Podcasts about Beauty and the Beast

Gomer lives! As does the deep dive into Aristotle's Poetics. This time, it's Beauty and the Beast. Enjoy! Thank you to Saint Kolbe Studios (https://saintkolbestudios.com/) for producing this episode of Catching Foxes!

This week on Toon'd In!, Jim Cummings welcomes the legendary and endlessly creative Don Hahn! As the producer behind some of Disney's most beloved classics — Beauty and the Beast, The Lion King, and The Hunchback of Notre Dame — Don has helped shape the very heart of modern animation, and now he's here to share the magic behind the magic.In this fascinating and inspiring episode, Don takes us inside the golden age of Disney Renaissance storytelling, offering a rare peek behind the curtain at how some of the most iconic films ever made came to life. From the challenges of pioneering new animation techniques to the emotional storytelling that made audiences around the world laugh, cry, and believe in fairy tales again — it's a masterclass in creativity and collaboration.Jim and Don dive deep into the art of storytelling, the evolution of animation, and the people and passion that bring timeless tales to the screen. With heartfelt memories, behind-the-scenes gems, and a few laughs along the way, this episode celebrates the magic that happens when imagination meets artistry.

 Mike has an intense encounter with a mysterious cosplayer. by AlexRaistov, Listen to the Podcast at Steamy Stories.  The con has been fairly packed this year. And now that they're getting some big name guests, like Doctor Who's Matt Smith and Alex Kingston are here. I think it's going to give Fan Expo Boston a run for its money. Hell, maybe even New York ComiCon. I think the fact that the convention center is connected to the hotel is a huge advantage.The contest was at 2pm this afternoon, so I wanted to head over and register early. Making my way through the crowds, I got stopped a couple of times to do the “Gaston Pose” with the Wolverine claws popped out. There was even a couple dressed as Beauty and the Beast, so we got a couple of pics together. I'll text them to you later. Needless to say I got there later than I expected, so I was second to last in line. But it was fine because while I was waiting my turn to go up on stage, I found myself chatting with a dude from New York who was up with his buddy for the weekend. The guy was dressed as mashup of Deadpool and Eleven from Stranger Things. It was hysterical: a full Deadpool costume but with a blonde wig and dress. We got to talking about the con and cosplaying and after a few minutes he said with a chuckle, “Dude, be careful. I think the local law enforcement is checking you out.” I gave him a strange look because I had no fucking clue what he was talking about. He motioned with his head and I turned around. So picture this: two girls, both in variations of the ‘Slave Leia' bikini from ‘Return of the Jedi.' One girl's costume was all white and she was wearing a Stormtrooper helmet. The other was in all black, wearing a Darth Vader mask and a flowing cape. And holy shit their bodies were fucking amazing. You know I've always been a boob man. Both girls were easily 32-34B and their brassieres were doing a wonderful job of highlighting their fantastic assets. Both of them had stunning hourglass figures. When ‘Madame Vader' turned and leaned in to say something to her Stormtrooper, it was pretty clear by the amount of skin she was showing, there was most likely nothing under the long black loincloth. I watched as the Stormtrooper nodded to something ‘Madame Vader' said. At this point I didn't know what else to call her. She then lifted her prop gun and started walking in our direction. “You're in for it now man,” said Eleven Deadpool. The sexy Stormtrooper came right up to me and pointed her weapon. “You. Rebel Scum,” she barked, “You're to come with me immediately.” I raised my eyebrow, my cigar jammed firmly in my teeth. I figured what the hell, if we were gonna do this, have fun with it. “Rebel scum?” I growled, “Sweetheart, do I look like rebel scum to you?” The trooper pressed the nozzle of her weapon into my chest. “Now.” I glanced over to Eleven Deadpool who shrugged, “Don't look at me man. I'm a mercenary, remember?” I leaned in towards the Stormtrooper and grunted, “You know, no one fights like Gaston. And with these claws I bet it would be an interesting fight. But okay, I'm game.” As I stepped away from the line, I heard my new friend shout, “Vaya Con Dios, my son! Go with God.” The Stormtrooper led me over to 'Madame Vader' who had her hands on her curvy hips. I also got a chance to admire her thigh-high black boots, laced up the front with buckles going up the sides. She had a black belt around her waist which hung a light saber hilt. As I got closer and saw a tan line on her exposed hip, I was convinced more than ever that she was wearing nothing underneath. 'Madame Vader' looked at me from head to toe. “Something I can do for you?” I said in my best Hugh Jackman voice. For a moment she stood there silently. I almost expected to hear the raspy Vader breathing. “You!” she said finally in a commanding but very sultry voice, “will follow me. There will be no questions. Is that understood?” So okay, you know I don't like games or bullshit or anything like that. But there was something about this situation…I'm just gonna say it: I got rock hard. I swore my dick was going to explode out of my pants. Again, I can practically hear you laughing. But we've always been pretty open about this kind of shit, so obviously I'm not going to stop now. Anyway, I rubbed my scruffy chin, (careful not to poke myself with my claws, and took the cigar out of my mouth. “You're Jedi mind tricks ain't working here, sister,” I snarled, “But I'll play along for now.” Without another word, she turned, her cloak sweeping behind her. I felt a poke in my back: the Stormtrooper was nudging me to start moving. I followed 'Madame Vader' around a large curtain that led to behind the stage. From there we walked to a set of doors that led to a maintenance corridor. Now I'm not going to lie, this was all starting to make me a little bit nervous. Sexy as these two were, I had no idea who they were, what they looked like under their helmets or what was really going on. I was just about to say enough is enough and head back into the main convention floor when we stopped in front of another door marked “storage.” 'Madame Vader' reached down with one of her gloved hands and pulled down on the handle, opening the door. “Inside,” she commanded. I looked at her and the Stormtrooper, who appeared to be setting up for guard duty. I shrugged and stepped inside. The room was full of stacked chairs and folding tables. One table was set up with a few chairs around it. There were some papers on top of it. My guess is some of the Con organizers had probably used this room for planning the floor layout. The door closed and it was just me and 'Madame Vader' in the room. As she walked past me, her hands lifted up and unlocked the chain holding her cape together. She let it drop to the floor. With the cloak gone, I was able to get a better look at her body. The thin straps of her black brassiere didn't fully cover her tan lines, so I could tell she definitely enjoyed spending time in the sun. She was also more toned than I realized, though her hips still had a very lovely curve to them. Sure enough, the rear loincloth, which had up until now been hidden by her cape, was a little bit narrower than the front one, and her amazing ass, cheeks were poking out ever so slightly on either side. With her still to me, she turned her masked head slightly. “I understand no one fights like Gaston,” she said, continuing with a deep, ominous voice. “So I hear,” I replied gruffly. “I wonder,” she said with a dramatic pause, “if no one fucks like Gaston?” Now you know it takes a hell of a lot to throw me for a loop and leave me speechless. But there I was, eyes wide and my mouth partially open in shock. 'Madame Vader' removed her gloves, revealing black nail polish on perfectly manicured fingers. “No response?” she mused, “Well perhaps not in words. But other parts of you appear to,” she pointed at my bulging crotch, “be speaking for themselves.” Now let me just remind you, she was still wearing that fucking helmet. I literally had no idea who this person was. And, God help me, I was turned on like never before. She walked over and sat on the edge of the folding table, her legs spread and the black loincloth falling between them. Slowly she lifted the cloth to the side, confirming what I had all but surmised from the minute I saw her. Her bare pussy was now right there for me to see. Her puffy pink lips were wide open, glistening and extremely inviting. “This is fucking crazy.” I said aloud. “The door is right behind you,” 'Madame Vader' replied nonchalantly, “My guard is only outside to ensure we are not disturbed. If you wish to leave you can at any time.” She reached down between her legs and spread her pussy lips wider while her fingers began to explore her tantalizing, wet hole. “Alternatively, you could come over here, eat me out and then bend me over this table and fuck me from behind.” So again, you know it takes a lot to stun me. And believe me, I was stunned. But I'm also not fucking stupid. I removed my gloves with the Wolverine claws built in and set them on the closest chair next to me. I then made my way over to the table and sank to my knees in front of 'Madame Vader.' I inhaled the wonderful, sweet musky smell that was coming from her pussy. I was just about to dive in when I stopped and looked up at her, “I don't suppose you're taking that off, are you?” “Are you going to ask questions that you already know the answer to, or are you going to begin,” she said ominously. I shook my head, “No ma'am.” I replied and dove into her beautiful, wet slit. I let my tongue casually explore her red pussy lips, enjoying the sweet and savory flavor. There was an aching moan from under the mask. “More,” she whimpered, dropping the authoritative tone in her voice. My tongue began to flick up and down quickly. Her hands slammed down and gripped the edge of the table as she began to grind her pelvis in my face. I brought my hand up to my mouth and paused my licking just briefly to lick my thumb. As I resumed, I let my thumb slip into the upper folds of her slit, searching for her clit. It wasn't hard to find – it was like a small cherry pit, hard and inviting. Her breaths came shallow and for a moment I wondered if she was going to pass out under the helmet. “Please,” she begged without the slightest hint of any of her former bravado, “Oh God, I'm so close.” My thumb kept playing with her pulsing button as I licked feverishly. After several more seconds I withdrew my thumb and attacked her clit directly with my tongue. That was the right move to push her right over the edge. “Oh my god oh my god oh my God,” she cried under her mask, “I'm coming. Oh Jesus yes! Yes!” Her body convulsed and contorted as my face was showered by her intense orgasm. I kept lapping though, enjoying the sweet juices slicking her thighs and my face. Slowly, her tremors began to subside as she leaned back onto her elbows on the table. I stood up over her. “Are you sure you don't want to take that mask off?” I asked, genuinely concerned. “I,” she stammered, still slightly out of breath, “I like it this way.” She shifted forward off the table and stood in front of me. “And now,” she said, trying to regain some of her earlier in-character composure, “I believe you have another service to provide.” She reached forward and unbuckled my costume belt, letting it drop to the floor. She then lifted up my shirt slightly and undid my pants. Her fingers grasped the fabric of both my pants and underwear and pulled down, freeing my throbbing and aching cock. “Excellent.” 'Madame Vader' said with a slight nod, “I was right to choose you.” She turned around and bent over the table, resting on her forearms. I took a step forward and lifted the rear loincloth of her costume, exposing a perfectly tanned ass (string bikinis for the win). I adjusted my position, spread her cheeks slightly and guided myself into her soaking wet hole. Her pussy lips wrapped perfectly around the head of my cock and we stayed in that position for a moment. Then slowly I inched forward until I was completely buried inside her. “Yes,” she hissed softly. I placed my hands on her hips and began slow, rhythmic motions. She was so wet, every thrust was a silky smooth ride. But I could still feel her pussy walls constrict around my shaft every time I moved back and forth. Her body began to match my movements, her ass and pelvis pushing backwards against me. There was a brief moment when I was extremely tempted to reach forward and attempt to knock the helmet off her head. Would she stop this incredible moment or were we too far gone that she wouldn't care? But the sound of her ass slapping against my lower abdomen shook me out of the thought. “Fuck it,” I think I said out loud as I increased the speed of my thrusts. “Yes baby,” she cried, “Yes, god yes. Come for me baby. Come inside me.” Before I could protest, she added, “It's fine. I'm protected. Just come. Come deep inside me, please!” I continued pumping her pussy until I felt that familiar tingling sensation at the base of my cock. I started tensing up, “Oh fuck, I'm coming!” I thrust one final time and stayed there as far in her as I could while my sperm erupted from my dick, filling the depths of her pussy. She gasped, “Oh god, I can feel you filling me up so much!” She wasn't kidding, because just a few seconds later I felt the wonderful mix of her juices and my cum spilling out of her pussy. I took a step back, then pivoted so that I was leaning against the table next to her. “That was,” I gasped, still trying to guess what she looked like under the mask, “insane.” Slowly, she rose off the table, the loincloth slipping back down on its own to cover her bare ass. “Seriously,” I said, watching as she silently stepped over to pick up her cloak and gloves, “please tell me who the hell you are. Or that we can meet up again?” She made her way to the door and stopped. Her hands slowly made their way up towards her helmet and grasped it on both sides. And then they dropped back down. “If you find me,” came the ominous voice from under the mask, “then we will see.” She opened the door, where I caught a glimpse of her friend waiting, and slipped out. The door closed behind her, leaving me in the room in a daze with my pants half way down my legs and my flaccid, wet dick now feeling the chill of the storage room's air conditioning. Realizing there was no one outside guarding the room anymore, I quickly zipped up, gathered my costume accessories and got the fuck out of the room. I stumbled into the hallway and made my way quickly back to the convention hall. Naturally neither girl was anywhere to be seen in a crowd of other cosplayers and attendees. I made my way out of the convention center, back through to the hotel and came up to my room. And that's where I am right now. Like I said, I tried calling you. And then I opened my tablet and started writing. Needless to say I have no clue who won the cosplay contest. Maybe Deadpool/Eleven. And of course I can hear you saying, “I think I pretty much 'won' anyway!” LOL But seriously, I have to find her again. There's two more days left to the con. I'll keep you posted, cuz. Love ya! By AlexRaistov, for Literotica

