For our film festival, not so much, but I, I definitely adhere to that strategy as a filmmaker.If nothing else, it's budget conscious, you know? Yeah, yeah. It's cheaper usually under the initial deadlines you know, you have to take advantage of that. The other thing I guess is like, I will say from our experience, uh, with our particular film festival, if you get it in under the early bird deadline, at least it's there.And you know, you've basically got like four or five, six months for the submission. Crew for that particular film festival to kind of think about it. Whereas if it comes in a last minute, you're not really gonna get as much consideration. It's just gonna have to be more like, uh, an initial one-off type of decision.SoBEN: are there other, and I mean the, the most important advice right, is always make a good movie outside of the movie. Yeah. Are there other ancillary things that. Can move the needle at all. Cover letters, director statement, press kit, stuff like that, or it's not, uh, it's negligible.MATT: Hmm. It's neg negligible to an extent in so much, it depends on how you frame it as the filmmaker.Mm. And let me, I'll try to explain. So every year as a film festival, you just basically get cover letters. It's like, oh, take my film please. It's about this, it's about that. But it's a cover lever, co cover letter. It's, uh, copy and pasted. You can tell. You can just, you just know. It's like, okay, they're making an overture to us, but they're also making an overture to like a hundred other film festivals.It's like if you're gonna write to a film festival and say you want in, just make sure that you actually acknowledge who you are sending your film to. Don't just say, Hey, Borrego Springs, I wanna be in your film. I like Borrego Springs, mm-hmm. My parents went there once and I've always been com I've always been interested in the desert and how awesome would it be?See, that tells us that you're paying attention. Right?BEN: Mm-hmm.MATT: That you're trying. We're trying. We just want the filmmakers to try as well, as far as like trying to make any requests to get preferential treatment, and it's totally cool to ask for preferential treatment. By the way. You can say, I see that you're a small community.I just made a film that's, that takes place in a small community. We might be a really good fit. That kind of thing matters, right? An email overture works. Yes. An email overture doesn't work. No. It's both things at once, depending on, it really depends on how you write that letter. So if you wanna invest the time and effort to try to impress a film festival, just make sure that.You understand what that film festival is and really think about if what you're offering, the film festival is something that they might want. And if you can, if you see a, a common thread there, write about it in a letter. And even if it's just one sentence, it's like, then we know on our side that this person's paying attention and that that kind of matters.It does matter. So at the end of the day, when you're take, when you're kind of like really trying to figure out your cutoff, if your little film happens to be on the bubble, guess what? It might get into film festival, right? Mm-hmm. Because you said that you have a connection to this place, and I think that's fair.I mean, what, does that make sense?BEN: Yeah, for sure. So the festival is coming up in January, is that correct?MATT: Yeah, we're in the middle of gearing up for it right now, as a matter of fact. Nice. I gotta run out to the, to town here in like a, like 15 minutes actually to do some stuff for the film festival.So yeah, it's, it's, well, today we're shooting, um, a little promo, uh, thing that we're gonna run, run during. At the beginning of the blocks, and I'll be doing that with Fred G the chairman of the board. Yeah, that's nice, fun stuff. We try to have fun with things, so. Yeah.BEN: We do littleMATT: skits and whatnot during the award ceremony.It's, it's goofy. I love it. Cheesy as hell, but we like doing it, soBEN: I love it. Oh, that's actually something that I sort of, in, in, in my cover letters, which I try to. You know, write tailored to the festival. Especially the ones in California say, well, the film's about this improv duo and mm-hmm. We accepted, we'll come and we would love to do a little improv performance for the festival attendees.Um,MATT: I will say this too, because we're such what you just mentioned. I just want to piggyback on that for a second. So you said in my cover letter I'll say, we're willing to attend. It's like if you say that in a cover letter and you mean it, you, and you're willing to do that. Yeah. That's good. Especially for a festival like ours.We want filmmakers to come here. We wanna treat ‘em to a good time. We want them to be part of something that's. Big in the community and the community wants that as well. So if you're here and you're willing to be here, then that