New Books in Dance

Our Strange Duet: Inspired by Andrew Lloyd Webber's Phantom of the Opera (Delacorte Press, 2026) is a reimagining of Andrew Lloyd Webber's Phantom of the Opera, spotlighting Christine Daaé as she rises to fame while torn between love, ambition, and the haunting secrets of the opera house from #1 New York Times bestselling author Erin A. Craig. This gorgeous hardcover edition of Our Strange Duet features stunning sprayed edges, custom character endpapers, a foil-stamped case, and a ribbon! She was never just the voice he shaped . . . A rising soprano with a gift she is only just learning to embrace, Christine Daaé has moved through the glittering world of the Opera Populaire longing to find her purpose. Instead, she finds herself caught between two men who refuse to let her slip quietly into the chorus. One is Raoul, her childhood friend turned devoted admirer, offering her a future filled with warmth, safety, and a love that feels like sunlight. The other is a mysterious masked figure who lurks beneath the Opera House: The Phantom. His brilliance, obsession, and dangerous devotion to nurturing Christine's talents ignites a dark and complicated passion in her heart. As Christine's star ascends, so does the tension between Raoul and the Phantom. She must decide who she is when the curtain falls—and what she's willing to risk for the life she wants. Set against the sweeping, romantic world of Andrew Lloyd Webber's Phantom of the Opera, Our Strange Duet allows Christine Daaé to take center stage to tell her own story: fierce, emotional, and unforgettable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike in Los Angeles and Film: A Cultural History of 20th-Century Hollywood (Bloomsbury, 2026). Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema—a form that centers marginalized voices and challenges the myth of Hollywood glamour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance. This lecture originally took place on July 23, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This is Dr. Swati Joshi's inaugural episode on the New Books Network. In this episode, she interviews Dr. Lucy Jeffery about her monograph, Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process (ibidem Press, 2021). She is also co-editor and author of Replaying Communism: Trauma and Nostalgia in European Cultural Production, published by CEU Press and AUP in 2026. She is co-founder of the Replaying Communism project, which received funding from the AHRC SWW-DTP (2023) and the Visegrad Fund (2024). Dr. Jeffery's published research is on Samuel Beckett, Harold Pinter, Ezra Pound, Ingeborg Bachmann, and Magda Szabó. Her monograph—Transdisciplinary Beckett: Visual Arts, Music, and the Creative Process—was published by Ibidem in 2021, and, in 2022, she co-edited a special issue for Green Letters, entitled ‘A New Poetics of Space'.  This episode weaves together Beckett's transdisciplinary creative process with Dr. Jeffery's journey of research, and cogitation over challenges to preserve integrity and creativity of the author's works in the wake of rapidly developing AI tools. Furthermore, the colour blue occupies an integral role in Dr. Jeffery's monograph, so this episode entails analytical segments on pigments used in Beckett's works beyond the black, white, and grey. Dr. Jeffery and I also briefly discuss our ongoing special issue, "A Writer's Palette: Colour in Late Modernist Literature," for Textual Practice. Colleagues interested in sharing their proposal until 12th December, can write to us on latemodernists@gmail.com, for more details. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Architecture and Choreography: Collaborations in Dance, Space and Time (Routledge, 2024) examines the field of archi-choreographic experiments: unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency. Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline's tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more than human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters. Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode, J. M. Tyree, the editor of Film Quarterly discusses a dossier of articles about David's Lynch's 2001 Mulholland Drive on its 25th anniversary with dossier editor Eileen G'Sell. Film Quarterly (FQ) is published four times a year by the University of California Press. For more information about the journal, including subscription and submission information, please visit FQ's website. If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press's Support Us page. Articles mentioned: “Uncanny Intimacies, Abject Desires,” by Eileen G'Sell (Film Quarterly 80 no. 1, Fall 2026) “The Radical Intimacy of Rot: Mulholland Drive's Queer Proliferations,” by Laura Westengard (Film Quarterly 80 no. 1, Fall 2026) “Sweet Dreams (Are Made of This): David Lynch, Simone de Beauvoir, and ‘Feeling Like a Feminist',” by Lori Jo Marso (Film Quarterly 80 no. 1, Fall 2026) “‘That's Not My Voice': Telephonic Logics and Paranoid Listening in Mulholland Drive,” by Temperance Aghamohammadi (Film Quarterly 80 no. 1, Fall 2026) “‘This Is the Girl': Mulholland Drive, Naomi Watts, and the Double Abjection of the Hollywood Starlet(s),” by Eileen G'Sell (Film Quarterly 80 no. 1, Fall 2026) A complete list of University of California Press journals is available at UC Press Journals. J. M. Tyree is the editor-in-chief of Film Quarterly and an associate professor in the Cinema Program at VCUarts. A Rabkin winner for arts journalism, Eileen G'Sell is a film critic and teaching professor