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In this episode, I was joined by Debbie O'Brien to chat about Playwright - Microsoft's open-source end-to-end testing framework. I'm a huge fan of Playwright, so I was really excited to have this chat with Debbie. We covered a lot of ground, including features such as Codegen, Trace Viewer, and UI Mode. We also spoke a lot about AI - including the exciting Playwright MCP Server which enables AI agents to automate browser interactions!Debbie has been an integral part of Playwright as a Principal Program Manager at Microsoft and has led the Playwright community, shaping much of what Playwright has become today - driving a lot of the features mentioned above. She's also a Google Developer Expert in web technologies, Nuxt Ambassador, and is a former Microsoft Most Valuable Professional in developer technologies, Media Developer Expert and GitHub star alumni.For a full list of show notes, or to add comments - please see the website here
My guest is award-winning, world known American playwright, poet, novelist, essayist, song writer, composer, editor and publisher, Ishmael Reed.A San Francisco resident, he is known for his satirical works challenging the American political culture. He taught at the University of California at Berkley for many years. He is best known for his 1972 release of Mumbo Jumbo. He recently release a jazz album he composed and produced. This Podcast is produced, directed, edited and host by Stephen E Davis. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Today we're honored to welcome Stan Lai, one of the world's most celebrated playwrights and theatre directors. He has been called by one critic ‘the major contemporary Asian playwright of his time, perhaps of all time' and by the BBC ‘the best Chinese-language playwright and director in the world'. Stan's Website @Stanlai99 on Instagram Stan on YouTube Born in the U.S. and raised in both America and Taiwan, Stan earned his PhD from UC Berkeley before launching a groundbreaking career in Taiwan that now spans over 40 acclaimed plays, including masterpieces like A Dream Like a Dream and Secret Love in Peach Blossom Land. He's also the co-founder of the Wuzhen Theatre Festival and Huichang Theatre Village in China, and his Shanghai venue, Theatre Above, is dedicated entirely to his work.Stan joins us today to discuss his new book, CreativitRy: Asia's Iconic Playwright Reveals the Art of Creativity, coming in November 2025 from Anthem Press — a transformative guide that blends memoir, Buddhist philosophy, and practical methods for unlocking the creative potential that lives within each of us. https://a.co/d/56PRqeG5 QuestionsThe Source of CreativityStan, you've said that CreativitRy explores “where creativity lives — within each and every one of us.” How did your own creative process as a playwright and director lead you to this realization, and what inspired you to put these ideas into book form?From Stage to Page — Translating Art into InsightYour plays are known for their emotional depth and philosophical reach. How was writing about creativity — in prose rather than in performance — a different kind of creative act for you?Buddhist Wisdom and Creative FlowYou describe the book as rooted in Buddhist thought, guiding readers to unlock creativity through introspection rather than productivity hacks. How do mindfulness and spiritual awareness shape your own approach to artistic creation?Creativity as Education — A New FrontierCreativitRy is being adopted as the foundational text for a new Department of Creative Studies at major Chinese universities. How did that initiative come about, and what does it say about the growing importance of creativity in education and society today?The Universality of the Creative JourneyYou've been praised by artists like Ang Lee and Jack Ma for bridging the arts, business, and human growth. What do you hope readers — whether they're artists, entrepreneurs, or students — will take away from CreativitRy about living a truly creative life?Stan, as we close, what's one piece of advice you'd offer to someone who feels disconnected from their creativity — someone who wants to rediscover that creative energy in everyday life?Thanks to our sponsor, White Cloud Coffee — fueling creative conversations everywhere. Listeners, enjoy 10% off your first order at whitecloudcoffee.com.And be sure to download your free e-book of Your World of Creativity when you visit
A celebrated playwright at the height of fame, Oscar Wilde became fodder for scandal and ruin when he chose love over self-preservation. His brilliant career was extinguished in a courtroom where his queerness became the weapon used to destroy him. In 1895 Victorian England, homosexuality was not just taboo, it was a crime, and Oscar Wilde's passionate affair with Lord Alfred “Bosie” Douglas drew the wrath of Bosie's father, the Marquess of Queensberry. What began as a libel suit against that father's public accusation of “posing as a sodomite” thrust Wilde into a nightmarish legal spectacle that exposed his private life to the world's prying eyes. As the libel case collapsed, the evidence gathered was turned over to authorities, leading to multiple trials for gross indecency under laws that criminalized queer intimacy. Newspapers and courtroom spectators dissected Wilde's love, his works, and the very phrase “the love that dare not speak its name,” turning a queer history moment into a public obsession. Hostile judges, invasive testimony, and Victorian moral panic culminated in a devastating conviction, years of hard labor, and exile in France, where Wilde's health, reputation, and family were forever altered. This episode examines the personal cost of queer desire under oppressive laws and the cultural backlash that followed one of the most infamous queer trials ever. Hosted by Jordi and Brad, Beers With Queers brings chilling crimes, queer stories, and twisted justice to light, all with a cold one in hand. Press play, grab a drink, and join us as we uncover the darkest corners of LGBTQ+ history. Hosted on Acast. See acast.com/privacy for more information.
Claire Louise Amias is an actor and playwright. She has worked extensively on screen and stage, including feature films, No. 1 touring, West End and regional theatre.She is also Co-Artistic Director of A Monkey With Cymbals Theatre Company and has written, acted in and produced several projects. The Masks of Aphra Behn is an Offie award-winning one-woman show about the first professional female writer in the English language; the show went on a national tour and helped raise funds for the successful A is for Aphra statue campaign. She wrote a follow-up play, Oranges & Ink, about Behn's possible friendship with Nell Gwynn; this was Offie-nominated and had a West End run. Her current project is Haunted Shadows: The Gothic Tales of Edith Nesbit, which will begin touring the UK on 24 October, running until May next year. This is an adaptation of three of Edith Nesbit's creepiest stories. Find out more about Claire and book for Haunted Shadows at https://www.amonkeywithcymbals.co.uk/
Ron Faber (left) and Stephen Stout (right) in Lucky Stiff. Photo by Peter Cunningham. This episode of Settling Scores dives into the delightfully offbeat world of Lucky Stiff, the cult-favorite musical that helped launch the legendary songwriting team of Lynn Ahrens and Stephen Flaherty. With its rapid-fire wit, breakneck(!) farce, and charming score, Lucky Stiff showcases the early sparks of a musical theatre partnership that would go on to create Ragtime, Once on This Island, and Anastasia. We'll attempt to outline the show's wild plot and swoon over some lovely musical moments, all while tracing how Ahrens and Flaherty's unique voice first took shape. Along the way, we unpack behind-the-scenes stories, creative risks, and why this small, zany musical still punches far above its weight. Call it a love letter to joyful absurdity. Perfect for fans who like their Broadway deep dives smart, irreverent...and perhaps a little feisty! Join us over on our Facebook and Instagram pages for more content and to share your thoughts with us! Stephen Flaherty and Lynn Ahrens circa 1988 Julie White and Stephen Stout in Lucky Stiff. Photo by Peter Cunningham. New York Times review of Lucky Stiff from 4/27/1988 John Scamardella (standing) and Steve Mook (seated). Pull-Tight Players Theatre production of Lucky Stiff, 2025. Photo credit: Three Wishes Photography Jeremy Hargis (left) and Bre Hall (right). Pull-Tight Players Theatre production of Lucky Stiff, 2025. Photo credit: Three Wishes Photography The incomparable Mary Testa. Original playbill from Playwright's Horizon The *interesting* movie version of Lucky Stiff.
He was the most celebrated writer in London, adored on stage with a bright future ahead of him. But he was living a secret life that Victorian society was waiting to punish.Before courtrooms, prison cells, and public disgrace, Oscar Wilde was a literary star at the height of his power. A brilliant author and celebrated playwright, he moved through London society with wit, charm, and dangerous visibility. But beneath the applause was a rigid moral world built on repression, surveillance, and fear of difference. In this episode of our LGBTQ+ true crime podcast, we explore Wilde's rise, the social rules of Victorian England, and the unspoken risks of queer life in an era where reputation was everything. This is not yet the scandal, but the pressure building beneath it, and the society that made his fall inevitable.Blending queer history with true crime from a queer perspective, this episode sets the stage for one of the most consequential persecutions of a gay figure in history, and why Wilde's story still resonates today.Hosted by Jordi and Brad, Beers With Queers examines chilling crimes, queer history, and twisted justice through a sharp and thoughtful lens.Press play, grab a drink, and join us as we step inside the world Oscar Wilde ruled, just before everything collapsed.
TestTalks | Automation Awesomeness | Helping YOU Succeed with Test Automation
What if understanding your codebase was no longer a blocker for great testing? Most testers were trained to work around the code — clicking through UIs, guessing selectors, and relying on outdated docs or developer explanations. In this episode, Playwright expert Ben Fellows flip that model on its head. Using AI tools like Cursor, testers can now explore the codebase directly — asking questions, uncovering APIs, understanding data relationships, and spotting risk before a single test is written. This isn't about becoming a developer. It's about using AI to finally see how the system really works — and using that insight to test smarter, earlier, and with far more confidence. If you've ever joined a new team, inherited a legacy app, or struggled to understand what really changed in a release, this episode is for you. Registration for Automation Guild 2026 Now: https://testguild.me/podag26
State of the Arts Episode 263 is now available for streaming on Spotify! I welcome Joseph McDonough to this podcast episode to discuss his most recent Off-Broadway musical, “This Is Not a Drill,” which he coauthored with songwriter/composer Holly Doubet. This production is a powerful, timely work and a masterpiece that I had the privilege of seeing. My distinguished guest is a playwright with a flourishing career that includes works such as Wayfarer's Rest, One, Travels of Angelica, and Stone My Heart. He is also the writer of adaptations, plays for young audiences, and musicals that he co-created with composer and lyricist David Kisor. In this engaging episode, we explore “This Is Not a Drill,” a powerful, Broadway-caliber work that showcases his extraordinary talent.
Episode NotesGuest: Keenan Scott II Playwright of Thoughts of a Colored ManOfficial Website: https://www.keenanscott.com/Instagram: https://www.instagram.com/keenanthemuse/Keenan Scott II Bio: Keenan Scott II is a playwright, poet, actor, director, and producer of original work from Queens, New York. His work has been workshopped and produced at notable theaters such as National Black Theater, New York Theater Workshop, Arena Stage, and Woolly Mammoth. After years of readings, workshops, and independent shows, ‘Thoughts of a Colored Man' made its commercial world premiere at Syracuse Stage during the 2019-2020 season and transferred to Baltimore Center Stage to finish its regional run before settling at the Golden Theater during the 2021-2022 Broadway Season, where he made his writing and unconventional acting debut. Scott was chosen to be a part of the 2021 TED Fellow cohort to be among a global community of artists, inventors, and scientists. His new original musical The Return of Young Boy, started development at New York Stage & Film and has sights on the 2025-26 theater season for its regional stage debut. He has numerous stage plays and projects in television and film in various stages of development. In 2020, he formed Project Toys Entertainment, a dynamic and innovative company at the intersection of Theatre, TV, Film, Visual Art, and more. Project Toys is not just an ordinary production company; it is a creative art studio that embraces the spirit of childlike wonder and channels it into captivating experiences across multiple mediums. The mission is to bring joy, inspiration, and thought-provoking content to audiences of all ages, transcending boundaries and captivating hearts and minds.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparKeenan Scott II The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Brett Allan Show — Conversation with Actor & Playwright Dan Lauria In this episode of The Brett Allan Show, Brett sits down with the legendary actor, writer, and storyteller Dan Lauria—best known for his iconic role as Jack Arnold on The Wonder Years, his work on Sullivan & Son, countless television and film credits, and his ongoing impact on the American theatre scene. Dan joins the show to talk about his brand-new play the evolution of modern storytelling, the real future of Hollywood, and what continues to inspire him after decades in the industry. Whether you're a fan of his classic TV work, his stage productions, or you just love great conversation, this episode is a must-listen. ⭐ Episode Highlights Dan Lauria discusses his new play —how it came to life, the creative process, and what audiences can expect. The legacy of The Wonder Years: why the show still resonates across generations. Behind the scenes on Sullivan & Son and working alongside a comedy-driven cast. How the entertainment industry has changed—and Dan's unfiltered thoughts on where Hollywood is headed. The power of live theatre and why Dan continues to return to the stage. Advice for creators, writers, and actors navigating a shifting industry.