matters.BEN: I love it. Well, I mean, everything I'm hearing about Borrego, like literally I just reached out ‘cause I wanted to just talk film festival submissions, but now I'm like, Ooh, next year I'm definitely gonna submit to, uh, to Borrego.MATT: Yeah, I know this was supposed to be like a strategy session and here I am bragging about the film festival. That'sBEN: No, no. It's exactly what I, what I want. It's great. Last question. What's a, what's a. Documentary that blew you away recently?MATT: So, okay, so last year at our film festival, there was this really cool documentary called Dale. Have you seen it?BEN: No. Tell me about it.MATT: So Dale is like this older woman and she's the first basic Asian American that was in the, um, uh, Los Angeles orchestra, the Los Angeles Phil Harmonic. Okay. And essentially all it is is.I say all it is like, it's a very profound kind of retrospective of what she did to get to that point and you know, her views on things and it's just, and the music that was involved, just very beautiful, very poignant and simple. And. So when, when you have like movies like this and it's, it's not even a 10 minute long movie, it's under 10 minutes.Mm-hmm. When it just touches on these really profound themes and it's moving in a way that catches you off guard. Those are the things that you can't ignore, right? Mm-hmm. And this is actually, Dale's a good example because, you know, it's not always shot pristinely, it doesn't have to look, perfect. But the story reaches kind of a transcendent level that is really, really nice. So if I would throw in Dale and let me see, uh, the the director of that, his name was Justin Strike. So if anyone, I think it's still on the film festival circuit, so you have that opportunity. Go check it out.BEN: Love it. Love it. Love it. Matt, thank you so much for taking the time. For people who are interested in Borrego Springs Film Festival, either to attend, to submit, et cetera, what where should they go and where can they find you?MATT: Oh, online search, just, you know, Borrego Springs Film Festival. It'll lead you to all the places you need to be.And, uh, yeah, just track us down that way. Pretty straightforward. Take a peek at what we're offering. We keep mm-hmm uh, we keep an archive of the stuff we've done online so you can pull back the curtain and look and say, okay, is this kind of something I'd be interested in?Um, you can get a vibe for it that way. And, uh, that's, yeah, that's kind of it. That's kind of it. I think we've tried hard to make sure that what we offered is pretty transparent, and if you take a look at it and you think it's a good fit, and by all means, send us your stuff. Including you, by the way, so, you know.Yeah, no, you have to submit as well now would definitelyBEN: be submitting early bird deadline next year. Perfect. I wish I, if I was still in LA I'd come down, uh, next month and, and just go to this upcoming festival. It sounds wonderful.MATT: Well, I know. Why don't you just do it anyway?BEN: Yeah, I'll give you aMATT: VIP pass.I that,BEN: listen, I might take you up on it. I still all, well, if you do, it'sMATT: we'll be waiting for you.BEN: You, you know, we're, we're documentary filmmakers. We always have a couple irons in the fire. So I do have one kind of idea of, uh, another doc I'd like to shoot out on la maybe I'll combine it. I'll let you know.MATT: Perfect excuse.BEN: Hey, this was fantastic. Thank you so much for taking the time. I'm so glad um, we connected and uh, just listen. Our pleasure be fantastic.MATT: Yeah, we're, we're happy as a film festival to be asked to do this kind of thing, so thank you. And um, best of luck to your film too. I'm gonna check it out, so be sure to submit it straight away.BEN: I will. Thank you so much, Matt. Alright man. Thanks.BEN: That was my interview with Matt of the Borrego Springs Film Festival. Hope you enjoyed, please forward to at least one person. Have a great week. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Podcast for a deep examination into the career and life choices of Eddie Murphy & Jim Carrey. Patrick tries digging in a chunk of ice hoping to find super old fossils. Joe doesn't believe in fossils because he says Spielberg invented dinosaurs. Lev tests his patience by giving ice fishing a whirl while the hosts argue about historical timelines. Will he catch any delicious maceral? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in December 2025. References may feel confusing and/or dated unusually quickly. 'Kick-Ass 2' is available on DVD, Blu-ray, and 4K (if you've succumbed to the fad): https://www.amazon.com/Kick-Ass-Ultra-Blu-ray-Digital-UHD/dp/B0CCSTXVQV/ Music from "Dances with Sharks / From the Masts of the Ballinger" by Do A Barrel Roll!   Artwork from BJ West   quixotic, united, skeyhill, vekeman, murphy, carrey, versus, vs, kick, ass, kickass, cage, mclovin, super, heroes, comics, comic, genre, carey, twisted, ice

