Podcast appearances and mentions of Larry L King

On Season 9, Episode 5 of Paid in Puke, we're getting friendly with Colin Higgins' ("9 to 5") 1982 musical, "The Best Little Whorehouse in Texas", based on the Broadway show by Larry L. King and Peter Masterson, which was in turn based on a real story published in Playboy! It stars Dolly Parton, Theresa Merritt, Dom DeLuise, Burt Reynolds, and a host of talented triple threats credited as "Chicken Ranch Girl".  There are, of course, some Hot Probs, but Dolly ain't one. Our National Treasure holds the floor, and even sneaks in her own song to round out the catchy soundtrack. Did you have a brain tumor for breakfast? You'll never guess which problematic film critic had some truly revealing criticisms about this film upon release (JK, it's always the same guy). Come on down and hang out with us as we sing the praises of the singular talent that is Dolly Parton.   

Journalist, playwright, and raconteur Larry L. King spent most of his life in Washington, DC, but the vivid language and distinctive characters of his home state of Texas never ceased to inspire him. Texas, he once said, "provided me with the stuff of a career," and his work endures as a vibrant chronicle of the state's politics, culture, and personalities.

This is an old episode that was put off for a few reasons. First things first, Larry King is not dead... but you know who is? Larry L. King (a playwright who died in December... should have read the article more closely). . So, sorry Larry King! Keep doing whatever you're doing! Also, we apologize for the abrupt ending, but we're still relatively new to the podcasting game.​

The panel - director Martin Charnin ("The Flowering Peach"), "Best Little Whorehouse Goes Public" playwright Larry L. King and director/co-writer Peter Masterson, choreographer Rob Marshall ("Kiss of the Spiderwoman"), director/writer Lonny Price ("Sally Marr and Her Escorts"), Second Stage Theatre dramaturg/literary manager Erin Sanders, director Robert Jess Roth ("Beauty and the Beast"), Ernest Schier director of the National Critics' Institute at the Eugene O'Neill Theatre Center, and Tazewell Thompson Artistic Director of the Syracuse Stage - talk about the different ways that writers collaborate, the role of a dramaturg, how choreography and directing can be intertwined, developing a production in workshops, and reimagining an animated film as a stage musical.

The panel -- Tony Award-winning director and lyricist Martin Charnin (for Annie), Best Little Whorehouse Goes Public playwright Larry L. King and director/co-writer Peter Masterson, choreographer Rob Marshall (Kiss of the Spiderwoman), director/writer Lonny Price (Sally Marr and Her Escorts), Second Stage Theatre dramaturg/literary manager Erin Sanders, director Robert Jess Roth (Beauty and the Beast), Ernest Schier director of the National Critics' Institute at the Eugene O'Neill Theatre Center, and Tazewell Thompson Artistic Director of the Syracuse Stage -- talk about the different ways that writers collaborate, the role of a dramaturg, how choreography and directing can be intertwined, developing a production in workshops, and reimagining an animated film as a stage musical.