 Mike has an intense encounter with a mysterious cosplayer. by AlexRaistov, Listen to the Podcast at Steamy Stories.  The con has been fairly packed this year. And now that they're getting some big name guests, like Doctor Who's Matt Smith and Alex Kingston are here. I think it's going to give Fan Expo Boston a run for its money. Hell, maybe even New York ComiCon. I think the fact that the convention center is connected to the hotel is a huge advantage.The contest was at 2pm this afternoon, so I wanted to head over and register early. Making my way through the crowds, I got stopped a couple of times to do the “Gaston Pose” with the Wolverine claws popped out. There was even a couple dressed as Beauty and the Beast, so we got a couple of pics together. I'll text them to you later. Needless to say I got there later than I expected, so I was second to last in line. But it was fine because while I was waiting my turn to go up on stage, I found myself chatting with a dude from New York who was up with his buddy for the weekend. The guy was dressed as mashup of Deadpool and Eleven from Stranger Things. It was hysterical: a full Deadpool costume but with a blonde wig and dress. We got to talking about the con and cosplaying and after a few minutes he said with a chuckle, “Dude, be careful. I think the local law enforcement is checking you out.” I gave him a strange look because I had no fucking clue what he was talking about. He motioned with his head and I turned around. So picture this: two girls, both in variations of the ‘Slave Leia' bikini from ‘Return of the Jedi.' One girl's costume was all white and she was wearing a Stormtrooper helmet. The other was in all black, wearing a Darth Vader mask and a flowing cape. And holy shit their bodies were fucking amazing. You know I've always been a boob man. Both girls were easily 32-34B and their brassieres were doing a wonderful job of highlighting their fantastic assets. Both of them had stunning hourglass figures. When ‘Madame Vader' turned and leaned in to say something to her Stormtrooper, it was pretty clear by the amount of skin she was showing, there was most likely nothing under the long black loincloth. I watched as the Stormtrooper nodded to something ‘Madame Vader' said. At this point I didn't know what else to call her. She then lifted her prop gun and started walking in our direction. “You're in for it now man,” said Eleven Deadpool. The sexy Stormtrooper came right up to me and pointed her weapon. “You. Rebel Scum,” she barked, “You're to come with me immediately.” I raised my eyebrow, my cigar jammed firmly in my teeth. I figured what the hell, if we were gonna do this, have fun with it. “Rebel scum?” I growled, “Sweetheart, do I look like rebel scum to you?” The trooper pressed the nozzle of her weapon into my chest. “Now.” I glanced over to Eleven Deadpool who shrugged, “Don't look at me man. I'm a mercenary, remember?” I leaned in towards the Stormtrooper and grunted, “You know, no one fights like Gaston. And with these claws I bet it would be an interesting fight. But okay, I'm game.” As I stepped away from the line, I heard my new friend shout, “Vaya Con Dios, my son! Go with God.” The Stormtrooper led me over to 'Madame Vader' who had her hands on her curvy hips. I also got a chance to admire her thigh-high black boots, laced up the front with buckles going up the sides. She had a black belt around her waist which hung a light saber hilt. As I got closer and saw a tan line on her exposed hip, I was convinced more than ever that she was wearing nothing underneath. 'Madame Vader' looked at me from head to toe. “Something I can do for you?” I said in my best Hugh Jackman voice. For a moment she stood there silently. I almost expected to hear the raspy Vader breathing. “You!” she said finally in a commanding but very sultry voice, “will follow me. There will be no questions. Is that understood?” So okay, you know I don't like games or bullshit or anything like that. But there was something about this situation…I'm just gonna say it: I got rock hard. I swore my dick was going to explode out of my pants. Again, I can practically hear you laughing. But we've always been pretty open about this kind of shit, so obviously I'm not going to stop now. Anyway, I rubbed my scruffy chin, (careful not to poke myself with my claws, and took the cigar out of my mouth. “You're Jedi mind tricks ain't working here, sister,” I snarled, “But I'll play along for now.” Without another word, she turned, her cloak sweeping behind her. I felt a poke in my back: the Stormtrooper was nudging me to start moving. I followed 'Madame Vader' around a large curtain that led to behind the stage. From there we walked to a set of doors that led to a maintenance corridor. Now I'm not going to lie, this was all starting to make me a little bit nervous. Sexy as these two were, I had no idea who they were, what they looked like under their helmets or what was really going on. I was just about to say enough is enough and head back into the main convention floor when we stopped in front of another door marked “storage.” 'Madame Vader' reached down with one of her gloved hands and pulled down on the handle, opening the door. “Inside,” she commanded. I looked at her and the Stormtrooper, who appeared to be setting up for guard duty. I shrugged and stepped inside. The room was full of stacked chairs and folding tables. One table was set up with a few chairs around it. There were some papers on top of it. My guess is some of the Con organizers had probably used this room for planning the floor layout. The door closed and it was just me and 'Madame Vader' in the room. As she walked past me, her hands lifted up and unlocked the chain holding her cape together. She let it drop to the floor. With the cloak gone, I was able to get a better look at her body. The thin straps of her black brassiere didn't fully cover her tan lines, so I could tell she definitely enjoyed spending time in the sun. She was also more toned than I realized, though her hips still had a very lovely curve to them. Sure enough, the rear loincloth, which had up until now been hidden by her cape, was a little bit narrower than the front one, and her amazing ass, cheeks were poking out ever so slightly on either side. With her still to me, she turned her masked head slightly. “I understand no one fights like Gaston,” she said, continuing with a deep, ominous voice. “So I hear,” I replied gruffly. “I wonder,” she said with a dramatic pause, “if no one fucks like Gaston?” Now you know it takes a hell of a lot to throw me for a loop and leave me speechless. But there I was, eyes wide and my mouth partially open in shock. 'Madame Vader' removed her gloves, revealing black nail polish on perfectly manicured fingers. “No response?” she mused, “Well perhaps not in words. But other parts of you appear to,” she pointed at my bulging crotch, “be speaking for themselves.” Now let me just remind you, she was still wearing that fucking helmet. I literally had no idea who this person was. And, God help me, I was turned on like never before. She walked over and sat on the edge of the folding table, her legs spread and the black loincloth falling between them. Slowly she lifted the cloth to the side, confirming what I had all but surmised from the minute I saw her. Her bare pussy was now right there for me to see. Her puffy pink lips were wide open, glistening and extremely inviting. “This is fucking crazy.” I said aloud. “The door is right behind you,” 'Madame Vader' replied nonchalantly, “My guard is only outside to ensure we are not disturbed. If you wish to leave you can at any time.” She reached down between her legs and spread her pussy lips wider while her fingers began to explore her tantalizing, wet hole. “Alternatively, you could come over here, eat me out and then bend me over this table and fuck me from behind.” So again, you know it takes a lot to stun me. And believe me, I was stunned. But I'm also not fucking stupid. I removed my gloves with the Wolverine claws built in and set them on the closest chair next to me. I then made my way over to the table and sank to my knees in front of 'Madame Vader.' I inhaled the wonderful, sweet musky smell that was coming from her pussy. I was just about to dive in when I stopped and looked up at her, “I don't suppose you're taking that off, are you?” “Are you going to ask questions that you already know the answer to, or are you going to begin,” she said ominously. I shook my head, “No ma'am.” I replied and dove into her beautiful, wet slit. I let my tongue casually explore her red pussy lips, enjoying the sweet and savory flavor. There was an aching moan from under the mask. “More,” she whimpered, dropping the authoritative tone in her voice. My tongue began to flick up and down quickly. Her hands slammed down and gripped the edge of the table as she began to grind her pelvis in my face. I brought my hand up to my mouth and paused my licking just briefly to lick my thumb. As I resumed, I let my thumb slip into the upper folds of her slit, searching for her clit. It wasn't hard to find – it was like a small cherry pit, hard and inviting. Her breaths came shallow and for a moment I wondered if she was going to pass out under the helmet. “Please,” she begged without the slightest hint of any of her former bravado, “Oh God, I'm so close.” My thumb kept playing with her pulsing button as I licked feverishly. After several more seconds I withdrew my thumb and attacked her clit directly with my tongue. That was the right move to push her right over the edge. “Oh my god oh my god oh my God,” she cried under her mask, “I'm coming. Oh Jesus yes! Yes!” Her body convulsed and contorted as my face was showered by her intense orgasm. I kept lapping though, enjoying the sweet juices slicking her thighs and my face. Slowly, her tremors began to subside as she leaned back onto her elbows on the table. I stood up over her. “Are you sure you don't want to take that mask off?” I asked, genuinely concerned. “I,” she stammered, still slightly out of breath, “I like it this way.” She shifted forward off the table and stood in front of me. “And now,” she said, trying to regain some of her earlier in-character composure, “I believe you have another service to provide.” She reached forward and unbuckled my costume belt, letting it drop to the floor. She then lifted up my shirt slightly and undid my pants. Her fingers grasped the fabric of both my pants and underwear and pulled down, freeing my throbbing and aching cock. “Excellent.” 'Madame Vader' said with a slight nod, “I was right to choose you.” She turned around and bent over the table, resting on her forearms. I took a step forward and lifted the rear loincloth of her costume, exposing a perfectly tanned ass (string bikinis for the win). I adjusted my position, spread her cheeks slightly and guided myself into her soaking wet hole. Her pussy lips wrapped perfectly around the head of my cock and we stayed in that position for a moment. Then slowly I inched forward until I was completely buried inside her. “Yes,” she hissed softly. I placed my hands on her hips and began slow, rhythmic motions. She was so wet, every thrust was a silky smooth ride. But I could still feel her pussy walls constrict around my shaft every time I moved back and forth. Her body began to match my movements, her ass and pelvis pushing backwards against me. There was a brief moment when I was extremely tempted to reach forward and attempt to knock the helmet off her head. Would she stop this incredible moment or were we too far gone that she wouldn't care? But the sound of her ass slapping against my lower abdomen shook me out of the thought. “Fuck it,” I think I said out loud as I increased the speed of my thrusts. “Yes baby,” she cried, “Yes, god yes. Come for me baby. Come inside me.” Before I could protest, she added, “It's fine. I'm protected. Just come. Come deep inside me, please!” I continued pumping her pussy until I felt that familiar tingling sensation at the base of my cock. I started tensing up, “Oh fuck, I'm coming!” I thrust one final time and stayed there as far in her as I could while my sperm erupted from my dick, filling the depths of her pussy. She gasped, “Oh god, I can feel you filling me up so much!” She wasn't kidding, because just a few seconds later I felt the wonderful mix of her juices and my cum spilling out of her pussy. I took a step back, then pivoted so that I was leaning against the table next to her. “That was,” I gasped, still trying to guess what she looked like under the mask, “insane.” Slowly, she rose off the table, the loincloth slipping back down on its own to cover her bare ass. “Seriously,” I said, watching as she silently stepped over to pick up her cloak and gloves, “please tell me who the hell you are. Or that we can meet up again?” She made her way to the door and stopped. Her hands slowly made their way up towards her helmet and grasped it on both sides. And then they dropped back down. “If you find me,” came the ominous voice from under the mask, “then we will see.” She opened the door, where I caught a glimpse of her friend waiting, and slipped out. The door closed behind her, leaving me in the room in a daze with my pants half way down my legs and my flaccid, wet dick now feeling the chill of the storage room's air conditioning. Realizing there was no one outside guarding the room anymore, I quickly zipped up, gathered my costume accessories and got the fuck out of the room. I stumbled into the hallway and made my way quickly back to the convention hall. Naturally neither girl was anywhere to be seen in a crowd of other cosplayers and attendees. I made my way out of the convention center, back through to the hotel and came up to my room. And that's where I am right now. Like I said, I tried calling you. And then I opened my tablet and started writing. Needless to say I have no clue who won the cosplay contest. Maybe Deadpool/Eleven. And of course I can hear you saying, “I think I pretty much 'won' anyway!” LOL But seriously, I have to find her again. There's two more days left to the con. I'll keep you posted, cuz. Love ya! By AlexRaistov, for Literotica

Show Notes We're heading south of the equator with Miss Bianca and the inimitable Bernard in the Rescuers Down Under. This movie deserves more than it got (thanks Katzenberg). The story of young Cody and his one child crusade against poachers needing the RAS to come help him is beautiful and well told. The big thing that could have made it better was an indigenous protagonist (again, thanks Katzenberg). But Miss Bianca, Bernard the hero, Jake the strapping but kind guide, Wilber, and McCleach are all fantastic and the animation is stunning. RIP every actor in the film, but thank you for your excellent work. Recommendations: Jurassic World: Camp Cretaceous (Netflix) Next up: Beauty and the Beast (1991)   Email us at latecomers@gmail.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

Alpha Omega Con celebrates Adventures in Odyssey's 35th anniversary with a panel featuring voice talents Townsend Coleman–Jason Whittaker (and the voice of Michaelangelo from Teenage Mutant Ninja Turtles), Kimmy Robertson–Penny Wise (best known for her role as Lucy Moran in the TV series Twin Peaks and voice of Fifi (Feather Duster) in Disney's Beauty and the Beast), Katie Leigh–Connie Kendall (and the voice of Baby Rowlf in the Muppet Babies and Sheila in Dungeons and Dragons), and Chris Anthony Landsdowne–Hi this is Chris! (the original voice of Barbie and long-running host of Adventures in Odyssey)!

Enjoy Part 2 of Alpha Omega Con's Adventures in Odyssey's 35th anniversary panel featuring voice talents Townsend Coleman–Jason Whittaker (and the voice of Michaelangelo from Teenage Mutant Ninja Turtles), Kimmy Robertson–Penny Wise (best known for her role as Lucy Moran in the TV series Twin Peaks and voice of Fifi (Feather Duster) in Disney's Beauty and the Beast), Katie Leigh–Connie Kendall (and the voice of Baby Rowlf in the Muppet Babies and Sheila in Dungeons and Dragons), and Chris Anthony Landsdowne–Hi this is Chris! (the original voice of Barbie and long-running host of Adventures in Odyssey)!

Dave Hatmaker joins Sean and Andy in Episode 307 for a wide-ranging conversation about working in theme parks, helping test and develop new audio products, and some hard-hitting practical tips and tricks for mixing corporate events.Dave has mixed astronauts to vice presidents, and almost everything in between. He's also been a sound designer for the Walt Disney Company, helping to create many memorable in-park entertainment shows, spectaculars and guest experiences, including Beauty and the Beast (before going to Broadway), Spirit of Pocahontas, and Hunchback of Notre Dame: Festival of Fools.In addition, he's worked with various international audio companies as a research and development team member (most recently Yamaha) creating new technologies, and he was awarded an international patent in 2021 for a new creative new use of audio technology. And, he's been a featured panelist and moderator at international audio and music industry trade shows, including NAMM, AES, MusikMesse, ProLight & Sound, InfoComm, SCSBOA, and Jazz Educators, in addition to being a guest on several podcasts for MxU and AVIXA.Dave holds a Bachelor of Arts degree from California State University, Long Beach, with an emphasis in percussion performance. He has created and delivered audio seminars to high school and college bands, music educators and sound technicians.His goal in the audio business? ”Every day he wants to make life a bit better for musicians by having better, easier, smarter, better sounding products! And to make them FUN to use!!Episode Links:Dave Hatmaker.comDave Hatmaker On LinkedInEpisode 307 TranscriptConnect with the community on the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there.

Sadly, our culture today places great value on some people and withholds it from others. To support this ministry financially, visit: https://www.oneplace.com/donate/779/29

#acting #LynneJebens #NewYorkOne of the most important goals in this podcast is to have some kind of eclecticism, variety or diversity in the kind of artistic and cultural matters we try and cover. Lynne Jebens' episode certainly is a paramount example of this. Going into this episode, the first with a talent agent on our sows I had no idea we would be discussing being on the road with a Southern Rock band, the musical stylings of Bix Beiderbick, and the Joseph Mankiewicz masterpiece All About Eve all in the same episode! But this is an inevitability when you spend anytime at all with Lynne Jebens. With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode. Lynne's BioAn agent for over 30 years who was a former actor and director, Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (Film, TV and Theater) as well as commercials.Recent or Upcoming Broadway/Tours: & Juliet, A Beautiful Noise, Ain't Too Proud, Aladdin, Annie, Back to the Future, Beauty and the Beast, Beetlejuice, The Book of Mormon, Boop!, Cabaret, Chicago, Clue, Come From Away, Dolly, Floyd Collins, Funny Girl, The Great Gatsby, Hadestown, Hamilton, Harry Potter and the Cursed Child, Hell's Kitchen, Les Misérables, Life of Pi, The Lost Boys, Mean Girls, MJ, Moulin Rouge, Mrs. Doubtfire, The Notebook, The Outsiders, Peter Pan, Pirates: The Penzance Musical, Redwood, Shucked, Six, Smash, Some Like it Hot, Wicked, The Wiz.Recent Film/TV: American Horror Story, And Just Like That, Beth and Don, The Blacklist, Black Panther: Wakanda Forever, Blue Bloods, Brass Tactics, Bull, Chicago Med, Christmas With You, City on a Hill, Daredevil: Born Again, Dear Edward, Dexter: Resurrection, The Devil Wears Prada 2, Eleanor the Great, Elsbeth, The Endgame, The Equalizer, Etoile, Ever's Blueberry, Evil, FBI, Feud: Capote and the Women, The Friend, Full Circle, Genie, The Gilded Age, The Girls on the Bus, Godfather of Harlem, The Good Fight, Goosebumps: The Vanishing, Gossip Girl, Happy Gilmore 2, The History of Sound, The Holdovers, Hondo, Imaginary Friends, Jigsaw, Kaleidoscope, The Knowing, Law & Order (all of them), Let the Right One In, Manifest, The Marvelous Mrs. Maisel, New Amsterdam, Notice to Quit, Only Murders in the Building, The Other Two, Poker Face, Power: Raising Kanan, Queens of Christmas, Random Acts of Flyness, Servant, Severance, The Sex Lives of College Girls, Succession, Summer of 69, The Watcher, Your Friends & Neighbors and Zero Day.Besides Broadway and Tour, this office also books clients in numerous NY and Off-Broadway shows and every AEA regional theatre in the country.A truly caring agent who LOVES her actors.With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode.Links to wonderful interviews on Lynne's works: https://www.nycastings.com/being-professional-and-prepared-an-interview-with-talent-agent-lynne-jebens/

In the one-hundred-and-eighty-third episode, we explore the Think of the Children Fallacy, starting with Trump attacking trans people, and claiming people grab children to get across the border, and then how QAnon pivoted from wacky conspiracies to just lies.In Mark's British Politics Corner, we look at Kemi Badenoch and Nigel Farage pretending their hardline stance on immigration is "for the children" and Farage and Peter Kyle MP squaring off about the Online Safety Bill.In the Fallacy in the Wild section, we check out examples from Beauty and the Beast, A Bit of Fry and Laurie, and Futurama.Jim and Mark go head to head in Fake News, the game in which Mark has to guess which one of three Trump quotes Jim made up.Then we talk about the Pentagon's press corps walking out.And finally, we round up some of the other crazy Trump stories from the past week.The full show notes for this episode can be found at https://fallacioustrump.com/ft183 You can contact the guys at pod@fallacioustrump.com, on BlueSky @FallaciousTrump, Discord at fallacioustrump.com/discord or facebook at facebook.com/groups/fallacioustrumpAnd you can buy our T-shirts here: https://fallacioustrump.com/teeSupport this podcast at — https://redcircle.com/fallacious-trump/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jay Ryan made a name for himself by appearing in New Zealand TV classics like Go Girls and Creamerie, but he's been able to take his skills overseas. He's making an impact overseas, picking up international recognition for roles in Beauty and the Beast and It Chapter Two. His latest acting project sees him returning to New Zealand shores - to star in the new psychological thriller TV show The Ridge. "I've been very fortunate to go to different parts of the world and film - and now the world's much smaller...you can be anywhere, you can live in a small part of New Zealand and still have your foot in the door for Hollywood. I've been very lucky." LISTEN ABOVESee omnystudio.com/listener for privacy information.

On this week's episode of Excelsior Journeys: The Road to Creativity, host & producer George Sirois sits down with up-and-coming author Bria Rose, who specializes in retelling classic children's stories as darker romance for the older crowd. Her current book that is out now, Her Dark Promise, is a retelling of Beauty and the Beast, and there are more in development for the near future. You can find out more about Bria by going to her website HERE.Excelsior Journeys: The Road to Creativity exists primarily as a platform for creatives of all kinds (authors, filmmakers, stand-up comics, musicians, voice artists, painters, podcasters, etc) to share their journeys to personal success. It is very important to celebrate those voices as much as possible to not only provide encouragement to up-and-coming talent, but to say thank you to the established men & women for inspiring the current generation of artists.If you agree that the Excelsior Journeys podcast serves a positive purpose and would like to show your appreciation, you can give back to the show by clicking HERE.Excelsior Journeys: The Road to Creativity is now a proud member of the Podmatch Podcast Network, and you can access all shows in the network by clicking HERE.

fWotD Episode 3086: Angela Lansbury Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Thursday, 16 October 2025, is Angela Lansbury.Dame Angela Brigid Lansbury (October 16, 1925 – October 11, 2022) was a British-American-Irish actress, producer, and comedian. In a career spanning 80 years, she played various roles across film, stage, and television. Although based for much of her life in the United States, her work attracted international attention.Lansbury was born into an upper-middle-class family in central London, the daughter of Irish actress Moyna Macgill and English politician Edgar Lansbury. To escape the Blitz, she moved to the United States in 1940, studying acting in New York City. Proceeding to Hollywood in 1942, she signed with Metro-Goldwyn-Mayer (MGM) and obtained her first film roles, in Gaslight (1944), National Velvet (1944), and The Picture of Dorian Gray (1945). She appeared in 11 further MGM films, mostly in minor roles, and after her contract ended in 1952, she began to supplement her cinematic work with theatrical appearances. Lansbury was largely seen as a B-list star during this period, but her role in The Manchurian Candidate (1962) received widespread acclaim and is frequently ranked as one of her best performances. Moving into musical theatre, Lansbury gained stardom for playing the leading role in the Broadway musical Mame (1966), winning her first Tony Award and becoming a gay icon.Amid difficulties in her personal life, Lansbury moved from California to Ireland's County Cork in 1970. She continued to make theatrical and cinematic appearances throughout that decade, including leading roles in the stage musicals Dear World, Gypsy, and Sweeney Todd, as well as in the Disney film Bedknobs and Broomsticks (1971). Moving into television in 1984, she achieved worldwide fame as the sleuth Jessica Fletcher in the American whodunit series Murder, She Wrote, which ran for twelve seasons until 1996, becoming one of the longest-running and most popular detective drama series in television history. Through Corymore Productions, a company that she co-owned with her husband Peter Shaw, Lansbury assumed ownership of the series and was its executive producer during its final four seasons. She also moved into voice work, contributing to animated films like Beauty and the Beast (1991) and Anastasia (1997). In the 21st century, she toured in several theatrical productions and appeared in family films such as Nanny McPhee (2005) and Mary Poppins Returns (2018).Among Lansbury's numerous accolades were six Tony Awards (including a Lifetime Achievement Award), six Golden Globe Awards, two honorary BAFTA Awards, a Laurence Olivier Award, an honorary SAG Award, and the Academy Honorary Award; in addition to nominations for three Academy Awards, eighteen Primetime Emmy Awards, and a Grammy Award.This recording reflects the Wikipedia text as of 01:24 UTC on Thursday, 16 October 2025.For the full current version of the article, see Angela Lansbury on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Joanna.

On this week's Vanderpump Rules recap of the episode, "Brittany and the Beast" (Season 7, Episode 20), we discuss Brittany Cartwright's fascination with "Beauty and the Beast" and how it applies to her and Jax's relationship. If you enjoyed this teaser, join the Turtle Time Patreon and become a Villa Rosa VIP to hear the full episode and access exclusive bonus content! We'll be recapping the Vanderpump Rules series from the beginning each week. And if you need even more Turtle Time in your life, follow us on ⁠TikTok⁠ or ⁠Instagram⁠. Hosted on Acast. See acast.com/privacy for more information.

Join Jess and Miranda of "Theatre in the D" for their review of the new national tour of Disney's Beauty and the Beast. They discuss the show's spectacular choreography, its changes from the original, and whether the stage version captures the magic of the romance. A special thank you to Broadway in Detroit for making it possible Learn more about your ad choices. Visit megaphone.fm/adchoices

Starting today off with: MSU president says he didn't file charges against student protesters, CORES & CAMS groups face university funding cuts amid new mission statement requirements,  ‘Beauty and the Beast' national tour performs at Wharton. MSU hockey falls 4-3 in home opener after a buzzer-beater goal. 

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 Podcast — Episode: Larry LelliLarry Lelli has done just about everything a Broadway drummer can do. From marching snare in Wisconsin to playing The Producers on Broadway, his story is about hard work, timing, and versatility. In this conversation, Larry talks about his early days growing up in the Midwest, his years in drum corps, the Nashville country scene, and how he built a lasting career in New York City's theater world.Larry's been behind the drum kit for shows like The Producers, Jekyll and Hyde, Les Misérables, Wicked, and The Full Monty. He's also a respected educator and clinician whose experience bridges jazz, pop, and orchestral playing.This episode breaks down how he made the jump from the road to Broadway, what it takes to earn a chair, and why learning from others is one of the smartest moves a drummer can make.Key Moments and Topics Covered00:03 – Early Years in the MidwestLarry talks about growing up in Chicago, Wisconsin, and Minnesota. He shares how he started on trombone before switching to drums and getting his first kit — a red Slingerland jazz set from the 1960s.00:05 – Marching Band and Drum CorpsHe describes how marching band led him to drum corps, playing snare with the Blue Stars. Those years shaped his reading, discipline, and love of ensemble playing.00:09 – The High School Metal BandLarry formed a heavy-metal band called Fallen Angel, later Perfect Stranger, influenced by Motley Crüe, Poison, and Ozzy Osbourne. That mix of rock energy and groove became part of his foundation.00:10 – Discovering Studio LegendsHe recalls studying the session greats — Steve Gadd, Jeff Porcaro, Hal Blaine, and JR Robinson — and how copying their records taught him to listen, absorb, and reproduce other players' feel. That skill later helped him sub successfully on Broadway.00:13 – Choosing Music Over a “Backup Plan”Despite warnings from family about the risks of a music career, Larry stayed focused. A mentor told him, “If it's the thing you must do, then you have to do it.” That advice stuck.00:16 – University of Wisconsin–Eau ClaireHe studied jazz performance, percussion, and conducting, earning a Bachelor of Music degree. He credits conductor Robert Baca and professor Ron Keiser for turning Eau Claire into a respected jazz program.00:19 – Nashville YearsLarry moved to Nashville in the early 90s and toured with the country-comedy duo Pinkerton Bowden and later with country balladeer Doug Stone. He shares what life on the road was really like and why he eventually grew tired of touring.00:24 – The Call of New YorkAfter meeting jazz players on a cruise, he decided to explore Broadway. They told him his versatility would fit New York's theater scene. His first exposure to a pit was watching Ray Marchica play Damn Yankees — a life-changing moment.00:28 – Starting Over in NYCHe saved $10,000, moved to the city, and started sitting in on shows. Early on, he learned that “no one cares what you've done anywhere else — they only care what you've done in New York.” That lesson shaped how he built credibility.00:33 – Miss Saigon: The BreakthroughMichael Hinton gave Larry a shot at subbing the massive percussion book for Miss Saigon. The score had originally been written for three percussionists. Larry practiced daily for a month and nailed his first show — instantly building a reputation as someone who could handle the hardest gig in town.00:37 – From Subbing to a ChairLarry began subbing at Beauty and the Beast, Les Misérables, and other productions, eventually holding nine different sub books at once. His first full Broadway chair came with Jekyll and Hyde.00:42 – Landing The ProducersWhen Jekyll and Hyde closed, a referral led to an audition with legendary conductor Paul Gemignani for a new show. Although that production closed quickly, the connection opened doors. A few years later, Larry joined The Producers, which became a long-running hit.00:46 – Lessons on LongevityLarry emphasizes professionalism: showing up prepared, treating every sub date like an audition, and understanding that reliability and attitude matter as much as chops. Every gig, even the short-lived ones, builds your reputation.00:48 – Teaching and Passing It OnHe now teaches drummers how to approach theater work with discipline and respect for the craft — reading, listening, blending, and adapting.Key Takeaways* Learning by listening prepares you for the realities of Broadway.* Every show, even a short run, can lead to future work.* Versatility is a drummer's greatest asset — orchestral, rock, jazz, and pop all show up in modern theater books.* Reputation is everything. People hire musicians who make their lives easier.* Keep the joy. The best drummers never lose that excitement they had as kids hitting their first kit.Connect with Larry LelliWebsite: larrylelli.comInstagram: @larrylelliAbout Broadway Drumming 101Broadway Drumming 101 is the leading platform for drummers and musicians working in theater. Subscribe to our YouTube channel for full interviews and clips, or join the membership at BroadwayDrumming101.com for behind-the-scenes videos, real-world training, and exclusive articles.Learn more about our upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

From his first role as Lumiere in Beauty and the Beast to his current work as an onstage swing in Harry Potter and the Cursed Child, Riley shares how a childhood love for performing grew into a passion for storytelling and representation. He reflects on standout roles in Cats and Next to Normal, the life-changing moment of winning the Jimmy Awards, and finding his creative home at Shenandoah Conservatory. We also dive into the dedication and adaptability it takes to learn multiple tracks on Broadway. 

Jonathan and Chester are joined this week by Auburn Riverside High School seniors Narina Pogosian and Ashlyn Holst. These two super incredibly amazingly talented thespians have girl bossed their way through Riverside's theater program and are headlining the production of The Music Man this fall (more info and showtimes and all that available on their Facebook, yes Gen Z still uses Facebook sometimes: https://www.facebook.com/AuburnRiversideTheatreArts/). Hear about their musical journey from playing a fork in Beauty and the Beast to belting Shipoopi at the top of their lungs. And, their time in Auburn Riverside High School (RPOE).  Stick around till the end to see how they do in trivia and stick around to the VERY end to hear them slay the first 30 or so seconds of "What is this Feeling"? from Wicked.

I had Liam on to discuss the 1991 movie 'Beauty And The Beast'. Hell yeah.

Diana and Susan meet in person and unpack Disney's new live-action Snow White. They compare it to the animated classic, talk through the movie's biggest changes, and debate when remakes should honor nostalgia vs. reflect today's values. You'll hear thoughts on Snow's independence, the Prince “pauper” twist, the Dopey moment, the Evil Queen casting, and why certain iconic scenes were left out. It's an honest, funny conversation about what worked, what didn't, and what Disney should do next.00:00 Welcome back, recording in person, quick catch-up02:00 First reactions to the movie and why Sarah sat this one out05:00 Early beats and familiar vibes: Beauty and the Beast, Cinderella, Aladdin parallels08:30 Prince as pauper: empathy, morality, and the “Robin Hood/Flynn Rider” energy12:00 The seven dwarfs debate and how the film approached representation15:30 Dopey speaks: character growth vs. losing that classic charm19:00 Making Snow White more complex and independent without the “housecleaning” scene23:30 Nostalgia vs. updates: what to keep, what to change, and what to create new28:30 Homages that remain: the Huntsman, the mirror, and the “fairest of them all” throughline33:00 Music talk: new songs, “Waiting on a Wish,” and which live-action soundtracks land36:00 Recasting the Evil Queen and the case for Emma Stone40:00 Final thoughts: what this remake gets right and where Disney should go from hereThe movie gives Snow White clearer agency and a defined point of view, which modernizes her character without fully rewriting the core.Turning the Prince into a pauper adds empathy and aligns his morality with Snow's, even if it echoes other Disney archetypes.Letting Dopey speak is a bold swing that some will read as growth and others as losing an iconic silent charm.Removing the housecleaning sequence aims to avoid dated gender roles, but it also trims a beloved bit of texture.The film nods to the original with the mirror and the Huntsman while expanding backstory around Snow's parents and the Queen's motives.Biggest miss: the Evil Queen performance never fully sells “menacing,” which drags on key scenes.The larger question isn't “Should we remake?” but “When do we preserve nostalgia and when do we create something new?”“Disney is embracing bad bitches. Prince Charming is an addition, not a requirement.”“If it's not broke, don't fix it. Or better yet, make a new story that fits today.”“When Snow stands up, that's when the mirror finally sees why she's the fairest.”“Dopey talking breaks the mold for some and breaks the magic for others.”“I'd keep Snow White's casting and swap the Evil Queen. Give me Emma Stone in that headpiece.”If you enjoyed this episode, follow the show, leave a quick review, and share it with a friend using #DisneyMomsGoneWrong. Your support helps more Disney fans find us.All news we discuss comes from our network site: GeekFreaksPodcast.comListen to more episodes and browse our network shows at GeekFreaksPodcast.comGeek Freaks Network — Facebook, Threads, Patreon, Twitter, InstagramFacebook /thegeekfreakspodcastThreads @geekfreakspodcastPatreon /GeekFreakspodcastTwitter @geekfreakspodInstagram @geekfreakspodcastWhat's one change in Snow White you loved, and one you'd roll back? Send us your thoughts and we'll feature a few on the next episode.Disney, Snow White, Live Action Remake, Disney Princesses, Evil Queen, Disney Music, Movie Review, Nostalgia, Representation, Geek Freaks NetworkTimestamps & TopicsKey TakeawaysMemorable QuotesCall to ActionLinks & ResourcesFollow UsListener QuestionsApple Podcast Tags

COMEDIANS VS. THE APOCALYPSE!!! This is the End Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Seth Rogen's The Studio garnering rave reviews, Aaron & Johnald REUNITE to give their This is the End Reaction, Recap, Commentary, Analysis, & Spoiler Review! Aaron Alexander & John Humphrey react to and review the outrageous 2013 apocalyptic horror comedy This is the End, written and directed by Seth Rogen and Evan Goldberg. Known for its wild mix of raunchy humor, meta satire, and shocking horror elements, the film follows a group of celebrities playing exaggerated versions of themselves as they face the literal end of the world while trapped inside James Franco's Hollywood mansion. The cast features an all-star lineup of comedic talent, including James Franco (127 Hours, Pineapple Express) as himself, Seth Rogen (Superbad, Knocked Up) as himself, Jonah Hill (The Wolf of Wall Street, Superbad) as himself, Jay Baruchel (How to Train Your Dragon, She's Out of My League) as himself, Danny McBride (Eastbound & Down, Tropic Thunder) as himself, and Craig Robinson (The Office, Hot Tub Time Machine) as himself. The film also features scene-stealing cameos from Emma Watson (Harry Potter, Beauty and the Beast), Michael Cera (Arrested Development, Scott Pilgrim vs. the World), Rihanna (Ocean's 8), and Channing Tatum (21 Jump Street, Magic Mike). Some of the most talked-about and highly searched moments include Michael Cera's shocking death scene, Emma Watson wielding an axe, the demonic possession of Jonah Hill, Danny McBride's insane power struggle over food supplies, and the Backstreet Boys' unforgettable Heaven finale. Combining horror, satire, celebrity self-parody, and end-of-days spectacle, This is the End has become a cult comedy classic that balances absurd laughs with surprising scares. Join Aaron & John as they break down the wildest jokes, biggest surprises, and goriest moments in this one-of-a-kind comedy horror hybrid! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

From Cinderella to Beauty and the Beast, the roots of fairy tales stretch back thousands of years — to the dawn of Indo-European languages and beyond.In this episode of The Ancients, Tristan Hughes is joined by author and journalist Laura Spinney to explore the origins of mythology. From the tales compiles by the Brothers Grimm to cutting-edge linguistic studies, they explore how ancient myths endure across cultures, and what they reveal about human societies stretching back tens of thousands of years.MOREThe Birth of Indo-European With thanks to the authors of the Proto-Indo European reconstructions Ricardo Ginevra (Assistant Professor of Historical and General Linguistics, Catholic University of Milan) and Andrew Byrd (Associate Professor of Linguistics, University of Kentucky). Reconstructions performed by Phil Barnett (MA in Linguistics, University of Kentucky).Click on the following links to listen to the full reconstructions on Youtube:Creation MythDragon-Slaying MythPresented by Tristan Hughes. Audio editor is Tim Astall and the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here Hosted on Acast. See acast.com/privacy for more information.

Adeline Atlas 11 X Published AUTHOR Digital Twin: Create Your AI Clone: ⁠⁠https://tinyurl.com/y375cbxn⁠⁠SOS: School of Soul Vault: Full Access ALL SERIES⁠⁠⁠https://www.soulreno.com/joinus-202f0461-ba1e-4ff8-8111-9dee8c726340⁠⁠Instagram: ⁠⁠https://www.instagram.com/soulrenovation/⁠⁠Soul Renovation - BooksSoul Game - ⁠⁠https://tinyurl.com/vay2xdcp⁠⁠Why Play:  ⁠⁠⁠https://tinyurl.com/2eh584jf⁠⁠How To Play: ⁠⁠⁠https://tinyurl.com/2ad4msf3⁠⁠Digital Soul:  ⁠⁠https://tinyurl.com/3hk29s9x⁠⁠Every Word: ⁠⁠⁠https://www.soulreno.com/every-word⁠⁠Drain Me: ⁠⁠⁠https://tinyurl.com/bde5fnf4⁠⁠The Rabbit Hole: ⁠⁠https://tinyurl.com/3swnmxfj⁠⁠Spanish Editions:Every Word: ⁠⁠https://tinyurl.com/ytec7cvc⁠⁠Drain Me: ⁠⁠https://tinyurl.com/3jv4fc5n⁠⁠

True Blood, Twilight, Buffy… so many of us can't get enough of vampires and werewolves. But lately, our feeds have been flooded with full-on “Alpha” werewolf erotica — a darker, hungrier kind of fantasy. In this episode, we dig into how paranormal romance has shifted from seductive Draculas to dominant werewolves. Why is it everywhere now? Who's creating it? And is this just Beauty and the Beast on steroids or something more unsettling? Join us as we indulge our love of all things supernatural, just in time for Halloween month.   Clips featured in this episode: Gary Oldman in “Bram Stoker's Dracula” (1992 film) Matt Bourne in “Interview With the Vampire, Anne Rice, & 150 Years of Gay Vampires” Craig Thomson in the TED-Ed video “The dark history of werewolves” Frans de Waal in his TED talk “The surprising science of alpha males” “Claimed By The Mega Size Alpha King No She-Wolf Dared To Mate” by Wattpad Dark Romance Fantasy Stories Reference to ContaPoints YouTube video on Twilight: https://www.youtube.com/watch?v=bqloPw5wp48   Questions or Comments you'd like us to cover? We love answering your questions and analysing the stories you've found. Send them to us on Instagram: https://www.instagram.com/s2tcpodcast Enjoyed the show? Leave us a 5-star review on Spotify and a review on Apple Podcasts - it really helps others discover the podcast.    

Click here to see all the photos: https://disneyweddingpodcast.com/meghan-claytons-tower-of-terror-disney-wedding/ And click here to start planning your own Disney World wedding with the Fairytale Weddings Guide: https://fairytaleweddingsguide.com/shop/fairytale-weddings-guide/ In this episode, Meghan Britt-Mills shares the story of her Tower of Terror ceremony at Disney's Hollywood Studios and Whitehall Room & Patio reception at the Grand Floridian. Meghan always knew she wanted a Disney wedding, and today you'll hear how she incorporated her Beauty and the Beast theme—and why she broke the theme a little to add an appearance by her all-time favorite Disney couple, Princess Aurora and Prince Phillip! She also shares how she saved money on floral and decor and what it was like to have a midnight ceremony followed by a 5:30 am Magic Kingdom portrait session and a 10:30 am reception! #disneywedding #fairytalewedding #weddingtips #weddingbudget #disneyworld #weddinginspiration #weddingplanning #disneycouple #parklife #towerofterror #spookywedding

This week for a very special episode of Make Me a Musical we're joined by University of Michigan Alumn who you can currently see in the National Tour of Beauty and the Beast -- Caleb McArthur! Get your tickets to see Beauty and the Beast at the Fisher Theater here! Learn more about your ad choices. Visit megaphone.fm/adchoices

October 1, 2025 ~ Kyra Belle Johnson, plays Belle in Disney's Beauty and the Beast at the Fisher Theatre, joins Kevin to discuss the debut of The Beauty and the Beast at The Fisher Theatre tonight. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's your Daily Disney News for Tuesday, September 30th, 2025 - Disneyland Tokyo is set to open an exciting Fantasyland expansion next month, featuring a new Beauty and the Beast ride with breathtaking animatronics and immersive storytelling. - Walt Disney World in Florida welcomes back Mickey's Not-So-Scary Halloween Party with a Halloween-themed parade and the beloved Hocus Pocus Villain Spelltacular show. - Disney+ announces "Moana: The Series" debuting in early 2026, continuing Moana's adventures and featuring new characters and islands. - Hong Kong Disneyland will light up the holiday season with "A Sparkling Holiday Celebration," a new show featuring dazzling lights and festive music. Have a magical day and tune in again tomorrow for more updates.

Two days before her wedding, 35-year-old Molly Watson was found shot execution-style on a rural Missouri road, her marriage license with fiancé James Addie still in her car. Investigators quickly discovered that corrections officer James Addie was living a double life—he was already married. What should have been a Beauty-and-the-Beast-themed dream wedding became the shocking Missouri bride-murder case that exposed James' lies, betrayal, and deadly secret.************************************************************************************************Podcast Promo: The Final Trace*************************************************************************************************Do you have thoughts about this case, or is there a specific true crime case you'd like to hear about? Let me know with an email or a voice message: https://murderandlove.com/contactFind the sources used in this episode and learn more about how to support Love and Murder: Heartbreak to Homicide and gain access to even more cases, including bonus episodes, ad-free and intro-free cases, case files and more at: https://murderandlove.com~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Please take some time to Rate, Share, Subscribe!

In this segment taken from last night's Redmen Plus Player Rankings show, Ste and Errol discuss the beauty and the beast that was Hugo Ekitike. Hosted on Acast. See acast.com/privacy for more information.

From The Vault: Originally released on December 14, 2020, this was Episode 32 with Fergie L. Philippe who was Old Deuteronomy at Elon University's production of CATS and is currently on tour with Beauty and the Beast. This episode features Fergie L. Philippe who stars as James Madison in the Broadway production of Hamilton but also played a wild weekend as Old Deuteronomy during the Elon University Production of CATS. Fergie shares how his Elon production utilized a Beyonce and Elvis cat, how CATS influenced his career, and how we would cast Hamilton characters as Cats aka HamilCATS. Check out Fergie on all social media platforms: @fergsters95 Check out Beauty and the Beast: beautyandthebeastthemusical.com Produced by: ⁠Alan Seales⁠ & ⁠Broadway Podcast Network⁠ Social Media: @⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

In the final chapter of our Disney Trilogy, we step into the glory days — the Renaissance era that gave us The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King, and more. It was a decade of unforgettable music, groundbreaking animation, and cultural dominance that made Disney feel unstoppable. But what happens when a studio (or any empire) grows too big for its own good? From direct-to-video sequels to mega-franchise acquisitions, we explore how Disney's growth brought both triumph and trouble — and what that teaches us about pride, purpose, and faith. Join us as we celebrate Disney's brightest moments, reflect on the dangers of bigness without depth, and connect it all back to the biblical call to faithfulness over fame.

Jason Goodman botched a daddy daughter date to Beauty and the Beast The Musical and the rest of the show decided to make a parody song about it!

Davy Liu, former Disney animator (The Lion King, Beauty and the Beast, Mulan), walked away from Hollywood at the height of his career. In this episode, Davy joins Jim Mason, HSLDA President, to discuss how leaving Disney fueled his passion to launch Kendo Films, an animation studio to create high-quality, biblically based films for kids. Learn how Davey is inspiring homeschool parents to nurture creativity in their children, why every child is a “diamond,” and get a sneak peek at his upcoming film, The Giant Leaf. “Davy Liu, as a kid, he was a troublemaker because he loved to scribble on textbooks. Now he grew up and found his creativity; his innovations, and he's able to connect his faith with his Maker. I just want to give parents hope, saying that your kids at home [might not be able to] sit still, and that doesn't follow the perfect rhythm of academic studies. There's hope.”—Davy Liu

Jason Goodman took his daughter Everly to go see Beauty and the Beast the Musical at the Tanger Center earlier this week! One problem it is next week! H

Jason Goodman took his daughter Everly to go see Beauty and the Beast the Musical at the Tanger Center earlier this week! One problem it is next week! H

Jason Goodman took his daughter Everly to go see Beauty and the Beast the Musical at the Tanger Center earlier this week! One problem it is next week! H

Could you give up Castaway Cay? Or sacrifice Pirate Night? This week, we play One Has to Go: Disney Cruise Edition—and the choices get tough!

Beauty and the Beast remains not only one of the most beloved and enduring animated classics out of the Disney library, but also one of its most popular to feature across various stage adaptations. On this episode of Notably Disney, author, musician, and professor Matthew Hodge joins host Brett Nachman to analyze three current stage adaptations of the 1991 film: at Disney's Hollywood Studios, on Disney Cruise Line, and via a national tour.  Check out Matt's music work on his YouTube channel and website. Feel free to reach out to Brett via Bluesky @drnachman and Instagram @drnachman, subscribe to the podcast, and send your feedback to notablydisney@gmail.com  New episodes of Notably Disney debut on the first and third Tuesday of each month.

Pop music royalty is in the house…Debbie Gibson joins the show! Delta absolutely fangirls, confessing she's been a Debbie devotee since the 80s. Debbie dives deep into her brand-new book Eternally Electric, dishes about her time modeling for Playboy, and even graces us with a little “Beauty and the Beast” - after all, she was Belle on Broadway! Meanwhile, Delta takes Ross Dress for Less to task. She insists the company needs to add a sixth value to their mission statement, because honey, they're slipping…and Delta is this close to breaking up with them.Listen to Very Delta Ad-Free AND One Day Early on MOM Plus⁠ ⁠Send us an e-mail at readmedelta@gmail.com⁠ FOLLOW DELTA⁠@deltawork⁠ ⁠VERY DELTA IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In “Southern Cooking Comes to Portugal,” Gravy producer Adwoa Gyimah-Brempong takes listeners to Porto, the second largest city in Portugal, which anchors the northern region. Porto is famous for its wine and its hearty francesinha sandwiches. But this city of a quarter million people has a food scene whose depth might surprise you. Porto runs the gamut from picturesque century-old markets to hipster bakeries whose joelho pastries and glazed cornflake croissants frequently spawn lines out the door. And it's also home to not one, but two Black Alabamian women reinventing what it means to be a Southern chef. While Gravy is a show about the changing American South, this is a story about the malleability of Southern identity—and changing American Southerners. Angela Sellers is the owner of Piccolo Cameo, a Mediterranean fusion restaurant focusing on bright, seasonal pastas. The restaurant happened almost by accident, but it has grown to be one of the city's culinary gems. And Bridget Jones (yes, that's her real name) serves rustic cuisine with southern charm as SouthernGal in Portugal. Her business was also not something she planned when she moved to Portugal—it felt like the universe nudged it into place. Bridget and Angela are among the thousands of Americans currently living in Portugal, as is Adwoa, this episode's producer. Not long after Adwoa moved to Porto, a friend told her that the city felt like the opening scene of Beauty and the Beast: everybody waking up to say "bonjour" (or "bom dia," as the case may be). People's manners feel familiar to her in a way that puts her at ease.   For Bridget, that southern adjacency is also reflected in the food: Portuenses eat similarly to American Southerners, fatback and ham hock included. But Angela has found freedom in redefining what it means to be a Southern chef. In both cases, their identity is something they carried with them through customs—something that informs who they are, but doesn't define their identity. Each of these women has lived in many corners of the world, but there's something about the city of Porto that makes room at the table for everything they are. Learn more about your ad choices. Visit megaphone.fm/adchoices

Doug Besterman is a much in-demand orchestrator, arranger, and composer whose works span Broadway, film, television, and concert stages. Doug's been nominated for the Tony Award six times, winning for The Producers, Thoroughly Modern Millie, and Fosse. With a career that includes numerous other iconic productions such as Young Frankenstein, Sister Act, and Anastasia, Doug has helped shape the sound of modern musical theater. Recent Broadway credits include Death Becomes Her, SMASH, and BOOP! Internationally, his work has been heard in London, Berlin, and Hamburg in productions such as Rocky, Sister Act, Charlie and the Chocolate Factory, and Guys and Dolls.Doug's film and TV orchestration credits include Mary Poppins Returns, the live action films of Aladdin, Beauty and the Beast, and The Little Mermaid, Chicago, Frozen,Smash, and Schmigadoon. He's contributed to countless live broadcasts and awards shows, including the Oscars, Tonys, Emmys, and Kennedy Center Honors.As a composer, Doug has written scores for Breathe, Little Did I Know, The Big One-Oh, and the new musical Crumbs. His arrangements have been performed by extraordinary artists ranging from Barbra Streisand to Beyoncé, and by ensembles including the Boston Pops and the U.S. Military Academy Band. Doug continues to champion musical storytelling across all media, including through the Arrival Arts Initiative.Doug's Website: https://dougbesterman.com/Facebook: https://www.facebook.com/DougBestermanMusic/Instagram: https://www.instagram.com/dougbesterman/ Arrival Arts:Website: https://www.arrivalartsinitiative.org/Facebook: https://www.facebook.com/profile.php?id=61577010220015Instagram: https://www.instagram.com/arrival_arts_initiative/  

Daily Dad Jokes (08 Sep 2025) The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Interested in Business and Finance news? Then listen to our sister show: The Daily Business and Finance Show. Check out the website here or search "Daily Business and Finance Show" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: NoMoreTerritory, Longjumping_Glass157, Ogodei, Jtg1960, teutonic_knight93, Sir_Pluses, Peanutbuttercup328, Suspicious-Criminal, Suspicious-Criminal, nabuhabu, Joel_Boyens, Joel_Boyens, RedWriter_24, , RedWriter_24, buggedglue, WetTruckman, C-J-P-, SloshingWithEuphoria, Mowo5 Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

    Today on the podcast, we're joined by John Schafer, producer of the upcoming animated film The Light of the World, and Tom Bancroft, veteran Disney animator behind classics like Mulan and The Lion King. Together, they're bringing a powerful, faith-filled story to life through stunning 2D animation. Let's dive into the heart and vision behind the film. John Schfer is an innovative storyteller, director, producer, and brand manager. John has produced for television and film productions for over 33 years. His work on the Daytime EMMY® nominated CG series, Superbook (65 episodes), has been seen by millions of people in over 123 countries and is translated in over 56 languages.  Tom Bancroft has almost 25 years of experience in the animation industry, most of which was for Walt Disney Feature Animation where he was an animator for 11 years. He has been nominated for Annie and Rueben awards, spoken at the Kennedy Center and awarded an entry into the Chicago Children's Film Festival. While at Disney, Bancroft had the opportunity to contribute his talents to 10 animated feature films, five animated shorts, and numerous special projects and commercials. Among the classic films on which he worked are, "Beauty and the Beast," "The Lion King," "Aladdin," "Mulan" and "Brother Bear." He was also a character designer and director for Big Idea Productions, makers of the family-friendly "Veggietales" video series.

"You can't be that kinky!" Jack and Corey are joined by actor/writer/director Shinelle Azoroh (Swagger, The Good Doctor, Bruiser) to talk Pedro Almodóvar's controversial TIE ME UP! TIE ME DOWN! (1989)! The three talk the Criterion Collection, Sega Genesis filmmaking, Stockholm Syndrome, weird kinks, Antonio Banderas' sex appeal, scuba diver toys in the bathtub, the X rating, Victoria Abril's carpet, Almadovar's incredible aesthetic, fake knots, Beauty and The Beast, God in Denzel's voice, addiction metaphors, kidnapping romance movies and Resistiré!Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Thomas continues his series on children's books with the (an?) original Beauty and the Beast tale. It's pretty lovely. Is it bad if I want to be Thomas's kid?

This week, a blast from the past from Imagineering, World Princess Week, 70 hours of celebrations in Anaheim, some Disneyland Resort Hotel perks are leaving, Halloween changes, we talk to David Sparks about Disneyland, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Destination D23, the east coast version of the D23 Ultimate Fan Event in Anaheim, is taking place August 29-31st. D23 Gold Members are invited to join a selection of the event online on Saturday, August 30th, and Sunday, August 31st. The stream will feature select panels including the welcome from Michael Vargo, X Atencio: The Untold Story of a Disney Legend, Be Our Guest with Disney on Broadway, Beyond the Spires: An Insider Look at Disney Castles, and many more. Check out the link in the show notes to sign up and see all the details. – https://d23.com/d23-event/d23-gold-theater-destination-d23-livestream/ https://blogmickey.com/2025/07/disney-plus-subscribers-free-d23-gold-membership-offer/ Fan's of the Disney Channel at the turn of the century might remember a mini-matronic named Tom Morrow 2.0. Well, he is back hosting Imagineer That on the Walt Disney Imagineering YouTube Channel. Imagineer That! was a mini-show on Disney Channel that answered questions about Imagineering including the science, storytelling, and engineering behind the attractions in the Disney Parks. Tom Morrow is doing all that again on YouTube, talking to the Imagineers of today about these topics. The first episode is out now at the link in our show notes. – https://disneyparksblog.com/disney-experiences/imagineer-that-returns-with-tom-morrow-2-0/ https://youtu.be/0gal-ucgFKU This week is World Princess Week! To celebrate, Disney has a whole lineup of things to take part in. On August 29, the Disney YouTube channel will host a Royal Concert from Disneyland Park. It was filmed in front of Sleeping Beauty Castle, and features voice talent like Jodi Benson – Ariel from the Little Mermaid, Paige O'Hara – Belle from Beauty and the Beast, Anika Noni Rose – Tiana from Princess and the Frog, and Auli'i Cravalho – Moana from Moana and Moana 2. Ginnifer Goodwin – Snow White from Once Upon a Time, and Susan Eagan – Meg from Hurcules host. A Royal Ride Along will feature Jodi Benson taking viewers through Ariel's Undersea Adventure on YouTube as well. DIsney+ is hosting a marathon of Pricess classics, along with a LEGO Disney Pricess: Villains Unite original. There is so much more. Visit the link in the show notes for all the details. – https://disneyparksblog.com/disney-experiences/world-princess-week-2025-how-to-join-the-royal-celebration/ Disneyland Resort celebrated its 70th anniversary by spreading magic over 70 hours across Anaheim from August 20 through August 22, 2025, with surprise events, including school celebrations, senior sock hops, visits to first responders, veterans, and families. Live entertainment, Disney characters, gifts, and community connections were brought to neighborhoods throughout the city. The festivities included generous acts such as donation vouchers for schools, storytimes and sing‑alongs at libraries, and a $50,000 gift to the Anaheim High School Chamber Singers, all aimed at fostering joy and support across the community. The closing highlight featured a spirited halftime show at Katella High School's football game, complete with dance teams, a Disneyland Band performance, character appearances, popcorn, and giveaways. – https://disneyparksblog.com/dlr/disneyland-gives-back-to-anaheim-with-70-happiest-hours-initiative/ Starting in 2026, changes to perks at the Disneyland Resort Hotels will be changing. The first big change is the discontinuation of early entry starting January 5th. Instead, guests will be given one Lightning Lane per guest per stay. Pixar Place Hotel guests will also lose their private entrance into Disney California Adventure. Guests can still use the Grand Californian entrance. – https://www.micechat.com/421772-disneyland-update-halloween-time-treats-and-a-few-tricks/ Halloween Time has officially begun at Disneyland and some of the decorations have been updated for this year. Along Main Street, the decorations on the lamp posts have lost the “Halloween Time” text, and now feature fall foliage. In the hub, the Critter Country pumpkin that featured Winnie the Pooh has been replaced with a Bayou Country pumpkin featuring Princess Tiana. – https://www.micechat.com/421772-disneyland-update-halloween-time-treats-and-a-few-tricks/ Haunted Mansion Holiday has returned once again this year. Changes to the attraction include an updated gingerbread house in the ballroom, like usual. This year, the gingerbread house isn't as animated as in the past. The Oogie Boogie at the end of the attraction has also been updated and is much more fluid than the previous animatronic, which debuted back in 2003. – https://www.micechat.com/421772-disneyland-update-halloween-time-treats-and-a-few-tricks/ https://www.laughingplace.com/disney-parks/disneyland-haunted-mansion-holiday-2025-pov/ In a little bit of better late than never news, two new 70th Anniversary-inspired Coca-Cola bottles will be debuting at the resort. The new designs are on the Original Taste and Zero Sugar bottles and feature jewel tone sparkles and a motif of Sleeping Beauty Castle. The Original has purple, yellow, and orange colors, with Zero featuring purple, blue, and fuchsia. The new bottles will launch at the resort on September 1st. – https://www.laughingplace.com/disney-parks/disneyland-70th-coca-cola-bottles/ SnackChat: Jack-Jack Cookie Num Nums – https://disneyland.disney.go.com/dining/disney-california-adventure/jack-jack-cookie-num-nums/menus/ Adorable Snowman Frosted Treats – https://disneyland.disney.go.com/dining/disney-california-adventure/adorable-snowman-frosted-treats/menus/snack/ Discussion Topic: David Sparks https://www.macsparky.com/

I may have a unique way of looking at the world - but I can't help it. Even while sitting in the audience of the Broadway production of Beauty and the Beast, I found myself pulling out leadership lessons. In this episode, I share some fun (and maybe surprising) connections between Disney's tale as old as time and the way we lead. From Insights Discovery color energies reflected in characters like Cogsworth, Lumiere, Belle, and the Beast… to the reminder that leadership isn't about being the loudest voice in the room… to the power of curiosity, beliefs, and collective hope - I'll show you how this classic story can inspire your own leadership. So grab your proverbial enchanted rose and listen in. You might just see your leadership in a new light. Enjoy! Angie Robinson Links + Ways to Connect: Show Notes: Episode 189 Show Notes Subscribe to my newsletter! Angie Robinson Coaching Website Schedule a free Discovery Call   Angie Robinson LinkedIn Angie Robinson Coaching Instagram Angie Robinson Coaching Facebook