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We kick off an exciting new chapter of Out on the Paddock with the debut of our latest segment, “Legends of the Regions.” And for our inaugural episode, we couldn't go past one of country cricket's true icons — Albany's own Terry Eaton.Join host Rob Marshall as he dives into Terry's remarkable journey through WA Country Cricket — a career that spanned multiple associations, was shaped by inspiration from one of Australia's greatest Test players, and left an unforgettable mark on the game.But Terry's legacy goes far beyond the boundary rope. In his post-playing days, his passion for cricket continues to shine through his tireless commitment to volunteering and nurturing the sport across the Great Southern Region.A story of dedication, humility, and true love for the game — this is one not to miss. Tune in and celebrate a genuine legend of regional cricket. Hosted on Acast. See acast.com/privacy for more information.
My guest today, Christine Pedi is known as the “Lady of 1000 Voices." She discovered her talent for multiple personalities through her long association with the legendary Off-Broadway revue, Forbidden Broadway, performing in companies all over the world, including New York, London, Japan, Singapore, and more. Among the dozens of personalities Christine is known to impersonate are: Liza Minelli, Rosie Perez, Ethel Merman, Angela Lansbury, Bernadette Peters, Julie Andrews, Katherine Hepburn and many, many others.She's received a Drama Desk nomination, as well as an L.A. Ovation & NAACP Award for her work.On Broadway, Christine debuted in Little Me with Martin Short and Faith Prince, directed by a favorite StoryBeat guest, Rob Marshall. Other Broadway appearances include several peculiar offstage callers in Eric Bogosian's Talk Radio, starring Liev Schreiber, and a turn as Mama Morton in the long-running hit, Chicago.She brought her collection of divas to Off-Broadway's Newsical the Musical, and starred in Spamilton: An American Parody, which she also co-produced.And many of you will know Christine from her long-running daily SiriusXM Radio show Broadway Breakfast on the On Broadway channel playing music of the stage & screen and interviewing Show Biz legends Mon-Fri, 9am-3pm. On Saturdays she and Seth Rudetsky co-host Dueling Divas. And fans of Howard Stern can hear her provide the occasional celebrity voice on his SiriusXM morning show.Other Off-Broadway performances include: the title role in Miss Abigail's Guide to Dating Mating and Marriage, A Broadway Diva Christmas, Jerry's Girls, and My Favorite Year.Christine's performed her cabaret show, Great Dames, at many major New York venues, winning both the New York Bistro & Nitelife Awards. Her holiday show, There's No Bizness Like Snow Bizness, has been an annual New York staple since 2008. She's even performed for President & Mrs. Clinton, playing a singing Hillary!On TV, you may recognize Christine on The Sopranos as Mrs. Bobby Baccala (4 scenes, 5 lines...dead). But she recently escaped the clutches of Dr. Death on NBC.Be sure to check out Christine's popular, hilarious videos on YouTube, especially her “Shit Liza Says” videos. It's brilliant, laugh-out-loud stuff.Last but not least, and closest to my heart, Christine can be found singing on the well-regarded 1994 double-CD Complete Work recording of Jekyll & Hyde, the Musical, featuring Anthony Warlow, Linda Eder and Carolee Carmello.
Good morning. Those attending the National Cathedrals Conference in Bristol this week were asked a simple question: what is the role of a cathedral today? They reflected on a specially commissioned report Living Stones which offered some sobering conclusions about the future of English cathedrals. There was some good news. 77% of adults have visited a cathedral in the past three years. This suggests that many people still see cathedrals as “thin places” where they can glimpse heaven on earth and, as one of the Psalms says, “be still and know”. But the more worrying statistic is that three quarters of England's 42 Anglican cathedrals are in debt. The growing gap between income and repair costs is difficult to ignore. In his book How Buildings Learn, the American writer Stewart Brand argues that buildings survive by adapting to the people who use them. Cathedrals have done this for centuries. And, in a noisy digital age, they face a new challenge: how once again to reimagine themselves. Many cathedrals now rely on admission charges, concerts, exhibitions, cafés and other attractions to help cover their costs. . For some, this feels like an attack on the essential quality of what is after all a sacred building. It's a fine balancing act to be sure. My experience of cathedrals has shaped much of my ministry. York Minster was my home cathedral. I studied near Durham, I was ordained in Ripon, and now serve as an Honorary Canon of St Albans Cathedral. This has given me a closer understanding of the challenges and opportunities facing cathedral clergy and their lay colleagues today. Perhaps the real question isn't how cathedrals can survive, but why they still matter. When in the Cathedral, I often notice that many visitors still come looking for a moment - to pause, to light a candle to pray. I see people of all ages — including many young adults — wanting to stop, to rest, to listen to the silence, if only for a little while. The medieval builders of these vast places — vividly imagined in Ben Hopkins' novel Cathedral — could never have foreseen the technologies that now shape almost every aspect of modern life. But I'm pretty certain they understood that people would always seek out their wonderful creations: as a calm sanctuary in stark contrast to the world outside. That, perhaps more than anything else, is what our cathedrals are still for today and why we need them to survive.
Send a textIn this episode of NATA-Cast, hosts Mollie Pillman, MS, MBA, CAE, and Katie Scott, MS, ATC, CAE, take listeners inside the upcoming NATA presidential election, explaining how the process works, what has changed, and why participation from every athletic trainer matters.They are first joined by NATA President A.J. Duffy III, MS, ATC, PT, and Presidential Election Oversight Task Force Chair Tim “Westy” Weston, MEd, ATC, who walk through the full election timeline, from initial declarations through the final vote. The conversation also highlights several updates designed to improve transparency, fairness, and communication, including virtual town halls and expanded eligibility that allows more volunteer leaders beyond past and current district directors to run for president.The episode also introduces listeners to the two candidates for NATA president. David Gallegos, MA, ATC, Cert. MDT, Deputy CEO of Southwest Sport & Spine, reflects on his leadership journey and shares his perspective on advancing visionary board discussions, strengthening individual member value, and addressing recruitment, retention, and professional identity in the profession. Rob Marshall, LAT, ATC, a long-time secondary school athletic trainer and association leader, discusses the importance of boots-on-the-ground perspectives, enhanced recruitment and retention resources, and clearer governance and leadership development across the association.The conversation reinforces a central message: every member's voice and vote play an important role in shaping the future of NATA and the athletic training profession.NATA-Cast is produced by Association Briefings. Follow The National Athletic Trainers' Association on social media!FacebookXInstagramLinkedInHave an idea for an episode or series? Send us an email! thenatacast@nata.org
Places where strangers become friends Good morning. The pub in Oxford last week looked its usual, amazing self. I'd been doing a bit of teaching and was staying in a nearby college overnight. Outside was dark, cold and wet. But as I pushed the pub door open, I was met with a warm, candlelit cacophony of conversation. People were eating supper, playing board games, reading books. It was a glorious, uplifting sight. We know that, for decades now, pub landlords have been facing multiple challenges in order simply to keep their doors open. In 2025, the equivalent of one pub a day in England and Wales had to close its doors permanently. So it was good this week to hear Prince William talking about how much he loves everything a pub has to offer and urging us to do all we can to support our local. Pubs, he said, are the beating heart of many communities, where we can meet with friends and neighbours.2 Along with churches and other places of worship, many of which are also reimagining themselves simply to survive, pubs provide a radical alternative to the social isolation and loneliness affecting many groups in society. I observe this more and more in the course of my own work. Often unseen, people of all ages and backgrounds can unwittingly find themselves alone, without the meansor motivation to find a non-transactional space where they can simply “be” with other people. Many community cafes are also thriving like never before. Christian theology has always celebrated hospitality. The Bible stresses the importance of people being together to meet as well as sharing food and drink. This is something Jesus is also frequently found doing in the gospels as he meets with an interesting range of people. St Paul, whose feast day the Church celebrates tomorrow, wrote many letters to the early Church, stressing not only the importance of worship but also the spiritual benefits that fellowship with others brings. He regards this as an important ingredient towards spiritual renewal and happiness. For centuries pubs have been at the centre of British culture. The Catholic writer Hillaire Belloc warned - “when you have lost your Inns drown your empty selves, for you will have lost the last of England.” They've left their mark throughout literature, in Orwell and Dickens, Dylan Thomas and Chaucer. His pilgrims began their journey to Canterbury at the Tabard Inn! As modern-day pilgrims, navigating an ever-complex world of conundrums and challenges [wherever our final destination might be] preserving spaces for conversation and friendship, where strangers can become friends, is surely an imperative.
Today's guest is just a badass. I'm so excited about this one that I don't even want to do too long of an intro. I just want her to tell her story. Welcome Wendy Rae Fowler to the show. She's got such an interesting story. She plays bass for Humanist in addition to her own music. But her first love was dance. She talks about all her creative endeavors from dance, to acting, to bass, and more.She collaborated with Queens of the Stone Age, Earthlings?, Mark Lanegan (that collaboration included a wedding), and more. She reveals the one project she'll never get over, who Katie Cruel is, and how she wrote an ambient film soundtrack. She tells the story of how she started playing with Rob Marshall and Humanist and how the music transformed once it was played live. Honestly, I could listen to her for hours. She's wonderful and I want to take a second and thank Rob Marshall of Humanist for the introduction. Go to wendyraefowlerofficial.com for more information. She's active on Instagram @wendyraefowler. Her music is also available on Bandcamp. Keep an eye open for some new releases. Follow us @PerformanceAnx. Grab merch at performanceanx.threadless.com. Just send money to ko-fi.com/performanceanxiety. And let's get right into the story with Wendy Rae Fowler on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
We've reached the grand finale of Musical Month here on @wedrinkandwewatchthings, and we are going out with all the glitz, glamour, and cynicism of 1920s jazz-age Illinois: the 2002 Best Picture winner, "Chicago." It's time to mix yourself a Roxie's Revolver cocktail by @crft.wrld and join us as we explore a film that turned the courtroom into a stage and the media into a circus.This week, we are breaking down Rob Marshall's brilliant decision to set the musical numbers within the vaudeville theater of Roxie Hart's mind, seamlessly blending grit with high-energy fantasy. We'll be unpacking the powerhouse performances of Catherine Zeta-Jones and Renée Zellweger, the smooth-talking charm of Richard Gere's Billy Flynn, and why Queen Latifah's "Mama" Morton is an absolute scene-stealer. We also take a look at the film's biting satire of celebrity culture and how it portrays justice not as a search for truth, but as a well-choreographed performance.If you love sharp wit, incredible Fosse choreography, or just want to see us wrap up the year with a film that is pure "razzle dazzle," this is the episode for you. We're blending our fascination with the film's dark humor with our usual casual banter, making this the perfect standing ovation to conclude our Musical Month. And remember - they both reached for the gun!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.
I fratelli Michael e Jane sono ormai adulti nella Londra degli anni ‘30. In un momento di difficoltà, la tata Mary Poppins torna per aiutare Michael e i suoi tre bambini. Nei panni della protagonista, al posto di Julie Andrews, c'è Emily Blunt, affiancata da Lin-Manuel Miranda nel ruolo del lampionaio Jack. Meryl Streep è la bizzarra cugina Topsy in questo sequel diretto da Rob Marshall.See omnystudio.com/listener for privacy information.
Today, I'm thrilled to announce my interview with Oscar-nominated stage and screen director Rob Marshall. Tune in to hear some of the stories of his legendary career, including rehearsing with Renee Zellweger for the film of CHICAGO, pitching his adaptation of the script to Miramax, putting his own stamp on DAMN YANKEES, teaching Blake Edwards about directing theater during VICTOR/VICTORIA, how Lenora Nemetz sparked his love of theater, giving notes to Chita Rivera during THE RINK, what he learned from Neil Simon, why he related to the story of NINE, how CATS led to his career as a choreographer, coming in on KISS OF THE SPIDERWOMAN out of town, his first day on the set of ANNIE, why THE PETRIFIED PRINCE didn't ultimately succeed, collaborating with Sam Mendes on CABARET, choreographing for Alan Cumming, what inspired him to revive LITTLE ME, creating movement for BLITHE SPIRIT, why FOLLIES wouldn't work as a movie musical, choreographing “A Romantic Atmosphere” in SHE LOVES ME, the fundamental structure of a movie musical vs. a stage musical, shaping the film of INTOT THE WOODS, working on MRS. SANTA CLAUS as his television debut, his upcoming project GUYS AND DOLLS, and so much more. Don't miss this delightful conversation with a master of making musicals. In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/
Haiku by Avon (2000) + Memoirs of a Geisha by Arthur Golden (1997) + Rob Marshall's Memoirs of a Geisha (2005) with Haylie Olson 9/11/25 S7E64 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon.
durée : 00:24:40 - « Chicago », le film oscarisé (2003) - Chicago est un film de Rob Marshall, écrit par Bill Condon. Il s'agit d'une adaptation cinématographique de la comédie musicale du même nom de Bob Fosse, John Kander et Fred Ebb
A Red Bul está enfrentando sérios reveses: depois de perder nomes importantes como Adrian Newey, Rob Marshall e Jonathan Wheatley, vem cometendo erros nos boxes que lembram a fase inicial da Sauber em 2024. Algo impensável para a Red Bull, umque sempre foi sinônimo de precisão e excelência. Será que estamos vendo o início do naufrágio da Red Bull? Conseguirá manter Max Verstappen? Após a corrida de domingo, uma reunião de emergência foi convocada entre Christian Horner, Helmut Marko, Pierre Waché e Paul Monaghan para discutir os rumos da equipe. Até pouco tempo, a principal preocupação da Red Bull para 2026 era o desenvolvimento do motor. Agora, porém, parece que a maior ameaça está dentro de casa: a equipe. A água já bate no queixo?Apresentação: Cassio Politi e Lito Cavalcanti.Veja as melhores análises da Fórmula 1 no site The Race Brasil: https://www.youtube.com/@wearetherace_br.Inscreva-se no canal do Lito Cavalcanti no YouTube e participe toda terça-feira, às 20h (horário de Brasília), da live: https://www.youtube.com/LitoCavalcanti. Participe do Bolão do Lito:https://sites.google.com/view/litocavalcanti/
The Marshall family seemed to have it all—wealth, status, and a picture-perfect life in Toms River, New Jersey. But on Thursday, September 7, 1984, tragedy struck when Maria Marshall, a beloved 42-year-old mother of three, was murdered in a parking area off the Garden State Parkway.What first appeared to be a random robbery quickly unraveled into something far more sinister. As investigators dug deeper, they uncovered a troubled marriage, financial troubles, a torrid love affair, and a murder plot that crossed state lines. The case became one of the most notorious crimes in New Jersey, later documented in Joe McGinniss's best-selling book and movie Blind Faith.Today's snack: Butterscotch barsSupport us on Patreon: https://patreon.com/lovemarrykillSources:https://www.youtube.com/watch?v=9OzZyF2PUrk&t=597s “Blind Faith” 1990 movieMcGinniss, Joe (2012). Blind Faith. Berkley (originally published 1989). https://www.newspapers.com/image/174522914/?match=1&terms=Woman%20slain%20at%20rest%20area%20in%20NJ%20Parkway%20https://www.newspapers.com/image/517503220/?match=1&terms=Woman%20slain%20at%20rest%20area%20in%20NJ%20Parkway%20https://www.newspapers.com/image/145993996/?match=1&terms=Maria%20Marshallhttps://www.findagrave.com/memorial/23088/maria-marshallhttps://www.nytimes.com/2015/02/25/nyregion/robert-o-marshall-dies-at-75-convicted-in-blind-faith-case.htmlhttps://www.findagrave.com/memorial/143002814/robert_oakley-marshallhttps://www.nydailynews.com/2017/09/09/perfect-marriage-masked-husbands-gambling-debt-affair-and-plot-to-have-his-wife-murdered/https://www.usatoday.com/story/news/nation/2015/01/30/sons-fight-keep-blind-faith-killer-in-prison/22577249https://www.nytimes.com/2015/02/25/nyregion/robert-o-marshall-dies-at-75-convicted-in-blind-faith-case.html?searchResultPosition=1https://www.nytimes.com/1985/01/20/nyregion/murder-statement-held-too-devastating-to-reveal.htmlhttps://www.nytimes.com/1986/01/13/nyregion/jersey-man-going-on-trial-on-charges-he-paid-to-have-wife-slain.htmlhttps://apnews.com/article/toms-river-ciba-geigy-childhood-cancer-pollution-42b1c56028b70e09ae530567011f34ed
With Yuki Tsunoda's confirmation as Max Verstappen's RB21 teammate, is this enough to lessen the damage caused in recent weeks to the team's credibility?Climb the ladder with me on Patreon: https://patreon.com/lawvsRed Bull Racing faces a crisis as the relationship between Max Verstappen and team principal Christian Horner hits a breaking point. Verstappen's demanding leadership style and Horner's controversial management decisions have ignited tensions, threatening the team's future dominance in Formula 1. With Red Bull's RB19 losing its competitive edge, key departures like Jonathan Wheatley and Rob Marshall, alongside Adrian Newey's scaled-back role, expose deeper issues within the organization. Could Verstappen's friction with Sergio Perez, intensified by a controversial Monaco qualifying incident, signal deeper instability?Meanwhile, Red Bull's recent driver choices—including promoting Yuki Tsunoda amid rumors of Honda's financial influence—highlight questionable decision-making processes that put their competitive integrity at risk. With upcoming F1 regulation changes, Red Bull must urgently address internal conflicts involving influential advisor Helmut Marko and Verstappen's increasingly critical stance toward the team's technical direction. Is it time for either Christian Horner or Max Verstappen to step away, or can Red Bull recover before it's too late?#f1 #liamlawson #formula1 #formulaone #f12025 #redbullracing #redbull #maxverstappen #tsunoda #honda #yukitsunoda #japanesegp #f1rumors #helmutmarko #f1news #f1latest #f1drama #f1updates #formula12025 #japanesegrandprix Max Verstappen has checked out of Red Bullhttps://youtu.be/_GbwRvBTUtY
The Liam Lawson situation at Red Bull has sent the team into a spiral just two races into 2025. Would Yuki Tsunoda next to Max Verstappen been a better solution? Did Christian Horner play himself?Climb the ladder with me on Patreon: https://patreon.com/lawvsRed Bull's controversial handling of Liam Lawson's rapid promotion has sparked widespread criticism, damaging their previously unshakeable public image. Contractual disputes forced Red Bull into placing Lawson in their notoriously difficult RB21, revealing deeper management issues within the team's structure. Max Verstappen's recent statements further fueled controversy, suggesting Lawson might have performed better in Racing Bulls' more predictable car, indirectly highlighting internal instability and the complex relationship between the main team and its sister outfit. Key technical staff departures, notably Adrian Newey and Rob Marshall, have left noticeable gaps, making Red Bull vulnerable and prompting urgent internal discussions about their strategic direction.Meanwhile, Yuki Tsunoda emerges as a surprising focal point amid the chaos. His newly calm and mature demeanor, possibly shaped by teammate Daniel Ricciardo, positions him as an ideal candidate to stabilize Red Bull's second seat dilemma. Speculation is rife about a potential Tsunoda-Lawson swap ahead of Suzuka, driven partly by PR motives aimed at restoring fan confidence and securing Red Bull's competitive future. As Red Bull navigates this crisis, questions linger about whether the team can maintain relevance beyond Verstappen, highlighting urgent decisions ahead in driver management and car development strategies.#f1 #liamlawson #formula1 #formulaone #f12025 #redbullracing #redbull #maxverstappen #tsunoda #honda #yukitsunoda #chinagp #ausgp #f1rumors #helmutmarko #f1news #f1latest #f1drama #f1updates #formula12025
There's plenty to love about the 1990s classic Pretty Woman… but just as much to cringe at. Savannah Hankinson, former assistant to rom-com royalty like Nancy Meyers and Rob Marshall, joins DB to unpack the good, the bad, and the downright creepy. From a disturbingly predatory George Costanza to the strange class politics bubbling under the surface, we break down whether this beloved rom-com classic still shines or if it's better left on the streets! 05:58 First impressions of the film as kids 11:58 Power dynamics in Pretty Woman 17:55 The fairy tale trope 24:34 The shopping montage and class politics 30:01 How Hollywood portrayed sex work 35:39 Cringe Corner! GUEST DEETS: Savannah Hankinson is the Head of Development at Meet Cute. She previously worked as an assistant to Nancy Meyers (Something's Gotta Give), Rob Marshall (The Little Mermaid), and Justin Paul (La La Land). —— FOLLOW US ON SOCIAL MEDIA: Instagram: @sexedwithdbpodcast TikTok: @sexedwithdb Twitter : @sexedwithdb Threads: @sexedwithdbpodcast YouTube: Sex Ed with DB —— ROM-COM VOM SEASON 11 SPONSORS: Lion's Den, Uberlube, Magic Wand, + Arya. Get discounts on all of DB's favorite things here! —— KEEP IN TOUCH: Want to get in touch with Sex Ed with DB? Email us at sexedwithdb@gmail.com. Sign up for our newsletter with BTS content and answers to your sex ed questions here. —— SEXUAL HEALTH PROS: Check out DB's workshop: Building A Profitable Online Sexual Health Brand. —— ABOUT SEX ED WITH DB: Sex Ed with DB is your go-to podcast for smart, science-backed sex education—delivering trusted insights from top experts on sex, sexuality, and pleasure. Empowering, inclusive, and grounded in real science, it's the sex ed you've always wanted. —— ROM-COM VOM SEASON 11 TEAM: Creator, Host, Executive Producer: Danielle Bezalel (DB) Producer: Sadie Lidji Communications Lead: Cathren Cohen Marketing Coordinator: Alex Bateman Rom-Com Vom Logo: Evie Plumb (@cliterallythebest)
This is an encore of our episode with the great director, Rob Marshall. He has made numerous films that have been honored with a total of 30 Academy Award nominations — winning 9 in all, including Best Picture for “Chicago,” which alone won a total of 6 of those Oscars. Also, for “Chicago,” Rob received the Directors Guild Award, and nominations for Best Director for the Oscar, Golden Globe and BAFTA awards. Additionally, he won Best Directorial Debut from the National Board of Review and the New York Film Critics Online, as well as the American Choreography Award.Most recently, Rob directed and produced the live-action feature, “The Little Mermaid” for Disney, starring Halle Bailey, Melissa McCarthy and Javier Bardem.Rob's other directorial achievements include multiple nominations for award-winning features like: “Memoirs of a Geisha,” “Nine,” “Pirates of the Caribbean: On Stranger Tides,” which went on to gross over 1 billion dollars worldwide, “Into the Woods,” and “Mary Poppins Returns.”Rob executive produced, directed, and choreographed the NBC TV event “Tony Bennett: An American Classic,” for which he won his second Directors Guild Award. He's also won 3 Emmys for Direction, Choreography, and Outstanding Variety, Music or Comedy Special. He directed and choreographed the Disney/ABC movie musical “Annie,” which received 12 Emmy nominations and won the prestigious Peabody Award. For choreographing Annie, Rob also received an Emmy and an American Choreography Award.He's received the Humanitas Prize for co-writing Mary Poppins Returns, and other awards from the Art Directors Guild, the Cinema Audio Society, the Costume Designers Guild, as well as the Annie Award, the Hamilton Award, and the Chita Rivera Award.Rob's extensive stage work includes the Broadway productions of “Cabaret,” “Little Me,” “Victor/Victoria,” “Damn Yankees,” “She Loves Me,” “Company,” and “Kiss of the Spiderwoman.” He's been nominated six times for the Tony Award, and he's a George Abbott Award winner.For the record, Rob and I are both graduates of Taylor Allderdice High School here in Pittsburgh. Rob is also an alumni of Carnegie Mellon University's top-rated School of Drama.
Andrew and Mark continue their look at the Santa family this month with the delightful musical "Mrs. Santa Claus." Debuting on CBS in 1996, Mrs. Santa Claus stars Angela Lansbury as a wayward but plucky Mrs. Claus, who sets out to show the North Pole that she's more than just the wife of Santa. Combine that with a memorable Jerry Herman score and choreography from Chicago's Rob Marshall, and you've got a unsung singing gem in this holiday musical. Listen in, how about? ABOUT TV MOVIE NIGHT: TV Movie Night is a podcast featuring TV what-have-yous Andrew Krukowski and Mark Gonzales diving into the retro world of made-for-tv movies. Each episode spotlights one of these forgotten "classics" (and sometimes without the scare-quotes classics), enjoying cinema on the small screen an episode at a time. Past episodes include landmark films like "The Day After," lost gems like "The Night of the Scarecrow," and odder fare like "Single Santa Seeks Mrs. Claus." Email us at tvmovienightpodcast@gmail.com.
Joe, Kyle, and Rick review the 2009 musical Nine. Directed by Rob Marshall, written by Michael Tolkin and Anthony Minghella, with music by Andrea Guerra. The film stars Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Dame Judi Dench, Nicole Kidman, and many more. We ranked 10 of the songs from the soundtrack, as well as picked our favorite lines, characters, performers, and scenes. Enjoy!
In today's episode, Heidi Miami Marshall discusses: the importance of celebrating individuality in acting the need to remove the concept of right and wrong in artistic expression the connection between personal experiences and the interpretation of scenes the challenges of navigating grief while immersed in professional work the spiritual nature of art and the profound impact it can have on both the artist and the audience embracing a non-linear journey and the importance of self-care the empowering experience of challenging limitations Heidi Miami Marshall's career has spanned over 25 years as an Acting Coach, Film and Theater Director, Casting Director, and Acting Studio Owner. Originally, Heidi was the lead Casting Director at The Telsey Office for the Broadway musical RENT, as well as for 70+ projects in theater, film, TV, commercial, and voiceover. Heidi has directed on the Broadway shows THE ADDAMS FAMILY, BAZ LUHRMANN'S LA BOHÈME, and THE COLOR PURPLE. Now the owner of a top acting studio, she's coached countless actors into roles, and her on-camera training classes are highly regarded by reps and casting directors. She is frequently hired by directors and production studios to prep actors for auditions, screen tests and performance. Talent spans from new actors to Emmy award-winning. Notable collaborators include John Turturro, Baz Luhrmann, and Rob Marshall (no relation). Heidi's clients have graced the big and small screen, from indie to blockbuster, plus countless Broadway stages. She recently coached René Pérez (aka Residente) in Sundance Grand Jury Winner and Tribeca Spotlight Narrative film IN THE SUMMERS. Also a director, Heidi's simultaneous filmmaker career provides a keen sensitivity to what is needed from actors. Her work includes S.P.I.C. (Vail, Soho Intl', Bowery), MORE THAN (LAByrinth Theater Co.), MUSCLE (Cinequest, Sun Valley), AMBER, A THROUGH M (Cinequest, Palm Beach), and more. Heidi is the recipient of a NY Drama League Fellowship and American Film Institute's Directing Workshop for Women. Follow along on Heidi's journey: @heidimarshallstudio Transcript available on our website! --- Support this podcast: https://podcasters.spotify.com/pod/show/storyproject/support
Welcome back to News of the Month, where I talk about a few different entertainment news stories that feel important and/or interesting to me. The stories I'll be talking about this time involve Benj Pasek & Justin Paul completing their EGOTs, the Tony Awards returning to Radio City Music Hall, Rob Marshall directing new film adaptation of GUYS & DOLLS, as well as the deaths of Gena Rowlands, James Earl Jones, Maggie Smith, Kris Kristofferson, and Gavin Creel. *I do not own any of the content used in this podcast. If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter:@KareReviews Also please visit the newly launched Patreon page:https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter:@JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor Apple Google Spotify Breaker Overcast Pocket Casts RadioPublic --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffrey-kare/support
It's Guido time! Mita picks the 1988 Italian film, "Cinema Paradiso" for the next movie review when tasked with picking a movie that starts with "C". This episode is not about Rob Marshall's musical, "Nine", but it's still about "Cinema Italiano".
Joy and Jordan Leaving ‘The Notebook’ for ‘Gypsy,’ Aisha Jackson to Replace Joy as Middle Allie, Rob Marshall to Direct New ‘Guys and Dolls’ Movie Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all read more The post Today on Broadway: Wednesday, Sept. 25, 2024 appeared first on BroadwayRadio.
U Guys, this week I am joined by Broadway veterans Mary Ann Lamb and Suze Misner to talk about their incredible advocacy project, Dancers For Harris - Move US Forward! This week's BroadwayWorld Recap is overflowing with casting updates, brought to you by BroadwayWorld.com. Then I am joined by Mary Ann Lamb and Suze Misner! We talk about our mutual connection to Chicago The Musical, as Mary Ann was in the original Broadway company, and they were both in the film adaptation of the show directed by Rob Marshall. Then Mary Ann and Suze share about their upcoming advocacy and fundraising project, Dancers For Harris, benefiting the Harris-Walz campaign. Together with a group of incredible artists, they have assembled a team of Broadway heavy-hitters to teach dance classes from coast to coast to raise money for Kamala Harris's presidential election campaign. From September 21st to 29th, they will be offering daily master classes with some of Broadway's best. These women are both such inspirations to me, U don't wanna miss this episode! Visit the link below to check out their official website and see the entire class schedule, as well as make a donation. https://sites.google.com/view/dancers-for-harris/home Follow Dancers For Harris on Instagram: @dancersforharris Follow the Pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices
The movie version of Into the Woods came out in 2014. While it did well financially, and even picked up a couple of Oscar nominations, fans of the stage musical felt cheated. Luke Crichton returns to the podcast to discuss whether that's justified.Visit Luke Crichton's website here: https://www.crichtonmusic.co.ukYou can also follow him on Twitter: https://twitter.com/MusicCrichtonOr on Instagram: https://www.instagram.com/crichtonmusic/We are using four productions to frame our discussion of Into the Woods.The Original Broadway Cast (1987) starring Bernadette Peters, Joanna Gleason, and Chip Zien.You can listen to it on Apple Music: https://bit.ly/46hBVdXOr listen to it on Spotify: https://bit.ly/48HHfsEOr buy it on Amazon: https://bit.ly/3ZEDtMFThe Broadway Revival (2002) starring Vanessa Williams, Kerry O'Malley, and Stephen DeRosa.You can listen to it on Apple Music: https://bit.ly/3RL3rwbOr listen to it on Spotify: https://bit.ly/3rISQHdOr buy it on Amazon: https://bit.ly/3rzQg6zThe film adaptation (2014) starring Meryl Streep, Emily Blunt, and James Corden.You can listen to it on Apple Music: https://bit.ly/3PPFPE6Or listen to it on Spotify: https://bit.ly/48C44y2Or buy it on Amazon: https://bit.ly/46hu14rThe Broadway Revival (2022) starring Patina Miller, Sara Bareilles, and Brian d'Arcy James.You can listen to it on Apple Music: https://bit.ly/3F13gVZOr listen to it on Spotify: https://bit.ly/3ZKqd9uOr buy it on Amazon: https://bit.ly/3LMvs2wSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★
This month's Out Now with Aaron and Abe commentary ponders if a pirate's life is really for everyone. Aaron is joined by Yancy Berns, Brandon Peters, and Scott Mendelson to discuss Pirates of the Caribbean: On Stranger Tides, the fourth part of this 5-part series, and the lone entry from director Rob Marshall. Listen in to hear the group dive into this billion-dollar-grossing bomb and why it does not have a strong reputation, despite its theatrical success. Plus, plenty of tangents, thoughts on the film's legacy, what an entirely Johnny Depp-focused feature has to offer, whether the villain and other characters work, and more. Are you ready for the fountain of youth? So now, if you've got an hour to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @ScottMendelson, @YancyJack, @Brandon4KUHD Check out all of our sites and blogs: The Code Is Zeek, Why So Blu?, The Brandon Peters Show, The Milky Way Blues, The Outside Scoop Watch the Trailer for Pirates of the Caribbean: On Strangers Tides
The Little Mermaid is Disney's latest property to receive the live-action remake treatment. While some scenes match the original film, there are changes. Alan Menken and Lin-Manuel Miranda wrote several new songs for the film. And it stars Halle Bailey as Ariel and Melissa McCarthy as Ursula. The film is directed by Rob Marshall and is in theaters now.