Podcasts about Dance Magazine

In this conversation, Keltie Maguire speaks with journalist, mom, and runner, Jennifer Heimlich, about her journey into motherhood. Hear them discuss: Jennifer's initial ambivalence about motherhood, her experience of miscarriage, and the challenging early days of parenthood The unexpected joy Jennifer has found in motherhood, despite its difficulties. The role running has played in her life before, during and after pregnancy.  Her experience getting back into running after giving birth — and why running is a great hobby for moms.  Body image and the challenges with getting back into a sport, after having a child. How to prioritize your passions and personal interests after becoming a parent — and why it's so important to do so.  As mentioned in the show: Find Jennifer on Instagram at @thejennymaneuver Her website is jenniferheimlich.wordpress.com About Jennifer: Jennifer Heimlich is a freelance writer who covers health, fitness, and all kinds of wellness. With more than 15 years of journalism experience, she previously worked as the senior fitness editor for Well+Good and the editor in chief of Dance Magazine. Today, you can find her work in various publications like SELF, GQ, TIME, and PS, among other outlets. A UESCA-certified running coach, she leads running tours in Boston in her free time and is almost always training for her next marathon. __ Want to explore how we can work together 1-on-1?  Book a free discovery call here. Find my 1-on-1 coaching offers at kidsorchildfree.com/coaching Check out our free resources here, or at kidsorchildfree.com/free-resources And don't forget to subscribe, rate, and review The Kids or Childfree Podcast if you love what you're hearing! You can leave a rating and review on Apple Podcasts, or a rating on Spotify. Find us online at www.kidsorchildfree.com. Instagram: www.instagram.com/kidsorchildfree

Mathew Janczewski's inquisitive, immersive and heartfelt approach to contemporary dance reaches beyond the surface and holds the viewer in its embrace. With over 40 works in his repertoire and more than two decades of experience as a choreographer, Mathew has cultivated a highly diverse and personalized style of movement. Increasingly, his performances explore pressing social issues, providing a platform for dialogue and action.Mathew's work has garnered praise in the Twin Cities and beyond. He has created commissioned works for companies such as Minnesota Dance Theater, Cleveland Repertory Co., aTrek Dance and Zenon Dance Company. He was the Bates Festival choreographer (2001), received the Sage Award for Outstanding Performance (2005) and won the McKnight Choreographers Fellowship (2005). In 2008, Dance Magazine named him as one of their “25 to Watch.”Shortly after receiving his degree in dance at the University of Minnesota, Mathew founded his own non-profit dance company, ARENA DANCES, in 1995. ARENA serves as the vehicle for his body of work and provides young, aging and underserved segments of the Twin Cities community with opportunities to experience the transformative power of dance.More about only the perverse fantasy can still save us here:https://walkerart.org/calendar/2025/mathew-janczewski-arena-dance-only-the-perverse-fantasy-can-still-save-usand an article in the Walker Reader here: https://walkerart.org/summer-reader/

Join "Dance Talk” ® with Joanne Carey and special guests Stevn Melendez and Wendy Perron.In this episode of "Dance Talk” ® , host Joanne Carey engages with Steven Melendez, the artistic director of New York Theatre Ballet, and Wendy Perron, a dance historian and former editor of Dance Magazine. They discuss the significance of Judson Dance Theater, its impact on modern dance, and how its philosophies resonate with contemporary dance practices.The conversation explores the challenges of restaging historical works, the importance of audience engagement, and the political context of dance as a form of protest and expression.The episode culminates in a preview of an upcoming performance that aims to bridge the past and present of dance April 23-26.The Judson Dance Theater was a pioneering experimental dance collective that operated in New York City from 1962 to 1964. They performed at Judson Memorial Church in Greenwich Village, known for its social and artistic activism. Judson Dance Theater is widely recognized as a key force in the development of postmodern dance and its avant-garde approach influenced subsequent generations of choreographers. Steven Melendez was born in New York City in 1986 and started his ballet training with the LIFT Program at Ballet School New York at the age of 7. He has danced as a Soloist dancer with Ballet Concierto in Buenos Aires, Argentina, a Principal dancer with The Vanemuine Theater Ballet Company in Tartu, Estonia, and for over 15 years with New York Theatre Ballet. He was a national and international guest artist and teacher and has worked across Europe, Asia, and Central and South America. Steven co-choreographed his first large-scale work, Song Before Spring, for New York Theatre Ballet which was named a Dance Europe critic's choice “Best Premiere” of 2016. Steven is currently a member of the alumni advisory committee on diversity and inclusion for School of American Ballet and served as the Hiland Artistic Director for National Dance Institute New Mexico. Steven was named as the Artistic Director of New York Theatre Ballet in April of 2022Wendy Perron is a dancer/choreographer turned writer/editor/scholar. She trained in modern dance and ballet and earned a BA from Bennington College and an MA from SUNY Empire State College. She danced with the Trisha Brown Company in the 1970s and choreographed more than 40 works for her own group, which received commissions from Lincoln Center Festival, the Joyce Theater, Jacob's Pillow, and the Danspace Project. Perron has taught at Bennington, Princeton, NYU Tisch School of the Arts, and the Conservatory at SUNY Purchase. In the early 1990s she served as associate director of Jacob's Pillow. She was the editor in chief of Dance Magazine from 2004 to 2013, and has also written for the New York Times, the Village Voice, vanityfair.com, and journals in Europe and China. An authority on Judson Dance Theater and postmodern dance, Perron has lectured across the country and in Russia and China. In 2011 she was the first dance artist to be inducted into the New York Foundation for the Arts' Hall of Fame. Her second book, The Grand Union: Accidental Anarchists of Downtown Dance, 1970-1975, met with acclaim when it was published in 2020. She has recently performed with Yoshiko Chuma and the School of Hard Knocks in downtown venues. Her new online series, “Unsung Heroes of Dance History,” presents research on dance artists outside the “canon.” She has been on the Juilliard faculty since 2019.To see this performancehttps://nytb.org/tickets“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

This episode of HIV unmuted features an intimate conversation with Ambassador-at-Large Dr John N Nkengasong, the U.S. Global AIDS Coordinator and Senior Bureau Official for Global Health Security and Diplomacy (GHSD). Our host,Juan Michael Porter II, takes listeners through John N Nkengasong's remarkable journey from his early days as a virologist to his current role leading the State Department's Bureau of GHSD, which oversees the global implementation of the U.S. President's Emergency Plan for AIDS Relief (PEPFAR). John N Nkengasong offers profound insights into the ongoing global HIV response, stressing the importance of community leadership in sustaining the progress made over the years. He addresses the challenges of maintaining this momentum in the face of changing global health priorities and funding landscapes. Despite significant advancements in treatment and prevention, John N Nkengasong underscores that ending the HIV pandemic will require addressing persistent inequalities and engaging communities around the world.  John N Nkengasong also highlights the potential of lenacapavir for HIV prevention, which, as of December 2024, is part of a coordinated effort by PEPFAR, the Global Fund to Fight AIDS, Tuberculosis and Malaria, the Children's Investment Fund Foundation and the Gates Foundation to expand access to innovative treatments. Learn more about this initiative here. Meet our guest: John N Nkengasong is an Ambassador-at-Large and serves as the U.S. Department of State's U.S. Global AIDS Coordinator and Senior Bureau Official for Global Health Security and Diplomacy (GHSD). He oversees the Bureau of Global Health Security and Diplomacy, which serves as the department's coordinating body for work on strengthening global health security to prevent, detect and respond to infectious diseases, including HIV and AIDS. The department also elevates and integrates global health security as a core component of U.S. national security and foreign policy. GHSD is home to the U.S. President's Emergency Plan for AIDS Relief (PEPFAR), which the Ambassador also oversees. PEPFAR is the largest commitment by any nation to address a single disease in history and has prevented millions of HIV acquisitions, saved more than 25 million lives, and changed the course of the HIV pandemic.Meet our host: Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reporting combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine.

In this special World AIDS Day episode of HIV unmuted, the IAS podcast, poet, advocate and researcher Bakita Kasadha joins host Juan Michael Porter II in a conversation that challenges preconceived notions and redefines how we discuss and address HIV stigma. Produced in collaboration with the IAS Heart of Stigma programme of IAS – the International AIDS Society – this episode dives into the transformative power of language, art and science in reshaping the global HIV narrative. Bakita shares her unique journey from poetry to advocacy and from being skeptical about research to becoming a groundbreaking researcher herself. Through candid dialogue, the episode explores the nuances of internalized stigma, the limitations of rigid language norms, and the necessity of inclusive and participatory approaches in HIV discourse. Bakita and Juan Michael discuss the role of grace, nuance, and allyship in dismantling stigma and how the arts can amplify voices and stories that have long been marginalized. This episode will leave you inspired to rethink stigma, reclaim narratives, and prioritize people in every aspect of the conversation. To find out how you can get involved this World AIDS Day (1 December), visit our World AIDS Day page. Meet our guest: Bakita Kasadha  Bakita Kasadha is a multi-award-winning health researcher at the University of Oxford, and poet and activist. In 2024, she was awarded the IAS biennial Prudence Mabele Prize. She was the main researcher on the award-winning HIV and infant-feeding NOURISH-UK study and co-edited the collection, HIV and Women's Health: Where Are We Now? Her poetry, commissioned by organizations like the Elton John AIDS Foundation, has inspired initiatives such as a multimillion-pound Fast-Track Cities (London) fund to prevent HIV. She has written for TheBodyPro, NAM aidsmap, Black Ballad, Glamour and the British Journal of Healthcare Management. Her work focuses on addressing health inequities through research and the arts. Meet our host:  Juan Michael Porter II  Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reporting combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine. 

Robyn and Bonny welcome Dr. Rachel Basso and Rachel Rugh onto the pod to discuss your brain on art....and art on the brain! More on our guests: Dr. Julia C. Basso is an Assistant Professor in the Department of Human Nutrition, Foods, and Exercise at Virginia Tech, Director of The Embodied Brain Lab, and Co-Director of The Science and Art of Movement Lab. She also holds affiliate faculty positions in the Virginia Tech School of Neuroscience and is a Fellow at both the Institute for Creativity, Arts, and Technology and the Center for Health Behaviors Research at the Fralin Biomedical Research Institute at Virginia Tech Carilion. With a PhD in Behavioral and Neural Science, a BA in Dance, and certification as a yoga teacher, Dr. Basso's work bridges the fields of art and science, focusing on the body-brain connection and using movement to enhance brain function and physiology. A Renée Fleming Neuroarts Investigator, her research has been featured in prominent outlets such as The New York Times, Dance Magazine, Psychology Today, Virginia Living, and on National Public Radio. In addition to her scientific work, Dr. Basso creates dance performances and artistic installations that explore the visualization and sonification of brain activity. www.embodiedbrainlab.com Rachel Rugh is a dancer, teacher, mover and shaker based in Blacksburg, Virginia. A joyful and enthusiastic movement educator, she has over a decade of experience teaching creative dance to all ages and stages of movers, and currently teaches at Virginia Tech. She has presented her work at a variety of national performing arts conferences including the National Dance Education Organization (NDEO), the Society for Electro-Acoustic Music in America (SEAMUS), the Mid-Atlantic Teaching Artists' Retreat, the Virginia Tech Gender, Bodies and Technology Conference (GBT), and the American College Dance Association (ACDA). Prior to her position at VT, Rugh taught at Radford University and directed the summer residential dance program at the Virginia Governor's School for Humanities and Visual and Performing Arts from 2017- 2023. She is a faculty fellow at the VT Center for Communicating Science. Her recent research has focused on connections between the brain and body through her work with the Virginia Tech Embodied Brain Laboratory, where she co-directed the first annual Science and Art of Movement Festival in summer 2024. In her *spare* time, she is the director of Blacksburg Dance Theater, which provides the local community with joyful and accessible creative dance training for all ages. She holds a BA in dance from the University of North Carolina at Greensboro, and an MFA in Dance from the University of Wisconsin-Milwaukee.

Dance Talk” ® with Joanne Carey and special guest, Artistic Director, Jody Sperling In this episode of Dance Talk, host Joanne Carey chats with Jody Sperling, the artistic director of Time Lapse Dance. They explore Jody's journey into dance, the absolute joy it brings, and the influence of historical figures especially Loie Fuller. The discussion delves into the intersection of dance and science, particularly in relation to climate change and environmental themes. Jody shares insights on the role of costumes in her performances, the experience of dancing, and the importance of community connection. They also touch on the two solo works Jody created in homage to Loïe Fuller, Claire de Lune and Vive La Loïe! (world premiere) on the Paul Taylor Company  for their Lincoln Center Season at the Koch Theater.  Tune in - I am sure you  will find Jody's joy and exuberance infectious! Jody Sperling is A New York City-based dancer-choreographer,who has created more than 50 works. She is considered the world's leading exponent of the style of early modern dancer and performance technologist ⁠Loïe Fuller⁠ (1862-1928). Sperling has expanded Fuller's genre into the 21st century, deploying it in the context of contemporary and environmental performance forms. She is currently Eco-Artist-in-Residence at The New York Society for Ethical Culture. Years of working in Fuller's idiom has influenced Sperling's awareness of the body's relationship with the larger environment. In 2014, she participated in a polar science mission—as the first choreographer-in-residence aboard a US Coast Guard icebreaker—and danced on Arctic sea ice. Her short film Ice Floe, shot during the expedition, won a Creative Climate Award. Following her Arctic experience, her artistic focus has been on engaging with climate creatively. Sperling earned a World Choreography Award nomination for her work on the French feature film “The Dancer” (Dir. Stephanie Di Giusto, 2016 Cannes Film Festival). She is also featured and created a new work for the Fuller documentary Obsessed with Light (Dirs. Sabine Krayenbuehl and Zeva Oelbaum, premiere 2023 Rome Film Fest).  Sperling and company have performed or taught throughout the US and in Bahrain, Canada, France, India, Ireland, Italy, The Netherlands, Nigeria, Russia, and Scotland. She holds a BA from Wesleyan University in Dance and Italian Studies, an MA in Performance Studies from New York University Tisch School of the Arts, and an MFA in Dance from Montclair State University. Sperling and Time Lapse Dance have received commissions from the Vermont Performance Lab with Marlboro College, The University of Wyoming through the NEA American Masterpieces Program, and the Streb Lab for Action Mechanics. Works have been featured in the repertory of The Netherlands' Introdans ensemble and performed by Ice Theatre of New York. Sperling, also a dance writer and scholar, has served on the Board of Directors of the Society of Dance History Scholars (SDHS). Her dance writings have appeared online and in print in Dance Magazine, The Village Voice, The SDHS Conference Proceedings, The International Encyclopedia of Dance, and she has contributed chapters to the books Birds of Paradise: Costume as Cinematic Spectacle (British Film Institute, 2014) and Milestones in Dance in the USA (Routledge, 2022). Prior to founding Time Lapse Dance, Sperling performed as a dancer in the works of other choreographers including Sarah Michelson and Yvonne Rainer.  ⁠⁠⁠ Learn More ⁠www.timelapsedance.com/⁠ Tickets to see Jody's work with the Paul Taylor Company  ⁠https://www.davidhkochtheater.com/tickets-and-events/paul-taylor⁠ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In this episode of The Truth in This Art, host Rob Lee engages in a captivating conversation with award-winning choreographer, dancer, producer, and educator Dominic Moore-Dunson. Known for his community-centered approach and recently recognized by Dance Magazine as one of 2023's “25 to Watch,” Dominic Moore-Dunson shares insights into his latest project, The Remember Balloons, a moving dance-theater production exploring memory loss, Alzheimer's disease, and intergenerational storytelling. The conversation delves into Dominic Moore-Dunson's inspiration from the children's book The Remember Balloons, how dance intersects with storytelling and community engagement, and his unique creative process, including building the show through improvisation with his team. Dominic Moore-Dunson also touches on his journey into dance, his passion for urban Midwest storytelling, and the impactful themes that drive his work in The Remember Balloons.  This program is supported in part by a grant from the Robert W. Deutsch Foundation.If you have a story about art, culture, or community in Baltimore, share it with us at rob@thetruthinthisart.com for a chance to be featured on "The Truth In This Art" podcast. This is a unique opportunity to contribute to the arts and culture podcast scene and showcase your insights on "The Truth In This Art" with Rob Lee.Follow The Truth In This Art on Twitter, Threads, IG, and Facebook @truthinthisart Original music by Daniel Alexis Music with additional music from Chipzard.Episode illustration by Alley Kid Art.About "The Truth In This Art"Hosted by Rob Lee, "The Truth In This Art" podcast dives into the heart of creativity and its influence on the community. This arts and culture podcast from Baltimore highlights artists discussing their ideas, sharing insights, and telling impactful stories. Through these artist interviews, listeners gain a deeper understanding of the creative economy and artistic life in Baltimore. Support the show:Merch from Redbubble | Make a Donation  ★ Support this podcast ★

Season 6 of the WSS podcast here!In our inaugural episode of the season, host Tim Cynova is joined by Katy Dammers, Indira Goodwine-Josias, and Christy Bolingbroke as they explore reimagining of value-centered workplaces through Creative Administration. In organizations dedicated to creative expression and innovation, why is it that so many have workplace practices and policies that are dusty?The spirited discussion dives into the challenges and opportunities within the creative sector to rethink “traditional” approaches, asking when it might be better to reinvent the wheel or even asking if a wheel is what's needed. The conversation underscores the critical balance between stability and creative experimentation, reflecting on how new approaches can support long-term change and longevity in the arts.Episode Highlights02:15 Meet the Guests05:44 Diving into Creative Administration09:20 Balancing Structure and Improvisation17:26 Challenging Conventional Wisdom20:46 Navigating Institutional Change24:26 Reevaluating Policy: Balancing Ethics and Values25:09 Navigating Crisis with Established Policies25:51 Incremental Change in Nonprofit Organizations26:37 Creativity and Experimentation During COVID26:58 The Snapback to Pre-COVID Norms27:38 Fear of Change and Embracing New Solutions28:44 Creative Administration and Sustainability29:49 The Role of Artists in Institutional Change34:11 Balancing Administrative and Artistic GrowthResources Mentioned in the Podcast:Check out the new book Artists On Creative Administration: A Workbook from the National Center for Choreography.Christy Bolingbroke's Masters Thesis, Designing a 21st Century Dance Ecology: Questioning Current Practices and Embracing Curatorial InterventionsGUEST BIOSChristy Bolingbroke is the Founding Executive/Artistic Director for the National Center for Choreography at The University of Akron (NCCAkron). She is responsible for setting the curatorial vision and sustainable business model to foster research and development in dance. Previously, she served as the Deputy Director for Advancement at ODC in San Francisco, overseeing curation and performance programming as well as marketing and development organization-wide. A key aspect of her position included managing a unique three-year artist-in-residence program for dance artists, guiding and advising them in all aspects of creative development and administration. Prior to ODC, she was the Director of Marketing at the Mark Morris Dance Group in Brooklyn, NY. She earned a B.A. in Dance from the University of California, Los Angeles; an M.A. in Performance Curation from Wesleyan University; and is a graduate of the Arts Management Fellowship program at the Kennedy Center for the Performing Arts. She currently serves on the Akron Civic Commons Core Team; as a consulting advisor for the Bloomberg Philanthropies Arts Innovation Management initiative; and on the New England Foundation for the Arts National Dance Project Advisory Panel. In 2017, DANCE Magazine named Bolingbroke among the national list of most influential people in dance today.Indira Goodwine-Josias was born and raised in Queens, NY, and believes in the power of art to educate, inspire, and advance change. With a dual background in dance and arts administration, she is currently the Senior Program Director for Dance at the New England Foundation for the Arts

Working with narcissistic leaders in dance and experiencing dehumanization as a dancer are sad realities that many dancers face, especially in the professional ballet world. In today's episode, we are talking about how dancers can reclaim a sense of agency over themselves and their journeys even in the midst of this broken system. Melody Mennite Principal ballerina formerly with Houston Ballet and currently dancing with Vitacca Ballet. She has toured internationally to perform the classics as well as contemporary work in dance. Some of her classical Principal roles include Odette/Odile, Aurora, Kitri, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella, Manon, Juliet, The Sylph in Bournanville's La Sylphide, Nikya in La Bayadere, Ciao Ciao San in Madame Butterfly, Marie in the ballet Marie, Tatiana and Olga in Onegin, Stephanie and Mary Vetsera in Meyerling, Swanhilda in Coppelia, Valencienne in The Merry Widow, and Lise in La Fille mal Gardee. Melody's most recent international appearance was in the role of Juliet for the Houston Ballet's Romeo and Juliet tour to Melbourne, Australia. During Melody's professional career she has also originated roles in new classical and contemporary productions by choreographers Christopher Wheeldon, Justin Peck, Stanton Welch, Ben Stevenson, Christopher Bruce, Jorma Elo, Cathy Marston, Paul Taylor, Aszure Barton, Nicole Fonte, Annabelle Lopez Ochoa, Olivier Wevers, Oliver Halkowich, Jane Weiner, and Garret Smith as well as in her dual role as dancer/choreographer for several films. Melody enjoys all forms of dance and has extensive training and experience with styles rooted in classical ballet, contemporary, jazz, and hip hop. She is passionate about both learning and teaching what she has learned with others. Ms. Mennite has graced the cover of both Dance Magazine and Dance Europe and is celebrated as the Audrey Hepburn of ballet due to her dynamic acting and a predisposition for comedic roles. As an actor Melody has achieved two award winning performances in film and continues to build this part of her resume. To read the rest of Melody's impressive resume, visit the description of our other recent episode together. Watch this episode on Youtube: https://youtu.be/Xa0Mno0uWlk To learn more about my mindset coaching and speaking services, visit kirstenkemp.com To stay up to date on the latest announcements and blog posts at The Confident Dancer, sign up to be a part of my email newsletter community here: http://eepurl.com/gDmjtz To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer _______________________________________________ WORK WITH ME 1:1! THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to master the mental side of dance so you can confidently perform to your fullest potential. Perfect for pre-professional, professional, or recreational dancers wanting overcome mental blocks like self-doubt, performance anxiety, perfectionism, comparison, insecurities, etc., and build a truly confident mindset that allows you to perform your personal best with joy. Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer _________________________________________________ SPEAKING & WORKSHOPS: I offer mindset seminars to equip dancers with the inspiration and practical tools to thrive in their well-being and ability to perform their personal best. These 60-90 minute seminars can be a valuable addition to the holistic support and education of your dancers at your next intensive, year-round program, or professional development opportunity for your company dancers. Learn more and inquire here: https://kirstenkemp.com/speaking-and-workshops#speaking-and-workshops

Dance Talk” ® with Joanne Carey and special guest, Artistic Director of Black Label Movement, Carl Flink. In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Carl Flink, dancer, choreographer, and academic, discussing his journey into dance, the philosophy behind his company Black Label Movement, and the upcoming performance 'Battleground,' premiering at American Dance Festival. They explore the intersections of dance and law, the teaching of modern dance, and the thematic depth of Flink's work, particularly in relation to societal issues and the human experience. Carl Flink is an American choreographer, dancer, director and academic based in Minneapolis, MN USA. He is the founder and artistic director of Black Label Movement, a contemporary dance company based in Minneapolis. He is also the Nadine Jette Sween Professor of Dance and director of the dance program at University of Minnesota. Flink was a member of the Jose Limón Dance Company from 1992 to 1998, among other NYC based dance companies including Creach/Koester Men Dancing, Janis Brenner & Dancers and Nina Winthrop & Dancers. He has been a frequent guest artist with Shapiro & Smith Dance. Flink's work is focused in choreography, theatrical movement direction, contemporary dance and partnering technique, and dance/science collaborations. His work as a dancer, choreographer and director has been featured in the media numerous times. Flink's TED talk in 2011 entitled Dance v. PowerPoint has received media recognition. He has been named to the University of Minnesota Theatre Arts & Dance Department Wall of Note and was featured in Dance Magazine in an article entitled "Flying through Space." Flink graduated in Political Science and Women's Studies from University of Minnesota's College of Liberal Arts in 1990. He then earned his Juris Doctor from Stanford Law School in 2001, where he was a Public Interest Law Fellow and a Skadden Fellowship Alternate. Through Black Label, he has created commissions for MADCO (St. Louis, MO), the American Dance Festival Footprints Series (Durham, NC), Same Planet Different World (Chicago, IL) and Company C (San Francisco, CA). He has also created presentations for the 2011 TEDx Brussels, 2012 TED: Full Spectrum (Long Beach, CA), 2013 TEDMED (Washington D.C. and the 2020 TEDx Minneapolis). His residencies for college dance programs include University of Florida-Gainesville Brenau University, University of North Georgia, University of Utah, Utah Valley State, University of Illinois – Urbana Champaign University of Iowa, Mount Holyoke College and Roger Williams University, among others. For Information on Black Label Movement https://www.blacklabelmovement.com/ YOUTUBE https://youtu.be/4sWN9_ttgYw And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In this episode of HIV unmuted, host Juan Michael Porter II sits down with Jeanne Marrazzo, the Director of the National Institute of Allergy and Infectious Diseases (NIAID), in a conversation that goes beyond the headlines and deep into the heart of HIV research and advocacy. Dr Marrazzo, a leader with decades of experience in infectious disease research, shares her inspiring journey from her roots in Scranton, Pennsylvania, to her groundbreaking work in HIV prevention and care. Through this intimate conversation, listeners will discover what drives Dr. Marrazzo's commitment to equity, diversity and community-centered research, and how her personal and professional experiences shape her vision for the future of HIV science. From the challenges of addressing global health inequities to the optimism surrounding new HIV prevention methods, Dr Marrazzo offers valuable insights into the importance of inclusive messaging, the power of collaboration, and why putting people first remains at the core of her mission. Tune in to hear how Jeanne Marrazzo plans to navigate the evolving landscape of global health as she leads NIAID into a new era, and why she believes that hope, innovation, and community are key to overcoming the ongoing challenges in the HIV response. Meet our guest: Jeanne Marrazzo   Jeanne Marrazzo, MD, MPH, FACP, FIDSA, is the Director of NIAID at the U.S. National Institutes of Health (NIH), where she oversees a USD 6.3 billion budget that supports research to advance understanding, diagnosis and treatment of infectious, immunologic and allergic diseases. She was previously the C. Glenn Cobbs Endowed Chair and Director of Infectious Diseases at the University of Alabama at Birmingham Heersink School of Medicine. She is a Fellow of the American College of Physicians and the Infectious Diseases Society of America (IDSA), and was Treasurer of the IDSA from 2021 to 2023, having served on the board since 2018. She researches the vaginal microbiome, sexually transmitted infections and HIV pre-exposure prophylaxis. She has had leadership roles in the NIH HIV Prevention Trials Network and the Infectious Diseases Clinical Research Consortium. She was a leading voice in communicating science during the COVID-19 pandemic.   Meet our host: Juan Michael Porter II  Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reportage combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine. 

“Dance Talk” ® with Joanne Carey and special guest, Diana Byer, founding director of the New York Theater Ballet. In this episode of Dance Talk with Joanne Carey, join host Joanne Carey as she chats with Special Guest, Diana Byer, as she shares her life in dance which began from a suggestion made by her pediatrician to exercise. That first class lead to a lifetime career in dance, an art form on which she continues to leave her imprint and is creating a profound and exemplary legacy. Diana discusses her commitment to developing dance artists and her outreach program for homeless and at-risk children. Diana Byer received her principal dance training from Margaret Craske and Antony Tudor. She is the founder of New York Theater Ballet that stages works that are intimate in scale and able to touch audiences in deeply personal ways. Hailed by Dance Magazine as “a miniature American treasure,” NYTB is known for its theatrical inventiveness, high production quality, excellent technique, and accessibility to its audiences. She has been a guest instructor of the Cecchetti Society of America, the Cecchetti Society of Canada (Toronto), Cornell and New York Universities, State University of New York at Purchase, Martha Graham School, and other centers of dance. Ms. Byer conducts master classes in schools and performance settings across the USA and Europe. Ms. Byer received extensive media attention for her ongoing work with homeless and at-risk children, winning special citations from President George Bush, First Lady Hillary Clinton, the National Endowment for the Arts, and the President's Committee on the Arts & the Humanities. The LIFT Community Service program, which provides dance classes, performance opportunities, scholarships, and services for homeless and at-risk children in New York, was initiated at NYTB through her vision and commitment. In 1988, 1990, and 1993, Ms. Byer received the Helen Wieselberg Award of the National Arts Club in recognition for her ongoing work with LIFT. In 1992, Lincoln Center produced, at Alice Tully Hall, a one-hour presentation for children called Dreams On A Shoestring, featuring an original script based on Ms. Byer and LIFT. She received a Humanitarian Hero recognition from Good Housekeeping Magazine for her ongoing work with LIFT and was the 2023 Martha Hill Dance Fund Lifetime Achievement Awardee. The feature-length film LIFT, documenting Ms. Byer's journey of LIFT, was featured in the 2022 Tribeca Festival and recognized with a “Children's Resilience in Film Award” by Shine Global. In December 1996, she was again spotlighted in two features in Dance Magazine. Ms. Byer coached the principals in the Columbia Pictures film, Center Stage. She was a member of the Antony Tudor Centennial Celebration Committee and in 2008 staged Tudor's Judgment of Paris for the American Ballet Theatre Gala at The Metropolitan Opera House. She is a repetiteur for the Antony Tudor Trust and a member of the Board of Directors of the Dance Notation Bureau and The Clive and Valerie Barnes Foundation. In 2010 she assisted Kevin McKenzie in ABT's restaging of Antony Tudor's Jardin Aux Lilas (Lilac Garden) and staged Agnes de Mille's Three Virgins and a Devil for the Alabama Ballet. In 2011 Ms. Byer restaged Antony Tudor's Soiree Musicale and the dances from Agnes de Mille's Carousel, Oklahoma, and Brigadoon for American Ballet Theatre's Studio Company. She continues to direct the NYTB School which she established in 1978. Learn more about The Diana Byer Legacy Project https://www.dancio.com/dianabyerlegacyproject Learn more about New York Theater Ballet ⁠https://nytb.org/about⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance  Follow “Dance Talk” ® with Joanne Carey wherever you get your podcasts.  Tune in. Follow. Like us. And Share.  Please leave us review!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dr. Julia C. Basso is an Assistant Professor in the Department of Human Nutrition, Foods, and Exercise at Virginia Tech and the Director of The Embodied Brain Laboratory. She also holds affiliate faculty positions in the Virginia Tech School of Neuroscience and is a Fellow at both the Institute for Creativity, Arts, and Technology and the Center for Health Behaviors Research at the Fralin Biomedical Research Institute at Virginia Tech Carilion. With a PhD in Behavioral and Neural Science, a BA in Dance, and certification as a yoga teacher, Dr. Basso's work bridges the fields of art and science, focusing on the body-brain connection and using movement to enhance brain function and physiology. A Renée Fleming Neuroarts Investigator, her research has been featured in prominent outlets such as The New York Times, Dance Magazine, Psychology Today, Virginia Living, and National Public Radio. In addition to her scientific work, Dr. Basso creates dance performances and artistic installations that explore the visualization and sonification of brain activity. Julia's website: www.embodiedbrainlab.com

  In 2017, Kathleen Gaines shared her experience with depression in a Dance Magazine article titled “Why Are We Still So Bad at Addressing Dancers' Mental Health?” The article quickly went viral, becoming one of the most-read in the magazine's history, and inspired the creation of her organization, We Are Minding the Gap. In this episode, we sit down with Kathleen to discuss the challenges dancers face in the ballet world, from the pressures of perfectionism to the stigma surrounding mental health. She shares her journey from dancer to advocate, emphasizing the urgent need for change. We explore how her organization is breaking the silence and fostering a culture of wellness in ballet schools, and even why she believes teachers can become powerful allies in creating a healthier, more supportive environment for their students. Learn more about We Are Minding the Gap on their website Links: Ballet Help Desk Buy Corrections Journals Discounts On Your Favorite Ballet Brands! Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk

A freelance journalist and dance critic, Sophie Bress has also graced the pages of Dance Magazine, Fjord Review, The New York Times, NPR, Observer, and more. Much of her work centers around dance and mental health, having worked closely with the editorial team at Dance Magazine to expand the publication's coverage of mental health within the dance industry. In 2022, Sophie Bress penned an article about her experiences in attempting to create the “perfect” apartment and how it was nearly impossible with OCD, now published on Apartment Therapy. In this episode, Sophie Bress recounts the challenges she encountered during the process of organizing her home, elaborating on the fear that comes with OCD. Additionally, she shares essential considerations to note when communicating with housemates, from self-reflection to practicing kindness. Together, Marie and Sophie Bress discuss the various types of therapy suitable for those with OCD and activities and practices helpful in managing the disorder at home. So, whether you have OCD, know someone who does, or are simply curious about unique approaches to home organization, tune in to this episode for valuable insights, enlightening anecdotes, and more! Sophie Bress's article on Apartment Therapy: https://www.apartmenttherapy.com/creating-apartment-with-ocd-37108180 Visit Sophie Bress's work at: https://www.sophiebress.com/ Connect with Sophie Bress on the following platforms: Twitter: https://twitter.com/BressSophie   Produced by the Home Organization Science Labs, a division of LMSL, the Life Management Science Labs. Explore LMSL at https://lifemanagementsciencelabs.com/ and visit http://ho.lmsl.net/ for additional information about Home Organization Labs. Follow us on Social Media to stay updated: YouTube: https://www.youtube.com/channel/UCODVhYC-MeTMKQEwwRr8WVQ Facebook: https://www.facebook.com/homeorg.science.labs/ Instagram: https://www.instagram.com/homeorg.science.labs/ Twitter: https://twitter.com/HOScienceLabs LinkedIn: https://www.linkedin.com/showcase/home-organization-science-labs Tiktok: https://www.tiktok.com/@home.org.science.labs Pinterest: https://id.pinterest.com/homeorganizationsciencelabs/   You can also subscribe and listen to the show on your preferred podcasting platforms: Apple Podcast: https://podcasts.apple.com/us/podcast/room-by-room-the-home-organization-science-insights-podcast/id1648509192 Spotify: https://open.spotify.com/show/7kUgWDXmcGl5XHbYspPtcW Amazon: https://music.amazon.com/podcasts/37779f90-f736-4502-8dc4-3a653b8492bd iHeart Radio: https://iheart.com/podcast/102862783 Podbean: https://homeorganizationinsights.podbean.com/ PlayerFM: https://player.fm/series/3402163 Podchaser: https://www.podchaser.com/podcasts/room-by-room-the-home-organiza-4914172 

Melody Mennite - Principal ballerina formerly with Houston Ballet and currently dancing with Vitacca Ballet. She has toured internationally to perform the classics as well as contemporary work in dance. Some of her classical Principal roles include Odette/Odile, Aurora, Kitri, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella, Manon, Juliet, The Sylph in Bournanville's La Sylphide, Nikya in La Bayadere, Ciao Ciao San in Madame Butterfly, Marie in the ballet Marie, Tatiana and Olga in Onegin, Stephanie and Mary Vetsera in Meyerling, Swanhilda in Coppelia, Valencienne in The Merry Widow, and Lise in La Fille mal Gardee.Melody's most recent international appearance was in the role of Juliet for the Houston Ballet's Romeo and Juliet tour to Melbourne, Australia. During Melody's professional career she has also originated roles in new classical and contemporary productions by choreographers Christopher Wheeldon, Justin Peck, Stanton Welch, Ben Stevenson, Christopher Bruce, Jorma Elo, Cathy Marston, Paul Taylor, Aszure Barton, Nicole Fonte, Annabelle Lopez Ochoa, Olivier Wevers, Oliver Halkowich, Jane Weiner, and Garret Smith as well as in her dual role as dancer/choreographer for several films. Melody enjoys all forms of dance and has extensive training and experience with styles rooted in classical ballet, contemporary, jazz, and hip hop. She is passionate about both learning and teaching what she has learned with others. Ms. Mennite has graced the cover of both Dance Magazine and Dance Europe and is celebrated as the Audrey Hepburn of ballet due to her dynamic acting and a predisposition for comedic roles. As an actor Melody has achieved two award winning performances in film and continues to build this part of her resume. Also from a musical family Ms. Mennite was singing onstage before she ever started training in dance. She has been professionally recorded and released and has performed leading singing roles in regional productions of both West Side Story and Oklahoma. Melody's choreography has been featured on film, in music videos, and on ballet stages throughout the United States. In the last ten years she has been commissioned to create thirteen separate works nationally. Her hobbies include spending time in the outdoors, spending time with her son and two dogs, singing/making music, reading, writing, and practicing new ways to make art. Watch this episode on Youtube! https://youtu.be/9F17DkF13L0 To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer ________________________________________________ THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to master the mental side of dance so you can confidently perform to your fullest potential. Perfect for pre-professional, professional, or recreational dancers wanting overcome mental blocks like self-doubt, performance anxiety, perfectionism, comparison, insecurities, etc., and build a truly confident mindset that allows you to perform your personal best with joy. Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer ______________________________________________ ONLINE COURSES: My online course offerings are a wonderful way to learn the practical steps to retraining your mind so you can thrive and excel in your dancing, all at your own pace and for a more affordable price than individual coaching. Whether your goal is to break through fear and nervousness so you can show up confidently in your auditions or you want to release the self-criticism or self-doubt that's been draining all the joy out of dancing lately, The Confident Dancer Course and rotating mini-courses available are designed to help you do just that. Learn more and enroll here: https://kirstenkemp.com/online-course-offerings

In this episode of "The Truth In This Art," host Rob Lee converses with Sydnie L. Mosley, an award-winning artist, activist, and founder of "Sydnie L. Mosley Dances". Sydnie shares her artistic journey, emphasizing her commitment to community engagement and social justice through dance. She discusses her creative process, the importance of rest, and the influence of cultural icons like Katherine Dunham. Sydnie also highlights her recognition as one of Dance Magazine's "25 to Watch" for 2024 and offers advice to aspiring artists. This episode underscores the power of art in fostering connection and promoting social change.Episode Highlights:Sydnie's Background (00:01:56) Sydnie shares her journey as an artist, educator, and community advocate, emphasizing her roots in Baltimore.Creative Problem Solving Through Dance (00:03:12) Sydnie explains how SLM Dances engages communities to address issues through movement and art.Feeling Human Through Dance (00:05:49) Sydnie discusses the emotional and connective power of dance in fostering humanity and dialogue.Founding SLM Dances (00:09:24) Sydnie narrates her journey in establishing SLM Dances and the impact of her early dance experiences.Social Issues Addressed Through Dance (00:11:54) Sydnie elaborates on how her projects focus on social issues, particularly gender-based harassment.Thematic Focus of Recent Work (00:15:05) Sydnie shares insights on her latest project, "Purple," which explores sisterhood and social change.Importance of Continuous Learning (00:19:11) Sydnie emphasizes the necessity of learning and cultural engagement to enrich creativity and artistic expression.Recognition and Visibility (00:31:37) The significance of being acknowledged by peers and its potential benefits.Advice for Aspiring Artists (00:35:08) She encourages aspiring artists to take time, prioritize self-care, and start creating.Key Takeaways:1. Early Exposure to Art: Growing up in an artistic environment can significantly shape one's creative journey and passions.2. Community Engagement: Art can be a powerful tool for fostering dialogue and inspiring social change within communities.3. Phases of Creativity: Structuring the creative process into distinct phases, including rest, is crucial for sustaining creativity and preventing burnout.4. Self-Reflection: Regularly reflecting on one's work and seeking feedback ensures alignment with artistic goals and promotes continuous improvement.Website and Socials:www.sydnielmosley.comX: @slmdancesInstagram: slmdancesFacebook: Sydnie L. Mosley DancesLinkedIn: Sydnie L. MosleyIf you enjoyed this episode with the amazing Sydnie L. Mosley, please take a moment to visit and support her work by checking out her website and following her on social media. Your support means the world! Also, don't forget to rate and review this episode—it really helps us reach more listeners. And if you love what we're doing, consider supporting us on Patreon. Your contributions help keep this podcast going strong. Thank you! This program is supported in part by a grant from the Robert W. Deutsch Foundation.If you have a story about art, culture, or community in Baltimore, share it with us at rob@thetruthinthisart.com for a chance to be featured on "The Truth In This Art" podcast. This is a unique opportunity to contribute to the arts and culture podcast scene and showcase your insights on "The Truth In This Art" with Rob Lee.Follow The Truth In This Art on Twitter, Threads, IG, and Facebook @truthinthisart Original music by Daniel Alexis Music with additional music from Chipzard.Episode illustration by Alley Kid Art.About "The Truth In This Art"Hosted by Rob Lee, "The Truth In This Art" podcast dives into the heart of creativity and its influence on the community. This arts and culture podcast from Baltimore highlights artists discussing their ideas, sharing insights, and telling impactful stories. Through these artist interviews, listeners gain a deeper understanding of the creative economy and artistic life in Baltimore. Support the show:Merch from Redbubble | Make a Donation  ★ Support this podcast ★

This episode of HIV unmuted introduces a new host and format for the award-winning IAS podcast. Our host, Juan Michael Porter II, the Senior Editor for TheBody/TheBodyPro, takes a deep dive with a single guest in an intimate conversation that gives the listener a glimpse of the guest – who they are and how they got into this work – and an understanding of their topic of expertise.   This new format opens with Sharon Lewin, the IAS President and AIDS 2024 International Co-Chair, walking us through the latest HIV science released at AIDS 2024, the 25th International AIDS Conference, and what it means for the HIV response. This episode delves into a broad range of exciting science, from long-acting injectables to new research on doxycycline prophylaxis to advances in cure research, including inspiration from the “next Berlin Patient”.  Through the lens of her personal story, Sharon walks us through the context and challenges of the HIV response, such as changing global health priorities and reduced funding for HIV. Astounding progress has been made in the HIV response. Yet, we are still missing critical targets. Sharon makes it clear that if we are to envision the end of the HIV pandemic, we must address persisting inequalities that remain in the HIV response: we must put people first. Meet our guest Sharon LewinThe IAS President and AIDS 2024 International Co-Chair, Sharon Lewin, is an infectious diseases physician and basic scientist and has worked in HIV-related clinical medicine and research for over 25 years. She is Director of the Peter Doherty Institute for Infection and Immunity, a joint venture of the University of Melbourne and Royal Melbourne Hospital in Melbourne, Australia. The Doherty Institute has over 850 staff working on infection and immunity through research, education and public health, and has a significant focus on virology, including HIV. She is an active clinician, working at the Alfred Hospital and Royal Melbourne Hospital, and a Melbourne Laureate Professor of Medicine at the University of Melbourne.    Meet our host Juan Michael Porter II Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reportage combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine.  

Sarah-Gabrielle Ryan is from Philadelphia, Pennsylvania where she studied on scholarship at the Rock School for Dance Education, Metropolitan Ballet Academy, and the School of Pennsylvania Ballet. Sarah-Gabrielle joined Pennsylvania Ballet II (now Philadelphia Ballet II) in 2014 before joining Pacific Northwest Ballet in 2016, where she is currently a principal dancer. She is a two-time Princess Grace Award nominee, was named Dance Magazine's On the Rise in 2018, and was the cover of Pointe Magazine in 2021. In addition to performing, Sarah-Gabrielle has taught around the nation and has choreographed work for Pacific Northwest Ballet's NEXT STEP, Gonzaga University Department of Theatre and Dance, and most recently for Pacific Northwest Ballet in celebration of Latino Heritage Month. Sarah-Gabrielle holds a certificate for Management of Successful Arts and Cultural Organizations from the DeVos Institute of Arts Management, has served as Vice-Chair of Community Engagement for Moulin/Belle Arts Residency, and is co-artistic director of Green Bay Ballet Festival. Follow and connect with Sarah on Instagram: https://www.instagram.com/xosarahryan/ Watch this episode on Youtube: https://youtu.be/1ei1fahVtIA To learn more about my mindset coaching and speaking services, visit kirstenkemp.com To stay up to date on the latest announcements and blog posts at The Confident Dancer, sign up to be a part of my email newsletter community here: http://eepurl.com/gDmjtz To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer __________________________________________________ WORK WITH ME 1:1! THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to help you do the inner work to step into a new level of confidence, well-being, and preparedness to accomplish your career goals. Perfect for pre-professional, professional, or recreational dancers wanting to master the mental side of optimum performance, so you can overcome the mental blocks that have been holding you back and confidently dance to your fullest potential! Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer __________________________________________________ SPEAKING & WORKSHOPS: I offer mindset seminars to equip dancers with the inspiration and practical tools to thrive in their well-being and ability to perform their personal best. These 60-90 minute seminars can be a valuable addition to the holistic support and education of your dancers at your next intensive, year-round program, or professional development opportunity for your company dancers. Learn more and inquire here: https://kirstenkemp.com/speaking-and-workshops#speaking-and-workshops __________________________________________________ ONLINE COURSES: My online course offerings are a wonderful way to learn the practical steps to retraining your mind so you can thrive and excel in your dancing, all at your own pace and for a more affordable price than individual coaching. Whether your goal is to break through fear and nervousness so you can show up confidently in your auditions or you want to release the self-criticism or self-doubt that's been draining all the joy out of dancing lately, The Confident Dancer Course and rotating mini-courses available are designed to help you do just that. Learn more and enroll here: https://kirstenkemp.com/online-course-offerings _________________________________________________ DOWNLOAD MY FREE PDF GUIDE on "How To Find Your Unique Strengths as a Dancer": https://mailchi.mp/7e51450a0a3e/findyourstrengths DOWNLOAD MY FREE PDF GUIDE on "How to Break Through the Feeling of Not Being Good Enough": https://tinyurl.com/redefining-good-enough

The Swans of Harlem: Five Black Ballerinas, Fifty Years of Sisterhood, and the Reclamation of Their Groundbreaking History   By:  Karen ValbyThe forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now.At the height of the Civil Rights movement, Lydia Abarça was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star, cast in The Wiz  and on Broadway with Bob Fosse. She performed in some of ballet's most iconic works with her closest friends—founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton—for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond.Some forty years later, when Lydia's granddaughter wanted to show her own ballet class evidence of her grandmother's success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves.Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, The Swans of Harlem  is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long. During Covid, five ballerinas met weekly on Zoom and formed the 152nd Street Black Ballet Legacy Council. Karen Valby joined them and wrote their story “Karen Valby's The Swans of Harlem brings to life the stories of Black dancers whose contributions to the world of ballet were silenced, marginalized, and otherwise erased. Karen introduces readers to important figures of our past, while inspiring us to courageously chase our dreams.”Misty Copeland“These five original Dance Theatre of Harlem ballerinas fell in love with an art form that most of America believed was white and should remain so. Upon Arthur Mitchell's founding of an all-Black company in 1969, they eagerly took their places at the barre and challenged themselves to the utmost. They triumphed. They showed that Blacks could not only excel at classical ballet but could also shape the art in their own vibrant image. Karen Valby weaves their stories together as a choreographer would: the women form an ensemble, yet each gets her own riveting solo. It's thrilling to watch as they join forces at last and claim their unique place in American ballet's past, present and future.”—Margo Jefferson152nd Street Black Ballet Legacy FoundationThe 152nd St. Black Ballet Legacy is an independent non-profit organization created by five trailblazing Black ballerinas.  Their professional careers began at the founding of Dance Theatre of Harlem, where their sisterhood was born.  They have enjoyed and nurtured their sisterhood for over 50 years and continue to thrive for the sake of preserving our their rich history.Lydia Abarca Mitchell is a founding member of the Dance Theatre of Harlem and their first prima ballerina. She danced leading roles in George Balanchine's Agon, Bugaku, Concerto Barocco, Allegro Brillante, Tchaikovsky Pas de Deux, and Swan Lake, Jerome Robbins' Afternoon of a Faun, Ruth Page's Carmen and Jose, William Dollar's Le Combat, and Arthur Mitchell's Ode to Otis, Holberg Suite, and Biosfera. She was featured on the cover of DanceMagazine, in the movie The Wiz, and on Broadway in Bob Fosse's Dancin'.  It was a stunning career on the world stage.Karen Valby Author of Welcome to Utopia, and contributor to The New York Times; O, The Oprah Magazine; Glamour; Fast Company; and Entertainment WeeklyDance Theater of HarlemThe Dance Theater of Harlem was founded in 1969, during the Civil Rights movement by Arthur Mitchell and Karel Shook.Harlem School of the ArtsElizabeth Howard, Producer and Host of the Short Fuse Podcast Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in European Communications, Investor Relations, Law Firm Marketing & Profit Report, Communication World, The Strategist, and the New York Law Journal, among others.  Her books include Queen Anne's Lace and Wild Blackberry Pie, (Thornwillow Press, 2011), A Day with Bonefish Joe (David Godine, 2015) and Ned O'Gorman:  A Glance Back (Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram     

Mark Yonally is the founder and Artistic Director of Chicago Tap Theatre, one of the most critically well-regarded dance companies in Chicago. They perform an annual three-show season in Chicago and tour both throughout America and Europe. Their performances have been chosen as the Top Ten Dance events of the year by the Chicago Tribune, the Chicago Sun-Times, SeeChicagoDance and Windy City Media. Their 2016 Time Travel Story Shoe, “TimeSteps” was selected as the Best New Production of 2016 by the Dance Magazine Reader's Poll. Mark has developed a national and international reputation as a performer, with solo performances in Chicago, Helsinki, Barcelona, New York, Amsterdam and Paris. He has been blessed to have Sam Weber, Sarah Petronio, Dianne Walker, Bill Evans and Billy Siegenfeld as mentors. Mark has also recorded with live musicians, including an appearance with the Polyphonic Spree on their song “Mental Cabaret” and on stage with them at Lollapalooza. ​ Mark is a noted educator and has taught at festivals throughout the U.S. and has served on the faculty at Oklahoma City University and Hope College. He is sought after for his multidisciplinary approach to tap teaching, which includes history, basic music theory and an emphasis on jazz music, and has taught in France, Germany, Switzerland, Spain and the United States. Mark is also a published author, with pieces appearing in Dance Spirit, Dance Teacher and Dance Magazine.   https://chicagotaptheatre.com/

I couldn't have asked for a better kick off this season on Fit As A Fiddle! I chatted with 2 of my dear colleagues and friends Leigh Welsh and Alicia Ferriere. What we have in common is that we are all Pelvic Floor Physical Therapists New York City, we are all business owners, and we all gave birth in 2023 to our first child! On this show, we talk about all things motherhood from our perspective having treated pregnancy and postpartum for years. With our combined over 22 years of experience as pelvic PTs, we share some things we would love for you to know!A bit on Leigh Welsh:Leigh is an orthopedic and pelvic health physical therapist, and she started her practice, Evexia Physical Therapy, in 2020. She does home visits, primarily seeing pregnant and postpartum people, and she also loves helping patients who are struggling with painful sex, bladder concerns, and prolapse. Leigh is also the Clinical Virtual Care Lead at Origin Physical Therapy. Origin's mission to make pelvic health PT accessible and the standard of care for those that need it. Origin provides PT virtually in almost every state, as well as in person at a growing number of clinics throughout the country. Leigh is passionate about helping women of all ages learn about their bodies and feel in control of their physical well-being.A bit on Alicia Ferriere:Alicia is an orthopedic and pelvic health physical therapist and received her Doctor of Physical Therapy degree from Columbia University. Growing up with a background in dance led her to seek a career in movement and physical medicine. She seeks to treat the body and person as a whole, and prioritizes building relationships to develop a unique plan of care for each patient. She seeks to educate patients on how to stay physically healthy so they can achieve their personal goals. Alicia is certified by the Postural Restoration Institute, which seeks to understand the primary factors of postural adaptations, patterns, and kinematic movement dysfunction. She is also recognized as a Fellow of Applied Functional Science through the Gray Institute. Alicia has been featured in fitness magazines such as Women's Health Magazine, Dance Magazine and the Daily Burn.

Adriana Pierce is a dancer, choreographer, and director based in New York City, and she joined the studio to talk about her work elevating queer artists in ballet, creating community, and her career in classical ballet as well as musical theater!  Adriana is the founder of Queer the Ballet, an initiative with the mission to widen the scope of classical ballet by producing queer work by queer dance artists. Queer the Ballet says on its website that it seeks to “queer” our ballet spaces and explore choreography often absent from ballet stages. After training at School of American Ballet, Adriana began her dancing career with New York City Ballet and Miami City Ballet before realizing another dream of hers - working in Broadway, film and tv! She appeared in the 2018 Broadway revival of Carousel, in Steven Spielberg's 2021 West Side Story film, and in the 2019 limited series on FX, Fosse/Verdon.  She's currently the associate director and associate choreographer for Justin Peck's “Illinoise" on Broadway. Adriana's other choreographic work features movement and partnering that allows dancers of all genders equal agency, dismantling the traditional gender dynamics of dance. Her choreography has been performed by American Ballet Theatre, Carolina Ballet, Columbia Ballet Collaborative, Ashley Bouder Project, and more. She's also completed residencies with Center for Ballet and the Arts at NYU and Bridge Street Theatre, and she was recognized by Dance Magazine as one of 25 to watch in 2022. Follow Adriana on Instagram: @adriprc Follow Queer the Ballet on Instagram: @queertheballet Check out Adriana's work: www.adrianapierce.com Support Queer the Ballet: www.queertheballet.com/donate Get tickets to Queer the Ballet's upcoming performance, Dream of a Common Language: https://ci.ovationtix.com/36678/production/1194112?performanceId=11435956 Get tickets for Illinoise: https://illinoiseonstage.com/tickets/ Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/ @eblosfield | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

Daniel and Garet are joined by psychotherapist Brian Spitulnik to explore the complex interplay between identity, sex, and the influence of porn in the LGBTQ community. Brian, known for his authentic and relatable advice on Instagram and TikTok, shares his expertise on how being gay can shape personal choices and relationships. Together, they dive into the core issues of shame, the importance of chosen families, and the challenges of forming authentic connections in a digital age. Key Topics Discussed:Common Challenges Faced by Gay Men: The pervasive sense of shame and its specific manifestations. How shame influences behaviors like addiction, body dysmorphia, and relationship dynamics.The Role of Chosen Families: Importance of finding true and honest relationships within the LGBTQ community. Brian's perspective on the adolescent phase gay men go through upon coming out.Navigating Romantic and Platonic Relationships: The complexities of building intimate and platonic relationships in the gay community. Balancing personal identity with societal and community expectations.Impact of Porn on Real-Life Intimacy: Discussion on how porn consumption affects emotional engagement in real-life relationships. Strategies to find a healthy balance between porn and personal connections.Listener Questions (Only Whispers Segment): Addressing Rex from Sydney's concern about balancing porn with real-life intimacy. Advice for Thomas from Boston on finding dates outside of dating apps.Practical Tips for Building Authentic Connections: Checking the facts to avoid miscommunication. Reflective listening to ensure understanding and clarity. Evaluating personal feelings towards others to foster genuine connections. Notable Quotes:"True love is holding another's spiritual evolution as equal to your own." – bell hooks"Everything changes. Nothing remains the same. To think that you're always going to want the same thing is not being in reality." – Brian Spitulnik About Brian:Brian Spitulnik, LMSW, is a psychotherapist in private practice and co-founder of Artists Reimagining Therapy & Systems (A.R.T.S.), a fully-funded program offering free group and individual therapy to artists and arts workers. Brian is committed to working with his clients to come fully into relationship with their environment and themselves while providing practical tools for behavioral change and emotional growth. Ongoing professional development and advanced training experiences are a critical component of Brian's practice, ensuring a transformative impact on the individuals and communities he serves. Brian has earned degrees from The University of Michigan, Columbia University, and The Silberman School of Social Work at Hunter College. Before becoming a mental health practitioner, Brian performed on Broadway for over 15 years, wrote for Global Citizen, The Daily Beast, McSweeney's, and Dance Magazine, and co-founded 85th Street Productions. Brian's Links:https://www.instagram.com/spitulnik/https://www.tiktok.com/@spitulnikhttps://www.brianspitulnik.com ___LINKS:Follow us on Instagram, TikTok and X.Join the Gayborhood free newsletter or paid membership for bonus episode content.Read more about every episode on our website.___SUBSCRIBE & REVIEW:Modern Gays is published every week. If you love the show and can support us, please subscribe and write a review wherever you get your podcasts! Thanks for listening! xx Daniel and Garet

Episode Summary: Anastasia Miller Burns offers a captivating narrative of her journey through the dance industry trenches. From her humble beginnings in studio competitions to her tenure as a talent agent and publisher, she shares invaluable insights into the multifaceted world of dance careers. The episode kicks off with Anastasia delving into the nuances of dance industry career development, providing a roadmap for aspiring dancers looking to make their mark. Drawing from her wealth of experience, she emphasizes the importance of professionalism and business acumen in navigating the competitive landscape. As the conversation unfolds, she reflects on her transition from dancer to executive, shedding light on her role as Vice President of Inside Dance magazine. From pitching stories to fostering face-to-face connections, she unveils the intricacies of magazine publishing and the digital transformation reshaping the industry. The episode wraps up with a focus on career paths in dance, with insights on opportunities between LA and New York. From internship opportunities to the qualities sought in clients and employees, Anastasia leaves listeners inspired and empowered to pursue their passions in the dynamic world of dance. Show Notes: 00:03 - Dance industry career development with insights from professionals. 01:59 - Dance career journey from studio to talent agent to magazine publisher. 05:20 - Professionalism and business skills for dancers. 08:26 - Professionalism, marketing assets, and work life as a dance industry executive. 14:37 - Building a career in the dance industry through networking and reputation. 17:33 - How to pitch stories and feature dancers in a magazine. 21:23 - Dance career development, networking, and skill-building. 28:47 - Magazine's digital transformation and international expansion. 31:58 - The fast-paced and unpredictable nature of the entertainment industry. 34:55 - Trusting oneself and continuing education in the dance industry. 43:16 - Career paths in commercial dance between LA and New York, with insights on opportunities and skills required. 46:39 - Qualities sought in clients and employees, including professionalism, passion, and creativity. 49:11 - Internship opportunities in the dance industry with a focus on hands-on training and industry insights. Biography: Anastasia is a former graduate and dance team captain from The Ohio State University. After graduation, Anastasia moved to Los Angeles and became a talent agent booking choreographers, dancers, actors, athletes, and models in feature films, television, commercials, music videos, Broadway productions, and world artist tours. She was a senior agent and department director at BLOC Talent Agency LA, BLOC NYC and Clear Talent Group NYC. For the past decade, she has joined the team at Inside Publications in Atlanta, GA as Executive Vice President and Co-Publisher of the all-access dance magazine, INSIDE DANCE.  Anastasia has been a keynote speaker at multiple talent/teacher conventions across the US and internationally. She's had the honor of judging and directing for multiple talent and dance events over the past 20 years. Starting in 2010 she became part of the USASF & IASF Dance World Championships Dance Director team where she took on the role of Jazz Director overseeing the genre's judges for jazz divisions, and as of 2013 until present, is one of the Hip Hop Directors for hip hop divisions at the Dance World Championships. Working closely with industry professionals through the pages and media outlets of INSIDE DANCE has brought all of the years of her dance and talent business experience full circle! Connect on Social Media: https://www.instagram.com/anastasiamillerburns https://www.facebook.com/anastasia.miller.16

In this membership drive mini-series, we run through some of can't miss things to see and do this summer. Today, Marina Harss, a dance writer in New York who contributes to The New Yorker, The New York Times, The New York Review of Books, Dance Magazine, and other publications and is the author of The Boy from Kyiv—Alexei Ratmansky's Life in Ballet (Farrar Straus and Giroux, 2023), shares some dance performances -- and open-air dance parties.

Welcome to Episode 172 of Pelo Buddy TV, an unofficial Peloton podcast & Peloton news show. This week we cover the following topics: Christian Vande Velde is back at Peloton teaching classes again. There will be no live classes from April 15 – 22, as both studios are closed. Members no longer need to log in an hour before noon to try to book studio classes. Cody Rigsby is now a lululemon ambassador. Emma Lovewell has teased she will be teaching some prenatal core classes. A new featured artist series with Aerosmith took place this week. Assal Arian has an English language (non-stretching) class available on Peloton now. Cliff Dwenger has a new “Gloriously Gospel” class series featuring a choir during class. Peloton highlights classes from Jon Hosking, Ross Rayburn, Jenn Sherman, Mariana Fernandez & Denis Morton this week. Peloton is hosting another group run in London for members. A small spring collection of Peloton apparel was released this week. Peloton purged another single day's worth of classes this week. Matt Wilpers was interviewed about the Boston marathon. Jeffrey McEachern was featured in Times Square. The Brain Aneurysm Foundation had a webinar with Adrian Williams. Aditi Shah will be off the schedule for a little while for vacation. Sam Yo was interviewed in Men's Health Australia. Peloton was nominated for two Webby awards. Marcel Dinkins was interviewed in Memphis. Mariana Fernandez was interviewed in NYC. Hannah Corbin talked to Dance Magazine about trying out for Broadway shows again. Jess King will have a DJ set at NYC pride weekend. Tobias Heinze gives half marathon tips. Erik Jager talked about running his first half marathon. John & Amanda share their, and the community's, class picks of the week. Enjoy the show? Become a Pelo Buddy TV Supporter!  Find details here: https://www.pelobuddy.com/membership-account/membership-levels/ You can find links to full articles on each of these topics from the episode page here: https://www.pelobuddy.com/pelo-buddy-tv-episode-172/ The show is also available via YouTube: https://www.youtube.com/c/PeloBuddy This episode is hosted by John Prewitt (#Kenny_Bania) and Amanda Segal (#Seglo3).

“Dance Talk” ® with Joanne and special guest, Betti Franceschi.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with a very Special Guest, 90 year old Betti Franceschi. She is an artist, painter, sculptor, and now new author.  Betti joins me on her very first podcast interview where we talk about her lifelong love of ballet, dance, and art.  A life-long stutterer, Betti talks about her constant search for grace in all things she does.  She candidly shares that stuttering is seen as a lack of grace, but let me assure you- this beautiful lady is FILLED with grace and exudes it! Listen in as we laugh and share stories and learn about her new photography book that embodies the longevity of the elder dancer titled, Ageless Dancers. You are going to want to get this book and if you're like me, you are going to want to listen to this inspirational and light-filled lady over-and-over again! Betti Franceschi is an artist who has done a double major in school and in life: fine art and ballet. Born in 1934 and raised in Cleveland, Ohio, she studied ballet with Marguerite de Anguera at Indiana University, Bloomington, fine art with Roger Anliker at Carnegie Tech (now Carnegie Mellon), and art history with Rosalind Krauss at Hunter College. Her Still Point drawings—vertical-hatched, tightly realistic nude close-ups of dancers' centers—were published in London as a book (The Still Point, 1987) designed by Simon Rendall, which won six nominations to the National Trust Show in London and Frankfurt, and were exhibited at Sadlers Wells in London, the National Museum of Dance in Saratoga Springs, New York, and the Philharmonic Center in Naples, Florida, among other venues. Her explosive, almost abstract, zen-calligraphic Signature Drawings (1983–1986) of dancers in motion, have been exhibited in several venues, including the New York State Theater, home of the New York City Ballet. Her early work was mostly portraits, then turned to focus on movement, with figure drawings and paintings, and later sculptures of dancers. In 2016 her interest in gesture brought her to photography for her Ageless Dancers project, a series of elegant, joyous portraits of dancers in the latter years of life. Her work has been reviewed in the London Evening Standard, The New York Times, the Saratogian, the New York City Ballet Playbill, and Dance Magazine. Franceschi lives in New York City. Follow on Instagram @brsfran19Learn More:https://www.bettifranceschi.com/ Purchase Betti's book:https://brilliant-editions.com/collections/new-arrivals/products/copy-of-refractions-2-ralph-gibson Join Betti April 18th in NYC for her book launch Jason McCoy Gallery41 East 57th StreetNew York, NY 10022 Thursday, April 18, 2024 - 5:00pm https://brilliant-editions.com/ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey Dates:Tickets:"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Is journalism dead? What is the most trusted form of media today? While there isn't a definitive answer, one company comes admirably close. Dance Media Publications is a multi-varied media platform that covers dance like no other and has been consistently delivering engaging content to the most dancers, dance professionals and dance lovers globally. Among its many satellite publications, the Dance Edit podcast stands out as a prominent voice for daily news and updates revolving around the world of dance. Margaret Fuhrer was formerly the Editor in Chief and Producer of the Dance Edit Podcast. A journalism graduate from NYU, her writing has been published on esteemed platforms such as The New York Times, The Huffington Post, and The Brooklyn Rail. Margaret has also worked on other Dance Media outlets such as the Dance Spirit, Pointe and the Dance Magazine, the latter in which she now devotes her work to as Features Editor. Best of all, she is the author of the book American Dance: The Complete Illustrated History, published in 2014. Kickstarting a brand new season and month of Dance Media, this episode uncovers the secrets of pursuing a career in journalism and ambition to work for the best media companies in the arts. Ready to discover the journalist within you? Join us as we foreground dance in the background!Margaret FuhrerDance MediaThe Dance Edit podcastThe Dance MagazineAmbiguity of modern day journalismPower of wordsSoundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkDouble Overhead - ItsWatREmbrace - ItsWatR Support the showLike our offers? Try Nord VPN Subscribe to the Dance Magazine Subscribe to Pointe Magazine Subscribe to Dance Teacher Magazine Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

What does it mean to be a leader in the arts? Have you ever dreamt of heading an international platform which boasts both historical and current prestige? As far as dance goes dance, very few are like The Jacob's Pillow. Established on a treasured 220-acre national landmark, it is one of the oldest running dance festivals and home to the USA's most influential dance icons, including the man who started it all, Ted Shawn.In 2016, Pamela Tatge was announced as the new Director of The Pillow after serving as the Director of the Center for the Arts at Wesleyan University, overseeing robust programming and acclaimed artistic initiatives for dance, music, theatre and the visual arts, including the Breaking Ground Dance Series. Pamela was named one of “The Most Influential People in Dance Today” by Dance Magazine in 2017 and is the recipient of the Association of Performing Arts Presenters' 2010 William Dawson Award for Programmatic Excellence and Sustained Achievement in Programming.Continuing a brand new season and month of Dance Management, this episode tells a story of leadership, helming the 2 in 1 director role and how to establish a working culture at a renowned cultural heritage center. Ready to discover the manager within you? Join us as we foreground dance in the background!Jacob's PillowPamela TatgePillow Lab ResidenciesThe FIREBe a leader, be presentWhen executives burnoutSoundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkGypsy Swing - Serge QuadradoRetro Hip Hop - Nver Avetyan Support the showLike what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Enjoying the Art, Expression, and Freedom of Dance with Julie Lemberger Welcome to the latest episode of the Movers and Shapers podcast, where today we're delighted to welcome our guest, Julie Lemberger. Julie is a multifaceted individual — she's had a life as a dancer, dance photographer, and educator. She has dedicated over 15 years to capturing the ephemeral beauty of concert dance. Her lens has encapsulated the essence of New York City's dance scene at the turn of the 21st century. Julie's stunning dance photography has graced the pages of prestigious publications like The New York Times, Dance Magazine, and numerous national and international journals and websites since 1993. Join the conversation to hear about what sparked her interest in dance, why she was initially turned off of modern dance, and how her ballet journey led her to places like The Netherlands, Germany, and New York.  We delve into her diverse dance ventures and then pivot to hear about her transition to Plan B: starting college. Julie shares the fascinating intersection of her worlds; photography and dance, and articulates the emotions she experiences when capturing dance through her camera. Don't miss out on this intriguing discussion! Tune in now to hear all this and much more. Thanks for listening!  Key Points From This Episode: ·       We discover how The Nutcracker sparked Julie's interest in dance. ·       Her thoughts on being more of an artist and enjoying ballet for the artistry of it.  ·       Why she decided to stick to the discipline of ballet while growing up. ·       Julie shares a turning point, and realization, in her dance career. ·       She delves into her time in Europe (The Netherlands, Germany, England). ·       We are transported forward, back to New York, and her other endeavors at the Graham School, Jacob's Pillow, and more.  ·       Her Plan B: starting college. ·       Why starting college was the saddest day of her life. ·       She recalls the time she got her first camera, at age 23. ·       When the two worlds collide: dance and photography. ·       What Julie enjoyed most about dance photography: her master's degree experience. ·       She expresses what taking photos of dance makes her feel.  ·       Julie highlights what she's excited about, and what gives her energy, these days. “I realized that having my photographs judged was so much easier than having my body and my dancing judged.” — Julie Lemberger A former dancer, Julie Lemberger photographs dance in New York City for 30 years, and whose work has appeared in the New York Times, Dance Magazine and many other journals, books and digital platforms. Check out her coloring book Modern Women: 21st Century Dance. More on this Episode: Movers & Shapers Follow Movers & Shapers: Instagram and Facebook

Poet and dance writer Karen Hildebrand hosts this episode focusing on how text and spoken word are used in dance. Included are examples from works by Liz Lerman, Joe Goode, and Carmen de Lavallade. Hildebrand is the former editorial director for Dance Magazine, and a past editor in chief of Dance Teacher magazine.

Gabrielle Sprauve is a freelance dance artist and model who danced for Ballet Hispánico and is a founding and ongoing member of PARA.MAR Dance Theatre. She's performed in renown venues and festivals around the world, and has been featured on PBS and CBS, at the Kennedy Center, and in publications such as the New York Times and Dance Magazine. In today's episode, Gabrielle describes her journey towards advocacy, what it takes to speak up for yourself and those around you, and what is required of a leader.  She also expresses what challenges she had to overcome in her training and professional life, the environment she creates for her own students, and what gifts can come from taking risks.  Follow along on Gabrielle's journey: @gabriellesprauve_ Transcript available on our ⁠⁠website⁠⁠! --- Support this podcast: https://podcasters.spotify.com/pod/show/storyproject/support

Sydney Skybetter sits down with artist Raja Feather Kelly to talk about his work in live performance. The two consider airport security and the end of the world, and Raja shares how his personal experiences and creative work shape one another. About Raja:  Choreographer/Director Raja Feather Kelly is the artistic director of dance-theatre-media company the feath3r theory (founded in 2009).  In 2018 the feath3r theory merged with New Brooklyn Theatre. Raja has been awarded a Creative Capital Award (2019), a National Dance Project Production Grant (2019), a Breakout Award from the Stage Directors and Choreographers Foundation (2018), Dance Magazine's inaugural Harkness Promise Award (2018), the Solange MacArthur Award for New Choreography (2016), and is a three-time Princess Grace Award winner (2017, 2018, 2019). He was born in Fort Hood, Texas and holds a B.A. in Dance and English from Connecticut College. Read the transcript, and find more resources in our archive: https://www.are.na/choreographicinterfaces/dwr-ep-10-code-switch-a-conversation-with-raja-feather-kelly Like, subscribe, and review here: https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152  The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org  Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.  

This week on the podcast is part two of our interview with  Dominic Moore-Dunson. He's an award-winning professional dancer, producer, teaching artist and speaker.  Dominic is the co-founder of Moore-Dunson Co., a holding company committed to producing companies and brands helping its clients unlock their stories. As an artist, he's in the 2023 Dance Magazine's “25 to Watch” list; a Top 40 finalist for the National Dance Project Grant; a 2019 Jacob's Pillow Choreography Fellow; and a 2019 Cleveland Arts Prize Winner. ​He unravels the unique challenges of running a nonprofit, the flexibility an LLC offers, and the dance between his roles as a performer and a creator.Artists and creatives often shy away from embracing entrepreneurship, a notion Dominic challenges head-on. Our conversation traverses through the evolving demands of the modern world that necessitates artists to take on entrepreneurial roles, often frowned upon by traditional mentors. We lay bare the fear of the 'hustle culture' and the risk of being branded a 'sellout', while emphasizing how an entrepreneurial approach can uplift the artistic community and build an engaged audience.Capping off this enlightening episode, Dominic shares his wisdom on preserving artistic integrity while creating marketable art. He divulges key insights into community engagement, resonating projects, and revenue streams beyond mere performances. Listen in as Dominic candidly shares his journey towards embracing the entrepreneurial spirit, and underscores the importance of authenticity in art. A must-listen for any artist grappling to harmonize their creative vision with financial survival.https://www.volkweinsmusic.com/

Welcome back Jam Fam!  We couldn't be more excited to share with you this episode with the incredible talented, Dana Wilson!  You've seen her work everywhere and her style is one of kind.  When not choreographing, you can listen to Dana on her podcast "Words That Move Me".  Our conversation with Dana covered the choreographers guild, the importance of choreographers in the business and bringing Joy into dance!  Dana Wilson is a choreographer, performer, and movement coach who understands how to move real people.  Her work is undeniably bright, refined and classic, yet bizarre with a healthy dose of HAPPY.  Dana's feature in Dance Magazine declares her “Anything But A Backup Dancer”.  Her contribution as associate choreographer on the film In The Heights, her movement coaching for Baz Luhrmann's Elvis biopic, and her advocacy efforts as leadership of the Choreographers Guild all back that up.While working in TV, Film, and alongside pop industry megastars, Dana also makes up one third of the wildly original and imaginative group “The Seaweed Sisters”.  They celebrate humor, the unusual, and above all – play.Dana has been teaching for over 15 years and she is the master mind (and master mover) behind Apple Top 100 Performing Arts Podcast: “Words That Move Me”.  With her thoughtful and fresh voice, and a pension for moving people, Dana illuminates everything she crosses from the world's biggest stages to smallest cell phone screens.Enjoy this weeks episode with Dana Wilson!Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

This week on the podcast is part one of our interview with  Dominic Moore-Dunson. He's an award-winning professional dancer, producer, teaching artist and speaker.  Dominic is the co-founder of Moore-Dunson Co., a holding company committed to producing companies and brands helping its clients unlock their stories. As an artist, he's in the 2023 Dance Magazine's “25 to Watch” list; a Top 40 finalist for the National Dance Project Grant; a 2019 Jacob's Pillow Choreography Fellow; and a 2019 Cleveland Arts Prize Winner. ​From the soccer field to the dance floor, Dominic Moore-Dunson has an inspiring journey to share. With tap shoes he wore as a two-year-old, to being an award-winning professional dancer, Dominic's experiences speak of courage, commitment, and the will to follow one's passion. He takes us on an intimate journey through his life, detailing the arduous decision of choosing dance over soccer and the subsequent adaptation to the demanding lifestyle of a professional dancer.One pivotal story from Dominic's life involves a taxing experience that tested his limits and led to the realization of his potential. His life lessons extend beyond the dance floor, as he talks about the influence of his soccer coach, who helped shape his detailed-oriented and accountable work ethic. Dominic stresses the role of expectations and a thorough understanding of a project's nuances in his artistic success, offering a fresh perspective that applies to not just artists, but also entrepreneurs and professionals from various fields.The episode also delves into Dominic's creative process, as he shares the backstage experience of creating a podcast and a dance piece inspired by conversations around children's safety and police. He highlights how unexpected incidents can alter a project's focus and meaning, citing a specific incident in his community that shifted his work's focus. Dominic further unravels his strategies for meaningful collaborations, emphasizing the importance of understanding people to create larger, collective projects. This episode serves as a treasure trove of wisdom and practical advice for anyone looking to navigate their creative journey.

Today's episode features Dance Magazine's November cover star, Ephraim Sykes, who lights up Broadway stages and screens with his triple-threat talent. In this episode, Sykes reflects on staying grounded, feeding his hunger to learn, and the “no's” that led to his first “yes.”Follow Ephraim Sykes: IG: @ephsykes  For more on The Dance Edit:IG: @the.dance.edit https://thedanceedit.com/Visit/add to the Dance Media Events Calendar: dancemediacalendar.comGet the latest dance news direct by subscribing to our free newsletters. Find the ones that match your interests: dancemagazine.com/subscribeCredit: Music by Celestine Mannohttps://www.instagram.com/celestine.mp3/The Dance Edit is a Dance Media Publication

Gabrielle Lamb is a choreographer and 2020 Guggenheim Fellow, is based in NYC, where she directs Pigeonwing Dance, described by The New Yorker as “eccentric…playful…curious”. Her work has also been presented by the American Ballet Theatre Incubator, the New York Choreographic Institute, the MIT Museum, BalletX, the Juilliard School, the Royal Winnipeg Ballet, Ballet Collective, Whim W'HIM, Jacob's Pillow, and Dance on Camera at Lincoln Center. She has won fellowships and competitions at Hubbard Street Dance Chicago, Milwaukee Ballet, and the Banff Centre, as well as the S&R Foundation's Washington Award and a Princess Grace Award. A native of Savannah, GA, she trained at the Boston Ballet School and was a longtime soloist at Les Grands Ballets Canadiens, later performing with Morphoses/The Wheeldon Company and Pontus Lidberg Dance in NYC. She has been lauded by DANCE Magazine as “a dancer of stunning clarity who illuminates the smallest details—qualities she brings to the dances she makes, too." www.pigeonwingdance.com 

 In this episode, we are joined by Patrick Frenette, a dancer with the American Ballet Theater and one of the co-founders of the Boys Ballet Summer Intensive. Mr. Frenette shares his insights into the challenges and triumphs of boys who dare to dance through a candid conversation, heartfelt anecdotes, and valuable advice, shedding light on the transformative power of dance and the importance of breaking gender stereotypes in the ballet community.   Boys Ballet Summer Intensive: https://boysballetsummerintensive.com/ Patricke Frenette in Dance Magazine: https://pointemagazine.com/patrick-frenette-ballet/ Danseur Documentary: http://danseurmovie.com/

Chelsea and Kevin sit down with wellness coach and energy healing practitioner (among many other things), Kadeem Alston-Roman, to talk about what self-care can look like for artists and empaths when it comes to protecting our creative energy, how we can make sure we're taking care of ourselves, shedding our good girl/boy/person capes, and so very much more. If you've ever been known for being nice, but are ready instead to be known for being kind to yourself and others, this episode is for you.  More about Kadeem: Kadeem Alston-Roman is a meditation teacher, holistic wellness coach, energy healing practitioner, aromatherapist, hypnotherapist and inspirational speaker. He uses his gifts, skills and abilities to work with a variety of physical, mental, emotional and spiritual issues. He has worked with varying populations at Google, Yahoo, Verizon, Bloomberg, Audible, Mt. Sinai Hospital, New York Presbyterian Hospital, New York University, Brooklyn Friends School, Gibney Dance, The Actors Fund Arts Center, The World Policy Institute and others. His expertise has been featured in Forbes, Vogue, The Sunday Times, Martha Stewart Living, The Huffington Post, Dance Magazine, Medium, Heathline and other publications. He was the co-founder and co-director of Full Force Wellness & Dance Repertory, a dance organization that incorporated holistic wellness & clinical wellness into its classes and performances. Over ten years, Kadeem and his co-founder and co-director, Anginese Phillips, entertained and inspired audiences throughout New York City and the surrounding tri-state area. Kadeem was also the host of the podcast Upgrade Your Light and is the author of a cheeky book entitled, A Spiritual Guru Walked Into the House of a Cash Master…and the Rest Is History. For more information on all of Kadeem's works visit: www.Linktr.ee/KadeemOne Website: kadeemone.com Instagram: @kadeemone

The Dance Edit Podcast returns! As a publication of Dance Media, we're kicking off this season with Dance Magazine's October cover star, Hope Boykin. Beyond her legacy career dancing with Alvin Ailey, Hope continues to create, teach, motivate, and move beyond traditional scripts. Discover the three values Hope carries into any room, how she builds trust in a creation process, and what's in store for the many creative languages she speaks. Follow Hope Boykin: https://www.hopeboykindance.com/IG: @hbdance  For more on The Dance Edit:IG: @the.dance.edit https://thedanceedit.com/Visit/add to the Dance Media Events Calendar: dancemediacalendar.com/Get the latest dance news direct by subscribing to our free newsletters. Find the ones that match your interests: dancemagazine.com/subscribeCredit: Music by Celestine MannoThe Dance Edit is a Dance Media Publication

We were lucky to catch Emily Bufferd while she had a minute of downtime.  A sought after teacher, and a regular at BDC and Steps, we hope you enjoy our conversation with this amazing educator.“Emily Bufferd continues to impact the New York dance scene.” – Examiner.com Emily Bufferd is the Producer of The Young Choreographer's Festival, an annual NYC event presenting the most up-and-coming 18-25yr old choreographers, described by Dance Spirit Magazine as, ”The perfect way to get inspired.”. An Educator in NYC at Steps on Broadway, Broadway Dance Center, and Steps Youth Programs, she has taught at The Ailey Extension, Peridance, World Dance Movement in Switzerland, The University of Alabama, Jazz on Tap – Atlanta, The Eglevsky Ballet, First-Act/Paris, Dance Centre Orebro/Sweden, Aurora Dance School/Malaysia, Google Headquarters, 360 Dance Festival, Joffrey Ballet School, The Annual Teacher Workshop, and more. Emily has been featured by Dance Magazine, Dance Teacher, Dance Spirit, Dance Informa, Dance Mogul, Dance Studio Life, The Dance Podcast, the television show Inside NYC Dance, and has been a contributing writer for Discount Dance Supply's Blog, DanceLife, and Apolla Performance's Blog, The Muse. As the Choreographer for “Made to Dance in Burning Buildings' presented by The Public Theater at Joe's Pub, OnStageBlog.com, “The show was choreographed brilliantly...”. Emily's concert choreography (BEings) has been presented at Jazz at Lincoln Center, Joyce SoHo, Symphony Space, the 92nd St. Y, New York Moves, The Giving Tree Benefit Shows,The Elan Summer Dance Festival, and Boston Contemporary Dance Festival, among others. Described as, “technically superb and amazingly emotive.” -Examiner.com, and “a display of versatility...” -The DancEnthusiast. Her award winning work continues to be commissioned by dance companies and private studios around the country and abroad. Emily has served as a curator for Dumbo Dance Festival/Wave Rising Series/SoloDuo Festival (2010-2021), guest host for Hatch Presenting Series at The Works Studio, and is the former Co-Producer of APAP at Peridance. She was the Production Coordinator for Director Wes Veldink for Aimee G. Spring Line, and Assistant Choreographer to Pascal Rekoert for Berenik's Fashion Week presentation. Emily has performed at Teatro Galileo(Spain), Carnegie Hall, The Kravis Center, Lincoln Center, and was featured in the documentary ‘The 20Something Project', among others. www.EmilyBufferd.com. IG @ebufferd Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

The freelance life is no joke. It takes time, energy, and a drive that isn't for everyone. However, if you're able to stick it out, you could have a stellar career like Christine Flores.In this episode, I chat with my good friend and Freelance Queen of NYC, Christine Flores. We talk about the schedule of a freelancer, how we'll never like auditions, and the importance of listening to what you want to do and keeping an open mind.Christine Flores is originally from Toronto, Ontario and has been working with Pam Tanowitz since 2016. She graduated from New World School of the Arts (Miami) in 2015 with a BFA in Dance and received additional training at Springboard Danse Montreal, the Contemporary Program at Jacob's Pillow, and Cunningham Fellowship workshops. Named one of Dance Magazine's 2021 “25 to Watch”, Christine is currently based out of New York City and also performing with Company XIV, Danielle Russo Performance Project, Keigwin + Company, Dance Heginbotham, NVA & Guests, and Shinsa Collective.Connect with Christine!Instagram: @ChristineFl0resInterested in working with Brandon?  SIGN-UP for a FREE Coaching Consultation HEREBrandon helps pre-professional dancers find their voice as they navigate their careers and helps them stay accountable  when pursuing their goals.Through coaching, Brandon helps dancers define whats important for them and redefine what a successful life/career looks like.Learn more here: http://www.brandoncolemandance.com/career-coachingConnect with Brandon!Join his Email List: HEREInstagram: @itsBrandonColeman | @BreakingTheWallPodcastWebsite: www.BrandonColemanDance.com/BTWP

Poet and dance writer Karen Hildebrand hosts this two-part podcast, focusing on dramaturgy and dance. In this second part, Hildebrand explores how dramaturgs have worked with choreographers at the Pillow, focusing on works by Bebe Miller, Jane Comfort, and Rennie Harris. Hildebrand is the former editorial director for Dance Magazine, and a past editor in chief of Dance Teacher magazine.

Our headline roundup includes two mass shootings that have impacted the dance community, and a collection of leadership appointments and award announcements. As in-person shows and classes resume, dance organizations are cutting back on digital options—and disabled patrons are feeling that loss acutely.A transcript of this episode is available here: thedanceedit.com/transcript-episode-155Visit/add to the Dance Media Events Calendar: dancemediacalendar.comPodcast listeners can save $5 on a Dance Magazine subscription. Claim the offer here: dancemagazine.com/offerLinks referenced in/relevant to episode 155:-BBC coverage of sexual harassment allegations at Kalakshetra: bbc.com/news/world-asia-india-65237002-Pointe story on Youth America Grand Prix winners: pointemagazine.com/2023-yagp-winners-Dance Data Project's new Global Leadership Report: dancedataproject.com/wp-content/uploads/2023/04/Global-Leadership-Report-2023.pdf-Jakki Kalogridis' Dance Magazine essay on how COVID-prompted digital programming benefited the disabled dance community: dancemagazine.com/disability-dance-equity-New York Times article on the fallout of digital-option cutbacks in the performing arts: nytimes.com/2023/04/14/arts/disabled-people-streaming-performances.html

Our headline roundup includes Actors' Equity's new political action committee, Tyra Banks' exit from "Dancing with the Stars," and a Smash musical aiming for Broadway. Two recent articles consider how we're collecting bodily movement data—and how that data can and should be used.A transcript of this episode is available here: thedanceedit.com/transcript-episode-153Visit/add to the Dance Media Events Calendar: dancemediacalendar.comPodcast listeners can save $5 on a Dance Magazine subscription. Claim the offer here: dancemagazine.com/offerLinks referenced in/relevant to episode 153:-Dance Magazine piece on the International Association of Blacks in Dance receiving a National Medal of Arts: dancemagazine.com/national-medal-of-arts-2021-international-association-of-blacks-in-dance-Pointe story on Erik Bruhn Prize winners: pointemagazine.com/mackenzie-brown-daichi-ikarashi-win-2023-erik-bruhn-prize-The Conversation feature on the emerging field of kinesemiotics: theconversation.com/ballet-dancers-in-sensor-suits-new-research-explores-how-dance-is-used-as-a-form-of-communication-200870-Oregon ArtsWatch essay on how AI is mining our bodily creativity: orartswatch.org/ai-wants-your-art-do-you-have-a-say

Today's guest is Freddie Kimmel. He is a leading expert in the field of wellness technology and a highly sought-after consultant for companies such as AmpCoil and Lightpath LED. He is a certified Functional Health Coach, personal trainer, and gut health specialist, and has been featured in prestigious publications such as The Wall Street Journal, The New York Times, and Dance Magazine. With a wealth of knowledge and experience in the industry, he is also a proud survivor of metastatic cancer, Lyme, and toxic mold, which has given him a unique perspective on the power of the human spirit and how to live a healthier, happier life. As the host of the critically acclaimed podcast "The Beautifully Broken," Freddie empowers and educates listeners on the value of wellness technology, such as PEMF, Frequency, Pulsed Light, Supplements, Oxygen therapy, and more, to help people activate their body's natural healing mechanisms. He conducts interviews with experts in various fields of wellness and provides valuable and practical information on these topics, as well as tips, resources, testimonials from listeners. Before dedicating his life to wellness, Freddie was a talented performer, having toured across the country in Broadway productions of Phantom of the Opera, Billy Elliot, and the Broadway-bound Cagney the Musical. With a deep understanding of the healing power of music, he continues to use it as a driving force in the way he helps others.   Key Topics When it came to his suffering, were there moments when Freddie asked, “why me?" Freddie's powerful journey of beating cancer How the performing arts helped him battle cancer Theater became Freddie's "why" The value of Freddie's transferable skills learned from theater Pivoting into the health space How to find the right options for your own personal health Why Freddie is researching the lymphatic system Freddie's current projects   Connect with Freddie Freddie's Instagram Freddie's YouTube   Connect with CJ Finley: CJ's Instagram   CJ's YouTube THRIVEONLIFE Podcast Instagram THRIVEONLIFE Website  

Paul Rust and Michael Cassady are here, hot off their cheer in Dance Magazine and we have a lot to talk about including wholesome high school sassiness, the "mur book," Paul's sudden basement, ballet dancing, things our little kids do that we can't stand but can't admit not being able to stand, hot broccoli, anxiety dreams, revisiting fourth grade insults and more. We also did a round of Just Me Or Everyone. Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen   This episode is brought to you by: UPSIDE: Download the free Upside App and use promo code "alison" to get $5 or more cash back on your first purchase of $10 or more HELLO FRESH: http://hellofresh.com/bestfriend16 (use code bestfriend16 for 16 are meals and 3 free gifts) Buy Alison's Book: Tropical Attire Encouraged (and Other Phrases That Scare Me)  https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/