Podcasts about Choreography

Associate Artistic Director Wendy Whelan is back for another exciting New Combinations conversation. This week, she's joined by choreographer Kyle Abraham, whose When We Fell makes its onstage debut this spring after premiering as a dance film in 2021. Abraham shares how this fourth work for NYCB represents both the culmination of relationships he's built with company artists over the years, as well as a departure, in that the score is four minimal, "poetic" piano pieces that encourage a "focused eye." As he shares, part of what makes working with NYCB so special is the opportunity to take risks. (33:37) Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

The hotly anticipated debut single from KATSEYE has gone viral - for better or worse. In this episode of CCTV: The Nonstop Pop Show, we give our unfiltered thoughts on the chaotic pop anthem, “Gnarly.” We break down the song's production, lyrics, music video, and performance - while trying to make sense of the online meltdown it's triggered. Is it genius satire? A misunderstood slay? Or just… a lot? Let us know: are YOU team “Gnarly” or team “Make it stop”?Join us on Patreon!: https://www.patreon.com/CCTVPOPSFollow us on social media: https://linktr.ee/cctvpops0:00 - Intro2:29 - Song8:13 - Lyrics13:54 - Music Video20:56 - Choreography and Performance28:39 - What's next for KATSEYE?References:“Gnarly” MV https://youtu.be/R2-yomhYAj4?si=8t56gxrCNnS3tveR“Gnarly” MV (Choreography Version) https://youtu.be/PkMKJEkE8Mo?si=3hhgJe3332XS2bPS“Gnarly” Music Bank Choreo https://youtu.be/VBD1B25wZeo?si=LE4v7ucVKqkDQ3oL

The passion of music and choreography in film was never more prevalent than in the Best Picture winner of 1961. West Side Story is a story about love, gangs, cultural wars, and ultimately tragedy. But mostly it's about the music and dance.  We remember all the songs ... incredible tunes including Tonight, I Feel Pretty, Officer Krupke, and of course America. They have stood the test of time. We also love the story of two young adults madly in love amidst the turmoil and hate of other cultures within New York between the whites and the Puerto Ricans.  However, does this movie hold up over six decades later? Do we still love the movie as a piece of filmmaking the way it was embraced in 1961?Listen to film critic Jack Ferdman's take on it as he analyzes everything about West Side Story, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1961.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a textSend us a text

✨ New Episode Alert! ✨ Do you ever feel like your to-do list is running your life—and your strategy is just wishful thinking? This week I'm joined by Strategy and Transformation expert Joe Wishon, who's on a mission to help leaders ditch the overwhelm and execute with clarity. If you're setting new goals or reworking your business plan, this is your roadmap to cutting through the noise and staying focused on what actually moves the needle.

Cameron Basden, Répétiteur for the Arpino Trust, joins us ahead of Fort Wayne Ballet's staging of Light Rain, as part of the Ballet Russe Reimagined series conclusion. Jim and Cameron discuss the evolution of our company over the years of performing Gerald Arpino's masterworks and the versatility and skill of Fort Wayne's dancers.

Music Director Andrew Litton invites us to See the Music in this enlightening introduction to the score for George Balanchine's 1972 ballet, Divertimento from ‘Le Baiser de la Fée.' With superlative accompaniment from Solo Pianist Elaine Chelton, Litton demonstrates the many ways in which Igor Stravinsky's "homage to Tschaikovsky" took inspiration from 16 different piano pieces by the legendary composer to weave an undeniably Stravsinkyian—and danceable, in Balanchine's word—orchestral suite. (11:42):  Edited by Emilie Silvestri Music: Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Le Baiser de la Fée performed by Elaine Chelton

Born in the small town of McGehee, Arkansas, Trent Montgomery has grown into a dancer, teacher, and drag queen with a long list of accolades. He holds a Bachelor's degree in Performance and Choreography from the University of Arkansas and a Master's in Performance and Choreography from Florida State. While living in Florida, he performed with The Tallahassee Ballet and served as the Associate Artistic Director at the Ballet Arts Conservatory of Tallahassee. In Arkansas, he has worked as a dancer and teacher with the Arkansas Festival Ballet, and continues to foster a love of dance through education. Trent's current claim to fame is his membership in Les Ballets Trockadero de Monte Carlo, a world famous, gender-skewing, comic ballet troupe that parodies the conventions of romantic and classical ballet. In the 19th century, ballet came to be dominated by the ballerina, with plots and choreography that highlight flowery, feminine forms. As such, the ballerinos of Les Ballets Trockadero draw a lot humor from performing en travesti, every member taking on both male and female roles.

The Cinematography Podcast Episode 308: Jessica Lee Gagné Cinematographer Jessica Lee Gagné is an essential creative force behind Severance on Apple TV+. She has an expanded role in the show's second season with a producer credit and directs the pivotal episode 207, “Chikhai Bardo.” The series' unique look and world-building is meticulously crafted through extensive testing and close collaboration between her and showrunner Ben Stiller, who also directs the majority of episodes. For Severance Season 2, Jessica embraced a darker aesthetic, intentionally tweaking the look from the previous season. Even within the artificial office environment of Lumon, she pursues a blend of natural realism and heightened visuals, favoring practical, in-camera effects whenever possible. Location shooting for the episodes “Woe's Hollow” and “Sweet Vitriol” required flexibility due to changing weather conditions. Unexpected foggy weather worked in the crew's favor while shooting “Woe's Hollow” and enhanced the spooky atmosphere of Irving's nightmare sequence. Inside the Lumon offices, lighting is pre-planned as part of the production design, with lights built into the ceiling and the set. Season 2 introduces more complex and colorful lighting cues compared to the first season, especially in the finale. Vibrant green and blue lighting creates a feeling of chaos during the “Choreography and Merriment” marching band performance, and intense red emergency lighting strobes down the halls as Mark and Helly attempt their escape. “Red is a color that we don't use in the show in general,” notes Jessica. “You have this association with love, passion, intensity with the color red. And then in the final shot, we land in this deep red moment with them, that was transferred onto film in the end and rescanned to give it an actual authentic feel.” Jessica decided she wanted to direct for the first time on season two, despite feeling nervous about it. She chose episode 207 “Chikhai Bardo,” which explores Gemma and Mark's past and depicts how Gemma is tormented at Lumon in different severed tests. “This was something that I really deeply wanted,” she explains. “I realized that on this show with the crew that knew me, the cast that knew me, with Ben (Stiller) supporting me and the producers as well, that this opportunity would never come up for me again in my life. I really needed to just go for it and give it my all.” Jessica also was director of photography for the episode, since she felt so familiar with creating the show's look. However, the dual role was challenging. “That was harder,” she admits. “And then working with myself was weird. I realized on set that everything was going so fast.” There was no pausing for a separate director-cinematographer discussion after takes, which meant turning to others for validation and support. Directing the cast was a rewarding experience and they welcomed her leadership. Jessica had extensive conversations with actress Dichen Lachman (Gemma) beforehand to explore her character's emotional state and shifting personalities within the episode. A significant element of episode 207's visual language involves sequences depicting Mark and Gemma's past, which were captured on film. While Severance primarily uses digital cameras, Jessica opted for both 35mm and 16mm film for the flashback moments. Borrowing a Bolex camera from the gaffer, she and director Ben Stiller shot some of these intimate sequences between Mark and Gemma on the fly. Jessica is currently in the process of directing her first feature. She will always have a deep appreciation for cinematography. “I feel like I have so much respect for that craft," she says. "After being in it for 15 years, I know what goes into it. I know how you have to be such a giving person to do that. And I really do love it so much.” You can see Severance on Apple TV+ Hear our previous interview with Jessica Lee Gagné about Severance Season 1.

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]

Send us a textWhat if everything you thought about dance was wrong? In this captivating conversation, Joey Pinz sits down with Chelsea Pierotti, a former professional dancer, coach, and podcast host, to explore why dancers are more than artists—they're elite athletes.

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Episode Summary:Caitlin Wheeler, a multifaceted dance professional with an impressive resume spanning creative direction, choreography, and event production. Originally from Australia, Caitlin has worked globally with top artists such as Drake, Adele, and T-Pain, and brands like Nike and Reebok. She shares insights into her journey from a dancer to a choreographer and creative director, emphasizing the importance of connections, staying open to opportunities, and continually evolving.Caitlin reflects on how saying "yes" to unexpected challenges has shaped her career, including her transition into the world of corporate event production with Blueprint NYC. She encourages young dancers to embrace risks, remain professional, and focus on building a strong reputation, as talent alone is often not enough. Caitlin's story highlights the power of resilience, networking, and the willingness to pivot in the pursuit of long-term success in the dance industry.Her advice to the next generation of dancers is to keep learning, remain adaptable, and always approach challenges with confidence and gratitude. This episode is a wealth of knowledge for aspiring dancers and creatives looking to navigate the diverse opportunities within the entertainment world.Show Notes:0:00 – Introduction to the podcast3:00 – Caitlin's Early Dance Journey7:00 – Transitioning to the U.S.12:00 – The Power of Networking17:30 – Creative Direction and Choreography22:30 – Working with Cirque du Soleil28:00 – The Shift to Production and Event Management35:00 – Advice for Aspiring Dancers40:00 – Navigating Career Transitions45:00 – Final Thoughts and Words of EncouragementBiography:Caitlin's credits hail from all over the world such as Australia, USA, UK, India, Europe and Africa, and include a scope of Creative Directing, Choreography, Performance, Event Production, Hosting and Teaching.Caitlin has worked with an extensive list of Artists, Celebrities, Brands, and has worked on Television Shows, Industrials, Live Shows, Movies and Music Videos. Some of these esteemed names include - Drake, Kendrick Lamar, Glady's Knight, T-Pain, Adele, LaToya Jackson, Raven Symone, Fifth Harmony, Michelle Williams, Seal, Joey Fatone, Daughtry, Donny Osmond, Kelly Osborne, Paulina Rubio, “Carlton” Alfonzo Remeiro, Guy Sebastian, Jessica Mauboy, Neymar, Carl Lewis, Gabby Douglas, Russell Wilson, Serena Williams, Colin Kapernick, Bo Jackson and Michelle Obama just to name a few.Brands such as Sony, Nike, Reebok, Adidas, Jay-Z, Stila, Nickelodeon, Buxom, Planet Fitness, Snapchat, In & Out, Miss USA and Royal Caribbean Cruise Lines.Caitlin has a strong passion and skillset for Creative Directing, Choreography and Event Production. Some of her credits include Assistant Director & Associate Choreographer for Cirque Du Soleil's Vegas show “R.U.N”.Choreographer on Fox's hit Tv show “The Masked Singer”, New Years Rockin Eve featuring Alfonso Ribeiro, “Unleashed” on Nickelodeon, Nike Forum Fashion Week New York, “Obsessed with the babysitter” premiering on Lifetime Movies, The Rose Bowl Parade, Ringling Bros Circus “Circus Extreme”, Nickelodeon Kids Sports Awards, Nike “Born Mercurial” London, Snap Chat Annual New Years Eve Gala, In & Out Annual Gala, Nike's Strongest Plus one Brunch, India's Rawstar, Nike Olympics Puerto Rico Live Show, Reebok Global Live Summits, So You Think You Can Dance (Australia/USA), Nike “Let's Move” campaign with Michelle Obama, Miss World Tourism, Miss Angola, UNICEF, Westfield, Bachelor's Ball, and Buxom.Caitlin was also a Competition judge and Director for over 12yrs, and was a featured host on Lifetime's hit show "Dance Moms" and Jojo Siwa's "Dance Revolution". Caitlin now works Full time as a Producer for New York based esteemed Meeting and Event production company BlueprintNYC.Connect on Social Media:https://www.instagram.com/caitlinaussiefithttps://www.facebook.com/caitlinwheeler11

In this special episode to celebrate the 2025 Merrie Monarch Festival, we sit down with Kumu Hula, Karl Veto Baker, of Halau I Ka Wekiu for a heartfelt conversation that weaves together the art of hula and the spirit of aloha. Kumu Veto shares how his haumana prepare for Merrie Monarch and what it means to watch his dancers rise to the moment. He describes the 50th teaching anniversary of his mentor, Kumu Hula Robert Cazimero, and reflects upon the Hawaiian Renaissance that shaped a generation of cultural practitioners. In the spirit of aloha, Kumu Veto also describes his friendship with Pono Shim and how Pono became the Kahu of Halau I Ka Wekiu. As a businessman himself, we also dive into the intersection of culture and business as well as his hopes for a thriving Hawaii in which kamaaina have the opportunity to come home and give back to their communities. And of course, this episode would be remiss if we didnʻt get an exciting glimpse into the Halau's 2025 Merrie Monarch performances. Join us for a celebration of hula as a way of life. Mahalo for tuning in! Episode Highlights0:22 Introduction to Kumu Hula Karl Veto Baker1:08 Preparing for Merrie Monarch 20252:15 Seeing students rise to the occasion3:47 "Hula is life"5:11 Celebrating Kumu Hula Robert Cazimero's 50th year of teaching6:55 Holding on to our culture, the Hawaiian Renaissance in the 1970s10:19 Moderation leads to abundance11:09 Aloha Aku, Aloha Mai14:12 Uplifting hula, sharing love with audiences17:02 Drawing an audience in, transferable skills from hula to life19:43 Bringing kamaaina back home to Hawaii26:59 Friendship with Pono Shim29:04 Pono becoming the Kahu for Halau I Ka Wekiu (2013)32:36 Connections to students36:45 Envisioning a thriving Hawaii38:47 Navigating the translation space - speaking the language of the heart39:19 Establishing a mortgage business42:25 Bridging the gap between the corporate world and hula43:39 The feeling of performing - bringing newness to the art46:30 2025 performances: Reviving the saga of Halemano and Kamalalawalu51:17 Peahi o Makana (written by Kumu Hula Devin Kamealoha Forrest)52:50 From vision to final dance Welcome to the Above the Sides podcast! Join us on our journey to uncover what it means to think, act, and live aloha. The inspiration for this podcast is the late Pono Shim, former President and CEO of the Oʻahu Economic Development Board. His stories capture the essence of what it means to live aloha. He made it known that aloha is a lifestyle. It is not a solution to problems, a marketing brand or to be used as an advantage over anyone else. Aloha is to be honored and practiced.The name of this podcast is in reverence of Hawaiʻi's Queen Liliʻuokalani, who wrote: "To gain the kingdom of heaven is to hear what is not said, to see what cannot be seen, and to know the unknowable – that is Aloha. All things in this world are two; in heaven there is but One.” Through these episodes, we seek to find that singular perspective, the one that is "above the sides" as we strive for universal peace.We welcome you to pause with us as we share the stories and voices of Hawai'i business leaders, educators and community members who have chosen to be lifelong students of aloha. Mahalo nui loa for listening.

For the hundredth episode (!!), Katie checks in with Lucille Lortel award winning actor (Chicken and Biscuits on Broadway, (pray), Nina), Aigner Mizzelle.

Lazio and Roma drew 1-1 in the Rome Derby in the Serie A last Sunday but the biggest talking point has been the breathtakingly spectacular choreographies, or tifos, that the Curva Nord and the Curva Sud showcased before kick-off at the Stadio Olimpico. Nima Tavallaey and Carlo Garganese break down what the two tifo's were referring to as well as discuss how this ranks compared to the best tifos throughout Serie A history.This is an extended clip from this week's free Monday episode of The Italian Football Podcast which is available on Spotify, Apple Podcasts and YouTube podcasts.Listeners in the UK & Ireland: Click here to watch Serie A LIVE on OneFootball.To listen to this & all other full episodes of The Italian Football Podcast (and support the show), go to Patreon.com/TIFP OR now also available on Spotify OR YouTube Memberships and sign up. Your support makes The Italian Football Podcast possible.Follow us: Twitter, Facebook, Instagram, YouTube Hosted on Acast. See acast.com/privacy for more information.

Send us a textWhat you'll hear:Me yammering on about vacuuming up leaves from the yard, and the shedding habits of live oak trees Announcing my artist-in-residence-ness at ARC Take 2 Studios to show in a double billing on June 20th at Queen Street Playhouse 2:12A caretaking update on my dear ole dad's hip replacement surgery 4:00The Charleston Artists Salon took place this past Sunday, and it was dynamite.  If you want to start one in your area I talked about the process I used to create it here in Episode 100, around the 7 minute mark until the 12 minute mark. 5:00If you're local to Charleston and want to learn about future Charleston Artists Salons, please go here and sign up so I can let you know about it!  Product vs. Process based work, wtf is the difference 6:45How I realized we needed to talk about this, a lot of my students don't want to set choreography 13:35I think the answer lies in WHY we feel resistant to setting choreography (taking this route as it's often a "problem" I hear about)  16:45Is the resistance gremlin territory, or is it genuinely counter to your zone of genius?  One way to know if you're in gremlin territory or not is to see if your process of creating is counter intuitive to your objectives 18:30Don't go back to sleep.xoRachelSign up here for monthly blasts and functional wooFind me on InstagramSupport this podcast on Patreon

Ray White speaks to internationally acclaimed dancer and choreographer Vincent Mantsoe about his captivating solo dance production, "Desert Poems" taking place at the UJ Arts Centre in Auckland Park on April 11 and 12. They also spoke about his collaboration with Mzansi Ballet on the upcoming 'Fusion of Favourites', a one-of-a-kind and much-anticipated show that will take place from June 19-27 at Pieter Toerien's Theatre and Studio in Monte Casino.See omnystudio.com/listener for privacy information.

Hello Beautiful Divine Beings of Light! Welcome To Revolutionary Addictdotes!A podcast committed to  sharing tools, inspiration and true stories of healing generational trauma. We are Cycle Breakers!!Hosted by: Nicole , known artistically as Blu Nyle is the  Founder of  Rooted In Power healing and brings a wealth of experience is a Multi-Hyphenate Award nominated Performing Artist, Shamanic Reiki Master, Author, Spiritual + Somatic Wellness Coach.Today's Episode, we are scuba diving into Spiritual Journeys in Hollywood with Legendary Dancer and Choreographer Teresa Espinosa. Teresa has worked w/ Prince, Janet Jackson, Britney Spears and more. Join us in this juicy discussion.Sharing how we put the most high first, check our egos in Hollywood, Spiritual awakenings and so much more!WE ARE INFINITE LOVE. THANK YOU FOR BEING HERE.xoxoxohttps://linktr.ee/BluNyle 

For the first time in its history, Fort Wayne Ballet is performing a work by the great choreographer George Balanchine. As we anticipate the upcoming part two of our Ballet Russe Reimagined series, Jim Sparrow and Karen Gibbons-Brown discuss the iconic ballet Serenade.Fort Wayne Ballet's second of a three-part series, Ballet Russe Reimagined, will be performed on April 11 and 12 at the Pearl Street Arts Center. This performance features Rite of Spring and Serenade.Purchase tickets at:   https://tickets.artstix.org/TheatreManager/6/login?event=0&search=P_SEQ%20in(4250,4251,4252)

We're back at the Rosin Box for another candid conversation with hosts Claire Kretzschmar and Soloist Aarón Sanz. This week, they're joined by Corps de Ballet Member and budding choreographer Laine Habony to talk about NYCB's First Steps program. This singular initiative gives current company dancers the opportunity to create new works on their peers, providing a professional cast and environment for first-time or early-career dancemakers. As Laine shares, this eye-opening experience provided both an education in what it takes to move to the front of the room and the validation that accompanies seeing the steps she'd envisioned come to life. (43:04)  Edited by Gus Reed Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

Recently, I went to see a middle schools' production of a musical. It was one of the Broadway JR series shows – where they do an edited version of a Broadway show and sing along to pre-recorded tracks. I used to teach for a program helping to implement these shows so I am pretty familiar with what the deal is. They've become very popular and the program has succeeded in getting a lot more kids into musicals. That's pretty cool. When I asked a kid in this production about the dances, she told me that the choreographer had just taught them dances from videos posted on YouTube from another school's production. She noted that this “choreographer” got mad wherever anyone had any questions. I found myself troubled by this news. In the program, this person is listed as choreographer, despite, it sounds like, having stolen the choreography from another school. What a terrible example to set for the students.To keep reading Choreography for Kids visit the Songs for the Struggling Artist blog.This is Episode 441Song: Dance With MeImage by Yan Berthemy via UnsplashTo support this podcast:Give it 5 stars in Apple Podcasts. Write a nice review!Rate it wherever you listen or via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join my mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like the blog/show on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or on Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or PayPal me: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join my Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Me on Mastodon - @erainbowd@podvibes.coMe on Blue sky - @erainbowd.bsky.socialMe on Hive - @erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tell a friend!Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can support them via Ko-fi here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/messengertheatrecompany⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠As ever, I am yours,Emily Rainbow Davis

This week Jonathan and Tim discuss Star Trek Prodigy Season 2 (Episodes 19-20) - the final episodes focusing on timeline fixes and we criticize the show for being too complex for its young audience, with particular criticism directed at the main character Dal and the forced tie-in to Picard's storyline.Severance (Cold Harbor): We discussed the Season Two finale featuring a complex plot about the Cold Harbor assignment, including a memorable scene with choreography and merriment and a dramatic choice between characters, while praising the show's high production quality and storytelling.Next, Daredevil (With Interest and Excessive Force): we covered two episodes - one featuring a bank robbery with Ms. Marvel's father in a cameo and another about a serial killer plot that leads Matt to finally put on the Daredevil mask again, while discussing the parallel character development between Matt and Kingpin.Apple TV+ is losing $1b/year…likely as plannedAvengers: Doomsday cast is official, including X-Men reunion with Ian McKellen, Patrick Stewart, moreScooby-Doo is coming to Netflix in live-action series from Riverdale producer Greg BerlantiMac - Lumon Terminal Pro - AppleLeave the world behind - Tesla's cars pile up sceneLeave The World Behind | Official Trailer | NetflixSPIDER-MAN: NO WAY HOME - Official Trailer (HD)Anora Trailer #1 (2024)Hush Returns in Batman #158! | DCGREAT SCENE - The Graduate (finale)Support this podcast at — https://redcircle.com/spockcast-a-star-trek-discovery-picard-and-lower-decks-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 143. There's a lot to talk about in episodes 6-10 of Severance season two: where did Choreography & Merriment come from, was all of MDR was working on the Gemma project or on other test subjects, side characters we may or may not ever see again, if Jame would rather keep Helly around instead of Helena, a possible stowaway in the severed floor, and when shows "do a Desmond."Click here to watch a video of this episode. (00:00) - Intro (00:02) - Welcome and banter (01:29) - General thoughts on the second half of Severance s2 (11:08) - Spoilers for Severance s2 start here (11:17) - Gemma (18:48) - Religion and cult-like thought in Lumon (22:50) - Is Lumon a failing company? (27:38) - More on the religion and cult-like behavior (29:37) - Ressurecting Kier or implanting his memories in a new body (34:38) - Harmony Cobel (39:26) - We needed more Ricken and Natalie (43:08) - Milchick (52:09) - Can a severed personality take over permenantly? (56:30) - Trying not to be distracted by the mysteries (01:05:09) - Helena Eagan (01:07:26) - Some things the show has seemingly dropped or not told us much about (01:14:11) - What's the win condition? (01:18:50) - What we think will happen in s3 (01:33:02) - Outro ★ Support this podcast on Patreon ★

Is Rachel Reeves merely disappointing, or is there a willful denial of reality going on? Since when did Labour become the party of warfare over welfare? And who thought this was a great way to communicate national renewal? The Matts are bemused and worried that the government seems to have entirely misunderstood the new world we find ourselves in. Also - the ghastly performance of deportations to El Salvador from the States has dark undertones of some of the worst fascist regimes in history. The Matts explore the history of performative cruelty and wonder just how immune from these horrors we here in the UK really are. Enjoy!EXCLUSIVE OFFER: Get The New European for just £1 for the first month. Head to theneweuropean.co.uk/2matts Hosted on Acast. See acast.com/privacy for more information.

Today's guest, Madeline Jazz Harvey, is an Associate Professor at Colorado State University, is a dance educator, choreographer, and performer specializing in classical and contemporary ballet. Her twenty-year performance career includes dancing with Charlotte Ballet, Carolina Ballet Theatre, and Impact Dance Company. She attended summer intensive programs on full scholarship at Chautauqua Institution, Complexions Contemporary Ballet, and The Juilliard School.Madeline holds a BA and Professional Training Certificate in Dance from the University of North Carolina at Charlotte and an MFA in Choreography from Jacksonville University. Human connection and vulnerability drive her practice. Her creative research investigates play as a paradigm for choreographic process. In 2007, she was the youngest recipient of the New York Choreographic Institute Fellowship Award. She has premiered over 50 original works. She is credited with the development of ShapeX, a wellness program for children with Type II Diabetes. Currently, she is the Principal Investigator for an ongoing research study, Movement Through Parenthood, examining the efficacy of an original EA based dance intervention for improving emotional availability and wellbeing from pregnancy through postpartum. In our conversation Madeline - despite still recovering from the flu - shares the value of collegiate summer dance programs, building creative research, and collaboration as a gateway to learn and opportunity.Takeaways from our conversation:-look for dance experiences that help you take creative risk-collaboration on all levels will strengthen your practice-bring your artistic self into all areas of your lifeLearn more about Madeline at https://madelinejazzharvey.weebly.com/and CSU's dance program at: https://dance.colostate.edu/Check out Dance Lab: https://dance.colostate.edu/dance-lab/Learn more about dance training and career planning: https://www.theballerinatist.com/

In our one-hundred and fifty-third episode, Robbie and Ryan talk about:Emails! Send us one: goinggreypod@gmail.com He said/(S)he said/Wowsa of the Week : Week 9 Oh, That's Nice: Dinner, the City for Work, and a haircut Who Asked You?: SpamWell, That's Great: Ring pops and roadsEntertainment: The Pitt , Anora, and Severance!Check out "Let the Boys Watch" with cousin Benny! https://linktr.ee/lettheboyswatchFollow us on InstagramGoodnight Johnnys, goodnight!

TJ Zwarych and Rachel Leishman of Agents of Fandom are LIVE on Friday to break down the of Severance Season 2 Finale on Apple TV+! This week, we're joined by Phase Hero Co-Host Jamie Jirak to break down Severance Season 2, Episode 10!(00:00:00) Intro(00:02:00) White Lotus, Reacher, Florida Project(00:09:00) Severance Season 2 Review(00:11:00) Severance Season Finale Reactions(00:15:00) Mark's Innie and Outie Meet in Severance Season 2(00:22:00) Harmony Cobel in Severance Season 2 Finale(00:24:00) Choreography and Merriment in Severance(00:31:00) Jame Eagan Sees Kier in Helly R in Severance Season 2 Finale(00:34:00) The Truth of Cold Harbour is Revealed in the Severance Season Finale(00:38:00) Mark Murders Mr Drummond with Goat Lady's Help - Go Gwendoline Christie! (00:43:00) Mark Chooses Helly Over Gemma in Severance Season 2 Finale(00:50:00) Severance Season 3 TheoriesBecome a supporter of this podcast: https://www.spreaker.com/podcast/agents-of-fandom--5479222/support.

Shawn Cosby is a professionally trained actress, dancer, choreographer and Artistic Director for CenterStage Academy for the Arts, home to the acclaimed Showbiz Dancers and Showbiz Next Generation Performers. She has appeared in several feature films, and television shows such as: House of Cards, NBC, BET's Trophy Wife, A Wesley Christmas Wedding and is the Writer & Co-Director of the independent film "33rd & Memphis.” She has also been the Stage Manager for The Steve Harvey Act Like A Success, JUMP and SOAR Conferences; and Creative Director for the DC-CAP Performing Arts Gala at the Kennedy Center. Shawn has choreographed for numerous recording artists and films including Step Up, and over 400 off-Broadway musicals. She was also featured by NBC during The Wiz Live as part of a spotlight on the arts in public schools. Ms. Cosby is considered a master teacher in dance and has taught master classes from DC to South Africa and is a recipient of the Alvin Ailey Award for Choreography. God Did That!

David Ingram is Fort Wayne Ballet's guest choreographer for Les Sylphides as part of the Ballet Russe Reimagined series. In this interview, Jim Sparrow asks David about his career and his inspiration for setting new movement to this classic piece. Fort Wayne Ballet's first of a 3-part series, Ballet Russe Reimagined, will be performed on March 21 and 22 at the Pearl Street Arts Center. The first performance features Les Sylphides and The Rite of Spring.

Before there were influencers, Donald Byrd was busy influencing art and culture through his countless contributions in Dance. As an established force on both coasts with Seattle now his home, the iconic choreographer shares stories, insights and deep feelings that are the culmination of an artist's life well lived.    In this honest conversation with high school senior Gavin M., the legend articulates the significance of an Artist in 2025. He also debunks Drug use and addiction from a years-long struggle that he successfully overcame. He discusses Blackness in America, and how Black people are alchemists that turn pain and oppression into gold. And together they explore the ways that we can achieve more balance, growth and compassion through work on Self.    Donald Byrd has been the Artistic Director of Spectrum Dance Theater since December 2002. Formerly, he was Artistic Director of Donald Byrd/The Group, a critically acclaimed contemporary dance company, founded in Los Angeles and later based in New York, that toured both nationally and internationally. His career has been long and complex, and his choreographic and theatrical interests are broad. The New York Times describes him as “a choreographer with multiple personalities ... an unabashed eclectic.” He received a Tony-nomination for his choreography for The Color Purple and a Bessie Award for The Minstrel Show.   Co-presented by 4Culture, Coping 101's Artist Mental Health Stories amplify voices from King County's cultural sector to empower individual artists, uplift the creative community and destigmatize mental health from a teen's perspective. No matter our age or background we all face challenges, and there are many healthy ways to find balance. Get started with more episodes and resources hosted at c895.org/coping101 more about Donald Byrd: https://en.wikipedia.org/wiki/Donald_Byrd_(choreographer) more about Spectrum Dance Theater 4Culture - 4culture.org

A virtual town hall, designed to illuminate the captivating world of Pretty Guardian Sailor Moon, offered media professionals an exclusive opportunity to explore the franchise's remarkable journey. This event delved into the evolution of Sailor Moon, its global cultural impact, and the innovative theatrical genre of 2.5D musicals. Attendees gained firsthand insights into the creative vision that brought Pretty Guardian Sailor Moon: The Super Live to the stage. The town hall featured a distinguished panel of key figures from the production, providing an unparalleled glimpse behind the scenes. Makoto Matsuda, the Lead Producer of Pretty Guardian Sailor Moon: The Super Live, shared his expertise on the strategic and logistical aspects of transforming the beloved anime into a live performance. He discussed the challenges and triumphs of adapting a globally recognized story for the stage, highlighting the production's commitment to preserving the essence of Sailor Moon while innovating for a live audience. Satomi Toma, the Choreographer, revealed the intricate process of crafting the dynamic and visually stunning choreography that defined the show. She elaborated on the blending of iconic anime movements with theatrical dance, exploring how she brought the Sailor Guardians' powers and personalities to life through movement. Riko Tanaka, the Lead Actress portraying Sailor Moon, offered a unique perspective on embodying such an iconic character. She discussed her journey in capturing the spirit of Usagi Tsukino, sharing her experiences in connecting with the character's emotional depth and physical demands. This town hall not only explored the creative process but also examined the broader cultural phenomenon of 2.5D musicals. This genre, which seamlessly merged anime and manga aesthetics with live performance, captivated audiences worldwide. The panel discussed its unique appeal and its growing influence on the global entertainment landscape. To ensure that media professionals from diverse linguistic backgrounds could fully participate, a professional translator was present throughout the event. This facilitated real-time translation, enabling clear and comprehensive communication between the panelists and attendees. The presence of the translator underscored the event's commitment to inclusivity and accessibility, allowing for a truly global dialogue. This virtual town hall proved to be an enlightening and engaging experience, offering media professionals a unique opportunity to delve into the magic behind Pretty Guardian Sailor Moon and the innovative world of 2.5D musicals. Web: https://sailormoonsuperlive.co... About the show: Ash Brown is a force to be reckoned with in the world of motivation and empowerment. This multi-talented American is a gifted producer, blogger, speaker, media personality, and event emcee. Her infectious energy and passion for helping others shine through in everything she does. Ash Said It, Ash Does It: * AshSaidit.com: This vibrant blog is your one-stop shop for a peek into Ash's world. Dive into exclusive event invites, insightful product reviews, and a whole lot more. It's a platform that keeps you informed and entertained. * The Ash Said It Show: Buckle up for a motivational ride with Ash's signature podcast. With over 2,000 episodesalready under her belt and a staggering half a million streams worldwide, this show is a testament to Ash's impact. Here, she chats with inspiring individuals and tackles topics that resonate deeply. What Makes Ash Special? Ash doesn't just preach motivation; she lives it. Her strength lies in her authenticity. She connects with her audience on a genuine level, offering real-talk advice and encouragement. She doesn't shy away from the challenges life throws our way, but instead, equips you with the tools to overcome them. Here's what sets Ash apart: * Unwavering Positivity: Ash Brown is a glass-half-full kind of person. Her infectious optimism is contagious, leaving you feeling empowered and ready to take on the world. * Real & Relatable: Ash doesn't sugarcoat things. She understands the struggles we face and offers relatable advice that resonates with listeners from all walks of life. * Actionable Strategies: This isn't just about empty inspirational quotes. Ash provides practical tips and strategies to help you translate motivation into action, turning your dreams into reality. So, if you're looking for a daily dose of inspiration, actionable advice, and a healthy dose of real talk, look no further than Ash Brown. With her infectious positivity and dedication to empowering others, she's sure to become your go-to source for making the most of life. ► Goli Gummy Discounts Link: https://go.goli.com/1loveash5 ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

Melanie has been out on the road judging, in her travels she has noticed many things that need to be addressed. Even as a parent, I have seen some questionable things this year regarding costuming, music and choreography. Listen as we share our opinions on how this affects our littles.Send us a textA dance podcast all about everything dance. Dancers,parents, studio owners, judges all weigh in on their opinions of the dance world.

The En Avant series, narrated by Fort Wayne Ballet Artistic Director Karen Gibbons-Brown, airs Saturdays on 89.1 WBOI during the Classical Connections Review. This episode of the Kinetic Conversations Podcast is a supercut of Karen's six-part series on the history of the Ballet Russe, from its post-classical beginnings in Russia to its influence on the American ballet renaissance.Fort Wayne Ballet's first of a 3-part series, Ballet Russe Reimagined, will be performed on March 21 and 22 at the Pearl Street Arts Center. The first performance features Les Sylphides and The Rite of Spring.

Keith Montena returns this week to break down MAYHEM, Lady Gaga's seventh studio album, and the sonic landscape that defines it. While early singles Disease and Abracadabra hinted at one direction, the full album takes an unexpected turn, pulling from Prince, Bowie, and electro-grunge influences in ways that might surprise you. From the rollout to the creative choices, how does MAYHEM actually stack up? Find out how Garden of Eden taps into Gaga's earliest songwriting roots, Perfect Celebrity almost took the album in an entirely different direction, and all collaborators on deck. Plus, how do the ‘80s influences fit into today's pop landscape, and did the marketing set listeners up for something completely different? In just under 40 minutes, Vinyl Drop unpacks "MAYHEM" during release week.

Episode Summary:Chuck Maldonado, a highly sought-after choreographer and creative director. Chuck shares his inspiring journey from a late start in dance at the age of 29 to becoming a key figure in the industry. He reflects on his early experiences with street dance and formal training, which eventually led to his involvement in the Centennial Olympic Games, where he worked with legendary choreographer Kenny Ortega. Chuck also discusses how key relationships, including a connection with Lisa Left Eye Lopez, helped propel his career forward, leading to major choreography opportunities for artists like Missy Elliott and Pink.Chuck delves into his transition from dancer to choreographer, citing his work on the film Stomp the Yard as a pivotal moment. He also talks about his latest venture, The Stu, a creative studio in Burbank, where he and his business partner Aliya Janelle offer a safe and supportive space for artists to rehearse, create, and grow. Chuck emphasizes the importance of relationships, mentorship, and trusting the process in building a successful career. Show Notes:(0:00) Introduction to Chuck Maldonado, Renowned Choreographer and Creative Director(3:30) Chuck's Early Start in Dance and Overcoming Challenges(8:45) Breaking into the Industry: Chuck's Big Break at the Centennial Olympic Games(14:20) How Chuck's Relationship with Lisa Left Eye Lopez Led to His First Major Job(19:00) Transitioning to Los Angeles: Chuck's Experiences with Missy Elliott, Pink, and More(23:15) Chuck's Favorite Projects: Working with Missy Elliott and Pink(27:00) The Shift from Assistant to Lead Choreographer: The Making of Stomp the Yard(33:45) Launching The Stew: Chuck's New Creative Studio in Burbank(38:30) The Vision for The Stew: A Safe Space for Artists and Dancers to Create and Connect(42:15) Chuck's Advice for Aspiring Dancers: Building Confidence and Overcoming Self-Doubt(46:00) Mentee Q&A: Staying Inspired in Choreography, Building Industry Connections(52:00) The Importance of Relationships and Mentorship in Career Growth(56:00) Final Thoughts on Trusting the Process and Staying True to Your Purpose in DanceBiography:Chuck Maldonado is one of today's most sought after Choreographers/Creative Directors in the industry. He has made such an impact in TV and films such as; Stomp The Yard 1 and 2, Step Up Revolution, House Party 5, Disney films G-Force, and Underdog. In addition, his talent and creative direction has also been used in shows such as; Dancing With The Stars, So You Think You Can Dance, X-Factor, and America's Best Dance Crew. Additionally, Chuck has worked on numerous commercials that include; McDonalds, Wendy's, Best Buy, AT&T, Hanes, Gap, and Target.He has also worked with several recording artists such as; Fergie, Chris Brown, Young Thug, P. Diddy, Ne-Yo, Usher, Pink, Khalid, and Missy Elliott. A four time award-winning Choreographer for his work on ‘Stomp the Yard,' ‘The NAACP Image Awards', ‘Chris Brown's Grammy performance', and Brighthouse's Network Commercial. Chuck has also devoted much of his time furthering his education. A Graduate of the historical North Carolina A&T State University, Chuck received his Bachelor's of science in Business Administration. Upon graduating college he received his first choreography job for the opening and closing ceremonies of the Centennial Olympic Games in Atlanta.His recent projects include Paramount animated film Max and the Midknights, Bounce TV ‘Mind Your Business, MTV Movie and TV Awards for Dwayne “The Rock” Johnson, the Netflix original film ‘Word Party', Toyota Commercials, Khalid ‘Roxy' Tour, and “In The Time It Takes To Get There” Movie by Zach Braff. Whether Choreographing, Creative Directing, Producing and now being a Studio owner, Chuck is known worldwide as one of the best in the industry. Connect on Social Media:https://www.instagram.com/chuckmaldonadohttps://www.facebook.com/chuck.maldonado1911Websitehttps://thestulosangeles.com/

Tony Award-winning director George C. Wolfe and Tony Award-nominated director and choreographer Camille A. Brown joined Shelley Wade at The Sound Space @ Audacy New York for a conversation about Black excellence on Broadway and their work on "Gypsy" on Broadway starring Audra McDonald.

On March 21, Fort Wayne Ballet is presenting Le Sacre du printemps, otherwise known as Stravinsky's Rite of Spring, as part of the Ballet Russe Reimagined series. It will be presented as a world premiere, with new choreography by famed choreographer, Mark Godden. Artistic Director Karen Gibbons-Brown sat down with Mark to discuss the process of creating a new show and working in tandem with the dancers to bring new life to this Ballet Russe classic.

Episode Summary: Megan, a Senior Talent Agent at McDonald Selznick Associates (MSA), to explore the world of dance representation. Megan shares her unique journey from being a dancer to becoming an agent and provides invaluable insights into what makes a successful client in the dance industry. She discusses the qualities MSA looks for in dancers, such as professionalism, strong communication, and the ability to respond quickly to opportunities. Megan highlights the importance of keeping your casting materials up-to-date, including headshots, resumes, and performance clips, and provides advice on how dancers can stand out when submitting to agencies. She also touches on the expanding role of social media and personal branding, explaining that while it's not crucial to be an influencer, having a professional presence is key. In addition, Megan talks about the various trends in the dance industry, including the growing embrace of diversity and the rise of specialty skills like roller skating. She concludes by emphasizing the importance of being true to oneself and finding the right team to support individual goals in the dance world. Whether you're aspiring to sign with an agency or grow your career, this episode is packed with valuable tips. Show Notes: (0:00) Introduction to Megan, Senior Talent Agent at MSA (3:00) Megan's Journey from Dancer to Talent Agent (7:45) Overview of MSA and its Expansion into Different Departments (12:30) What Makes an Ideal Client for MSA (16:20) The Importance of Communication and Professionalism in Dance Careers (20:45) How Dancers Can Submit to MSA: Materials and Process (24:15) The Role of Social Media and Personal Branding in Dance Careers (28:50) Trends in the Dance Industry: Embracing Diversity and Specialty Skills (35:00) Building Long-Term Careers: Transitioning from Dancing to Choreography and Creative Roles (40:30) The Impact of Special Skills on Dance Careers (44:15) Q&A Session with Mentees: Submitting to Agencies, Getting Noticed by Choreographers (50:00) Final Thoughts on Developing Your Dance Career and Finding the Right Team Biography: Megan Hunt is a Senior Talent Agent at McDonald Selznick Associates (MSA), bringing a wealth of experience from her work in both Los Angeles and New York's entertainment industries. With a background that includes a position as Junior Agent in MSA's Education Department, Megan has built a successful career by fostering relationships and connecting talent with opportunity. She also co-hosted The Hollywood Dance Podcast alongside Tony Selznick, a co-founder of MSA and a legendary figure in the Hollywood dance community. Known for her ability to navigate complex challenges with creative solutions, Megan excels in management, production, public speaking, and client relations. Her passion for understanding people's goals and collaborating to create meaningful projects is central to her work. A graduate with honors from Portland State University, she continued her education at The School for Radio & TV Broadcast in Orange County, California. Connect on Social Media: https://www.instagram.com/megnhunt https://www.facebook.com/megan.hunt.58 Website https://msaagency.com/

Nesse episódio o Dr. Lucas Oliveira também traz um caso clínico. Vamos discutir como definir a fibrilação ventricular refratária, e o que existe de evidência para manejo. O Dr. Lucas Oliveira é residente de terceiro ano do programa de medicina de emergência do HC-FMUSP. Se você gosta do nosso podcast, por favor compartilhe o nosso conteúdo em redes sociais e nos avalie no iTunes. Isso é importante para que mais pessoas conheçam o nosso trabalho. Mande feedback para 15minutos.emergencia@gmail.com. Link para a coreografia da dupla desfibrilação: https://www.nejm.org/doi/full/10.1056/NEJMoa2207304#:~:text=Choreography%20of%20Defibrillation%20Used%20during%20the%20Trial. Siga-nos nas redes sociais. Vocês podem encontrar o Dr. Lucas Oliveira no instagram em @lucaslro Dr. Julio Marchini está no Instagram em @emergency_drops #15minutosememergencia

Host and Associate Artistic Director Wendy Whelan is back with another intimate New Combinations conversation, joined this week by Artist in Residence Alexei Ratmansky. They discuss the origins—both within history and in Ratmansky's own career—of the Petipa ballet Paquita, excerpts of which provide the foundations for his newest ballet for the company. Ratmansky explains his use of Balanchine's Minkus Pas de Trois in revisiting this "feast of classical dancing," and the ways in which his work brings extensive research into conversation with the vocabulary of today's dancers. (30:45) Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co.

Hear the Dance host Silas Farley is joined by Associate Artistic Director Wendy Whelan and former Soloists Repertory Director Jean-Pierre Frohlich and Repetiteur Diana White for a conversation about Jerome Robbins' The Cage. From its "empowering" choreography to the manners in which the relationship between the Mother and the Novice mimic that of senior and newer members of the company, they describe the unique qualities of this ballet beloved by dancers and audiences alike. (59:01 Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto in D for String Orchestra, "Basler" (1946) by Igor Stravinsky Performed by New York City Ballet Orchestra Reading List: 1. Somewhere: The Life of Jerome Robbins by Amanda Vaill 2. Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir by Jerome Robbins, Edited by Amanda Vaill 3. Jerome Robbins: A Life in Dance by Wendy Lesser 4. Stravinsky: A Creative Spring: Russia and France, 1882-1934 by Stephen Walsh 5. Stravinsky: The Second Exile, France and America, 1934-1971 by Stephen Walsh 6. The Stravinsky Festival of the New York City Ballet by Nancy Goldner

In this episode, guest artist Galit Friedlander shares her personal dance journey from starting her professional career as a young teen to working as an assistant choreographer for Prince. She discusses the impact of being highly sensitive and empathetic as a dancer and a teacher, the importance of creating positive energy in rehearsals, and strategies for maintaining professionalism. Galit also provides advice from her experiences interviewing successful dancers on the 'DanceSpeak' podcast, emphasizing hard work, authenticity, and leveraging peer networks for career advancement.   Episode Resources: https://passionfordancepodcast.com/193 DanceSpeak Podcast: https://dancespeakpodcast.com Galit's Website:https://www.gogalit.com Galit's Instagram: https://instagram.com/gogalit   Episode Highlights: 00:00 Introduction and Welcoming Galit 01:58 Pursuing Dance Professionally 05:37 Teaching and Choreography 06:24 Networking and Building a Career 10:33 The Importance of Peer Relationships 17:13 Highly Sensitive Person in Dance 18:38 Embracing Emotional Awareness in Dance 19:28 Navigating Energy in Rehearsals 21:29 Creating a Positive Dance Environment 29:16 Insights from DanceSpeak Podcast 34:30 Connecting with Galit and Final Thoughts

In this episode of New Combinations, host and Associate Artistic Director Wendy Whelan is joined by Resident Choreographer Justin Peck in the lead-up to the world premiere of his latest work for the company, Mystic Familiar. Peck shares the thematic underpinnings of this "younger brother" to his 2017 ballet The Times Are Racing, which brings together many of the same artists as that earlier work. They discuss the ways in which Mystic Familiar celebrates the dancers' communal energy in an anthem-like The Four Temperaments for the 21st Century. (35:23)  Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

Episode Summary: Shawn Byfield, an accomplished Canadian performer, choreographer, MC, and author. With an extensive career spanning film, television, and live performances, Shawn shares his personal journey, starting from a hyperactive child to becoming a seasoned dance professional. He recounts how his passion for dance ignited after watching the legendary Gregory Hines perform tap dance on television, leading him to pursue a diverse range of dance styles and eventually transition into the professional dance world. Shawn discusses the importance of creating your own opportunities, emphasizing how dancers should take initiative instead of waiting for their big break. He also dives into the lessons he's learned from his experiences in the competitive dance world and how it shaped his artistic growth.  In addition, Shawn shares insights from his latest project, You Came to Slay, a workbook designed to help dancers boost their confidence through thought-provoking questions. The episode highlights the significance of embracing feedback, overcoming imposter syndrome, and setting big, meaningful goals to achieve success in the dance industry. Show Notes: (00:00) - Introduction to Shawn Byfield, performer, choreographer, MC, and author (03:00) - Early dance journey, inspired by Gregory Hines and discovering tap (10:00) - Competitive dance, growing through competitions and learning (12:30) - Going professional, deciding to pursue dance full-time (17:30) - Performing highlights, roles in Hairspray and Pixels (25:00) - Choreography career, winning a Dora Award for I Think I Can (30:00) - Becoming an MC, transitioning to MCing and energizing audiences (35:00) - You Came to Slay, a workbook to boost dancer confidence (42:00) - How to handle and grow from feedback (47:00) - Advice for multifaceted dancers, exploring different dance paths (52:00) - Overcoming imposter syndrome, staying true to passions (57:00) - The power of setting big career goals (01:02:00) - Final thoughts, building a sustainable and successful dance career Biography: Shawn Byfield, Canada's Favourite Emcee, Entertainment Coach, and Distinguished Award Recipient, and performer has left an indelible mark on the Canadian entertainment industry. As an acclaimed performer, Shawn's credits include memorable appearances in films like "COBU 3D" (2012), "Turn The Beat Around," "HAIRSPRAY," and "Blues Brothers 2000," showcasing his captivating on-screen presence. He has also graced the stage in productions such as "Taal," "Bojangles," "Confessions of a Teenage Drama Queen," "The Music Man," and "The Ladies Man," further solidifying his status as a versatile entertainer. Shawn's talents extend beyond the screen and stage, as he has lent his charisma to TV commercials for brands like Dentyne, Best Buy, The Bay, Got Milk, Rogers Video, McDonald's, Molson Canadian, and Joe Fresh, becoming a sought-after talent in the advertising world. Shawn has been featured in esteemed publications such as the Globe and Mail, Toronto Star, National Post, Now Magazine, Eye Weekly, Toronto Sun, and Canadian Living Magazine, offering valuable insights into the entertainment industry. In addition to his media presence, Shawn's engaging personality and wealth of knowledge have made him a frequent guest on popular television networks, including SLICE Network, Much Music, CBC's The National, Rogers TV, and Breakfast Television. His accomplishments include prestigious awards such as: Canada's DORA AWARD for Choreography (Canada's version of a Tony Award) and nominations for the GEMINI AWARDS and BLACK CANADIANS AWARDS. These accolades reflect his exceptional talent and industry recognition. Furthermore, Shawn Byfield is the author of the transformative NEW playbook, 'You Came To Slay!' This empowering guide goes beyond dance steps, offering a mental pass to unlock a dancer's true potential.  Connect on Social Media: https://www.instagram.com/shawnbyfield https://www.facebook.com/ShawnByfield