Podcasts about american performance

Welcome back for another episode of The Show! This week Tom, Joe, and Gunny sit down with NRHA 2 Million Dollar Rider, Cade McCutcheon, to break down Cade's experience at The American Performance Horseman.  Cade showed “Finals Bound” owned by Burnett Ranches and they had a great run together as one of their first times in the showpen.  We're excited to talk about what Cade felt as a rider for all of the different moments of the event, the impact Teton Ridge had on The American Rodeo, and some of our thoughts on the production. We'll also dive into how the nerves of such a big event can affect your ride, and maybe a sneak peak of Tom's tabletop dancing skills…  We'd like to extend a huge thank you to everyone at Teton Ridge for making this event possible. The American has made such a great impact on the Western Performance Horse industry, and we are grateful for such a cool event to showcase what we do. Cade also sends a big thank you to Taylor Sheridan and 6666 Ranch for the opportunity to show the incredible Finals Bound. If you weren't able to attend, make sure to watch The American Performance Horseman on Fox, Saturday, March 16 at 11:30 AM EST-1:00 PM EDT on FS1!  --- Support this podcast: https://podcasters.spotify.com/pod/show/tom-mccutcheon-reining-ho/support

A re-broadcast of an episode originally released in November of 2021.In honor of Native American Heritage Month, an exploration of performances by Indigenous People in theaters of the City of Philadelphia in the 19th Century. We also detail plays by white performers that supposedly depicted Native people and stories in that period.The attached image for the episode is a detail of an illustration found in the book "History of the Indian Tribes of North America", Volume One, by Thomas McKenney, which was published in Philadelphia in 1838.For other images and additional commentary about this topic, as well as a bibliography of our sources, see our website's blog post:https://www.the-native-american-party-blog-post-and-bibliography-for-episode-20If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast@gmail.com© Podcast text copyright, Peter Schmitz 2021/2022. All rights reserved. ℗ All voice recordings copyright Peter Schmitz 2021/2022. ℗ All recordings of original music and compositions within the episodes, copyright Christopher Mark Colucci 2021/2022. Used by permission.

In honor of Native American Heritage Month, an exploration of performances by Indigenous People in theaters of the City of Philadelphia in the 19th Century. We also detail plays by white performers that supposedly depicted Native people and stories in that period.The attached image for the episode is a detail of an illustration found in the book "History of the Indian Tribes of North America", Volume One, by Thomas McKenney, which was published in Philadelphia in 1838.For other images and additional commentary about this topic, as well as a bibliography of our sources, see our website's blog post:https://www.the-native-american-party-blog-post-and-bibliography-for-episode-20We post daily stories from all periods of Philadelphia Theater History on our Facebook page and our Twitter feed. Facebook: https://www.facebook.com/AITHpodcastTwitter: https://twitter.com/schmeterpitzTo email us: AITHpodcast@gmail.comWant to become a patron of the podcast, and to get Bonus Episodes and Blog Posts? https://www.patreon.com/AITHpodcastWant to buy me a coffee? Why thank you! https://www.buymeacoffee.com/AITHpodcastSupport the show (https://www.patreon.com/AITHpodcast)

