Podcasts about Choreography

What does it take to transform a lifetime of dance into powerful storytelling for film, opera, and television? In this episode of Best in Fest, host Les LaPage sits down with Jermaine McGhee—scholar, choreographer, educator, and former principal dancer for the LA and San Francisco Opera, including the Pulitzer Prize-winning Omar.Jermaine shares his journey from performing in blockbuster films like Dance Flick to choreographing works that merge ballet, jazz, and American dance culture. He opens up about:The pivotal moment he shifted from dancer to choreographer.How communication shapes the relationship between directors, performers, and dancers.Why iconic sequences like White Nights set the standard for dance on film.Advice for young artists on finding their unique voice instead of copying others.The future of dance in film and streaming, and how projects like Tule are sparking a new renaissance.Whether you're a filmmaker, choreographer, or dance enthusiast, Jermaine's insights reveal why movement is more than performance—it's storytelling with purpose and impact.

Sharpen your blade! This week on Enjoy Stuff we duel through the best sword fights in movie history, from Errol Flynn and Basil Rathbone to Luke Skywalker and The Bride. En garde and Enjoy Stuff! Whether you're swinging a wrapping paper tube, a sharp saber, or just a stick, we all love the romanticism of sword fighting. Let's look at the best ones in the movies.  News Discover magical new treats: Harry Potter Krispy Kremes    The new A Book of Dragons by Mike Witwer is now available   Teenage Mutant Ninja Turtles and Hello Kitty at McDonald's? Sounds like a match made in heaven   RIP Terrance Stamp   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Jay celebrates Texas Massacre Day (Aug 18) with a special screening of the 1974 horror classic The Texas Chain Saw Massacre. Shua dives into the fascinating world of Disney fandom with AJ Wolf's book Disney Adults     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay takes a look at Coherence (2014), a twisty tale that truly defines the meaning of “coherence,” both in its story and its theme. Read Jay's full breakdown on RetroZap.com. Also check out his latest work on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU. Enjoy Sword Fighting!  Sharpen your blade and tighten your grip! This week Jay and Shua celebrate the art of the sword fight, both in history and on the big screen. From legendary real-world figures like Miyamoto Musashi, Joan of Arc, and Julie d'Aubigny to Hollywood's masters of swashbuckling like Errol Flynn and Basil Rathbone, they slice into the roots of swordsmanship and how it translates into movie magic.   They look at the evolution of sword fights on screen:   Silent Era swashbucklers like The Mark of Zorro (1920) with Douglas Fairbanks   Golden Age Hollywood spectacle in The Adventures of Robin Hood   Post-War Realism in Japanese samurai cinema (Seven Samurai)   Modern Era duels ranging from Star Wars lightsabers to Game of Thrones brutality   Plus, they salute the fight choreographers who make it all possible, Nick Gillard, Bob Anderson, Donnie Yen and break down famous sword fighting techniques like the parry and riposte, feints, disarms, and Iaido precision strikes.   Finally, they take a tour through some of cinema's greatest sword battles:   The Princess Bride's witty duel   Rob Roy's brutal finale   Pirates of the Caribbean's rolling water wheel fight   Kill Bill's unforgettable Crazy 88 showdown   The operatic lightsaber clashes of Star Wars   And many more from Crouching Tiger, Hidden Dragon to The Lord of the Rings What makes a sword fight truly great? Choreography? Stakes? Cinematography? First person that emails me with the subject line, “En Garde!” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

This week on On A Water Break, it's all about nerves, leadership, representation, and celebrating unforgettable wins in the marching arts. Host Josh Smith is joined by new panelists Dalton Stout, Clara Bagwell, and Eric Levy — all making their podcast debut!The team kicks things off with their 32 Count Life Stories and a fun icebreaker: “What part of the marching band are you?” Clara relives her gold-medal summer with the Boston Crusaders, Dalton shares his journey from Nebraska to Colorado and launching DVS Choreo, and Eric spotlights his 20+ years of teaching and his work with Drumline Network.In the News Block, we cover: The retirement of Iowa's legendary announcer Lou Crist after 44 years Miami budget cuts cutting $12.8M in arts funding A stolen band trailer in Colorado and tips for protecting your equipment PASIC 2025 announcements featuring RhythmX and George MasonDalton delivers the 60-Second Tech Block on choreography hacks, and in Water We Doing?! the crew takes on audition nerves, teaching leadership in a post-COVID generation, body shaming in DCI, and the importance of ensemble unity. The episode wraps with Gush & Go, highlighting Boston's first DCI championship, new percussion challenges, and student success stories.Panelists & Socials: Dalton Stout – IG/TikTok: @saltydalti | daltonvstout.com Clara Bagwell – IG: @_clara.01100010 Eric Levy – IG: @worldoferic | Drumline Network & Percussion League Josh Smith – TikTok: @mr.smiths.bandSponsors: Peak Group Travel – @peak.group.travel | peakgrouptravel.com Guard Closet – @guardcloset | guardcloset.com✨ Don't forget to subscribe, leave us a review, and share this podcast with a friend.

I spoke with HoneyWeeWee, Sandi_, Humi, Quinnster, & Kiashi_GL about Silhouette of Memories as a part of my Raindance Immersive 2025 coverage. See more context in the rough transcript below. https://www.youtube.com/watch?v=QsgZm4u8UsU This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Millicent Johnnie is an award winning dancer, choreographer, director, teacher and filmmaker.  She's currently in post-production on her most recent film Ma Negresse. For more info about us visit www.mondobizarro.org.  Click here to donate to Mondo Bizarro. Our theme music is by Rotary Downs.   Here are some related links you may want to check out: More Millicent on AI in the Arts Urban Bush Women

“We have 16 different Grizabellas for this production.” In this episode of The Wrong Cat Died podcast, Mike Abrams welcomes Naomi Naughton, a former swing in the original Broadway production of CATS (1992) who is now directing a summer production at the Shawnee Playhouse. Naomi shares her journey from first seeing CATS as a teenager, through auditioning and performing on Broadway, to her current role as a director. She discusses the challenges and joys of directing, including working with 16 different performers as Grizabella and staying true to the show's choreography and storytelling. Naomi also reflects on deeper themes of the musical, such as acceptance, forgiveness, and the meaning of the Heaviside Layer. 00:46 Naomi's Broadway Journey 04:45 Landing the Role and Broadway Experience 07:56 Reflections on the Show's Choreography and Story 22:24 Directing CATS: New Insights and Challenges 32:58 Teaching a Specific Moment in Time 33:29 Adapting Choreography for Diverse Cast 34:45 Exploring Grizabella's Backstory Check out Shawnee Playhouse on Instagram: @theshawneeplayhouse Check out Shawnee Playhouse's website: www.shawneeplayhouse.org Produced by: ⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠ & ⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

What You'll Learn in This Episode:Why lack of structure is the silent killer of meetingsThe most common leadership mistake: talking too muchThe difference between a meeting and a training (they're not the same!)How 5–7 minute daily huddles can change your team's rhythmMorale boosters like mission anchoring and review sharingDr. Lloyd's “dance step” framework for smoother communicationHow one doc went from team frustration to 125 extra visits a weekTake Action:✅ Subscribe to The Deep Dive for more strategies to run a successful practice✅ Book your free call with Dr. George Birnbach: https://myfivestar.com/work-with-us/✅ Join us in Chicago for Streamline, Scale, Succeed – our 2-day live event, July 26–27, 2025: https://myfivestar.com/streamline-scale-succeed/

In the shadowlands of human intimacy, we often mistake connection for communion, trauma for truth, and reactivity for resonance. Beneath the curated choreography of modern relationships—romantic, familial, platonic—lurks a disowned force field of unmetabolized emotion, ancestral patterning, and inner exiles clamoring for resolution.

ATEEZ unveils 'In Your Fantasy' choreography one day before comeback.

I had an awesome time chatting with Michael Johnson on the Business Choreography Podcast!

US REP JAMIE RASKIN & THE ATTACK ON US DEMOCRACY & ECOLOGY We begin GREEP Zoom #229 with citations for  “The Choreography of War” by our Poet Laureate MIMI GERMAN, whose latest poem is compacted into a brilliant three lines. Green Party Presidential nominee HOWIE HAWKINS discusses the nitty-gritties of Ranked Choice Voting & instant runoff. The great MARIANNE WILLIAMSON gives us a brief hello & a promise to come visit us again soon. Beyond Nuclear's KEVIN KAMPS reminds us about how powerful is the rise of renewables worldwide along with the demise of nuke power. Co-host MIKE HERSH gives us a stellar introduction for US REP JAMIE RASKIN. Rep. Raskin provides a brief excursion into the dire damage being done to our electoral system through the widespread assault on the Voting Rights Act, emphasizing the powerful impact of the No Kings Day marches.. The great RAY MCCLENDON of the Georgia-based Communities United for Justice connects with Rep. Raskin, sharing concerns about the mass disenfranchisement being imposed on the national electorate. In response Rep. Raskin warns of the anti-democracy provisions of the SAVE Act, aiming to keep millions of women from voting. Progressive Democrats of America's great Executive Director ALAN MINSKY emphasizes that Progressive activists are the true patriots. Rep. Raskin argues that the Founders' legacies are being assaulted because of their timeless commitment to democracy. A request for help comes from MAYOR HEIDE LAMPERT of Waldport, Oregon, who proclaims herself to be a Warrior for Democracy in the face of a fascist assault. Howie Hawkins & Kevin Kamps chime in with demands for real democracy & an end to subsidies for nuke power. Agricultural activist legend RUDY ARREDONDO warns of the dismemberment of the US Department of Agriculture & the breaking federal commitments to American farming. Rep. Raskin supports Rudy by underscoring the damage being done by ICE raids to the agricultural workers and the farms that depend on them. Green activist HEIDI VERTHALLER plugs for renewables and asks Jamie if he will run for president, to which Rep. Raskin answers in the affirmative. We hear from DONALD SMITH about a book called UNCHECKED that blames Nancy Pelosi for the failure of the impeachments of Trump. LA's JOHN SEELEY supports rank choice voting, but warns against it in the final NYC election. Frequent commentator NICOLE UNG warns that Amazon, Microsoft, Facebook et. al. are unifying for more nuke power. From MYLA RESON we hear of New York Lieutenant Governor Antonio DelGado, who opposes nuke power. Minnesotan HEDY TRIPP calls in from Malaysia to wonder about the threat to have NY Mayoral candidate Mamdani deported. Engineer STEVE CARUSO warns that the threat to de-naturalize would-be Mayor  Mamdani is being used nationwide. Ohio eco-activist VINA COLLEY illuminates the push for Small Modular Reactors' horrendous waste & Trump's sinister mis-use of radiation victims while slashing their compensation. Phone activist NINA SINGER urges everyone to call their Senators about the Big Bill and the destruction of the Everglades. No Nukes legend KARL GROSSMAN talks about the importance of meeting with a NY Governor candidate who's against nuke power. An emphasis for “boots on the ground comes from HOWIE DUIT. KPFK Board Chair TATANKA BRICCA emphasizes the long history of farmworker activism in CA... and its forever impact.  Frequent GREEPster DONALD SMITH introduces us to the work on nuke waste at Hanford coming from Jerry Politt, who we'll track down…. But in honor of Independence weekend, we will not meet on July 7….so please celebrate & work for at least two more centuries of American democracy.     

#gnxtour #sza #kendricklamarJoin hosts Octavia March, Kia KC, and Relle Roulette in this episode of Music IV Breakfast as they dive into the unforgettable finale of Kendrick Lamar and SZA's GNX tour at Hershey Park and Northwestern Stadium. From sold-out performances to emotional moments, this recap highlights everything fans loved about the tour, including shoutouts to key figures like choreographer Charm LaDonna and celebrity attendees such as Chris Bosh and Ari Lennox. Get the inside scoop on the global GNX tour and what to expect from these music legends as they continue to dominate the hip-hop and R&B scene. Perfect for new YouTubers and hip-hop culture enthusiasts looking for fresh insights and exciting discussions on music, tours, and entertainment news. Don't miss out on exclusive behind-the-scenes content and upcoming international dates!00:00 Introduction and Tour Highlights00:44 Heartfelt Messages and Recognitions01:17 Music for Breakfast Hosts Introduction02:11 Tour Updates and Special Mentions03:33 Choreography and Performances06:06 Tour Documentary Announcement07:29 Kendrick Lamar's Birthday Celebration08:44 Fan Reactions and Favorite Moments16:02 Upcoming International Tour Dates17:43 Conclusion and Future Updates#kendricklamar #sza #gnxtour music #hiphop #youtube #fyp #trendingCopyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS

In this episode of the K-Pop Cast, the hosts review Enhypen's "Bad Desire". They discuss the evolving trends in K-Pop, the impact of military enlistment on artists, and the significance of music videos in conveying concepts. The conversation also touches on the nostalgia of early 2000s sounds and the challenges of creating memorable choreography in a fast-paced industry. Join the Kpopcast Slack: https://join.slack.com/t/kpopcast/shared_invite/zt-93kzxcv6-YNej2QkyY6vaPnhEQJxk0AChip in for editing: https://ko-fi.com/thekpopcast [REVIEW] ENHYPEN Explores Their Darkest Fantasy Yet with ‘DESIRE: UNLEASH' Containing Moments of Excellence | Genius https://genius.com/discussions/499192-Review-enhypen-explores-their-darkest-fantasy-yet-with-desire-unleash-containing-moments-of-excellence HIT REPLAYS:MEOVV(미야오) - ‘HANDS UP' M/V https://youtu.be/sL0pCS6K9bc?si=WkbTrnSvGsRYJDaY USPEER (유스피어) 'ZOOM' MV https://youtu.be/7WSmAo7kSoo?si=xlQp-pHbq4801WZO JAEHYUN 재현 'Can't Get You' (Official Audio) https://youtu.be/yzAA-8CrWCY?si=Pbt6r6pTW_CorCf2Chapters00:00 Introduction02:14 Hit Replays: Meovv Jaehyun Uspeer16:11 'Bad Desire' Reaction21:14 Visuals and Themes in Music Videos29:03 Choreography and Performance Analysis31:23 Nostalgia and Global Reach in K-Pop39:16 Standout Tracks and Production Insights41:05 Final Thoughts and Ratings Hosted on Acast. See acast.com/privacy for more information.

As we shift gears to prepare for the upcoming season, Artistic Director Jonathan Stafford and Associate Artistic Director Wendy Whelan take a moment to reflect on our just-concluded 76th year, from two strikingly unique and unforgettable world premieres—from Resident Choreographer Justin Peck and Artist in Residence Alexei Ratmansky—to the return of cherished repertory works, the invaluable presence of coaches Suzanne Farrell and Merrill Ashley in the rehearsal studios, and much, much more. They celebrate the freedom and boldness the company displayed in notable debuts, well-earned promotions, and bittersweet retirements, and look forward to the new works and multi-faceted performances on the horizon. (39:52) Edited by Emilie Silvestri Music: Capriccio for Piano and Orchestra (1929) by by Igor Stravinsky Symphony No. 3 in D major, Op. 29 (1875) by Peter Ilyitch Tschaikovsky

Join "Dance Talk” ® with Joanne Carey and special guest Felice LesserIn this episode of "Dance Talk” ® with Joanne Carey speaks with choreographer Felice Lesser about her extensive career in dance, the founding of her dance company, and her upcoming performance 'I Am a Dancer 2020.' They discuss Felice's journey into dance, her experiences with various dance styles, and the impact of COVID-19 on freelance dancers. Felice shares insights into her creative process, the integration of multimedia in her work, and the importance of supporting smaller dance companies. The conversation concludes with reflections on the past 50 years in dance and an invitation to the audience to attend her performance. Felice Lesser's multi-media works have been seen inthe U.S. and abroad, at venues including Lincoln Center Out-ofDoors, The Duke on 42nd Street, the Edinburgh Fringe Festival,Baryshnikov Arts Center, Dixon Place, Carnegie Recital Hall, JoyceSoHo, Symphony Space, Sarasota Ballet, and the 1991 TokyoInternational Choreography Competition. Her dance & video work,"AI" (from LIGHTNING) was chosen for the 2019 Carson City (NV)International Film Weekend. Lesser won the Lawrence S. Epstein Prize for Choreography, Lesser's company, Felice Lesser Dance Theater, received a "Creative Engagement" Grant fromLMCC . Her company received 27 grants from The Harkness Foundation for Dance, a grant from the Puffin Foundation, and ongoing inkind support from Freed of London.I AM A DANCER won two Accolade Awards A member of the Dramatist's Guild, Lesser was one of three playwrights chosen for New Perspectives Theatre's 2013 “Women's Work” Project, where her play about global warming,was premiered. She produced, wrote, directed, choreographed, filmed, and edited fivetelevision programs on dance, all broadcast on Manhattan Neighborhood Network. Her articleon using technology in dance education (“Dancing on the Keyboard”) was published inDance/USA's Journal, and she was designated one of Credo Interactive's “Master Animators”for her work with LifeForms dance animation software.Lesser is currently an Adjunct Professor of Dance at UCONN/Stamford, an Artist-in-Residencefor the state of Nevada (and formerly, Idaho), was a Mentor for the NYFA (New York Foundationfor the Arts) Immigrant Artist Program (2017-18), and performed in Philippe Parreno's “TheCrowd” shown at the NY Armory in 2015. Felice served as an adjudicator for the Ohio DanceFestival, the National Federation of Music Clubs' Ballet Competition, and the NYC Parks Foundation's Green/Arts. She holds a B.A. from Barnard College in Music, cum laude, and anM.A. from Columbia University in Dance & Dance Education.⁠More about Felice Lesser Dance Companyhttps://www.fldt.org/Tickets for the June 26, 27 & 28 at New York Live Artshttps://newyorklivearts.my.salesforce-sites.com/ticket/#/events/a0SVt0000048epBMAQ“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In this episode Albert Evans and I explore the origins of Broadway's “Nostalgia Craze of the 1970s” — where it came from, and what artistic, social and cultural forces came together to spark this unlikely phenomenon.  We trace its origins in the counterculture youth rebellion of the 1960s, the rediscovery of films from the 1930s and 40s on television, and the popularization of gay camp culture via the off-off Broadway mega hit DAMES AT SEA.  All of this would lead to the triumphant 1971 Broadway revival of NO, NO, NANETTE — the Vincent Youmans/Irving Ceasar/Otto Harbach musical comedy that has introduced the songs “Tea For Two” and “I Want To Be Happy” way back in the Roaring 20s. With a heavily retooled book, sparkling new orchestrations and arrangements, and a snazzy, art deco-inspired set and costume design, this reincarnation of No, No, Nanette was billed as “the new 1925 musical”.  And it became a smash hit, running 861 performances, and winning 4 Tony Awards for Choreography, Costume Design, and for two of its stars, Helen Gallagher, and another vintage movie star, comedian Patsy Kelly (there was no "Best Revival category then). And, after years of it being almost entirely absent from Broadway — Nanette brought tap dancing back into fashion in a major way. Most significantly, Nanette fanned a mania for everything and anything that recalled the music, style, and glamour of the 20s, 30s and 40s. The press dubbed this mania “The Nostalgia Craze” as it quickly spread into every aspect of American life. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are curious…what type of work do you do and is it something that fulfills you? Shaté takes pride in helping others not only live in their purpose but truly love what it is that they do. However, to get to where she is today there were quite a few pivots and transitions along the way. Ultimately, she fell in love with career strategy and development and has been paying it forward ever since. Tune in to episode 224 as Shaté recalls the various experiences in each place she has lived, explains the journey to self-publishing a book and much more! For more information:Website: lightmycareermatch.com ; shatehayes.com LinkedIn: Shaté HayesInstagram: @iamshateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join us around the Rosin Box for our annual listener-contributed "Ask the Dancers" episode. Our intrepid hosts Claire and Aarón and special guest Corps de Ballet Member Lars Nelson answer your questions about rehearsal wear, dancing with Artist in Residence Alexei Ratmansky, remembering steps, and more—including, "Explain dogs at New York City Ballet." (39:06) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Hosts Claire and Aarón are back at the Rosin Box, joined this week by Principal Dancers Tiler Peck and Roman Mejia to talk about the relationship between choreographer and dancer in the creation of new works—especially in the case of Tiler's Concerto for Two Pianos from 2024, which featured Roman. As they share, the process is like a conversation between artists on both sides of the studio and relies heavily on trust. Tiler highlights the necessary balance between celebrating individual dancers' strengths with making a timeless work, while Roman describes feeling deeply invested in the success of her ballet's premiere. (34:11)  Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Join "Dance Talk” ® with Joanne Carey and special guest Anna SperberIn this episode of  "Dance Talk” ® , host Joanne Carey interviews choreographer Anna Sperber, who shares her journey into the world of dance, her education, and her artistic identity. They discuss her upcoming piece 'Beacons' at the American Dance Festival, the role of the audience in dance, and the creative process behind choreography. Sperber reflects on the influence of motherhood and Martha Graham on her work, the importance of somatics, and her initiative 'Class, Class, Class' aimed at fostering new teaching talent. The conversation culminates in her thoughts on receiving the Bessie Award and her excitement about returning to ADF.Anna Sperber is a Brooklyn-based choreographer and performer. Her work has been described by The New York Times as “immediately compelling” and “wonderfully strange” with “moments of theatrical magic.” Her performances are rooted in the poetic potency of choreography and its potential for perceptual transformation, embodying a tension between formality and chaotic wildness.Sperber received a 2022 New York Dance and Performance “Bessie” award for Outstanding Choreographer / Creator for Bow Echo (2021). Her work has been presented and commissioned by The Kitchen, The Joyce Theater UNLEASHED Series, The Chocolate Factory, Baryshnikov Arts Center, Roulette, Gibney Dance, and Dance Theater Workshop in New York City, as well as by the American Dance Festival in Durham, NC. Sperber has received fellowships and residencies at MacDowell, Yaddo, Bogliasco Foundation in Bogliasco Italy, the Marble House Project, as a Schonberg Fellow at Dance The Yard, Dance Initiative in Carbondale Colorado, Center for Performance Research, Gibney Dance DiP (Dance in Process), Brooklyn Arts Exchange, Lower Manhattan Cultural Council, and Movement Research. Her work has been supported by New Music USA Live Music for Dance, Mertz Gilmore Foundation, The Jerome Foundation, and Brooklyn Arts Council, Cafe Royal Cultural Foundation, and a 2025 NYSCA Grant to Individual Artists. Sperber has collaborated extensively with esteemed experimental composers and live musicians as well as visual designers in New York City. These interdisciplinary collaborations are crucial to the integration of visual and sonic landscapes with the moving body in her work. As a performer, she has worked with many New York-based choreographers including luciana achugar and Juliette Mapp.Sperber was a co-founder of classclassclass, designed to nurture new dance teachers while offering reduced class rates, and has taught as a guest artist at American Dance Festival, Movement Research, Freeskewl, Gibney Dance, Hunter College, George Washington University, and Wayne State University. Sperber founded and ran BRAZIL, a studio and intimate performance space in Bushwick, Brooklyn from 2004 to 2014 and Sunset Space from 2019-2020. More about Annahttps://www.annasperber.com/See the performance at American Dance Festivalhttps://americandancefestival.org/event/anna-sperber/2025-06-25/“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In this episode of the, the hosts review the highly anticipated comeback of Red Velvet's Irene and Seulgi with their new song 'Tilt' diving into the significance of sensuality and in kpop music videos, and the challenges faced by veteran groups in the current industry landscape. They also discuss new music from Kim Jaejoong, SHINee, and independent artist Hersh feat JUSTHIS.Join the Kpopcast Slack: https://join.slack.com/t/kpopcast/shared_invite/zt-93kzxcv6-YNej2QkyY6vaPnhEQJxk0AChip in for editing: https://ko-fi.com/thekpopcast HIT REPLAYS:김재중(KIM JAE JOONG) 'ROCK STAR' MV https://youtu.be/UrZXzp2t91M?si=Heg2CJV62lvnU2nE Hersh - Falling Into You (Feat. JUSTHIS) https://youtu.be/hGgCiS2T72o?si=Bb3AI7IfrWNNgNId SHINee 샤이니 'Poet | Artist' MV https://youtu.be/QF6P6BSPDRw?si=wA-TU0IFqdv-aZw1 Chapters00:00 Introduction to K-Pop Cast and Hit Replays03:46 Spotlight on Kim Jaejoong: A K-Pop Legend09:41 Exploring Independent Artists: Hirsch and Justice14:34 SHINee's Comeback: Remembering Jonghyun19:30 Red Velvet's Irene & Seulgi: The Long-Awaited Return21:25 Introduction and Initial Reactions22:22 Expectations vs. Reality in Title Tracks23:13 Desire for Sensual Storytelling in K-Pop24:24 Comparing Sensuality in K-Pop History25:16 The Role of Government and Cultural Norms26:16 The Evolution of Female Sensuality in K-Pop27:11 Choreography and Performance Quality28:12 The Impact of NCT and ESPA on SM's Focus28:59 Comparing Previous Works and Current Trends29:53 Choreography and Audience Connection31:02 The Essence of K-Pop Choreography31:56 The Storytelling Aspect in Music Videos33:00 The Future of Red Velvet and SM's Direction33:49 Final Thoughts and Wrap-Up Hosted on Acast. See acast.com/privacy for more information.

In this College Deep Dive, MTCA Director Charlie Murphy sits down with Bradley Willcuts, Associate Professor of Musical Theatre and Choreography at Michigan State University, for a conversation about:  Historic campus of Michigan State  How an actor first program is looking for you to adjust within the audition  The Power of entrepreneurial spirit in theatre Leaning on your community to collaborate and empower  If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

Struggle to pick up choreography? You're not alone—and it might not be your memory at fault. In this episode, Brittany breaks down the power of patterns in music and movement. Learn how recognizing song structure and repeated rhythm cues can help you remember choreography faster, improve your facials, and finally feel confident learning new combos. Plus, hear Brittany's honest take on why winging it used to work—and what actually creates consistent performance success.Join the Expression Lab before it's too late! Classes begin May 6www.brittanynoltimier.com/labSupport the showGot a question or story you'd like to share? Message me HERE, and your submission might even be featured in an upcoming episode!

Ana Ogbueze will be at the Pro dance intensive on June 7! Sign up now: https://www.eventbrite.com/e/1357969396019?aff=oddtdtcreatorSummaryIn this episode of the Imperfect Cheerleader podcast, Ana Ogbueze shares her journey from being an NBA dancer to becoming a successful dance entrepreneur. She discusses the importance of commitment, professionalism, and the mindset required to succeed in the dance industry. Ana reflects on her experiences with adversity, the distinct roles of choreographers and teachers, and the evolution of dance teams. She emphasizes the significance of character and attitude in auditions and performances, and shares insights about her new opportunities with Choreography Pros. In this conversation, Jasmine Neely discusses her journey in the dance industry, emphasizing the importance of faith, community, and the evolution of dance opportunities in Charlotte. She shares her experiences transitioning from a performer to a producer, her passion for creating spaces for dancers, and her vision for the future of dance in the community. The conversation highlights the significance of embracing imperfection and authenticity in both personal and professional growth.Chapters00:00 Celebrating Milestones and New Beginnings09:28 From NBA Dancer to Entrepreneur12:17 Defining Professionalism in Dance15:19 Overcoming Adversity in Dance18:11 The Art of Choreography vs. Teaching21:07 The Journey of a Dance Student24:12 Growing Up in Dance27:03 The Transition to Professional Dance29:48 Memorable Moments as a Lady Cat33:01 Support and Understanding from Family35:29 Lessons Learned in Dance47:32 Mindset and Preparation for Auditions55:14 The Importance of Character in Auditions01:01:16 Strategic Auditioning: Standing Out in a Competitive Field01:07:56 Faith and Career: The Journey of Entrepreneurship01:16:48 The Role of Faith in Personal Growth01:26:35 Project Full Out: Empowering Dancers Through Opportunities01:31:16 Empowering Dancers Through Opportunities01:34:07 The Future of Dance in Charlotte01:37:15 Inspiration and Community Impact01:38:08 Rapid Fire Fun and Personal Insights01:51:48 Memorable Performances and Advice02:04:33 Connecting with the AudienceFind Ana on all platforms: @AnaOhBoyZee @ncdancedistrict Follow @theprofessionalcheerleader on Instagram and @thepro.cheerleader on TikTok for more pro dance and pro cheer tips.

Associate Artistic Director Wendy Whelan is back for another exciting New Combinations conversation. This week, she's joined by choreographer Kyle Abraham, whose When We Fell makes its onstage debut this spring after premiering as a dance film in 2021. Abraham shares how this fourth work for NYCB represents both the culmination of relationships he's built with company artists over the years, as well as a departure, in that the score is four minimal, "poetic" piano pieces that encourage a "focused eye." As he shares, part of what makes working with NYCB so special is the opportunity to take risks. (33:37) Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

The hotly anticipated debut single from KATSEYE has gone viral - for better or worse. In this episode of CCTV: The Nonstop Pop Show, we give our unfiltered thoughts on the chaotic pop anthem, “Gnarly.” We break down the song's production, lyrics, music video, and performance - while trying to make sense of the online meltdown it's triggered. Is it genius satire? A misunderstood slay? Or just… a lot? Let us know: are YOU team “Gnarly” or team “Make it stop”?Join us on Patreon!: https://www.patreon.com/CCTVPOPSFollow us on social media: https://linktr.ee/cctvpops0:00 - Intro2:29 - Song8:13 - Lyrics13:54 - Music Video20:56 - Choreography and Performance28:39 - What's next for KATSEYE?References:“Gnarly” MV https://youtu.be/R2-yomhYAj4?si=8t56gxrCNnS3tveR“Gnarly” MV (Choreography Version) https://youtu.be/PkMKJEkE8Mo?si=3hhgJe3332XS2bPS“Gnarly” Music Bank Choreo https://youtu.be/VBD1B25wZeo?si=LE4v7ucVKqkDQ3oL

The passion of music and choreography in film was never more prevalent than in the Best Picture winner of 1961. West Side Story is a story about love, gangs, cultural wars, and ultimately tragedy. But mostly it's about the music and dance.  We remember all the songs ... incredible tunes including Tonight, I Feel Pretty, Officer Krupke, and of course America. They have stood the test of time. We also love the story of two young adults madly in love amidst the turmoil and hate of other cultures within New York between the whites and the Puerto Ricans.  However, does this movie hold up over six decades later? Do we still love the movie as a piece of filmmaking the way it was embraced in 1961?Listen to film critic Jack Ferdman's take on it as he analyzes everything about West Side Story, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1961.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a textSend us a text

✨ New Episode Alert! ✨ Do you ever feel like your to-do list is running your life—and your strategy is just wishful thinking? This week I'm joined by Strategy and Transformation expert Joe Wishon, who's on a mission to help leaders ditch the overwhelm and execute with clarity. If you're setting new goals or reworking your business plan, this is your roadmap to cutting through the noise and staying focused on what actually moves the needle.

Cameron Basden, Répétiteur for the Arpino Trust, joins us ahead of Fort Wayne Ballet's staging of Light Rain, as part of the Ballet Russe Reimagined series conclusion. Jim and Cameron discuss the evolution of our company over the years of performing Gerald Arpino's masterworks and the versatility and skill of Fort Wayne's dancers.

Music Director Andrew Litton invites us to See the Music in this enlightening introduction to the score for George Balanchine's 1972 ballet, Divertimento from ‘Le Baiser de la Fée.' With superlative accompaniment from Solo Pianist Elaine Chelton, Litton demonstrates the many ways in which Igor Stravinsky's "homage to Tschaikovsky" took inspiration from 16 different piano pieces by the legendary composer to weave an undeniably Stravsinkyian—and danceable, in Balanchine's word—orchestral suite. (11:42):  Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Le Baiser de la Fée performed by Elaine Chelton

Born in the small town of McGehee, Arkansas, Trent Montgomery has grown into a dancer, teacher, and drag queen with a long list of accolades. He holds a Bachelor's degree in Performance and Choreography from the University of Arkansas and a Master's in Performance and Choreography from Florida State. While living in Florida, he performed with The Tallahassee Ballet and served as the Associate Artistic Director at the Ballet Arts Conservatory of Tallahassee. In Arkansas, he has worked as a dancer and teacher with the Arkansas Festival Ballet, and continues to foster a love of dance through education. Trent's current claim to fame is his membership in Les Ballets Trockadero de Monte Carlo, a world famous, gender-skewing, comic ballet troupe that parodies the conventions of romantic and classical ballet. In the 19th century, ballet came to be dominated by the ballerina, with plots and choreography that highlight flowery, feminine forms. As such, the ballerinos of Les Ballets Trockadero draw a lot humor from performing en travesti, every member taking on both male and female roles.

The Cinematography Podcast Episode 308: Jessica Lee Gagné Cinematographer Jessica Lee Gagné is an essential creative force behind Severance on Apple TV+. She has an expanded role in the show's second season with a producer credit and directs the pivotal episode 207, “Chikhai Bardo.” The series' unique look and world-building is meticulously crafted through extensive testing and close collaboration between her and showrunner Ben Stiller, who also directs the majority of episodes. For Severance Season 2, Jessica embraced a darker aesthetic, intentionally tweaking the look from the previous season. Even within the artificial office environment of Lumon, she pursues a blend of natural realism and heightened visuals, favoring practical, in-camera effects whenever possible. Location shooting for the episodes “Woe's Hollow” and “Sweet Vitriol” required flexibility due to changing weather conditions. Unexpected foggy weather worked in the crew's favor while shooting “Woe's Hollow” and enhanced the spooky atmosphere of Irving's nightmare sequence. Inside the Lumon offices, lighting is pre-planned as part of the production design, with lights built into the ceiling and the set. Season 2 introduces more complex and colorful lighting cues compared to the first season, especially in the finale. Vibrant green and blue lighting creates a feeling of chaos during the “Choreography and Merriment” marching band performance, and intense red emergency lighting strobes down the halls as Mark and Helly attempt their escape. “Red is a color that we don't use in the show in general,” notes Jessica. “You have this association with love, passion, intensity with the color red. And then in the final shot, we land in this deep red moment with them, that was transferred onto film in the end and rescanned to give it an actual authentic feel.” Jessica decided she wanted to direct for the first time on season two, despite feeling nervous about it. She chose episode 207 “Chikhai Bardo,” which explores Gemma and Mark's past and depicts how Gemma is tormented at Lumon in different severed tests. “This was something that I really deeply wanted,” she explains. “I realized that on this show with the crew that knew me, the cast that knew me, with Ben (Stiller) supporting me and the producers as well, that this opportunity would never come up for me again in my life. I really needed to just go for it and give it my all.” Jessica also was director of photography for the episode, since she felt so familiar with creating the show's look. However, the dual role was challenging. “That was harder,” she admits. “And then working with myself was weird. I realized on set that everything was going so fast.” There was no pausing for a separate director-cinematographer discussion after takes, which meant turning to others for validation and support. Directing the cast was a rewarding experience and they welcomed her leadership. Jessica had extensive conversations with actress Dichen Lachman (Gemma) beforehand to explore her character's emotional state and shifting personalities within the episode. A significant element of episode 207's visual language involves sequences depicting Mark and Gemma's past, which were captured on film. While Severance primarily uses digital cameras, Jessica opted for both 35mm and 16mm film for the flashback moments. Borrowing a Bolex camera from the gaffer, she and director Ben Stiller shot some of these intimate sequences between Mark and Gemma on the fly. Jessica is currently in the process of directing her first feature. She will always have a deep appreciation for cinematography. “I feel like I have so much respect for that craft," she says. "After being in it for 15 years, I know what goes into it. I know how you have to be such a giving person to do that. And I really do love it so much.” You can see Severance on Apple TV+ Hear our previous interview with Jessica Lee Gagné about Severance Season 1.

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

Send us a textWhat if everything you thought about dance was wrong? In this captivating conversation, Joey Pinz sits down with Chelsea Pierotti, a former professional dancer, coach, and podcast host, to explore why dancers are more than artists—they're elite athletes.

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Episode Summary:Caitlin Wheeler, a multifaceted dance professional with an impressive resume spanning creative direction, choreography, and event production. Originally from Australia, Caitlin has worked globally with top artists such as Drake, Adele, and T-Pain, and brands like Nike and Reebok. She shares insights into her journey from a dancer to a choreographer and creative director, emphasizing the importance of connections, staying open to opportunities, and continually evolving.Caitlin reflects on how saying "yes" to unexpected challenges has shaped her career, including her transition into the world of corporate event production with Blueprint NYC. She encourages young dancers to embrace risks, remain professional, and focus on building a strong reputation, as talent alone is often not enough. Caitlin's story highlights the power of resilience, networking, and the willingness to pivot in the pursuit of long-term success in the dance industry.Her advice to the next generation of dancers is to keep learning, remain adaptable, and always approach challenges with confidence and gratitude. This episode is a wealth of knowledge for aspiring dancers and creatives looking to navigate the diverse opportunities within the entertainment world.Show Notes:0:00 – Introduction to the podcast3:00 – Caitlin's Early Dance Journey7:00 – Transitioning to the U.S.12:00 – The Power of Networking17:30 – Creative Direction and Choreography22:30 – Working with Cirque du Soleil28:00 – The Shift to Production and Event Management35:00 – Advice for Aspiring Dancers40:00 – Navigating Career Transitions45:00 – Final Thoughts and Words of EncouragementBiography:Caitlin's credits hail from all over the world such as Australia, USA, UK, India, Europe and Africa, and include a scope of Creative Directing, Choreography, Performance, Event Production, Hosting and Teaching.Caitlin has worked with an extensive list of Artists, Celebrities, Brands, and has worked on Television Shows, Industrials, Live Shows, Movies and Music Videos. Some of these esteemed names include - Drake, Kendrick Lamar, Glady's Knight, T-Pain, Adele, LaToya Jackson, Raven Symone, Fifth Harmony, Michelle Williams, Seal, Joey Fatone, Daughtry, Donny Osmond, Kelly Osborne, Paulina Rubio, “Carlton” Alfonzo Remeiro, Guy Sebastian, Jessica Mauboy, Neymar, Carl Lewis, Gabby Douglas, Russell Wilson, Serena Williams, Colin Kapernick, Bo Jackson and Michelle Obama just to name a few.Brands such as Sony, Nike, Reebok, Adidas, Jay-Z, Stila, Nickelodeon, Buxom, Planet Fitness, Snapchat, In & Out, Miss USA and Royal Caribbean Cruise Lines.Caitlin has a strong passion and skillset for Creative Directing, Choreography and Event Production. Some of her credits include Assistant Director & Associate Choreographer for Cirque Du Soleil's Vegas show “R.U.N”.Choreographer on Fox's hit Tv show “The Masked Singer”, New Years Rockin Eve featuring Alfonso Ribeiro, “Unleashed” on Nickelodeon, Nike Forum Fashion Week New York, “Obsessed with the babysitter” premiering on Lifetime Movies, The Rose Bowl Parade, Ringling Bros Circus “Circus Extreme”, Nickelodeon Kids Sports Awards, Nike “Born Mercurial” London, Snap Chat Annual New Years Eve Gala, In & Out Annual Gala, Nike's Strongest Plus one Brunch, India's Rawstar, Nike Olympics Puerto Rico Live Show, Reebok Global Live Summits, So You Think You Can Dance (Australia/USA), Nike “Let's Move” campaign with Michelle Obama, Miss World Tourism, Miss Angola, UNICEF, Westfield, Bachelor's Ball, and Buxom.Caitlin was also a Competition judge and Director for over 12yrs, and was a featured host on Lifetime's hit show "Dance Moms" and Jojo Siwa's "Dance Revolution". Caitlin now works Full time as a Producer for New York based esteemed Meeting and Event production company BlueprintNYC.Connect on Social Media:https://www.instagram.com/caitlinaussiefithttps://www.facebook.com/caitlinwheeler11

For the hundredth episode (!!), Katie checks in with Lucille Lortel award winning actor (Chicken and Biscuits on Broadway, (pray), Nina), Aigner Mizzelle.

Lazio and Roma drew 1-1 in the Rome Derby in the Serie A last Sunday but the biggest talking point has been the breathtakingly spectacular choreographies, or tifos, that the Curva Nord and the Curva Sud showcased before kick-off at the Stadio Olimpico. Nima Tavallaey and Carlo Garganese break down what the two tifo's were referring to as well as discuss how this ranks compared to the best tifos throughout Serie A history.This is an extended clip from this week's free Monday episode of The Italian Football Podcast which is available on Spotify, Apple Podcasts and YouTube podcasts.Listeners in the UK & Ireland: Click here to watch Serie A LIVE on OneFootball.To listen to this & all other full episodes of The Italian Football Podcast (and support the show), go to Patreon.com/TIFP OR now also available on Spotify OR YouTube Memberships and sign up. Your support makes The Italian Football Podcast possible.Follow us: Twitter, Facebook, Instagram, YouTube Hosted on Acast. See acast.com/privacy for more information.

Hello Beautiful Divine Beings of Light! Welcome To Revolutionary Addictdotes!A podcast committed to  sharing tools, inspiration and true stories of healing generational trauma. We are Cycle Breakers!!Hosted by: Nicole , known artistically as Blu Nyle is the  Founder of  Rooted In Power healing and brings a wealth of experience is a Multi-Hyphenate Award nominated Performing Artist, Shamanic Reiki Master, Author, Spiritual + Somatic Wellness Coach.Today's Episode, we are scuba diving into Spiritual Journeys in Hollywood with Legendary Dancer and Choreographer Teresa Espinosa. Teresa has worked w/ Prince, Janet Jackson, Britney Spears and more. Join us in this juicy discussion.Sharing how we put the most high first, check our egos in Hollywood, Spiritual awakenings and so much more!WE ARE INFINITE LOVE. THANK YOU FOR BEING HERE.xoxoxohttps://linktr.ee/BluNyle 

We're back at the Rosin Box for another candid conversation with hosts Claire Kretzschmar and Soloist Aarón Sanz. This week, they're joined by Corps de Ballet Member and budding choreographer Laine Habony to talk about NYCB's First Steps program. This singular initiative gives current company dancers the opportunity to create new works on their peers, providing a professional cast and environment for first-time or early-career dancemakers. As Laine shares, this eye-opening experience provided both an education in what it takes to move to the front of the room and the validation that accompanies seeing the steps she'd envisioned come to life. (43:04)  Edited by Gus Reed Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Recently, I went to see a middle schools' production of a musical. It was one of the Broadway JR series shows – where they do an edited version of a Broadway show and sing along to pre-recorded tracks. I used to teach for a program helping to implement these shows so I am pretty familiar with what the deal is. They've become very popular and the program has succeeded in getting a lot more kids into musicals. That's pretty cool. When I asked a kid in this production about the dances, she told me that the choreographer had just taught them dances from videos posted on YouTube from another school's production. She noted that this “choreographer” got mad wherever anyone had any questions. I found myself troubled by this news. In the program, this person is listed as choreographer, despite, it sounds like, having stolen the choreography from another school. What a terrible example to set for the students.To keep reading Choreography for Kids visit the Songs for the Struggling Artist blog.This is Episode 441Song: Dance With MeImage by Yan Berthemy via UnsplashTo support this podcast:Give it 5 stars in Apple Podcasts. Write a nice review!Rate it wherever you listen or via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join my mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like the blog/show on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or on Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or PayPal me: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join my Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Me on Mastodon - @erainbowd@podvibes.coMe on Blue sky - @erainbowd.bsky.socialMe on Hive - @erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tell a friend!Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can support them via Ko-fi here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/messengertheatrecompany⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠As ever, I am yours,Emily Rainbow Davis

In our one-hundred and fifty-third episode, Robbie and Ryan talk about:Emails! Send us one: goinggreypod@gmail.com He said/(S)he said/Wowsa of the Week : Week 9 Oh, That's Nice: Dinner, the City for Work, and a haircut Who Asked You?: SpamWell, That's Great: Ring pops and roadsEntertainment: The Pitt , Anora, and Severance!Check out "Let the Boys Watch" with cousin Benny! https://linktr.ee/lettheboyswatchFollow us on InstagramGoodnight Johnnys, goodnight!

TJ Zwarych and Rachel Leishman of Agents of Fandom are LIVE on Friday to break down the of Severance Season 2 Finale on Apple TV+! This week, we're joined by Phase Hero Co-Host Jamie Jirak to break down Severance Season 2, Episode 10!(00:00:00) Intro(00:02:00) White Lotus, Reacher, Florida Project(00:09:00) Severance Season 2 Review(00:11:00) Severance Season Finale Reactions(00:15:00) Mark's Innie and Outie Meet in Severance Season 2(00:22:00) Harmony Cobel in Severance Season 2 Finale(00:24:00) Choreography and Merriment in Severance(00:31:00) Jame Eagan Sees Kier in Helly R in Severance Season 2 Finale(00:34:00) The Truth of Cold Harbour is Revealed in the Severance Season Finale(00:38:00) Mark Murders Mr Drummond with Goat Lady's Help - Go Gwendoline Christie! (00:43:00) Mark Chooses Helly Over Gemma in Severance Season 2 Finale(00:50:00) Severance Season 3 TheoriesBecome a supporter of this podcast: https://www.spreaker.com/podcast/agents-of-fandom--5479222/support.

Episode Summary:Chuck Maldonado, a highly sought-after choreographer and creative director. Chuck shares his inspiring journey from a late start in dance at the age of 29 to becoming a key figure in the industry. He reflects on his early experiences with street dance and formal training, which eventually led to his involvement in the Centennial Olympic Games, where he worked with legendary choreographer Kenny Ortega. Chuck also discusses how key relationships, including a connection with Lisa Left Eye Lopez, helped propel his career forward, leading to major choreography opportunities for artists like Missy Elliott and Pink.Chuck delves into his transition from dancer to choreographer, citing his work on the film Stomp the Yard as a pivotal moment. He also talks about his latest venture, The Stu, a creative studio in Burbank, where he and his business partner Aliya Janelle offer a safe and supportive space for artists to rehearse, create, and grow. Chuck emphasizes the importance of relationships, mentorship, and trusting the process in building a successful career. Show Notes:(0:00) Introduction to Chuck Maldonado, Renowned Choreographer and Creative Director(3:30) Chuck's Early Start in Dance and Overcoming Challenges(8:45) Breaking into the Industry: Chuck's Big Break at the Centennial Olympic Games(14:20) How Chuck's Relationship with Lisa Left Eye Lopez Led to His First Major Job(19:00) Transitioning to Los Angeles: Chuck's Experiences with Missy Elliott, Pink, and More(23:15) Chuck's Favorite Projects: Working with Missy Elliott and Pink(27:00) The Shift from Assistant to Lead Choreographer: The Making of Stomp the Yard(33:45) Launching The Stew: Chuck's New Creative Studio in Burbank(38:30) The Vision for The Stew: A Safe Space for Artists and Dancers to Create and Connect(42:15) Chuck's Advice for Aspiring Dancers: Building Confidence and Overcoming Self-Doubt(46:00) Mentee Q&A: Staying Inspired in Choreography, Building Industry Connections(52:00) The Importance of Relationships and Mentorship in Career Growth(56:00) Final Thoughts on Trusting the Process and Staying True to Your Purpose in DanceBiography:Chuck Maldonado is one of today's most sought after Choreographers/Creative Directors in the industry. He has made such an impact in TV and films such as; Stomp The Yard 1 and 2, Step Up Revolution, House Party 5, Disney films G-Force, and Underdog. In addition, his talent and creative direction has also been used in shows such as; Dancing With The Stars, So You Think You Can Dance, X-Factor, and America's Best Dance Crew. Additionally, Chuck has worked on numerous commercials that include; McDonalds, Wendy's, Best Buy, AT&T, Hanes, Gap, and Target.He has also worked with several recording artists such as; Fergie, Chris Brown, Young Thug, P. Diddy, Ne-Yo, Usher, Pink, Khalid, and Missy Elliott. A four time award-winning Choreographer for his work on ‘Stomp the Yard,' ‘The NAACP Image Awards', ‘Chris Brown's Grammy performance', and Brighthouse's Network Commercial. Chuck has also devoted much of his time furthering his education. A Graduate of the historical North Carolina A&T State University, Chuck received his Bachelor's of science in Business Administration. Upon graduating college he received his first choreography job for the opening and closing ceremonies of the Centennial Olympic Games in Atlanta.His recent projects include Paramount animated film Max and the Midknights, Bounce TV ‘Mind Your Business, MTV Movie and TV Awards for Dwayne “The Rock” Johnson, the Netflix original film ‘Word Party', Toyota Commercials, Khalid ‘Roxy' Tour, and “In The Time It Takes To Get There” Movie by Zach Braff. Whether Choreographing, Creative Directing, Producing and now being a Studio owner, Chuck is known worldwide as one of the best in the industry. Connect on Social Media:https://www.instagram.com/chuckmaldonadohttps://www.facebook.com/chuck.maldonado1911Websitehttps://thestulosangeles.com/