at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Chapal Rani was one of India's most famous performers of jatra, Bengal's popular theater. Traditionally, all the roles, including female roles, were played by men—and Chapal Rani was perhaps the most prominent performer of women on the stage. He's also the subject of a new book from Sandip Roy, titled Chapal Rani, the Last Queen of Bengal. Roy, who joins us the show today, tells the story of Chapal Rani's life, from stardom to obscurity and later rediscovery; how Chapal Rani would transform himself every night onstage; and how jatra changes how we talk about gender and performance. Sandip Roy is a writer, columnist, and podcaster currently living in Kolkata. He is a columnist for Mint Lounge, The Hindu, and the host of the Sandip Roy Show on Indian Express. His work has appeared in The New York Times, BBC, The San Francisco Chronicle, NPR, Huffington Post, Conde Nast Traveller, among other publications. For over a decade, Roy was editor of Trikone, the world's oldest magazine on LGBTQ+ South Asian issues. He is the author of the novel Don't Let Him Know. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chapal Rani, the Last Queen of Bengal. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Bartered Bride, a comic opera by Bedrich Smetana, premiered in Prague on March 30, 1866. Its pastoral love story and setting in a rural Czech village eventually became an enduring symbol of Czech nationalism. In Visions of the Village: Ruralness, Identity, and Czech Opera (Oxford University Press, 2025), Christopher Campo-Bowen examines how a particular image of the rural village in a set of Czech operas written between 1866 and 1904 became a powerful signifier for Czech ethnoracial and nationalist identity. He follows this conception of Czech identity and its entanglement with opera through the political changes in the years when the Czech lands were ruled by the Austro-Hungarian Empire and the upheaval that followed when the Empire collapsed in 1918 and the First Czechoslovak Republic was founded. In addition to composers and their operas, Campo-Bowen investigates the output of critics, administrators, and other urban intellectuals to understand the impact of village operas on public discourse. By setting his analysis within a discussion of how race was understood in nineteenth-century Europe, Campo-Bowen shows that this seemingly straightforward nationalist discourse was shot through with racialized essentialism and ideas about gender that were connected with larger political realities. He ends the book with a discussion of the resonances of this nineteenth-century conception of Czech identity in the current Czech Republic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The early twenty-first century ushered in a period of change in Bolivia. The country welcomed its first Indigenous president, a new constitution, and a profusion of laws that recognized individual music and dance expressions as intangible cultural heritage. Using cultural heritage lawmaking as a window through which to view the de-centered workings of the Indigenous-focused Plurinational Bolivian State, Heritage Fever: Law and Cultural Politics in a Decolonizing State (Oxford University Press, 2025) by Dr. Michelle Bigenho and Dr. Henry Stobart unpacks the myriad motivations for heritage making in this this politically transformative moment. Heritage Fever reorients UNESCO-driven heritage debates towards a different set of questions—a pivot the authors call “heritage otherwise.” These inquiries focus on how citizens use law to frame expressive culture and engage their new state. Through grounded case studies, Bigenho and Stobart reveal how competing claims over cultural expressions stimulate aficionado research and produce an abundance of cultural activities. Managing these productive conflicts often involves strategic uses of scale within the country's new political autonomies, even as old-style nationalisms lurk beneath a plurinational sheen. One case study highlights imagined Indigenous autonomy as bolstered by decolonizing historiography that predates the Plurinational State by several decades. Privileging the stories told by those who championed or who were bureaucratically involved in the respective heritage-making campaigns, Heritage Fever's research draws from the authors' combined fieldwork in Bolivia over the last 30 years, recent multi-sited fieldwork conducted as a team, and ethnographic interviews conducted with Bolivians involved in heritage-making projects. Contributing to legal anthropology, critical heritage studies, ethnomusicology, and anthropology of the state, Heritage Fever looks beyond intellectual property frames, opens new perspectives on archival thinking, reflects on decolonizing practices in expertise and knowledge production, and uncovers the agency of mid-level citizens in a decolonizing state. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What happens when performance defies social and political boundaries? Performing Transgression: Crowds and Bodies in Heian Japan (Harvard University Press, 2026) offers a new cultural history of non-elite spectacle in Heian Japan (794–1185), uncovering how performances on the margins—boisterous dengaku music and dance, daring sangaku acrobatics, and the infectious lyrics of imayō songs—challenged and fascinated the aristocracy. Ashton Lazarus reveals how these unruly arts were documented by the very elites they unsettled, appearing in historical chronicles, diaries, prose, poetry, and illustrated scrolls. More than mere precursors to later forms like noh and kyōgen, these performances formed a dynamic cultural force with real political impact. By tracing their influence through literary studies, performance studies, and historiography, Lazarus rethinks the interplay between politics, class, and culture in Heian Japan. Performing Transgression illuminates how acts of defiance and creative expression resonate across time, offering fresh insights into the ways performance bridges the vanished past and the present. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade's Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall's Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today's guest, Krzysztof Rowiński, is the author of Failure Narratives Beyond Redemption: Twentieth Century Literature and Film (Routledge, 2026). This book focuses on the concept of non- redemptive failure, a type of failure that is not part of a larger narrative of success or narrative redemption, with attention to how the concept functions between literature, critical theory, and other fields. Examining literature and film from mid- twentieth- century Poland, Italy, and the United States, it traces productive effects of failure which cannot survive into the future, yet have an important, transformative impact in the moment in which they occur. The book engages with the work of John Williams, Pier Paolo Pasolini, and Bruno Jasieński, proposing a theory of failure at the intersection of literary study, performance theory, and political thought. In discussing these examples, the book examines the place of failure in the broader context of modern and contemporary US American, Italian, and Polish literary and cultural traditions. Because of its interdisciplinary potential, this study might appeal to readers in art history, philosophy, political theory, and other fields within the humanities and social sciences. Failure Narratives Beyond Redemption offers a framework that could not only spotlight the contribution of literary studies to the topic, in the form of narrative analysis but also become part of the theoretical apparatus for further research in these fields. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The premiere of Oklahoma! in 1943 is commonly called a “turning point” in the history of the Broadway musical. Often characterized as the first integrated musical―meaning that the songs and other elements of the show are integrated into the story―James O'Leary offers a different interpretation of Oklahoma! and other musicals at the beginning of Broadway's Golden Age in The Middlebrow Musical: Between Broadway and Opera in 1940s America (Oxford University Press, 2025). Contextualizing his discussion within debates among US critics, O'Leary argues that the negotiation between operatic and popular music, and between frothy comedy and more serious themes mark the musicals he analyzes as examples of the middlebrow. Through detailed archival work, O'Leary uncovers the crucial critical networks that originally theorized a middlebrow approach to culture, beginning in the literary circles of Van Wyck Brooks and Archibald MacLeish, and radiating outward to major theater and music critics including Brooks Atkinson and Olin Downes. These writers believed American culture had splintered into factions, which in turn divided American audiences: highbrow art, which they regarded as obscure and elitist; folk art, which they found provincial and alienating; and popular culture, which they considered merely commercial. Blending these kinds of art, they argued, could draw together a fractured society into mutual understanding (if not necessarily agreement) by situating the most sophisticated ideas within longstanding expressive traditions, accessible to all. O'Leary finds in Oklahoma!, Beggar's Holiday, and Street Scene a new kind of musical comedy that embraced American politics and weighty stories in ways not seen before 1943. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'? It invites students to examine how Shakespeare challenges this metaphor's vertical hierarchies in response to shifting understandings of cosmological order. Teachers will find rich contextual frameworks for exploring how Shakespeare envisions 'worlds' as emerging from dynamic variables, raising urgent questions about how identity and justice are environmentally constructed. Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello. Each discussion features student centered 'Explorations'. These play-specific classroom activities can also be adapted across Shakespeare's corpus and tailored for both secondary and university-level students. These exercises encourage non-linear critical and creative thinking, inviting students to contemplate big ideas and generate new perspectives about the shared points of contact between Shakespeare's world and their own. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss. The first known film to portray African American affection, it was lost for over a century until its rediscovery inspired contemporary audiences with a powerful and enduring depiction of Black love. More than a missing piece in an untold history of Black cinematic performance, Something Good—and the magnetism of Suttle and Brown—attests to the power of Black performance on stage and screen from the nineteenth century to today. In Acts of Love: Black Performance and the Kiss That Changed Film History (University of California Press, 2026), Allyson Nadia Field tells the story of Something Good and recovers the forgotten yet fascinating lives of its performers and their world. Drawing a vivid picture from sparse historical records, Acts of Love examines popular culture's negotiation of blackness to reconsider the intersections of minstrelsy, vaudeville, and cinema in ragtime America. This book not only presents the story of Something Good, its performers, and the drama of its rediscovery; it shows how the rediscovery of this short early film changes our understanding of American film history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Here in Episode 9 of Season 5, I interview Mr. Rob Long. A longtime Hollywood professional, he was a writer and producer for the classic sitcom Cheers as well as for over a dozen other shows. A National Review contributor and columnist for both Commentary and Washington Examiner magazine, he has authored two books, Conversations With My Agent (1998) and Set-Up, Joke, Set-Up, Joke (2005), and edited one, Bigly: Donald Trump in Verse (2017). As the co-founder of Ricochet, a media network, he hosts “Martini Shot,” a long-running, bite-size showbiz podcast, as well as cohosts “GLoP Culture.” Drawing on his two comic memoirs—alongside his religious studies as a Master of Divinity student at Princeton Theological Seminary—we discuss his life in Hollywood, religious journey, and current training to become an Episcopal priest. Along the way we dig into the nature of humor, the rise and fall of the TV sitcom, the lost formation of the writer's room, what it is like to be a Hollywood conservative, how technology like streaming and AI has changed show business, the strategy for the perfect sermon, and the spiritual calling of the creative arts. Among the shows that are discussed include the Dick Van Dyke Show, Mary Tyler Moore Show, and Andy Griffith Show, plus films like Twentieth Century, A Night at the Opera, The In-Laws, and Midnight Run; along with guest appearances by Michaelangelo's Pieta, Aristotle's Poetics, Moliere, P.G. Wodehouse, P.J. O'Rourke, plus the wit of Jesus of Nazareth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Faith, Family, and Flag: Branson Entertainment and the Idea of America (University of Chicago Press, 2025) examines the history of Branson, Missouri's entertainment industry within the context of America's culture wars. The book explores how Branson became a major center for live performance rooted in patriotism, Christianity, and family centered values, attracting millions of visitors each year. Professor Joanna Dee Das shows how Branson represents more than lighthearted entertainment. Through its music, shows, humor, and tourism industry, the city offers audiences a vision of the American Dream centered on the “three Fs” — faith, family, and flag. While supporters view these values as universal and deeply American, critics often associate them with modern political conservatism. The book explores how Branson became a powerful cultural and political symbol in debates about national identity, religion, class, entertainment, and American values. Key Ideas: The book explores how faith, patriotism, and family centered entertainment shaped Branson's popularity of more than just an entertainment town. Reflects how entertainment can reflect deeper cultural and political beliefs within society. Examines tensions between urban and rural America and how different groups viewed Branson. Critics sometimes viewed Branson as politically conservative, while supporters viewed it as authentic, nostalgic, patriotic, and values driven. The book highlights how entertainment, comedy, and audience experiences create emotional connection and community, much like social media culture today. One of the most interesting ideas from the discussion was that entertainment is never just entertainment. The music, performances, humor, patriotism, and storytelling found in places like Branson can reveal what people value, fear, believe, and hope for as a country. The conversation also highlighted how audiences often seek spaces where they feel emotionally connected, culturally understood, and spiritually grounded. Branson became one of those places for many Americans.  Joanna Dee Das is associate professor of performing arts at Washington University in St. Louis. She is the author of the award-winning book Katherine Dunham: Dance and the African Diaspora. Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Art-Science Undisciplined invites us into a collaborative journey grounded in mutual exploration and transformation. Moving beyond transactional exchanges of expertise, artist Janani Balasubramanian and astrophysicist Natalie Gosnell draw on their own experiences, as well as stories from other art-science collaborators, to offer an imaginative guide for developing a values-based and joyful undisciplined practice. This playbook offers practical and conceptual tools for co-creation that foster new, powerful alliances among artists, scientists, and their supporters. While attentive to the everyday reality of busy schedules and institutional demands, Balasubramanian and Gosnell illuminate strategies to change our current ways of working and dare us to imagine a more expansive future. The projects, potentials, and possibilities resulting from undisciplined creation will reshape not only the practitioners but their worlds altogether. Janani Balasubramanian is an artist, director, and founder based at Stanford University. Natalie Gosnell is an astrophysicist, artist, and Associate Professor of Physics at Colorado College. Caleb Zakarin is CEO and Publisher of