Brenda Dixon Gottschild is the author of Digging the Africanist Presence in American Performance: Dance and Other Contexts; Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era (winner of the 2001 Congress on Research in Dance Award for Outstanding Scholarly Dance Publication); The Black Dancing Body–A Geography from Coon to Cool (winner, 2004 de la Torre Bueno prize for scholarly excellence in dance publication); and Joan Myers Brown and The Audacious Hope of the Black Ballerina-A Biohistory of American Performance. Additional honors include the Congress on Research in Dance Award for Outstanding Leadership in Dance Research (2008); a Leeway Foundation Transformation Grant (2009); the International Association for Blacks in Dance Outstanding Scholar Award (2013); the Pennsylvania Legislative Black Caucus Civil Rights Award (2016); and a Pew Fellowship in the Arts (2017). A self-described anti-racist cultural worker utilizing dance as her medium, she is a freelance writer, consultant, performer, and lecturer; a former consultant and writer for Dance Magazine; and Professor Emerita of dance studies, Temple University. As an artist-scholar she coined the phrase, “choreography for the page,” to describe her embodied, subjunctive approach to research writing. Nationwide and abroad she curates post-performance reflexive dialogues, writes critical performance essays, performs self-created solos, and collaborates with her husband, choreographer/dancer Hellmut Gottschild, in a genre they developed and titled “movement theater discourse. Our guest's decades of experience are shared with Adenike and Natasha in an intimate conversation about the creative process, and the way racism pulls at the time and energy of Black people, particularly women/femmes. We also discuss embodiment, self-concept and more! Our collaboration culminates in a visceral vocal improvisation that we can't wait for y'all to hear! Check the BCH Study Room link in our bio for more on Brenda, with easy access to additional links from previous episodes! Link to transcript: https://share.descript.com/view/nAYy4p0MJOk Links to content discussed in this episode: Brenda's website (where you can find information to purchase her books, and more!): https://bdixongottschild.com Yvonne Daniels: Embodied Knowledge (Book): https://books.google.com/books/about/Dancing_Wisdom.html?id=nhCRJ4u_CYIC Frank Wilderson - Afropessimism (Book and Theoretical framework): https://wwnorton.com/books/9781631496141 Afro-futurism (Theoretical framework): https://newsroom.ucla.edu/magazine/afrofuturism Somatic Self-Portrait Exercise: TikTok created by Natasha to demonstrate: https://www.tiktok.com/@blackcreativehealing/video/6937759473989717253 --- Support this podcast: https://anchor.fm/black-creative-healing/support

American Performance artist and anti-rape activist explores the world view of conservatives and libertarians changing her world view in the process https://www.thecut.com/2019/10/did-emma-sulkowicz-mattress-performance-get-redpilled.html#comments --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/red-pill-man/support

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial. It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country's most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It's important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown's biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn't shy away from the realities of race, class, power and gender that can often constrain one's mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won't be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.  It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country’s most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It’s important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown’s biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn’t shy away from the realities of race, class, power and gender that can often constrain one’s mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won’t be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.  It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country’s most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It’s important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown’s biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn’t shy away from the realities of race, class, power and gender that can often constrain one’s mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won’t be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.  It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country’s most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It’s important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown’s biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn’t shy away from the realities of race, class, power and gender that can often constrain one’s mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won’t be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the launch of the Dance Channel, I thought long and hard about what the first author interview would be. I felt that it was critically important that this channel begins with a rich conversation between myself and a well respected author whose contributions to dance scholarship were substantial.  It seemed to me that this channel could function as a space where the voices of those doing rigorous work with dance at the center, could be invited into conversations that focused on their most recent project, but exposed the challenges and issues they faced along the way in trying to do their work with integrity. To that end, I knew I needed someone whose voice in dance scholarship was strong and consistent and whose contributions were undeniable. When I thought of it that way, it became clear that I needed to have this first interview showcase the work of Dr. Brenda Dixon Gottschild. Brenda Dixon Gottschild‘s newest work, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance (Palgrave Macmillan, 2011) chronicles the growth and development of one of the country's most important dance companies through the life of its creator and her community. Here, the author treats readers to a backstage pass into the mind of one of the toughest ladies in dance, Joan Myers Brown, founder of the Philadelphia School of Dance Arts and later of the Philadelphia Dance Company (known lovingly as Philadanco.) It's important to understand that this book is a “biohistory” – a work that blends not just Ms. Brown's biography, but contextualizes it in the history of Black Philadelphia and the development of American concert dance. The book is just the most recent in the line of works written by the author whose work has always focused on bringing invisibilized narratives to light and putting them into their proper historical context. The author, who I am glad to know as “Dr. Brenda,” doesn't shy away from the realities of race, class, power and gender that can often constrain one's mobility in the world and her work here makes clear that to that point, the dance world is no exception. Challenges and constraints aside, Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance is an example of the some of the finest contemporary scholarship in dance studies. As the fifth book project for Dr. Brenda Dixon-Gottschild, fans of her work won't be left wanting for anything in this newest book and dance enthusiasts are sure to find a compelling narrative that will leave them satisfied and wanting more of what this author has to offer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies