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On the Overthinking It Podcast, we pay tribute to Tom Stoppard and discuss one of his greatest plays, “Arcadia” (1993). Episode 909: Tom Stoppard was an English Playwright originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]
We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett. Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Andrew kicks off at 8 a.m. with six Docker containers running, and he and Chris dive into what modern Rails development looks like inside dev containers—covering Rails' own images and features, using Mise and Playwright instead of Selenium, and why OrbStack has replaced Docker Desktop on their Macs. They talk through the trade-offs of running services in containers, the quirks of Kamal's new local registry, and how Chris is turning all of this into a practical SaaS building series that shows real-world deployment and scaling with tools like JudoScale. Along the way, they weave in life updates about new babies, daycare costs, and even the power needs of AI data centers and nuclear energy. Press download now to hear more! LinksChris Oliver XAndrew Mason BlueskyJudoscale- Remote Ruby listener giftWhy Playwright Is Less Flaky Than Selenium by Justin SearlsRails Dev Container Images & FeaturesRuby on MacJudoscale-Process Utilization: How We Actually Track ThatGoRails- Domain Monitor SaaS- Adding the Domain ModelCheeky Pint PodcastSmarter Every Day (YouTube)The DiplomatThe Girlfriend Chris Oliver X/Twitter Andrew Mason X/Twitter Jason Charnes X/Twitter
Initiative runs at the Public Theater through December 7th. For more information, visit www.publictheater.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
Queens, a production of Manhattan Theatre Club, runs at New York City Center Stage I through December 7th. For more information, visit www.manhattantheatreclub.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
What tool is trying to give testers more control over flakiness and element changes—without rewriting everything? How do you migrate cypress test to playwright? Have you seen how to do Mobile App Testing with AI Agents? Find out in this episode of the Test Guild New Shows for the week of Nov 30th. So, grab your favorite cup of coffee or tea, and let's do this. Time News Title link 0:16 TestDriver Studio https://testguild.me/xerfrh 1:55 Migrate Cypress to Playwright https://testgld.link/YbsqoUGB 2:41 Playwright + Goose https://testgld.link/VHiadxOD 4:24 Mobile App Testing with AI Agents https://testgld.link/8nvhKfPy 5:40 AI mobile app security testing https://testgld.link/MSetcg20 6:58 Qa needs to understand architecture https://testgld.link/quQ7n6t3 8:18 Webinar of the week https://testgld.link/GlVKIRWZ 9:26 ZAPTEST AI https://testguild.me/ZAPTESTNEWS
We dedicate this episode to the loving memory of Linda Ward. Now one with the force, her endless contributions to the Star Wars Community will never be forgotten.Peter & Jason breakdown the latest coming and going in a galaxy far far away with talking points including:- Jason's MCM Birmingham comic con experience .- Tom Stoppard, Playwright and Oscar-Winning Screenwriter, Dies at 88.- Ahsoka's Claudia Black on Why She's Not Returning for Season 2.- Jeremy Allen White Reveals How He Got Cast in The Mandalorian and Grogu.- Thomas Newman to Score Star Wars: Starfighter .- Donald Glover Reveals Health Reasons That Caused Him to Cancel Childish Gambino Tour.Follow us:Patreonhttps://patreon.com/StarBoresX (twitter)https://twitter.com/BoresStarTikTokhttp://tiktok.com/@starborespodcastInstagramhttps://www.instagram.com/starborespodcast/YouTubehttps://www.youtube.com/channel/UCLmtO6_i6WBBlVIm2h0V-qwFaceBookhttps://www.facebook.com/StarBoresPodcast
Lauren Gunderson, recognized as the most produced contemporary playwright in America four of the last five years, including 2025, in conversation with host Richard Wolinsky. Lauren Gunderson is a prolific playwright whose plays are produced all over North America and in Britain and Europe. She is best known for such plays as “The Book of Will” and the “Christmas at Pemberley” series of three plays (co-written by Margot Malcon). She also worked on the script for the Pixar film “Lightyear,” and her book for the musical version of “The Time Traveler's Wife” recently played in London. As of the first week in December, two plays are currently being produced in the San Francisco Bay Area. Georgiana and Kitty: Christmas at Pemberley, runs December 5-28 at TheatreWorks Lucie Stern Theatre in Palo Alto, and Ada and the Engine plays at the Pear Theatre in Mountain View through December 7th. A third play, Louisa Alcott's Little Women played earlier in 2025 at TheatreWorks in Mountain View, and plays at Portland Center Stage through December 21st. In this interview, she discusses those plays and others, with emphasis on Muse of Fire, in which she performs, directed by Evren Odcikin, which wil be produced by the Magic Theatre from September 22nd through October 11th. Among upcoming plays in 2026 are Silent Sky in Bethesda Maryland in February. The Book of Will in Wisconsin in January and Raleigh, North Carolina in April, The Revolutionists in Rhode Island in May and Raleigh in August, Louisa May Alcott's Little Women at the Guthrie in Minnesota next April through June. The Half Life of Marie Curie will be in Eureka California iwill be performed in February, 2026 in Eureka, California. The post Lauren Gunderson, Noted Contemporary Playwright, the “Christmas in Pemberley” series appeared first on KPFA.
Sir Tom's best-known works include Arcadia, The Real Thing and Rozencrantz and Guildenstern Are Dead.
AP correspondent Karen Chammas reports on the death of renowned playwright Tom Stoppard.
David Ireland is an Irish playwright with a reputation for writing hard-hitting drama such as The Fifth Step, Ulster American and Cypress Avenue, but director Max Elton is reviving a very different play by him, Most Favoured, which can be seen at Soho Theatre in London over the Christmas period. BTG David Chadderton spoke to David about the play and his influences as a writer, as well as how his love of Shakespeare began in a Blackpool guest house at the age of 9 and why he wants to write romantic comedies and feels he couldn't face watching some of his earlier plays now. Most Favoured, starring Lauren Lyle and Alexander Arnold, will run at Soho Theatre in London from 11 December 2025 to 24 January 2026. (David Ireland photo credit Tommy Ga-Ken Wan)
‘Moulin Rouge! The Musical' is running at Bord Gáis Energy Theatre from November 2025 to January 11.Joining Andrea to discuss is Tony and Academy Award–nominated Playwright, Screenwriter, and Producer behind the show, John Logan!
Prodcast: ПоиÑк работы в IT и переезд в СШÐ
У меня в гостях Антон Денисенко — QA-инженер с 13-летним опытом, который прошёл через один из самых тяжелых периодов в карьере: потерю работы во время беременности жены, полгода отказов и десятки онлайн-интервью, которые так и не сработали.В этом выпуске мы подробно разобрали, как изменилась индустрия QA к 25 году: почему входящие запросы от рекрутеров почти исчезли, как индийские «прокладки» создают хаос на рынке, что происходит внутри крупных рекрутинговых агентств и как компании на самом деле выбирают кандидатов. Обсудили, почему Антон проваливал видеоинтервью и как первое очное собеседование полностью изменило его траекторию. Разобрали реальные кейсы найма — от того, кого сразу отсеивают по LinkedIn-профилю, до историй о провале офера из-за одной строчки в резюме.Мы также поговорили о том, что сегодня действительно работает в поиске работы для QA: автоматизация, Playwright, грамотное общение с рекрутерами, обновление навыков и умение адаптировать резюме под каждую роль.Антон Денисенко (Anton Denysenko) — QA Engineer 13-летним опытом в американских компаниях LinkedIn: https://www.linkedin.com/in/antondenysenko/Записывайтесь на карьерную консультацию (резюме, LinkedIn, карьерная стратегия, поиск работы в США):https://annanaumova.comКоучинг (синдром самозванца, прокрастинация, неуверенность в себе, страхи, лень):https://annanaumova.notion.site/3f6ea5ce89694c93afb1156df3c903abОнлайн курс "Идеальное резюме и поиск работы в США":https://go.mbastrategy.com/resumecoursemainГайд "Идеальное американское резюме":https://go.mbastrategy.com/usresumeГайд "Как оформить профиль в LinkedIn, чтобы рекрутеры не смогли пройти мимо":https://go.mbastrategy.com/linkedinguideМой Telegram-канал: https://t.me/prodcastUSA Мой Instagram: https://www.instagram.com/prodcast.us/Prodcast в соцсетях и на всех подкаст платформах:https://linktr.ee/prodcastUS⏰ Timecodes ⏰00:00 Начало6:08 Когда и почему ты потерял работу в марте 2025? Что произошло?12:07 С чего ты начал поиск работы? Как использовал LinkedIn?17:53 Сколько откликов в день ты делал? Какая была конверсия?21:48 Рекрутеры из агентств - как отличить дельные компании от прокладок?29:04 Как использовал другие способы поиска работы?33:26 Почему не проходил интервью с компания?43:44 Как ты в итоге получил свой оффер?50:08 Как ты адаптировал менеджерский опыт в резюме?57:42 Как ты справлялся эмоционально?1:00:49 Что изменилось на рынке QA за последние годы?1:04:16 Когда ты был менеджером, как ты нанимал QA специалистов?1:12:53 Какие 3 главных урока ты вынес из этого опыта поиска работы?1:17:34 Что можешь посоветовать тем, кто сейчас ищет работу в QA в 2025 году?
John Maytham is joined by Amy Jephta, celebrated playwright, filmmaker, and advocate for authentic South African storytelling – to discuss her nomination for the Susan Blackburn award. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.