durée : 00:16:07 - Le Disque classique du jour du lundi 15 décembre 2025 - Pour la première fois, l'intégrale des enregistrements du pianiste autrichien Friedrich Gulda est présentée en une édition de 85 CD et un DVD. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:07 - Le Disque classique du jour du lundi 15 décembre 2025 - Pour la première fois, l'intégrale des enregistrements du pianiste autrichien Friedrich Gulda est présentée en une édition de 85 CD et un DVD. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Episode Notes In this E407, Andrew does another episode of Popcorn & Powerchairs where he watches a movie with this listeners. This week, we're watching the award-winning documentary, "Life After", by disabled filmmaker, Reid Davenport. It explores disability and its entanglement in the "Right to Die" debate. This is such an important film, and I hope you enjoy this review. Find out more: www.lifeafter.com Episode Sponsors Do you wanna turn b*tt stuff up a notch. Go to bvibe.com and use code AFTERDARK to receive 20% off orders of $100 (including bundles, discounted items and more). Disability content creation doesn't have to be hard. Follow @seated.perspectives on Instagram to learn how to make content creation a gentle, easy, accessible experience. Are you looking for attendant care when you need it at your convenience? Check out your team, on tap www.whimble.ca Get 15% off your next purchase of sex toys, books and DVDs by using Coupon code AFTERDARK at checkout when you shop at trans owned and operated sex shop Come As You Are www.comeasyouare.com Order Notes From a Queer Cripple and hire him to speak on it by e-mailing andrew@andrewgurza.com US: https://us.jkp.com/products/notes-from-a-queer-cripple Canada: https://www.ubcpress.ca/notes-from-a-queer-cripple Support the show with a donation: https://patreon.com/disabilityafterdark This podcast is powered by Pinecast.

ISAIAH WAS a wordsmith. And the Hebrew word he used translated “idols,” ʾĕlîlim, identifies the spiritual nature and origin of the idols he condemned. Dr. Christopher B. Hays, citing work of A. T. Clay published in 1907, identified the origin of ʾĕlîlim as the name of the Mesopotamian deity Ellil, which was the Akkadian form of the Babylonian/Sumerian god Enlil. As Derek documented in The Second Coming of Saturn, Ellil/Enlil was the equivalent of the Canaanite father-god El, and thus “the abomination of the Ammonites,” Milcom (i.e., Molech). He was also known as Assur, chief god of the Assyrians, Dagon of the Philistines, Kronos of the Greeks, Saturn of the Romans, and probably Osiris of the Egyptians, among others. We believe this entity is also Shemihazah, leader of the sons of God in Genesis 6, whose rebellion created the monstrous Nephilim, the spirits of which became demons upon their deaths in the Flood of Noah. Isaiah, then, was condemning not carved blocks of wood or stone, but the demonic spirits they represented—the “gods” of the pagans whom the kingdoms of Israel and Judah continued to worship. We'll see as we get deeper into the Book of Isaiah that the prophet understood the nature of the entities the Israelites were interacting with. The cult of the dead was alive and well in the time of Isaiah. Sharon's niece, Sarah Sachleben, has been diagnosed with stage 4 bowel cancer, and the medical bills are piling up. If you are led to help, please go to GilbertHouse.org/hopeforsarah. Our new book The Gates of Hell is now available in paperback, Kindle, and as an audiobook at Audible! Derek's new book Destination: Earth, co-authored with Donna Howell and Allie Anderson, is now available in paperback, Kindle, and as an audiobook at Audible! If you are looking for a text of the Book of 1 Enoch to follow our monthly study, you can try these sources: Parallel translations by R. H. Charles (1917) and Richard Laurence (1821)Modern English translation by George W. E. Nickelsburg and James VanderKam (link to book at Amazon)Book of 1 Enoch - Standard English Version by Dr. Jay Winter (link opens free PDF)Book of 1 Enoch - R. H. Charles translation (link opens free PDF) The SkyWatchTV store has a special offer on Dr. Michael Heiser's two-volume set A Companion to the Book of Enoch. Get both books, the R. H. Charles translation of 1 Enoch, and a DVD interview with Mike and Steven Bancarz for a donation of $35 plus shipping and handling. Link: https://bit.ly/heiser-enoch Follow us! • X: @gilberthouse_tv | @sharonkgilbert | @derekgilbert• Telegram: t.me/gilberthouse | t.me/sharonsroom | t.me/viewfromthebunker• YouTube: @GilbertHouse | @UnravelingRevelation | @thebiblesgreatestmysteries• Facebook.com/GilbertHouseFellowship Thank you for making our Build Barn Better project a reality! We truly appreciate your support. If you are so led, you can help out at GilbertHouse.org/donate. Get our free app! It connects you to these studies plus our weekly video programs Unraveling Revelation and A View from the Bunker, and the podcast that started this journey in 2005, P.I.D. Radio. Best of all, it bypasses the gatekeepers of Big Tech! The app is available for iOS, Android, Roku, and Apple TV. Links to the app stores are at www.gilberthouse.org/app/. Video on demand of our best teachings! Stream presentations and teachings based on our research at our new video on demand site! Gilbert House T-shirts and mugs! New to our store is a line of GHTV and Redwing Saga merch! Check it out at GilbertHouse.org/store! Think better, feel better! Our partners at Simply Clean Foods offer freeze-dried, 100% GMO-free food and delicious, vacuum-packed fair trade coffee from Honduras. Find out more at GilbertHouse.org/store. Our favorite Bible study tools! Check the links in the left-hand column at www.GilbertHouse.org.

We had a full episode planned — the usual banter, the laughs, the chaos — and then Saturday Night's Main Event happened.That ending? Yeah… we had to stop everything and talk about the elephant in the room.This episode opens with a heartfelt reaction to John Cena's moment and why it hit harder than anyone expected. From legacy to emotion to what it means for wrestling fans who grew up in the Ruthless Aggression era, we say thank you the only way we know how — honestly, loudly, and with a little chaos.But don't worry — it's not all Cena (okay… mostly). We jump right back into classic M3P energy with:

On this week's episode: James and Jamie reveal what is in their DVD vault and which movies you should add to your physical media collection. Zendaya and Robert Pattinson's new Boston filmed movie "The Drama" has teaser trailer release, Jane Fonda spoofs Nicole Kidnman's AMC theater ad, "Boston Blue" gets second season, local film festivals, and more! The Hub on Hollywood, hosted by Jamie and James, delves into the thriving film industry in New England. The podcast explores the production of various projects, including commercials, television shows, and full-length feature films. The podcast offers insight into New England’s growing film industry, as well as entertainment news and reviews. Subscribers can access the podcast on the iHeartRadio app and follow the hosts on Instagram and TikTok for updates.See omnystudio.com/listener for privacy information.

There is only one gospel: the message of God's free grace in Jesus Christ. All other "gospels" are distortions leading to hopelessness and condemnation. Today, Derek Thomas begins his study of the book of Galatians. Donate any amount to request R.C. Sproul's commentary on Galatians and Derek Thomas' video teaching series No Other Gospel on DVD. You'll also receive lifetime digital access to all 14 messages and the study guide: https://gift.renewingyourmind.org/4510/offer   Live outside the U.S. and Canada? Get the Galatians commentary ebook, digital teaching series, and digital study guide with your donation: https://www.renewingyourmind.org/global    Meet Today's Teacher:   Derek Thomas is a Ligonier Ministries teaching fellow and Chancellor's Professor of Systematic and Pastoral Theology at Reformed Theological Seminary.   Meet the Host:   Nathan W. Bingham is vice president of media for Ligonier Ministries, executive producer and host of Renewing Your Mind, and host of the Ask Ligonier podcast. Renewing Your Mind is a donor-supported outreach of Ligonier Ministries. Explore all of our podcasts: https://www.ligonier.org/podcasts

Bonus Round! Peter and Chris are bringing you a watch-along (listen-along?) for Twiztid's mockumentary, "Born Twiztid." You can sit and just listen to the boys talk about the show and everything 2000 juggalo related, you can try to watch it on YouTube, or you can watch along with your own VHS or DVD. OR you can wait for the youtube version of this pod to be uploaded and literally watch us watching it.    The LinkTree can be found at https://linktr.ee/juggalorwd. Otherwise here are all of our links -  Twitter/X: @JuggaloRWD  IG: @JuggaloRWD  Facebook: @JuggaloRWD  TikTok: @JuggaloRWD  Threads: @JuggaloRWD  BlueSky: @JuggaloRWD  The website is www.JuggaloRewind.com.  Join us on the ICPWWE Discord and talk to other listeners and podcast hosts about Psychopathic Records, ICP, Twiztid and random juggalo nonsense.  Email us at juggalorwd@gmail.com or call/text us at (810) 666-1570.        Join our Patreon! For only FOUR DOLLARS a month, you can join Kilnore's Army and get at least two bonus episodes per month, videos, chats and more! Even without paying, you can join the Patreon community! Become an official member of the Phat or Wack Pack today! -- Juggalo Rewind Patreon.      #ForTheJuggaloCulture

In the final hour, DVD discusses what would Pavia winning the Heisman Trophy would mean for Vanderbilt? They also continued the conversation around the Preds winning 7-2 and trading away Spencer Statsney. They ended the week with Take it to the Bank  

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Bill Bailey, originally episode 292 from 2019-10-16.With Bill's new appreciation of the early morning start, and enjoying those gems that are the early hours of the day, he joins Pip for some ace earlier-than-afternoon chattalogical goodness which includes so much, from back in the day to… now in the day? You know what I'm getting at. So you can absolutely expect to hear all manner of awesome including how he's well up for the promo run, with a renewed appreciation for the talking element of it all, his newfound discipline - or that is to say ‘sharpened' discipline, the new series of ‘In The Long Run' in which he stars alongside creator Idris Elba (on Sky NOW!), his approach to the series and he tries not to install his own comic leanings on the proceedings, the ‘biomechanics' of comedy and the District 9 theory, the importance of collaboration, how awesome Idris Elba is, the shock of coming from the mainly white Westcountry to multicultural London, Bill's lightbulb moment for comedy at a London vegan anarchist commune, influences and respect for tradition, the DVD boom of the 00's and how he got caught in it, the great equaliser of a shared artistic experience, and with that - the importance of sharing, Never Mind The Buzzcocks and QI and all kinds more! Lovely stuff, start to end. Have fun!PIP'S PATREON PAGE if you're of a supporting natureXONLINEIN THE LONG RUNQIPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