Send us a textIn this episode, musical theatre playwright Isaac Laskin stopped by Playwright's Spotlight to talk about the the development and evolution of his hit L.A. musical Hey, Morgan. He dispels the rumor of being challenged to write a musical about a dear friend, how the origination started as individual standalone songs about his roommate and how it later evolved into a musical. We unpack its growth from a short-run, small-theater production into a bigger, longer running show which included a copy of the soundtrack for the audience to leave with. We discuss the logistics of the cast album, writing multilayered/tracked songs, comedy in the current climate, pushing the envelope and crossing the line, and putting it out into the public for outside production. It's an inspiring conversation, where even the most simple concepts and turn into much more ambitious projects. Enjoy!Isaac Laskin is a musical playwright, actor, director, musician, and screenwriter. His hit musical Hey Morgan ran the LA circuit at The Attic Theater in January 2011 and made a revival at the Black Dalia Theatre from 2011 through 2012. He is a former English Teacher at the prestigious Harvard-Westlake Upper School in Los Angeles.To watch the video format of this episode, visit - https://youtu.be/IqpqINTDCfYLinks to sites and resources mentioned in this episode -The Geffen - https://www.geffenplayhouse.orgHey, Morgan on iTunes - https://music.apple.com/us/album/hey-morgan-original-cast-recording/1532877933Hey, Morgan on Spotify - https://open.spotify.com/artist/1wHV2oNiYxDpAgt68w9IYV?si=YIsPEbaVQ5WvlkbHzpsyKQThe Lincoln Bedroom on iTunes - https://music.apple.com/us/album/broken-record/1493495387Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Artspeak Radio, Wednesday, December 10, 2025, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes founder/artistic director Whim Productions Kevin King and actor Devin Burns, and Vulpes Bastille artists. Whim Productions' World Premiere of "My Kid's Christmas Program" is Chaotic Holiday Fun Whim Productions, KC's LGBTQ+ theater company, is putting on a holiday program! But in My Kid's Christmas Program, written by Kevin King, the tinsel's tangled, the pageant's off the rails, and Miss Peach's Academy has lost its auditorium. You're invited to the annual holiday pageant for Miss Peach's Academy. Forced to relocate to Whim Space after a series of mishaps, the “kids” (played by adults) are ready to belt and blunder their way through a holiday pageant like no other. It's the holiday program you remember... just with more sass, irreverence, and emotional baggage. A delightfully twisted immersive experience for the grown-ups who survived grade-school pageants. There are only five performances of this fourth-wall-breaking, silly, and unserious production, and no two are exactly alike. Catch the holiday spirit while you can! Content Advisory: Suggested for ages 16+. Ticket Information: • Full-price tickets start at $30. Pay What You Whim pricing is available on select dates. • Tickets are available now at whimproductions.org. Run Time: ~90 minutes Venue: Whim Space, 415 Prospect, Kansas City, MO 64124 Dates and Times: Thurs. December 11, 7:30 pm (Preview) Fri. December 12, 7:30 pm Sat. December 13, 7:30 pm Sun. December 14, 3:00 pm Mon. December 15, 7:30 pm Cast includes: Abigail Brisbane Devin Burns Michael Golliher Pete Kuhn Brad Mathewson Tiffany Michelle Gabriel Noah Orpheyuss Sandy Osborn Kyle Tichenor Jerry Tracy Diana Watts Creative includes: Playwright & Director - Kevin King Choreography - Meghann Deveroux Scenic Design - Austin Cecil Lighting Design - Austin VanWinkle Whim Productions, founded in 2011, creates challenging and evocative queer theater. We focus on providing opportunities for LGBTQ+ theater artists to tell their own stories and share the diversity of queer experiences with Kansas City audiences. VULPES BASTILLE is an artist-run space in Kansas City's East Crossroads that houses twelve studios and hosts monthly exhibitions selected through an open call. Located in a 100-year-old renovated dancehall, Vulpes Bastille offers an expansive platform for the community to create and display work, with an emphasis on experimental projects, emerging voices, and students. Vulpes Bastille has remained a fortress for Kansas City's creative community since 2012. This month, Vulpes Bastille proudly presents two new exhibitions Please Don't Touch the Art and At Least You Can't Be Sad If There Are Balloons. Please Don't Touch the Art, featuring more than 50 staff members of the Nelson-Atkins Museum of Art organized by Nora Snyder. Please Don't Touch the Art is a group exhibition featuring more than fifty employees of the Nelson-Atkins Museum of Art. From security guards and custodians to administrative assistants and art handlers, the staff of the Nelson-Atkins Museum of Art keeps the museum running smoothly for the benefit of the people of Kansas City. But what the public doesn't get to see is that members of the museum staff often harbor artistic talents of their own. Naturally, the museum draws a community of caretakers who love art and devote their lives to it in more than one sense. Organized by artist and museum employee Nora Snyder, Please Don't Touch the Art showcases the diverse and extraordinary talents of the NAMA staff. Currently on view Closing Reception: Monday, December 22, 6 - 9 pm At Least You Can't Be Sad If There Are Balloons, a solo exhibition of 17 self-portrait paintings by Corey Green. In my work, I use balloons as a powerful symbol of the pressure and trials that have shaped my life—experiences that have stretched me to my limits and at times, deflated me. Balloons, filled with air, reflect moments of tension and build-up, but they also speak to the inevitable deflation that follows. For me, the image of a balloon is both a metaphor for resilience and vulnerability: the pressure of life pushing me to expand, only to be followed by the emptiness and raw exposure that comes when that pressure subsides or bursts. My work is an invitation to reflect on these moments of transformation—how pressure, release, and deflation are not signs of weakness, but steps in a continual process of transformation and survival. Currently on view Closing Reception: Wednesday, December 17, 6:30 - 8:30 pm (on view until Monday, December 22) Both shows will be on view through December 22, with gallery hours from Sundays 1-4 pm. You can also email us to schedule an appointment. On Wednesday, December 17 from 6:30 - 8:30 pm, we invite you to Corey Green's half-birthday party and the closing reception for At least you can't be sad if there are balloons. The artists will host a closing reception for Please Don't Touch the Art on Monday, December 22 from 6-9 pm. Also this month, on Saturday, December 13 from 7-8 pm, we're co-hosting a Poetry Reading with Bear Review featuring Clayton Adam Clark and Ruth Williams. Vulpes Bastille is located at 1737 Locust St. KCMO www.vulpesbastille.com Gallery Hours: First Fridays 6-9 PM Sundays 1-4 PM By Appointment
On the Overthinking It Podcast, we pay tribute to Tom Stoppard and discuss one of his greatest plays, “Arcadia” (1993). Episode 909: Tom Stoppard was an English Playwright originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]
Guest: Abe KooglerPlaywright of Deep Blue Sound, Staff Meal, Fulfillment Center, Kill Floor, Aspen Ideas, Lisa My Friend, and Blue Skies ProcessOfficial Website: https://www.abekoogler.com/Instagram: https://www.instagram.com/abekoogAbout Abe Koogler: Abe's plays include Deep Blue Sound (Public Theatre), Staff Meal (Playwrights Horizons), Fulfillment Center (Manhattan Theatre Club, Obie Award), Kill Floor (Lincoln Center Theater), Aspen Ideas (Studio Theatre), Lisa My Friend (Kitchen Dog), and Blue Skies Process (Goodman Theatre). Abe has won an Obie Award in Playwriting, the Weissberger Award, the Dramatists Guild's Lanford Wilson Award, and the Theater Master's Standing Ovation Award. He earned graduate degrees in playwriting from UT-Austin and Juilliard. His plays have been directed by Arin Arbus, Morgan Green, Daniel Aukin, Lila Neugebauer, Les Waters, and Will Davis, among others. He also works as a political speechwriter. The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparAbe Koogler The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter
We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett. Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Andrew kicks off at 8 a.m. with six Docker containers running, and he and Chris dive into what modern Rails development looks like inside dev containers—covering Rails' own images and features, using Mise and Playwright instead of Selenium, and why OrbStack has replaced Docker Desktop on their Macs. They talk through the trade-offs of running services in containers, the quirks of Kamal's new local registry, and how Chris is turning all of this into a practical SaaS building series that shows real-world deployment and scaling with tools like JudoScale. Along the way, they weave in life updates about new babies, daycare costs, and even the power needs of AI data centers and nuclear energy. Press download now to hear more! LinksChris Oliver XAndrew Mason BlueskyJudoscale- Remote Ruby listener giftWhy Playwright Is Less Flaky Than Selenium by Justin SearlsRails Dev Container Images & FeaturesRuby on MacJudoscale-Process Utilization: How We Actually Track ThatGoRails- Domain Monitor SaaS- Adding the Domain ModelCheeky Pint PodcastSmarter Every Day (YouTube)The DiplomatThe Girlfriend Chris Oliver X/Twitter Andrew Mason X/Twitter Jason Charnes X/Twitter
Initiative runs at the Public Theater through December 7th. For more information, visit www.publictheater.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
Queens, a production of Manhattan Theatre Club, runs at New York City Center Stage I through December 7th. For more information, visit www.manhattantheatreclub.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett. Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Lauren Gunderson: Playwright, the “Christmas at Pemberley” series, The Book of Will Lauren Gunderson, recognized as the most produced contemporary playwright in America four of the last five years, including 2025, in conversation with host Richard Wolinsky. Lauren Gunderson is a prolific playwright whose plays are produced all over North America and in Britain and Europe. She is best known for such plays as “The Book of Will” and the “Christmas at Pemberley” series of three plays (co-written by Margot Malcon). She also worked on the script for the Pixar film “Lightyear,” and her book for the musical version of “The Time Traveler's Wife” recently played in London. As of the first week in December, two plays are currently being produced in the San Francisco Bay Area. Georgiana and Kitty: Christmas at Pemberley, runs December 5-28 at TheatreWorks Lucie Stern Theatre in Palo Alto, and Ada and the Engine plays at the Pear Theatre in Mountain View through December 7th. A third play, Louisa Alcott's Little Women played earlier in 2025 at TheatreWorks in Mountain View, and plays at Portland Center Stage through December 21st. In this interview, she discusses those plays and others, with emphasis on Muse of Fire, in which she performs, directed by Evren Odcikin, which wil be produced by the Magic Theatre from September 22nd through October 11th. Among upcoming plays in 2026 are Silent Sky in Bethesda Maryland in February. The Book of Will in Wisconsin in January and Raleigh, North Carolina in April, The Revolutionists in Rhode Island in May and Raleigh in August, Louisa May Alcott's Little Women at the Guthrie in Minnesota next April through June. The Half Life of Marie Curie will be in Eureka California iwill be performed in February, 2026 in Eureka, California. . Alan Furst: Master Spy Novelist Alan Furst, historical spy novelist, discussing his early career and resistance during World War II in a unaired excerpts from an interview recorded September 26, 2002 in the KPFA studios while he was on tour for Blood of Victory. His latest novel, Under Occupation, was published in 2019. Alan Furst's career took off with his novel Kingdom of Shadows in 2000, the sixth book in his series of stand-alone novels about heros and villains in Europe in the years leading up to, and including World War II. Suffused with atmosphere, his books feel as if you're living with the characters in those haunted times. Of course, there is added resonance as we live through what might be similar times today. These excerpts are from the second of five Bookwaves interviews with Alan Furst. Hosted by Richard Wolinsky. Alan Furst Wikipedia page Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for readings and events. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre Judy Garland, We Need A Little Christmas with Debbie Wileman, Strand, Dec. 6-7. Rudolph & Scrooge, A YC Double Feature, December 18-20, Strand. A Streetcar Named Desire by Tennessee Williams, Jan. 21 – Feb. 1, 2026, Toni Rembe (Geary). Paranormal Activity, Feb. 19 – March 15, Toni Rembe. Awesome Theatre Company. See website for information. Berkeley Playhouse. Annie. November 7- December 21. Once, February 20 – March 22. Berkeley Rep. The Hills of California .by Jez Butterworth, Oct. 31 – Dec. 7, Roda Theatre. Mother of Exiles by Jessica Huang, World Premiere, Nov. 14 – Dec. 21, Peets Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: The Golden Girls Live, December 4-21, Curran. Moulin Rouge! The Musical, December 16-28, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: A Beautiful Noise, December 30 – January 4. See website for other events. Center REP: A Christmas Carol, Dec. 10 – 21.. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works See website for information on the 2026 season. Cinnabar Theatre. Holiday Songbook, Dec. 19-21. My Fair Lady, January 23 – February 8, 2026. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Ebenezer Scrooge, an adaptation of “A Christmas Carol” by Joel Roster, December 6 – 21. . See website for other events. Golden Thread See website for upcoming productions. Hillbarn Theatre: Rogers & Hammerstein's Cinderella, December 4 – 28. Lorraine Hansberry Theatre. Soulful Christmas, December 19-21, Magic Theatre. Los Altos Stage Company. A Christmas Carol, November 28 – December 21.. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. Lorraine Hansberry Theatre presents Soulful Christmas, December 19-21. Marin Shakespeare Company: See website for events and productions. Marin Theatre: The Gift of Nothing by Patrick McDonnell, Aaron Posner and Erin Weaver, Dec. 13 – 23. .The Cherry Orchard by Anton Chekhov Jan . 29 – Feb. 22, 2026. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Ruthless, Dec. 5 – January 11, 2026. New Performance Traditions. See website for upcoming schedule Oakland Theater Project. Cabaret, November 21 – December 14. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. Ada & The Engine by Lauren Gunderson, November 21 – December 7. See website for staged readings and other events. Playful People Productions. See website for upcoming productions. Presidio Theatre. Peter Pan Panto, Nov. 29 – Dec. 28. See website for complete schedule of events and performances. Ray of Light: Mean Girls. May 2026. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Into the Woods. November 30 – January 17, 2026. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for events and upcoming season Shotgun Players. Sunday in the Park with George, November 15 – December 30. South Bay Musical Theatre: Let It Snow: A Broadway Holiday Celebration, December 20-21, Little Women, The Broadway Musical, January 24 – February 14, 2026. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions.. Theatre Rhino Pirates! by John Fisher, December 4 – 13. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Georgiana & Kitty, Christmas at Pemberley by Lauren Gunderson and Margot Melcon, Dec. 3 – 28, Lucie Stern Theatre, Palo Alto. Word for Word. See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . The post December 4, 2025: Lauren Gunderson, Oft-Produced Contemporary Playwright appeared first on KPFA.
What tool is trying to give testers more control over flakiness and element changes—without rewriting everything? How do you migrate cypress test to playwright? Have you seen how to do Mobile App Testing with AI Agents? Find out in this episode of the Test Guild New Shows for the week of Nov 30th. So, grab your favorite cup of coffee or tea, and let's do this. Time News Title link 0:16 TestDriver Studio https://testguild.me/xerfrh 1:55 Migrate Cypress to Playwright https://testgld.link/YbsqoUGB 2:41 Playwright + Goose https://testgld.link/VHiadxOD 4:24 Mobile App Testing with AI Agents https://testgld.link/8nvhKfPy 5:40 AI mobile app security testing https://testgld.link/MSetcg20 6:58 Qa needs to understand architecture https://testgld.link/quQ7n6t3 8:18 Webinar of the week https://testgld.link/GlVKIRWZ 9:26 ZAPTEST AI https://testguild.me/ZAPTESTNEWS
We dedicate this episode to the loving memory of Linda Ward. Now one with the force, her endless contributions to the Star Wars Community will never be forgotten.Peter & Jason breakdown the latest coming and going in a galaxy far far away with talking points including:- Jason's MCM Birmingham comic con experience .- Tom Stoppard, Playwright and Oscar-Winning Screenwriter, Dies at 88.- Ahsoka's Claudia Black on Why She's Not Returning for Season 2.- Jeremy Allen White Reveals How He Got Cast in The Mandalorian and Grogu.- Thomas Newman to Score Star Wars: Starfighter .- Donald Glover Reveals Health Reasons That Caused Him to Cancel Childish Gambino Tour.Follow us:Patreonhttps://patreon.com/StarBoresX (twitter)https://twitter.com/BoresStarTikTokhttp://tiktok.com/@starborespodcastInstagramhttps://www.instagram.com/starborespodcast/YouTubehttps://www.youtube.com/channel/UCLmtO6_i6WBBlVIm2h0V-qwFaceBookhttps://www.facebook.com/StarBoresPodcast
Lauren Gunderson, recognized as the most produced contemporary playwright in America four of the last five years, including 2025, in conversation with host Richard Wolinsky. Lauren Gunderson is a prolific playwright whose plays are produced all over North America and in Britain and Europe. She is best known for such plays as “The Book of Will” and the “Christmas at Pemberley” series of three plays (co-written by Margot Malcon). She also worked on the script for the Pixar film “Lightyear,” and her book for the musical version of “The Time Traveler's Wife” recently played in London. As of the first week in December, two plays are currently being produced in the San Francisco Bay Area. Georgiana and Kitty: Christmas at Pemberley, runs December 5-28 at TheatreWorks Lucie Stern Theatre in Palo Alto, and Ada and the Engine plays at the Pear Theatre in Mountain View through December 7th. A third play, Louisa Alcott's Little Women played earlier in 2025 at TheatreWorks in Mountain View, and plays at Portland Center Stage through December 21st. In this interview, she discusses those plays and others, with emphasis on Muse of Fire, in which she performs, directed by Evren Odcikin, which wil be produced by the Magic Theatre from September 22nd through October 11th. Among upcoming plays in 2026 are Silent Sky in Bethesda Maryland in February. The Book of Will in Wisconsin in January and Raleigh, North Carolina in April, The Revolutionists in Rhode Island in May and Raleigh in August, Louisa May Alcott's Little Women at the Guthrie in Minnesota next April through June. The Half Life of Marie Curie will be in Eureka California iwill be performed in February, 2026 in Eureka, California. The post Lauren Gunderson, Noted Contemporary Playwright, the “Christmas in Pemberley” series appeared first on KPFA.
Sir Tom's best-known works include Arcadia, The Real Thing and Rozencrantz and Guildenstern Are Dead.
AP correspondent Karen Chammas reports on the death of renowned playwright Tom Stoppard.
‘Moulin Rouge! The Musical' is running at Bord Gáis Energy Theatre from November 2025 to January 11.Joining Andrea to discuss is Tony and Academy Award–nominated Playwright, Screenwriter, and Producer behind the show, John Logan!
Prodcast: ПоиÑк работы в IT и переезд в СШÐ
У меня в гостях Антон Денисенко — QA-инженер с 13-летним опытом, который прошёл через один из самых тяжелых периодов в карьере: потерю работы во время беременности жены, полгода отказов и десятки онлайн-интервью, которые так и не сработали.В этом выпуске мы подробно разобрали, как изменилась индустрия QA к 25 году: почему входящие запросы от рекрутеров почти исчезли, как индийские «прокладки» создают хаос на рынке, что происходит внутри крупных рекрутинговых агентств и как компании на самом деле выбирают кандидатов. Обсудили, почему Антон проваливал видеоинтервью и как первое очное собеседование полностью изменило его траекторию. Разобрали реальные кейсы найма — от того, кого сразу отсеивают по LinkedIn-профилю, до историй о провале офера из-за одной строчки в резюме.Мы также поговорили о том, что сегодня действительно работает в поиске работы для QA: автоматизация, Playwright, грамотное общение с рекрутерами, обновление навыков и умение адаптировать резюме под каждую роль.Антон Денисенко (Anton Denysenko) — QA Engineer 13-летним опытом в американских компаниях LinkedIn: https://www.linkedin.com/in/antondenysenko/Записывайтесь на карьерную консультацию (резюме, LinkedIn, карьерная стратегия, поиск работы в США):https://annanaumova.comКоучинг (синдром самозванца, прокрастинация, неуверенность в себе, страхи, лень):https://annanaumova.notion.site/3f6ea5ce89694c93afb1156df3c903abОнлайн курс "Идеальное резюме и поиск работы в США":https://go.mbastrategy.com/resumecoursemainГайд "Идеальное американское резюме":https://go.mbastrategy.com/usresumeГайд "Как оформить профиль в LinkedIn, чтобы рекрутеры не смогли пройти мимо":https://go.mbastrategy.com/linkedinguideМой Telegram-канал: https://t.me/prodcastUSA Мой Instagram: https://www.instagram.com/prodcast.us/Prodcast в соцсетях и на всех подкаст платформах:https://linktr.ee/prodcastUS⏰ Timecodes ⏰00:00 Начало6:08 Когда и почему ты потерял работу в марте 2025? Что произошло?12:07 С чего ты начал поиск работы? Как использовал LinkedIn?17:53 Сколько откликов в день ты делал? Какая была конверсия?21:48 Рекрутеры из агентств - как отличить дельные компании от прокладок?29:04 Как использовал другие способы поиска работы?33:26 Почему не проходил интервью с компания?43:44 Как ты в итоге получил свой оффер?50:08 Как ты адаптировал менеджерский опыт в резюме?57:42 Как ты справлялся эмоционально?1:00:49 Что изменилось на рынке QA за последние годы?1:04:16 Когда ты был менеджером, как ты нанимал QA специалистов?1:12:53 Какие 3 главных урока ты вынес из этого опыта поиска работы?1:17:34 Что можешь посоветовать тем, кто сейчас ищет работу в QA в 2025 году?
John Maytham is joined by Amy Jephta, celebrated playwright, filmmaker, and advocate for authentic South African storytelling – to discuss her nomination for the Susan Blackburn award. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.
My guest today is a woman on a mission to preserve the language of her grandparents. Playwright, screenwriter and novelist Samantha Ellis is the author of one of my personal favourites How To Be A Heroine. Sam was in her early 40s and a new mum when it dawned on her that her mother tongue - or milk language - was on the verge of dying out. The daughter of Iraqi-Jewish refugees, Sam grew up surrounded by the noisy vivid hot sounds of Judeo-Iraqi Arabic, but when she tried to tell her son he was chopping onions on her heart, she realised she couldn't find the words - and even if she could, he wouldn't understand them. In her evocatively titled book of the same name, Sam goes back through the lives of her parents and grandparents, from Iraq to Israel to London and in so doing discovers far more about herself than she could ever have imagined. Sam takes us on a journey back to 1950s Baghdad to share what she discovered about herself and her family heritage and how it's shaped her as she heads towards 50. We also discussed intergenerational trauma, uses for coriander, cooking as a cure for overthinking, learning to belly dance and the unexpected joy of not being allowed to hold your stomach in! * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org, including Chopping Onions on My Heart by Samantha Ellis as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textPlaywright Clara Rodriguez jumped into the Playwright's Spotlight in the midst of the run of her latest play - Pointy Scissors. In this discussion, we delve into the theatre company at Theatre West in Los Angeles and their Writers in Residence program. We unpack her journey into playwriting and her motivation and inspiration, the fees and benefits of various theatre companies, her steps after production, the cautions of acquiring an agent, and resources and her process of playwriting. We also chat about feedback and rewrites, letting go of creative control, writing workshops, living in the creative "world", writing comedy and defining weird. We also talk about the benefits of improv in the realm of playwriting and approaching character. Clara brings a plethora of knowledge and uncommon resources when it comes to the craft. Enjoy!For tickets to Pointy Scissors at Theatre West in Los Angeles through December 7th, visit - https://www.eventbrite.com/e/pointy-scissors-tickets-1749160107969Clara Rodriguez is a playwright, actress, and director. She is a member of Theatre West and participant of their Writer's in Residence Series. She is also the creator of the web series It Takes a Village and Psycho Therapy. Plays include – Tequila Sunrise, Starry Night, Leaky Brain Syndrome, Home Depot, A Perfect Evening, and Have a Heart. Her most recent play Pointy Scissors opened November 7th at Theatre West in Los Angeles as part of their WestFest series, and closes December 7th.To watch the video format of this episode, visit - https://youtu.be/f8YGc_xgcUsLinks to resources mentioned in this video -Theatre West - www.theatrewest.orgGroup Rep - https://thegrouprep.comNew Play Exchange - https://thegrouprep.comWrite Away - https://www.pw.org/literary_events/write_away_a_free_online_improvwriting_showjamTheatre Sports - https://www.garrymarshalltheatre.org/improv-classImpro - https://www.improtheatre.comWebsites and socials for Clara Rodriguez - Facebook - https://www.facebook.com/clara.rodriguez.982IG - @clararodriguezinstaWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
TestTalks | Automation Awesomeness | Helping YOU Succeed with Test Automation
Automation Guild turns 10 this year, and the 2026 survey revealed some of the strongest trends and signals the testing community has ever shared. Register now: https://testgld.link/ag26reg In this episode, Joe breaks down the most important insights shaping Automation Guild 2026 and what they mean for testers, automation engineers, and QA leaders. You'll hear why AI-powered testing is dominating every category, why Playwright has officially become the tool testers want most, the challenges that continue to follow teams year after year, and how testers are navigating shrinking teams, faster releases, and rising expectations. This episode gives you a clear, data-driven snapshot of why Automation Guild 2026 matters — and how this year's event is designed to help you stay relevant, sharpen your skills, and tackle the problems that keep slowing down teams. Perfect for anyone considering joining the Guild, planning their 2026 automation strategy, or just trying to make sense of the rapid changes happening in testing today.
Welcome to Season 5, Episode 47! We're huge fans of East West Players, and our guest this episode, Dom Magwili, has worked with them since 1974. If that's all he did, it would be an amazing career. However, Dom has also been an actor, director, educator, and author. His latest work is Scientific Dragons: The Adventure of Ensun Castle. It's an entertaining and thrilling adventure that mixes historical figures, key fictional characters, Filipino culture, and a healthy dose of imagination in a steampunk environment. Among the work he's created for stage and screen include Much Adobo About Nothing, A Jive Bomber's Christmas (which had a 10-year run at the Japanese American National Museum), and One Puka Puka Christmas. His first book was Legends from the First Hemisphere: The Infernal Promise. In our conversation, Dom shares what inspired him to pursue creativity as a profession, his journey to being an author, some of the themes of Scientific Dragons, and more. To learn more about Dom, you can visit his website, follow him on Instagram @dmagwili, and, of course buy Scientific Dragons or The Infernal Promise. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.
Guest: Kaela Mei-Shing GarvinOfficial Website - https://www.kaelameishinggarvin.com/Playwright of Tiger Beat, Ping Pong, Corners Grove, High School Coven, do this in [x] of, you know that feeling, Cap's Last, Harpers Ferry, Call Out Culture: or, the unbearable whiteness of being, Pride and Prejudice, The Well-Tempered Clavier, and The Bakunawa.Guest Bio – Kaela Mei-Shing Garvin (they/she) is a playwright, theatermaker, educator and new work advocate drawn to messy truths, slippery timelines, and theatrical forms that refuse the expected. Kaela's plays distort time, poke at power, and explore identity through diaspora, queerness, and quick changes. Their work questions norms at the heart of the theatrical form — weaving nonlinear structure, questioning inherited systems, conjuring ghosts, magic, and 雲吞麵. Their plays have been published by DPS; honored by the Leah Ryan Prize, Bay Area Playwrights Festival, & the Kennedy Center; produced at the Know Theatre of Cincinnati & Strand Theater of Baltimore; and developed by theaters like Ma-Yi, 2ST, & the Alliance. They are currently Assistant Professor of Playwriting at Salem State University.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparKaela Mei-Shing Garvin The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter
This episode of Streets of Your Town is a tribute to 30 years of friendship, and the power of the creative process in whatever form it takes.Wren Valentino is an author, playwright, actor, film producer, entrepreneur and teacher based in Sacremento California. He's the CEO and owner of Blue Dasher Productions, helping to bring more than 100 independent movies to the screen and championing the transformative power of the arts. Eight of his original screenplays and seven of his stage plays have been adapted for the screen.And by an incredible stroke of kismet, this little Aussie Wandering journo met Wren almost exactly 30 years ago in a youth hostel in New York, where we bonded our friendship by sharing our artistic dreams over a hair dryer, while listening to a banging 80's soundtrack during one of the city's most savage snowstorms. And we celebrate all of that on this episode of Streets of Your Town. For more shownotes and links go to my Streets of Your Town substack magazine for this episode at soyt.substack.comYou can find more information on Wren on Instagram, Facebook, and Tik Tok. You can find more of his works at wrenvalentino.com
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Today on Whats My Frame I'm joined by acclaimed playwright and screenwriter Daniel Pearle. Daniel joins us to chat about his newest project THE BEAST IN ME where he served as writer and executive producer. We take a deep dive into creative process, research and understanding your character's voice. Daniel's plays have been produced and developed at Lincoln Center Theater, London's Old Vic, The Vineyard, Ars Nova, and at regional theaters around the country. His play A Kid Like Jake premiered in a sold-out run at LCT3/Lincoln Center Theater (NY Times Critic's Pick). Other plays include Freefall (finalist, 2017 O'Neill Playwrights Conference), Remote Viewing (semi-finalist, 2015 O'Neill Playwrights Conference), and The Prodigies (semi-finalist, 2013 O'Neill Playwrights Conference).Daniel's feature film adaptation of A Kid Like Jake premiered at the 2018 Sundance Film Festival. The film is directed by Silas Howard and stars Claire Danes, Jim Parsons, and Octavia Spencer. Other film credits include: Minyan (2020) and Oliver Sipple (currently in development with Mad Chance Productions).Daniel served as co-showrunner and executive producer on season 2 of Fox's Accused and is currently a writer and executive producer on Netflix's upcoming The Beast in Me. Other TV credits include Impeachment: American Crime Story (FX) and One of Us is Lying (Peacock). Daniel was awarded the 2018 Humanitas New Voices Grant for emerging writers in television. He is an alum of Ars Nova's Play Group and a MacDowell Fellow. He earned his BA from Harvard University and his MFA from The New School for Drama.Official site@danielpearle
Episode SummaryThis week, host Justin Boark sits down with award-winning playwright, director, and educator James Ijames, the creative force behind plays including Kill Move Paradise, The Most Spectacularly Lamentable Trial of Miz Martha Washington, and the Pulitzer Prize-winning, Tony-nominated Fat Ham. Their conversation digs into process, purpose, and the responsibility of telling stories that reshape the American stage. If you care about bold writing, fearless storytelling, and the next wave of theatrical innovationEpisode NotesGuestJames Ijames – @jwijames | Official Website - https://www.jamesijames.com/Playwright of Abandon, Good Bones, Reverie, Youth, History of Walking, Matter Out of Place, Kill Move Paradise, White, Moon Man Walk, The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Threshing Floor, Fat Ham, and TJ Loves Sally 4 Ever.Topics Covered• Acting, directing, and writing• Philadelphia, PA• The work of playwright August Wilson• Finding the comedy in Hamlet James Ijames Bio – James' plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon, Wilma Theatre, Theatre Exile, Azuka Theatre (Philadelphia, PA), The National Black Theatre, JACK, The Public Theater (NYC), Hudson Valley Shakespeare Theater, Steppenwolf Theatre, Definition Theatre, Timeline Theater (Chicago IL) Shotgun Players (Berkeley, CA) and have received development with PlayPenn New Play Conference, The Lark, Playwright's Horizon, Clubbed Thumb, Villanova Theater, Wilma Theater, Azuka Theatre and Victory Garden. James is the 2011 F. Otto Haas Award for an Emerging Artist recipient, and two Barrymore Awards for Outstanding Direction of a Play for The Brothers Size with Simpatico Theatre Company and Gem of the Ocean with Arden Theatre. James is a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for ....Miz Martha, a 2017 recipient of the Whiting Award, a 2019 Kesselring Prize for Kill Move Paradise, a 2020 and 2022 Steinberg Prize, the 2022 Pulitzer Prize in Drama recipient and a 2023 Tony nominee for Best Play for Fat HamJames was a founding member of Orbiter 3, Philadelphia's first playwright producing collective. He received a BA in Drama from Morehouse College in Atlanta, GA and an MFA in Acting from Temple University in Philadelphia, PA.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliJames IjamesKJ Lampar The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter
Strategic Technology Consultation Services This episode of The Modern .NET Show is supported, in part, by RJJ Software's Strategic Technology Consultation Services. If you're an SME (Small to Medium Enterprise) leader wondering why your technology investments aren't delivering, or you're facing critical decisions about AI, modernization, or team productivity, let's talk. Show Notes "It's not just guessing. It's not just saying, "oh, there's something to log in. I think we'll call the button login." It actually knows the button is called Login, it's seen it. So that makes a big difference and makes it much more resilient. So that's definitely a big change, right? It's not just guessing. So definitely you should try it out."— Debbie O'Brien Hey everyone, and welcome back to The Modern .NET Show; the premier .NET podcast, focusing entirely on the knowledge, tools, and frameworks that all .NET developers should have in their toolbox. I'm your host Jamie Taylor, bringing you conversations with the brightest minds in the .NET ecosystem. Today, we're joined by Debbie O'Brien to talk about both Playwright and the Playwright MCP server. We started with an introduction to Playwright, and talked about how both it and the MCP server for it can help you to automate both the writing and running of tests for your applications. Pro tip: If you've been using the Swagger UI in your applications, you've been using Open API. "And that's where the Playwright MCP comes In because it can automate a browser, it can basically go to the website, it can navigate, it can click, it can hover, it can do everything that you are doing in your tests."— Debbie O'Brien Along the way, we talked about how Playwright's MCP server can help you to find test cases that you might not have thought of initially. As a perfect example of this while recording this episode, Debbie found a bug in the app that I use to record episodes of the show, and talked about how Playwright MCP would help to recreate and debug the issue. It's worth pointing out that we recorded this in early August 2025, and that AI quite literally moves very rapidly. Whilst Playwright and MCP servers are not likely to change too much between recording the episode an when it went out, it'll be worth bearing that in mind as we talk about some of the AI stuff. Before we jump in, a quick reminder: if The Modern .NET Show has become part of your learning journey, please consider supporting us through Patreon or Buy Me A Coffee. Every contribution helps us continue bringing you these in-depth conversations with industry experts. You'll find all the links in the show notes. Anyway, without further ado, let's sit back, open up a terminal, type in `dotnet new podcast` and we'll dive into the core of Modern .NET. Full Show Notes The full show notes, including links to some of the things we discussed and a full transcription of this episode, can be found at: https://dotnetcore.show/season-8/testing-made-easy-debbie-obrien-explains-playwright-and-its-game-changing-mcp-server Useful Links: Playwright Jamie's "small" open source project Playwright VSCode extension Playwright on GitHub Playwright's tests on GitHub... written with Playwright Debbie's Movies App website GitHub Spark Debbie's website Debbie on LinkedIn Playwright Docs Playwright YouTube Channel playwright Discord Server Supporting the show: Leave a rating or review Buy the show a coffee Become a patron Getting in touch: via the contact page joining the Discord Podcast editing services provided by Matthew Bliss Music created by Mono Memory Music, licensed to RJJ Software for use in The Modern .NET Show Editing and post-production services for this episode were provided by MB Podcast Services Remember to rate and review the show on Apple Podcasts, Podchaser, or wherever you find your podcasts, this will help the show's audience grow. Or you can just share the show with a friend. And don't forget to reach out via our Contact page. We're very interested in your opinion of the show, so please get in touch. You can support the show by making a monthly donation on the show's Patreon page at: https://www.patreon.com/TheDotNetCorePodcast. Music created by Mono Memory Music, licensed to RJJ Software for use in The Modern .NET Show. Editing and post-production services for this episode were provided by MB Podcast Services.
A Skin of Veils By Emma Joy Hill Directed by Gracy Keirstead
Maureen and the other FBI Agent Clemente, Tim, interview David Mamet about all things crime and writing and Directing. Jim C was out of townSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Brian welcomes panelists Greg Proops, Dan St. Paul, and Yayne Abeba for a lively discussion on the latest political developments. The group dives into the aftermath of Tuesday's election results, analyzing Democratic victories in key states and what the outcomes signal about the American electorate's appetite for change.Topics include:Trump's historically low approval ratings and the public's disapproval of his policies.The significance of Democratic wins in Virginia, Pennsylvania, Georgia, and New Jersey.The rise of non-traditional candidates and what it means for the future of both parties.Debates over “return to normalcy” versus a push for more radical change.The impact of economic issues like SNAP benefits, healthcare, and tariffs on voters.Candid conversations about racism, social democracy, and the state of American democracy.The ongoing controversy around the Epstein files and political accountability.Calls for activism, including upcoming national boycotts and supporting local candidates.Follow Copeland's Corner on Instagram for updates, and remember to subscribe, rate, and review!--Connect with our Guests...#YayneAbeba - @YayneAbebaComedy on TikTok#GregProops - @ProopDog on Instagram#DanStPaul - DanStPaulComedy.com and @DanStPaul on Instagram #ElectionResults #2025Election #NationalBoycotts #TrumpApprovalRating #EconmicIssues #AmericanDemocracy #BrianCopeland #CopelandsCorner #HeadlinersOnTheHeadlines#CopelandUnfiltered #ComedyCommentary #PodcastersOfYouTube #ComicsOnAir #TalkPodcast#PoliticalHumor #PoliticalPodcast #HotTalkTopicsPodcast Hosted by the Bay Area's own Brian Copeland, a longtime Actor, Comedian, Author, Playwright, Television and Radio Personality. Brian and The Copeland's Corner Network of content creators provide a weekly mashup of news, interviews and comedy.--For more from Brian...Visit his website: www.BrianCopeland.comFollow on Social Media: Instagram - @CopelandsCorner & @BrianCopieEmail: BrianCopelandShow@Gmail.com --Copeland's Corner is Created, Hosted, & Executive Produced by Brian Copeland. This Show is Recorded & Mixed by Charlene Goto with Go-To Productions. Visit Go-To Productions for all your Podcast & Media needs.Our Booking Producer is Tom Sawyer. For any show inquiries, please email CopelandsCornerPodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This episode is a re-air of one of our most popular conversations from this year, featuring insights worth revisiting. Thank you for being part of the Data Stack community. Stay up to date with the latest episodes at datastackshow.com. This week on The Data Stack Show, Ryan Dolley joins Eric and John to discuss his unique journey from playwriting to leading product strategy in the data industry. The conversation explores the evolution of business intelligence (BI), the growing influence of AI on analytics, and the shifting skill sets required for data professionals. Key topics include the challenges of adapting to rapid technological change, the importance of embracing engineering practices in BI, and the need for continuous learning. Listeners will gain insights into how AI is transforming data roles, why storytelling remains central to analytics, practical advice for thriving in a fast-changing industry, and so much more. Highlights from this week's conversation include:Ryan's Journey: From Playwriting to Data (1:05)Making a Living as a Playwright (3:02)Transitioning to BI: Night School and First Data Jobs (4:12)Storytelling and Data: The Art of BI (6:22)Early BI Work: Data Warehouses and PDF Reports (8:33)Moving from Utilities to Consulting (13:03)Building vs. Implementing: Product Strategy Lessons (16:37)The AI Shift in BI and Analytics (18:41)Automation Anxiety: The Human Side of Data Change (22:16)The Evolving Role of BI Experts (25:18)Adapting to Change: Learning Code and Experimentation (29:34)AI and the Future of Embedded Analytics (33:38)Capturing Intent: The Value of Modern BI Interfaces (37:03)Bridging the Data and Software Engineering Gap (39:13)The Historical Divide: Data vs. Software Engineering (43:06)Organizational Challenges: Where Does BI Belong? (46:05)Reflections on Self-Service BI and Value (48:46)If Not Data: Ryan's Alternate Career Paths (49:04)Final Thoughts and Takeaways (50:17)The Data Stack Show is a weekly podcast powered by RudderStack, customer data infrastructure that enables you to deliver real-time customer event data everywhere it's needed to power smarter decisions and better customer experiences. Each week, we'll talk to data engineers, analysts, and data scientists about their experience around building and maintaining data infrastructure, delivering data and data products, and driving better outcomes across their businesses with data.RudderStack helps businesses make the most out of their customer data while ensuring data privacy and security. To learn more about RudderStack visit rudderstack.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Maureen and the other FBI Agent Clemente, Tim, interview David Mamet about all things crime and writing and Directing. Jim C was out of townSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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