New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Sh. An-ski (Shloyme-Zanvl Rappoport, 1863-1920) was a writer in Russian and Yiddish, a revolutionary, a wartime relief worker, and an ethnographer who studied the Jews of the Russian Empire. During his 1911-1914 expeditions to shtetls in Ukraine—he would report—he and his co-workers took 1000 photographs, recorded 1000 Yiddish songs and 1500 stories, and purchased 400 objects for a Jewish museum. The expedition also inspired An-ski to write his signature play, The Dybbuk. Although East European Jews used ethnographic tools to study themselves both before and after An-ski's expeditions, he retains an outsize status in the field of Yiddish ethnography, strongly tied to the success of his play. This talk explores the connections between An-ski's ethnographic work, his play, and the Russian politics of his era. This lecture originally took place on July 8, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

It is a compulsion of the human race to find a way to memorialize those we have lost and why we have lost them, from a gravestone of a loved one to war monuments that honor thousands who died in battle. In Audible Loss: New Music and the Crisis of Memory (Fordham UP, 2025), Andrea Zarafshon Moore examines how contemporary music has been used to memorialize three recent crises in the United States: the AIDS crisis, 9-11, and ongoing anti-Black violence. Moore reads these crises and the music that memorializes them to reveal the ways the are methodologically and ideologically similar to and different from each other. She explores the broader debates and discourses through which commemoration is always filtered and the ways interpretive consensus has been constructed and articulated in both musical and other memorial forms. Moore weaves close musical analysis with a wide-ranging discussion of how Americans memorialize, who Americans memorialize, and what memorials are meant to accomplish. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns (Routledge, 2026) by Dr. Shane Breaux examines musical variety clowns and the broad array of racial and ethnic impersonations they performed on four distinct touring circuits and apparatuses: the African American Theatre Owners Booking Association (TOBA), the Chinese American so-called Chop Suey Circuit, the Mexican and Mexican American carpas tours, and Country American barn dances. This book explores the overlooked history of touring clown performers in early twentieth-century musical variety shows, addressing both their historical marginalization and their significant impact on popular entertainment. By examining these performers' widespread presences both on and off stage, the work challenges traditional historical narratives that have excluded diverse voices, particularly women and non-white performers. The research corrects a common misconception that racial impersonation in musical variety was exclusively the domain of white male performers. Instead, it reveals how performers and managers from various backgrounds actively challenged prevailing ideas about American identity, whiteness, and cultural inclusion. Through this lens, the book demonstrates that musical comedy performance and management were not exclusively white privileges, but rather spaces where diverse artists contributed significantly to early twentieth-century entertainment culture and beyond. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Audiences and scholars alike have long remarked that Shakespeare's poems and plays record the pleasures and perils of the table. Shakespeare in the Kitchen (Routledge, 2026) by Dr. Marissa Nicosia asks what Shakespeare's works can tell us about Renaissance culinary recipes, and what these recipes can tell us about Shakespeare's works. Dr. Nicosia explores how Shakespeare's works reveal tensions not only within early modern food culture about who should eat, what to eat or serve guests, and when to preserve foods, but also how to undertake the embodied processes of cooking, baking, and serving. The chapters include both analysis of plays and poems, as well as updated historical recipes ready for cooking. Nicosia prepares the recipes that permeate the canon—from Falstaff's beloved capons to the cakes that invite festivity in Twelfth Night—demonstrating how the physical act of cooking can transform our understanding of once familiar texts, and asking what we can learn about food history by recreating historical recipes with twenty-first-century ingredients and tools. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of actual Black performers rather than white people in blackface, and that these spectacles aimed to build stories around the perception of Black experiences. Although these performances were sometimes flawed, and even overly prejudiced, they represented a significant form of Black American cultural development and expression. Since theatrical performances were rarely recorded, and many of the movies that featured all Black casts are now considered “lost films,” films for which no copy is known to survive, advertising posters often provide the only remaining evidence of the most important productions featuring Black performers between the 1870s and 1940s. These posters, and the historic innovations of playwrights, composers, directors, producers, and the Black performers behind them, are the subjects of the exhibition, Act Black: Posters From Black American Stage and Screen, curated by our guest for this episode, Assistant Curator of Collections at New York City's Poster