We weigh the emotional heft of Jay Kelly and dive into a double documentary discussion with Predators and Corey Feldman vs. The World plus we also talk Dust Bunny and Sorry, Baby. 0:00 - Intro 34:40 - Review: Jay Kelly 1:05:50 - Other Stuff We Watched: Corey Feldman vs. The World, Predators, For Love of the Game, Dust Bunny, Sorry, Baby 2:28:46 - This Week on DVD, Blu-ray and VOD 2:32:55 - Outro

Deuteronomy 8:18 reminds God's people that prosperity is never self-made. “It is He who gives you power to get wealth,” Moses declares, grounding Israel's success not in human strength but in God's covenant faithfulness. The warning is clear: when blessings increase, pride is near; when pride rises, forgetfulness follows. In this Faith Friday edition of Morning Manna, Rick Wiles and Doc Burkhart explore how God empowers His people, why He ties provision to covenant purpose, and how remembering the Lord safeguards the heart from arrogance. This passage calls believers to gratitude, humility, and a right understanding of the Source behind every good gift. Teachers: Rick Wiles and Doc Burkhart You can partner with us by visiting FaithandValues.com, calling 1-888-519-4935, or by mail at PO Box 399 Vero Beach, FL 32961. MEGA FIRE reveals the ancient recurring cycles of war and economic collapse that have shaped history for 600 years. These patterns predict America is now entering its most dangerous period since World War II. Get your copy today! www.megafire.world Get high-quality emergency preparedness food today from American Reserves! www.AmericanReserves.com It's the Final Day! The day Jesus Christ bursts into our dimension of time, space, and matter. Now available in eBook and audio formats! Order Final Day from Amazon today! www.Amazon.com/Final-Day Apple users, you can download the audio version on Apple Books! www.books.apple.com/final-day Purchase the 4-part DVD set or start streaming Sacrificing Liberty today. www.Sacrificingliberty.com

The Bible reveals God's plan of salvation. To trace this unfolding plan and find our place in it, Christians must give attention to God's covenant promises. Today, J.V. Fesko introduces the study of covenant theology. With your donation of any amount, request J.V. Fesko's book Signed, Sealed, Delivered: An Introduction to Covenant Theology and the video teaching series on DVD. You'll also receive lifetime digital access to all 6 messages and the study guide:   Live outside the U.S. and Canada? Request the Signed, Sealed, Delivered ebook, digital teaching series, and digital study guide with your donation: https://www.renewingyourmind.org/global   Watch the stream from Ligonier's recent online event, Fighting the Good Fight of Faith: https://www.ligonier.org/goodfight   Meet Today's Teacher:   J.V. Fesko is the Harriet Barbour Professor of Systematic and Historical Theology at Reformed Theological Seminary in Jackson, MS, and a minister in the Orthodox Presbyterian Church.   Meet the Host:   Nathan W. Bingham is vice president of media for Ligonier Ministries, executive producer and host of Renewing Your Mind, and host of the Ask Ligonier podcast. Renewing Your Mind is a donor-supported outreach of Ligonier Ministries. Explore all of our podcasts: https://www.ligonier.org/podcasts

Christian maturity doesn't happen overnight. It's formed through daily communion with God in prayer and meditation on His Word. Today, Jason Helopoulos guides us to prioritize regular times of private worship and devotion. Request Created for Worship, the video teaching series from Jason Helopoulos, with your donation of any amount. You'll receive the DVD, plus lifetime digital access to all 11 messages and the study guide: https://gift.renewingyourmind.org/4485/offer   Live outside the U.S. and Canada? Request the digital teaching series and study guide with your donation: https://www.renewingyourmind.org/global   Meet Today's Teacher:   Jason Helopoulos is senior pastor of University Reformed Church in East Lansing, Michigan.   Meet the Host:   Nathan W. Bingham is vice president of media for Ligonier Ministries, executive producer and host of Renewing Your Mind, and host of the Ask Ligonier podcast. Renewing Your Mind is a donor-supported outreach of Ligonier Ministries. Explore all of our podcasts: https://www.ligonier.org/podcasts