My guest today is a woman on a mission to preserve the language of her grandparents. Playwright, screenwriter and novelist Samantha Ellis is the author of one of my personal favourites How To Be A Heroine. Sam was in her early 40s and a new mum when it dawned on her that her mother tongue - or milk language - was on the verge of dying out. The daughter of Iraqi-Jewish refugees, Sam grew up surrounded by the noisy vivid hot sounds of Judeo-Iraqi Arabic, but when she tried to tell her son he was chopping onions on her heart, she realised she couldn't find the words - and even if she could, he wouldn't understand them. In her evocatively titled book of the same name, Sam goes back through the lives of her parents and grandparents, from Iraq to Israel to London and in so doing discovers far more about herself than she could ever have imagined. Sam takes us on a journey back to 1950s Baghdad to share what she discovered about herself and her family heritage and how it's shaped her as she heads towards 50. We also discussed intergenerational trauma, uses for coriander, cooking as a cure for overthinking, learning to belly dance and the unexpected joy of not being allowed to hold your stomach in! * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org, including Chopping Onions on My Heart by Samantha Ellis as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textPlaywright Clara Rodriguez jumped into the Playwright's Spotlight in the midst of the run of her latest play - Pointy Scissors. In this discussion, we delve into the theatre company at Theatre West in Los Angeles and their Writers in Residence program. We unpack her journey into playwriting and her motivation and inspiration, the fees and benefits of various theatre companies, her steps after production, the cautions of acquiring an agent, and resources and her process of playwriting. We also chat about feedback and rewrites, letting go of creative control, writing workshops, living in the creative "world", writing comedy and defining weird. We also talk about the benefits of improv in the realm of playwriting and approaching character. Clara brings a plethora of knowledge and uncommon resources when it comes to the craft. Enjoy!For tickets to Pointy Scissors at Theatre West in Los Angeles through December 7th, visit - https://www.eventbrite.com/e/pointy-scissors-tickets-1749160107969Clara Rodriguez is a playwright, actress, and director. She is a member of Theatre West and participant of their Writer's in Residence Series. She is also the creator of the web series It Takes a Village and Psycho Therapy. Plays include – Tequila Sunrise, Starry Night, Leaky Brain Syndrome, Home Depot, A Perfect Evening, and Have a Heart. Her most recent play Pointy Scissors opened November 7th at Theatre West in Los Angeles as part of their WestFest series, and closes December 7th.To watch the video format of this episode, visit - https://youtu.be/f8YGc_xgcUsLinks to resources mentioned in this video -Theatre West - www.theatrewest.orgGroup Rep - https://thegrouprep.comNew Play Exchange - https://thegrouprep.comWrite Away - https://www.pw.org/literary_events/write_away_a_free_online_improvwriting_showjamTheatre Sports - https://www.garrymarshalltheatre.org/improv-classImpro - https://www.improtheatre.comWebsites and socials for Clara Rodriguez - Facebook - https://www.facebook.com/clara.rodriguez.982IG - @clararodriguezinstaWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
TestTalks | Automation Awesomeness | Helping YOU Succeed with Test Automation
Automation Guild turns 10 this year, and the 2026 survey revealed some of the strongest trends and signals the testing community has ever shared. Register now: https://testgld.link/ag26reg In this episode, Joe breaks down the most important insights shaping Automation Guild 2026 and what they mean for testers, automation engineers, and QA leaders. You'll hear why AI-powered testing is dominating every category, why Playwright has officially become the tool testers want most, the challenges that continue to follow teams year after year, and how testers are navigating shrinking teams, faster releases, and rising expectations. This episode gives you a clear, data-driven snapshot of why Automation Guild 2026 matters — and how this year's event is designed to help you stay relevant, sharpen your skills, and tackle the problems that keep slowing down teams. Perfect for anyone considering joining the Guild, planning their 2026 automation strategy, or just trying to make sense of the rapid changes happening in testing today.
Welcome to Season 5, Episode 47! We're huge fans of East West Players, and our guest this episode, Dom Magwili, has worked with them since 1974. If that's all he did, it would be an amazing career. However, Dom has also been an actor, director, educator, and author. His latest work is Scientific Dragons: The Adventure of Ensun Castle. It's an entertaining and thrilling adventure that mixes historical figures, key fictional characters, Filipino culture, and a healthy dose of imagination in a steampunk environment. Among the work he's created for stage and screen include Much Adobo About Nothing, A Jive Bomber's Christmas (which had a 10-year run at the Japanese American National Museum), and One Puka Puka Christmas. His first book was Legends from the First Hemisphere: The Infernal Promise. In our conversation, Dom shares what inspired him to pursue creativity as a profession, his journey to being an author, some of the themes of Scientific Dragons, and more. To learn more about Dom, you can visit his website, follow him on Instagram @dmagwili, and, of course buy Scientific Dragons or The Infernal Promise. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.
The Aside Podcasts are a free resource supported by Drama Victoria – Australia's oldest Drama Association In this episode of The Aside, we talk with actor/playwright Brodie Murray and director Beng Oh about their upcoming production of Soul of Possum, opening soon at fortyfivedownstairs. Soul of Possum 2025 season - Thursday 4 – Sunday 14 December Tickets here: https://fortyfivedownstairs.com/event/soul-of-possum/ Brodie is an award-winning First Nations playwright whose acclaimed works continue to influence the national theatre landscape. Beng is a critically regarded director and theatre-maker known for championing diversity, new work, and queer theatre/
Guest: Kaela Mei-Shing GarvinOfficial Website - https://www.kaelameishinggarvin.com/Playwright of Tiger Beat, Ping Pong, Corners Grove, High School Coven, do this in [x] of, you know that feeling, Cap's Last, Harpers Ferry, Call Out Culture: or, the unbearable whiteness of being, Pride and Prejudice, The Well-Tempered Clavier, and The Bakunawa.Guest Bio – Kaela Mei-Shing Garvin (they/she) is a playwright, theatermaker, educator and new work advocate drawn to messy truths, slippery timelines, and theatrical forms that refuse the expected. Kaela's plays distort time, poke at power, and explore identity through diaspora, queerness, and quick changes. Their work questions norms at the heart of the theatrical form — weaving nonlinear structure, questioning inherited systems, conjuring ghosts, magic, and 雲吞麵. Their plays have been published by DPS; honored by the Leah Ryan Prize, Bay Area Playwrights Festival, & the Kennedy Center; produced at the Know Theatre of Cincinnati & Strand Theater of Baltimore; and developed by theaters like Ma-Yi, 2ST, & the Alliance. They are currently Assistant Professor of Playwriting at Salem State University.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparKaela Mei-Shing Garvin The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter
This episode of Streets of Your Town is a tribute to 30 years of friendship, and the power of the creative process in whatever form it takes.Wren Valentino is an author, playwright, actor, film producer, entrepreneur and teacher based in Sacremento California. He's the CEO and owner of Blue Dasher Productions, helping to bring more than 100 independent movies to the screen and championing the transformative power of the arts. Eight of his original screenplays and seven of his stage plays have been adapted for the screen.And by an incredible stroke of kismet, this little Aussie Wandering journo met Wren almost exactly 30 years ago in a youth hostel in New York, where we bonded our friendship by sharing our artistic dreams over a hair dryer, while listening to a banging 80's soundtrack during one of the city's most savage snowstorms. And we celebrate all of that on this episode of Streets of Your Town. For more shownotes and links go to my Streets of Your Town substack magazine for this episode at soyt.substack.comYou can find more information on Wren on Instagram, Facebook, and Tik Tok. You can find more of his works at wrenvalentino.com
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Dans cet épisode, Emmanuel, Katia et Guillaume discutent de Spring 7, Quarkus, d'Infinispan et Keycloak. On discute aussi de projets sympas comme Javelit, de comment démarre une JVM, du besoin d'argent de NTP. Et puis on discute du changement de carrière d'Emmanuel. Enregistré le 14 novembre 2025 Téléchargement de l'épisode LesCastCodeurs-Episode-332.mp3 ou en vidéo sur YouTube. News Emmanuel quitte Red Hat après 20 ans https://emmanuelbernard.com/blog/2025/11/13/leaving-redhat/ Langages Support HTTP/3 dans le HttpClient de JDK 26 - https://inside.java/2025/10/22/http3-support/ JDK 26 introduit le support de HTTP/3 dans l'API HttpClient existante depuis Java 11 HTTP/3 utilise le protocole QUIC sur UDP au lieu de TCP utilisé par HTTP/2 Par défaut HttpClient préfère HTTP/2, il faut explicitement configurer HTTP/3 avec Version.HTTP_3 Le client effectue automatiquement un downgrade vers HTTP/2 puis HTTP/1.1 si le serveur ne supporte pas HTTP/3 On peut forcer l'utilisation exclusive de HTTP/3 avec l'option H3_DISCOVERY en mode HTTP_3_URI_ONLY HttpClient apprend qu'un serveur supporte HTTP/3 via le header alt-svc (RFC 7838) et utilise cette info pour les requêtes suivantes La première requête peut utiliser HTTP/2 même avec HTTP/3 préféré, mais la seconde utilisera HTTP/3 si le serveur l'annonce L'équipe OpenJDK encourage les tests et retours d'expérience sur les builds early access de JDK 26 Librairies Eclispe Jetty et CometD changent leurs stratégie de support https://webtide.com/end-of-life-changes-to-eclipse-jetty-and-cometd/ À partir du 1er janvier 2026, Webtide ne publiera plus Jetty 9/10/11 et CometD 5/6/7 sur Maven Central Pendant 20 ans, Webtide a financé les projets Jetty et CometD via services et support, publiant gratuitement les mises à jour EOL Le comportement des entreprises a changé : beaucoup cherchent juste du gratuit plutôt que du véritable support Des sociétés utilisent des versions de plus de 10 ans sans migrer tant que les correctifs CVE sont gratuits Cette politique gratuite a involontairement encouragé la complaisance et retardé les migrations vers versions récentes MITRE développe des changements au système CVE pour mieux gérer les concepts d'EOL Webtide lance un programme de partenariat avec TuxCare et HeroDevs pour distribuer les résolutions CVE des versions EOL Les binaires EOL seront désormais distribués uniquement aux clients commerciaux et via le réseau de partenaires Webtide continue le support standard open-source : quand Jetty 13 sortira, Jetty 12.1 recevra des mises à jour pendant 6 mois à un an Ce changement vise à clarifier la politique EOL avec une terminologie industrielle établie Améliorations cloud du SDK A2A Java https://quarkus.io/blog/quarkus-a2a-cloud-enhancements/ Version 0.3.0.Final du SDK A2A Java apporte des améliorations pour les environnements cloud et distribués Composants en mémoire remplacés par des implémentations persistantes et répliquées pour environnements multi-instances JpaDatabaseTaskStore et JpaDatabasePushNotificationConfigStore permettent la persistance des tâches et configurations en base PostgreSQL ReplicatedQueueManager assure la réplication des événements entre instances A2A Agent via Kafka et MicroProfile Reactive Messaging Exemple complet de déploiement Kubernetes avec Kind incluant PostgreSQL, Kafka via Strimzi, et load balancing entre pods Démonstration pratique montrant que les messages peuvent être traités par différents pods tout en maintenant la cohérence des tâches Architecture inspirée du SDK Python A2A, permettant la gestion de tâches asynchrones longues durée en environnement distribué Quarkus 3.29 sort avec des backends de cache multiples et support du débogueur Qute https://quarkus.io/blog/quarkus-3-29-released/ Possibilité d'utiliser plusieurs backends de cache simultanément dans une même application Chaque cache peut être associé à un backend spécifique (par exemple Caffeine et Redis ou Infinispan) Support du Debug Adapter Protocol (DAP) pour déboguer les templates Qute directement dans l'IDE et dans la version 3.28 Configuration programmatique de la protection CSRF via une API fluent Possibilité de restreindre les filtres OIDC à des flux d'authentification spécifiques avec annotations Support des dashboards Grafana personnalisés via fichiers JSON dans META-INF/grafana/ Extension Liquibase MongoDB supporte désormais plusieurs clients simultanés Amélioration significative des performances de build avec réduction des allocations mémoire Parallélisation de tâches comme la génération de proxies Hibernate ORM et la construction des Jar Et l'utilisation des fichiers .proto est plus simple dans Quarkus avbec Quarkus gRPC Zero https://quarkus.io/blog/grpc-zero/ c'est toujours galere des fichiers .proto car les generateurs demandent des executables natifs maintenant ils sont bundlés dans la JVM et vous n'avez rien a configurer cela utilise Caffeine pour faire tourner cela en WASM dans la JVM Spring AI 1.1 est presque là https://spring.io/blog/2025/11/08/spring-ai-1-1-0-RC1-available-now support des MCP tool caching pour les callback qui reduit les iooerations redondantes Access au contenu de raisonnement OpenAI Un modele de Chat MongoDB Support du modele de penser Ollama Reessaye sur les echec de reseau OpenAI speech to text Spring gRPC Les prochaines étapes pour la 1.0.0 https://spring.io/blog/2025/11/05/spring-grpc-next-steps Spring gRPC 1.0 arrive prochainement avec support de Spring Boot 4 L'intégration dans Spring Boot 4.0 est reportée, prévue pour Spring Boot 4.1 Les coordonnées Maven restent sous org.springframework.grpc pour la version 1.0 Le jar spring-grpc-test est renommé en spring-grpc-test-spring-boot-autoconfigure Les packages d'autoconfiguration changent de nom nécessitant de modifier les imports Les dépendances d'autoconfiguration seront immédiatement dépréciées après la release 1.0 Migration minimale attendue pour les projets utilisant déjà la version 0.x La version 1.0.0-RC1 sera publiée dès que possible avant la version finale Spring arrete le support reactif d'Apache Pulsar https://spring.io/blog/2025/10/29/spring-pulsar-reactive-discontinued logique d'évaluer le temps passé vs le nombre d'utilisateurs c'est cependant une tendance qu'on a vu s'accélerer Spring 7 est sorti https://spring.io/blog/2025/11/13/spring-framework-7-0-general-availability Infrastructure Infinispan 16.0 https://infinispan.org/blog/2025/11/10/infinispan-16-0 Ajout majeur : migration en ligne sans interruption pour les nœuds d'un cluster (rolling upgrades) (infinispan.org) Messages de clustering refaits avec Protocol Buffers + ProtoStream : meilleure compatibilité, schéma évolutif garanti (infinispan.org) Console Web améliorée API dédiée de gestion des schémas (SchemasAdmin) pour gérer les schémas ProtoStream à distance (infinispan.org) Module de requête (query) optimisé : support complet des agrégations (sum, avg …) dans les requêtes indexées en cluster grâce à l'intégration de Hibernate Search 8.1 (infinispan.org) Serveur : image conteneur minimalisée pour réduire la surface d'attaque (infinispan.org) démarrage plus rapide grâce à séparation du démarrage cache/serveur (infinispan.org) caches pour connecteurs (Memcached, RESP) créés à la demande (on-demand) et non à l'initiaton automatique (infinispan.org) moteur Lua 5.1 mis à jour avec corrections de vulnérabilités et opérations dangereuses désactivées (infinispan.org) Support JDK : version minimale toujours JDK 17 (infinispan.org) prise en charge des threads virtuels (virtual threads) et des fonctionnalités AOT (Ahead-of-Time) de JDK plus récentes (infinispan.org) Web Javelit, une nouvelle librairie Java inspirée de Streamlit pour faire facilement et rapidement des petites interfaces web https://glaforge.dev/posts/2025/10/24/javelit-to-create-quick-interactive-app-frontends-in-java/ Site web du projet : https://javelit.io/ Javelit : outil pour créer rapidement des applications de données (mais pas que) en Java. Simplifie le développement : élimine les tracas du frontend et de la gestion des événements. Transforme une classe Java en application web en quelques minutes. Inspiré par la simplicité de Streamlit de l'écosystème Python (ou Gradio et Mesop), mais pour Java. Développement axé sur la logique : pas de code standard répétitif (boilerplate), rechargement à chaud. Interactions faciles : les widgets retournent directement leur valeur, sans besoin de HTML/CSS/JS ou gestion d'événements. Déploiement flexible : applications autonomes ou intégrables dans des frameworks Java (Spring, Quarkus, etc.). L'article de Guillaume montre comment créer une petite interface pour créer et modifier des images avec le modèle génératif Nano Banana Un deuxième article montre comment utiliser Javelit pour créer une interface de chat avec LangChain4j https://glaforge.dev/posts/2025/10/25/creating-a-javelit-chat-interface-for-langchain4j/ Améliorer l'accessibilité avec les applis JetPack Compose https://blog.ippon.fr/2025/10/29/rendre-son-application-accessible-avec-jetpack-compose/ TalkBack est le lecteur d'écran Android qui vocalise les éléments sélectionnés pour les personnes malvoyantes Accessibility Scanner et les outils Android Studio détectent automatiquement les problèmes d'accessibilité statiques Les images fonctionnelles doivent avoir un contentDescription, les images décoratives contentDescription null Le contraste minimum requis est de 4.5:1 pour le texte normal et 3:1 pour le texte large ou les icônes Les zones cliquables doivent mesurer au minimum 48dp x 48dp pour faciliter l'interaction Les formulaires nécessitent des labels visibles permanents et non de simples placeholders qui disparaissent Modifier.semantics permet de définir l'arbre sémantique lu par les lecteurs d'écran Les propriétés mergeDescendants et traversalIndex contrôlent l'ordre et le regroupement de la lecture Diriger le navigateur Chrome avec le modèle Gemini Computer Use https://glaforge.dev/posts/2025/11/03/driving-a-web-browser-with-gemini-computer-use-model-in-java/ Objectif : Automatiser la navigation web en Java avec le modèle "Computer Use" de Gemini 2.5 Pro. Modèle "Computer Use" : Gemini analyse des captures d'écran et génère des actions d'interface (clic, saisie, etc.). Outils : Gemini API, Java, Playwright (pour l'interaction navigateur). Fonctionnement : Boucle agent où Gemini reçoit une capture, propose une action, Playwright l'exécute, puis une nouvelle capture est envoyée à Gemini. Implémentation clé : Toujours envoyer une capture d'écran à Gemini après chaque action pour qu'il comprenne l'état actuel. Défis : Lenteur, gestion des CAPTCHA et pop-ups (gérables). Potentiel : Automatisation des tâches web répétitives, création d'agents autonomes. Data et Intelligence Artificielle Apicurio ajoute le support de nouveaux schema sans reconstruire Apicurio https://www.apicur.io/blog/2025/10/27/custom-artifact-types Apicurio Registry 3.1.0 permet d'ajouter des types d'artefacts personnalisés au moment du déploiement sans recompiler le projet Supporte nativement OpenAPI, AsyncAPI, Avro, JSON Schema, Protobuf, GraphQL, WSDL et XSD Trois approches d'implémentation disponibles : classes Java pour la performance maximale, JavaScript/TypeScript pour la facilité de développement, ou webhooks pour une flexibilité totale Configuration via un simple fichier JSON pointant vers les implémentations des composants personnalisés Les scripts JavaScript sont exécutés via QuickJS dans un environnement sandboxé sécurisé Un package npm TypeScript fournit l'autocomplétion et la sécurité de type pour le développement Six composants optionnels configurables : détection automatique de type, validation, vérification de compatibilité, canonicalisation, déréférencement et recherche de références Cas d'usage typiques : formats propriétaires internes, support RAML, formats legacy comme WADL, schémas spécifiques à un domaine métier Déploiement simple via Docker en montant les fichiers de configuration et scripts comme volumes Les performances varient selon l'approche : Java offre les meilleures performances, JavaScript un bon équilibre, webhooks la flexibilité maximale Le truc interessant c'est que c'est Quarkus based et donc demandait le rebuilt donc pour eviter cela, ils ont ajouter QuickJS via Chicorey un moteur WebAssembly GPT 5.1 pour les développeurs est sorti. https://openai.com/index/gpt-5-1-for-developers/ C'est le meilleur puisque c'est le dernier :slightly_smiling_face: Raisonnement Adaptatif et Efficace : GPT-5.1 ajuste dynamiquement son temps de réflexion en fonction de la complexité de la tâche, le rendant nettement plus rapide et plus économique en jetons pour les tâches simples, tout en maintenant des performances de pointe sur les tâches difficiles. Nouveau Mode « Sans Raisonnement » : Un mode (reasoning_effort='none') a été introduit pour les cas d'utilisation sensibles à la latence, permettant une réponse plus rapide avec une intelligence élevée et une meilleure exécution des outils. Cache de Prompt Étendu : La mise en cache des invites est étendue jusqu'à 24 heures (contre quelques minutes auparavant), ce qui réduit la latence et le coût pour les interactions de longue durée (chats multi-tours, sessions de codage). Les jetons mis en cache sont 90 % moins chers. Améliorations en Codage : Le modèle offre une meilleure personnalité de codage, une qualité de code améliorée et de meilleures performances sur les tâches d'agenticité de code, atteignant 76,3 % sur SWE-bench Verified. Nouveaux Outils pour les Développeurs : Deux nouveaux outils sont introduits ( https://cookbook.openai.com/examples/build_a_coding_agent_with_gpt-5.1 ) : L'outil apply_patch pour des modifications de code plus fiables via des diffs structurés. L'outil shell qui permet au modèle de proposer et d'exécuter des commandes shell sur une machine locale, facilitant les boucles d'inspection et d'exécution. Disponibilité : GPT-5.1 (ainsi que les modèles gpt-5.1-codex) est disponible pour les développeurs sur toutes les plateformes API payantes, avec les mêmes tarifs et limites de débit que GPT-5. Comparaison de similarité d'articles et de documents avec les embedding models https://glaforge.dev/posts/2025/11/12/finding-related-articles-with-vector-embedding-models/ Principe : Convertir les articles en vecteurs numériques ; la similarité sémantique est mesurée par la proximité de ces vecteurs. Démarche : Résumé des articles via Gemini-2.5-flash. Conversion des résumés en vecteurs (embeddings) par Gemini-embedding-001. Calcul de la similarité entre vecteurs par similarité cosinus. Affichage des 3 articles les plus pertinents (>0.75) dans le frontmatter Hugo. Bilan : Approche "résumé et embedding" efficace, pragmatique et améliorant l'engagement des lecteurs. Outillage Composer : Nouveau modèle d'agent rapide pour l'ingénierie logicielle - https://cursor.com/blog/composer Composer est un modèle d'agent conçu pour l'ingénierie logicielle qui génère du code quatre fois plus rapidement que les modèles similaires Le modèle est entraîné sur de vrais défis d'ingénierie logicielle dans de grandes bases de code avec accès à des outils de recherche et d'édition Il s'agit d'un modèle de type mixture-of-experts optimisé pour des réponses interactives et rapides afin de maintenir le flux de développement L'entraînement utilise l'apprentissage par renforcement dans divers environnements de développement avec des outils comme la lecture de fichiers, l'édition, les commandes terminal et la recherche sémantique Cursor Bench est un benchmark d'évaluation basé sur de vraies demandes d'ingénieurs qui mesure la correction et le respect des abstractions du code existant Le modèle apprend automatiquement des comportements utiles comme effectuer des recherches complexes, corriger les erreurs de linter et écrire des tests unitaires L'infrastructure d'entraînement utilise PyTorch et Ray avec des kernels MXFP8 pour entraîner sur des milliers de GPUs NVIDIA Le système exécute des centaines de milliers d'environnements de codage sandboxés concurrents dans le cloud pour l'entraînement Composer est déjà utilisé quotidiennement par les développeurs de Cursor pour leur propre travail Le modèle se positionne juste derrière GPT-5 et Sonnet 4.5 en termes de performance sur les benchmarks internes Rex sur l'utilisation de l'IA pour les développeurs, un gain de productivité réel et des contextes adaptés https://mcorbin.fr/posts/2025-10-17-genai-dev/ Un développeur avec 18 ans d'expérience partage son retour sur l'IA générative après avoir changé d'avis Utilise exclusivement Claude Code dans le terminal pour coder en langage naturel Le "vibe coding" permet de générer des scripts et interfaces sans regarder le code généré Génération rapide de scripts Python pour traiter des CSV, JSON ou créer des interfaces HTML Le mode chirurgien résout des bugs complexes en one-shot, exemple avec un plugin Grafana fixé en une minute Pour le code de production, l'IA génère les couches repository, service et API de manière itérative, mais le dev controle le modele de données Le développeur relit toujours le code et ajuste manuellement ou via l'IA selon le besoin L'IA ne remplacera pas les développeurs car la réflexion, conception et expertise technique restent essentielles La construction de produits robustes, scalables et maintenables nécessite une expérience humaine L'IA libère du temps sur les tâches répétitives et permet de se concentrer sur les aspects complexes ce que je trouve interessant c'est la partie sur le code de prod effectivement, je corrige aussi beaucoup les propositions de l'IA en lui demandant de faire mieux dans tel ou tel domaine Sans guide, tout cela serait perdu Affaire a suivre un article en parallele sur le métier de designer https://blog.ippon.fr/2025/11/03/lia-ne-remplace-pas-un-designer-elle-amplifie-la-difference-entre-faire-et-bien-faire/ Plus besoin de se rappeler les racourcis dans IntelliJ idea avec l'universal entry point https://blog.jetbrains.com/idea/2025/11/universal-entry-point-a-single-entry-point-for-context-aware-coding-assistance/ IntelliJ IDEA introduit Command Completion, une nouvelle façon d'accéder aux actions de l'IDE directement depuis l'éditeur Fonctionne comme la complétion de code : tapez point (.) pour voir les actions contextuelles disponibles Tapez double point (..) pour filtrer et n'afficher que les actions disponibles Propose des corrections, refactorings, génération de code et navigation selon le contexte Complète les fonctionnalités existantes sans les remplacer : raccourcis, Alt+Enter, Search Everywhere Facilite la découverte des fonctionnalités de l'IDE sans interrompre le flux de développement En Beta dans la version 2025.2, sera activé par défaut dans 2025.3 Support actuel pour Java et Kotlin, avec actions spécifiques aux frameworks comme Spring et Hibernate Homebrew, package manage pour macOS et Linux passe en version 5 https://brew.sh/2025/11/12/homebrew-5.0.0/ Téléchargements Parallèles par Défaut : Le paramètre HOMEBREW_DOWNLOAD_CONCURRENCY=auto est activé par défaut, permettant des téléchargements concurrents pour tous les utilisateurs, avec un rapport de progression. Support Linux ARM64/AArch64 en Tier 1 : Le support pour Linux ARM64/AArch64 a été promu au niveau "Tier 1" (support officiel de premier plan). Feuille de Route pour les Dépréciations macOS : Septembre 2026 (ou plus tard) : Homebrew ne fonctionnera plus sur macOS Catalina (10.15) et versions antérieures. macOS Intel (x86_64) passera en "Tier 3" (fin du support CI et des binaires précompilés/bottles). Septembre 2027 (ou plus tard) : Homebrew ne fonctionnera plus sur macOS Big Sur (11) sur Apple Silicon ni du tout sur Intel (x86_64). Sécurité et Casks : Dépréciation des Casks sans signature de code. Désactivation des Casks échouant aux vérifications Gatekeeper en septembre 2026. Les options --no-quarantine et --quarantine sont dépréciés pour ne plus faciliter le contournement des fonctionnalités de sécurité de macOS. Nouvelles Fonctionnalités & Améliorations : Support officiel pour macOS 26 (Tahoe). brew bundle supporte désormais l'installation de packages Go via un Brewfile. Ajout de la commande brew info --sizes pour afficher la taille des formulae et casks. La commande brew search --alpine permet de chercher des packages Alpine Linux. Architecture Selon l'analyste RedMonk, Java reste très pertinent dans l'aire de l'IA et des agents https://redmonk.com/jgovernor/java-relevance-in-the-ai-era-agent-frameworks-emerge/ Java reste pertinent à l'ère de l'IA, pas besoin d'apprendre une pile technique entièrement nouvelle. Capacité d'adaptation de Java ("anticorps") aux innovations (Big Data, cloud, IA), le rendant idéal pour les contextes d'entreprise. L'écosystème JVM offre des avantages sur Python pour la logique métier et les applications sophistiquées, notamment en termes de sécurité et d'évolutivité. Embabel (par Rod Johnson, créateur de Spring) : un framework d'agents fortement typé pour JVM, visant le déterminisme des projets avant la génération de code par LLM. LangChain4J : facilite l'accès aux capacités d'IA pour les développeurs Java, s'aligne sur les modèles d'entreprise établis et permet aux LLM d'appeler des méthodes Java. Koog (Jetbrains) : framework d'agents basé sur Kotlin, typé et spécifique aux développeurs JVM/Kotlin. Akka : a pivoté pour se concentrer sur les flux de travail d'agents IA, abordant la complexité, la confiance et les coûts des agents dans les systèmes distribués. Le Model Context Protocol (MCP) est jugé insuffisant, manquant d'explicabilité, de découvrabilité, de capacité à mélanger les modèles, de garde-fous, de gestion de flux, de composabilité et d'intégration sécurisée. Les développeurs Java sont bien placés pour construire des applications compatibles IA et intégrer des agents. Des acteurs majeurs comme IBM, Red Hat et Oracle continuent d'investir massivement dans Java et son intégration avec l'IA. Sécurité AI Deepfake, Hiring … A danger réel https://www.eu-startups.com/2025/10/european-startups-get-serious-about-deepfakes-as-ai-fraud-losses-surpass-e1-3-billion/ Pertes liées aux deepfakes en Europe : > 1,3 milliard € (860 M € rien qu'en 2025). Création de deepfakes désormais possible pour quelques euros. Fraudes : faux entretiens vidéo, usurpations d'identité, arnaques diverses. Startups actives : Acoru, IdentifAI, Trustfull, Innerworks, Keyless (détection et prévention). Réglementation : AI Act et Digital Services Act imposent transparence et contrôle. Recommandations : vérifier identités, former employés, adopter authentification multi-facteurs. En lien : https://www.techmonitor.ai/technology/cybersecurity/remote-hiring-cybersecurity 1 Candidat sur 4 sera Fake en 2028 selon Gartner research https://www.gartner.com/en/newsroom/press-releases/2025-07-31-gartner-survey-shows-j[…]-percent-of-job-applicants-trust-ai-will-fairly-evaluate-them Loi, société et organisation Amazon - prévoit supprimer 30.000 postes https://www.20minutes.fr/economie/4181936-20251028-amazon-prevoit-supprimer-30-000-emplois-bureau-selon-plusieurs-medias Postes supprimés : 30 000 bureaux Part des effectifs : ~10 % des employés corporatifs Tranche confirmée : 14 000 postes Divisions touchées : RH, Opérations, Devices & Services, Cloud Motifs : sur-recrutement, bureaucratie, automatisation/IA Accompagnement : 90 jours pour poste interne + aides Non concernés : entrepôts/logistique Objectif : concentrer sur priorités stratégiques NTP a besoin d'argent https://www.ntp.org/ Il n'est que le protocole qui synchronise toutes les machines du monde La fondation https://www.nwtime.org/ recherche 11000$ pour maintenir son activité Rubrique débutant Une plongée approfondie dans le démarrage de la JVM https://inside.java/2025/01/28/jvm-start-up La JVM effectue une initialisation complexe avant d'exécuter le code : validation des arguments, détection des ressources système et sélection du garbage collector approprié Le chargement de classes suit une stratégie lazy où chaque classe charge d'abord ses dépendances dans l'ordre de déclaration, créant une chaîne d'environ 450 classes même pour un simple Hello World La liaison de classes comprend trois sous-processus : vérification de la structure, préparation avec initialisation des champs statiques à leurs valeurs par défaut, et résolution des références symboliques du Constant Pool Le CDS améliore les performances au démarrage en fournissant des classes pré-vérifiées, réduisant le travail de la JVM L'initialisation de classe exécute les initialiseurs statiques via la méthode spéciale clinit générée automatiquement par javac Le Project Leyden introduit la compilation AOT dans JDK 24 pour réduire le temps de démarrage en effectuant le chargement et la liaison de classes en avance de phase Pas si débutant finalement Conférences La liste des conférences provenant de Developers Conferences Agenda/List par Aurélie Vache et contributeurs : 12-14 novembre 2025 : Devoxx Morocco - Marrakech (Morocco) 15-16 novembre 2025 : Capitole du Libre - Toulouse (France) 19 novembre 2025 : SREday Paris 2025 Q4 - Paris (France) 19-21 novembre 2025 : Agile Grenoble - Grenoble (France) 20 novembre 2025 : OVHcloud Summit - Paris (France) 21 novembre 2025 : DevFest Paris 2025 - Paris (France) 24 novembre 2025 : Forward Data & AI Conference - Paris (France) 27 novembre 2025 : DevFest Strasbourg 2025 - Strasbourg (France) 28 novembre 2025 : DevFest Lyon - Lyon (France) 1-2 décembre 2025 : Tech Rocks Summit 2025 - Paris (France) 4-5 décembre 2025 : Agile Tour Rennes - Rennes (France) 5 décembre 2025 : DevFest Dijon 2025 - Dijon (France) 9-11 décembre 2025 : APIdays Paris - Paris (France) 9-11 décembre 2025 : Green IO Paris - Paris (France) 10-11 décembre 2025 : Devops REX - Paris (France) 10-11 décembre 2025 : Open Source Experience - Paris (France) 11 décembre 2025 : Normandie.ai 2025 - Rouen (France) 14-17 janvier 2026 : SnowCamp 2026 - Grenoble (France) 22 janvier 2026 : DevCon #26 : sécurité / post-quantique / hacking - Paris (France) 29-31 janvier 2026 : Epitech Summit 2026 - Paris - Paris (France) 2-5 février 2026 : Epitech Summit 2026 - Moulins - Moulins (France) 2-6 février 2026 : Web Days Convention - Aix-en-Provence (France) 3 février 2026 : Cloud Native Days France 2026 - Paris (France) 3-4 février 2026 : Epitech Summit 2026 - Lille - Lille (France) 3-4 février 2026 : Epitech Summit 2026 - Mulhouse - Mulhouse (France) 3-4 février 2026 : Epitech Summit 2026 - Nancy - Nancy (France) 3-4 février 2026 : Epitech Summit 2026 - Nantes - Nantes (France) 3-4 février 2026 : Epitech Summit 2026 - Marseille - Marseille (France) 3-4 février 2026 : Epitech Summit 2026 - Rennes - Rennes (France) 3-4 février 2026 : Epitech Summit 2026 - Montpellier - Montpellier (France) 3-4 février 2026 : Epitech Summit 2026 - Strasbourg - Strasbourg (France) 3-4 février 2026 : Epitech Summit 2026 - Toulouse - Toulouse (France) 4-5 février 2026 : Epitech Summit 2026 - Bordeaux - Bordeaux (France) 4-5 février 2026 : Epitech Summit 2026 - 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Today on Whats My Frame I'm joined by acclaimed playwright and screenwriter Daniel Pearle. Daniel joins us to chat about his newest project THE BEAST IN ME where he served as writer and executive producer. We take a deep dive into creative process, research and understanding your character's voice. Daniel's plays have been produced and developed at Lincoln Center Theater, London's Old Vic, The Vineyard, Ars Nova, and at regional theaters around the country. His play A Kid Like Jake premiered in a sold-out run at LCT3/Lincoln Center Theater (NY Times Critic's Pick). Other plays include Freefall (finalist, 2017 O'Neill Playwrights Conference), Remote Viewing (semi-finalist, 2015 O'Neill Playwrights Conference), and The Prodigies (semi-finalist, 2013 O'Neill Playwrights Conference).Daniel's feature film adaptation of A Kid Like Jake premiered at the 2018 Sundance Film Festival. The film is directed by Silas Howard and stars Claire Danes, Jim Parsons, and Octavia Spencer. Other film credits include: Minyan (2020) and Oliver Sipple (currently in development with Mad Chance Productions).Daniel served as co-showrunner and executive producer on season 2 of Fox's Accused and is currently a writer and executive producer on Netflix's upcoming The Beast in Me. Other TV credits include Impeachment: American Crime Story (FX) and One of Us is Lying (Peacock). Daniel was awarded the 2018 Humanitas New Voices Grant for emerging writers in television. He is an alum of Ars Nova's Play Group and a MacDowell Fellow. He earned his BA from Harvard University and his MFA from The New School for Drama.Official site@danielpearle
Episode SummaryThis week, host Justin Boark sits down with award-winning playwright, director, and educator James Ijames, the creative force behind plays including Kill Move Paradise, The Most Spectacularly Lamentable Trial of Miz Martha Washington, and the Pulitzer Prize-winning, Tony-nominated Fat Ham. Their conversation digs into process, purpose, and the responsibility of telling stories that reshape the American stage. If you care about bold writing, fearless storytelling, and the next wave of theatrical innovationEpisode NotesGuestJames Ijames – @jwijames | Official Website - https://www.jamesijames.com/Playwright of Abandon, Good Bones, Reverie, Youth, History of Walking, Matter Out of Place, Kill Move Paradise, White, Moon Man Walk, The Most Spectacularly Lamentable Trial of Miz Martha Washington, The Threshing Floor, Fat Ham, and TJ Loves Sally 4 Ever.Topics Covered• Acting, directing, and writing• Philadelphia, PA• The work of playwright August Wilson• Finding the comedy in Hamlet James Ijames Bio – James' plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon, Wilma Theatre, Theatre Exile, Azuka Theatre (Philadelphia, PA), The National Black Theatre, JACK, The Public Theater (NYC), Hudson Valley Shakespeare Theater, Steppenwolf Theatre, Definition Theatre, Timeline Theater (Chicago IL) Shotgun Players (Berkeley, CA) and have received development with PlayPenn New Play Conference, The Lark, Playwright's Horizon, Clubbed Thumb, Villanova Theater, Wilma Theater, Azuka Theatre and Victory Garden. James is the 2011 F. Otto Haas Award for an Emerging Artist recipient, and two Barrymore Awards for Outstanding Direction of a Play for The Brothers Size with Simpatico Theatre Company and Gem of the Ocean with Arden Theatre. James is a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for ....Miz Martha, a 2017 recipient of the Whiting Award, a 2019 Kesselring Prize for Kill Move Paradise, a 2020 and 2022 Steinberg Prize, the 2022 Pulitzer Prize in Drama recipient and a 2023 Tony nominee for Best Play for Fat HamJames was a founding member of Orbiter 3, Philadelphia's first playwright producing collective. He received a BA in Drama from Morehouse College in Atlanta, GA and an MFA in Acting from Temple University in Philadelphia, PA.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliJames IjamesKJ Lampar The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter
Strategic Technology Consultation Services This episode of The Modern .NET Show is supported, in part, by RJJ Software's Strategic Technology Consultation Services. If you're an SME (Small to Medium Enterprise) leader wondering why your technology investments aren't delivering, or you're facing critical decisions about AI, modernization, or team productivity, let's talk. Show Notes "It's not just guessing. It's not just saying, "oh, there's something to log in. I think we'll call the button login." It actually knows the button is called Login, it's seen it. So that makes a big difference and makes it much more resilient. So that's definitely a big change, right? It's not just guessing. So definitely you should try it out."— Debbie O'Brien Hey everyone, and welcome back to The Modern .NET Show; the premier .NET podcast, focusing entirely on the knowledge, tools, and frameworks that all .NET developers should have in their toolbox. I'm your host Jamie Taylor, bringing you conversations with the brightest minds in the .NET ecosystem. Today, we're joined by Debbie O'Brien to talk about both Playwright and the Playwright MCP server. We started with an introduction to Playwright, and talked about how both it and the MCP server for it can help you to automate both the writing and running of tests for your applications. Pro tip: If you've been using the Swagger UI in your applications, you've been using Open API. "And that's where the Playwright MCP comes In because it can automate a browser, it can basically go to the website, it can navigate, it can click, it can hover, it can do everything that you are doing in your tests."— Debbie O'Brien Along the way, we talked about how Playwright's MCP server can help you to find test cases that you might not have thought of initially. As a perfect example of this while recording this episode, Debbie found a bug in the app that I use to record episodes of the show, and talked about how Playwright MCP would help to recreate and debug the issue. It's worth pointing out that we recorded this in early August 2025, and that AI quite literally moves very rapidly. Whilst Playwright and MCP servers are not likely to change too much between recording the episode an when it went out, it'll be worth bearing that in mind as we talk about some of the AI stuff. Before we jump in, a quick reminder: if The Modern .NET Show has become part of your learning journey, please consider supporting us through Patreon or Buy Me A Coffee. Every contribution helps us continue bringing you these in-depth conversations with industry experts. You'll find all the links in the show notes. Anyway, without further ado, let's sit back, open up a terminal, type in `dotnet new podcast` and we'll dive into the core of Modern .NET. Full Show Notes The full show notes, including links to some of the things we discussed and a full transcription of this episode, can be found at: https://dotnetcore.show/season-8/testing-made-easy-debbie-obrien-explains-playwright-and-its-game-changing-mcp-server Useful Links: Playwright Jamie's "small" open source project Playwright VSCode extension Playwright on GitHub Playwright's tests on GitHub... written with Playwright Debbie's Movies App website GitHub Spark Debbie's website Debbie on LinkedIn Playwright Docs Playwright YouTube Channel playwright Discord Server Supporting the show: Leave a rating or review Buy the show a coffee Become a patron Getting in touch: via the contact page joining the Discord Podcast editing services provided by Matthew Bliss Music created by Mono Memory Music, licensed to RJJ Software for use in The Modern .NET Show Editing and post-production services for this episode were provided by MB Podcast Services Remember to rate and review the show on Apple Podcasts, Podchaser, or wherever you find your podcasts, this will help the show's audience grow. Or you can just share the show with a friend. And don't forget to reach out via our Contact page. We're very interested in your opinion of the show, so please get in touch. You can support the show by making a monthly donation on the show's Patreon page at: https://www.patreon.com/TheDotNetCorePodcast. Music created by Mono Memory Music, licensed to RJJ Software for use in The Modern .NET Show. Editing and post-production services for this episode were provided by MB Podcast Services.
A Skin of Veils By Emma Joy Hill Directed by Gracy Keirstead
Maureen and the other FBI Agent Clemente, Tim, interview David Mamet about all things crime and writing and Directing. Jim C was out of townSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Brian welcomes panelists Greg Proops, Dan St. Paul, and Yayne Abeba for a lively discussion on the latest political developments. The group dives into the aftermath of Tuesday's election results, analyzing Democratic victories in key states and what the outcomes signal about the American electorate's appetite for change.Topics include:Trump's historically low approval ratings and the public's disapproval of his policies.The significance of Democratic wins in Virginia, Pennsylvania, Georgia, and New Jersey.The rise of non-traditional candidates and what it means for the future of both parties.Debates over “return to normalcy” versus a push for more radical change.The impact of economic issues like SNAP benefits, healthcare, and tariffs on voters.Candid conversations about racism, social democracy, and the state of American democracy.The ongoing controversy around the Epstein files and political accountability.Calls for activism, including upcoming national boycotts and supporting local candidates.Follow Copeland's Corner on Instagram for updates, and remember to subscribe, rate, and review!--Connect with our Guests...#YayneAbeba - @YayneAbebaComedy on TikTok#GregProops - @ProopDog on Instagram#DanStPaul - DanStPaulComedy.com and @DanStPaul on Instagram #ElectionResults #2025Election #NationalBoycotts #TrumpApprovalRating #EconmicIssues #AmericanDemocracy #BrianCopeland #CopelandsCorner #HeadlinersOnTheHeadlines#CopelandUnfiltered #ComedyCommentary #PodcastersOfYouTube #ComicsOnAir #TalkPodcast#PoliticalHumor #PoliticalPodcast #HotTalkTopicsPodcast Hosted by the Bay Area's own Brian Copeland, a longtime Actor, Comedian, Author, Playwright, Television and Radio Personality. Brian and The Copeland's Corner Network of content creators provide a weekly mashup of news, interviews and comedy.--For more from Brian...Visit his website: www.BrianCopeland.comFollow on Social Media: Instagram - @CopelandsCorner & @BrianCopieEmail: BrianCopelandShow@Gmail.com --Copeland's Corner is Created, Hosted, & Executive Produced by Brian Copeland. This Show is Recorded & Mixed by Charlene Goto with Go-To Productions. Visit Go-To Productions for all your Podcast & Media needs.Our Booking Producer is Tom Sawyer. For any show inquiries, please email CopelandsCornerPodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This episode is a re-air of one of our most popular conversations from this year, featuring insights worth revisiting. Thank you for being part of the Data Stack community. Stay up to date with the latest episodes at datastackshow.com. This week on The Data Stack Show, Ryan Dolley joins Eric and John to discuss his unique journey from playwriting to leading product strategy in the data industry. The conversation explores the evolution of business intelligence (BI), the growing influence of AI on analytics, and the shifting skill sets required for data professionals. Key topics include the challenges of adapting to rapid technological change, the importance of embracing engineering practices in BI, and the need for continuous learning. Listeners will gain insights into how AI is transforming data roles, why storytelling remains central to analytics, practical advice for thriving in a fast-changing industry, and so much more. Highlights from this week's conversation include:Ryan's Journey: From Playwriting to Data (1:05)Making a Living as a Playwright (3:02)Transitioning to BI: Night School and First Data Jobs (4:12)Storytelling and Data: The Art of BI (6:22)Early BI Work: Data Warehouses and PDF Reports (8:33)Moving from Utilities to Consulting (13:03)Building vs. Implementing: Product Strategy Lessons (16:37)The AI Shift in BI and Analytics (18:41)Automation Anxiety: The Human Side of Data Change (22:16)The Evolving Role of BI Experts (25:18)Adapting to Change: Learning Code and Experimentation (29:34)AI and the Future of Embedded Analytics (33:38)Capturing Intent: The Value of Modern BI Interfaces (37:03)Bridging the Data and Software Engineering Gap (39:13)The Historical Divide: Data vs. Software Engineering (43:06)Organizational Challenges: Where Does BI Belong? (46:05)Reflections on Self-Service BI and Value (48:46)If Not Data: Ryan's Alternate Career Paths (49:04)Final Thoughts and Takeaways (50:17)The Data Stack Show is a weekly podcast powered by RudderStack, customer data infrastructure that enables you to deliver real-time customer event data everywhere it's needed to power smarter decisions and better customer experiences. Each week, we'll talk to data engineers, analysts, and data scientists about their experience around building and maintaining data infrastructure, delivering data and data products, and driving better outcomes across their businesses with data.RudderStack helps businesses make the most out of their customer data while ensuring data privacy and security. To learn more about RudderStack visit rudderstack.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us a textDietrich Smith jumped into the Playwright's Spotlight after the opening of his World Premiere adaptation of Franz Kafka's novel Amerika. We explore his background as the literary manager at the Open Fist Theatre Company and the trends he observed from submissions. We speak about establishing theme and whose story it is in a piece, mapping the journey, approaching adaptation, and the history of Kafka's Amerika. We delve into writing an ending to an incomplete work, cutting what you love, the length of plays in modern theatre, the politics of production, reversals, learning playwriting by doing, and the concept of no rules in theatre. We wrap our conversation up the benefits of having been a story editor, holding interest and learning from the greats and, finally, his dive into acting and becoming a playwright. It is a brilliant and insightful conversation I hope you all will enjoy as much as I did. Cheers!For tickets to Amerika, or the Man Who Disappeared at the Atwater Village Theater in Los Angeles through November 22nd, visit - https://openfisttheatre.my.salesforce-sites.com/ticket#/events/calendarDietrich Smith is a playwright, director, and actor and was the literary manager for the Open Fist theatre company in Los Angeles from 1999 to 2006. He was writer and story editor for Nickelodeon and PBS on shows as Doug, Arthur, for which he received three Emmy Awards; Martha Speaks; Curious George; and, most recently, Hop.To watch the video format of this episode visit - https://youtu.be/ZIN5XqpRjdgLinks to sites and resources mentioned in this episode -Open Fist Theatre Company - openfist.orgDramatist's Bill of Rights - https://www.dramatistsguild.com/rightsWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Is your architecture sabotaging your tests Playwright users, there's a new shortcut in town, what is it. AI testing tools are multiplying fast but what's actually useful versus what's just hype. Find out in this episode of the Test Guild New Shows for the week of Nov2 . So, grab your favorite cup of coffee or tea, and let's do this. 0:20 ZAPTEST AI https://testguild.me/ZAPTESTNEWS 0:59 Playwright Selectors https://testguild.me/zay6vv 2:11 QA Testable https://testguild.me/irdt5r 3:53 WebdriverIO Obsidian https://testguild.me/z7rk0l 4:51 TestSprite https://testguild.me/zs96xo 5:59 Agentic QA https://testguild.me/ov9efn 7:08 Microsoft Copilot https://testguild.me/px8l2n 8:06 Robonito https://testguild.me/zy05pa 8:41 Load Testing Yes Or Why https://testguild.me/o0j99p
The tremendous Athena Stevens gives an interview and chats with Ben and Nico about telling stories on the stage and the page.Send us a text Support the show
Simon Startin is a Visually impaired Actor, Playwright, Director and Activist who has been playing The Blind Profit Tireseus in a thrilling new version of Euripides' timeless tragedy Bacchae at the National Theatre. RNIB Connect Radio's Toby Davey caught up with Simon during the run of Bacchae at the National Theatre and not long after attending one of the audio described performances of the production to firstly find out why Simon wanted to study theatre at the Royal Welsh Academy of Music and Drama, how he found it during the rehearsal process and preparing to play Tireseus on the National Theatre's Olivier stage, what help he needs when performing as a visually impaired actor and whether it was the right casting for him to be playing the blind profit in Bacchae. To find out more about access at the national Theatre including details of audio described performances of NT productions do visit - https://www.nationaltheatre.org.uk/your-visit/access/ (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)
Maureen and the other FBI Agent Clemente, Tim, interview David Mamet about all things crime and writing and Directing. Jim C was out of townSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week on Copeland's Corner, Brian and guests Sue Kolinsky, Ritch Shydner, and Tony Camin, engage in a wide-ranging and lively discussion covering comedy, politics, and personal experiences in the age of Trump. Topics include California's Prop 50 on gerrymandering, the impact of political and social dynamics on comedy, and experiences with censorship and audience reactions. They also delve into stories of personal encounters with powerful figures, the generational shift in entertainment, and reflections on fatherhood at an advanced age, using examples from celebrities like Kelsey Grammer. The episode closes with a contemplation on the state of modern media and democracy.--Connect with our Guests...#SueKolinsky - @Sue.Kolinsky on Instagram and co-host of CulturePopPodcast#TonyCamin - Website: TonyCamin.com and on Instagram @Tony.Camin#RitchShydner - RitchShydner.com#CaliforniaProp50 #Prop50 #Trump #Censorship #Fatherhood #PoliticalDynamics #BrianCopeland #CopelandsCorner #HeadlinersOnTheHeadlines#CopelandUnfiltered #ComedyCommentary #PodcastersOfYouTube #ComicsOnAir #TalkPodcast#PoliticalHumor #PoliticalPodcast #HotTalkTopicsPodcast Hosted by the Bay Area's own Brian Copeland, a longtime Actor, Comedian, Author, Playwright, Television and Radio Personality. Brian and The Copeland's Corner Network of content creators provide a weekly mashup of news, interviews and comedy.--For more from Brian...Visit his website: www.BrianCopeland.comFollow on Social Media: Instagram - @CopelandsCorner & @BrianCopieEmail: BrianCopelandShow@Gmail.com --Copeland's Corner is Created, Hosted, & Executive Produced by Brian Copeland. This Show is Recorded & Mixed by Charlene Goto with Go-To Productions. Visit Go-To Productions for all your Podcast & Media needs.Our Booking Producer is Tom Sawyer. For any show inquiries, please email CopelandsCornerPodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us a textSofia Streisand dropped into Playwright's Spotlight to discuss the U.S. premiere of her play Bluebeard's Castle (that I misspoke as Blackbeard's) November 1st through November 23rd. In this discussion, we discuss the difference between Russian, European, and American theatre, her journey from musical theatre to playwriting, writing multiple voices, and writing for specific actors and their cadence, mannerisms, and nuances. We unpack writing in a second language, the concept of and recognizing imposter syndrome, writing bilingually, refraining to avoid offense, and introducing sensitive topics. We follow up with "weight bearing" walls, inspirational feedback, when a show is born, the difficulty/benefits or wearing different hats, as well as adding layers and references. It's a brilliant interview discussing cultural aspects of playwriting we can all acquire from. Another great learning experience I know you will learn from. Enjoy!Sofia Streisand is producer, director, and playwright born in St. Petersburg, Russia. She co-wrote the musical based on Alexander's Pushkin's masterpiece The Queen of Spades.For tickets to Bluebeard's Castle at the Odyssey Theatre through November 23rd, visit - https://odysseytheatre.com/whats-on/bluebeards-castle/To watch the video format of this episode, click - https://youtu.be/JaqIonYRzSIWebsite and Socials for Sofia Streisand -https://sofiastreisand.com/Websites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Athena Stevens is an Olivier Award-nominated actor, playwright, and author. Her first book, 'What's Done Cannot Be Undone', was published with Harper Collins in June 2025 and is available now. In this episode, Athena joins Ben and Nico in writing for the prompt "Vintage".Send us a text Support the show
Consider yourself cordially invited to Brendan Healy’s memorial service. That’s because the Seattle playwright is sharing his experience of living with, and dying from, a terminal illness. His newest play is called "Eulogy, or How to Plan Your Own Funeral (and have fun doing it!)" If you go, you’ll get a front-row seat to remembrances of Healy’s life. But the play also promises audiences pictures of puppies, so there’s a little bit of something for everyone. He’s putting the production on through Pony World Theatre, which he co-founded in 2009. It opens on October 23 at 12th Avenue Arts, so we caught up with Brendan before he hits the stage. Guest: Brendan Healy, the Seattle playwright behind "Eulogy, or How to Plan Your Own Funeral (and have fun doing it!)" Related links: Seattle playwright navigates living with terminal illness in new show | The Seattle Times Pony World Theatre Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes. Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.
In this episode of 'Copeland's Corner,' Brian welcomes back Tom Sawyer, Carlos Alazraqui, and Jann Karam. The conversation spans various pressing topics, including the ongoing federal government shutdown, its impact on health care and food assistance programs, and the apparent political motivations behind these actions. Also discussed are the national repercussions of economic policies, the challenges of affordable housing, and the controversial actions of certain political figures. The episode touches on societal issues such as the increasing polarization in the United States and the effects of government decisions on ordinary Americans. --Connect with our Guests...#TonyCamin - TonyCamin.com and on Instagram @Tony.Camin#TomSawyer - TomSawyerVoices.com#JannKaram: JannKaram.com and @JannKaramComedian on Instagram #GovernmentShutdown #RedStates #BlueStates #Trump #EthicalDilemmas #FederalShutdown #ShutdownImpact #AffordableHousing #BrianCopeland #CopelandsCorner #HeadlinersOnTheHeadlines#CopelandUnfiltered #ComedyCommentary #PodcastersOfYouTube #ComicsOnAir #TalkPodcast#PoliticalHumor #PoliticalPodcast #HotTalkTopicsPodcast Hosted by the Bay Area's own Brian Copeland, a longtime Actor, Comedian, Author, Playwright, Television and Radio Personality. Brian and The Copeland's Corner Network of content creators provide a weekly mashup of news, interviews and comedy.--For more from Brian...Visit his website: www.BrianCopeland.comFollow on Social Media: Instagram - @CopelandsCorner & @BrianCopieEmail: BrianCopelandShow@Gmail.com --Copeland's Corner is Created, Hosted, & Executive Produced by Brian Copeland. This Show is Recorded & Mixed by Charlene Goto with Go-To Productions. Visit Go-To Productions for all your Podcast & Media needs.Our Booking Producer is Tom Sawyer. For any show inquiries, please email CopelandsCornerPodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us a textAnkita Raturi basked under the Playwright's Spotlight for the World Premiere of her play Neha & Neel. In this discussion we break down the concept of applied theatre and being a teaching artist, how it effects character, exercises that extrude character and whether or not the practice makes it into a piece. We unpack earning a monologue, the first steps of playwriting, writing bi-lingually, dramaturgical playwriting, and the audience's experience. We also discuss finding directors for foreign language pieces, writing multiple characters for one actor, discovering "magic" in grad school, self producing, keeping notes, ego, and good ideas, and clear guidelines and the ethics of paying fees to have one's work read. Ankita is a force to be reckoned with that every playwright can learn from. Enjoy!For tickets to Neha and Neel at LATC in Los Angeles through November 16th, visit - https://www.latinotheaterco.org/nehaandneelAnkita Raturi is a currently Queens-based writer and teaching artist. She writes hyper-theatrical works in English, Hindi/Urdu, and sometimes Bahasa Indonesia about living between cultural identities and contending with the ongoing legacies of colonization. She is the 2024 Winner of the Los Angeles New Play Project Award, and 2022 Winner of the Bret Adams and Paul Reisch Foundation's Ollie Award. New play developments include Theater Mu, Playwrights' Center, New York Theatre Workshop, Roundabout, Ma-Yi Theater Company, South Coast Repertory, Ensemble Studio Theatre, Playwrights Realm, and Berkshire Theatre Group, just to name a few. She is currently practicing applied theatre as an actor-teacher with CUNY's Creative Arts Team. B.F.A. in Drama: NYU/Tisch. M.F.A. in Playwriting at UC San Diego.To watch the video format of this episode, visit - https://youtu.be/T19LZUw4vC4Links to sites and resources mentioned in this episode - New Play Project - https://lanpp.orgBret Adams and Paul Reisch Foundation - https://www.bretnpaulfoundation.org/Theater Mu - https://www.theatermu.orgPlaywrights' Center - https://pwcenter.orgNew York Theatre Workshop - https://www.nytw.org/Roundabout Theatre Company - https://www.roundabouttheatre.orgMa-Yi Theater Company - https://ma-yitheatre.org/South Coast Rep - https://www.scr.orgEnsemble Studio Theatre - https://www.ensemblestudiotheatre.org/Playwrights Realm - https://www.playwrightsrealm.org/Berkshire Theatre Group - https://www.berkshiretheatregroup.org/Clubbed Thumb - https://www.clubbedthumb.org/New Play Exchange - https://newplayexchange.orgSocials for Ankita Raturi - IG - @ankitawritesWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Maya sits down with Jerry Slaff, a playwright and and a writer who stutters, for a conversation about voice, craft, and the lifelong arc from fear to freedom. Jerry first reached out to Proud Stutter back in December 2021, writing, “once a stutterer, always a stutterer… if people don't like my speech, that's their problem.” We revisit that email and trace how age, practice, and community reshaped his relationship to speaking, onstage, at work, and in everyday life.Jerry reflects on building a career that demanded communication, from press briefings, talkbacks, to cold reads, and how stuttering shows up differently across contexts (ease during prepared talkbacks vs. blocks in table reads). We explore his love of radio storytelling, the writers who formed his ear for dialogue, and his new creative chapters: a two-hander play set in 1950s America and a novel that includes a 12-year-old character who stutters. Along the way, we talk representation (what lands, what harms), allyship across disability communities, and the simple rule that guides him now: “Not caring is a great freedom.”MentionedA recent documentary about Marlee Matlin that sparked a cross-disability allyship convoLies (Jerry's play)Film IG: @saintstephenfilm - following helps us show funders there's a community behind the story.Event recap & donation links-----Big thanks to Proud Stutter's recurring supporters: Jennifer Bolen, Jerry Slaff, Josh Compton, Pablo Meza, Matt Didisheim, Alexandra Mosby, Ingo Helbig, Jonathan Reiss, Jason Smith, Paige McGill, Wayne Engebretson, Swathy Manavalan, and Martha Horrocks.Learn more about Proud Stutter's impact campaign for its film project at proudstutter.org/impactIf you can become a monthly donor at $10 or more, we'll give you access to ad-free episodes and bonus Proud Stutter+ content as a token of our thanks! Make your tax deductible gift here.Proud Stutter is proudly fiscally sponsored by Independent Arts & Media.Want to lean more about what Proud Stutter has to offer? Sign up here to stay in the loop and take advantage of our upcoming events, actions, and educational materials.Support this podcast at — https://redcircle.com/proud-stutter/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
https://theaterlabnyc.com/the-lucky-ones/
In this edition of Copeland's Corner, Brian discusses a variety of issues with guests Monique Marvez and Bill Jubran, Brian Mallow. They cover a wide range of hot talk topics, from the recent attempts to introduce an alternative Super Bowl halftime show and its racial undertones, to the upcoming Louisiana vs. Callais case before the Supreme Court, which could affect minority voting rights through gerrymandering. The gang also delves into the refusal to seat an elected congressional representative in Arizona, potentially tied to the Epstein files, and the controversial public image of celebrities like Sylvester Stallone and Woody Allen. They also touch on gun control and the current political climate. --Connect with our Guests...#BillJubran - YouTube Channel or @BillJubran23 on Instagram#MoniqueMarvez - MoniqueMarvez.com & @MoniqueMarvez on Instagram#BrianMalow - ScienceComedian.com#SuperBowl60 #SuperBowl2026 #SuperBowlHalftimeShow #EpsteinFiles #MinorityVotingRights #CelebrityPublicImages #SupremeCourt #SylvesterStalonge #WoodyAllen #BrianCopeland #CopelandsCorner #HeadlinersOnTheHeadlines#CopelandUnfiltered #ComedyCommentary #PodcastersOfYouTube #ComicsOnAir #TalkPodcast#PoliticalHumor #PoliticalPodcast #HotTalkTopicsPodcast Hosted by the Bay Area's own Brian Copeland, a longtime Actor, Comedian, Author, Playwright, Television and Radio Personality. Brian and The Copeland's Corner Network of content creators provide a weekly mashup of news, interviews and comedy.--For more from Brian...Visit his website: www.BrianCopeland.comFollow on Social Media: Instagram - @CopelandsCorner & @BrianCopieEmail: BrianCopelandShow@Gmail.com --Copeland's Corner is Created, Hosted, & Executive Produced by Brian Copeland. This Show is Recorded & Mixed by Charlene Goto with Go-To Productions. Visit Go-To Productions for all your Podcast & Media needs.Our Booking Producer is Tom Sawyer. For any show inquiries, please email CopelandsCornerPodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Thai American playwright Prince Gomolvilas first appeared on this show in 2019 to promote The Brothers Paranormal which would soon become his penultimate play in his long career. This week I invited him back because he's written the much-awaited 'spiritual sequel' Paranormal Inside, which will begin its rolling world premiere at East West Players' David Henry Hwang Theater from October 12 through November 2. (www.eastwestsplayers.org) The story returns to Max and Delia, two characters introduced in The Brothers Paranormal. They're dealing with what's come after the events of that play--trying to build dsome kind of peace in their lives. Over the ensuing years, their relationship has become strained, and they are somewhat estranged. Gomolvilas' new play digs into what people inherit--not just family or culture, but emotional history, loss, and unresolved pain. This too being a supernatural thriller with horror elements, a malevolent spirit reappears (or emerges) andf threatens to disrupt the fragile life Max and Delia built after earlier events. Theres's even the possibility of possession! You don't need to have seen the earlier play to understand Paranormal Inside.
TestTalks | Automation Awesomeness | Helping YOU Succeed with Test Automation
Flaky Playwright tests got you down? Discover Vibe Testing, a new AI-driven approach that lets Playwright tests understand design intent, adapt to UI changes, and self-heal intelligently. In this episode, Joe Colantonio talks with Vasusen Patil, Co-Founder and CEO of Donobu, about how their platform extends Playwright with AI-powered “Vibe Testing.” You'll discover how this approach blends visual assertions with contextual understanding to build resilient, low-flake tests that keep shipping smooth. You'll take away: What “Vibe Testing” really means and why it's a game-changer How AI-authored Playwright tests can self-heal without false positives The key to balancing autonomy with tester control Why Donobu's local-first model keeps your data safe while cutting test flakiness under 2 % How to try Donobu's free Playwright AI toolkit If you want to see where test automation is heading next — and how to future-proof your QA career — don't miss this one.
A life-changing course with Paula Vogel, San Francisco, post-grad revelations, The Kilroys, joy, and loss on this episode of “The Subtext.”
TestTalks | Automation Awesomeness | Helping YOU Succeed with Test Automation
Did you know that Playwright offers an elegant, unified framework that seamlessly integrates both UI and API testing within a single language and test runner? Don't miss the early bird Automation Guild discount: https://testguild.me/ag26early This episode explores how Playwright empowers teams to simplify test maintenance, eliminate silos between dev and QA, and gain true full-stack confidence. You'll discover: How to make your tests 10x faster and more reliable by using API requests for setup instead of brittle UI flows. How to write hybrid tests that validate both UI actions and backend APIs in a single flow. A modern, unified testing strategy that reduces operational friction and helps teams deliver high-quality applications with confidence. Our guest, Naeem Malik, brings 15 years of QA and automation expertise. As the creator of Test Automation TV and bestselling Udemy courses, Naeem specializes in making complex test automation concepts simple, practical, and impactful for engineering teams. Whether you're a QA leader, automation engineer, or DevOps practitioner, this episode will give you the tools to rethink your testing strategy and unlock the power of Playwright.
Topics covered in this episode: * PostgreSQL 18 Released* * Testing is better than DSA (Data Structures and Algorithms)* * Pyrefly in Cursor/PyCharm/VSCode/etc* * Playwright & pytest techniques that bring me joy* Extras Joke Watch on YouTube About the show Sponsored by us! Support our work through: Our courses at Talk Python Training The Complete pytest Course Patreon Supporters Connect with the hosts Michael: @mkennedy@fosstodon.org / @mkennedy.codes (bsky) Brian: @brianokken@fosstodon.org / @brianokken.bsky.social Show: @pythonbytes@fosstodon.org / @pythonbytes.fm (bsky) Join us on YouTube at pythonbytes.fm/live to be part of the audience. Usually Monday at 10am PT. Older video versions available there too. Finally, if you want an artisanal, hand-crafted digest of every week of the show notes in email form? Add your name and email to our friends of the show list, we'll never share it. Michael #1: PostgreSQL 18 Released PostgreSQL 18 is out (Sep 25, 2025) with a focus on faster text handling, async I/O, and easier upgrades. New async I/O subsystem speeds sequential scans, bitmap heap scans, and vacuum by issuing concurrent reads instead of blocking on each request. Major-version upgrades are smoother: pg_upgrade retains planner stats, adds parallel checks via -jobs, and supports faster cutovers with -swap. Smarter query performance lands with skip scans on multicolumn B-tree indexes, better OR optimization, incremental-sort merge joins, and parallel GIN index builds. Dev quality-of-life: virtual generated columns enabled by default, a uuidv7() generator for time-ordered IDs, and RETURNING can expose both OLD and NEW. Security gets an upgrade with native OAuth 2.0 authentication; MD5 password auth is deprecated and TLS controls expand. Text operations get a boost via the new PG_UNICODE_FAST collation, faster upper/lower, a casefold() helper, and clearer collation behavior for LIKE/FTS. Brian #2: Testing is better than DSA (Data Structures and Algorithms) Ned Batchelder If you need to grind through DSA problems to get your first job, then of course, do that, but if you want to prepare yourself for a career, and also stand out in job interviews, learn how to write tests. Testing is a skill you'll use constantly, will make you stand out in job interviews, and isn't taught well in school (usually). Testing code well is not obvious. It's a puzzle and a problem to solve. It gives you confidence and helps you write better code. Applies everywhere, at all levels. Notes from Brian Most devs suck at testing, so being good at it helps you stand out very quickly. Thinking about a system and how to test it often very quickly shines a spotlight on problem areas, parts with not enough specification, and fuzzy requirements. This is a good thing, and bringing up these topics helps you to become a super valuable team member. High level tests need to be understood by key engineers on a project. Even if tons of the code is AI generated. Even if many of the tests are, the people understanding the requirements and the high level tests are quite valuable. Michael #3: Pyrefly in Cursor/PyCharm/VSCode/etc Install the VSCode/Cursor extension or PyCharm plugin, see https://pyrefly.org/en/docs/IDE/ Brian spoke about Pyrefly in #433: Dev in the Arena I've subsequently had the team on Talk Python: #523: Pyrefly: Fast, IDE-friendly typing for Python (podcast version coming in a few weeks, see video for now.) My experience has been Pyrefly changes the feel of the editor, give it a try. But disable the regular language server extension. Brian #4: Playwright & pytest techniques that bring me joy Tim Shilling “I've been working with playwright more often to do end to end tests. As a project grows to do more with HTMX and Alpine in the markup, there's less unit and integration test coverage and a greater need for end to end tests.” Tim covers some cool E2E techniques Open new pages / tabs to be tested Using a pytest marker to identify playwright tests Using a pytest marker in place of fixtures Using page.pause() and Playwright's debugging tool Using assert_axe_violations to prevent accessibility regressions Using page.expect_response() to confirm a background request occurred From Brian Again, with more and more lower level code being generated, and many unit tests being generated (shakes head in sadness), there's an increased need for high level tests. Don't forget API tests, obviously, but if there's a web interface, it's gotta be tested. Especially if the primary user experience is the web interface, building your Playwright testing chops helps you stand out and let's you test a whole lot of your system with not very many tests. Extras Brian: Big O - By Sam Who Yes, take Ned's advice and don't focus so much on DSA, focus also on learning to test. However, one topic you should be comfortable with in algortithm-land is Big O, at least enough to have a gut feel for it. And this article is really good enough for most people. Great graphics, demos, visuals. As usual, great content from Sam Who, and a must read for all serious devs. Python 3.14.0rc3 has been available since Sept 18. Python 3.14.0 final scheduled for Oct 7 Django 6.0 alpha 1 released Django 6.0 final scheduled for Dec 3 Python Test Static hosting update Some interesting discussions around setting up my own server, but this seems like it might be yak shaving procrastination research when I really should be writing or coding. So I'm holding off until I get some writing projects and a couple SaaS projects further along. Joke: Always be backing up
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