House museum, Es-pranza Humphrey. Act Black: Posters from Black American Stage & Screen is on view at Poster House through September 6, 2026. Exhibition resources are also available via the Bloomberg Connects app until September 6, and at the Poster House online exhibition archive thereafter. Es-pranza's recommended reading list is available at the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Jes Battis' new book, It's Only Forever. Labyrinth (ECW Press, 2026) is a wild, intimate, and political deep dive into Jim Henson's 1986 classic starring David Bowie and its cast of lovable, gender-defying goblins. In the 40 years since Labyrinth's release, Jim Henson's cult classic starring a menagerie of goblin puppets, the conversation about it has only grown louder. Fans are still holding viewing parties and masquerade balls, and creating memes inspired by David Bowie's sardonic and sexy goblin king, numerous Etsy crafts, and even a Japanese video game. But what makes the film so enduring, beyond its technical mastery and clever script, is how it presents childhood as something dangerous, heroic, and even queer. It's Only Forever explores Labyrinth as an '80s time capsule that both reflects and challenges its era, offering its young audience an alternative to conservatism and soulless economics, at a time when U.S. president Ronald Reagan ignored the HIV/AIDS crisis, pushing queerness further into the shadows. As Sarah, played by a teenaged Jennifer Connelly, faces down the king and his destructive whims, she exclaims, “You have no power over me,” and in that moment she is everyone who has ever felt marginalized, who has instead turned to the goblins over social and political toxicity every single time. From the costuming to the twisting plot, this classic example of 1980s fantasy shows us that the magic and comfort of childhood never need to be discarded as we are forced to enter a world that may very well seek to destroy us. Instead, Labyrinth reveals a universal and beautiful truth: that our strength comes from what we have always known ourselves to be — beastly, loving, and wildly joyful. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Since the 1990s, a largely underground upwelling of trans creativity has helped new trans identities, communities, and political movements come together. In Trans Cinema: Making Communities, Identities, and Worlds (University of California Press, 2026), Dr. Laura Horak provides an entryway to the wildly diverse and creative cinema made by trans creators, including those who are Black, Indigenous, and people of color. Overlooked until now, this rich collection of media ranges in genre from romantic comedies to horror films and asks essential questions about how to be human and how to craft a livable life in a world on fire. Okay.Using the fundamentals of film studies, Horak reveals the innovative approaches taken by trans and gender-nonconforming artists to explore how we relate to other people, what it's like to have a body, and how we survive in an oppressive society. These filmmakers tackle the challenging paradox of representing trans lives when greater visibility is associated with ever-increasing levels of harm. In the process, they produce art that emphasizes trans survival and resilience and imagines a more expansive world for trans communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

S. An-ski's play The Dybbuk, a story of possession set in a shtetl (think The Exorcist meets Fiddler on the Roof), is the foundation of modern Jewish drama. This talk by scholar Gabriella Safran explores its roots: in Jewish folklore, the scandalous blood libel trial in Kiev in 1913, and the political passions of Russian-Jewish revolutionaries. In composing the play, An-ski was torn between two Jewish myths, each still modern: the tragic ambivalence of the dybbuk, a lost, wandering soul, and the technological triumphalism of the golem, a robot set in motion by practical kabbalah and capable of defending the Jews from every harm. This lecture originally took place on June 3, 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

How can an entirely foreign cast perform the American “The Shawshank Redemption” in the Chinese language across China? In this episode of the Nordic Asia podcast, Julie Yu-Wen Chen talks with Matti E. Lehtonen, a Finnish national who shares his journey from a decades-long career in engineering and business to a starring role in the first Chinese-language stage production of The Shawshank Redemption performed by an all-foreign cast. Directed by the legendary Zhang Guoli, this production marks a cultural milestone in Chinese theater. Matti discusses his portrayal of the librarian, a tragic figure who represents the “saddest role” in a story otherwise defined by hope. This episode dives into why Zhang Guoli insisted on foreign actors to avoid stereotypical and slightly fake portrayals of foreigners and how this choice may have helped the play navigate censorship. Matti also discusses the complexities of proactive self-censorship, securing government approvals for every city, and performing with a censor in the audience. Join us for a fascinating look at cross-cultural artistic collaboration and the evolving landscape of performance art in contemporary China. Julie Yu-Wen Chen is Professor of Chinese Studies and Asian studies coordinator at the Department of Cultures at the University of Helsinki (Finland). The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway). We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts