Podcasts about Tony Award

This week, Willie gets together with Oscar Isaac to talk about his prolific career that has ranged from "Inside LLewyn Davis", to "Star Wars", and his acclaimed new play on Broadway, "The Sign in Sidney Brustein's Window”, nominated for a Tony Award.

Itamar is an internally acclaimed screenwriter and playwright. An alumni of Yale and NYU Itamar has taught playwriting at both institutions. In 2018 Moses received the Tony Award for his work on The Band's Visit, based on the 2007 Israeli film of the same name which tells the story of a group of Egyptian musicians who get lost on their way to a concert in Israel, winding up in a small town in the center of the Israeli desert. Moses's writing is not limited to musicals and has written for such shows as Men of a Certain Age and Boardwalk Empire. Now, Itamar is showcasing his latest work, an on-stage rendition of the kid's classic, "An American Tale, The Musical" at the Children's Theater Company in Minneapolis, MN. Whether it's for stage or screen, Itamar Moses continues his prodigious output of creativity, dazzling theater and living room audiences one script at a time. --- Support this podcast: https://podcasters.spotify.com/pod/show/twotalljewshow/support

60 Minutes correspondent Cecilia Vega headed to the Caribbean Island of Dominica for her first assignment. She joins "CBS Mornings" to discuss what is behind the declining population of sperm whales and the efforts to protect the endangered species.The full NFL schedule was released Thursday night. CBS Sports sideline analyst Tracy Wolfson joined "CBS Mornings" to discuss the biggest storylines of the upcoming season.Tony Award-winning actor Ben Platt joins "CBS Mornings" to discuss his return to Broadway in "Parade."Debbie Gibson, an 80's pop icon, sits down with Mark Strassman to talk about her first pop album in 20 years. She is going on an encore tour of her album at the end of the month.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actor and professor Cindy Gold remembers her friend and colleague Frank Galati, the Academy Award-nominated and multiple Tony Award-winning writer and director who died last January. At a memorial held at Steppenwolf Theatre last Monday, Galati's friends and artistic colleagues (including Mary Zimmerman, Robert Falls; Lois Smith, and Lynn Ahrens & Stephen Flaherty) remembered him as a generous and supportive artist in an event that was an inspiring celebration. Cindy shares her memories of working with Frank on his musical Loving Repeating (for which she won a Joseph Jefferson Award for playing Gertrude Stein); how Frank was a champion of the positive who had the ability to love an actor to a great performance; the joy of experiencing the “full Galati;” her talent to be a muse; and how Frank Galati continues to inspire. (Length 20:04)

Host and Associate Artistic Director Wendy Whelan is back with another New Combinations episode, chatting with long-time friend, former ballet partner, and Tony Award-winning choreographer Christopher Wheeldon. He describes his journey from Royal Ballet dancer to New York City Ballet to Broadway and back again, with first new work for the Company in six years premiering on May 4. As Wheeldon shares, the “turbulent beauty” of artist Kylie Manning's work was a major inspiration in the studio as he wrestled with the Schoenberg score; their collaboration, along with that of the dancers, helped bring From You Within Me to the stage. (43:24)  Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

WTOP Entertainment Reporter Jason Fraley chats with Tony Award winner Laura Benanti, who hosts "Broadway in Bethesda" at Round House Theatre in Bethesda, Maryland on Saturday night. They discuss her journey from Paper Mill Playhouse in New Jersey to Broadway for five Tony nominations in “Swing,” “Into the Woods,” “Gypsy,” “Women on the Verge of a Nervous Breakdown” and “She Loves Me,” as well as her expansion into hit TV shows and films. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, your two favorite Matts discuss Taylor Swift announcing Speak Now (Taylor's Version), the WGA calling for a Writers Strike, the 2023 Tony Award nominations, and more! ⁠⁠⁠⁠⁠⁠⁠Join Skillshare and get a one month free trial!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Check out Matt Palmer's new single "Hurricane"!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Check out our new merch store!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Watch Matt Steele's movie DIVOS!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Become a patron!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Watch us on YouTube⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Follow @itsmattsteele⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Follow @mattpalmermusic

Betsy Wolfe is a Tony Award nominated actress and performer who is currently starring on Broadway in & Juliet. Her other credits include Falsettos, Waitress, The Mystery of Edwin Drood, and Bullets Over Broadway. In this episode, Betsy shares the joys and challenges of returning to Broadway with her Tony-nominated performance as ‘Anne Hathaway' in & Juliet. She discusses how being a mom has changed the way she portrays her characters, her favorite Max Martin hits to sing in & Juliet, and how she is helping to build the next generation of performers through her musical theatre training company, Broadway Evolved. & Juliet Tickets Broadway Evolved Killer Psyche Podcast Neuro Gum Link for 20% off Stages listeners Strip Makeup link for 25% off Stages listenersSupport the show: http://www.stagespodcast.netSee omnystudio.com/listener for privacy information.

Three-time Emmy Award winner and Tony Award nominee Sean Hayes is back on Broadway, starring as Oscar Levant in Pulitzer Prize winner Doug Wright's new play "Good Night, Oscar" at the Belasco Theatre. Ben Rappaport, the actor playing famed Tonight Show host and Levant sparring partner Jack Paar, joins us.

Eric Nelsen (IG:@ericnelsenofficial)(buckingbullbourbon.com) is a 4x Emmy Award Winning, Drama Desk Award Winning, Drama League Award Winning and Outer Critic Circle Award Winning actor and producer. His Broadway credits include producing THE INHERITANCE (Laurence Olivier Award Winner - Best New Play) and starring in the cult hit, 13 THE MUSICAL alongside Ariana Grande. He was recently seen on the big screen in NIGHTMARE CINEMA, opposite Academy Award Nominee Mickey Rourke, as well as A WALK AMONG THE TOMBSTONES opposite Academy Award Nominee Liam Neeson. Notable work includes WAKEFIELD starring Bryan Cranston and Jennifer Garner, a recurring role in Showtime's THE AFFAIR, and starring in the New Group production of THE GOOD MOTHER opposite Gretchen Mol.

In this episode of LIGHT TALK, the Lumen Brothers discuss everything from AI Writers to Surprise Tony Nominees.   Join Brackley, Steve, and Zak, as they pontificate about: Chat GPT and the Writer's Strike; LDI vs. The F1; Keeping projectors quiet; Fond memories of Pani's; How to be kind when critiquing a distracting lighting design; Balancing university politics with your educational mission; Politics at private vs. state universities; Tony Award nominees; and Being stuck in the past.   Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense.

TONY AWARD®, United States Congressional Record & National Recording Registry of the Library of Congress, Hollywood Walk of Fame Inductee 2023!!The Music Historian in ME Loves to Talk to the Legends in Many Niche Careers & Ms. Melba Moore has a unique career in Entertainment!Finding out she's getting a star of the Hollywood Walk of Fame in 2023 hasn't stopped Tony Award winner and trailblazing singer, actress, television host and Newark Arts High School graduate Melba Moore from continuing her more than five-decade entertainment career.Marvelous Melba is truly a triple threat in the entertainment industry -- winning top honors in music, theatre and television: American prolific 5 Octave singer and Tony award winning actress.Broadway, Contemporary Soul/R&B, Pop, Rock, Jazz, Gospel and Classical.Melba has NEW Music Compilation called "Imagine'. Already Topping the American & British Soul charts. The title track already being named Soultracks' Song of the Year.Melba Moore has done it all, twice. At the tender age of 10, Melba notes that it was then that she was introduced to music and that “I didn't have any music in my life before my mother married my stepfather. He introduced music into our home and into my life.” From that moment forward, Melba began to develop her 5-octave, note-holding soprano that would soon bring audiences to their feet. Theater: Won a Tony Award for best featured actress in a musical for her role in the musical "Purlie," Replaced  Diane Keaton in  the Broadway musical "Hair" Was first African American woman to play the female lead in the musical "Les Misérables" on Broadway. The Newark, NJ Arts High School graduate started doing recording sessions after a chance meeting with singer/songwriter/composer Valerie Simpson (of Ashford & Simpson).  That opportunity in the studio led Melba in the company of the Broadway musical “HAIR!” First in the ensemble of the show, Melba's name was tossed into the conversation when actress Diane Keaton left the show and Melba took the female lead and broke all the rules, being the first Black woman to replace a white actress in a featured role on Broadway. The journey of Melba's career took her meteorically from there to the lead of “PURLIE,” a musical adaptation of a play written by acting husband and wife pioneers Ossie Davis and Ruby Dee.  That role and its musical soundtrack would earn Moore a Grammy nomination as Best New Artist in 1971 and a Tony Award for Best Featured Actress.  The power of her presence on Broadway got Melba noticed and she became a virtual sensation. TelevisionStarred in her own sitcom, "Melba." Melba Moore became so well known that network television offered her a summer variety series.  Starring Melba and actor/singer Clifton Davis, who was starring on Broadway in another show, the duo, who were dating, were given the choice to bring their mass appeal into Middle America.  Music  Celebrated top hits during the70s, 80s and 90s-- "Falling," "You Stepped Into My Life," "Love's Comin' At Ya," and "A Little Bit More" — and others Performed a special rendition of 'Lift Every Voice and Sing'  Merged her inspirational and gospel style in many songs. Soon after the success of the ‘The Melba Moore/Clifton Davis Show,” it was time for her soaring soprano to take her foray into the recording studio. First signed to Buddah Records, Melba had hits like “This Is It,” “Lean On Me” and “You Stepped Into My Life,” garnering Grammy nominations and international success. Later signed to Capitol Records, she followed that success with “Love's Comin At Ya” and then a string of R&B hits followed, including "Read My Lips"—which later won Moore a third Grammy nomination (for Best Female Rock Vocal Performance), making her just the third black artist after Donna Summer and Michael Jackson to be nominated in the rock category.  Hits like the #1 "A Little Bit More" with Freddie Jackson and "Falling," a hypnotic ballad that features one of the longest held notes in recorded history. Moore would also record “Lift Every Voice And Sing” (the Negro National Anthem) at the behest of Dr. Dorothy Height, the president of the National Council of Negro Women, who wanted Moore to use her formidable talent to ensure that the song would reach a new generation.Melba Moore's produced version of “Lift Every Voice and Sing" which was entered into the United States Congressional Record as the official Negro National Anthem in 1990, was just named an ‘American Aural Treasure,' by the National Recording Registry of the Library of Congress for Ms. Moore's co-produced recorded rendition of the anthem© 2023 Building Abundant Success!!2023 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Response to stress manifests in a multitude of ways. Unfortunately, most of them are bad! Amy and Mike invited psychologist Ben Bernstein to explain how stress affects test performance. What are five things you will learn in this episode? What is the scientific relationship between stress and performance? How can stress be defined? What is the 3-legged-stool model for keeping stress at an optimal level? How can stress-reducing tools be integrated while studying and practicing for tests? What are some of the keys to assessing underperformance? MEET OUR GUEST Ben Bernstein is a senior psychologist and educator specializing in top performance. Known as the “Stress Doctor,” he is the author of four books on how stress affects performance: Test Success (2009), A Teen's Guide to Success (2014); Stressed Out! for Parents (2015); and Crush Your Test Anxiety (2018). His two forthcoming books, What You Should Have Learned in School: Accept, Grow and Serve, and The Well-Trained Husband will be released in 2023. His monthly blog posts on the Psychology Today website regularly receive thousands of hits. ‘Dr. B' is a performance coach for Academy Award, Tony Award, and Pulitzer Prize winners. His client list includes CEO's, business owners, dentists, athletes, attorneys, physicians, parents, opera singers and actors. He lectures worldwide, live and online, to audiences of business executives, professors, parents, and healthcare professionals as well as at conventions, corporations, universities, colleges and hospitals. An award-winning honors graduate of Bowdoin College (Brunswick, Maine), Bernstein received his doctorate in Applied Psychology from the University of Toronto (Ontario, Canada). He also holds a master's degree in Music Composition from Mills College (Oakland, California). An educator for the last fifty years, Bernstein has taught at every level of the educational system. Originally trained in London, he has received major grants from the American and Canadian governments for his work. Paralleling his career in education and psychology, Bernstein has extensive involvement in the performing arts. He created and publicly produced original films and plays with psychiatric patients in Australia and the US. As a result of this work, he was invited to be a resource artist at Robert Redford's Sundance Institute to collaborate with writers to realize their creative ideas. He has directed theater at the Juilliard School (New York) and the National Academy for Dramatic Art (Sydney). An award-winning composer, a Master Coach at the San Francisco Opera, Bernstein is the Founder and Artistic Director of The Singer's Gym, a non-profit training workshop for professional singers to have more vitality, spontaneity and connection in their work. Bernstein's wife, Suk Wah, is a novelist. The couple divide their time between the San Francisco Bay Area and Tamil Nadu in south India. Ben can be reached at drb@drbyourbest.com. LINKS Yerkes–Dodson law How to Breathe When Feeling Stressed Bpi https://www.drbyourbest.com/wp-content/uploads/2022/02/Bernstein_Performance_Inventory2.pdf https://courses.drbyourbest.com/courses/crush-your-test-anxiety RELATED EPISODES MENTAL TECHNIQUES FOR PEAK TEST PERFORMANCE USING MINDFULNESS FOR TEST AND SCHOOL SUCCESS HOW TO BREATHE DURING STRESSFUL ACADEMIC SITUATIONS ABOUT THIS PODCAST Tests and the Rest is THE college admissions industry podcast. Explore all of our episodes on the show page. ABOUT YOUR HOSTS Mike Bergin is the president of Chariot Learning and founder of TestBright. Amy Seeley is the president of Seeley Test Pros. If you're interested in working with Mike and/or Amy for test preparation, training, or consulting, feel free to get in touch through our contact page.481. 

In the 1986 animated children's movie "An American Tail," the Mousekewicz family, who are mice, flee religious persecution in Russia and come to America. It's a story of immigration and community organizing—and it's now a timely new musical playing at the Minnesota Children's Theater Company in Minneapolis through June 18th. MPR Arts Reporter Jacob Aloi sat down with the show's playwright, Itamar Moses, who also won a Tony Award for the musical "The Band's Visit," to ask about turning a film into a stage show. MPR News host Emily Bright followed that conversation with a discussion with Temple Israel's Senior Rabbi, Marcia Zimmerman, about the impact of having explicitly Jewish characters in children's stories.

In April, the Children's Theater Company in Minneapolis premiered an adaptation of a beloved children's film of the 1980s.   “An American Tail” tells the story of Fievel Mousekewitz, a Jewish mouse who faces religious persecution in Russia. Fievel comes to America, where he and his family have been promised there are “no cats.”   It's a story of immigration and community organizing. Tony Award-winner Itamar Moses wrote the new script and lyrics for the show and spoke with MPR News Arts Reporter Jacob Aloi.  This conversation has been edited for length and clarity.   Your work includes plays like ‘Outrage' and TV shows like ‘Boardwalk Empire.' It often has a lot of humor in it. But it also features heavy themes geared towards an adult audience. I'm curious if the approach has been different writing something with families in mind. Yes and no. On the deepest level, you're always just trying to write something that feels truthful. And sort-of soundly constructed, and where the story works, and the thing moves [for] young audiences. And adult audiences both appreciate that.   The other thing is that I'm adapting a film that already has all of these sorts of [young adult] elements built in, you know, it's a fable about anthropomorphized animals, right, it has like a fairytale quality.  That the bar is, if anything, slightly higher, in terms of attention span and things you can hook into, in a way that is accessible. Not dumbing it down because, actually, kids are super smart. They're smarter than we give them credit for. And they like being told the truth, because they're being lied to all the time in their lives by adults. But there's something — it makes you want to lean into the magic and the metaphor a little bit more, I think, than with adults.  The piece that people most know you for is your work on ‘The Band's Visit,' which itself was an adaptation of a film. I'm curious about what goes into adapting a work from a film to a different medium versus an original work.  [In] both “The Band's Visit” and “American Tail,” the first thing I did was sit down with the movie open on my laptop screen, playing it scene-by-scene with a text document open next to it.   And then, just as I went through it, asking myself, okay, what within this piece, will hold just as well translated directly to the stage with no changes, and then you start sort of building it that way. You end up with a bunch of stuff that you can just take directly from the source material. And then there are gaps.   Even though “American Tail” has some songs, it only has three or four. So even if we kept them all, and I think we kept three of the four, you needed to write new ones to fill out a score. “Band's Visit” didn't have songs except [for] the diegetic music that the band performs. So in both cases, then you have this text that you're building the songs up on top of like, this is the foundation? And can we drill down into this moment? Can we cannibalize this moment for it for a song all by myself?  You've talked about how being Jewish has influenced some of your work more explicitly. And I'm curious what it's like working on this show that explores that a little more.  It's funny because it's true that for the first 15 years of my career, I almost never wrote characters who are explicitly Jewish where it seemed relevant to the story. I think I had this instinctive aversion to being pigeonholed as this or that kind of writer. I was like, “Oh, no, my play is universal.”  And then I think, gradually, the longer you do this, you realize more and more that the more hyper-specific something is, there's this paradoxical way in which it feels it feels more universal, first of all, and secondly, that you're actually preventing yourself from going to the deepest places you possibly can, by not mining what's most deeply yours.  “The Band's Visit” was a real turning point for me ... it was close to the first time that something I'd written anything, for instance, set in Israel, that was the first time I'd ever done that. All of my work since then has leaned in one way or another, I think a little bit more strongly into that, sometimes very subtly.  And then sometimes, you know, it just depends [on] what's called for by the piece. Like, not everything is about that. And then it's also made me think more deeply about the specific identity of each character. And sometimes you want that —not to necessarily be part of the script, like, oh, actually, we could cast this in 50 different ways. And it's super interesting to do that. But I think the responsible thing to do is make a choice about which you're doing and why.   Now I feel extra motivated to do that. Because I've been made aware of my Jewishness in sort of a negative way in this country. I haven't felt that overt sort of feeling of antisemitism is anything other than like this fringe thing that existed but didn't impact my life very much at all. That was how it felt for most of my life. And in the last five years, and then even more so in the last year or two, I've suddenly felt it in a new way. And so that's made me, I think, want to double down on that a little bit more,  How has that influenced working on a show like this about Jewish resilience?  It's really a story about immigration, about how America is made up of waves and waves of immigrants. And the choice every wave of immigrants has, once they've sort of established themselves and figured out some zone of safety.   If that indeed happens. Do you turn around and hold that territory? You know, do guard it jealously, and, or do you sort of pay it forward in a different way and try to be more welcoming to the waves that come after you.  So that feels like the core of what this story is … the fact that the Mousekewitzes have to flee Russia because of pogroms is the inciting incident ... but then it's about how that weaves with all of these equivalent stories and analogous in various ways stories that everybody has, or every mouse has.  But, in a subtle way, it has felt like a great outlet for some of the feelings that of having had been having about this stuff generally. To include things like Jewish prayers, like prayers in Hebrew, you know, that are sung because here we are doing this musical and, you know, we slip in. The opening scene as a Hanukkah party, right? So, getting to do that stuff on stage, and put some of that stuff sort of explicitly out there, has felt like a subtle form of defiance.  

Ari Shapiro is one of the hosts of NPR's award-winning afternoon newsmagazine, All Things Considred. The broadcast journalist has reported from across the globe and the U.S. and has won numerous awards including two national Edward R. Murrow awards; one for his reporting on the life and death of Breonna Taylor, and another for his coverage of the Trump Administration's asylum policies on the US-Mexico border. Shapiro is also a singer, appearing with the group Pink Martini. He debuted with Pink Martini at the Hollywood Bowl in 2009 and has since performed live at places like Carnegie Hall in New York, The Royal Albert Hall in London and L'Olympia in Paris. In 2019 he created the show Och and Oy with Tony Award winner Alan Cumming, and they continue to tour the country with it.During this podcast, Shapiro discusses his life and career and his new book The Best Strangers in the World: Stories from a Life Spent Listening.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A most prolific actor, just a few of Stephen McKinley Henderson's credits include Fences, A Raisin In The Sun, A Doll's House Part 2, Lincoln, Manchester By The Sea, Lady Bird, Dune, Causeway, Beau Is Afraid and the upcoming Dune: Part 2. He was last on Broadway at Second Stages' Helen Hayes Theater in the riveting play Between Riverside and Crazy by Stephen Adly Guirgis. Directed by Austin Pendleton, Stephen was just nominated for a Tony Award for his riveting performance. Returning to the role that he originated back in 2014, Stephen played Pops, a retired police officer and devoted widowed father, who is doing his best to hold on to his beloved and massive rent-controlled Riverside Drive apartment. This episode was recorded on April 26, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's What to Watch: After 10 seasons and more than 200 episodes, ABC's The Goldbergs says farewell. Ed Sheeran's docuries The Sum of It All reflects on major personal events in his life and how that influenced his music. In the Schmigadoon! season finale, Melissa and Josh have a big decision to make. Plus, Hollywood trivia, and entertainment headlines, including Hollywood writers going on strike, Pete Davidson's SNL return canceled, Dancing With the Stars is moving back to ABC, FBoy Island gets saved with a spinoff added to the slate, and 2023 Tony Award nominations announced. More at ew.com, ew.com/wtw, and @EW on Twitter and @EntertainmentWeekly everywhere else. Host/Writer/Producer: Gerrad Hall (@gerradhall); Producer/Writer: Ashley Boucher (@ashleybreports); Editor: Samee Junio (@it_your_sam); Writer: Calie Schepp; Executive Producer: Chanelle Johnson (@chanelleberlin). Learn more about your ad choices. Visit megaphone.fm/adchoices

On this special podcast, Paul goes behind the curtain with Broadway and Tony Award winning star Gavin Creel who plays Prince Charming and the Wolf in “Into the Woods.” This is a hugely acclaimed and beloved Broadway production that has brought the original cast with it on a 10 city tour. The Stephen Sondheim and […]

Today on the show we chatted with Kesha all about this new era she's in with her new song ‘Eat The Acid.' Then Danielle goes over a list of life skills she needs to teach her son before he leaves for college in ENGLAND! We also talk to reporter Rye Myers who got snubbed by Tony Danza on a red carpet. Rye talks all about the Tony Award nominations and being a Broadway lover! See omnystudio.com/listener for privacy information.

In this episode Dr. Ben Bernstein, author of Crush Your Test Anxiety, explains the role of mind, body, and spirit in performance enhancement. [SHOW SUMMARY] While aptitude tests are increasingly optional in graduate admissions, tests are a constant in graduate school and frequently in one's career. How can you manage your stress and anxiety when facing a test, be it the MCAT, LSAT, MCAT, GRE, licensing exams, continuing education exams, or subject exams while in school? How can you perform at your best during a test? Dr. Bernstein will tell you how. An interview with author, coach, psychologist, and educator, Dr. Ben Bernstein, on how to crush text anxiety to raise test scores. [SHOW NOTES] Welcome to the 521st episode of Admissions Straight Talk. Thanks for joining me. Before we meet our guest, I'd like to highlight the featured resource for today's episode, Fitting In & Standing Out: The Paradox at the Heart of Admissions. Realize that the challenge at the heart of admissions is showing that you both fit in at your target schools and are a standout in the applicant pool. Accepted's free download, Fitting In & Standing Out: The Paradox at the Heart of Admissions, will show you how to do both. Master this paradox and you are well on your way to acceptance. Our guest today is Dr. Ben Bernstein, author of Crush Your Test Anxiety, and presenter of the masterclass by the same name, Dr. Bernstein or Dr. B as he prefers to be known, has been a performance coach for a wide variety of top performers, including Academy Award, Tony Award, and Pulitzer Prize winners, as well as CEOs, athletes, physicians, opera singers, and actors. Dr. Bernstein is the author of Crush Your Test Anxiety and three other books. He also posts regularly on Psychology Today. Dr. Bernstein graduated from Bowdoin College and earned his doctorate in applied psychology from the University of Toronto. In addition, he holds a master's degree in music composition from Mills College. Parallel to his career in psychology and education, Dr. Bernstein has extensive involvement in the performing arts.  Dr. Bernstein, thanks for being a guest on Admissions Straight Talk. [2:21] It is totally my pleasure, Linda. Thank you for inviting me. My pleasure. Let's start with something really basic. What is a performance psychologist? [2:29] Well, a performance psychologist is a term that I gave myself because I didn't know that one existed and the reason I gave it to myself was I was trained as a therapist, but when I started in private practice, I found that I didn't really take to that form of work, meaning that I'm a very active guy and I was really wanting to coach people more than do therapy with them, and so that meant I just started looking at where people wanted to perform better in their lives. Early on, it was parents or teachers, but then it became athletes and actors and dentists and doctors, and so that's what I do is that I'm really looking for what a person's potential is and what may be getting in the way of that. So we're looking at their performance, and hence, I'm a performance psychologist. How did you get into it? Was it just a matter of the fact that you didn't care for more traditional forms of therapy or- [3:36] No, thank you though. It's a good question. So I started out, as a young child, I was brought up in New York City, and I was a very prodigious piano player. I love playing piano, and I played very well. However, that got, sidetracked is not quite the right word, but I got pushed into recitals and competitions and national auditions and all the kinds of things that a seven, eight, nine, 10 year old might, me, really did not like, and I had severe performance anxiety. And no one helped me, actually. It was all like, what's the matter with you and you'll grow out of it and it's all in your head and all these things that were completely not helpful. I stopped playing the piano at age 14 completely.

One of the great things about a Vegas trip is all the opportunity for surprises. Not bad surprises, like the bell desk lost your luggage or you just checked in and there's a used prophylactic in your sheets.Good surprises, like a jackpot, or a delicious new drink, or finding out that random restaurant you decided to try has the best food ever. On my most recent trip to Vegas, I got to experience one of those good surprises when we decided to check out SIX: The Musical during its limited residency at the Venetian. (An aside: I think that I'm a little more tapped into the theater scene than the average straight American male. This is due to a rather diverse resume that includes a non-zero amount of time working backstage in professional theater.  So I still hear stuff from friends in the entertainment industry.  But this show was not on my radar at all.) Werk. Part of the reason for this is that SIX: The Musical is a relatively new show.  Conceived in 2017 for the Edinburgh Fringe Festival, SIX quickly made its way stateside, where it had an unfortunately-timed Broadway debut in March of 2020.  Once it was able to actually open, it was a smash hit. In the 21/22 Broadway season, it received multiple awards, including the Tony Award for Best Original Score.The “SIX: Live on Opening Night” album also debuted at #1 on the Billboard cast album charts.  While the show plays on Broadway, there are also two touring productions traveling the US right now. But didn't know any of this when we sat down to see the show. The premise is a sort of time-bending pop concert, where the six wives of Henry VIII are having a competition to see who was the most wronged by him, and who, therefore, should lead the “band.” The band is an all-woman four-piece rock/pop band who back up the six all-female cast members. Each queen gets a chance to say and sing her piece, arguing why each “she” was hurt the most by her marriage to Henry VIII. To keep things interesting, the show creators gave each queen a “Queenspiration,” or a real pop star or two that their historical character and song style is modeled after.  For instance, Catherine of Aragon is styled after Beyonce and Shakira, while Jane Seymour is styled after Adele and Sia.  All of the music is modern styled, like Hamilton. You won't find any lyres or harpsichords here. Unlike Hamilton, the costumes are also modern, but still manage to evoke Renaissance era England.   Damn, Jane! I want to see more! The result is a unique and entertaining show that moves along on at a decent clip. The Broadway production is only 80 minutes long, so the Venetian production didn't have to remove anything to accommodate Vegas audiences (or more accurately, casino bosses who would prefer show patrons be out of the theater and gambling.) I found SIX: The Musical to be immensely entertaining. The performers are all extremely talented, and have gorgeous voices that compliment their “Queenspirations” and ensure that each of the songs have their own distinct sound. There were enough great tunes that we found ourselves streaming the soundtrack in the car next day. It's also a funny show; especially Anne Boleyn repeatedly asking all the other wives how they could have possibly had it as bad as her when they have their necks intact. During the remainder of its Vegas run, SIX: The Musical will be at the Palazzo Theater.  It's a large, well kept theater. There is no drink service during the show, but there is a bar in the theater lobby.  Note that the exit for most patrons forces you through a single staircase, so it's a little slow getting back out. Things might get a little funky... The Audience Fuckery Factor for SIX: The Musical is virtually zero. There's some calls out to the audience for cheers or to get on your feet like you're at an actual concert. No one in the audience is getting picked on or called onstage. Performances are Tuesday through Sunday, up until May 7, 2023.  Tickets start at $78.  

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.Meryl is very, very smart and very focused and, in a sense, very private. Her work, you know, she isn't going to talk a great deal about her secrets, the secrets of her character. She's going to carry them with her." John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.Meryl is very, very smart and very focused and, in a sense, very private. Her work, you know, she isn't going to talk a great deal about her secrets, the secrets of her character. She's going to carry them with her." www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.Meryl is very, very smart and very focused and, in a sense, very private. Her work, you know, she isn't going to talk a great deal about her secrets, the secrets of her character. She's going to carry them with her." www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.You can't get trapped in your head when you're a playwright, or probably any kind of real artist. You have to find your center, which involves your spirit and your emotions, and some intellect.I think that that is a problem that we're enduring, experiencing now in film and theater. It's because of the politicization of media that you see like if you're going to cast a part of a guy with one leg, you have to hire a guy with one leg. And that's exactly what theater isn't. Theater is you take a pot from your kitchen and put it on your head and say, 'I'm the King of England!' And if you believe it, I'll believe it. And that frees all the one-legged people to be Fred Astaire, to do whatever they want. If they believe it, I'll believe it. So that kind of literalism is, I think, inhibiting to everyone."John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.You can't get trapped in your head when you're a playwright, or probably any kind of real artist. You have to find your center, which involves your spirit and your emotions, and some intellect.I think that that is a problem that we're enduring, experiencing now in film and theater. It's because of the politicization of media that you see like if you're going to cast a part of a guy with one leg, you have to hire a guy with one leg. And that's exactly what theater isn't. Theater is you take a pot from your kitchen and put it on your head and say, 'I'm the King of England!' And if you believe it, I'll believe it. And that frees all the one-legged people to be Fred Astaire, to do whatever they want. If they believe it, I'll believe it. So that kind of literalism is, I think, inhibiting to everyone."www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard.They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.Meryl is very, very smart and very focused and, in a sense, very private. Her work, you know, she isn't going to talk a great deal about her secrets, the secrets of her character. She's going to carry them with her." John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"And so there's always that element of doubt. It's like, I'm going to tell you a story. I'm going to tell you everything I know, but I don't know everything. And that little area creates a vibration that can run very deep because you can have that about your entire spiritual experience of life where you go on, I think this, I feel this, or I believe this, but I don't, I don't ultimately really know. And if you are very invested, the way Sister Aloysius (the older nun) is in her faith and her worldview and how she operates. For her to admit that she has doubt is an earthquake under the whole culture. And it's something that I think the whole culture has experienced."John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing."And so there's always that element of doubt. It's like, I'm going to tell you a story. I'm going to tell you everything I know, but I don't know everything. And that little area creates a vibration that can run very deep because you can have that about your entire spiritual experience of life where you go on, I think this, I feel this, or I believe this, but I don't, I don't ultimately really know. And if you are very invested, the way Sister Aloysius (the older nun) is in her faith and her worldview and how she operates. For her to admit that she has doubt is an earthquake under the whole culture. And it's something that I think the whole culture has experienced."www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I'm New York to the soles of my feet, and more specifically, The Bronx. I was formed in The Bronx. I lived there till I was 19. Then I went into the Marine Corps, and I came up against really something that I feel has really been lost when they stopped drafting people. I came up against everybody in the country, mostly poor people of every persuasion from Virginia to DC to wherever. And we lived together in an open barracks, like 90 of us in double-decker bunks for a year. And that is gold. It's irreplaceable. Not simply as an artist, but as a citizen of a given country, you really come to realize we're all in this together. And you see all of the prejudices play out in a kind of healthily violent way. People just punch each other in the face. So, this is back then. Now, apparently, it's much more civilized. I'm not sure I'm in favor of that, but back then, people said Marines said the most awful things to each other imaginable, of a racist nature, and of every other kind of nature. And you know, the shape of your head, anything.And then fists were thrown and somehow the world didn't come to an end. Then everybody calmed down, and they went back to their bunks and read their comic books or whatever they were going to do, and went to bed. And we got up the next day, and we worked together. That's a big lesson in how to get along, how to live, and how to live with people you don't necessarily agree with."John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.www.imdb.com/name/nm0788234www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast